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107 episodes with John Perry Barlow
3 episodes with John Perry Barlow
4 episodes with John Perry Barlow
4 episodes with John Perry Barlow
2 episodes with John Perry Barlow
2 episodes with John Perry Barlow
2 episodes with John Perry Barlow
2 episodes with John Perry Barlow
2 episodes with John Perry Barlow
Bobby Weir & John Perry Barlow's classic “The Music Never Stopped” came into being when the music was briefly in danger of stopping, the song transforming from live jam to final form as the Dead struggled to solve the financial difficulties that came with a retirement from the road.Guests: David Lemieux, Ron Rakow, Steven Schuster, Steve Silberman, Sean Howe, Shaugn O'Donnell, Chadwick Jenkins, Christopher Coffman, Graeme Boone, Eric Lindquist, Benny LanderSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast unpacks the two-part extra-heady “King Solomon's Marbles”/'Stronger Than Dirt or Milkin' the Turkey,” using the instrumental to get into the Dead's 1975 dalliances with holography, as well as Phil Lesh's other unfinished pieces from Blues For Allah.Guests: David Lemieux, Ned Lagin, Ron Rakow, Eugene Dolgoff, Michael Parrish, Ed Perlstein, Keith Eaton, Nicholas G. Meriwether, Shaugn O'Donnell, Chadwick JenkinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast examines how Franklin's Tower bucked every trend on Blues For Allah to become one of the Dead's all-time classics, including a tape of its studio creation, a look into the multi-tracks, & a rare line-by-line breakdown by lyricist Robert Hunter himself.Guests: David Lemieux, Geoff Gould, Jürgen Fauth, Shaugn O'Donnell, Chadwick Jenkins, Will Backstrom, Max Ritchie, Hannah GrabbensteinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast uses Blues For Allah's complicated instrumental Slipknot! to explore the musical and creative ambiguity the Grateful Dead pursued in early 1975, when there both was and wasn't a Grateful Dead, & their public reemergence at Bill Graham's S.N.A.C.K. benefit that March.Guests: David Lemieux, Ned Lagin, Ron Rakow, Steve Brown, Gary Lambert, Joan Miller, Jay Kerley, Chadwick Jenkins, Shaugn O'Donnell, Melvin BackstromSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
My guest today on the Online for Authors podcast is Renee Blodgett, author of the book Magdalene's Journey. Novelist, curator, humanitarian, conscious business leader and modern mystic Renee Blodgett has lived multiple lives in one. Having traveled around the world, she has plenty of stories to share, from riding elephants in the Indian jungle and photographing polar bears in northern Canada to teaching English in Kenya, exploring glaciers in Iceland and selling kilims in Turkey. She has lived in eleven countries, including South Africa during Apartheid and the Gaza Strip. Her multicultural background and years of experience as a communications strategist have led to a career of uplifting others through content, speaking, coaching and leading. Known as a master of storytelling, she has written for several magazines, blog networks, the Huffington Post, and her own award-winning online travel magazine, We Blog the World, which reaches over a half million reach globally. Her love of diversity and the visual arts has resulted in five photo books, her serving as a Travel & Leisure judge and spearheading content for TEDxUN, the only TEDx event held at the United Nations (UN). She has also been the curator and producer of TEDxBerkeley for the last 12 years, one of the largest TEDx events in the United States. CEO World Magazine voted her one of the most powerful women in social media, she was listed as a top social media influencer by both Forbes and the UN, and her blog has won numerous industry awards. She was selected as a top 10 Social Media Mentor by Women Online Magazine, an AlwaysOn Top 150 Business Journalist and a Shorty Awards Business Influencer finalist. A passionate photographer, she has published six photo books on nature, culture and travel. She has shot top names in the technology and entertainment industries, such as Steve Jobs, Freeman Dyson, Tony Robbins, Robin Williams, John Legend, Elvis Costello, Lionel Ritchie, John Perry Barlow, and dozens more. Renee also co-founded Blue Soul Earth with her partner, where they help others through books, digital content, retreats and membership programs that focus on heart-centered living, universal consciousness, masculine and feminine balance, and connecting to the inherent beauty and power of our human existence. Their bestselling book Magdalene's Journey, which blends science and spirituality, invites people to re-think our patriarchal-dictated history through a pivotal woman's eyes. In Carole's book review, she stated: Whatever stories and teachings you've heard of Early Christianity, Magdalene's Journey by Renee Blodgett and Anthony Compagnone, a historical fiction, will make you wonder if there isn't another truth. The authors introduce us to Angelo and Rochelle, an unsuspecting married couple who loved to explore ancient and esoteric wisdom across all cultures. Little did they know they would meet two ancient souls, who would turn their lives upside down. It all began one night when the words, “My name is Miriam of Magdala,” came out of the mouth of Angelo. His voice had changed, and Rochelle responded with, “Mary Magdalene!” Magdalene's Journey channels people who once lived and walked the planet, along with real settings in terms of time and place. This well-written narrative moves from one story to the next with accounts of the lives of Jesus of Nazareth and Mary Magdalene. It guides us through how she taught alongside Jesus, their marriage, and the water birth of their daughter Sarah. It chronicles how the seven female apostles who travelled with Mary by sea to the north after the death and resurrection of Jesus. We learn how they dealt with finding food, clothing, and shelter, and their part in the water birth of Mary's daughter. This page turner is like a blueprint worth studying. Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1 Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290 You can follow Author Renee Blodgett Website: www.bluesoulmedia.com FB: @bluesoulearth IG: @magdalenesjourney X: @bluesoulearth LinkedIn: @Renee Blodgett Purchase Magdalene's Journey on Amazon: Paperback: https://amzn.to/44WN0TH Ebook: https://amzn.to/473Kzju Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1 Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors #reneeblodgett #magdalenesjourney #historicalfiction #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.
The Grateful Deadcast points itself towards 1975 to begin a song-by-song celebration of Blues For Allah's 50th anniversary, loaded with raw session tapes, early lyric drafts, & the story of how the Dead built a new studio, musical language, batch of songs, & LP from the ground up. Guests: David Lemieux, Donna Jean Godchaux-MacKay, Ron Rakow, Stephen Barncard, Ned Lagin, Steve Brown, Gary Lambert, Keith Eaton, Shaugn O'Donnell, Chadwick Jenkins, Matt CampbellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Grateful Deadcast visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended. This bonus episode is a re-run of the 2nd half of Deadcast Season 9, episode 8.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, , Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, Brian AndersonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Good Ol' Grateful Deadcast is thrilled beyond all audible frequencies to begin its 12th season by welcoming Dan Healy, the Grateful Dead's in-house sound wizard for most of their career, for tales from three decades in pursuit of high and higher fidelity.Guest: Dan HealySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Bu bölümde, dijital çağın en dönüştürücü kavramlarından biri olan **"Kriptoegemenlik"**i keşfediyoruz. Satoshi Nakamoto'nun merkezi ağlara karşı P2P ağlarının gücüne dair sözlerinden ilham alan bu eşsiz güç, Michel Foucault'nun egemenlik takıntısından uzaklaşma çağrısıyla da yankılanır. Kriptoegemenlik, siberpunk'ların kriptografi araçlarını askeri sırlardan kişisel özgürlük ve ekonomik serbestlik araçlarına dönüştürerek yarattığı, geleneksel siyasi güç, yasa ve şiddet sistemlerini reddeden bir yaklaşımdır.John Perry Barlow'un "Siberuzayın Bağımsızlık Bildirgesi"nde belirtildiği gibi, Kriptoegemenlik, hükümetlerin yetki alanının dışında, bireylerin ekonomik, sosyal ve siyasi haklarını ihlal edilemez bir dijital ortak zenginliğe aktarma yeteneğidir. Bu yeni paradigmada, "kodun kendisi egemendir, istisnası yoktur". Giorgio Agamben'in "tamamen farklı stratejiler" arayışına işaret ettiği gibi, Kriptoegemenlik, Hobbes'un "otorite yasayı yapar" düsturunu tersine çevirerek, "hakikatin meşruiyet sağladığı" yeni bir sosyal sözleşme kurar. Fiziksel gücü sözleşmesel uygulamadan çıkararak, blockchain sistemleri aracılığıyla benzersiz bir egemenlik biçimi yaratılır.Bu, yalnızca bir teknolojik gelişme değil, aynı zamanda siyasi bir praksistir. Walter Benjamin'in "içinde yaşadığımız acil durumun kural olduğunu" belirten düşüncelerine dayanarak, Kriptoegemenlik, küresel faşizm ve yolsuzlukla mücadelede ekonomik gücü temel bir araç olarak görür. Fiat para sistemine ve gözetim mekanizmalarına katılmayı reddederek, bireylerin kendi varlıkları ve gizlilikleri üzerindeki kontrolü geri alması, "gerçek bir olağanüstü hal" yaratır. Bu, devletin ve bankacılık müttefiklerinin "can damarlarını" kesen devrimci bir eylemdir.Kriptoegemenliğin hedefi, şiddet döngülerini tekrarlayan yeni bir egemenlik biçimi yaratmak değil, geleneksel güç yapılarını temelden dışarıda bırakarak günümüze daha uygun, daha iyi bir sistem inşa etmektir. Bu, bireyin seçimiyle egemen kararın alındığı, kriptografik kanıtlarla kendini güvence altına alan bir sistemdir. Gelin, kodun gücüyle şekillenen bu yeni dijital özgürlük çağını ve insanoğlunun yasayla çocukların eski oyuncaklarla oynaması gibi oynayacağı, onları kanonik kullanımlarından sonsuza dek özgürleştireceği geleceği keşfedelim.Kaynak
This is a preview — for the full episode, subscribe: https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com Our guest is American media theorist Douglas Rushkoff. He is the author of such seminal books on digital culture and networked communication as Cyberia (1994), Media Virus (1995), and Coercion (1999); and numerous further titles including, Program or Be Programmed (2010/2025) and Survival of the Richest: Escape Fantasies of the Tech Billionaires (2022). He is also the host of Team Human and a professor of Media Theory and Digital Economics as CUNY/Queens. On this episode, Doug speaks with us about the evolution (and devolution) of digital culture across web 1, 2, 3, and beyond via a synthesis of media theory, psychedelic thinking, and practical wisdom for navigating our contemporary networks. Names cited: Adam Curtis, Alex Garland, Allan Kaprow, Amazon, Art Bell, AT&T, Bernie Madoff, CNN, Cyberia, CVS, Dan Rather, Daniel Dennett, David Bowie, David Hershkovitz, David Lynch, Donna Haraway, Douglas Rushkoff, Elon Musk, Emmanuel Levinas, Francis Bacon, Genesis P-Orridge, Jake Tapper, Jeff Bezos, Jeffrey Epstein, Jesse Armstrong, Joe Rogan, John Brockman, John Perry Barlow, Joseph Chaikin, Kamala Harris, Lauren Sanchez, Louis Rossetto, Ludwig Wittgenstein, Madonna, Marjorie Taylor Greene, Marshall McLuhan, Martin Buber, Martin Heidegger, Media Virus, Michael Jackson, Milton Friedman, Naomi Klein, Naomi Wolf, Neil Simon, New Models, New York Times, Norbert Wiener, Orit Halpern, Paper Magazine, Peter Thiel, Pierre Teilhard de Chardin, Present Shock, Ray Kurzweil, Richard Dawkins, Robert Anton Wilson, Ross Douthat, Skinny Puppy, Spinoza, Star Trek, Team Human, Temple of Psychic Youth, The Long Boom, The Process Church, The Simpsons, Vanessa Machado de Oliveira, Walter Benjamin, William S. Burroughs, Wired Magazine
Kevin Kelly is a leading thinker of the digital age. The founding editor of Wired Magazine, he helped produce the Whole Earth Catalog, and an early internet pillar called the WELL. He is a journalist, an artist, and a longtime member of the Burning Man community.He is a radical optimist.The future is a construct of the collective imagination. We see utopian stories as too pie-in-the-sky. We have a morbid curiosity for dystopian stories. What's in between? Iterative improvement. Protopia.Delve into this conversation on cultural narratives, the transformative potential of AI, and the context shift into lifelong-learning."It's not that our problems are smaller than we thought, it's just that our capacities to solve them are greater than we thought."wikipedia.org/wiki/Kevin_Kelly_(editor)kk.org LIVE.BURNINGMAN.ORG
Enjoying the Ride: On TourThe Deadcast season finale hits shows at 3 legendary venues, exploring Dick Latvala's transformative experience at Red Rocks ‘79, Hollie Rose's tour journal, the wonders of the Alpine Valley parking lot, & when Shakedown Street got its name.Guests: David Lemieux, Jay Kerley, Hollie Rose, Rebecca Adams, Bill Lemke, Phil Garfinkel, Jim Jonze, Tom Ryan, Art Moss, Lisa Hitchcock, David Van Divier, Scott Bauer, Julie Dock, Mobile SteeleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast cruises down the eastern seaboard, including stops in Hartford, Hampton, Philadelphia, and Landover, featuring touring tips, another police chase, & a visit to the White House.Guests: David Lemieux, Sam Cutler, Dennis Alpert, Tyler Roy-Hart, David Leopold, John Leopold, Rebecca Adams, Brian Schiff, Gary Lambert, Chris Goodspace, Winslow Colwell, Scott Jones, Chad EylerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast makes a beeline for the northeast, focusing on shows from legendary venues in the Manhattan and Boston areas included on the new Enjoying the Ride box, including ESP experiments, weed smuggling, free jazz titans, multiple police chases, and more.Guests: David Lemieux, Ron Rakow, Sam Cutler, Richie Pechner, Allan Arkush, Ned Lagin, Gary Lambert, Blair Jackson, Stanley Krippner, Rebecca Adams, Johnny Dwork, John Scher, Michael Simmons, Tyler Roy-Hart, Henry K, Howie Levine, Kenny Schiff, Debbie RondeauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast's tour of Enjoying the Ride trucks all the way to the East Bay, exploring beloved venues including the Greek Theater & Kaiser Auditorium, with tales of the Hog Farm's Skeleton Crew & vintage field recordings from Oakland Coliseum Arena's parking lot. Guests: David Lemieux, Ron Rakow, Kevin Schmevin, Mark Pinkus, Blair Jackson, Steve Silberman, Rebecca Adams, David Gans, Johnny Dwork, Tyler Roy-Hart, Steven Bernstein, Robert Nyberg, Chad KroegerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast begins our virtual tour of the new Enjoying the Ride box, visiting the cradle of the Dead in Palo Alto/Menlo Park (with a detour to visit the Warlocks' earliest shows) before heading to San Francisco with stops at the Fillmore West and Winterland.Guests: Connie Bonner Mosley, Ron Rakow, Ned Lagin, Ron Pietrowski, Tyler Roy-Hart, Les Earnest, Doug Oade, Eric Schwartz, Blair Jackson, Michael Parrish, Dominic Stefano, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
For the 50th anniversary reissue of Tiger Rose, we explore the lost story of Robert Hunter & Jerry Garcia's only full-length studio collaboration, the Dead lyricist's 2nd solo album, produced by Garcia & performed by an all-star cast including Garcia, Mickey Hart, & Donna Jean Godchaux.Guests: Kathy Veda Vaughan Bogert, Mickey Hart, Barry Melton, Ron Rakow, Howie LevineSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the 2nd part of the Deadcast's Phil Lesh tribute, we get deep into his singular bass playing with Phil's son & bandmate Grahame, Phish's Mike Gordon, & musicologist Rob Collier, while touring Phil's high adventures with Ned Lagin, radio co-host Gary Lambert, & other friends.Guests: Grahame Lesh, Mike Gordon, Ned Lagin, David Crosby, David Lemieux, Gary Lambert, Rob CollierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast begins its 11th season with a celebration of the Grateful Dead's Phil Lesh, drawing on archival interviews to explore his unusual trajectory from jazz trumpet to avant-garde composition to rock and roll bass, and welcoming special guest Mike Gordon of Phish.Guests: Mike Gordon, Oteil Burbridge, Sam Cutler, David Lemieux, Gary LambertSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast concludes its dive into Robert Hunter's 1962 book, The Silver Snarling Trumpet (and its 10th season), exploring teenage Jerry Garcia's adventures with his friends Alan Trist and Brigid Meier in Palo Alto, and how this early scene gave way to the Grateful Dead.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
To celebrate the Deadcast's 100th episode, we begin a 2-part special joined by the co-stars of Robert Hunter's newly-published 1962 book, the Silver Snarling Trumpet, a startling in-the-moment account of his and Jerry Garcia's formative years in Palo Alto.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Paris Marx is joined by Becca Lewis to discuss the right-wing project to shape the internet in the 1990s and how we're still living with the legacies of those actions today.Becca Lewis is a postdoctoral researcher at Stanford University.Tech Won't Save Us offers a critical perspective on tech, its worldview, and wider society with the goal of inspiring people to demand better tech and a better world. Support the show on Patreon.The podcast is made in partnership with The Nation. Production is by Eric Wickham. Transcripts are by Brigitte Pawliw-Fry.Also mentioned in this episode:Paris wrote about Marc Andreessen mentioning the Italian Futurists in his Techno-Optimist Manifesto.Ruth Eveleth wrote about the Italian Futurists in the context of Silicon Valley.In 1995, Wired published a story on how “America's futurist politicians” Al Gore and Newt Gingrich were in an epic struggle to shape the internet.Becca mentioned the work of Nicole Hemmer and Patricia Aufderheide.Support the show
The Deadcast uncovers the long-lost tape of the Dead & San Francisco's Sufi Choir at Winterland in 1971, telling its untold story with composer Allaudin Mathieu, finding hidden connections to big band jazz, longform improv comedy, & spirituality, plus an appearance by Wavy Gravy.Guests: Allaudin Mathieu, Wavy Gravy, Michael Parrish, John “Tex” Coate, Erik Davis, Christopher CoffmanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast crosses the Blue Ridge Mountains for the Dead's only show in Huntington, West Virginia, including close looks at the innovative fashion and LSD scenes then emerging in Dead parking lots, and the conclusion of a rare 1978 interview with Jerry Garcia.Guests: Kathy Sublette, Rob Bleetstein, Bob Wagner, Bob Minkin, Jay Blakesberg, David Lemieux, Steve Silberman, Erik Davis, Annabelle WalshSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast cruises into two April ‘78 shows on Virginia college campuses alongside a pair of chartered buses from New York filled with seething Dead freaks and gets into Jerry Garcia's favorite music and guitar tips from rare interviews.Guests: Sanjay Mishra, Kathy Sublette, Rob Bleetstein, Bob Minkin, Del Ward, Bob Wagner, Nick Morgan, Jon Lerner, John Wehrle, Scott White, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast tells the story of the legendary Duke ‘78 show, the unexplored history of the Dead in North Carolina, the first campout at Cameron Indoor Stadium, the mysterious guest percussionist, & the student-run cable station that filmed it.Guests: Peter Coyle, Fred Goldring, Nick Morgan, Joe DiMona, Bob Wagner, Jim Enright, Steve Maizner, Charly Mann, Eric Mlyn, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast pulls into Atlanta's Fox Theatre to explore the Dead's two April ‘78 shows, delving into the local underground music scene with Glenn Phillips of the Hampton Grease Band, as well as rare Jerry Garcia interviews.Guests: Donna Jean Godchaux-MacKay, Glenn Phillips, Steve Maizner, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast launches its 10th season, hitting the road for the April 1978 tour documented on the new FRIEND OF THE DEVILS box, exploring the band's new sound for ‘78 & the birth of drums/space, featuring taper tales & rare archival interviews with Jerry Garcia.Guests: Richard Loren, Bob Wagner, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We're off this week, so Kate has provided a reading of John Perry Barlow's 1996 article, A Declaration of the Independence of Cyberspace.We will be back on 26 July 2024 to continue our read-through of Bleeding Edge.As always, thanks so much for listening!Email: mappingthezonepod@gmail.comTwitter: https://twitter.com/pynchonpodInstagram: https://www.instagram.com/mappingthezonepodcast/
The Grateful Deadcast welcomes back Donna Jean Godchaux-MacKay for the season finale, digs into “Ship of Fools,” and visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, Elvis Costello, Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, John Perry, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, David Lemieux, Brian Anderson, Shaugn O'Donnell, Brian KehewSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast explores the Mars Hotel obscurity “Money Money” & goes on the Dead's mayhem-filled Europe ‘74 tour, including a long look at the extended jams & Seastones sets performed with Ned Lagin.Guests: Ned Lagin, Elvis Costello, Andy Leonard, Richard Loren, Steve Brown, John Perry, Ben Haller, Andy Childs, Uli Teute, Paul Matulic, David Lemieux, Brian Kehew, Rebecca Adams, Shaugn O'Donnell, Brian Anderson, Michael KalerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast joyously welcomes the 50th anniversary reissue of Robert Hunter's solo debut Tales of the Great Rum Runners, uncovering stories of two early drafts of the album, a mostly-lost book of poetry, and Hunter's secret performing career as Lefty Banks.Guests: Mickey Hart, Barry Melton, John Perry, Ted Claire, Ron Rakow, Steve Brown, Robbie Stokes, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
(NOTAS Y ENLACES DEL CAPÍTULO AQUÍ: https://www.jaimerodriguezdesantiago.com/kaizen/201-descentralizacion-iii-la-guerras-cripto-antes-de-bitcoin/)«Gobiernos del Mundo Industrial, cansados gigantes de carne y acero, vengo del Ciberespacio, el nuevo hogar de la Mente. En nombre del futuro, os pido a vosotros del pasado que nos dejéis en paz. No sois bienvenidos entre nosotros. No tenéis soberanía alguna sobre el lugar donde nos reunimosNo hemos elegido ningún gobierno, ni es probable que lo hagamos, así que me dirijo a vosotros sin más autoridad que aquella con la que la libertad siempre habla. Declaro el espacio social global que estamos construyendo independiente por naturaleza de las tiranías que estáis buscando imponernos. No tenéis ningún derecho moral a gobernarnos, ni disponéis de métodos para forzarnos a cumplir vuestra ley que tengamos razón para temer.Los gobiernos derivan sus lícitos poderes del consentimiento de los que son gobernados. No habéis pedido ni recibido el nuestro. No os hemos invitado. No nos conocéis, ni conocéis nuestro mundo. El Ciberespacio no se halla dentro de vuestras fronteras. No penséis que podéis construirlo, como si fuera una obra pública. No podéis. Es un acto natural que crece de nuestras acciones colectivas.No os habéis unido a nuestras reuniones, ni creasteis la riqueza de nuestros mercados. No conocéis nuestra cultura, nuestra ética, o los códigos no escritos que ya proporcionan a nuestra sociedad más orden que el que podría obtenerse por cualquiera de vuestras imposiciones.Proclamáis que hay problemas entre nosotros que vosotros necesitáis resolver. Usáis esto como una excusa para invadir nuestros límites. Muchos de estos problemas no existen. Donde haya auténticos conflictos, donde haya errores, los identificaremos y resolveremos por nuestros propios medios. Estamos creando nuestro propio Contrato Social. Esta autoridad se creará según las condiciones de nuestro mundo, no del vuestro. Nuestro mundo es diferente.»Así empezaba un texto mítico de la contracultura digital de los años 90: la declaración de independencia del ciberespacio, escrita por John Perry Barlow en 1996. Si escuchaste el capítulo que dediqué a la cultura hacker recordarás que muchos de sus valores me parecía que eran especialmente relevantes en el mundo que tenemos hoy y, sobre todo, en el que tendremos mañana. También te decía que, ahora que con todo el movimiento crypto se habla tanto de descentralización, yo veía en esas conversaciones mucho del idealismo de aquella cultura hacker de los 80 y 90. Y no es casualidad. En el origen de mucho de todo esto estaban, claro está, hackers. Precisamente investigando esos orígenes, y uniendo las piezas de mi propia memoria, me encontré con una historia que creo que es digna de ser contada. No ya por lo interesante que pueda parecerme, sino por el debate que encierra sobre nuestros derechos como ciudadanos. Y a esa historia y a ese debate, vamos a dedicar el capítulo de hoy. ¡Ya están abiertas las inscripciones para la 2ª edición del programa de desarrollo directivo y liderazgo que dirijo en Tramontana! ¿Te interesa? Toda la info aquí: https://www.tramontana.net/desarrollo-directivo-liderazgo¿Te gusta kaizen? Apoya el podcast uniéndote a la Comunidad y accede a contenidos y ventajas exclusivas: https://www.jaimerodriguezdesantiago.com/comunidad-kaizen/
The Deadcast explores Phil Lesh & Bobby Petersen's “Pride of Cucamonga” (featuring lost lyrics & session pedal steel player John McFee), the Dead's August ‘74 east coast trip (with Ned Lagin & an extended stop at Roosevelt Stadium), & the band's decision to take a road hiatus.Guests: Ron Rakow, Ned Lagin, Alan Trist, Richard Loren, Richie Pechner, Andy Leonard, Steve Brown, John McFee, Ira Kaplan, Gary Lambert, Steve Silberman, Ihor Slabicky, Todd Ellenberg, John Potenza, David Lemieux, Brian Kehew, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Remembering Bill Walton: Basketball Star and Grateful Dead SuperfanIn this episode of the Deadhead Cannabis Show, Larry Mishkin covers various topics, including a historic Grateful Dead show, personal concert experiences, and music news. Larry starts with a deep dive into the Grateful Dead's June 3, 1976, concert at the Paramount Theater in Portland, Oregon. This show marked the band's return after a year-long hiatus, featuring five new songs and a revived tune from a four-year break. He highlights the opening track, written by Jerry Garcia and Robert Hunter, which nostalgically reflects on the band's Festival Express tour, a legendary 1970 train journey across Canada with prominent rock bands.Larry then discusses the song "Lazy Lightning," introduced at the same 1976 concert. Written by Bobby and John Perry Barlow, it became a fan favorite for its melody and message of living in the moment, though it was retired from the Grateful Dead's repertoire by 1984. He transitions into music news by honoring Doug Ingle of Iron Butterfly, who recently passed away. Larry reminisces about the band's iconic 1968 track "In-A-Gadda-Da-Vida" and its influence on the late 60s music scene.The podcast also pays tribute to Bill Walton, the legendary basketball player and devoted Deadhead who passed away at 71. Larry shares stories of Walton's deep connection with the Grateful Dead, including his record of attending 869 concerts, significantly more than his total basketball games played. Larry recounts Walton's influence on fellow athletes and his unique presence at Dead shows.Finally, Larry describes his recent experience at a Dead & Company concert at the Sphere in Las Vegas. He marvels at the venue's immersive visual technology, which enhanced the concert experience, likening it to a planetarium. Despite the advanced visuals sometimes overshadowing the music, Larry enjoyed the performance and the unique atmosphere. He also mentions a mini-exhibition featuring Dave Lemieux's tape collection and the significance of tape trading in Grateful Dead fandom.In summary, this episode covers a blend of Grateful Dead history, personal concert experiences, tributes to influential music figures, and the latest in concert technology, providing a rich narrative for Deadheads and music enthusiasts alike. Grateful DeadJune 3, 1976 (48 Years Ago)Paramount TheaterPortland, ORGrateful Dead Live at Paramount Theatre on 1976-06-03 : Free Borrow & Streaming : Internet Archive First show back after 1975 year offPrior show: Sept. 28, 1975 – last of the four shows in 1975, this show is 9 months later. Long wait for Deadheads. Dead did not disappoint with five new songs and a breakout after a 4 year hiatus. INTRO: Might As Well Track #1 1:15 – 2:50 “Take that ride again” Might as Well” is a song written by Jerry Garcia with lyrics penned by Robert Hunter. Released on Garcia's 3d solo album, Reflections, in February, 1976. It's one of the tracks from Garcia's solo career, showcasing his musical versatility and unique ability to transform personal experiences into joyful music. The song takes a nostalgic look back at the Grateful Dead's time on the Festival Express Tour, a memorable rail trip that brought together prominent artists of the '60s for a raucous, whisky-fueled journey across America. Festival Express is the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, Mountain and Delaney & Bonnie & Friends. Later made into a movie Festival Express was staged in three Canadian cities: Toronto, Winnipeg, and Calgary (Montreal and Vancouver were also originally scheduled but both dropped) during the summer of 1970. Rather than flying into each city, the musicians traveled by chartered Canadian National Railwaystrain, in a total of 14 cars (two engines, one diner, five sleepers, two lounge cars, two flat cars, one baggage car, and one staff car).[5] The train journey between cities ultimately became a combination of non-stop jam sessions and partying fueled by alcohol. One highlight of the documentary is a drunken jam session featuring The Band's Rick Danko, the Grateful Dead's Jerry Garcia and Bob Weir, New Riders of the Purple Sage's John Dawson, as well as Janis Joplin. Here, it is played as the show opener. Ultimately, became more of a first set closer, a popular one along with Deal, another Garcia solo tune. Played 111 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW 19 times that year Last: March 23, 1994 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USA – only time played that year, 6 times in ‘91 SHOW No. 1: Lazy Lightning Track #6 0:00 – 1:46 Written by Bobby and John Perry Barlow, paired with Supplication in concert and released with Supplication as the opening tracks on the album, Kingfish, released in March, 1976. Lazy Lightning is often interpreted as a metaphorical representation of the pursuit of a carefree and leisurely lifestyle amidst the chaos and hardships of reality. The lyrics depict a whimsical scenario where the protagonist encounters a bolt of lightning that transforms into a woman, symbolizing the allure and transitory nature of fleeting pleasures. The song encourages listeners to embrace the present moment and let go of the rigid expectations and responsibilities that burden their lives. It is a celebration of spontaneity, freedom, and the pursuit of personal bliss. Lazy Lightning became a fan favorite due to its infectious melody, poetic lyrics, and the sense of liberation it evoked. Grateful Dead fans often resonated with the song's message of embracing the present moment and shedding societal expectations. It became a rallying cry for those seeking to live life on their own terms, igniting a sense of camaraderie and freedom among concert-goers. Usually, a late first set number. Unfortunately, dropped from the repertoire in 1984. I got to hear it three or four times. A fun number. Played: also played 111 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA MUSIC NEWS – Intro music: In A Gadda Da Vida: IRON BUTTERFLY - IN A GADDA DA VIDA - 1968 (ORIGINAL FULL VERSION) CD SOUND & 3D VIDEO (youtube.com)Start - :45 is a song recorded by Iron Butterfly, written by band member Doug Ingle and released on their 1968 album of the same name.At slightly over 17 minutes, it occupies the entire second side of the album. The lyrics, a love song from the biblical Adam to his mate Eve, are simple and are heard only at the beginning and the end. The middle of the song features a two-and-a-half-minute Ron Bushy drum solo. Famously featured on a Simpson's episode when Bart switches the organist's regular music for this tune and hands out the words to the congregation who sing along. The older organ player plays the entire organ solo (although they only feature a part of it) and then at the end promptly slumps over at the keyboard. Featured today as a tribute to Doug Ingle, songwriter, keyboard player and vocalist for the song, who passed away on May 24th at the age of 78. He was the last surviving member of the original band lineup.Bill Walton passed away on last Monday, May 27th at the all too young age of 71. Couldn't miss him at the shows, 7 foot redhead dancing away or else up on stage.Dead & Co. at the Sphere, saw the June 1st show. SHOW No. 2: Supplication Track #7 2:00 – 3:30 Written by Bobby and John Perry Barlow, paired with Lazy Lightning in concert and released with Lazy Lightning as the opening tracks on the album, Kingfish, released in March, 1976. The song delves into the universal theme of the human experience, specifically emphasizing the concept of surrender and humility. It explores the idea of surrendering oneself to a higher power, relinquishing control, and embracing the unknown. The lyrics touch upon the vulnerability and humility required to let go and trust in something beyond our comprehension. Supplication encourages listeners to reflect upon their own lives, urging them to question their beliefs, values, and the significance of surrendering to a greater force. Played: 111 times (a good number for the lottery, keeps coming up), always paired with Lazy LightningFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA SHOW No. 3: Dancin In the Streets Track #11 0:00 – 1:42 "Dancing in the Street" is a song written by Marvin Gaye, William Stevenson, and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version was released on July 31, 1964 and reached No. 2 on the Billboard Hot 100 chart for two weeks, behind "Do Wah Diddy Diddy" by Manfred Mann and it also peaked at No. 4 on the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song.A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter. I saw it as the first night show opener on June 14, 1985 at the Greek Theater as part of the band's 20 Anniversary celebration. A really fun concert tune. The 1970's versions always had strong Donna support backing up Bobby's lead vocals. This show was the first time the band had played the song since Dec. 31, 1971 (203 shows) Played: 131 timesFirst: July 3, 1966 at Fillmore Auditorium, San Francisco, CA, USALast: April 6, 1987 at Brendan Byrne Arena, East Rutherford, NJ, USA MJ NEWS Blake Schneider passed away May 27th at 69. Legendary cultivator who created the best strain of marijuana I ever smoked. We just called it Blake weed and put it up against any other strain, anywhere, any time. Folks would say they had the best weed until I let them smoke some of the Blake weed. They never failed to concede. Eccentric, temperamental, hospitable, mentor and good friend. And self titled “best joint roller in the worlds.” Was one of my Bulls season ticket partners during the Jordan era. Every home game began with a pregame at Blake's loop residences including great wines, gourmet appetizers and snacks, top shelf liquor (on the way out the door we always did our “Go Bulls” shots) and more marijuana than anyone should ever smoke. With four of us in the room, he would have 3 joints circulating at all times. With his ever present life partner, Jeanne, an evening at Blakes was as much fun as the actual game itself. Ran into a problem with the Green County Sheriff, but gave them the finger when the feds took the case over and Blake only had to serve 11 months at a fed minimum risk prison instead of the 20 years that Green County said was a done deal given the number of plants he was growing at his farm house in Argyle, WI. They were not happy campers when the feds moved in to take over the case due to the value of the property they could sieve and force Blake to buy back from them. Blake was a true party legend and will be sorely missed by those of us that knew him, loved him and tolerated him. 2. Marijuana Terpenes Are ‘As Effective As Morphine' For Pain Relief And Have Fewer Side Effects, New Study Finds 3. CBD Is Effective In Treating Anxiety, Depression And Poor Sleep, Study Finds4. Marijuana And Hemp Businesses At Odds Over Consumable Cannabinoid Ban In House Farm Bill SHOW No. 4: Samson and Delilah Track #12 0:00 – 1:45 "Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with Bobby singing lead vocals and in the ‘70's with Donna joining in. It was frequently played on Sundays due to the biblical reference. Released by the band in 1977 on their album Terrapin Station. Although Weir learned the song from Reverend Gary Davis, several earlier versions had been recorded under various titles, including "If I Had My Way I'd Tear the Building Down"/"Oh Lord If I Had My Way" by Blind Willie Johnson in 1927.[1] The song has since been performed by a wide variety of artists ranging from Dave van Ronk, Bob Dylan, Charlie Parr, The Staple Singers, Ike and Tina Turner, Clara Ward, Dorothy Love Coates & The Gospel Harmonettes, to Peter, Paul and Mary, The Washington Squares, The Blasters, Willie Watson, Elizabeth Cook, Robert Randolph and the Family Band, and Bruce Springsteen and the Seeger Sessions Band (in Verona, Italy 2006). Guest star Simon Oakland sings the song with the drovers around a campfire in the Rawhide episode "Incident of the Travellin' Man", aired in season six on October 17, 1963. A long time favorite tune with a distinctive drummers intro that tipped off the song and got the crowd fired up. Settled into a set opener, more frequently a second set opener and often played on Sundays due to its biblical reference with Bobby's “This being Sunday . .” Played: 365 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOWLast: July 9, 1995 at Soldier Field OUTRO: The Wheel Track #22 2:48 – 4:30 One of their most beloved songs, “The Wheel,” holds a special place in the hearts of fans worldwide. Written by Jerry Garcia, Robert Hunter, and Bill Kreutzmann, this folk-rock anthem has captivated listeners with its enigmatic lyrics and catchy melody. The song's meaning has been widely debated among enthusiasts, and its cryptic nature has allowed for multiple interpretations. “The Wheel” reflects the transient nature of life, offering a philosophical perspective on the cycles we all experience. The lyrics suggest that life is like a wheel, constantly turning and repeating itself. The song evokes a sense of impermanence and reminds us of the cyclical patterns we encounter throughout our existence. This theme resonates strongly with the band's philosophy and their connection to the spiritual and psychedelic culture of the late 1960s and early 1970s. “The Wheel” was released on the Grateful Dead's album “Garcia” in 1972. “The Wheel” is characterized by its infectious melody and intricate guitar work. The song showcases the Grateful Dead's ability to seamlessly blend folk, rock, and improvisational elements into a cohesive piece of music. Normally, a second set tune, into or out of drums/space although it moved around a bit in the second set. Here it is the encore which is more of a rarity. Played 259 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW Last: May 25, 1995 at Memorial Stadium, Seattle, WA .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
From the Mars Hotel 50: Scarlet BegoniasExplore “Scarlet Begonias,” from its trans-Atlantic origins (including the Dead's surprising Bob Marley connection) to Cornell '77 & beyond, featuring the Wall of Sound's stop at the Hollywood Bowl (with more unheard Owsley Stanley) & a visit from Vampire Weekend's Chris Tomson.Guests: Chris Tomson, Donna Jean Godchaux MacKay, Trey Anastasio, Alan Trist, Ron Rakow, Lee Jaffe, Courtenay Pollack, Andy Leonard, Steve Brown, Richie Pechner, Jim Sullivan, Geoff Gould, David Lemieux, Brian Kehew, Nicholas Meriwether, Steve Silberman, Nick Paumgarten, Brian Anderson, Shaugn O'Donnell, Michael Kaler, Steve Hurlburt, Andrew Shields, Nick RubinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
From “Loose Lucy,” the Deadcast jumps onto Dead tour in June ‘74, going under the hood of Phil Lesh's new quad bass, behind the scenes at the tie-dye information booth, a private lunch at the Bank of Boston, & on a Mars Hotel-soundtracked summer road trip with Sonic Youth's Lee Ranaldo.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
If you enjoyed our discussion, please check out the following media we talked about:Films/TV: Office Space (1999; dir. Mike Judge)Books: The Declaration of Cyberspace by John Perry Barlow; Free Culture by Lawrence Lessig; Infinite Jest by David Foster Wallace; The Looming Tower by Lawrence Wright (watch the Hulu Miniseries Adaptation, as well)Pynchon In Public Day is 08 May 2024. Feel free to send a picture to the Pynchon In Public Twitter page @pynchoninpublicAs always, thanks so much for listening!Email: mappingthezonepod@gmail.comTwitter: https://twitter.com/pynchonpodInstagram: https://www.instagram.com/mappingthezonepodcast/?igshid=NTc4MTIwNjQ2YQ%3D%3D
The Deadcast explores Phil Lesh's masterpiece “Unbroken Chain,” its mysterious lyricist Bobby Petersen, & digs into the luminous synth with Ned Lagin himself; plus, the story of the album title & art with the Grateful Dead Records crew & a visit from Animal Collective's Avey Tare.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast explores “China Doll,” perhaps the most delicate Dead song, the innovative studio techniques pioneered for From The Mars Hotel, the formation of Round Records (& the making of Jerry Garcia's sophomore solo album), & the infamous Wall of Sound test at the Cow Palace.Guests: Elvis Costello, Ron Rakow, Richard Loren, Andy Leonard, Richie Pechner, Steve Brown, Michael Parrish, David Gans, Steve Beck, David Lemieux, Brian Kehew, Shaugn O'Donnell, Brian Anderson See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Grateful Deadcast begins the epic story of the Dead in 1974 with the writing of From the Mars Hotel's album-opening “U.S. Blues” & the multiple debuts of the innovative Wall of Sound, featuring new interviews & never-heard archival audio. Guests: Ron Rakow, Richie Pechner, Sam Cutler, Steve Brown, Sally Mann Romano, David Lemieux, Brian Kehew, David Gans, Michael Parrish, Brian Anderson See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Good Ol' Grateful Deadcast is back for its 9th season of high adventure and historical storytelling, unlocking the secrets of From the Mars Hotel and going on tour with the Wall of Sound. Tune in starting March 28th wherever you get your podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Max Hillebrand joins me for a series of conversations covering various works on crypto-anarchism. In this episode, we discuss "A Declaration of the Independence of Cyberspace" written by John Perry Barlow. Max Hillebrand is a free software entrepreneur building tools to empower individual sovereignty. Paper: https://scholarship.law.duke.edu/dltr/vol18/iss1/2/ // GUEST // Twitter: https://twitter.com/HillebrandMax// SPONSORS // In Wolf's Clothing: https://wolfnyc.com/NetSuite: https://netsuite.com/whatismoneyiCoin Hardware Wallet (use discount code BITCOIN23): https://www.icointechnology.com/Mind Lab Pro: https://mindlabpro.com/breedloveCrowdHealth: https://www.joincrowdhealth.com/breedloveBitcoin Apparel (use discount code BREEDLOVE): https://thebitcoinclothingcompany.com/Feel Free Tonics (use discount code BREEDLOVE): https://botanictonics.comCarnivore Bar (use discount code BREEDLOVE): https://carnivorebar.com/// OUTLINE // 00:00:00 - Coming up 00:00:27 - Intro 00:02:00 - Helping Lightning Startups with In Wolf's Clothing 00:02:46 - Introducing Max Hillebrand 00:03:22 - A Declaration of the Independence of Cyberspace 00:10:07 - Background of John Perry Barlow 00:11:27 - Internet & Cyberspace: The New Frontier 00:14:28 - Significance of Internet 00:19:37 - Supremacy of the Human Mind 00:25:20 - The Ability to Say ‘No' 00:26:57 - Run Your Business from Anywhere with NetSuite 00:28:02 - Secure Your Bitcoin Stash with the iCoin Hardware Wallet 00:29:11 - Shifting the Power of Authority 00:32:53 - Where Physical Coercion Doesn't Work 00:34:38 - Government Attempts to Control Cyberspace 00:39:03 - The Diffusion and Development of Knowledge 00:45:14 - The Fight Against Internet Domestication 00:47:03 - Sophisticated Tool Using Creatures 00:50:00 - Two Great Axioms of Praxeology 00:53:11 - Codes, Ethics, and Culture 00:54:50 - Social Contract in Cyberspace 01:00:43 - A Realm of Transactions 01:02:43 - Equality in the Eyes of the Law 01:05:49 - The Power of Anonymity 01:08:06 - Enhance Your Brain Power with Mind Lab Pro 01:09:12 - Take Control of Your Healthcare with CrowdHealth 01:10:18 - The Ethics of Bitcoin 01:15:43 - The Telecommunications Act of 1996 01:19:03 - The Terrifying Potential of Bitcoin 01:23:31 - The Line of Good and Evil 01:26:08 - From Broad-Casting to Narrow-Casting 01:31:16 - The Ridiculous Claim To Own Speech 01:32:18 - Responsibility and Consequence for Actions// PODCAST // Podcast Website: https://whatismoneypodcast.com/Apple Podcast: https://podcasts.apple.com/us/podcast/the-what-is-money-show/id1541404400Spotify: https://open.spotify.com/show/25LPvm8EewBGyfQQ1abIsE?RSS Feed: https://feeds.simplecast.com/MLdpYXYI// SUPPORT THIS CHANNEL // Bitcoin: 3D1gfxKZKMtfWaD1bkwiR6JsDzu6e9bZQ7 Sats via Strike: https://strike.me/breedlove22Sats via Tippin.me: https://tippin.me/@Breedlove22Dollars via Paypal: https://www.paypal.com/paypalme/RBreedlove// WRITTEN WORK // Medium: https://breedlove22.medium.com/Substack: https://breedlove22.substack.com/// SOCIAL // Twitter: https://twitter.com/Breedlove22WiM? Twitter: https://twitter.com/WhatisMoneyShowRumble: https://rumble.com/c/BreedloveInstagram: https://www.instagram.com/breedlove_22/TikTok: https://www.tiktok.com/@breedlove22LinkedIn: https://www.linkedin.com/in/breedlove22/All My Current Work: https://vida.page/breedlove22
The Deadcast finishes its season by examining Bob Weir's ambitious Weather Report Suite with collaborator Eric Andersen & following the launch of Wake of the Flood on the band's own label with company president Ron Rakow, plus Yo La Tengo's Ira Kaplan, Erik Davis, & more.Guests: Eric Andersen, Ron Rakow, Steve Brown, Ira Kaplan, Gary Lambert, Michael Parrish, David Lemieux, Brian Kehew, Erik Davis, Scott Metzger, Shaugn O'Donnell, Carey ColesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast uncovers a most unusual lost studio session by Robert Hunter & the Grateful Dead, recorded at the Record Plant in November 1973, which we listen to in its entirety & annotate with the help of Donna Jean Godchaux-MacKay & others.Guests: Donna Jean Godchaux-MacKay, Bob Matthews, Alan Trist, Nicholas Meriwether, Brian Kehew, Michael Parrish, Mike DolgushkinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Explore “Eyes of the World” inside & out with the studio multi-tracks, lost lyrics, archival audio of Robert Hunter, a meditation by Erik Davis, & a tour of the song's evolution (yes, including that cool 7/8 ending).GUESTS: Ron Rakow, Ned Lagin, David Lemieux, Brian Kehew, Holly Bowling, Erik Davis, Shaugn O'Donnell, Brian Schiff, Jay Kerley, Mike Dolgushkin, Danno Henklein, Lippy, Peter Egart, Davis Schneiderman, Mike Ruggieri, Charlie FrazierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Wake Of The Flood 50: Here Comes SunshineWe explore the Beatlesque optimism of “Here Comes Sunshine,” its roots in the Vanport flood of 1948, & the story of the brand-new custom Doug Irwin guitar Jerry Garcia debuted on Wake of the Flood. GUESTS: Donna Jean Godchaux-MacKay, Bruce Hornsby, Steve Parish, David Lemieux, Alex Bleeker, Scott Metzger, Shaugn O'Donnell, Bill Polits See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
A personal favorite of both Jerry Garcia & Robert Hunter, we explore how “Stella Blue” grew from New York's fertile Chelsea Hotel into one of the great American songs, plus Bruce Hornsby on how Wake of the Flood made him a Dead fan.GUESTS: Elvis Costello, Bruce Hornsby, David Lemieux, Nick Paumgarten, Scott Metzger, Shaugn O'Donnell, Nick BushSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Wake Of The Flood 50: Row JimmyThe Deadcast explores the strange not-quite-reggae of “Row Jimmy,” featuring a long never-heard interview with lyricist Robert Hunter from 1977. GUESTS: Donna Jean Godchaux-MacKay, Robert Hunter, David Lemieux, Brian Kehew, Scott Metzger, Shaugn O'DonnellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast explores Keith Godchaux's only song for the Grateful Dead, the unassuming but complex “Let Me Sing Your Blues Away,” the debut single from Wake of the Flood & Grateful Dead Records, co-starring Donna Jean, company president Ron Rakow, & a gaggle of early Dead tapers.GUESTS: Donna Jean Godchaux-MacKay, Ron Rakow, Steve Brown, Howard Wales, Marty Weinberg, Les Kippel, Harvey Lubar, Howie Levine, Jim Cooper, David Lemieux, Brian Kehew, Scott Metzger, Shaugn O'Donnell, Marc Masters, Dave MandlSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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