Podcasts about Something About You

Train Sweet Soul Sister, B52's Loveshack, Level 42 Something About You, Peter Gabriel Red Rain, Hall & Oates Private Eyes,  Kenny Loggins Footloose and more are discussed.  Join Patreon for extra episodes at Patreon.com/jimflorentine Join Youtube for extra episodes at https://www.youtube.com/channel/UCymIVy0JLL1qoVaQ3wbsGoA/join  

Welcome to Tembo Sounds - The Culture radio show #572, where Amapiano energy takes center stage! In this show, we're bringing you HEAT from DJ Melzi's Bajabule Ekhaya, the infectious rhythms of De Mthuda & Kabza De Small's Diwa Kae, and the soulful vibes of Dr Thulz's Something About You. With heavy hitters like ShaunMusiq & Ftears, Djy Zan SA, and Gemini Major in the mix, get ready for a session packed with deep grooves and unstoppable vibes. Let's turn it up!

The MVI - Higher, Avalan Rokston - Coming Home, Toby Romeo - Highs & Lows, KSHMR - More Than a Feeling, Meduza feat Ayrton Senna - Seek Your Truth (A Vitoria), Yves V & Sevenn - Pumped Up Kicks, Arlind - Ill Be There, MATTN & Calvo - Whos That Girl, Wax Motif - Heaven, Diion & Crozford - All or Nothing (James Wiles Remix), Lee Foss & Joe Smooth - Promised Land, Duran Duran - Evil Woman (Bruno Martini Remix), Luppi Clarke - Thunderlove, Lyndrum - On The Floor, Mohtiv - Needed You, Weekend Wonders - Wake Up in The Sky, Carly Wilford - Loveline, Deep Dish - Say Hello 2024 (Goes Deep Remix), Aligee - Intoxicated, Martin Jensen - No Sleep, Sara Phillips - Stick Season, Betastic - For My Own, DJ Antoine - December, Bob Sinclar - Burning, Calvin Harris - Sweet Nothing (Artistic Raw Remix), Stromae - Alors on Danse, DJ Disciple vs Suzy - Yes, Royal Gigolos - California Dreaming, Level 42 - Something About You 2002

The MVI - Higher, Avalan Rokston - Coming Home, Toby Romeo - Highs & Lows, KSHMR - More Than a Feeling, Meduza feat Ayrton Senna - Seek Your Truth (A Vitoria), Yves V & Sevenn - Pumped Up Kicks, Arlind - Ill Be There, MATTN & Calvo - Whos That Girl, Wax Motif - Heaven, Diion & Crozford - All or Nothing (James Wiles Remix), Lee Foss & Joe Smooth - Promised Land, Duran Duran - Evil Woman (Bruno Martini Remix), Luppi Clarke - Thunderlove, Lyndrum - On The Floor, Mohtiv - Needed You, Weekend Wonders - Wake Up in The Sky, Carly Wilford - Loveline, Deep Dish - Say Hello 2024 (Goes Deep Remix), Aligee - Intoxicated, Martin Jensen - No Sleep, Sara Phillips - Stick Season, Betastic - For My Own, DJ Antoine - December, Bob Sinclar - Burning, Calvin Harris - Sweet Nothing (Artistic Raw Remix), Stromae - Alors on Danse, DJ Disciple vs Suzy - Yes, Royal Gigolos - California Dreaming, Level 42 - Something About You 2002

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. On today's episode, Andy Atherton is watching “Something About You” by Level 42 from 1985. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=wbydKAFfJAc

The Smashing Pumpkins - 1979 New Order - Blue Monday Foster The People - Pumped Up Kicks Katy Perry - I Kissed A Girl Yeah Yeah Yeahs - Heads Will Roll (A Trak Remix) Florence + The Machine - Ship To Wreck The Ting Tings - That's Not My Name Airmods - Under The Sun Soft Cell - Tainted Love Parcels - Coming Back Iggy Pop Feat. Kate Pierson - Candy Simply Red - Stars Hanson - MmmBop Sabrina Carpenter - Espresso Hot Chocolate - You Sexy Thing MKTO - Classic Level 42 - Something About You

On this week's episode we are joined by Mike Lindup. Mike Lindup is a British musician and songwriter, best known as the keyboardist and vocalist for the band Level 42. Born on June 25, 1961, in the Isle of Wight, England, Lindup formed Level 42 in the early 80s, contributing to their unique blend of jazz, funk, and pop. The band achieved significant success during the 80s and early 90s, with hits like "Lessons in Love" and "Something About You." In addition to his work with Level 42, Lindup has pursued solo projects and collaborated with various artists across genres throughout his career while continuing to tour with Level 42  Let Christy Take It are proud to bring you Mike Lindup If you enjoy our show please like and subscribe wherever you listen to your podcasts Thanks to our sponsor Irish Woodcraft, please check them out at https://irishwoodcraft.ie

Miss Heard celebrates Season 5, Episode 257 with Level 42's eighties classic “Something About You.” This talented 80's band has connections to the Prince, Tina Turner, Eric Clapton, Ben E. King, George Harrison and Ringo Starr. You can listen to all our episodes at our website at: https://pod.co/miss-heard-song-lyrics Or iTunes, Stitcher, Spotify and many more platforms under Podcast name “Miss Heard Song Lyrics” Don't forget to subscribe/rate/review to help our Podcast in the ratings. Please consider supporting our little podcast via Patreon at https://www.patreon.com/MissHeardSongLyrics or via PayPal at https://www.paypal.com/paypalme/MissHeardSongLyrics #missheardsonglyrics   #missheardsongs #missheardlyrics #misheardsonglyrics #misheardsongs #misheardlyrics #Level42 #SomethingAboutYou   https://www.youtube.com/watch?v=wbydKAFfJAc https://en.wikipedia.org/wiki/Something_About_You_(Level_42_song) https://en.wikipedia.org/wiki/Level_42 https://en.wikipedia.org/wiki/Cherie_Lunghi

Queen - Radio Ga Ga Simple Minds - Don't You Depeche Mode - Everything Counts The Breeders - Cannonball The Rembrandts - Just The Way It Is Baby Seal - Crazy Tina Turner - The Best Madonna - La Isla Bonita Robbie Williams - Rock DJ White Town - Your Woman Gorillaz - 19 2000 (Soulchild Remix) Simply Red - Sunrise The Soup Dragons - I'm Free Hanson - Mmm Bop Level 42 - Something About You

Podcast Overview: Hayden & Will discuss the challenges of being an Australian artist, the devaluation of music, finding inspiration & dealing with Imposter Syndrome Who Is Hayden James: Hayden's first single “Permission to Love” garnered worldwide love and attention hitting #1 most blogged on Hype Machine, as well as becoming the most played track on national broadcasting giant Triple J in Australia. His debut EP out on tastemaker label Future Classic garnered much love worldwide, and new single "Something About You" looks to lead excitedly in to 2015. Catch him this summer as he returns to Australia after a huge US & Canadian tour with Odesza.Join for updates: https://laylo.com/willclarke⏲ Follow Will Clarke ⏱https://djwillclarke.com/https://open.spotify.com/artist/1OmOdgwIzub8DYPxQYbbbi?si=hEx8GCJAR3mhhhWd_iSuewhttps://www.instagram.com/djwillclarkehttps://www.facebook.com/willclarkedjhttps://twitter.com/djwillclarkehttps://www.tiktok.com/@djwillclarke Hosted on Acast. See acast.com/privacy for more information.

TRACKLIST: O1. Ode Ireti Remix - Privacii (Unreleased) 02. Linda - Privacii (Unreleased) 03. Moon Landing - Privacii (Unreleased) 04. Yamê Bécane Remix - Privacii (Unreleased) 05. Dubai - Zakes Bantwini / Universal Music (Pty) Ltd South Africa 06. Amanda - Msaki and Sun-El Musician / Under Da Sun 07. Reservoir Dogs - Privacii / Organique Records 08. Letha (Bun Xapa Remix) - Thandi Draai & DJ Beekay BOOTLEG 09. Busa (Cee En 3step Remix) - Euphonik ft. Bob'Ezy & Mpumi BOOTLEG 10. Senake (Maf3sto Musique 3 Step Bootleg) - Manyelo Dafro BOOTLEG 11. Something About You (3 Step Afro Remix) - Privacii (Unreleased) 12. Gqeberha - Privacii / Organique RecordsMusic in the Air is an incredible travel into house, deep house and nu-disco sound selected by Villahangar' s Djs, Download

Eurythmics - Sexcrime The Human League - Love Action Deee Lite - Groove Is In The Heart Jamiroquai - Little L Jimmy Cliff - I Can't See Clearly Now Sydney Youngblood - If Only I Could Tears For Fears - Break It Down Again The Breeders - Cannonball Propaganda - P Machinery Erasure - Sometimes Bananarama - Cruel Summer The Offsprings - Why Don't You Get A Job Hot Chocolate - You Sexy Thing Simply Red - Sunrise Diana Ross - Upside Down Prince & Nona Gaye - Love Sign Lucy Pearl - Don't Mess With My Man Level 42 - Something About You

A Very 80s Summer, “I Knew You Were Waiting (For Me)” as “Venus” was her name. Looking at the “Man In The Mirror” with “Frankie” who said “Come Dancing” with the “West End Girls.” I got there and they asked, “Do Ya Wanna Funk.” I said “We're Not Gonna Take It,” as she's “Born To Be My Baby.” She's on the “Morning Train” and “Love Will Save The Day.” They apologised and said I'm a “Jealous Guy.” I replied, “Hold Me Now,” “I Think We're Alone Now.” We will be “Together Forever”. There's "Something About You." So there! You can find us on various platforms, Audible, Poddr, Deezer, Podcasts.com, Google Podcasts, Podverse, Amazon Music Podcasts, Pod Friend, Radio Public, Podbay, Audacy, Podcast Index, Boomplay, Podcast Addict, iHeart Radio, Podurama, Goodpods, Poddtoppen, PlayerFM, Podtail, Gaana, Listen Notes, Podchaser, Ivoox, Overhaul FM, Podbean, Mixerbox, Podcast Guru, Castbox FM, Rephonic, Podcast Republic, TuneIn, Pocket Casts, and Apple Podcasts Your kindest donations to my CashApp keep Colzz able to bring more to you.Click Here: CashApp: £djcolzz Enjoy!

Here is the playlist for the 07/24 episode of the Seventh House. Enjoy!Aqua- Barbie GirlPeter Gabriel- On the Air (theme)INXS- New SensationBilly Thorpe and the Aztecs- Most People I KnowBen Craven- Nothing to LoseSouthern Empire- Dreams & MachinesIcehouse- CrazyCrowded House- Fall at Your FeetMidnight Oil- Lost At SeaSebastian Hardie- Another StringUnited Progressive Fraternity- Love Never Leaves UsMarek Arnold's Artrock Project- Come Away With MeIQ- OceanWendy and Lisa- WaterfallJane Siberry- TempleShone Laing- Soviet SnowVykoria Pratt Keating- Disembodied Voices on TapeT.A.P.- The Last Words of Dutch SchultzHoward Jones Trio- Falling AwaySimon Godfrey- Dust and WiresLevel 42- Something About You (acoustic)Nick Beggs- Hold Onto SummerD'Virgilio, Morse and Jennings- King for a DayPallas- Falling DownJadis- See Right Through YouYes- Starship Trooper (the tradition continues.....)Derek Sherinian- A View From the Sky (closing theme)

Get your own “Rock History Music” baseball cap https://rock-history-music-store.creator-spring.com/listing/rock-history-music-hatIf you would like to donate to "Rock History Music"https://www.paypal.com/donate/?hosted...Support “Rock History Music” on Patreonhttp://patreon.com/rockhistorychannelsCHECK OUT MANY INTERVIEWS ON OUR INSTAGRAM ACCOUNThttps://www.instagram.com/rockhistorymusic/?hl=enCHECK OUT OUR TIKTOK CHANNEL https://www.tiktok.com/@johnbeaudin80HELP SUPPORT ROCK HISTORY MUSIC..CHECK OUT OUR STORE FOR T-SHIRTS, MUGS ETChttps://rock-history-music-store.creator-spring.comOUR NEW INSTAGRAM ACCOUNT https://www.instagram.com/rockhistory...Check out the ‘Rock History Book' Podcast https://open.spotify.com/show/0LYdVTf...https://podcasts.apple.com/ca/podcast...https://www.iheart.com/podcast/269-ro...https://tunein.com/podcasts/p1419168/We have 4 active YouTube Channels featuring John Beaudin Subscribe to this (RockHistoryMusic) Channel https://www.youtube.com/channel/UChUv...RockHistoryBook -Top 10 Rock & Pop Support the show

Five Flavors of Funk 74 : "Level 42"   Welcome to the Five Flavors of Funk!  Today, we will listen to a band that hails from the Isle of Wight.  Let's check out Level 42!   Today's tunes include;   Love Games (1981) Something About You (1985) (interlude) Weave Your Spell (1982) Starchild (1981) The Sun Goes Down (Livin' It Up) (1983) Are You Hearing (What I Hear)? (1982)

1. Level 42 - “Something About You” 2. No Use For a Name - “On The outside” 3. Nick Heyward - “Kite”  4. Pulley - “If”  5. The Comet Crushers -“UFO's and Whatever” https://thecometcrushers.bandcamp.com  Spotify Playlist for all the Songs on the Podcast: https://open.spotify.com/playlist/2kaMRkRaCliwBeTCEY4zsA?si=3e300f3b234b468c --- Send in a voice message: https://podcasters.spotify.com/pod/show/5songspodcast/message

Bringing the very best in classic 80's 12 inch versions mechamixed to perfection. BPM = 103 – 116 TRACKS:JEAN BEAUVOIR – Feel The Heat (extended version)SIMPLE MINDS – Alive & Kicking (12” remix)KAJAGOOGOO – Too Shy (origina l 12” mix)DURAN DURAN – Notorious (latin rascals mix)LEVEL 42 – Something About You (shep pettibone remix)JODY WATLEY – Looking For A New Love (dance remix)THE POINTER SISTERS – Automatic (long version)ARCADIA – Election Day (consesnsus mix)QUEEN – Radio Ga Ga (extended remix)SCRITTI POLITTI – Wood Beez (12” version)LEVEL 42 – Lessons In Love (extended version)JAN HAMMER – Miami Vice Theme (extended version)PAUL HARDCASTLE – 19 (extended dance mix)CULTURE CLUB – The War Song (ultimate dance mix)DEBARGE – Rhythm Of The Night (dance mix) For all your mechamix needs go to: THE OFFICIAL WEBSITE:http://mechanism.podomatic.com THE OFFICIAL FACEBOOK PAGE:https://www.facebook.com/theofficialmechanismpodcast THE OFFICIAL TWITTER PAGE:https://twitter.com/MechPod THE OFFICIAL MIXCLOUD PAGE:www.mixcloud.com/Mechanism_Podcast THE OFFICIAL INSTAGRAM PAGE:https://www.instagram.com/mechanism_podcast/ GOOGLE PODCASTS:http://bit.ly/GoogleMechamix TUNE IN:http://bit.ly/TuneInMechamix APPLE PODCASTS:http://bit.ly/AppleMechamix IHEART RADIO PODCAST:http://bit.ly/IheartMechamix YOUTUBE:https://www.youtube.com/c/THEOFFICIALMECHANISMPODCAST #mechamix 

Welcome to the most bass-heavy episode of One Hit Thunder ever! Thanks to Level 42's 1985 hit single “Something About You”, we get into a LOT of talk about the best instrument in the world…the good old electric bass. Frontman Mark King's bass proficiency is impressive, but his songwriting is…well…next LEVEL. Stay tuned for a fun conversation about a jazz fusion band that drew us into the stream of undefined illusion. If you like the show, be sure to rate, review, and subscribe. Email us at onehitthunderpodcast@gmail.com. Also, follow us on our social media: Twitter: @1hitthunderpod Instagram: onehitthunderpodcast Wanna create your own podcast? Contact us at www.weknowpodcasting.com for more information. Visit punchlion.com for Punchline tour dates, news, and merch. Sign up for more One Hit Thunder on our Patreon www.patreon.com/OHTPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Aeon Seven fills the speakers with cinematic soul and majestic beats from BadBadNotGood, Surprise Chef, Godchild, Kendra Morris and his own debut LP "Hand Funktion". Plus Maya Killtron's funk supernova "Something About You", a soulful sureshot from Masters at Work, and our salute to the iconic voice of Hurricane G. View the full playlist for this show at https://www.wefunkradio.com/show/1140 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

By request! We discuss Something About You by Level 42, and it's somewhat odd music video. Hosted by @sliiiiip and @megamixdotcom, the Super Hits Podcast reviews a different retro single each episode! We're on all of the usual podcast platforms, so come find us. Come and give us a 5-star review! We're back to twice-a-week episodes, at least for the time being! To correct us if we miss a fact or get something wrong, to request a single, or to just say hello, hit us up at superhitspodcast@gmail.com Here's the song: https://open.spotify.com/track/0GZzK43dJ6uNjOuitlCxDr?si=168efa3467f24f58 Here's the music video: https://youtu.be/hTWKbfoikeg Here's our website: https://megamixdotcom.com/super-hits/ Here's our Twitter: @SuperHitsCast Here's our Instagram: @SuperHitsPodcast You can also find playlists for all of the songs we've covered on Spotify and Apple Music. Just search for Super Hits Podcast Playlist! --- Send in a voice message: https://podcasters.spotify.com/pod/show/superhitspodcast/message

Today's Song of the Day is "Something About You" from Barrel Flash's album, A Guide to Dancing Alone, out November 4th.Barrel Flash will be performing at the Urban Growler Brewing Co on Saturday, November 5th.

#DJChase #Winstonward #ThePreGamepartymixpodcast The Pre-Game Party Mix Podcast The Number #1 Urban Podcast This week DJ Chase is back for 2022. Today's episode DJ Chase chops it up with multi-talented Sounds of Music University label Owner R&B Artist and Singer Winston Ward. DJ Chase and Winston Ward talk about how he became an R&B singer, R & B Dead?, and his new single “Something About You”, and as always tips and tricks on how to make it in the new music business. Hope You Guys Enjoy!!! Today's Music - “Winston Ward Feat. Amber Lee - Something About You” Let's Win! Peace and Blessings! Like, Comment, and Subscribe #DJChaseTV ►Follow Winston Ward: https://www.instagram.com/winstonwardmusic/ ►Connect With Winston Ward: http://www.winstonwardmusic.com/ ►Follow DJ Chase: https://www.instagram.com/_djchase__/ ►Connect: https://djchase.net/ ►Connect: www.djchaseradio.com WDJC-DB DJ Chase Radio ►Subscribe to the Pre-Game Party Mix Podcast on Spotify Podcasts: https://open.spotify.com/show/0lK4xDQQP7SVpfAkevXKIC?si=VnfSz2bETWeFuFBAze3ZzA Apple Podcasts: https://podcasts.apple.com/us/podcast/dj-chase-pre-game-party-mix-podcast-with-dj-chase/id1487891239 Thank You for Enjoying This Content Feel Free to Support and Patron This Podcast !! ►CashApp - https://cash.app/$DJChase2 ►Paypal - https://www.paypal.me/djchase --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/dj-chase/message Support this podcast: https://anchor.fm/dj-chase/support

#DJChase #Winstonward #ThePreGamepartymixpodcast The Pre-Game Party Mix Podcast The Number #1 Urban Podcast This week DJ Chase is back for 2022. Today's episode DJ Chase chops it up with multi-talented Sounds of Music University label Owner R&B Artist and Singer Winston Ward. DJ Chase and Winston Ward talk about how he became an R&B singer, R & B Dead?, and his new single “Something About You” , and as always tips and tricks on how to make it in the new music business. Hope You Guys Enjoy!!! Today's Music - “Winston Ward Feat. Amber Lee - Something About You” Let's Win! Peace and Blessings! Like, Comment, and Subscribe #DJChaseTV ►Follow Winston Ward: https://www.instagram.com/winstonwardmusic/ ►Connect With Winston Ward: http://www.winstonwardmusic.com/ ►Follow DJ Chase: https://www.instagram.com/_djchase__/ ►Connect: https://djchase.net/ ►Connect: www.djchaseradio.com WDJC-DB DJ Chase Radio ►Subscribe to the Pre-Game Party Mix Podcast on Spotify Podcasts: https://open.spotify.com/show/0lK4xDQQP7SVpfAkevXKIC?si=VnfSz2bETWeFuFBAze3ZzA Apple Podcasts: https://podcasts.apple.com/us/podcast/dj-chase-pre-game-party-mix-podcast-with-dj-chase/id1487891239 Thank You for Enjoying This Content Feel Free to Support and Patron This Podcast !! ►CashApp - https://cash.app/$DJChase2 ►Paypal - https://www.paypal.me/djchase --- Send in a voice message: https://anchor.fm/dj-chase/message Support this podcast: https://anchor.fm/dj-chase/support

Tracklisting: 1. On My Mind (feat. Thandile Sigabii) 2. Sbhanxa (Instrumental) 3. Untitled 4. Something About You (feat. Thandile Sigabii) 5. Ama Fest 6. Jägerbomb Follow Bee Deejay Instagram https://www.instagram.com/bee_deejay/ Facebook https://www.facebook.com/beedeejaycpt/ Twitter https://twitter.com/bee_deejay Youtube https://www.youtube.com/channel/UCTKoItzAye2J3mFCfDSI2GQ/videos Spotify https://open.spotify.com/artist/1A7Ky5UAXhxZsv5kXFbYVD Apple Music https://music.apple.com/za/artist/bee-deejay/1016404817 Bookings: info@generationnxtent.co.za Mobile: +27737505307

Aired on Proton Radio 18.09.2022 • LIKE, SHARE, REPOST • ↻ 01.@djrexton - Something About You [@unbelievablerecords] 02.@djladyleeofficial - Wake Up (Extended Mix) [@smilee-records] 03.@shayan0pasha - Silver Lining (@ewan-rill Remix) [@polyptychmusic] 04.@galestianmusic- Temple Of Healing (@Starkato & @Intaktogene Remix) [@polyptychmusic] 05.@der-effekt - Atmosphere (@olffmann_music Remix) [@kitchen-record-label] 06.@servando_music - Obsession (@kandarmusic Clubaholic Remix) [@ah-digital-1] 07.@alias_jofc - Generation Now [@chrom-recordings] 08.@dj-glen-m- Light Year [@layercaked-melodic] 09.@kamilosanclemente & @dabeat_music - Nightalkers [@plaisirssonoresrecords] 10.@victorruiz - Nebula (Extended Mix) [@thefactory93]

Mike played keyboards and shared lead vocals for synth jazz-pop Level 42's initial run for nine albums from 1982-1994 (and rejoined in 2006) and is working on his fourth solo release. We talk about his new single, "Atlantia," plus "Madness" from On the One (2011) and Level 42's "Weave Your Spell" from The Pursuit Of Accidents (1982). End song: "Heart of the Matter" from Conversations with Silence (2003). Intro: "Something About You" by Level 42 from World Machine (1985). More at mikelindup.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us on Patreon. Sponsor: Upgrade your showering at nebia.com/nem (code NEM).

In 2019, Idris Vicuña was suddenly everywhere, an overnight success several years in the making on the strength of “Jealous.” The single found the L.A. musician shooting up Spotify charts on the back of viral TikTok videos. “Romantic Lover” and “Something About You” found their own success as gold records, over the next two years. As with its predecessor, 2022's Full Time Lover finds Eyedress in full collaborative mode – an element that's been a key to his art, ever since he found likeminded individuals after years of searching. The musician joined us from his L.A. home to discuss a childhood spent moving around and his continued growth as an artist. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

PLAYLIST: 1/ Virtual Insanity (Salaam Remi Remix) 2/ Too Young to Die (LNTG high Capricorn remix) 3/ Alright (RLP Soft Touch) 4/ Blow Your Mind (Mikeandtess edit 4 mix) 5/ Something About You (pierre-m edit) 6/ Space Cowboy (David Morales Classic Club Mix) 7/ Seven Days In Sunny June (Ashley Beedle Remix) 8/ Cosmic Girl (Dimitri from Paris remix) 9/ Summer Girl (Mikeandtess edit 4 mix) 10/ Runaway (Grant Nelson Remix) 11/ You Give Me Something [Full Intention Club remix) 12/ Little L (Bob Sinclar Mix) 13/ Love Foolosophy (Knee Deep remix) 14/ Canned heat (Frank Cassy Réédit)

Love Is The Answer With The CoCreators 16 July www.thecocreatorsmusic.com 1 Giving You the Light......... Loui & Scibi, Nathalia, Peter Brown 2 Cry No More (Original Mix)......... Yvvan Back 3 Losing You ............ David Penn 4 Song for O (Original Mix) ....... Purple Disco Machine 5 Something About You .............. Tsalikee & Kathy Brown 6 Isn't You ................. The Early Bird 7 Rhythm Of My Love .................... Hannah K - Angelo Ferreri 8 Home ....................... Rogerio Lopez/Tim Porta & Julie McKnight 9 House Dimension ................... Ron Carroll, Milk & Sugar 10 Mind Tricks .......................... Homero Espinosa Ander B

80DiscoParty Il programma anni 80 di Radio RTO. Mix & Selection Luca Maurinaz & Franco Novena. Voice Roger Mantovani Playlist Sandra – Maria Magdalena (1985) King – Alone Without You (1985) Duran Duran – Notorius (1986) Level 42 – Something About You (1985) Alan Sorrenti – Figli Delle Stelle (1977) Mai Tai – History (1985) Princess – Say I'm Your Number One (1985) Sade – Hang On To Your Love (1984)

Hola, os damos la bienvenida a ERA Magazine, el podcast que presenta grupos femeninos de la música independiente española. Hoy hablamos de nuevo con Elena Nieto, la mujer que con su proyecto Yawners nos devuelve a los mejores noventa. Si en Just Calm Down ya nos avisaba de por dónde iban sus canciones, en este Duplo (Montgrí, 2022) afianza su propuesta, pero, en esta ocasión, combinando inglés y castellano, la gran novedad del disco. Por lo demás, ¿qué decir de Yawners? Que ya ha girado por muchos países, que sus guitarras siguen vibrando allá por donde van y que incluso le dedica una canción al cantante de Weezer. Guitarras, this is the way. Antes de escuchar este programa, os quiero recordar que podéis colaborar con ERA Magazine, y ayudarnos a conocer muchos más grupos femeninos de música independiente de nuestro país. Es muy sencillo, entras en eramagazine.fm/donacion y a través de PayPal o tarjeta de crédito puedes donar lo que consideres oportuno. Cualquier cantidad será bienvenida y reinvertida en la realización de las entrevistas de este podcast. Elena nos presentó las siguientes canciones: "Tu cumpleaños". "Something About You". "Paranormal". "The House". Con esta canción nos despedimos por hoy. También te quiero recomendar si eres un autor o autora que puedes escuchar el podcast Autoría, que hago junto a Ainara LeGardon, música y especialista en propiedad intelectual y que puedes encontrar en legardon.net/autoria. En este programa, contestamos a las preguntas que la audiencia nos hace llegar a través de legardon.net/contacto. Así que si tienes alguna duda sobre derechos de autoría y propiedad intelectual, ya sabes dónde encontrar las respuestas.

This week, we're talking about a beloved contemporary romance, the first in Julie James's FBI/US Attorney series — Something About You. This one is a fascinating look at a series connected by not the romance standard of friends or families, but by work. Set in Chicago, it contains all the mystery of a romantic suspense without ever straying from the contemporary romance path. The characters are sharp, the writing is clever, the structure is fascinating, and it will likely make you read the rest of the series almost immediately. Thanks to Avon Books, publisher of Lynsay Sands's Immortal Rising, and Kelly Cain, author of An Acquired Taste, for sponsoring the episode.Show NotesJulie James is the author of 9 books in the FBI/US Attorney series. They are stand alone novels in the world of the Chicago criminal justice system. The Hyatt Lodge in Oak Brook has a lap pool with lane lines in case you're into that sort of thing. The U.S. Attorneys are federal prosecutors and there are 94 districts. Saying out each letter separately “A-U-S-A” is in fact the right way to shorten this title. Jen confirmed it with Erin.The Peninsula is a fancy hotel in Chicago. Jen is unsure of whether or not it has a lap pool. After refinishing hardwood floors, you really do need to wait a while before walking on them! Vocation vs Career vs a bunch of other things.“Taste her blood in her throat” as someone (ahem, Nora Roberts) might say. You definitely want to see that scene Jen referenced from The Old Guard with Nicky & Joe. Unfortunately, Channing Tatum's stirring defense of romance in The Lost City is not yet available on YouTube. Watch thisas a placeholder. Or this. You're welcome. Christina Lauren is going on a book tour! You can see them with Sarah in Connecticut on May 18th, or in the Chicago suburbs with Jen on May 19th. Join us! Spiaggia has closed, but it was very fancy in its heyday. It's not weird pizza, okay.

Let's go back in time when heavy metal was just beginning to find its legs (after its birth in 1970 with BLACK SABBATH's self-titled debut). Back then hard rock and metal were terms used interchangeably, so don't be surprised to see both represented in this 40-minute curated set of the best hard music made that year. A big salute to 1976 - there's something about you!! Side 1 (0:00) "Lick and a Promise": AEROSMITH - Rocks (3:05) "Deceiver": JUDAS PRIEST - Sad Wings of Destiny (5:48) "Turn It Up": TED NUGENT - Free For All (9:25) "Is There A Better Way": STATUS QUO - Blue For You (12:56) "Something About You": Boston - Boston (16:44) "Something For Nothing": RUSH - 2112 Side 2 (20:43) "Starstruck": RAINBOW - Rising (24:49) "Havana Affair'": RAMONES - Ramones (26:46) "Highway Lady": UFO - No Heavy Petting (30:33) "Emerald": THIN LIZZY - Jailbreak (34:38) "Only Your Nose Knows": MAX WEBSTER - Max Webster (38:58) "Back Street Kids" - BLACK SABBATH - Technical Ecstasy (42:45) "Virgin Killer" - SCORPIONS - Virgin Killer

Trailblazer episodes continue this week with EE Ottoman, the first out trans author of romance novels. EE joins us to talk about his journey into romance, about the evolution of trans romance novels, and about the importance of representation in romance. This is a fascinating conversation, and we're so grateful to EE for joining us to tell his story, and the story of trans romance to date. An important note: While books by LGBTQ+ authors have been targeted by book bans across the country for decades, the recent bans on books and language around queerness in schools and public spaces make this issue even more pressing. This episode was recorded in the fall of 2021, which is why this specific issue is not a part of our discussion. Thanks to Kelly Cain, author of An Acquired Taste, and Ava Wixx, author of Virtual Reality Bites, for sponsoring the episode.Our next read along is Julie James's Something About You. Get it at Amazon, Barnes & Noble, Apple Books, Kobo, or at your local bookstore.Show NotesWelcome EE Ottoman, a romance trailblazer for being the first trans writer to write romance with trans characters. You can watch the RWA video of romance firsts here. People and publishers mentioned: Less Than 3 Press; We discussed the shifting landscape of LGBTQ bookstores during our trailblazer interview with Radclyffe and Oprah daily has an extensive list of LGBTQ bookstores searchable by state. The zine bookstore in Chicago is called Quimby's. EE Ottoman mentioned authors KJ Charles and May Peterson as being especially supportive on his journey through romance, and notes that Carina Press has been several trans romance titles. Books with queer characters continue to be the target of book banning across the country, and books with trans characters are the most likely to be targeted.

At the request of Instagram, we're talking Vampires today! We're doing some deep cuts, returning to Kresley Cole for a minute or two, and then digging into worldbuilding, morality chain, why these books lend themselves to massive series, and ultimately…why we love these big toothy jerks. If you're a paranormal reader, get your pencils ready — especially if you're new to it, because we're taking everyone way back to the beginnings of the subgenre! Thanks to Kelly Cain, author of An Acquired Taste, and Alyxandra Harvey, author of How to Marry an Earl, for sponsoring the episode.Our next read along is Julie James's Something About You. Get it at Amazon, Barnes & Noble, Apple Books, Kobo, or at your local bookstore. Show NotesWe've talked about vampires on past episodes: Kresley's IAD vampires (Conrad is our favorite); Dark Lover by JR Ward; and last fall, we had Jenny Nordbak on for a monster interstitial. If you're in Brooklyn and looking for a bookstore that carries lots of PNR, try The Bookmark Shoppe.In film, after 9/11, the rise of the anti/superhero to reconcile America's participation in a war. After the economic downturn, it was the rise of zombies to justify the way America was leaving poor people behind. And in this TikTok by Virgolikebeyonce, she suggests we're about to see media that reconciles our obsession with work/capitalism. We at FM have been noting a rise of the regular, blue-collar hero, which would track with this.A hegemony explainer.Tessa Bailey hit #1 on both the USAToday and New York Times bestseller lists with Hook, Line, and Sinker.The Sherilyn Kenyon situation is truly weird. Even eBooks can go out of print, for example, The Faustian Brothers series by Evie Byrne.Our next read along is Something About You by Julie James.

This week, we're talking about one of Sarah's favorite recent historicals, Diana Quincy's beautiful Her Night With the Duke, which was on our 2020 Best Romance of the Year list. This one fires on many cylinders, and the conversation it inspired covers a lot of ground. We talk about how you won't get a better Bridgerton read-alike than this one, about the third-act breakup, why it works and the work it does in a romance, about why widows are allowed to be sexy, about responsibility and aristocracy, about hot golf, and about how modern historicals are really doing the business. Thanks to Avon Books, publisher of Eva Leigh's The Good Girl's Guide to Rakes, and Kelly Cain, author of An Acquired Taste, for sponsoring the episode.Our next read along is Julie James's Something About You. Get it at Amazon, Barnes & Noble, Apple Books, Kobo, or at your local bookstore. Show NotesDiana Quincy has written many romance novels, and she also published Regency era mysteries under the name D.M. Quincy. You can find information about her books on her website, on twitter, or on Instagram. Her Night with the Duke was one of our best of 2020 romances.Leela taking her knife to her evil brother-in-law's face was just as satisfying as this great scene with Inigo Montoya from The Princess Bride.Here's a brief overview of the history of the Arab community in Manchester, England.Craft in the Real World by Matthew Salesses dives into storytelling around the world, makes the case that conflict-driven plots are not universal and advocates for making diverse storytelling traditions welcome in literary spaces. This essay from LitHub is a good primer to his argument.

Elderbrook - Performing Live The debut album 'Why Do We Shake In The Cold?'  All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ---------------------------------------------------------------------------------------------------- Track-List: 00:00 My house 05:20 Sleepwalking 09:16 Set Fire To My Gun 13:20 Take A Minute 16:56 Down By The Bay 20:24 Talking 23:35 Old Friend 27:56 Numb 32:19 Next December 35:14 Something About You 38:53 Back To My Bed 42:13 Bird Song 46:00 Why Do We Shake In The Cold? 51:20 I'm A Fool 54:41 All My Love 58:53 Cola Re-shared by Team UNPLUGGED. 

I am lucky to have this guy on now because the bubble is about to POP for this incredibly talented singer - write it down now people, because Josh Arce is up next. Such a great time getting Josh's full story in this one - I know y'all will enjoy it as much as I did.

The 2017 action film Midnight Runners has everything we love about buddy cop movies: Action, comedy, some sweaty abs, and big sticks. We dive into what made it fun, talk about how there are some important underlying lessons, and discuss why we'd watch the duo of Park Seo Joon and Kang Ha Neul in just about anything.Kpop rec:What Type of X by JessiRomance book abut law enforcement:Something About You by Julie James

Episode one hundred and thirty-two of A History of Rock Music in Five Hundred Songs looks at “I Can't Help Myself” by the Four Tops, and is part two of a three-episode look at Motown in 1965. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Colours" by Donovan. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week, as too many of the songs were by the Four Tops. Amazingly, there are no books on the Four Tops, so I've had to rely on the information in the general Motown sources I use, plus the liner notes for the Four Tops 50th Anniversary singles collection, a collection of the A and B sides of all their Motown singles. That collection is the best collection of the Four Tops' work available, but is pricey -- for a cheaper option this single-disc set is much better value. For Motown-related information in this and other Motown episodes, I've used the following resources: Where Did Our Love Go? The Rise and Fall of the Motown Sound by Nelson George is an excellent popular history of the various companies that became Motown. To Be Loved by Berry Gordy is Gordy's own, understandably one-sided, but relatively well-written, autobiography. Women of Motown: An Oral History by Susan Whitall is a collection of interviews with women involved in Motown. I Hear a Symphony: Motown and Crossover R&B by J. Andrew Flory is an academic look at Motown. The Motown Encyclopaedia by Graham Betts is an exhaustive look at the people and records involved in Motown's thirty-year history. How Sweet It Is by Lamont Dozier and Scott B. Bomar is Dozier's autobiography, while Come and Get These Memories by Brian and Eddie Holland and Dave Thompson is the Holland brothers'. And Motown Junkies is an infrequently-updated blog looking at (so far) the first 694 tracks released on Motown singles. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript This is the second part of a two-part look at the work of Holland, Dozier, and Holland, and part of a three-part look at Motown Records in the mid-sixties. If you've not listened to the last episode, on the Supremes, you might want to listen to that one before this. There's a clip of an old radio comedy show that always makes me irrationally irritated when I hear it, even though I like the programme it's from: [Excerpt of The Mark Steel Lectures, “Aristotle” episode. Transcript: "Which led him back to the problem, what is it that makes something what it is? Is an apple still an apple when it's decomposing? I went to see the Four Tops once and none of the original members were in the band, they were just session musicians. So have i seen the Four Tops or not? I don't know" ] That's the kind of joke that would work with many vocal groups -- you could make the joke about the Drifters or the Ink Spots, of course, and it would even work for, for example, the Temptations, though they do have one original member still touring with them. Everyone knows that that kind of group has a constantly rotating membership, and that people come and go from groups like that all the time. Except that that wasn't true for the Four Tops at the time Mark Steel made that joke, in the late 1990s. The current version of the Four Tops does only have one original member -- but that's because the other three all died. At the time Steel made the joke, his only opportunity to see the Four Tops would have been seeing all four original members -- the same four people who had been performing under that name since the 1950s. Other groups have had longer careers than that without changing members -- mostly duos, like Simon & Garfunkel or the Everly Brothers -- but I can't think of another one that lasted as long while performing together continuously, without taking a break at any point. So today, we're going to look at the career of a group who performed together for forty-four years without a lineup change, a group who were recording together before Motown even started, but who became indelibly associated with Motown and with Holland-Dozier-Holland. We're going to look at the Four Tops, and at "I Can't Help Myself": [Excerpt: The Four Tops, "I Can't Help Myself"] The Four Tops have turned up in the background in several episodes already, even though we're only now getting to their big hits. By the time they became huge, they had already been performing together for more than a decade, and had had a big influence on the burgeoning Detroit music scene even before Berry Gordy had got involved with the scene. The group had started out after Abdul "Duke" Fakir, a teenager in Detroit, had gone to see Lucky Millinder and his band perform, and had been surprised to see his friend Levi Stubbs turn up, get on stage, and start singing with the band in a guest spot. Fakir had never realised before that his friend sang at all, let alone that he had an astonishing baritone voice. Stubbs was, in fact, a regular on the Detroit amateur singing circuit, and had connections with several other performers on that circuit -- most notably his cousin Jackie Wilson, but also Hank Ballard and Little Willie John. Those few singers would make deals with each other about who would get to win at a particular show, and carved things up between them. Stubbs and Fakir quickly started singing together, and by 1953 they had teamed up with two other kids, Obie Benson and Lawrence Payton. The four of them sang together at a party, and decided that they sounded good enough together that they should become a group. They named themselves the Four Aims, and started playing local shows. They got a one-off record deal with a small label called Grady Records, and released their only single under the name "The Four Aims" in 1956: [Excerpt: The Four Aims, "She Gave Me Love"] After that single, they tried teaming up with Jackie Wilson, who had just quit Billy Ward and the Dominoes, but they found that Wilson and Stubbs' voices clashed -- Wilson's then-wife said their voices were too similar, though they sound very different to me. Wilson would, of course, go on to his own massive success, and that success would be in part thanks to Roquel Davis, who was Lawrence Payton's cousin. As we saw in the episode on "Reet Petite", Davis would co-write most of Wilson's hits with Berry Gordy, and he was also writing songs for the Four Aims -- who he renamed the Four Tops, because he thought the Four Aims sounded too much like the Ames Brothers, a white vocal quartet who were popular at the time.  They explained to Davis that they were called the Four Aims because they were *aiming* for the top, and Davis said that in that case they should be the Four Tops, and that was the name under which they would perform for the rest of their career. In the early fifties, before Wilson's success, Davis was the person in the group's circle with the most music industry connections, and he got them a deal with Chess Records. I already talked about this back in the episode on Jackie Wilson, but the group's first record on Chess, with Davis as the credited songwriter: [Excerpt: The Four Tops, "Kiss Me Baby"] Sounds more than a little like a Ray Charles record from a couple of years earlier, which Davis definitely didn't write: [Excerpt: Ray Charles, "Kissa Me Baby"] But that wasn't a success, and it would be another four years before they released their next single -- a one-off single on Columbia Records. It turned out that Chess had mostly signed the Four Tops not for the group, but to get Davis as a songwriter, and songs he'd originally written for the Tops ended up being recorded by other acts on Chess, like the Moonglows and the Flamingoes. The group's single on Columbia would also be a flop, they'd wait another two years before another one-off single on Riverside, and then yet another two years before they were signed by Motown. Their signing to Motown was largely the work of Mickey Stevenson, Motown's head of A&R. Of course, Stevenson was responsible, directly or otherwise, for every signing to the label at this point in time, but he had a special interest in the Four Tops. Stevenson had been in the Air Force in the 1950s, when he'd wandered into one of the Detroit amateur shows at which the Four Aims had been performing. He'd been so impressed with them that he immediately decided to quit the air force and go into music himself. He'd joined the Hamptones, the vocal group who toured with Lionel Hampton's band, and he'd also become a member of a doo-wop group called The Classics, who'd had a minor hit with "If Only the Sky Was a Mirror": [Excerpt: The Classics, "If Only the Sky Was a Mirror"] Stevenson had moved into a backroom position with Motown, but it was arguably the most important position in the company other than Gordy's. He was responsible for putting together the Funk Brothers, for signing many of the label's biggest acts, and for co-writing a number of the label's biggest hits, including "Stubborn Kind of Fellow" and "Dancing in the Street". Stevenson had wanted to sign the group from the start -- given that they were the group who were directly responsible for everything that had happened in his career, they were important to him. And Berry Gordy was also a fan of the group, and had known them since his time working with Jackie Wilson, but it had taken several years for everything to fall into place so that the group were able to sign to Motown. When they did, they naturally became a priority. When they were signed to the label, it was initially with the intention of recording them as a jazz group rather than doing the soul pop that Motown was best known for. Their first recordings for Motown were for their subsidiary Workshop Jazz. They recorded an entire album of old standards for the label, titled "Breaking Through": [Excerpt: The Four Tops, "This Can't be Love"] Unfortunately for the group, that album wouldn't be released for thirty-five years -- Workshop Jazz had been founded because Berry Gordy was still a jazz fanatic, but none of the records on it had been very successful (or, frankly, very good -- the Four Tops album was pretty good, but most of the music put out on the label was third rate at best), and so the label closed down before they released the Four Tops album. So the group were at a loose end, and for a while they were put to work as session vocalists on other people's records, adding backing to records by the Supremes: [Excerpt: The Supremes, "Run Run Run"] And even after they started having hits of their own they would appear on records by other people, like "My Baby Loves Me" by Martha and the Vandellas: [Excerpt: Martha and the Vandellas, "My Baby Loves Me"] You'll notice that both of these records were ones where the Four Tops were added to a female group -- and that would also be the case on their own records, once Holland, Dozier, and Holland took over producing them. The sound on the Four Tops' records is a distinctive one, and is actually made up of seven voices. Levi Stubbs, of course, took the lead on the singles, but the combination of backing vocalists was as important as the lead. Unlike several other vocal groups, the Four Tops were never replaced on their records -- Stubbs was always resistant to the idea that he was more important than the rest of his group. Instead, they were augmented -- Motown's normal session singers, the Andantes, joining in with Fakir, Payton, and Benson. The idea was to give the group a distinctive sound, and in particular to set them apart from the Temptations, whose recordings all featured only male vocals. The group's first hit single, "Baby I Need Your Loving", was a song that Holland, Dozier, and Holland had written but weren't too impressed with. Indeed, they'd cut the backing track two years earlier, but been too uninspired by it to do anything with the completed track. But then, two years after cutting the backing, Dozier was hit with inspiration -- the lines "Baby, I need your loving/Got to have all your loving" fit the backing track perfectly. Eddie Holland was particularly excited to work with the Four Tops. Even though he'd somehow managed never to hear the group, despite both moving in the same musical circles in the same town for several years, he'd been hearing for all that time that Levi Stubbs was as good as his rivals Little Willie John and Jackie Wilson -- and anyone that good must be worth working with. When they took the song into the studio, though, Levi Stubbs didn't want to sing it, insisting that the key was wrong for his voice, and that it should be Payton who sang the song. The producers, though, insisted that Stubbs had the perfect voice for the song, and that they wanted the strained tone that came from Stubbs' baritone going into a higher register than he was comfortable with. Eddie Holland, who always coached the lead vocalists while his brother and Lamont Dozier worked with the musicians, would later say that the problem was that Stubbs was unprepared and embarrassed -- they eventually persuaded Stubbs to take the song home and rehearse it over the weekend, and to come in to have a second go at the track the next Monday. On the Monday, Stubbs came in and sang the song perfectly, and Stubbs' baritone leads became the most distinctive sound to come out of Motown in this period: [Excerpt: The Four Tops, "Baby I Need Your Loving"] According to at least one source, Stubbs was still unhappy with his vocal, and wanted to come in again the next day and record it again. Holland, Dozier, and Holland humoured him, but that wasn't going to happen. "Baby I Need Your Loving" became a hit, making number eleven, and so of course the next record was a soundalike. "Without the One You Love (Life's Not Worthwhile)" even started with the line "Baby, I need your good loving". Unfortunately, this time Holland, Dozier, and Holland copied their previous hit a little *too* closely, and people weren't interested. Dozier has later said that they were simply so busy with the Supremes at the time that they didn't give the single the attention it deserved, and thought that cranking out a soundalike would be good enough. Because of this, they weren't given the group's next single -- the way Motown worked at the time, if you came up with a hit for an act, you automatically got the chance to do the follow-up, but if you didn't have a hit, someone else got a chance. Instead, Mickey Stevenson and Ivy Joe Hunter came up with a ballad called "Ask the Lonely", which became a minor hit -- not as big as "Baby I Need Your Loving", but enough that the group could continue to have a career. It would be the next single that would make the Four Tops into the other great Holland-Dozier-Holland act, the one on which their reputation rests as much as it does on the Supremes: [Excerpt: The Four Tops, "I Can't Help Myself"] "I Can't Help Myself" was inspired by Dozier's grandfather, who would catcall women as they passed him on the street -- "Hey, sugar pie! Hi there honey bunch!" Dozier married those words to a chord progression that's almost identical to the one from "Where Did Our Love Go?".  Both songs go C-G-Dm-F-G, with the same number of beats between changes: [demonstrates] There's only one tiny change in the progression -- in the last beat of the last bar, there's a passing chord in "I Can't Help Myself", a move to A minor, that isn't there in "Where Did Our Love Go?" Even the melody lines, the syllabics of the words, and their general meanings are very similar. "Where Did Our Love Go?" starts with "Baby baby", "I Can't Help Myself" starts with "Sugar pie, honey bunch". "Baby don't leave me" is syllabically similar to "You know that I love you". The two songs diverge lyrically and melodically after that, but what's astonishing is how a different vocalist and arrangement can utterly transform two such similar basic songs. Compare the opening of "Where Did Our Love Go?": [Excerpt: The Supremes, "Where Did Our Love Go?"] With the opening of "I Can't Help Myself": [Excerpt: The Four Tops, "I Can't Help Myself"] It's a perfect example of how Holland, Dozier, and Holland would reuse musical ideas, but would put a different spin on them and make the records sound very different. Of course, some of the credit for this should go to the Funk Brothers, the session musicians who played on every Motown hit in this period, but there's some question as to exactly how much credit they deserved. Depending on who you believe, either the musicians all came up with their own instrumental lines, and the arrangement was a group effort by the session musicians with minimal interference from the nominal producers, or it was all written by Brian Holland and Lamont Dozier, and the musicians just did what they were told with no creative input at all. The arguments about who did what tend to get quite vicious, with each side pointing out, accurately, that the other needed them. It's true that Holland, Dozier, and Holland didn't do anything like as well as writers and producers after they left Motown. It's also true that the Funk Brothers didn't write or produce any hits themselves, but were reliant on the Motown staff writers and producers for material. I suspect, and it is only a suspicion, that the truth lies between the two, and that it was a collaborative process where Holland and Dozier would go into the studio with a good idea of what they wanted, but that there was scope for interpretation and the musicians were able to make suggestions, which the producers might take up if they were good ones. If Brian Holland sketched out or hummed a rough bassline to James Jamerson, saying something like "play bum-bum-bum-bum", and then Jamerson embellished and improvised around that rough bassline, it would be easy to see how both men could come out of the session thinking they had written the bassline, and having good reason to think so. It's also easy to see how the balance could differ in different sessions -- how sometimes Holland or Dozier could come in with a fully worked out part, and other times they might come in saying "you know the kind of thing I want",  and how that could easily become remembered as "I came up with all the parts and the musicians did nothing" or "Us musicians came up with all the parts and the producers just trusted us". Luckily, there's more than enough credit to go around, and we can say that the Four Tops, Holland, Dozier, and Holland, the Funk Brothers, and the Andantes all played an important part in making these classic singles: [Excerpt: The Four Tops, "I Can't Help Myself"] "I Can't Help Myself" knocked the Supremes' "Back in My Arms Again" off the number one spot, but was itself knocked off the top by "Mr. Tambourine Man" -- but then a week later, "I Can't Help Myself" was at number one again, before being knocked off again by "(I Can't Get No) Satisfaction". The success of "I Can't Help Myself" meant that the group's singles on their old labels suddenly had some value. Columbia Records reissued "Ain't That Love", a single the group had originally released four years earlier, in the hope of having some success because of the group's new-found fame. As we saw last time when the Supremes rushed out "Come See About Me" to prevent someone else having the hit with it, there was nothing that Berry Gordy hated more than the idea that someone else could have a hit based on the success of a Motown act. The Four Tops needed a new single *now* to kill the record on Columbia, and it didn't matter that there were no recordings or even songs available to put out. Holland, Dozier, and Holland went into the studio to record a new backing track with the Funk Brothers, essentially just a remake of the backing from "I Can't Help Myself", only very slightly changed. By three o'clock in the afternoon on the day they found out that the Columbia record was being released, they were in the studio, Dozier fine-tuning the melody while Brian Holland rehearsed the musicians and Eddie Holland scribbled lyrics in another corner. By five PM the track had been recorded and mixed. By six PM the master stamper was being driven the ninety miles to the pressing plant so they could start pressing up copies. The next day, DJs started getting copies of the record, and it was in the shops a couple of days later. Of course, the record being made in such a rush meant that it was essentially a remake of their previous hit -- something that was acknowledged in the tongue-in-cheek title: [Excerpt: The Four Tops, "It's the Same Old Song"] "It's the Same Old Song" wasn't as big a hit as "I Can't Help Myself", but it made number five on the charts, a more than respectable follow-up, and quite astonishing given the pressure under which the record was made. The next few singles that Holland, Dozier, and Holland wrote for the group weren't quite as successful -- this was early 1966, and Holland, Dozier, and Holland were in a mini slump -- they'd had a number one with "I Hear a Symphony", as we heard in the last episode, but then they produced two singles for the Supremes that made the top ten, but not number one -- "My World is Empty Without You" and "Love is Like an Itching in My Heart".  And as the Four Tops weren't quite as big as the Supremes, so their next two singles, "Something About You" and "Shake Me, Wake Me (When It's Over)", only just scraped into the bottom of the top twenty. Still hits, but not up to Holland, Dozier, and Holland's 1965 standards. And so as was the common practice at Motown, someone else was given a chance to come up with a song for the group. "Loving You is Sweeter Than Ever" was written by Ivy Jo Hunter, a songwriter and producer whose biggest contribution to this point had been co-writing "Dancing in the Street", and Stevie Wonder, a child star who'd had a hit a couple of years earlier but never really followed up on it, and who also played drums on the track: [Excerpt: The Four Tops, "Loving You is Sweeter Than Ever"] Within a few months, Wonder would begin a run of hit singles that would continue for more than a decade, and would become arguably the most important artist on Motown. But that golden period hadn't quite started yet, and "Loving You is Sweeter Than Ever" didn't make the top forty. At this point, it would have been easy for the Four Tops to have been relegated to the same pile as artists like the Contours -- people who'd had a couple of hits on Motown, but had then failed to follow up with a decent career. Motown was becoming ever more willing to drop artists as dead weight, as Gordy was increasingly concentrating on a few huge stars -- Marvin Gaye, Smokey Robinson and especially the Supremes – to the exclusion of everyone else. But then Holland, Dozier, and Holland got back up on top. They came up with two more number ones for the Supremes in quick succession. "You Can't Hurry Love" was recorded around the same time that "Loving You is Sweeter Than Ever" was failing to chart, and quickly became one of the Supremes' biggest ever hits. They followed that with a song inspired by the sound of the breaking news alert on the radio, replicating that sound with the staccato guitars on what was their most inventive production to date: [Excerpt: The Supremes, "You Keep Me Hanging On"] Not only was that a number one record, it was soon followed by a top ten cover version by the heavy rock band Vanilla Fudge: [Excerpt: Vanilla Fudge, "You Keep Me Hanging On"] Holland, Dozier, and Holland were back on top, and they brought the Four Tops back to the top with them. The next single they recorded with the group, "Reach Out, I'll Be There", started with an instrumental introduction that Brian Holland was noodling with on the piano: [Excerpt: The Four Tops, "Reach Out I'll Be There"] Holland was playing that part, over and over, and then suddenly Lamont Dozier was hit with inspiration -- so much so that he literally pushed Holland to one side without saying anything and started playing what would become the verse: [Excerpt: The Four Tops, "Reach Out I'll Be There"] The interesting thing about that track is that it shows how the different genres that were charting at the time would have more influence on each other than it might appear from this distance, where we put them all into neat little boxes named "folk-rock" or "Motown". Because Lamont Dozier was very specifically being influenced by Bob Dylan and "Like a Rolling Stone", when it came to how the song was phrased. Now, this is not something that I would ever in a million years have thought of, but once you know it, the influence is absolutely plain -- the way the melody stresses and elongates the last syllable of each line is pure Dylan. To show this, I am afraid I'm going to have to do something that I hoped I'd never, ever, have to do, which is do a bad Bob Dylan impression. Everyone thinks they can impersonate Dylan, everyone's imitations of Dylan are cringeworthy, and mine is worse than most. This will sound awful, but it *will* show you how Dozier was thinking when he came up with that bit of melody: [demonstrates] Let us never speak of that again. I think we'd better hear how Levi Stubbs sang it again, hadn't we, to take that unpleasant sound away: [Excerpt: The Four Tops, "Reach Out I'll Be There"] That became the group's second and last number one single, and also their only UK number one. Unfortunately, Holland, Dozier, and Holland were so hot at this point that they ended up competing with themselves. Norman Whitfield, one of the other Motown songwriter-producers, had wanted for a while to produce the Temptations, whose records were at this point mostly written and produced by Smokey Robinson. He called on Eddie Holland to help him write the hit that let him take over from Robinson as the Temptations' producer, "Ain't Too Proud to Beg": [Excerpt: The Temptations, "Ain't Too Proud to Beg"] Dozier and Brian Holland were fine with Eddie working with another writer -- they all did that kind of thing on occasion -- until the date of the BMI Awards. The previous two years, the trio had been jointly given BMI's award for most successful songwriter of the year. But that year, Eddie Holland got the award on his own, for having written more hits than anyone else (he'd written eight, Dozier and Brian Holland had written six. According to a contemporary issue of Billboard, John Sebastian was next with five, then Lennon/McCartney and Jagger/Richards with four each.) Holland felt bad that he'd inadvertently prevented his collaborators from winning the award for a third year in a row, and from this point on he'd be much more careful about outside collaborations. Holland, Dozier, and Holland wrote two more classic singles for the Four Tops, "Standing in the Shadows of Love", and "Bernadette". That latter had been inspired by a coincidence that all three of Holland, Dozier, and Holland had at one time or another dated or felt unrequited love for different girls called Bernadette, but it proved extremely difficult to record. When the trio wrote together, Eddie Holland would always sing the songs, and the melodies were constructed around his tenor vocal range. Stubbs was a baritone, and sometimes couldn't hit some of the higher notes in the melodies, and he was having that problem with "Bernadette". Eddie Holland eventually solved the problem by inviting in a few fans who had been hanging around outside hoping for autographs. Stubbs being a performer wasn't going to make himself look bad in front of an audience, and sang it perfectly: [Excerpt: The Four Tops, "Bernadette"] "Bernadette" made the top five, and it was followed by a couple more top twenty hits with lesser Holland/Dozier/Holland songs, but then the writer-producers quit Motown, for reasons we'll look at in a few months when we take our last look at the Supremes. This left the Four Tops stranded -- they were so associated with their producers that nobody else could get hits with them. For a while, Motown turned to an interesting strategy with them. It had been normal Motown practice to fill albums up with cover versions of hits of the day, and so the label put out some of this album filler as singles, and surprisingly had some chart success with cover versions of the Left Banke's baroque pop hit "Walk Away Renee": [Excerpt: The Four Tops, "Walk Away Renee"] and of Tim Hardin's folk ballad "If I Were a Carpenter": [Excerpt: The Four Tops, "If I Were a Carpenter"] And so for a while many of the singles the group released, both in the US and elsewhere, were covers of songs that were very far from the normal Motown style -- the Jimmy Webb ballad "Do What You Gotta Do" made the UK top twenty, their cover of another Jimmy Webb song, "MacArthur Park", made the lower reaches of the US top forty, their version of the old standard "It's All in the Game" made number twenty-four, and they released a version of "River Deep, Mountain High", teaming up with the Supremes, that became more successful in the US than the original, though still only just made the top forty. But they were flailing. Motown had no idea what to do with them other than release cover versions, and any time any of Motown's writing and production teams tried to come up with something new for the group it failed catastrophically. In 1972 they signed to ABC/Dunhill, and there they had a few hits, including a couple that made the top ten, but soon the same pattern emerged -- no-one could reliably get hits with the group, and they spent much of the seventies chasing trends and failing to catch them. They had one more big US hit in 1981, with "When She Was My Girl", which made number eleven, and which went to number one on the R&B charts: [Excerpt: The Four Tops, "When She Was My Girl"] But from that point on they were essentially a nostalgia act, though they carried on releasing records through the eighties. The group's career nearly came to a premature end in 1988. They were in the UK to promote their single "Loco in Acapulco", co-written by Lamont Dozier and Phil Collins, from the soundtrack of Collins' film Buster: [Excerpt: The Four Tops, "Loco in Acapulco"] That was a UK top ten hit, but it nearly led to the group's death -- they were scheduled to fly out of the UK on Pan Am flight 103 to Detroit on the twenty-first of December 1988. But the group were tired after recording an appearance on Top of the Pops the night before, slept in, and missed the flight. The flight fell victim to a terrorist bombing -- the Lockerbie bombing -- and everyone on it died. The group carried on performing together after that, but their last new single was released in 1989, and they only recorded one more album, a Christmas album in 1995. They performed together, still in their original lineup, until 1997 when Lawrence Payton died from cancer. At first the group continued as a trio, retiring the Four Tops name and just performing as The Tops, but eventually they got in a replacement. By the turn of the century, Levi Stubbs had become too ill to perform as well -- he retired in 2000, though he came back for a one-off performance for the group's fiftieth anniversary in 2004, and he died in 2008. Obie Benson continued performing with the group until three months before his death in 2005. A version of the Four Tops continues to perform, led by Abdul Fakir, and also featuring Lawrence Payton's son Roquel, named after Roquel Davis, who performs under the name Lawrence Payton Jr. The Four Tops were one of those groups that never quite lived up to their commercial potential, thanks in large part to Holland, Dozier, and Holland leaving Motown at precisely the wrong moment, and one has to wonder how many more hits they could have had under other circumstances. But the hits they did have included some of the greatest records of the sixties, and they managed to continue working together, without any public animosity, until their deaths. Given the way the careers of more successful groups have tended to end, perhaps it's better this way.

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Effets de Serres I by Lieven Martens on Serrisme (Edições CN) 0′48″ Feathers by Roy Of The Ravers on White Sunrise II.I (Le Roy Soleil) (emotional response) 6′55″ What For by Dearly Departure on Identity Grief (self released) 10′32″ You Going by Pedro Singery on Death For Never (confuso editions) 12′50″ Something About You (feat. Dent May) by Eyedress on Mulholland Drive (Lex Records Ltd) 15′14″ Remember Blushing by Charles on Let's Start a Family Tonight (Babe City Records) 19′40″ Bitter Streets by Sault on Nine (Forever Living Originals) 23′33″ Heartbeat Summer by NUBACK on Summer Breaks (we vinyl) 26′55″ On Your Mind by Saccades on Flowing Fades (Fuzz Club Records) 30′25″ Just a Step Behind by Great Pagans on Apathy - Single (Cupboard Music / Anti-Ghost Moon Ray) 34′20″ Vcl XI by Orchestral Manoeuvres In the Dark on Organisation (Virgin Records Limited) 38′05″ Change by Tears for Fears on The Hurting (Mercury Records Limited) 42′15″ Colores by Frythm & Cé Cicada on Flow Remixes (SXN) 45′00″ Leave by Sofie & Speckman on Chill Pill III (Public Possession) 49′35″ In My Mind (feat. Denitia) by POSY on Abroad (Bastard Jazz Recordings) 53′45″ Fora by Southern Shores on Fora (Cascine) 57′35″ Another Lover (Octo Octa's River Flow Mix) by Little Dragon on New Me, Same Us Remix (Ninja Tune) 65′50″ Hidden by Horizons (feat. Morgane Diet) by Lone on Always Inside Your Head (Greco-Roman Ltd) 70′30″ Unknown Dance (feat. Achico) [Vocal Version] by speedometer. on Unknown Dance (Jun Records) 75′50″ Want To Go by Council on One Hundred Nights (Polychrome Audio) 82′06″ Silk Surface (Dub Mix) by fleet.dreams on Silk Surface (Dub Mix) - Single (Leopard Cage) 88′00″ 숨(Breath) by Mogwaa & Xin Seha on Chill Pill III (Public Possession) 93′55″ Soap Opera by (((sssurrounddd))) on Soap Opera - Single (Jun Records) 96′27″ Nabi (feat. OHHYUK) by Peggy Gou on Nabi (feat. OHHYUK) (Gudu Records) 100′18″ Histoire d'un soir (Bye bye les galères) [Version originale 1983] by Bibi Flash on Best of Bibi Flash Collector (Le meilleur des années 80) (Musiques & Solutions) 104′45″ Will U by Nice Girl on Chill Pill III (Public Possession) 109′45″ Wake up by DIDI HAN on Wake Up (Roche Musique) 113′10″ Tell Me by Mira Lo on Happy House, Vol. 3 (Happiness Therapy) 116′16″ I Felt Love by Blue Hawaii on Under 1 House (Arbutus Records Inc.) Check out the full archives on the website.

RICK KENT joins me in The Engine Room to discuss his musical journey which began in Adelaide during the 60s Rock 'N' Roll days with The Firebirds who became The Vibrants. The Vibrants moved to Melbourne in 1966, and had several charting hits, "Something About You, Baby", "My Prayer", "Don't Let Your Left Hand Know", and "How Sweet It Is". After leaving the band Rick went on to run his own music schools in Perth, The Perth Jingle Workshop. He then lived in England for two years, and joined popular London band "The Basic Truth". The highlight of his time in England was a world tour with The Osmond Bros, which culminated in a concert at Madison Square Gardens in New York. Rick returned to Australia in the mid seventies and became involved in the recording side of music, setting up a studio in Adelaide with mobile recording facilities, while playing in a band six nights a week. Some of the artists he recorded during this period were Christie Allen and Men at Work. Rick also did ads for radio and TV, and film scores for the South Australian Film Corp. Rick worked with Lisa Edwards in a band called "Night Shift", the support band for the great Roy Orbison at the Festival Theatre. Rick moved back to Melbourne with singer Lisa Edwards under his management, Lisa later went on to join the Farnham Band. He then spent 2 years with the Channel 9 Band, Brisbane, on the popular "Conway Country" in the early 80's. During this time he also worked major Leagues Clubs and RSL's on the Gold Coast with various other bands. By the middle of the eighties and through most of the nineties, Rick was located in the Byron Bay area, where he taught drums, both privately and in local schools, played with various bands from the area, and worked on several recording projects in different studios, including Big Toe, Music Farm, Star Sound, Ch9, and Suite 16. Rick has played rock, jazz, country, showroom cabaret, backing many famous Australian and International acts including: Bo Diddley, Chuck Berry, Roy Orbison, Osmond Bros, Del Shannon, Andy Stewart, and Danny La Rue. Rick keeps his hand in playing with country rock band "Deep Creek", and showband "Forever Everly", as well as freelancing with various other acts. Music: Into "Band It About" written and and recorded by Catherine Lambert and Michael Bryant. Outro: "Big Man" by Alex Tomlin. Links: To purchase a copy of "A Vibrant Life" :https://www.facebook.com/AVibrantLifeBook Rick Kent Facebook: https://www.facebook.com/rickstix If you have enjoyed listening to this episode please share the link with your friends! Band It About can be heard on all of the major podcast listening platforms including: Apple Podcasts Google Podcasts Anchor and Spotify. https://ratethispodcast.com/banditabout Email: banditabout17@gmail.com #rickkent #thevibrants #banditabout #drummers #Adelaide #musicinterviews #realstories #realpeople #Australianmusicindustry #60s #rockandroll #thebasictruth #springfieldrevival #maddisonsquaregardens #theosmonds #nightshift #SouthAustralia #conwaycountry --- Send in a voice message: https://anchor.fm/dianne-spillane/message

After being away from jazz scene for nearly two years, Antoine Knight is back with his new single "Something About You," releasedin April 2021. But Antoine wants you to know when it comes to a live performance; it's an immersive experience that he is truly a "Knight 2 Remember," which is the title track off his latest CD. In 2017. On stage Antoine is a versatile entertaining artist. His masgerful artistry as a saxophonist; is captivating, compelling, and drawing you into the passion this sound when performing live.  Join the Jazz conversation with award-winning host and media personality Ms.Bridgette Lewis   Sit back relax and enjoy smooth jazz sounds with award-winning host and veteran broadcaster Bridgette Lewis,  Follow the show on twitter: @https://twitter.com/CoffeeTalkJazz1 Advertise your business, brand, product or service through CoffeeTalk JAZZ Network.  Become a CoffeeTalk Music ambassador or affilate ask me how. Inquire CoffeeTalkJazzRadio@msn.com  

Vibe Check The Type-A Queen of our hearts: Gwen has created a spreadsheet for her new local dining options! Actual human interaction!?! Danielle hosted an in-person event to celebrate Love's Sweet Arrow's 2nd anniversary! Our pal, @TheLindaShow, took some fun photos!! Romance Tropes If you are interested in more in-depth coverage of Romance Tropes and what they mean and why romance readers love them, check out these great podcasts: Fated Mates, Learning the Tropes, Whoa!mance, and Shelf Love. Our Faves and Recs! Danielle's favorite tropes and recs: Second chance romance: Reese Ryans's A Reunion of Rivals and Second Chance on Cypress Lane, Naima Simone's The Road to Rose Bend Enemies to lovers: The Hating Game by Sally Thorne, The Ex-Talk by Rachel Lynn Solomon, The Worst Best Man by Mia Sosa Grumpy/Sunshine: Act Your Age, Eve Brown by Talia Hibbert, Written in the Stars by Alexandria Bellefleur, Managed by Kristin Callihan Gwen's favorite tropes and recs: Second chance romance: the Netflix movie, Always Be My Maybe (come for feelings, but stay for KEANU!) One-night-stand who ends up being the boss/co-worker/neighbor: Mer-Der on Grey's Anatomy (this EXACT moment, LOL) Love triangle: Vampire Diaries (Danielle snuck in a rec for One to Watch by Kate Stayman-London!) Recs from REESE RYAN Reese has all the books out: WAKING UP MARRIED, SECOND CHANCE ON CYPRESS LANE, SOMETHING ABOUT YOU. She's been using Sarra Cannon's HB90 organization bootcamp plan to stay focused. Authors she enjoys reading: Rochelle Alers, Maisey Yates, Kathy Douglass Check out her YouTube chat show, The Story Behind the Story (and so you can see her cute nose ring).Some of her favorite chats have been with Beverley Jenkins and Brenda Jackson and she's excited to talk to Talia Hibbert and Donna Hill Look for a new continuity series by Reese, Karen Booth, and Joss Wood about foster brothers this fall: HOMECOMING HEARTBREAKER by Joss Wood (July), BEST LAID WEDDING PLANS by Karen Booth (August), and JUST A LITTLE MARRIED by Reese Ryan (September) Visit https://www.reeseryan.com/ for more information and to sign up for Reese's newsletter. You can follow her on Twitter, Facebook, Facebook Reader Group, and Instagram. Goals/Comfort & Joy Danielle's (almost) no-coffee experiment continues, and now she wants to travel safely to see her family. She's also obsessed with the Etsy shop, Fugly Barbie! Some of her faves: Cute Spooky Vibes sweatshirt, Romance Noves are My Therapy sticker, Support Your Local Coven tee, and Hot and Steamy mug. Gwen did not unpack, but she does have to do it... eventually. She'd like to stop crossing her legs under her while she works at her desk, and has enjoyed watching In The Heights and Hacks, both of which are on HBO Max. Find us on the Socials! Gwen @ReelVixen Twitter Facebook Instagram Danielle @dj_dresser Twitter Instagram Fresh Fiction @FreshFiction Twitter Facebook Instagram EventBrite

Welcome to this week's Indie Artist Music Hustle with Blonde Intelligence. This week is a re-cut from one of my favorite duos right now. Check out their latest single, Something About You. https://youtu.be/IP_gI-22-n8Follow them @DiDenticalsFollow e @Ms.Blonde.Intelligence_RoniBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show (https://cash.app/$RoniR1)

YouTube Link https://youtu.be/YLc8NzT0SPcWelcome to this week's Blonde Intelligence with me, Ms. Roni, where I always seek to give you exquisite cranial repertoire. Our special guest is the identical twin brothers from Lagos, Nigeria, DIdenticals. They speak about their current single, Something About You, and their upcoming single, All for You. They will talk about moving to Atlanta and their current plans for music. They speak about how they spread love through their lyrics and more. Their music is available on all platforms. Follow them @DIdenticals. Also don't forget to follow me at Ms.Blonde.Intelligence_Roni or @rroneiceAdvertisements:Blonde Intelligence Show LineHttps://www.AliveShoes.com/brand/ms-roniBlonde Intelligence Bar JewelryHttps://www.Etsy.com/shop/BlondeIntelligenceClassic Glam by Marlette@classicglamgirl.comAdvertise with Blonde Intelligencehttps://www.Blonde-Intelligence.comSupport the show (https://cash.app/$RoniR1)

Brian Simpson sits among elite contemporary jazz pianists and composers.  He's played with the top musicians from jazz and R&B including Janet Jackson, George Duke, Dave Koz, Chuck Loeb and Michael Brecker.  Multi-award winning program director, Ray White, sits down with Brian before a show in December of 2018 to talk about his Something About You release and the expansion of his writing style and much more!  Brian's latest album, with Steve Oliver, is Unified.   Lisa Davis, your "Hostess With The Mostest," features the incomparable Stevie Wonder in our "showcase segment."  Stevie has a new single out titled Where Is Our Love Song.  We've got two, very Coool CAT's!  Check them out!! 

Dave Muse has had an accomplished career as a multi-instrumentalist, songwriter, producer and singer.  As a member of Firefall, he's recorded several platinum and gold records and nearly a dozen songs that landed on the charts.  He also was a member of the Marshall Tucker Band for nine years.  Dave's released four instrumental albums as a solo artist with the latest titled - Forgotten Journey.  These projects have a contemporary jazz flavor, with a bit of Latin flair.  Award-winning program director, Ray White, sits down with Dave to talk about his latest solo project and band.  In our "Spotlight Segment", Lisa Davis features contemporary jazz pianist, Brian Simpson whose latest album - Something About You is among his best.  For additional information about the show, visit www.cooolcat.com 

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