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2 episodes with John Perry Barlow
2 episodes with John Perry Barlow
2 episodes with John Perry Barlow
2 episodes with John Perry Barlow
Kevin Kelly is a leading thinker of the digital age. The founding editor of Wired Magazine, he helped produce the Whole Earth Catalog, and an early internet pillar called the WELL. He is a journalist, an artist, and a longtime member of the Burning Man community.He is a radical optimist.The future is a construct of the collective imagination. We see utopian stories as too pie-in-the-sky. We have a morbid curiosity for dystopian stories. What's in between? Iterative improvement. Protopia.Delve into this conversation on cultural narratives, the transformative potential of AI, and the context shift into lifelong-learning."It's not that our problems are smaller than we thought, it's just that our capacities to solve them are greater than we thought."wikipedia.org/wiki/Kevin_Kelly_(editor)kk.org LIVE.BURNINGMAN.ORG
Enjoying the Ride: On TourThe Deadcast season finale hits shows at 3 legendary venues, exploring Dick Latvala's transformative experience at Red Rocks ‘79, Hollie Rose's tour journal, the wonders of the Alpine Valley parking lot, & when Shakedown Street got its name.Guests: David Lemieux, Jay Kerley, Hollie Rose, Rebecca Adams, Bill Lemke, Phil Garfinkel, Jim Jonze, Tom Ryan, Art Moss, Lisa Hitchcock, David Van Divier, Scott Bauer, Julie Dock, Mobile SteeleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast cruises down the eastern seaboard, including stops in Hartford, Hampton, Philadelphia, and Landover, featuring touring tips, another police chase, & a visit to the White House.Guests: David Lemieux, Sam Cutler, Dennis Alpert, Tyler Roy-Hart, David Leopold, John Leopold, Rebecca Adams, Brian Schiff, Gary Lambert, Chris Goodspace, Winslow Colwell, Scott Jones, Chad EylerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast makes a beeline for the northeast, focusing on shows from legendary venues in the Manhattan and Boston areas included on the new Enjoying the Ride box, including ESP experiments, weed smuggling, free jazz titans, multiple police chases, and more.Guests: David Lemieux, Ron Rakow, Sam Cutler, Richie Pechner, Allan Arkush, Ned Lagin, Gary Lambert, Blair Jackson, Stanley Krippner, Rebecca Adams, Johnny Dwork, John Scher, Michael Simmons, Tyler Roy-Hart, Henry K, Howie Levine, Kenny Schiff, Debbie RondeauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast's tour of Enjoying the Ride trucks all the way to the East Bay, exploring beloved venues including the Greek Theater & Kaiser Auditorium, with tales of the Hog Farm's Skeleton Crew & vintage field recordings from Oakland Coliseum Arena's parking lot. Guests: David Lemieux, Ron Rakow, Kevin Schmevin, Mark Pinkus, Blair Jackson, Steve Silberman, Rebecca Adams, David Gans, Johnny Dwork, Tyler Roy-Hart, Steven Bernstein, Robert Nyberg, Chad KroegerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast begins our virtual tour of the new Enjoying the Ride box, visiting the cradle of the Dead in Palo Alto/Menlo Park (with a detour to visit the Warlocks' earliest shows) before heading to San Francisco with stops at the Fillmore West and Winterland.Guests: Connie Bonner Mosley, Ron Rakow, Ned Lagin, Ron Pietrowski, Tyler Roy-Hart, Les Earnest, Doug Oade, Eric Schwartz, Blair Jackson, Michael Parrish, Dominic Stefano, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
For the 50th anniversary reissue of Tiger Rose, we explore the lost story of Robert Hunter & Jerry Garcia's only full-length studio collaboration, the Dead lyricist's 2nd solo album, produced by Garcia & performed by an all-star cast including Garcia, Mickey Hart, & Donna Jean Godchaux.Guests: Kathy Veda Vaughan Bogert, Mickey Hart, Barry Melton, Ron Rakow, Howie LevineSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In the 2nd part of the Deadcast's Phil Lesh tribute, we get deep into his singular bass playing with Phil's son & bandmate Grahame, Phish's Mike Gordon, & musicologist Rob Collier, while touring Phil's high adventures with Ned Lagin, radio co-host Gary Lambert, & other friends.Guests: Grahame Lesh, Mike Gordon, Ned Lagin, David Crosby, David Lemieux, Gary Lambert, Rob CollierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast begins its 11th season with a celebration of the Grateful Dead's Phil Lesh, drawing on archival interviews to explore his unusual trajectory from jazz trumpet to avant-garde composition to rock and roll bass, and welcoming special guest Mike Gordon of Phish.Guests: Mike Gordon, Oteil Burbridge, Sam Cutler, David Lemieux, Gary LambertSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast concludes its dive into Robert Hunter's 1962 book, The Silver Snarling Trumpet (and its 10th season), exploring teenage Jerry Garcia's adventures with his friends Alan Trist and Brigid Meier in Palo Alto, and how this early scene gave way to the Grateful Dead.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
To celebrate the Deadcast's 100th episode, we begin a 2-part special joined by the co-stars of Robert Hunter's newly-published 1962 book, the Silver Snarling Trumpet, a startling in-the-moment account of his and Jerry Garcia's formative years in Palo Alto.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Paris Marx is joined by Becca Lewis to discuss the right-wing project to shape the internet in the 1990s and how we're still living with the legacies of those actions today.Becca Lewis is a postdoctoral researcher at Stanford University.Tech Won't Save Us offers a critical perspective on tech, its worldview, and wider society with the goal of inspiring people to demand better tech and a better world. Support the show on Patreon.The podcast is made in partnership with The Nation. Production is by Eric Wickham. Transcripts are by Brigitte Pawliw-Fry.Also mentioned in this episode:Paris wrote about Marc Andreessen mentioning the Italian Futurists in his Techno-Optimist Manifesto.Ruth Eveleth wrote about the Italian Futurists in the context of Silicon Valley.In 1995, Wired published a story on how “America's futurist politicians” Al Gore and Newt Gingrich were in an epic struggle to shape the internet.Becca mentioned the work of Nicole Hemmer and Patricia Aufderheide.Support the show
The Deadcast uncovers the long-lost tape of the Dead & San Francisco's Sufi Choir at Winterland in 1971, telling its untold story with composer Allaudin Mathieu, finding hidden connections to big band jazz, longform improv comedy, & spirituality, plus an appearance by Wavy Gravy.Guests: Allaudin Mathieu, Wavy Gravy, Michael Parrish, John “Tex” Coate, Erik Davis, Christopher CoffmanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast crosses the Blue Ridge Mountains for the Dead's only show in Huntington, West Virginia, including close looks at the innovative fashion and LSD scenes then emerging in Dead parking lots, and the conclusion of a rare 1978 interview with Jerry Garcia.Guests: Kathy Sublette, Rob Bleetstein, Bob Wagner, Bob Minkin, Jay Blakesberg, David Lemieux, Steve Silberman, Erik Davis, Annabelle WalshSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast cruises into two April ‘78 shows on Virginia college campuses alongside a pair of chartered buses from New York filled with seething Dead freaks and gets into Jerry Garcia's favorite music and guitar tips from rare interviews.Guests: Sanjay Mishra, Kathy Sublette, Rob Bleetstein, Bob Minkin, Del Ward, Bob Wagner, Nick Morgan, Jon Lerner, John Wehrle, Scott White, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast tells the story of the legendary Duke ‘78 show, the unexplored history of the Dead in North Carolina, the first campout at Cameron Indoor Stadium, the mysterious guest percussionist, & the student-run cable station that filmed it.Guests: Peter Coyle, Fred Goldring, Nick Morgan, Joe DiMona, Bob Wagner, Jim Enright, Steve Maizner, Charly Mann, Eric Mlyn, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast pulls into Atlanta's Fox Theatre to explore the Dead's two April ‘78 shows, delving into the local underground music scene with Glenn Phillips of the Hampton Grease Band, as well as rare Jerry Garcia interviews.Guests: Donna Jean Godchaux-MacKay, Glenn Phillips, Steve Maizner, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast launches its 10th season, hitting the road for the April 1978 tour documented on the new FRIEND OF THE DEVILS box, exploring the band's new sound for ‘78 & the birth of drums/space, featuring taper tales & rare archival interviews with Jerry Garcia.Guests: Richard Loren, Bob Wagner, David Lemieux, Steve SilbermanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We're off this week, so Kate has provided a reading of John Perry Barlow's 1996 article, A Declaration of the Independence of Cyberspace.We will be back on 26 July 2024 to continue our read-through of Bleeding Edge.As always, thanks so much for listening!Email: mappingthezonepod@gmail.comTwitter: https://twitter.com/pynchonpodInstagram: https://www.instagram.com/mappingthezonepodcast/
The Grateful Deadcast welcomes back Donna Jean Godchaux-MacKay for the season finale, digs into “Ship of Fools,” and visits the set for the Grateful Dead Movie, aka the Dead's five “retirement” shows at Winterland in 1974, with heads who attended.Guests: Donna Jean Godchaux-MacKay, Ron Rakow, Ned Lagin, David Grisman, Elvis Costello, Steve Brown, Richie Pechner, Jerry Pompili, Jim Sullivan, John Perry, Gary Lambert, Geoff Gould, Joan Brown, Michael Parrish, Corry Arnold, Strider Brown, Jay Kerley, Rita Fiedler, Rene Tinner, Lee Ranaldo, Gregory Barette, Ron Long, David Lemieux, Brian Anderson, Shaugn O'Donnell, Brian KehewSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast explores the Mars Hotel obscurity “Money Money” & goes on the Dead's mayhem-filled Europe ‘74 tour, including a long look at the extended jams & Seastones sets performed with Ned Lagin.Guests: Ned Lagin, Elvis Costello, Andy Leonard, Richard Loren, Steve Brown, John Perry, Ben Haller, Andy Childs, Uli Teute, Paul Matulic, David Lemieux, Brian Kehew, Rebecca Adams, Shaugn O'Donnell, Brian Anderson, Michael KalerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast joyously welcomes the 50th anniversary reissue of Robert Hunter's solo debut Tales of the Great Rum Runners, uncovering stories of two early drafts of the album, a mostly-lost book of poetry, and Hunter's secret performing career as Lefty Banks.Guests: Mickey Hart, Barry Melton, John Perry, Ted Claire, Ron Rakow, Steve Brown, Robbie Stokes, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
(NOTAS Y ENLACES DEL CAPÍTULO AQUÍ: https://www.jaimerodriguezdesantiago.com/kaizen/201-descentralizacion-iii-la-guerras-cripto-antes-de-bitcoin/)«Gobiernos del Mundo Industrial, cansados gigantes de carne y acero, vengo del Ciberespacio, el nuevo hogar de la Mente. En nombre del futuro, os pido a vosotros del pasado que nos dejéis en paz. No sois bienvenidos entre nosotros. No tenéis soberanía alguna sobre el lugar donde nos reunimosNo hemos elegido ningún gobierno, ni es probable que lo hagamos, así que me dirijo a vosotros sin más autoridad que aquella con la que la libertad siempre habla. Declaro el espacio social global que estamos construyendo independiente por naturaleza de las tiranías que estáis buscando imponernos. No tenéis ningún derecho moral a gobernarnos, ni disponéis de métodos para forzarnos a cumplir vuestra ley que tengamos razón para temer.Los gobiernos derivan sus lícitos poderes del consentimiento de los que son gobernados. No habéis pedido ni recibido el nuestro. No os hemos invitado. No nos conocéis, ni conocéis nuestro mundo. El Ciberespacio no se halla dentro de vuestras fronteras. No penséis que podéis construirlo, como si fuera una obra pública. No podéis. Es un acto natural que crece de nuestras acciones colectivas.No os habéis unido a nuestras reuniones, ni creasteis la riqueza de nuestros mercados. No conocéis nuestra cultura, nuestra ética, o los códigos no escritos que ya proporcionan a nuestra sociedad más orden que el que podría obtenerse por cualquiera de vuestras imposiciones.Proclamáis que hay problemas entre nosotros que vosotros necesitáis resolver. Usáis esto como una excusa para invadir nuestros límites. Muchos de estos problemas no existen. Donde haya auténticos conflictos, donde haya errores, los identificaremos y resolveremos por nuestros propios medios. Estamos creando nuestro propio Contrato Social. Esta autoridad se creará según las condiciones de nuestro mundo, no del vuestro. Nuestro mundo es diferente.»Así empezaba un texto mítico de la contracultura digital de los años 90: la declaración de independencia del ciberespacio, escrita por John Perry Barlow en 1996. Si escuchaste el capítulo que dediqué a la cultura hacker recordarás que muchos de sus valores me parecía que eran especialmente relevantes en el mundo que tenemos hoy y, sobre todo, en el que tendremos mañana. También te decía que, ahora que con todo el movimiento crypto se habla tanto de descentralización, yo veía en esas conversaciones mucho del idealismo de aquella cultura hacker de los 80 y 90. Y no es casualidad. En el origen de mucho de todo esto estaban, claro está, hackers. Precisamente investigando esos orígenes, y uniendo las piezas de mi propia memoria, me encontré con una historia que creo que es digna de ser contada. No ya por lo interesante que pueda parecerme, sino por el debate que encierra sobre nuestros derechos como ciudadanos. Y a esa historia y a ese debate, vamos a dedicar el capítulo de hoy. ¡Ya están abiertas las inscripciones para la 2ª edición del programa de desarrollo directivo y liderazgo que dirijo en Tramontana! ¿Te interesa? Toda la info aquí: https://www.tramontana.net/desarrollo-directivo-liderazgo¿Te gusta kaizen? Apoya el podcast uniéndote a la Comunidad y accede a contenidos y ventajas exclusivas: https://www.jaimerodriguezdesantiago.com/comunidad-kaizen/
The Deadcast explores Phil Lesh & Bobby Petersen's “Pride of Cucamonga” (featuring lost lyrics & session pedal steel player John McFee), the Dead's August ‘74 east coast trip (with Ned Lagin & an extended stop at Roosevelt Stadium), & the band's decision to take a road hiatus.Guests: Ron Rakow, Ned Lagin, Alan Trist, Richard Loren, Richie Pechner, Andy Leonard, Steve Brown, John McFee, Ira Kaplan, Gary Lambert, Steve Silberman, Ihor Slabicky, Todd Ellenberg, John Potenza, David Lemieux, Brian Kehew, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Remembering Bill Walton: Basketball Star and Grateful Dead SuperfanIn this episode of the Deadhead Cannabis Show, Larry Mishkin covers various topics, including a historic Grateful Dead show, personal concert experiences, and music news. Larry starts with a deep dive into the Grateful Dead's June 3, 1976, concert at the Paramount Theater in Portland, Oregon. This show marked the band's return after a year-long hiatus, featuring five new songs and a revived tune from a four-year break. He highlights the opening track, written by Jerry Garcia and Robert Hunter, which nostalgically reflects on the band's Festival Express tour, a legendary 1970 train journey across Canada with prominent rock bands.Larry then discusses the song "Lazy Lightning," introduced at the same 1976 concert. Written by Bobby and John Perry Barlow, it became a fan favorite for its melody and message of living in the moment, though it was retired from the Grateful Dead's repertoire by 1984. He transitions into music news by honoring Doug Ingle of Iron Butterfly, who recently passed away. Larry reminisces about the band's iconic 1968 track "In-A-Gadda-Da-Vida" and its influence on the late 60s music scene.The podcast also pays tribute to Bill Walton, the legendary basketball player and devoted Deadhead who passed away at 71. Larry shares stories of Walton's deep connection with the Grateful Dead, including his record of attending 869 concerts, significantly more than his total basketball games played. Larry recounts Walton's influence on fellow athletes and his unique presence at Dead shows.Finally, Larry describes his recent experience at a Dead & Company concert at the Sphere in Las Vegas. He marvels at the venue's immersive visual technology, which enhanced the concert experience, likening it to a planetarium. Despite the advanced visuals sometimes overshadowing the music, Larry enjoyed the performance and the unique atmosphere. He also mentions a mini-exhibition featuring Dave Lemieux's tape collection and the significance of tape trading in Grateful Dead fandom.In summary, this episode covers a blend of Grateful Dead history, personal concert experiences, tributes to influential music figures, and the latest in concert technology, providing a rich narrative for Deadheads and music enthusiasts alike. Grateful DeadJune 3, 1976 (48 Years Ago)Paramount TheaterPortland, ORGrateful Dead Live at Paramount Theatre on 1976-06-03 : Free Borrow & Streaming : Internet Archive First show back after 1975 year offPrior show: Sept. 28, 1975 – last of the four shows in 1975, this show is 9 months later. Long wait for Deadheads. Dead did not disappoint with five new songs and a breakout after a 4 year hiatus. INTRO: Might As Well Track #1 1:15 – 2:50 “Take that ride again” Might as Well” is a song written by Jerry Garcia with lyrics penned by Robert Hunter. Released on Garcia's 3d solo album, Reflections, in February, 1976. It's one of the tracks from Garcia's solo career, showcasing his musical versatility and unique ability to transform personal experiences into joyful music. The song takes a nostalgic look back at the Grateful Dead's time on the Festival Express Tour, a memorable rail trip that brought together prominent artists of the '60s for a raucous, whisky-fueled journey across America. Festival Express is the 1970 train tour of the same name across Canada taken by some of North America's most popular rock bands, including Grateful Dead, Janis Joplin, The Band, Buddy Guy, Flying Burrito Bros, Ian & Sylvia's Great Speckled Bird, Mountain and Delaney & Bonnie & Friends. Later made into a movie Festival Express was staged in three Canadian cities: Toronto, Winnipeg, and Calgary (Montreal and Vancouver were also originally scheduled but both dropped) during the summer of 1970. Rather than flying into each city, the musicians traveled by chartered Canadian National Railwaystrain, in a total of 14 cars (two engines, one diner, five sleepers, two lounge cars, two flat cars, one baggage car, and one staff car).[5] The train journey between cities ultimately became a combination of non-stop jam sessions and partying fueled by alcohol. One highlight of the documentary is a drunken jam session featuring The Band's Rick Danko, the Grateful Dead's Jerry Garcia and Bob Weir, New Riders of the Purple Sage's John Dawson, as well as Janis Joplin. Here, it is played as the show opener. Ultimately, became more of a first set closer, a popular one along with Deal, another Garcia solo tune. Played 111 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW 19 times that year Last: March 23, 1994 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USA – only time played that year, 6 times in ‘91 SHOW No. 1: Lazy Lightning Track #6 0:00 – 1:46 Written by Bobby and John Perry Barlow, paired with Supplication in concert and released with Supplication as the opening tracks on the album, Kingfish, released in March, 1976. Lazy Lightning is often interpreted as a metaphorical representation of the pursuit of a carefree and leisurely lifestyle amidst the chaos and hardships of reality. The lyrics depict a whimsical scenario where the protagonist encounters a bolt of lightning that transforms into a woman, symbolizing the allure and transitory nature of fleeting pleasures. The song encourages listeners to embrace the present moment and let go of the rigid expectations and responsibilities that burden their lives. It is a celebration of spontaneity, freedom, and the pursuit of personal bliss. Lazy Lightning became a fan favorite due to its infectious melody, poetic lyrics, and the sense of liberation it evoked. Grateful Dead fans often resonated with the song's message of embracing the present moment and shedding societal expectations. It became a rallying cry for those seeking to live life on their own terms, igniting a sense of camaraderie and freedom among concert-goers. Usually, a late first set number. Unfortunately, dropped from the repertoire in 1984. I got to hear it three or four times. A fun number. Played: also played 111 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA MUSIC NEWS – Intro music: In A Gadda Da Vida: IRON BUTTERFLY - IN A GADDA DA VIDA - 1968 (ORIGINAL FULL VERSION) CD SOUND & 3D VIDEO (youtube.com)Start - :45 is a song recorded by Iron Butterfly, written by band member Doug Ingle and released on their 1968 album of the same name.At slightly over 17 minutes, it occupies the entire second side of the album. The lyrics, a love song from the biblical Adam to his mate Eve, are simple and are heard only at the beginning and the end. The middle of the song features a two-and-a-half-minute Ron Bushy drum solo. Famously featured on a Simpson's episode when Bart switches the organist's regular music for this tune and hands out the words to the congregation who sing along. The older organ player plays the entire organ solo (although they only feature a part of it) and then at the end promptly slumps over at the keyboard. Featured today as a tribute to Doug Ingle, songwriter, keyboard player and vocalist for the song, who passed away on May 24th at the age of 78. He was the last surviving member of the original band lineup.Bill Walton passed away on last Monday, May 27th at the all too young age of 71. Couldn't miss him at the shows, 7 foot redhead dancing away or else up on stage.Dead & Co. at the Sphere, saw the June 1st show. SHOW No. 2: Supplication Track #7 2:00 – 3:30 Written by Bobby and John Perry Barlow, paired with Lazy Lightning in concert and released with Lazy Lightning as the opening tracks on the album, Kingfish, released in March, 1976. The song delves into the universal theme of the human experience, specifically emphasizing the concept of surrender and humility. It explores the idea of surrendering oneself to a higher power, relinquishing control, and embracing the unknown. The lyrics touch upon the vulnerability and humility required to let go and trust in something beyond our comprehension. Supplication encourages listeners to reflect upon their own lives, urging them to question their beliefs, values, and the significance of surrendering to a greater force. Played: 111 times (a good number for the lottery, keeps coming up), always paired with Lazy LightningFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW!!Last: October 31, 1984 at Berkeley Community Theatre, Berkeley, CA, USA SHOW No. 3: Dancin In the Streets Track #11 0:00 – 1:42 "Dancing in the Street" is a song written by Marvin Gaye, William Stevenson, and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version was released on July 31, 1964 and reached No. 2 on the Billboard Hot 100 chart for two weeks, behind "Do Wah Diddy Diddy" by Manfred Mann and it also peaked at No. 4 on the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song.A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter. I saw it as the first night show opener on June 14, 1985 at the Greek Theater as part of the band's 20 Anniversary celebration. A really fun concert tune. The 1970's versions always had strong Donna support backing up Bobby's lead vocals. This show was the first time the band had played the song since Dec. 31, 1971 (203 shows) Played: 131 timesFirst: July 3, 1966 at Fillmore Auditorium, San Francisco, CA, USALast: April 6, 1987 at Brendan Byrne Arena, East Rutherford, NJ, USA MJ NEWS Blake Schneider passed away May 27th at 69. Legendary cultivator who created the best strain of marijuana I ever smoked. We just called it Blake weed and put it up against any other strain, anywhere, any time. Folks would say they had the best weed until I let them smoke some of the Blake weed. They never failed to concede. Eccentric, temperamental, hospitable, mentor and good friend. And self titled “best joint roller in the worlds.” Was one of my Bulls season ticket partners during the Jordan era. Every home game began with a pregame at Blake's loop residences including great wines, gourmet appetizers and snacks, top shelf liquor (on the way out the door we always did our “Go Bulls” shots) and more marijuana than anyone should ever smoke. With four of us in the room, he would have 3 joints circulating at all times. With his ever present life partner, Jeanne, an evening at Blakes was as much fun as the actual game itself. Ran into a problem with the Green County Sheriff, but gave them the finger when the feds took the case over and Blake only had to serve 11 months at a fed minimum risk prison instead of the 20 years that Green County said was a done deal given the number of plants he was growing at his farm house in Argyle, WI. They were not happy campers when the feds moved in to take over the case due to the value of the property they could sieve and force Blake to buy back from them. Blake was a true party legend and will be sorely missed by those of us that knew him, loved him and tolerated him. 2. Marijuana Terpenes Are ‘As Effective As Morphine' For Pain Relief And Have Fewer Side Effects, New Study Finds 3. CBD Is Effective In Treating Anxiety, Depression And Poor Sleep, Study Finds4. Marijuana And Hemp Businesses At Odds Over Consumable Cannabinoid Ban In House Farm Bill SHOW No. 4: Samson and Delilah Track #12 0:00 – 1:45 "Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with Bobby singing lead vocals and in the ‘70's with Donna joining in. It was frequently played on Sundays due to the biblical reference. Released by the band in 1977 on their album Terrapin Station. Although Weir learned the song from Reverend Gary Davis, several earlier versions had been recorded under various titles, including "If I Had My Way I'd Tear the Building Down"/"Oh Lord If I Had My Way" by Blind Willie Johnson in 1927.[1] The song has since been performed by a wide variety of artists ranging from Dave van Ronk, Bob Dylan, Charlie Parr, The Staple Singers, Ike and Tina Turner, Clara Ward, Dorothy Love Coates & The Gospel Harmonettes, to Peter, Paul and Mary, The Washington Squares, The Blasters, Willie Watson, Elizabeth Cook, Robert Randolph and the Family Band, and Bruce Springsteen and the Seeger Sessions Band (in Verona, Italy 2006). Guest star Simon Oakland sings the song with the drovers around a campfire in the Rawhide episode "Incident of the Travellin' Man", aired in season six on October 17, 1963. A long time favorite tune with a distinctive drummers intro that tipped off the song and got the crowd fired up. Settled into a set opener, more frequently a second set opener and often played on Sundays due to its biblical reference with Bobby's “This being Sunday . .” Played: 365 timesFirst: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOWLast: July 9, 1995 at Soldier Field OUTRO: The Wheel Track #22 2:48 – 4:30 One of their most beloved songs, “The Wheel,” holds a special place in the hearts of fans worldwide. Written by Jerry Garcia, Robert Hunter, and Bill Kreutzmann, this folk-rock anthem has captivated listeners with its enigmatic lyrics and catchy melody. The song's meaning has been widely debated among enthusiasts, and its cryptic nature has allowed for multiple interpretations. “The Wheel” reflects the transient nature of life, offering a philosophical perspective on the cycles we all experience. The lyrics suggest that life is like a wheel, constantly turning and repeating itself. The song evokes a sense of impermanence and reminds us of the cyclical patterns we encounter throughout our existence. This theme resonates strongly with the band's philosophy and their connection to the spiritual and psychedelic culture of the late 1960s and early 1970s. “The Wheel” was released on the Grateful Dead's album “Garcia” in 1972. “The Wheel” is characterized by its infectious melody and intricate guitar work. The song showcases the Grateful Dead's ability to seamlessly blend folk, rock, and improvisational elements into a cohesive piece of music. Normally, a second set tune, into or out of drums/space although it moved around a bit in the second set. Here it is the encore which is more of a rarity. Played 259 times First: June 3, 1976 at Paramount Theatre, Portland, OR, USA THIS SHOW Last: May 25, 1995 at Memorial Stadium, Seattle, WA .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
From the Mars Hotel 50: Scarlet BegoniasExplore “Scarlet Begonias,” from its trans-Atlantic origins (including the Dead's surprising Bob Marley connection) to Cornell '77 & beyond, featuring the Wall of Sound's stop at the Hollywood Bowl (with more unheard Owsley Stanley) & a visit from Vampire Weekend's Chris Tomson.Guests: Chris Tomson, Donna Jean Godchaux MacKay, Trey Anastasio, Alan Trist, Ron Rakow, Lee Jaffe, Courtenay Pollack, Andy Leonard, Steve Brown, Richie Pechner, Jim Sullivan, Geoff Gould, David Lemieux, Brian Kehew, Nicholas Meriwether, Steve Silberman, Nick Paumgarten, Brian Anderson, Shaugn O'Donnell, Michael Kaler, Steve Hurlburt, Andrew Shields, Nick RubinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
From “Loose Lucy,” the Deadcast jumps onto Dead tour in June ‘74, going under the hood of Phil Lesh's new quad bass, behind the scenes at the tie-dye information booth, a private lunch at the Bank of Boston, & on a Mars Hotel-soundtracked summer road trip with Sonic Youth's Lee Ranaldo.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
"Neil Young's 2024 Tour with Crazy Horse: A Legendary Performance"Larry Mishkin discusses the creation of the song "The Music Never Stopped" by Bob Weir and John Perry Barlow. Weir explains his collaborative process with Barlow, where they developed lyrics together over the phone, inspired by Barlow's description of a scene from Wyoming. Weir also reflects on the importance of lyrical and musical cohesion, and the song's debut and history of performances, including at venues like the Great American Music Hall and the Palladium. The discussion transitions to Neil Young's recent tour with Crazy Horse, highlighting the band's performance and Young's energy despite his age. He also mentions upcoming events and concludes with a focus on the Grateful Dead's performance of "St. Stephen" and other songs from 47 years ago. Grateful DeadApril 30, 1977 (47 years ago, tomorrow)PalladiumNYCGrateful Dead Live at The Palladium on 1977-04-30 : Free Download, Borrow, and Streaming : Internet ArchiveAudience Tape This is another good show from 1977, but the recording quality is actually not bad considering this is an audience recording. Since then the show has been commercially released as the first volume of the Grateful Dead Download Series if you want to hear the crisper soundboard recording.Highlights from this show are the first set Mississippi Half Step and even Looks Like Rain is played with a passion that is moving even if the song always is not. In the second set, the Dead start off with a Scarlet Begonias>Fire on the Mountain (pretty good), swing into a fun mid-set Good Lovin (common for that time, but for the last 15 years, it was almost always a set closer as an alternative to Sugar Mag) or an encore tune (send everyone home with a smile), Friend of the Devil , Estimated Prophet. And then they blow the doors off the place with a St. Stephen>Not Fade Away>Stella Blue>St. Stephen sandwich that must be heard in full to be truly appreciated. It's pretty awesome to hear Stella Blue transition back into the St. Stephen, an unusual pairing to say the least. Close with a Saturday Night and then yet another 1977 Terrapin Stationencore. INTRO: Music Never Stopped Track #2 0:00 – 1:26 Hunter Weir tune, released on Blues For Allah (Sept. 1,1975). Bob: As a lyricist I'm glacially slow. I can generally get the job done, but it takes too damned long. So I like to work with people who have a little more facility with that—you know, John Barlow, Garrett Grant, Robert Hunter.Or I may have a general notion of the color of the rhythm and the harmonic or melodic development, and I'll sit with a guy and we just fire blank verse at each other until we start to corner that color—and then often the song will fall right out of the sky. Other times, I may have no notion of where the song wants to go, in which case I'll let whoever I'm working with surprise me. . . .“The Music Never Stopped” is a song that we wrote over the telephone. I had this business going [plays opening guitar riff, Example 13 below]. So I played this over the phone to John, and he just started spitting stuff at me. The first line came out, “There's mosquitoes on the river / Fish are rising up like birds.” He was living in Wyoming at the time on a ranch, and he started describing a situation that I'd seen with him, where it was late summer on a dry year and things were hot and kind of dull and dead.So where are we going to take this? Well, first I figured the verse is going to have to be twice as long as I originally figured, because if you're starting with an image that thick, you have to get into some detail about it. “It's been hot for seven weeks now / Too hot to even speak now / Did you hear what I just heard?” That last line came after some deliberation. It's a pregnant line, sort of like a leading tone in a harmonic development.The success of the endeavor, if you're working with a lyricist, depends on how closely the lyric marries the music. With Barlow or Gerrit Graham or whoever, there's a lot of back and forth. I guess I get to be the decider, because the words are going to have to come from my lips. And so I have to be able to tell the story.I have to be that character, because my job is to get the hell out of the way and let the character tell the story, musically and lyrically. When I'm standing in front of the microphone, I may look like me, but I'm not.If the character arrives with a really defined face and features, then it's easy for me to do my job.Fun version because almost always a first set closer and here it is opening the show. Love that. 236 times First: August 13, 1975 at Great American Music Hall, San Francisco, CA, USA Last: June 28, 1995 at The Palace of Auburn Hills The Palladium: The Palladium (originally called the Academy of Music) was a movie theatre, concert hall, and finally nightclub in New York City. It was located on the south side of East 14th Street, between Irving Place and Third Avenue.Designed by Thomas W. Lamb, it was built in 1927 across the street from the site of the original Academy of Music established by financier Moses H. Grinnell in 1852. Opened as a deluxe movie palace by movie mogul William Fox, the academy operated as a cinema through the early 1970s.Beginning in the 1960s, it was also utilized as a rock concert venue, particularly following the June 1971 closure of the Fillmore East. It was rechristened the Palladium on September 18, 1976, with the Band live radio broadcast,[1] and continued to serve as a concert hall into the following decade.In 1985, the Palladium was converted into a nightclub by Steve Rubell and Ian Schrager, after their success with Studio 54. Japanese architect Arata Isozaki redesigned the building's interior for the club.[2]Peter Gatien owned and operated the club from 1992 until 1997.The Palladium closed in August 1997 following its purchase by New York University.[3] In August 1998, the building was demolished in order to build a twelve-story residence hall that students affectionately referred to as Palladium HalThe Dead also played there when it was called the Academy of Music in a series of seven shows on their way to Europe for the '72 tour. One of the those shows, the entire March 28, 1972 performance plus selections from March 25, 1972 and March 27, 1972 were released as Dick's Picks Vol. 30This five night Palladium run, of which today's show was the second, is famous for a lot of reasons including the part of 1977 when the Dead put together a string of some of their best shows ever, peaking on May 8, 1977, just over one week later, at Barton Hall in Ithaca, NY. All five of these shows are well played, great tunes, and a very grooving feel that you can still pick up off of the CD or down load 47 years later. I had most of these shows on tape and wore them out from so much playing. Love that they previously released this show as Download Series Vol. 1 and the new Dave's Picks release, No. 50!!, is the May 3, 1977 show including some extra songs from the next night as well as the annual Dave's Picks Bonus Disc that is even more songs from the May 4th show). If you are not listening to Dave's Picks, you are missing out on quality recordings of some of the best shows ever.How hot was the band, check out this extended jam at the end of ½ Step, the second to last song of the first set (ending with a great Promised Land) and be sure to listen for Jerry and Keith going back and forth throughout this clip: SHOW No. 1: Mississippi ½ Step Track #11 7:06 – 9:29 Garcia/Huner tune released on Wake of the Flood in 1973. Also live versions included on Steal Your Face, Dick's Picks Vol. 1, Without a Net and who knows how many other Dick's/Dave's Picks releases, etc. If you want to hear it, you can find it, easily. First performed July 16, 1972 at Dillon Stadium in Hartford, Connecticut. Followed "Me and My Uncle" and led into "Sing Me Back Home," which closed out the first set. A staple of the repertoire ever since. 236 times (exact same as Music Never stopped!)First: July 16, 1972 at Dillon Stadium, Hartford, CT, USALast: July 6, 1995 at Riverport Amphitheater Maryland Heights, MO Music News: Neil Young Tour SHOW No. 2: St. Stephen Track #1 0:00 – 1:49 Blah Blah Blah, everyone knows about St. Stephen. Dead's Fluffhead apparently. Because of its true melodic nature and strong lyrics, it existed long outside and after the end of Primal Dead. Still only played a total of 187 times: First: May 24, 1968 at National Guard Armory, St. Louis, MO, USA Last: October 31, 1983 at Marin Veteran's Memorial Auditorium, San RafaelBut post Dead hiatus year, they started making song sandwiches often based around this song. This four song sandwich at the end of the show is so good that I had to feature all of it at the expense of some other really great tunes like Bertha, Peggy O, Looks Like Rain, Promised Land, and any tune in the second set. This sandwich is just too cool to ignore or not give it proper due. Here is the first layer change: SHOW No. 3: St. Stephen>Not Fade Away St. Stephen Track #19 4:10 – end INTO Not Fade Away Track #20 0:00 – 1:15 Great switch out of St. Stephen and into an amazing opening jam of NFA. I wanted to try and catch the opening lyrics but the jam went on for almost 4 minutes which is too long even for these extended clips. MJ News Check out this next transition that they pull off seamlessly: SHOW No. 4: Not Fade Away>Stella Blue Not Fade Away Track #20 14:15 – end INTO Stella Blue Track #21 0:00 – 1:30 Beautiful how they downshift on cue from the raucous NFA into the gentle and beautiful ballad mode required for Stella Blue. Jerry's voice is so strong and clear. Really a treat. Not even getting to the last tune of the encore today. Not enough time but had to close out the episode with the final sandwich transition, from Stella back into an immediate upbeat St. Stephen that is so strong I told Dan we could not edit out any of it! What a great (almost ending) to such a great show. Deadheads walked out knowing there were still 3 more to go! Like going to bed and already being told the next day is a snow day! Thank you all for listening. Please be sure to join us next week when I am joined by Rob Bleetstein of Grateful Dead Radio (show host), Pearl Jam radio and he is also the Curator for the New Riders of the Purple Sage. He is joining us to discuss, among other things, the newly released NRPS live album “Hempsteader”. If you haven't heard it yet, check it out. I'm looking forward to hearing from Rob how this was all put together and what the NRSP are up to these days. Also, a Birthday shoutout to very good buddy, Sam who is turning old tomorrow. At his age, the actual number doesn't matter but we love him anyway. ENCORE: Stella Blue>St Stephen Stella Blue Track #21 7:50 – end INTO St. Stephen Track #22 Start - end .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
If you enjoyed our discussion, please check out the following media we talked about:Films/TV: Office Space (1999; dir. Mike Judge)Books: The Declaration of Cyberspace by John Perry Barlow; Free Culture by Lawrence Lessig; Infinite Jest by David Foster Wallace; The Looming Tower by Lawrence Wright (watch the Hulu Miniseries Adaptation, as well)Pynchon In Public Day is 08 May 2024. Feel free to send a picture to the Pynchon In Public Twitter page @pynchoninpublicAs always, thanks so much for listening!Email: mappingthezonepod@gmail.comTwitter: https://twitter.com/pynchonpodInstagram: https://www.instagram.com/mappingthezonepodcast/?igshid=NTc4MTIwNjQ2YQ%3D%3D
The Deadcast explores Phil Lesh's masterpiece “Unbroken Chain,” its mysterious lyricist Bobby Petersen, & digs into the luminous synth with Ned Lagin himself; plus, the story of the album title & art with the Grateful Dead Records crew & a visit from Animal Collective's Avey Tare.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast explores “China Doll,” perhaps the most delicate Dead song, the innovative studio techniques pioneered for From The Mars Hotel, the formation of Round Records (& the making of Jerry Garcia's sophomore solo album), & the infamous Wall of Sound test at the Cow Palace.Guests: Elvis Costello, Ron Rakow, Richard Loren, Andy Leonard, Richie Pechner, Steve Brown, Michael Parrish, David Gans, Steve Beck, David Lemieux, Brian Kehew, Shaugn O'Donnell, Brian Anderson See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Grateful Deadcast begins the epic story of the Dead in 1974 with the writing of From the Mars Hotel's album-opening “U.S. Blues” & the multiple debuts of the innovative Wall of Sound, featuring new interviews & never-heard archival audio. Guests: Ron Rakow, Richie Pechner, Sam Cutler, Steve Brown, Sally Mann Romano, David Lemieux, Brian Kehew, David Gans, Michael Parrish, Brian Anderson See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Good Ol' Grateful Deadcast is back for its 9th season of high adventure and historical storytelling, unlocking the secrets of From the Mars Hotel and going on tour with the Wall of Sound. Tune in starting March 28th wherever you get your podcasts.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Max Hillebrand joins me for a series of conversations covering various works on crypto-anarchism. In this episode, we discuss "A Declaration of the Independence of Cyberspace" written by John Perry Barlow. Max Hillebrand is a free software entrepreneur building tools to empower individual sovereignty. Paper: https://scholarship.law.duke.edu/dltr/vol18/iss1/2/ // GUEST // Twitter: https://twitter.com/HillebrandMax// SPONSORS // In Wolf's Clothing: https://wolfnyc.com/NetSuite: https://netsuite.com/whatismoneyiCoin Hardware Wallet (use discount code BITCOIN23): https://www.icointechnology.com/Mind Lab Pro: https://mindlabpro.com/breedloveCrowdHealth: https://www.joincrowdhealth.com/breedloveBitcoin Apparel (use discount code BREEDLOVE): https://thebitcoinclothingcompany.com/Feel Free Tonics (use discount code BREEDLOVE): https://botanictonics.comCarnivore Bar (use discount code BREEDLOVE): https://carnivorebar.com/// OUTLINE // 00:00:00 - Coming up 00:00:27 - Intro 00:02:00 - Helping Lightning Startups with In Wolf's Clothing 00:02:46 - Introducing Max Hillebrand 00:03:22 - A Declaration of the Independence of Cyberspace 00:10:07 - Background of John Perry Barlow 00:11:27 - Internet & Cyberspace: The New Frontier 00:14:28 - Significance of Internet 00:19:37 - Supremacy of the Human Mind 00:25:20 - The Ability to Say ‘No' 00:26:57 - Run Your Business from Anywhere with NetSuite 00:28:02 - Secure Your Bitcoin Stash with the iCoin Hardware Wallet 00:29:11 - Shifting the Power of Authority 00:32:53 - Where Physical Coercion Doesn't Work 00:34:38 - Government Attempts to Control Cyberspace 00:39:03 - The Diffusion and Development of Knowledge 00:45:14 - The Fight Against Internet Domestication 00:47:03 - Sophisticated Tool Using Creatures 00:50:00 - Two Great Axioms of Praxeology 00:53:11 - Codes, Ethics, and Culture 00:54:50 - Social Contract in Cyberspace 01:00:43 - A Realm of Transactions 01:02:43 - Equality in the Eyes of the Law 01:05:49 - The Power of Anonymity 01:08:06 - Enhance Your Brain Power with Mind Lab Pro 01:09:12 - Take Control of Your Healthcare with CrowdHealth 01:10:18 - The Ethics of Bitcoin 01:15:43 - The Telecommunications Act of 1996 01:19:03 - The Terrifying Potential of Bitcoin 01:23:31 - The Line of Good and Evil 01:26:08 - From Broad-Casting to Narrow-Casting 01:31:16 - The Ridiculous Claim To Own Speech 01:32:18 - Responsibility and Consequence for Actions// PODCAST // Podcast Website: https://whatismoneypodcast.com/Apple Podcast: https://podcasts.apple.com/us/podcast/the-what-is-money-show/id1541404400Spotify: https://open.spotify.com/show/25LPvm8EewBGyfQQ1abIsE?RSS Feed: https://feeds.simplecast.com/MLdpYXYI// SUPPORT THIS CHANNEL // Bitcoin: 3D1gfxKZKMtfWaD1bkwiR6JsDzu6e9bZQ7 Sats via Strike: https://strike.me/breedlove22Sats via Tippin.me: https://tippin.me/@Breedlove22Dollars via Paypal: https://www.paypal.com/paypalme/RBreedlove// WRITTEN WORK // Medium: https://breedlove22.medium.com/Substack: https://breedlove22.substack.com/// SOCIAL // Twitter: https://twitter.com/Breedlove22WiM? Twitter: https://twitter.com/WhatisMoneyShowRumble: https://rumble.com/c/BreedloveInstagram: https://www.instagram.com/breedlove_22/TikTok: https://www.tiktok.com/@breedlove22LinkedIn: https://www.linkedin.com/in/breedlove22/All My Current Work: https://vida.page/breedlove22
The Deadcast finishes its season by examining Bob Weir's ambitious Weather Report Suite with collaborator Eric Andersen & following the launch of Wake of the Flood on the band's own label with company president Ron Rakow, plus Yo La Tengo's Ira Kaplan, Erik Davis, & more.Guests: Eric Andersen, Ron Rakow, Steve Brown, Ira Kaplan, Gary Lambert, Michael Parrish, David Lemieux, Brian Kehew, Erik Davis, Scott Metzger, Shaugn O'Donnell, Carey ColesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast uncovers a most unusual lost studio session by Robert Hunter & the Grateful Dead, recorded at the Record Plant in November 1973, which we listen to in its entirety & annotate with the help of Donna Jean Godchaux-MacKay & others.Guests: Donna Jean Godchaux-MacKay, Bob Matthews, Alan Trist, Nicholas Meriwether, Brian Kehew, Michael Parrish, Mike DolgushkinSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Explore “Eyes of the World” inside & out with the studio multi-tracks, lost lyrics, archival audio of Robert Hunter, a meditation by Erik Davis, & a tour of the song's evolution (yes, including that cool 7/8 ending).GUESTS: Ron Rakow, Ned Lagin, David Lemieux, Brian Kehew, Holly Bowling, Erik Davis, Shaugn O'Donnell, Brian Schiff, Jay Kerley, Mike Dolgushkin, Danno Henklein, Lippy, Peter Egart, Davis Schneiderman, Mike Ruggieri, Charlie FrazierSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Wake Of The Flood 50: Here Comes SunshineWe explore the Beatlesque optimism of “Here Comes Sunshine,” its roots in the Vanport flood of 1948, & the story of the brand-new custom Doug Irwin guitar Jerry Garcia debuted on Wake of the Flood. GUESTS: Donna Jean Godchaux-MacKay, Bruce Hornsby, Steve Parish, David Lemieux, Alex Bleeker, Scott Metzger, Shaugn O'Donnell, Bill Polits See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
A personal favorite of both Jerry Garcia & Robert Hunter, we explore how “Stella Blue” grew from New York's fertile Chelsea Hotel into one of the great American songs, plus Bruce Hornsby on how Wake of the Flood made him a Dead fan.GUESTS: Elvis Costello, Bruce Hornsby, David Lemieux, Nick Paumgarten, Scott Metzger, Shaugn O'Donnell, Nick BushSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Wake Of The Flood 50: Row JimmyThe Deadcast explores the strange not-quite-reggae of “Row Jimmy,” featuring a long never-heard interview with lyricist Robert Hunter from 1977. GUESTS: Donna Jean Godchaux-MacKay, Robert Hunter, David Lemieux, Brian Kehew, Scott Metzger, Shaugn O'DonnellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast explores Keith Godchaux's only song for the Grateful Dead, the unassuming but complex “Let Me Sing Your Blues Away,” the debut single from Wake of the Flood & Grateful Dead Records, co-starring Donna Jean, company president Ron Rakow, & a gaggle of early Dead tapers.GUESTS: Donna Jean Godchaux-MacKay, Ron Rakow, Steve Brown, Howard Wales, Marty Weinberg, Les Kippel, Harvey Lubar, Howie Levine, Jim Cooper, David Lemieux, Brian Kehew, Scott Metzger, Shaugn O'Donnell, Marc Masters, Dave MandlSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast begins our deep dive into Wake of the Flood, including multi-track breakdowns for Mississippi Half-Step, never-heard outtakes, studio memories from Donna Jean Godchaux-MacKay, & the origins of Grateful Dead Records with co-founder Ron Rakow.GUESTS: Donna Jean Godchaux-MacKay, Ron Rakow, Alan Trist, Steve Brown, David Lemieux, Brian Kehew, Nick Paumgarten, Shaugn O'DonnellSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The thrilling conclusion of our visit to the record-breaking Watkins Glen Summer Jam, featuring John Belushi crashing the backstage, a super jam onstage, a teen-run pirate radio station, & the birth of a new generation of Dead Heads.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Sepp Donahower, Lee Ranaldo, Steve Silberman, Rebecca Adams, Gary Lambert, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Harvey Lubar, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Brian Schiff, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Watkins Glen Summer Jam ‘73, Part 1Musicians, organizers, & fans tell the epic story of how the Watkins Glen Summer Jam started as a giant rock show & turned into history when more than a half-million came to see the Grateful Dead, the Allman Brothers, & The Band.GUESTS: Sam Cutler, Donna Jean Godchaux-MacKay, Bunky Odom, Chuck Leavell, Jim Koplik, Buddy Thornton, Susan Wickersham, Janet Furman, Sepp Donahower, Lee Ranaldo, Steve Silberman, John Ramsey, Tim Meehan, Michael Simmons, Dan Henklein, Erik Nelson, Bob Student, Jim Cooper, Todd Ellenberg, Ihor Slabicky, Jay Kerley, Joe Gauthier, Eric Alden, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Our stadium-sized season finale visits the Dead's June 1973 mega-gigs with the Allman Brothers Band in Washington DC, featuring the Allmans family, legendary tapers, searing heat, super jams, backstage brawls, & the manifestation of the Ouroboros. Guests: Bunky Odom, Buddy Thornton, Ron Wickersham, Alan Trist, Ben Haller, Peter Rowan, Richard Loren, Allan Arkush, Merl Saunders Jr., Steve White, Jim Cooper, Laurie Oliver, Dan Henklein, Howie Levine, Ihor Slabicky, Jay Kerley, Brian Schiff, David Lemieux, Alan PaulSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast visits one of the Dead's most legendary hometown shows with the band, crew, & Bay Area Dead freaks, featuring 3 sets in the Golden Gate Park sunshine, technological innovations, & an important paper by the Haight Street Free Medical Clinic.Guests: Donna Jean Godchaux-MacKay, Dave Smith, Bob Barsotti, Ron Wickersham, Jerry Pompili, Steve Brown, Sally Mann Romano, Mike Dolgushkin, David Gans, Strider Brown, Bob Student, Mike Crater, David Lemieux, Nicholas MeriwetherSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Feel the ocean breeze and spend a sunny Sunday with the Grateful Dead as the Deadcast visits Santa Barbara ‘73 with first-time showgoer Al Franken, archivist David Lemieux, the show's promoters, and more.Guests: Al Franken, Jim Curnutt, Sepp Donahower, Rosie McGee, Michael Parrish, Bob Student, Gary Wulfing, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We time-travel to the Dead's massive 3-set show in Des Moines, May 1973 (& the first show on the new Here Comes Sunshine box) with stories from Donna Jean, the show's promoters, & the Dead's office staff, plus custom gear, big jams, an indoor fireworks fight, etc.Guests: Donna Jean Godchaux, Gail Hellund, Rita Gentry, Rosie McGee, Sally Mann Romano, Steve White, Jon Hoak, Candace Brightman, Dan Erlewine, Sepp Donahower, Bob Glaza, Joe Gauthier, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast takes a special side trip into Jerry Garcia's extracurricular projects in 1973, exploring his partnerships with organist Merl Saunders & the legendary bluegrass group Old & In the Way with guests David Grisman & Peter Rowan, & how they impacted the Dead's music.Guests: David Grisman, Peter Rowan, Merl Saunders Jr., Richard Loren, Howard Wales, Hawk Semins, Joe JupilleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Deadcast sets course for 1973, diving into the newly announced Here Comes Sunshine box set with firsthand tours of the ambitious family businesses in orbit around the Dead in 1973, including an independent record label, booking company, travel agency, clothing boutique, & more.Guests: Donna Jean Godchaux-MacKay, Alan Trist, Rosie McGee, Steve Brown, Sally Mann Romano, Gail Hellund, David Lemieux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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