Podcasts about characters

Impending doomsday diary entry 876, from Donaldson and Moore's bunker studios…As the world casually burns, we still find time to enjoy Looksmaxxing bros continuing to shoot themselves in the reproductive organs in their quest for hotness - as well as the Tate Brothers conducting their own Donaldson weekender.Plus, the big questions answered: who are our own Top G influencers? What's the best substance to soak your hands in before fighting? How to best bribe your children? What's the optimum time to have dinner? Consider this a public service to you all. Battery Robot has had his firmware update and needs to guzzle down on your submissions! Get them into: hello@lukeandpeteshow.com Hosted on Acast. See acast.com/privacy for more information.

Jay Santos, Major Elvis Newton and Dil Boobery discuss the times when bad weather and discipline almost broke the CAP. Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Notes and Links to Farah Ali's Work   Farah Ali is from Pakistan. She is the writer of the novels Telegraphy (January 2026, CB editions), and The River, The Town, as well as the short story collection People Want to Live. Her fiction has been anthologized in Best Small Fictions and the Pushcart Prize where it has also received special mention. She is the cofounder of Lakeer, a digital space for writing from Pakistan, and reviews editor at Wasafiri.

rom the production studios of Rory MacLeod comes The Best of Chef Carl Chodillia Vol 1, the Early Years! Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Brad Meltzer is back talking comics and his amazing novels. You ever hold a book in your hand and feel like the world just flipped on its axis? That's what happens when Brad drops a thriller. And today? We've get the lowdown on The Viper — the latest, pulse-pounding, turn-every-page thriller that just hit bookstores and is already getting the kind of buzz most authors only dream about. It's a bizzare case for Nola Brown, High stakes. Deep conspiracies. Characters you swear are real. That's classic Meltzer — smart, sharp, unrelenting — and The Viper delivers in spades.But if you think that's big… wait for this. Brad Meltzer is stepping into an entirely new arena. A crossover that nobody saw coming — a collision of icons that will shake the comics world to its core. He's writing Spider-Man/Superman — yes, Spider-Man and Superman — in an unprecedented crossover event for Marvel, dropping mid-April. Two universes. Two legends. One story. And Brad is the architect. So buckle up, because whether you're here for the thriller or the superhero spectacle, Brad Meltzer just flipped the script — again.

Dog stuff...Poop stuff...Matt chooses his dick...Doug needs to trim his pubes...Matt is old...A segment dies before it has a chance to live...Doug hates spiral staircases...Identifying characteristics when describing people...Characters constantly having to go take a shit...One of the better Bonds...Matt discovers a new cinematic universe...Will the veto get played...

**Special note to our listeners** Love the show? Help us keep the conversation going! Become a paid subscriber through our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Your contributions help us continue to make content on issues related to the Asian-American, immigrant, modern parent experience.THANK YOU to our super awesome listeners who have already signed up!---------------------------------------Spoiler alert! Though we don't go into any shows in deep detail, we do talk about the high-level plot lines of Crash Landing on You, Queen of Tears, Castaway Diva, The Extraordinary Attorney Woo, Winter Sonata, Bon Appetit Your Majesty and When Life Gives You Tangerines.If you've ever promised yourself "just one more episode and I'll go to sleep" past midnight while watching a Kdrama, this is a safe space for you ≧☉_☉≦. If you don't know what we are talking about, you can skip this episode... or listen and choose to enter the delightfully addictive world of Kdramas +_+Why so delightful you ask? Why so addictive? Isn't this just a soap opera but filled with Korean actors instead of American ones? Oh no my dearie... Kdramas are a whole 'nother beast, by turns beautiful, cuddly, cute, hilarious, dark and vengeful. There are storylines that grab you but you won't see often in Western shows (we explore why). Characters that pretty much check every box (and are completely unrealistic but who cares). One episode and you will be invested and hitting that "play next" button until it's embarrassingly late (or early :p).

Gloria Grover returns, this time live with a new show, but she physically assaults Dr. Elcott and Dr. Elcott himself pulls his pants down. Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Hour 3 features Miami Hurricanes men's basketball head coach Jai Lucas joining the show to discuss the team's hot start, his recruiting philosophy, and how he balances the transfer portal with developing young talent. Lucas emphasizes effort and hard work as the foundation of his program, previews the big matchup against Clemson, and breaks down the top-to-bottom talent in the ACC while noting how football's success positively impacts all Miami athletics. The conversation then turns to a wild pop culture moment with an Uber driver threatened by Kiefer Sutherland, sparking a debate on which fictional characters would be the scariest if they threatened you. The hour wraps with the Dolphins head coach search, exploring potential candidates, fan opinions, and Omar stressing the need for an experienced coach to avoid rookie mistakes.

A gentle start to the year with a laid back summer catch up. Find our Patreon page HERE.Join the How 'Bout This Discord server to be part of the conversation.Spark Podcast Network.Executive Produced by Jason Geary, Karl McConnell and Rik Brown.Produced and Edited by Jason Geary.Music by THE Robbie Ellis. Check him out on Spotify here. ★ Support this podcast on Patreon ★

In this week's episode of Fully Booked, author Tricia Copeland joins Craig and Roland for an in-depth look at fantasy world-building and character-driven storytelling. Tricia shares how her initial story idea evolved into a four-book series of interconnected realms, and how that experience ultimately propelled her into the realm of YA fantasy. From hybrid vampire-witches navigating identity to anxiety-stricken fairy queens thrust into leadership, Tricia's characters are as layered as the richly imagined worlds they inhabit. By walking us through her creative process, Tricia reveals how she builds immersive fantasy realms around the emotional arcs of her characters. Rather than beginning with a map or magic system, she starts with internal conflict and personal stakes, allowing the world to take shape in response. Drawing from real-life experience and relatable struggles, she shows how moral complexity can be woven into speculative fiction through characters who break societal rules or challenge tradition. Whether you're blending genres or managing the continuity of a multi-series universe, today's episode offers valuable insight into crafting fantasy that feels both imaginative and deeply human.   Tricia Copeland www.triciacopeland.com   Hidden Gems Need our help publishing or marketing your book?  https://www.hiddengemsbooks.com/author-services/   All episode details and links:  https://www.hiddengemsbooks.com/podcast

BSP Classic Hour. Gloria Grubner, Worldwide” debuting with Gloria Grover, using her maiden name, interviews guests and levels Dr Elcott. Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

In this very special episode, Erin talks to Rachel and her research assistant, Grace, about a study they recently published about the portrayal of fat characters in Disney animated films. Spoiler alert: the depictions of fat characters are rife with harmful stereotypes, and the hosts have something to say about it! Rachel's and Grace's article "'You're Getting a Little Big for This': Fat Characters in Disney Animated Films" was published in peer-reviewed journal Fat Studies, and can be accessed via this link (or email hellodeconstructingdisney@gmail.com to request a PDF). 

Join Richard Walter and Julie Ann Sipos at AWP26: The Association of Writers & Writing Programs Conference & Bookfair, the largest literary event in the U.S., happening March 4-7, 2026, in Baltimore, MD. Walter and Sipos came together for two speaker sessions that will be part of this year's virtual program, learn more by visiting: https://www.richardwalterbooks.com/eventsHave any questions about screenwriting? Comment below and I'll address them in future podcasts.My novel Deadpan is out in hardcover! Order it here. Get full access to Get Reel with Richard Walter at richardwalter.substack.com/subscribe

Travels in California continue. Podcasting from Historic Route 66, Chris Norton guests and gets into it with the crew.Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Notes and Links to Kasim Ali's Work   Kasim Ali was born and raised in Alum Rock, Birmingham. He is the author of the debut novel Good Intentions, has written fiction for BBC Radio 4 and has a column at The Bookseller. His short fiction has been longlisted for the 4th Estate and Guardian 4thWrite Short Story Prize, and Good Intentions was shortlisted for the Mo Siewcharran (Sue Sharon) Prize. He works as an editor in publishing and now lives in London. Buy Who Will Remain   Kasim Ali's Website   Interview from Hyphen Magazine: “Kasim Ali: ‘Some men think that shifting to the right is what's going to save them' ”   From The Observer UK: ‘What did we do to make you want to leave?'     At about 1:20, Kasim reflects on his experience since Who Will Remain was released in July 2025 At about 2:45, Kasim responds to Pete's question about he balances the commercial and the aesthetic   At about 5:00, Kasim discusses his editing process for his own books, especially with regard to the fact that he is an editor At about 7:20, Kasim expands on why he calls himself “1.5” with regards to generations and immigration, as well as his early language and literature life At about 13:35, Pete asks about Urdu, and if Kasim can trace any of his writing in English to echoes of his familial language At about 16:15, Kasim talks about his confidence (or lack thereof) in his writing of dialogue after Pete compliments his dialogue skills At about 17:40, Kasim expands on “but” and “therefore” in dialogue-interesting and necessary writing advice At about 20:30, Kasim schools Pete on schooling structures in the UK At about 21:10, Kasim highlights formative and transformative writing and writers At about 24:00, Kasim writes about his first novel as a departure from his “usual” writing style At about 26:00, Does Kasim know Elena Ferrante's identity???? At about 27:05, Pete asks Kasim about the book's dedication, and Kasim expands upon his life trajectory At about 30:05, Kasim riffs on Suella Braverman's racist and xenophobic comments that became his book's epigraph At about 35:00, Kasim reflects on ideas of dealing with stereotypes and reflecting broader Pakistani/immigrant/communities is general and getting past “limiting conversations”  At about 37:05, Pete lays out some of the novel's exposition At about 38:15, Kasim expands on ideas of “fitting in” with different familial groups and shifting roles within the family for real-life brothers and Bilal and Amir in the novel At about 43:05, Kasim reflects on his interest in “duality” and connects to the novel's opening funeral scene At about 46:10, Kasim responds to Pete's question about tropes of masculinity dealt with in the book  At about 47:20, Kasim discusses incorporating real-life violence into the book At about 50:00, Pete highlights simple and powerful writing (“Then then then”) that he asks Kasim about  At about 51:50, The two discuss arguments and bitterness over money  At about 52:35, Kasim responds to Pete's noting of the affections between men in the novel At about 59:40, Pete notes a nice nostalgic moment, and Kasim reflects on Amir's reintroduction to Adnan, a young man he previously would have avoided; Kasim connects to his own life and seeing ex-classmates At about 1:03:00, Kasim shares how the book Doppelganger fascinated him and gave him inspiration for his own writing about duality At about 1:06:20, Kasim responds to Pete's question about ideas of the “manosphere” and its connection to Amir and his connections with Farrah and the way he and friends talk about women At about 1:10:35,  At about 1:11:50, Kasim talks about an “easy and boring” job and how it in a strange way leads to nice and welcome conversations between brothers At about 1:14:50,  At about 1:17:40, Amir “growing into the mask”  At about 1:18:30,  At about 1:18:50, Kasim posits some possible actors for a movie      You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up soon at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 318 with Timothy Wellbeck, Esquire, a leader in the fight for justice and racial equity. Timothy presently serves as the founding Director of the Center for Anti-Racism at Temple University, where he has led the Center from its inception into becoming one of the leading institutions of its kind. A Civil Rights Attorney by training and practice, Timothy is a scholar of law, race, and cultural studies. He and Pete will be talking about his standing-room only, incredibly popular Temple University classes about Kendrick Lamar and his music.    The episode airs today, Jan 13.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

“In one cataclysmic moment, millions around the globe disappear.” Jesus returned thirty years ago. Or rather, He sort of pre-returned, the warm-up act, if you will. Many faithful Christians believe in this kind of “rapture.” And in December 1995, two authors teamed up and used this idea to create the most successful biblical end-times thriller we've yet seen. In summer 2024 we overviewed the series. Yet now we'll ask how that first Left Behind novel has aged, thirty years after its release. Episode sponsors Of Dawn and Embers by Gillian Bronte Adams The Case of the Heart Stone by Tulli Cole Above the Circle of Earth by E. Stephen Burnett Mission update Review: Sons of Day and Night by Mariposa Aristeo Behold Our Top Most Anticipated New Books and Movies for 2026 New article releases this Thursday: Discern the Top Three Negative Evangelical Myths about Popular Culture Next week, Lord willing: we announce the Lorehaven Authorship Subscribe free to get updates and join the Lorehaven Guild Quotes and notes Fantastical Truth podcast series: Left Behind Legacy 216. Why Do Christians Fight Over End-Times Prophecies? | E. Stephen Burnett vs Zackary Russell 217. How Did Publishers Steward the Blockbuster Left Behind Series? | with Dan Balow 218. How Did The Kids Get Left Behind? | with Chris Fabry 219. How Did GAP Digital Turn Left Behind Into Cinematic Audio Drama? | with Todd Busteed 220. How Did the ‘Left Behind' Kids Audio Drama Speed-Run the Tribulation? | with Darby Kern 221. How Did The Left Behind Series Enrapture Millions of Fans? | with Jerry B. Jenkins Other Lorehaven resources on the Left Behind series Lorehaven.com search keyphrase: LEFT BEHIND Left Behind (1995) in the Lorehaven Library From the archives, Stephen's article series: Twelve Reasons the ‘Left Behind' Series is Actually Awesome How to Make a ‘Left Behind' Streaming Series That's Actually Awesome, Daniel Whyte IV Secular endorsements of the Left Behind series “This is the most successful Christian fiction series ever.” ―Publishers Weekly “Combines Tom Clancy–like suspense with touches of romance, high-tech flash, and biblical references.” ―New York Times “Call it what you like, the Left Behind series . . . now has a label its creators could have never predicted: blockbuster success.” ―Entertainment Back cover of Left Behind, book 1, published in late 1995: A novel of the Earth's last days. In one cataclysmic moment, millions around the globe disappear. Vehicles, suddenly unmanned, careen out of control. People are terror stricken as loved ones vanish before their eyes. In the midst of global chaos, airline captain Rayford Steele must search for his family, for answers, for truth. As devastating as the disappearances have been, the darkest days may lie ahead. 1. Left Behind proclaims gospel truth* Let's start with the true. This book really wants to get you saved. It's a product of deep Biblical Christian desires to redeem souls. Two authors (largely) make this work: the nonfiction author Tim LaHaye (The Act of Marriage) plus fiction author Jerry B. Jenkins. Both men, however, are evangelicals who want the gospel spread. So the novel shares a goal with others thriller based on possible futures: to tell a plot-driven story yet also provoke reader action. At times the threat of sin does feel lesser than that of Antichrist. All biblical Christians agree to repent and receive Jesus as Savior. Yet not all biblical Christians agree with “pray the sinner's prayer.” And certainly only some Christians accept this end-times scenario. The late LaHaye, and Jenkins as well, would surely agree with this. Let readers, then, always discern what in the book is gospel truth and what are opinions (however deeply studied) about prophecy. 2. The story has unbelieving ‘good' heroes Left Behind is underrated for this—its protagonists are good guys. Buck Williams has high ethics in his newsmagazine journalism. Rayford Steele has been (until now) a loving husband and father. Chloe Steele is a young college student free of remarkable sin. And finally, Bruce Barnes is a decent pastor at his local church. And yet … all these men lack Jesus, and they're drifting into sin. The novel's opening spells out the lurking evil in one man's heart: “Rayford Steele's mind was on a woman he'd never touched.” It seems that Rayford's family-man decency only lasts so long. For the authors, then, the Rapture is as much a warning trumpet blast to his heart as it is a measure of mercy for existing Christians. Many fans reacted strongly to this theme. How could such good people, even a pastor at a church, be left out of any pre–Second Coming event? Weren't they by all accounts decent people? Conversely, lest any Christians suppose unbelievers are all wanton sinners, Jenkins answers that no, we can root for these people. Even without the label, Left Behind shows common grace in action. Common grace can make you decent, but only Jesus will save you. 3. Left Behind stays functional and practical This novel is written, by design, to be as widely read as possible. Jerry B. Jenkins has spoken on this as the authors’ express goal. This isn't literary fiction. Chapters are short. The style is simple. The original Left Behind is a rather thick book at 468 pages, but with large font face, wide margins, and lots of white space. All these invite as many readers as possible; this story is populist. Therefore, critics who fault the book for not meeting the goals they have migrated over from other books are revealing their ignorance or possibly elitism. Left Behind isn't trying to be a timeless classic. In fact, many of the original moments quickly felt very timebound. Characters use dial-up modems; cell phones show up sporadically. Later revised versions updated the technology. Yet as Jerry B. Jenkins told us in 2024, he's content to leave the series as it is. However, Left Behind also feels oddly distant from some moments. Rayford's finding of his vanished family is an emotional high point. Other scenes, like a car bombing, get summarized at a distance. This creates plot accessibility, but not so much character access. With some exceptions, then, Left Behind values truth (and its own strong opinions) and goodness in substance over beauty in style. Again, this was likely by intention on the creators’ part. Sometimes what the prosaic style sacrifices for speed still creates deep emotions because the momentum draws in more readers. Later volumes, like book 6, delved deeper into emotional journeys. You feel (even in passing) the weight of hero deaths and struggles. Ultimately, Left Behind offered a different kind of beauty—brisk and efficient pro writing, repetition, and popular accessibility, all of which set a course for this runaway successful late-1990s series. Com station Top questions for listeners Do you expect the Rapture at any moment? Or some other event? What did you (or your parents?) think about the novel Left Behind? Email us podcast@lorehaven.com or tag as on the social medias. Mandi W. wrote in reply to an unspecified episode: So I am not really a sci-fi/dystopian reader, but follow LH/Enclave for my veracious teen readers. My shocking love was The Chaos Grid and Crier Stone books from Lindsey Llewellyn. Well done!!! I actually read them each in 1 sitting and stayed up WAY too late doing so. ;o) Lydia sent this about last week's episode 294: Your point about sci-fi/fantastical exploration and dominion-taking being a huge part of our future in the new heavens & new earth reminds me of my favorite quote from Wayne Thomas Batson’s Door Within trilogy: the last chapter of the last book ends with the hero asking the God figure, the King, if there will be adventures in His kingdom. The King smiles and says, “More than you can possibly imagine.” That line changed my perspective on eternity completely. Several educational years later, I’m a postmillenial and eager for stories that can transcend time and inspire generations to take dominion of the world for Christ’s kingdom. Here’s to an increase of that in the years to come! Next on Fantastical Truth This podcast and other resources from Lorehaven focus on readers. That's why, when aspiring writers send us questions like, Where can I find an agent? or Will you look at my unpublished manuscript?, we haven't had much to share in that area. Until now. This month we launch the Lorehaven Authorship in the Lorehaven Guild on Discord. Let's explore how these new digital discipleship channels, pro livestreams, and fan-focused Book Festival will help authors cultivate their God-given creative purpose.

Phil traveling to California. No video today. Sorry! Don Berman and the best of his overrated, pumped up pompous ass. Phil traveling to California. No video today. Sorry! Don Berman and the best of his overrated, pumped up pompous ass. See omnystudio.com/listener for privacy information.

How can you build iconic characters that your readers want to keep coming back to? How can you be the kind of creator that readers trust, even without social media? With Claire Taylor In the intro, Dan Brown talks writing and publishing [Tetragrammaton]; Design Rules That Make or Break a Book [Self-Publishing Advice]; Amazon's DRM change [Kindlepreneur]; Show me the money [Rachael Herron]; AI bible translation [Wycliffe, Pope Leo tweet]. Plus, Business for Authors 24 Jan webinar, and Bones of the Deep. Today's show is sponsored by Bookfunnel, the essential tool for your author business. Whether it's delivering your reader magnet, sending out advanced copies of your book, handing out ebooks at a conference, or fulfilling your digital sales to readers, BookFunnel does it all. Check it out at bookfunnel.com/thecreativepenn This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Claire Taylor is a humour and mystery author, the owner of FFS Media, and a certified Enneagram coach. She teaches authors to write stronger stories and build sustainable careers at LiberatedWriter.com, and her book is Write Iconic Characters: Unlocking the Core Motivations that Fuel Unforgettable Stories. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Why Claire left social media and how she still markets her books and services What the Enneagram is and how core fears and desires shape character motivation Using Enneagram types (including Wednesday Addams as an example) to write iconic characters Creating rich conflict and relationships by pairing different Enneagram types on the page Coping with rapid change, AI, and fear in the author community in 2026 Building a trustworthy, human author brand through honesty, transparency, and vulnerability You can find Claire at LiberatedWriter.com, FFS.media, or on Substack as The Liberated Writer. Transcript of the interview with Claire Taylor Joanna: Claire Taylor is a humour and mystery author, the owner of FFS Media, and a certified Enneagram coach. She teaches authors to write stronger stories and build sustainable careers at LiberatedWriter.com, and her book is Write Iconic Characters: Unlocking the Core Motivations that Fuel Unforgettable Stories. So, welcome back to the show, Claire. Claire: Thank you so much for having me back. I'm excited to be here. Joanna: It's great to have you back on the show. It was March 2024 when you were last on, so almost two years now as this goes out. Give us a bit of an update. How has your writing craft and your author business changed in that time? Claire: One of the things I've been focusing on with my own fiction craft is deconstructing the rules of how a story “should” be. That's been a sort of hobby focus of mine. All the story structure books aren't law, right? That's why there are so many of them. They're all suggestions, frameworks. They're all trying to quantify humans' innate ability to understand a story. So I'm trying to remember more that I already know what a story is, deep down. My job as an author is to keep the reader's attention from start to finish and leave them feeling the way I hope they'll feel at the end. That's been my focus on the craft side. On the author business side, I've made some big shifts. I left social media earlier this year, and I've been looking more towards one-on-one coaching and networking. I did a craft-based Kickstarter, and I'd been focusing a lot on “career, career, career”—very business-minded—and now I'm creating more content again, especially around using the Enneagram for writing craft. So there's been a lot of transition since 2024 for me. Joanna: I think it's so important—and obviously we're going to get into your book in more detail—but I do think it's important for people to hear about our pivots and transitions. I haven't spoken to you for a while, but I actually started a master's degree a few months back. I'm doing a full-time master's alongside everything else I do. So I've kind of put down book writing for the moment, and I'm doing essay writing and academic writing instead. It's quite different, as you can imagine. It sounds like what you're doing is different too. One thing I know will have perked up people's ears is: “I left social media.” Tell us a bit more about that. Claire: This was a move that I could feel coming for a while. I didn't like what social media did to my attention. Even when I wasn't on it, there was almost a hangover from having been on it. My attention didn't feel as sharp and focused as it used to be, back before social media became what it is now. So I started asking myself some questions: What is lost if I leave? What is gained if I leave? And what is social media actually doing for me today? Because sometimes we hold on to what it used to do for us, and we keep trying to squeeze more and more of that out of it. But it has changed so much. There are almost no places with sufficient organic reach anymore. It's all pay-to-play, and the cost of pay-to-play keeps going up. I looked at the numbers for my business. My Kickstarter was a great place to analyse that because they track so many traffic sources so clearly. I could see exactly how much I was getting from social media when I advertised and promoted my projects there. Then I asked: can I let that go in order to get my attention back and make my life feel more settled? And I decided: yes, I can. That's worth more to me. Joanna: There are some things money can't buy. Sometimes it really isn't about the money. I like your question: what is lost and what is gained? You also said it's all pay-to-play and there's no organic reach. I do think there is some organic reach for some people who don't pay, but those people are very good at playing the game of whatever the platform wants. So, TikTok for example—you might not have to pay money yet, but you do have to play their game. You have to pay with your time instead of money. I agree with you. I don't think there's anywhere you can literally just post something and know it will reliably reach the people who follow you. Claire: Right. Exactly. TikTok currently, if you really play the game, will sometimes “pick” you, right? But that “pick me” energy is not really my jam. And we can see the trend—this “organic” thing doesn't last. It's organic for now. You can play the game for now, but TikTok would be crazy not to change things so they make more money. So eventually everything becomes pay-to-play. TikTok is fun, but for me it's addictive. I took it off my phone years ago because I would do the infinite scroll. There's so much candy there. Then I'd wake up the next morning and notice my mood just wasn't where I wanted it to be. My energy was low. I really saw a correlation between how much I scrolled and how flat I felt afterwards. So I realised: I'm not the person to pay-to-play or to play the game here. I'm not even convinced that the pay-to-play on certain social media networks is being tracked in a reliable, accountable way anymore. Who is holding them accountable for those numbers? You can sort of see correlation in your sales, but still, I just became more and more sceptical. In the end, it just wasn't for me. My life is so much better on a daily basis without it. That's definitely a decision I have not regretted for a second. Joanna: I'm sorry to keep on about this, but I think this is great because this is going out in January 2026, and there will be lots of people examining their relationship with social media. It's one of those things we all examine every year, pretty much. The other thing I'd add is that you are a very self-aware person. You spend a lot of time thinking about these things and noticing your own behaviour and energy. Stopping and thinking is such an important part of it. But let's tackle the big question: one of the reasons people don't want to come off social media is that they're afraid they don't know how else to market. How are you marketing if you're not using social media? Claire: I didn't leave social media overnight. Over time, I've been adjusting and transitioning, preparing my business and myself mentally and emotionally for probably about a year. I still market to my email list. That has always been important to my business. I've also started a Substack that fits how my brain works. Substack is interesting. Some people might consider it a form of social media—it has that new reading feed—but it feels much more like blogging to me. It's blogging where you can be discovered, which is lovely. I've been doing more long-form content there. You get access to all the emails of your subscribers, which is crucial to me. I don't want to build on something I can't take with me. So I've been doing more long-form content, and that seems to keep my core audience with me. I've got plenty of people subscribed; people continue to come back, work with me, and tell their friends. Word of mouth has always been the way my business markets best, because it's hard to describe the benefits of what I do in a quick, catchy way. It needs context. So I'm leaning even more on that. Then I'm also shifting my fiction book selling more local. Joanna: In person? Claire: Yes. In person and local. Networking and just telling more people that I'm an author. Connecting more deeply with my existing email lists and communities and selling that way. Joanna: I think at the end of the day it does come back to the email list. I think this is one of the benefits of selling direct to people through Shopify or Payhip or whatever, or locally, because you can build your email list. Every person you bring into your own ecosystem, you get their data and you can stay in touch. Whereas all the things we did for years to get people to go to Amazon, we didn't get their emails and details. It's so interesting where we are right now in the author business. Okay, we'll come back to some of these things, but let's get into the book and what you do. Obviously what underpins the book is the Enneagram. Just remind us what the Enneagram is, why you incorporate it into so much of your work, and why you find it resonates so much. Claire: The Enneagram is a framework that describes patterns of thoughts, feelings, and actions that tend to arise from nine different core motivations. Those core motivations are made up of a fear–desire pair. So, for instance, there's the fear of lacking worth and the desire to be worthy. That pair is the Type Three core motivation. If you're a Type Three, sometimes called “The Achiever,” that's your fundamental driver. What we fear and desire above all the other fears and desires determines where our attention goes. And attention is something authors benefit greatly from understanding. We have to keep people's attention, so we want to understand our own attention and how to cultivate it. The things our attention goes to build our understanding of ourselves and the world. Being intentional about that, and paying attention to what your characters pay attention to—and what your readers are paying attention to—is hugely beneficial. It can give you a real leg up. That's why I focus on the Enneagram. I find it very useful at that core level. You can build a lot of other things on top of it with your characters: their backstory, personal histories, little quirks—all of that can be built off the Enneagram foundation. Why I like the Enneagram more than other frameworks like MBTI or the Big Five is that it not only shows us how our fears are confining us—that's really what it's charting—but it also shows us a path towards liberation from those fears. That's where the Enneagram really shines: the growth path, the freedom from the confines of our own personality. It offers that to anyone who wants to study and discover it. A lot of the authors I work with say things like, “I'm just so sick of my own stuff.” And I get it. We all get sick of running into the same patterns over and over again. We can get sick of our personality! The Enneagram is a really good tool for figuring out what's going on and how to try something new, because often we can't even see that there are other options. We have this particular lens we're looking through. That's why I like to play with it, and why I find it so useful. Joanna: That's really interesting. It sounds like you have a lot of mature authors—and when I say “mature,” I mean authors with a lot of books under their belt, not necessarily age. There are different problems at different stages of the author career, and the problem you just described—“I'm getting sick of my stuff”—sounds like a mature author issue. What are some of the other issues you see in the community that are quite common amongst indie authors? Claire: One that comes up a lot, especially early on, is: “Am I doing this right?” That's a big question. People say, “I don't know if I'm doing this right. I'm going to mess it up. This person told me this was the way to do things, but I don't think I can do it this way. Am I doomed?” That's the fear. A lot of what I help people with is seeing that there isn't a single “right” way to do this. There's a way that's going to feel more aligned to you, and there are millions of ways to approach an author career because we're all constructing it as we go. You were there in the early days. We were all just making this up as we went along. Joanna: Exactly. There was a time when ebooks were PDFs, there wasn't even a Kindle, and there was no iPhone. We were literally just making it up. Claire: Right. Exactly. That spirit of “we're all making it up” is important. Some of us have come up with frameworks that work for us, and then we tell other people about them—“Here's a process; try this process”—but that doesn't mean it's the process. Understanding what motivates you—those core motivations—helps you see where you're going to bump into advice that's not right for you, and how to start making decisions that fit your attention, your life, your desires in this author role. Early on we do a lot of that work. Then there are the authors who started a while ago and have a bunch of books. They hit a point where they say, “I've changed so much since I started writing. I need to figure out how to adjust my career.” Joanna: Tell us more about that, because I think that's you and me. How do we deal with that? Claire: Well, crying helps. Joanna: That is true! There's always a bit of crying involved in reinvention. From my perspective, my brand has always been built around me. People are still here—I know some people listening who have been with the podcast since I started it in 2009—and I've always been me. Even though I've done loads of different things and changed along the way, at heart I'm still me. I'm really glad I built a personal brand around who I am, rather than around one genre or a single topic. How about you? How do you see it? Claire: I'm the same. I just can't stick with something that doesn't feel right for me anymore. I'll start to rebel against it. There's also that “good girl” part of me that wants to do things the way they're supposed to be done and keep everybody happy. I have to keep an eye on her, because she'll default to “this is the way it should be done,” and then I end up constricted. As we advance through our careers, positioning around what motivates us and what we love, and allowing ourselves to understand that it's okay to change—even though it's painful—is crucial. It's actually destructive not to change over time. We end up forfeiting so many things that make life worth living if we don't allow ourselves to grow and change. We end up in this tiny box. People sometimes say the Enneagram is very restrictive. “It's only nine types, you're putting me in a box.” It's like: no. These are the boxes we've put ourselves in. Then we use the Enneagram to figure out how to get out of the box. As we start to see the box we've put ourselves in with our personality—“that's me, that's not me”—we realise how much movement we actually have, how many options we have, while still being ourselves. Joanna: So many options. This kind of brings us into your book, because part of the personal brand thing is being real and having different facets. Your book is Write Iconic Characters, and presumably these are characters that people want to read more about. It uses the Enneagram to construct these better characters. So first up— What's your definition of an iconic character, as opposed to any old character? And how can we use the Enneagram to construct one? Claire: An iconic character, in my imagination, is one that really sticks with us after we've finished the story. They become a reference point. We'll say, “This person is kind of like that character,” or “This situation feels like that character would handle it this way.” It could be our friends, our enemies, someone we meet on the bus—whoever it is might remind us of this character. So they really get lodged in our psyche. An iconic character feels true to some fundamental part of the human condition, even if they're not strictly human. So, all the alien romance people listening, don't worry—you're still in! These characters take on a life of their own. With an iconic character, we may hear them talking to us after the book is done, because we've tapped into that essential part of them. They can become almost archetypal—something we go back to over and over again in our minds, both as writers and as readers. Joanna: How can we use the Enneagram to construct an iconic character? I'm asking this as a discovery writer who struggles to construct anything beforehand. It's more that I write stuff and then something emerges. But I have definitely not had a hit series with an iconic character, so I'm willing to give your approach a try. Claire: It works with whatever your process is. If you're a discovery writer, start with that spark of a character in your head. If there's a character who's just a glimmer—maybe you know a few things about them—just keep writing. At some point you'll probably recognise, “Okay, it's time to go deeper in understanding this character and create a cohesive thread to pull all of this together.” That's where the Enneagram becomes useful. You can put on your armchair psychologist hat and ask: which of the nine core fears seems like it might be driving the parts of their personality that are emerging? Thankfully, we intuitively recognise the nine types. When we start gathering bits for a new character, we tend to pull from essentially the same constellation of personality, even if we don't realise it. For instance, you might say, “This character is bold and adventurous,” and that's all you know. You're probably not going to also add, “and they're incredibly shy,” because “bold and adventurous” plus “incredibly shy” doesn't really fit our intuitive understanding of people. We know that instinctively. So, you've got “bold and adventurous.” You write that to a certain point, and then you get to a place where you think, “I don't really know them deeply.” That's when you can go back to the nine core fears and start ruling some out quite quickly. In the book, I have descriptions for each of them. You can read the character descriptions, read about the motivations, and start to say, “It's definitely not these five types. I can rule those out.” If they're bold and adventurous, maybe the core fear is being trapped in deprivation and pain, or being harmed and controlled. Those correspond to Type Seven (“The Enthusiast”) and Type Eight (“The Challenger”), respectively. So you might say, “Okay, maybe they're a Seven or an Eight.” From there, if you can pin down a type, you can read more about it and get ideas. You can understand the next big decision point. If they're a Type Seven, what's going to motivate them? They'll do whatever keeps them from being trapped in pain and deprivation, and they'll be seeking satisfaction or new experiences in some way, because that's the core desire that goes with that fear. So now, you're asking: “How do I get them to get on the spaceship and leave Earth?” Well, you could offer them some adventure, because they're bold and adventurous. I have a character who's a Seven, and she gets on a spaceship and takes off because her boyfriend just proposed—and the idea of being trapped in marriage feels like: “Nope. Whatever is on this spaceship, I'm out of here.” You can play with that once you identify a type. You can go as deep with that type as you want, or you can just work with the core fear and the basic desire. There's no “better or worse”—it's whatever you feel comfortable with and whatever you need for the story. Joanna: In the book, you go into all the Enneagram types in detail, but you also have a specific example: Wednesday Addams. She's one of my favourites. People listening have either seen the current series or they have something in mind from the old-school Addams Family. Can you talk about [Wednesday Addams] as an example? Claire: Doing those deep dives was some of the most fun research for this book. I told my husband, John, “Don't bother me. I need to sit and binge-watch Wednesday again—with my notebook this time.” Online, people were guessing: “Oh, she's maybe this type, maybe that type.” As soon as I started watching properly with the Enneagram in mind, I thought: “Oh, this is a Type Eight, this is the Challenger.” One of the first things we hear from her is that she considers emotions to be weakness. Immediately, you can cross out a bunch of types from that. When we're looking at weak/strong language—that lens of “strength” versus “weakness”—we tend to look towards Eights, because they often sort the world in those terms. They're concerned about being harmed or controlled, so they feel they need to be strong and powerful. That gave me a strong hint in that direction. If we look at the inciting incident—which is a great place to identify what really triggers a character, because it has to be powerful enough to launch the story—Wednesday finds her little brother Pugsley stuffed in a locker. She says, “Who did this?” because she believes she's the only one who gets to bully him. That's a very stereotypical Type Eight thing. The unhealthy Eight can dip into being a bit of a bully because they're focused on power and power dynamics. But the Eight also says, “These are my people. I protect them. If you're one of my people, you're under my protection.” So there's that protection/control paradox. Then she goes and—spoiler—throws a bag of piranhas into the pool to attack the boys who hurt him. That's like: okay, this is probably an Eight. Then she has control wrested from her when she's sent to the new school. That's a big trigger for an Eight: to not have autonomy, to not have control. She acts out pretty much immediately, tries to push people away, and establishes dominance. One of the first things she does is challenge the popular girl to a fencing match. That's very Eight behaviour: “I'm going to go in, figure out where I sit in this power structure, and try to get into a position of power straight away.” That's how the story starts, and in the book I go into a lot more analysis. At one point she's attacked by this mysterious thing and is narrowly saved from a monster. Her reaction afterwards is: “I would have rather saved myself.” That's another strong Eight moment. The Eight does not like to be saved by anyone else. It's: “No, I wanted to be strong enough to do that.” Her story arc is also very Eight-flavoured: she starts off walled-off, “I can do it myself,” which can sometimes look like the self-sufficiency of the Five, but for her it's about always being in a power position and in control of herself. She has to learn to rely more on other people if she wants to protect the people she cares about. Protecting the innocent and protecting “her people” is a big priority for the Eight. Joanna: Let's say we've identified our main character and protagonist. One of the important things in any book, especially in a series, is conflict—both internal and external. Can we use the Enneagram to work out what would be the best other character, or characters, to give us more conflict? Claire: The character dynamics are complex, and all types are going to have both commonalities and conflict between them. That works really well for fiction. But depending on how much conflict you need, there are certain type pairings that are especially good for it. If you have a protagonist who's an Eight, they're going to generate conflict everywhere because it doesn't really bother them. They're okay wading into conflict. If you ask an Eight, “Do you like conflict?” they'll often say, “Well, sometimes it's not great,” but to everyone else it looks like they come in like a wrecking ball. The Eight tends to go for what they want. They don't see the point in waiting. They think, “I want it, I'm going to go and get it.” That makes them feel strong and powerful. So it's easy to create external and internal conflict with an Eight and other types. But the nature of the conflict is going to be different depending on who you pair them with. Let's say you have this Eight and you pair them with a Type One, “The Reformer,” whose core fear is being bad or corrupt, and who wants to be good and have integrity. The Reformer wants morality. They can get a little preachy; they can become a bit of a zealot when they're more unhealthy. A One and an Eight will have a very particular kind of conflict because the One says, “Let's do what's right,” and the Eight says, “Let's do what gets me what I want and puts me in the power position.” They may absolutely get along if they're taking on injustice. Ones and Eights will team up if they both see the same thing as unjust. They'll both take it on together. But then they may reach a point in the story where the choice is between doing the thing that is “right”—maybe self-sacrificing or moral—versus doing the thing that will exact retribution or secure a power-up. That's where the conflict between a One and an Eight shows up. You can grab any two types and they'll have unique conflict. I'm actually working on a project on Kickstarter that's all about character dynamics and relationships—Write Iconic Relationships is the next project—and I go deeper into this there. Joanna: I was wondering about that, because I did a day-thing recently with colour palettes and interior design—which is not usually my thing—so I was really challenging myself. We did this colour wheel, and they were talking about how the opposite colour on the wheel is the one that goes with it in an interesting way. I thought— Maybe there's something in the Enneagram where it's like a wheel, and the type opposite is the one that clashes or fits in a certain way. Is that a thing? Claire: There is a lot of that kind of contrast. The Enneagram is usually depicted in a circle, one through nine, and there are strong contrasts between types that are right next to each other, as well as interesting lines that connect them. For example, we've been talking about the Eight, and right next to Eight is Nine, “The Peacemaker.” Eights and Nines can look like opposites in certain ways. The Nine is conflict-avoidant, and the Eight tends to think you get what you want by pushing into conflict if necessary. Then you've got Four, “The Individualist,” which is very emotional, artistic, heart-centred, and Five, “The Investigator,” which you're familiar with—very head-centred and analytical, thinking-based. The Four and the Five can clash a bit: the head and the heart. So, yes, there are interesting contrasts right next to each other on the wheel. Each type also has its own conflict style. We're going into the weeds a bit here, but it's fascinating to play with. There's one conflict style—the avoidant conflict style, sometimes called the “positive outlook” group—and it's actually hard to get those types into an enemies-to-lovers romance because they don't really want to be enemies. That's Types Two, Seven, and Nine. So depending on the trope you're writing, some type pairings are more frictional than others. There are all these different dynamics you can explore, and I can't wait to dig into them more for everyone in the relationships book. Joanna: The Enneagram is just one of many tools people can use to figure out themselves as well as their characters. Maybe that's something people want to look at this year. You've got this book, you've got other resources that go into it, and there's also a lot of information out there if people want to explore it more deeply. Let's pull back out to the bigger picture, because as this goes out in January 2026, I think there is a real fear of change in the community right now. Is that something you've seen? What are your thoughts for authors on how they can navigate the year ahead? Claire: Yes, there has been a lot of fear. The rate of change of things online has felt very rapid. The rate of change in the broader world—politically, socially—has also felt scary to a lot of people. It can be really helpful to look at your own personal life and anchor yourself in what hasn't changed and what feels universal. From there you can start to say, “Okay, I can do this. I'm safe enough to be creative. I can find creative ways to work within this new environment.” You can choose to engage with AI. You can choose to opt out. It's totally your choice, and there is no inherent virtue in either one. I think that's important to say. Sometimes people who are anti-AI—not just uninterested but actively antagonistic—go after people who like it. And sometimes people who like AI can be antagonistic towards people who don't want to use it. But actually, you get to choose what you're comfortable with. One of the things I see emerging for authors in 2026, regardless of what tools you're using or how you feel about them, is this question of trustworthiness. I think there's a big need for that. With the increased number of images and videos that are AI-generated—which a lot of people who've been on the internet for a while can still recognise as AI and say, “Yeah, that's AI”—but that may not be obvious for long. Right now some of us can tell, but a lot of people can't, and that's only going to get murkier. There's a rising mistrust of our own senses online lately. We're starting to wonder, “Can I believe what I'm seeing and hearing?” And I think that sense of mistrust will increase. As an author in that environment, it's really worth focusing on: how do I build trust with my readers? That doesn't mean you never use AI. It might simply mean you disclose, to whatever extent feels right for you, how you use it. There are things like authenticity, honesty, vulnerability, humility, integrity, transparency, reliability—all of those are ingredients in this recipe of trustworthiness that we need to look at for ourselves. If there's one piece of hard inner work authors can do for 2026, I think it's asking: “Where have I not been trustworthy to my readers?” Then taking that hard, sometimes painful look at what comes up, and asking how you can adjust. What do you need to change? What new practices do you need to create that will increase trustworthiness? I really think that's the thing that's starting to erode online. If you can work on it now, you can hold onto your readers through whatever comes next. Joanna: What's one concrete thing people could do in that direction [to increase trustworthiness]? Claire: I would say disclosing if you use AI is a really good start—or at least disclosing how you use it specifically. I know that can lead to drama when you do it because people have strong opinions, but trustworthiness comes at the cost of courage and honesty. Transparency is another ingredient we could all use more of. If transparency around AI is a hard “absolutely not” for you—if you're thinking, “Nope, Claire, you can get lost with that”—then authenticity is another route. Let your messy self be visible, because people still want some human in the mix. Being authentically messy and vulnerable with your audience helps. If you can't be reliable and put the book out on time, at least share what's going on in your life. Staying connected in that way builds trust. Readers will think, “Okay, I see why you didn't hit that deadline.” But if you're always promising books—“It's going to be out on this day,” and then, “Oh, I had to push it back,” and that happens again and again—that does erode the trustworthiness of your brand. So, looking at those things and asking, “How am I cultivating trust, and how am I breaking it?” is hard work. There are definitely ways I look at my own business and think, “That's not a very trustworthy thing I'm doing.” Then I need to sit down, get real with myself, and see how I can improve that. Joanna: Always improving is good. Coming back to the personal brand piece, and to being vulnerable and putting ourselves out there: you and I have both got used to that over years of doing it and practising. There are people listening who have never put their photo online, or their voice online, or done a video. They might not use their photo on the back of their book or on their website. They might use an avatar. They might use a pen name. They might be afraid of having anything about themselves online. That's where I think there is a concern, because as much as I love a lot of the AI stuff, I don't love the idea of everything being hidden behind anonymous pen names and faceless brands. As you said, being vulnerable in some way and being recognisably human really matters. I'd say: double down on being human. I think that's really important. Do you have any words of courage for people who feel, “I just can't. I don't want to put myself out there”? Claire: There are definitely legitimate reasons some people wouldn't want to be visible. There are safety reasons, cultural reasons, family reasons—all sorts of factors. There are also a lot of authors who simply haven't practised the muscle of vulnerability. You build that muscle a little bit at a time. It does open you up to criticism, and some people are just not at a phase of life where they can cope with that. That's okay. If fear is the main reason—if you're hiding because you're scared of being judged—I do encourage you to step out, gently. This may be my personal soapbox, but I don't think life is meant to be spent hiding. Things may happen. Not everyone will like you. That's part of being alive. When you invite in hiding, it doesn't just stay in one corner. That constricted feeling tends to spread into other areas of your life. A lot of the time, people I work with don't want to disclose their pen names because they're worried their parents won't approve, and then we have to unpack that. You don't have to do what your parents want you to do. You're an adult now, right? If the issue is, “They'll cut me out of the will,” we can talk about that too. That's a deeper, more practical conversation. But if it's just that they won't approve, you have more freedom than you think. You also don't have to plaster your picture everywhere. Even if you're not comfortable showing your face, you can still communicate who you are and what matters to you in other ways—through your stories, through your email list, through how you talk to readers. Let your authentic self be expressed in some way. It's scary, but the reward is freedom. Joanna: Absolutely. Lots to explore in 2026. Tell people where they can find you and your books and everything you do online. Claire: LiberatedWriter.com is where all of my stuff lives, except my fiction, which I don't think people here are necessarily as interested in. If you do want to find my fiction, FFS Media is where that lives. Then I'm on Substack as well. I write long pieces there. If you want to subscribe, it's The Liberated Writer on Substack. Joanna: Brilliant. Well, thanks so much for your time, Claire. That was great. Claire: Thanks so much for having me.The post Leaving Social Media, Writing Iconic Characters, and Building Trust With Claire Taylor first appeared on The Creative Penn.

The Sweet 16 of Characters with Skip Weber- h4 full 1437 Mon, 12 Jan 2026 22:44:01 +0000 hiQKzAoLmtZATd0ic3vNZV8EcXZ8p7ZF comedy,religion & spirituality,society & culture,news,government The Dave Glover Show comedy,religion & spirituality,society & culture,news,government The Sweet 16 of Characters with Skip Weber- h4 The Dave Glover Show has been driving St. Louis home for over 20 years. Unafraid to discuss virtually any topic, you'll hear Dave and crew's unique perspective on current events, news and politics, and anything and everything in between. © 2025 Audacy, Inc. Comedy Religion & Spirituality Society & Culture News Government False https://player.amperwavepodcasting.com?feed-li

It shouldn't be possible but we've cracked the code and found the movies villain to be....NEDSTRADAMUS! Demons is the kind of movie that feels less like it was written and more like it escaped from a nightmare after being fed too much cocaine and heavy metal. Set almost entirely inside a movie theater where watching a cursed film literally turns the audience into demons, it's pure mid-'80s Italian horror excess—loud, bloody, and unapologetically stupid. It's also the kind of film where logic checks out early, clocks out halfway through, and never returns. To be fair, Demons can be tedious and repetitive. The structure settles into a loop of people getting infected, screaming, transforming, and being hacked apart, over and over again. Characters are thin to nonexistent, dialogue exists mostly to scream exposition, and the film often feels like it's killing time until the next gore effect or shrieking synth cue. There are stretches where you can practically feel the movie spinning its wheels, daring you to lose patience. But here's the thing: the story is so profoundly nonsensical that it becomes hypnotic. Plot threads appear and vanish without explanation. Rules are implied and then immediately ignored. Geography inside the theater makes no sense whatsoever. And then there's the final 15 minutes—an escalation so baffling, so disconnected from reality, that it crosses the line from dumb to glorious. Motorcycles, katanas, helicopters, demon slime—everything is thrown at the screen with reckless confidence, as if the filmmakers themselves stopped asking questions and decided to go all in. That commitment is what makes Demons a worthwhile “Bad Movie Sunday” experience. It's not accidentally funny so much as aggressively insane, a film that believes in its own chaos with absolute sincerity. Yes, it drags. Yes, it repeats itself. But by the time the credits roll, you're not thinking about the dull patches—you're laughing, confused, and strangely satisfied. Demons may not be good, but it is unforgettable, and sometimes that's the highest compliment a cult horror film can earn.

BROKENSEA AUDIO PRESENTS: BENEATH THE PLANET OF THE APES, Episode 4 Based upon situations and Characters from the Novel By Pierre Boulle and the SHOOTING SCRIPT- May 5, 1967 of "PLANET OF THE APES" – Original Screenplay by Michael Wilson. As well as the ideas of Mort Abrahams and the screenplay's and drafts of Beneath the Planet of the Apes by Paul Dehn, Decemeber 20, 1968 and (final shooting script) April 10, 1969, as well as ideas the book (Beneath the Planet of the Apes), adapted from the written by: Michael Avallone. Adapted for Audio and extended ideas/situations imagined by Bill Hollweg January 26, 2008. This is a work of Fan Fiction, a celebration of the films I adore in Audio for the Simians everywhere… THIS EPISODE: Brent, following Nova, goes to Ape City. Once there, hidden in the scrub, they witnesses the entire Simian populace gathered at the ampitheatre to hear GENERAL URSUS address the issue of the FORBIDDEN ZONE and his plans for TOTAL WAR against their unknown MUTANT ENEMY. CAST: LAWGIVER/CORNELIUS/MILO: MARK KALITA BRENT: COLIN SNOW ZIRA: NATASHA LATHROP URSUS: PAUL MANNERING ZAIUS: GARETH PRESTON GORILLA BAILIFF: BRIAN BOCHICCHIO  MAXIMUS (Orang): DAVID SOBKOWIAK PRESIDENT (Orang): ELAINE BARRET DOCTOR MILO (Chimp): JACK WARD GORILLA #1: JACK HOSLEY ARMANDO (Human): GARETH PRESTON NOVA: GINA HOLLWEG

The Telltale Heart: A Journey into MadnessThis story explores the themes of Edgar Allan Poe's 'The Telltale Heart', focusing on the psychological struggles of the characters Simon and Oliver, who deal with deafness and blindness respectively. The narrative unfolds through their journey to an old mill, revealing their inner conflicts, the confrontation of good versus evil, and the climax of betrayal that leads to a shocking revelation.In the dimly lit corners of the human psyche, Edgar Allan Poe's "The Telltale Heart" unravels a chilling tale of obsession and guilt. The story, narrated by a man driven to madness, explores the thin line between sanity and insanity, as he becomes consumed by the sound of a beating heart.The Descent into MadnessThe protagonist, haunted by the old man's vulture-like eye, meticulously plans a murder to rid himself of the torment. "I was never kinder to the old man than during the whole week before I killed him," he confesses, revealing the duality of his nature. This chilling admission sets the stage for a narrative that delves deep into the human mind's darkest recesses.The Unrelenting GuiltAfter committing the deed, the narrator's guilt manifests as the incessant beating of the old man's heart. "It grew louder—louder—louder!" he exclaims, as the sound becomes unbearable. This auditory hallucination symbolizes the inescapable nature of guilt, driving him to the brink of confession.A Timeless TalePoe's masterful storytelling in "The Telltale Heart" continues to captivate readers, offering a glimpse into the complexities of human emotion and the consequences of unchecked obsession. As the narrator's sanity unravels, we are reminded of the power of guilt and the haunting echoes of our actions."The Telltale Heart" remains a timeless exploration of the human condition, inviting readers to ponder the depths of their own conscience. As we close the pages of this haunting tale, we are left with a lingering question: How far would you go to silence the beating of your own heart?Subscribe now to explore more tales that delve into the human psyche.TakeawaysDeafness can lead to a deeper understanding of love.Blindness can foster hatred and resentment.The old mill symbolizes a retreat from the world.Inner darkness can manifest in violent thoughts.The struggle between good and evil is a central theme.Betrayal can stem from misunderstanding and fear.Characters reflect the duality of human nature.The importance of perception in shaping reality.Isolation can lead to distorted views of the world.The narrative highlights the consequences of actions driven by fear.Telltale Heart, Edgar Allan Poe, deafness, blindness, inner conflict, good vs evil, betrayal, psychological drama

Lords of the Fallen 2 developer and publisher Hexworks and CI Games are getting flak in the video game industry for a single tweet that confirmed the game will feature attractive characters and outfits. We discuss how far video games have fallen that this creative decision is worthy of ridicule, along with Sony's AI patent that will censor games in real time, Ubisoft admitting Assassin's Creed Shadows was controversial, how ugly Farah is in the new Prince of Persia remake, and more!

The Best of Tom Catton as the show now probes the different problems Tom’s had that may lead to him, today, spanking it almost non stop.Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Two Hot Takes host, Morgan, is joined by guest co-host Trevor Wallace! Back this week with an episode that has a chaotic assorment of wild people. From a guy who deleted his girlfriend's Sims to a nanny that confronted her employers about their lunchtime activities we were in a tailspin. Can't wait to hear your thoughts on these ones. Trevors Content!: https://www.instagram.com/trevorwallace/?hl=en https://trevorwallace.com https://www.youtube.com/c/TrevorWallace Partners: Credit Karma: https://www.creditkarma.com/ Skims: Skims.com/tht NEW MERCH: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shop.twohottakes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bonus Content on Patreon including FREE stories: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/TwoHotTakes ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ MERCH HERE ! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shop.twohottakes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send us a letter? Our PO Box!! Two Hot Takes. 5042 Wilshire BLVD. #470. Los Angeles, CA 90036 WRITE IN TO US!!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://reddit.app.link/twohottakes ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Full length Video episodes available on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/TwoHotTakes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Index: 00:00 -- Start Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Best of Tom Catton.. the Juice Guy with the Health Wagon who suddenly was crippled by a very unhealthy obsession.Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Comedian Simon Brodkin (Lee Nelson, Jason Bent) joins Andrew Gold for a brutally honest conversation about comedy, free speech, and why saying the wrong thing now comes at a cost. From crashing X Factor, Britain's Got Talent, Kanye West's Glastonbury set, and confronting prime ministers, to why comedians are increasingly afraid to speak, this episode goes far beyond stunts.Simon reflects on his career, the culture around modern comedy, media gatekeeping, and what it really means to be a heretic today. Funny, uncomfortable, and unfiltered. Follow Simon here: https://www.youtube.com/@SimonBrodkin Chapters: 0:00 Simon Brodkin: Career, Characters & Comedy 7:25 The Stunts: X Factor, Kanye & Political Pranks 18:25 Why Comedy Became Risky 25:25 Cancel Culture, Free Speech & the Left 37:25 Media, the BBC & DEI 47:25 Social Media, Anonymity & Honesty 1:06:25 Being a Heretic Today Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a special birthday episode of JK! Games! and the perfect excuse to revisit Arcane — one of the best video game adaptations ever made.Kayla and Jerica return to Arcane with fresh eyes, while Josh watches the series for the first time just for this episode. Instead of a full plot recap, we focus on how Arcane holds up years later, how it lands for someone new, and why it still sets the bar for video game adaptations.We talk characters, themes, animation, emotional impact, and whether Arcane works even if you've never touched League of Legends.Timecodes00:00 Start11:20 What Video Games Would Arcane Characters Play?26:52 Josh's First Watch Thoughts29:18 Is Arcane Really a League of Legends Show?33:01 Game Adaptations & Expectations44:15 SPOILERS BEGIN47:25 Characters & Relationships1:12:21 Themes & WorldSupport the showJK! Games! is the gaming podcast where we bring you the news and reviews we care about.VGBC (Video Game Book Club) is our rotating deep-dive series focused on one game at a time—played together, discussed together, broken down one level at a time. Want to show us some love? Click Me! Discord Twitch Youtube Insta Bsky

Gym Characters: The Good, The Bad, and The Hilarious | Iron Radio 2026In the first episode of 2026, the hosts of Iron Radio— Coach Phil Stevens, Dr. Lonnie Lowery, and Dr. Mike T. Nelson—return with vibrant discussions on strength training and sports nutrition. Starting off, they address an email from a listener about the recent concerns on heavy metals in protein supplements. The episode then dives into a humorous and somewhat critical exploration of various "gym characters" we've all encountered. From "bench bouncers'" to "excessive warm-up guys,"  and the overlooked but impressive "strong, quiet types," the hosts detail the quirks and etiquettes (or lack thereof) in today's gym culture. Tune in for expert insights, funny anecdotes, and thought-provoking commentary on the evolving landscape of strength sports.00:00 Introduction to Iron Radio00:38 Meet the Hosts01:12 Reflecting on 17 Years of Podcasting01:30 Listener Email: Heavy Metals in Protein Powders04:18 Gym Characters: The Warm-Up Enthusiasts05:43 Gym Characters: The Equipment Campers07:32 Gym Characters: The Bad Advice Givers11:16 Gym Characters: The Screamers and the Silent Strong17:54 A Close Call in the Gym19:03 Iron Radio's New Broadcast Network20:14 Dr. Mike T. Nelson's Free Daily Newsletter20:55 Upcoming Book on Dietary Supplements21:59 Training Spotters and Gym Etiquette22:44 Gym Characters and Etiquette25:51 The Rise of Gym Filming29:33 Bodybuilding Gym Culture31:49 Women in Strength Training33:27 Final Thoughts and New Year Wishes Donate to the show via PayPal HERE.You can also join Dr Mike's Insider Newsletter for more info on how to add muscle, improve your performance and body comp - all without destroying your health, go to www.ironradiodrmike.com Thank you!Phil, Jerrell, Mike T, and Lonnie

Thomas Dean Donnelly has been a professional screenwriter for over 30 years. In that time he has written on major projects, from Voltron to Uncharted, and from Marvel's Doctor Strange to The Walking Dead. During the Hollywood writers strike he wrote his first novel: YEAR OF THE RABBIT and just release its sequel YEAR OF THE HORSE, both spy thrillers. T.D. Donnelly joins us to share practices he has used in his writing to build memorable characters and stories for the screen.//Draft2Digital is where you start your Indie Author Career//  Looking for your path to self-publishing success? Draft2Digital is the leading ebook publisher and distributor worldwide. We'll convert your manuscript, distribute it online, and support you the whole way—and we won't charge you a dime.  We take a small percentage of the royalties for each sale you make through us, so we only make money when you make money. That's the best kind of business plan.  • Get started now: https://draft2digital.com/• Learn the ins, the outs, and the all-arounds of indie publishing from the industry experts on the D2D Blog: https://Draft2Digital.com/blog  • Promote your books with our Universal Book Links from Books2Read: https://books2read.com  Make sure you bookmark https://D2DLive.com for links to live events, and to catch back episodes of the Self Publishing Insiders Podcast.

Major Elvis Newton, who missed an appearance last night, comes on to honor Tom Catton. Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

After watching the recent HBO documentary series on the life of Billy Joel, Shane decided to reopen his investigation of the bar that inspired Piano Man. The question he posed on the pilot episode was whether his dad had visited the famous bar back in 1973, and whether he might even be one of the characters mentioned in the song. If you're new to the program, the first part of this episode features Shane's original exploration, along with selections from a variety of additional interviews he recorded since that time. The final segment features a brand new segment featuring his conversations with people involved in the recent HBO documentary.SHOW NOTESRelated EpisodesNew Evidence for The Executive Room, with John Gibson #55Evidential Reasoning, #56 with Craig PartonDealing with Discrepancies, #57 with J. Warner WallaceYear-End Special, #65 with Liam CooperA Forensic Approach to the Gospels, #81 with J. Warner WallaceIs Faith Irrational? Humble Skeptic #02Is Faith Blind? Humble Skeptic #02Is Faith a Feeling? #03 with Craig Parton Religion on Trial, #04 with Craig PartonArticlesIs My Dad One of the Characters in Piano Man? Shane RosenthalThe Executive Room According to Bob Egan, Pop SpotsHow to Detect Deception, Shane RosenthalWhat is Faith? (PDF), Shane RosenthalThe Virtue of Doubt, Shane RosenthalHumble Apologetics, Shane RosenthalVideoAnd So It Goes, HBO documentary seriesAnd So It Goes (Trailer) Get full access to The Humble Skeptic at www.humbleskeptic.com/subscribe

We livestream our 11AM service each Sunday to YouTube and Facebook. You can search West Mobile Baptist Church to find our church.

Ger Gilroy, Adrian Barry & Arthur O'Dea run through a busy set of Wednesday morning papers, as Evan Ferguson scores again & the headlines are dominated by football managers...Catch The Off The Ball Breakfast show LIVE weekday mornings from 7:30am or just search for Off The Ball Breakfast and get the podcast on the Off The Ball app.SUBSCRIBE at OffTheBall.com/joinOff The Ball Breakfast is live weekday mornings from 7:30am across Off The Ball

A warm, story‑rich ride through the everyday Americana that makes the Michael Berry Show what it is—restoring heirloom cowboy hats, hunting down old‑school clock repairmen, reminiscing about Aspen’s iconic Kemo Sabe, and celebrating the lovable, quirky folks who call in and color the show.See omnystudio.com/listener for privacy information.

Tom Catton of Juice Wagon fame reports on his unfortunate, physical compulsions. Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Deanna Wong, creator of Dwadlings Art, is a Chinese-American non-binary artist creating functional ceramics and large-scale murals featuring wiggly critter-filled illustrations. At an even five foot tall, Deanna could be described as "just a little guy" and also a "very long yardstick." https://ThePottersCast.com/1191  

The Survivor Specialists are celebrating Survivor 50 with a series of top 50s! First up, we have our top 50 characters of all time! Who will take home the number one spot? Let us know who your favorite characters are in the comments! Like this video and subscribe to the channel!  Help support the podcast by becoming a patron of The Specialists: https://www.patreon.com/thespecialists

It's time for Postman Butters to reach deep into his mailbag as we answer YOUR questions!We discuss which South Park characters have evolved the most so far, whether we've ever met a real-life South Park character, what exactly Matt Stone does on the show and moreLISTEN on Spotify - spoti.fi/4fzFQbj LISTEN on Apple - apple.co/4fCJmBvWATCH on YouTube - bit.ly/southparkpodcastSupport the Four Finger Discount Network for EARLY & AD-FREE access to every show we produce, as well as 100 hours of exclusive content! Join the FFD family today at patreon.com/fourfingerdiscountCHECK OUT OUR OTHER PODCASTS:Four Finger Discount (Simpsons) - fourfingerdiscount.com.auThe Movie Guide with Leonard Maltin - themovieguidepodcast.comSpeaKing Of The Hill - spreaker.com/show/speaking-of-the-hill-a-king-of-the-hill-The One About Friends - spreaker.com/show/the-one-about-friends-podcastTalking Seinfeld - spreaker.com/show/talking-seinfeldSaturday Night Dive (SNL) - spreaker.com/podcast/saturday-night-dive-an-snl-podcastThe Office Talk - spreaker.com/show/the-office-talk-podcastGoin' Down To South Park is brought to you by The Four Finger Discount Network.

Phil thanks Dave Verhooven and sidekick Davey Dixon for bailing him out when he doesn’t show for last Friday’s show. Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

In which we attempt an all-Cyclops Winter special; X-Men are bad at processing grief; writer Alex Paknadel X-Plains his upcoming Cyclops miniseries; every character (except Cameron Hodge) is someone's favorite; and you remain the best listeners of any podcast, ever. X-PLAINED: Clones of Cyclops Gwen Warren Our year in review X-Men: The Search for Cyclops #1-4 Ahmed and his mustache Emotional support boats A monkey Apoca-lips Anias Boxes of fire One way of coping with trauma Ozymandias (more) (again) The relative criminality of a trail of questions Cat lady problems Twice as many cat ladies named Anias as you'd expect Terrible logic Caliban (more) (again) Several unpleasant reunions Alex Paknadel's definitive Cyclopses Fun with minor characters Proxy characters and “highly polished surfaces” Characters to revisit Sentinels Cyclops vs. his own powers Cyclops's powers vs. continuity Who Scott Summers is when he's alone The punch dimension The 11th Annual Super Doctor Astronaut Peter Corbeau Awards for Excellence at X-Cellence Many people to whom we are profoundly grateful NEXT EPISODE: Gambit & Bishop: Now Kiss Sons of the Atom Check out the visual companion to this episode on our blog. Find us on Apple Podcasts or Spotify! Jay and Miles X-Plain the X-Men is 100% ad-free and listener supported. If you want to help support the podcast–and unlock more cool stuff–you can do that right here! Buy rad swag at our Dashery shop!

Malcom Esposito, trying to expand his entertainment “career” interviews Phil Hendrie. Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

A wild New Year’s offering. It’s a classic from the year 2000 the Steve Bosell “KY jelly incident.”Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

FEATURING: (00:00:00) Our RetroActive on Soulcalibur II.(00:05:22) What even is Soulcalibur?(00:14:43) Why is Soulcalibur II important to Nintendo history?(00:22:42) Nintendo licensing their characters.(00:30:00) Our time with the game.(00:36:13) Controls, Characters, and Weapon Master Mode.(01:05:08) The complex nature of the moveset.(01:24:59) Where is the Soul Calibur in Soulcalibur? Could they make a new Soulcalibur?(01:48:09) Listener comments.

PREVIEW FOR LATER TONIGHT PARTY PERSECUTION AND THE MINDSET OF PURGED OFFICIALSColleague Joseph Torigian. Joseph Torigian explains the mindset of purged officials like Xi Zhongxun, comparing them to characters in Darkness at Noon. He notes that loyal revolutionaries believed the Party represented a "world historical force." Consequently, enduring persecution without losing faith was viewed as a way to prove one's "mettle" and selflessness. 1966 TIBET RED GUARDS

HAPPY 2026! You guys asked, and we delivered. We are bringing you 20 of our favorite all-time characters in one compilation. Plus, a little mini episode from the guys at home. SHOP OUR NEW MERCH COLLECTION: https://almostfriday.shop/collections/afpod FOLLOW OUR SOCIALS: https://www.flowcode.com/page/almostfridaypod SUPPORT OUR SPONSORS: DOWNLOAD THE BETMGM APP AND USE BONUS CODE “AFPOD” AND YOU WILL GET UP TO A $1500 FIRST BET OFFER ON YOUR FIRST WAGER! https://apps.apple.com/gb/app/betmgm-sports-betting-casino/id6446248500 CANCEL YOUR UNWANTED SUBSCRIPTIONS BY GOING TO https://rocketmoney.com/ALMOSTFRIDAY CHAPTERS (00:02) - The Rotting Stench (12:57) - New Year's Resolutions (17:18) - Binder's Stone Crab Date (20:08) - Heated Rivalry (25:47) - Greg Blandino (32:11) - Meester Bug (39:03) - Corey Pipeline (41:19) - The Eyeball Man (48:09) - Nicholas Orlando / Preston Blackwood (53:03) - Snake Man (55:16) - Foam (1:00:02) - Lunch (1:03:36) - Guy Who Can't Do Finger Guns (1:05:22) - Worst Guy On a Zoom Call (1:16:01) - Danny Disappear (1:16:28) - Gary Grave (1:23:39) - Big Time Dinosaur (1:25:54) - Scott Fang (1:27:21) - Sorting Hat (1:28:38) - Clydia (1:32:45) - Chudley Griggs (1:34:03) - Tommy Troubleshoot (1:35:50) - Tommy Oyster Learn more about your ad choices. Visit megaphone.fm/adchoices

Bob Green, taking a tub, finally reveals the shocking reason why he took Margaret Grey hostage. With Dr. Jim Sadler, Frank Grey and Jay Santos.Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Frazier Foods’ Bob Green has to explain why he took Margaret Grey hostage. Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.

Phil and the crew interview Chris Norton One on One. He's got a new product. Chris Norton's Hole In One Anal Bleach. Also news about his adult films Daffy Dick, Glan From Planet Knob and Saddle Up. Sign up for a Backstage Pass and enjoy Hours of exclusive content, Phil's new podcast, Classic podcasts, Bobbie Dooley's podcasts, special live streaming events and shows, and oh so very much more…See omnystudio.com/listener for privacy information.