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Welcome to the Art Life Faith Podcast, and I’m your host, Roger Lowther. We are recording live from the JCAMM conference in downtown Tokyo with the theme of “The Beauty of Japan・The Beauty of Heaven.” It’s a week-long conference from Friday, May 22 to Wednesday, May 27, 2026, where we are talking about the arts of Japan, the beauty of Japan, and how that helps us worship God. We’ve had so many amazing guests this week, and now I have the privilege of sitting down with one of our key presenters, a band like no other I’ve ever seen in the world called IziBongo. They sing not only in the various languages of the world, but they use the various instruments of the world and the various styles and genres of the world so people can see what it looks like for the nations to praise God and how that can lead us all in praise of God. So I wanted to sit down with them and have a conversation. I’ve also asked Akira Mori to sit down with us. He is our MC for the conference, and he’s a longtime friend and partner. We got to know each other very well through the 2011 earthquake, tsunami, and nuclear disaster. He’s the pastor of Global Mission Chapel in Iwaki, Japan, not too far south of the nuclear power plants in Fukushima. And his amazing church was one of the key centers for relief work for all of Tohoku. Through the years, we’ve gotten to know each other better, and I’ve so appreciated not just his encouragement and the way he leads especially movements of prayer in Japan but the way he’s encouraged me personally and for his friendship. And so I invited him to be the MC for this conference and also to be with us for this podcast episode. So thank you, all of you, for being here. Why don’t we start with a quick introduction? Please tell me who are you and where this name IziBongo came from. It’s kind of an interesting name. Cory Sure, Izibongo is a Zulu word which means praises intoned in honor of a person. It’s a kind of praise poetry. This is a second generation of the group itself, originally called the Wycliffe World Music Band, which came from Wycliffe Bible Translators. Roger Not as catchy… Cory Yeah…, which came from Wycliffe Bible Translators. Roger Okay, so what do you do? Why did you form IziBongo? Cory Originally, the Wycliffe World Music Band was meant to be an illustrative form of the music of the world and to promote Bible translation. That was one of the hopes for the people who organized it. We would go to Christian music festivals and perform there to show how the nations would worship or do their songs. Paul I might add that originally it was an ad hoc group of students in a particular class learning about some of these principles of music and worship around the world. The leader of that class was our mentor, Tom Avery. He would gather the students and throw instruments at them and say, “Sing this and let’s play this.” And so it was just to appreciate the worship around the world. This developed out of that educational starting point to more of a worship focus and whatever it is today. Cathy Another point that Tom would make when teaching us these songs was that music is not a universal language, it’s a universal phenomenon. But different peoples have different ways of singing. We think we might understand what they’re singing about. We might make a judgment if we hear another culture’s music and say, “That’s demonic,” or, “You could not praise God with that music.” But he was teaching us that we need to understand when we go into cultures their music systems. We can’t just go in and say, “No, you have to sing it this way.” Mary And to follow up on that is the focus of outsider-insider, an outsider trying to understand from the insiders, “What does this mean to you? What is the content?” because as outsiders, we can really miss it and not understand what’s actually being expressed. So we have terms. We say etic and emic, outsider/insider perspectives, that we talk about in our courses and our learning. Roger Help us to see what this looks like a little bit more concretely. What countries, what groups are you representing, and what kinds of instruments are you playing? Paul Well, I’m playing about 3 or 4 instruments here. One is a charango from Bolivia, which I bought on the River Walk in San Antonio from a real live player. I’m also playing a Moroccan oud, which we use for other instruments as well. We don’t carry 50 instruments, we carry about 10. And I’m playing a Greek bouzouki, but I’m using that to represent music from other parts of the world as well if the instrument sounds similar to the sounds. So again, we’re approximating all these. We’re never being exactly authentic. We are just Americans. We’re not trying to pretend that we’re something else. But we love the sounds of the world and the praises that they lift up. So we want to approximate those sounds so that you will learn to appreciate their music. As for the countries that we actually sing songs from, we could give a list if you’d like. Cory We do some from South America, so there’s Brazil, Venezuela, Bolivia…Ghana, Democratic Republic of Congo… Cathy Nigeria… Cory Egypt… Paul Tunisia, Papua New Guinea, Bhutan, South Korea…We don’t have a Japanese song yet. Roger Okay, well, we’ll have to fix that. Paul Exactly! We’re working on it. Roger So tell me more about why you do this. What is your purpose in singing these different styles—using different instruments, different languages, representing different countries? Paul Well, for myself, and I think for my wife as well, we were worship leaders in a local church and trying to find the most relevant ways to help people worship in our culture. It was mostly not a mixed culture. It was mostly just a normal American church in Texas, but still we had to wrestle with contemporary versus older styles and who was there and what kind of music they liked. In the South it’s a little more Baptist hymnal kind of songs, which I wasn’t that familiar with. So you always have to learn and find out from the congregation that you’re worshiping with, what helps them express their heart, because that’s really what a worship leader is trying to do, just help the people worship from their heart. So that was where we started, and when we ran into Tom and he was doing that in the jungles of Brazil, it sounded radically different, of course. So we learned from him how to approximate that sound so that we could present it. Cathy So the first time we performed this kind of music, we thought we were just going to give people an educational experience and say, this is what your brothers and sisters sound like over in Africa, or this is what they say to God in their songs. The people that heard us in Memphis, Tennessee, on that very first trip were crying. They said, “This is a kind of worship that we’ve never experienced before.” It wasn’t necessarily something they could participate in, but it was like when you look up at the stars and go, “Wow, God, that’s amazing.” And you get a glimpse of the worship that God is preparing for himself across the world. And it does increase your love for your brothers and sisters. So we wanted to give more people that kind of understanding and that kind of love for brothers and sisters that they’ve never met, maybe an experience that would have them want to pray for those brothers and sisters. And so when we go to a mission conference, we hope, too, that it opens people’s eyes to understand that we want to encourage authentic ethnic worship and not just press our Western songs onto others. Mary I was just going to say one word, beauty. Well, I’ll say a few more words than just that. We have a colleague who decades ago said, why would God have created birds that only sing one song? And so we think about the diversity of artistic communication and think about the beauty of how we can all be different and have different artistic expression, but that it can be unified in the worship of our Creator, and to learn to appreciate that, but also know that it’s perfectly great to have those styles and songs and ways that you can sing and worship that come really from a deep place in your heart. So, we want to get into what that is in each culture to lead people to that place of beauty. Paul It makes me think also the necessity that we feel of presenting things with authentic instrumentation as much as possible and with some costuming. It’s not like we’re not trying to appropriate someone else’s culture. We’re trying to represent so that you will have a deeper appreciation of those—the beauty, not just the sound, but the beauty of those cultures in their expression of worship. Roger I’m glad you all are talking about this because that was one of my next questions is like, why is this important? You know, when I first came to Japan, the first thing that people wanted me and my wife to do is, as musicians, help with worship. And there’s basically two choices you can do. Contemporary or you can do traditional. One or the other. If you play organ and piano, well that’s traditional. If you use the guitar, well then that’s going to be contemporary. Those are the only two choices, so choose. If you go back and forth between the two, then that’s blended, a little of both. So to hear what you all do is so far outside people’s expectations of what worship can be. And that message, I feel, is especially needed in Japan. I would love Mori-Sensei to comment on that. Have you heard anything like this in Japan, this group? Mori No. That’s it. Roger And is it important then for Japan? Mori Absolutely. Japanese people like to feel safe, I guess, and don’t want to be criticized. Therefore, they try to conform to whatever is the mainstream, whether it’s a small group of 3, 4, 5 or a bigger group of 50–100. But that’s what I sense, and that’s what I find in myself from the past. So, especially when you think about the Christian church. The gospel was brought by typically Caucasian Western missionaries, and I don’t think they had any other way than to just do what they were used to. And without being intentional, I believe a kind of very clear line between Christians and non-Christian Japanese was drawn. When I was a teenager and a church member, the pastor said secular songs shouldn’t be sung, not even for yourself when you’re alone. So there was a very clear line, and I think in every church it was the same. And if you dare to play jazz or, rock was not so much in Japan in those days, then you were looked at as unspiritual, not a good Christian. So naturally, for those reasons, the Japanese ethnic or original music was separated from the church. It is still very much the same, I think. Therefore, it’s very difficult to take different styles of music and even ethnic music into the church. We don’t have any group like IziBongo. I don’t know if any other countries do either, but it is great riches brought to the church. Roger You know, when I first came to Japan, I was in language school that first year. We made friends with a clarinetist, and she was feeling turmoil about being in the church because the church told her she couldn’t play. She was a professional clarinet player, but they would not allow her to play clarinet in church because that was not appropriate for Christian worship. But, they said, you can play the piano because we need someone to play the piano. She was like, but I’m not a keyboardist and don’t play the piano very well, and it was hard for her to worship while playing the piano. When we came in, they asked us as missionaries to come give a concert, and we invited her to join us. There were tears in her eyes because that was the first time anyone in the church had ever heard her play the clarinet, which was her heart language. And I was like, wow, well, maybe it’s just this church. Well, then we went and were helping to plant another church out in Chiba, where we met a pastor whose son played the saxophone. And it was the same story. He invited his son to play saxophone once in worship, and the church members got so upset. Saxophone is not appropriate for worship, they said. It sounds worldly. It sounds like jazz, you know. And we’ve come across stories like that over and over again. And I want to tell you one more. Sorry I’m talking so much! But there’s this other story when we met this koto player. She was featured in one of our videos during the conference. I think I’ve shared this in a past podcast episode, but we invited her to come and play koto in worship. That’s a traditional Japanese harp, and it was so beautiful. We loved it, but there were so many people upset afterwards. And there were so many meetings afterwards, not the kind of meetings that you really want to have happen, you know, like with the pastor and the elders. Okay, this person’s upset, and they felt like it was connecting to the non-Christian culture in Japan. They said, “You can’t use the koto in worship. You were distracting me from worship. I was not able to worship God because you had the koto there.” And, you know, the way—I’ve shared this with some of you before—the way that we were able to bring healing to that situation is when they realized how she was able to worship God through her heart language, through the koto, it drew them in and they were able to worship God by seeing how she was worshiping God. It wasn’t a gimmick, you know, it wasn’t like we’re trying to force something on the church, but that this is how she worshiped, and they were able to worship through her. It was that relational key that made all the difference. Mori Um, can I ask you a question? Roger Sure. Mori That was your experience in the beginning. Is that still very much the same in the Japanese churches? Roger I do sometimes continue to hear stories, yeah… Mori This is my subjective, biased opinion, but around 20 years ago, God raised a young man and gave him song after song. An authentic Japanese young man, producing Japanese praise songs, worship songs, and they did some gatherings using yukatas and guitars on the stage, dancing and singing. And those worship songs created by those people, they have quite rapidly spread all across Japan. Roger Oh, wow. I’d like to hear them. Mori Yes. Oh, you know him. Taka. His songs, I believe, have changed the atmosphere of Japanese churches. Nagasawa Takafumi wrote that famous song, “Sono Hi Zen Sekai Ga” (“On That Day”). He started out as a worship leader in his father’s church. Now, he’s the senior pastor. But he was invited as a worship leader to a church in a different place, totally different place, and the pastor, as the congregation sang that song, proudly said to Taka, “Don’t you think this is an awesome song?” He didn’t know that Taka wrote that song, and Taka did not tell him. But today, more instruments are naturally taken into church services. Different styles are tolerated. Not every church, but, by and large, so many churches are resembling Western American churches, worship band in front and leading songs with guitars and drums and bass guitars and keyboard. And it’s spreading. And I just think that change has been happening. But still though, not Japanese authentic instruments or styles. Roger Yeah, that's still pretty rare. Mori Yeah, because of the schism that happened, right in the beginning, the Christians somehow feel that those instruments are not theirs. And to me, that’s okay if Christians don’t play any koto or shakuhachi. Of course, they’re greatly considered by Christians to be a special genre of instrument. Roger Generally. Yeah, Cathy? Cathy That’s one thing that seems to happen when we play. We had an experience in Singapore. A Japanese gal came up and talked to me afterwards and said, “This makes me want to go home and find what is unique from my culture that I can offer to God. It makes me want to go home and find or make something unique from my culture. And so, I think that IziBongo sometimes has that effect when we show what other cultures are doing. Roger Yeah, I also wanted to ask you all, I know that like sometimes I hear this word “appropriation” in the States, because you are not from those cultures, because you are Americans doing that music. If someone was to come at you and say, “Hey, that’s not appropriate for you to be doing that,” how would you respond to them? Paul Well, it depends who it’s coming from, I think, is where we start. We have never had anyone come to us from those nations with a problem with us. In fact, all we’ve ever heard is appreciation that we at least attempted to sing in their language. And again, we don’t do it perfectly. We had one experience up at Prairie Bible College where we played a First Nations song, a Native American song, and there was one young gentleman there who was a young man from the First Nations, and he was so excited. He wanted to sing the song. It was very simple, so he wanted to lead it. It was so amazing to him that he could do that. And almost immediately, we got strong pushback from a missionary couple who’d been there for 30 years working with First Nations peoples who felt like that was very inappropriate for the church. So let me say it this way: What we do is not try to impose on the church what you should do. What we’re doing is saying praise is happening all over the world, not always on Sunday morning. In fact, most of this wouldn’t be in Sunday morning worship, but it’s worship. Some of it’s on the streets of Brazil, a samba. And it was a Christian song sung on the streets of Carnaval. I mean, that’s not Sunday morning. So again, what we’re presenting is just the various expressions of praise. Whether they fit on Sunday morning in the church, your pastor and your worship leaders need to work that out. And we shouldn’t be judging them. They’re the ones who are to guide and guard the flock. So pray for your pastors that they might have vision even when they have reservations. Cathy I would say it’s also not only praise, but Scripture memory songs, storytelling, telling of Bible stories, and historical things. So there are other ways to use the music. Cory And the use of the music that we do when we perform are based on relationships that we have with the communities themselves, either through a Bible translation project or actual one-on-one. So, we have gotten permission to do these songs according to the communities that we’ve come in contact with. Mary And I’ll say that coming back to the U.S. from West Africa and starting to hear this word appropriation, I was a little bit shocked because I was like, oh, what does that mean? You know, I had to say, what does that actually mean? Because to be in West Africa or in that particular culture, you dress with the cloth and you learn their songs and they are thrilled that you are learning their language and wearing their clothes. So appropriation is not about using these things for our own benefit, but it’s about lifting up and respecting that culture. Roger We are almost out of time, but I want to give Mori Sensei the last word. So, think about what you’re going to say. Let me just say that I’ve been moved by talking with all of you, you know, outside this interview, the stories you’ve told me about how people respond saying, wow, I had no idea I could worship God in that way through my culture, through my art, and how it’s encouraging them, empowering them really. You are empowering the nations to say, God has given you these gifts to worship him, and it’s just such an important message. Thank you so much for the time and money you’ve spent to come all the way to Japan to share this with us. We really appreciate it. Mori Sensei, do you have any final comments? Mori Well, thank you very much. I’m so honored. Change is happening in the Japanese churches. It’s not only negative. In one church, 45 minutes away from Tokyo, they started using enka. Enka is very secular, many love songs. They were the songs church members' husbands especially loved. So they invited the husbands and did a couples' night. They served beer and they sang enka. And the people loved it. Actually, the wives loved it too. So, some changes are happening. Also, Japanese instruments—koto, shakuhachi, shamisen—are not widely used in the churches. I think that’s because nowadays Japanese people have grown up without those instruments nearby. But those who have, they should be invited to the churches to perform and make them feel at home. Still, the Japanese churches are very much under the control of pastors. So these gatherings would be excellent for the Japanese pastors to know and come attend, listen to, hear the stories. That’s probably the challenge for the near future. Roger Thank you. Thank you so much, all of you. I really appreciate it. God bless you. You've been listening to the Art Life Faith Podcast. To watch the video of this podcast or many other videos from the conference, please go to our website: www.communityarts.jp. As we say in Japan, “Ja, mata ne.” We'll see you next time.

Santo Antônio, um dos santos mais populares em Portugal, é comemorado de formas muito diferentes em todo o mundo neste mês de Junho. Do Brasil à Índia, do Timor a Macau, a devoção ao religioso foi difundida pelos portugueses. Conhecido como o santo casamenteiro, Santo Antônio é bastante celebrado no Brasil com encenações de casamentos, simpatias, bandeirinhas coloridas e comidas típicas. Letícia Fonseca-Sourander, correspondente da RFI em Lisboa Basta entrar o mês de junho para que os brasileiros comecem a se programar para as tradicionais festas juninas. Nesta época, os arraiás se espalham por todo o país, de norte a sul, ganhando contornos e sabores regionais. Santo Antônio é o primeiro a ser homenageado, no sábado, 13 de junho, data em que é aberta a temporada dos festejos dos santos populares, que reúne milhões de pessoas e movimenta bilhões de reais, ficando atrás apenas do Natal e do Carnaval. São muitas as tradições ligadas ao religioso, e o “pão de Santo Antônio”, costume que vem da França do século XIX, é uma das mais populares em Portugal. O antropólogo Pedro Teotónio Pereira, diretor do Museu de Santo Antônio em Lisboa, explica à RFI que “o pão é vendido nas igrejas de Santo Antônio e deve ser guardado de um ano para o outro para que não falte alimento em casa”. Santo Antônio, o casamenteiro, ganhou essa fama no século XVII, em Portugal, quando ajudou uma mulher a se casar com quem realmente amava, em uma época em que os matrimônios eram arranjados pelos pais. Mas os pedidos para que Santo Antônio arranje namorados ou maridos permanecem atuais nos dois lados do Atlântico. Caso eles demorem a ser atendidos, o santo é mergulhado de cabeça para baixo na água, virado para a parede ou colocado em um poço, até que o protetor das moças encontre um amor para as donzelas, ou nem tanto assim. Vida & obra Santo Antônio, ou Fernando Martins de Bulhões, nasceu em 1191, em Lisboa, em plena reconquista da Península Ibérica pelos reinos cristãos das mãos dos muçulmanos. Segundo filho de uma família burguesa, coube a Fernando escolher entre a carreira militar ou a vocação religiosa. Aos 18 anos, ele decide tomar o hábito de Cônego Regrante de Santo Agostinho e, mais tarde, segue para Coimbra, onde vive mais dez anos, aprofundando os seus estudos e conhecimentos. Em Coimbra, ele encontra cinco frades franciscanos que iriam evangelizar o Marrocos, mas que são martirizados quando chegam ao país. Os restos mortais dos frades são enviados de volta a Coimbra, e o noviço Fernando fica tão abalado com o episódio que decide passar para a Ordem dos Franciscanos, mudando o seu nome para Antônio. Santo Antônio tinha uma inteligência fora do comum e um conhecimento extraordinário; ele sabia a Bíblia quase de cor. Segundo Pedro Teotónio Pereira, São Francisco de Assis vai entender que é preciso alguma erudição, além de ajudar os pobres. “Santo Antônio revela todo o seu conhecimento que tinha das Escrituras e vai ser considerado por São Francisco o primeiro teólogo franciscano”, ressalta. O Milagre dos Peixes Não se conhecem milagres de Santo Antônio em vida; só depois é que vão sendo revelados. Quando ele morreu em Arcela, nos arredores de Pádua, as crianças nas ruas intuíram e começaram a gritar: Morreu o Padre Santo! Morreu Santo Antônio! Quando o seu corpo foi transladado para Pádua, três dias depois de sua morte, há relatos de muitos milagres, e são estes milagres que vão acompanhar o seu processo de beatificação. “Santo Antônio distingue-se como um grande taumaturgo; ele é conhecido pela quantidade de milagres que fez. É curioso porque, no processo de beatificação de Santo Antônio, os seus milagres foram muito ligados à cura de doentes. Só mais tarde vão ser acrescentados, ao longo dos anos, outros tipos de milagres”, comenta o antropólogo. O Sermão aos Peixes é o milagre mais famoso de Santo Antônio e acontece quando o religioso vai a Rimini, na Itália, para tentar converter os hereges. Sem sucesso, Santo Antônio anda até o mar e fala com os peixes: “vocês também são filhos de Deus e entendem o que eu tenho a dizer”. É quando peixes começam a aparecer, de cabeça de fora, mostrando atenção ao seu sermão. Isso provoca um impacto muito grande junto aos hereges que estavam assistindo à cena e, assim, Santo Antônio consegue convertê-los. Festas nas ruas de Lisboa Em junho, Lisboa traz o seu coração para fora e comemora o Sant'Antoninho, um dos padroeiros da cidade, tratado quase como um membro das famílias portuguesas. Os lisboetas se alegram nos arraiás celebrados nos bairros populares, onde se vendem sardinhas e chouriço assados. A programação é extensa nesta sexta-feira e sábado, com destaque para os casamentos de Santo Antônio celebrados na Igreja da Sé, a bênção com a relíquia do santo, as missas, as marchas populares na Avenida da Liberdade e a procissão de Santo Antônio, que percorre o bairro de Alfama e convida as imagens de São João, São Miguel, Santo Estevão, São Vicente e São Tiago a participarem da procissão. O Museu de Santo Antônio de Lisboa é um mergulho na vida e na obra do religioso. É possível acompanhar o percurso deste santo, protetor dos lares e das famílias, padroeiro dos marinheiros, pescadores e animais, entre outros. Também conhecido como Santo Antônio de Pádua, onde viveu os seus últimos anos de vida e onde teve a aparição do Menino Jesus.

Começou esta quinta-feira o Mundial e eis-nos a entrevistar o campeão mundial da boa disposição, das palavras certas na hora agá e dos golos infinitos. O avançado de 54 anos solta o verbo com histórias deliciosas do futebol e não só, desde a máscara da Lady Kata no Carnaval até à crítica do futebol moderno, em que é impossível aparecer um talento como Futre.

 Dans tout le Pays Basque, chaque année au cœur de l'hiver, alors que beaucoup les croyaient sur le déclin, de très nombreuses traditions reprennent force et vigueur, avec une intensité remarquable. L'anthropologue Thierry Truffaut et le photographe Patxi Beltzaiz ont publié le livre « Des Ténèbres à la Lumière, Ihauteri, Carnaval ». Cet ouvrage nous entraîne dans un voyage initiatique au seuil du printemps et du passage de la vieille à la nouvelle année. Un livre organisé par thèmes, qui nous permet de découvrir les codes de ces rites, fêtes et pratiques « carnavalesques » et de mieux déceler les particularités des traditions partout où l'on va.   Dans cette deuxième partie (2/2), Thierry Truffaut nous dévoile comment ils ont organisé les thématiques du livre.   Jatorria / source : Radiokultura

C'est une soirée chaleureuse que vous proposent les Prima Bon ce samedi 13 juin. Les membres de cette association carnavalesque invitent le public à se joindre à eux à l'occasion d'un feu de la Saint-Jean organisé sur la place des fêtes de Rombach-le-Franc dès 18h. Une soirée festive, conviviale et musicale, présentée par Emma Fréchard, membre du comité des Prima Bon.Informations pratiques :Samedi 13 juin 2026, à partir de 18h Place des fêtes – 68660 Rombach-le-FrancEntrée librePlus de renseignements sur la page Facebook LES PRIMA BONLes interviews sont également à retrouver sur les plateformes Spotify, Deezer, Apple Podcasts, Podcast Addict ou encore Amazon Music.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Entrevista en La Diez Capital Radio: Carmen, talento tinerfeño con proyección internacional La Diez Capital Radio entrevista a Carmen, cantante y compositora tinerfeña de tan solo 23 años que continúa consolidando una prometedora carrera dentro de la industria musical nacional e internacional. La artista, que domina instrumentos como la guitarra y el piano, ha logrado abrirse paso en un sector altamente competitivo gracias a su talento como intérprete y compositora. Actualmente, Carmen ha trabajado como compositora para la artista PaoPao en el sello discográfico Rich Music, en Miami, además de colaborar con reconocidos productores ganadores de premios Grammy, entre ellos Homero Gallardo y Sébastien Graux, ampliando así su experiencia dentro de la industria musical global. Su crecimiento también se refleja en el entorno digital, donde cuenta con una comunidad consolidada de seguidores. En YouTube supera los 25.000 suscriptores, mientras que en Instagram acumula más de 19.000 seguidores. Además, sus vídeos han alcanzado más de 400.000 visualizaciones, evidenciando el interés creciente por su propuesta artística. Carmen publicó de manera independiente su primer EP, titulado “Canciones para Dedicarte”, un proyecto muy personal al que dedicó un intenso trabajo creativo junto a su productor, Guillermo Lupión, profesional vinculado a artistas como Maikel Delacalle y Quevedo, entre otros. El trabajo está compuesto por ocho canciones originales en las que la artista muestra una marcada versatilidad musical, explorando distintos géneros y sonidos. A lo largo de su trayectoria, Carmen ha participado en algunos de los festivales y eventos musicales más destacados del panorama nacional, entre ellos el Granca Live Fest, Reggaeton Beach Festival, Boombastic, Holika Festival en La Rioja, ResisTime La Palma y el Cook Music Fest. También ha actuado en las Fiestas de San Ginés de Lanzarote, realizado showcases en Miami y participado en importantes eventos celebrados en Santa Cruz de Tenerife como Navilunio y Plenilunio. Asimismo, ha formado parte de eventos organizados por Marcha FM y Los 40 Principales, además de subirse durante varios años a escenarios del Carnaval de Tenerife, una de las celebraciones más emblemáticas del archipiélago. Durante la entrevista en La Diez Capital Radio, Carmen compartirá detalles sobre su trayectoria, sus experiencias trabajando con grandes nombres de la industria, sus próximos proyectos musicales y la evolución de una carrera artística que continúa creciendo desde Tenerife hacia escenarios internacionales.

Send us Fan MailWhat happens when the #2 biggest carnival in the world lands in North Texas? We went live from the Carnaval de Barranquilla in Dallas to find out.In this bilingual (English/Spanish) episode, we hit the floor talking to vendors, performers, and community members who are keeping Colombian culture alive right here in DFW.

Op vrijdagavond 3 juli vormt de Heimolen in Sint Hubert opnieuw het decor voor Muziek bij de Molen. De muzikale avond wordt georganiseerd door dweilorkest 't Mekkert en carnavalsvereniging De Bokken en brengt diverse dweilorkesten samen voor een sfeervol programma vol muziek en gezelligheid.In de nieuwste aflevering van De Neije Krant Podcast schoof een afvaardiging van de organisatoren aan bij presentator Corné Kremers. Te gast waren Wesley Vloet, lid van het jeugdige dweilorkest 't Mekkert, Linda Schakenraad en Pieter Cuppen, respectievelijk lid van de jubileumcommissie en voorzitter van carnavalsvereniging De Bokken.Tijdens het gesprek stond niet alleen Muziek bij de Molen centraal. Ook werd vooruitgekeken naar een bijzondere mijlpaal voor de vereniging. De Bokken bestaan komend carnavalsseizoen namelijk 55 jaar. Ter gelegenheid daarvan wordt een groots jubileumweekend georganiseerd op 5, 6 en 7 maart 2027 in gemeenschapshuis De Jachthoorn in Sint Hubert.Linda Schakenraad en Pieter Cuppen lichtten alvast een tipje van de sluier op over de voorbereidingen. Hoewel het programma nog verder wordt uitgewerkt, roepen zij liefhebbers van carnaval, muziek en feest op om het jubileumweekend alvast in de agenda te reserveren.De techniek van de podcastopname was in handen van Thijs van den Heuvel.

I met Aarón in Europe when he was visiting, and I've wanted to sit down with him for ages. From a childhood in kitchens to teaching culinary arts around the world and falling sideways into mixology after a stint at Chicago's world-famous Aviary, his career path has been anything but straightforward. He's now moving on from Carnaval, the bar he founded that put Lima on the map for 50 Best Bars, so we caught up on his plans. Aarón on Instagram:  https://www.instagram.com/aarondiazolivos/?hl=en (Get in touch with Duff!Podcast business enquiries:  consulting@liquidsolutions.org (PR friends: we're only interested in having your client on if they can talk for a couple of hours about OTHER things besides their prepared speaking points or their new thing, whatever that is. They need to be able to hang. Oh, plus we don't edit, we won't supply prepared or sample questions, nor listener or “reach” stats, either, and no, you can't sit in on the interview (or lurk on the Zoom.)  And our AI automatically deletes pitch emails that are clearly written using AI. Retain Philip's consulting firm, Liquid Solutions, specialised in on-trade engagement & education, liquor brand creation and repositioning: philip@liquidsolutions.orgPhilip on Instagram: https://www.instagram.com/philipsduff/ Philip on Facebook: Philip Duff Philip on X/Twitter: Philip Duff (@philipduff) / Twitter Philip on LinkedIn: linkedin.com Old Duff Genever on Instagram: Old Duff Genever (@oldduffgenever) • Instagram photos and videos Old Duff Genever on Faceboo...

L'anthropologue Thierry Truffaut et le photographe Patxi Beltzaiz ont publié le livre « Des Ténèbres à la Lumière, Ihauteri, Carnaval ». Cet ouvrage nous entraîne dans un voyage initiatique au seuil du printemps et du passage de la vieille à la nouvelle année. Un livre organisé par thèmes, qui nous permet de découvrir les codes de ces rites, fêtes et pratiques « carnavalesques » et de mieux déceler les particularités des traditions partout où l'on va.   Dans cette première partie (1/2), Thierry Truffaut nous raconte comment est née sa passion pour les Ihauteri et ses souvenirs en tant qu'Hartza (l'ours!).   Jatorria : Radiokultura

Un mois que le procès de Paolo Falzone a débuté devant les Assises du Hainaut. En un mois, des témoins et victimes ont été entendus. Des experts ont livré leurs conclusions. Les accusés ont eu la parole et les avocats des parties civiles se sont exprimés. Candice Bussoli et Julien Bialas, tous les deux journalistes au pôle Enquêtes, ont tous les deux assisté à ces journées d'audiences. Ils nous racontent.« À propos », c'est notre sélection de l'actualité, du lundi au vendredi sur Le Soir et votre plateforme de podcasts préférée. Retrouvez tous les podcasts du journal « Le Soir » sur https://podcasts.lesoir.be

O que faz um país ser influente no cenário global? E por que algumas nações conseguem transformar reputação em protagonismo, enquanto outras ainda enfrentam dificuldades para converter potencial em poder real?​​No novo episódio do Febraban Podcast, discutimos o conceito de soft power – a capacidade de influenciar por meio da cultura, dos valores, da credibilidade e da confiança – o papel do Brasil nesse cenário. Apesar de ser reconhecido internacionalmente por símbolos culturais e esportivos como Carnaval e o futebol, o país ainda enfrenta desafios para transformar essa imagem em influência concreta.​​A conversa explora o paradoxo brasileiro: uma nação com forte presença cultural e econômica, mas que ainda precisa avançar na construção de reputação consistente, estabilidade institucional e visão de longo prazo para fortalecer sua posição global.​​Neste episódio, você vai entender:​O que é soft power e por que ele se tornou estratégico na economia global​Por que o Brasil tem grande potencial, mas ainda subaproveitado​O papel da reputação, da confiança e da governança na construção da influência internacional​Como empresas e instituições financeiras contribuem para projetar a imagem do país​Por que a agenda ambiental, a inovação e a cultura podem ser ativos decisivos para o Brasil​Com Silvana Machado, diretora-executiva do Bradesco e Sérgio Valle, economista-chefe da MB Associados.  Condução de Mona Dorf (Febraban).​​Assista no YouTube ou ouça no Spotify.​Novos episódios do Febraban Podcast toda quinta-feira.Ficha técnica: Apresentadora e Editoria-chefe: Mona Dorf ​Supervisão Geral e Co-apresentação: Carlos Cidra e Majory Marcelino ​Supervisão e Produção: Bianca Braga, Julia Alcassa e Leandro Lemella ​Roteiro, edição e produção: Rachel Cardoso, Lizely Naoum, Patrícia Travassos e Clovis Travassos​Edição de vídeo: Leonardo Reali e Kris Arruda ​Videomaker backstage: Kris Arruda ​Gravação: Supernova Cinematográfica

Salimos de Uclés con el estómago empachado de morteruelo y el alma encogida por el peso de la historia de la Orden de Santiago. Arrancamos el Seat 131 y ponemos rumbo sur. Nos adentramos de lleno en la llanura manchega, recorriendo unos 140 kilómetros atravesando campos de trigo y molinos, hasta entrar en la provincia de Ciudad Real, en la mismísima comarca del Campo de Montiel. Pero ojo, que nuestro destino rompe las reglas de la física manchega: llegamos a Almedina. Almedina cuenta con 489 habitantes. Su gentilicio es almedinense. Y digo que rompe las reglas porque en medio de una llanura donde puedes ver a un perro escaparse durante tres días, Almedina está construida sobre un cerro escarpado. Sus calles tienen unas cuestas que hacen que los abuelos del pueblo tengan unos gemelos dignos de Roberto Carlos en sus mejores tiempos. El nombre no esconde mucho misterio para los que sepan árabe nivel A1: Al-Madina significa "La Ciudad". Y es que esto fue una plaza fuerte musulmana de primer orden. Pero la verdadera explosión de orgullo patrio de este pueblo tiene nombre y apellidos: Fernando Yáñez de la Almedina. ¿Que no os suena? Pues fue un pintor del Renacimiento español que, agarraos, se fue a Italia y trabajó codo con codo con mismísimo Leonardo da Vinci. Sí, un tío de un pueblo de menos de 500 habitantes pintando frescos en Florencia con el genio más grande de la historia. ¡Chúpate esa, Silicon Valley! El patrimonio de Almedina, además de su entramado urbano de "rompepiernas", incluye una iglesia parroquial preciosa (Santa María Magdalena) construida sobre una antigua mezquita, y un puente romano que demuestra que por aquí, antes de los árabes y de Da Vinci, ya pasaban las legiones haciendo el paso de la oca. Sus fiestas grandes son en octubre, en honor a la Virgen de los Remedios, y destacan también por el antiquísimo "Baile de las Ánimas" en Carnaval, una tradición de esas de capa y sombrero que te ponen los pelos de punta de lo bonitas e históricas que son. Si hablamos de meter algo en la andorga, en Almedina la cosa es seria. Pisto manchego elaborado con los tomates de sus huertas (porque sí, en las faldas del cerro tienen agua y huertas, un oasis en La Mancha), gachas de harina de almortas con sus buenos tropezones de panceta, y un queso manchego curado que te pica en el paladar lo justo para pedir otra copa de vino de Valdepeñas.

El pianista franco-argentí Carlos Acotto serà l'encarregat de posar el punt final al cicle “Nits de Piano” amb un concert que tindrà lloc aquest divendres al Teatre de Lloret. Resident a París des de finals dels anys vuitanta, Acotto està considerat un dels pianistes més destacats de la seva generació. Format a la Universitat Nacional de Rosario i deixeble del prestigiós pianista Bruno Leonardo Gelber, ha desenvolupat una llarga trajectòria internacional amb actuacions arreu d'Europa i Amèrica. Al llarg de la seva carrera ha estat aclamat pel seu virtuosisme, sensibilitat interpretativa i l’especial connexió amb el repertori romàntic, especialment amb compositors com Chopin i Liszt. En un missatge adreçat al públic, Acotto ha expressat la seva satisfacció per tornar a actuar a Lloret de Mar. “Compartirem obres de Domenico Scarlatti, que va escollir la península ibèrica com a país d'adopció. Escoltarem també l'al·lucinant Carnaval de Viena de Schumann i, a la segona part, algunes de les grans obres de Chopin, com la cèlebre primera balada”, avança sobre un repertori que inclourà un «homenatge a Catalunya». El concert de Carlos Acotto que tanca el cicle de piano tindrà lloc aquest divendres, dia 25 de maig (20h) al Teatre de Lloret. Les entrades es poden aconseguir al web de Entrápolis.

This weekend, SF Carnaval is expected to draw an estimated 500,000 people to San Francisco's Mission District. The celebration, which takes place May 23-24, celebrates the music, dance, and culture of the Latin American diaspora. Links: Carnaval San Francisco 2026: From Parade Route to Parking, What to Know This Weekend Carnaval San Francisco Turns Music, Memory and Resistance Into Celebration Learn more about your ad choices. Visit megaphone.fm/adchoices

El carnaval terminó, pero el reinado todavía no. Mañana nos acompaña Carla Paola para contarnos lo mejor de su paso como Reina del Carnaval de Campeche 2026 ¡Solo por TRC Radio!

Si quiere usted saber cómo es alguien, asómese a su biblioteca. En el salón de la casa de apenas 60 metros que Teresa Rodríguez (Rota, 44 años) comparte con José María González, Kichi, y sus hijos en pleno barrio de La Viña de Cádiz, una librería de pared a pared dibuja una aproximación: su poco de andalucismo o de Carnaval comparten espacio con dos bufandas palestinas. Allí, en su territorio, la fundadora de Adelante Andalucía, miembro de la dirección del partido, rompe su silencio, después de una campaña en la que no ha podido echar el cable a su partido, por estar convaleciente de un cáncer de mama, como ella misma avanzó el domingo electoral.

Ela é muito mais que os memes super engraçados e fofos! Participou de um dos maiores BBBs da história, viveu um dos relacionamentos mais acompanhados da internet e hoje mostra uma versão muito mais madura, segura e dona da própria narrativa.Neste episódio, o PodDelas recebe Mari Gonzalez pra uma conversa sobre carreira, exposição, amadurecimento, relacionamentos, Carnaval, BBB20, e muito mais! E claro: tem muita risada! Afinal, ela é diva! Dá o play e vem curtir! INSCREVA-SE NO CANAL E ATIVE O SININHO! A META É CHEGAR EM 4MI!#PodDelas #MariGonzalez #BBB20 #BBB26 #JonasSulzbach #PipoMarques #MariNoPodDelas

Cristiano Calisto e Marciéle Daiane da Silva, integrantes da Associação das Entidades Carnavalescas de Santa Cruz, participaram do programa Direto ao Ponto para falar sobre o evento que vai homenagear os destaques do Carnaval de 2026 neste sábado.

Cristiano Calisto e Marciéle Daiane da Silva, integrantes da Associação das Entidades Carnavalescas de Santa Cruz, participaram do programa Direto ao Ponto para falar sobre o evento que vai homenagear os destaques do Carnaval de 2026 neste sábado.

Carnaval, praia, areias radioativas e… fantasmas? O novo filme de Rodrigo Aragão nos leva diretamente a Guarapari, um paraíso de verão que, ao final da temporada, revela todos os seus maiores horrores.Prédio Vazio conta a história de Luna, uma jovem que sai numa busca perigosa por sua mãe desaparecida em um edifício na Praia do Morro. Acompanhada de seu namorado, ela vai descobrir que a construção guarda muitos segredos.Com seu bom e contagiante trabalho de maquiagem, marca registrada do diretor, podemos dizer que o filme faz jus á famosa “praia dos mineiros”? O Cabana RdM começa agora.O RdMCast é produzido e apresentado por: Gabriel Braga, Gabi Larocca e Thiago Natário.ARTE DA VITRINE: Estúdio GrimESTÚDIO GRIM – Design para conteúdo digitalPortfólio: https://estudiogrim.com.br/Instagram @estudiogrimcontato@estudiogrim.com.brPODCAST EDITADO PORFelipe LourençoSEJA UM(A) APOIADOR(A)Apoie o RdM a produzir mais conteúdo e ganhe recompensas exclusivas!Acesse: https://apoia.se/rdmConheça a Sala dos Apoiadores: https://republicadomedo.com.br/sala-dos-apoiadores/CITADOS NO PROGRAMAPrédio Vazio (2025)Citações off topicMangue Negro (2008)EpisódiosRdMCast #248 – Especial Zé do CaixãoTem algo para nos contar? Envie um e-mail!contato@republicadomedo.com.brTwitter: @RdMCastInstagram: Republica do Medo

Rètols Halley obre una nova etapa després de més de quatre dècades amb seu a Lloret de Mar. L'empresa de retolació fundada per Manel Juan Álvarez passarà ara a mans de la seva filla, culminant el relleu generacional d'un negoci que ha contribuït a definir la imatge comercial i nocturna del municipi. La firma ha estat darrere dels rètols de les discoteques, hotels, restaurants i establiments més coneguts de Lloret. De fet, bona part de l'estètica lluminosa de la vila, especialment durant els anys de màxim auge turístic, porta la seva signatura. Aquest dilluns, l'Ajuntament de Lloret ha volgut reconèixer públicament la trajectòria de la família i la seva aportació al teixit comercial. La regidora de Comerç, Cristina Aymerich, ha destacat que Rètols Halley “van formar part de les primeres il·luminacions de Nadal», quan encara «funcionaven amb tubs i no amb LEDS», així com les rues de Carnaval. El reconeixement a Rètols Halley s’ha fet aquest dilluns. La història de Manel Juan amb Lloret, però, va començar abans de fundar l'empresa. Des de Barcelona, on treballava inicialment, venia sovint al municipi per instal·lar-hi rètols, fins que finalment va decidir establir-s'hi definitivament. Amb els anys, es va convertir en un dels noms més coneguts del sector. “Gairebé totes les discoteques les he fet jo” Manuel Juan Entre els treballs més emblemàtics hi ha els rètols de sales com Tropics així com diversos establiments hotelers. Alguns encara es conserven avui dia, convertits gairebé en icones del paisatge urbà lloretenc. “La M de Magic Park fa quasi quatre metres. Avui ja no es fan coses així, i els anagrames de Tropics encara hi són” Manuel Juan Rètols Halley va néixer l'any 1986, coincidint amb el pas del cometa Halley, que va inspirar el nom de l'empresa. Durant aquestes quatre dècades també ha treballat per hotels com el Marsol i fins i tot va participar en projectes internacionals vinculats a la cadena Guitart amb la qual va anar fins a Cuba.

Población - 14.000 habitantes | Reclamo - la fiesta del jueves de Carnaval que venera el miembro masculino del hombre | Otras cosas típicas - el embutido, la historia de su gentilicio pescallunes y la celebración del viernes de Carnaval con hombres disfrazados de mujeres y viceversa.

durée : 00:02:33 Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Hoy despedimos a la única mujer capaz de olvidar a su hijo en tres países distintos y seguir siendo considerada la madre del año. Hoy recordamos a la dama que no necesitaba efectos especiales porque su cara ya venía de serie con más ángulos que un examen de geometría; la mujer que podía asustar a un fantasma y luego invitarlo a una copa de vino. Hablamos de Catherine Anne O'Hara, la única persona en Hollywood que sabía gritar "¡Kevin!" de una forma que hacía que hasta los niños de los vecinos recogieran el cuarto. La pequeña Catherine nació en Toronto el 4 de marzo de 1954, en una familia tan numerosa que para pasar lista tenían que llamar a un censor del ayuntamiento. Eran siete hermanos, así que Catherine aprendió pronto que, o eras graciosa, o no te llegaban ni las sobras del guiso. De joven tenía ese aire de "niña bien" de Canadá, que es como ser de Valladolid pero con más nieve y pidiendo perdón hasta por si acaso. Empezó en el mundillo del humor con los de Second City, donde se juntó con gente como John Candy, el Juanito el Golosinas de ellos, formando un grupo que hacía que los Monty Python parecieran una reunión de vecinos de una comunidad de bienes. Allí demostró que podía imitar a cualquiera, desde una estrella de cine acabada hasta a tu tía la que se pasa con el anís en Navidad. En los 80 le llegó la fama mundial haciendo de Delia Deetz en Beetlejuice. Allí salía con unos pelos que parecían un nido de cigüeñas electrocutadas y unas esculturas que daban más miedo que una inspección de trabajo. Fue la única capaz de cenar con unos langostinos que cobraban vida y no perder la compostura, demostrando que para ser una artista moderna solo hace falta mucha laca y tener muy poca vergüenza. Pero el papel que la jubiló antes de tiempo en la mente de todos fue el de Kate McCallister en Solo en casa. Catherine se pasó media película corriendo por aeropuertos como si estuviera persiguiendo el último autobús de la noche para volver al pueblo. Logró que medio planeta se sintiera mejor padre, porque por muy mal que lo hicieras, al menos tú no te habías ido a París dejando al niño a merced de dos cacos que parecían salidos de un chiste malo. En esta época ya tenía la mandíbula que parecía un monedero grande donde te caben hasta las llaves y las cejas con vida propia, que se movían más que una menopáusica por la noche. Después de unos años haciendo de todo, se reinventó como Moira Rose en Schitt's Creek, donde llevaba más pelucas que una comparsa del Carnaval de Cádiz. Hablaba con un acento que no existía en ningún mapa y vestía como si hubiera asaltado el armario de una villana de Disney con presupuesto ilimitado. Se convirtió en un icono para los modernos, que no sabían si querían ser ella o que ella les adoptara para heredar sus sombreros. Se casó en 1992 con Bo Welch, un diseñador de producción, lo cual es muy práctico porque así si se aburría de los muebles del salón, el marido le montaba la casa de Psicosis en un momento. Tuvieron dos hijos a los que, según las malas lenguas, nunca se olvidó en ningún vuelo transatlántico, rompiendo así la magia del cine. Desgraciadamente, Catherine nos dejó el pasado 22 de abril de 2026 a los 71 años. Se ha ido dejando un hueco enorme y un montón de actrices jóvenes intentando imitar sus gestos sin que les dé un tirón en la cara, aunque ustedes siempre podrán recordarla cada vez que su tía se pase con el anís en Navidad o vean a una madre al borde del colapso nervioso.

Conferencista: Joaquín Mattos Omar Una noche para sentir a Gabo como nunca antes, los secretos, anécdotas y conexiones más sorprendentes de Gabriel García Márquez con el carnaval y la cultura caribe.Cajamag invita a la Tercera Tertulia Samaria, un espacio donde la literatura se vuelve cercana, divertida y profundamente nuestra: “Los disparatados e inverosímilesencuentros de García Márquez con Joselito Carnaval”Foto@agendasamaria /@juanjopodcaster

En este vídeo podemos ver un documental realizado por la Diputación de Cádiz titulado «Murieron cantando». En él se explican los orígenes del Carnaval, así como la represión que soportaron las agrupaciones durante la época de la Guerra Civil y el franquismo. El Carnaval siempre fue y será la voz del pueblo, un escaparate a la crítica social y política y el altavoz más grande para denunciar injusticias.

Carnaval meets porno. Zo zagen de modeshows van Victoria's Secret er in ieder geval uit. De angels sleepten wat af met veren, waardoor ze leken op adelaars. En dan die extreem slecht zittende lingerie waar het eigenlijk om ging. In deze allerlaatste aflevering van Aaf en Lies Pakken Door duiken we in de hel die SHIT-LINGERIE heet. Wil je de hele aflevering luisteren? Krijg nu 2 maanden Podimo voor slechts €1,-

El projecte que l'entitat ha presentat ha rebut la majoria de vots del jurat que ha hagut de triar entre 4 projectes. Prado presentava una proposta única amb els dos personatges protagonistes i emmarcada en la celebració del 150è aniversari de l'entitat. D'altra banda la colla XisPun del Retiro presentava dues propostes separades, una per Carnestoltes i altra per la Reina del Carnaval, i finalment A Tope i Paperets, també retiristes, presentaven en tots dos casos projectes per a organitzar també la Reina. Finalment el jurat va optar pel projecte del Prado i això atorga en aquesta entitat la responsabilitat d'organitzar els dos personatges protagonistes el proper Carnaval 2027. Més enllà de l'alegria inicial des del Prado ja han anunciat que es tracta d'un projecte molt ambiciós on els sitgetans seran els protagonistes i on per primera vegada Carnestoltes i Reina del Carnaval arribaran i es presentaran plegats. N'hem parlat amb Carme Artigas, presidenta del Prado i Eva Vilà, membre de la junta pradista i també amb la regidora de festes Eva Martín i el president de la Comissió de Carnaval, Carles Garcia. L'entrada El Prado farà el Carnestoltes i la Reina del Carnaval 2027 i anuncia un arribo conjunt ha aparegut primer a Radio Maricel.

durée : 01:28:04 - par : Aurélie Moreau - Né en 1835, Saint-Saëns fut enfant prodige, organiste virtuose et compositeur prolifique. De Samson et Dalila au Carnaval des animaux, il marqua la musique française et créa la Société nationale de musique pour défendre les jeunes talents. - réalisation : Cécile Bonnet des Claustres, Florian Ditre - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:14:01 - par : Lionel Esparza - En 1976-1977, deux jeunes pianistes français — Michel Béroff, 26 ans, et Jean-Philippe Collard, 28 ans — enregistrent à Paris le Carnaval des animaux de Saint-Saëns pour EMI, entourés d'une brochette de solistes français de premier plan. Un disque qui reste aujourd'hui une référence. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

¡Weeepa!✨¡Gracias por escucharnos; otro episodio más!

Confira os destaques de Os Pingos nos Is desta quarta-feira (01):O governador de Goiás e pré-candidato à Presidência, Ronaldo Caiado (PSD), afirmou que o maior desafio do país não é vencer o PT nas eleições, mas governar o Brasil após o pleito. Durante entrevista, ele também endureceu o discurso contra o governo do presidente Luiz Inácio Lula da Silva (PT) e comentou propostas e o cenário político para a próxima disputa presidencial.Caiado avaliou ainda que o Brasil poderia estar mais avançado em desenvolvimento econômico e tecnológico. Segundo ele, o país perdeu espaço nas últimas décadas enquanto outras nações cresceram no cenário global, defendendo investimentos em educação, inovação e tecnologia para recuperar a competitividade.O governador também afirmou que a direita pode ter vários candidatos no primeiro turno das eleições. De acordo com ele, a união deve ocorrer apenas na segunda etapa da disputa contra Lula, e voltou a defender uma anistia como forma de “virar a página” na política brasileira.Investigadores que acompanham as negociações da delação premiada do banqueiro Daniel Vorcaro, dono do Banco Master, avaliam que os primeiros capítulos do depoimento devem ser entregues em até duas semanas à Polícia Federal e à Procuradoria-Geral da República. Preso em Brasília, Vorcaro tem recebido advogados enquanto discute os termos do acordo, que ganhou força após o STF formar maioria para mantê-lo detido.A Petrobras anunciou um aumento de 55% no preço do querosene de aviação vendido às distribuidoras. O combustível representa cerca de 30% dos custos das companhias aéreas, e a Associação Brasileira das Empresas Aéreas (Abear) alerta que o reajuste pode pressionar o valor das passagens. O governo Lula (PT) citou o impacto do cenário internacional, enquanto analistas apontam que o Brasil está entre os países menos afetados pelo conflito no Oriente Médio.O Tribunal de Contas da União (TCU) abriu uma investigação para apurar possível uso indevido da máquina pública durante um desfile de Carnaval no Rio de Janeiro que homenageou o presidente Lula (PT). O órgão pediu explicações à Casa Civil e à Secretaria de Comunicação Social da Presidência sobre a participação de servidores federais no evento.A ONG Transparência Internacional cobrou da Procuradoria-Geral da República a abertura de investigação sobre possíveis ligações entre ministros do Supremo Tribunal Federal e o Banco Master. A entidade afirma que reportagens têm revelado suspeitas envolvendo magistrados e familiares, mas que até agora não houve apuração formal.A NASA lançou a missão Artemis II, que marca o retorno das viagens tripuladas ao redor da Lua após mais de cinco décadas. A missão deve durar cerca de 10 dias e representa um passo importante no novo programa espacial dos Estados Unidos, que busca retomar a presença humana em missões lunares e preparar futuras viagens ao espaço profundo.A taxa de pobreza na Argentina caiu para 28,2% da população em 2025, o menor nível registrado desde 2018, segundo dados do Instituto Nacional de Estatística e Censos do país. Desde que o presidente Javier Milei assumiu o governo, no fim de 2023, o índice recuou 13,5%. O resultado reacende o debate sobre os efeitos das medidas econômicas adotadas pelo governo argentino.Você confere essas e outras notícias em Os Pingos nos Is.

Mike Lisk AKA AP Mike of THE BEST SHOW joins us once again and this time he's bringing Werner Herzog with him for AP MIKE'S HERZOG-A-MANIA!!! Mike first suggested doing a Herzog episode way back in our Noirvember 2024 episode (S3E15), but it took us over a year to get our most popular guest to discuss a German filmmaker so popular that he is now a meme--or even several of them. Rather than mine some obscure corner of Herzog's filmography--and there's a lot to mine--Mike goes straight for the heart (of darkness) with AGUIRRE WRATH OF GOD (1972)--the stoniest movie possible with Germans playing Spanish conquistadors and totally losing their shit both onscreen and IRL. In the title role we've got KLAUS KINSKI, a thoroughly terrible human being with an amazing face that is hard not to be captivated by--especially when you've been vaping Glitter Bomb with your new DaVinci EQ vaporizer all day. Look, the guy's been dead since 1991. We just want to enjoy the bastard's art. We don't want to make him Secretary of Health and Human Services or anything. And then to lighten things up, Cory chooses Les Blank's short film WERNER HERZOG EATS HIS SHOE (1980). And SPOILER: Werner Herzog does eat his shoe, although it was simmered in duck fat and hot sauce by the legendary Alice Waters of Chez Panisse in Berkeley not that helped very much. Werner ate his shoe as part of a bet with Errol Morris, so we also talk a bit about Morris's GATES OF HEAVEN (1978) but not so much that we can't feature that masterpiece in a future episode. Both Herzog movies and GATES OF HEAVEN are on Criterion Channel + AGUIRRE is also streaming on Fandor, Tubi, Pluto, Roku, and whole bunch of other places. BREAKING: AP Mike also tells us how he got kicked off of Facebook and Instagram for "selling drugs," and he gives us the lowdown on his new Patreon BEER BUDDIES where he and Tom Scharpling drink terrible beer. Plus we speculate on the end of social media, and Bob pays tribute some really cool friends who died recently. You can follow Mike Lisk on X (his only social media outlet) at @APMike, and please check out his new Patreon show BEER BUDDIES: https://www.patreon.com/collection/2054068?view=expanded Hosts: Bob Calhoun & Cory Sklar. Philena and Greg are on assignment. NEXT EPISODE: Cory's Sleazy LA with HOLLYWOOD 90028 (1973) and FORBIDDEN ZONE (1980) with special guest star writer, producer and movie geek extraordinaire Marc Edward Heuck. Please subscribe on your favorite podcast app so you don't miss it! OMFYS Theme Song and "Hamburgers for America" courtesy of Chaki the Funk Wizard. "Hamburgers for America" is on FROM LA TO THE BAY, Chaki's new LP! Here's how to order it on 12" VINYL: https://chaki.bandcamp.com/album/from-l-a-to-the-bay-2 "Juegos del Carnaval" by Jovenes Viejos and "Dreams of River Ganga" by Hanu Dixit courtesy of YouTube Audio Library. "Werner Herzog Beware The Internet" and "Aguirre" trailer audio courtesy of Archive.org. Please support Archive: https://archive.org/donate?origin=iawww-TopNavDonateButton Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

Join us for a day trip to Puerto Plata, Dominican Republic to see the last day of Carnival (or Carnaval in Spanish) 2026! Our tour guide, Marcos, takes us to a number of spots in Puerto Plata, including a cigar factory, a chocolate shop, Pink Street, Umbrella Street, and concluding at el Malecón to watch the parade. Marcos provides the Palabra del Día. Also a gorilla dances for beer...you'll see. We love tips! Send us a tip at buymeacoffee.com/dominicatedOur theme music is "Beat de Bachata Guaracha" by Flakito Gil Beatz#carnaval #puertoplata #carnaval2026 #culture #carnival #retirement #VisitDominicanRepublic #DR #RD #dominicanrepublic #republicadominicana #expat #immigrant #travel #plátanopower

Profepa asegura 138 animales en operativo Sheinbaum destaca legado de Juárez en aniversarioMéxico envía ayuda humanitaria a CubaMás información en nuestro Podcast#grc

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 6/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 5/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 4/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 3/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 2/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Antes tarde do que mais tarde, chegou a hora de falarmos das nossas expectativas para o ano de 2026! Tudo bem, sem contar os lançamentos de Janeiro e Fevereiro, até porque, obviamente, no Brasil o ano só começa depois do Carnaval! Vamos passar mês a mês até o final do ano listando os filmes com maiores expectativas (ou não)! Novidades, continuações, remakes... vale tudo para atrair os Podcrastinadores e os fãs para o cinema mais uma vez. E para melhorar ainda mais nossas análises, convidamos diretamente do canal Depois do Cinema o jornalista Pedro Guedes. Separe o bloco de nota digital e anote os filmes que você também vai ver! Links relacionados: Você encontra o Pedro Guedes no X, Instagram, YouTube e TikTok. Apoie a gente comprando livros, quadrinhos, blu-rays, dvds, jogos ou o que mais você quiser pelo nosso link da Amazon! Assim você também ajuda a manter o podcast no ar! Você encontra o Podcrastinadores e todos os seus participantes nas redes sociais: X (Twitter), Facebook e Instagram. See omnystudio.com/listener for privacy information.

Pour vous abonner, sans pub et avec les bonushttps://m.audiomeans.fr/s/S-tavkjvmo Vivaldi, le chant du cygne de Venise 1/6Venise.Une ville qui ne domine plus l'Europe par les armes, mais qui décide de la séduire par l'art.Dans cette Sérénissime du début du XVIIIᵉ siècle, éclatante et fragile, naît un enfant chétif du quartier populaire de Castello : Antonio Vivaldi. Fils de barbier devenu violoniste, prêtre sans véritable ministère, pédagogue dans un hospice de jeunes filles, homme de théâtre ambitieux, il va incarner toutes les contradictions de sa ville.Car pendant que la République décline politiquement, elle devient la capitale du spectacle. Carnaval, opéras, fêtes somptueuses : Venise se transforme en scène permanente. Et Vivaldi en devient la voix la plus flamboyante.Mais son destin est à l'image de la lagune : instable.Admiré à l'étranger, discuté chez lui.Prolifique, mais sans protection durable.Exilé à Vienne, oublié après sa mort.Puis, deux siècles plus tard, coup de théâtre : des centaines de manuscrits réapparaissent dans une bibliothèque italienne. Une véritable enquête musicologique ressuscite un génie que l'histoire avait laissé dans l'ombre.Qui était vraiment le « Prêtre roux » ?Un simple compositeur des Quatre Saisons ?Ou le musicien d'un monde qui se savait fragile mais refusait de s'éteindre ?Cette émission vous emmène au cœur d'une Venise en clair-obscur, entre grandeur et déclin, entre foi et théâtre, entre oubli et renaissance.Un voyage où l'histoire d'un homme devient le miroir d'une civilisation entière. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En esta ocasión hablamos de cómo se pusieron las playas en Venezuela durante estos carnavales y debatimos si es marginal incomodar a los demás en espacios públicos. Además, conversamos sobre la presentación de Esteban Düch en Viña del Mar y sobre si realmente las personas con Tourette no pueden controlar lo que dicen.GRACIAS A:MERU, la billetera digital global que te permite manejar tu dinero sin fronteras.Usa el código EDN. Descárgala aquí https://getmeru.com/referrals/?referralCode=EDN y mira lo fácil que es enviar dinero a LATAM y usar tu IBAN desde la app.Si quieres ver más contenido de Escuela de Nada, suscríbete a Patreon donde por $6 al mes tendrás acceso a un episodio exclusivo cada viernes. También podrás elegir el tópico principal de un episodio al mes en nuestro Tema de Oro y además tendrás acceso a los primeros 200 episodios del podcast. https://www.patreon.com/escueladenadaEscúchanos en Spotify https://open.spotify.com/show/4xOM98A8Es30eGevw6tYwe?si=QwORHX8BTMyzKxJOa9_oZQ&dl_branch=1Síguenos en nuestras redes sociales:ESCUELA DE NADA Instagram: https://www.instagram.com/escueladenada/Twitter: https://twitter.com/escueladenadaTik Tok: https://www.tiktok.com/@escueladenadaFacebook: https://www.facebook.com/escueladenada

Apparenté à la Commedia dell'arte, le dramaturge Carlo Goldoni a toujours voulu s'en affranchir. Parcours d'un doux rebelle, de Venise à Paris, qui veut susciter « le sourire dans l'âme » pour combattre sa mélancolie.Plongez dans la vie passionnante de Carlo Goldoni, le célèbre dramaturge italien du XVIIIe siècle. Né à Venise en 1707, Goldoni va révolutionner le théâtre de son époque en rejetant les carcans de la commedia dell'arte pour créer un théâtre plus réaliste et ancré dans la vie quotidienne.

Afinal, o que é o Transtorno Obsessivo-Compulsivo, o famoso TOC? Como não confundir com outras condições relacionadas com rituais e repetições? Qual a relação entre TOC e hipocondria? O que a ciência tem a dizer sobre o tema? Confira o papo entre o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza. >> OUÇA (64min 19s) * Naruhodo! é o podcast pra quem tem fome de aprender. Ciência, senso comum, curiosidades, desafios e muito mais. Com o leigo curioso, Ken Fujioka, e o cientista PhD, Altay de Souza. Edição: Reginaldo Cursino. http://naruhodo.b9.com.br * APOIO: INSIDER Chegou fevereiro, ilustríssima ouvinte e ilustríssimo ouvinte do Naruhodo. É quando a rotina aperta de verdade: o calor pesa, os compromissos se acumulam, o corpo sente, o Carnaval se aproxima — e a vida real acontece sem pausa. E qual é a roupa que acompanha o seu ritmo? Ela mesma: INSIDER. Afinal, INSIDER é a escolha inteligente que aguenta o dia inteiro, aguenta o calor, aguenta o movimento, aguenta a rotina. Ou seja: sustenta seu ritmo com muito estilo. Então use o endereço a seguir pra já ter o cupom NARUHODO aplicado ao seu carrinho de compras: são 10% de desconto para clientes cadastrados e 20% de desconto caso seja sua primeira compra. >>> creators.insiderstore.com.br/NARUHODO Ou clique no link que está na descrição deste episódio. INSIDER: inteligência em cada escolha. #InsiderStore * REFERÊNCIAS Anxiety https://books.google.com.br/books?id=0oNytw9yWZoC&redir_esc=y Betrayal: A psychological analysis https://www.sciencedirect.com/science/article/abs/pii/S0005796709002848 The genetic epidemiology of obsessive-compulsive disorder: a systematic review and meta-analysis https://www.nature.com/articles/s41398-023-02433-2 Age at Child Obsessive-Compulsive Disorder Onset and Its Relation to Gender, Symptom Severity, and Family Functioning https://psycnet.apa.org/fulltext/2015-51690-001.html Human brain evolution and the “Neuroevolutionary Time-depth Principle:” Implications for the Reclassification of fear-circuitry-related traits in DSM-V and for studying resilience to warzone-related posttraumatic stress disorder https://pmc.ncbi.nlm.nih.gov/articles/PMC7130737/ Meta-analysis of cognitive behaviour therapy and selective serotonin reuptake inhibitors for the treatment of hypochondriasis: Implications for trial design https://www.sciencedirect.com/science/article/pii/S0010440X22000402 A critical evaluation of obsessive–compulsive disorder subtypes: Symptoms versus mechanisms https://www.sciencedirect.com/science/article/abs/pii/S0272735804000431?via%3Dihub Assessment of obsessive-compulsive symptom dimensions: Development and evaluation of the Dimensional Obsessive-Compulsive Scale.  https://psycnet.apa.org/buy/2010-04450-019 Efficacy of internet-based cognitive-behavioral therapy for obsessive-compulsive disorder: A systematic review and meta-analysis.  https://psycnet.apa.org/buy/2023-74554-001 Siow Ann Chong, Edimansyah Abdin, Cathy Sherbourne, J Vaingankar, Derrick Heng, Mabel Yap, and Mythily Subramaniam. 2012. Treatment gap in common mental disorders: the Singapore perspective.  https://www.cambridge.org/core/journals/epidemiology-and-psychiatric-sciences/article/abs/treatment-gap-in-common-mental-disorders-the-singapore-perspective/A5389F32B49AC65C2A4E1794C8F99D44 “It was Mentally Painful to Try and Stop”: Design Opportunities for Just-in-Time Interventions for People with Obsessive-Compulsive Disorder in the Real World https://dl.acm.org/doi/full/10.1145/3663547.3746394 The Journal of Speculative Philosophy  https://archive.org/details/sim_journal-of-speculative-philosophy_1882-10_16_4/page/394/mode/2up Late-Onset Obsessive-Compulsive Disorder Comprising Somatic Obsessions: Is This a Distinct and Overlooked Phenotypic Subtype? https://www.psychiatrist.com/pcc/late-onset-obsessive-compulsive-disorder-comprising-somatic-obsessions-distinct-overlooked-phenotypic-subtype/ The role of traumatic experiences in the genesis of obsessive–compulsive disorder https://www.sciencedirect.com/science/article/abs/pii/S0005796798001855 Biological, Psychosocial, and Microbial Determinants of Childhood-Onset Obsessive–Compulsive Disorder: A Narrative Review https://www.mdpi.com/2227-9067/12/8/1063 Metacognition and the effect of incentive motivation in two compulsive disorders: Gambling disorder and obsessive–compulsive disorder https://onlinelibrary.wiley.com/doi/full/10.1111/pcn.13434 Obsessive-compulsive, harm-avoidance and persistence tendencies in patients with gambling, gaming, compulsive sexual behavior and compulsive buying-shopping disorders/concerns https://www.sciencedirect.com/science/article/abs/pii/S0306460322003574 Individuals with problem gambling and obsessive-compulsive disorder learn through distinct reinforcement mechanisms https://journals.plos.org/Plosbiology/article?id=10.1371/journal.pbio.3002031 The Relationship Between Obsessive-Compulsive Disorder and Gaming Disorder https://www.igi-global.com/article/the-relationship-between-obsessive-compulsive-disorder-and-gaming-disorder/330133 Genetics of Obsessive-Compulsive Disorder and Related Disorders https://pmc.ncbi.nlm.nih.gov/articles/PMC4143777/ HYPOCHONDRIASIS AND ITS RELATIONSHIP TO OBSESSIVE-COMPULSIVE DISORDER https://www.sciencedirect.com/science/article/pii/S0193953X05701830 Naruhodo #411 - Por que traímos? - Parte 1 de 2 https://www.youtube.com/watch?v=kVruX3Mhxig Naruhodo #412 - Por que traímos? - Parte 2 de 2  https://www.youtube.com/watch?v=Towh8afX65Y Naruhodo #385 - O que é o fenômeno da "melhora da morte"? https://www.youtube.com/watch?v=B0F0nV_dwwI Naruhodo #165 - Quando tomo antidepressivos continuo sendo eu mesmo? https://www.youtube.com/watch?v=dWyfUyHUiA4 Naruhodo #130 - Por que fazemos caretas quando executamos algumas tarefas?  https://www.youtube.com/watch?v=XvGdV1lS7f8 Naruhodo #173 - O que são cacoetes?  https://www.youtube.com/watch?v=-Z3U2fqEYaI

Comenzaremos la primera parte del programa hablando de las soluciones que busca Cuba para el bloqueo petrolero de Estados Unidos; y de un nuevo proyecto de ley en Argentina que bajaría la edad de responsabilidad penal a 14 años. Hablaremos también de la recuperación de la biodiversidad del río Yangtsé en China tras una prohibición de pesca en el año 2021; y por último, del homenaje a Lula da Silva en el Carnaval de Río de Janeiro.   La segunda parte del programa estará dedicada a la cultura y lenguaje de América Latina. En el diálogo gramatical ilustraremos ejemplos de Adverbs, mientras hablamos del pueblo indígena bribri, que viven en partes de Costa Rica y Panamá. Cerraremos la emisión explorando el uso de la frase Ojo por ojo, diente por diente. En este segmento hablaremos de la veneración de un santo pagano: San La Muerte. - Cuba busca soluciones al bloqueo de petróleo de Estados Unidos - Argentina busca bajar la edad de imputabilidad - El río Yangtsé recupera su flora y fauna - El Carnaval de Río homenajea a Lula da Silva - Las particularidades del pueblo bribri - Un santo para quienes buscan venganza