Podcast appearances and mentions of elizabeth moss

The Judge in the Diddy trail is thinking about kicking Diddy out of court room. Elizabeth Moss has secured the rights to use a song from Taylor Swift. Frozen the musical is headed to Disney Plus very soon.Make sure to also keep up to date with ALL our podcasts we do below that have new episodes every week:The Thought ShowerLet's Get WeirdCrisis on Infinite Podcasts

It is a pleasure to welcome Stonestreet Studios co-founder Alyssa Rallo Bennett and director of marketing and public relations Kelly Wong to The Jake's Take with Jacob Elyachar Podcast.Founded by Rallo Bennett and Gary O. Bennett, Stonestreet Studios celebrates 34 years as a fully operational, multi-purpose, visual motion picture production studio based in New York City. Stonestreet's work ranges from award-winning socially speculative feature films such as ReRun (starring Christopher Lloyd), Rain Without Thunder (starring Jeff Daniels, Linda Hunt, Steve Zahn, and Ming Na Wen), and The Pack (starring Lucie Arnaz and Elizabeth Moss) to pilots and web series.The Stonestreet Residency has welcomed an all-star group of performers to its program. Emmy and Tony-winning actress Idina Menzel, Miles Teller, Camila Mendes, Rachel Brosnahan, Jack Quaid, Beanie Feldstein, and Danny Ramirez are some of the program's alumni. Stonestreet has become known as an incubator of diverse, socially conscious, culturally provocative films that explore the passions, eccentricities, politics, and humor of character-driven, no-holds-barred stories that seek to inspire and enlighten. Stonestreet has been an exclusive ‘Stonestreet Screen Acting & Production Residency Program' for Tisch Drama since 1990.  On this episode of The Jake's Take with Jacob Elyachar Podcast, Alyssa Rallo Bennett and Kelly Wong spoke about the Stonestreet Residency, the success of their most memorable alumni, and defined Stonestreet Studios' legacy as it prepares to celebrate its upcoming thirty-fifth anniversary in 2026.Let's connect on social media: A) Facebook: https://www.facebook.com/JacobElyachar/B) Instagram: https://www.instagram.com/jacobelyachar/C) Threads: https://www.threads.net/@jacobelyacharD) Twitter (X): https://x.com/JacobElyacharE) YouTube: https://www.youtube.com/@JacobElyacharshow lessBecome a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

Salta Intro torna dopo una settimana di pausa, e naturalmente bisogna recuperare il terreno perduto, con doppie recensioni di episodi a volte importantissimi, e un sacco di news su cancellazioni, rinnovi, e date importanti.E poi c'è anche Jessica Biel che vuole fare tutto lei.Cioè non è ospite del podcast eh.Pensa che figata sarebbe...Serie in arrivoDomenica 25 maggio-Rick and Morty ottava stagione (Adult Swim)Giovedì 29 maggio-Adults (Disney+)-And Just LIke That terza stagione (MAX)-The Better Sister (Prime Video)-Dep.t Q. (Netflix)Abbiamo visto (senza spoiler)-Bad Thoughts (Netflix)-Kakegurui (Netflix)-Duster (MAX)-Motorheads (Prime Video)-Love, Death and Robots quarta stagione (Netflix)-Overcompensating (Prime Video)-Murderbot (Apple Tv+)-Maschi veri (Netflix)Abbiamo visto (con spoiler)-The Handmaid's Tale 6x08-09 (Tim Vision)-The Studio 1x09-10 (Apple Tv+)-Andor 2x10-11-12 (Disney+)-The Last of Us 2x05-06 (Sky e NOW)

Chris and Dom are beside themselves over Kris Jenner's new face, the fact that Elizabeth Moss is visibly 9 months pregnant on The Handmaid's Tale, and the restrictions and rudeness at the Cannes Film Festival. Then, OG Romance novel Blogger and Podcaster Sarah Wendell joins to fix Rosie O'Donnell. They discuss her early career, A League of Their Own, The ICONIC Rosie O'Donnell Show, The View, and much, much more!You can find Sarah at @smartbitches and her podcast, Smart Podcast, Trashy Books, here.You can find Dom at dommentary.com.You can find Chris at @thechrisderosa.Follow the show at @fixingfamouspeople and on YouTube.Subscribe to the Patreon Fixing Bonus People here.Or Subscribe to A La Carte Episodes in the Apple Podcast App.Write a review and let us know who you want us to fix!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Jac and Alexis unpack their recovery from Stagecoach and dive into the latest headlines: from Katy Perry's tour flop (why was she fighting an HVAC tube???) to Blake Lively and Ryan Reynolds' Time 100 Gala outing (why was she on the list???), and the Elizabeth Moss sighting at L Ron Hubbards bday party (why is a dead man still throwing birthday parties???). Another weird, wild week

Hear Sarah's royal accent, and is the Monarchy downplaying the King's situation? Here's what Seth Rogen is afraid of. What will get us to the movie theater? Follow the Money: Sundance is moving! Elizabeth Moss, the segue of the century, and Harry Potter finds a new Hagrid. Breaking: Earthquake in Japan. Don't take the bait! Loyalty Testers sound like a bad idea. And what is a cult anyway?

It's Baseball Opening Day!! OR for Craig...naptime. If your parent wildcard threat is turning off the wifi, beware! Sneezing & Farting. Elizabeth Moss' underwear, animated couples & SS is Single! And are braces now cool? To the point that some are getting fake ones!

We hear your DM's every weekday at 6:40 & 7:40am. Today’s DM Disaster is Bad Hair Day, Leah found out the hard way "Don't trust anyone", She was so broke before going on a first date, that she asked her best friend to cut her hair. Well it didn't turn out the way Leah hoped and she now looked like Elizabeth Moss from the show Mad Men. The date was a complete bomb. That's Leah's DM Disaster! All this and more on the ROR Morning Show with Bob Bronson and LBF Podcast. Find more great podcasts at bPodStudios.com…The Place To Be For Podcast Discovery

Tracy Christian is a veteran talent agent with more than twenty-five years in the entertainment industry. She is the President of TCA Mgmt, a boutique talent agency representing trained character actors, producers, and writers. Named as one of the top Black female executives by Forbes, Hollywood Reporter, Essence, Black Enterprise… Tracy has represented a list as varied as producer Mona Scott Young, Academy Award winner Octavia Spencer, Emmy and Golden Globe winners Elizabeth Moss and Jeremy Piven, Emmy nominee Michael Kenneth Williams,Jamie Hector, Grammy Award winner Toni Braxton, and industry veteran Tisha Campbell.After years of having difficulty finding clothes that accommodated her lifestyle, Tracy started Sante Grace, an upscale plus size clothing line. Tracy functions as both the founder and head designer. The line has been featured in multiple fashion magazines and blogs like Fashion Bomb Daily, Who What Wear, Refinery 29 and Time Magazine.Join host Dori DeCarlo on The Business Spotlight and be sure to connect with Tracy at SanteGrace.com - DM Tracy and mention Word of Mom for a 20% discount! Follow SanteGrace on Instagram and Facebook.Please support UnsilencedVoices.org a global 501(c)3 nonprofit that empowers survivors of domestic violence, sexual assault, and human trafficking.  We thank Smith Sisters and the Sunday Drivers for our theme song, "She is You".Be sure to connect with Word of Mom on BlueSky, Facebook, Instagram, Twitter, and come tell us your story!WordofMomRadio.com - sharing the wisdom of women, in business and in life.

On This Week's Episode I discuss with Tracy Christian Her Journey into becoming one of Hollywood's Top Black Talent Agents, Her Faith, and Her Plus Size Clothing Line Sante Grace Tracy Christian who is Hollywoods One of the Few Black Talent Agents in Hollywood for over 25 Years within Entertainment Industry. She is the President of TCA Management a Boutique Talent Agency that represents Actors, Producers, and Writers. She has many accomplishments under her Belt and has been seen in Forbes, Hollywood Reporter, Black Enterprise, and Essence. Tracy has Represented a variety of Top Talent in Hollywood Such as Mona Scott Young, Academy Award Wonner Octavia Spencer, Emmy and Golden Globe Winner Jeremy Piven and Elizabeth Moss, Toni Braxton, and Tisha Campbell just to name a Few. Tracy has also added Fashion Designer to her Repertoire and launched her High End Plus Size Clothing line called Sante Grace. Shop Sante Grace With Discount Code: https://santegrace.com/discount/Vibes IG: Vibeselectionpodcast Like, Share, Subscribe

I spoke with Leigh Whannell, the director and co-writer of the new movie “Wolf Man.” The movie stars ​​Christopher Abbott ("Poor Things") and Julia Garner ("Ozark" and "Inventing Anna.") I won't give anything away, but I'll just say that they take a trip to a house in the middle of the woods and not-great things happen. Film/slasher fans know Leigh as the co-creator of "Saw" and fun party guy Jigsaw, and was the writer of the recent "Invisible Man" remake starring Elizabeth Moss. He's done a bunch of other stuff, and to use a polite term, they're all pretty effed up. This film was produced by Blumhouse Productions, the wildly successful indie production house that is the force behind “The Purge,” “Insidious,” “Paranormal Activity,” and tons of more flicks designed to scare that crap out of us. I spoke with Leigh a few days ago to find out how he's gotten so damn good at monetizing terror and also to ask him point blank, what the hell is wrong with you? Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode of Target Audience welcomes poet, writer, podcaster, and film critic Jaylan Salah. Jaylan is targeted by the psycho-sexual dram Shirley. Join us as we talk Elizabeth Moss, unorthodox biographies, and movies that ruin relationships. Jaylan on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jaylan at ⁠⁠InSession Film⁠⁠ Jaylan on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ben's Website (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IceCream4Freaks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) Opening/Closing Song - "Can't Slow Down" by Almost Monday

EPISODE 54 - "SPECIAL GUEST: PERI GILPIN TALKS OLD HOLLYWOOD" - 09/23/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** We all know her as the hilarious and acerbic radio producer Roz Doyle on the iconic sitcom “Frasier,” and on the reboot currently airing on Paramount Plus. This week, we have a sit-down interview with actress PERI GILPIN. Peri discusses her love of classic films, the films that inspired and influenced her, and the classic film stars who she has had the good-fortune to work with. Tune in to this very special episode.  SHOW NOTES:  Sources: TheStudioTour.com; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Shell (2024), starring Elizabeth Moss and Kate Hudson; Please Don't Eat the Daisies (1960); Pillow Talk (1959); Move Over Darling (1963); The Thrill of It All (1963); Switch (1991); The Importance of Being Earnest (1952); Tootsie (1982); Bringing Up Baby (1938); The Philadelphia Story (1940); All About Eve (1950); Star Wars (1977); Butch Cassidy and the Sundance Kid (1969); North By Northwest (1959); The Godfather (1972); The Man Who Knew Too Much (1956); Sense and Sensibility (1995); The Sound of Music (1965) --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

The draft order:Sophia AmbrusoNayan AroraSwapnil HiremathAC GomezJoel TopfEditor Nayan AroraShow NotesPrevious drafts:2021 KDIGO Hypertension —Joel, Sophia, Swap, Nayan, Josh2021 ASN Kidney Week Draft—Joel, Sophia, Swap, Nayan, Jennie2022 The ISPD Peritonitis Guideline— Joel, Sophia, Swap, Nayan2022 ASN Kidney Week Draft—Joel, Sophia, Swap, Nayan2023 ASN Kidney Week Draft—Joel, Sophia, Swap, Nayan, AC, Josh2024 KDIGO CKD Clinical Practice Guideline —Joel, Sophia, Swap, Nayan, Josh, ACThe guidelineThe NephJC discussion Part 1 | Part 2First RoundSophia's Pick 3.7.1 We recommend treating patients with type 2 diabetes (T2D), CKD, and an eGFR ≥20 ml/min per 1.73 m2 with an SGLT2i (1A).Not Nayan's Pick 3.7.3: We suggest treating adults with eGFR 20 to 45 ml/min per 1.73 m2 with urine ACR

Before Hulk Hogan was tearing up shirts at the Republican National Convention, he was a movie star battling galactic threats alongside Christopher Lloyd. That's why Shat The Movies die-hard Tom (formerly of Crane, Texas) asked us to review "Suburban Commando." And when the time came to crowdfund Tom's commission, Carlos The Mailman led the charge to make it happen. Fast forward a few years, and it's finally here: Gene and Dick are diving into a movie originally written for Arnold Schwarzenegger and Danny DeVito, loaded with mime jokes and featuring a young Elizabeth Moss and Undertaker.  We dedicate this episode to the late Shelley Duvall, who tragically passed just hours after we recorded. Watch Live Video Recording: https://youtu.be/gsKRDYWNe4A Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Want us to talk about "The Suitcase," widely considered one of the greatest episodes of any television show ever? Well, that's what the podcast is for! That's right, this week we dig into the seventh episode of the fourth season of Mad Men. And listeners, it's a knockout. In case this is your first time digging into our podcast, we recap Mad Men from the perspective of a first-time watcher, someone who only watched the show once while it was airing, and a superfan who watches excessively instead of having a functional social life. Discussion Points:  Why is "The Suitcase" such a widely regarded episode and what went into its writing? Does this episode live up to the hype? Does this qualify as a bottle episode? Or at least bottle episode-adjacent? Does this episode better resolve the tension between Don and Peggy compared to the Season 3 finale? What does Peggy truly mean to Don personally and professionally? Is this really the halfway point of the series? What goes into the ownership of a creative idea? How well does the episode balance emotion and comedy? What's your stance on Ghost Anna? Does anyone truly know Don? Extra credits: Matthew Weiner created Mad Men, which aired on AMC from 2007 to 2015. Jennifer Getzinger directed “The Suitcase” and Matthew Weiner wrote the script. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show's opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who's addicted to working at startups).See omnystudio.com/listener for privacy information.

National Cousins day.Entertainment from 1976.  Machu Picchu re-discovered, Court ruled black men can own slaves, First political poll released and it was wrong.  Todays birthdays - Amelia Earhart, Robert Hayes, Michael Richards, Lynda Carter, Pam Tillis, Jennifer Lopez, Elizabeth Moss, Ana Paquin.  Martin Van Buren died.Intro - Pour some sugar on me - Def Leppard   https://defleppard.com/Cousins - Vampire WeekendKiss & say goodbye - The ManhattensTeddy Bear - Red SovineBirthdays - In da club - 50 Cent     https://www.50cent.com/Seinfeld TV themeWonder Woman TV themeMaybe it was memphis - Pam TillisI aint your mama - Jennifer LopezExit - Its not love - Dokken     https://dokken.net/Follow Jeff Stampka on cooolmedia.com or facebook

Comment un documentaire signé Frank Marshall explore-t-il le parcours tourmenté du groupe dominé par le génial Brian Wilson ? Dans quel contexte Freddie Mercury a-t-il chanté un morceau des Beach Boys ? Le catalogue de Queen est à vendre, mais à quel prix ? Elizabeth Moss est-elle une espionne convaincante dans la nouvelle série « The veil » ? Comment Benoît Féroumont aborde-t-il l'érotisme féminin dans sa nouvelle BD « Mou » ? Les découvertes musicales : -Philippe Katerine - Sous mon bob -Stephen Sanchez - Baby Blue Bathing Suit -Jamie xx - Treat Each Other Right -Larry Lurex -I Can Hear Music Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

On today's episode, I have actress and Emmy nominated director, Daina Reid! Daina and I first crossed paths a few years ago through the Sundance Film Festival with her film, "Run Rabbit Run". My Sundance 2023 coverage was limited given my own filming schedule, but Daina was somebody I had really wanted to talk to about this film and I am so glad we were finally able to make this happen. The day we recorded this the new Elizabeth Moss led Hulu show "The Veil" premiered their first two episodes which Daina directed! On the episode we talked about how Daina got her start, acting on the hit Austrailan sketch show "Full Frontal", getting back to directing, working with comedy heroes like Greg Daniels and Steve Carrell on "Space Force", getting her Emmy nomination for "The Handmaid's Tale", directing for TV vs. directing for film, working with Sarah Snook and Lily LaTorre on "Run Rabbit Run", how the film came together, and so much more! A huge Thank You to Daina Reid for taking the time to join me. It took some coordination to make this episode happen since Daina was back home in Melbourne, 17 hours ahead of me here in Los Angeles, but we had such a great time chatting! You can watch "Run Rabbit Run" on Netflix NOW, as well as the first two episodes of "The Veil" on Hulu! Make sure to follow Daina on all of the links on our website: www.onthemicpodcast.com  Thank you, Daina! Enjoy the episode. 

https://letterboxd.com/needsintro/ In this episode of 'Need Some Introduction', the host provides updates and reviews on multiple TV series and films. The episode features a continuation of the Baby Reindeer review, discussions on episodes three and four of 'Under the Bridge', a spoiler-free review of the first two episodes of Elizabeth Moss's new FX series 'The Veil', and a preview of the upcoming review on the Apple TV series 'Sugar'. Additionally, the episode anticipates a review of 'The Fall Guys', an action rom-com starring Ryan Gosling and Emily Blunt. The host reflects on the unexpected success and controversy surrounding Baby Reindeer, delves into the dynamics and themes of 'The Veil', and provides insights into 'Under the Bridge', focusing on its exploration of character psychology and the complexity of teenage dynamics. Throughout, the host engages in thoughtful commentary on the storytelling, character development, and social impact of these series, hinting at broader themes of trauma, identity, and the nuances of human relationships. 00:00 Welcome and Upcoming Episode Teasers 02:29 Deep Dive into Baby Reindeer Series 09:33 First Impressions: The Veil Series Review 20:50 Under the Bridge Series Analysis 30:29 Closing Thoughts and Future Episodes

Happy Speak of the Devil Sunday! It's always a good day to discuss Elizabeth Moss's acting chops. Join Kayla and Taylor for a recap of The Invisible Man (2020) complete with fan theories and the very real possibility that this movie takes place in the Grand Theft Auto universe. This episode recaps a movie that deals with themes of domestic violence and suicide. If you or someone you know is struggling, call or text the 988 Suicide and Crisis Lifeline. National Domestic Violence Hotline: 800-799-7233 OR text "BEGIN" to 88788 Follow us on Instagram @speakofthedevilpod or Twitter @SpeakDevilPod Send us an email - speakofthedevilpodcast1@gmail.com Part of the @podmoth Media Network  https://podmoth.network/ Check out our friends at ODDentity - https://linktr.ee/oddentitypod

*Trigger Warning: this movie deals heavily with domestic abuse, and it is discussed in the episode.* James & Gary close out their miniseries about Universal's Dark Universe-adjacent movies as they talk about Blumhouse's 2020 hit, The Invisible Man, starring Elizabeth Moss & Aldis Hodge. It's an interesting modern take on the classic HG Wells story, and it makes the Monstie Men ask the question: Are there any other classic Universal monsters that would benefit from this stripped-down, modern take that completely reimagines the original? Let's be honest...probably not, but maybe this episode description is lying. I'll never tell. Follow us on Instagram ⁠@monsterrallypod⁠ Buy some merch at our ⁠TeePublic ⁠shop, where there will absolutely be new merch live extremely soon! Thank you to Geekscape for hosting us, and make sure to follow them on Instagram! Please give us a follow & leave a like and/or review. It'll only take you mere seconds but would mean the world to us. Learn more about your ad choices. Visit megaphone.fm/adchoices

Embark on an emotional voyage with us as we commemorate the late Ron Moss and his intricate ties with Ron Miscavige Sr., against the backdrop of Scientology's storied existence. We'll share intimate accounts from fans worldwide, the poignant and stormy bond between Moss and Chick Corea, and the unexpected ways financial hardship can entangle lives. We'll also discuss Elizabeth Moss's continued support for Scientology amidst her family's struggles, juxtaposed with her role in 'The Handmaid's Tale,' inviting reflection on Hollywood's complex responsibilities.Venture through the lesser-known interplay of fame and Scientology, where personal and professional spheres overlap, and music becomes both a bridge and a barrier. You won't want to miss our musings on the quirkier side of life, from impromptu event management to the Aftermath Foundation's role in helping those seeking to leave Scientology's grasp.Finally, we tackle the pressing challenges facing Scientology in the era of social media, evaluating their responses to TikTok protests and the role of music in shaping public perception. With anecdotes that span the eccentric to the enlightening, this episode is a patchwork of stories bound by the common threads of community and resilience. Join us in celebrating our latest giveaway winners, and stay tuned for more thought-provoking discussions that promise to engage and inform our dedicated listeners.Support the showBFG Store - http://blownforgood-shop.fourthwall.com/Blown For Good on Audible - https://www.amazon.com/Blown-for-Good-Marc-Headley-audiobook/dp/B07GC6ZKGQ/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=&sr=Blown For Good Website: http://blownforgood.com/PODCAST INFO:Podcast website: https://www.buzzsprout.com/2131160/shareApple Podcasts: https://podcasts.apple.com/us/podcast/blown-for-good-behind-the-iron-curtain-of-scientology/id1671284503 Spotify: ...

Året i bild Vi summerar skräckåret 2023 genom att utse årets det ena och årets det andra, i gammal beprövad Vargtimmen-tradition, trots upprepade bedyranden under året att det är dags att uppdatera sig till ett mer hanterligt format. Men förändring förutsätter risktagande, och risktagande kan innebära obehagligheter. Så vi gör såhär nu; fortsättning följer om tre veckor igen. Tomas frågar sig om det snygga citatet "It preys on the weak and the wounded" i den onödigt svaga The Boogeyman är en stöld från eller en hyllning till Session 9, och Lars önskar sig en ”consumer's cut” av Evil Dead Rise som klippt bort referenspisset till ettan i anslaget och börjar direkt med den ursnygga titelskylten, gärna dubbelt så länge (om det går). Vi pratar också om: vårt sjöslag till 40-årsfest, Daniel Garptoft när han sjunger ”Sabotage” karaoke, Jason Vorhees, Chucky, Den onda dockan, Fredagen del 13 del II, Susan var är du?, Disco Classics, en kommande svensk skräckfilm som vi inte kan säga något om på förhand, Mike Flanagan, Succession, Edgar Allan Poe, Stephen King, The Fall of the House of Usher, Hanteringen av odöda, Mattias Fyhr, Svensk skräcklitteratur del 2, John Ajvide Lindqvist, Mats Strandberg, Yvonne Leffler, Kult, Sarah Snook, Run Rabbit Run, Magnus Jäverling, The Babadook, The Others, Alice i underlandet, Lake Mungo, Twin Peaks, perspektivering, William Faulkner, Elizabeth Moss, Choose or Die, Robert Englund, The Pale Blue Eye, The Pale Blue Eye, Christian Bale, Vaknatten, författaren Karin, Creepypodden #208: Familjekultur, Hell Maria full av nåd, Sofia Albertsson Göthberg, The Boogeyman, Rob Savage, Host, Marin Ireland, The Dark and the Wicked, Vietnamese Gothic, Trang Thanh Tran, She is a Haunting, detta med snygga titlar, detta med snygga dedikationer, årets julkalender Trolltider, Sagan om ringen, True Detective, The Trickle-Down Effect, god kulturs inneboende lust att gå halva vägen med nya konsumenter, Madeleine Bäck, Evil Dead Rise, Lee Cronin, Sami Raimi, Rob Tapert, Naturon Demonto, Necronomicon, deadites, Henrik Möller, Apokalyps Malmö, Vertigo Förlag, Bödeln från Malmö och Udda Ting. Samtalet fortsätter sedan bakom Patreon-väggen i upp till 150% av ordinarie speltid med skarpa, rätt oskarpa och rejält slöa iakttagelser kring: The Last of Us, avsnitt 3: Long, Long Time, Playstation 3, PS3, Bret Easton Ellis, The Shards, American Psycho, Glamorama, Lunar Park, Imperial Bedrooms, Beau is Afraid, Ari Aster, Joaquin Phoenix, Suspiria-remaken, Midsommar, Hereditary, Apocalypse Now, Wes Anderson, David Lynch, Lovecraftiana, Matt Ruff, The Destroyer of Worlds, Lovecraft Country, Anders Fager och hans ambition “befria Lovecraft från Lovecraft”, James Wan, Megan, M3GAN, Blumhouse, Äkta människor, i SVT, Black Mirror, M3GAN, V Castro, The Haunting of Alejandra, Mestiza Blood, The Goddess of Filth, Saw X, Tobin Bell, John Kramer, Se7en, Israel-Palestina-konflikten, Youtube-artisten Via Mardit, Satan's Slaves 2: Communion, Joko Anwar, May the Devil Take You, V/H/S, Carrie, Tiffany D. Jackson, The Weight of Blood, Get Out, Black Lives Matter, The Conjuring, A Haunting in Venice, Kenneth Branagh, Hercule Poirot, Agatha Christie, Tintin, Johan Theorin, Ölandskvartetten, whodunnit, Elisabeth Hand, A Haunting on the Hill, Charlotte Brontë, Jane Eyre, The Wide Sargasso Sea, the mad-woman in the attic, Bengt Ohlsson, Gregorius, Hjalmar Söderberg, Doktor Glas, “føla i fjorda”, Sommaren 1985, There's Something in the Barn, Martin Starr, Freaks and Geeks, www.hisgames.org, Rise of the Triads, Blood, Hexen, Quake, Doom, Mortal Kombat, Silent Hill, Forbidden Siren och Transformers. Besök för all del gärna www.patreon.com/vargtimmenpodcast för mer information. Nostalgi, löst tyckande och akademisk analys.  

Sam Herbst is back for 2019's Her Smell and how it fits into the 2018/2019 fictional musician character studies. Together, we discuss the careers of Alex Ross Perry and Elizabeth Moss, the excellent sound design, seeing the movie at TIFF, and the movies reputation now --- Send in a voice message: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/message Support this podcast: https://podcasters.spotify.com/pod/show/exitingthroughthe2010s/support

Jake flies solo to discuss Taika Waititi's latest film, Next Goal Wins. Starting Michael Fassbender, Elizabeth Moss, Will Arnett, Oscar Kightley and Kaimana.

Return to the House of Franklin-Stein! Chris and Cindy kick off their 10th Annual HoF series with discussion on James Whale's immortal Universal classic film, The Invisible Man, featuring a deliciously mad performance by Claude Rains!  Plus, another invisible foe vexes the Dark Knight in the Batman: The Animated Series episode “See No Evil”, guest-starring Michael Gross and a very young Elizabeth Moss! Subscribe via iTunes. Or Spotify.. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Please consider supporting us on Patreon: https://www.patreon.com/fwpodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Like our FACEBOOK page - https://www.facebook.com/supermatespodcast Use our HASHTAG online: #FWPodcasts Email us at supermatespodcast@gmail.com Clip credits: The Invisible Man(1973) directed by James Whale, music by Hans Roemheld Batman: The Animated Series “See No Evil” directed by Dan Riba, music by Shirley Walker “The House of Franklinstein” by Terry O'Malley, of Stop Calling Me Frank https://www.facebook.com/rockSCMF

Welcome back to Analyze Scripts, where a psychiatrist and a therapist analyze what Hollywood gets right and wrong about mental health. Today, we are analyzing the '90s movie "Girl, Interrupted" based on the memoir by Susanna Kaysen. This film depicts two years of a young adult woman's life at McLean Hospital in the 1960s where she was diagnosed with borderline personality disorder (BPD). This episode analyzes everything from why it's so hard to talk about BPD, psychoanalytic vs behavioral treatment methods, the deinstitutionalization movement, antipsychotics, and our opinions about Angelina Jolie's portrayal of sociopathy. We hope you enjoy! Instagram TikTok Website [00:10] Dr. Katrina Furey: Hi, I'm Dr. Katrina Fieri, a psychiatrist. [00:12] Portia Pendleton, LCSW: And I'm Portia Pendleton, a licensed clinical social worker. [00:16] Dr. Katrina Furey: And this is Analyze Scripts, a podcast where two shrinks analyze the depiction of mental health in movies and TV shows. [00:23] Portia Pendleton, LCSW: Our hope is that you learn some legit info about mental health while feeling like you're chatting with your girlfriends. [00:28] Dr. Katrina Furey: There is so much misinformation out there and it drives us nuts. [00:32] Portia Pendleton, LCSW: And if someday we pay off our student loans or land a sponsorship, like. [00:36] Dr. Katrina Furey: With a lay flat airline or a major beauty brand, even better. [00:39] Portia Pendleton, LCSW: So sit back, relax, grab some popcorn. [00:42] Dr. Katrina Furey: And your DSM Five and enjoy. We get started with this episode. We just wanted to add a trigger warning. Some of this content could be disturbing to listen to. We're talking about the film Girl Interrupted, and there are some themes of suicide, disordered eating, and I would say institutional traumatization. So again, if any of these themes hit too close to home or could potentially be damaging, please feel free to skip this episode and join us again next time. Otherwise, enjoy. Hi, thanks for joining us. Today we are going to talk about the hit movie Girl Interrupted. A real blast from the past from my favorite decade, the 90s. This movie is based on the 1993 memoir by Susannah Casey, who wrote about two years of her life spent at McClain Hospital in the 1960s in Massachusetts, where she was diagnosed with borderline personality disorder. Portia so when I recommended we covered this movie, I totally didn't remember the plot. I don't actually know if I saw the whole thing. I was just like, oh yeah, there's a movie with Angelina Jolie and she got an Oscar and it's probably really good. I totally forgot that the main character was diagnosed with Bpd, which I actually think is great for us to talk about because we've alluded to this diagnosis and some of our other know, I'm thinking like, what about Bob Succession White Lotus? And I still find that this is a tricky diagnosis to talk about with patients to explain to patients to explain to other. I thought, you know, Winona Ryder's character like, did a great job being like, what is it? On the borderline of what? What are you talking about? Right? [02:38] Portia Pendleton, LCSW: Yeah. And at the time, though, this was newish. Marsha Linehan hadn't written her book yet on DBT. [02:47] Dr. Katrina Furey: I don't even think there was DBT yet. Thinking about the 1960s, I thought this film did a great job depicting what it probably was like to be psychiatrically hospitalized in the 60s, which is so different from what it's like today. Place that is very true. So this film was filmed at Harrisburg State Hospital in Harrisburg, Pennsylvania. It was filmed in 1999, but it was based on McLean Hospital, which is probably the number one psychiatric hospital in our country for a long time. I think it is affiliated with Harvard, and I think they do still have some longer term units like this, but you see a lot of treatment. You know, she goes to therapy many times a week. She's sitting on the couch. Her therapist is sitting behind her. Unfortunately falls asleep at one point, which I don't think actually happens in real life, but speaks to how she felt probably like there was a disconnect and you hear about how she's there for two years. That just doesn't happen anymore. But in the did, that was the treatment. People used to be admitted and stay for a really long time until in the mid 1960s, in the Reagan era, there was this big move not just in our country but internationally to deinstitutionalize patients, right? So sort of close down these long term hospitals which we called asylums and invest more in community mental health centers. And I think I don't know this for sure, but I believe that coincided with the invention of modern day antipsychotic medication like Thorazine and the other medications that came from that, like Haldol, basically medications that could treat schizophrenia and thereby treat these patients in a way that hopefully they didn't have to live in an institution. Sadly, we haven't invested enough in the community mental health centers that were supposed to be created to sort of support patients and we've had some really awful side effects from that. Primarily homelessness and institutionalization in jails. That is the number one provider of mental health treatment in our country. How awful and disgusting is that? And again, it's because not enough money goes into these community mental health centers. So nowadays you might be admitted for a couple of days to really stabilize you, tweak your meds, but you're not getting this type of intensive, insight oriented therapy anymore that we see depicted in this movie. And I think that's really sad. You can get that if you can pay for. [05:29] Portia Pendleton, LCSW: I mean, it's wildly expensive. [05:31] Dr. Katrina Furey: Wildly expensive. And I think some places, like other, you know, hospitals might take insurance. I don't know if insurance would cover it. [05:41] Portia Pendleton, LCSW: Yeah, they take some and especially for some programs. Like, I've had some people go to McLean, I've known some people to go to Silver Hills. Those two places over the years have definitely taken more of an insurance route for some of their programming and other tracks that they have. Other parts of their residences or programs are not insurance based. [06:03] Dr. Katrina Furey: And I think that also just speaks. [06:04] Portia Pendleton, LCSW: To like there's not a lot of people who can afford to be somewhere for a year and pay that. So I think they've also just had to do that where it's like some of their income is insurance based and others they are able to get private pay. [06:19] Dr. Katrina Furey: And I would like to think that they would take insurance for more situations if insurance would freaking pay, right? But insurance is the worst. That's a whole nother tangent for another day. But they don't pay. They don't even pay know, short just it's really an abomination. Yeah. So anyway, getting back to the movie, we have an all star cast. So Winona Ryder is playing Susanna, the main character. We have Angelina Jolie playing Lisa, the woman with sociopathy. She won an Academy Award for this role. I think Winona Ryder did too. Or maybe she was nominated. I can't remember. We have Whoopi Goldberg playing Valerie, the nurse. Elizabeth Moss playing Polly, the girl who was a burned victim from childhood. Clea duvall is played. Georgina susanna's roommate. [07:12] Portia Pendleton, LCSW: And she is in the show Veep. [07:14] Dr. Katrina Furey: That I really love. I haven't seen it before, but I've heard really good. [07:17] Portia Pendleton, LCSW: I was like, oh, my gosh. Oh, my gosh, it's her. Yeah, I couldn't believe it. [07:21] Dr. Katrina Furey: And then we had Brittany Murphy, who played Daisy. Who. That's just a tragic death and weird circumstances on its own. But I loved her, and I loved her roles in the then we had Jared Leto, who knew? Playing Toby. [07:36] Portia Pendleton, LCSW: I was like, who? Before I looked at the cast list, I was like, who is that? Why does he look so familiar? I couldn't believe it. So young. [07:43] Dr. Katrina Furey: I know. [07:43] Portia Pendleton, LCSW: Like a baby. [07:44] Dr. Katrina Furey: They all look so young. And then we have Jeffrey Tambor playing Dr. Melvin Potts, her first psychiatrist. And then we see Vanessa Redgrave playing Dr. Wick, the female psychiatrist. And there's a lot of other characters too, but those are just some of the main heavy hitters. [08:01] Portia Pendleton, LCSW: Yeah. [08:02] Dr. Katrina Furey: So what did you think, Portia, about the opening? [08:07] Portia Pendleton, LCSW: A little confusing. I mean, I was like, Is this present know? And then I was confused because it starts with her in the hospital, right, getting her stomach pumped. [08:16] Dr. Katrina Furey: Then I think the very first thing is you see, like, a broken light bulb in a syringe, and the girl's like, in the psych hospital, and you're like, what's going on? And then it flashes. [08:24] Portia Pendleton, LCSW: So then she wakes up. [08:26] Dr. Katrina Furey: And I was like, okay. [08:27] Portia Pendleton, LCSW: So was that a flashback? Was that a memory? Is her stomach getting pumped real? I was confused with those two first scenes. [08:36] Dr. Katrina Furey: Yeah, totally. And I wonder I would imagine that was kind of intentional. And then we see her being pretty aggressively restrained. We see the tube down her throat, I think, pumping her stomach. And my first thought was, what did she overdose on? This looks like they're trying to treat her for an overdose. And then someone screams out, oh, she's a wristbanger. I was like, what does that mean? And she said something about, there's no bones in my hand. And I was like, what is going on here? But I think it did give a pretty good snapshot into her mental state at that point in time. I was like, okay, she's overdosed on something that's dangerous enough where they have to aggressively pump her stomach. Now, we can't wait. We have to hold her down before we even get a sedative in her. Maybe back then they didn't even really have sedatives. Honestly, I'm not sure when things like Adivan and stuff were invented. And that thing about not having bones in her hand made me think, is she psychotic? Is she not? What's going on? Then we see her lock eyes with that man in the hallway, who we later learn is, like, her dad's colleague who's married, and she's had some sort of sexual relationship with him. And then she's pretty quickly seeing a psychiatrist in his home. You see her looking out the door, seeing his family and looking out the window and seeing her mom unpacking a suitcase. And I was like, Uhoh, yeah. [10:04] Portia Pendleton, LCSW: And still does happen. But I think it was more common in the past with these kind of, like, voluntary, but involuntary getting someone to treatment. Right. So it's like, whether you're an adolescent, and it's not voluntary at all, and your parents are taking you there, so it's under their voluntary, but not telling them where they're going. So, hey, we're going to go for a car ride. They don't know their suitcases packed, and then we're taking you to treatment. Or the horror stories of those wilderness camps where you're, like, abducted in the middle of the night. I was kind of thinking of that with Susanna being an adult. Right. It's like, in my head, I'm like, at any time, she can kind of. [10:40] Dr. Katrina Furey: Back out of this. Well, can she? It turns out she couldn't. Right. [10:45] Portia Pendleton, LCSW: That was also my question was, why. [10:47] Dr. Katrina Furey: Was it different in the so I don't know the full rules, but I do know that a lot of things they depicted in terms of getting her to the hospital don't happen these days. So she's seeing this psychiatrist. So an old white man, by the way, and he doesn't do this anymore. He very readily volunteers that way to instill confidence in your patient. I thought he was very shaming. I didn't like the way he spoke to her. He was not connecting with her. It was very clear she was, like, a bother to him in that the way he was saying, like, I'm just doing this as a favor to your dad. Why are you doing this to everyone around you? I just thought it was awful. What a terrible way to treat someone who is just clearly attempted suicide, even if she's saying, I always just had a headache. I didn't mean to take that much. It's clear what was going on. And then he just puts her in a cab and trusts the cab driver to take her to the psychiatric hospital. Okay. Yeah. Okay. [11:49] Portia Pendleton, LCSW: That's his responsibility. [11:50] Dr. Katrina Furey: We 100% don't do that. If you need to send someone to the psychiatric hospital, hopefully you can talk with them and talk with their family and come up with a plan where they're on board. That's the ideal way, right, to sort of have their family bring them, and they're voluntarily seeking help. Sometimes people aren't willing to go and they need to go for their safety. And that's when, at least in the state of Connecticut, a psychiatrist can involuntarily hospitalize someone by signing what's called the Physician's Emergency Certificate or a PEC form. There's only two conditions in our state where you can basically take away someone's civil liberties by saying you have to be institutionalized against your will. That would be if you are an imminent threat to yourself or someone else. So in terms of like suicidality or homicidal threats or if you are so gravely disabled from your mental illness that there is fear of your being able to survive without immediate intervention. So people who unfortunately have something like a psychotic disorder, who aren't eating, who are harming themselves in some way but might not realize it like if they have diabetes and aren't taking their insulin, things like that. But it has to be really severe in order for you to be able to check that box. You can't check it for things like substance abuse. That's a different type of involuntary commitment and that one's really hard to get. [13:12] Portia Pendleton, LCSW: You can also send people involuntarily to the hospital just for the eval. You know what I mean? Like cops can do that. [13:20] Dr. Katrina Furey: You're right. Sometimes people will voluntarily sign themselves in. Once you do that, though, you can't voluntarily sign yourself out. Usually the team does have to kind of be in agreement that you're ready to leave. If not, then they could petition the courts to then involuntarily commit you to sort of see out your treatment. But it's not like, for two years anymore. [13:44] Portia Pendleton, LCSW: Yeah. So we learn later in the movie. But that Lisa has been there for eight years. [13:49] Dr. Katrina Furey: Not surprising, right, given her personality pathology. And it seems like she frequently elopes, which is the fancy word to say. [13:59] Portia Pendleton, LCSW: You know, my question was just thinking about is she making herself known? Is she kind of coming back? Is she presenting in a hospital somewhere? Like, how are they finding her? [14:08] Dr. Katrina Furey: Right. Are they finding her or is she finding them? Does she have some sort of tie of dependency to the institution that's been taking care of her? Because it seems like she's like the leader in some ways. Right. And I thought that I mean, what were your thoughts, Portia, of Angelina Jolie's depiction of Lisa with antisocial personality disorder? [14:27] Portia Pendleton, LCSW: I thought it was good because you can see how those people can kind of suck others in yes. [14:35] Dr. Katrina Furey: That charming. [14:37] Portia Pendleton, LCSW: And appear really interesting and powerful and fun and light and it's almost like they know what you need. So she was all these things to different people. [14:49] Dr. Katrina Furey: Yes. And then knows also how to get under people's skin. Like we see with Daisy in a really sinister way. [14:57] Portia Pendleton, LCSW: Oh, yeah. Like horrific. I mean, I didn't really, I guess, get the flair of oh, my. Like, I really don't like her. She's horrible. Until that moment. [15:09] Dr. Katrina Furey: Yeah. Right. [15:10] Portia Pendleton, LCSW: Until the because she doesn't let it go. It wasn't just like, oh, I kind of threw this out there. Maybe someone may do that. I'm thinking maybe who has, like, a borderline personality disorder. They're kind of pushing the limits a little bit, but take it that far is not typical, right? [15:26] Dr. Katrina Furey: And I thought at first in seeing her on the screen, I thought she was depicting Bpd because she comes in very provocative. You can tell, like, the staff is all up in arms, right? Like, Nurse Valerie, played by Whoopi Goldberg, I think is helping Susanna settle in and then gets some kind of someone comes in, like, whispers in her ear, like and then you see all the staff is ah. Some of the patients there get really nervous, but then some of them are excited to see her again. I think that actually displayed the concept of splitting really well. That these types of patients tend to rile people up. And some people are on the good side, some are on the bad side. And then you pit them against each other. [16:05] Portia Pendleton, LCSW: Really manipulative. [16:06] Dr. Katrina Furey: Really manipulative. And so at first, I thought that was the type of character she was portraying until the movie went on. And you'd see her get under people's skin and then not let go. And you could sense she got off on that. Even in the rolling chair when she steals the nurse's pen and has it at her throat with that sort of suicidal gesture. You got the sense they've done this before. You knew that this nurse had opened. [16:32] Portia Pendleton, LCSW: Up to her, which huge red flag. [16:37] Dr. Katrina Furey: Don't do that. [16:37] Portia Pendleton, LCSW: And also, though, it's like that is most likely to happen with that kind of a patient, 100%. They're really good at getting under your. [16:45] Dr. Katrina Furey: Skin and getting you to open up to feel safe and comfortable. This is how serial killers abduct people. This is how it happens. So I thought she did an amazing job portraying both sides of that. Like, both the charming, fun, playful nature that attracts people and then that sinister, manipulative, sadistic side. [17:07] Portia Pendleton, LCSW: I mean, not being impacted by Daisy's death. So, like, Susanna is very appropriate reaction. And again, I'm saying this like, ha ha. But even someone with a personality disorder. [17:23] Dr. Katrina Furey: It'S like, yeah, because she has appropriate. [17:25] Portia Pendleton, LCSW: Emotions that maybe are extreme. But like, wow, you see someone who a dead body, someone who's hanging very disturbing. And you have this emotional reaction because you're a human with you know, Lisa. [17:38] Dr. Katrina Furey: Is not she takes her money and she goes I think, again, that was just such smart writing and depiction. I guess I was reading that didn't actually happen. Like, they didn't escape together. I was reading a little bit on Wikipedia about the author's take on this movie and I think she actually didn't love it. But there were some things that didn't actually happen like that scene. So whether it happened or not, I hope it didn't for daisy's Sake. But it was really smart writing to portray these two women who are both struggling psychiatrically, but with different personality flavors. And I think you do see some overlap between the Bpd and ASPD antisocial personality disorder, which, again, are all under the same cluster of personality development, like the provocative nature, the splitting, the intense mood swings, the all or nothing way of thinking and feeling and relating to people. But you see how antisocial personality disorder is different, right? [18:36] Portia Pendleton, LCSW: There's lacking empathy, there's lacking people with Bpd can relate to others. They do experience emotions appropriately and sometimes extreme. It's not a lack of in most cases, it's intense. [18:48] Dr. Katrina Furey: Exactly. [18:48] Portia Pendleton, LCSW: Too many emotions. [18:50] Dr. Katrina Furey: Right. It's a very intense emotions for the situation, but you still experience them. And they're not always, quote unquote, too intense. Sometimes they're totally accurate. But even, like, the scene with Susanna and Valerie where Susanna's in the bathtub, and she says awful things to thought. I don't know about you, but I felt like that was the scene where I really saw the Bpd side of Susanna. Kind of like until then, I was like, I don't really know if I buy that she has this diagnosis or if she's just, like, a struggling. Like, maybe it's a little too early to diagnose her with something like this, but then she really throws out, like, racial slurs, really derogatory things. Because I think Valerie was trying to connect with her. And I think for someone with Bpd, that feels very scary. Right. It's like you crave attachment, and you also fear it because you might lose it. So I felt like that was her trying to push her away in a really extreme way. And then later, though, you see that Susanna has a lot of remorse and guilt for what she said, whereas someone like Lisa would not. Daisy's character as well, is very you. [20:04] Portia Pendleton, LCSW: Know, I think there's a lot there. I think also, if we're going on what Lisa said is true, which sounded like her dad was molesting her for. [20:14] Dr. Katrina Furey: And again, like, no one else had kind of brought that up. And I do feel like people with sociopathic traits have this uncanny ability to sniff these things out and pull them out. Right. I don't know how, but they do. They can sense this stuff and pull it out and really dig at you. Yeah. [20:34] Portia Pendleton, LCSW: We didn't know that until that scene where she was kind of pushed over the edge. But she talked about being wealthy a lot. It seemed like she was abusing laxatives. They were kind of trading colase for Valium, which can happen at residential or inpatient places. That's why you're typically supposed to show your mouth. You lift your tongue, move it around to show that you're not tonguing meds. [21:00] Dr. Katrina Furey: Right. Or cheeking them or throwing them up afterwards before they've been metabolized. Yeah. [21:07] Portia Pendleton, LCSW: So that's a part that's just I mean, it can happen, and it is. [21:11] Dr. Katrina Furey: What it is, but it does happen. [21:12] Portia Pendleton, LCSW: The trading is just so unhelpful, right? Because it's like you don't know what drugs you're trading something for that then you're taking could be interacting with something else that your prescriber is giving you that they don't know that you're doing this. Very dangerous do not do thought. And maybe you can speak on this a little bit. It was interesting, which I know would never happen. [21:30] Dr. Katrina Furey: Right. [21:30] Portia Pendleton, LCSW: So before she's seen by a medical and I'm talking about Susannah before she's evaluated or sees any psychiatrist, she's already taking medication and they're giving her laxative. Why? [21:40] Dr. Katrina Furey: I thought they were giving her sleeping pill at first. Well, I guess they also give her choli. Right? [21:45] Portia Pendleton, LCSW: Well, anyway, but any medication. [21:47] Dr. Katrina Furey: Yeah. So there were definitely, I would say, some positive elements of the movie about the way they depicted mental health treatment back at that time. As it was. It could be at these beautiful institutions where you would have, like, a nurse's station. Then the patients would have their rooms. There'd be a common area. There would be other rooms like the art room, the music room, stuff like that. I think even nowadays, at more residential type places, you try to have that stuff so that during the day, you're not just sitting around, there's some therapeutic intervention. Right. So that I thought was pretty positive and spot probably, I would imagine McLean still might kind of look like that. The things that I thought were not great was that, like you said, she didn't see a psychiatrist at all and she's already taking medication. Like, that doesn't happen nowadays, and she. [22:34] Portia Pendleton, LCSW: Wasn'T already on it. [22:36] Dr. Katrina Furey: Right. It's not like they were continuing what she was on. But even for that, if you're admitted to a psychiatric hospital and you get to the unit at 03:00 in the morning, there's a psychiatrist on staff who will at least come and do a physical exam. Listen to your heart, listen to your lungs, check your blood pressure. [22:52] Portia Pendleton, LCSW: You're getting labs. [22:53] Dr. Katrina Furey: You're getting labs done. Maybe you need an EKG just because they might have hurts like a murmur or you're on a medication, they want to make sure that your heart is functioning okay, especially her, who just had a recent overdose. And then you go through like, do you have any allergies? What other medications do you take? Do you have any dietary preferences? Nowadays they also ask you what are your pronouns? All of this stuff happens the second you hit the floor. It doesn't wait till the morning. You might not meet your primary treater and get into the therapy side of things at 03:00 in the morning, but you would have that done, and you would talk about what medications they were going to prescribe or not and why and why. So I didn't like that. And you can't force anyone to take medication. That's the other thing that was inaccurate and made me upset, is like when susannah would express, like, I don't want to take this. You can't force them. That is totally coarse. If you can't do that, you need a court order to give anyone medication, which sometimes you do have to apply for, and sometimes it is granted. Like, if you have a patient with really severe chronic schizophrenia who needs their injectable antipsychotic to maintain wellness, that gets really tricky. But for stool softener, no one's forcing you to take a stool softener, okay? And like you said, they do like, tongue and cheek checks and make sure you are taking your medication. And they depicted that sometimes, but not all the time. But yeah, the chicken carcasses. What do you think about that? Interesting. [24:20] Portia Pendleton, LCSW: I mean, it seemed like she does like, purge, right? So either laxative use or there was some alluding to maybe some binging, like some little bit of bulimia both at the unit and then when she was in her apartment. That made me think that again, I mean, I'm going very loosely making that diagnosis. I also would say that the other patient on the unit who appears to have anorexia, which the weird comment of she's like, yelling about wanting her clothes, and then the nurse says, then you'll have to eat something, does not happen. [24:50] Dr. Katrina Furey: Now you can't manipulate people to eat. [24:52] Portia Pendleton, LCSW: And also that's typically why there are now so many separate units. It's very unhelpful and doesn't happen frequently to have eating disorder patients within a general psych population. They are, I think, inpatient like, in a hospital can go to like a medical but even then there are very specific and I think there's really only like a couple in the country, but there's a Cute out west, and then there is Walden and McLean out east, where they have inpatient units specifically for that. Because I think it's so important for staff to be trained in a very specific way. [25:32] Dr. Katrina Furey: I did think some of the stuff they portrayed, like not giving you your clothes until you eat doesn't happen. Other stuff, though, that they portrayed, like her exercising all the time on the unit, super accurate. And that's one of the things that the staff get trained in is like, being able to pick up these subtle ways of exercising in an attempt to burn calories and things like that. [25:53] Portia Pendleton, LCSW: Well, a lot of patients will share that if they are admitted into a general hospital and they do have primary ed, it's often like the worst time, which, again, is probably for many different reasons. One, they're so medically compromised. Two, this is like the beginning of the long road of often. Then maybe you're switching to an inpatient ed unit and then residential and then PHP and then IOP. There is some controversy in the community with the ethics around tube feeding. There's even more controversy within it if you are being tubed placing and pulling same day or for each meal to get you off the tube, they want you to eat, and typically you're tubed if you're really malnourished or if you're refusing. Again, I don't think they can make you without a court order, but they'll do that if you're refusing. [26:44] Dr. Katrina Furey: Yeah, I think that gets really tricky. And it's probably when they call for a capacity evaluation where a psychiatrist I would believe a medical doctor could do it too. Medical doctor being like internal medicine, someone who's not a psychiatrist, but still a physician would evaluate, does this patient have the capacity to refuse meals when they're this malnourished? Or is that malnourishment causing impaired cognitive what is the ethical decision of like can you make this decision knowing it's going to hasten your death or not? I mean, that's probably a huge ethical. [27:18] Portia Pendleton, LCSW: And there was a case and the judge sided with the patient and the patient went on to die. They went into hospice. Just it's really horrible. Do not recommend. But these places are there for you because you are that know, you really need support. So anyway, Janet should be, I think, in a more specialized unit where she's getting meal coaching other than just being threatened or withholding other things. [27:45] Dr. Katrina Furey: Right. [27:45] Portia Pendleton, LCSW: I think there were some eating disorder places around Renfrew's really old. They started in Philadelphia. They're all over now, but they're like the oldest big center for eating disorder. So if they were open then she should have been there. I think she probably would have gotten better care and more specialized care. So she should transfer if it opens soon. [28:07] Dr. Katrina Furey: Well, and I'm just thinking too, back in that time, in the mid sixty s, I feel like a lot of the treatment was still very psychoanalytic. Right. So I don't know how much about. [28:16] Portia Pendleton, LCSW: Your mother, let's lie down and talk about your mom. [28:20] Dr. Katrina Furey: And as a psychodynamic, psychotherapist I so fully believe in, there's huge connections cases in certain instances. Right. [28:30] Portia Pendleton, LCSW: But we need meal coaching, we need behavioral treatment, which often is DBT, and we absolutely need but I will say, too, like at that level of care, it's really hard, I think, when you're also that malnourished to exactly do that. [28:44] Dr. Katrina Furey: That's what I was going to say. Right. Like at the right time for the right patients. I feel like back then and again, I don't know, I wasn't alive in the 60s, but I feel like that's what everyone got. [28:54] Portia Pendleton, LCSW: Yeah. [28:55] Dr. Katrina Furey: And maybe that was like all we really had back then. We didn't really have the antipsychotics and stuff were just starting to come out. Maybe like CBT, DBT, these things, I don't think they were really out there yet. So yeah, I would imagine Janet was getting substandard care based on today's standards. And then it's like, well, I think Susannah was getting really good care based on today's standards. The difference in the comparison is really interesting. [29:23] Portia Pendleton, LCSW: And I wanted to just if you haven't listened yet, check out our episode on Shutter Island. Because that was in, I think, around the same late fifty s the mid to early 50s. So that's not that far off from this movie. Maybe, though, ten years can make a difference. However, I think this is also, again, like a private institution versus a forensic state forensic unit. Right. [29:46] Dr. Katrina Furey: But you're right, it's really interesting to sort of watch both of those and kind of compare and contrast them and they do get some of the historical points accurate. And I feel like back in the 60s, again, that was when a lot of these hospitals were being shut down in an effort to have people be treated in the community. Which again, is like, great, let's do it. But the money to actually do it, guys. [30:08] Portia Pendleton, LCSW: Yeah, no, totally. That's a huge problem. Anyway, there was a lot of other things wrong, like the orderly having oh. [30:16] Dr. Katrina Furey: My God, sexual relations. Even like them allowing her to make out or have sex with her boyfriend. No, you're not letting when people come to visit you, you don't just get to go behind closed doors and have a conjugal visit. [30:27] Portia Pendleton, LCSW: It's like a therapy session or you're playing a game. It's out in the open visiting time. [30:32] Dr. Katrina Furey: There's boundaries, especially for a patient like her. And how did the girls keep escaping and going to the basement all the time? There's people on staff overnight. The room check thing was accurate. You do come in and do checks at first, they are every 15 minutes. So I think that's really disruptive to your sleep. And we know how important sleep is to your mental health. [30:51] Portia Pendleton, LCSW: So I've done checks. I only had to do one, thank goodness, because I'm not an overnighter gal. But when I worked at a residential, I did get mandated to stay once overnight. And having to do ten minute checks on a new patient, because typically when they're new, they're on the highest level of watch. [31:09] Dr. Katrina Furey: Right. [31:10] Portia Pendleton, LCSW: So it just sucks, a, because I wasn't used to being on night shift, but yeah, it's really hard to do as an employee or as a mental health professional. And then also, I'm sure the patient didn't love it either, right. [31:23] Dr. Katrina Furey: Because they're not just like opening the door to see if you're there. They have to make sure you're safe. Right. So if you're turned and facing the wall and sleeping, they have to shine the light in your eye, make sure not only are you breathing, but you're not hoarding some sort of weapon or things like that. So that actually was accurate. But then I was like, if they're doing the checks, there's no one in the hallways. That's just not how it happens. I don't think they would have been able to escape. I thought this scene with them all reading their files was fascinating. And to me, it kind of reminds me of like, nowadays when patients have access to their notes and stuff like that, and how that is interesting and I think different for someone reading their note from their primary care annual physical and their therapy work. Right. What were your thoughts about all that? [32:11] Portia Pendleton, LCSW: Yeah, I think we talked about this in another episode, but I'm going to bring it up again. You're supposed to write your note like there's a lawyer on one shoulder and the patient on the other. So I think though, with more electronic medical records and with more open chart things like we have my chart here, maybe that's international, maybe it's national. It's basically where you can log in, send a message to your provider, look at your lab work, et cetera, schedule appointments, also see the notes. And so there are some questions around is it helpful or not for that to be in the mental health world? And is there like a level of notes that should be shared versus not what's helpful? [32:51] Dr. Katrina Furey: What do you think? [32:52] Portia Pendleton, LCSW: I think that patients should absolutely have access to treatment plans. I think that having access to all of your notes all the time, reading them on your own, is unhelpful. I totally agree. I think if you need to see the notes, you should be going over them with the provider so you can explain things. So if there's any questions or context, they can ask questions and not feel any kind. It shouldn't be negative. And they might be like, oh, well, what is that? What did that mean? And then you're there to explain exactly what that meant. [33:29] Dr. Katrina Furey: Right. I think, though, kind of like these women reading their files, it can be jarring. I don't think I'd want to read my psychological assessment of myself by myself. I feel like that's like really I. [33:43] Portia Pendleton, LCSW: Think it's more damaging it can be. [33:45] Dr. Katrina Furey: And I think it can really damage the therapeutic alliance with your provider too, because not everything you're observing the patient's going to see and that's going to. [33:55] Portia Pendleton, LCSW: Be it might not be ready to see. [33:56] Dr. Katrina Furey: Right. [33:57] Portia Pendleton, LCSW: And I'll just say too, just for clarity, we're not talking **** about you in your notes, we're writing things from our perspective, from our professional perspective of what's happening. Sometimes maybe we're wrong too, interpreted something wrong. So it's really for documenting purposes, it's for billing. [34:17] Dr. Katrina Furey: Yes. [34:17] Portia Pendleton, LCSW: And sometimes we might not do it perfectly. So I think that's I would lead. [34:22] Dr. Katrina Furey: With that preference and I think with, again, notes and stuff like that being more and more open, I feel like they've just become less and less helpful. I guess you leave so much out and you just have to keep it in your head, right, that it's kind of unfortunate. I do find myself being like, well, if this person ever read this, how would they feel about this? And I do think that can go both ways. On the one hand, I think it can help you remain not compassionate, but help you stay in a neutral space. And a lot of times be mindful of your own unconscious biases and be like, well, why am I putting this word in? Does it really need to be there or not? And on the negative side, it can make you withhold things that really should be there, but you're worried about if they read it before they're ready, how is that going to affect them? How will that affect our therapeutic alliance and their future treatment? And is that worth it? [35:23] Portia Pendleton, LCSW: Right? [35:23] Dr. Katrina Furey: Is that potential negative effect worth it? It's real tricky. [35:27] Portia Pendleton, LCSW: It is. No, I totally agree. It's nuanced. I think most providers feel the same way we do. [35:42] Dr. Katrina Furey: But I did think how interesting that this film, filmed decades ago, based on a time even further in the past, is still, like, on the pulse with something really active, like, in the mental health field presently. And I also thought it amazingly depicted how mental health providers really struggle to tell people their directly. It seems like none of these girls really knew, what am I here for? What am I being treated for? Some of them did. They were like, oh, Elisa, you're a sociopath. We all know know. But, like, Susanna being like, borderline personality disorder? What is that? [36:19] Portia Pendleton, LCSW: And then when she's in her family therapy session, she's like, what is that? And apparently the doctor's been telling her parents, but not her. [36:27] Dr. Katrina Furey: Right? And she is an adult. This isn't like a 14 year old. And especially, I don't know about you, Portia, but I feel like in the mental health field, we tiptoe around this diagnosis, and so we're so hesitant to talk about it and share it with people. And why do you think that is? [36:44] Portia Pendleton, LCSW: I think because societally, there are negative connotations with it. And I think that at least that's my discomfort sometimes. Versus I think the more we accurately diagnose people who have Borderline and talk about it, the better care they will get, because then we know the treatment plan and they can get better. We have more than people to participate in studies, there's more research. I think we really should be accurately diagnosing the disorder and also teaching clients about it and giving them education is, like, best practice. But I think in our society, like, Bpd has a lot of negative even I think it's even, like, joked about, you're crazy, and it's females. Obviously, we're careful of that, but I think ultimately, it does more damage, not sharing or being, for sure, hesitant. But again, diagnosing someone with a personality disorder does not happen immediately. One assessment, you're getting there with tons of data and information, and over time, it's like, you're probably there, right? [37:47] Dr. Katrina Furey: Let's just call it what it is, right? But yeah, I think that reminds me of, like, early on in the movie. I think it's in this scene when she's reading her file and she sees a cluster of diagnoses at the beginning. I can't remember what they were. Do you remember what they were. Yeah, they're not accurate today anymore. We call them different things now. [38:09] Portia Pendleton, LCSW: So it says Psychoneurotic Depressive Reaction, personality Pattern Disturbance resistant, mixed type, and then undifferentiated schizophrenia. [38:21] Dr. Katrina Furey: Those were yeah. And then all of a sudden, at the bottom, it's like, final diagnosis borderline Personality disorder. So can you imagine? Again, it's like, okay, she's reading all these words. Like, even as a psychiatrist, I don't understand what those early diagnosis mean because we don't use them anymore. They're a lot of big words that are confusing. So it's really hard for her to make sense of, like, what does that mean? And she goes and grabs it, looks like a DSM or something, and starts reading about it and is, like, all up in arms. And I just think, what a sad way for her to find out and then to also hear it in the family therapy where her parents know before she knows, but we're all keeping it. [38:55] Portia Pendleton, LCSW: Quiet, like talk about it. [38:58] Dr. Katrina Furey: And I think I loved when she said borderline of what? Like, what does that mean? And, you know, the way I was taught to think about it and where I think the phrase comes from. And again, I will say I don't love that we call certain things personality disorders. I feel like even that phrase is really stigmatizing. I don't know of a better one, though. [39:21] Portia Pendleton, LCSW: So much of we find in patients who have borderline personality disorder, there typically is some sort of attachment trauma. [39:28] Dr. Katrina Furey: Yes. [39:28] Portia Pendleton, LCSW: And so I would love for there to be a more specific trauma diagnosis other than PTSD or complex PTSD that talks more about attachment and how that then impacts relationships. I think that would be so much more helpful, better fit for people to understand. [39:46] Dr. Katrina Furey: Right, 100%. And I think when we use the word borderline, I believe where it came from is, again, harkening back to those psychoanalytic days, which we see in this movie of thinking about what are the defense mechanisms different people with different illnesses tend to use to live with and cope with their illness. And when we think of people in broad strokes, we think of people falling into what we call, like, the neurotic realm of personality development. These are people with, like, anxiety disorders, OCD, things like that, eating disorders. And then we think on the other end of the spectrum are people with psychotic disorders who use different types of defense mechanisms that are disconnected from reality, whereas people with neurotic disorders are maybe like uber connected to reality or a little too in their head. Borderline falls in the middle, where you sort of display some neurotic defense mechanisms and some psychotic defense mechanisms that doesn't make sense to the average person. And even as I'm trying to explain it, it's really confusing. But these are patients she did say in the movie, which was accurate, with an unstable sense of self, unstable moods, like a lot of mood swings again, some safety concerns in the most severe cases, which we see with her right at the beginning. But, again, it's like what I also loved about this movie was when they captured her at this age because some of these personality traits, again, not the safety concerns, like, we'll put that over here on the side. But some of the other stuff, the big mood swings, the idealization devaluation, the splitting that is normal in development from when you're very young, like, born to as you're growing up into adolescence. And then as your brain matures and you mature, you're able to sort of hold on to good and bad feelings and thoughts simultaneously. But that takes time. It does. And so a lot of people are also really hesitant to make this diagnosis, I hope, in a teenager or young adult, until you really see these traits and these issues sort of being persistent and present across all different facets of someone's life and over a long period of time. Otherwise, it does raise the question of is this just quote, unquote, like normal adolescent angst, like the suicide attempt? No, but some of her questions to Dr. Wick, like, well, how many partners is promiscuous? And what is it for a man, like, totally trapped, right? [42:21] Portia Pendleton, LCSW: And for the time, just thinking of being in the think thinking of Susannah and then her mom, I would say probably very different expectations for how to behave. They talk the Vietnam War. There's a draft going on. So I think this is also just like, a very culturally changing time for so many behaviors might seem so unsafe besides the safety safety issues, like the promiscuity that they keep talking about to even the doctors, right? Because they're of that other generation as well, that maybe is having just more of that judgment or thinking it's more of a behavior than her. Just like right in the 60s as a young adult, like, expressing herself and her sexuality, right? [43:02] Dr. Katrina Furey: And then it's like, well, yeah, and having sex with an older man who's married. Again, I felt like there was so much almost blame put on her. But it's like, what about him? Right? [43:15] Portia Pendleton, LCSW: The mom are there at the ice cream store for that scene, and that wife and daughter come in, and Susanna susanna's trying to kind of hide herself initially. And then the mom sees her, comes over and is like, It's her fault. And it's also like, okay, but of course, right, like, you're so you're not blaming the adult in the situation, your husband, who's and, you know, she's single, she's young. Of course it's her fault, right? [43:41] Dr. Katrina Furey: There's all these assumptions and a lot of blame on her. But it's like, what about him? And taking advantage of a younger girl. And again, not saying that there aren't cases where maybe the younger girl is more of the instigator, I guess you could say. But still, I was like, I see her point here. [43:58] Portia Pendleton, LCSW: Well, and then he was continuing to want to follow up, and she remember at the beginning like, no. And kind of shuts the door on him. So even that felt like it was a little bit more on him, or else it was going to be more on him. But at the ice cream scene, I do think that that is when Susanna does kind of or Lisa's actions to kind of save Susanna is where Susanna does really align with her, and that's how that then, you know, then Lisa gets her trust on her. [44:24] Dr. Katrina Furey: And I think Lisa, with her sociopathic traits, can sniff out who's vulnerable. And I do think people with Bpd are vulnerable to attracting toxicity or finding themselves in these toxic relationships. Like, hearkening back to Tanya from White Lotus. As we're talking now, I'm wondering if that suicide attempt was somehow connected to that relationship with that man. Like if in some way she felt rejected and then attempted suicide. And if somehow, maybe the doctors knew that and we didn't quite hear that as a viewer. But that, to me would give more of more evidence for a true Bpd type of diagnosis where really the core inner wound and fear is related to attachment and feelings of abandonment or rejection are really hard to navigate, I think. As we wrap up, I wanted to just ask you, do you think Lisa would have actually been crying at the end? I did think her and the four point restraints were those are what restraints look like. Even these days, restraining someone is like the soul crushing thing that you have to do sometimes as a psychiatrist on inpatient units like this, when there's a real safety issue happening, we try to do it in the least restrictive way as possible. You do see another character earlier in the movie in a straitjacket. We really don't use those anymore, but what you saw depicted is what strait jackets looked like, and they were used back then. Do you think Lisa would have cried with Susanna's departure? [45:57] Portia Pendleton, LCSW: If the tears were real, they would. [45:59] Dr. Katrina Furey: Have to be about she's. [46:03] Portia Pendleton, LCSW: Yeah. [46:03] Dr. Katrina Furey: I don't think she's feeling sad to lose her friend. I think she's being manipulative. The tears are real about her to make Susanna feel bad for saying all those things. I think that is what it is. But I don't think a true sociopath is capable of having tears or really know if someone's coming or going. Right. [46:23] Portia Pendleton, LCSW: I also think, just like to add to Lisa is that the reason that we wanted to deinstitutionalize people is because you can become institutionalized, where you get used to living in a state like that, which I would also say you're around trauma a lot, and chaos. It's scary setting things. So I think that also, after eight years, I would imagine changes someone, and. [46:48] Dr. Katrina Furey: You become dependent on the institution. [46:50] Portia Pendleton, LCSW: Like, why she's there, sure. But for her to be there for eight years, I think also must impact her everything. So I'm just curious, even just thinking about what has that done to her? That's why we like to keep people in the communities, in their communities. It is what's best when there are enough resources. So I think that's also just something to think about, like, how have the eight years been there for her, impacted her? [47:19] Dr. Katrina Furey: Right. It's kind of like what we see when people are in the criminal justice system for a long time, then they get released and they reoffend and come back. Sometimes they don't know how to survive anymore, like, outside of an institution like that. [47:32] Portia Pendleton, LCSW: All right, well, thanks for joining us today. We hope that you enjoyed today's episode. If you did, please feel free to rate the episode with five stars and then check us out on Instagram at Analyze Scripts and TikTok at Analyze Scripts podcast. And we would love for you also to subscribe. We have gotten a little bit of a bump this week and we're really. [47:51] Dr. Katrina Furey: Excited about it, so we do see. [47:53] Portia Pendleton, LCSW: Every subscriber add on. It brings us joy. So if you'd like to participate in. [47:56] Dr. Katrina Furey: That, feel free and spread the news. All right, see you next Monday. [48:00] Portia Pendleton, LCSW: Thanks. [48:00] Dr. Katrina Furey: Bye bye. [48:07] Dr. Katrina Furey: This podcast and its contents are a copyright of analyzed scripts. All rights reserved. Any redistribution or reproduction of part or all of the contents in any form is prohibited. [48:19] Dr. Katrina Furey: Unless you want to share it with your friends and rate, review and subscribe, that's fine. [48:23] Dr. Katrina Furey: All stories and characters discussed are fictional in nature. No identification with actual persons, living or deceased places, buildings, or products is intended or should be inferred. This podcast is for entertainment purposes only. The podcast and its contents do not constitute professional mental health or medical advice. Listeners might consider consulting a mental health provider if they need assistance with any mental health problems or concerns. As always, please call 911 or go directly to your nearest emergency room for any psychiatric emergencies. Thanks for listening and see you next time. Don't.

National cousins day. Entertainment from 1994. Englands window tax repealed, Machu Picchu found, Mormans arrive in Salt Lake City. Todays birthdays - Alexander Dumas, Amelia Earhart, Robert Hayes, Michael Richards, Lynda Carter, Pam Tillis, Jennifer Lopez, Kristin Chenoweth, Elizabeth Moss, Anna Paquin. Martin Van Buren died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Cousins - Vampire WeekendI swear - All 4 oneSummertime blues - Alan Jacksonbirthdays - In da club - 50 Cent http://50cent.com/Seinfeld TV theme songWonder Woman TV theme songMaybe it was Memphis - Pam TillisI anint your mama - Jennifer LopezExit - It's not love - Dokken http://dokken.net/

This week it's the Universal Monster remake The Invisible Man (2020)! Jamie and Nikisha talk 'Black Mirror' season 6, Beyoncé hangover, IPV, Elizabeth Moss, filling in visual blanks, Storm Reid, finding abuse support, friend calculator and, of course, square wine glasses. Watch us on YouTube! Follow us on Instagram | Twitter | TikTok: @TalkHorrorPod Check out Jamie (aka Amiibojamie) on Twitch! Find Bryan and Jamie on Letterboxd

In today's episode I talk about giving 100% everyday, but also checking in on what 100% looks like each day. I also share great auditioning advise from Elizabeth Moss as well as discussing what it means to be our own publicist and so much more. Enjoy!!!

Tony & Jeremy review the in-theatre movie 65 (2023) starring Adam Driver, Ariana Greenblatt & Chloe Coleman. In the second half we'll discuss one of our favorite movies Us (2019) starring Lupita Nyong'o, Winston Duke & Elizabeth Moss.Chapters:Current Talk: The Last of Us, Cocaine Bear, Minnesota visit : (00:28)65 (2023) Review: (13:19)Us (2019) Discussion: (29:40)The clips featured in this podcast were for critical review and parody, which are protected under the Fair Use laws of the United States Copyright Act of 1976. All rights are reserved and acknowledged.65 (2023) - Rotten Tomatoes.comUs (2019) - Rotten Tomatoes.com

On this edition of Parallax Views, controversial German-born filmmaker Uwe Boll has alternately been called "the world's worst director", potentially "the most misunderstood filmmaker in the business" and a "legitimate auteur", "a brutish bully inclined to lash out against his detractors", "the only filmmaker interested in investigating the likelihood of a violent response to political powerlessness" and "the only director taking the events the media treats as the country's worst tragedies seriously", and an "asshole". He's taken on his critics in a boxing match. He's worked with A-list Hollywood talents like Jason Statham, Michelle Rodriguez, Ben Kingsley, Christian Slater, Elizabeth Moss, Ray Liotta, J.K. Simmons, and Burt Reynolds. He's become known for his adaptation hit video game properties like House of the Dead, Bloodrayne, Alone in the Dark, Dungeon Siege, and Postal into movies that were slammed by gamers and critics. He's been a lightning rod for controversy due to some of his movies being financed by German tax shelters. He's also made more personal films dealing with or reflecting on social issues like Wall Street corruption and the financial crisis of 2009 (Assault on Wall Street), school shootings (Heart of America), spree murders and political violence (Rampage, Rampage: Capitol Punishment, and Rampage: President Down), prison brutality (Stoic), the Holocaust (Auschwitz), the genocide in Sudan's Darfur region (Attack on Darfur), and the absurdities of war (1968 Tunnel Rats). Boll announced his retirement from directing in in 2016 with the release of Rampage: President Down, the last movie in his trilogy following the exploits of spree killer turned political terrorist Bill Williamson (played by Brendan Fletcher). During this retirement Boll kept helping produce films made by other directors, including the opioid epidemic documentary The Decline, as well as opening his own highly-lauded Vancouver-based restaurant Bauhaus. In 2022, however, Boll returned to the director's chair with Hanau (Deutschland im Winter - Part 1) or Hanau: Germany in Winter, a docudrama exploring the disturbed mind of Tobias R. and the descent into radicalization that led him to become the first recorded mass shooter inspired by the far-right wing conspiracy theory movement known as QAnon. Now, Boll is continuing his return to cinema vis-a-vis his company Event Film. His next project is First Shift, a New York City crime/cop drama set to feature Sons of Anarchy's Kristen Renton and Shades of Blue's Gino Anthony. Also in the works for the filmmaker's comeback is a biopic of Elliot Ness of The Untouchables fame dealing with the Prohibition-era law enforcement agent's attempts to solve the Mad Butcher of Kingsbury Road or Cleveland Torso Murders case. In addition to all of this the cult film distributor Unearthed Films' is soon releasing the 2013 horror anthology The Profane Exhibit containing the Boll-directed segment "The Basement" about the depraved Austrian criminal Josef Fritzl that stars noted character actor Clint Howard and The Texas Chainsaw Massacre Part II's Caroline Williams. Despite his busy schedule, Boll made time to chat with me for this edition of Parallax Views. I'll admit that I'm not completely objective in this conversation. I think Boll's gotten a raw deal in terms of how his films have been evaluated/perceived and I make that known in this extended discussion of his career. Rather than covering the video game adaptations he's notorious for or the infamous boxing match between Boll and his critics, this conversation focuses on Boll's early German film career, his transition to making films in Hollywood, his politics and explorations of social issues like men who "run amok", a great deal of discussion about his non-video game based movies, and more. Among the topics covered throughout this episode: - Uwe's early cinematic influences; Hollywood vs. the German New Wave cinema; Werner Herzog - Uwe's German films: the irreverent comedy German Fried Movie and the arthouse spree shooter movie Amoklauf - Uwe's dealing with the theme of people, particularly men, who "run amok" (going on rampages or killing sprees); fascination with what leads people to snap mentally - Assault on Wall Street as a subversion of the Death Wish and similar revenge movies (ie: the vigilante goes after white collar criminal than pretty street thugs); the slow-burn nature of Assault on Wall Street; the 2008 financial crisis, Bernie Madoff, and what inspired Assault on Wall Street - The overt, "in your face" politics of Assault on Wall Street and the Rampage movies - Boll's school shooting drama Heart of America; the dark side of suburbia; Brendan Fletcher's portrayal of the school bully in Heart of America; Heart of America vs. Gus Van Sant's Elephant; the narrow view a teenaged mind can have about the future and how this relates to Heart of America; sometimes we change our way too late as a theme in Heart of America - Boll's prison drama Stoic; Boll made the actors, including Terminator 2: Judgment Day's Edward Furlong, sleep in a prison cell in preparation for the film; relying on the improvisation of actors to create realism; Stoic and it's scary examination of how easy it is for people to dehumanize others - Uwe's thoughts on Russia and the war in Ukraine - Was there a specific moment that led to Uwe's political awakening?; NATO, Germany, and the Cold War; the East vs. West Germany divide; the Red Army Faction and the debated death of Ulrike Meinhof - The Rampage trilogy and its main character, the teenager turned terrorist Bill Williamson; Williamson as a character who commits violent acts that disturb the viewer but also is, disturbingly, relatable in other ways (telling certain truths about the problems with society); the realism of the violence in Rampage as a deliberate contrast to Boll's early films trying to emulate unrealistic video game-style violence - The evolution of the Bill Williamson character in the Rampage sequels; 2016's Rampage 3: President Down and the Jan 6th riots; Julian Assange and Wikileaks, Edward Snowden, the NSA, and the persecution of whistleblowers; Donald Trump's lack of pardons for the aforementioned whistleblowers - Boll's Holocaust documentary Auschwitz; portraying the dehumanization of the camps and why the film included nudity (although not nudity that was meant to titillate but rather depict the stripping of human dignity that the Nazis perpetrated against Jews; the Israeli reception to Boll's exploration of Nazi death camps in Auschwitz; why Boll played an SS guard in the film - Casting real life refugees in Attack on Darfur - Films like Auschwitz and Attack on Darfur as attempts to force us to confront the reality of atrocities and genocides; why did no one intervene in Darfur?; war, profits, and exploitation; political violence, terrorism, and state violence - Who was Tobias R., the German QAnon spree shooter? Why tell his story in the docudrama Hanau: Winter in Germany; Tobias R.'s mental disturbance, isolation, manifesto, and racist, xenophobic father; the rise of Trump and the radicalization of Tobias R.; the problem of misinformation, disinformation, and the destabilization game; are we getting screwed by all sides politically?; figures like Tobias R. are not alone (ie: QAnon is a social phenomena) - The lack of common sense in the geopolitical power struggle in the world (some talk about the U.S., Russia, and China); the decline of diplomacy and the horrors of war; weapons manufacturers and war profiteering; climate change and the need to address the issues facing the environment - The historical context of Boll's irreverent comedy Postal; the War on Terror, the George W. Bush administration, and 9/11 - The censorship of the first Rampage movie in Germany - Boll's work as a producer; tax incentives and Boll's use of tax shelters (and the misperceptions people have about the use of those tax shelters); the money Boll made from DVD sales; movies like Stoic and Rampage would not have been made without the video game movies allowing Boll to make some cash to fund the later non-video game features - Advice to young filmmakers; Boll's approach to directing actors; the state of cinema today; the importance of storytelling; the problem of self-censorship in cinema; it is cheaper to shoot a movie today in many ways than it was for when Boll first started filmmaking; how to foster a good relationship with actors; taking a straightforward approach with actors; Ron Perlman's assessment of Boll's approach to working with actors - High-octane filmmaking, working on tights schedules, and practical struggles Boll and his crew face making films like House of the Dead and In the Name of the King: A Dungeon Siege Tale; taking into account the role of money in film production and being able to make one's money back; working with budgetary restraints as a filmmaker; filming Alone in the Dark and anecdote about Bryan Singer, Halle Berry, and the X-Men movies - Boll's future projects; First Shift follows a day in the life of Brooklyn cops during a 12-hour shift; making a new movie about The Untouchables' Elliot Ness and the sad story of "Mad Butcher of Kingsbury Run"; a little info about the Boll-produced documentary The Decline about the North American opioid epidemic and fentanyl deaths (Boll saw the epidemic first hand while running his restaurant Bauhaus in Vancouver); Boll's documentary on the Bandidos Motorcycle Club gang - And more!

 Izzie and George have woken up with regret and a hangover. Unfortunately for Callie, Daddy Torres is in the building and he's ready to meet his baby girls new, stinky, sweaty man.  Meanwhile, Jane Doe has chosen a new face and a new name ( Hello Ava), Addison looks hot with and without her glasses, Christina finally makes some wedding decisions and Elizabeth Moss comes for a visit. Contact us at scalpelsandtequila@gmail.comInstagram  @scalpelsandtequilapodcast@missthayes and @ms_ayla_azurexTamzen  and Ayla Hosted by Tamzen Hayes and Ayla AzureThis podcast is recorded on stolen land of the Wurundjeri people. We also acknowledge that medical practices of the traditional owners of these lands were developed and used way before the  medical practices discussed in this show, they are also continued to be used today. Greys Anatomy CreditsCreated by Shonda RhimesStarring Ellen Pompeo - Meredith GreySandra Oh - Christina YangT. R. Knight - George O'MalleyJustin Chambers - Alex KarevKatherine Heigl - Izzie StevensChandra Wilson - Miranda BaileyJames Pickens Jr - Richard WebberPatrick Dempsy - Derek ( McDreamy ) ShepardIziah Washington - Preston BurkeKate Walsh - Addison ShepardSara Ramirez - Callie Torres Mark Sloan - Eric Dane Support the showThis podcast is recorded on stolen land of the Wurundjeri people. We also acknowledge that medical practices of the traditional owners of these lands were developed and used way before the medical practices discussed in this show, they are also continued to be used today. Contact us at scalpelsandtequila@gmail.comInstagram @scalpelsandtequilapodcastPatreon/scalpelsandtequila@missthayes and @ms_ayla_azure

Welcome to the second episode. This time we're watching Elizabeth Moss and a spooky attic in.... The Attic (2007). Available on Prime video UKIf you like what you hear why not give our social media accounts a follow or even listen to more of us on Patreon.https://www.patreon.com/ISeeBadMovieshttps://linktr.ee/iseebadmoviesWe'd love to hear from youMusic by ZakharValaha from Pixabay Hosted on Acast. See acast.com/privacy for more information.

We get into the holiday spirit by talking about the one thing we all hate: SNOW. Jen Seggio returns to the show to discuss the surprisingly mid Frosty special starring John Goodman, young Elizabeth Moss, and the Flying Dutchman! -- Red Ribbon Reviewers: https://twitter.com/RedRbnReviewers Black AIDS Institute: https://blackaids.org/donate/ Edited by Jacob Miller Show logo by Marissa Thorburn: https://twitter.com/KermitWaz0wski Show theme by Andy HG and Tyler Green

I'm excited to talk to a fellow low-budget independent filmmaker today. Granted, he does low-budget films on a completely different level than I or most people do at this point. But if we are going to talk about budget filmmaking, it is only fitting to have expert horror film and television producer, Jason Blum of Blumhouse Productions. Our chat sort out knowledge gems on Jason's mentality behind his filmmaking and the budget strategy. Especially the ‘freedom', he's expressed in many other interviews, he gets from a low budget --- in the essence of the chances it allows him to take.Jason has over 200 production credits for numerous horror television and films franchises. The likes of BlacKkKlansman, Jordan Peele's Get Out, The Normal Heart, Paranormal Activity, Elizabeth Moss's Invisible Man, The Purge, etc. Black As Night, the Amazon original film, is one of the twenty-five projects he's produced that have been released this year and streaming on various top streaming platforms.The story is about a  teenage girl with self-esteem issues who finds confidence in the most unlikely way, by spending her summer battling vampires that prey on New Orleans' disenfranchised with the help of her best friend, the boy she's always pined for, and a peculiar rich girl.He's recognized for his multiple award-winning works and his production studio which is currently booked and busy with over fifteen projects lined up for the rest of the year to 2023.That is a testament to his company's high-quality production. Blumhouse is known for pioneering a new model of studio filmmaking: producing high-quality micro-budget films and provocative television series. They have produced over 150 movies and television series with theatrical grosses amounting to over $4.8 billion.Paranormal Activity: Next Of Kin will also be coming out this December. It is the second film in the franchise. Which continues to follow a young man who became the target of a malevolent entity, he must uncover its true intentions before it takes complete control of him.All you horror and non-horror fans out there need no further introduction about our guest. Right in time for the Halloween spirits, please enjoy my 'spooky' chat with Jason Blum.

In this episode we asked you “What do you find ugly?” and we got a wide range of ugliness. From physical deformities to forced dirty talk. From flipflops to angler fish. Drake, Elizabeth Moss and Prince William. There's a lot of ugly in the world and we are HERE FOR IT! All video plus some previously unreleased clips are on our new YouTube channel. Please subscribe, click the bell for notifications, and be sure to play our episodes playlist to help us get back on track. HONK HONK

Welcome to (probably) the best skincare chat you'll ever hear. Celebrity esthetician and founder of Joanna Vargas skincare is here to share all her best skincare tips. If they're good enough for Maggie Gyllenhaal, Mindy Kaling, Elizabeth Moss and about half of Hollywood, they're good enough for us! We discuss whether you really need a facial and the best ones to get, the benefits of at-home massage (plus how to do it yourself), how to find the perfect serum, how to prep for big event skin (for a wedding or the Golden Globes), plus so much more! Plus our MVPs, a gym skincare routine and why anti-dandruff shampoo could solve your acne. Some fab IG Derms to follow: Dr Shammi Theesan Dr Joyce Park Ranella Hirsch Dr. Shereene Idriss Dr Ewoma Ukeleghe MVPS Clinique Pop Plush™ Creamy Lip Gloss in Black Honey Pop L'Occitane Ultra Rich Body Scrub Joanna Vargas Joanna Vargas Magic Glow Wand Joanna Vargas Sheet Masks Joanna Vargas Rescue Serum Shop Joanna Vargas skincare in Australia here. Find out more about Joanna and her skincare here. Follow Joanna @joannavargasnyc Follow Joanna Vargas Skincare @joannavargas Credits: Your hosts & producers: Carli Alman & Bettina Tyrrell. (Follow us! @carlialman & @bettinatyrrell). Come join the fun in our beauty group! Join That Beauty Podcast Facebook Group: https://www.facebook.com/groups/260952718436828/ And follow @thatbeautypodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to (probably) the best skincare chat you'll ever hear. Celebrity esthetician and founder of Joanna Vargas skincare is here to share all her best skincare tips. If they're good enough for Maggie Gyllenhaal, Mindy Kaling, Elizabeth Moss and about half of Hollywood, they're good enough for us! We discuss whether you really need a facial and the best ones to get, the benefits of at-home massage (plus how to do it yourself), how to find the perfect serum, how to prep for big event skin (for a wedding or the Golden Globes), plus so much more!Plus our MVPs, a gym skincare routine and why anti-dandruff shampoo could solve your acne.Some fab IG Derms to follow:Dr Shammi TheesanDr Joyce Park Ranella HirschDr. Shereene IdrissDr Ewoma UkelegheMVPSClinique Pop Plush™ Creamy Lip Gloss in Black Honey PopL'Occitane Ultra Rich Body ScrubJoanna VargasJoanna Vargas Magic Glow Wand Joanna Vargas Sheet MasksJoanna Vargas Rescue SerumShop Joanna Vargas skincare in Australia here.Find out more about Joanna and her skincare here.Follow Joanna @joannavargasnycFollow Joanna Vargas Skincare @joannavargasCredits:Your hosts & producers: Carli Alman & Bettina Tyrrell.(Follow us! @carlialman & @bettinatyrrell).Come join the fun in our beauty group! Join That Beauty Podcast Facebook Group: https://www.facebook.com/groups/260952718436828/And follow @thatbeautypodcast Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

We're back with another great movie and a fun episode! It's our longest running episode, but we had so much fun discussing The Invisible Man - despite it being an unfortunate topic. Jason has some great flesh wounds and we discuss what it means to "JLo Enough." Oh, and Briana sings for a few seconds.TW: abusive relationships & suicideMusic from Pixabay: Halloween Beat Slow Party by he97std Halloween by Hot_MusicCheck out our website to continue the conversation about each episode.We have merch! Courtesy of TeePublic. Make sure to follow/subscribe, share and review! Your support makes all the difference. Like us on our socials: -Instagram at goalittlemadpod -Facebook at goalittlemadpod -TikTok at goalittlemadpod

Episode #492 - Sucky Fucky The Julien Dionne Show with Jen Grant ON THIS EPISODE: Do women-lead podcast have more than one gear? Elizabeth Moss' acting technique.  New comedian theories on comedy.  PLUS: The Daily Dose with Jen Grant ••••LINKS••••

We have a meeting, Bryn's studio is getting good, we talk about the show Shining Girls, Elizabeth Moss is captivating, and Sarah is excited to see her sister!

C.J. Navas comenta las novedades sobre los rodajes de ‘Aliens', ‘Fargo' y ‘Shogun', la nueva serie de Elizabeth Moss y Steven Knight para FX y el proyecto para Showtime de los directores de ‘Todo a la vez en todas partes' y muchas noticias más en su repaso diario al mundo de las series de televisiónPATROCINADOR:Realiza tus compras en Amazon desde http://amazon.fueradeseries.com. A ti te costará lo mismo y a nosotros nos estarás ayudando.SHOWNOTES:Todos los enlaces disponibles en http://fueradeseries.com

On today's episode we discuss our thoughts and feelings about Elizabeth Moss (most specifically because of Shining Girls on Apple TV+), Ms. Marvel's low viewer count, Drag Race All Stars Season 7's non-elimination setup, and dip our toes into the finale of Kenobi! 

It's Pride Month and we're kicking it off with Joel Kim Booster and Bowen Yang in the gay Pride & Prejudice retelling: Fire Island on Hulu. Spoiler alert: It's delightful. We wrap up our weekly scaries with Elizabeth Moss and Andrew Garfield finding resolution (sort of) in Shining Girls and Under the Banner of Heaven. Then we head into a treasure trove of tweets (and other nonsense), more gay stuff on Drag Race All Stars, and a game of Password! Show Notes: @1:30 - Hot takes | Fire Island, Real World Homecoming, Under the Banner of Heaven, Shining Girls, Legendary, Ziwe, French Open final @39:00 - Tweets of the Week | The Ocean is haunted @1:02:00 - Drag Race All Stars | Fairy Tale Justice @1:11:00 - Game | Password Want to support us and get fun extras? Join our Patreon! www.takespod.com Like 30 Rock? Like Nick and Julie? Listen to them on their 30 Rock rewatch podcast: Blerg! (@blergpodcast) wherever you listen to Takes.

Kim Kardashian - who joined the app last week and racked up a few million followers in just a few days — is paving the way for 40-somethings and older to sign up for Gen Z's playground. Ant Anstead's emergency request for full custody of his 2-year-old son with Christina Hall has been denied. Elizabeth Moss has had a long association with the controversial organization as a second-generation Scientologist. Rob's best pal Delaina Dixon from DivaGalsDaily's joins him today. Don't forget to vote in today's poll on Twitter at @naughtynicerob or in our Facebook group. See omnystudio.com/listener for privacy information.

PLUS: What's the perfect amount of sleep for you? Elizabeth Moss finally talks about Scientology AND CSI: Colleen the vigilante

Am I The Asshat for refusing to punish my daughter for taking all the apples that my wife's folks brought from their home country? Bill Murray responds to misconduct allegations. Connie Chung on CBS Sunday Morning. The Way Down on HBO Max is a waste of time according to Jason. Elizabeth Moss talks Scientology.

It's a bonus episode, babyyyy! Tune in to hear Melissa's guest feature on A Novel Adaptation podcast, a show that examines book to movie adaptations hosted by Jordan and Em. Melissa went nostalgia with it and chose her favorite movie of all time, Girl, Interrupted! This movie is based off the 1993 memoir written by Susanna Kaysen that depicts her real-life experience as a young girl in a psychiatric hospital in the 1960s. Melissa was surprised to discover that the book was A LOT more intense, dark, and graphic than the fun, bubbly, sisterhood energy that was portrayed in the movie.Be sure to check out A Novel Adaptation podcast and join their awesome Book Club to read along with Jordan and Em!SHOW NOTESIn this episode, we talk about:The Pink Elephant cocktail from the Death & Co. recipe bookThe iconic cast of incredible actresses in the movie, Girl Interrupted (Winona Ryder, Angelina Jolie, Brittany Murphy, Elizabeth Moss, Clea DuVall)The main differences between the book and the movieThe horrible treatment of women in psychiatric wards during the 60sLisa's character (Angelina Jolie) being villainized in the movie with storylines that were not reflective of the book or the truthImportant messages around therapy, mental health, and sisterhoodA hilarious drinking game to pair with the Girl,Interrupted movieRESOURCES:Read the 1993 memoir Girl,Interrupted written by Susanna KaysenWatch the 1999 movie Girl,Interrupted directed by James MangoldTune in to A Novel Adaptation podcastFollow A Novel Adaptation on InstagramSupport this show http://supporter.acast.com/mimosasisterhoodpodcast. See acast.com/privacy for privacy and opt-out information.