Podcasts about twelfth night act

Sir Toby's crowd play a joke on both “Cesario” and Sir Andrew Aguecheek, pushing two terrified characters into a duel. Antonio intervenes, thinking “Cesario” is Sebastian. Malvolio acts so bizarrely that Olivia fears he has gone mad, though he is following the instructions of the fake letter, designed to humiliate him. --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-dolzani/support

Viola's brother Sebastian, disguised as Roderigo, and his good friend Antonio. Orsino is increasingly drawn to Cesario, the disguised Viola. But Olivia is as well. The reveling crew of Sir Toby Belch hatch a plot against Malvolio. Songs of carpe diem and of death. --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-dolzani/support

Viola, dressed as a young man named Cesario, is sent to woo Olivia on his behalf. Olivia is shut up, wearing a veil, vowing to mourn her brother for 7 years. In comes Cesario, and Olivia promptly is infatuated with her, not realizing that “Cesario” is another woman. The antagonism between the steward Malvolio and the rowdy crew of Sir Toby Belch, Sir Andrew Aguecheek, and Maria. The contrast between Feste the Clown and Malvolio, the “refuser of festivities.” --- Support this podcast: https://podcasters.spotify.com/pod/show/michael-dolzani/support

Twelfth Night Act 1, Scene 5July 8, 2022 PHOTO CREDIT - Richard Termine PHOTO CREDIT - Richard Termine Something special is happening in Harlem. The Classical Theater of Harlem is bringing its unique brand of Shakespeare to Marcus Garvey Park. Associate Artistic Director Carl Cofield is directing an Afro-Futuristic version of Twelfth Night - complete with VR and the ambient sounds of NYC. Carl stops by to talk about all things Shakespeare, Education and Twelfth Night. Click here to follow along with the text. Click here for a First Folio version of the text. Click here for more information about CTH.

Twelfth Night: Act 5, Scene 1ViolaMay 30, 2021 The Folger Shakespeare Library stands in a prominent place in our nation's capital.  Since its founding, the building, its architecture, contents, and programming have been thoughtfully curated with this in mind.  Dr. Michael Witmore, Director of the Folger Shakespeare Library, reveals how Shakespeare's works influenced our nation's founders and helped to shape a philosophy of government and the very structure of our constitution.  We also learn how the Folger Library continues to nurture the thought leaders of today and is creating astonishing digital resources for the future. Click here to follow along with the text. Click here for a Scanned Version of the text.

Join Angelina, Tim, and David as they continue to discuss William Shakespeare's Twelfth Night. Topics include where Twelfth Night belongs in Shakespeare's canon, the somewhat abrupt ending, the lack of change in the characters, the subtitle, and the poem that ends the play.  ///  If you like Close Reads, please support us at patreon.com/closereads.  See acast.com/privacy for privacy and opt-out information.

Join Angelina, Tim, and David as they continue to discuss William Shakespeare's Twelfth Night. Topics include where Twelfth Night belongs in Shakespeare's canon, the somewhat abrupt ending, the lack of change in the characters, the subtitle, and the poem that ends the play.  ///  If you like Close Reads, please support us at patreon.com/closereads.  See acast.com/privacy for privacy and opt-out information.

Join Angelina, Tim, and David as they continue to discuss William Shakespeare's Twelfth Night. Topics include Shakespeare's innovation (and subversion) of dramatic form, the Shakespearean authorship question and whether it matters, the way the shape of the stage comes alive in the play, and much more.      See acast.com/privacy for privacy and opt-out information.

Join Angelina, Tim, and David as they continue to discuss William Shakespeare's Twelfth Night. Topics include Shakespeare's innovation (and subversion) of dramatic form, the Shakespearean authorship question and whether it matters, the way the shape of the stage comes alive in the play, and much more.      See acast.com/privacy for privacy and opt-out information.

Join Angelina, Tim, and David as they continue to discuss William Shakespeare's Twelfth Night. Topics include Shakespeare's approach to structure, identity (and the motif of disguise), and comedic reversals. Plus, Tim tells another story about classroom hijinks.          See acast.com/privacy for privacy and opt-out information.

Join Angelina, Tim, and David as they continue to discuss William Shakespeare's Twelfth Night. Topics include Shakespeare's approach to structure, identity (and the motif of disguise), and comedic reversals. Plus, Tim tells another story about classroom hijinks.          See acast.com/privacy for privacy and opt-out information.

Join Angelina, Tim, and David as they continue conversation on William Shakespeare's Twelfth Night. Topics include the number of lines dedicated to the "foolish" characters, the nature of Soliloquy in Shakespeare, and much, much more.  See acast.com/privacy for privacy and opt-out information.

Join Angelina, Tim, and David as they continue conversation on William Shakespeare's Twelfth Night. Topics include the number of lines dedicated to the "foolish" characters, the nature of Soliloquy in Shakespeare, and much, much more.  See acast.com/privacy for privacy and opt-out information.

Join Angelina, Tim, and David as they kickoff conversation on William Shakespeare's Twelfth Night. Topics include different approaches to Shakespeare, Renaissance metaphors that are key in the play, and much, much more (this episode is long!).  See acast.com/privacy for privacy and opt-out information.

Join Nicholas Koy Santillo, Levi Morger, Will McKay, Isabel Karp, Samantha Blinn & Ariana Karp as we conclude our discussion of Twelfth Night with Act V. Does Orsino revert to the ‘courtly love’ language once Cesario becomes Viola?Is Cesario’s power of truth lost when converted to Viola?Orsino becoming unhinged in the last scene and his jealousy of Olivia’s affection for CesarioShakespeare and the challenges of the final sceneTwelfth Night as unique in that no one character has all the information going into the final sceneThe possibility of the twins reunion as initially terrifying for Viola, who thinks Sebastian is a “spirit”Sensory overload from the beginning turning to the mind being overwhelmedActors as society’s allowed fools Ducdame Ensemble's production of Twelfth Night at Meow Wolf's House of Eternal Return. Photo by Katrin Talbot.

We took a bit of a hiatus — profuse apologies Tabling audience! We were busy doing this play for REAL! We will now be back to our regular release schedule! Join Levi Morger, Emily Ota, Will McKay, Isabel Karp, Samantha Blinn, Nicholas Koy Santillo, Rooney the cat and Ariana Karp as we discuss Act IV: The act of mistaken identities. How much does the audience suspend their disbelief and how is this amplified in the comedies?What has happened between Olivia and Sebastian between the first and third scenes of the act? How much sexy time happened?Similarity between Sebastian’s soliloquy “This is the air” vs Viola’s “I left no ring with her” — the straightforward nature of the language. Sir Toby and the weight of Olivia’s decision to banish himThe opacity of Feste’s language in the ‘Sir Topas’ scene Comedy depends on perspective Mark Rylance as Olivia

Zoë Goslin, Claire Curtis-Ward, Samantha Blinn, Will McKay and Ariana Karp move on to discuss Act III:Does Feste know that Viola is in disguise?How does Feste actually feel about Viola? Meta-language about languageSir Andrew’s French phrase and his obsession with fanciful language Olivia’s dirty mind and boldness in regard to CesarioClass and Entitlement in Twelfth Night The complexity of male friendshipsPerceptions of Demonic possession in Elizabethan times Judi Dench as Viola in 1969

Zoë Goslin, Samantha Blinn, Will McKay and Ariana Karp continue the text work and delve into different aspects of Act II:Dynamics of Sebastian and Antonio relationship Mirroring Viola and Olivia’s relationship in Sebastian and AntonioThe homoerotic implications of St. SebastianThe famous ring speech and the power of Judi DenchThe caterwauling scene and Sir Toby swindling Sir AndrewSir Andrew’s delight in fancy nonsense words Level of melancholy within the kitchen scene?Feste and Malvolio’s relationship The unconventional romance of the “Patience on a monument” sceneFeste the all-knowing Ben Kingsley as Feste

Zoë Goslin, Claire Curtis-Ward, Samantha Blinn and Ariana Karp commence our text work on Act I of Twelfth Night.Among many things we discuss:The importance of music, air and sound all expressed in Orsino’s opening speechThe opening of the play as a surfeiting of the sensesThe imagined beloved versus the actual personBoth Viola and Olivia are mourning their lost brothers (and deceased fathers)The importance of establishing specific relationships between each and every characterViola’s grace under pressure and comparisons to other Shakespearean heroinesShakespeare and symbolsWho is Feste and where does he come from?Malvolio’s universe and the cost of his speech Drawing of Olivia.

In this Points of View, NAC English Theatre Associate Artistic Director Sarah Garton Stanley hosts a discussion with three special guests, Pityu Kenderes and Judd Palmer of The Old Trout Puppet Workshop, and University of Ottawa Theatre Professor Kathryn Prince, on the making of this production of Twelfth Night and other imaginative interpretations of Shakespeare. “Some are born great, some achieve greatness, and some have greatness thrust upon them.” Twelfth Night Act 3, Scene 4 Full of visual surprises, this production brings together the 2015/16 Ensemble with an inventive design from Calgary's Old Trout Puppet Workshop. It's an animated interpretation of Shakespeare as you've never seen it before! One of the Bard's most popular comedies explores passion and the pain of trying to keep it a secret, raising the curtain on a mad scramble of misdirected desire, cross-dressing and a provocative love triangle. This unique take on the timeless Twelfth Night features pop music alongside Shakespeare's buoyant wordplay and some of his wittiest love scenes.

  Twelfth Night Act 2, Scene 5 Malvolio November 5, 2015    Talk about cross-gartered!  Ted Lewis delivers a double dose of acting agility, dealing dueling versions of Malvolio's boxtree speech.  A delightful insight into the process of a member of Eric Tucker's Bedlam, one of the hottest theater companies in New York City. Click here to follow along with the text. Contributing editor:  Lucy Freyer

Twelfth Night – Act 5 scene 1 – It's the end, as all our characters come together in one frantic collision. O,time, make it fadge! Featuring: Matt Gordon, Eve Marie Mugar, and Emily C. A. Snyder Tavern Wind & the Rain, by Trilsean, courtesy G.Robin Smith Dramatis personae Tracey Stewart Hollow Crown Season 2 Our cast: Matt Gordon, as Orsino – www.mattbgordon.com Eve Marie Mugar, as Viola – www.evemariemugar.com Heather Ordover, as Maria – craftlit.com Emily C. A. Snyder, as Olivia – www.emilycasnyder.com

Twelfth Night – Act 4 scene 1-3 – Sebastian is assaulted by Toby and Andrew. Malvolio endures torment by Sir Topas. Olivia finally gets her man... sort of. Featuring: Heather Ordover, and Emily C. A. Snyder. Down in A Hole, by Audrey Auld, courtesy of music.mevio.com The Time Traveler’s Guide to Elizabethan England Stewarty

Twelfth Night – Act 3 scene 4 – Olivia encounters a new suitor, as Malvolio shows us his cross-garters, and paths begin to cross. Featuring: Eve Marie Mugar, Heather Ordover, and Emily C. A. Snyder Okemah Moon, by Lee Alexander, courtesy of music.mevio.com Chicago Shakespeare Theater The Bill Shakespeare project The Shakespeare Standard “The False Issue of the “Illegality” of Female Performance”

Twelfth Night – Act 3 scene 2-3 – Andrew has had enough, and wants to go home, while Sebastian plays tourist.I have a bad feeling about this. Featuring: Heather Ordover Pirate Song, by Jonah Knight, courtesy of music.mevio.com Short about The National Theatre’s, King Lear

Twelfth Night – Act 3 scene 1 – Viola, as Cesario, returns to Olivia's garden, and is beset on all sides. Oh, the things we do for love and honor. Featuring: Eve Marie Mugar, and Emily C. A. Snyder Disguise, by Tess Henley, courtesy of music.mevio.com Stratford in HD

Twelfth Night – Act 2 scene 5 – Maria sets the trap that will ensnare Malvolio, as Sir Toby, Fabian, and Andrew play the part of peanut gallery. Featuring Heather Ordover The Little Things We Do, by Andrew Ferris , courtesy of music.mevio.com Shakespeare Uncovered Elizabethan Masques

Twelfth Night – Act 2 scene 4 – Orsino attempts to educate Cesario in the ways of women and relationships. Viola has something to say about that. Feste sings another song. Love is weird in Illyria. Featuring Matt Gordon, and Eve Marie Mugar. Something About You, by Ukulele Jim, courtesy of music.mevio.com

Twelfth Night – Act 2 scene 3 – Crack open your favorite libalation, and come festefy yourself with the antilating antics of Sir Toby, Andrew, Feste, and Maria. Just don't tell Malvolio-lio. Featuring Heather Ordover Sailing with the Captain, by Dust Rhinos, courtesy of music.mevio.com When is Twelfth Night? The four Humors

Twelfth Night – Act 2 scene 1 & 2 – A twin is revealed, and Viola discovers that being a guy has only made matters worse. Featuring Eve Marie Mugar. Real Boy, by Kesang Marstrand, courtesy of music.mevio.com History Extra: Fresh views on the Wars of the Roses A Natural History of Ferns In Search of Fern Seed

Twelfth Night – Act 1 scene 5 – The Lady Olivia finally makes her appearance, as paths cross, personalities clash, and the prodigal fool returns. Featuring Heather Ordover, Eve Marie Mugar, and Emily C. A. Snyder Company of Fools, by Great Big Sea Hollow Crown: War of The Roses Shakespeare’s Histories, in the age of Netflix

Twelfth Night – Act 1 scene 3 & 4 – Let misbehavior reign, as Sir Toby Belch, Maria, and Sir Andrew Aguecheek make their way into the play, while Viola makes her first appearance as a boy. Featuring Matt Gordon, Eve Marie Mugar, and Heather Ordover Bring the Noise - Unholy Trio, by Drunken Prayer, courtesy of music.mevio.com Globe Player

Twelfth Night – Act 1 scene 1 & 2 – There's heartbreak in Illyria as we meet Duke Orsino and the shipwrecked Viola. Featuring Matt Gordon and Eve Marie Mugar Lioness, by Kesang Marstrand, courtesy of music.mevio.com Shakespeare Project of Chicago The Shakespeare Theatre of NJ

Director Landon Beall and dramaturge Colin Kelly with live commentary on Twelfth Night Act V

Twelfth Night Act V --Please leave us a rating on iTunes!-- Website: pendantaudio.com Twitter: @pendantweb Facebook: facebook.com/pendantaudio Tumblr: pendantaudio.tumblr.com YouTube: youtube.com/pendantproductions

Act IV --Please leave us a rating on iTunes!-- Website: pendantaudio.com Twitter: @pendantweb Facebook: facebook.com/pendantaudio Tumblr: pendantaudio.tumblr.com YouTube: youtube.com/pendantproductions

Director Landon Beall and dramaturge Colin Kelly with live commentary on Twelfth Night Act IV

Act III --Please leave us a rating on iTunes!-- Website: pendantaudio.com Twitter: @pendantweb Facebook: facebook.com/pendantaudio Tumblr: pendantaudio.tumblr.com YouTube: youtube.com/pendantproductions

Director Landon Beall and dramaturge Colin Kelly with live commentary on Twelfth Night Act III

Act II --Please leave us a rating on iTunes!-- Website: pendantaudio.com Twitter: @pendantweb Facebook: facebook.com/pendantaudio Tumblr: pendantaudio.tumblr.com YouTube: youtube.com/pendantproductions

Director Landon Beall and dramaturge Colin Kelly with live commentary on Twelfth Night Act II

Act I --Please leave us a rating on iTunes!-- Website: pendantaudio.com Twitter: @pendantweb Facebook: facebook.com/pendantaudio Tumblr: pendantaudio.tumblr.com YouTube: youtube.com/pendantproductions

Director Landon Beall and dramaturge Colin Kelly with live commentary on Twelfth Night Act I

Historian Bettany Hughes chooses a moment from Twelfth Night (Act 4 Sc 2) as the piece of Shakespeare which inspires her most. With David Tennant, James Lailey and Rosie Cavaliero. Broadcast on Radio 3.