Podcast appearances and mentions of natalie zutter

Gin Jenny assembles a roundtable to scream about Tamsyn Muir's Harrow the Ninth. She's joined by Bria LaVorgna of Tosche Station, Constance Grady of Vox, and Natalie Zutter of many places including Tor.com, and they all have feelings about Gideon and Harrow.

Jochen und Max haben eine Liste entdeckt, in der alles an Science Fiction (und Fantasy) aufgeführt ist, was verfilmt wird, oder verfilmt werden soll, entweder für das Kino oder als TV-Serie. Gut, nicht immer wenn sich jemand die Rechte am Stoff besorgt hat, passiert das am Ende auch. Aber wir haben trotzdem mal die Science Fiction Werke rausgesucht, bei denen wir uns am meisten freuen würden. Wir mussten eine Auswahl treffen, denn alleine die Liste vorzulesen, dauert etwa zweieinhalb Stunden. Kein Scherz.Von Snow Crash bis Neuromancer, von Consider Phlebas bis Ringworld, von Dune bis Hyperion… und viele, viele andere Werke sollen verfilmt werden.Außerdem nehmen wir Abschied von einem ganz großen Autor der Science Fiction, der leider verstorben ist. Rainer Sigl mit einem Nachruf auf Gene Wolfe.Die unfassbar lange Liste, bei Tor, zusammengetragen von der mehr als tapferen Natalie Zutter (die diese unendliche Liste zusammentragen musste).

Five years in the future... the gig economy has expanded to include emotional labor: just as you can catch an Uber or outsource your errands to TaskRabbit, you can hire an emotional labor proxy to break up with someone, educate people to be more “woke,” and cut toxic people out of your life. When Jo takes on the proxy gig of cutting off contact between Frank and his estranged daughter, she never imagines that she will see him through anyone else’s eyes, least of all her own. Proxies was recorded in its entirety on November 10 in New York City featuring Liz Regan and Sean Williams. It was written by Natalie Zutter, and directed by Kristen Tomanocy. Sound engineering by Liz Regan. Sound design and editing by Tyler Grimes. Play development by Jamie Johnson. Artwork by Emanuela Brumana. dtc radio theme by Spencer Robelen. All other music and sounds used with permission from Audioblocks. Hosted by Pip Gengenbach.

Today's episode is jammed packed with the superheroes of the Marvel Cinematic Universe. Writers at Tor.com, Natalie Zutter and Emily Asher-Perrin, give Marissa and Erica an in-depth look at all the relationships in these movies, from romantic to friendship to everything in between. Today's episode is sponsored by Spice Islands (spiceislands.com/otp) and by How to Walk Away by Katherine Center (amzn.to/2Htl3FH). Follow us on Twitter @OTP_Pod

This week, we discuss Margaret Atwood’s The Handmaid’s Tale. In this episode, we read and watched: Margaret Atwood’s original novel, published in 1985. Buy on Amazon or iBooks. The Handmaid’s Tale (1990), directed by Volker Schlöndorff, written by Harold Pinter, starring Natasha Richardson, Robert Duvall, and Faye Dunaway. Watch on Amazon or iTunes. The Handmaid’s Tale (2017), the first season of the Hulu original, starring Elizabeth Moss. Watch with a Hulu subscription or buy on Amazon or iTunes. Some of the stuff we talked about in this episode: That one very negative review of the film and the book, written by Owen Gleiberman, published in Entertainment Weekly in 1990. The 2012 audiobook, read by Claire Danes. Buy on Amazon or iTunes. “Sending a Man to Do a Woman’s Job: How the 1990 Handmaid’s Tale Film Became an Erotic Thriller,” by Natalie Zutter, from Tor.com. “One Reason The Handmaid’s Tale Won Emmys Best Drama,” from The Nerdwriter. Here’s a link to his YouTube channel.

This week on Murder Is My Jam, the only true-crime podcast with serial killers and self-care, Sidney is anxious and Ellen isn’t here. Or, Sidney knows exactly where Ellen is, but first she has to navigate this week’s horror story, about what happens to two female podcasters who dare to talk about murder. But Sidney has a message for the listeners: No matter what you say, she is “Not Your (Final) Girl.” Written by Natalie Zutter. Directed by Kristen Tomanocy. Staring Lilli Cooper and Samantha Nugent. Sound engineering, design, and editing by Liz Regan. Play development by Lauren Milici. Artwork by Andrew Singer. dtc radio theme by Spencer Robelen. Host is Pip Gengenbach. All other music and sounds used with permission from Audioblocks.

In Episode 8 of Fireside Chat, in addition to representatives from some of the top fan sites on the web, our expert panel includes Natalie Zutter, Associate Editor at Crushable.com, Kat Rosenfield of MTV's Hollywood Crush blog, and Ariel Birdoff, children's publishing expert and lead singer of Madam Pince and the Librarians. We kick off the show with a discussion of the latest movie news, dissecting the now-famous Entertainment Weekly cover and weighing in on all the recent casting decisions. We are then joined by sports writer and Hunger Games enthusiast Susan Shan and It's Kind of a Funny Story author Ned Vizzini, whose essay "Reality Hunger" appears in The Girl Who Was on Fire. We conclude with a discussion about Lenny Kravitz as Cinna after reacting in real-time ("Oh my god!" "Are you joking!?" "WHAT!!!???") to the surprising announcement.

In Episode 5 of Fireside Chat, we interview Leah Wilson, editor of The Girl Who Was on Fire, Kim Shelby, the creative mind behind two brilliant Hunger Games trailers, and Betsy Bird, children's librarian at the New York Public library. We also discuss: Is celebrating Osama bin Laden's death equivalent to Coin's desire to institute another Hunger Games? In addition to our regular panel, we are joined by Natalie Zutter of Crushable, children's publishing expert Ariel Birdoff, and literary blogger Kimberly Denny-Ryder.