Podcasts about aronofsky

To celebrate Father's Day, we spend time with the story of one of the most important Old Testament patriarchs as depicted by acclaimed American filmmaker Darren Aronofsky. NOAH takes great liberties with the biblical legend of Noah, adding elements inspired by the pseudepigraphical Book of Enoch. In Aronofsky's NOAH, the harsh realities of day-to-day life in Bible times are exaggerated with high fantasy elements. The most notable addition to the story are the giant stone “Watchers”,  towering giants whose stone exteriors imprison the souls of fallen angels doomed to wander Earth. These Watchers have a relationship with Noah's family, who they see as some of the last remaining humans on earth who care about doing God‘s will. Noah (Russell Crowe) hears the call of the Lord in a mysterious dream, which is later expanded upon when Noah's grandfather Methuselah (Anthony Hopkins) feeds Noah an ayahuasca-like hallucinogen, revealing the Great Flood and its brutal cleansing of the earth. Methuselah also gives Noah a seed from the garden of Eden, allowing Noah to carry on the esoteric knowledge of the garden to the new family line he will begin once the earth is destroyed. However, Noah is apprehensive about repopulating the Earth with humans who are by their nature prone to sin. He vows to kill the twins carried by his daughter-in-law Ila (Emma Watson) if they turn out to be girls, so humans will go extinct. He also doesn't let his incel son Ham (Logan Lerman) take a goth e-girl to be his wife. Fortunately, Noah's innate sense of human decency prevails (at least with Ila), because if he had killed Ila's babies, we wouldn't be alive to have a podcast today. Aronofsky's adaptation of Noah is similar to THE PASSION OF THE CHRIST in the fact that it executes a Bible story with a mixture of ambitious high fantasy and gritty realness. It's admirable that Aronofsky is able to turn one of the most implausible Bible stories into something that feels real. View our full episode list and subscribe to any of our public feeds: http://boysbiblestudy.com Unlock 2+ bonus episodes per month: http://patreon.com/boysbiblestudy Subscribe to our Twitch for livestreams: http://twitch.tv/boysbiblestudy Follow us on Instagram: http://instagram.com/boysbiblestudy Follow us on Twitter: http://twitter.com/boysbiblestudy

Raspando o fundo do barril, esta semana arranja-se 10 minutos de conteúdo e 5 minutos de behind the scenes. Sempre orbitando o tema do ano 2025, Bikini Core Cinema Essentials.

TelevisaUnivisión y Disney firman acuerdo, MUBI GO te invita a Cinépolis, y Google presenta Veo 3Puedes apoyar la realización de este programa con una suscripción. Más información por acáTemas:00:18 TelevisaUnivision y Disney hacen alianza01:06 Mubi se asocia con Cinépolis en la suscripción de MUBI GO.01:32 Siguen discusiones sobre la Ley Telecom02:11 Trump amenaza aranceles a iPhones02:39 Google Deepmind forja alianza con Aronofsky.03:15 Análisis: Viejos juguetes en nuevas presentacionesNotas del episodio. Become a member at https://plus.acast.com/s/noticias-de-tecnologia-express. Hosted on Acast. See acast.com/privacy for more information.

Disney's Zootopia 2 Teaser, Aronofsky's Caught Stealing Trailer, KPop Demon Hunters Official Trailer, New George R.R. Martin Animated Feature Hosted on Acast. See acast.com/privacy for more information.

Episode 202: Happy Mothers Day as we tackle Hydraberg's pick for our Look Who's Coming to Dinner theme with 2017's Mother! by Darren Aronofsky. Join us next week again for dinner and John's pick with Would You Rather from 2012.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

We say goodbye to the land of cults with maybe the most dangerous cult of all – biblical allegory! That's right, we're tackling Darren Aronofsky's divisive and provoking mother!. Does the film stand on its own or is it simply an exercise? Is it about Aronofsky? Who got the bigger end of the wishbone baby? All of that and more within the episode. Along that path Curtis discusses way too many movies, including a couple of new releases! Then stick around to hear Cody's selection for the next theme and first film within that theme!   Go to patreon.com/SHUDcast where you can sign up for all kinds of extra goodies!   00:00 - 10:00ish - Intros - Parody law and tariffs (because we're experts), Lucas is licensed to be married   10:00ish - 1:13:00ish - The other stuff we watched this time:   Curtis - Perfect Days, Shadow, Hero, My Heart is That Eternal Rose, The Grandmaster, The Seventh Curse, The Witch From Nepal, The Roundup: Punishment, The Mask of Satan, Rats: Night of Terror, Hell of the Living Dead, Climax, Ash, Friday, Monster Hunter, Hackers, Villains, Mulholland Drive, Final Destination 2, Eraserhead, His Girl Friday, The Player, Night of the Living Dead (1990), Hell of a Summer, Death of a Unicorn   Austin - Death of a Unicorn, Smile 2, MaXXXine, The Ballad of Wallis Island, Y2K,    Cody - Black Bag, Labyrinth, King Arthur: Legend of the Sword, Monty Python and the Holy Grail, Alice in Wonderland (1951), Alice in Wonderland (2010), Alice Through the Looking Glass, Pirates of the Caribbean: At World's End, Pirates of the Caribbean: On Stranger Tides, Sleeping Beauty, Maleficent, Maleficent: Mistress of Evil, Indiana Jones and the Kingdom of the Crystal Skull, Indiana Jones and the Dial of Destiny   Lucas - Ash, Death of a Unicorn, Cloudy with a Chance of Meatballs 2, Predestination, A Working Man, Rush, Sweeney Todd, Feed (kinda), Novocaine   1:13:00ish - 1:48:00ish - mother! - SHUDdown and discussion!   1:48:00ish - 1:53:00ish - “Purple Flavored Kool-Aid” Awards!   1:53:00ish - End - Our next theme! Brought to you by Cody!  

durée : 00:58:38 - Plan large - par : Antoine Guillot - Aujourd'hui nous recevons les cinéastes Fabio Grassadonia et Antonio Piazza pour leur film "Lettres siciliennes" et Darren Aronofsky, à l'occasion de la ressortie de son film réalisé il y a 25 ans, et devenu depuis culte : "Requiem for a Dream", et aussi Sandra Onana. - réalisation : Anne-Laure Chanel - invités : Fabio Grassadonia cinéaste; Antonio Piazza cinéaste; Darren Aronofsky Réalisateur; Sandra Onana Critique de cinéma, journaliste à Libération

durée : 00:58:38 - Plan large - par : Antoine Guillot - Aujourd'hui nous recevons les cinéastes Fabio Grassadonia et Antonio Piazza pour leur film "Lettres siciliennes" et Darren Aronofsky, à l'occasion de la ressortie de son film réalisé il y a 25 ans, et devenu depuis culte : "Requiem for a Dream", et aussi Sandra Onana. - réalisation : Anne-Laure Chanel - invités : Fabio Grassadonia cinéaste; Antonio Piazza cinéaste; Darren Aronofsky Réalisateur; Sandra Onana Critique de cinéma, journaliste à Libération

A Pointe-à-pitre comme à Brooklyn, hier ou aujourd'hui, le rêve social est parfois un cauchemar.Les rapports entre la France métropolitaine et celle d'Outre-Mer n'ont jamais été simples. Encore moins en ce qui concerne le cinéma, basé comme énormément de choses sur un rapport d'import-export défavorable. En effet, si le cinéma conçu de ce côté des océans arrive dans les salles outre-marines, le trajet inverse est peu parcouru. La curiosité quand débarque ici un polar guadeloupéen est donc de rigueur. Zion est une immersion dans les quartiers de Pointe-à-pitre aux côtés de Chris, jeune branleur qui passe ses journées entre virées à moto, aventures d'un soir et petits jobs pour un dealer... Jusqu'au jour où il se retrouve à la fois avec un bébé largué devant sa porte et une livraison de dope qui tourne mal. Nelson Foix en fait une histoire de survies multiples, de Chris désormais traqué comme d'un quotidien dans une Guadeloupe précaire. Zion se dépêtre idéalement de plusieurs mythologies, celle d'un cinéma de genre à l'américaine, comme celle d'une maturité apportée par la paternité. La course de Chris est autant celle d'un gars qui apprend le sens des responsabilités que de celle d'une île qui tente de s'affranchir des restes du colonialisme. Du cinéma qui combine action et politique, rappelant dans sa virtuosité et son efficacité la vision d'un Kassovitz sur les banlieues avec La Haine, y compris dans une capacité à transcender un constat par un sens inné du rythme ou de la mise en scène. Zion se revendiquant tout autant film populaire et militant – ne serait-ce qu'en faisant de la place à la langue créole ou simplement en définissant sous son épiderme de thriller la réalité antillaise de la France, entre crise sociale et défaut de reconnaissance.Darren Aronofsky a trouvé, lui, une reconnaissance mondiale il y a 25 ans avec Requiem for a Dream, autre film s'essayant à une vision en coupe. Celle d'une Amérique du tout début des années 2000, via la descente aux enfers de quatre new-yorkais plus encore shootés à l'illusion du fameux rêve américain qu'à diverses drogues. Œuvre définitive sur les ravages des addictions, Requiem for a Dream superpose aux obsessions de son quatuor de défavorisés, celles d'une civilisation accro aux images. Aronofsky allant jusqu'à reformuler les grammaires narratives pour un trip expérimental d'une puissance folle confinant au vertige sensoriel. 25 ans après sa sortie, Requiem for a Dream stupéfie encore plus : sa part d'expérience hallucinogène s'est dissoute dans une Amérique prolo perdue entre ravages du fentanyl, règne de l'économie, et dévotion à un président tenant d'un affolant gourou. À l'époque de sa sortie, le film d'Aronofsky surpassait de très loin une petite vague de « drug movies » (de Trainspotting à Las Vegas Parano), aujourd'hui, il s'avère avoir surtout eu de l'avance quand il s'avère plus que jamais pulsation d'un monde défoncé, dans tous les sens du terme.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

From his groundbreaking debut "Pi" to his Oscar-winning movies "Black Swan" and "The Whale", Darren Aronofsky's bold storytelling and striking visual style push the boundaries of film – leaving audiences captivated and shaken. As the Cinémathèque française in Paris celebrates his work and "Requiem for a Dream" marks its 25th anniversary with a restored release, Eve Jackson sat down with Aronofsky to talk about his singular ability to transform human obsession into visceral cinema.

Bonjour à toutes et à tous, bienvenue dans l'actualité du mois de mars 2025 préparée par l'équipe d'Upcast. Vous écoutez toujours le podcast qui vous parle de toute l'actualité culturelle : cinéma, séries, jeux vidéo, musique… et on continue notre nouvelle formule mensuelle. Finies les 52 minutes et la limite de temps, place aux news et aux débats jusqu'à pas d'heure… JV Le Nintendo Direct Switch et l'annonce de la switch direct La Switch 2 CR7 dans Fatal Fury Cinéma : Une nouvelle adaptation de Starship Trooper Une suite pour Once upon a time in Hollywood ? Le prochain Mad Max ? Aronofsky adapte King Le biopic sur John Merrick a son réalisateur Cannes : les films français et internationaux sur la croisette Canal + et le cinéma français : on rempile Séries Dexter (encore et toujours!) Le succès d'Adolescence LES polémiques du mois IA et art, le débat relancé par Open AI version Ghibli Blanche-neige : échec cuisant

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesLast week, during an interview with Brazilian pop culture and media YouTube outlet, Omelete, to promote their new film, The Electric State, Avengers: Doomsday and Secret Wars directors, Joe and Anthony Russo offered insights on how the upcoming pair Avengers of films differ from their previous multi-phase, saga-concluders: Infinity War and Endgame; describing the duology as a “new beginning.” Joe Russo went on to reiterate the real motivation for the creative duo returning to the franchise after leaving on an all-time high more than 5 years ago. In a double dose of DC casting news, sitcom vet Jason Ritter has joined the cast of Lanterns in a recurring role as Billy Macon, a ‘good-looking charmer who does his father's bidding, clings to his small-town ego and has everything to lose.' Elsewhere, The Penguin actor, Colin Farrell has entered negotiations to replace Daniel Craig as the titular sergeant of Luca Guadagnino's Word War II film, Sgt. Rock.Despite the release of several new genre films, last weekend's domestic box office was notably slow – at an approximate $54 million total, sluggish enough to earn the title of 2025's worst box office thus far.  Paramount's R-rated action comedy, Novocaine, starring Jack Quaid, took the top spot with $8.7 million, slightly below expectations. Meanwhile, Mickey 17 suffered a 60% drop in its second weekend, barely managing to stave off Steven Soderbergh's spy thriller, Black Bag, with hauls of $7.51 and $7.5 million, respectively.After more than a year of speculation, Apple TV+ has officially ordered a fourth season of its Emmy-winning comedy Ted Lasso. The pickup comes after co-creator and star Jason Sudeikis closed a deal to reprise his role as the titular character. Disney has released the first official trailer for body swap comedy reunion sequel Freakier Friday starring Jamie Lee Curtis and Lindsay Lohan. The film hits theaters on August 8th, 22 years after the original. Conan O'Brien, who hosted the 97th Oscars telecast on March 2, has agreed to return and host the 98th Oscars telecast on March 15, 2026, the Academy of Motion Picture Arts and Sciences announced Monday. CBS has also announced that comedian Nikki Glaser will return in 2026 to host the 83rd annual Golden Globes.More than a year after Warner Bros. shelved Coyote vs. Acme for tax incentives, independent distributor Ketchup Entertainment is reportedly nearing a deal to acquire the film for around $50 million. Ketchup recently handled the theatrical release of The Day the Earth Blew Up: A Looney Tunes Movie, which has earned $3.9 million since its March 14 debut.Columbia Pictures is plotting a new Starship Troopers movie, tasking District 9 filmmaker Neill Blomkamp to write and direct an adaptation of the classic sci-fi novel story by Robert A. Heinlein. The Hollywood Reporter has learned “zero progress” has been made on Saw XI since writing partners Patrick Melton and Marcus Dunstan turned in a draft back in spring of 2024. Speaking on the project, Melton said “The reason it's held up is just, there's inter-squabbling between producers and Lionsgate. They just can't quite get on the same page.” A24 has released the first trailer for romantic feature film Materialists starring Pedro Pascal, Chris Evans, and Dakota Johnson. The film hits theaters on June 13th. Netflix has released the first trailer for Adam Sandler-led sequel Happy Gilmore 2. The film begins streaming on July 25th. Darren Aronofsky is in talks to direct Netflix's Cujo, a remake of Stephen King's classic horror novel about a vicious St. Bernard.The project is still in early development, and sources say Aronofsky has yet to hold creative discussions with Netflix. If the deal goes through, this would be his first feature film for a streaming platform.

*CONTENT WARNING! THIS FILM & PODCAST WILL TOUCH ON TOPICS SUCH AS MENTAL HEALTH CRISES, OBSESSIVE STALKERS & SEXUAL VIOLENCE AGAINST WOMEN.Our Anime Sensei Georgina returns to school us on the medium once again and on why you should watch the highly influential psychological thriller #PerfectBlue! #SatoshiKon's directorial debut is considered a masterpiece in filmmaking & animation but why have you only heard of it in relation to the work of #DarrenAronofsky? Well, Georgina who "hates that f*$%ing guy" will tell you! She joins us to discuss David Lynch, small but deliberate moments & why she doesn't have reflective surfaces in her own home... #PrepareForPrattleWe're including links to two charities that support the victims of sexual violence in the U.S. & the U.K. should anyone need them or want to donate. Find Georgina on TikTok ⁠https://tinyurl.com/2ke2t62s & on Instagram ⁠https://tinyurl.com/2wxxuap9Be sure to read Georgina's writing under her pseudonym Georgina Thomassen on Wattpad ⁠http://wattpad.com/major2501⁠Last time we covered an Anime was during Samurai Month when we looked at the series #SamuraiChamploo https://tinyurl.com/2t5ryzpcOur first journey into anime was another series the biblical epic #NeonGenesisEvanelion now with improved audio! https://tinyurl.com/2c5pbdaa Watch the #SatoshiKon documentary on Youtube https://tinyurl.com/3b542c7a To fuel the debate on whether Aronofsky ripped off Kon's work, here's a couple of articles on the subject… https://tinyurl.com/yvtmjfewhttps://tinyurl.com/2c786pum Where to find the Spider-Dan & The Secret Bores Podcast…Follow this link to find your preferred podcast catcher of choice ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠pod.link/danbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/secretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.threads.net/@spiderdansecretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@dan_bores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/spiderdansecretbores/?hl=en⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.com/invite/CeVrdqdpjk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDB: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.imdb.com/title/tt22023774/?ref_=nv_sr_srsg_0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/spiderdan_2006/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Like, share, comment, subscribe etc. and don't forget to use the #PrepareForPrattle when you interact with us.Please subscribe to The Pop Culture Collective newsletter to find out what myself, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Comics In Motion⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and all the other related podcasts are up to week by week ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://pccnewsletter.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠I'd like to thank my patrons on #Patreon for their continuing donations it is very much appreciated and helps PrattleWorld keep turning and if you ever find yourself in a position to help the podcast please consider it. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/spiderdanandthesecretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you would like to make a one off donation head over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/spiderdanandthesecretbores⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you want to #JoinThePrattalion and to be briefed in full on the #SecretBores head over to #PrattleWorld ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.spiderdanandthesecretbores.com/

In this episode of Horror Hour with the Hanna's, we pirouette into the haunting world of Black Swan (2010), Darren Aronofsky's psychological horror masterpiece. With Natalie Portman's Oscar-winning performance as a ballerina spiraling into obsession, this film blends beauty, madness, and body horror in a way that still lingers in audiences' minds.We break down the film's themes of artistic perfection, duality, and psychological decay, exploring how Aronofsky crafts a nightmarish descent into madness. Is Black Swan a horror film in disguise or a true genre-bending thriller? And how does its portrayal of ambition and self-destruction still resonate today?This week we are joined by Andrew from "The Revisionist Almanac". You can find more of Andrew here:https://open.spotify.com/show/0k1pTUl2hYrgIiZpziFQTv?si=95a2eba2ed404992Follow Us on Instagram and TikTok: @horrorhourwiththehannasMusic by Aries Beats - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/watch?v=DPpnxLYrzVA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week for your Daily Ratings Weekly Movie News:   We discuss the fallout and controversy surrounding Emilia Perez. Tom gives the highlights and biggest winners from Sundance Film festival. We also get into some new release dates for Netflix films and Darren Aronofsky, and also Jake Gyllenhaal is set to star in the next Shamalan picture. All this and also the latest weekend box office, and of course, Vincent Daily's movie picks for the week!    Don't forget to check out thedailyratings.com for our New Shop! Where you can find all kinds of Daily Ratings Shirts, Hoodies, Hats, and Mugs. Also check out the massive amount of films that Vince has rated and send a donation our way if you'd like to become a Producer!!

Send us a text4X4: Lars von Trier #3Breaking our own arbitrary rules just like Lars von Trier, the enfant terrible final director of Season 13's 4x4, the TGTPTU crew for our final pairing breaks with release date order to review the later paired film earlier, giving you this week ANTICHRIST (2009).  From the throes of depression, LVT emerged to sink the world into his vision of grief, anxiety, and madness with the horror story of a couple (played by Willem Dafoe and Charlotte Gainsbourg), their gendered power dynamics, and a totally normal depiction of married sex life. Not only are these two main husband-wife characters unnamed (something host Jack hates), with the exception their child who won't survive the movie's Prologue, all other characters are extras who appear with faces blurred, maintaining the isolation and focus on the archetypes of a controlling male and a woman who cannot find herself in the narratives of motherhood. Or, that's one interpretation of many readings Antichrist allows as it questions, potentially: whether human nature is good or evil, if there is a different nature for women than men, how nature influences nurture, and if nature itself can be framed in terms of good or evil. Also left to questioning: the crew on this film as to whether LVT would finish the movie as his struggle with depression persisted. But what is not open to question is how visually arresting the film is. In combination with the Dogme 95-inspired handheld camerawork complemented by the time-cut style discussed last episode with Dancer in the Dark (also with no preproduction rehearsals for actors), LVT introduces two visual styles new to his filmography. The first, shot in a repetitive extreme close-ups, is a sequence reminiscent of Aronofsky's hip-hop montage (see Season 11) and 2024's Cuckoo (see future Season 19 Singer vs. Singer) that captures the feelings of anxiety experienced, initially, by the wife. The second stylist tone, and the one that opens the tragedy of their neglected child falling from a window while they are having black-and-white penetrative sex, uses high resolution slow motion for gorgeously crisp imagery that later is repeated but spectrally layered as if in a dream. From the hosts this week: Thomas demonstrates effectively totally knows what sex is; Ryan goes Cartesian; Jack receives a visit from the Sight and Sound people about putting Audition on his list; and Ken is a grump who wants LA to burn to the ground. Join one pair of hosts in praising the film or perhaps pose the question as a reporter for the Daily Mail did at Cannes (available on the Blu-ray) to LVT: “Would you please, for my benefit, explain and justify why you made this movie?”  What does it really matter? Chaos reigns.  Content Note: While a forest retreat where Dafoe's character discovers a mommy deer, a helpful crow, and a talking fox might sound like a family-friend animated film, the genital mutilation in the film definitely veers toward adult content. So CONTENT WARNING: while you might enjoy this film as two TGTPTU hosts did, you're not going to leave this film content.  Final Note: At the release of this episode (late-January 2025), Bob's Big Boy in LA has been booked solid and the front of the building covered with flowers, but at the time of this episode's recording David Lynch had yet to slip into the ether. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @mrkoral.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Rya

Episode Description: In this heartfelt and insightful episode of Raising Cinephiles, Jessica Kantor sits down with producer, podcaster, and new mom Carolina Groppa. They discuss their shared love of cinema, the challenges of raising children while maintaining creative careers, and the transformative journey of motherhood. Carolina reflects on her upbringing in Brazil, her evolution from actor to producer, and how her experiences shape her approach to storytelling, community, and family. Together, they explore the balance of being both present mothers and passionate creators, offering listeners a raw and honest glimpse into the realities of working parents in the entertainment industry.Key Highlights:1. First Media Memory & The Power of Storytelling* Carolina's first impactful TV experience was watching The Wonder Years, dubbed in Portuguese, as a child in Brazil.* Despite cultural and geographic differences, Carolina felt seen by the show's themes of growing up and self-reflection, highlighting the universal nature of storytelling.* Discussion on how certain shows and films shape us at a young age, even when we don't understand the technical aspects of filmmaking.2. Growing Up with Cinema* Carolina's father's love of classic comedies and cinema influenced her taste, with movies like Amadeus and National Lampoon's Vacation becoming family staples.* Moving to the U.S., TV shows like Full House and Family Matters became tools for learning English, reflecting the power of entertainment as an educational tool.3. Discovering Personal Taste* Carolina's taste in film and TV evolved in high school and college when she began studying classic films.* She reflects on how taste is fluid, growing alongside life experience.* Jessica and Carolina discuss how aesthetic preferences (like color palettes and visual storytelling) impact their appreciation of certain directors like Aronofsky and Almodóvar.4. From Acting to Producing* Carolina's path into the entertainment industry began with acting, but she later found her passion for producing.* Early frustrations with the acting industry's limitations and the 2008 writer's strike led Carolina to seek new opportunities.* Producing became a natural fit for her skills, and her experience as an actor helps her support other creatives and connect with story-driven content.5. Navigating Motherhood & Career* Carolina reflects on becoming a mother and the mental load of balancing her career and family.* She opens up about her community's support and how her mother's help has been instrumental in navigating early motherhood.* Jessica and Carolina discuss the importance of "mom networks" and how having a strong community of working mothers in the industry provides essential support and inspiration.6. Screen Time & Early Cinema Exposure* Carolina and Jessica discuss their philosophies on screen time for kids. Carolina notes that her six-month-old is already aware of smartphones and FaceTime.* Jessica shares her strategy of prioritizing slow-paced, thoughtful shows over fast, overly-stimulating content.* Carolina's "must-show" list for her son includes classics like Amelie, Big Fish, The Little Mermaid, Aladdin, and The Lion King, as well as more contemporary favorites like Little Miss Sunshine and Forrest Gump.7. Reflections on Mentorship* Carolina's concept of mentorship isn't a singular fairy godmother figure but a "village" of mentors made up of her peers, colleagues, and friends.* The importance of community and how her podcast, Angle on Producers, became a platform to share wisdom, elevate underrepresented voices, and archive the often invisible work of producers.8. Final Thoughts on Raising a Cinephile* Carolina hopes to instill in her son an appreciation for storytelling and human connection through film.* Her "essential movie" recommendation for Jessica's son is Amelie, a film that celebrates kindness, imagination, and being true to oneself.Memorable Quotes:* “Every film for me was a cathartic experience… If I was with someone who didn't understand that, I'd be like, how could you possibly just leave this theater?” — Carolina Groppa.* “I've always had this internal feeling that as an immigrant, I can't come here and not succeed at something.” — Carolina Groppa* “If you want to get something done, give it to a woman. If you want it done well, give it to a mom.” — Carolina Groppa* “I'm here to be abundant and give it away… What am I going to do with all this knowledge once I die?” — Carolina GroppaAbout Carolina Groppa: Carolina Groppa is an award-winning producer, podcaster, and creative powerhouse in the entertainment industry. Best known as the host of Angle on Producers, Carolina shines a spotlight on producers' often unseen but essential role in film and television. As a producer, her credits include The Honorable: Shayne and Autism in Love, and she's an advocate for transparent conversations about the industry's challenges and opportunities. She's also a new mom, navigating the balance of career and family with humor, heart, and an abundance mindset.Follow Carolina:* Instagram: @carolinagroppa* Podcast: Angle on ProducersDon't Miss This Episode If:* You're a working parent looking for inspiration and solidarity.* You're curious about the journey from acting to producing.* You're a cinephile interested in hearing how love for story and film is passed from generation to generation.Join the Conversation: Do you love this episode? Please share it with a friend and leave a review. Stay tuned for deeper insights into the magic of cinema and how it connects us across generations.Next Episode: Don't miss our final episode of the season before our break. Jessica will be back in mid-2025 with fresh stories, insightful guests, and all-new ways to inspire a love of cinema in the next generation. Stay subscribed and check out the Raising Cinephiles archive of over 70 episodes! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.raisingcinephiles.com/subscribe

Caleb and new guest Riley Polito dance their way through the Aronofsky psycho thriller Black Swan. Our thoughts when we saw the film together in theaters about 14 years ago, and how it compares to watching now. We discuss the villains in the film and their varying levels of evil, the very weird mom/daughter relationship in the film, the mom's similarities to another iconic movie mother. Plus, Caleb learns what a prima donna is and we discuss and discover a few of the film's parallels to Swan Lake.All this and more on this week's Log It! Hosted on Acast. See acast.com/privacy for more information.

ALIEN: ROMULUS makes for the seventh film in the Alien franchise (if you don't count the two Alien Vs. Predator movies). Our hosts share their review of the new release, discuss a possible Aronofsky comic book project, and ponder the merits of the BETWEEN THE TEMPLES trailer.Recommendation: DaughtersFootcandle Film Society & Film Festival InformationSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our 2010 retrospective continues with our penultimate review of Darren Aronofsky's psychological horror film "Black Swan" starring Natalie Portman, Vincent Cassel, Mila Kunis, Barbara Hershey & Winona Ryder. Acting as almost a companion piece with Aronofsky's previous film, "The Wrestler" (2008), the film examines the demands of perfection, the physical and emotional toll it takes on us, and the repression Nina experiences from her overbearing mother. It was a success at the box office, with critics, and during awards season, winning Natalie Portman the Academy Award for Best Actress. How does it hold up today? Join Josh Parham, Alyssa Christian, Dan Bayer, and me as we discuss our thoughts on the performances, writing, direction, cinematography, sound work, its awards season run, and more in our SPOILER-FILLED review. We appreciate your support and hope you enjoy our discussion! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

What does Judge Dread, Aronofsky's Pi, The KISS movie, The Acolyte, Family Guy, Rosencrantz and Gildenstern are Dead, and Clone Wars have in common? We discuss all of this and more in this week's episode… More

Send us a Text Message.TGTPTU reaches the beginning of the end of Season 12 as the team covers THE DARK KNIGHT (2008), the penultimate NOLAN VOID film in our temporal pincer pairing movement.  Rebounding from the only moderate success of The Prestige, Sir Chris creates a mega-blockbuster with The Dark Knight, his follow-up to Batman Begins and a film that compresses at minimum two movie's worth of story into one film in order to prevent promising Warner Brothers another sequel. (Spoiler for last week's episode, Nolan makes a third Batman film that 75% of TGTPTU hosts think is great.) The Dark Knight is also a film that changed how the Academy compiled its Best Picture Oscar category. Oddly, this season's final pairing matches last season's release years for Aronofsky's pincered final middle pairing with The Wrestler released the same year as The Dark Knight and Black Swan the same as Inception. (No comment back from Darren's people on his feelings for having developed so much of Batman Year One for the Warners only to be led into making his The Fountain for the Bros in 2006.) Unfortunately, further research this episode was stymied by Jack stuck in France fighting extradition back to the States and unable to make our final The Dark Knight trilogy episode. Fortunately, our three consistent hosts are pretty good about guessing facts about flicks, like this pairing the first the entire season both shot by the great Wally Pfister (what? hardly even know her) with The Dark Knight being Nolan's first film with scenes shot on Imax (but ignore Thomas's misinformation about Inception also being shot on Imax; he's like a dog chasing a car or a British colonialist burning down a jungle or brunch.) Listen close, take lots of notes, and discover what words The Joker finds funny; how to make visual art summaries for an auditory medium; and why TGTPTU remains the Pacific Northwest's still least listened to film podcast. Why so serious? THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Ryan Tobias

We reach the end of our series on Darren Aronofsky and cover the director's 8th film: The Whale. This movie... has us pretty conflicted. Then, we briefly chat about our overall Aronofsky feelings before ranking the director's 8 films.  Support us on Patreon Follow us on Twitter: @doofmedia See all of our podcasts, writing, and more at doofmedia.com!  

In Part 7 of our series discussing the extremely hated (but extremely awesome) Mother! Then, are The Acoloyte and The Boys S4 good?? Next week: Matt wants to talk about Disney.  Support us on Patreon Follow us on Twitter: @doofmedia See all of our podcasts, writing, and more at doofmedia.com! Show Notes: 2:20 - Mother! 52:50 - Show bad?

In Part 6 of our series discussing the films of Darren Aronofsky we take a look at 2014's divisive Noah, a fascinating film that works as often as it doesnt. Then we're back to solve all of the movie industry's problems even as it collapses around us.  Next week: we'll be off for Kingslingers Live in Bangor, but we'll be back the week after to chat about Disney Land, Theme parks, and Star Wars.  Support us on Patreon Follow us on Twitter: @doofmedia See all of our podcasts, writing, and more at doofmedia.com! Show Notes: 3:02 - Noah 1:14:34 - It's the end of the (movie) world as we know it. 

We're back with part 5 of our series looking at the films of Darren Aronofsky. This time, Aronofsky's Academy Award-winning 5th film: Black Swan Next week: Deconstructing Aronofsky continues with Noa Support us on Patreon Follow us on Twitter: @doofmedia See all of our podcasts, writing, and more at doofmedia.com!  

Part 4 of our series on the films of Darren Aronofksy sees us take on the award-winning The Wrestler. It's an incredible movie but very different from the types of films Aronofsky made before. . Then we chat about the trailer for M. Night Shyamalan's Trap and how movies are marketed these days. Next week: Deconstructing Aronofsky continues with The Wrestler Support us on Patreon Follow us on Twitter: @doofmedia See all of our podcasts, writing, and more at doofmedia.com! Show Notes: 2:17 - The Wrestler 59:18 - Trap and movie trailers

In part 3 of our Aronofsky series we take a look at the director's 2006 film: The Fountain. This one didn't do good on release, but Scott and Matt find something to love in it.  Then we talk about our favorite Hugh Jackman performances and compile our top 5 favorite Next week: Deconstructing Aronofsky continues with The Wrestler Support us on Patreon Follow us on Twitter: @doofmedia See all of our podcasts, writing, and more at doofmedia.com! Show Notes: 2:17 - The Fountain 59:54 - Top 5 Jackman

While Marvel fans got an incredible send-off for Hugh Jackman's Wolverine in James Mangold's Logan, another Wolverine movie was planned a few years earlier that would've taken the character in an edgier direction. Indeed, Darren Aronofsky was all set to reunite with his The Fountain star Hugh Jackman for the second spin-off sequel for the character, The Wolverine. In the end, Aronofsky left the project, with James Mangold taking over. While the finished film wasn't particularly well-loved by fans, it did pave the way for Logan, with Mangold arguably taking the franchise into an even darker direction than Mangold would have. In this episode of WTF Happened to this Unmade Movie, we look at Aronofsky's unmade Wolverine movie and try to figure out precisely what it might have been like. This episode is written by Bryan Wolford, edited by E.J. Tangonan, produced by Taylor James Johnson and narrated by Bronwyn Kelly-Seigh. 

In part two of our series on the films of Darren Aronofsky we take a look at the incredible and disturbing 2000 film Requiem for a Dream. Drugs are bad, but this movie is very, very good.  Next week: Shogun! Support us on Patreon Follow us on Twitter: @doofmedia See all of our podcasts, writing, and more at doofmedia.com! Show Notes: All Requiem this week

Rewind and Reevaluate: The 'I Should Watch That Again' ThemeCycleJoin us as we begin our dive into the movies that deserve a second look, whether we loved them or hated them the first time around.   We investigate what makes these movies worth revisiting, how our perspectives might change with a fresh viewing and the risks that come along with that.In this episode we give Darren Aronofsky's directorial debut 'Pi' another viewing and see if it stands up to our initial impressions.  This leads to a rather heated debate as we discuss his other works a bit and try to get to the bottom of why people feel certain ways about Aronofsky's films.

We are so excited to begin our newest deconstructing directors series that will see us taking a look at Darren Aronofsky and the 8 films he's directed. This week we chat about Aronofsky's first feature film: 1998's Pi! Then we briefly chat about the results of last week's vote on Poltergeist and our listener's comments on the film. Next week: Elden Ring! Support us on Patreon Follow us on Twitter: @doofmedia See all of our podcasts, writing, and more at doofmedia.com! Show Notes: 9:04 -  Pi 1:00:04 - Poltergeist results!

Our Darren Ssarfinale!Season 11 of The Good, The Pod, and The Ugly concludes on an odd note, both mathematically and colloquially, as the boys wrap up their Darren Aronofsky season with Episode 9 covering PERFECT BLUE (1997), joined by frequent guest Ryan.The debut film of famed anime and short-lived director Satoshi Kon released one year prior to Aronofsky's debut (PI), Perfect Blue is an adaptation of an edgy YA thriller novel popular in Japan. Taking liberties with plot, Kon deepens the twists of the source material, adding in his own layers of the nascent internet anxieties and troubling the idea of identity visually and thematically, and in so doing turns what was meant as a Japanese OVA into a feature released worldwide. TGTPTU takes on directly the movie scuttlebutt sites posting slander since Requiem for a Dream (with a resurgence after Black Swan) and claims Kon himself on occasion supported (although he would die at age 46 months prior to Black Swan's release), that The Scarf lifted shots and scenarios directly from Kon's first masterpiece, and the strident conclusions the hosts and guest reach are definitely not going to stun and probably won't impress you, our listener. But stay tuned afterward for Ken, Thomas, and Ryan's rankings of Aronofsky's eight-film filmography, a teaser for next season, and this season's bestowal of the much-coveted Squeaky Chair Award. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken Koral

Welcome back to your favorite podcast about some of the biggest bombs in film history! This week's episode explores the enigmatic and divisive world of 2017's fantasy, drama - “mother!” “mother!” is a psychological horror film where a couple's tranquil existence is disrupted by unexpected guests. As tension mounts, secrets unravel, reality blurs, and the house becomes a nightmarish stage for their darkest fears.This heavy subject matter requires backup! As always, we are happy to welcome Sammy from the GGTMC and Jose from the Watch/Skip+ Podcast. Listen as we delve into Jennifer Lawrence's compelling portrayal of the main character, discussing whether Aronofsky's bold narrative and religious symbolism venture too deeply into provocative territory.“mother!” is directed by Darren Aronfsky and stars Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle PfeifferBe sure to subscribe to the Gentlemen's Guide to Midnite Cinema to hear more of Sammy. Also, check out Jose's podcast - Watch/Skip+. Both are highly recommended.If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy, Jose, Sammy

TDI #338 - Godzilla x Kong: The New Empire Review, Austin Butler Teams With Aronofsky + MORE NEWS by

DARREN ARONOFSKY CH. 4 E2: THERE'S A LITTLE BLACK SWAN ON THE SUN TODAYSeason 11's temporal pincer movement by The Good, The Pod, and The Ugly draws to a close with tricky reflections on BLACK SWAN (2010). Listen to our opinions double, pirouette, and morph during Chapter 4, Episode 2, covering our final Darren Aronofsky movie but not our season's finale, with No-Longer-Special Guest Ryan and his squeaky chair understudy. Long-time Aronofsky collaborator and pod-fav cinematographer Matthew Libatique returns to shoot this tale that'd be like if Dostoevsky's “The Double” mated with Tchaikovsky's “Swan Lake” and their kid was kept in a Barbie-pink child's room as her mother painted her portrait and put mittens on them to keep them from scratching at the feathers erupting from their skin when they won the part of Odette and Odile.Reality fractures (as do opinions during the pod) for Natalie Portman's Nina Sayers in her Oscar-winning performance, causing consternation for one host and glee for others. Ambiguities extend and multiple as Aronofsky claims the ending tragic while Portman believes it triumphant and Host Thomas in front of a car. Is this a story about womanhood and autonomy? The dangers of obsession? The need for a well-balanced meal?Trigger warning for hangnails and those who have allergies to shattered glass. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken Koral

Join Alex and guest host Dr. Melissa Maffeo as they delve into the seedy world of drug addiction in one of Darren Aronofsky's earlier films Requiem for a Dream (2000). The film stars up-and-coming Jared Leto, Jennifer Connelly, and Marlon Wayans, as well as Hollywood great Ellen Burstyn, as four folks who get caught up in their addictions, fueled by their dreams of better lives and fame. In true Aronofsky form, the visuals and filmmaking get you caught up in these addictions, how they manifest and how they actually destroy the dreams of our four main characters. This film isn't for the faint of heart, but represents the dark qualities that wait around the corner of drug use and abuse — perfect for dissecting the models of addiction! Now buckle in and let's watch those eyes dilate! Please leave your feedback on this post, the main site (cinemapsychpod.swanpsych.com), on Facebook (@CinPsyPod), Twitter (@CinPsyPod), or Instagram (@cinemapsych_podcast) and Threads (@cinemapsych_podcast). We'd love to hear from you! Don't forget to check out our Paypal link to contribute to this podcast and keep the lights on! Don't forget to check out our MERCH STORE for some great merch with our logo and other designs! Legal stuff: 1. All film clips are used under Section 107 of Title 17 U.S.C. (fair use; no copyright infringement is intended). 2. Intro and outro music by half.cool ("Gemini"). Used under license. 3. Film reel sound effect by bone666138. Used under license CC-BY 3.0.

It began six years ago, in the before time, with three film nerds who have been friends for four decades. Through the years, whenever we hung out together, we would inevitably end up talking for hours about film. So, we wondered aloud, why not make it official? Thus was born, in the spring of 2018, Vintage Sand, your film history podcast. One pandemic, one insurrection, a few erasures and rewritings of the film business and several hundred loyal listeners later, we thought it might be appropriate to commemorate our 50th episode by inviting friends and recording said episode live at the 14th Street Y in Manhattan. As you will hear, around 30 people came to support us, to hurl the occasional metaphorical tomato, and to remind us why we love doing this so much, as we recorded our roundup of 2023 in film in an episode we call “Of Bombs and Bombshells”. As with the last few years, this one was difficult to read. We applied our usual measure, wondering which of this year's films, beyond “Barbie”, “Oppenheimer” and Scorsese's epic will folks will still be watching 25 or 50 years from now. Hard to say, but at least it was a year where, with the exception of Aster's “Beau Is Afraid”, we were able to avoid a repeat of 2022, where some of our most interesting filmmakers (Russell, Aronofsky, Chazelle, Iñárritu, Luhrmann, Garland, et al.) released films that were not just bad but disastrous on an epic scale. 2023 was marked by labor strife in Hollywood, huge existential questions about the business as it has been run for over a century, and anxiety over the implications of technologies like AI and streaming. But it was also a year that welcomed a solid return to form of Vintage Sand favorites like Todd Haynes and Alexander Payne, gave us Wes Anderson's first Oscar for his reunion with Roald Dahl, and brought forth astonishing new voices in works as varied as Celine Song's “Past Lives”, Cord Jefferson's “American Fiction”, and Emma Seligman's follow-up to “Shiva Baby”, the wonderful “Bottoms”. It also gave us perhaps the most ambitious American film of the century, Ava Duvernay's stunning imagining of Isabel Wilkerson's “Caste”, in her epic “Origin”, an underseen gem that may in time prove to be the year's greatest film. To top that off, there was the gently surprising return to classic form of the Oscars, featuring first wins for the aforementioned Wes, Christopher Nolan, and Robert Downey, Jr. Emma Stone won for her incredibly complex performance in “Poor Things”, but this Oscars may be remembered as the year Lily Gladstone was robbed for a performance that was much less showy than Stone's but in our opinion, much more powerful. And as for the show itself, Ryan Gosling's performance of “I'm Just Ken” may have been the greatest dance number the Oscars has seen in recent memory, though it only served to remind us how intensely the genius and talent behind “Barbie” were ignored by the Academy. Writing in the “New York Times”, Mark Harris, perhaps our favorite working film writer today, posited that film as the central force in American popular culture may be dying out. But like Harris, we don't necessarily mourn the change; after all, the “death of cinema” has been a hot topic of discussion ever since the talkies arrived 95 years ago. In fact, we agree with Harris that 2024 may be another 1970, a year when out of the rubble of the collapse of the familiar emerged a revolution of unprecedented creativity and innovation. We have no idea what the future of film will bring, but whatever it is, we hope to be there to share our thoughts with you, not as frustrated film critics or experts in any way but as passionate film lovers who want to open as many doors as possible to new films and to new lenses through which to view old ones. To Billie Eilish's eternal question, what were we made for? Hopefully another 50 episodes—at least!

SCARF SEASON: ARONOFSKY 7Alright, brother. It's the smackdown, drag-out matchup you've been waiting for all season long as THE WRESTLER (2008) jumps into the ring with The Good, The Pod, and the Ugly for Chapter 4, Episode 1. In this final chapter, we watch with teeth and sphincters clenched tight on the edge of our folding chair seats as the subject of Season 11, director Darren Aronofsky, make his comeback with a comeback star.For the first and only time in his professional career, Darren “The Scarf” Aronofsky tags in a new camera partner, cinéma vérité cinematographer Maryse Alberti. The Scarf also sets aside pen and paper, giving the writing credit to another while allowing for script punch-ups from his main star, the long thought retired leading man, the ex-professional boxer, the small dog aficionado, the one, the only, Mickey “Whiplash” Rourke.But Aronofsky's not done building his veteran team of newbies. For the wrestler's love interest, he'll recruit Marisa “My Cousin” Tomei, a former winner of the big belt (the Academy Award), garnering her a nom again as well as Rourke. And starring as Rourke's estranged daughter, Evan “Once & Again” Rachel Wood.And just you wait, all you wrestling fans, all you who appreciate watching performers go a little crazy, who want to see athletes going to the mat and love the choreography of the ring, for The Wrestler is only Part 1 of this final chapter. Next week, it'll go head-to-head, round-after-round with pod fav: Black Goose.Are you ready to rumble?!!!!!!THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken Koral

Broken Mirror: Darren Aronofsky's Black Swan Fun talk . . . This week Mr. Chavez and I continue to look at the films of Darren Aronofsky with this discussion of his 2010, Five Time Oscar Nominated (Including Best Picture and Director, and Winner for Best Actress - Natalie Portman) look at the world of Ballet. Aronofsky's film is a tense and often brutal look at the world of artistic perfection featuring a dynamic and fearless performance from Natalie Portman as Nina Sayers, a young ballerina given the opportunity of a lifetime to lead a production of Tchaikovsky's Swan Lake. Questions of perfection, training, direction, maninpulation, and sexual harassment are tackled in this layered and frightening film. Take a listen as Mr. Chavez and I look at the film, the culture that spawns it, and the history of such art, lies, sacrifice, and abuse. It's a damn good talk. Let us know what you think - gondoramos@yahoo.com For those of you who would like to donate to this undying labor of love, you can do so with a donation at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

ARONOFSKY SEASON! NOAHChapter 3, Episode 2: So the Voice of Kenneth spake unto The Good, The Pod, and the Ugly, and it sayeth: Let there be NOAH (2014); and all the peoples then of the world rejoiced for Darren Aronofsky for his blockbuster that bringeth forth He of the Scarf his firsteth and onlyeth picture to be No. 1 opening weekend at the box office.As the temporal pincer movement winds down, guest Ryan returns with an extra squeaky chair to discuss this bold and big-budget entry into the Aronofsky canon. According to research by Thomas, Paramount's marketing budget for Noah was over $100M, nearly as much as it cost to shoot the film, airing advertisements during commercial breaks in the Super Bowl and the 2014 Winter Olympics. This Easter weekend release would also have YA and graphic novel tie-ins.Russell Crowe, who as offered the lead role of The Fountain, plays the titular Noah, Anthony Hopkins plays his grandfather Methuselah, and Logan Lerman is a joke to Ken's begats for some reason. Ari Handel returns to produce and puts quill to parchment with Aronofsky for their second corroborative writing credit (their first being Chapter 3, Episode from last week's The Fountain), Matthew Libatique shoots, and Mark Margolis plays a Watcher (a stone angel fallen from Heaven during the Creation that lusted for Earthly women and would father the Nephilim because—you know what? not worth your time reading). And Jennifer Connelly returns (last seen in Requiem for a Dream).  Listen closely for the glee in Thomas's voice as the hosts comb through repetitious verses of Genesis desperate for the dry ground of understanding after being flooded with Lord of the Rings-style imagery for 2 hours and 18 minutes. Stay awake for when his dogs reacting to Ken's fond desire to adopt an armadillo dog. And hear Ryan suggest that Tubal-Cain had some good ideas. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken Koral

THE FOUNTAINNo one expects the Spanish Inquisition, and no one expected Darren Aronofsky to follow up the success of Requiem for a Dream with a genre-breaking, scyfy-romantic-period-spiritual-medical drama (kinda? maybe?) entitled THE FOUNTAIN (2006). Join your hosts Ken and Thomas along with returning guest Ryan for Season 11, Chapter III, Part A as they drink from The Fountain, a movie garnering no award nominations and would, after wrapping, temporarily break up Aronofsky's partnership with cinematographer Matthew Libatique. Aronofsky's biggest (and only) flop to date, The Fountain concerns three timelines. These intercut stories are populated by then-girlfriend Rachel Weisz and then-between-Wolverines-and-musicals Hugh Jackman (in three iterations of the name “Thomas”) where they play Spanish queen and her loyal conquistador servant, a terminally ill wife and super-science primate neurologist, and a tree (or apparition) and hairless yoga enthusiast in a bubble travelling to an exploding star. These past and future timelines may or may not exist, perhaps part of a pretentiously hand-written, leather-bound manuscript by the dying Weisz-wife character, who left the final chapter incomplete for Dr. Tommy to compose after her death.Pod-favorite actors Mark Margolis returns as a priest and Ellen Burstyn returns as Dr. Tommy's boss and tree/cemetery owner, while Clint Mansell returns to score the film. The movie also marks the beginning of Aronofsky's ongoing writing partnership with Ari Handel.Join the hate watch as our three cineastes yell in unison from across timelines: “Finish it!” THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken Koral

SCARF SEASON #4: GARDEN OF EDITS: mother!Rejoin Ken and Thomas along with guest Shannon in the rebirth of Season 11, Chapter II as they tackle (figuratively) Darren Aronofsky's MOTHER! (the 2017 film, not the parent of Darren!).After the big budget success of NOAH, and having not made a movie with a female lead with whom he was romantically involved in well over seven years (if rumors about Black Swan are true), Aronofsky returns to lower budget filmmaking with a bottle story about JudeoChristian terror or the inherent evils of humanity or perhaps a home improvement show gone terribly wrong, casting Jennifer Lawrence as the titular Mother.SPOILER! ALERT! Mother defends the house she's rebuilding for Him (not a pronoun but the name given in the credits to the unnamed Javier Bardem), her romantic partner in a tasteful callback to late-90s Eastwood film in age discrepancy! Him's house was badly burned and Him is a poet. All is idyllic except Him can't write. When “man” played by Ed Harris intrudes upon their remote home mistaking it for a B&B and then man's wife “woman” played by Michelle Pfeiffer shows up looking for her smoking doctor husband and gives Mother a hard time for not being a mother and not being a drunk like her and Mother wants them out of the house.SPOILER! ALERT! CONTINUES! Mother eventually gets her wish and, after being ignored, has angry staircase sex with Him, which results in a wanted pregnancy and his ability to complete the poem. Soon, visitors arrive, as it turns out that Him has quite the cult following, including his publicist played by Kristen Wiig in a very unfunny role. Eventually, Mother gives birth, her baby is ripped to shreds, and she is burned alive and harvested as a crystal before it all starts over again. Hey, we warned you there'd be spoilers! So follow along as the three mortals recover from REQUIEM FOR A DREAM and unpack Aronofsky's latest (but earliest discussed by Ken and Thomas as Season 11 matches the first with last films moving inward in a temporal pincer movement) allegory, Shannon gives a new title to BLACK SWAN, Thomas pointlessly cites passages from critical theory books, and Ken sings the 1988 Danzig classic. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken Koral

Fan Favrotie and first ever and perpetual GAPPIES host AND Movie Gap artwork creator AP "SCREEN 2 PEEN" STARK joins us to discuss the Aronofsky classic The Fountain. What will be said??? TUNE IN TO FIND OUT!

DARREN ARONOFSKY CHAPTER TWO, PART ONE:Deuce by you! Deuce by you! Whoa #2! REQUIEM FOR A DREAM (2000), Darren Aronofsky's second film, follows these three simple rules for success:#1 Adapt a novel you love. – As a college student, Aronofsky fell in love with Hubert Selby, Jr.'s LAST EXIT TO BROOKLYN (1964). He'd owned a copy of Requiem but hadn't finished it until he lent it to his producer (Eric Watson) wanting something to read while on vacation who said they had to make it into a movie. Talk about worst beach read ever!#2 Reuse successful techniques of your first film. – Experience the return of the Snoricam and hip-hop montage but now in color! Experience Clint Mansell's movie score, but with strings! And bring back your actors from Pi: the concerned neighbor (Samia Shoaib) now cast as a nurse, your less concerned neighbor (Ajay Naidu) as a mailman, the retired math professor (Mark Margolis) as the pawn shop owner, your conspiratorial Hasid (Ben Shenkman) now as an admitting psychiatric doctor, the weird singing man on the train (Stanley Herman) your “ass-to-ass” man at a disturbing orgy scene, and the star of your first film (Sean Gullette) as a sleazeball psychologist paying his patient to sleep with him.#3 The third thing? Well, that's a Tappy Tibbons secret. Be excited, be-be excited!Hear returning guest Shannon's take on the first 2/3rds of the novel. Hear the ache in Thomas's voice for the lapsed runner's high after ankle injury. Hear Ken howl in desperation and grind his teeth for his 49'ers come Super Bowl Sunday. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken Koral

Support us by supporting our sponsors: BlueChew & FactorBlueChew - Visit https://bluechew.com to try BlueChew FREE when you use our promo code SOS at checkout, just pay $5 shipping.Factor - Head to https://factormeals.com/sosvhs50 and use code sosvhs50 to get 50% off More Ben AveryLemonParty YT: https://www.youtube.com/@benaveryisgoodLemonParty Patreon: https://www.patreon.com/lemonpartyInstagram: https://www.instagram.com/benaveryisgood/Twitter: https://twitter.com/benaveryisgood 0:00 The Challenge3:11 Why This Movie is Ben Avery's Favorite and Why Brendan Frasier is the GOAT10:27 Darren Aronofsky's Other Works 14:53 The Influence Of Moby Dick 25:04 How Ben Avery Relates to the Movie 31:59 Conservative Christians Reaction to the Movie 37:25 Leaving the Church 43:40 Ben Avery Eats Pizza The Whale Way 47:48 When Ben Avery Moved to LA57:44 Ben Avery Came Out as Gay on Facebook as a Prank in High school  1:02:43 The Worst Character in the Movie 1:10:49 Aronofsky's Best Work?1:18:43 Paul Schrader Exposes Quentin Tarantino  Join the 7EQUIS Discord: ⁠https://discord.gg/954zkYtPv8⁠ Follow Andres Rosende (aka Fancy from Bad Friends): ⁠https://www.instagram.com/fancyb.1⁠Holler-out on SOS VHS at: https://holler.baby/sosvhs Catch Andres every week on Bad Friends: youtube.com/@badfriends  Send us your SOS VHS  fan mail!SOS VHS c/o 7EQUIS LLCP.O. Box 5154Glendale, CA 91221 BUY THE EQUIPMENT WE USE!MICROPHONE: https://amzn.to/3WcEZnACAMERA: https://amzn.to/3ohqT7WHEADPHONES: https://amzn.to/3IqGY1PTRIPODS: https://amzn.to/3ohIigwSWITCHER: https://amzn.to/42eSyEs This is a 7EQUIS PRODUCTION ⁠https://www.7equis.netSee omnystudio.com/listener for privacy information.

SCARF SEASON CONTINUES WITH THE WHALE!Thar she blows, Part II of our initial Darren Aronofsky pairing for Season 11 of TGTPTU: THE WHALE (2023). Special guest Ryan returns to continue cohosts Ken and Thomas' temporal pincer movement of working our way from first and last films sequentially inward and he provides a dissident and dissonant voice to the cohosts' The Whale love song. Aronofsky's showy editing techniques and techno score of his first film PI take a backburner in his latest film, a bottle story adapted by and from Idahoan Samuel D. Hunter's play of the same title. Central to the story and the subject of heated discussion is the extreme obesity of its gay protagonist played by a straight man in a fat suit, the marketing of which could be problematic. The film would gain Hong Chau an Oscar nom for Best Supporting Actress for her role as Liz, a nurse/bff/sister-not-quite-in-law to Charlie, played by Brendan Fraser, his first time nominated for and his first Academy Award win (Best Actor), kicking off talk of a Brenaissance. And for the makeup transforming Fraser into the shut-in, online college literature professor Charlie estranged from his daughter played by Sadie Sink of Stranger Things fame, the film would receive a second Oscar for Makeup and Hairstyling.Additional Note: The Oregon coast is cold.Final Note: This episode stinks. This parody is so dumb. You'll love/hate our takes.(Hey, that's a haiku!)THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken Koral

Aronofsky Chapter One Pt. One: PiTGTPU SEASON 11 returns to form with our classic (or outdated) temporal pincer movement to cover the entirety of (yes, all eight) wide release films of director Darren Aronofsky. Hosts Ken and Thomas with guest Ryan - pause, pop pills, make a note - kick off the inaugural episode of the new season with Aronofsky's first feature film, PI (1998), a black-and-white low-budget masterpiece clocking in at an economical 1hour 23minutes & 45seconds.Pioneering an editing technique Aronofsky coined “hip-hop montage,” the film - pause, pop pills, make note - scored by Clint Mansell and shot by Matthew Libatique, both of whom will collaborate with Aronofsky on five later (75% of Aronofsky's) films, follows the obsessive life of Max Cohen, a super anxious math genius, played by Sean Gullette bearing a strong resemblance to the lead singer of Live once he shaves his head who - pause, pop pills, make note - may have uncovered a secret pattern to the universe. Getting pressure from both Wall Street in an effort to game the system with a new super microchip and a cabal of Hasidic Jews looking for mathematical meaning in the Torah - pause, take pills, see wild and crazy stuff that may not be real, make note - Max and the viewer are left to wonder: Is the pattern he finds is a gift from God or a curse? All this cultivates in, well, among this week's three hosts, an argument on how the movie ends, the merits of trepanning, which of Aronofsky's scarves is the best, and if this first film to allow for internet downloading might have also originated crowdsourcing.Also note is our new format: TGTPTU will be releasing episodes discussing just one movie (instead of having both movies of our pairings released in a single episode). We welcome feedback.Also note (before drilling your skull): this summary's precisely 314 words.THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken Koral

First, a welcome to all who met us at Fan-X! It's wonderful to have you! This week we talk about Baldur's Gate 3, Doomed Forgotten Realms, The Terminator, Equalizer 3, Futurama, Decked Out on Minecraft, Quacks of Quedlinburg, Starfield, One Step Beyond, Brightburn 2, Coca-cola Y3000, Fables for everyone, Aronofsky vs The Sphere, Stray, and a potential video game performer's strike. So, get an extra 10 minutes in the ball pit, it's time for a GeekShock!

On this week's episode of Not A Bomb, the guys do a complete 180 from last week and discuss one of the most thought-provoking love story films - The Fountain. Coming six years after Requiem for a Dream, Aronofsky effortlessly creates a heartbreaking romance between Hugh Jackman and Rachel Weisz. This film is too philosophical for a two-person podcast, so the guys welcome Sammy from the GGTMC back to the show. Listen as the gang spoils the heck out of this film and discusses the deep, philosophical subtext within each frame. Don't worry! This episode isn't just an academic deliberation on man's mortality. They also derail the conversation with thoughts on white tree sap, intimate sex scenes in bathtubs that cause water damage to hardwood floors, “naturalistic upper male nudity”, and so much more.Timestamps: Intro - (1:35), Box Office Response and Critical Response - (2:52), People Involved - (11:21), Production and Development - (32:15), Commerical Break - (48:06), The Fountain Discussion - (50:05), Is it a Bomb? - (98:50), and Outro - (107:00)The Fountain is directed by Darren Aronofsky and stars Hugh Jackson Rachel Weisz, and Ellen Burstyn.If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.If you want to hear more of Sammy, make sure you subscribe to the Gentlemen's Guide to Midnite Cinema and be sure to leave them a review. Cast: Brad, Troy, Sammy