Podcast appearances and mentions of Regina N Bradley

In 1995 OutKast won the Source Award for Best New Group. This win prompted boos from the crowd, but it also signaled to the world that Big Boi and André3000 had just ushered in a wave of music that would change the musical landscape for years to come. Dr. Regina N. Bradley's Chronicling Stankonia: The Rise of the Hip-Hop South details how music, literature, and film takes a critical eye to the post-civil-rights movement rule book and the expectations for those raised in the 80s and 90s. Dr. Bradley talks to us about the song that ultimately pulled her into the OutKast universe, her refusal to place whiteness in conversation with Black Southern literature, and how a Google hangout with her friends sparked the beginnings of this brilliant book.

We return to Mahogany Jazz Hall at 125 Chartres Street to discuss the late 90's early 2000s hip-hop group, OutKast. Waites "the bartender" returns as a super fan of the legendary Atlanta based duo. We also feature ideas and excerpts from Regina N. Bradley's book Chronicling Stankonia - The Rise of the Hip-Hop South. The conversation ranges from disputes over the group's lyrical content to the duo's intellectual elevation of black southern culture into mainstream America. Hootie Hoo... 

From Bessie Smith to Megan Thee Stallion, Southern Black women have built on a long legacy of giving their bodies a voice through the blues. On this week's Call & Response, hip-hop scholar Dr. Regina N. Bradley makes it clear that Southern Black culture is not frozen in time, but instead embracing and challenging the issues connecting younger generations. For the playlist of songs curated for this week's episode visit: https://bit.ly/cr-regina / Music In This Week's Episode /Rapsody, “Nina”Victoria Monét, “Ass Like That”Janet Jackson, “The Pleasure Principle”Angel Olsen, “Lark Song”The Chicks, “Gaslighter”Tweet feat. Missy Elliott, “Oops (Oh My)”Megan Thee Stallion, “Body”Nina Simone, “Feeling Good” / Show Notes /Dr. Regina N. Bradley's latest book is “Chronicling Stankonia: The Rise of the Hip-Hop South,” out now from UNC Press. She also just edited a collection of essays from other music scholars, “An Outkast Reader,” available now from UGA Press.Regina says “Call Me” by Tweet is the song that's giving life and light right now. / Credits /Call & Response is a Sonos show produced by work x work: Scott Newman, Jemma Rose Brown, Adia Victoria, Ann Marie Awad and Daniel Rayzel. Our engineer is Sam Bair of The Relic Room.

In this episode, we will talk with Dr. Regina N. Bradley, academic scholar and co-host of Bottom of the Map podcast about her newest book Chronicling Stankonia: The Rise of the Hip-Hop South and her thoughts of how much hip-hop music has grown in the past 3 decades.

In this episode we give flowers to our very own Dr. Regina N. Bradley for her most recent book, “Chronicling Stankonia: The Rise of the Hip-Hop South,” and highlight the inspiration, the artwork, the music, and much more! And for a topic this special we had to call in two special friends of the podcast—Jason Lee (of Comedy Central and Bossip) and Yoh Phillips (of Rap Portraits)—to come through and bring Regina her bouquets during this roundtable conversation.

My guest this week is Regina N. Bradley, a professor, author, and Southern hip-hop scholar from Albany, GA. We spoke about Honey, I Shrunk The Kids, the new Mortal Kombat movie, her love for all things martial arts, her relationship with the music of OutKast, their position as the blueprint for modern Southern rap, the importance of Southern scholars covering the music and culture of the South, and excerpts from her latest book Chronicling Stankonia: The Rise of The Hip-Hop South, available now via UNC Press.Purchase Chronicling Stankonia via Charis Books or AmazonFollow Regina on Instagram and Twitter: @redclayscholarFollow CineMasai on Instagram (@cinemasai), Twitter (@CineMasai_), and Letterboxd (@CineMasai)  Support the show (https://cash.app/$CineMasai)

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity. Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State University Check out Bradley's podcast about Southern hip-hop, Bottom of the Map.  Bradley also has another OutKast book coming in August 2021, An OutKast Reader: Essays on Race, Gender, and the Postmodern South (UGA Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast's work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity. Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State University Check out Bradley's podcast about Southern hip-hop, Bottom of the Map.  Bradley also has another OutKast book coming in August 2021, An OutKast Reader: Essays on Race, Gender, and the Postmodern South (UGA Press). 

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity. Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State University Check out Bradley's podcast about Southern hip-hop, Bottom of the Map.  Bradley also has another OutKast book coming in August 2021, An OutKast Reader: Essays on Race, Gender, and the Postmodern South (UGA Press).  Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity. Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State University Check out Bradley's podcast about Southern hip-hop, Bottom of the Map.  Bradley also has another OutKast book coming in August 2021, An OutKast Reader: Essays on Race, Gender, and the Postmodern South (UGA Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity. Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State University Check out Bradley's podcast about Southern hip-hop, Bottom of the Map.  Bradley also has another OutKast book coming in August 2021, An OutKast Reader: Essays on Race, Gender, and the Postmodern South (UGA Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity. Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State University Check out Bradley's podcast about Southern hip-hop, Bottom of the Map.  Bradley also has another OutKast book coming in August 2021, An OutKast Reader: Essays on Race, Gender, and the Postmodern South (UGA Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Chronicling Stankonia: The Rise of the Hip-Hop South (University of North Carolina Press, 2021) pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Dr. Regina N. Bradley, OutKast’s work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for Black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. André 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern Black identity. Dr. Regina N. Bradley is an alumna Nasir Jones HipHop Fellow at Harvard University and an Assistant Professor of English and African Diaspora Studies at Kennesaw State University Check out Bradley's podcast about Southern hip-hop, Bottom of the Map.  Bradley also has another OutKast book coming in August 2021, An OutKast Reader: Essays on Race, Gender, and the Postmodern South (UGA Press).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On the Season 2 debut of Mann Vs., Devin Mann welcomes special guest Dr. Regina N. Bradley, author of "Chronicling Stankonia: the Rise of the Hip Hop South", to discuss black culture, Biden's run as President so far, Afro-Pessimism, the black vote and more. Follow Dr. Bradley on Twitter and Instagram @redclayscholar and order her new book "Chronicling Stankonia: the Rise of the Hip Hop South" available on Amazon wherever you buy your books. Recorded on February 28, 2021.

Hip-hop scholar Dr. Regina N. Bradley joins Joe & Kristen to discuss the Rock Hall merits of those genre-defying ATLiens Outkast. This show is part of Pantheon Podcasts.

Hip-hop scholar Dr. Regina N. Bradley joins Joe & Kristen to discuss the Rock Hall merits of those genre-defying ATLiens Outkast. This show is part of Pantheon Podcasts.

Hip-hop scholar Dr. Regina N. Bradley joins Joe & Kristen to discuss the Rock Hall merits of those genre-defying ATLiens Outkast. This show is part of Pantheon Podcasts.

Hip-hop scholar Dr. Regina N. Bradley joins Joe & Kristen to discuss the Rock Hall merits of those genre-defying ATLiens Outkast. This show is part of Pantheon Podcasts.

This week Steve and Dana are joined by writer, poet, and co-host of the Thirst Aid Kit podcast, Nichole Perkins. First, the they weigh in on Happiest Season, the new holiday rom-com starring Kristen Stewart and Mackenzie Davis. Then they chat with Culture Gabfest producer Cameron Drews about why he loves the HBO show How To with John Wilson. And finally, the hosts a talk about a big mistake made recently by the publisher Fireside Fiction, where a white voice-over artist put on a fake accent to read an audio essay written by a Black woman. The essay, written by Dr. Regina N. Bradley, is called Da Art of Speculatin’ . In Slate Plus, the Steve, Dana, and Nichole discuss their pop culture blindspots. Podcast production by Cameron Drews. Production assistance by Rachael Allen. Outro Music: "What Do You Want From Me" by OTE Slate Plus members get a bonus segment on the Culture Gabfest each episode, and access to exclusive shows like Dana Stevens’ classic movies podcast Flashback. Sign up now to listen and support our work.

This week Steve and Dana are joined by writer, poet, and co-host of the Thirst Aid Kit podcast, Nichole Perkins. First, the they weigh in on Happiest Season, the new holiday rom-com starring Kristen Stewart and Mackenzie Davis. Then they chat with Culture Gabfest producer Cameron Drews about why he loves the HBO show How To with John Wilson. And finally, the hosts a talk about a big mistake made recently by the publisher Fireside Fiction, where a white voice-over artist put on a fake accent to read an audio essay written by a Black woman. The essay, written by Dr. Regina N. Bradley, is called Da Art of Speculatin’ . In Slate Plus, the Steve, Dana, and Nichole discuss their pop culture blindspots. Podcast production by Cameron Drews. Production assistance by Rachael Allen. Outro Music: "What Do You Want From Me" by OTE Slate Plus members get a bonus segment on the Culture Gabfest each episode, and access to exclusive shows like Dana Stevens’ classic movies podcast Flashback. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Steve and Dana are joined by writer, poet, and co-host of the Thirst Aid Kit podcast, Nichole Perkins. First, the they weigh in on Happiest Season, the new holiday rom-com starring Kristen Stewart and Mackenzie Davis. Then they chat with Culture Gabfest producer Cameron Drews about why he loves the HBO show How To with John Wilson. And finally, the hosts a talk about a big mistake made recently by the publisher Fireside Fiction, where a white voice-over artist put on a fake accent to read an audio essay written by a Black woman. The essay, written by Dr. Regina N. Bradley, is called Da Art of Speculatin’ . In Slate Plus, the Steve, Dana, and Nichole discuss their pop culture blindspots. Podcast production by Cameron Drews. Production assistance by Rachael Allen. Outro Music: "What Do You Want From Me" by OTE Slate Plus members get a bonus segment on the Culture Gabfest each episode, and access to exclusive shows like Dana Stevens’ classic movies podcast Flashback. Sign up now to listen and support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

The history of Southern Hip-hop and the women missing in it is discussed with Nasir Jones Hiphop Fellow Dr. Regina N. Bradley. Jackie and DaLyah also speak with up-and-coming Houston hip-hop artist Megan Thee Stallion.​​

The history of Southern Hip-hop and the women missing in it is discussed with Nasir Jones Hiphop Fellow Dr. Regina N. Bradley. Jackie and DaLyah also speak with up-and-coming Houston hip-hop artist Megan Thee Stallion.​​

CLICK HERE TO DOWNLOAD: !!!!!!! Mix SUBSCRIBE TO THE SERIES VIA ITUNES ADD OUR PODCASTS TO YOUR STITCHER FAVORITES PLAYLIST !!!!!!! Beyoncé, “Formation”—Regina N. Bradley & André Carrington Mitski, “My Body’s Made of Crushed Little Stars”—Liana Silva & Chris Chien Desi Arnaz, “Babalu”—Reina Prado Celia Cruz, “La Vida es un Carnaval”—Dolores Inés Casillas Audra Mae, […]