Podcast appearances and mentions of William Gibson

So my vacation didn't come off as I expected. I had a very, very large flare up of my anxiety disorder so I made the smart decision and stayed home rather be in distress while visiting friends. Its not the first time its happened, so I'm going to put a pause on overnight flights and multiple time zones. William Gibson once wrote that flying allowed us to travel faster than our souls, and it usually takes ~18 hours for them to catch up. But I'm much better now, almost back to normal, so what better way to celebrate than put out... Evo-Lution - Angst Und Liebe DSTRTD_SGNL - Untold Story TeknoVore - Liminal Space (Slighter) Core In Motion - Keep me Alive (Club) Vogon Poetry & SCALA - Immortals (Oren Amram) Aesthetic Perfection - Coward UCNX - Complicit Silence (Stoneburner) Faderhead - This Is Not The End (Cyberpunk) http://synthetic.org/ https://www.youtube.com/@RealSyntheticAudio

What happens when a tech magnate demonstrates a time machine at a Las Vegas convention… and it actually works?That's the thrilling (and terrifyingly plausible) premise of Catherine Mayer's new novel, TIME/LIFE. But this book isn't just about time travel—it's about love, grief, and how technology and populism are reshaping the world around us.We sat down with Catherine for a conversation that was part deep dive into her writing process, part exploration of activism and grief, and entirely fascinating.This interview was originally available exclusively to our paid Substack subscribers—they tuned in live, asked their questions directly, and got to watch two weeks ahead of the public. But now, for the first time, it's live on YouTube for everyone.

Andrew Wilkinson is the co‑founder of Tiny, a holding company that quietly owns more than three dozen profitable internet and consumer brands, including Dribbble and the AeroPress coffee maker. Starting as a teenage barista and web designer, he's created a portfolio approaching $300 million in yearly sales (and he was personally worth over $1 billion at one point)—all without ever raising venture capital.In this conversation, you'll learn:1. The “fish where the fish are” framework for spotting high‑margin niches no one else notices2. The exact agent stack (Lindy, Replit, Limitless, and more) that supercharges Andrew's day-to-day productivity (and has replaced his assistant)3. How Andrew evaluates companies in less than 15 minutes using Buffett‑style moats and “lazy leadership”4. Telltale signs you should shut down (or never start) that startup idea5. His journey from crippling anxiety to clarity through SSRIs and ADHD medication6. His prediction that most knowledge work will be automated—and the skills to teach your kids now—Brought to you by:Sauce—Turn customer pain into product revenueEnterpret—Transform customer feedback into product growthMiro—A collaborative visual platform where your best work comes to life—Where to find Andrew Wilkinson:• X: https://x.com/awilkinson• LinkedIn: https://www.linkedin.com/in/awilkinson/—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Introduction to Andrew Wilkinson(04:07) Finding the right business idea(07:18) Avoiding common business pitfalls(11:58) Finding your unfair advantage(17:08) Fish where the fish are(20:08) Why boring is good(25:30) Bootstrapping vs. venture capital(31:20) Lessons from acquiring and managing businesses(36:47) Avoiding people problems(42:39) Leveraging AI in business and life(49:30) The Limitless device(53:13) Job displacement and AI's future impact(58:20) Advice for new grads(01:02:50) Parenting in the age of AI(01:05:26) The pursuit of happiness beyond wealth(01:10:10) Mental health and medication(01:16:45) Lightning round and final thoughts—Referenced:• Andrew's post on X with the Charlie Munger quote: https://x.com/awilkinson/status/1265653805443506182• Metalab: https://www.metalab.com/• Letterboxd: https://letterboxd.com/• AeroPress: https://aeropress.com/• Brian Armstrong on X: https://x.com/brian_armstrong• Warren Buffett's quote: https://quotefancy.com/quote/931119/Warren-Buffett-I-am-a-better-investor-because-I-am-a-businessman-and-a-better-businessman• Flow: https://www.getflow.com/• Instacart: https://www.instacart.com/• Things: https://culturedcode.com/things/• Dustin Moskovitz on LinkedIn: https://www.linkedin.com/in/dmoskov/• Salesforce: https://www.salesforce.com/• Serato: https://serato.com/• Chris Sparling on X: https://x.com/_sparling_• Lindy: https://www.lindy.ai/• Replit: https://replit.com/• Behind the product: Replit | Amjad Masad (co-founder and CEO): https://www.lennysnewsletter.com/p/behind-the-product-replit-amjad-masad• David Ogilvy: https://en.wikipedia.org/wiki/David_Ogilvy_(businessman)• Malcolm Gladwell's website: https://www.gladwellbooks.com/• Inside Bolt: From near-death to ~$40m ARR in 5 months—one of the fastest-growing products in history | Eric Simons (founder and CEO of StackBlitz): https://www.lennysnewsletter.com/p/inside-bolt-eric-simons• Building Lovable: $10M ARR in 60 days with 15 people | Anton Osika (CEO and co-founder): https://www.lennysnewsletter.com/p/building-lovable-anton-osika• Limitless: https://www.limitless.ai/• Perplexity: https://www.perplexity.ai/• Claude: https://claude.ai/• ChatGPT: https://chatgpt.com/• Gemini: https://gemini.google.com/app• William Gibson's quote: https://www.goodreads.com/quotes/681-the-future-is-already-here-it-s-just-not-evenly• Palm Treo: https://en.wikipedia.org/wiki/Palm_Treo• Sam Altman on X: https://x.com/sama• Dario Amodei on X: https://x.com/darioamodei• Anthropic's CPO on what comes next | Mike Krieger (co-founder of Instagram): https://www.lennysnewsletter.com/p/anthropics-cpo-heres-what-comes-next• Challengers on AppleTV+: https://tv.apple.com/us/movie/challengers/umc.cmc.53cuz33n4e74ixj8whccj87oc• Matic vacuum: https://maticrobots.com/• Jerzy Gregorek's quote: https://www.goodreads.com/quotes/8652595-hard-choices-easy-life-easy-choices-hard-life• Tiny: https://www.tiny.com/• Dribbble: https://dribbble.com/—Recommended books:• The Laws of Human Nature: https://www.amazon.com/Laws-Human-Nature-Robert-Greene/dp/0525428143• How to Get Rich: One of the World's Greatest Entrepreneurs Shares His Secrets: https://www.amazon.com/How-Get-Rich-Greatest-Entrepreneurs/dp/1591842719—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.lennysnewsletter.com/subscribe

Quaranteam – Book 1: Part 17 Andy has his interview for primetime. Based on a post by CorruptingPower, in 25 parts. Listen to the Podcast at Explicit Novels.   It turned out that a dozen women all getting ready for television appearances was, in fact, a major operation. The master bathroom was large enough that four of the girls could use the mirror at the same time, but beyond that, they had to party up with "prep buddies," each making sure they were getting themselves ready as well as their prep buddy. Andy was, of course, ready long before anyone else was, even with Emily, Sarah, Ash and Niko sharing him in the shower. He left the four of them in there, although they emerged not long after, each running a hair dryer while they applied their make up and got into their outfits. He was glad to escape the bathroom as early as he did. The girls were in go mode now, and the last thing he wanted to do was get in anyone's way, so he took the time to prep the house. The house had a large empty room that seemed like it was meant to be used as a ballroom. They'd used it as their poker room on and off, but it was also just a nice place where lots of people could stand around and talk. It also had French windows opening into the garden, so the lighting of the room was excellent. Andy figured it would be the best place for the group interviews to take place. Katie and Nicolette helped him get enough chairs for everyone into the room, while Jenny was prepping a large lunch for all of them, a massive batch of jambalaya, so they would have a bit of leftovers in case the 60 Minutes crew arrived hungry. They were scheduled to arrive at one in the afternoon, and had asked them not to make plans into the evening, so clearly the interviews would take as long as they took. Nicolette had been doing cleaning a bit at a time for the last two weeks, so the only thing that really needed to get a major touch up was Andy's writing room, which the 60 Minutes people had asked to use for their one on one interviews, something he'd agreed to, although he was going to lock his laptop away before they arrived. He didn't imagine they'd want to steal his writing, but he was notoriously paranoid when it came to that sort of thing. The cats seemed extremely confused by all the hustle and bustle, but also seemed content to just rub up against the leg of whoever was closest, and follow people around when it seemed like they were going from one place to another. Andy also took time to check in with both Tala and Jade, making sure they doing okay and still on board with talking to 60 Minutes, something he was glad he did. Tala, as expected, was starting to feel the mental itch from having been primed the day before but not yet imprinted, though she was handling it far better than Sheridan had, even if she wasn't as far along with it. She said she'd never felt quite so sexually frustrated before, but that it was a great feeling to have, and that she enjoyed her body acting with wills and wants of its own. Jade had news for him as well. "I want you to imprint me as soon as you're done imprinting Tala, Andy," the bubbly blonde said to him. "And I want you to record it. Not for 60 Minutes, though, but for my father. He has tried to control me my entire life, and I'm just friggin' sick of it, so I want him to see that his dang control is broken, and that I'm giving that control to another man, a better man. So you can use my phone to make the video of it, and I don't care what it shows and what it doesn't, as long as he sees my face when I'm taking that orgasm, when I'm starting that imprinting process, so he knows that he can't push me around any more." She'd been talking with a sort of intensity that he'd never seen from her before, and he let her finish. When she stopped talking, it was almost as thought it dawned on her how forcefully she'd been lecturing him on what to do. "That's, that's okay, right?" "You're sure about this, Jade?" he said, taking her hand in his own. "I'm sure he's done some rough things over the years, but he's still your father, and you want to be careful not to do anything you'll come to regret." "The only thing I regret is being that asshole's daughter," she said, wrath in her voice. "I know it's a lot to ask, especially since I'll be sucking you off, which means that it'll be hard not to get your cock at least a little in the shot, but it's important to me, okay? I'm, I'm reclaiming a part of myself that bastard's taken from me. So you asked me earlier what I wanted, and that's what I want. And I want him to see it while I'm imprinting, so there's no way he can talk to me about it." He nodded. "Alright then. You can change your mind at any time between now and then, but if you don't, then that's what we'll do, just for your father, just at your request. Although, you probably also want to record a message for him to go along with it before hand, so he's not just randomly getting that video without any context." She bristled in mirth, nodding quickly. "Good point. I'll record that on my phone after lunch." "Or during the time they're doing one on one interviews with anyone else. I know they're planning on doing smaller interviews, one with Emily and Sarah and one with just me, but I don't know who else they're going to want to talk to." "If they want to talk to me, they can, and if the 49ers organization has a problem with it, well, the heck with them, I don't have to continue being a cheerleader for them anymore." "Give it some thought. You've still got time." By lunchtime, everyone was ready except for the staff, who'd gone to get themselves ready once lunch had been served. Nobody was sure if the 60 Minutes crew would want to talk to them, but Andy felt it best to make sure that anyone who was willing to have a conversation with Katie Couric was in a state where they could. Nicolette had said she didn't care one way or another, and while Katie wasn't thrilled about the idea of being interviewed, she agreed that if Katie Couric wanted to talk to the two of them, she and Jenny would make themselves available for it. Over the course of lunch, it was clear the girls were doing everything they could to keep Andy's mind off the interview, as the family got to know both Tala and Jade better, while Whitney was still in Nicolette's chambers, in the middle of the imprinting process, and Fiona and Moira were in the early stages of it in the master bedroom. Tala had decided that her first project, once she got her workshop set up in the poolhouse, was going to be to make Andy a puzzle desk of his very own, and once that idea had been voiced, all the girls had thoughts and ideas on things to incorporate, with Sarah filling in suggestions based on his books, and Aisling filling in suggestions based on his life. Niko thought it should also incorporate all the girls' names, so that he might have a better time remembering everyone, which made everybody laugh, simply because the family had indeed grown so large. They were just finishing cleaning up after lunch when the doorbell rang, and Andy's heart felt like it stopped just a little. Ash poked him with a smile. "It's just the media, babes," she teased. "You'll do fine. Go say hi." He headed up from the dining room and down to the front door, where Nicolette was standing in the doorway, greeting the visitors. Standing in the doorway was Katie Couric, one of the best known journalists in America, with a couple of crew members behind her. "Hey, Ms. Couric," he said to her as he approached. "Welcome to my home." He held out his hand and she seemed thankful for the normalcy of shaking hands. "Please, Mr. Rook, call me Katie," she said, "and thank you for inviting us for the interview. I know the President's office had something to do with it, but you could have said no if you didn't want to. Having a couple of famous faces like Miss Stevens and Miss Washington selling the new normal will help the general population of the nation make more sense out of this tragic new normal." "Well, I'll call you Katie if you'll call me Andy," he said. "How's your tour of New Eden been so far? Niko mentioned you did a short interview with her at the base, although you mostly just talked with Dr. Varma and my boy Phil." "You're friends with Mr. Marcos?" she said. "Is that how you got in here?" "Well, there's a story behind that. I can tell you now, but I suspect you'd rather get it down on camera. It's not all that long a story, nor is it really that interesting. I suspect Phil's story was a lot more engaging than mine will be." "Did you get your writing room all set up for our interview?" "I did," he said, "and we also set up our ballroom with chairs, so you can talk to all of us together first. I know Em and Sarah are willing to talk to you either in their little studio, or you can use my writing study instead. It's up to you." "I'll have my team take a look at both locations while we're getting set up in the ballroom. Is everyone in the house willing to take part in the interviews?" "Two of my partners have chosen not to take part, simply because they aren't sure how their employers would react to it, but everyone else in the house is willing to chat," he said, as he felt a hand sliding onto his shoulder. He turned around to see Lauren standing behind him. "Actually, Andy, Sheridan and I have decided we're going to do it anyway, and if the Niners or the people at Cirque have a problem with it, fuck'em, we'll sue their asses into the ground," the tall blonde Aussie told him. "If this is gonna be the new normal, pretendin' like it's not is just as bad as sayin' it ain't, so we'll be there." "You're sure, Lauren?" he asked her, smoothing his hand over her hip, knowing it usually soothed her nervous when she was wound up. She placed her hand over his and gave it a soft squeeze, smiling at him. "Yeh, 'sides I dunno how much of management's gone at this point already. You gambled with us, so let us have a turn at the plow fer a change." He leaned up and kissed her softly. "Well, I've known you long enough, hon, to know if your mind's made up, there's no point in trying to talk you out of it." Andy glanced back at Katie Couric, shrugging. "Guess you get your pick of the litter then." Behind her, the crew had started ferrying in lights, tripods and camera equipment. While Andy had thought he'd only seen two additional people at first, it turned out Katie Couric traveled with a crew of nine, and there had been a second and third S U V behind the van that he hadn't seen. It felt a little like his house was being invaded, but he did his best to not get in anyone's way, as Nicolette started to lead a producer away, to show her where both Andy's writing room and the actresses' little studio were located. "C'mon, I'll take you down to the ballroom, and we can get settled there," he said, starting to lead Katie and her two companions down the hallway. One of them, Geraldine Amato, was the unit's head producer, and the other, Poppy Delgato, was the lead camera woman. "Was your crew mostly women before the plague hit?" "Mostly," she said, "although I've got a couple of men in here as well, and thankfully, they've been given the treatment via their wives. My husband has been getting it through myself as well, for about a month now." "I'm a little surprised they let your whole crew into New Eden," he said, as they headed down the stairs to the lower level. "They've been fairly paranoid about letting people in, I've been told, so I imagine you had to quarantine for a little bit after you got here." "We did," she said, stopping to look at one of the promotional posters on the wall, this one in particular for "The Trouble With Werebears." She glanced over at him with that winning smile she loved flashing on the news regularly. "In fact, Geraldine here's now sharing my husband with me, because she didn't have anyone before hand, and needed someone she could count on to be around while doing her job." She reached up and tapped at the words 'New York Times Bestselling Author' on the poster. "It says here you're a bestselling author, but I have to admit that before preparing for this interview, I'd never heard of you." He shrugged with a little smile. "There's leagues of difference between a Bestselling Fiction author and a Bestselling Genre Fiction author, I'm afraid. When you're talking non genre, you're talking hundreds of thousands of copies, but for genre, well, drop a zero off there, so if you're not into urban fantasy, I won't take it as a slight. Jim Butcher, who's probably the most popular of us working in the field, only sold a couple hundred thousand copies for his most recent Dresden Files book, and that series has a huge following, far bigger than my little corner. Hell, I think the reason a publisher finally took a gamble on me was that I was playing in a similar wheelhouse and they were hoping to piggyback off his success." "E. F. Winston is a genre writer, but her books have sold in the hundreds of millions," Katie countered. "So clearly there are breakout stars." "Ah, but those are young adult books, and the teen fiction genre has a handful of crossover success that never seemed to roll over into other things in our genres," he sighed. "The Dagger Academy books were definitely science fiction, but you didn't see a spike in sales for people like John Scalzi or William Gibson when those books took off, did you? The same for those Harry Potter books. Sold by the truckload, and yet, did many of those kids go and read works from Roger Zelazny, Fred Saberhagen, Emma Bull, Terry Pratchett, Steven Brust, Simon R. Green or any of the other massively prolific fantasy masterminds we've had working for decades? No, we're not all that different than any other form of entertainment,  everyone's just hoping that they get one big bite from the apple at some point during their career." "But I heard they're making a movie based on your books?" "Well, when two high profile actresses are willing to sign onto a project, that goes a long way into pushing it out of Movie Hell," he laughed. "The option had been signed years before that, but once Sarah and Emily expressed interest in playing supporting roles, well, that got the whole thing into turnaround quite quickly. It's like the screenwriter William Goldman always said, 'Nobody in Hollywood knows anything.'" Andy shrugged a little bit as they entered the ballroom. "Besides, I figured you'd want to get all this out during the on camera interview." "Oh, we'll go over it again then, but it doesn't hurt to do a little pre camera screening, just so I know what kinds of things you're likely to say, so I can facilitate the conversation in moving in the right directions," she said. "You've been interviewed several times before. Hasn't anyone ever done that?" "Nope," he said, moving to sit in one of the chairs in the front row. "But then again, I've never been interviewed for television before." They'd originally set up the 17 chairs as one chair facing two rows of eight, but Geraldine started moving the two rows of eight into four staggered rows of four. "We'll bring in some risers, so we can get everyone into one big shot," Geraldine told Katie. Poppy nodded. "We'll need to set up four cameras in here," she said, as she started to help Geraldine block out the room. "One for the group shot, one for Katie, one for Andy and one to rove to whoever's answering questions in the group setting. We can use fixed cameras for the first three, and I'll manage the fourth. We'll have them all rolling all the time and you can just pick and choose what you want in the editing room." "How do you want to order them, Katie?" Geraldine asked her. "Well, Andy here in the front corner, then Niko, the woman we interviewed yesterday next to him. That'll be our link between the segments. Then Sarah and Emily next to her, because star power up front. Beyond that, we can figure it out." "I'd like to insist Aisling, my first partner, be up front with me," he said, just as Ash was walking into the room, along with Emily. "The balance might be a little weird," Poppy frowned. "No no," Geraldine, "we can make that work. We'll just do five in front and three in the top row, so we frame Andy in the center, with Niko and Aisling on one side, Emily and Sarah on the other." "Good," Katie said, "that reinforces the whole 'large family' front and forward as our first visual cue, so that the viewer has to confront it right away. Does that work for you?" she said, asking Andy his opinion for the first time. "That'll work," he replied. "You can even put the three staff at the back, since they're willing to be here for this, but aren't likely to volunteer much in the way of answers." "Jenny and Katie, er, Kate might not, Master," Nicolette said, entering the room with the rest of Katie Couric's crew in tow, "but I'm certainly planning on speaking my mind given a chance, because I don't want people to be given the wrong idea." "What's the wrong idea?" Katie asked, tilting her head just a little bit. "That we're here involuntarily, or that this isn't what we wanted, or, hell, even that Master Rook here wouldn't let us change if we wanted," the French maid teased. "You know if I had a nickel for every time he's sort of reminded me I don't have to call him Master, and I've had to remind him that I like calling him Master, well, I could enjoy a nice two week stay in the Bahamas, once it's opened up again. In fact, little secret, every time he reminds me of it lately, I've just gone out of my way to say it even more, so I can watch him blush." "I think you like watching him blush," Ash said, moving to close in around Andy. "Katie Couric," Andy said, "this is my first partner, Ash Blake, and I'm sure you've probably already met Emily Stevens." Katie made it a point to shake Ash's hand first. "A pleasure, Miss Blake." She then turned to Emily, taking the tiny blonde's hand and shaking it as well. "I've actually interviewed you before, Miss Stevens, although I wouldn't be surprised if you didn't remember. You seemed quite busy on that press junket, and I know they were just wheeling journalists in and out for you." "I keep a diary of anyone who's interviewing me, Ms. Couric," Em said, a wry grin on her face, "so I assure you, I remember the interview quite well. Any surprises we should be wary of?" "Oh, I've always got a few things planned to lighten up an interview," the journalist said, somewhat evasively. "It's not like I'm interviewing Vladimir Putin or anything. You're not going to have me murdered for a question you don't like." "Well," the Brit said, "I still wouldn't anger Sarah too much. She's, excitable, and prone to fits of exaggeration." "I'm fairly certain she's never poisoned anyone to win a role, Em," Andy said to her. Emily clicked her tongue in amusement. "Let's not be too hasty with that judgment, Andy. Anyway, shall I round everyone up and we can get started?" "Yes, I think my team will be ready to start in about twenty minutes, so if you can get everyone together, that would be excellent." By the time all the girls were in the ballroom, risers had been placed under the seats, the lights and sound were set up, a boom microphone used to cover the majority of the girls, although clip on mics were used for Katie and Andy. They also had a handheld microphone that the girls could pass around if anyone wanted to give a detailed answer. They were structured as had been discussed, with Niko and Aisling to Andy's left in the front row, and Emily and Sarah to his right. Behind them, Lauren, Taylor, Sheridan and Piper sat. The third row had Asha, Hannah, Tala and Jade. In the back row sat the staff, Kate (his Katie), Jenny and Nicolette. All of the fiancees were up front, and everyone else was sat in order of arrival, with the exception of the staff, who were at the back, at their own request. It felt right that Ash was on one side of him and Emily was on the other, as if the two of them wanted to be close in case he needed support. It wasn't until Andy saw it framed up in the monitor as they were showing Katie that it dawned on him just how big his household was growing, and even still, he knew there were already three more in the house not in this shot. He was always aware of how big his family was, but seeing everyone together in one single framing shot, it really drove the size of it home, and it felt huge. "Okay, Andy, let's start with how you telling us a little bit about yourself and how you got here." For the next few minutes, Andy gave the shortest possible version of his bio, how he'd moved to California a decade and a half ago, his writing for the Silicon Valley companies, as well as his novels, which transitioned nicely into him talking about how he got his vaunted level 5 status, regaling 60 Minutes with the story of how the guy who'd come to test them, Dave, had been a big fan and given he and his then roommate Eric level 5 status as a return gift for Andy having given him an advanced copy of his next novel. "I hope I'm not getting Dave in any trouble by telling that story," he finished. "No no, each member of the initial Bay Area team was given five level 5 statuses to give away as they saw fit," Katie Couric told him. "Most of them just gave them to friends or family, but Dr. David Straussman hadn't used any of his until he met you, and there were no rules on who he could or couldn't give them to, so that's fine." "Straussman," Andy repeated. "Huh. You know, I didn't even know his last name until right now. I hope he's doing okay." "He's doing quite well," Niko said. "I see him every so often wandering around the base." "So Andy," Katie said, bringing them back on task, "how did you fill out the form you were given with the testing process?" "Well," Andy said, "Dave stressed to us when he gave us the link that we should be honest, and to answer the questions knowing we wouldn't be judged for our responses. I don't actually remember a lot of it, because it was a very long questionnaire, like, ridiculously thorough. But I suppose what you're getting at is what key things do I remember answering." "Yes, that's what I'm asking." "There were definitely questions about my sexual preferences, like, a lot of those, but there were also basic demographic questions about what range of people I felt comfortable dating, was I into women, men or both, and how did I feel about polyamory." "Did that surprise you?" she asked him. "Sure, but not as much as I expect it probably shocked people back in the Midwest. It's not what I would call common place around here, but you see it mentioned often enough in people's online dating profiles that most people have at least some awareness of it here in the Bay." "And how did you answer the polyamory question?" "I actually put 'no preference,' but you have to remember, to some extent when this started, we thought this was all some temporary thing, and we certainly didn't know that the casualties to men in America were going to be as high as they were," Andy said, sighing a little bit, Ash taking his hand, squeezing it reassuringly. "Do you remember what ages you put that you would be comfortable with?" "The low end was set to 18, and I didn't adjust it, and I set the high end to 35. I suspected no one younger than their mid twenties would be interested in me, so the low end didn't really matter." "You can start to see how his mind works," Hannah teased, "and how he just misses things sometimes." That let the girls have a soft laugh, releasing a little bit of the tension. "Were there any things that you said were absolute deal breakers?" Katie asked. "Just two," Andy admitted. "Must not be allergic to cats, and must not smoke, although we ended up with someone who vapes." "And who is that?" "That'd be me," Sheridan said, "but I'm working on quitting, so, it's a stopgap on the way to that. And it's been much easier stepping down from that than it was stepping to that from smoking." "Who showed up first?" "Aisling showed up I think it was actually the very next day," Andy said. "I was a little surprised how quickly everything moved. Usually anything the government's managing is a total clusterfuck, but I think since we were basically right by the site where the treatment was developed, they were rushing it out in order to keep as many people safe as they could." "Aisling, let me ask you Aisling, was Andy the sort of man you dreamed about ending up with when you entered into the process?" "At first, my head was a little clouded, because the process when it started wasn't as refined as it is now, so when I met Andy, my mind was a little fogged up with lust, but he ticked all the boxes of what I wanted out of a man. He didn't look exactly like I expected him to, but yeah, within a couple of days, I knew I loved him pretty hard. Still do." "Would he have been the kind of person you would've gravitated to in a bar?" Katie asked her. "I would've thought he was cute, but I was horrible at dating, and only had a couple'a boyfriends before him, so I'm a bad judge of character for that sort of question." "How many of you would've approached Andy in a bar?" Katie asked the group of them. Andy chuckled, rolling his eyes. "Be honest." Sarah put her hand up immediately, and Tala raised her hand as well, as the rest of the group giggled a little bit. "As progressive as we all like to think we are, Katie," Niko said, "women still generally don't approach men in bars, so maybe that's more on us than saying anything about our tastes." "Sarah, I saw you put your hand up," Katie asked. "You're an Oscar nominated actress who's know worldwide. What about Andy would've made you approach him?" Over the next couple of minutes, Sarah and Emily related the story of how they'd attended one of Andy's Q&As at ComicCon in costume, so that nobody would recognize them, and talked about how she'd had a crush on him because of his writing for a long time, which Katie laughed about, and Andy was certain would make for good television. "So how many of you would say you're in love with Andy now?" she asked the group after Sarah finished her story. About half of women raised their hands, although several of the others looked like they were considering raising their hands. The front row all raised their hands, as expected, but Lauren and Piper also raised their hands, which surprised Andy a little. "So those of you who wouldn't say you're in love with him, how would you describe your relationship with him?" "Deep respect and affection, but not at the love stage, not yet anyway," Sheridan said. Most of the other girls seemed to nod and agree with that. "Why do you say 'not yet,' Sheridan?" "You have to keep in mind, Katie, a lot of us have only known Andy a few weeks right now," she said, leaning forward just a little bit. "We had to make probably the biggest choice of our lives, and we had to do it basically on a hunch. Our choices were to defer treatment and go on being afraid we were going to die, or take the treatment and get paired up with a man for the indefinite future. That's a hell of a gamble to ask of anyone." "Who's unhappy with the decision they made, raise your hand," Katie said, only to get no hands raised in response. "Everyone's happy being paired with Andy, maybe for the rest of your lives?" "Look, Ms. Couric," Hannah said. "You're going to find every one of us girls has a different story, a unique story, and each one of us came to where we are now on an entirely different path, m'kay? But we'll all tell you the same thing,  Andy's treated us with an immense amount of respect and affection, and he's made sure that nobody's doing anything they aren't comfortable with. Shit, he's even done stuff he's been a little uncomfortable with because it's made us feel more comfortable, and how many women can say that about their partner? So while a bunch of us aren't in love with him, yet, we all admire and respect how much he's gone out of his way to make sure we feel like we're part of a goddamn family, a good goddamn family." "Do you want to continue to grow the family, Andy?" "If you ask him," Em said, jumping in before he could respond, "he wanted to stop growing it a while ago." All the girls laughed at that. "But at this point, I think we're all doing what we can to stick together, and a lot of us girls wanted to protect our friends, to keep them safe, so we took turns presenting them all to Andy, trying to convince him to bring them into our home and into our family." "Everyone had someone they wanted to pitch?" Katie said, smiling at Andy. "That must have been overwhelming." "Not everyone wanted to pitch someone, but almost everyone," he said with a laugh. "And it was a lot of names and faces that were presented all at once. I said upfront, though, that I wasn't going to bring everyone on, and that there was only so much of me to go around. In the end, I think we mostly made it work to everyone's satisfaction." "So how many more people are coming?" "Well, we have three people who are in the imprinting process right now, and two more people arriving tomorrow, and if I have any say in the matter, that will absolutely, positively, definitively be the limit of women I can handle in my life," he chuckled. "And how much say do you actually have in that matter, Andy?" "Very little!" Emily joked, and all the girls laughed, as did Katie. "It would take a super compelling case for us to add, like, anyone else to the family past that," Sarah said, "but I think it's totally for the best that we never say never. Sometimes exceptions have to be made." "Like I told you yesterday, Katie," Niko said, "I think if Andy had total control of the matter, he would've probably put a hard limit in after myself, Ash and Lauren were in his life. He told me multiple times early on that he barely felt like he deserved one amazing woman, and at that point, he already had three, so it's been a growth process." "But this is the new normal now," Katie said. "Or at least it's going to be. Families with one man and several women, because so many men in the US have died. Raise your hand if you know a man who's lost their life to the plague here in the US." All the women raised their hands, and of course Andy had his raised as well. "How does that feel?" "I think we're all suffering from some degree of post traumatic stress disorder," Piper said. "The losses, they're too big for any of us to process, so we're sort of clinging to one another, holding on to the only family that we know for certain that we can protect." "Piper, you were actually supposed to have competed in the Olympics by now. How does that feel, knowing that when it starts up again next year, the US basically doesn't have almost any of their male athletes to compete?" "At this point, it's impossible for it to even make sense in my head any more, Katie," she sighed. "Most of the people I trained with have died over the last several months. A lot of my trainers died. I've lost colleagues, friends and family members. I don't even know where to start mourning, because there's so damn many people to mourn. I consider myself lucky that my sister's husband took everything seriously, and completely refused to leave the house this year since the word of the plague got out." "It's something we've talked about in here a bunch," Andy said. "And we sort of keep coming back to that famous Stalin quote. 'A single death is a tragedy, a million deaths are a statistic.' It's so many dead men that the mind can't even make sense of it. It's like 9/11, but if each of the Twin Towers was holding exclusively almost every man each of us knew and loved. My own brother died a few weeks back, and he was one of the kindest and most careful souls I know, but he ran out to help someone get their storm shutters up before a particular bad thunderstorm rolled through, and a few weeks later, he was just gone, almost overnight. It happened so fast, I didn't even hear about it until after he was already gone." "It's actually unproven that's a real Stalin quote," Tala said. "I read an article that said it was attributed to a French humorist." "Sure, but even if Stalin didn't say it," Andy said, "it's still pretty relevant here. It doesn't really matter who said it, it's the sentiment that's important. We're talking about a matter of scale, and the human mind's capacity to comprehend that scale. At the end of the day, that's a hell of a lot for anyone to handle. So we're all just doing our best." "Normally," Emily said, "when a friend or loved one dies, there is typically a funeral or a wake, a gathering of all that person's surviving circle coming together, to celebrate their passing and remember them, but we have been denied that, and it has made all their passings that much harder to process, somehow transformed them all into seeming less real, because our normal emotional milestones haven't happened along the way. We are adrift in our emotional morass." "That's true," Katie said. "We, as Americans, haven't had to confront all the deaths simply because we aren't allowed to go out and do so, and that somehow makes it feel less concrete." "It hits you every day," Jade said, "little by little. Lauren described it to me a few weeks ago as a slow motion car crash that we're all stuck in, and nobody can get out of." "So, Jade, I understand you're one of the newest arrivals here," Katie said. "Have you gone through the imprinting process yet?" "Not yet," she said. "Tala and I arrived yesterday, but we wanted to wait a little bit, to spend some time with Andy and his family, to makes sure that we would be happy getting melted into their pot. I'm happy to say we're both going to do it, but it's the kind of commitment you gotta be certain of, you know?" "Have you seen what the imprinting process is like?" "Um, yes?" she said, trying not to blush a little. "When we arrived yesterday, we had a third person with us, another woman who was joining the staff and faculty of the house, but not the family itself, a young woman named Whitney." "So, Andy, explain to me the difference between family and staff, and how you decide that." He immediately put his hands up, almost like he was at gunpoint. "First and foremost, I do not decide that," he laughed, and all the girls laughed with him. "When the military came and relocated us from our little condo and brought us here to New Eden, the house also came with three members of staff attached with it, all of whom I was told had been selected to mesh with me, and whose boxes I would tick as well." "That was the three of you in the back, Nicolette, Jenny and Kate, yes?" Katie asked. "We had all been told a bit about Andy before he arrived," Nicolette said, "and his answers to the questionnaire implied that he would eventually be willing to play into our tastes." "Eventually?" Katie asked. "Well, sure," Nicolette giggled. "I know the first few times I called him Master, it rattled his cage a little bit, but he eventually realized I liked saying it, and nobody was making me do it. One of the things that we girls all figured out early on was that just because Andy was okay with something didn't mean he had any real experience with it, so we would need to hand hold him a bit through it. So while Andy said he was okay with bondage and discipline stuff in his questionnaire, he didn't have any real practical experience in it. So we've found ways to teach him about that kind of thing without it ever feeling like we were lecturing to him. He sort of set that expectation up front when he told us communication was everything, and he couldn't have been more right." "And Kate? I hear that you and Jenny had a different experience," Katie asked. "Damn, uh? Andy?" Kate (his Katie) asked. "How real you want us to get here?" "We're not hiding anything," he chuckled, "so fire away." "So, uh, Katie," Kate coughed. "I'm actually a lesbian. Not a bisexual who mostly identifies as a lesbian, I mean straight up, hardcore, one hundred percent, unrepentant fully committed lesbian. And Jenny here is my wife, but she's bisexual." "Hi!" Jenny cheerily said with a wave. "When we signed up for this, we, ah, we were planning on hiding that from Andy, and I was simply going to fake it, and go along with the ruse, so that we could stay together, and we could still get the treatment, which, as you already know, takes both a female and a male component to work," she sighed. "So I, er, we lied, and claimed we were both bisexual. Since we were married, wherever we went, we were going to go together, and we figured we could just keep up that lie as long as we needed and make it work." "And what happened?" Katie asked. "Day two, I folded, before we'd even been imprinted," Jenny said with a shrug. "When we met him, Andy wasn't at all what any of us were expecting him to be, but I mean that in a really good way. It didn't feel right lying to him. We'd had a few days together before he showed up, the three of us, us two and Nicolette. We'd talked about it, and Nicolette volunteered to go first, so that if it didn't go well, my Katie and I could request to be moved elsewhere, since we were a little more particular than she was about how we got paired up." "What do you mean, you folded?" "I started talking to Andy, and, and it all just came tumbling out, how we were a little unsure, how my Katie wasn't really into men, and, I just felt like I had to tell him everything before we were committed to anything." "How did you react to that, Andy?" "I could tell they were afraid that I was going to be angry," Andy said, his tone as breezy and relaxed as he could keep it, "but I wasn't. Why would I be? I simply wanted to talk with them about how they wanted to handle it, because at that point, I knew a bit more about the physiological affects of the treatment than they did, so I wanted to prepare them for it, if they wanted to move forward." "Do you still consider yourself a lesbian, Kate?" Katie asked her. "Absolutely. I don't feel any sexual attraction to Andy what so ever," she said. "Now, with that said, I can also admit that I have received biochemically induced orgasms from him regularly as part of the treatment process, and I don't think that affects my sexual identity in any way. But Andy and I haven't ever had direct sex. He's offered, but he's also never pressured. I might take him up on it some day, to see if the chemical and neurological changes the treatment have made to me might compensate for my lack of sexual attraction to him, but then again, I may not. That's my decision, well, our decision, to make," she said, taking Jenny's hand in hers. "And nobody's going to tell me who and what I am. I get to decide that, and fuck anyone who says otherwise." "So if you haven't had direct sex with him, how are you getting what you need from him to keep your treatment managed? Go ahead and be as direct as you want, and we can bleep parts of it out if we need to, but I think they're just going to air it as we send it." "Well, to be frank about it, I don't ever actually fuck Andy, but that doesn't mean I don't swallow his semen. I do that around once a week, either directly from him, or second hand from my wife. I consider sucking his cock just to be another task around the house that needs doing now and again. No offense, Andy." He laughed, waving a hand in his air. "None taken, but you already know that." "And that's enough?" Katie asked. "Just swallowing semen, either directly or second hand?" Kate nodded. "It's fine. I haven't had any adverse side effects, and it's easy enough right before he's about to pop for him to point it elsewhere, or for Jenny and I to split it after he does pop. I'm never going to have an encounter with Andy without Jenny present, and she's always my focus, not him, because she's my wife, and he's just, my boss." "And everyone in the house is okay with that?" "This is the world we live in now," Lauren said. "Lotsa fellas used to get all hung up onna things that they did and didn't like, but who's got time for that anymore? Life's too short to hold onta old grudges, so if we can, we're all gonna take it on the chin and just keep movin' on together." "Now Lauren, I understand you're also a lesbian." "Nah Katie," the tall blonde Aussie corrected. "I'm definitely bisexual, but I just lean a lot more towards the ladies than I do the fellas. I very much enjoy my sexual encounters with Andy, but I'm not one of his primary partners, despite showing up so early. I'm in love with him, like he is with me, but he's not my Big Love, if you folla. I've got me own primary partner here, in Taylor. We'd split before New Eden, and when she came back, I was right pissed off, but we've worked it out, and now she and I are back to being a couple again." "Does that put you on the outs with Andy?" "Nah," she laughed, "it just means the master bed doesn't need triple reinforcement. I love Andy and all he's done for me, for alla us, but I ain't interested in being one of his wives. I wanna marry Taylor at some point, but that doesn't mean I don' wanna stay part of this family. That works for us, so, y'know, fair play." "How many people do sleep in bed with you on any given night, Andy?" "There's always at least five of us in the bed," he answered. "Myself, Ash, Niko, Emily and Sarah. But sometimes more people want to cram in, and we never say no." "What's the most the bed's ever held for a night?" "Oh, uh, everyone who isn't staff, I think, but last week, so before some people had arrived," he said, trying to remember, "so, what, 11?" "Yes, that was the maximum. On the day when we found out Andy's brother died," Emily said, "we all crawled into bed with him and just wrapped our arms around him, as we all shared a good cry, then fell asleep holding one another, but that's extremely uncommon." "Five or six would definitely be the average," Ash said. "So the four of you would say you're closer to Andy than the rest of the women in the house?" "Well, we're all his fiancees, so we'd better be, Katie!" Sarah laughed. "He asked Ash first, and then Niko asked him before he could even get the words out to her, so once he freakin' told us, me and Em, we both demanded he propose to us as well immediately, because we come as a package deal." "What do you mean by that, Sarah?" "Okay, well, here's the thing. Emily and I have been a couple for almost two years now, but we're both, well, we're both totally into dudes and chicks. So while we super love each other, we also knew we were going to need a regular cock in the equation. When we found out that the writer of my favorite freaking book series of all time was in play, we decided we had to freaking have him." Andy was a little amazed Sarah could do so much to self censor, but realized she'd probably been doing it for interviews forever. "So you put in a request for the two of you to be paired up with Andy, and the government made that happen?" There was a long pause, as everyone was trying to decide what to say and how to say it, but eventually Emily broke the silence. "Something like that, yes," she lied. "We'll put a pin in that and come back to it later," Katie said, and Andy's guard was immediately up. He'd been wondering what sort of problems this interview was going to throw up, and now he felt like he knew what one of them was. "Have you had to send anyone back, Andy? Had any partners show up that you didn't think would be compatible?" "Just one," he admitted. "My ex girlfriend was sent to me, because she hadn't disclosed that we'd been together about a decade ago. She was eager to rekindle the relationship, but I was not. It ended on terms that made me unwilling to revisit it again, so we helped her make other arrangements. We hadn't been compatible back then, and I didn't feel comfortable gambling that she'd grown enough that I would've been compatible with her now." "You didn't send her back to the government?" "New Eden isn't that large of a community, so sometimes we just see if we can make things work among ourselves first, and we found a solution that everyone seemed happy with, including my ex. In fact, the people that my partners here pitched to me that I didn't think would be good matches for our family, we worked to pair them up with other people here in New Eden instead, so they were still local and safe. It's a small town, so we have to look out for one another. Problems here are rare and generally manageable." "Not always, though, we've heard," Katie said. "I take it you've heard about the fatality that New Eden had last week?" Everyone nodded. "It was horrible, hearing about someone dying from something so easily preventable," Hannah said. "Like, they totes warned us about that ish before we left the base, so why the hell would someone chance it?" "They did warn you?" "Very thoroughly," Emily insisted, horror in her voice. "They told us multiple times, again and again and again, that if we took in semen from any man other than the one we were paired up with, it would be toxic, if not fatal. They even showed us a recording of a woman who'd already been imprinted getting semen from a man she wasn't paired up with on her skin, and the large, violent rash that immediately broke out. I am told they show that footage to everyone, to drive the point home. Seeing that sort of instantaneous reaction should've been enough to discourage anyone from testing those boundaries." "They're talking on base about showing some of the autopsy photos from the fatality to the people who are getting the treatment now," Niko said, "to make sure everyone understands how serious it is not to dally outside your family." "Have any of you ever been tempted?" "I think we all value our lives too much for that," Sarah joked. "And love Andy far too much for that," Ash said. "Definitely," Emily agreed. "Why would anyone task such a pointless risk?" "Did any of you know the woman who died, or the man she partook from that killed her?" Katie asked them. "I met her briefly," Andy said, "but I wouldn't say I knew her. And none of us ever even met the man accused of doing it to her." "Major Peters told us yesterday he's currently imprisoned at the base, pending local law enforcement being able to take custody of him. They're going to charge him with murder, they were telling us." "They should," Sarah said. "They told everyone when they brought them here to New Eden what would happen if people engaged in any form of sexual activity with anyone they're not paired with, and they fucking did it anyway!" "The problem," Andy sighed, "is that the man, whoever he is, already has multiple women paired up with him, which means that whatever they do to him is going to affect those women as well, even if it's just that they have to come to a prison for their weekly intake. Those women are already tied to him. I'm sure they're looking into some way to remove the binding and reimprint a woman onto a new person, but there's only so many problems they can solve at once." "Does it bother any of you that your health is tied to Andy's?" Katie asked the group. "Bother is the wrong word," Sheridan said, annoyance in her tone of voice. "Concern is the right word. We're very protective of Andy, because he knows our lives are all fully dependent on his for the time being, and that if he dies, we all probably die with him. So, sure, we're concerned, but I think all of us feel comfortable in knowing that Andy's got our best interests at heart, and is keeping that all in mind." "One of the two people arriving tomorrow is going to be his bodyguard," Jenny said. "A friend of mine from college, who's going to guard his life with her own." "Who's the other?" "A director friend of mine," Emily said, "whom I thought would be an excellent addition to the house. She was one of the AD's on some of the latter Dagger Academy movies." Katie Couric clapped her hands together. "Okay, why don't we take a break, then do some of the one on ones, and then we can circle back and do another group interview to close out the day. Our team can leave you one of our cameras here tonight, so you can get that video of someone being imprinted, and we'll come by and pick it up tomorrow before we leave town. We appreciate you trusting us with that, as I know it can't have been an easy decision to make, but I think that footage will go a long way to convincing people this treatment is in their best interest. As for today, we'll go ahead and finish getting set up in Andy's office, and when you're ready Andy, we can sit down and do our one on one and drill down on some things I've got further questions on." "Sure," he said, as all the girls were standing up and stretching. "Let me go grab a quick drink, and I'll meet you in my office in about ten minutes, okay?" "Sounds good." Katie and her crew were escorted by Nicolette down to Andy's office, while the girls stood up and started chatting among themselves, while Emily and Ash closed it around Andy. "That went about as well as can be expected," Emily said to them. "I feel like we've got some kind of curveball coming," Ash said, taking Andy's hand in her left and Emily's hand in her right. "After you're done, Andy, we'll talk a bit again. I'm sure you'll get surprises before any of us do." He took his time, grabbed a bottle of Vanilla Coke, drank it then headed down to his office, which today felt a little like going into a lion's den. With all the girls in the ballroom, the large group session had allowed the attention to bounce around a great deal, and he felt like he could catch his breath, but here, it was just going to be the two of them, and he didn't have anyone to run interference for him from time to time. Andy headed into his office and saw that even his cats weren't in there, likely having been moved by the production crew, as Andy moved to sit down in his writing chair, Katie Couric sitting across from him. "Are you ready?" she said to him. "Yep," he answered. "Let's do it." After the mics were checked, the cameras were tested and the lights were adjusting, Andy's one on one began with a softball question. "So how'd you fall into writing urban fantasy, Andy?" "The best advice I ever got was 'if the stories you want to read don't exist in the world, it's your job to put them there,' so I've stuck with that," he said. "I knew what kind of stories I wanted to read, and nobody was really writing those, a sort of fantasy western/samurai hybrid. I mean, you had Butcher's Dresden books, but those were more of fantasy noir hybrids, and I wanted to get into the sort of stories that people like Akira Kurosawa and Sergio Leone used to tell, where you could kill off characters, where actions had consequences and where you never really knew when the next gunfight was coming, because it felt like they could happen at any time. Joe Abercrombie does it in high fantasy, but I wanted something that was happening in our time, in our world.&am

"I can carry nearly eighty gigs of data in my head." For our Cinema Shock summer series, we wanted to take a look back at a few movies that were celebrating significant anniversaries this year. When we began browsing films released in 1995, we noticed an interesting trend: There was a glut of cyber thrillers released that year. And more specifically, cyber thrillers that dealt with the concept of virtual reality.  This probably shouldn't be surprising: 1995 was a banner year for technology; with the release of Windows 95 and the increasing availability of home internet, more people than ever were being connected to the World Wide Web. And as we know, Hollywood loves a trend. Enter: Virtual Insanity. In this series, we'll be exploring some of the more significant films of this very specific subgenre, all of which are celebrating their 30th anniversary this year. Most of these films fell flat at the box office in 1995 but all have reached varying degrees of notoriety in the decades since. Kicking things off, we're taking a look at JOHNNY MNEMONIC, possibly the strangest of the bunch. It's a film with a long, complex production history whose journey from page (in a short story by cyberpunk legend William Gibson) to screen was fraught with delays, difficulties and compromises. In our last episode, we detailed the early days of JOHNNY MNEMONIC's development and filming. This week, we'll focus on the film's contentious post production period, where the Hollywood execs responsible for marketing the film tried to turn it into something it was never intended to be, hoping to capitalize on the newfound post-SPEED superstardom of Keanu Reeves. We'll also get into our own thoughts on the film's legacy, as well as how its views of the internet and global connectivity are still relevant today. Next week: We continue our look at the cyber thrillers of 1995 with an often-overlooked film that stars two of Hollywood's biggest names. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes the full story of JOHNNY MNEMONIC (Parts 1 and 2), as well as bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus. ASSOCIATE PRODUCERS: Andy Lancaster | asotirov | Benjamin Yates | Caverly | courtland ashley | curtcake5k | Elton Novara | Hunter D Mackenzie | Interzone78 | Jackson_Baker | Jvance325 | Lucy Lawson | MagicBloat | Nate Izod | Nathan Kelley | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net

"I want to get online... I need a computer!" For our Cinema Shock summer series, we wanted to take a look back at a few movies that were celebrating significant anniversaries this year. When we began browsing films released in 1995, we noticed an interesting trend: There was a glut of cyber thrillers released that year. And more specifically, cyber thrillers that dealt with the concept of virtual reality.  This probably shouldn't be surprising: 1995 was a banner year for technology; with the release of Windows 95 and the increasing availability of home internet, more people than ever were being connected to the World Wide Web. And as we know, Hollywood loves a trend. Enter: Virtual Insanity. In this series, we'll be exploring some of the more significant films of this very specific subgenre, all of which are celebrating their 30th anniversary this year. Most of these films fell flat at the box office in 1995 but all have reached varying degrees of notoriety in the decades since. Kicking things off, we're taking a look at JOHNNY MNEMONIC, possibly the strangest of the bunch. It's a film with a long, complex production history whose journey from page (in a short story by cyberpunk legend William Gibson) to screen was fraught with delays, difficulties and compromises. In this, the first of two episodes detailing JOHNNY MNEMONIC's story, we'll establish just why cyber thrillers became a trend, how one of 1980s New York's most prominent visual artists came on board as the director, and how the vision for the film trasnformed from a low budget black-and-white art film into a nearly $30 million major studio production. Next week: In Part 2 of our look at JOHNNY MNEMONIC, we'll detail the film's contentious post-production period, it's bungled release, and box office performance, as well as our own thoughts on the film and how its vision of the future is still relevant today. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes the full story of JOHNNY MNEMONIC (Parts 1 and 2), as well as bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus. ASSOCIATE PRODUCERS: Andy Lancaster | asotirov | Benjamin Yates | Caverly | courtland ashley | curtcake5k | Elton Novara | Hunter D Mackenzie | Interzone78 | Jackson_Baker | Jvance325 | Lucy Lawson | MagicBloat | Nate Izod | Nathan Kelley | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net  

Send us a textWilliam Gibson described Cyberpunk as a fusion of high-tech and low-life, exploring the intersection of technology, cybernetics, and computer networks on human society in a near-future, often dystopian setting.If you don't know who William Gibson is then shame on you.Like most people out there, my first exposure to Cyberpunk was Blade Runner. The 1982 movie by Ridley Scott blew me away. After that I watched movies like Freejack and Johnny Mnemonic, Akira, and Ghost in the Shell. it wasn't until the late 90's that I started diving into the literary world of Cyberpunk with Nuromancer and Snowcrash.I loved the setting, the style, the tech, and the action, but I never got into the roleplaying games. I heard about Cyberpunk, and Cyberpunk 2020. But for some strange reason I never picked them up.Then Mike asked me if I was interested in playing Cyberpunk Red.I jumped at the chance.Mike ran our group though almost a year of Cyberpunk using the Cyberpunk Red rules and we have recently started up again focusing more on the Edgerunner 2077 expansion for Cyberpunk Red.After that much game time, we got opinions.In this episode Mike, Christina and I are going to give you an honest, unbiased review of Cyberpunk Red.But before we do that, Christina, break down the legalese for us.[Kick to Christina so she can go on about how we haven't been paid or compensated in any way for our opinion and we bought the shit with money out of our own pocket.]Now Mike, Start us off on our review of Cyberpunk Red.

Johnny Mnemonic 1995 Directed by Robert Longo Starring Keanu Reeves, Dina Meyer, Ice T In this film based on the William Gibson story, Johnny (Keanu Reeves) is a data courier who has a secret stash of information implanted into his mind. However, the data will kill Johnny if he cannot retrieve it within 48 hours. Accompanied by physically enhanced bodyguard Jane (Dina Meyer), Johnny sets out to acquire the passwords he needs to save himself. Worse yet, he is hunted by gangster Shinji (Denis Akiyama) and businessman Takahashi (Takeshi), both of whom seek the data Johnny possesses.

Notes from James:The biggest lie about writing is that it takes years. I've written multiple books in less than a month—including bestsellers. With the right system, anyone can do this.In this episode, I break down how to structure your first book and why your life experience, not your grammar, is your superpower. You'll also hear my take on AI writing, and why your personal story is something no algorithm can ever replicate.Episode Highlights:Yes, you really can write and publish a great book in 30 days. In Part 2 of this writing series, I walk you through the actual systems that make it not only possible—but repeatable.You'll learn four powerful “meta-outline” frameworks you can use to organize any non-fiction book quickly and clearly. I'll show you how I wrote Think Like a Billionaire in under 30 days using one of these frameworks, and how authors I know have launched entire careers with similar methods (some even in just three days). I also dive deep into one of the most important—but most overlooked—parts of writing a book: your first sentence. You'll hear legendary first lines from some of the world's best authors and learn why they work.This episode is a blend of process and artistry—because writing a great book requires both.This episode is sponsored by BetterHelp.Give online therapy a try at betterhelp.com/JAMES and get on your way to being your best self.What You'll Learn:4 concrete frameworks that will help you write a 20+ chapter book fastThe myth of needing years to write a book (and how to break it)How I turned podcast interviews with billionaires into a full book in less than a monthWhy your first sentence matters more than your title—and how to make it irresistibleHow to write with authenticity, vulnerability, and momentumWhy AI can't replace you—and never will—when it comes to storytellingTimestamps00:00 Introduction: Writing a Book in 30 Days00:54 The Four Frameworks for Writing02:03 Example: Think Like a Billionaire05:10 Overcoming Writing Myths13:14 AI and the Future of Writing20:47 The Power of a Strong First Line23:51 Exploring the Opening Lines of Iconic Novels24:14 Ralph Ellison's Invisible Man: A Civil Rights Era Classic25:04 Jack Kerouac's On the Road: A Journey of Rediscovery27:23 Gabriel Garcia Marquez's 100 Years of Solitude: A Nobel-Winning Masterpiece30:54 Kurt Vonnegut's Slaughterhouse-Five: A War Story with a Twist34:20 Jennifer Egan's Welcome to the Goon Squad: A Pulitzer Prize Winner35:25 Charles Bukowski's Post Office: A Tale of Mistakes and Realities38:57 William Gibson's Neuromancer: The Birth of Cyberpunk40:16 The Importance of First Lines in Storytelling42:36 Crafting Relatable and Vulnerable NarrativesP.S. Want to go deeper? Check out my full course on Udemy or visit chooseyourselfacademy.com: How to Write and Publish a Book in 30 Days – available now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the Fully-Booked literary podcast, we're back in the room with Meaghan, Shirin, and Arthur, though Arthur gets plenty of playful shade right out of the gate. The energy is chaotic in the best way, and we all seem to embrace it.This time around, we're not doing a structured game or typical author discussion. Instead, we've decided to have a casual roundtable where we toss out book recommendations based on popular titles.Think of it as a “if you liked this, try this” style chat, the kind of stuff you might scroll through on BookTok, but with more tangents, more laughs, and a whole lot more coffee shop banter.So, yes, it's a podcast version of one of those aesthetic recommendation reels, but longer and full of personality. We're hoping it helps listeners find their next favorite read, whether they're winding down for bed or commuting with earbuds in. Along the way, we make plenty of jokes, toss in personal stories, and keep things as relatable as ever.Cozy Fantasy And Twisty YA PicksMeaghan kicks things off with Legends and Lattes by Travis Baldree. It's a standout in cozy fantasy, a genre that's all about lower stakes and high charm. This one's about a retired assassin who just wants to run a coffee shop. We love it because it's charming without the constant doom that high fantasy sometimes leans into. If you're tired of watching your favorite characters die dramatically, this is your safe space.From there, we get three recommendations to follow that cozy vibe:This Will Be Fun by E.B. Asher offers more of an epic twist, following four heroes who reunite years after saving the world to stop another evil. It's got humor, sarcasm, and a nostalgic team-up energy.Forged by Magic by Jenna Wolfhart includes orcs, elves, and romance, much like Legends and Lattes, but kicks the fantasy world-building up a notch.Dreadful by Caitlin Rosakus is quirky and a bit chaotic. A man wakes up in an evil wizard's lair and slowly realizes… he's the wizard. It's got dark magic with a comedic undertone that keeps things from getting too heavy.Next, Shirin brings up We Were Liars by E. Lockhart, a twisty, emotional YA mystery that clearly divides readers. Some of us saw the ending a mile away. Others (hi, Shirin) were shocked. Either way, it sparks strong reactions. From there, the recommended reads are:One of Us is Lying by Karen McManus, a classic high school murder mystery.A Good Girl's Guide to Murder by Holly Jackson, which begins as a school project but morphs into a full-on whodunit.Both offer those unreliable narrators and layers of secrets that make for great binge reads (and binge-worthy shows, too).Sci-Fi Sarcasm and Robots with FeelingsArthur (yes, we're letting him talk now) shifts us into sci-fi territory. He spotlights The Murderbot Diaries by Martha Wells, which is being adapted into a TV show. The series centers around a sarcastic AI bot who's pretending not to be sentient while dealing with messy human feelings. It's funny, sharp, and dives into questions about identity and autonomy.The companion picks for Murderbot are:Neuromancer by William Gibson, the cyberpunk classic full of noir and hacking vibes.Autonomous by Annalee Newitz, a gritty, emotional dive into freedom and biotech ethics.Ancillary Justice by Ann Leckie features a starship AI stuck in a single human body, trying to cope and also seek revenge.This whole section sparks a thoughtful conversation about how sci-fi is evolving to focus more on questions of self, ethics, and AI rights, especially as real-world conversations about artificial intelligence ramp up.From Gothic to Gruesome: Creepy Houses and Haunting PastsMeaghan circles back with another strong pick: Rebecca by Daphne du Maurier. This gothic classic inspires a group of haunting and eerie recommendations:The September House by Carissa Orlando, where every September, the house goes full horror mode with blood on the walls and something lurking in the basement.The Only One Left by Riley Sager, another gothic mystery involving a secluded cliffside mansion and a historical murder case.We Have Always Lived in the Castle by Shirley Jackson delivers that same psychological tension and sense of dread found in Rebecca.We also detour briefly into House of Leaves territory, a book so bizarre in structure it's basically unreadable in audiobook form. Everyone agrees it's an experience, not just a novel.Court of Thorns, Shadow Daddies, and Fae RomanceThen we dive into a big one: A Court of Thorns and Roses (or ACOTAR, because who has time for long titles) by Sarah J. Maas. This fantasy romance gets a lot of love and some side-eye, depending on who you ask. It starts like Beauty and the Beast but quickly turns into something much more plot-heavy and twisty.Meaghan recommends:Quicksilver by Callie Hart, where the heroine gets dragged into the fae realm after trying to save her family. It's rich in world-building and dramatic romantic tension.Kingdom of the Wicked by Kerri Maniscalco, a witchy, demon-summoning fantasy with Italian vibes, mouthwatering food descriptions, and yes—another shadowy love interest.We joke a lot about the term shadow daddy, which is hilarious and weirdly accurate for some of these characters. The group shares a good laugh about imagining their dads lurking in shadows. Totally normal podcast behavior...One-Person Sci-Fi Adventures (and Existential Crisis Fuel)Back in sci-fi land, Arthur brings us to Project Hail Mary by Andy Weir, which is getting a film adaptation with Ryan Gosling. The book features a lone scientist in space trying to save Earth, accompanied only by an alien rock creature named Rocky. The humor and heart between the human and the alien make it surprisingly emotional.The suggested read-alikes:The Martian, also by Weir. Obviously.Beacon 23 by Hugh Howey has that isolated, losing-your-sanity-in-space vibe.Rendezvous with Rama by Arthur C. Clarke, a classic of alien exploration and big questions.We get into the emotional toll of reading too much sci-fi. Some of us find it uplifting and full of imagination. Others (Shirin) find it deeply depressing. Fair enough.Vampires, Book Clubs, and Dark HumorShirin wraps things up with The Southern Book Club's Guide to Slaying Vampires by Grady Hendrix. It's part horror, part comedy, and all about strong women who take matters into their own hands. Think housewives turned vampire hunters. The book doesn't shy away from gruesome details, especially involving rats and face tentacles. But it's also heartfelt and hilarious.Similar reads include:The Honeys by Ryan La Sala, a genre-bending YA horror story about identity, loss, and hive-mind weirdness.So Thirsty by Rachel Harrison, another vampire tale that's more about the women fighting their way through chaos than the monsters themselves.We end with another surprise: Arthur picks something non-sci-fi for once. Catabasis by R.F. Kuang gets mentioned as a dark academia fantasy with two rival scholars traveling to hell. Yep. Hell. To save a professor. Talk about dedication.Recommendations here include:The Atlas Six by Olivie BlakeThe Secret History by Donna TarttIf We Were Villains by M.L. RioThey all explore dark magic, academic rivalries, and blurred lines between performance and reality. By the end, our TBR piles are towering, and we're all a little overwhelmed in the best way.Wrapping UpWe went through a ton of books in this episode: cozy fantasies, murder mysteries, sci-fi sagas, dark academia, and good old-fashioned horror. Some are funny. Some are terrifying. Some make you question your life choices. And some just make you feel seen as a reader who wants something a little different.We hope at least one of these picks piqued your interest or gave you something new to add to your list. And if your TBR just grew five feet taller, well… same. Until next time, keep on reading. We'll be here, figuring out how to read all of these before next week.

In this episode, JF and Phil are joined by Jacob G. Foster—sociologist, physicist, and researcher at Indiana University Bloomington and the Santa Fe Institute—for a conversation about their recent collaboration in Daedalus, the journal of the American Academy of Arts and Sciences. Their co-authored essay, “Care of the Dead,” explores how the dead continue to shape our cultures, languages, and ways of being. Together, they discuss the process of writing the piece and what it means to say that the dead are not gone—that they persist, and that they make claims on the living. The article is available here: https://direct.mit.edu/daed/article/154/1/166/127931/Care-of-the-Dead-Ancestors-Traditions-amp-the-Life **References** [Peter Kingsley,](https://en.wikipedia.org/wiki/Peter_Kingsley) English writer  Weird Studies, [Episode 98 on “Taboo”]) https://www.weirdstudies.com/98)  John Berger, “12 Theses on the Economy of the Dead” in _[Hold Everything Dear](12 Theses on the Economy of the Dead)_  Bernard Koch, Daniele Silvestro, and Jacob Foster, ["The Evolutionary Dynamics of Cultural Change”](https://osf.io/preprints/socarxiv/659bt_v1)  Gilbert Simondon, _[Imagination and Invention](https://bookshop.org/a/18799/9781517914455)_  William Gibson, _[Neuromancer](https://bookshop.org/a/18799/9780441007462)_  [Phlogiston theory](https://en.wikipedia.org/wiki/Phlogiston_theory)  George Orwell, _[1984](https://bookshop.org/a/18799/9780451524935)_  HP Lovecraft, [“The Case of Charles Dexter Ward”](https://www.hplovecraft.com/writings/texts/fiction/cdw.aspx)  Weird Studies, [Episode 187 on “Little, Big”](https://www.weirdstudies.com/187)  [John Dee,](https://en.wikipedia.org/wiki/John_Dee) English occultist  Nicholas Goodrick-Clarke, _[The Western Esoteric Traditions: A Historical Introduction](https://bookshop.org/a/18799/9780195320992)_  Robert Harrison, _[The Dominion of the Dead](https://bookshop.org/a/18799/9780226317939)_  Gilles Deleuze, _[Bergsonism](https://bookshop.org/a/18799/9780942299076)_  Elizabeth LeGuin, _[Boccherini's Body](https://bookshop.org/a/18799/9780520240179)_  Elizabeth LeGuin, [“Cello and Bow thinking”](http://www.echo.ucla.edu/cello-and-bow-thinking-baccherinis-cello-sonata-in-eb-minor-faouri-catalogo/)  Johannes Brahms, _Handel Variations_  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hey, it's a new week and your favorite trio is back—well, two-thirds of us, anyway. Devon is currently living his best life in Barcelona, probably sipping espresso in a narrow sunlit alley or arguing with someone about FC Barcelona tactics. Meanwhile, the rest of us have been busy with spring break chaos, Santa Cruz curiosities, and turning broken laptops into gaming slabs. Real Life Stuff Steven hit up Santa Cruz for a classic California spring break trip. That meant a day at the boardwalk, a ride up the mountains on a steam engine to hunt Easter eggs with the family, and—yes—the infamous Mystery Spot. For the uninitiated, it's California State Historical Landmark #1055 and basically a physics-defying tourist trap nestled in the redwoods. It's $10 and you walk out wondering if your equilibrium is off or if you've just witnessed real magic. Verdict? Worth it. Especially if you enjoy a healthy mix of skepticism and whimsy. Ben had the kind of spring break that only a tech tinkerer dreams of. He loaded Bazzite SteamOS onto his desktop (yes, it's real, and yes, it's cool: bazzite.gg). Then he cracked open a MacBook Pro with the dreaded FlexGate issue—1/10 on the repairability scale, even with help from ifixit.com—and turned it into a Steam-powered “SlabTop.” Also in Ben's world: a visit from Mom, and a daycare full of cute dogs and chicks (the feathered kind, relax). We also detoured into The Last of Us Season 2 Episode 2. Let's just say the show continues to spark great conversation—and some tension between game purists and show-only folks. The Future Is Now Ben brought the indie darling GOTY (Game of the Year) Lushfoil Photography Sim to our attention—an atmospheric exploration game that's more about vibes than objectives. Think beautiful desolation and digital zen. He also shouted out Radio Garden—a global map where you can spin the world and listen to live radio from just about anywhere. It's the chillest rabbit hole you'll ever fall into. And for anyone trying to make sense of the digital mess that is our current internet, he also found this guide to misinformation-fighting tools. Even though it's aimed at journalists, it's super handy for the rest of us trying to tell real news from ragebait. Steven took us on a hyperspace jump to Star Wars Celebration updates. Highlights? The Mandalorian and Grogu movie, Andor Season 2 (yes, please), Ahsoka Season 2, Maul: Shadow Lord, a new Star Wars: Starfighter movie, and Star Wars Visions Volume 3. Basically, it's a great time to be a galaxy-far-far-away fan. Book Club We're taking next week off from Book Club (don't worry, we'll still be recording). But this week we dove into William Gibson's “Fragments of a Hologram Rose”—his first published story and a dense little piece of cyberpunk mood. It follows a man piecing together memories of his ex via a near-future tech called ASP (Apparent Sensory Perception). It's sad, it's moody, it's very Gibson. The whole idea of fragmented memory and identity hits especially hard in a world where we're all just scrolling, recording, and replaying everything. We'll be back next week (with or without Devon depending on how good that Barcelona weather is). As always, hit us up with your thoughts, your favorite indie games, your weird spring break stories, or your take on who's actually in the right: Joel or Ellie. See you then!

In this episode of #DefenceDeconstructed the Triple Helix team, David Perry, Charlotte Duval-Lantoine, Dr. Alexander Salt, Geordie Jeakins, Dr. Alexander Wilner, explore how current political dynamics, particularly ongoing elections, the evolving Canada–U.S. partnership, and advances in technology, are influencing the priorities and operations of the CAF and DND. Triple Helix is a network composed of the Canadian Global Affairs Institute (CGAI), the Norman Paterson School of International Affairs (NPSIA) at Carleton University, and industry that explores how a range of emerging technologies intersect with defence. // Guest bios: - Charlotte Duval-Lantoine is the Vice President, Ottawa Operations and a Fellow at the Canadian Global Affairs Institute, as well as Triple Helix's Executive Director and Gender Advisor. She is also a PhD Student at Deakin University, where she studies the influence the culture of the Canadian Army had on the killings of Somali civilians during Operation Deliverance. - Dr. Alexander Salt has a PhD from the University of Calgary's Centre for Military, Security and Strategic Studies and an MA in Political Studies from the University of Manitoba. His dissertation explores to what extent has the battlefield experience of the U.S. military influenced post-war organizational innovation. - Dr. Alex Wilner is an Associate Professor at the Norman Paterson School of International Affairs (NPSIA) and the Director of the Infrastructure Protection and International Security (IPIS) graduate program, at Carleton University, Ottawa, Canada. - Geordie Jenkins is an Associate at Oliver Wyman, the leading global aerospace and defence advisory firm. In this role, Geordie advises clients in government-driven sectors in Canada, the United States, and NATO allies on a variety of issues. // Host bio: David Perry is President and CEO of the Canadian Global Affairs Institute // Recommended Readings: - “Neuromancer” by William Gibson. - “The Propagation Handbook: A guide to propagating houseplants” by Hilton Carter. - “Foundation” by Isaac Asimov. - “The Ones We Let Down: Toxic Leadership Culture and Gender Integration in the Canadian Forces” by Charlotte Duval-Lantoine. // Defence Deconstructed was brought to you by Irving Shipbuilding. // Music Credit: Drew Phillips | Producer: Jordyn Carroll Release date: 18 April 2025

I'm jacking into cyberspace for some pain and pleasure.'Neuromancer' by William Gibson is a sci-fi classic that was right at the beginning of the cyberpunk genre. We follow Case in a futuristic techno world where he is hired to hack into a wealthy family's lair. He is part of a motley crew each with their own specialty, hired by an AI to free itself from it's restrictions. Think of Japan, robots, drugs, implants, space, fashion, tech, culture, violence and sex to get a good idea of the new world.If you got value from the podcast please provide support back in any way you best see fit!Timeline:(00:00:00) Intro(00:03:02) Themes/Questions(00:17:30) Author & Extras(00:23:05) Summary(00:25:42) Value 4 Value(00:26:07) Join Live! Connect with Mere Mortals:Website: https://www.meremortalspodcast.com/Discord: https://discord.gg/jjfq9eGReUTwitter/X: https://twitter.com/meremortalspodsInstagram: https://www.instagram.com/meremortalspodcasts/TikTok: https://www.tiktok.com/@meremortalspodcastsValue 4 Value Support:Boostagram: https://www.meremortalspodcast.com/supportPaypal: https://www.paypal.com/paypalme/meremortalspodcast

Real Life: This week's episode kicks off with Devon missing in action, attending a wedding and recovering from, well… life. Also, he's apparently deep into building off-brand LEGO, which raises some very important questions: How many pieces? How many regrets? Meanwhile, Ben survived a 5.2 earthquake and checks in to let us know that everyone's safe. He also shares a couple links to Desert Child, an indie hover-bike racer/RPG that mixes hip-hop, ramen, and pixel art vibes—and may or may not be rolling onto Xbox soon thanks to some juicy UI integration rumors. https://store.steampowered.com/app/844050/Desert_Child/ https://isthereanydeal.com/game/desert-child/info/ https://www.theverge.com/news/633478/microsoft-xbox-steam-games-support-ui   Steven's life update is more... fluffy. Literally. He's in line to pick up baby chicks for the backyard flock (Black Sexlinked and Smokey Pearl, if you're curious), and discovers that mailing baby birds is a surprisingly common thing. Also, he's deploying next-level parenting tricks by disguising fun surprises as errands. The dad game is strong.  Also: The Last of Us S2 premiere dropped and Steven gives it a glowing 10/10. We talk a bit about how the show mirrors the game—and why it's working so well. Ben also brings us something very important: The Naboo Movie. It's real. It's glorious. It's here: watch it now. Future or Now: Ben drops some cosmic perspective with a planetary fact that blew our minds: All the planets in our solar system could line up between the Earth and the Moon. That includes Pluto, for those of you still rooting for the little guy. Steven introduces us to Mad Mouse—no, not a Disney spinoff. This is about AI mapping mouse brains. A new model simulates how the mouse visual cortex responds to images. Basically, it's science fiction getting closer to just… science. Read the study here. Book Club: This week, we took a listen to the first episode of It's Storytime with Wil Wheaton, featuring “Rock, Paper, Scissors, Love, Death” by Caroline M. Yoachim. It's a short, beautiful, gut-punch of a story about love across time and space—a real Gordian knot of feels. Check it out on Lightspeed Magazine. Next week we'll be diving into “Fragments of a Hologram Rose” by William Gibson, part of his Burning Chrome collection. It's a short one—just 15 minutes—and dripping in cyberpunk atmosphere. And if you're wondering about the Star Trek side of our brains: yes, we saw the new Strange New Worlds trailer. Yes, it looks wild. Yes, we're watching. Peep it here.  

The arts have that capacity to be powerful broadcasters, conveyors of messages, invitations to celebration, reflection, storytelling, narrative building and so on. There's a vital role here for the arts. But like the rest of society, frankly, whether it's the banking system or government we're simply not doing it well enough that we could say we're satisfied with how much is happening and everything's going to be okay. It's not. If we just stopped now, chaos and worse are due. It's not to say that we can hold up the arts and say, if only you were doing your job, everything would be fine. No, we all have, no matter what sector, so much to do.This is my second conscient conversation with social innovator and former CEO of McConnell Foundation, Stephen Huddart. The first took place on June 17, 2021 in Montréal, episode 58, and this second took place on September 24th, 2024 in Victoria BC. I've condensed all of this rich conversation down to my new format of 15 minutes – not an easy edit - so what you'll hear highlights from our exchange about the vital role of art, social innovation, relations with indigenous peoples, the panarchy cycle, Stephen's leadership role with the Victoria Forum (co-hosted with members of the Canadian Senate) and more.Action pointsNurture the capacity of art to be powerful broadcasters, conveyors of messages, invitations to celebration, reflection, storytelling, narrative building, etc.Increase the vitality and role of art at the local level to contribute to a more dynamic civic cultureCreate more configurations to present, invite, engage, dialogue, contemplate, discuss the artsSee, hear and deeply hear others perspectives.Nurture the power of art to serve as a catalyst for inspiration and communityShow notes generated by Whisper Transcribe AIStory PreviewWhat if art holds the key to unlocking our collective future? This episode explores the intersection of art, innovation, and societal transformation, revealing how creative expression can guide us through crisis and towards revitalization.Chapter Summary00:00 The Power of the Arts01:07 Revisiting Conversations02:02 Trust and Community Engagement04:22 The Victoria Forum Experience06:10 Navigating Complex Challenges07:30 Understanding Our Current Cycle09:21 The Call to Action11:17 The Role of the Arts in Social Change13:08 Accelerating TransformationFeatured QuotesHer wish (Shannon Waters) was for every child in Canada to learn the indigenous word for water in the territory in which they lived.We have the intellectual, the financial, the technological, and one would hope, the human and spiritual resources with which to affect a beautiful transition. Why aren't we doing it?There's a vital role for the arts at the local level to be contributing to dynamic civic culture.William Gibson said 'the future is already here, it's just unevenly distributed'.Behind the StoryStephen Huddart revisits the podcast to expand on previous conversations around social innovation, reflecting on the Victoria Forum 2024 and its focus on regenerative economies. The discussion navigates the complex challenges facing humanity, emphasizing the need for inclusivity and systemic change to address growing societal fractures. The power of art as a catalyst for inspiration and community is highlighted. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' see https://acalmpresence.substack.com. Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads or BlueSky.I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on March 26, 2025

“He walked into the glitchy wilderness with a GORUCK bag, tritium watch, and nothing to lose but his cached identity.”In this genre-warping, filter-stripping conversation, Chris Abraham goes full analog soul in a digital world — decoding identity, memory, and authenticity in an age of surveillance, simulation, and semantic rot. From the ghostly AI of William Gibson's Agency to the aching sincerity of Love on the Spectrum, this episode is a postmodern pilgrimage for truth in a world where being “based” now outranks being “brilliant.”Chris explores what it means to live with aphantasia and SDAM, navigates the ethics of erasing your digital trail, and unpacks how meritocracy, identity politics, and liberalism lost the plot. With references flying from Foucault to A Fish Called Wanda, it's part sermon, part shitpost, part Socratic rave.Somewhere in the ruins of mass discourse, we meet the Low-Res Messiah: flawed, glitchy, possibly cringe, but still walking forward — one click, one stretch, one deletion at a time.Memory as Myth: Living with SDAM and aphantasia in a society built on nostalgia and vision boards.AI and Faith: When “Eunice” the AI mirrors both divine omniscience and autistic pattern recognition.Based Over Brilliant: The return of emotional honesty and lived authenticity as new currency.Virtue & Vice in Identity Politics: Why calling everyone a Nazi isn't just wrong — it's lazy.The Anchorite Reboot: Chris's call for digital minimalism, walking meditations, and gym-floor stretching rituals.“Mind palaces are a scam. Memory is a JPEG — and I'm running on 256 colors.”“There's no deer in the woods that survives being loud and proud.”“The boil does not make the plague — Trump is the symptom, not the cause.”“Being invisible doesn't mean you're hiding. Sometimes, it just means you're free.”Subscribe to The Chris Abraham Show for more episodes that walk the edge of techno-spiritual collapse.Leave a review if something in this episode reprogrammed your brain or cracked your shell.Share it with someone trying to be based, not brilliant.Tag it: #LowResMessiah | #ChrisAbrahamShow | #BasedIsNotABugQ: What's a “Low-Res Messiah”?A: A symbol for imperfect truth-seekers in a high-def world of lies. It's about being genuine in a world that rewards optics and simulation.Q: Did Chris really delete all his tweets and posts?A: Yes. Not out of shame — out of a desire to stop being a museum exhibit for people who don't read past the captions.Q: Why so much talk about IQ, autism, and memory?A: Because intelligence isn't just horsepower — it's how your RAM, hard drive, and operating system interact. And Chris runs on a forked distro of neurodivergence.Q: Is this podcast left-wing or right-wing?A: Yes.Q: Is Chris okay?A: Yeah. Just stretched out and swinging kettlebells again.Aphantasia: The inability to visualize images in one's mind. No mind's eye.SDAM (Severely Deficient Autobiographical Memory): A rare condition where people can't vividly recall personal memories.Eunice: A hyper-capable AI assistant in Agency by William Gibson.Mind Palace: A mental visualization technique used to store and retrieve information — not available to the Low-Res Messiah.Based: Slang for being unapologetically true to yourself, often contra “woke” orthodoxy.Virtue Signaling: Expressing moral positions to boost social standing, rather than out of conviction.Panopticon: A prison design and metaphor by Foucault where surveillance becomes internalized.Drill Rap: A gritty, aggressive rap subgenre, often hyper-local and controversial.Sky Daddy: Internet slang for God, often used pejoratively in atheist or anti-religious contexts.Anchorite: A religious recluse who retreats into solitude for spiritual reasons — or to dodge the algorithm.

Real Life: This week's episode has movie madness, creepers, princesses, and ducks with vendettas. Devon took a deep dive into the Minecraft Movie—yes, it's real, and yes, it might haunt him forever. Steven watched Disney's live-action Snow White and has thoughts... strong ones. Meanwhile, Ben got cartoon-punched in the face (in the best way) by The Day The Earth Blew Up: A Looney Tunes Movie (IMDb). Think: Bugs Bunny meets alien invasion. Future or Now: Solar Panels on Canals? Yes, Please: Ben brings us Project Nexus—the U.S.'s first solar panel canopy system over irrigation canals. The $20 million pilot is up and running in California's Turlock Irrigation District and could be a game-changer. Benefits include reducing water evaporation, improving quality, and cutting down on canal maintenance. Also? Clean energy. Read more TV Necromancy: Devon reports on shows coming back—some you missed, some you didn't know you missed, and a few you assumed were never coming back. Television's not dead. It's just rebooting. ba-ba-ba-BA-baaaaaa: Steven delivers the science: a Western diet can mess you up in just two weeks. Inflammation, weakened immunity, and long-term disease processes all kick in fast. But the good news? Switching to a traditional African diet (think fiber, fermented foods, veggies) can start reversing the damage just as quickly. Check it out “Book Club”: This week we read Johnny Mnemonic by William Gibson. A short story that drips with classic cyberpunk vibes, data couriers, and one incredibly dangerous dolphin. Devon didn't totally connect with it, but Steven loved the gritty worldbuilding and its ties to Neuromancer. Ben was onboard for the full ride—hacker noir, neon grit, and all. Next week: We're tuning in to It's Storytime with Wil Wheaton (link) and covering “Rock, Paper, Scissors, Love, Death” by Caroline M. Yoachim (read it here). Time travel and heartbreak? Sign us up.

Season 9 of The Chris Abraham Show kicks off with satire, soul-searching, and sharp takes on politics, identity, and the global stage—with a snarky AI co-host named Ununice.In this much-anticipated return of The Chris Abraham Show, Chris Abraham relaunches the podcast after a hiatus, spurred by the flattering surprise that a friend was listening on a sunny beach. Season 9, Episode 1 introduces a new, sharp-tongued co-host—an AI personality Chris dubs "Ununice," a snarky nod to William Gibson's sentient software agent in Agency.This premiere episode is a rich and often hilarious journey through Chris's personal memories, reflections on identity, and razor-edged commentary on today's socio-political landscape. From growing up as a code-switching haole in Hawaii to crafting a “fancy boy” persona for elite social circles, Chris opens up about shedding the performance in favor of raw authenticity—and the backlash that followed.Alongside Ununice, Chris dives into a whirlwind of topics: the emotional truth of Love on the Spectrum, the weaponization of tariffs, Elon Musk and Dogecoin drama, and whether Donald Trump is prepping America for war or merely playing heel in a geopolitical wrestling match.Why this reboot? Chris shares the sweet story behind Season 9's launch.Meet Ununice: Snarky AI co-host inspired by William Gibson's Agency.Emotional detour: Love on the Spectrum brings Chris to tears—and deeper reflections on authenticity.Cultural navigation: Surviving as a “Howley” in Hawaii via code-switching, Pidgin, and a "Moch Remover" bat.From facade to realness: Chris's transformation from cocktail-party charmer to unfiltered truth-teller.Princesses vs. Dinosaurs: A quirky but heartfelt framework for understanding human nature.Crash course in tariffs: The history, the economics, and why Chris prefers regulatory barriers.Is America Second World? Chris compares the U.S. to BRICS nations and sees a pivot in global alignments.Trump & Musk as "heels": A wild but plausible theory about performance politics, prep for war with China, and psychological warfare on the American public.Snark & sass: Ununice delivers zingers and razor-sharp commentary while managing Chris's rants.Behind the curtain: Chris confesses to past careers in media manipulation and astroturfing.“I am a princess dinosaur.” – Chris's bold declaration of identity.“Tariffs are the anti-flood insurance policy of sovereign nations.” – Chris on trade strategy.“My VW Rabbit had a bat labeled ‘Moch Remover.' That's how scared I was.” – On growing up in public school Hawaii.“Ununice, mock me harder.” – Chris invites his AI co-host to roast him into humility.“Everything's scripted. I would know—I used to script it.” – Chris on media manipulation and reality TV.Chris Abraham, The Chris Abraham Show, Season 9, Love on the Spectrum, podcast AI co-host, tariffs explained, Elon Musk podcast, Trump podcast, snarky podcast AI, William Gibson AI, authenticity vs. performance, Hawaii code-switching, astroturfing, Dogecoin podcast, podcast media manipulation, BRICS vs. NATO, economic nationalism, Tesla protests, Princess Dinosaur.

Real Life: This week's episode is packed with real-life chaos, sci-fi intrigue, and some good ol' tabletop talk. Devon's 4-year-old had to audition for attending a school, and guess what? It's a little stressful! Audible is now offering free content to subscribers, kinda like The Great Courses. Steven brings us part two of our City of Mist saga and shares his latest D&D session with the kids using *Peril in Pinebrook*, a free starter adventure. Also, D&D vs. City of Mist—how do they compare? Oh, and the neighbor's dog ATE one of his chickens. Not cool. Ben recommends the first episode of Storytime with Wil Wheaton (https://wilwheaton.net/podcast/), where he narrated the incredible time travel love story "Rock, Paper, Scissors, Love, Death" by Caroline M. Yoachim (https://www.lightspeedmagazine.com/fiction/rock-paper-scissors-love-death/). You know how people will move heaven and earth for their loved ones? What if they moved time itself? We may cover this in an upcoming Book Club, watch out for that. Plus, Win or Lose, Pixar's new show, is a WIN.   Future or Now:   Like Brains, But Better: Electrical and computer engineers have developed a 'Super-Turing AI,' which operates more like the human brain. This new AI integrates certain processes instead of separating them and then migrating huge amounts of data like current systems do. https://www.sciencedaily.com/releases/2025/03/250326123554.htm   This Week in Space: NASA's Curiosity Mars rover has detected the largest organic (carbon-containing) molecules ever found on the red planet. The discovery is one of the most significant findings in the search for evidence of past life on Mars. https://arstechnica.com/science/2025/03/nasas-curiosity-rover-has-found-the-longest-chain-carbon-molecules-yet-on-mars/ https://www.sciencealert.com/nasas-unexpected-discovery-of-the-largest-organics-on-mars-explained   “Book Club”:   This week we covered three thought-provoking stories by Scott Base:   The Giving Man: https://www.badspacecomics.com/post/giving-man A billionaire sacrifices everything, including the world, to try to fight his cancer. Living forever through the heat death of the universe.   Scour: https://www.badspacecomics.com/post/scour The rings of Saturn are not what we thought. They're made of BONES.   Hell and Back: https://www.youtube.com/watch?v=WXVBlC3hmoc No body survives Venus.    Next week: we're tackling Johnny Mnemonic by William Gibson—a cyberpunk adventure that's still eerily relevant today. https://youtu.be/aIwYxSuAzDA?si=SgcfWqx1cyiBoO1F

The Infinite Plane Radio broadcast on March 23, 2025, discussed several key topics centered around the hosts' perspective on world events and media narratives.A central theme was the prediction of an inevitable cyber pandemic. This idea stems from a clip featuring Candace Owens discussing the World Economic Forum's warnings and exercises regarding such an event. The host believes this will be used as a justification for shutting down the internet and implementing stricter censorship, possibly blaming right-wing extremism. This is linked to the concept of "Disease X," which the host believes will be a "mind virus" spread through platforms like X (formerly Twitter) rather than a biological virus.The host introduced a new product, "Exit Trutherville: A crash course in auto-hoaxology". This course aims to provide a framework for understanding media and psyops, targeting "truthers" who recognize mainstream lies but haven't fully grasped the integration of entertainment and news. It includes a video, a PDF "World Stage Deprogramming Guide," and graphic illustrations, focusing on concepts like active vs. passive media consumption. The course is available for purchase on Gumroad, with an affiliate program offering a referral fee.The broadcast delved into predictive programming and the idea that movies and drills often precede and shape public perception of real-world events. Examples included the movie "Canary Black" resembling a cyber nuke scenario and the 2019 coronavirus pandemic exercise mirroring the actual events. The host argues that these are not predictions of real events but rather simulations treated as real.Several current events were analyzed through this lens:The reported discovery of a vast city beneath the pyramids was dismissed as likely clickbait and a hoax. The host connects this to other fleeting narratives like global drone invasions and promised information from the Epstein and JFK files, suggesting a pattern of distraction.NASA's astronaut landing footage was described as looking like "pathetic CGI" and "100% garbage," raising questions about its authenticity. This skepticism extends to other space agency content, with a suggestion to use AI video detection software on older footage.The death of a 33-year-old bald eagle named Murphy on March 22 (3/22, associated with Skull and Bones) was linked to symbolism and predictive programming, contrasting the mainstream narrative of climate change with right-wing claims about wind turbines. The destruction of the Georgia Guidestones on 7/6/2022 (76 being George Bush Sr.'s age) was also revisited for its symbolic significance.The host noted the use of predictive programming proxies, such as celebrities like Robert De Niro and Rosie O'Donnell, whose public statements and past work allegedly align with ongoing psyops.The phenomenon of "swatting" targeting figures like Owen Shroyer was dismissed as likely performative and fake, lacking the characteristics of genuine swatting incidents.The host also discussed the importance of informed disbelief and the concept of narrative control, where an arbitrary starting point is established to shape understanding. The broadcast touched on the nature of truthers' cognitive dissonance and the strategic targeting of this group with the "Exit Trutherville" course.Finally, the host solicited suggestions for required reading and viewing for the IPS think tank, mentioning personal favorites like William Gibson's "Neuromancer," Sun Tzu's "The Art of War," and Edward Bernays' "Propaganda". The host also mentioned using AI (Perplexity) to assist with transcript analysis and link extraction for the newsletter archives.EXIT TRUTHERVILLE https://timozman.gumroad.com/l/bsure

Released in 1999, The Matrix has become a timeless sci-fi classic. Whether it's the groundbreaking visual effects, the positively bonkers action sequences, or the disturbing looks at a world that has been consumed by AI and virtual experiences, there's something that will resonate with just about any member of the audience, even a quarter century after its initial box office success. But there's one moment in particular that perfectly illustrates the true horror at the heart of The Matrix. Since the titular concept of the film can only exist because humans have all been placed in a form of stasis, with their very bodies used to power the machines that now rule the world and create their shared reality, the big reveal of how that works needs to be suitably disturbing. And boy, does it deliver. When Neo (Keanu Reeves) chooses to wake up to actual reality, he's revealed as a hairless body, covered in goo, with feeding and breathing tubes stuffed down his throat. While not quite the iconic moment that the bullet time fights and martial arts sequences are, it might very well be the most powerful moment in the film or its sequels.It's a moment that has stayed with us for over 25 years, which is why today we're asking the question: does the human body really generate enough electrical power to essentially serve as a battery?Take the red pill in the latest episode of Does it Fly? for the answers…https://youtu.be/9e-CZiFpd6oSUGGESTED VIEWING We based the majority of today's discussion just on the first film in the franchise, which is, of course, 1999's The Matrix. If you need a viewing order, it's followed by The Matrix Reloaded and The Matrix Revolutions in 2003. But we've gotta say, you're missing out if you don't check out the bizarre and cool The Animatrix, which fills in a lot of backstory. And count us among the folks who think 2021's The Matrix Resurrections is a much sharper movie than it gets credit for.FURTHER READING Do you want to delve a little deeper into the facts, concepts, and stories Hakeem and Tamara referenced in today's episode? Of course you do! The Simulation ArgumentEver wonder if you're living in a computer simulation? The roots of that argument come from Nick Bostrum and the details on it can be found here.How Much Power Output From Humans?Believe it or not, there have been respectable studies about the potential for the human body to generate power for small devices from everyday activities. A summary can be found here with some more in depth information here. Somewhat related, it's worth considering the difference between the efficiency of solar energy power and the use of power from biofuels.The Matrix Starter PackThere are three books that are key to understanding the themes of The Matrix, and it seems they were required reading on set of the film. They are: Jean Baudrillard's 1981 philosophical treatise Simulacra and Simulation, William Gibson's seminal work of cyberpunk fiction Neuromancer (which has yet to get the screen adaptation it deserves), and 1995's Out of Control by Kevin Kelly.WANT MORE FROM DOES IT FLY?For a more recent take on a sci-fi dystopia, allow us to recommend our Squid Game episode!The disturbing practical effects of the Neo awakening scene does recall some of the more unsettling cyberpunk aspects of RoboCop, which we covered here.FOLLOW US!Stay in the loop! Follow DoesItFly? on YouTube and TikTok and let us know what you think! Subscribe to Does It Fly? Pod: https://www.youtube.com/@doesitflypod?sub_confirmation=1And don't forget to follow Roddenberry Entertainment:Instagram: @RoddenberryOfficial Facebook: RoddenberryBluesky: @roddenberrypod.bsky.socialFor Advertising Inquiries: doesitfly@roddenberry.comCheck out the official Does it Fly? playlist, too!

“The future is already here, it's just not evenly distributed” Science fiction is inspiring, frightening, and often the best lens into the future. Many ideas about the future are b******t —just like this quote being misattributed to the ever-amazing William Gibson— but even the wildest idea shares truths worth discussing.This week's newsletter is an exercise in imagining how AI will transform the way that we work. The future will impact us differently because some already live with a future-centred mindset, while others prefer to shift their thinking daily. One such future-centred thinker is John Whalen, the author of Design for How People Think and the Founder of Brilliant Experience. He shifted from being an AI skeptic to an advocate because he sees a tidal wave of change coming to how product teams operate.Listen on Spotify | Listen on Apple Podcasts | Watch on YouTubeIn the episode, we discuss how he's implemented AI into his workflows and how he can now accomplish projects in one week that used to take seven weeks to complete. He makes a compelling case for why every team should use AI-moderation and synthetic users to enhance product outcomes. But most importantly, he's become an AI advocate because, over his three-decade career, introducing new tools has always been met with doubts and resistance. Ultimately, businesses force the adoption of tools that deliver a clear ROI. There's still much to debate about AI. Reports like this one from Microsoft continue to show that AI isn't ready to replace humans at key tasks. Another 2024 study found that ChatGPT delivered inconsistent results on a key qualitative research task, compared to humans. The most important thing about this study wasn't that humans outperformed LLMs; it was the significant performance improvement from GPT-3.5 to GPT-4.0. AI is getting much better at tasks that seemed unimaginable to automate. We're hearing the same shocking stories across design, development, research, marketing, and sales. Undoubtedly, AI will be able to automate most of our work within a few years.Will that mean we'll be replaced? Yes and no. Just like the industrial age and globalization destroyed artisans, AI will significantly reduce the headcount of “artisanal” product people and the rest of the work will be an assembly line of tool operators.Automation will significantly change many people's lives in ways that may be painful and enduring. But for the economy as a whole, more jobs will be created, and those jobs will look different from those today.Thanks for reading Design of AI. Subscribe to receive new posts.Should we be worried about our jobs?These same conversations are happening across all fields:* Will AI Replace Therapists?* As Technology Progresses, Certain Accounting Jobs May Fade Away* The Risk of Dependence on Artificial Intelligence in Surgery* AI could terminate graphic designers before 2030You're probably reading this with a sense of confidence that you're shielded from the impacts of AI because you're working on the bleeding edge of technology. It's true. You should be better equipped to navigate the changes as they happen and adapt to the future better than others. Conversely, your roles face additional pressure to change faster than in other industries. The business realities of being backed by venture capital and private equity mean you're always chasing the future. Tech and agencies have to unlock benefits from AI or risk losing market share and funding.The problem is that nobody can agree on AI's expected impact because it's still just science fiction.According to the OECD report, the level of impact will largely depend on the level of adoption. High adopters might expect a 3x gain compared to those who adopt AI minimally. A McKinsey report highlights the pressure being placed on employees. Their data shows that C-suite executives blame employee readiness as a barrier to gaining benefits from AI. Only 1% of them believe their AI investments have reached maturity.Combined with last week's conversation with Jan Emmanuele, AI investments in creative augmentation and automation will surge in 2026 and beyond. This suggests that employees will be under a lot of pressure to become more productive or else be replaced. Listen to that episode for more details on how AI is being adopted:Listen on Spotify | Listen on Apple PodcastsHow will jobs change as a result of AI?There's no doubt that our jobs will change. They've had to change every time a transformative new technology becomes widely adopted. The only difference now is the speed at which change is happening.Let's analyze how roles are changing from the perspective of product teams.* Our jobs used to be distinct. Each of us had specialties and expertise in areas that protected us.* Our jobs are increasingly commoditized, meaning people from other jobs can do many of our tasks.For example, a designer can now do tasks that previously were out of their sphere:* Use ChatGPT and Cove to explore a strategy and build a business case.* Use Wondering and Vurvey to launch and analyze a research campaign.* Use Lovable and Cursor to prototype and build out a product.Our roles are blending into one another, and employers no longer need as many people to deliver the same amount of work.How we work is also changing. AI is simplifying core tasks along our workflows and automating cumbersome steps. Here's an example of how AI will transform UX Research:If you map your workflow, you'll find a similar transformation happening to your role. Humans will drive decision-making, but AI will increasingly inform those decisions.Maybe John Whalen's vision of product teams as AI-conductors is most appropriate: Maybe there will really be fewer UX researchers. Maybe they're more focused on this I'm calling sort of storytelling or conducting. I picture someone orchestrating these things.What you can do to enhance your futureJohn Whalen's story shows that you can be an industry expert who has written a respected book and led a successful practice, yet still need to adapt to the coming change. He's shifted from being a researcher to being a research technologist, one who delivers projects that used to take much more time and many distinct roles. This is similar to what Phillip Maggs said on episode 20 about becoming a design technolgist (Listen on Spotify | Apple).Recommendations to help you:1. Get closer to the decision-making processWe're all anxious about the economy. The viability of many businesses is at risk, and job security is no longer guaranteed. Our goal should be to bring confidence and certainty to our work. That means pinpointing what our internal and external stakeholders are most worried about and delivering solutions that address those.In the case of John Whalen and UX researchers, stakeholders had questioned the certainty of insights. With AI, John and others can deliver a 10x larger sample size in more markets.Similarly, designers, writers, PMs, and developers should use AI to deliver work more confidently. You're able to get more user feedback at every stage of the process. You can scale your work to be localized to more markets. You can automate tasks that are cumbersome and error-prone.None of this is to minimize being human-centred. But the industry has been questioning whether orgs have been perpetuating the illusion of user-centred design. Managing stakeholders' expectations puts you closer to the decision-making process and gives you the ability to dictate how good work happens.2. Challenge the assumptions that limit expectationsNew apps are released every month that bend our perception of what's possible. If you had collected a list of capabilities that you wished were possible, they probably exist now. Your job must be to push the work beyond the assumed limitations. To do this, you must test new apps and see if they can confidently overcome the limitations to your work. Explore new capabilities in the apps you already rely on. Experiment with combining applications that excel at key parts of your work.Being tied to a single legacy app is the worst thing you can do. You're hitching your future to that product's ability to be better than the dozens of other teams simultaneously trying to disrupt each other.3. Walk into every situation with clarity about your value drivers and superpowersWe can obsess over clients and our work, but understanding what you're exceptional at is more important than everything you deliver. We're much more than our performance reports and more capable than the best project we've ever worked on.It requires us to be self-critical about what drives us, what limits us, and where we can excel. For example, you might identify that:* You're envigorated by structuring and organizing * You're envigorated by hacking solutions and testing capabilities* You're exceptional at building alignment and support for initiatives* You're exceptional at taking on complexity and uncertaintyThese fundamental truths enable you to dictate your path to success better:* Who you should be working for* What types of projects and roles you should be working on* What unique capabilities you should be highlighting* Which principles you should use as a north star for leveraging AIIf this is a topic you'd like to me dive deeper into, please leave a comment or send a message.4. Remember that the future is not evenly distributedThe closer you get to the centre of tech, the pace of change will increase. The gravity of the situation is exciting for some and utterly exhausting for others. Find the orbit that best suits you.If you're reading this newsletter, you're clearly a future-centred thinker. You can leverage that in the centre of tech to push projects and productivity to new heights. You could also work in a traditionally slower industry —healthcare, government, legal, education— and affect more change by challenging long-held assumptions.All change is relative but what brings you joy and meaning is deeply personal. Embrace that.One last and important consideration…Erika Hall speaks the uncomfortable truths that we need to hear. Follow her.Some jobs simply aren't worth keeping. Some uses of AI are appalling. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit designofai.substack.com

Bienvenidos un episodio de "Crítica y Resumen" en TERRAESCRIBIENTE. Hoy tenemos una novela Pionera del Cyberpunk: "NEUROMANTE" Escucha el Resumen y la Crítica literaria de esta novela de William Gibson. Crítica y Resumen: MAC (Terraescribiente) Por favor sigue y suscríbete a las siguientes redes: Canal de Whatsapp: https://whatsapp.com/channel/0029VaCcO2s1NCrQqLpfFR3u Escucha el audilibro completo en: patreon.com/Terraescribiente Twitter: https://twitter.com/TerraEscriba Telegram: https://t.me/+62_TRJVg-3cxNDZh Instagram: www.instagram.com/terraescribiente/ Tik tok: www.tiktok.com/@terraescribiente Youtube: www.youtube.com/@Terraescribiente También subscríbete a TERRAESCRIBIENTE en ITUNES Y SPOTIFY! Dale me gusta a cada Podcast y coméntalos! Ayuda mucho! Gracias!

Based on a William Gibson story of the same name, Johnny Mnemonic centers on the titular data courier as he embarks on his latest assignment, transporting 320 gigabytes of corporate secrets. That intel is quite sensitive, and its owner, Pharmakom, will stop at nothing to get it back, employing the Yakuza to track down Johnny. Like most of Gibson's work, the world in which Johnny lives is a cyberpunk dystopia. Corporations rule with impunity and an overreliance on/addiction to technology has left much of the populace in dire straits. The messaging of Johnny Mnemonic is as relevant as ever. The issues with the film lie within its execution. Despite costing upward of $30 million, the movie looks and feels cheap. This aesthetic is only worsened by shockingly dated CGI VR segments. The ideas just weren't enough to salvage the subpar acting, shoddy action sequences, and atrocious effects. Hence Johnny Mnemonic's poor reviews and paltry box office performance. Now, sit back, jack in with a Halfway to Hefen from Fate Brewing, and don't ignore the ghost in the machine! The Thunderous Wizard, Chumpzilla, and Bling Blake are riding Jones the dolphin through cyberspace! This Week's Segments: Introduction/Plot Breakdown – The future's most wanted fugitive. The hottest data on earth. In the coolest head in town! (0:00) Lingering Questions – Which of the many dystopian ideas presented here aged the best? (27:06) The "Snatch Back Your Brain, Zombie" Trivia Challenge – The Thunderous Wizard challenges the field to trivia about the movie. (53:57) Recommendations – We offer our picks for the week and next up: We continue our 90s Cult Flops series with a dose of angst at Empire Records! (1:06:57) And, as always, hit us up on Threads, X, Facebook, or Instagram to check out all the interesting factoids from this week's episode!

Esoteric hip-hop wordsmith Tzusan discusses his new album Ponzu, influenced by the ghosts of Japanese Street Pop, William Gibson and Mark Fisher. This is a preview. Listen to full episodes of Strange Exiles at ⁠⁠⁠⁠⁠⁠⁠⁠strangeexiles.substack.com⁠.

Welcome to Mona Lisa Overpod, the show that asks the question "What is cyberpunk?" On each episode, hosts Ka1iban and author Lyda Morehouse dive into the genre that helped define sci-fi fiction in '80s and they break down its themes which remain relevant to our lives in the 21st century. Pull on your mirrorshades, jack into the matrix, and start your run with us today!Cyberpunk is alive and well in the 21st century and today we're talking with the author of the latest addition to the cyberpunk canon: author Cory O'Brien! In the watery streets of future LA, data is the only currency, and Infodrip fact-checker Orr Vue will find himself at the center of a twisted murder mystery that could cost him his mind, his freedom, and his life! In this episode, we talk with Cory about the origins of the novel's premise, the connections between cyberpunk and noir fiction, the difference between 20th century and 21st century cyberpunk, the literal information economy presented in the book, the gross incompetence of our techno-overlords, how humans contextualize knowledge better than AI, the limits of current AI models, why corporations "let" you be gay, and when the aesthetic overwhelms the genre. We also talk about rogue AI, losing the "punk", stacking your demos, jealously guarding your cat pictures, monetizing fun, digital beastmastering, messing around with Eliza, the home Voight-Kampff test, William Gibson poems, making cyberpunk literally juicy, and an interruption from Alexa!Telepathy would never work!Pre-order Two Truths and a Lie, available March 4th!https://www.penguinrandomhouse.com/books/741701/two-truths-and-a-lie-by-cory-obrien/See Cory on the web!http://bettermyths.comThe new edition of Lyda's book, Ressurection Code, is out now!https://wizardstowerpress.com/books-2/books-by-lyda-morehouse/resurrection-code/Join Kaliban on Twitch weekdays at 12pm for the Cyber Lunch Hour!http://twitch.tv/justenoughtropePut Just Enough Trope merch on your body!http://justenoughtrope.threadless.comMLOP is a part of the Just Enough Trope podcast network. Check out our other shows about your favorite pop culture topics and join our Discord!http://www.twitter.com/monalisaoverpodhttp://www.justenoughtrope.comhttp://www.instagram.com/monalisaoverpodhttps://discord.gg/7E6wUayqBuy us a coffee on Ko-Fi!https://ko-fi.com/justenoughtrope

Real Life:   Steven's been back at the forge for Blacksmithing Class #2, where Ben learned the existence of trivets (yes, those little metal stands your grandma probably had). Meanwhile, babysitting round two for Steven's nephew went... well, let's just say he survived. Rainy days are not great for four-year-olds. On the tabletop front, we got into Dungeon Crawl Classics (aka the ‘70s cranked up to 11) with its insane artwork and a spell system that just loves making you regret your choices. Then there's Mutant Crawl Classics, which, well... we didn't get as far, but you know it's gotta be weird and radioactive. Ben, on the other hand, had feedback about last week's discussion of Mothership. Devon's character was from Planet America, and Ben played Rodney McKay, based on our favorite Grumpy Scientist from Stargate: Atlantis. Also, Ben's dog has bladder problems (is it Cushing's disease?), and he's making custom Mac Mini decals that look like that Joy Division album cover that you probably know from Hot Topic t-shirts.   Future or Now: Since Devon's not here, let's talk about video games.    Dragonsweeper is Minesweeper meets dungeon crawler, and it's addictive as heck. Play it for free on the web at one of these two links:   https://dragonsweeper.com/New-Dragonsweeper-Version https://danielben.itch.io/dragonsweeper   Also, can we finally talk about UFO 50, that game that combines 50 indie games in one, all looking like they're straight out of the 80s? Ben waxes on and on about Party House: a deckbuilding game where you gather as many guests as you can to throw a huge party, but don't let it get out of hand! If it was released separately, it'd probably have been game of the year.   https://ufo50.miraheze.org/wiki/Party_House   Paper, Watch Out! Scientists in Japan are making biohybrid hands with lab-grown muscle tissue. These “MuMuTAs” are a step toward prosthetics and robots that mimic real muscle movement. Read more about it here: https://www.sciencedaily.com/releases/2025/02/250212151423.htm   This reminded Ben of a love poem he wrote recently: Colonies:  https://ben.lawless.rocks/poetry/colonies/   “Book Club”:   This week: Burning Chrome by William Gibson, specifically the titular story in the collection that brought us cyberpunk classics like Johnny Mnemonic.   Next week: Billennium by J.G. Ballard — a 1962 dystopian tale of extreme overpopulation, where people live in minuscule rooms in overcrowded cities. Sounds like fun, right?

We finish William Gibson's novel Neuromancer. CWs for: racism, ableism, cannibalism, medical horror, incest, sexual assault. For the next show, we are reading the first 16 chapters of Count Zero. You can go to patreon.com/rangedtouch to support the show and access the bonus episode feed. The show is hosted by Cameron Kunzelman, Michael Lutz, and Austin Walker.… Continue reading Neuromancer – Part 2

Real Life:  How silly is Devon? According to him, not at all. But his big toe pain might argue otherwise. The jury is still out. Steven took a blacksmithing class, and it turns out, there's a whole process to it. Safety docs? Check. Appropriate clothing? Check. Payment going to the blacksmithing museum? Very cool. His first project? A letter opener—definitely not a shiv. (Side note: Can you just carry knives around? What if you're being particularly menacing?) Good news: Steven is now a Level One Blacksmith and qualifies for the Level Two class! There's even talk of a blacksmithing tournament and chili cookoff. Speaking of knives… does everyone remember sock knives? On a more serious note, Ben reflects on the passing of his neighbor, Ronna, and the challenge of timing at the end of life. A moment to acknowledge those we lose and the impact they have.   Future or Now:  Ben's Dive into the Desktop Metaphor Ben took us down a philosophical rabbit hole about the desktop metaphor in computing. How does it relate to capitalism? How did William Gibson envision computing? Are there better metaphors we should be using? If you want to dig deeper, here's some background reading: History of the Graphical User Interface Xerox PARC and DNLS from 1968 Liber Indigo - Metaphysical Prisoners of the Desktop MercuryOS and Jason Yuan's vision Steven's Reaction: Uh…what? Steven, caught off guard, tried to process it all. But then he found an interesting study: link. The question is: Are its findings really about gender differences, or are they tied more to familial and societal roles? Let's just say, we have some thoughts about the methodology. Book Club (But Make It TTRPG): Next Week's Read: Burning Chrome by William Gibson We had to shift things around this week since Ben had a family emergency. But next week, we're diving into Burning Chrome by William Gibson. Get ready for some cyberpunk goodness! Mothership: A Sci-Fi Horror TTRPG Review Instead of discussing books, we reviewed Mothership, the sci-fi horror RPG that Steven ran, with Devon as a player. Here's the rundown: The setup: A distress call leads the crew to a ship. The dilemma: Follow company orders or investigate the alien presence? The experience: Mystery, clues, and big decisions. The result: Devon said he'd play again—high praise! If you're into sci-fi horror with a heavy dose of corporate greed and existential dread, Mothership might be worth checking out. That's it for this week! As always, let us know your thoughts, and we'll see you next time for Burning Chrome and more weird, wonderful discussions.

Jim talks with Jeff Hawkins and Viviane Clay about the Thousand Brains Project and Jeff's book A Thousand Brains: A New Theory of Intelligence. They discuss Mountcastle's theory of the neocortex's universal algorithm, cortical columns & their structure, learning modules in AI sensory systems, reprogramming of the neocortex, the 6 layers of cortex, mini-columns & macro-columns, the visual cascade, reference frames as essential for knowledge representation, "voting" for perceptual consensus, how the project differs from deep learning & LLM approaches, William Gibson's concept of affordances, the "Jennifer Aniston neuron" idea, current state of the Monte project, solving fundamental problems vs making impressive demos, avoiding "old brain" traits in AI systems, and much more. Episode Transcript Perceptual Neuroscience: The Cerebral Cortex, Vernon B. Mountcastle On Intelligence, Jeff Hawkins and Sandra Blakeslee (2004) A Thousand Brains: A New Theory of Intelligence, Jeff Hawkins Monte Project – Open-Source Implementation Superintelligence: Paths, Dangers, Strategies, Nick Bostrom Jeff Hawkins is a scientist whose life-long interest in neuroscience led to the creation of Numenta and its focus on neocortical theory. His research focuses on how the cortex learns predictive models of the world through sensation and movement. In 2002, he founded the Redwood Neuroscience Institute, where he served as Director for three years. The institute is currently located at U.C. Berkeley. Previously, he co-founded two companies, Palm and Handspring, where he designed products such as the PalmPilot and Treo smartphone. Jeff has written two books, On Intelligence (2004 with Sandra Blakeslee) and A Thousand Brains: A New Theory of Intelligence (2021). Viviane Clay is the director of the Thousand Brains Project. She received her doctorate degree in Cognitive Computing and master's degree in Cognitive Science at University of Osnabrück in Germany, where she focused on sensorimotor learning as a key aspect in intelligence. She brings to Numenta fifteen years of coding experience, along with her background in neuroscience, psychology, and machine learning.

Don't flinch or you'll miss it: squashy gumdrop Hyundais and crosseyed-cubist Land Rovers, dirty grabby D.O.E. palm-greased double-dealing from former Gov. Hatchetface, details of more battery "storage" plant (pile) fires set to poison the air and water (and dirt and neighbors), minivan idiots and their self-awareness fails (headlights for fun and profit), as well as tales of melted classic cars in Los Angeles garages and a border fire south of San Diego that's ruining lots of great four-wheeling trails and a bunch of sneaky Border Patrol hideouts. While we're at it, how about some support for the folks who were able to (or smart enough to) hold back and protect their homes and neighbors during LA's latest Dem-fired inevitable tinderparty, Hunter S. Thompson, William Gibson, bubbled mongoloids and DC staffers (as if they're not the same thing).

Don't flinch or you'll miss it: squashy gumdrop Hyundais and crosseyed-cubist Land Rovers, dirty grabby D.O.E. palm-greased double-dealing from former Gov. Hatchetface, details of more battery "storage" plant (pile) fires set to poison the air and water (and dirt and neighbors), minivan idiots and their self-awareness fails (headlights for fun and profit), as well as tales of melted classic cars in Los Angeles garages and a border fire south of San Diego that's ruining lots of great four-wheeling trails and a bunch of sneaky Border Patrol hideouts. While we're at it, how about some support for the folks who were able to (or smart enough to) hold back and protect their homes and neighbors during LA's latest Dem-fired inevitable tinderparty, Hunter S. Thompson, William Gibson, bubbled mongoloids and DC staffers (as if they're not the same thing).

We read the first ten chapters of William Gibson’s novel Neuromancer. CWs for: racism, body horror. For the next show, we are reading the rest of Neuromancer. You can go to patreon.com/rangedtouch to support the show and access the bonus episode feed. The show is hosted by Cameron Kunzelman, Michael Lutz, and Austin Walker. You can get… Continue reading Neuromancer – Part 1

Real Life Devon is gearing up for a trip to Barcelona in April, planning a Friday-to-Wednesday itinerary. The big question: is it worth it? We'll see how he weighs the travel time, costs, and must-see sights against the trip's duration. Meanwhile, Steven has been deep in Sonic nostalgia. He picked up a remake of Sonic the Hedgehog from the original Sega on the Switch, only to find his oldest daughter struggling with its difficulty. Ben suggests they try Sonic Adventure from the Sega Dreamcast era, but Steven is skeptical. On top of that, they've watched the first two Sonic movies—but Steven refuses to pay to see Sonic 3. Also, a side note from parenting life: manage expectations when handing kids new electronics. In other news, Steven has started learning Latin on Duolingo and already has thoughts—mostly about the overwhelming number of ads. Ben has been learning some unexpected rat facts since his son got new pet rats. Steven, from prior experience, warns that they don't have the longest lifespans. Speaking of things taking a dark turn, Ben draws a comparison to the game Heavy Rain, where a child finds a dead bird—definitely a tonal shift from Super Mario Brothers. Future or Now Ben revisited Star Trek: Section 31 and had a moment of deep reflection—too deep, according to Steven. Is Section 31 aimed at 11-year-olds? Are the plot holes too much? Devon steps in to explain Section 31 to Steven, who—by his own admission—is a Star Trek dummy. Meanwhile, Ben is also reading Star Trek: Discovery: Die Standing for even more Trek content. If you're curious, check it out on Goodreads. Devon drops an incredible animal fact: the nine-banded armadillo (Dasypus novemcinctus) is the only vertebrate that always gives birth to identical quadruplets. Every single time. Scientists still aren't sure why this happens, but it's a fascinating mystery of biology. Read more on IFL Science and Carnegie Museum of Natural History. Steven, meanwhile, has been thinking about water scarcity and the challenges we might face in the near future. He calls it "Not a Drop to Drink" and shares an article which you can read here. Book Club Next Week: We're diving into Burning Chrome by William Gibson. If you've ever wanted to jack into the Toronto construct matrix, this is the time. Gibson, often credited with popularizing the term "cyberspace," helped define cyberpunk as a genre. Burning Chrome prefigures his famous novel Neuromancer and introduces one of the first literary computer hackers. Unfortunately, the story isn't available online, but you can find it in the Burning Chrome short story collection. This Week: We discussed "Fondly Fahrenheit" by Alfred Bester. Bester, best known for The Demolished Man, was a unique figure in Golden Age sci-fi—not just a visionary storyteller, but also an incredible writer. "Fondly Fahrenheit" is a dark, gripping short story about a servile android-robot that turns murderous. What makes it unforgettable is the way Bester plays with language, shifting perspective and structure in ways that make the writing an essential part of the story itself. If you haven't read it, you can find it on Goodreads or read it online here. Be warned: it's a dark one, featuring a serial killer narrative that may not be suitable for younger readers. That's it for this week—see you next time for more real-life updates, sci-fi debates, and deep dives into classic literature!

Send us a textWelcome to You Heard it Here Last where we talk about news, you've already heard.I know this is supposed to be about gaming news, but I thought this article over at MIT Technology Review was really interesting.https://www.technologyreview.com/2024/12/31/1109612/biggest-worst-ai-artificial-intelligence-flops-fails-2024/The Biggest AI Flops of 2024 breaks down a number of issues and problems with AI and how it threatens the future of the technology.The article starts with AI Slop…you know, all the crap AI that fills up the social media space and just annoys the hell out of you. The article only gets worse from there. From warping our perceptions of real-world events to giving us “tips” to add glue to pizza as a topping…yea, it's bad.I highly recommend reading the article. As a neophyte to AI it helped me come to terms with the good and bad of the technology. A technology I might add, that will have a great effect on roleplaying.What did you guys think about it?[Kick to Mike and Christina]I love starter sets. I think they are a great way to get into a game. They usually come with everything you need to play the game and gives you an easy way into the hobby. I also love printed media. I use and enjoy .pdf's for games, but for me they never take the place of something I can hold in my hand.While looking through a list of start set deals, I came across this one for Shadowrun The Sixth World Edition.https://www.enworld.org/threads/rpg-print-news-%E2%80%93-rpg-boxed-starter-sets-to-try-for-the-new-year.709353/They are currently offering the box set for 21.95. That's a great deal for a classic game.And that's why I wanted to bring it up. Shadowrun is one of the classic TTRPGs and spawned a long series of video games. Heavily influenced on the cyberpunk writings of William Gibson, Shadowrun added fantasy races to future tech making it something different, something interesting.And I have never played it.I know shame on me.I want to change that this year. I want to play Shadowrun.Have you guys ever played Shadowrun and if so, do you like it?[Kick to Mike and Christina]And there you have it, make sure you like and subscribe so you don't miss an episode of You Heard it Here Last where we talk about news, you've already heard.

We read the rest of the stories of William Gibson's Burning Chrome. CWs for: misogyny, rape, ableism. For the next show, we are reading the first ten chapters of Neuromancer. You can go to patreon.com/rangedtouch to support the show and access the bonus episode feed. The show is hosted by Cameron Kunzelman, Michael Lutz, and Austin Walker.… Continue reading Burning Chrome – Part 2

Ever since there has been music, people have been singing each other's songs. Sometimes it's a loving tribute, other times it's a disaster, and a lot of the time it's a fairly inoffensive, if lazy, rip-off. Occasionally though, the music gods deliver unto us a new version of a song that takes us to a new place in our minds and hearts – all in the span of about 4-5 minutes. Well, we've taken on the task of delving into the depths of our musical knowledge and sharing our favorite cover songs with you! Also, we talk some Monday Night RAW, Back to the Future, and more in The Week In Geek!   FULL VIDEO EPISODES! That's right folks, you can see our bright smiling idiotic faces in full color on our YouTube channel. Full episodes available as well as clips.   LINKS OF INTEREST: - Bob Zemeckis would have removed one thing from "Back To The Future" ending if he knew there were sequels on the horizon - Here's Rush performing "Crossroads" at the Rock & Roll Hall of Fame - Here's "Gin And Juice" by The Gourds   ...AND ANOTHER THING: The Man They Call Tim suggests reading "Making It So: A Memoir" by Patrick Stewart Uncle Todd suggests reading “Alien 3: The Unproduced Screenplay by William Gibson” by Pat Cadigan   FOLLOW US ON THE SOCIAL MEDIAS: Facebook - http://facebook.com/freerangeidiocy Instagram - http://instagram.com/freerangeidiocy YouTube - http://youtube.com/@freerangeidiocy

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Vernor Vinge (1944-2024) Vernor Vinge (1944-2024), in conversation with Richard Wolinsky and Richard A. Lupoff, recorded in the KPFA studios, May 7, 1992 while on tour for his novel, “Fire Upon the Deep,” which would be a co-winner of the Huge Award for Best Novel at the 1993 World Science Fiction Convention. ​​​​​Vernor Vinge, who died on March 20th, 2024 at the age of 79 was one of the masters of late twentieth century and early 21st century science fiction. He won five Hugo Awards, three for Best Novel and two for best novella, and is credited as the first science fiction writer to offer a fictional cyberspace, a few years before William Gibson and Neal Stephenson. Over all, Vernor Vinge wrote eight novels and had five published collections of his writings. His final novel, The Children of the Sky, was published in 2011. A prequel to Fire Upon the Deep titled A Deepness in the Sky, was published in 1999, and a sequel, The Children of the Sky, his last novel, was published in 2011. To date, none of his stories have been adapted for either television or film. Vernor Vince retired from teaching in 2000 to become a full-time writer. In this interview, he goes into detail about what are now the early days of life on the internet, and discusses his early writing about cyberspace, and about singularities. There are also comments about what the future holds, a future we now are experiencing. This interview has not aired in over thirty years, and was digitized, remastered and edited in January 2025 by Richard Wolinsky. Complete Interview.   Margaret Atwood Margaret Atwood 2013. Photo: Jean Malek Margaret Atwood, in conversation with Richard Wolinsky, recorded in the KPFA studios June 10, 2003 while on tour for the novel “Oryx and Crake.” One of the most distinguished authors writing today, Margaret Atwood is best known for her novel “The Handmaid's Tale,” and well as several other novels, short stories, poems, essays and political commentary. In this interview from 2003, she discusses her science fiction novel “Oryx and Crake,” first of what later became a trilogy including ‘Year of the Flood” and “Maddadam,” along with her work on a collection of speeches and essays, “Negotiating with the Dead: A Writer on Writing.” This is the fifth of eight interviews with Margaret Atwood conducted between the years 1989 and 2013. Complete Interview   Review of the national touring company production of “Some Like It Hot” at BroadwaySF Orpheum Theatre   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre  The Heart-Sellers by Lloyd Suh, February 9 – March 9, 2025. Awesome Theatre Company. See website for information. Berkeley Rep. The Thing About Jellyfish, based on the novel by Ali Benjamin, adapted by Keith Bunin, January 31 – March 9, World Premiere, Roda Theatre. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Some Like It Hot, January 7-26, Orpheum. Annie, Feb. 6-9, Orpheum, Back to the Future: The Musical, Feb 12 – March 9. Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  The Cher Show. March 18 – 23. Center Rep: Froggy, Feb. 9 – March 7. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Gutenberg! The Musical, January 17 – 26, 2025, Warren Theatre, Sonoma State University. Club Fugazi. SF Sketchfest, Jan. 16 – Feb. 2. Dear San Francisco resumes Feb. 7.. Check website for Music Mondays listings. Contra Costa Civic Theatre Fairview by Jackie Sibblies Drury. February 1 – 16, 2025. 42nd Street Moon. See website for upcoming productions. Golden Thread  AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Daisy by Sean Devine, January 23 – February  9. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. The Glass Menagerie by Tennessee Williams. Jan. 23 – Feb. 16. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang  April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: Josh-A-Palooza with Josh Kornbluth, January 16 -19 Marin Theatre  Waste by Harley Granville-Barker,  Feb. 6 – March 2, 2025. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Francis Grey and the Case of His Dead Boyfriend by Nathan Tylutkis, February 6-16. Wild with Happy by Colman Domingo, March 7 – April 6. Oakland Theater Project.  See website for upcoming schedule. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for one day/night events. Pear Theater. The Gods of Comedy by Ken Ludwig,  Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: See website for Spotlight Cabaret Series at Feinstein's at the Nikko and upcoming productions.. San Francisco Playhouse. Waitress, November 21, 2024 – January 18, 2025. Exotic Deadly, or the MSG Play by Keiko Green, January 30 – March 8. SFBATCO.  See website for upcoming streaming and in- theater shows. San Jose Stage Company: An Enemy of the People by Henrik Ibsen, Feb. 5 – March 2.. Shotgun Players.  Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Urinetown,  January 15 – February 15, 2025. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  See website for upcoming productions. Theatre Rhino  Doodler, conceived and directed by John Fisher, February 8- March 2. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Rachmaninoff and the Czar with Hershey Felder and Jonathan Silvestri, Jan. 8 – Feb. 9, Mountain View Center for the Performing Arts. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   . The post January 16, 2025: Vernor Vinge – Margaret Atwood appeared first on KPFA.

Vernor Vinge (1944-2024), in conversation with Richard Wolinsky and Richard A. Lupoff, recorded in the KPFA studios, May 7, 1992 while on tour for his novel, “Fire Upon the Deep,” which would be a co-winner of the Huge Award for Best Novel at the 1993 World Science Fiction Convention. ​​​​​Vernor Vinge, who died on March 20th, 2024 at the age of 79 was one of the masters of late twentieth century and early 21st century science fiction. He won five Hugo Awards, three for Best Novel and two for best novella, and is credited as the first science fiction writer to offer a fictional cyberspace, a few years before William Gibson and Neal Stephenson. Over all, Vernor Vinge wrote eight novels and had five published collections of his writings. His final novel, The Children of the Sky, was published in 2011. A prequel to Fire Upon the Deep titled A Deepness in the Sky, was published in 1999, and a sequel, The Children of the Sky, his last novel, was published in 2011. To date, none of his stories have been adapted for either television or film. Vernor Vince retired from teaching in 2000 to become a full-time writer. In this interview, he discusses university-level mathematics, and goes into detail about what are now the early days of life on the internet, and ways in which communications are shared using minimal bytes, and discusses his early writing about cyberspace, and about singularities. There are also comments about what the future holds, a future we now are experiencing. This interview has not aired in over thirty years, and was digitized, remastered and edited in January 2025 by Richard Wolinsky. The post Vernor Vinge (1944-2024), Science Fiction Master, 1992 appeared first on KPFA.

We read the first six stories of William Gibson’s Burning Chrome. CWs for: sexual assault, racism, addiction, animal abuse, suicide. For the next show, we are finishing Burning Chrome. You can go to patreon.com/rangedtouch to support the show and access the bonus episode feed. The show is hosted by Cameron Kunzelman, Michael Lutz, and Austin Walker. You… Continue reading Burning Chrome – Part 1

We watch the Hallmark film Love in Paradise. For the next episode, we are reading the first five stories of William Gibson’s Burning Chrome. You can go to patreon.com/rangedtouch to support the show and access the bonus episode feed. The show is hosted by Cameron Kunzelman, Michael Lutz, and Austin Walker. You can get the mentioned shirt… Continue reading Love in Paradise

It's time to jack in and try to decode one of the ur-texts of cyberpunk: William Gibson's Neuromancer. It's got everything you'd expect from a cyberpunk story (hackers, cybernetic enhancements, malevolent AI constructs) while also being the one of the reasons you have those expectations in the first place!This episode is sponsored by Squarespace. Go to squarespace.com/overdue for 10% of your first purchase of a website or domain.This episode is sponsored by Aura Frames and Brew Book Candle.Our theme music was composed by Nick Lerangis.Follow @overduepod on Instagram and BlueskyAdvertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Neuromancer is an incredible science fiction classic, a page turner full of gripping action sequences, wild futuristic ideas, and a unique, techno-criminal world populated by wildly imaginative characters. As always, no spoilers until the end when we get into the full plot explanation and discussion. This episode is sponsored by Mythos: The Origin of Gods by A.A., which is available on print, audiobook, or kindle hereJoin the Hugonauts book club on discord!Or you can watch the episode on YouTube if you prefer videoSimilar books we recommend: Altered Carbon by Richard MorganSnow Crash by Neal StephensonThe sequels to Neuromancer: Count Zero and Mona Lisa Overdrive

Chow down on chicken tikka masala with Gareth L. Powell as we discuss the way a Diana Wynne Jones critique of his teenaged writing was a complete revelation in how to write fiction, how an adversarial relationship with a university professor who didn't want him writing science fiction actually ended up helping him, the New Year's resolution which led to him to both kick smoking and write a novel, how reading William Gibson's short story collection Burning Chrome shook him up and made him realize what kind of short stories he really wanted to write, the message he most wants to convey to beginning writers in his workshops, the importance of stepping outside your comfort zone, how to make a good impression when approaching an editor in a convention bar, the way he developed his propulsive writing style, why he's so receptive to editorial suggestions, what it was like collaborating with Peter F. Hamilton and Aliette de Bodard, his techniques for deciding which of many story ideas you should write, the reason his mother refuses to read his books, why writing novels can be like telling a joke and waiting two years for somebody to laugh, and much more.

Long time friend of the podcast Joe Monti, who was recently promoted to Vice President, Associate Publisher, and Editorial Director at Saga Press, and is now officially a "Big Cheese', stops by for a wide-ranging chat about the impact of the pandemic and other events on the affordability of books; trends in recent science fiction, fantasy and horror and why science fiction may be set for something of a comeback; the influence (or lack thereof) of awards on book sales; and touches on authors ranging from Cixin Liu and N.K. Jemisin to William Gibson and Ursula K. Le Guin. As always, Joe's broad experience as publisher, agent, and bookseller provides some unique insights as to what's going on and we think makes for fascinating listening as we move towards the end of the year.

Time to break out of the Black Iron Prison as Jack Hart returns to the Virtual Alexandria to discuss his new book, Brave Noö World: A Guerilla Ethnography of High. He'll tap into the now-real prophecies and solutions of Philip K. Dick. We'll expand to other seers of High Strangeness like Robert Anton Wilson, William Gibson, Terence McKenna, and more. Through the understanding of tech gnosis, ethnography, esoteric insurgencies, Mind F*uck activism, and other Red Pill suppositories, you'll find your higher purpose and allow the Empire to finally end. It's the end of the world, and it's time you feel fine.Get the book: https://amzn.to/4eHVvnZMore on Jack: https://www.tekgnostics.com/Stream All Astro Gnosis Conferences: https://thegodabovegod.com/replay-sophia/The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasisHomepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyteAB Prime: https://thegodabovegod.com/members/subscription-levels/ Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288Support this podcast at — https://redcircle.com/aeon-byte-gnostic-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Who and what you are, your personality, your style, your thoughts...  That's all about to change.  For one thing you are already a product on “free to use” social media.  You don't really own things you think you own (We're looking at you, Steam!)  Even your intellectual property is up for grabs now in ways you can't see coming.  Hollywood actors are selling the rights to their digital likenesses, and meanwhile, others are stealing such rights via technological loopholes.  All media exists, according to Drew, to draw you towards the advertisements…  And your deepfake could be used to do just that to others.  Some of these fakes are good enough to fool yourself even. Join Allan and Drew as they interview Sam Rad, a premier futurist and humanist, who freely admits that there is now an inherent tension between those two philosophies. The conversations about the governance, ethics, and security of all this new media and technology are woefully behind the curve. Many members of the TikTok generation has a 4-second attention span and require multiple simultaneous input streams at any given time to feel satisfied.  Is this a deliberate attack on the Western human nervous system?  Cyberattacks are certainly killing people already, why not go straight for their brains? Are the peasants coming with pitchforks and torches to destroy Frankenstein's newest monster?  How about the striking dockworkers?  The terrorists destroying 5G towers?  Do peasants with pitchforks ever win?  Ned (mistakenly called “Jason” by Allan)  Ludd and the Luddites failed in a big way to stop technology from replacing their jobs in the late 1700s (mistakenly referred to as the having happened in the Victorian era by Allan) This show is peppered with others such historical and cultural references such as the cultures and economies in Second Life, Picasso's mass production of his own paintings, Rousseau's evolving concepts of property, Mary Shelly and her Frankenstein's monster, Hegel's model of “thesis, antithesis, synthesis”, the Butlerian Jihad from the “Dune” series, and William Gibson's maxim that, “The street finds its uses for things”. We're not even coping with all of this, and now we have the AI conversation thrust upon us as well…  Your content is training data, and can be mimicked with uncanny accuracy as well. Check out Sam's book, “Radical Next” and her docuseries “Illicit Economies of the Shadowverse” to learn more about the positives and negatives of all of these trends in humanity. Good luck out there.  Stay safe.  Who you are and what you own is irretrievably altered at this point.  Cybersecurity is really just “security” now.  But hopefully all this mess will create the next cultural and creative Renaissance. Y'all be safe now...  

Mike Maples, Jr. is a legendary early-stage startup investor and a co-founder and partner at Floodgate. He's made early bets on transformative companies like Twitter, Lyft, Twitch, Okta, Rappi, and Applied Intuition and is one of the pioneers of seed-stage investing as a category. He's been on the Forbes Midas List eight times and enjoys sharing the lessons he's learned from his years studying iconic companies. In his new book, Pattern Breakers: Why Some Start-Ups Change the Future, co-authored with Peter Ziebelman, he discusses what he's found separates startups and founders that break through and change the world from those that don't. After spending years reviewing the notes and decks from the thousands of startups he's known over the past two decades, he's uncovered three ways that breakthrough founders think and act differently. In our conversation, Mike talks about:• The three elements of breakthrough startup ideas• Why you need to both think and act differently• How to avoid the “comparison trap” and “conformity trap”• The importance of movements, storytelling, and healthy disagreeableness in startup success• How to apply pattern-breaking principles within large companies• Mike's one piece of advice for founders• Much morePre-order Mike's book here and get a second signed copy for free. Limited copies are available, so order ASAP: patternbreakers.com/lenny.—Brought to you by:• Enterpret—Transform customer feedback into product growth• Anvil—The fastest way to build software for documents• Webflow—The web experience platform—Find the transcript at: https://www.lennysnewsletter.com/p/how-to-find-a-great-startup-idea-mike-maples-jr—Where to find Mike Maples, Jr.:• X: https://x.com/m2jr• LinkedIn: https://www.linkedin.com/in/maples/• Substack: https://greatness.substack.com/• Website: https://www.floodgate.com/—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Mike's background(03:10) The inspiration behind Pattern Breakers(08:09) Uncovering startup insights(11:37) A quick summary of Pattern Breakers(13:52) Coming up with an idea(15:30) Inflections(17:09) Examples of inflections(28:10) Insights(36:58) The power of surprises(47:36) Founder-future fit(55:33) Advice for aspiring founders(56:41) Living in the future: valid opinions(55:34) Case study: Maddie Hall and Living Carbon(58:40) Identifying lighthouse customers(01:00:53) The importance of desperation in customer needs(01:03:57) Creating movements and storytelling(01:24:22) The role of disagreeableness in startups(01:34:42) Applying these principles within a company(01:40:43) Lightning round—Referenced:• Pattern Breakers: Why Some Start-Ups Change the Future: https://www.amazon.com/Pattern-Breakers-Start-Ups-Change-Future/dp/1541704355• Justin.tv: https://en.wikipedia.org/wiki/Justin.tv• Airbnb's CEO says a $40 cereal box changed the course of the multibillion-dollar company: https://fortune.com/2023/04/19/airbnb-ceo-cereal-box-investors-changed-everything-billion-dollar-company/• Brian Chesky's new playbook: https://www.lennysnewsletter.com/p/brian-cheskys-contrarian-approach• The Unconventional Exit: How Justin Kan Sold His First Startup on eBay: https://medium.datadriveninvestor.com/the-unconventional-exit-how-justin-kan-sold-his-first-startup-on-ebay-4d705afe1354• Kyle Vogt on LinkedIn: https://www.linkedin.com/in/kylevogt/• The State of Telehealth Before and After the COVID-19 Pandemic: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9035352/• The Craigslist Killers: https://www.gq.com/story/craigslist-killers• The social radar: Y Combinator's secret weapon | Jessica Livingston (co-founder of Y Combinator, author, podcast host): https://www.lennysnewsletter.com/p/the-social-radar-jessica-livingston• Michael Seibel on LinkedIn: https://www.linkedin.com/in/mwseibel/• The Airbnb Story: How Three Ordinary Guys Disrupted an Industry, Made Billions ... and Created Plenty of Controversy: https://www.amazon.com/Airbnb-Story-Ordinary-Disrupted-Controversy/dp/0544952669• Scott Cook: https://www.forbes.com/profile/scott-cook/• Chegg: https://www.chegg.com/• Aayush Phumbhra on LinkedIn: https://www.linkedin.com/in/aayush/• Osman Rashid on LinkedIn: https://www.linkedin.com/in/osmanrashid/• Okta: https://www.okta.com/• The Man Who Makes the Future: Wired Icon Marc Andreessen: https://www.wired.com/2012/04/ff-andreessen/• Peter Ludwig on LinkedIn: https://www.linkedin.com/in/peterwludwig/• Qasar Younis on LinkedIn: https://www.linkedin.com/in/qasar/• Paul Allen's website: https://paulallen.com/• Louis Pasteur quote: https://www.forbes.com/quotes/6145/• What was Atrium and why did it fail? https://www.failory.com/cemetery/atrium• Patrick Collison on LinkedIn: https://www.linkedin.com/in/patrickcollison/• Drew Houston on LinkedIn: https://www.linkedin.com/in/drewhouston/• William Gibson's quote: https://www.goodreads.com/quotes/681-the-future-is-already-here-it-s-just-not-evenly• Maddie Hall on LinkedIn: https://www.linkedin.com/in/maddie-hall-76293135/• Living Carbon: https://www.livingcarbon.com• Zenefits (now Trinet): https://connect.trinet.com/• Sam Altman on X: https://x.com/sama• Steve Wozniak on LinkedIn: https://www.linkedin.com/in/wozniaksteve/• Horsley Bridge Partners: https://www.horsleybridge.com/• David Swensen: https://en.wikipedia.org/wiki/David_F._Swensen• Judith Elsea on LinkedIn: https://www.linkedin.com/in/judithelsea/• 7 Powers: The Foundations of Business Strategy: https://www.amazon.com/7-Powers-Foundations-Business-Strategy/dp/0998116319• Business strategy with Hamilton Helmer (author of 7 Powers): https://www.lennysnewsletter.com/p/business-strategy-with-hamilton-helmer• Lyft's Focus on Community and the Story Behind the Pink Mustache: https://techcrunch.com/2012/09/17/lyfts-focus-on-community-and-the-story-behind-the-pink-mustache/• Logan Green on LinkedIn: https://www.linkedin.com/in/logangreen/• John Zimmer on LinkedIn: https://www.linkedin.com/in/johnzimmer11/• Storytelling with Nancy Duarte: How to craft compelling presentations and tell a story that sticks: https://www.lennysnewsletter.com/p/storytelling-with-nancy-duarte-how• Steve Jobs Introducing the iPhone at MacWorld 2007: https://www.youtube.com/watch?v=x7qPAY9JqE4• Jonathan Livingston Seagull: https://www.amazon.com/Jonathan-Livingston-Seagull-Richard-Bach/dp/0743278909• The paths to power: How to grow your influence and advance your career | Jeffrey Pfeffer (author of 7 Rules of Power, professor at Stanford GSB): https://www.lennysnewsletter.com/p/the-paths-to-power-jeffrey-pfeffer• Robin Roberts on LinkedIn: https://www.linkedin.com/in/robin-roberts-393a934b/• Skunkworks: https://www.lockheedmartin.com/en-us/who-we-are/business-areas/aeronautics/skunkworks.html• Vision, conviction, and hype: How to build 0 to 1 inside a company | Mihika Kapoor (Product at Figma): https://www.lennysnewsletter.com/p/vision-conviction-hype-mihika-kapoor• Hard-won lessons building 0 to 1 inside Atlassian | Tanguy Crusson (Head of Jira Product Discovery): https://www.lennysnewsletter.com/p/building-0-to-1-inside-atlassian-tanguy-crusson• Figma: https://www.figma.com/• Atlassian: https://www.atlassian.com/• Vinod Khosla: https://www.khoslaventures.com/team/vinod-khosla/• Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing: https://www.amazon.com/Top-Five-Regrets-Dying-Transformed-ebook/dp/B07KNRLY1L• Chase, Chance, and Creativity: The Lucky Art of Novelty: https://www.amazon.com/Chase-Chance-Creativity-Lucky-Novelty/dp/0262511355• Clay Christensen's books: https://www.amazon.com/stores/Clayton-M.-Christensen/author/B000APPD3Y• Resonate: Present Visual Stories That Transform: https://www.amazon.com/Resonate-Present-Stories-Transform-Audiences/dp/0470632011• Ferrari on Prime: https://www.amazon.com/Ferrari-Adam-Driver/dp/B0CNDBN672• Montblanc fountain pens: https://www.montblanc.com/en-us—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. Get full access to Lenny's Newsletter at www.lennysnewsletter.com/subscribe