Podcasts about Tingler

A Taste of Evil (1971), Snowbeast (1977), This House Possessed (1981) We're back on the small screen for our fourth dive into the world of made-for-TV horror—which should tell you something: we love these things. Maybe it's nostalgia from growing up in an era when you couldn't stream whatever you wanted, whenever you wanted. Or maybe it's because some of these films were just plain good—tight, creepy little stories that managed to leave a mark. This time around, we're not talking about the crown jewels of the genre, but rather three solid, middle-of-the-pack entries: well-made, weirdly memorable, and wildly watchable. You've got disturbed minds, ski lodge mayhem, and a haunted house that's a little too into you. If the stories don't grab you, the casts just might. Films mentioned in this episode: 1941 (1979), Abominable (2006), Alien (1979), Amityville Horror (1979), Asylum (1972), Beetlejuice (1988), Beyond the Door (1974), Blazing Saddles (1974), Butcher Baker, Nightmare Maker (1981), City of the Dead (1960), City Slickers (1991), The Curse of Frankenstein (1957), Don't be Afraid of the Dark (1973), Dark Night of the Scarecrow (1981), Devil Dog: Hound of Hell (1978), The Devil's Daughter (1973), Double Indemnity (1944), Drag Me to Hell (2009), Duel (1971), Frankenstein: The True Story (1973), Halloween (1978), House by the Cemetery (1981), House that Wouldn't Die (1970), Horror of Dracula (1958), I, Desire (1982), The Dirty Dozen (1967), Jaws (1975), A Nightmare on Elm Street (1984), Night of the Creeps (1986), The Night Stalker (1972), The Night Walker (1964), Pat Garrett & Billy the Kid (1973), Planes, Trains, and Automobiles (1987), Psycho (1960), Re-Animator (1985), Salem's Lot (1979), Satan's School for Girls (1973), Scream of Fear (1961), Shriek of the Mutilated (1974), Snowbeast (1977), Strange and Deadly Occurrence (1974), Suspiria (1977), A Taste of Evil (1971), Three Stooges Meet Hercules (1962), This House of Possessed (1981), The Tingler (1959), Trilogy of Terror (1975), Videodrome (1983)

Send us a textWhen New York actor Paul Cole is beaten and left for dead in 1950s Ohio, he loses his memory and the only way he can reclaim what he's lost is by listening to stories about his life from a vulgar radio show. On Episode 665 of Trick or Treat Radio we discuss the film The Actor from director Duke Johnson! We also talk about all the ways you can eat an Uncrustable, the realization that you're not who you were supposed to be, and everything we have planned for the upcoming momentous 666th episode! So grab your VHS of My Demon Lover, write down all your thoughts so you don't forget them, and strap on for the world's most dangerous podcast!Stuff we talk about: Felissa Rose, Sleepaway Camp, The Last Sleepover, Lisa Wilcox, Slaughter High, Sam Adams, Spanish version of Dracula, Cannibal Ferox, My Demon Lover, Scream 2, Creepshow 3, David Hess, Texas Chainsaw Massacre, Eric Balfour, Melinda Clark, Return of the Living Dead Part III, Peter Jason, Ghosts of Mars, Arachnophobia, Planet Terror, Red State, Richard Donner, Goonies, The Omen, Alejandro Cruz, Blue Demon, William Castle, The Tingler, House on Haunted Hill, Rosemary's Baby, all the ways you can eat an Uncrustable, Scott Valentine, McCormick Spices, Christina Applegate, House II: The Second Story, RIP Lar Park-Lincoln, Highway to Heaven, Giovanni Lombardo Radice, Shawn Lewis, Grindhouse Releasing, 7 Doors of Death, Fabio Frizzi, Rotten Cotton, Chunkblow Apocalypse, Zombi, Eibon Press, The Actor, Duke Johnson, Andre Holland, amnesia, Memento, movies shot on a soundstage, dream logic, self-awareness, learning you're not who you're supposed to be, Total Recall, Anything Goes, Cole Porter, Memory, Geddy Lee, William Shakespeare, the new album from Knowman, Alienated, The Wicker Man, May Day, Episode 666, The Number of the Beast, Retroactivate, Total Unrecall, and Thesplaining Your Life.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Autor und Literaturkritiker Philipp Tingler ist dieses mal bei Matthias Hofer zu Gast. Tingler hat neben Philosophie auch Ökonomie studiert und vielleicht war er genau deswegen prädestiniert um beim Philosophicum Lech 2024 über das Thema Luxus zu reden. Mit „Luxus als Verwegenheit“, so der Titel seines Vortrags – greift Tingler den Umstand auf, dass in moralisierenden Zeiten Luxus gerne als Störung verstanden wird. Dabei kann für Tingler Luxus ein kleines materialistisches Wunder – ein Wunder der Schönheit und Emanzipation bedeuten.

The guys are back with another At First Sight episode where they look at a weird movie poster and try to predict the plot of the movie without any other details than what's on the poster. Spoiler alert: they're always wrong.

A true theater experience when originally released by the ultra-creative horror/thriller director William Castle.  Starring William Price as a scientist who discovers a parasite that inflicts pain on people when they're scared.

It's our birthday

Do you dare to listen? I'm Carlo, host of The Movie Loot; and you're invited to my podcast on Vincent Price... where so far the ghosts have only murderer 7 listeners. So won't you come and make it... eight? You'll hear our thoughts on the man, the mysterious films he made through his career, and our Top 5 from his filmography. Don't try to escape, you can't! But ladies and gentlemen, please do not panic! but SCREAM! Scream while you listen!00:00:00 - 00:02:32 -- Intro00:02:32 - 00:10:19 -- Meet Frank!00:10:19 - 00:34:10 -- The Vincent Price Talk00:34:10 - 00:41:30 -- Vincent Price Quote Game00:41:30 - 01:01:39 -- The Vincent Price Loot01:01:39 - 01:02:41 -- Film Twitter's Vincent Price Loot01:02:41 - 01:08:52 -- Closing01:08:52 - 01:10:52 -- OutroFollow Frank and Silver Screeners PodcastLinkTree: Silver ScreenersWebsite: Frank MandosaTwitter: @filmbuff1974Facebook: Silver ScreenersMovies Across the Pod (Spotify)House on Haunted Hill clip (c) William Castle and Allied ArtistsMichael Jackson's Thriller clip (c) EpicPodcast Intro/Outro: Tino Mendes & Yellow Paper - The Heist

On this week's episode: James visits the Coolidge Corner Theater in Brookline, Massachusetts to feel "The Tingler" experience first-hand!New England's film industry is booming with multiple projects constantly under production. Projects include commercials, television shows and full-length feature films. Jamie and James are hosts of The Hub on Hollywood, an iHeartRadio podcast. The Hub on Hollywood discusses New England's growing film industry, as well as entertainment news and reviews. SUBSCRIBE & FOLLOW US ON INSTAGRAM & TikTok! Listen to new episodes of The Hub on Hollywood podcast on the iHeartRadio app!

THIS WEEK: House on Haunted Hill (1959), The Tingler (1959), Homicidal (1961)Sometimes called the P.T. Barnum of Hollywood, William Castle made his mark in the world of cinema by promoting his kitschy horror films with one of a kind gimmicks.Donate to Palestinian Medical Aid Support Optimism Vaccine on Patreon

The 1959 cult classic "The Tingler" makes a revival run at the Coolidge Corner Theater in Brookline with the original immersive experience. For more, ask Alexa to play WBZ NewsRadio on #iHeartRadio.

Another mid-opus Minnie-sode!  Full episode next week! In the meantime, catch Pete as Mr. Hives in Hayward introducing "The Tingler" tonight and "Night of the Living Dead" next Monday.Tix available here, https://douglasmorrissontheatre.thundertix.com/eventsEnjoy!Thanks for listening!Thanks for listening!We'd love it if you would give us a cheeky little review on your podcast platform of choice. They're really helpful.Come visit our Facebook group at https://www.facebook.com/groups/1511094196139406 or drop us a note to comments@lowdown-plus-up.com and let us know any questions or comments about how YOU would like to plus-something-up! We are a Boardwalk Times production.Boardwalk Times, https://boardwalktimes.net/Boardwalk Times store, https://boardwalktimes.store .

Ken Dog and callers talk movies with Pat, including hits such as the The Shuttered Room, The Tingler, and Smile 2.

This week (most) of us went to see Terrifier 3. We also talk about Minesweeper and Dungeon RPG, RogueHex, Banshee TV series, Guardians Gambit, Thing from Another World, The Thing, The Tingler, Curse of the Demon, House of Bone and Rain, Cocaine Bear, Shadowdark, Dungeon Crawler Carl, Furries at the Renn Faire, KingCon, Annie, the View-Master movie, the FTC "Click to Cancel" rule, Raimi and Doctor Strange 3, Stephen King's Fairy Tale goers to series, Queens of the Dead, and Devilina. So, bring your garbage bag of death, it's time for a GeekShock!

Halloween inches ever closer much like the centipede? earwig? that dominates William Castle's 1959 horror film The Tingler. Emily and Kristen discuss Bill Castle and his gimmicks, Vincent Price, and why Warren Chapin might be the worst doctor character ever. This episode was created thanks to our Patrons: Ali Moore Amy Hart Danny David Floyd Donna Hill Gates Jacob Haller McF Rachel Clark Shawn Goodreau A Button Called Smalls BadGuyRants Chris McKay Debbi Lynne Jeffrey Joseph Kayla Ewing Peter Blitstein Peter Bryant Peter Dawson Susannah Burger Brittany Brock Cat Cooper Daniel Tafoya David Baxter Diana Madden Emily Edwards Emily Frederichs Harry Holland Helena Pickup Lucy Soles Nick Weerts Paul Rosa

The Tingler (1959), & Re-Animator (1985) ALL MOVIES SPOILED In this film block, Dustin Little and Aaron Sauerland, the filmmakers behind In Case of Fear, take Jeremy and Brian into the lab to run some experiments that can only be described as mad. Support In Case of Fear here: www.seedandspark.com/fund/InCaseOfFear#story Follow Dustin and Aaron here: https://www.instagram.com/InCaseOfFear https://www.instagram.com/aaronsauerland https://www.instagram.com/IntBrainNight Where to watch: Be Kind Video (Burbank) Vidéothèque (South Pasadena) Cinefile (Santa Monica) The Tingler (Blu-ray) Re-Animator (Blu-ray) Further Reading: The Tingler Unleashed by Gary J. Rose Other films referenced: The Fly (1958) The Last Man on Earth (1964) House on Haunted Hill (1959) 13 Ghosts (1960) Homicidal Mr. Sardonicus Vertigo Psycho (1960) Alien Spaceballs The Wizard of Oz (1939) Who Framed Roger Rabbit Austin Powers: International Man of Mystery Die Hard Dawn of the Dead (1978) The Frighteners The Thing (1982) Big Trouble in Little China American Beauty Bride of Re-Animator Beyond Re-Animator Frankenstein (1931) Society From Beyond Teenage Mutant Ninja Turtles II: The Secret of the Ooze It (2017) Honey, I Shrunk the Kids Honey, I Blew Up the Kid Herbert West: Re-Animator (2017) The First Omen Grindhouse (2007) The Brain That Wouldn't Die (1962) The Silence of the Lambs The Majestic The Blob (1988) A Nightmare on Elm Street 3: Dream Warriors Day of the Dead (1985) The Abyss Creepshow Evil Dead II Godzilla (1954) King Kong (1933) Oldboy (2003) Mysterious Island (1961) Jason and the Argonauts (1963) The 7th Voyage of Sinbad Mad God Abruptio Jurassic Park

spoilers begin at 07:53ghostbeast.comcheck our TikTok and Youtube for video content, and support us at ghostbeast.bigcartel.comcontact us at podcast@ghostbeast.com

It's the very 100 and 23rd episode of Forsaken Cinema Podcast!!! We're back!! Where did we go? Who knows!! Will it happen again?? Almost definitely!! Seriously, y'all got trust issues yet? Anyways (you know, that word Mel uses 37 times an episode), it's a new month new theme!!! Yeah, sorry we didn't actually finish Third Time's a Charm month, but our last recording for that theme might pop up as a bonus soon… But yes! April's theme is “Old Shit”! Sorry, I couldn't think of a better name. We're doing movies pre-1960's and this week, we have 1959's “The Tingler” starring Vinny P and directed by Willy Castle. Go get it, ya freaks!!! Available everywhere. ——— Also discussed: Late Night with the Devil (2024) Lovely Dark and Deep (2023) You'll Never Find Me (2024) Stopmotion (2024) Imaginary (2024) ——— If you dig the show, PLEASE! Subscribe, follow, rate, review, and share!!! ——— www.forsakencinema.com Instagram.com/Forsakencinema Forsakencinemapodcast@gmail.com

Will Yoshinobu Yamamoto's fastball be elite in the Bigs? Heavy debate in here before Twins Bench Coach Jayce Tingler joins the party with his take on the team's new look.Tingler takes us inside the crappy job of cutting players at spring training and how he makes his manager play the bad guy.A heated Twins egg toss competition sparks a detailed story about a base coach ripping gas during a game and then Todd Frazier's epic Little League “accident” story resurfaces.--All of the ways to follow FT in one place --> TAP IN  

For Batman enthusiasts and pop culture aficionados, join us in our retrospective journey into Batman- the animated series, other popular TV shows, and some cinematic favourites. Get to know our animated panel of experts – Sean Steffen, Joe Randazzo, Vicky Rae, and our host, Keith Chawgo, as they reveal their personal and professional experiences and their taste in movies. Delve into our extensive discussions on films, acting performances, and influential career positioning films. With lively debates, fascinating movie recommendations, and healthy doses of humour and sarcasm, this promising episode promises not just an interesting listen but a joyful ride through your favourite films and TV shows.   As we shift gears, our conversation lightens as we discuss the timeless beauty of black women and then dives into a shared appreciation for the film, "Bullet." From films recently screened in the local theatre to others including "Ring of Fire 2," "Psycho Cop," and the intriguing series "Twin Peaks," we discuss everything that enkindles our interest with enthusiasm and thorough analysis. Join us as we examine everything from thrilling chase scenes to emotional dialogues, painting a vivid cinematic world.   Analysing Popular TV Series: Twin Peaks, Dark Shadows, and Shogun.     Engage with us in a free-flowing discussion on reactions and thoughts on some of the trending TV series. The conversation evolves as we delve into performances, visual aesthetics, storyline intricacies, and the creative decisions driving narratives in series such as Twin Peaks, Dark Shadows, and the recently released series of Shogun. Navigate through this enlightening episode as we analyse characters, critique story strengths and weaknesses across different seasons, and conjecture how real-world events such as the Gulf War influenced certain shows.   Exploring Vintage Cinema Classics & Batman's Animated Series   In this episode, we pay homage to vintage cinema classics and Batman's animated series. Our discussion enlightens the contributions of William Castle, the American film director, and his timeless productions, including "Macabre," "House on Haunted Hill," and "The Tingler." We meticulously discuss the cinematic world of Batman's animated series, shedding light on key characters, intriguing plots involving The Clock King and Catwoman, and brilliant presentation techniques.   Universe of Superheroes: Batman, Catwoman, Nightwing, and Spider-Man   Dive into the thrilling universe of superheroes, exploring their influence on cinema and broader popular culture. Listen to our engaging debate on characters such as Batman, Catwoman, the Gotham-resident Nightwing, and Marvel's Spider-Man, dissecting their different portrayals and analysing their appeals. The episode offers an immersive experience into the captivating world of iconic superheroes and would appeal especially to DC and Marvel universe enthusiasts.   Dissecting DC and Marvel: Comic Books, Films, TV Shows, and Influence   In this captivating episode, get engrossed in our deliberation on DC and Marvel's comic books, films, television shows, and how they influence each other. Join the discussions about two of the largest comic book empires, their adaptations, their distinctive fan bases, and the future of comic-based cinematic experiences.   Filmmaking & the Obsession with Trends: Industry Concerns and Critiques   In this gripping and honest discussion, we delve into grave concerns within the film industry today. Discussing issues like the rise of trend-driven filmmaking, the overdose of sequels, the evolution of Marvel and Star Wars' universes along with critiques of popular TV series such as The Mandalorian and Andor, this episode discusses how an overdose of trends can harm the film and TV industry's creativity and quality.   Exploring Batman's Animated Series: From Iconic Episodes to Recent Releases   In this episode, we embark on a journey through Batman's animated series, reviewing memorable moments, assessing nostalgic classics like Clerks 3, and discussing less favorable moments from recent releases. Join us as we delve into the layers of these iconic episodes, sharing insightful reviews, critiques and unravel the intriguing stories within stories in the Batman universe.   A Critique of 'Baby Doll' from Batman: The Problem of Fading Stardom   In this episode, we discuss the surprisingly poignant episode 'Baby Doll' from Batman's classic series. Join our conversation as we explore the struggles of child stars when their limelight dims prematurely. A deep dive into 'Baby Doll' offers a remarkable blend of absurdity, poignancy, and the dark realities of child stardom.    Opening Credits– Adventures of Batman and Robin The  - Animated Series by Shirley Walker.  Copyright 2008 Warner Records. All rights reserved   Closing Credits: Baby Doll by Ari Abdul.  Taken from the album Fallen Angel.  Copyright 2022 Ari Abdul   Section Breaks:  Music from the Batman: The Animated Series.  Music by Shirley Walker.  Copyright 2008 Warner Records ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used by Kind Permission.   All songs available through Amazon Music.

It's not The Blob, it's not THEM, it's not even The Tingler! This week, we are talking about the 80's, food based, satirical horror film, The Stuff!!When a white, yogurt-like substance begins to bubble out of the ground, one American corporation does the only thing it knows how to do: it packages it up and sells it to every grocery store across the country!Pete, Sarah, and their special guest, Joe, discuss this strange movie about addictive ice cream that possesses whoever eats it, and creates a dangerous cult-like army that tries to take over the world.Nothing about this movie makes sense, the characters are all kooky, and the plot is all over the place. But hey, that just makes it more fun to watch. So grab a snack, pour yourself a drink, and remember: don't get too scared!

Wes and Nick watch this bizarre classic horror flick from Vincent Price about spine centipedes and drama with wives involving LSD. Plot:Dr. Warren Chapin is a pathologist who regularly conducts autopsies on executed prisoners at the State prison. He has a theory that fear is the result of a creature that inhabits all of us. His theory is that the creature is suppressed by our ability to scream when fear strikes us. He gets a chance to test his theories when he meets Ollie and Martha Higgins, who own and operate a second-run movie theater. Martha is deaf and mute and if she is unable to scream, extreme fear should make the creature, which Chapin has called the Tingler, come to life and grow. Using LSD to induce nightmares, he begins his experiment.Support the show:

Scary Season Part Two! The guest hosts and I spent some time last week on a true classic of the horror genre, House Of Wax… now let's be frightened out of our wits by… well, it's actually a Scary Season “so bad, it's good” classic from the master of inexpensive horror, the Orson Welles of the Bs, the ne plus ultra employer of marketing gimmicks --- it's a William Castle film! And it's one of his greats --- The Tingler! Even the title is great! Released in 1959 and distributed by Columbia, it's a tight 80 minutes of terror and fun. Starring that wonderful purveyor of thrills and chills, during his rise as the King of the Terror Bs, Vincent Price.email: David@thosewonderfulpeople.comWebsite and blog: www.thosewonderfulpeople.comIG: @thosewonderfulpeopleTwitter: @FilmsInTheDark

Kenn lets the wheel pick his movie for Halloween. So we end up with the horror film “The Tingler”.Send us emails thepostermenpodcast@gmail.comFacebook- The Poster Men PodcastYoutube - The Poster Men PodcastLetterbox - thepostermenpodTwitter - @thepostermenpodInstagram - thepostermenpodcastWebsite - thepostermenpodcast.com

On this week's episode we talk about urban legends and found footage before Jeremy falls down the stairs with Skinamarink and Brandy Joe screams with fright at The Tingler. Time Markers: Skinamarink: 48:00 The Tingler: 57:35 We'd love to hear from you! Send your terrorgrams to scaringissharing@gmail.com. Also, check out all the other awesome shows coming at you from the Planet Ant/Planet Ant Podcast multiverse! For merch & more: https://linktr.ee/scaringissharing Find out more at https://scaring-is-sharing.pinecast.co

Join hosts Nathan and Ryan for a spine-tingling episode of Drive-In Double Feature Podcast as they explore the world of "The Tingler" (1959). Directed by William Castle, this classic horror film takes audiences on a journey into the realm of fear and suspense. Delve into the film's iconic spine-tingling moments, Vincent Price's unforgettable performance, and the ingenious gimmicks used in theaters during its original release. Discover the secrets behind "The Tingler" and its enduring impact on the horror genre. Get ready for a chilling discussion as we unravel the terror and intrigue of this cinematic gem.

It's October and Halloween is approaching fast, which means it's also the season for scary programming. But not everything has to be scary and for adult audiences like "Saw X" and "The Exorcist: Believer," both of which are currently in theaters. "Goosebumps," a new series based on the R. L. Stine series of books, debuts on Disney+ and Hulu on Friday, Oct. 13. Executive producers Pavun Shetty and Conor Welch spoke with co-host Bruce Miller recently to discuss the program and the love for books. Miller and co-host Terry Lipshetz also discuss some great family-friendly options to watch this fall, including "It's the Great Pumpkin, Charlie Brown," "Ghostbusters,"  "Beetlejuice," "The Addams Family," "Casper" and more. Where to watch "Goosebumps" on Disney+ and Hulu "It's the Great Pumpkin, Charlie Brown" on AppleTV+ "Beetljuice" on Max "The Nightmare Before Christmas" on Disney+ "Gremlins" on Amazon Prime Video "Ghostbusters" on Amazon Prime Video "Ghostbusters: Afterlife" on Amazon Prime Video "The House with a Clock in Its Walls" on Amazon Prime Video "Coco" on Disney+ "The Addams Family" (1991) on Amazon Prime Video "Casper" on Netflix Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. Episode transcript Note: The following transcript was created by Adobe Premiere and may contain misspellings and other inaccuracies as it was generated automatically: Welcome everyone to another episode of Streamed and Screened, an entertainment podcast about movies and TV from Lee Enterprises. I'm Terry Lipshetz, a senior producer at Lee and co-host of the program with the ghoulishly mischievous Bruce Miller, editor of the Sioux City Journal and a long time entertainment reporter. It's Halloween is in the air. I love it. I love doing Halloween or whatever that song is from Nightmare Before Christmas. That's right. Yeah. Danny Elfman, this this Halloween, that kind of stuff. Yeah. You know, are you a fan of Halloween movies? Do you really like all those scary kind of movies? Not scary. Scary. We don't. So the key with movies is they can't scare me where I can't fall asleep for a week. So what would be one that would scare you? What would be a bad one? Anything gory? Like I'm not going to watch a saw movie. Like, saw whatever. They're on the 35th installment of that. I've never seen any of them, and I never will. And I like the Halloween movies. The Freddy Krueger ones, the Jason, the Slash. I just won't watch any. So those are just not for. They're not for me. Yeah, well, I get it. I get it. I think when they get violent, it's not really fun, right? But it's a mystery. And you hear things, but you don't necessarily see anything. Yeah, that it's fun to watch those kind. But if it's the kind like I'm sitting in the house and it could happen to me in a minute if somebody jumped out and had a night or something. No, not right. Yeah, I don't need any. And some of them are just. What was that movie? The Human Centipede. You know, the concept is somebody sewing people together internally. This is just ridiculous. Now, I don't mind a movie that's going to make me jump in my seat a little bit. You know, that's where I get like. Like movies, you know, like Jurassic Park where a dinosaur jumps out at you from the jungle. That's cool. I'm into that. I'll watch that kind of thing. Ghostbusters. And we'll talk about some of these movies soon. But like a movie. Like a Ghostbusters, where goes, it's a little bit scary. There's some make up involved and some things that'll, you know, maybe give you a little trouble falling asleep. But it's not it's not gory, it's not gross. And those are the ones that I just don't want to watch at all. I have no interest. They're not grabbing you in a bear trap in your own house. Right, right, exactly. I love psycho. I can watch Psycho all the time. It's real. It's like, okay. And especially after, you know, the secrets to Psycho. Then you go, Oh, it's even more interesting. And then you start, you know, the bathtub for the 44th time that you're looking at this thing. You see that? Wait a minute. That's. That's somebody in the background that I recognize from a TV show, you know, So there are different things you see each time. And I think that the editing on that is impeccable. It's just incredible how they were able to make you think that it was scary when actually it probably wasn't. Yeah, and even a film like Silence of the Lambs, which has moments that are pretty disturbing. Yeah, a little a little bit gross. But but that it's a psychological thriller about a serial killer. And that's the type of film that I can watch. But they're more realistic. It is realistic, right? Exactly. What about all those scary things like vampires and Frankenstein monsters and werewolves? Do those get you like would Twilight be something you'd say yes to Twilight? I've seen bits of it. It's not really my cup of tea in terms of just, you know, it's like more of a team thing. So it's it's not really, but that is the type of film I would watch, like Interview with a Vampire with Tom Cruise. I love that movie. I thought that was that was good. And those those types of films I'll watch. I like I like the Alien franchise, you know, with Sigourney Weaver and those are scary. Those are scary, but it's it's sci fi. It's a little bit more on the sci fi things. So what's the rule at your house with the kids? Do Are they are they hot to see some of these films? Do they say, Oh, we've got to see this, we've got to see this, we got to see this, And then you say no, or what do you do? Some of them now I've got twin daughters. One of them is a little bit more adventurous, the one that I've spoken about who loves Star Wars. She's a little bit more adventurous. My other daughter, who they're twins, but they're not identical. So one of them looks a little bit actually more like my wife, and that's the one that loves Star Wars. And then there's another daughter that has more of my characteristics and features. Is it bigger? What's that? She has to be here. Yes. She has a very long beard. No, she has a lot of she has long hair. But it's on her head, not on her face, but she's very similar to me where she will get petrified by anything remotely like we watched Jurassic Park as a family and she will not watch the other ones. Like she tapped out after Jurassic Park one and she's 12. Though I would think that The Exorcist is off the table. Off the table? That's not happened. Yeah. And they have a sequel out now. You could see that. Yeah. I'm trying to think if I would see The Exorcist. I mean, I've seen bits and pieces of like, I watched a bit of Poltergeist. I mean, I kind of watch that one. I find if you go in the daytime, it's better when you come out. It's light though, at like seven or 8:00 at night and you come out and it's dark. They are everywhere. All the monsters that you can think of are out there. They're waiting. Yeah, yeah. I'll go during the daytime. You'll be able to enjoy those Doors was a horror film. Sure. But that's. That's different. Like, that's the kind I would watch. That's kind of. I love Jaws. I think that's. It's a great movie. I don't the sequels, not so much but that's that's other reasons altogether. So if we limit it to the the kind of crazed, killer slash eternal scary films. Yeah, they're off the table. Yes. Those I won't watch at all. Did you ever see the ones with Vincent Price and Peter Laurie and Boris Karloff back in the day in the sixties? They did a lot of American international pictures that were creepy, maybe scary, probably, and black and white. And we went to them like they were like soup. You know, We were just we were slurping them up. But many of you watch them now because they'll show them on Turner Classic Movies or TCM. They're not that scary. No. And I think there is a bit of a difference also, because I think the movies of the last 25, 30 years or so as technology has improved and computer graphics and special effects and all that stuff, you can fall back into that level of filmmaking, I think, and increase the Gore level. Whereas some of those earlier movies from the fifties, sixties, even into the seventies, those movies were a little bit more reliant on psychological thrillers and is sometimes the unknown is scarier than the known, right? You know, what you don't see can be scarier, like what's happening just off to the side of the screen that I can't see. You know, that Halloween is one of the biggest holidays of the year. Right. And as a result, they're trying to be as family friendly as they possibly can because there's money. There's money on the table that needs to be made. And so they're kind of, if you will, softening the the horror films, but they're still out there like your Ghostbusters. Ghostbusters is a good example of one that they've tried to reboot. Now, how many times? Well, there's another one due out March eight, as long as it's still on target with with the Strikes Go, the sequel. We don't have a name for it yet, but it's it's Ghostbusters, Afterlife Sequel. It's set to be released March 29 for 2024 or later or later. Right. But those are those work like hocus pocus, which is another one. And they've been hugely successful now in in rerun you know, on streaming services and they are making new ones they're it's it's a franchise in Disney is making big money off that so I don't think that will end but I do think there is room for new kind of thrilling family films right. Yeah well and even even if you look at one of the biggest shows on streaming in the last year, Wednesday and Sunday. Right. And that's that's a spinoff of The Addams Family. Right. And my kids love it. Both my daughters love that show. Yeah. Why? Because it's clever. And I think if you go for just the stupidity of some of these things that are just, how can I shock you? That's not that good. Right? And I think the I would talk a kid out of seeing some of those because I don't think that it would be really worth your time. Yeah, I can. I can scare you. Just give me a minute. But am I scaring you and then maybe teaching you something in the process? That's where it gets a little more interesting. Yeah. So what are some of your favorites? What are your favorite acceptable films for family or family? So I think the first one that is my go to and as a fan of music, one I love and it's it's is a staple of television for years and years and years. It's a great pumpkin. Charlie Brown with the soundtrack by the Vince Guaraldi Trio. And I think yeah. And you know, for somebody, I'll tell you this, I'm not a huge, huge jazz fan. Like I have some jazz albums in my collection. But if you're looking for a gateway into jazz, sure, there's like Miles Davis and John Coltrane, all those. But if you if you dig the Peanuts TV shows and you can get into the Vince Guaraldi Trio, that's a good entry point to jazz music. But I digress. You know, I love Very Pumpkin. Charlie Brown is just one of my favorite. You got that one and you've got the Christmas one. They've just have a handful of these programs, you know, themed at holidays, which I think you know, are just staples every year. You got to watch them. You mentioned the music in that I am sure if you were around back in the day, you would not have said, Oh, let's put some jazz with this. It it doesn't fit with peanuts. It doesn't seem like something that you would have with it. And yet we can't think of it now without that kind of music. Right, Exactly. Yeah. And you know the song Linus and Lucy, which is pretty much in every Peanuts television show I've heard the Dave Matthews Band cover it. It's a such a key piece of music there that we all listen to. Absolutely. Yeah. So if we ever go ice skating, we'll know that we have to have the music with us exactly as it just wouldn't be the same. Okay, what else can we watch? So I love and this one that I would like to show to my kids because I think they're old enough and I don't think it's that scary. But I always loved it as a kid was Beetlejuice, and that one is another one that has a sequel, a sequel that's due out later next year with most of the original cast. I love that movie. And again, you're dealing with Tim Burton here, so there's a little bit of a weird genius in play. And then, of course, the music by Danny Elfman is tremendous as well. You mention Tim Burton. He's kind of the king of the family friendly Halloween ask, you know, Yes, you look at all these ones that he has had. Corpse Bride? No. Edward Scissorhands. Yep. A number of those ones fit that that niche where you would go. Yeah. Okay. And he knows how to do it where it's not so scary that you won't sleep for a night or two. But they are creepy and ParaNorman is another one like that. You just throw them all on the heap and it's like. And then Nightmare before Christmas. Come on. Yeah, yeah, yeah. He's made a career. I mean, he's. He's a, he's a bit of a weird dude, but a weird dude in a good way. Yeah. And technically doesn't even do all of these films, but his name is on them. Other people are the directors, so you have to be very careful when you look at them to make sure that you're you're, you know, checking the right one. But yeah, it's is and print is on them very significantly and it's fun to watch, I think. Yes, absolutely It would is a classic but not necessarily scary but it does talk about those people who made those kind of films back when. Yeah. You know, it's movie kind of going back and it scared me a bit as a kid, but I still enjoyed it and love it to this date is Gremlins, and I think that's one of the values that didn't that one kind of lead that and Indiana Jones and the Temple of Doom among the early films that were they weren't rated R because they definitely weren't R rated level films but they listed them as PG and you kind of needed something in between. And I feel like, wasn't it Gremlins and Indiana Jones that kind of leads that PG 13 rating? There's a little there's a little more risk involved, if you will. And then it became everybody wanted a PG 13 rating. And so then they had to kind of parse it so that how many words are PG 13 ask? And they arrived at the theory that one certain four letter word we come up with it in your own mind once in a film was still PG 13. Yeah. And there was a little bit of like you can allow, you know, some backsides, bare backside would be okay for PG 13, but not right. Not anything about that. Yeah, but then get into the R and then by then you're on the slippery slope to an X, so that's who knows what happens. Yeah. And it became a thing that kids didn't want to go to PG They wouldn't go to G movies because G movies were for babies. That right. The way they'd look at that. Yeah, but a PG movie was one that parents would send you and you didn't have to have the parents sitting with you. PG 13 They might take a dimmer view about, Well, let me see here. Let's see what this is all about. Yeah. And now, you know, I think the kids want to see R-rated all the time. I always look at when you get into movies with sequels, the ones that start out as rated R movies in the first movie, but then get knocked down to PG 13, like National Lampoon's Vacation. I think that was an R-rated film when it came out. But by the time they got to, I think European Vacation was even maybe PG 13. Bigger audience, You're going to get more money. And that's exactly bottom line is the bottom line. Yeah, yeah. The gremlins is no good. No hire. I like a good R-rated movie when it's just for language because it's like, What the heck, I hear this at work, so I don't have to worry about what we're getting on the screen. But sometimes they end up, you know, overdoing it just because they want to shock you with that end of things. But for the most part, PG 13, you're going to get enough thrills there. You're going to get enough of something, and mom and dad aren't going to be mad. Yeah, I agree. Another one that I really loved as a kid, but it did scare me a bit as a kid, but I kind of outgrew that a little bit. Was Ghostbusters I love. I went to see Ghostbusters when it came out. I had a little trouble sleeping that night because you've got that early scene, really, you know? Yeah, well, you know, you go down into the into that basement at the New York Public Library and the ghost that was, you know, sifting through the card catalog. But yeah, you had a kind of scared scared me to death. And I was I'm trying to think how old I was when at that time, you know, I was under ten years old. Eight, nine years old. So it was still a little bit scary to me. But to me, that that is a classic film, that one Ghostbusters two is just okay, I didn't mind the reboot, the Melissa McCarthy reboot from a few years ago. I thought that was fine, but I really actually loved the Ghostbusters afterlife that came out a couple of years ago. I thought it was a nice tribute, some good callbacks to the original film, and I thought there was some some nice tributes to it. I thought they did a nice job with, like, let's say, Harold Ramis bringing him back into the film even though he had passed away. I thought that was nice. It was a good tribute. So I am looking forward to the sequel that's due out next year. Or not? Or not? Maybe not. We allegedly Hey, I'm ready. I'm ready for it because I do like when they make you laugh. In fact, that's kind of the real surprise is that you can see a scary movie, but you still have a reason to laugh. And I think too many of them get very, very serious where you're like, Oh, man, this could happen to me right here in this theater. This is not good. Yeah, exactly. When I was a child, we had movies where you could you were interactive, if you will. They even add some movies where they would wire the seats and they'd have what was called The Tingler. And then it would shock you during the course of the film and you get a jolt from all of that. But one of the things I remember most, because it was my scariest movie ever, was one where you got to vote before you got into the theater. Should the guy, you know, thumbs up or thumbs down and you had to vote. And then at the end of the film, they would show the real door that you had voted for. Now, did anybody ever vote? You know, I don't even know if they made a second real because everybody wants to see a certain ending. Man, you know, they can tell you, oh, you're voting and this is going to count. But this sounds like, you know, politics today. You got a chance to do thumbs up and then you'd put it into this. I remember this vividly in a light and the light would show what you had voted thumbs up or thumbs down. Did the movie scare was called Mr. Sardonic Tests? Mr. Sardo I've heard about that. I never saw it, though. And it was just this man with this frozen face where he had this. It was like, You look like the Phantom of the Opera if you want to have a point of reference. Mr. Sardonic would give you that e scary ride, and that creeped me out as a kid so much that every night I had to go and check to make sure that the basement door was locked so that Mr. Iconoclast wouldn't come up and get me in the middle of the night. Oh, wow. Wow. That's crazy. My parents were letting me go to all his crap. Now I turned out this is great back that it was probably rated G, So yeah, I that it was and you know, I probably was with people that you don't even hear about. You don't even know their names anymore because they were done very cheaply and they were sent all around the country at different times. So you weren't necessarily going to all see the same movie on the same weekend. It was like a special thing. But the idea that it was interactive was, you know, as fun as a little thing. But we were always scared. We were scared, you know. Did you like Young Frankenstein? Mel Brooks, his movie. I try to think if I've ever even seen it, it's black and white. Right? The story of Frankenstein's grandson, I believe it is. Or a and so he inherits the place in in Germany. And he goes over there or Bavaria or wherever it is. It's, you know, some place over in Europe that's Transylvania, like. And the people are all like, you know, well, you're his his grandson, right? And no, no, no, I pronounce it Frankenstein. And there are all the you know, Marty Feldman's in there with the as Igor or Igor, whichever is in it, and Madeline Kahn was in it. And Cloris Leachman, I mean, it was a clever, clever film and a good way of kind of approaching all this. And it did have scary moments. But, you know, is it is is it one you show your kids? I think without the point of reference. Yeah. Having seen Frankenstein, I don't know that you'd get the humor now. I don't know if this would be appropriate for the kids. They still might be a little young for it, but it's along the lines of Frankenstein. But would you consider this to almost be a Halloween ish type of movie? Weird science, the John Hughes film? Yeah, that's clever. Yeah, it's kind of it is like a it is sort of like a Frankenstein. It's just writing teenage boys with the hormones raging. They don't create a monster. They create a hot woman. Right? Right. Well, what about Teen Wolf? Oh, yeah, that's a great fox. Yeah. I mean, you know, it's it's in that genre, all those universal pictures that were classics and they're still mining them now, but then they give him a little twist. And here we've got something that maybe works for a younger audience. Yeah, Teen Wolf, too, right? That was the sequel. But it didn't have Michael J. Fox. Probably not. No. Is Teen Big Thing. It was like Teen Wolf, like not the number two, but it was like, oh, yeah, I think by the time he did, that was one of those ones that they kind of kicked off. And then he got all that success from Family Ties and then he was in the back to the Future trilogy. So he was really. Did he need to do one? No, probably not. No. I think he probably didn't get paid much either. No, no, no. But that was a classic of my youth. I remember that one vividly. And yet it was a cheap movie. Exactly. You know, another one which I don't know if I would consider this. I saw it on some lists for Halloween films, and I don't necessarily know if it's Halloween, but it took place during Halloween and it's E.T. The extra terrestrial. That's a classic false movie. I don't think that counts. I don't think yeah, I don't know if it's a I see it on the list and I get it. And, you know, they dressed up E.T. and and it made it look like a costume in all that. But it's more I think the time of the year, Halloween time than necessarily being a Halloween movie. If we're ditching Jaws as a legitimate movie for this time of year, we're ditching E.T.. It can't be it. I'm fine with that. I'm fine with that. All right. Any more on the list? The girls did watch this one at a pretty young age, and I think it's a good kind of ghost movie. And it appeals both to, I think, parents and Kids is Casper the 1995 film. And that one was kind of fun because it is Casper. Casper, of course, is the Friendly Ghost, but it had fun little callbacks because wasn't Dan Aykroyd as the Ghostbuster made an appearance in it, and you had Father Guido Sarducci from Saturday Night Live. Amen to exercise the house and all that. And I thought that was always a fun film to watch and it's one that's appropriate to the kids. It's not going to scare them. You're you're alright with that and they're not going to go, Wait a minute Dad. What did you do to us? The one that's a spoof of horror films, Scary movie. Would that be one you'd consider? I don't know. I, I think I hate the genre so much. I mean, I've seen Scary Movie. I've seen all know. It's almost like I just don't even I hate I hate that aspect of the genre so much that the the spoof of it just doesn't appeal to me. I never I mean, I know it's not scary scary, but I just like, I can't I don't enjoy the references to begin with, so I'm not going to watch it. How about arachnophobia? Oh, boy, that's been a long time since I saw that one. There was this kind of creepy spiders. Yes. Yeah. Yeah. And then what about this is one maybe you did see with your kids the house with the clock in its walls. Have you seen that one? I don't think so. But it on the list. Put it out. It's. I think it's pretty good and creepy. Okay. And it has people that you you you know, I'm not going to tell you all this because I think you want to go in blind, but it has actors that you recognize in their playing, kind of heightened versions of maybe what we know them for. Okay. But yeah yeah it's Ruby House now. The Haunted Mansions. I have never really liked anything that they've done with Haunted Mansion. The current one that's out in theaters are heading to DVD. I don't like it. I think it is too much plot for what it's trying to unpack. And there, you know, it's like we got to try and tie in with the theme park somehow. We got to make sure that we have these things that we're imagining and we're going to add the music. And then we got to have the hot hatbox ghost because that's going to be at the parks at some point. I hate that. And the Eddie Murphy one that came before was no good either. But I did like when the Muppets did a Haunted Mansion. Oh, yeah. You can't go wrong with the Muppets. Yeah, the Muppets. They. You know, the Muppets were everywhere. The Muppets had done everything. Even though you think where they been, they don't really do too much, do they? Did they did a lot, but they had their own Haunted Mansion movie. And of the three, I think that's probably the best one as a second one out. I don't I don't know if I ever saw that one. That would be fun. Yeah. It's it's cute to see Coco. Oh, yeah. What maybe be classified in this is in this genre because he goes to the dead you know where he's and it scare. I thought it was scary in parts. Yeah but I'm yeah I then it's an animated film and I think it's it's a beauty full film it was visual It's really because that was a Pixar movie. Right. Right, right. Yeah. I'm trying to think of that. And then maybe my favorite recent Pixar film, I'm not sure if there's been a whole lot after that, but I really loved it. It was a really well done. Yeah, very well done. I saw that on some lists for Halloween movies and I was on the fence as to whether or not I would consider it, but they knew the characters out and I wish I could think of the name of the guy. He was the singer who sings Remember Me? Yeah. Yeah, he looks like a skeleton. And they have that character at the theme parks now, singing and talking and interacting with the audience. And I think, Well, that's kind of interesting, but it's not so scary that you would, like, run away from it. You know, you get yeah, it's this could be good. And then the original Addams Family films, those were good. Oh, sure. Yeah. Did you like the you're talking about the ones with like Raul, Julia and Anjelica Huston, right? Yeah, those were fine. I enjoyed them. The reboots that they did, CGI, not so much. Not on your list? No. Now the kids don't mind a may I? They've watched them a number of times. And I think they're they're at least family friendly enough. I don't mind them. I got I think I got dragged to the movie theater to see one of them and it was okay. Yeah. You know who we do? Well, Scooby Doo is awesome. Well, now the live action Scooby Doo. No, I'm not going to watch A lot of Freddie Prinze Jr was in it commercial. No, and I watched that. Yeah. What about monsters Inc? That's a fun one I love. But, I mean, that gets back to the early Pixar movies that I think almost everyone hit it out of the park. Yeah, my one daughter who doesn't like scary things. I think we tried showing that to them when they were little, like four or five years old and she's like, Come back to it since. Yeah, Coraline, that's not so bad. I'm trying to think when I've seen it, but it's been a really. Yeah, well, that's the one with the button eyes and all that. Yeah. Mm. Yeah. So there we are. Cruella. I'm throwing that one at you. That's scary. The live action one for a couple years. Yeah. No, that was fun. I never know if I would. I consider that to be Halloween ish. I don't know. Maybe. Maybe not. But he dresses up. That's a really good soundtrack. Yeah. Costumes, I think. Was it? It was nominated for best costume? I think so. Yeah. I didn't even want it. My. No, I remember because one of my daughters went as cruel a few years ago for Halloween. And so she absolutely wants to see that in the theater. And I, I enjoyed it. And I thought the music kind of kept me going on it. It was well-done from that end. Yeah. No, it's a you know, again, Disney knows how to lean into these things because they know there's money on the back end with that. So if they can find a way to monetize some kind of property, they've got somewhere Maleficent, you know, in there, they'll do it, they'll do it. But I think they're your safest bet when you're looking for something that you can show the kids without corrupting the kids, right? Absolutely. Yeah. One of the things that I have in my back pocket that actually is premiering this week is Goosebumps. Oh, Amber Goosebumps. Did you read any of the books they were before? Well, after my time, I should say. Right. I was not a Goosebumps person. Yeah, I didn't read the books. That kind of I'm not sure when the books came out, but I just either either I'm a little too old for them or it's just not something that I ever got into. The kids loved them and I met R.L. Stine, and R.L. Stine does not seem like the type of guy who would write those kinds of books, but there were more than 60 of them. And then there were spin offs and all these kinds of things. And there were TV series, there was a TV series that would take each book and then, you know, make an individual show about that. But now they've come up with a new series that kind of mash them all up. It's also called Goosebumps. It's it'll be on Hulu and Disney Plus. And what it is, is they've taken five books. The premise of five books, and then created this kind of overlay where it's a high school and the kids are realizing that something is amiss in their school and a ghost possesses one of their favorite teachers and they're worried about this. They don't know what's going on. They're trying to get to the bottom of it. But what they've taken is those five individual stories of these five kids and turned them into they're kind of subplots. So they become social issue ones. Maybe I have a diety when I'm at school. Maybe there is something about the kids don't like me. I mean, those kinds of subplots that play into this. And I was able to talk with the producers of the film or the series or whatever you want to call it. And they were able to explain, you know, how did why do they do this? How do they do this? What's going on there? Connor Welch and Pavan Shetty and they are both former executives at networks. One was at ABC, one was at NBC. And so they kind of knew from the background what would work, what they could do. And they realized that, you know, wait a minute, what you need is a great idea, and then you figure out what to do with that great idea. And so we do have an interview, if you'd like to hear it. Absolutely. Producers, are you two were you big Goosebumps fans as kids? Is that what this is all about? Is this why it happens? That's where it all began. Yes. Voracious Goosebumps reader. The first book series that made reading feel fun as opposed to a task or ad sure that my parents or teachers made me do so. Yeah, I said little seminal series. And now my my oldest daughter is reading them as well, which is really fun. Same with you. Yeah. Yeah. Garner and I are the same age, so we kind of grew up on these books and, and, and, you know, we're looking back on them with a sense of nostalgia. Now. But like kids, like Connor's kids getting scared for the first time. So it's a lot of different perspectives on the same material. And so it was really important to us that we sort of put those things together and made a show that felt appealing to both kids and adults at the same time. It does seem a little more adult than past series. Was that intentional? You you plan that? Yeah, absolutely. We wanted to just sort of, you know, elevated a bit. And also, you know, the book series when I was reading them and now when my daughter reading them was always a little scarier and a little funnier than you expected. And so that was certainly the intention with this series that we would surprise an audience with with more scares and more humor, hopefully, than they thought we would bring. And, you know, in in the landscape with premium television, it was important to us that it that it felt really sophisticated and cinematic and and yeah, it would play well for audiences of all ages. So where do you get the idea to mash things up? Well, you know, we were lucky enough to have access to all of the Goosebumps books because R.L. Stine gave us access and our partners at Scholastic did too. And you know, there's a lot to choose from. So our creators, Rob Letterman and Nick Stoller, had a great idea where they came up with the structure, where for each of the first five, we're following a different character who's dealing with one of the issues from the books. And mid-season they come together and realize what's going on and decided to take matters into their own hands. So we harnessed five of the books for the first five, and then we're pulling from a lot of them throughout the entire series. There's Easter eggs for a Goosebumps fans throughout the entire first season of the show. So if you go a second season and then will these same characters travel with that or does it become a whole new thing? Yeah, the intention would be that these characters would would continue. And yeah, we were just so excited by these new actors, a lot of who will be brand new faces for for, for the audience. And they really just sort of hit their stride and found a really fun chemistry pretty early on in the season. So we'd love to see those dynamics play out for many more episodes to come. Where do you find somebody to be Harold Biddle, for God's sakes, And how do you advertise for that? Well, we were lucky that that, you know, Justin Long, who ends up being possessed by Harold Biddle, comes along. And obviously Justin is so good at both comedy and horror, you know, from even Jeepers Creepers. And he just did Barbarian before we cast him. And some of us were lucky enough to work with him before this. And, and I think Justin is someone that's perfect to do. Both those really comedic physical comedy set pieces, but also is able to be super scary and most importantly, be scared on camera in a really good way. And I think you know, our our he plays Mr. Brad is possessed by Harold Biddle but I think it was important that all of our cast be really good both comedically and dramatically because I think we switch back and forth between comedy and and thrilling stuff pretty seamlessly in the show. Did you worry about him getting hurt because he does bring himself up Quite. I mean, what is this? You know? No, he is just an incredible physical comedian. And to watch him struggle with being possessed by a teenage boy and, you know, not all of it that entails was really, really hysterical. And Justin is just someone who is surprising at every turn. Like every single take is a little bit different. And so we got some really, really fun, compelling performance out of him. And you said, we can't match anything. So doing all over again, right? That's good. Did you talk with R.L. Stine during the course of all of this? And what does he say? We did, yeah. Which was of the most thrilling parts of the entire process. You having his name, you know, in bright green across most of the books in my library, in my child childhood bedroom. But yeah, he was involved in reading scripts and watching cuts. And yeah, one of the most exciting parts was when he first watched the pilot and reported back that that he loved it. And yeah, that was just a thrilling cherry on top. I think, you know, for us we, we didn't take lightly how beloved the books are. I mean, they are massive, massive book series, over 400 million copies, 32 languages, I mean, and we genuinely love them. So we wouldn't have done this without his sort of blessing and support to go forward with this version. Well, your concept of, you know, the mash up does seem like something that, you know, is original. It's not just we're taking another book and we're doing the same thing. It is a different a different take on it. What is it about horror, though, that people love? I think it's the surprise. I think I think actually there's something very similar about horror and comedy in the cadence and the rhythms of it. It's a lot of set up in surprise. The surprise for a horror being a scare or a jump, the surprise or a a joke being the punchline. So Rob Letterman and Nick Stoller, the creators, and Hilary Winston, our showrunner, I think did a really great job of sort of harmonizing between those two genres throughout. So sometimes when you would expect a scare, you would get a laugh. Another other times when when you were thinking, you know, there was a laugh coming, hopefully we we jump scared yet and this is you know there's lot of stuff like that. But we also talked a lot about how just being a high school kid today is super scary. Also, you know, we're dealing with a lot of personal issues these kids are dealing with. So their teacher, he might be possessed by a ghost, but that's not even anywhere near as scary as being rejected by someone you like when you ask them out on a date. And so we're really sort of taking that. And those are universal issues, right? So that's pretty scary growing up right now. Those old media is scary. That's the the real threat that I never had to deal with. Thank you. Thank you. Thank you. Thank you. Two were both executives at networks. What did that inform you about what people want? I'm just surprised that this is the direction you're going. You know what I mean? Where you you could control what we put on the air, but now you're creating the content for that. Yeah, well, I mean, you know. Go ahead, go, go for it. Okay. I would say that being on the network side was helpful in perhaps selling and convincing to the powers that be, how to get your original idea through. And so with this, we were lucky enough to have a giant piece of intellectual property, as Bob and said, this is a book series that has sold over 400 million copies around the world. Many different languages. So that is, is that from a network point of view is a great selling point. Okay, you check the big box that handles a lot of marketing, a lot of awareness, and then I think it was helpful in being able to articulate to the the buyers why this was going to be thrilling in different This was going to be something that's funny and scary great. This is going to be something for adults and their kids. Grade This is also going to be something for adults who don't have kids, who grew up watching the book, or maybe adults who don't have kids who aren't a fan of the series. So, yeah, I think having been on the other side just sort of helps speak the language a little bit to get our very original idea through. And I think, you know, we were both I was at NBC, Connor was at Fox, and then we both started producing and we've gone back and forth between comedy and drama. But I think when you're at a network and you're trying to program to a broad audience, you do try to chuck a lot of boxes. You have a medical show, you have a workplace comedy. And I think at the end of the day, what we both learned is that you just have to have a good show. If you have a really good show that's authentic and takes risks and is just, you know, is fun to watch, then people are going to find it. You know, the audience will find the show. And I think at the end of the day, that's what was important to us here, is that we really just make a good show and and then the rest will happen. Now, how is it this time, though, breaking through? Because there are so many shows out there and you do have the built in name recognition, but how do you make sure that you get see? Yeah, well, I think it just has to feel real and relatable. So, you know, as pub and said, all of these issues, all of these hauntings start from a hopefully very relatable place of insecurity, of the burden of finances, of does the boy I like, like me back and vice versa. And then we get to elevate it with these big scary set pieces and monsters and and hauntings. So I think as long as it starts with a relatable nugget, you can kind of explode it to be a big spectacle. And and hopefully some combination of those things will break through the noise. And it's fortuitous that the show revolves around a Halloween party, and that's where the kids find all these items. And we're premiering on October the 13th, Friday the 13th, right before Halloween. So the timing kind of works out to where we're doing a really scary show that comes out in the scariest month of the year, obviously. So what scares you guys? Everything. I think it strikes tomorrow. Yeah, right. That leaves this possibility of never being able to make movies and television again. Yeah. You got everything done though. You have all ten in in. Yes. Very good. Like this. This was all pretty before before the strikes went down and we've been able to. Yeah. Unfortunately our our talent and creators and actors can't do the press. So that's why you see Puppet and I go to outside of that we're very grateful to have gotten it all in the can before this all turned upside down on us and have an are you related to the dean of a certain college or university? Oh, that's funny. Yeah. I also produce the boys and the spin off Gen V and that's coming out this month. And they did name one of the characters after me. So I guess that's that's quite a bit. Yeah. But I think you know that hopefully my character is in, in real life isn't represented by the character in that show. But, but it's that's another fun one that'll be coming out soon too. When you do have those kinds of series that are all on, how do you know which child gets what you know like with this for example, how do I know I should have this in that show and not in that show? You know, I do, Yeah. Luckily, there's not a lot of crossover between the boys universe and Goosebumps. They're they're pretty different audiences. And I think if we did have some of the same tonal touchpoints, we'd have a little bit of a problem. I think it all comes from the creators, Rob and him in here with a really specific point of view and worked with this material and and that in the very beginning they knew exactly what this show was going to be. And with Sony and Scholastic and Disney plus really shape this. And so it sort of took on a life of its own once these guys started and and they just really embraced, you know, their comedy background and the horror here. That's very different than other shows that I work on. And it's it's super exciting. Hey, you guys, thank you so much. I'm dying to see the whole thing. I've only seen a couple of episodes, so don't spoil it. I don't want to know what happens, but I'm glad it's back. I'm really glad it's back. And the idea that it's a lot of stories where you can go, Aha, I get that. Oh, that's from that one. This is a really cool concept. So thanks so much. Hey, if you need to teach at the university, just call me. Oh, this is very appreciated, man. All right, Bruce, thank you for those interviews. Did you catch in there? That one is also a producer of the boys and Gen V, which is a spinoff of that, and they've named a character after him, Dean Shetty. And they said, you said they just did that. But, you know, it's like, hmm, what do we do with our producers here? Let's give them let's give them some kind of a profile. And maybe it's related to reality. Yeah, Yeah, I thought that was pretty funny. It's a good way to to, you know, kind of brown nose a little bit, I guess. Right. We all take after people, too. Let's. Let's make the producers happy. Right? Right. Can't go wrong there. So this show, it debuts on Friday night. It's yeah. Scary. And then it runs for ten weeks and they're looking for a second season. So let's see if it happens. Well, on that note, we will wrap things up. Go get candy. I think we should. That's always a good thing. After a Halloween film, Eat more candy. That's the trick. And visit your dentist and yeah, there you go. All right. Thanks again. And join us again next week for another episode of Streamed and Screened.See omnystudio.com/listener for privacy information.

What's up, fellow Ghostbusters! Welcome to episode 75 of Up Yours with More!  Your "ain't-afraid-of-no-ghost" BC is joined again by the man who just can't help but think about the Stay Puft Marshmallow Man... MODOK! As always, they've got the goods again this episode! They're coming your way with comic book and pop culture headlines, the top 10 books from last week, books they're excited for this week, and a debatable list of proposed comic book grudge matches they found on the internet! And don't worry, they've got their hot takes ready! So, suit up, kids, grab your proton pack, and join us as we fire up Ecto-1 and start bustin' some ghosts! Harvey Awards Announce HOF Inductees Dick Tracy Is Set To Return To Comic Books In March 2024 From Mad Cave Studios  (And Zorro?) Teenage Mutant Ninja Turtles #150 Marks the End of an Era for the Franchise ICV2 Showbiz Round-Up Director Michael Giacchino Talks Colorizing ‘Werewolf by Night' 'James May Didn't Make It': Jeremy Clarkson Shares Botswana Update After Being 'Stranded' With Grand Tour Co-Stars (Does That Mean They Are Not Coming On Then?) 10 Comic Book Grudge Matches We Need After Predator Vs Wolverine Find Us Online at the Following Outlets:  Website :: ⁠⁠⁠⁠⁠⁠⁠upupandawaycomics.com⁠⁠⁠⁠⁠⁠⁠  YouTube :: ⁠⁠⁠youtube.com/@upupawaycomics⁠⁠ Facebook ::  ⁠⁠⁠⁠⁠⁠⁠facebook.com/upupawa⁠⁠⁠⁠⁠⁠⁠y and ⁠⁠⁠⁠⁠⁠⁠facebook.com/uuablueash⁠⁠⁠⁠⁠⁠⁠  Instagram :: ⁠⁠⁠⁠⁠⁠⁠instagram.com/upupawaycomics⁠⁠⁠⁠⁠⁠⁠  Twitter :: ⁠⁠⁠⁠⁠⁠⁠twitter.com/upupawaycomics⁠

October means it's time to celebrate the work of some horror directors. First up, we're heading back to the 1950s to check out the work of celebrated gimmick filmmaker William Castle. Vincent Price invites us out to his spooky haunted house film HOUSE ON HAUNTED HILL. Then Vincent Price discovers where terror comes from in THE TINGLER.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3412630/advertisement

October means it's time to celebrate the work of some horror directors. First up, we're heading back to the 1950s to check out the work of celebrated gimmick filmmaker William Castle. Vincent Price invites us out to his spooky haunted house film HOUSE ON HAUNTED HILL. Then Vincent Price discovers where terror comes from in … Continue reading House On Haunted Hill & The Tingler →

Was Twins bench coach Jayce Tingler shocked that Jose Berrios was pulled after just three dominant innings for the Jays?! (18:09)Adam Jones, Kratz and Braun crush the decision by Toronto's "brain trust" (4:15) and then bring the topic to Jayce when he swings by.Also covered with Tingler: (12:20) Twins squash the bad playoff streak, (23:09) inside word on the Correa pickoff play, Byron Buxton sitting out, tough times for his former club in San Diego, and a hilarious reply when he hears that some people thought Kevin Gausman was tipping pitches in Game 1!(41:29) Adam Jones slams the long layoff excuse that could be coming soon for the first round bye teams. He also answers a fan question about playoff seeding by suggesting he'll bring it up to commissioner Rob Manfred.Look out for playoff watch parties & postgame shows on FT Youtube for the Division Series!--Use discount code FOUL for 20% off your first order at teazaenergy.com

Was Twins bench coach Jayce Tingler shocked that Jose Berrios was pulled after just three dominant innings for the Jays?! (18:09) Adam Jones, Kratz and Braun crush the decision by Toronto's "brain trust" (4:15) and then bring the topic to Jayce when he swings by. Also covered with Tingler: (12:20) Twins squash the bad playoff streak, (23:09) inside word on the Correa pickoff play, Byron Buxton sitting out, tough times for his former club in San Diego, and a hilarious reply when he hears that some people thought Kevin Gausman was tipping pitches in Game 1! (41:29) Adam Jones slams the long layoff excuse that could be coming soon for the first round bye teams. He also answers a fan question about playoff seeding by suggesting he'll bring it up to commissioner Rob Manfred. Look out for playoff watch parties & postgame shows on FT Youtube for the Division Series! -- Use discount code FOUL for 20% off your first order at teazaenergy.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to A Podcask of Amontillado, where we delve into the dark, dreadful, and terrifying parts of the world. Greetings, Connoisseurs! Just in time for spooky season, Erin & Gary have returned with Season Two of your favorite horror podcask! To kick things off, they welcome into the catacombs Bryan and Mercedes (hi Olivia) from Atomic Horror, Orlando's best horror-themed store! Listen in as they discuss why someone would open a horror shop, the horror/Tiki connection, what got them into horror (Family Trauma!), the importance of supporting local businesses, the Rockabilly tendencies of Frankie & the Bride, video store & drive-ins culture, the big names vs the niche gems, and finding a community with our fellow weirdoes in our shared love of the genre. Atomic Horror on Instagram Mercedes on Twitch & Instagram Space Pups trailer Sex and Monsters website Tiki Surf Witches Want Blood by Will Penny & Nik Poliwko Elvira Up All Night Joe Bob Briggs Vidiots Foundation Gonjiam: Haunted Asylum trailer The Tingler trailer Creep trailer We are the weirdos, mister Opening and closing music is "Softly Shall You Sleep," by Valentine Wolfe. Please follow us on TikTok, Discord, and on Facebook! Contact us at apodcaskofamontillado@gmail.com! A Vino, Atrocitas.

Dr. Warren Chapin (Vincent Price) has made a surprising discovery–the spine-chilling sensation that people get when scared is due to a parasite that he dubs the tingler. Chapin concludes that in extreme circumstances, prolonged fear can cause the creature to damage a person’s spine and even cause death if the victim can’t scream, a theory … Continue reading Ep. 06-08: The Tingler (1959) →

John and Mike have decided its time to pay tribute to the man, the myth, the legend; Vincent Price. We start with the first of many, The Price is Right, to honour and keep alive the works, and trivia, of a phenomenal actor and a totally sweet awesome person. We begin with one that's been talked about enough times so we had to cover it, The Tingler. The movie where fear is more than a reaction. It's a living thing: specifically a velvet worm. But this movie did more than just break the fourth wall with the famous William Castle gimmick of just buzzing 20 million asses. It broke the 5th wall by invading another movie entirely! Listen and find out how. We have merch now! Follow us on Twitch for listening parties and just hanging out. also we have a Discord We now have a website! Visit us at www.strangebiscuits.com/graveyard to send us movie suggestions and comment on episodes!You can follow us on Facebook at https://www.facebook.com/Thegraveyardshiftpod/On Twitter at https://twitter.com/GS_horrorpodAnd on Instagram at www.instagram.com/thegraveyardshiftpod/If you would like to make a donation to help keep the show going and get access to bonus content, you can do so by checking us out at https://www.patreon.com/Graveyardemail us at graveyardshiftpod@gmail.com for movie suggestions or Patreon ideas.Thanks for listening.

The Mikes each went to different horror festivals this weekend! Mike Smith tells us all about the 3rd Camp Horror Film Festival at the Roxy Theater, where he got to experience a ton of cool shorts and William Castle's THE TINGLER; meanwhile, Mike D went to Zombiethon at the Cinema Arts Centre in Huntington, NY, where he watched movies like ARMY OF DARKNESS, RE-ANIMATOR, and Tom Savini's NIGHT OF THE LIVING DEAD. Plus, Mike D caught up with some masterpieces like DOG DAY AFTERNOON and TAXI DRIVER, while Smith watched some recent releases like MAGIC MIKE'S LAST DANCE and SHIN KAMEN RIDER!

Join us as we journey into chilling realms, unveiling haunting hideaways that'll send shivers down your spine. Get ready for spine-tingling thrills and ghastly globetrotting like never before! Subscribe now for a dose of spine-chilling adventure! Learn more about your ad choices. Visit megaphone.fm/adchoices

Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the mercurial icon and the voice of your generation Charley Macorn returns to the podcast to talk abut the upcoming Camp Horror Film Festival at the Roxy Theater in Missoula, MT! Plus, since Camp Horror is showing William Castle's THE TINGLER in 35mm this year, Charley's taking us on a journey through another William Castle film: 13 GHOSTS!

Twins Bench Coach Jayce Tingler joins Inside Twins and provides insight on what has resulted in a strong month for Max Kepler and Max Kepler. Tingler also shares his perspective on Dallas Keuchel joining the team and what fans can expect from him To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

House on Haunted Hill (1959), The Tingler (1959), and Mr. Sardonicus (1961). In the world of ballyhoo, nobody comes close to being a master at it than producer/director William Castle. From giving insurance policies to filmgoers in case they die of fright, promising the horrors onscreen will come off the screen into the audiences, to even letting the audience decide the fate of one of the characters in the film, Castle was a master of it. He treated his fans with respect, and wanted everyone to have a great time with his pictures. And they still are entertaining today. In this episode we're going to delve into 3 of Castle's films, as well as the man himself. Joining us to talk all things Castle is superfan and collector (not to mention convention warrior for Severin Films) Matt Harding! Films Mentioned in this episode: 13 Frightened Girls (1963), 13 Ghosts (1960), The Asphyx (1972), Bug (1975), The Chance of a Lifetime (1943), The Fly (1958), Homicidal (1961), House of Wax (1953), House on Haunted Hill (1959), Macabre (1958), Matinee (1993), Mr. Sardonicus (1961), Phantom of the Opera (1925), Red Spell Spells Red (1983), Rosemary's Baby (1968), Son of Frankenstein (1939), Spine Tingler: The William Castle Story (2007) , Strait-Jacket (1964), The Tingler (1959)

It's all about beauty on this episode of Columbo as he goes head first into the world of makeup. Apparently this ain't all grease paint. We talk about: Zelda, In The Line Of Duty, Justified, DBZ Check In, Weirdo Opening, David Lang, The Tingler, Catwoman, Maid Restaurant, Tired Kin, Fake Hand, $10 Raise, Anne Ramsey, 70s Feminism, Poison Ivy,

The Fellowship is pleased to present our discussion of the lawsuit between Warner Bros (DC Comics) and ABC, in reference to their show The Greatest American Hero. Was Ralph Hinkley supposed to be Superman? Seems like a stretch, doesn't it? Plus our usual random talk, geek news, and tangents

We have an excellent ending to the wonderfully exciting Altered April. Mr Vincent Price dazzles our senses (mainly in our bottoms) as he narrates his own psychedelic trip in The Tingler. Email:WeeklyPodcastMassacre@gmail.com Twitter: @WeeklyMassacre Instagram: @WeeklyMassacre Music by Dora the Destroyer --- Send in a voice message: https://podcasters.spotify.com/pod/show/weeklypodcastmassacre/message

((I'm so sorry!))   "Farting Around" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Buy our coffee - https://arizonabaycoffee.com/   Wanna contribute to these show notes or notes from past shows? - https://forms.gle/ZekwDjQoJGRxnCw8A If you want to support the show and get weekly bonus episodes as well as the full Dear Flabby recordings, "The Bracket Show", "Hamilton & Piccolo", "Conspiracies with Drake" and more - head over to https://www.patreon.com/WhosRight. We also have all of our bonus episodes (200+) over at https://whosright.supercast.tech/ Link Tree - https://linktr.ee/whosrightpocast Join this channel to get access to perks: https://www.youtube.com/channel/UCG-4t7txcrxM35J6VXaHdZA/join Subscribe to our newsletter "The immaculate conception of the order of Dougalos" - https://whosright.substack.com Want to contribute to our newsletter? Submit by sending it to Submissions@whosrightpodcast.com Dear Flabby podcast feed - https://open.spotify.com/show/5tsoFqEunoBkGTcdFDlajJ?si=eGUFoowhROeymFhfzk-2eA&utm_source=copy-link Watch the show live on Youtube - https://www.youtube.com/WhosRightPodcast?sub_confirmation=1 You can find our merch, our PO box, links to submit Dear Flabby questions, and everything else over at https://whosrightpodcast.com/

In this Episode Tom and Bert cover their favorite movies of the 1950's and recap the reasons as to why these are rated as the best of the decade. From "On the Waterfront" and "12 Angry Men" to "Singing in the Rain" and "Rebel without a Cause" the guys go back and forth with each other discussing the classics.Tom covers the other side of the coin, The Worst Movies of the decade. Did you ever hear of "The Head"? Probably not but you're very lucky to have missed this bomb. "The Giant Claw" may peak your interest so go to You Tube to watch this stiff and you can decide. Is it really that bad, see for yourself!The guys then move onto the gimmicks that movie directors and producers used to get the customers to come to the movies. William Castle, the "King" of B Movies, had a plan to lure you in to the theater to see his films and keep you interested. Movies like "The Tingler", starring Vincent Price, where  he rigged the seats to get you to scream. In his movie "Homicidal" he stopped the movie before the final sequence and gave you 1 minute on a clock to leave the theater and get your money back OR stay to the end. The man knew how to suck you in and scare the hell out of you as well. Thanks for listening and please rate and review the podcast. we appreciate your feedback. 

GGACP marks the 30th anniversary of the cult comedy “Matinee” (released January 29, 1993) with an ENCORE presentation of a fascinating 2016 interview with director-producer Joe Dante. In this episode, Joe discusses everything from his love of Disney films to apprenticing for Roger Corman to developing the ill-fated “Jaws 3, People 0.” Also, Joe auditions Rod Steiger, ad-libs with Tony Randall, passes on “Orca, Part II” and pays tribute to William Castle. PLUS: Keye Luke! Brother Theodore! “Bride of the Gorilla”! Horrible Herman the Asiatic Insect! And the return of “The Tingler”! Learn more about your ad choices. Visit megaphone.fm/adchoices

Coming to you in Percepto! It's THE TINGLER (1959) from William Castle! Starring Vincent Price, Judith Evelyn and Philip Coolidge, plus more gimmicks than you can shake a stick at, the film is Castle's third horror... can he keep up his quality of work? The special music you hear in this episode is from creature of the night Chris Crewe and his band the Special Agents! You can find their music here: https://thespecialagents.bandcamp.com/ Context setting 00:00; Synopsis 35:52; Discussion 47:04; Ranking 1:11:18

One of my favorite episodes with one of my best friends from this industry Mr. Kody Tingler. It was an awesome time discussing the different aspects of his career and his journey through the industry. Reminiscing on some great times in college and our time in the industry. An Episode you do not want to miss.

Welcome to Season 2 of Apocrypals, dear Theophiloi! You know, like how every podcast does 103 regular episodes and then takes an extremely planned break of several months before returning, refreshed and renewed? It happens all the time, and it's honestly weird that you haven't heard of it. Anyway, what better way to celebrate our return than with 2 Kings, a book that is more wildly violent than every Mortal Kombat put together. Join us for a story that has multiple people exploding, our second instance of a dude being whisked up to Heaven to hang out with God, and of course, the infamous Biblical murder bears. You're 39 in the hole, Elisha.  Topics of Discussion: A series of unfortunate events (no, really), Chris's brand-new Bible tattoo (no, REALLY), a bad look, bird poop economics, a death scene that leaves a truly perplexing quantity of body parts behind, a bold statement that might anger the "woke mob," Zedekiah's Bad Day, the Tingler.  Hymnal: "Two Kings" by Tenacious D, "Mamma Mia" by by Stephen Mann of English Martyrs Church  (https://www.youtube.com/user/Principal45) Offertory: As Enoch writes, "Whoever of you spends gold or silver for his brother's sake, he will receive ample treasure in the world to come." Support the show via http://ko-fi.com/apocrypals, or check out Official Apocrypals merchandise designed by Erica Henderson! https://www.teepublic.com/stores/apocrypals?ref_id=18246 Black Lives Matter. Trans Lives Matter. Heck 12. Isaiah 54:17