Podcasts about Stratford

Ronnie Wood is a musician and artist who has been a major player on the UK music scene for over 60 years. In 1975 Ronnie became a member of the Rolling Stones, one of the most influential and enduring bands of the rock era.Ronnie's parents were born and worked on barges moving cargo up and down the canals between Manchester, Stratford-upon-Avon and London. Ronnie and his two older brothers were the first in the family to be born on dry land.Ronnie's brothers, Ted and Art, were accomplished musicians and played in highly respected bands. Ronnie made his debut at nine-years-old when he played the washboard in Ted's band during a performance at their local cinema. Ronnie formed his first band, The Birds, with some friends. In 1967 he joined the Jeff Beck Group with his lifelong friend Rod Stewart. Two years later they formed the Faces with the remaining members of the Small Faces. Ronnie joined the Rolling Stones in 1975, replacing the band's previous guitarist Mick Taylor. Ronnie's love of art developed in childhood and he studied at Ealing College of Art. His work has been shown in exhibitions around the world.Ronnie lives in Hertfordshire with his wife Sally and their two children.Presenter: Lauren Laverne Producer: Paula McGinleyDISC ONE: Guitar Shuffle - Big Bill Broonzy DISC TWO: Shame, Shame, Shame - Jimmy Reed DISC THREE: Smokestack Lightnin' - Howlin' Wolf DISC FOUR: You Need Love - Muddy Waters DISC FIVE: Adelaide - Frank Sinatra DISC SIX: Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante "Elvira Madigan". Performed by Géza Anda (piano) and Camerata Salzburg (Orchestra) DISC SEVEN: Roll Over Beethoven – Chuck Berry DISC EIGHT: Maybe I'm Amazed - Paul McCartney BOOK CHOICE: Just for Today: Daily Meditations for Recovering Addicts by Narcotics Anonymous LUXURY ITEM: A chest containing art materials and a carpet CASTAWAY'S FAVOURITE: Smokestack Lightnin' - Howlin' Wolf There are more than 2000 programmes in our archive available for you to listen to. We have cast away other musicians and songwriters including Mark Knopfler, Bruce Springsteen and Cyndi Lauper. Ronnie's fellow Stones, Keith Richards and Charlie Watts, are in our archive too along with Ronnie's friend Paul McCartney. You can find their episodes on BBC Sounds or on our Desert Island Discs website.

This podcast we smoke Nat Cicco Liga No.4, drink Stratford Fox Run whisky & take look at the industry news, along with our typical sophomoric behavior.   Follow @TheCigarDungeon  On twitter/Instagram/facebook

In this conversation, Kelsey Lacombe shares her journey from being a musical theater performer to physiotherapist and now blending the two! She discusses her experiences at Stratford, the challenges and joys of balancing her dual careers, and the personal sacrifices involved in the performing arts. Kelsey emphasizes the importance of not limiting oneself, pursuing passions, and the value of reaching out to others for guidance and support. Her story is one of perseverance, passion, and the fulfillment of long-held dreams.TakeawaysDon't limit yourself; pursue what you want.Challenge conventional wisdom about career paths.Embrace opportunities that come your way.Resilience is key to overcoming challenges.Motivation comes from within; find your drive.BioKelsey Lacombe is a Physiotherapist and professional musical theatre performer with a passion for helping people recover from injury, build strength, and return to the activities they love with confidence.She holds a Master of Science in Physiotherapy from McMaster University and a Bachelor of Music Theatre Performance from Sheridan College. Her clinical experience includes seeing a range of musculoskeletal injuries, concussion management, paediatrics, and acute care, with a special interest in working with dancers and performing artists. She is certified in Progressing Ballet Technique. Kelsey has trained in all styles of dance and brings over a decade of performance experience across Canada, including credits with The Stratford Festival, The Charlottetown Festival, Rainbow Stage, Theatre Calgary, The Citadel, Drayton Entertainment, and more. Her deep understanding of the physical demands placed on dancers allows her to provide care that is both evidence-based and specifically tailored to the needs of performing artists. Kelsey stays current with the latest research to deliver client-centred treatment that helps artists remain stage ready throughout their careers. Kelsey is currently practicing and accepting new patients at Meadowlands Physiotherapy in Ancaster. Instagram handle: @dancephysio.kelsey. Hosted on Acast. See acast.com/privacy for more information.

Sarah and Alex have been watching Mr Burton, the film about Richard Burton's early life starring Toby Jones that gets its TV on BBC on the centenary of his birth. And also Wild Genius, a documentary about this fascinating man who changed the course of acting and of celebrity. They've also begun to choose the most promising Christmas shows including BFG at Stratford, and Sherlock and the 12 Days of Christmas which reunites Tim Rice and Andrew Lloyd Webber Hosted on Acast. See acast.com/privacy for more information.

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the channel Islands for the next of his regular audio described theatre reviews. This week we are back at the Royal Shakespeare Company in Stratford-upon-Avon  again as Vidar reviews Emily Burns' bold and contemporary production of Shakespeare's tale of justice and morality ‘Measure for Measure' with description by Professional Audio Describers Gethyn Edwards and Carolyn Smith. About ‘Measure for Measure' ‘To whom should I complain? Who would believe me?' If you knew you could get away with a crime - would you commit it? Shakespeare's razor-sharp thriller, directed by Emily Burns (Love's Labour's Lost, 2024) is brought up to date in a heart-racing, relevant new version. This Measure for Measure is unmissable theatre with its finger on the pulse of what it means to expose lies, abuse and, ultimately, the truth. For more about access at the Royal Shakespeare Company including details of audio described performances do visit - https://www.rsc.org.uk/your-visit/access   (Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

It is arguably one of the biggest upsets in Connecticut's local elections: the Stratford mayoral race. We spoke with Mayor-elect David Chess after his victory and learned his vision for Stratford. Image Credit: Eric Urbanowicz

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

One of our favorite guests is back! Ben Winchester is a rural researcher who digs into the intersection of housing, demographics, and community vitality. In this episode, we're going over some of his latest research and the trends he's seeing, and why now is the time to make plans for growing our small towns. There are tons of opportunities, but we have to go out and grab them! Our favorite thing about Ben is that he provides context and action around data (even tough data!) and provides communities with real options for addressing some of their most pressing concerns, like housing and aging populations. About Ben: Benjamin Winchester is a Rural Sociologist with the University of Minnesota Extension, Department of Community Development Ben has been working both in and for small towns across the Midwest for around 30 years. He lives in St. Cloud, Minnesota with his wife and two children. Ben is trained as a Rural Sociologist and works in the Extension Department of Community Development at the University of Minnesota. He conducts applied research on economic, social, and demographic topics surrounding a theme of "rewriting the rural narrative" and received the Rural Renewal Research Prize in 2021 for this work. In this episode, we cover: How "peak death" and the baby boomer generation are reshaping rural housing markets Why the "policy of best intentions" to age in place often backfires, and how to plan around it The economic power of housing as a growth engine, not just a community need What Otter Tail County did to successfully grow its population through proactive housing investment Why "the army of the willing" drives real community change. Links + Resources Mentioned: Ben's "Brain Gain" landing page which contains articles, podcasts, and research papers. http://z.umn.edu/braingain Rural Rebound Initiative overview video https://youtu.be/eC6BPMjKWIM Economic Impact of Rural Housing https://extension.umn.edu/cd-exchange/economic-impact-rural-house-private-benefit-public-action Cory Hepola - My Town episode 1: https://www.youtube.com/watch?v=OIfukaV3yuM Rewriting the Rural Narrative webinar (Jan 2023): https://www.kshb.com/news/local-news/small-town-missouri-coffee-shop-goes-viral-with-tiktok-post Sponsor Spotlight: Want to get your business in front of our audience? We are looking for podcast sponsors! Each season, we feature a select group of Small Business Partners—brands that share our mission to celebrate small-town life and big ideas. With a 4–6% average Facebook engagement rate (well above the industry average), 2,600+ loyal followers, and 45,000 monthly content views, we have an amazing, highly engaged audience of people who can't wait to learn more about you. When we feature you, your story, and your product/service, it's like a friend's recommendation, because it is. Want to know more? Reach out to us at hello@growingsmalltowns.org This week's Small-Town Shout-Out is: Stratford, SD! Christy shares that her biggest source of pride in Stratford is the community theater. It pulls together people from all different parts of the community while doing something they love and celebrating art, and we love that people get to do that. Heck yeah, Stratford! We Want to Hear From You! We really, really do, and if you'll let us, we'd love to feature your actual message just like we did with Terri's during our last episode (with your permission, of course!) Some of the best parts about radio shows and podcasts are listener call-ins, so we've decided to make those a part of the Growing Small Towns Podcast. We really, really want to hear from you! We're have two "participation dance" elements of the show: "Small town humblebrags": Call in and tell us about something amazing you did in your small town so we can celebrate with you. No win is too small—we want to hear it all, and we will be excessively enthusiastic about whatever it is! You can call in for your friends, too, because giving shout-outs is one of our favorite things.  "Solving Your Small-Town People Challenges": Have a tough issue in your community? We want to help. Call in and tell us about your problem, and we'll solve it on an episode of the podcast. Want to remain anonymous? Totally cool, we can be all secretive and stuff. We're suave like that.  If you've got a humblebrag or a tricky people problem, call 701-203-3337 and leave a message with the deets. We really can't wait to hear from you!  Get In Touch Have an idea for a future episode/guest, have feedback or a question, or just want to chat? Email us at hello@growingsmalltowns.org Subscribe + Review Thanks for tuning into this week's episode of The Growing Small Towns Show! If the information in our conversations and interviews has helped you in your small town, head out to Apple Podcasts, Stitcher, or Spotify, subscribe to the show, and leave us an honest review. Your reviews and feedback will not only help us continue to deliver relevant, helpful content, but it will also help us reach even more small-town trailblazers just like you!  

Bethel Church Stratford | Sunday Service | November 2nd by mybethel.ca

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next of his regular audio described theatre reviews. This week we have a new version of Edmond Rostand's ‘Cyrano de Bergerac' at the Royal Shakespeare Company's Swan Theatre, which Vidar says is one of the best productions he has seen in Stratford-upon-Avon with description by Professional Audio Describers Emily Magdij and Annette Stocken. About ‘Cyrano de Bergerac'  ‘No master to serve, no leash to bear. I walk as I please, and I speak as I dare.'   Poet, soldier and philosopher. Cyrano de Bergerac burns with brilliance. He's fiercely funny and intensely romantic – but behind the veil of wit is one large problem: his nose.   Haunted by doubts and too proud to beg, he watches from the shadows as Roxane – bold, beautiful and seemingly unreachable – falls for another man, Christian. But this handsome, tongue-tied young suitor knows his only hope of charming Roxane is to seduce her with words. And only one person can help…   Olivier Award-winning actor Adrian Lester (Riviera, Hustle, National Theatre Othello and Henry V) is Cyrano. Director Simon Evans (Staged, The Dazzle, A Day in the Death of Joe Egg) co-adapts with Debris Stevenson (Poet in Da Corner, My Brother's a Genius), bringing new life to this thrilling, lyrical tale of love and lies, longing and disguise. For more about access at the Royal Shakespeare Company including details of audio described performances do visit - https://www.rsc.org.uk/your-visit/access (Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

Success Village is a 900+ unit complex between Bridgeport and Stratford that's been dealing with heat and hot water issues for a long time. Finally in 2024, a successor was put into place to get more consistent heat and hot water and work out the financial trouble for the complex. Attorney Barry Knott, the successor, gave us a progress report on the property and an update about rolling “heat out's” ahead of the winter season. Image Credit: Eric Urbanowicz

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

C'est l'homme aux multiples visages : William Shakespeare, le citoyen discret de Stratford-upon-Avon, laisse derrière lui une œuvre magistrale... mais une identité floue. Était-il un comédien de province ou bien un érudit caché ? Qui se dissimule vraiment derrière le masque de Shakespeare ? Une chose est sûre : ce personnage a su écrire sa propre légende. Percez l'énigme de celui qui, sur la scène du théâtre élisabéthain, a tenu son plus beau rôle. Crédits : Lorànt Deutsch, Ayrton Morice Kerneven. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Pastor John Bartlett preaching at Cornerstone Baptist Church, Stratford, PEI on Sunday/12/October/2025.

Pastor Cody Bolton preaching at Cornerstone Baptist Church, Stratford, PEI on Sunday/19/October/2025.

Pastor Cody Bolton preaching at Cornerstone Baptist Church, Stratford, PEI on Sunday/26/October/2025.

C'est l'homme aux multiples visages : William Shakespeare, le citoyen discret de Stratford-upon-Avon, laisse derrière lui une œuvre magistrale... mais une identité floue. Était-il un comédien de province ou bien un érudit caché ? Qui se dissimule vraiment derrière le masque de Shakespeare ? Une chose est sûre : ce personnage a su écrire sa propre légende. Percez l'énigme de celui qui, sur la scène du théâtre élisabéthain, a tenu son plus beau rôle. Crédits : Lorànt Deutsch, Ayrton Morice Kerneven. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Bethel Church Stratford | Sunday Service | October 26th by mybethel.ca

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

It's being called the largest planned industrial development in Fairfield County. Maybe you know it as the army engine plant in Stratford. Call it what you want, but is it a scandal? Some Stratford residents are telling us it is. We asked Mayor Laura Hoydick. For more information: https://www.stratfordct.gov/page/saep-property-development Image Credit: Getty Images

Five Things Friday — Gap's London Comeback, Morrisons' ESL Rollout, AllSaints Pop‑Ups, DFS x Pinterest, Gen BetaToday's agenda: five moves reshaping UK retail—and what to do next.NEWS FLASH LINE‑UP• Gap returns to London with three stores (Covent Garden, White City, Wembley) before Christmas.• Morrisons partners with VusionGroup to digitise pricing across all 497 supermarkets using ESLs.• AllSaints opens three UK pop‑ups (Bristol Cribbs Causeway now open; Battersea Power Station & Stratford next).• DFS teams with Pinterest on a gamified “What's Your Thing? Collage Quest” that turns inspiration into shoppable boards.• Fashion is already talking about “Gen Beta” (babies born from 2025) — signalling a culture‑first decade ahead.

In response to the magical effort by Trump to reduce beef prices to the consumer we need common sense.

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

In this week's episode, we interview narrator Hollis McCarthy, who has narrated over 300 audiobooks, including many of THE GHOSTS and CLOAK MAGES. She is also co-author with her mother Dee Maltby of the MAGIC OF LARLION series, which you can learn more about at https://deemaltbyauthor.com/. This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSKULL25 The coupon code is valid through October 27, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT Introduction and Writing Updates (00:00): Hello, everyone. Welcome to Episode 273 of The Pulp Writer Show. My name is Jonathan Moller. Today is October 17th, 2025, and today we have an interview with audiobook narrator Hollis McCarthy. Hollis has narrated many audiobooks, including numerous books from the Ghost and Cloak Mage series, so we'll talk with her about that. Before we get to our main topic, we'll have Coupon of the Week and then a progress update on my current writing projects. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store, and that coupon code is DRAGONSKULL25. The coupon code is valid through October 27th, 2025. So if you need some new ebooks to read for this fall, we've got you covered. And as always, the coupon code and the links to my store will be available in the show notes. Now for an update on my current writing projects. As of this recording, I am 80% of the way through the first round of edits in Cloak of Worlds, so making good progress and if all goes well, the book should be out before the end of the month. I'm also 14,000 words into Blade of Shadows, which will be my next main project after Cloak of Worlds is published, which means I also have to write the outline for Elven-Assassin soon, and that will be the fifth book in the Rivah series. In audiobook news, recording will be underway next week for Blade of Flames. That will be narrated excellently by Brad Wills. Ghost in Siege is now out. It should be available at of all the audiobook stories (except Spotify) and it should be available there in a few days. And that is the final book in my Ghost Armor series that is excellently narrated by Hollis McCarthy. So that is where I'm at with my current writing and audiobook and publishing projects, which makes for a good segue into our main topic, our interview with Hollis McCarthy, which begins now. 00:03:56 Interview With Hollis McCarthy Hi everyone. I'm here today with Hollis McCarthy, who is a classically trained actor. Hollis has played leads in regional and off-Broadway theater, specializing in Shakespeare. On CBS. she's been a recurring guest star judge on Bull, the president of Ireland on Bluebloods, and a senator on Netflix's House of Cards. She's narrated more than 300 books for a variety of publishers and is the proud co-author of her mom Dee Maltby's epic fantasy series, The Magic of Larlion. Hollis, thanks for coming on the show today. Hollis: My pleasure. Jonathan: So to start, can you tell us a little bit about yourself and how you got into acting and performing? Hollis: That's a great question. I think it all started with doing my little brother's Sesame Street finger puppets. He's 10 years younger than me, so I mean, I got to reread all my favorite books with him and I started voicing the finger puppets to Burt, Ernie and Cookie Monster and all those guys in the backseat of the car and playing all the characters. And then my brother went into theater. My other brother's seven years older than me, and I used to go see his shows up at the college when I was in high school and kind of fell in love with it there. I absolutely meant to be an aeronautical engineer/physicist like my dad, but it didn't end up working out. I fell in love with theater and went to Stratford. I had a dual major because I was in an honors program, so I didn't have to declare a major until my fifth year of undergrad. But then I went to Stratford up in Canada and I saw two Shakespeare shows in one day and that was it. I had to do that. That was what I loved. Jonathan: Well, since we've had many audiobooks together, I'm glad it worked out that way. Hollis: Me too. Yeah, so I got my BFA in acting, and then I got my MFA from the University of Missouri-Kansas City in performance, and I was lucky enough to have some great coaches from the RSC and did a bunch more Shakespeare, and I've done that regionally a lot. And then I fell into audiobooks because I got tired of traveling, and I love to work from my home in my jammies. Jonathan: That is the dream. Speaking of that, could you tell us a bit more about how you sort of got into audiobooks or ended up doing a lot of that? Hollis: Yeah. Well, again, it starts with my childhood. My mom, who was a writer and an artist, she had, there were five of us kids and she would read out loud to us in the kitchen to keep us from fighting when we were cleaning up. So she started with Tolkien and Watership Down and Narnia and all of that. And then I got to, like I said, read to my little brother all my favorite books. And so I started doing all different voices for the characters and I always thought that was normal until, of course I volunteered to read in class in high school and people thought I was some sort of freak, but I always loved playing all the characters. And so when I started looking at staying home more and what could I do to work from home instead of being on the road for work, which was great for a long time, but then at some point you want to stay home and have a life as an actor as well as doing what you love. And audiobooks seemed a good fit. So my husband, who's also an actor, took a class from Paul Rubin here in the city in New York. We live in the New York area now. And he got a bunch of good tips from that that he passed on to me. And then my agent got me an audition with Audible and Mike Charzuk there. I came in and read a couple of pieces for him and he came back to the booth with a book he wanted me to start on. And from there I just kept building and got a lot of great indie authors through ACX like you. I don't know how many books we've done together now. Jonathan: It's over 30, I think. Yeah, 30 over the last seven years. So it's been a while. Hollis: And you're seriously, I mean, I'm not saying this because I'm on your blog, but your series are absolutely my favorites, especially because, yeah, the two series that I do, one is Nadia from the Midwest like me and then the other one with Caina, the epic fantasy world, which uses all my British and Irish bits and I absolutely love them. So yeah, I've just kept building up, getting in with a few more publishers now, which is harder to do and I just love it. Our first booth, when the pandemic hit, we had to build a booth at home and I had been going to studios in the city up until that point, but it hit pretty suddenly. It was obvious on St. Patrick's Day when it was like us going to the studio and people who were absolutely desperate folks were the only other ones on the street. We had to stay home. So my husband took our rapier blade (we fight with swords. We're actor combatants, like you said). He took two broadsword blades and a rapier blade, and he's handy with carpentry, fortunately. That's how he worked his way through school. He bracketed those to the wall and we ordered through Amazon before they kind of shut down too. We ordered packing blankets to hang over them and I ordered a new microphone and a new interface and it was trial and error for a bunch of days. And we had an engineer on call who talked us through how to run the software programs and stuff, how to set them up. And from there I've just kept recording at home. I sometimes still go into the studios when they have a budget where they can spring for a studio, but mostly they want you to work from home these days. So that's mostly what I do. Jonathan: Oh, building a recording booth out of swords. That's very Caina. Hollis: It's very Caina. I love Caina. Caina is me as a young woman. If I had been a superhero, I would've been a Caina. All my favorite roles in Shakespeare were the girl as boy ones. You asked, one of my favorite roles in theater was when I was at Alabama Shakespeare and I was playing Queen Elizabeth in Richard III and dressing in gorgeous gowns and being very seductive and very powerful and manipulative and all that. But in the earlier scenes, we did the three plays and in the Richard III and the Henry VI we did all three. And in the earlier scenes where Elizabeth wasn't in, I got to dress up and doublet and hose and I like stippled some stipple of beard on my face and climbed a siege ladder with a sword in one hand and did a spectacular pratfall running away from the bad guys and would slide on my stomach on the deck of the stage and I would come out into the lobby and the other guys who were playing my fellow fighters would be holding up rating cards for how far I'd slid that day. Jonathan: Sounds like very practical cardio. Hollis: Yeah, very. It was a lot of fun. That was probably my most fun I've ever done, though I also loved Beatrice and Much Ado, which I got to do twice because she's just so funny and witty and passionate. She's great, and Shakespeare, you know. Jonathan: Very good. So after all these audiobooks, what goes into preparing to record an audiobook? Hollis: That's a great question, too. It depends on the book, really. And I'm lucky enough to do a lot of series now, so when you're doing a series, it gets easier as you go along. I remember with the first ones I did for you, the first Caina, it probably took me an hour of prep to get through the first chapter. There were so many made up place names that I needed to figure out how to say, and then you have to be consistent. Even if they're made up, you still have to be consistent. So I really used my theater training there because I learned the international phonetic alphabet when I was in school, and so I can write down phonetic pronunciations and for each book, I'm old school with my prep, I'll keep a legal pad and I'll write down phonetic pronunciations, the word, page number, and the phonetic pronunciation for each word, so I have a record. You don't retain them from book to book. Pronunciations is a big part of what you do. Also, character voices, because again, you want to be true to the author's intent and you want to stay consistent. Again, for Caina, it became very complicated because you had to have Caina's basic voice, which is this [speaks in Caina's voice]. She started out a bit higher because she was younger. And then as she aged, she's gotten more medium pitch-wise, but then she was in disguise as various people. She was disguised as a cockney guy for a while, and she was an Irish guy for a while. And so for each of those personas, you have to notate for yourself in the script. Oh, now she has this accent. Now she has this one. And really for each chunk of dialogue, every time a character speaks, I'll put the initial of their name and if there are a lot of characters in the scene, I will have to differentiate between them pretty frequently. If it's two characters and I know them both very well, then I kind of have the shorthand in my head. So the different character voices I also put on my legal pad so I have a record, so Calvia sounds like this [speaks a line in the character's voice]. And sometimes I'll write down physical aspects of them so that I can just kind of feel the character. And after I do them for a while, the feel of the character will give me the voice and you write down everything that the author says about the character too. I'll just notate for myself that will oftentimes give you the voice. If it's a good author, which thank God you are, you write in different voices, which makes my job easier. Jonathan: The joke I sometimes say is I didn't do audiobooks for the first seven years I was publishing, and people would ask me, how do you pronounce this? I say, I don't care, pronounce it however you want. And then suddenly we started doing audiobooks and suddenly no, it matters very much how it's pronounced. Hollis: Yeah, exactly. It's funny, I'm just looking at my tablet. I have your Shield of Power up on my tablet. I've been reading that on the treadmill and at lunch. But yeah, we have to keep tabs. And when we have so many books now, I've started special folders just for the Ghost series and the Cloak series because a lot of times a character will show up from several books previous and I go, I remember them, but I don't remember what they sounded like. So I will have notated forward alto, slightly Irish or something like that for them. I have shorthand for all of it, and so I'll do that. Jonathan: Yeah, I spent a lot of time with Control + F searching through Word documents, trying to remember the first time I wrote this character and what they looked like. Hollis: Yeah, I bet you do. Some writers I guess do, well, if they don't do it all themselves. And if they have somebody who's like an administrative assistant, they have somebody who gives you, I've gotten these from authors before. Their assistant will send me a story log of characters with everything that's said about the character. I'm like, oh, well, that's very organized and helpful, but I would think it would be massively time consuming. Jonathan: It is. I did hire someone to help me with that this year. It was getting to be too much to go back and search through things and it is a very time consuming project, but once it's done, it's very helpful because it's quite easy to find things and look things up and refresh your memory. Hollis: I bet so. When I was working on my mom's books, we hired an editor and she did a spreadsheet, a database kind of different terms and characters and what was said about them. And I go back to that and amend it all the time now that I'm trying to write book eight. Jonathan: Yeah, that kind of thing is very helpful. But on a related topic of preparation, since you've done audiobooks, stage, and TV, how would say narrating audiobooks is different from the experience of doing theater or TV? Hollis: The major thing and the hardest thing for me when I was starting out was you can't move around all the time. I had an engineer at Audible. It was just, and a lot of times the chair is very important because if you move, what you're bound to do, if you're producing your voice correctly, you need to sit up and you need to use your hands to express yourself, and you have to have an absolutely silent chair. And the chairs at Audible at that time, were not absolutely silent. So every time I moved, the chair would squeak and we'd have to stop and start again. So that was very, very hard for me. In fact, I've been doing so much audiobooks now, and I also do TV and film, but that's gone to all for auditioning for that. It's all self tape, which means it's just like head and shoulders, so still you're just kind of using a little part of your body. And I had a theater callback for Pygmalion in the city the other day, in person, in a studio, in a rehearsal room. The day before, I used to do those all the time, and that's so rare now for them to do in-person auditions since the pandemic. But I put on my character shoes and my skirt and I practice just being bigger, opening my body up and doing all this stuff I learned to do in school and that you do when you're on stage to own the space because the space is the back wall of the theater. And that's a big difference between theater, film, TV, and audiobooks is the scope of it. When I did Beatrice, I was in an 1,100 seat unamplified stone amphitheater outdoors in Colorado. So you can imagine the scope physically and vocally is so big. And then for TV, film and you have to what they say, reach the back wall of whatever space you're in. Well, for film and TV, the back wall is the camera. It's right in front of your face a lot of the times. And the back wall is really kind of the inside of your head. It's almost like you have to have internal gaze so that the thoughts are just happening. You don't have to project them, you don't have to project your voice because all the equipment comes right to you, and all you have to do is feel the feelings and think the thoughts and the camera and microphone picked that up. Similarly with audiobooks, I'm just in a little tiny padded booth. My microphone is just a few inches from my face, and so I could be very, very intimate and everything gets picked up, and you have to do a lot less work for the emotion to come through. Again, really all you have to do is kind of feel the emotion. And for me, that's always for me is being in the moment and feeling the moment and letting that dictate the pace and the vocals and everything. I guess I'm pretty Method. I'm very Method, but that's how I trained. It's what works for me. Not every narrator is like that. There's a million different proper ways to narrate, and that's just my take on it. But everything is right there. So it's just kind of keeping it much smaller and more intimate. And in fact, when you want to be big like [character name's said in the character's] voice and he was yelling a lot, and I would have to pull back from the microphone to let his scope come out. Jonathan: Well, after 30 audiobooks together, I can say that method definitely works. Related to that, as we mentioned earlier, you're now at over 300 titles on Audible over the last 12 years. Congratulations for that. What would you say is most surprising or unexpected things about audiobooks you learned during that time? Hollis: Oh, well, it was very surprising that we could make a booth out of sword blades and blankets. That surprised me. Yeah, that's a great question. It's surprising to me how simple I can be. I went back and I had an author recently who wanted me to do a new chapter to begin and end a book that I had done like 2014, something like that, shortly after I started. And I thought at the time that I was really filling these voices and what I did was fine. You're always your own worst critic. But what I've discovered now is the more you do it, the more you record, the more you use your instrument every single day for 300 some books, the more effortless it becomes and the more depth you can bring to it. And as a young actor, we always resist that. My acting coach used to say, age and experience. There's no substitute for it. I'm like, yeah, yeah, but talent and hard work, that's something. But it's really true that just the repetition, there's no substitute for it. Those chapters that I did, they were the same voices basically. But when I went back and listened to the original, I was like, oh, it surprised me how without really changing anything mechanically, the work has just gotten deeper, more effortless, but it sounds better at the same time. Does that make sense? Jonathan: It does. Because you've probably noticed I've redesigned the covers for the Caina series like seven times over the last 10 years. And every time you think this is it, this is it. I'm done. This is good. And then with more practice, you look back and think, well, maybe I can improve this again, though. I suppose that's not often something that happens in the audiobook world where you get to go back and revisit something you did previously. Hollis: That is one of the hardest and most surprising things about audiobooks. And I've heard people say that this happens to every young narrator when they're starting out, you get through the first two chapters of a new book and you go, oh God, now I get it. I want to go back and start again. Well, there's no do overs with audiobooks. With audiobooks, “done is good” is what they always tell you when you're starting out. So even in film and TV, which you don't get much rehearsal for, you get a couple of run run-throughs, but with audiobooks, you got your prep. Not everyone does, but I always read the whole book before I start if possible, because otherwise you get surprises. But you get your one read through, your prep, and then you go and yes, you can stop. You can punch and roll, edit over. If you make a mistake, you go back half a line, you start again there. But there's no evolution of the work, which is what's great about series too, I think, because with the series you get, yeah, Caina was here last time I did her and now she's going through something new. And then the character grows and it becomes less and less effortful, but it also becomes like someone you really know so that it gets so much deeper and it's so much more fun to play with. Jonathan: That makes sense. 12 years really is a long time to have done audio narration or anything. So what do you think is the key to sticking it out for audiobooks for the long term? Hollis: Well, a lot of things make a difference. I didn't do it before this interview, which is why my voice is kind of rocky, but I always warm up in the morning when I'm setting up a session. I always do a vocal warmup. You got to get a good night's sleep, you have to drink water every couple of pages. I have a tea that I drink that keeps my stomach quiet because stomach gurgles is another bad thing about audiobooks. You have to eat very carefully and drink tea to keep your stomach quiet. You don't want to have to stop every time for that. And a lot of training, a lot of vocal training. I had Linklater training and the Lavan training, and Linklater to me is the most useful. And a lot of the stuff that applies to Shakespeare applies to audiobooks too. You warm up, you get yourself breathing, you warm up your resonators, your sinus, your mask resonators, the back of your head, your chest resonators. For the men [imitates male voice], you really have to have your chest warmed up, get the vibrations going here. And so I get all that kind of going before I sit down in the booth. And that also keeps you, then you keep your throat open so you're not hurting yourself. You have to have good posture so that the air can move from your diaphragm up to your throat and have it be open. And then optimally, like with Caina, Caina has a lot of mask resonance. Brits do; they are very far forward. So you really have to have all that warmed up and then that has to have no impediments between the front of your face all the way down to your diaphragm where the breath originates. And if you can do all that, then you could be an audiobook narrator. Also diction. I warm up my diction to everything from [imitates several vocal exercises] in just to get your mouth moving. You don't want lazy mouth with, there's a lot of enunciation in audiobooks that's important. But I also don't like, I really hate when you hear people enunciating. I don't like that. And with Caina, even though she's upper class, she's not like that. She's not pretentious. And certainly Nadia, you want to be able to understand what she says, but you don't want her to be enunciating. That be weird. So all of all that stuff I worked on in grad school and did all the Shakespeare plays, I would always get to the theater an hour early. You have to be there half hour for makeup and check in, but I would always get there an hour early and do at least 15 to 20 minutes of physical and vocal warmups. And so those habits have really helped me. I think I have pipes of iron, fortunately. I'm very lucky. So all that stuff really matters with audiobooks. Jonathan: It's amazing in how many different fields of life the answer seems to boil down to do the things you're supposed to over and over again forever. Hollis: Exactly. That's really true. When are we going to get old enough that we don't have to do that anymore? [laughs] Jonathan: Just one side question. What is Linklater training? I don't think I've heard that term before. Hollis: Oh, Kristen Linklater is, she's probably the biggest American vocal coach. She has a lot of books out there about voice and the actor and all of her training stems from allowing the breathing to drop in as she calls it, not forcing it to drop into the diaphragm, and then creating a pool of vocal vibrations that go from the diaphragm through an open throat to the resonators. And you can use every resonator in your body to project that sound. When I was doing Beatrice and Gertrude at Colorado Shakes in that unamplified stone amphitheater in the foothills of the Rockies, there was winds that would come down out of the mountains when we were on stage, and that theater was known for eating women's voices. And I had to thank God the vocal coach that summer was a Linklater coach, which is the method that I trained in, and he helped me work with even resonators. If you can imagine in your back, just using the whole chest box and shaking the vibrations through your body so that basically you're making your whole human skeleton an amplifier for the vocal energy coming from your breath. And that's Linklater. She's fascinating. If you ever want to study voice, you can't do better than Linklater, to my mind. Cicely Berry is another one I studied. She's the British guru for the RSC and the Royal Shakespeare Company and all those people, and she's great too. Jonathan: Well, that's just exciting. I learned something new today. Hollis: That's always good. Always learning from your books too about Medieval combat. Jonathan: We always want to learn something new every day, whether we like it or not. Hollis: Right. Jonathan: So to turn it around a little bit, what advice would you give a new indie author who is working with a narrator for the first time? Hollis: Oh yeah, I actually, I made some notes. I thought that was such a good question. Make sure that your narrator knows what you expect from them upfront. If you go through ACX, they have this great thing called the first 15 where your narrator is, if you're new to this author, you record the first 15 minutes of the book and you put that on ACX for your author to listen to and approve. You don't have to approve it if you don't like it. And in fact, if you don't like it, it's very important you don't approve it and you tell your narrator specifics about what you need them to change before they go on with the book. Because what you can't really do is once a book is recorded, say, oh, I really don't like it. I'm not going to pay you for it. I need you to go back and do it again. That's not acceptable and it will make narrators never want to work with you. But what's great about the first 15 is you have that chance to say, well, this voice was, she was a little higher than I wanted. I hear her in my head more as an alto because for me as a narrator, what I want to do is I want to take what you, Jonathan, hear your characters being as you're writing them in your head. I want to take that and translate that into an audiobook for you. So the more you give your narrators information about your characters, the better they're going to voice it. Also, if there's a style in your head, like with Nadia books, there's a little touch of noir there. It was a dark and stormy night kind of feel. If there's a style you kind of hear in your head, that would be a good thing to give them. But ACX has also, I think a character sheet where you can tell them about the different characters. You can fill that out for your narrator. That's tremendously helpful, age of the character, if you hear a vocal pitch range, soprano, alto, tenor, bass, any dialects, they need to know that. The narrator's nightmare is you finish up a book and you shouldn't do this, you should read ahead, but you get to the last line: “I love you, darling,” he said in his beautiful French accent. Jonathan: It explicitly shows up there for the first time. Hollis: Exactly. And then for the narrator, it's like, oh my God, I have to go back and rerecord everything this guy said, which is hours and hours and hours of work for you and your editor who will kill you. But yeah, let them know about all the character traits that you can and just, I think it's on the narrator too, to, I've been lucky with my authors, we always have a good give and take. I come from a theater background and you want to collaborate. You want to realize the author's vision and you want to be a partner in creating that. So try to be partners and give them more information than you think they need and use that first 15. It is totally acceptable to send it back and say, I'm going to need you to do this again, and I'm going to need these changes. And then once you get that ironed out, then you'll probably be ready to go ahead and have a book. And when you get the book, you won't be shocked and you'll be happy (hopefully) with the read. Is that helpful? Jonathan: It does. New authors, if you're listening to this, listen to that advice. Hollis: Yeah. Jonathan: Now for a slightly different topic, can you tell us about the Magic of Larlion books and how you ended up publishing that series? Hollis: Yeah. The Magic of Larlion is an epic fantasy adventures series seven, almost eight volumes. I'm working on finishing book eight now. The first book, Wizard Stone, my brilliant mother Dee Maltby started years and years ago, probably, gosh, maybe 20 years ago now, I think when my little brother moved out from home and she had an empty nest and she had more time to write, and she wrote Wizard Stone, and she sent it out a few places, and that was the only way you could get published back when she wrote it and didn't pursue it, she got discouraged, I think, by rejections from publishers, sat in her drawer for a while, and my sister-in-law, Dana Benningfield, who's also an actor, and she was my best friend even before she married my brother. I introduced them. So yeah, that was all me. She was an editor professionally for a while, and when she moved to Ohio where I'm from and was living with my brother and my parents lived right across the orchard, I told her about this book. And she wasn't editing at the time, she was kind of done with it, but she asked mom if she could read it. So she read it and edited it, and then it became a much better book and really encouraged my mom to keep writing, which I had been telling her to do for years. But hearing somebody who wasn't family, somehow giving her that input that it was really something special, changed her perspective. So she kept writing and she and I started, I was on the road doing Shakespeare a lot. We started trading chapters. She'd send me a chapter a week and I would edit it and send it back. And so Wizard Stone evolved from there into its current form, and then she started the next book, Wizard Wind and Wizard Storm. And we went that way through five and a half books. And my dad finally, when he retired from being a physicist, said he was going to, I always told you I'd get your published Dee, I'm going to take it down to the print shop and get a hundred copies made. And by this time I was working with you and a bunch of other great indie authors who were letting thousands of happy readers read their books through an independent platform. And I said, well, wait a minute. I could do better than that. So I convinced them to hire an editor that I had worked with, and I did the rewrites and got it through the pre-production process and hired a cover artist, very talented artist. And you and Meara Platt, another of my authors, gave me so much information and help. And we got it published in 2022, I believe. We had three ready to go. And we published those all within a month of each other. One a month for three months, and then four and five, and then six came. And I co-authored five, six, and seven because my mother was losing her sight and her hearing at that point. We got those done. We had six out and a lot of people reading them and loving them and reviewing them before my mom passed. And I think it's probably one of the most satisfying things I've done in my life, because not only do I love the books, and they're just a rip roaring, fantastic adventure-filled epic trip through this incredible world my mom invented. But when she was about to, one of the last things she said to me was, I told her how many people had read her books. I just went through the Kindle numbers and thousands of people in different countries and all over the world were reading and loving her books. And I told her that, and she said, that's all that matters. And she felt such a sense of pride in herself and accomplishment because they were being received for what they are, which is a brilliant creative flight of fancy, this magical world in the tradition of all the books she loved, always Tolkien. And so I promised her I'd finish it. So after she died, I published six and seven and I've got eight about 90% written now, and I'm hoping to bring that out by the end of the year, although I've been too darn busy with narration to really spend the time. I've got the big climactic Jonathan Moeller type battle at the end sketched in my head and on an outline, but I got to write that. And then we can get that out there and finish that too. Jonathan: Will you stop with eight or keep going after eight? Hollis: My feeling is that this series will culminate with book eight. It's been a long saga of Beneban, this young wizard who kind of gets flung off a mountain by his evil wizard master and has to master his fledgling wizardry powers and his magical sword to win his love Laraynia, a powerful sorceress, and save the kingdom. And that's book one. And there's ice dragons, and then they have kids, and then the later books have become much more about their kids. And the more I write, the more it's become about young women fighting with swords. Jonathan: Well, they say write what you know. Hollis: Defeating the bad guys. Plucky young women, overachieving, competing with men. And so I think that's all going to come to a head with book eight, and that will be the end of that series. But I do think I'm going to spin it off into possibly more on the younger characters. I don't know if it's going to be YA per se, I think it'll still be for adults, but more of a YA feel to it, the younger characters of the ice dragon riding school of battle and the wizarding school. I don't know if I want to make it schools necessarily, it might limit you too much. And that's kind of been done too. But I do think the ice dragons are going to figure largely in it. Oh, and I don't know, there's a plot point I probably shouldn't give away, but my mother's full name was Willa Dee Maltby. She writes under Dee Maltby and there is a character, a very magical character named Willa that shows up in this book eight. So I think Willa will be a big character going forward and the younger generation of women and some boys too. I like boys, I do. Jonathan: Well, I suppose if people want to know more, they will have to read and find out. Hollis: Yes. And please go to the website is deemaltbyauthor.com and everything you want to know (well, maybe not everything), but everything you can know for now is there. Jonathan: Well, I was going to ask you what you would say was the most rewarding things about publishing the books, but I think you covered that pretty well. On the flip side, what was the biggest unexpected challenge in publishing them? Hollis: The PR is hard. You seem to be great at it. I even did PR professionally to work my way through undergrad and then in between grad school and undergrad and after I graduated and I had an assistantship in it at my university. But the book world specifically is a whole different kind of PR and learning Amazon ads and Facebook ads and it's a lot. It's a lot. And again, you have been so helpful with it. And I mean, there are a lot of online resources out there too, which is great. But what I'm really finding, trying to do it part-time is overwhelming. You really need a full-time block of time to not only write the books, but then to publicize them the way they deserve to be publicized. Jonathan: Yeah, the tricky part is, as you said, book advertising is very different from anything else. I was talking with a guy who is an Amazon reseller for various toiletries and hygiene products and makes a good living doing that. I was telling him how much I pay per click on Amazon ads. He's just appalled. It's like, you can't make any money doing that. And then the flip side of that too is that Internet marketing is so different than any other form of PR, so it's just sort of constant challenge there. Hollis: I know, and I know I actually signed up for a TikTok account and I just don't, again at the time. Plus every time I turn it on, I'm like, I don't want to watch that. I'm allergic to the format. You'd think being an actor, being used to being on camera, I could come up easily with little things to do for the books and I probably could for TikTok. But again, just learning the platform and then applying yourself to it is just such a big time hack that I don't have that amount of time. I know that narrators are now more and more marketing themselves by recording themselves on camera narrating and putting that out there, which I can do, I guess. And that's why I got this ring light and everything. I can do that now. I haven't done anything with it, but I guess if some of the book work dries up, I'll be more motivated to do it. Jonathan: Well, that's how anything works. You try it and if you enjoy it and it works, keep doing it. And if you don't enjoy it and it doesn't work, no point in carrying on with it. Hollis: I think that's true. And you just have to keep learning too, as we know with everything. You got to keep learning new things. Jonathan: Well, this has been a very enjoyable interview and thank you for coming on the show. Hollis: My pleasure. Jonathan: Let's close out with one last question. You've obviously done a lot of theater, so what, out of all the productions you've done was the one you would say was your favorite or that you enjoyed the most? Hollis: I think I have to go back to Beatrice probably. I mean, the Alabama Shakes getting to play a man thing, that was a lot of fun. But Beatrice, we did a Wild West Much Ado about Nothing at Colorado Shakespeare. The premise was that I was the niece of Leonardo, who is the tavern keeper, the bar keeper in this Wild West world. And there was a bar fight opening this Wild West production, and I entered through a swinging tavern door with a six shooter in one hand and a bull whip in the other. And I shot the pistol and cracked the bull whip and broke up the fight and then got to do Shakespeare's incredible Beatrice and Benedict story from there. It was so much fun. Jonathan: It almost seems like the soundtrack could have been “I Shot the Sheriff.” Hollis: Yeah. Yeah, it really could. It was a heck of a lot of fun. Jonathan: Well, speaking of fun, it was good talking with you, and thank you for taking the time to be on the show. Hollis: Yeah, I am excited to start the next Cloak book soon. So I was going to offer to do a little snatch of you want the introduction for Cloak here? Jonathan: Oh, I think we'll save it for the Real Thing. Hollis: Oh, okay. All right. Well thank you, Jonathan. It's been a pleasure. Jonathan: It's been a pleasure. And see you soon for Cloak Mage #10. Hollis: Alright. So that was our interview with Hollis McCarthy. Thank you for coming on the show and giving us a very informative and entertaining interview. A reminder that the website with the Magic of Larlion books is deemaltbyauthor.com. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

Racing in Ireland on Saturday is in Limerick and Leopardstown (18th October 2025). Cross-channel, there are meetings in Catterick, Ascot, Stratford, Newtown Abbot and Wolverhampton. With his 'Saturday Six,' here's Galway Bay FM's George McDonagh.

In the second hour of the Chase & Big Joe Show, the guys discussed the upcoming college football slate for the weekend. Later in the hour, they chatted with the two high school coaches for the game of the week, as Westmoreland takes on Stratford. To end the hour, the guys got into the conversation about Jeffery Simmons being traded. Will it happen?

Who was the man from Stratford-upon-Avon who changed the world with his words?In this History-Sode, Auntie Jo Jo travels back to 16th-century England to meet William Shakespeare — the boy who became the world's most famous playwright.Discover how a small-town dreamer wrote about kings, ghosts, love, and courage and explore the spooky, mysterious world of his play Macbeth, filled with witches, prophecies, and lessons about the choices we make.Perfect for curious kids and families planning a visit to Stratford or anyone who loves a little history with their drama.Sources:The Shakespeare Birthplace Trust, Stratford-upon-AvonBritish Library: Discovering Literature – Shakespeare and Renaissance WritersRoyal Shakespeare Company Archives – Macbeth Historical ContextGreenblatt, Stephen. Will in the World: How Shakespeare Became Shakespeare. W.W. Norton, 2004.Oxford University Press, Shakespeare's Life and TimesBBC History, “William Shakespeare: A Life of Drama”

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

The Prime Minister has doubled down on his claim there are jobs for young people across the country, and they should take any work. Despite youth unemployment sitting at nearly 13%. Taranaki is top of the table when it comes to 15-24 year olds not in employment education or training, or NEETs. In the second quarter of this year 18.5% of people in that age group in region were NEETs. Nelson Pulotu is the general manager of Tutaki, a NGO in Stratford which is running a pilot programme to help young people on benefits into work, he spoke to Lisa Owen.

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

Ochelli Effect 10-10-2025 Call-in Show Friday with Co-Host B PeteNOT QUITING AS LONG AS YOU KEEP US GOINGBE THE EFFECTHelp for Ochelli and The NetworkMrs.OLUNA ROSA CANDLEShttp://www.paypal.me/Kimberlysonn1---Listen/Chat on the Sitehttps://ochelli.com/listen-live/TuneInhttp://tun.in/sfxkxAPPLEhttps://music.apple.com/us/station/ochelli-com/ra.1461174708Without YOUR support we go silent.---NOVEMBER IN DALLAS LANCER CONFERENCEDISCOUNT FOR YOU10 % OFF code = Ochelli10https://assassinationconference.com/Coming SOON Room Discount Details The Fairmont Dallas hotel 1717 N Akard Street, Dallas, Texas 75201---Friday Night Open Mic Co-Host B PeteWEBSITEhttp://www.bpete1969.com/TWITTER Xhttps://x.com/bpete1969META-VERSE CHORUS VERSEhttps://www.facebook.com/bpete1969------If you know the voices you will hear on this podcast, Ochelli figures you can predict what will be said before you hear it. Please call-in and add some new exchanges to the mix on any given Friday Night LIVE by calling-in 1 (319) 527-5016 starting around 8pm Eastern and ending LIVE transmission around 10pm.MIXED OBSERVATIONS OCHELLI-STYLE---Gov shutdown continues...Even if a man is insane he may provide you with information that is new and useful to you. Try to learn from everyone or accept you are refusing to take full advantage Qatar building military base on US soil? Idaho, the quietly known haven for white supremacy? Anyone wanna bet that the expensive Plane gift has nothing to do with it? National Security Questions will not be asked, Because Trust The Plan I guess?Also, the Kushner Golf Course and business deals benefiting The Trump Family, The Kushner branch, and the extended partners who paid significant "donations" to MAGA and Trump Branded operations and/or investments with Kushner/Trump ventures don't suggest anything to see there in MAGA-MERCA 2025, Right?After 3 quarters of 2025 Under GOP TRUMP style regime by Proxy Project 2025 Rule in what was once America, Am I NOW allowed to ask when or if Trump accepts Blame??Seems like NO.---1 in 500 listeners will likely decipher the multiple messages in the following notesAvoid feeding the system designed to consume us and encourage solutions  to counter enemies actively consuming our best resources? Active minds operating independently and weaponizing objective critical thought processes. After all effective ammunition against all that works against us is a natural resource leaving the anti-human systems of negative freedom harmed by you thinking for yourself. Gregarious Psychological, Physiological, and Spiritual clusters of alleged human creatures habitually provide pre-requisite tools and raw materials for mind control, Group think, and more refined methods of manipulating crowds to adhere to behaviors counterintuitive to the collective and their best interests. Indeed best methods for assuring the destruction of enemies are of the self destructive variety. SUMATION Why exert efforts to destroy adversaries who are more than willing to fight among themselves to the death?NO RED PILL , BLUE PILL GAMES OF SELECTION HEREDive deeper in AI Mode?Be a common man or woman?Popular questions often misused and transferred from HAMLETbyWilliam Shakespeare of Stratford-upon-Avon orSir Francis Bacon, orEdward de Vere, 17th Earl of OxfordorChristopher Marloweetc.To Be or Not To Be?Be THE EFFECTBE THE EFFECTListen/Chat on the Sitehttps://ochelli.com/listen-live/TuneInhttp://tun.in/sfxkxAPPLEhttps://music.apple.com/us/station/ochelli-com/ra.1461174708Ochelli Link Treehttps://linktr.ee/chuckochelliAnything is a blessing if you have the meansWithout YOUR support we go silent.---NOVEMBER IN DALLAS LANCER CONFERENCEDISCOUNT FOR YOU10 % OFF code = Ochelli10https://assassinationconference.com/Coming SOON Room Discount Details The Fairmont Dallas hotel 1717 N Akard Street, Dallas, Texas 75201. easy access to Dealey Plaza

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

A musical misstep that was so poorly received, it nearly killed two iconic rock careers. Chaz and AJ explored 2011's "Lulu" in Bad Idea Island. (0:00) CT rep Joe Gresko was on the phone with Chaz and AJ to talk about the sinkhole being repaired in Stratford, but first entertained the problems existing with the Yankees. (4:46)  Brian Turco, with Port 5 National Association of Naval Veterans, was on the phone with Chaz and AJ this morning to talk about the incredibly organized Tunnel to Towers 5K happening in Bridgeport next weekend. (11:32) Waterbury, CT made the shortlist of worst cities to drive in, for the entire country. Chaz and AJ discussed the study, and took calls from the Tribe about the worst they've witnessed in Waterbury. (18:09) Photo credit: Reuters

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

We need to talk about why we're persisting with having so many local body politicians. We clearly have too many positions, don't we? I mean, just look at how many people are winning their seats at the moment. The elections are this weekend - look at how many people are winning their seats without any elections, without anybody standing against them. With more than 200, that's 1 in every 7 council races. So Hurunui already has its mayor, even though the elections are this weekend. It's Marie Black, no one's standing against her. Manawatū already has its mayor, Michael Ford, no one's standing against him. There are more than 80 councillors who are already elected across the country, there are several on the Southland Regional Council already elected. Lower Hutt, Southland, Buller, Stratford, Marlborough councils, two of Auckland's councils already elected - unopposed - as well as 3 of Christchurch's. There are also empty seats that no one wants to fill in community boards in the Rotorua Lakes, New Plymouth's Kaitake, Clifton as well, rural Hastings, Hanmer Springs, Twizel, and Mataura. What that tells you is that you have more positions to fill than you have people who want to fill those positions. Now, please have a look at your voting papers and vote if you can. I voted in Auckland already, right? I had 1 vote for mayor, I had 1 vote for council, and then I had up to 7 votes for my local board. I didn't vote 7 times for my local, I didn't know who all of those people were. I knew about 5 of them and at least 2 of them I knew for bad reasons, so I didn't want to vote for them. So, you know, I think we clearly are asking too much. And by the way, in Auckland, we have 172 local board politicians by the end of this process, and I'm not even counting the local licensing board. The most junior of which, the ward councillors, get paid more than $54,000 each. Now, I think looking at all of this, we are well overdue tipping all of this up and changing it and massively reducing the number of people that we're paying to do probably not a lot. LISTEN ABOVESee omnystudio.com/listener for privacy information.

White Oak Baptist Church of Stratford, CT is a loving, Christ-centered Church engaging our community in a powerful way. To learn more about our church and how you can connect, please visit http://www.whiteoakbc.org

On this episode of Investor Connect, Hall welcomes Ivor Stratford, co-founder and CEO of Morpheus Group, a leading consultancy specializing in talent solutions and executive recruitment. Located in London, Morpheus Group works with organizations across the globe, particularly in the U.S., to help founders and executives align their culture, values, and growth strategy with the right talent. With a focus on venture-backed startups from pre-seed to IPO, Ivor and his team provide a unique vantage point into the world of early-stage investing, emphasizing that at the earliest stages, the real investment is in people. Morpheus Group combines deep experience in recruitment, strategic advisory, and hands-on mentorship to ensure founders not only hire effectively but also build high-performing teams that can scale. Morpheus Group has carved out a niche in the AI and machine learning space, guiding founders who are hyper-focused on specific applications rather than broad, generalized solutions. From conversational AI in drive-through technology to other emerging use cases, Ivor and his team help identify opportunities where technology meets real-world demand, all while keeping founders disciplined on what truly drives their business forward. Beyond advisory and recruitment, Morpheus Group actively builds in-person ecosystems through curated events, dinners, and conferences, particularly in New York and San Francisco, establishing long-term trust and relationships in the startup community. Their approach emphasizes real-world engagement over tech gimmicks, proving that sometimes the most cutting-edge work starts with a handshake—or a coffee machine conversation. Throughout the conversation, Ivor shares insights on evaluating founders, spotting conviction versus potential, and the advantages of maintaining small, agile teams in a rapidly evolving market. He also reflects on lessons learned from expansion into the U.S., emphasizing the value of being physically present to truly understand client businesses.   Visit Morpheus Group at     Reach out to at     _______________________________________________________ For more episodes from Investor Connect, please visit the site at:    Check out our other podcasts here:   For Investors check out:   For Startups check out:   For eGuides check out:   For upcoming Events, check out    For Feedback please contact info@tencapital.group    Please , share, and leave a review. Music courtesy of .

In the second hour of the Chase & Big Joe Show, the guys delved into Cam Ward's comments about the Titans after Sunday's game against the Texans.  Later in the hour, head coaches from Stratford and East Nashville High School and Stratford for the Metro Game of the Week in high school football. To end the hour, Tennesseean's Mike Organ joined the show.

Episode 103: Titus Andronicus by William Shakespeare Host: Douglas Schatz Guest: Max Webster Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Titus Andronicus is Shakespeare's first tragedy, although in fact, scholars believe that Shakespeare did not write the whole play himself. Whatever its origins, the play is notorious for its graphic horror, which includes multiple killings, amputations, decapitations, rape and cannibalism. Horrors that have overwhelmed audiences and alienated critics for centuries. Although the play was hugely popular in Shakespeare's time, later critics dismissed it for its excessive violence and crude, fragmented structure. However, the play's bleak portrait of amoral leadership, sexual violence, racial conflict, and personal and political despair has struck a chord in more recent times, with several acclaimed productions and restored critical opinion. As we record this episode an exciting new production of the play is on stage at the Hampstead theatre in London, having transferred following its acclaimed run at the Royal Shakespeare Company in Stratford. The production is directed by Max Webster, who joins me to explore Shakespeare's full-blooded tragedy.

Derrick Barnes is a National Book Award Finalist for his graphic novel Victory. Stand!-Raising My Fist For Justice, which also won the YALSA Excellence in Young Adult Nonfiction Award, and a Coretta Scott King Award Author Honor. He is also the author of the critically acclaimed, multi-award-winning picture book Crown: An Ode to the Fresh Cut which received a Newbery Honor, a Coretta Scott King Author Honor, the Ezra Jack Keats New Writer Award, and the Kirkus Prize for Young Readers. He is a native of Kansas City, MO, but currently lives in Charlotte, NC with his enchanting wife, Dr. Tinka Barnes, and their four sons, the Mighty Barnes Brothers.Dr. Chandra Maxwell is a Lead English Language Arts teacher at David Wooster Middle School in Stratford, CT. She became interested in English Literature as a student at Central Magnet High School in Bridgeport, Connecticut. Through her English teacher, Mrs. Cynthia Fernandes, she learned about the power of intentional writing as found in the works of Langston Hughes and Lorraine Hansberry. As a result, Dr. Maxwell has done extensive research on equitable reading intervention programs for middle school students so that all students can be exposed to intentional reading and writing practices.

Stratford is the latest Connecticut municipality to get the green light from DOT to have red-light cameras. We spoke with Police Chief Joseph McNeil about where the cameras are, who they are looking for and how long the plan will be in place. Image Credit: Getty Images

The Guilty Feminist 450. Shakespeare's Measure for Measure Presented by Deborah Frances-White with special guest Emily Burns Recorded 22 September 2025 at the Royal Shakespeare Theatre. Released 29 September. The Guilty Feminist theme composed by Mark Hodge. Measure for Measure is playing at the Royal Shakespeare Theatre in Stratford upon Avon until 25 October 2025. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White ·       https://deborahfrances-white.com ·       https://www.instagram.com/dfdubz ·       https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 ·       https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Emily Burns and Measure for Measure ·       https://www.unitedagents.co.uk/emily-burns ·       https://www.rsc.org.uk/measure-for-measure For more information about this and other episodes… ·       visit https://www.guiltyfeminist.com ·       tweet us https://www.twitter.com/guiltfempod ·       like our Facebook page https://www.facebook.com/guiltyfeminist ·       check out our Instagram https://www.instagram.com/theguiltyfeminist ·       or join our mailing list http://www.eepurl.com/bRfSPT More Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/ Come to a live show ·       Femonomics: Using Data to Improve Women's Lives, 6 October https://www.eventbrite.co.uk/e/femonomics-using-data-to-improve-womens-lives-tickets-1606840797079 ·       Cheltenham Book Festival with Poorna Ball, 11 October https://www.cheltenhamfestivals.org/events/deborah-frances-white ·       Wimbledon Book Fest with Jessica Swale, 21 October https://www.wimbledonbookfest.org/events/jessica-swale/ Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of The AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Description Returning guests Lena English and Tayler Iverson join Joe to discuss the 1999 film 10 Things I Hate About You. Based on Shakespeare’s The Taming of the Shrew, this film moves the plot to an American high school in … Continue reading →

In our Motherhood taboo series we are seeking to “fill the gap” between feminist, thoughtful, deconstructing/inclusive orthodoxy Christian content and the trad wife motherhood content online.  Content warning: we will be talking about miscarriage and pregnancy loss in this episode.  This week we are joined by two friends and colleagues, The Rev. Allison Caudill and The Rev'd Allie McDougall who have both navigated miscarriage in their ministry.  Miscarriage is something many families experience and yet, it is considered a major taboo in our society. Our guests will share with us their experiences of publicly navigating loss and how their faith helped them through it. This was one of the most moving discussions we have had to date on the podcast and we pray it will be a blessing for our listeners.More on our guests:The Rev'd Allie McDougall, Vicar of St. Paul's and St. Stephen's, Stratford, Ontario, CanadaSubstack: Gathering Up the Crumbs https://substack.com/home/post/p-155663524 The Rev. Allison CaudillRector, St Mark's Episcopal Church Clifford (https://www.stmarksclifford.org/) & Grace Episcopal Church Massies Mill (https://gracemassiesmill.org/)Blog: motherawrites.comInstagram: @allicat27 +++Like what you hear? We are an entirely crowd-sourced, you-funded project. SUPPORT US ON PATREON: https://www.patreon.com/AndAlsoWithYouPodcastThere's all kinds of perks including un-aired live episodes, Zoom retreats, and mailbag episodes for our Patreons!OUR HOTLINE - call in your questions! - 262.229.9763+++Our Website: https://andalsowithyoupod.comOur Instagram: https://www.instagram.com/andalsowithyoupodcast/++++MERCH: https://www.bonfire.com/store/and-also-with-you-the-podcast/++++More about Father Lizzie:BOOK: https://www.penguinrandomhouse.com/books/762683/god-didnt-make-us-to-hate-us-by-rev-lizzie-mcmanus-dail/RevLizzie.comhttps://www.instagram.com/rev.lizzie/https://www.tiktok.com/@rev.lizzieJubilee Episcopal Church in Austin, TX - JubileeATX.org ++++More about Mother Laura:https://www.instagram.com/laura.peaches/https://www.tiktok.com/@mother_peachesSt. Paul's Episcopal Church in Pittsburgh, PA++++Theme music:"On Our Own Again" by Blue Dot Sessions (www.sessions.blue).New episodes drop Mondays at 7am EST/6am CST!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tonight on Veritas, our special guest is Charles Ross. He was born in East Germany, raised in the heart of Shakespeare's Stratford-upon-Avon, traveled through Africa, and now makes his home in Taiwan. That life journey has given him a perspective few can claim. It is the perspective of someone who notices what others overlook. Charles speaks of walking down streets in Taiwan and experiencing powerful deja vu. He sees train stations, cobbled alleys, Roman villages, even European architecture that simply should not be there. While most pass by without a second thought, he feels a memory that seems older than the place itself. It is as if the stones are speaking, and he happens to be listening. His research takes us across continents and across time. We will explore heraldry where Black royals appear in coats of arms, yet are later labeled as servants. We will ask why lions, towers, and crowns appear in families whose names remain common today. We will look at maps that once displayed Tartaria, a vast land now erased from mainstream history. We will study statues and crests that feature the double-headed eagle, a symbol carried by empires from Austria to Russia. Why does it appear everywhere, and what story does it tell? Charles also leads us into the world of technology and architecture. We will examine photographs of the great World Fairs, filled with palaces and domes that appeared and vanished within a season. We will discuss Tesla, the Baghdad battery, and energy systems that may have promised free power for humanity. We will consider pyramids in China that remain hidden from researchers, and the strange harmony between sacred geometry, human anatomy, and music itself. What emerges is not just a story about history, but about us. Who we are, where we come from, and why certain truths seem to be buried while others are celebrated. Tonight, Charles Ross joins us to bring forward those forgotten fragments, and to ask us to see with new eyes.

FOLLOW RICHARD Website: https://www.strangeplanet.ca YouTube: @strangeplanetradio Instagram: @richardsyrettstrangeplanet TikTok: @therealstrangeplanet EP. #1246 Unmasking the Bard: The Shakespeare Authorship Conspiracy What if the greatest playwright in history wasn't the humble glove-maker's son from Stratford, but a nobleman with access to forbidden ancient texts? In this mind-bending episode of Strange Planet, we unravel the Shakespeare authorship mystery with Dr. Earl Showerman. Drawing from his book Shakespeare's Greater Greek, Showerman exposes how the plays echo untranslated Greek epics and tragedies—like Aeschylus' Oresteia in Hamlet—knowledge impossible for the official Bard. Could Edward de Vere, the 17th Earl of Oxford, be the true genius? We dive into clues from medicine, law, and court life that shatter the 400-year myth, challenging everything you learned in English class. Prepare to question the canon! GUEST: Dr. Earl Showerman is a Harvard-educated physician and retired emergency medicine specialist who now applies his diagnostic expertise to literary enigmas. Author of Shakespeare's Greater Greek, he argues that the Bard's works reveal deep knowledge of ancient Greek sources unavailable in English during Shakespeare's time, pointing to Edward de Vere as the likely true author. A leading voice in the Shakespeare authorship debate, Showerman has presented his research at conferences and in scholarly journals, bridging medicine, classics, and Elizabethan history. BOOK: Shakespeare's Greater Greek: An Exploration of Greek Drama, Epic & History in the Works of Shakespeare  SUPPORT OUR SPONSORS!!! FABRIC BY GERBER LIFE Life insurance that's designed to be fast and affordable. You could get instant coverage with no medical exam for qualified applicants.   Join the thousands of parents who trust Fabric to help protect their family.  Apply today in just minutes at meet fabric dot com slash STRANGE  TESBROS We're a small business built by Tesla owners, for Tesla owners. Everything we do is about helping our customers customize, protect, and maintain their ride — whether it's through our products or YouTube how-tos and reviews.  Go to tesbros.com and use code POD15 for 15% off your first order. That's T-E-S-B-R-O-S dot com and use code P-O-D-1-5 at checkout. ⁠BUTCHERBOX⁠ ButcherBox delivers better meat and seafood straight to your door – including 100% grass-fed beef,free-range organic chicken, pork raised crate-free, and wild-caught seafood. Right now, ButcherBox is offering our listeners $20 off their first box and free protein for a year. Go to ⁠ButcherBox.com/strange⁠ to get this limited time offer and free shipping always. Don't forget to use our link so they know we sent you. HIMS - Making Healthy and Happy Easy to Achieve Sexual Health, Hair Loss, Mental Health, Weight Management START YOUR FREE ONLINE VISIT TODAY - HIMS dot com slash STRANGE https://www.HIMS.com/strange QUINCE BEDDING Cool, Relaxed Bedding. Woven from 100% European flax linen. Visit QUINCE BEDDING to get free shipping on your order and 365-day returns.    BECOME A PREMIUM SUBSCRIBER!!!  https://strangeplanet.supportingcast.fm  Three monthly subscriptions to choose from.  Commercial Free Listening, Bonus  Episodes and a Subscription to my monthly newsletter, InnerSanctum.  Visit https://strangeplanet.supportingcast.fm Use the discount code "Planet" to receive one month off the first subscription.  We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/