Podcasts about slavery at sea

Ian's account of his groundbreaking reporting on slavery in the South China Sea, the first time a reporter had ever made it onboard a Thai distant-water vessel using enslaved labour. Found shackled by the neck as part of the crew on a dilapidated fishing vessel, Lang Long was a victim of the nightmarish world of debt bondage. A global scourge, sea slavery is something most people do not realize exists. This episode explains how it happens, taking us for the first time on board one such roach and rat-infested ship on the South China Sea, worked by 40 Cambodian boys. The episode also explains how overfishing has given rise to trans-shipment, fish-laundering and a prevalence of abuse that companies and governments have a tough time countering or tracking. Guest Interviews: Shannon Service, Director of “Ghost Fleet” Daniel Murphy, Freedom FundTo hear all episodes of The Outlaw Ocean now, visit here.For transcripts of this series, please visit here.

Links1. The Ocean and Us, edited by Farah Obaidullah, Springer Cham, 2023.2. Sea Control 294 - EU Fisheries Governance with Dr. Alin Kadfak and Dr. Anna Antonova, by Jared Samuelson, CIMSEC, November 18, 2021.3. Sea Control 225 - IUU Fishing and the Evolution of Sea Shepherd with Dr. Claude Berube, by Walker Mills, CIMSEC, January 31, 2021.4. Sea Control 192 - IUU Fishing and Fishing Policy in the South China Sea, by Jared Samuelson, CIMSEC, August 2, 2020.5. Farah Obaidullah's Twitter.6. Rebecca Hubbard's Twitter.

Ian's account of his groundbreaking reporting on slavery in the South China Sea, the first time a reporter had ever made it onboard a Thai distant-water vessel using enslaved labour. Found shackled by the neck as part of the crew on a dilapidated fishing vessel, Lang Long was a victim of the nightmarish world of debt bondage. A global scourge, sea slavery is something most people do not realize exists. This episode explains how it happens, taking us for the first time on board one such roach and rat-infested ship on the South China Sea, worked by 40 Cambodian boys. The episode also explains how overfishing has given rise to trans-shipment, fish-laundering and a prevalence of abuse that companies and governments have a tough time countering or tracking. Guest Interviews Shannon Service, Director of “Ghost Fleet” Daniel Murphy, Freedom Fund For transcripts of this series, please visit: https://www.cbc.ca/radio/podcastnews/the-outlaw-ocean-transcripts-listen-1.6727090

BONUS EPISODES & PREMIUM ACCESS: https://auxoro.supercast.com/ Sowande' Mustakeem is an author, educator, and speaker. Her latest book Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage is out now. SOWANDE' MUSKATEEM LINKS:Slavery At SeaSlavery At Sea: The Book SoundtrackTwitterInstagramBio THE AUXORO PODCAST LINKS:Apple: https://apple.co/3B4fYju Spotify: https://spoti.fi/3zaS6sPOvercast: https://bit.ly/3rgw70DYoutube: https://bit.ly/3lTpJdjWebsite: https://www.auxoro.com/ AUXORO SOCIAL LINKS:Instagram: https://www.instagram.com/auxoroYouTube: https://bit.ly/3CLjEqFFacebook: https://www.facebook.com/auxoromagNewsletter: https://www.auxoro.com/thesourceYouTube: https://bit.ly/3CLjEqF If you enjoy the show, please consider leaving a short review on Apple Podcasts. It takes less than 60 seconds, helps us appear higher in searches so more people discover the show, and it boosts my ego;) Past Guests On The Auxoro Podcast Include: Aubrey de Grey, Andy Weir, Eben Britton, Eric Jorgenson, Isabelle Boemeke, Houston Arriaga, Jerzy Gregorek, Chris Cooper, Gryffin, Elsa Diaz, Dave Robinson, Meghan Daum, FINNEAS, Chloé Valdary, Coleman Hughes, Maziar Ghaderi, YONAS, Ryan Michler, Ryan Meyer, Gavin Chops, Bren Orton, Zuby, Jason Khalipa, Ed Latimore, Jess Glynne, Noah Kahan, Kid Super, Deryck Whibley, and many more.  Audio editing by dbsound: https://www.fiverr.com/dbsound  

Emperors of the deep is an insightful and moving book by William Mckeever. It examines four species: Mako, Tiger, Hammerhead, and Great White, as never before. Yet it's the section on slavery at sea that catches my attention. William goes deep into the murders, beatings, kidnappings and forced drug consumption men are forced into, all to provide us with fish.  There is a good chance that this podcast is the most important yet. A common occurring yet vastly underreported crime against humanity, it's likely you could be directly contributing to the continuation of slavery at sea, this podcast will tell you how. Sign the ban in trading shark finsEmperors Of The Deep book trailer video to get a sense of the bookOrder Emperors Of The Deep-Follow Me On IGFollow Project Hiuwww.projecthiu.comGot a sponsorship or collaboration offer? Send it here: sharkstoriespodcast@gmail.comCover Art by photographer Tanner MansellSupport the show (https://donorbox.org/project-hiu)

Join me as I discuss this week's trending topics, have our sports update with JRob and do a deep dive on Slavery at Sea --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/shara-robinsons/support

The waters surrounding Thailand are among the most barren, overfished regions on the planet. With plundered marine stocks, vessels have begun to stay at sea longer and travel further from Thai shores, often fishing illegally in other territories. Facing a labor shortage, operators have turned to human trafficking networks and forced, bonded, and slave labour to crew their ships. Once at sea, fishermen can often go months, or even years, without setting foot on land. On this week’s episode, Shannon Service joins us to discuss her film Ghost Fleet, which documents the cycle of abuse within the Thai fishing trade and the larger systemic issues that drive such exploitation. An investigative reporter and producer, Shannon has done work for the BBC, PBS, National Public Radio, The Guardian of London, Slate and Newsweek among others. Music by 40 Million Feet. Visit our website at forthewild.world for the full episode description, references and action points.

Host Rose Fulhorst welcomes her Specila Guest: Medium/Channel and Author, of the best selling book "Slavery at sea", Dr Sowande Mustakeem! Be sure to “Tune-In” and join us!  …and even get a FREE Mini-Reading, Live On-Air! Spectacular New Years 5-Course Sale!: AngelPractitioners.com/NewYear Get VIP Access to Our Shows: AngelPractitioners.com/VIP Join the Conversation, on our Facebook Group: www.Facebook.com/Groups/AngelicRealms

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem’s award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem’s approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices

Most scholars and members of the public believe the process of enslavement was confined to the Western Hemispheric plantation or other locations of enslavement. Sowande Mustakeem's award-winning Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage (University of Illinois Press, 2016) disrupts that narrative. Mustakeem changes how readers understand the packaging process for how African captives became enslaved once they reached their final destinations. Slavery at Sea reveals for the first time how similar dimensions of land-based slavery were expressed largely on board slaving vessels. By highlighting the lived experiences of those groups most neglected by prior scholars of the Middle Passage—women, children, the disabled, and the elderly—Mustakeem demonstrates how Atlantic slave ships were important areas of development to land-based methods of medical treatment and violence. Mustakeem's approach to producing history does not end with the writing of Slavery at Sea. As a member of the St. Louis, Missouri-based band Amalghemy, Mustakeem adds to the readers experience by constructing a first of its kind soundtrack specifically for them to listen to as they read. Slavery At Sea: The Book Soundtrack pushes the public to consider how a soundtrack could mirror the “feelings, vibrations, and imagination forged in the book.” Ultimately, when coupled together, Slavery At Sea and Slavery At Sea: The Book Soundtrack alters how people of all backgrounds understand how pivotal the Middle Passage was to one of, if not the largest forced migrations of people in human history. She asserts that by the time captive Africans ultimately reached their final port of entry, the psychological and sexual trauma that would be their futures as enslaved people, had already begun during the Middle Passage. Sowande M. Mustakeem is an assistant professor in the Department of History and the African and African American Studies Program at Washington University in St. Louis. She can be reached on Twitter at @somustakeem. Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In her new book Slavery at Sea: Terror, Sex, and Sickness in the Middle Passage, historian Sowande' Mustakeem reveals the forgotten world of 18th century slave ships. Here, she shares the tragic story of one enslaved woman and discusses why it's so important for Americans to confront this foundational, brutal chapter of history. Mustakeem's research focuses on the experiences of those most frequently left out of the history of the Middle Passage - women, children, the elderly, and the diseased. A version of this episode was first released in 2013, in our American Identities series.