Podcasts about aronofsky

The Cinematography Podcast Episode 326: Matthew Libatique, ASC Cinematographer Matty Libatique, ASC, has had a productive year. Shortly after moving to New York, he began work on Spike Lee's film, Highest 2 Lowest. Immediately after wrapping that project, Matty prepped for Darren Aronofsky's Caught Stealing, and then, following a short break, he collaborated with Bradley Cooper on Is This Thing On? (which releases in December.) He found it fascinating to explore New York City through the lenses of three distinct directors, feeling privileged to shoot three New York-centric movies back-to-back. The New York depicted in Highest 2 Lowest and Caught Stealing are starkly different, depending on where people from different socioeconomic backgrounds live. Both films effectively convey the diverse realities of living there. "When you look at both films, separately, you have a feeling of New York, you feel like you're living in New York inside of these films," Matty explains. "And it's because the directors live in New York and have grown up in New York." During location scouting with both Lee and Aronofsky, Matty noted their deep familiarity and emotional attachment to where they chose to shoot. He feels that movies faking New York locations lack the inherent authenticity of shooting in the real city. Highest 2 Lowest is a reinterpretation of the Akira Kurosawa classic, High and Low. Matty used High and Low as an influence, even though Lee was not making a direct adaptation. He found the Kurosawa film helped him see the hierarchy between the affluent and the poor, and the literal rise to the top of a hill by the wealthy industrialist from his humble origins. These themes became the seed of his visual inspiration. In Highest 2 Lowest, Denzel Washington's record executive David King inhabits a high-rise, literally looking down on the world from a high vantage point. The film is intensely character-driven, and with a large ensemble cast, Matty often shot with two to three cameras per scene. The film used an actual exterior of the Olympia building in Dumbo, Brooklyn while the crew shot on a volume stage set for the interiors. Matty found shooting on the volume stage and working with Unreal Engine to create the background images for the penthouse set to be the most challenging aspect of the shoot. It demanded far more advance planning and preparation to perfect the background images than the production schedule allowed. He had to make early, calculated decisions and plan far in advance for shooting the plates that would be used as the backgrounds. Spike Lee frequently incorporates various film formats in his movies, and Matty saw an opportunity to use both a 16mm and a new KODAK Super 8 film camera once the action in Highest 2 Lowest shifted outside the controlled apartment environment. He use both the 16mm and the Super 8 on the subway and in scenes of the Puerto Rican Day parade, also combining them with different film stocks. Lee cut between these distinct formats, which made a sense of heightened chaos. Matty says, “It was just an effort to create chaos, you know, and having the unmatched visual images cut together to sort of just mimic a chaos around this character.” Caught Stealing recreates the New York City of the 1990s, with Martin Scorsese's After Hours serving as a major reference. Matty felt that the character Hank Thompson (Austin Butler) needed a distinct look to articulate the story. He thought about the rust-red tint of the Lee Marvin film, Point Blank, and used a Camtec Color-Con2 to deliberately bleed red color into a few key scenes. Even though Caught Stealing is entertaining and full of action, it was important to Aronofsky to tell a strong, narratively-driven story, with performance and character making the sequences as exciting and brutal as possible. “Like all Darren movies, there's a construct, there's a box, he sets up the architecture of the film,” Matty says.

Josh is joined by recurring guests Elijah Howard and Josh Brown for a double feature. First, they discuss Darren Aronofsky's "Caught Stealing" (Beginning-55:13) and whether they enjoyed Aronofsky bringing his sensitiblies to a more straightfoward story, the performances from Austin Butler, Zoë Kravitz and a deep supporting cast, the ways in which they appreciated a recreation of 1990s New York City and much more! Then, both Joshes talk about "Splitsville" including how co-stars and co-writers Michael Angelo Covino and Kyle Marvin crafted an insightful comedy about relationships through the lens of the not-so-common practice of swinging, Covino's impressive direction for a movie on a smaller budget, the impressive comedic performance from Adria Arjona and they both take the brave stand of defending Dakota Johnson's acting talent!

www.TheMasonAndFriendsShow.com https://thejuunit.bandcamp.com/releases https://www.glass-flo.com Great Pipes for Sure Big Mike Shout Out, Black Manatee, dating a girl with a podcast, low brau stuff, undertow low brau, Pan's Labyrinth, tripping, Pi, Aronofsky, film stuff, Christopher Walken, voice, not selling this, the Deer Hunter, Greatest Anti War Movie, best picture, moved on, documentaries, Dunk only, sold the film, Exploitation, IVY LEAGUE, standards, British Ivy, not that voice, Emma Mentions, too tall or short? so picky, specific needs? 6'8"? midget porn, midget fucking? lil hands, cindy the midget hands, proportions, stalker scan, don't hit her up, high mention, the music of this episode@ https://open.spotify.com/playlist/5BZOOeVe37AVz2TCuLSdpk?si=b84ed6fd4ff541e1 support the show@ www.patreon.com/MperfectEntertainment

Frank is joined by Jamie, an Australian wrestling journalist and podcaster, to unpack Darren Aronofsky's The Wrestler. They break down Mickey Rourke's career-defining turn as Randy “The Ram,” why the film treats wrestling with rare respect, how indie scenes work behind the curtain, and what the movie gets right about pain, pride, and the gig life. Expect talk on blading, deathmatches, deli counters, and the bittersweet final leap. The Wrestler - CA Timestamps & Topics 00:00 Welcome and guest intro, Jamie's magazine and The Commentary Booth 01:33 Why The Wrestler, and why it treats wrestling seriously 02:21 Indie wrestling in Australia and how regional styles differ 04:27 Two-minute plot speed run for The Wrestler 06:12 Rourke's comeback, near-miss Oscar, and how his story mirrors Randy's 07:03 Aronofsky parallels with Black Swan and the “passion vs body” theme 08:46 The physical toll: pain, injuries, and why “fake” is the wrong word 10:04 Casting what-ifs and why Rourke was the right choice 11:07 Marisa Tomei's character, boundaries, and mirrored struggles 14:18 Real wrestlers on screen: Necro Butcher, Blue Meanie, R-Truth, Nigel McGuinness 15:43 Backstage authenticity: planning matches and protecting spots 16:38 Filmmaking choices: over-the-shoulder, docu feel, sound and silence 17:11 The deli counter sequence and why it hurts so much 21:16 Blading 101, when companies allow blood, and modern policies 23:05 The indie hustle: bookings, calendars, and life on the road 25:07 Health care, rehab access, and duty of care today 26:42 Drugs, CTE, and hard lessons from wrestling's past 28:46 Favorite scenes and the ambiguous ending 31:04 Locker room rituals, “match memory,” and shared shorthand 32:50 What aged well and what hits harder in the gig economy era 34:16 Deathmatch primer and recommended watch list 43:56 Awards talk, where The Wrestler ranks, and Jamie's current projects 46:04 Outro and how to send us your challenges Key Takeaways The Wrestler is a love letter to pro wrestling that treats the craft and its workers with respect. Rourke's performance lands because his real-life arc echoes Randy's fall and claw-back. The movie nails backstage realities: match planning, protecting limbs, and protecting spots. “Fake” is a myth. Stories are scripted. Physicality is very real. Aronofsky's choices — handheld camera, long silences, ring sounds — put you in Randy's head. The deli scene is a perfect “what if” path that collapses under one bad interaction. Indie wrestling is a grind: bookings, travel, day jobs, and recovery are constant tradeoffs. Modern policies are better on rehab and blood, but the culture still battles pain and risk. Memorable Quotes “It's definitely a love letter to wrestling overall.” — Jamie “The stories are fake, but the physicality is real.” — Frank “It almost feels more like a fly on the wall documentary rather than a big budget motion picture.” — Jamie “I love the ambiguity of the ending.” — Jamie “You have to survive the bad days.” — Frank Links & Resources Our site: GeekFreaksPodcast.com GeekFreaksPodcast.com is the source of all news discussed during our podcast. Mentioned by Jamie: The Commentary Booth, Wrestle Radio Australia, Australian Wrestling Cards, and his magazine project all found at pariomagazine.com.au Related watches: You Can't Kill David Arquette, Queen of the Ring Film: The Wrestler (2008), directed by Darren Aronofsky Call To Action Enjoyed this conversation? Follow and subscribe, rate us 5 stars, and share the episode with a friend using #ChallengeAcceptedLive. Your reviews help more listeners find the show. Follow Us Challenge Accepted: Instagram @challengeacceptedlive, TikTok @challengeacceptedlive, Twitter @CAPodcastLive Hosts: Frank on Instagram @franklourence79, Thomas @thomascraigviii Listener Questions Send your challenges, hot takes, and questions for the next episode: ChallengeAcceptedGFX@gmail.com. We might read yours on air. Apple Podcast Tags The Wrestler, Mickey Rourke, Darren Aronofsky, Marisa Tomei, indie wrestling, deathmatch wrestling, Ring of Honor, Necro Butcher, backstage wrestling, blading, wrestling journalism, Australian wrestling, movie review, Aronofsky style, Challenge Accepted Podcast

Ronald Young Jr. reviews Caught Stealing by himself… RYJ contemplates violence…RYJ -  2.5 of 5 starsFollow me on IG, TikTok, Threads, Bluesky, and Letterbxd - @ohitsbigronAvailable in theatersStarring Austin Butler, Regina King, Zoe Kravitz, Matt Smith, Liev Schreiber, Vincent D'Onofrio, Benito Martinew Ocasio, Griffin Dunne, Carol KaneWritten by Charlie HustonDirected by Darren AronofskyFor more information about Caught Stealing check out this linkSupport Leaving the Theater on Patreon using this link

Darren Aronofsky follows up his divisive Oscar-winner, The Whale, with a throwback to 90s capers. Caught Stealing is an After Hours pastiche without any ego and a studio potboiler aimed right down the middle of the road, it just happens to star one of the most charismatic casts assembled in 2025. Jeff and Derek discuss the star power of Austin Butler, the few surprises the film has in store, and this strange departure from Aronofsky's typical auteurism. Tune in!

Regissør Darren Aronofsky kommer i denne episoden tilbake i fokus, da han etter den overraskende suksessen med The Whale (2022) nå er tilbake med ny kinofilm. Men hva er dette for noe, da? Caught Stealing kunne vært regissert av hvem som helst. The Whale var en film som virkelig delte Aronofsky-fansen og kritikerne, men fenget et stort publikum. Til slutt vant Brendan Fraser Oscar-prisen i kategorien beste mannlige skuespiller, for sin store comeback-rolle. Ingen ble overrasket over at Aronofsky valgte å prioritere et mer åpenbart kommersielt prosjekt i neste runde, men at han med Caught Stealing skulle lage en slags forsinket Guy Ritchie-komedie fra nittitallets skraphaug må likevel betegnes som en u-sving av dimensjoner. I denne episoden deler vi våre reaksjoner på filmen, og ved mikrofonene sitter Montages-redaktør Lars Ole Kristiansen og filmskaper Emilie Blichfeldt (Den stygge stesøsteren). God lytting!

La casa A24 ha sacado muy buenos retratos de terror ultimaménte, en cartelera tienen "Bring Her Back" ("Haz que Regrese", el nuevo proyecto de los hermanos Philippou que es gráfico, sádico, original y efectivo.En Netflix está el documental del que todo mundo habla... "Número Desconocido", aquel caso en el estado de Michigan donde una adolescnete comenzó a recibir mensajes llenos de insultos y amenazas, en un caso de acoso que duró más de un año y que tuvo consecuencias y resultados terribles. Sí, nos subimos a ese tren irresistible.Aronofksy nos trae una nueva cinta, quizá no tan solida como las anteriores pero sin duda valiosa. Se llama "Caught Stealing" y nos clavamos un poco hablando del estilo de este magnifico cineasta.La película de Jose Manuel Cravioto "Autos Mota y Rock and Roll" estrena hoy mismo, es por eso que le echamos un primer vistazo.Para cerrar con broche de oro, estrenamos canal de YouTube. Poco a poco iremos subiendo contenido por ahí. La dirección es https://www.youtube.com/@brujascinema o simplemente busquenlo como Brujas Cinema y abónense a él pero ¡ya!.Nota de voz... Sí... estamos unmameble... unsuckable o bien inmamables... Reclu entrevistó a Fergal Lawler, baterista de los Cranberries y nos tiró sus recomendaciones.Pasen y disfruten chiquitos.Gucci!

In this episode of Thumb War, Jason and Rachel break down Darren Aronofsky's Caught Stealing (2025) — a violent, surreal New York crime thriller starring Austin Butler, Zoe Kravitz, Regina King, and Bad Bunny. We go deep into: The book-to-film adaptation by Charlie Huston Aronofsky's obsession with real-world consequences of violence The soundtrack (Clash, Idles, 90s needle drops) Hank's trauma and “nice guy in a nightmare” theme Scene-stealing turns from Bad Bunny and the Russian mobsters Why this might be Aronofsky's weirdest mainstream film yet Full spoilers throughout.

DARREN ARONOFSKY'S MASTERPIECE!! Requiem for a Dream Full Movie Reaction Watch Along:   / thereelrejects   LIQUID IV: Visit http://www.liquidiv.com & use Promo Code: REJECTS Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With Marlon Wayans & returning to screen in the Jordan Peele / Monkey's Paw-produced "HIM" + Darren Aronofsky's "Caught Stealing" in theatres now, Roxy & Tara RETURN to give their Requiem for a Dream Reaction, Recap, Commentary, Analysis, & Spoiler Review! Tara Erickson & Roxy Striar take on Darren Aronofsky's haunting 2000 psychological drama Requiem for a Dream, a visceral exploration of addiction, obsession, and the human need for connection. The film stars Jared Leto (Dallas Buyers Club, Morbius) as Harry Goldfarb, a young man chasing quick fixes; Jennifer Connelly (A Beautiful Mind, Labyrinth) as his girlfriend Marion Silver, whose dreams are consumed by desperation; Marlon Wayans (White Chicks, Respect) as Harry's best friend Tyrone C. Love, and Ellen Burstyn (The Exorcist, Interstellar) in her Oscar-nominated role as Sara Goldfarb, a lonely woman spiraling into diet pill addiction and delusion. Aronofsky's unflinching style, paired with Clint Mansell's iconic score (Lux Aeterna), creates one of the most unforgettable cinematic experiences of the 2000s. From the shocking descent of Sara's television-obsessed hallucinations to Harry's brutal hospital scenes, Marion's infamous degradation, and Tyrone's devastating imprisonment, Requiem for a Dream remains a deeply disturbing and powerfully emotional film that still resonates in discussions of cinema, addiction, and psychological horror. Join us as we break down the themes, shocking performances, unforgettable imagery, and the lasting cultural impact of this modern classic. Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

En este episodio de Blancos Perfectos, nos metemos de lleno en la polémica alrededor de la nueva película de Darren Aronofsky. Unos la aman, otros la odian, y aquí la diseccionamos sin filtros: desde las actuaciones de Austin Butler y Zoë Kravitz, hasta la influencia de Guy Ritchie, las comparaciones con Snatch y After Hours, y el regreso de los heist movies al cine actual.¿Es esta película una joya incomprendida o una gran oportunidad desperdiciada? Descúbrelo con nosotros mientras debatimos su guion, estilo, marketing y hasta los cameos inesperados (sí, hablamos de Bad Bunny).

Send us a text about your favourite films relating to the episode.This month on the podcast as the new film Caught Stealing is out in cinemas across the world, filled with stars and directed by the legendary director Darren Aronofsky. We will be having a lengthy chat about Mr Aronofsky films. Joining me is the fantastic Tommy from the Haven't Scene It: A Movie Podcast. Warning we will be talking SPOILERSTommy's turn to chose his Darren Aronofsky film of choice and is going for the film that won Natalie Portman her deserved Oscar, Black Swan. On this one we talk about the parallels this film has Hollywood it's self. We talk about the great and surprising horror elements to this film. We talk how Darren Aronofsky refines his directing style. Plus we talk about birds IMDB page        Haven't Scene It: A Movie Pod Link link treeFVF Social linkstwitterinstagramTikTokAs ever please enjoy.   Support the show

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew sat through more remakes in The Roses and The Toxic Avenger. They also watched the latest Aronofsky flick and more. Plus Jim and Bryce were forced to watch Caddyshack II in the Rage or Dare segment. Good luck boys. Introduction-0:00 The Amazing Murman Predicts-1:14 In Cinema The Roses (2025)-4:54 Caught Stealing (2025)-20:36 The Toxic Avenger (2025)-32:31 L:oathe Thy Neighbor (2025)-45:15 Murman Minute-49:05 Open Rage Jim's open rage-Remakes and bad CGI-55:04 Bryce's open rage-Non AVX movies in AVX-56:45 Rage or Dare Caddyshack II (1988)-1:00:25 Outro-1:08:55 Thanks Ragers for listening to our film review podcast. Rage On! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

Evan is off this week, so Megan regales Dave with a tale so strange, we thought we'd never hear it on Spoilerpiece: Jai Courtey is excellent in DANGEROUS ANIMALS (2:31). Who knew? He's a serial killer who loves sharks! Then they caught up with Darren Aronofsky's CAUGHT STEALING (7:30), which is not the movie either Megan or Dave signed up for (it's Aronofsky; they should have known), but they really enjoyed it nonetheless. They round things out with Jay Duplass's THE BALTIMORONS (29:26), which they hated until they loved. Over on Patreon, we celebrate Terence Stamp by watching LINK (1986).

Darren Aronofsky's 2025 NYC punk-rock crime ride, CAUGHT STEALING, is our bonus feature presentation this week. We discuss if this is Aronofsky's most accessible film, if Zoe Kravitz is overrated, the acting of Tonic the Cat, Austin Butler's package, and much more! We also discuss all the happenings at Paramount Pictures and more in some current movie news. Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

Send us a text about your favourite films relating to the episode.This month on the podcast as the new film Caught Stealing is out in cinemas across the world, filled with stars and directed by the legendary director Darren Aronofsky. We will be having a lengthy chat about Mr Aronofsky films. Joining me is the fantastic Tommy from the Haven't Scene It: A Movie Podcast. Warning we will be talking SPOILERSThe Host to go first this and is going for a film that put Darren Aronofsky on the map of the film world, Requiem for a Dream. On this one we talk about all the crazy directional moments Darren Aronofsky goes for. We talk about seriouly dark this film gets at times. We talk about the incredible acting talents from Ellen Burstyn especially. Plus we talk about monster fridges. IMDB page  Haven't Scene It: A Movie Pod Link link treeFVF Social linkstwitterinstagramTikTokAs ever please enjoy.       Support the show

▶️ ⏪️ Darren Aronofsky apuesta por una comedia bizarra con violencia gráficas y un buen elenco. En este nuevo episodio te contamos más sobre esta cinta protagonizada por Austin Butler. Más de Play Rewind en:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Music⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube Podcast⁠

En este episodio hablamos sobre The Roses con Olivia Colman y Benedict Cumberbatch, Que dijo Darren Aronofsky en su visita a México presentando atrapado robando, las primeras imagenes de Era de hielo 6, las novedades de Apple para 2025 y lo que se viene en videojuegos para este cierre del año y principios del 2026

durée : 00:14:48 - Les Midis de Culture - par : Marie Labory - Après 25 ans de carrière, Darren Aronofsky présente son dernier long-métrage, "Caught Stealing - Pris au piège". Le réalisateur américain met en scène la descente aux enfers d'un jeune homme, incarné par la nouvelle coqueluche du cinéma américain, Austin Butler, dans un New York fantasmé de 1998. - réalisation : Laurence Malonda - invités : Adrien Dénouette Critique de cinéma et enseignant; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

durée : 00:27:32 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, du cinéma : le réalisateur américain Darren Aronofsky revient avec "Caught stealing - Pris au piège", l'ancien journaliste Carlos Abascal Peiró présente son premier long-métrage "Fils de" et, le coup de coeur de notre critique "Ciudad sin sueño" de Guillermo Galoe. - réalisation : Laurence Malonda - invités : Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma; Adrien Dénouette Critique de cinéma et enseignant

Torniamo dalla pausa estiva col coltello tra i denti: sfiorate le due ore con un episodio che ha ben 4 film in scaletta.Partiamo col nuovo di Aronofsky, che abbassa le ambizioni e per la prima volta abbraccia il cinema commerciale di intrattenimento.Passiamo poi al fenomeno horror dell'estate, l'atteso ritorno di Zach Cregger che conferma il suo talento e il suo sguardo sghembo sul genere.Torna anche Garland, con un asciutto film di guerra che sembra schivare tutte le trappole in cui eravamo sicuri sarebbe inciampato.Chiudiamo con il fenomeno del momento, quel Kpop Demon Hunters che ha sorpreso chiunque, soprattutto Netflix.La recensione di Cristina Resa di WeaponsL'approfondimento di Marta Corato su Kpop Demon HuntersTimestamp dei film in scaletta:[02:00] Una scomoda circostanza[18:00] Weapons[50:30] Warfare[1:05:20] Kpop Demon HuntersPer supportarci: ⁠⁠⁠ko-fi.com/incompetentipodcast⁠⁠⁠Per contatti: gliincompetenti@gmail.comincompetentipodcast.it

Russell does a shift with Graeme. We talk the latest in film and entertainment news, our thoughts on the new Aronofsky film 'Caught Stealing', the new romantic comedy 'The Roses' and the Netflix film 'The Thursday Murder Club'.Hey did you guys see…The trailer for Daniel Day-Lewis' return to actingThe new Yorgos Lanthimos filmThe trailer for Chloé Zhao's HamnetThe horror movie from a dog's POVSuper/Man documentary now on ShowmaxWhat we've been watchingThe Roses | In Theatres Caught Stealing | The BioscopeThe Thursday Murder Club | NetflixVideo Store LinksOfficial SiteHave a film or TV show you have recently enjoyed and want to let us know about it? Send us a voice note as if you are coming into the store to return it. Say your name, what you are returning, and what you think of it. Email it to us at the email address below, or DM us on instagram.Contact: thevideostorepod@gmail.com

Pete and Trevor are back from their career ending injuries to see Darren Aronofsky's Caught Stealing, his pivot into comedy-crime-thriller territory starring Austin Butler, Regina King, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D'Onofrio (and Bad Bunny apparently?). How does this film fits into Aronofsky's unpredictable career? Is it a calculated retreat, or is he just cutting loose with something pulpy and violent?Meanwhile, Project Conjuring continues. This week we discuss The Curse of La Llorona and Annabelle Comes Home, and next week we'll close things out with The Nun II and The Conjuring: The Devil Made Me Do It, all leading up to the feature of the series, The Conjuring: Last Rites.Intro and history with Aronofsky (0:00)Review of The Curse of La Llorona (15:13)Review of Annabelle Comes Home (26:40)Spoiler free review of Caught Stealing (39:38)Spoiler-talk (55:00)

Legutóbb Darren Aronofsky, a "Pi", a "Rekviem egy álomért", a "Fekete hattyú", "A pankrátor" és a "Noé" rendezőjének filmjeiről beszélgettünk: Aronofsky neve egyet jelent a kíméletlenül személyes, testi és szellemi végletekig menő filmnyelvvel, amelyben a megszállottság sosem pusztán egy karakter jellemvonása, hanem az emberi lét pokolba vezető útikalauza. Darren Aronofsky vizualitása sosem pusztán stílus, hanem filozófia: képei mindig a szélsőséget keresik, a gyönyör és a borzalom határmezsgyéin mozognak. A gyorsmontázs, a test közelképe, a groteszk fény-árnyék játék, a testnedvek és sebek plasztikus ábrázolása mind a földi tapasztalat nyers igazságát hangsúlyozza. Ugyanakkor a csillogó fények, a lebegő kameramozgások és a misztikus képi rétegek a transzcendens iránti vágyat is közvetítik.Gondolatiságában Aronofsky egyszerre misztikus és biológiai, egyszerre apokaliptikus és intim. Ő az a rendező, aki a hit, a matematika, a drog, a testkultusz, a szakrális mítosz és a teremtés kérdéseit egyazon logikába fűzi: az ember örökös küzdelmét a véges test és a végtelen vágy közötti feszültségben. Filmjeiben az ember mindig önmagát pusztítja, mert mindig többet akar, mert mindig az Istennel kíván vetélkedni - és ebben a pusztulásban talál rá saját tragikus szépségére.Nehogy zaciba adjátok a lejátszótok, mielőtt meghallgatjátok az Aronofsky-adásunk, a végén a legutóbbi filmjet is értékeltük.A beszélgetés résztvevői:Balázsy IstvánLaska PálA Régen minden jobb volt a Tilos Rádió hátrafelé nyilazó történelmi műsora:https://www.facebook.com/regen.minden.jobb.volt

For this week's main podcast review, Giovanni Lago, Joselyn Safadi, and guest Jonathan Fujii join me to review and discuss the latest film from Darren Aronofsky, "Caught Stealing" starring Austin Butler, Regina King, Zoë Kravitz, Matt Smith, Liev Schreiber, Vincent D'Onofrio, Griffin Dunne, Benito A Martínez Ocasio, Action Bronson & Carol Kane. A lighter (by Aronofsky's standards) and fun effort from Aronofsky, from a screenplay written by Charlie Huston, and is based on Huston's book of the same name. What did we think of this fun crime thriller? Please tune in as we discuss the direction, themes, performances, mixture of drama and comedy, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Aronofsky, la guerra, il divorzio.

durée : 00:03:27 - Capture d'écrans - par : Dorothée Barba - Après l'étouffant "The Whale" à huis clos avec Brendon Fraser prisonnier de son canapé (mais oscarisé) Austin Butler passe à l'action dans "Pris au piège" le nouveau film de Darren Aronofsky. Changement de registre pour le cinéaste. De l'humour et de la baston, ça lui va bien ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

When a simple favor goes wrong, a washed-up baseball player-turned-bartender finds himself in the crosshairs of gangsters, cops, and killers in Darren Aronofsky's gritty new crime thriller Caught Stealing.Starring Austin Butler, Regina King, Zoë Kravitz, Matt Smith, and Vincent D'Onofrio, this adaptation of Charlie Huston's novel mixes Aronofsky's signature obsessions with a wild, violent ride through late '90s New York.Watch our full Reel Review now on TheFilmGordon.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/keeping-it-reel-with-filmgordon--4671407/support.

It's 2025 and we have a new Aronofsky movie, his most accessible to date! What a time!

Caught Stealing | Der Regisseur von "Requiem for a Dream" und "The Whale" überrascht uns Das hätten wir nicht von Regisseur Darren Aronofsky erwartet. Nach diversen „Leidensgeschichten“ à la „Requiem for a Dream“, „The Wrestler“ und zuletzt dem Oscar-prämierten „The Whale“ ist sein neuer Kinofilm „Caught Stealing“ eine rasante New-York-Komödie mit spätem 90s-Setting und Gangsterbezug. Immerhin ist die Besetzung mit Austin Butler, Zoë Kravitz, Matt Smith, Liev Schreiber, Regina King, Musiker Bad Bunny und Vincent D'Onofrio wie von Aronofsky gewohnt blendend. Unser Stu war überaus angetan, findet aber auch, dass sich trotz dieses Stilwechsels immer noch genügend Aronofsky in „Caught Stealing“ finden lässt – allen voran, wenn es um Schicksalsschläge geht. Was hingegen Sam zum Film sagt und was genau euch ab dem 28. August erwartet, erfahrt ihr im Podcast. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

In a recent interview with Josh Horowitz, director Darren Aronofsky dove into his unmade Batman Year One adaptation. Years ago, before Christopher Nolan’s Batman Begins, Aronofsky co-wrote a script with comics legend Frank Miller, providing a new spin on the mythos in which Bruce Wayne rejects his family fortune and grows up on the streets of Gotham. A similar idea has recently made it to DC Comics in the popular series Absolute Batman. Aronofsky’s unmade Batman Year One would’ve starred […] The post Darren Aronofsky’s Unmade Batman Year One appeared first on Multiverse Of Color.

From Columbia Studios and Sony Pictures comes Darren Aronofsky's latest film Caught Stealing starring Austin Butler... and unlike most of Aronofsky's other films, I did not hate this movie. Caught Stealing follows a former baseball player finds himself immersed in the criminal underworld of 1990s Giuliani's New York. Caught Stealing is based off the book of the same name written by Charlie Huston. Caught Stealing comes out to theaters on August 29, 2025 and stars a large ensemble casting including Austin Butler, Zoe Kravitz, Dr. Who's Matt Smith, Regina King, Bad Bunny, and Liev Schreiber.

In this episode, we dive deep into Lost Season 3, Episode 4: “Every Man for Himself.” Sawyer takes center stage in one of the most brutal and revealing episodes yet, as he finds himself at the mercy of the Others—literally. We break down the layered manipulation tactics of Ben, explore the psychological warfare that defines this chapter, and unpack how this episode reframes Sawyer's character through flashbacks and pain. Jack's moral conflict and Desmond's eerie premonitions also get the spotlight as we explore the shifting power dynamics across the island.Then, in the second half of the pod, we shift gears to something equally intense but far more surreal: Darren Aronofsky's new film Caught Stealing. Based on Charlie Huston's noir crime novel, this gritty, hallucinatory thriller stars Austin Butler as a washed-up former ballplayer dragged into a spiral of violence in 1990s NYC. Zoë Kravitz brings her signature edge as a mysterious ally with motives of her own, while Matt Smith delivers a chilling performance as a sadistic gangster who's not nearly as scary as he looks. We'll explore how Aronofsky's fever-dream direction collides with pulp noir to create what might be his most accessible—and twisted—film since Black Swan.Join us for a ride through mind games, moral ambiguity, and cinematic madness.

For our seventh, and decidedly not warm and fuzzy episode in the season, Sarah's crafty programming has us plunging into Darren Aronofsky's Requiem for a Dream (2000)! Expect praise for Ellen Burstyn's Oscar-nominated performance as Sara Goldfarb which had crew weeping on set. We unpack the performances of Jared Leto, alongside Jennifer Connelly, as their grand aspirations turn into a spiral of despair exploring the dark side of films about toxic relationships and the pursuit of happiness. Was that Shooter McGavin?! Find out how the film tackles the often-overlooked prescription addiction alongside street drug use, and how it uses split screen to underscore the pervasive theme of loneliness. And why did Keith David show up late to the party? What to expect from this episode: We explore why Darren Aronofsky views directing like conducting an orchestra. Sarah explains the multiple meanings behind the film's title, "Requiem for a Dream". The hosts discuss Jared Leto's controversial acting methods and why Dan enjoyed his character's suffering. We analyse Aronofsky's distinctive visual style, including his famous quick cuts and use of SnorriCam. Dan speculates on a Happy Gilmore sequel starring Christopher McDonald's character from this film. Sarah and Dan debate whether the film contains intentional comedic elements, despite its grim subject matter. Season 11 runs until August 11th with 8 episodes Would you like to see the full lineup for season 11? The only place you can see it is on Patreon but you don't need to be a paying member. Sign up for a free membership and get access to the lineup. If you do have some loose change consider signing up as a paid member. Our £3 a month Patreon tier will grant you access to all of our end of season wrap shows for seasons 1-10 and a minimum of 2 reviews of brand new movies each month. Plus the back-catalogue of reviews from 2023 and 2024.  Enjoy the show but can't support us financially? We get it. You could submit a review on the podcast player you're reading this on right now. Or if you listen on Spotify and you haven't given us a five-star rating yet, what are ye waiting for? It's easy. If you've done some or all of that and still want to do more, we would love it if you tell a friend about the show.   Or come find us on social media: Instagram | TikTok | Threads | YouTube

On this week's Thumb War, we revisit the world of horny, doomed teens and ask the question: what if they were even dumber… and older? Yes, it's the legacy sequel to I Know What You Did Last Summer, and it's back with the original cast, zero shame, and a whole lot of questionable decisions. We dive into why this movie exists, how it compares to Scream and Top Gun: Maverick, and whether legacy sequels are just nostalgia traps covered in blood (and denim). Also: Wicked looks incredible — even if the press tour made us want to eat glass The Smashing Machine might break your heart and Dwayne Johnson Shaq is owed an 18-foot Superman crystal Christopher Nolan has fans buying IMAX tickets for movies that don't even exist yet ...and yes, we're still mad about the soup-slurping Aronofsky trailer. Join Our Patreon! https://www.patreon.com/c/isthisgood

Darren Aronofskys The Fountain verbindet Vergangenheit, Gegenwart und Zukunft in einer bildgewaltigen Meditation über Tod, Verlust und die Suche nach ewigem Leben. Wie hängen ein Konquistador in Spanien, ein Forscher im Labor und ein Glatzkopf in einer Raum-Zeit-Blase zusammen? Und was will Aronofsky mit dieser Überfülle an Symbolik wirklich sagen? Ein Film, der spaltet – und dessen Wirkung auch fast 20 Jahre nach dem Kinostart nicht verpufft ist.

To celebrate Father's Day, we spend time with the story of one of the most important Old Testament patriarchs as depicted by acclaimed American filmmaker Darren Aronofsky. NOAH takes great liberties with the biblical legend of Noah, adding elements inspired by the pseudepigraphical Book of Enoch. In Aronofsky's NOAH, the harsh realities of day-to-day life in Bible times are exaggerated with high fantasy elements. The most notable addition to the story are the giant stone “Watchers”,  towering giants whose stone exteriors imprison the souls of fallen angels doomed to wander Earth. These Watchers have a relationship with Noah's family, who they see as some of the last remaining humans on earth who care about doing God‘s will. Noah (Russell Crowe) hears the call of the Lord in a mysterious dream, which is later expanded upon when Noah's grandfather Methuselah (Anthony Hopkins) feeds Noah an ayahuasca-like hallucinogen, revealing the Great Flood and its brutal cleansing of the earth. Methuselah also gives Noah a seed from the garden of Eden, allowing Noah to carry on the esoteric knowledge of the garden to the new family line he will begin once the earth is destroyed. However, Noah is apprehensive about repopulating the Earth with humans who are by their nature prone to sin. He vows to kill the twins carried by his daughter-in-law Ila (Emma Watson) if they turn out to be girls, so humans will go extinct. He also doesn't let his incel son Ham (Logan Lerman) take a goth e-girl to be his wife. Fortunately, Noah's innate sense of human decency prevails (at least with Ila), because if he had killed Ila's babies, we wouldn't be alive to have a podcast today. Aronofsky's adaptation of Noah is similar to THE PASSION OF THE CHRIST in the fact that it executes a Bible story with a mixture of ambitious high fantasy and gritty realness. It's admirable that Aronofsky is able to turn one of the most implausible Bible stories into something that feels real. View our full episode list and subscribe to any of our public feeds: http://boysbiblestudy.com Unlock 2+ bonus episodes per month: http://patreon.com/boysbiblestudy Subscribe to our Twitch for livestreams: http://twitch.tv/boysbiblestudy Follow us on Instagram: http://instagram.com/boysbiblestudy Follow us on Twitter: http://twitter.com/boysbiblestudy

TelevisaUnivisión y Disney firman acuerdo, MUBI GO te invita a Cinépolis, y Google presenta Veo 3Puedes apoyar la realización de este programa con una suscripción. Más información por acáTemas:00:18 TelevisaUnivision y Disney hacen alianza01:06 Mubi se asocia con Cinépolis en la suscripción de MUBI GO.01:32 Siguen discusiones sobre la Ley Telecom02:11 Trump amenaza aranceles a iPhones02:39 Google Deepmind forja alianza con Aronofsky.03:15 Análisis: Viejos juguetes en nuevas presentacionesNotas del episodio. Become a member at https://plus.acast.com/s/noticias-de-tecnologia-express. Hosted on Acast. See acast.com/privacy for more information.

Disney's Zootopia 2 Teaser, Aronofsky's Caught Stealing Trailer, KPop Demon Hunters Official Trailer, New George R.R. Martin Animated Feature Hosted on Acast. See acast.com/privacy for more information.

Episode 202: Happy Mothers Day as we tackle Hydraberg's pick for our Look Who's Coming to Dinner theme with 2017's Mother! by Darren Aronofsky. Join us next week again for dinner and John's pick with Would You Rather from 2012.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

We say goodbye to the land of cults with maybe the most dangerous cult of all – biblical allegory! That's right, we're tackling Darren Aronofsky's divisive and provoking mother!. Does the film stand on its own or is it simply an exercise? Is it about Aronofsky? Who got the bigger end of the wishbone baby? All of that and more within the episode. Along that path Curtis discusses way too many movies, including a couple of new releases! Then stick around to hear Cody's selection for the next theme and first film within that theme!   Go to patreon.com/SHUDcast where you can sign up for all kinds of extra goodies!   00:00 - 10:00ish - Intros - Parody law and tariffs (because we're experts), Lucas is licensed to be married   10:00ish - 1:13:00ish - The other stuff we watched this time:   Curtis - Perfect Days, Shadow, Hero, My Heart is That Eternal Rose, The Grandmaster, The Seventh Curse, The Witch From Nepal, The Roundup: Punishment, The Mask of Satan, Rats: Night of Terror, Hell of the Living Dead, Climax, Ash, Friday, Monster Hunter, Hackers, Villains, Mulholland Drive, Final Destination 2, Eraserhead, His Girl Friday, The Player, Night of the Living Dead (1990), Hell of a Summer, Death of a Unicorn   Austin - Death of a Unicorn, Smile 2, MaXXXine, The Ballad of Wallis Island, Y2K,    Cody - Black Bag, Labyrinth, King Arthur: Legend of the Sword, Monty Python and the Holy Grail, Alice in Wonderland (1951), Alice in Wonderland (2010), Alice Through the Looking Glass, Pirates of the Caribbean: At World's End, Pirates of the Caribbean: On Stranger Tides, Sleeping Beauty, Maleficent, Maleficent: Mistress of Evil, Indiana Jones and the Kingdom of the Crystal Skull, Indiana Jones and the Dial of Destiny   Lucas - Ash, Death of a Unicorn, Cloudy with a Chance of Meatballs 2, Predestination, A Working Man, Rush, Sweeney Todd, Feed (kinda), Novocaine   1:13:00ish - 1:48:00ish - mother! - SHUDdown and discussion!   1:48:00ish - 1:53:00ish - “Purple Flavored Kool-Aid” Awards!   1:53:00ish - End - Our next theme! Brought to you by Cody!  

durée : 00:58:38 - Plan large - par : Antoine Guillot - Aujourd'hui nous recevons les cinéastes Fabio Grassadonia et Antonio Piazza pour leur film "Lettres siciliennes" et Darren Aronofsky, à l'occasion de la ressortie de son film réalisé il y a 25 ans, et devenu depuis culte : "Requiem for a Dream", et aussi Sandra Onana. - réalisation : Anne-Laure Chanel - invités : Fabio Grassadonia cinéaste; Antonio Piazza cinéaste; Darren Aronofsky Réalisateur; Sandra Onana Critique de cinéma, journaliste à Libération

durée : 00:58:38 - Plan large - par : Antoine Guillot - Aujourd'hui nous recevons les cinéastes Fabio Grassadonia et Antonio Piazza pour leur film "Lettres siciliennes" et Darren Aronofsky, à l'occasion de la ressortie de son film réalisé il y a 25 ans, et devenu depuis culte : "Requiem for a Dream", et aussi Sandra Onana. - réalisation : Anne-Laure Chanel - invités : Fabio Grassadonia cinéaste; Antonio Piazza cinéaste; Darren Aronofsky Réalisateur; Sandra Onana Critique de cinéma, journaliste à Libération

From his groundbreaking debut "Pi" to his Oscar-winning movies "Black Swan" and "The Whale", Darren Aronofsky's bold storytelling and striking visual style push the boundaries of film – leaving audiences captivated and shaken. As the Cinémathèque française in Paris celebrates his work and "Requiem for a Dream" marks its 25th anniversary with a restored release, Eve Jackson sat down with Aronofsky to talk about his singular ability to transform human obsession into visceral cinema.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesLast week, during an interview with Brazilian pop culture and media YouTube outlet, Omelete, to promote their new film, The Electric State, Avengers: Doomsday and Secret Wars directors, Joe and Anthony Russo offered insights on how the upcoming pair Avengers of films differ from their previous multi-phase, saga-concluders: Infinity War and Endgame; describing the duology as a “new beginning.” Joe Russo went on to reiterate the real motivation for the creative duo returning to the franchise after leaving on an all-time high more than 5 years ago. In a double dose of DC casting news, sitcom vet Jason Ritter has joined the cast of Lanterns in a recurring role as Billy Macon, a ‘good-looking charmer who does his father's bidding, clings to his small-town ego and has everything to lose.' Elsewhere, The Penguin actor, Colin Farrell has entered negotiations to replace Daniel Craig as the titular sergeant of Luca Guadagnino's Word War II film, Sgt. Rock.Despite the release of several new genre films, last weekend's domestic box office was notably slow – at an approximate $54 million total, sluggish enough to earn the title of 2025's worst box office thus far.  Paramount's R-rated action comedy, Novocaine, starring Jack Quaid, took the top spot with $8.7 million, slightly below expectations. Meanwhile, Mickey 17 suffered a 60% drop in its second weekend, barely managing to stave off Steven Soderbergh's spy thriller, Black Bag, with hauls of $7.51 and $7.5 million, respectively.After more than a year of speculation, Apple TV+ has officially ordered a fourth season of its Emmy-winning comedy Ted Lasso. The pickup comes after co-creator and star Jason Sudeikis closed a deal to reprise his role as the titular character. Disney has released the first official trailer for body swap comedy reunion sequel Freakier Friday starring Jamie Lee Curtis and Lindsay Lohan. The film hits theaters on August 8th, 22 years after the original. Conan O'Brien, who hosted the 97th Oscars telecast on March 2, has agreed to return and host the 98th Oscars telecast on March 15, 2026, the Academy of Motion Picture Arts and Sciences announced Monday. CBS has also announced that comedian Nikki Glaser will return in 2026 to host the 83rd annual Golden Globes.More than a year after Warner Bros. shelved Coyote vs. Acme for tax incentives, independent distributor Ketchup Entertainment is reportedly nearing a deal to acquire the film for around $50 million. Ketchup recently handled the theatrical release of The Day the Earth Blew Up: A Looney Tunes Movie, which has earned $3.9 million since its March 14 debut.Columbia Pictures is plotting a new Starship Troopers movie, tasking District 9 filmmaker Neill Blomkamp to write and direct an adaptation of the classic sci-fi novel story by Robert A. Heinlein. The Hollywood Reporter has learned “zero progress” has been made on Saw XI since writing partners Patrick Melton and Marcus Dunstan turned in a draft back in spring of 2024. Speaking on the project, Melton said “The reason it's held up is just, there's inter-squabbling between producers and Lionsgate. They just can't quite get on the same page.” A24 has released the first trailer for romantic feature film Materialists starring Pedro Pascal, Chris Evans, and Dakota Johnson. The film hits theaters on June 13th. Netflix has released the first trailer for Adam Sandler-led sequel Happy Gilmore 2. The film begins streaming on July 25th. Darren Aronofsky is in talks to direct Netflix's Cujo, a remake of Stephen King's classic horror novel about a vicious St. Bernard.The project is still in early development, and sources say Aronofsky has yet to hold creative discussions with Netflix. If the deal goes through, this would be his first feature film for a streaming platform.

*CONTENT WARNING! THIS FILM & PODCAST WILL TOUCH ON TOPICS SUCH AS MENTAL HEALTH CRISES, OBSESSIVE STALKERS & SEXUAL VIOLENCE AGAINST WOMEN.Our Anime Sensei Georgina returns to school us on the medium once again and on why you should watch the highly influential psychological thriller #PerfectBlue! #SatoshiKon's directorial debut is considered a masterpiece in filmmaking & animation but why have you only heard of it in relation to the work of #DarrenAronofsky? Well, Georgina who "hates that f*$%ing guy" will tell you! She joins us to discuss David Lynch, small but deliberate moments & why she doesn't have reflective surfaces in her own home... #PrepareForPrattleWe're including links to two charities that support the victims of sexual violence in the U.S. & the U.K. should anyone need them or want to donate. Find Georgina on TikTok ⁠https://tinyurl.com/2ke2t62s & on Instagram ⁠https://tinyurl.com/2wxxuap9Be sure to read Georgina's writing under her pseudonym Georgina Thomassen on Wattpad ⁠http://wattpad.com/major2501⁠Last time we covered an Anime was during Samurai Month when we looked at the series #SamuraiChamploo https://tinyurl.com/2t5ryzpcOur first journey into anime was another series the biblical epic #NeonGenesisEvanelion now with improved audio! https://tinyurl.com/2c5pbdaa Watch the #SatoshiKon documentary on Youtube https://tinyurl.com/3b542c7a To fuel the debate on whether Aronofsky ripped off Kon's work, here's a couple of articles on the subject… https://tinyurl.com/yvtmjfewhttps://tinyurl.com/2c786pum Where to find the Spider-Dan & The Secret Bores Podcast…Follow this link to find your preferred podcast catcher of choice ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pod.link/danbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/secretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@spiderdansecretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@dan_bores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/spiderdansecretbores/?hl=en⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/CeVrdqdpjk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDB: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.imdb.com/title/tt22023774/?ref_=nv_sr_srsg_0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/spiderdan_2006/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like, share, comment, subscribe etc. and don't forget to use the #PrepareForPrattle when you interact with us.Please subscribe to The Pop Culture Collective newsletter to find out what myself, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Comics In Motion⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and all the other related podcasts are up to week by week ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://pccnewsletter.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠I'd like to thank my patrons on #Patreon for their continuing donations it is very much appreciated and helps PrattleWorld keep turning and if you ever find yourself in a position to help the podcast please consider it. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/spiderdanandthesecretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you would like to make a one off donation head over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/spiderdanandthesecretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you want to #JoinThePrattalion and to be briefed in full on the #SecretBores head over to #PrattleWorld ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.spiderdanandthesecretbores.com/

In this episode of Horror Hour with the Hanna's, we pirouette into the haunting world of Black Swan (2010), Darren Aronofsky's psychological horror masterpiece. With Natalie Portman's Oscar-winning performance as a ballerina spiraling into obsession, this film blends beauty, madness, and body horror in a way that still lingers in audiences' minds.We break down the film's themes of artistic perfection, duality, and psychological decay, exploring how Aronofsky crafts a nightmarish descent into madness. Is Black Swan a horror film in disguise or a true genre-bending thriller? And how does its portrayal of ambition and self-destruction still resonate today?This week we are joined by Andrew from "The Revisionist Almanac". You can find more of Andrew here:https://open.spotify.com/show/0k1pTUl2hYrgIiZpziFQTv?si=95a2eba2ed404992Follow Us on Instagram and TikTok: @horrorhourwiththehannasMusic by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week for your Daily Ratings Weekly Movie News:   We discuss the fallout and controversy surrounding Emilia Perez. Tom gives the highlights and biggest winners from Sundance Film festival. We also get into some new release dates for Netflix films and Darren Aronofsky, and also Jake Gyllenhaal is set to star in the next Shamalan picture. All this and also the latest weekend box office, and of course, Vincent Daily's movie picks for the week!    Don't forget to check out thedailyratings.com for our New Shop! Where you can find all kinds of Daily Ratings Shirts, Hoodies, Hats, and Mugs. Also check out the massive amount of films that Vince has rated and send a donation our way if you'd like to become a Producer!!

Send us a text4X4: Lars von Trier #3Breaking our own arbitrary rules just like Lars von Trier, the enfant terrible final director of Season 13's 4x4, the TGTPTU crew for our final pairing breaks with release date order to review the later paired film earlier, giving you this week ANTICHRIST (2009).  From the throes of depression, LVT emerged to sink the world into his vision of grief, anxiety, and madness with the horror story of a couple (played by Willem Dafoe and Charlotte Gainsbourg), their gendered power dynamics, and a totally normal depiction of married sex life. Not only are these two main husband-wife characters unnamed (something host Jack hates), with the exception their child who won't survive the movie's Prologue, all other characters are extras who appear with faces blurred, maintaining the isolation and focus on the archetypes of a controlling male and a woman who cannot find herself in the narratives of motherhood. Or, that's one interpretation of many readings Antichrist allows as it questions, potentially: whether human nature is good or evil, if there is a different nature for women than men, how nature influences nurture, and if nature itself can be framed in terms of good or evil. Also left to questioning: the crew on this film as to whether LVT would finish the movie as his struggle with depression persisted. But what is not open to question is how visually arresting the film is. In combination with the Dogme 95-inspired handheld camerawork complemented by the time-cut style discussed last episode with Dancer in the Dark (also with no preproduction rehearsals for actors), LVT introduces two visual styles new to his filmography. The first, shot in a repetitive extreme close-ups, is a sequence reminiscent of Aronofsky's hip-hop montage (see Season 11) and 2024's Cuckoo (see future Season 19 Singer vs. Singer) that captures the feelings of anxiety experienced, initially, by the wife. The second stylist tone, and the one that opens the tragedy of their neglected child falling from a window while they are having black-and-white penetrative sex, uses high resolution slow motion for gorgeously crisp imagery that later is repeated but spectrally layered as if in a dream. From the hosts this week: Thomas demonstrates effectively totally knows what sex is; Ryan goes Cartesian; Jack receives a visit from the Sight and Sound people about putting Audition on his list; and Ken is a grump who wants LA to burn to the ground. Join one pair of hosts in praising the film or perhaps pose the question as a reporter for the Daily Mail did at Cannes (available on the Blu-ray) to LVT: “Would you please, for my benefit, explain and justify why you made this movie?”  What does it really matter? Chaos reigns.  Content Note: While a forest retreat where Dafoe's character discovers a mommy deer, a helpful crow, and a talking fox might sound like a family-friend animated film, the genital mutilation in the film definitely veers toward adult content. So CONTENT WARNING: while you might enjoy this film as two TGTPTU hosts did, you're not going to leave this film content.  Final Note: At the release of this episode (late-January 2025), Bob's Big Boy in LA has been booked solid and the front of the building covered with flowers, but at the time of this episode's recording David Lynch had yet to slip into the ether. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @mrkoral.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Rya