Podcasts about project hieroglyph

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Best podcasts about project hieroglyph

Latest podcast episodes about project hieroglyph

Anomia Normal
Solarpunk: el proyecto de las utopías reales.

Anomia Normal

Play Episode Listen Later Dec 21, 2023 16:04


¿Tienes sobre dosis de futuros grises y distópicos? No te des por vencida, aún hay cositas para dar. Hoy vamos a hablar del movimento artístico Solarpunk, una propuyesta del siglo XXI de autores independientes que busca vencer el pesimismo cyberpunk sobre la relación del ser humano con el planeta y la tecnología. Quédense. Redes Sociales: https://twitter.com/AnomiaNormal https://www.facebook.com/anomianormal/ Música: MSfxP10 - 15 - (Ambient Piano) Erokia Artículo sobre ñoños billonarios y el viaje al espacio: https://www.salon.com/2021/07/07/no-billionaires-wont-escape-to-space-while-the-world-burns/ Lectura recomendada: Wagner, P. (2017). Sunvault: Stories of Solarpunk and Eco-Speculation. Referencias: A Solarpunk Manifesto (English) – REDES – Regenerative Design. (n.d.). https://www.re-des.org/es/a-solarpunk-manifesto/ Dankoboldt. (2014, November 4). Near-future scenarios for humans and planet Earth - Dan Koboldt. Dan Koboldt. http://dankoboldt.com/near-future-scenarios-humans/ From steampunk to solarpunk. (2008, August 7). Republic of the Bees. https://republicofthebees.wordpress.com/2008/05/27/from-steampunk-to-solarpunk/?source=post_page-----8bcf18871965-------------------------------- Heer, J. (2023, December 20). The new Utopians. The New Republic. https://newrepublic.com/article/123217/new-utopians?source=post_page-----8bcf18871965-------------------------------- Hudson, A. D. (2021, September 29). On the Political Dimensions of Solarpunk - Solarpunks - Medium. Medium. https://medium.com/solarpunks/on-the-political-dimensions-of-solarpunk-c5a7b4bf8df4 Jacobs, S., & Jacobs, S. (2021, April 7). This sci-fi enthusiast wants to make “solarpunk” happen. Grist. https://grist.org/business-technology/this-sci-fi-enthusiast-wants-to-make-solarpunk-happen/?source=post_page-----8bcf18871965-------------------------------- Solarpunk: Notes toward a manifesto – Project Hieroglyph. (2014, September 4). https://hieroglyph.asu.edu/2014/09/solarpunk-notes-toward-a-manifesto/?source=post_page-----8bcf18871965-------------------------------- Solarpunk: we are golden, and our future is bright. (n.d.). Scifi Ideas Generators. https://www.scifiideas.com/posts/solarpunk-we-are-golden-and-our-future-is-bright/?source=post_page-----8bcf18871965-------------------------------- --- Send in a voice message: https://podcasters.spotify.com/pod/show/cristian-sandoval61/message

FUTURE FOSSILS
90 - Kate Greene on Humanizing Science & Cooking on Mars

FUTURE FOSSILS

Play Episode Listen Later Sep 14, 2018 77:27


This week we chat with science writer (and former laser physicist) Kate Greene, whose writing explores everything from Big Data to boredom to brain scans, and whose fascinating and eclectic life is brightly punctuated by the four months she spent living inside a Mars base simulation on Hawaii.http://www.kategreene.net/about/We Discuss:How she became a scientist, and then a science writer.The importance of good teachers and mentorship and encouragement along a person’s developmental journey.“Everything that I’ve done is the result of network effects.”Her time as a guinea pig in a simulated Mars colony on Hawaii…Why astronauts love hot sauce.Knowing your purpose - feeling the intuitive hit that lets you know you’re on the right path.Princeton Engineering Anomalies Lab and the scientific evidence for the influence of intention on the outcome of random events.Kate’s fascination with brain scans.“I often wonder, what the hell is my brain doing right now?”Terence McKenna’s vision of posthuman, cephalopod skin telepathy…and Twitter as a form of that same ambient telepathy.“Never in the history of humanity have we had such extensive communication prosthetics.”How do science journalists and scientists alike keep up with the “info quake” of modern life?Big data and AI – can we preserve and evolve critical thought and rigorous investigation when our research is done in collaboration with machine intelligences using logical processes we ourselves don’t understand?“Science is so HUMAN. It’s performed by humans that have all of these biases and blind spots…the fact that there’s so much information points to the fact that there needs to be new ways to sift through it.”“A lot of people think that AI is just going to replace people in a lot of ways, but I feel like it is going to be one of the most intimate symbiotic relationships that we have in the future. I mean, this technology will become as close to human as anything humanity’s ever created, and it’s not going to be able to do it on its own. It will be a symbiosis. We will be learning from each other and training each other.”The problem science journalism has with reporting real science, not just sensationalist headlines based on science…and how social media has made it worse.What you would miss about Earth if you moved to Mars.“Earth is SO wonderful. And I don’t think I knew it – I kinda knew it, but I didn’t ACTUALLY know it – until I couldn’t be a part of it for four months.”Cooking “on Mars” in a simulated colony on Mauna Loa.Aromatherapy in space!What Kate learned from teaching creative writing in a women’s prison.“This is modern day slavery: there are more people incarcerated in the United States than in any other Western country, and it’s because it’s profitable. Something needs to change…one thing that you can do is realize that people in prisons are still part of your community, and that you still have a responsibility to them. To give what you can, to make sure that their lives are better, that all of our lives are better.”Cory Doctorow’s short story “The Man Who Sold The Moon” in ASU’s Project Hieroglyph compilation.The crossover between the Burning Man crowd and the space exploration crowd.Other mentioned science journalists to follow:Ed Yonghttps://www.theatlantic.com/author/ed-yong/Kenneth Changhttps://www.nytimes.com/by/kenneth-changNatalie Wolchoverhttps://www.quantamagazine.org/the-octonion-math-that-could-underpin-physics-20180720/Join the Facebook Group:https://facebook.com/groups/futurefossilsSubscribe on Apple Podcasts:https://itunes.apple.com/us/podcast/future-fossils/id1152767505?mt=2 Subscribe on Google Podcasts:http://bit.ly/future-fossils-google Subscribe on Stitcher:https://www.stitcher.com/podcast/michael-garfield/future-fossils Subscribe on Spotify:https://open.spotify.com/show/2eCYA4ISHLUWbEFOXJ8C5v Subscribe on iHeart Radio:https://www.iheart.com/podcast/269-FUTURE-FOSSILS-28991847/ See acast.com/privacy for privacy and opt-out information.

FUTURE FOSSILS
33 - Jon Lebkowsky (Pluralist Utopias & The World Wide Web's Wild West)

FUTURE FOSSILS

Play Episode Listen Later Jul 13, 2017 131:43


This week's episode is brought to you by Visionary Magnets, the refrigerator poetry magnets that turn your boring old kitchen appliances into the substrate for woke invocations, tantric pillow talk, and other occult goofery. Support their Kickstarter and "enlighten your fridge" today! Or tomorrow. Subscribe to Future Fossils on iTunes Subscribe to Future Fossils on Stitcher Join the Future Fossils Facebook Group This week is part one of a special double-length episode with Jon Lebkowsky, founder of EFF-Austin – one of the unsung heroes of Internet culture, whose tale stretches through the earliest web communities and reads like a list of landmark moments in the history of digital rights and culture. http://weblogsky.com/ https://twitter.com/jonl https://www.facebook.com/polycot/ https://www.well.com/conf/inkwell.vue/topics/495/Bruce-Sterling-and-Jon-Lebkowsky-page01.html We talk about the early days of hacking in the Wild West of the 1990s, how the World Wide Web has changed since then, and the promises and perils of the Internet in the 21st Century. It’s a winding tale of pseudonymous keyboard-slingers and federal raids, roleplaying game empires and sci-fi visionaries, centered on the unsuspecting hippie cowboy outpost of Austin, Texas, Once Upon A Time. Enjoy this special conversation on the history of the Internet we know today, and a snapshot of the hopes and fears of life online in the dawn of our digital era… TOPICS: - The threat of Internet-empowered fascism and “participation mystique” (or maybe worse, a corporate plutocracy) eroding rational civil discourse and the dignity of the individual - The problems with “Net Neutrality” and how it makes more sense to focus on “The Freedom to Connect” - Connectivity vs. Interdependence (OR) Networks vs. Buddhism - Does the Noosphere already exist, and we’re just excavating it? - The History of Electronic Frontier Foundation-Austin and how it was connected to the secret service’s raid of legendary role-playing game designer Steve Jackson (GURPS) - The hilarious, troubled Dawn Age of e-commerce before secure web browsing - Jon’s work with a Gurdjieff group and his encounters with esoterica as an editor of the Consciousness subdomain for the last issue of the Whole Earth Review - Cybergrace, TechGnosis, and Millennial concerns about the mind/body split in the first Internet and our need to humanize technology with whole-body interfaces and MOVEMENT - Embodied Virtual Reality & Other Full-Sensory Immersive Media - Cory Doctorow’s new novel Walkaway as a banner book for the maker movement and a new form of cyber-social-liberation. - The movement of political agency back into city-states in a digital era - “On the Internet, no one knows you’re a dog.” - Shaping the future of wireless infrastructure in the early 00s of Austin - Getting our values right before we imprint the wrong ones into superhuman AI - Putting together diverse conversation groups to solve “wicked problems” - New forms of participatory open-source politics suited for an internet age SOME OF THE PEOPLE & STUFF WE MENTIONED: Whole Earth Provisions, Whole Earth Review, The WELL, Whole Foods, William Gibson, Pierre Teilhard de Chardin, Hakim Bey, William Irwin Thompson, Alien Covenant, Terminator, John Perry Barlow, Mitch Kapor, Mike Godwin, Bruce Sterling, Clay Shirkey, WIRED Magazine, Fringeware, RoboFest, Heather Barfield, Neal Stephenson, Terence McKenna, Church of the Subgenius, Mondo 2000, Erik Davis, GI Gurdjieff, The National Science Fiction Convention, Rudy Rucker, Greg Bear, Jon Shirley, Jennifer Cobb, Robert Scoville, Greg Egan, Ernest Cline, Octopus Project, The Tingler, Honey I Shrunk The Kids (Ride), Charles Stross, Glass House, Rapture of the Nerds, Cory Doctorow, Alan Moore, Project Hieroglyph, Arizona State University, Jake Dunagan, Plutopia Productions, The Digital Convergence Initiative, Chris Boyd, South By Southwest, Boing Boing, Make Magazine, Dave Demaris, Maggie Duval, Bon Davis, DJ Spooky, Forest Mars, OS Con, RU Sirius, Shin Gojira, Open-Source Party, JON LEBKOWSKY QUOTES: “The Noosphere can certainly have pathologies…” “The Internet was originally a peer-to-peer system, and so you had a network of networks, and they were all cooperating and carrying each other’s traffic, and so forth. And that was a fairly powerful idea, but the Internet is not that anymore. The Internet has, because of the way it’s evolved, because it’s become so powerful and so important and so critical, there are systems that are more dominant – backbone systems – and those are operated by large companies that understand how to operate big networks. That’s really a different system than the system that was originally built.” “SO FAR we’ve managed to keep the Internet fairly open…the absolute idea of net neutrality might not be completely practical.” “Science fiction is a literature of ideas, but a lot of those ideas do not manifest in exactly the way that they did in the book.” “I don’t have a real high level of confidence that anybody understands exactly what the fuck is going on.” “You couldn’t get a consumer account to get access to the Internet at that time. And in fact I think the first companies to do that were here in Austin.” “At the time, we were the only game in town for internet stuff…” “One thing I learned was, if you’re at the very cutting edge, it’s hard to make money.” “There are a lot of people who aren’t in touch with themselves internally. Because it’s hard. It’s hard to do that.” “I know that that’s sort of the goal in VR development: to give you a fully immersive experience where you’re really in a completely other reality, like in the Holodeck. But, you know. I’m still dealing with THIS reality. I don’t want another one.” “In an online community, people are always itching for ways to get into real human proximity with one another. They’re always looking for ways to meet.” “That’s my idea of what works now: is to have events that are experiences, you know, versus people just like, going to movies, or watching television, or going to a concert and watching a band play.” “I keep thinking that we won’t be able to solve our problems with bureaucracy or the kind of governance structures that we’ve been living with, but I look around me and see people who are doing just fine, and doing great work, and living their lives…and I’m sort of feeling hopeful and a little bit confident that those people will step up and do what they need to do to make things work, even if our so-called elected officials aren’t doing it.” See acast.com/privacy for privacy and opt-out information.

FUTURE FOSSILS
4 - Bruce Damer (Asteroid Mining & Origins of Life)

FUTURE FOSSILS

Play Episode Listen Later Aug 1, 2016 66:01


On asteroid mining, the origins of life, growing up during the Apollo Program and the importance of unifying society under visions for Great Projects (see also: Project Hieroglyph), the magic of lipids, thinking fractal and the similarity between chemical and technological cells, new genetic base pairs and the geological evidence of ancient oceans, pitching NASA and Elon Musk on a plan to protect Earth from asteroids and comets (and settle the best real estate in the solar system), the legacy of Biosphere 2, the persistent evolutionary advantage to working in collectives, and more... * Support Future Fossils Podcast on Patreon: patreon.com/michaelgarfield * Bruce Damer is a living legend – not only the guy who taught NASA how to capture asteroids but ALSO the co-author of some amazing new research on the origins of life. You've probably already heard him on Joe Rogan, Duncan Trussell, and Third Eye Drops, but for our shameless geek-stravaganza he really let it fly. This is a no-holds-barred exploration of all that human beings have been and could be... Bruce's website: www.damer.comNext:Space | Dr. Bruce Damer | TEDxSantaCruzDesigner and scientist Bruce Damer shares his thoughts - and bold SHEPHERD spacecraft design - to enable sustainable space exploration. He argues that we CAN go to Mars, but it doesn't need to be a one way trip.https://www.youtube.com/watch?v=wLMHcUg36ycIn the Beginning: The Origin & Purpose of Life | Dr. Bruce Damer | TEDxSantaCruzAre we compelled to become an interplanetary species? Scientist and designer Bruce Damer thinks so. In this philosophical talk he elaborates on a new theory of the origin of life, and makes the case that the future of all life on earth lies in complete, and radical, collaboration.https://www.youtube.com/watch?v=6qiW4aUqtvAProject Hieroglyph http://hieroglyph.asu.edu/Image of Aronofsky’s bubble ship:http://images.popmatters.com/misc_art/n/notesoncelluloid-fountain-650.jpgBiosphere 2’s “lungs”:http://globalecotechnics.com/wp-content/uploads/2011/08/Ecol-Eng-1999-Bio-2-Engineering-Design-Dempster.pdfMore on Biosphere 2:http://www.slate.com/blogs/atlas_obscura/2013/09/05/biosphere_2_experiments_in_a_sealed_off_artificial_earth_in_oracle_arizona.htmlMG's article comparing the great oxygenation event to our era’s sixth mass extinctionhttp://bigthink.com/experts-corner/what-we-can-learn-from-mass-extinctions...and lecture on the importance of communal living in evolution:https://evolution.bandcamp.com/track/evolutionary-transitions-in-individuality More links about Damer's work and this conversation: http://www.informationphilosopher.com/solutions/scientists/deacon/ http://www.kli.ac.at/events/event-detail/1433171700/autogenesis-and-the-origin-of-life-why-rna-world-and-autocatalysis-aren-t-sufficient https://www.academia.edu/393094/Self-Organization_Autocatalysis_and_Models_of_the_Origin_of_Life https://mitpress.mit.edu/sites/default/files/titles/content/ecal13/978-0-262-31709-2-ch036.pdf--Take the perspective of future archeologists digging through the digital remains of modern culture. What will our generation's legacy look like to future humans? Explore the nature of time and our place in it through the conversations of the unconventional, bizarre, free-roaming, fun, irreverent, and thoughtful kind...an auditory psychedelic to get you prepared for living in a wilder future than we can imagine.Provocative, profound discussions at the intersection of art, science, and philosophy with Michael Garfield, Evan Snyder, and a growing list of awesome guests... See acast.com/privacy for privacy and opt-out information.

New Books in Science Fiction
Kathryn Cramer and Ed Finn, “Hieroglyph: Stories and Visions for a Better Future” (William Morrow, 2014)

New Books in Science Fiction

Play Episode Listen Later Nov 5, 2014 30:31


Before Apollo 11, there was Jules Verne’s novel From the Earth to the Moon. Before the Internet, there was Mark Twain’s short story From the ‘London Times’ of 1904. In other words, before the appearance of many spectacular technologies, a writer imagined it first. This truth underscores one of science fiction’s abiding strengths: its ability to test concepts, both technological and social, without spending vast sums on research and development. The editors and writers behind Hieroglyph: Stories and Visions for a Better Future (William Morrow, 2014) think many science fiction writers in recent years have lost their way in this regard. As evidence, they point to the proliferation of what Hieroglyph co-editor Kathryn Cramer calls “tired dystopias.” Rather than provide “cautionary tales that show us what to avoid,” she explains in her New Books interview, these novels use “dystopias as furniture”–backdrops for a plot centered on a central character’s adventures. In contrast, Hieroglyph seeks something different. “We’re asking for a science fiction that actually addresses problems and tries to solve them,” Cramer says. “And what they [the authors of the 17 stories in Hieroglyph] thought of were the problems is almost as interesting as what they think the solutions are.” Among the topics Cramer covers in her interview are how she overcame her initial skepticism about the Hieroglyph initiative, how she and co-editor Ed Finn selected the writers included in the volume, and how the authors worked with scientists and researchers at Arizona State University to postulate plausible technologies based on current scientific understandings. Don’t forget to follow New Books in Science Fiction and Fantasy on Facebook and Twitter, post a review on iTunes, and follow host Rob Wolf on Twitter and his blog. Here are some links related to the interview: * Read more about Project Hieroglyph on its website. * Hieroglyph was inspired in part by Neal Stephenson’s essay “Innovation Starvation“. It was originally published by the World Policy Institute and now serves as a preface to the collection. * Cramer uses the term “neo-Gernsbackian,” which refers to Hugo Gernsback, who published the first science fiction magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices

New Books Network
Kathryn Cramer and Ed Finn, “Hieroglyph: Stories and Visions for a Better Future” (William Morrow, 2014)

New Books Network

Play Episode Listen Later Nov 5, 2014 30:31


Before Apollo 11, there was Jules Verne’s novel From the Earth to the Moon. Before the Internet, there was Mark Twain’s short story From the ‘London Times’ of 1904. In other words, before the appearance of many spectacular technologies, a writer imagined it first. This truth underscores one of science fiction’s abiding strengths: its ability to test concepts, both technological and social, without spending vast sums on research and development. The editors and writers behind Hieroglyph: Stories and Visions for a Better Future (William Morrow, 2014) think many science fiction writers in recent years have lost their way in this regard. As evidence, they point to the proliferation of what Hieroglyph co-editor Kathryn Cramer calls “tired dystopias.” Rather than provide “cautionary tales that show us what to avoid,” she explains in her New Books interview, these novels use “dystopias as furniture”–backdrops for a plot centered on a central character’s adventures. In contrast, Hieroglyph seeks something different. “We’re asking for a science fiction that actually addresses problems and tries to solve them,” Cramer says. “And what they [the authors of the 17 stories in Hieroglyph] thought of were the problems is almost as interesting as what they think the solutions are.” Among the topics Cramer covers in her interview are how she overcame her initial skepticism about the Hieroglyph initiative, how she and co-editor Ed Finn selected the writers included in the volume, and how the authors worked with scientists and researchers at Arizona State University to postulate plausible technologies based on current scientific understandings. Don’t forget to follow New Books in Science Fiction and Fantasy on Facebook and Twitter, post a review on iTunes, and follow host Rob Wolf on Twitter and his blog. Here are some links related to the interview: * Read more about Project Hieroglyph on its website. * Hieroglyph was inspired in part by Neal Stephenson’s essay “Innovation Starvation“. It was originally published by the World Policy Institute and now serves as a preface to the collection. * Cramer uses the term “neo-Gernsbackian,” which refers to Hugo Gernsback, who published the first science fiction magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices

New Books in Literature
Kathryn Cramer and Ed Finn, “Hieroglyph: Stories and Visions for a Better Future” (William Morrow, 2014)

New Books in Literature

Play Episode Listen Later Nov 5, 2014 30:31


Before Apollo 11, there was Jules Verne’s novel From the Earth to the Moon. Before the Internet, there was Mark Twain’s short story From the ‘London Times’ of 1904. In other words, before the appearance of many spectacular technologies, a writer imagined it first. This truth underscores one of science fiction’s abiding strengths: its ability to test concepts, both technological and social, without spending vast sums on research and development. The editors and writers behind Hieroglyph: Stories and Visions for a Better Future (William Morrow, 2014) think many science fiction writers in recent years have lost their way in this regard. As evidence, they point to the proliferation of what Hieroglyph co-editor Kathryn Cramer calls “tired dystopias.” Rather than provide “cautionary tales that show us what to avoid,” she explains in her New Books interview, these novels use “dystopias as furniture”–backdrops for a plot centered on a central character’s adventures. In contrast, Hieroglyph seeks something different. “We’re asking for a science fiction that actually addresses problems and tries to solve them,” Cramer says. “And what they [the authors of the 17 stories in Hieroglyph] thought of were the problems is almost as interesting as what they think the solutions are.” Among the topics Cramer covers in her interview are how she overcame her initial skepticism about the Hieroglyph initiative, how she and co-editor Ed Finn selected the writers included in the volume, and how the authors worked with scientists and researchers at Arizona State University to postulate plausible technologies based on current scientific understandings. Don’t forget to follow New Books in Science Fiction and Fantasy on Facebook and Twitter, post a review on iTunes, and follow host Rob Wolf on Twitter and his blog. Here are some links related to the interview: * Read more about Project Hieroglyph on its website. * Hieroglyph was inspired in part by Neal Stephenson’s essay “Innovation Starvation“. It was originally published by the World Policy Institute and now serves as a preface to the collection. * Cramer uses the term “neo-Gernsbackian,” which refers to Hugo Gernsback, who published the first science fiction magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices