Epoch in English history marked by the reign of Queen Elizabeth I
Merriam-Webster's Word of the Day for February 2, 2023 is: portend por-TEND verb Portend is usually used in formal and literary contexts as a verb meaning “to give a sign or warning that something is going to happen.” The “something” in question is often, though not always, considered bad or unpleasant. // Many superstitious people believe that breaking a mirror portends trouble. // The old saying about a halo around the moon portending rain has some truth to it: the halo is caused by cirrus clouds drifting 20,000 feet or more above the Earth, and high cirrus clouds often precede stormy weather. See the entry > Examples: “While readers may at times wish [author Robert] Hardman's own views were presented more directly, he ultimately makes a clear argument that the United Kingdom—however loosely united it is these days—is unlikely to do away with the monarchy, even if the end of the Elizabethan era portends significant changes.” — Autumn Brewington, The Washington Post, 12 Sept. 2022 Did you know? It may seem like a stretch to say that portend, beloved verb of seers, soothsayers, and meteorologists alike, is related to tendon—the word we use to refer to the dense white fibrous tissue that helps us, well, stretch—but it's likely true. Portend comes from the Latin verb portendere (“to predict or foretell”), which in turn developed as a combination of the prefix por- (“forward”) and the verb tendere (“to stretch”). Tendere is thought to have led to tendon, among other words. So you might imagine portend as having a literal meaning of “stretching forward to predict.” In any event, the history of the word surely showcases the flexibility of our language.
In this latest episode, the Unexpected duo, Professor James Daybell and Dr Sam Willis get all mechanised and programme the unexpected history of ROBOTS! Which is all about AI and the rise of ChatGPT, popular culture, science fiction and imagining good and bad machines (think C3PO, R2D2 and Metal Mickey). It's also all about the Brazen Head automaton and the late medieval polymath Roget Bacon, via Robert Greene's Elizabethan play, Friar Bacon and Friar Bungay (c.1590), as well as the Industrial Revolution, dancing bears and mechanical automata. Who knew! Hosted on Acast. See acast.com/privacy for more information.
In the cut-throat world of the Elizabethan court, Sir Christopher Hatton became one of Elizabeth I's favourites. After catching her eye in 1561, Hatton was quickly promoted to the Privy Council, making a significant impact on Elizabeth's complex religious policy. Yet Hatton has often been overshadowed by such Tudor heavyweights as Dudley, Cecil and Walsingham.In this episode of Not Just the Tudors, Professor Suzannah Lipscomb finds out more from Dr. Neil Younger about Hatton's rise from minor gentry to the Queen's closest aide, and addresses the burning question: were Elizabeth and Hatton lovers?This episode was edited by Joseph Knight and produced by Rob Weinberg.For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store Hosted on Acast. See acast.com/privacy for more information.
Christopher "Kit" Marlowe is considered one of the greatest playwrights of the Elizabethan era, but was also known as a hothead, a scoundrel and a member of the secretive School of Night. When he was stabbed through the eye at the age of twenty-nine in 1593, those who had it in for him were no doubt relieved to hear of his death. He had worked as an agent under Queen Elizabeth's legendary spymaster Sir Francis Walsingham and had very likely taken some reputation-destroying secrets to his grave. Many, however, believed that he was murdered, and theories swirl around his demise to this day. Did the man who stabbed Marlowe do it in self-defense, or was it really to get rid of him? Or did Marlowe actually fake his own death and go on to ghost write for William Shakespeare?My guest is M.J. Trow, and his book is called "Who Killed Kit Marlowe?: A Contract to Murder in Elizabethan England". He shares the story of this complex figure and offers his own theory on who he believes was behind Marlowe's unfortunate end. Amazon's M. J. Trow page is here.
Elizabethan theatre, sometimes called English Renaissance theatre, refers to that style of performance plays which blossomed during the reign of Elizabeth I of England (r. 1558-1603 CE) and which continued under her Stuart successors. Elizabethan theatre witnessed the first professional actors who belonged to touring troupes and who performed plays of blank verse with entertaining non-religious themes. Support us on Patreon: https://www.patreon.com/whencyclopedia Original article: https://www.worldhistory.org/Elizabethan_Theatre/
Discussion of The Tower of Swallows, Chapter 2 We've referenced Doctor Faustus. We've echoed Macbeth. But today we add another work of Elizabethan theater to our tool belt as Shakespeare's Henry IV becomes suddenly and powerfully resonant to the world of The Witcher. But before that, we work through Ciri's latest identity crisis. Who will emerge from Vizzy's swamp, Ciri, Princess Cirilla, or Falka? We wonder how the fate of the Rats will impact her decision. Longtime listener Peregrine helps us work through a discussion about shadow presences and narrative subconscious as we unpack Bonhart's eerie similarities to Geralt. Finally, we try to figure out where all of these menacing 'narrative zoom out' scenes are headed. Are we being watched? Is someone listening in? Let's talk it out! Subscribe to our Substack here: https://secondbreakfastpod.substack.com/ Feedback & Theories: email@example.com YouTube / Instagram / TikTok: @secondbreakfastpod Cam's Work: https://www.cameronfucile.com/
In Elizabethan England, swords were everywhere. Hanging on girdles, used in plays and depicted in paintings, they were an important marker of status and martial prowess. Swordplay was a popular martial art and pastime enjoyed by all rungs of Tudor society. But what would these swords have looked like? And how did Elizabethan gentlemen fight with them? In this episode of Not Just the Tudors, Professor Suzannah Lipscomb talks to Jacob H. Deacon, a doctoral student at the University of Leeds. Together they discuss the origins of swordplay and it's relation to fencing, how it was regulated and performed by the mysterious Masters of Defence and, most importantly, how to distinguish your rapier from your backsword. This episode was edited by Joseph Knight and produced by Rob Weinberg For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here.If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store Hosted on Acast. See acast.com/privacy for more information.
In this episode, our guest, Paige Hildebrand, talks about her research into Elizabethan Free Grammar Schools. These schools were the foundation of our modern system of education and go back further than you might think! And Paige even found an interesting connection between her research and our English farm! Intro Music: Zac Bell Exit Music: Jean Claude Hatungimana Cover Art: Emily Noble Day
PLEASE NOTE: Our Winter Term Registration is now OPEN! Four courses will be IN-PERSON at Noble Horizons; Only two courses will be on ZOOM. When you want to enter a TLC Zoom class, click here TLC is a non-profit membership organization providing the opportunity for lifelong learning to residents of the Northwest Corner of Connecticut and adjacent communities in New York and Massachusetts. TLC's courses cover a wide variety of academic subjects taught by volunteers, all experts in their fields. Click on Course Listings on the left to see what courses we offer. Annual membership dues of $60 per person are fully tax-deductible. There are no other set fees. Individuals may sign up for any number of courses. Classes lasting two hours are held once a week at one of our three conveniently located venues. Attendees are free to come and go as they like; there are no exams. Those taking advantage of TLC's program will rekindle the excitement of learning, expand their horizons, be able to share their knowledge, have fun and make new friends. TLC is a wonderful way to stay involved and well informed. Join today! For more information, click on an item on the left, or contact us by mail or by phone. Taconic Learning Center, Inc. PO BOX 1752, Lakeville, CT 06039 Tel. 860-364-9363 Courses for Winter 2023 Please select "Registration" on the left to register. Click here to enter Zoom meeting for any of the Zoom-based TLC Courses For your Information: Meeting ID: 893 2055 3978. Passcode: 128295 https://us02web.zoom.us/j/89320553978?pwd=Y3lSYk5jUHN5ZFhvOWp6azBOWHMwdz09 Location: Noble Horizons Times: Monday, 10am-Noon Dates: Jan 16 - Feb 20 Sessions: 6 decorative leaf MEN PLAN, THE GODS LAUGH, PART II Sessions One and Two: Gen. Burgoyne's campaign to take Albany, NY (ended at Saratoga) and Gen. Clinton's campaign to take Philadelphia, in the American Revolution. No cooperation! Sessions three and four: General Lee's two invasions of the North ending in the battle of Gettysburg. Bloody! Session five: Admiral Yamamoto's campaign to take Wake Island in WW II. A disaster! Session six: Examples of three important elements in waging war: -Tactics: Hannibal and the Battle of Cannae, 262 BC. -Weapons: Henry V and the Battle of Agincourt, 1415 AD -Misdirection: Invasion of Sicily, WW II, and "The Man Who Never Was" Instructor: Thomas Key See this instructor's bio Get Class List Location: Noble Horizons Times: Monday, 1-3pm Dates: Jan 16 - Feb 20 Sessions: 6 decorative leaf The Perennial Questions Why are we here? Who am I? What is true? Human beings have posed these questions as long as they have been able to think. In this six-week class we will take a look at a few of the most enduring approaches to these questions. We will consider ideas about the purpose of human life, the means and ends of self-knowledge, and the challenge of discerning what is really true. Instructor: Lyn Mattoon See this instructor's bio Get Class List Location: ZOOM Times: Tuesday, 1-3pm Dates: Jan 17 - March 7 Sessions: 8 decorative leaf Alexis de Tocqueville: Democracy in America In 1831, Alexis de Tocqueville, a young French aristocrat, traveled to America and found the future. The nations of the earth, he concluded, or at least the enlightened part of them, were moving inevitably toward a condition of social equality that in the world of politics was taking the form of democracy. This new kind of polity was rising on the ruins of the old, hierarchical societies, and the young republic was the clearest example of it. Previous visitors from overseas had concentrated on the minutiae of daily American life, but Tocqueville was after bigger game. He wanted to tease out the broad implications of increasing social equality and democracy rather than focus on the details that were bound to differ from one nation to another. These implications then would have the widest possible relevance to the various societies of the emerging modern world. This new dispensation, Tocqueville realized, was full of both promise and peril, and he devoted himself to transmitting this balanced assessment to his European contemporaries. The book that resulted, Democracy in America, has been called the "greatest work ever written about one country by a citizen of another." Because his conclusions were so general and of such wide application his book appropriately addressed the Americans of his own time, his fellow citizens in France still trying to come to terms with the modern world, and, not least, speaks to our own distracted society today, the uneasy inheritor of the raw republic in whose image he saw the future. I'll include a PowerPoint presentation to illustrate my talks. Instructor: Robert Rumsey See this instructor's bio Get Class List Location: Noble Horizons Times: Wednesday, 1-3pm Dates: Jan 18 - Feb 22 Sessions: 6 decorative leaf Experimental Cinema: A six-session session course on the history and the development of Experimental Cinema This course attempts to present the participants a historical view of the genre, styles and the role of the filmmakers who developed and perfected the concept and the vision of Experimental Cinema. Invention of the movie camera offered a broad and diverse tool for artists to express their own interpretation of nature and life around them. Camera became another tool, a "brush" for artists to create moving images which projected their own aesthetic principles and perceptions. There will be a presentation of early cinema from France, Soviet Union, England and the United States. Early films by the Lumiere Brothers to Andy Warhol and how through ages, cinema has evolved from a vehicle to tell a story or document everyday life, to a tool expressing an individual artist's personal vision. Through the sessions of the lectures there will be an ongoing discussion about the goal for Experimental Films, which is to place the viewer in a more active and more thoughtful relationship to the film, which will be discussed. The 6 sessions will be an opportunity for the participants to understand this particular form of cinema and the various expressions and theorizations from various artists. The sessions will be coordinated with projections of stills from movies and at the end of each session there will be screening of a film, and an open discussion by the participants. During the entire sessions of the courses, informal and open-minded discussions of opinions will be encouraged. SPECIAL NOTE: Donald Sosin who is a well regarded musician and has composed musical scores for may experimental films will be appearing at the Wednesday, January 18th session for the Experimental Cinema. please see details below. Donald Sosin is one of the world's foremost silent film composers, performing his keyboard and instrumental scores all over the world. From 1971 to the present he has performed at many of the world's leading venues for silent film, including Lincoln Center, MoMA, BAM, the TriBeCa Film Festival, and many festivals including Telluride, Denver, San Francisco and Seattle, as well as AFI Silver, the Yorkshire Silent Film Festival, the Thailand Silent FIlm Festival, Italy's two major festivals in Bologna and Pordenone, and the Jecheon International Music and Film Festival in South Korea. Donald and his wife Joanna Seaton are the only people in the world who have created a repertoire of new songs for silent films, and have performed at many of the above venues, as well as at many colleges (Yale, Emory, Brown,etc.) They teach workshops in silent film music, and created scores for over 60 DVD/Blu-Ray releases on the Criterion, Kino, Milestone, Flicker Alley and other labels. With klezmer violinist Alicia Svigals, Donald has written and recorded three scores for Jewish-themed silents which they perform live all over the US and Europe under the auspices of the Sunrise Foundation for Education and the Arts. Donald grew up in Rye NY and Munich and played on Broadway for many years, after composition studies at Michigan and Columbia. His music has been heard on PBS, TCM, online, and in the concert hall. Donald and Joanna have two musical children and live in Lakeville CT. Website: oldmoviemusic.com Avant-garde filmography: Donald was commissioned to score the following films for two major collections of avant-garde films, Bruce Posner's Unseen Cinema collection, and Kino's Avant-garde DVD set. Piano except as indicated Anémic Cinéma (1924-26) Rrose Sélavy aka Marcel Duchamp Beggar on Horseback (fragment, 1925) James Cruze Bronx Morning, A (1931) Jay Leyda (chamber ensemble) Coney Island at Night (1905) Edwin S. Porter Enchanted City, The (1922) Warren Newcombe Ghost Train, The (1903) unknown Ghosts Before Breakfast (1928) Hans Richter H20 (1929) Ralph Steiner Hearts of Age, The (1934) William Vance & Orson Welles Jack and the Beanstalk (1902) Edwin S. Porter Life and Death of 9413: A Hollywood Extra, The (1927) Robert Flaherty & Slavko Vorkapich Looney Lens: Pas de Deux (1924) Al Brick Love of Zero, The (1928) Robert Florey & William Cameron Menzies Manhatta (1921) Charles Sheeler & Paul Strand (orchestra) Pie in the Sky (1934-35) Elia Kazan, Ralph Steiner & Irving Lerner Retour à la Raison, Le (1923) Man Ray Skyscraper Symphony (1929) Robert Flaherty Telltale Heart, The (1928) Charles Klein Twenty-Four Dollar Island (c. 1926) Robert Flaherty (voice and synthesized orchestra, percussion) Überfall (1928) Instructor: Varoujan Froundjian Get Class List Location: Noble Horizons Times: Thursday, 10am-Noon Dates: Jan 19 - March 9 Sessions: 8 decorative leaf Unsung Heroes of WWII We all know of Winston Churchill, FDR, Dwight Eisenhower; the Battle of Britain, the Battle of the Bulge, and more. What most of us do not know of are the unsung heroes of World War II, those who contributed significantly to the Allies' victory: men and women who were critical to the war effort but engaged in clandestine operations; men and women who provided essential services to the Allied effort. This course is both a lecture by Lynne Olson (author of Citizens of London and other exceptional books) together with classes led by Larry and Carol Rand. Instructor: Larry&Carol Rand Get Class List Location: Zoom Times: Friday, 1-3pm Dates: Jan 20 - March 10 Sessions: 8 decorative leaf Shakespeare Playreading We'll read aloud and discuss Twelfth Night and A Midsummer Night's Dream . The two plays are often called "festive" comedies because each commemorates a significant day marked by popular license in the Elizabethan calendar. Twelfth Night refers to the last night of the twelve days of Christmas, and in spite of its religious origin it was a thoroughly secular celebration. A Midsummer Night's Dream takes its title from the evening before midsummer day, the summer solstice and the longest day of the year, when the prospect of warmth and lengthening days inspired much misbehavior. If time permits, we'll also read Troilus and Cressida, one of Shakespeare's so-called "problem plays," which contain both tragic and comic elements and thus resist easy placement in the canon. I'll scroll the texts of the plays on your screens. Instructor: Robert Rumsey See this instructor's bio Get Class List
Aaron analyzes some rarely-heard music from Elizabethan England, on this 1973 MHS recording --- Send in a voice message: https://anchor.fm/powellguitar/message Support this podcast: https://anchor.fm/powellguitar/support
After 12 months that saw war in Ukraine, three prime ministers in Number 10, the end of the second Elizabethan era and the Lionesses bringing football home, Radio 4 asked us to look back at some of the most memorable stories. And, of course, we thought we'd share that with you too. Adam and Chris are joined by Lyse Doucet, the BBC's chief international correspondent, Newsnight's economics editor Ben Chu and our technology editor Zoe Kleinman to look back on the events that shaped 2022. Today's Newscast was made by Daniel Wittenberg and Arlene Gregorius with Matt Toulson. The technical producer was Mike Regaard and the assistant editor was Sam Bonham. The editor is Jonathan Aspinwall.
Host Niall Paterson looks at the stories which defined 2022. On this episode, Sky's royal correspondent Rhiannon Mills recaps a defining year in history, which saw the end of the second Elizabethan era, the start of King Charles III's reign and everything Harry and Meghan. Producer: Emma Rae WoodhousePromotions Producer: David ChipakupakuEditor: Philly Beaumont
In this episode of All Things Tudor, author, historian and Hampton Court Palace expert Siobhan Clarke examines how Elizabeth I wielded power with a sublimely crafted image. The 'Cult of Gloriana' was a movement in which authors, musicians, and artists - among them Shakespeare and Spenser - helped exalt the queen to the status of a virgin goddess. Her image was widely owned and distributed, thanks to the expansion of printing. The English excelled in miniature painting which allowed courtiers to carry a likeness of their sovereign. Ms Clarke's book, Gloriana: Elizabeth I and the Art of Queenship written with Linda Collins, tells the story of Elizabethan art as a powerful device for royal magnificence and propaganda. ***This episode is sponsored by the Tennessee Performing Arts Center*** Produced by Rokkwood Audio, U.K. This episode was produced by Ben Williams. Music developed by Rokkwood. Cover art by The Happy Colour Studio, U.K. Written by Deb Hunter and Siobhan Clarke. Please follow me at @thingsTudor on Twitter and @officialAllThingsTudor on Instagram. For more about Tudor history, join my Facebook group and website.
Join Sarah and guests Clio and Mireille, of Clio/Mireille: A Fanfiction Podcast as we discuss the ultimate work of Shakespeare fanfiction: 1998 Oscar-winning film Shakespeare in Love! We talk literary analysis, the canonicity of Shakespeare, Elizabethan dental hygiene, and all the queer overtones that this film is desperate for its audience not to notice. Enjoy this episode? Listen to Sarah, Clio, and Mireille talking Lord of the Rings fanfiction on their podcast! CW: We briefly discuss Harvey Weinstein's involvement in this film Social Media: Twitter: twitter.com/mediaevalpod E-mail: firstname.lastname@example.org Check out Clio/Mireille: A Fanfiction Podcast: https://podcasts.apple.com/us/podcast/clio-mireille-a-fanfiction-podcast/id1638750795 and follow them on Twitter: https://twitter.com/ClioSlashMire Rate, review, and subscribe!
A special solo 'mini-sode' by MattKUltra, as a treat! The topic is Christopher Marlowe, a playwright and poet during the Elizabethan era (1558–1603). Marlowe is famous (among other things) for his play 'Doctor Faustus', a tragedy based on the German character of 'Faust'. Marlowe also had connections with the English 'privy council', the intelligence organization of the day, and has been alleged by some researchers to have been a spy. Also covered are some conspiracy theories surrounding Marlowe and his suspicious death.
Jon is back, fighting fit complete with a voice and without the constant desire to analysis the historical meaning of Elizabethan literature, so goodbye the old world and hello Warhammer 40,000. 40k has had a busy couple of weeks so join us as we get pretty grim, after dark. Check us out Live every Monday at 10PM EST / 7PM PST! Looking for the best place to purchase your wargaming supplies while helping the show? Frontline Gaming has everything you need HERE: https://store.frontlinegaming.org/?ref=2meNr85l Sub on YouTube https://bit.ly/3pYAexO Follow on Twitch https://www.twitch.tv/frontlinegaming_tv Like us on Facebook https://www.facebook.com/FrontlineGaming Or listen wherever quality podcasts are found! Hosted by: Jon Quennell, Danny McDevitt and Val Heffelfinger Sort of Produced by: Val Helpinfinger "button master" Edited by: Jon “Jon” Quennell Executive Producer: Nick Horton
Katherine Rundell has been writing about endangered animals in the LRB since 2018. Her new book, The Golden Mole, gathers those essays and new pieces into a bestiary of unusual and underappreciated creatures. Katherine was joined by LRB editor Alice Spawls in a discussion touching on Elizabethan celebrity bears, Amelia Earhart's bones, and the greatest lie we've ever told: that the world is ours for the taking.You can read Katherine's work in the LRB archives: lrb.me/rundellAnd you can find a copy of The Golden Mole at the LRB Bookshop: lrb.me/goldenmole Hosted on Acast. See acast.com/privacy for more information.
【luluxjg2】> 走进一代文豪笔下的精彩世界> 体验莎翁剧作里的悲欢离合，嬉笑怒骂> 深入解读时代背景，主题隐喻，搞懂文化梗> 学习深远影响英语表达的“莎派”语言> 听主播精彩飙戏，演绎经典片段Drunk and standing up maybe in the rain. Now that sort of explains why a lot of the plotlines seem a bit overly dramatic.我读莎士比亚的时候, 觉得他有的时候里面的语言超级夸张, 超级戏剧化.That's the only way you could keep their attention.Imagine Shakespeare's writing for group of normally men who have been drinking all day. If they didn't like the play, they will be more than happy to start throwing food and start fights.And back then remember that all men would carry a sword or dagger.Wow, 所以大家去想象莎士比亚那个剧最开始在莎士比亚还活着的时候上演的, 这种场景绝对不是我们今天这种很有文化的感觉, 而是当时很多老百姓站在底下, 然后也都喝醉了, 大部分都是男的, 他们如果看不到那种打斗或者很精彩的这种很dramatic的剧情就会往上丢东西.我们现在只是说 boo就是嘘人家下台, 他们那时候直接就东西砸上去.I would say probably the closest equivalent is imagine being an actor and you're performing in front of a group of gangsters who are very angry and very drunk.I see. so that probably would give you a better idea of how Shakespeare's plays were originally performed.Yes.Now back to our course, our album.How do we introduce his play in this course? 那可能很多小伙伴就想问, 刚才说的这么精彩, 让我也开始对莎士比亚的剧有点兴趣了. 在我们的莎士比亚扫盲班里，到底是怎么样分析这些剧的呢?Because we're assuming that you're not drunk or violent as you listen to our course, we're a little bit more gentle in introducing Shakespeare's plays than it used to be in the past.But we don't assume you know anything about it.That's right.We're gonna really break it down to you. First, starting with each play's background.首先我们是选了10部莎士比亚最有名或者是最有特点的剧, 不同时期的都有, 像大家都耳熟能详的, 比如说是Romeo and Juliet《罗密欧与朱丽叶》, the Merchant of Venice《威尼斯商人》, 还有像Macbeth《麦克白》 都在里面. 首先我们会介绍background, 它的背景.Yeah, that's right.So we'll describe the background, and describe a little bit of the history as well. So for example, with Romeo and Juliet, we discuss what it would have been like for Elizabethan women or women during Shakespeare's time;And for the Merchant of Venice, we talk a little bit about the history of Venice, and also relationships with Jewish people.And then usually 安澜 will walk us through the plot line. 接着就是安澜带着我们走整个的故事线, 每次都很为难安澜, 因为这个剧都比较长, 安澜会用比较简单的语言给我们总结一下, 把这里面的情节, 我也会在旁边帮大家梳理所有这些人物和剧情.Yes, I will break down the plot. I'll try to keep it as simple as possible. I'll be focusing on the main plotlines, and making it as easy as possible for you to understand what the story is. 经常听我们节目的小伙伴都知道我们是英语占绝大部分. 不过在解释莎士比亚这个剧情的时候, 因为有很多的名字, 所以我也会适时的在中间补一些中文, 这样保证大家不迷路. 这个课程里面每一部剧我们都是分为上下集的, 上集讲完了这个故事和背景, 下集我们就会讲theme.
Influenced equally by Elizabethan composers and pop radio, Dessa consistently dissects the human condition, while deftly defying genre tags. A member of the Minneapolis indie-rap collective Doomtree (and championed by playwright Lin-Manuel Miranda), her interest in examining behavioral science has fueled multiple careers in creative writing, music and live poetry, as well as spawned TED Talks and her own BBC Radio program on not just how our brains work, but why. During this episode, Dessa shares the impetus for her latest book, previous and upcoming collaborations with the Minnesota Orchestra, the myriad of condiments that travel with her on tour, and the 30-year impact of Liz Phair's groundbreaking album Exile in Guyville. Visit dessawander.com for literature, vinyl, tour dates, social media and more. Her aforementioned radio series Deeply Human is available however you listen to podcasts.
Intro: Sometimes the little guy just doesn't cut it.Let Me Run This By You: Time's a wastin' - giddyup, beggars and choosers.Interview: We talk to star of Parks and Recreation, Easter Sunday, and Barry - Rodney To about Chicago, Marquette University, Lane Tech, getting discovered while pursuing a Chemistry degree, The Blues Brothers, Dürrenmatt's The Physicists, playing children well into adulthood, interning at Milwaukee Rep, Lifeline Theatre, Steppenwolf, doing live industrials for Arthur Anderson, Asian American actors and their representation in the media, IAMA Theatre Company, Kate Burton, and faking a Singaporean accent.FULL TRANSCRIPT (UNEDITED):1 (8s):I'm Jen Bosworth RAMIREZ2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand2 (15s):It. 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.1 (21s):We survived theater school and you will too. Are we famous yet?2 (30s):How's your, how's your eighties decor going for your1 (35s):New house? Okay, well we closed yesterday. Well,2 (39s):Congratulations.1 (40s):Thank you. House buying is so weird. Like we close, we funded yesterday, but we can't record till today because my lender like totally dropped the ball. So like, here's the thing. Sometimes when you wanna support like a small, I mean small, I don't know, like a small bank, like I really liked the guy who is the mortgage guy and he has his own bank and all these things. I don't even, how know how this shit works. It's like, but anyway, they were so like, it was a real debacle. It was a real, real Shannon situation about how they, anyway, my money was in the bank in escrow on Friday.1 (1m 20s):Their money that they're lending us, which we're paying in fucking fuck load of interest on is they couldn't get it together. And I was like, Oh no.2 (1m 29s):They're like, We have to look through the couch cushions,1 (1m 31s):Right? That's what it felt like, Gina. It felt like these motherfuckers were like, Oh shit, we didn't actually think this was gonna happen or something. And so I talked to escrow, my friend Fran and escrow, you know, I make friends with the, with the older ladies and, and she was like, I don't wanna talk bad about your lender, but like, whoa. And I was like, Fran, Fran, I had to really lay down the law yesterday and I needed my office mate, Eileen to be witness to when I did because I didn't really wanna get too crazy, but I also needed to get a little crazy. And I was like, Listen, what you're asking for, and it was true, does not exist. They needed one. It was, it was like being in the, in the show severance mixed with the show succession, mixed with, it was like all the shows where you're just like, No, no, what you're asking for doesn't exist and you wanna document to look a certain way.1 (2m 25s):And Chase Bank doesn't do a document that way. And she's like, Well she said, I don't CH bank at Chase, so I don't know. And I said, Listen, I don't care where you bank ma'am, I don't care. But this is Chase Bank. It happens to be a very popular bank. So I'm assuming other people have checking accounts that you deal with at Chase. What I'm telling, she wanted me to get up and go to Chase Bank in person and get a printout of a certain statement period with an http on the bottom. She didn't know what she was talking about. She didn't know what she was talking about. And she was like, 18, 18. And I said, Oh ma'am, if you could get this loan funded in the next, cuz we have to do it by 11, that would be really, really dope.1 (3m 6s):I'm gonna hang up now before I say something very bad. And then I hung up.2 (3m 10s):Right, Right. Yeah. Oh my God, I know. It's the worst kind of help. And regarding like wanting to support smaller businesses, I what, that is such a horrible sadness. There's, there's no sadness. Like the sadness of really investing in the little guy and having it. That was my experience. My big experience with that was going, having a midwife, you know, with my first child. And I really, I was in that whole thing of that, that time was like, oh, birth is too medicalized. And you know, even though my husband was a doctor, like fuck the fuck the medical establishment we're just, but but didn't wanna, like, I didn't wanna go, as my daughter would say, I didn't wanna be one of those people who, what did she say?2 (3m 52s):You know, one of those people who carry rocks to make them feel better.1 (3m 57s):That's amazing. Super.2 (4m 0s):So I didn't wanna go so far as to be one of those rock carrying people to have the birth at my house, but at the same time I really wanted to have this midwife and then there was a problem and she wasn't equipped to deal with it. And it was,1 (4m 11s):I was there,2 (4m 13s):Fyi. Yes, you were1 (4m 15s):The first one, right? For your first one.2 (4m 16s):The first one.1 (4m 18s):Here's the thing you're talking about this, I don't even remember her ass. What I, she, I don't remember nothing about her. If you had told me you didn't have one, I'd be like, Yeah, you didn't have one. I remember the problem and I remember them having to get the big, the big doctor and I remember a lot of blood and I remember thinking, Oh thank God there's this doctor they got from down the hall to come or wherever the hell they were and take care of this problem because this gene is gonna bleed out right here. And none of us know what to do.2 (4m 50s):Yes. I will never forget the look on your face. You and Erin looking at each other trying to do that thing where you're like, It's fine, it's fine. But you're such a bad liar that, that I could, I just took one look at you. I'm like, Oh my God, I'm gonna fucking bleed out right here. And Aaron's going, No, no, no, it's cool, it's cool, it's cool. And then of course he was born on July 25th and all residents start their residency on July 1st. So you know, you really don't wanna have a baby or have surgery in July cuz you're getting at a teaching hospital cuz you're getting a lot of residents. And this woman comes in as I'm bleeding and everything is going crazy and I haven't even had a chance to hold my baby yet. And she comes up to me and she says, Oh cuz the, the midwife ran out of lidocaine. There was no lidocaine.2 (5m 30s):That's right. They were trying to sew me up without lidocaine. And so this nurse comes in, she puts her hand on my shoulder, she says, Hi, I'm Dr. Woo and I'm, and I said, Dr. W do you have any lidocaine? I need some lidocaine stat right up in there. Gimme some lidocaine baby. And she had to call her boss. You know who I could tell when he came in, of course he was a man and I could tell when he came in, he looks at my midwife and is like, Oh, this is what you did here. I see we have to come in and clean up. But sometimes that's the case. Sometimes it's really just true that, you know, it's that the, that the bigger kind of like more corporate option is better cuz it just works better.1 (6m 8s):Well, and they've done this before, like there is, they've done the job before in a way, and they've seen the problems. They know how to troubleshoot in a way because they just have the fucking experience. Now you could say that getting that experience is like super fucked up and patriarchal and, and all the isms, it's, and you'd be right, but when you are bleeding to death or when you know you are in a big financial negotiation that could go south at any moment and lead to not having a ho like a all feeling lost. You want someone who knows how to fucking troubleshoot, dude. Like, come on. And I, you know, and it is sad, it's heartbreaking when you like, fuck man.1 (6m 50s):I really wanted this, like Dr. Altman always said, and I have an update on Dr. Altman, my favorite psychiatrist mentor of mine. But he always said like, well when I was going through med titration, when they put this dingling at Highland Park Hospital, who tried her best but put me on lithium thinking I was bipolar and then I was and all the meds, right? All the meds. And he's like, well they could've worked2 (7m 15s):It could've worked it1 (7m 17s):All's. And I was like, you are right. So like, it could've worked, it could've gone differently, but it just didn't. So it's like, yeah, it's better to look at it like that because, or else it's just infuriating that it didn't work in the first place, Right? Like, you're like, well fucker, Well they tried.2 (7m 35s):Yeah. I use that all the time that it could have worked. Things that I got through you from Dr. Altman, you know, my husband is having like some major, you know, growth moments. Like come like those moments where all the puzzle pieces become clear and you go, Okay, my childhood isn't what I thought it was and this person has got this and this person has got that. Yes. You know? And, and whenever he's doing the thing that we all do, which is like lamenting the life, the family he wish he had had, I always say like, well, as Dr. Almond says, it could have worked. Yes, these parents could have been just fine for you if you were a different person, but you're you.2 (8m 16s):And so, and they're them and it wasn't a good match. And like that happens sometimes.1 (8m 21s):And I think it's really good with kids maybe too. Cause it's like, listen, like, like I say to my niece, like it could, this could have been whatever it is the thing or my nephew too that worked and like that you loved volleyball or that you loved this. Like you are just looking, and I think it's all about titration, right? Like it's all about figuring out where we fit in, where we belong, where we don't. And it's a fucking process, which is what he was saying and like, and that you don't, we don't get it right the first time. Even in medicine, even in it's maybe especially in medicine, maybe in especially in relationships, like, so it, it also opens the door for like, possibility, right? That like, it's an experiment and like, we don't know, even doctors don't know, Hey, run this by you, Miles did of course.1 (9m 14s):And done. What about you? What about you?2 (9m 17s):I'm gonna do it after this, after we're done recording today, I'm gonna go over and I always like to take one of my kids so they, you know, see that this is the process and you have to do it and it's everybody's responsibilities to do it. That doesn't mean that I didn't get all angry at my own party this week. You know, my mom has a great expression. I think it's her expression. She says it. In any case, all politics is local, right? Like where it really, where the really meets the road is what's happening in your backyard. And like, I have a lot of problems with my town,1 (9m 52s):So Right.2 (9m 53s):They don't wanna have, you know, they voted down this measure to put a a, like a sober living place, wanted to take up residence here. Couldn't think of a greater idea. Nobody wanted it. You know, it's a lot of nis not in my backyarders over here. And it really drives me crazy. And in the, in the paper this week, there was a big scandal because there's this particular like committee in our town, Okay. That was in charge of, there was gonna be this, what is it, like a prize maybe or an honor or not a scholarship Okay. But something where they were gonna have to name it.2 (10m 33s):Okay. And they were, you know, really looking around for names. They were trying to think up what names would be appropriate. And somebody put forward the name of this person who is already kind of a named figure in our town. Like, we had this beautiful fountain, it's named after him. He was, he was a somewhat of a big guy, you know, he was an architect, whatever. Sure. So this name gets put forward in this woman who's on this committee says, I don't think this is a great time to name something after an old white man. Now, to me couldn't be a more reasonable thing in the world to say everybody's calling for her resignation. And these, you know, the thing that I hate the most about, not just conservatives, but it seems like it's especially conservatives.2 (11m 20s):I hate this saying. And I remember, I think I've said this before on the podcast, I remember hearing some black activists saying a lot of white, you know, a lot of racism perpetrated by white people is like founded on pretending. Pretending like you don't see color pretending like, you know, saying things like, Oh, well why would you have had that experience, you know, walking down our street at night? Like, or why would you have had that difficulty getting that job? I don't understand. And pretending like they don't know that this person just got1 (11m 51s):That job because of2 (11m 52s):The color biscuit and that kind kind of a thing. So of course the way that people are coming down on this woman is to say, Well, I don't know about you, but I was taught that we have to look beyond race and we have to recognize the person before the color of their skin. And if you can't be, you know, representing the needs of white men, then I just don't really think that you, there's a place on this council. And of course, you know, somebody who I know and have in the past really respected was quoted in this article as saying, Oh, somebody who considers himself like a staunch liberal. Yeah. I mean, I just really can't think of any people of note from our town who weren't white men.2 (12m 34s):Sure. And this motherfucker let himself be quoted in our newspaper as saying this. Now maybe he feels fine about it. Maybe he doesn't think there's anything wrong with it. But I I I think it's completely, completely disgusting. Of course. So then I went and I just did this research of like all the people who have lived in our town historically, they're not just white men. We, there's other people to choose from. Needless1 (12m 58s):To say. Yeah. Well also, like, it's so interesting. I mean, it's just that that quote just is so problematic on so many levels. It like goes so deep. But like the other thing is like, maybe they miss, the only thing I can think of is that dude, did they miss the second half of your quote? Which was, and that's a problem. Like, like if, if you can't, if you can't finish that quote with, you know, I can't really think of like anyone of note in our being or anyone being recognized in our town in this way that wasn't a white dude and that's really crazy. We should really reevaluate how we're doing things here.1 (13m 39s):Period. You're so2 (13m 41s):To offer, you're so, you're so sweet to offer him this benefit of the doubt. Of course I don't offer that to him because this is a person who, you know, there's been a few people in my life who I've had the opportunity to, you know, know what they say privately and then know what they say publicly. Right? And I, and I know this, you know, I know this person personally. And no, it doesn't surprise me at all that, that that would've been the entirety of the quote. It would've been taken out of context. Now it might have been, and I don't know, and I'm not, I'm not gonna call him up to ask him, but you know, at a minimum you go on the local Facebook page and say, I was misquoting.1 (14m 20s):No, no, yeah. Chances are that this, this person just said this. And actually the true crime is not realizing if, if, if that's the case, that they, that that statement is problematic. So that's really fucked up. And also, like, think of all the native people that were on that land, on our land. Like, you're gonna tell me that just because you haven't done, they haven't done the research. They don't think that a native person from the northeast did something of greatness. Shut up, man. Excellent. Before it was rich.2 (14m 56s):Excellent point, Excellent point. Maybe when I write to my letter to the editor, maybe I'll quote you on that because Yeah, yeah. It's like, it's so, it's just, and I'm, by the way, I'm, I have been, I'm sure I'm still am guilty of the same thing too, of just being the laziness of like, well, I don't know, we'd love to, you know, hire a person of color, but none have applied. I mean, I have definitely said things like that and I just understand differently now I understand. No, no, no, they're not gonna be at the top of the pile of resumes that you're gonna get because historically these people haven't felt like there's a place for them at your table. So what you have to do is go above and beyond and say, we are specifically recruiting people of color for this position. I understand.1 (15m 35s):And how about even like, do some research online and find out who those people are and try to like, hire them away from wherever they are to and make them a great offer. You know what I mean? Like all those things. Well,2 (15m 48s):This experience did cause me to go on my little Wikipedia and look up, you know, people who have lived here and I was really like, surprised to learn how many people have known. Now it's true to say that, you know, when, when you're just looking up a list of famous people, it is gonna mostly be white men because that's who mostly, you know, sort of, she made, made history, made the news, whatever. But yeah, one of the very first things that come up, comes up when you look it up my town on Wikipedia, is that the fact that this was the Ramapo tribe that lived here. You know, this is who we took the land away from. I was also surprised to that.1 (16m 29s):I've never,2 (16m 30s):Yeah, Yeah. It was also interesting to learn, supposedly according to this, how many people of live here currently, including people like Harvey Firestein, who I have, I've never seen around town, but God I would really love to. And like some other, you know, sort of famous people. But anyway, That's1 (16m 50s):So cool.2 (16m 51s):Yeah. So, so I will be voting after this and I really, I don't have a great feeling about the election, but I'm, you know, I'm just like, what can you do? You can just sort of go forward and, you know, stick to your values. Yeah. I mean,1 (17m 7s):The thing is, stick to your values, move forward. And like my aunt, happy birthday, Tia, it's her birthday today, and she is like super depressed that, you know, she, she said, what she says is like, fascism is really, today is the day that we really something about fascism, it's like really dire and like really, Okay. So my, it's so interesting that I think boomers feel really bad because they had it so good, even though it wasn't really good, there was an illusion of goodness. Right? So I, I am depressed. But here's the thing, and I was, I was gonna bring this up to you.1 (17m 47s):It's like I, I had an experience last night where I went to this theater and saw the small theater, which I really wanna do my solo show in which is this famous theater called The Hayworth, which is, they show silent movies and all, but there's now it's like an improv sort of venue and, and it's really cute and throwbacky. But anyway, I went there and I just was thinking like, as I was watching these performers, like, oh, it is not even that, Like, it's literally that I spent 45 years thinking that I was worse than everybody else, right? And so now that I don't really think that, I actually don't have that much time left to accomplish what I would like to accomplish. So I, I spent all this time feeling like I couldn't do what she's doing.1 (18m 29s):I can't do what he's doing, can't do what theirs doing. They're, they are doing because I'm not good enough. Like literally. And now I'm like, Oh my God, I'm good enough. I have things to say. I really wanna leave a legacy. And literally the clock is ticking. Now, I'm not saying I'm running around like a nut, but what I'm saying is like, I, I, I do feel that I literally don't have the time left to participate in half-assed measures of art or whatever we're gonna do. We gotta make it purposeful because I w i, I spent all this time getting ready 45 years to not hate myself. And now the clock is ticking, I donate myself and there are things to do.1 (19m 13s):That's literally how I feel. So then when I see art or something where I'm like, Why are you using your platform this way? What are you talking about? What are you saying? Oh no, I can't, I even now I know why people leave movies early, plays early if it is, and some, for me anyway, like some people probably just assholes and like the, the person on stage doesn't look cute and they're out or whatever, but, or they're having panic attacks like I used to and I have to leave. But like, mostly I understand where it's like this is wasting my, my time, time I could be using to sort of plant seeds that may do something to be of service.1 (19m 53s):So I'm gonna jet and good luck to you. But yeah, it's the first, I just really feel like time is of the essence. And I always thought that was such a stupid thing that old people said, which was, you know, time is our most precious commodity. And I was always like, that is the dumbest thing I've ever heard. And now I'm like, oh shit. Yeah, it's really true Dude.2 (20m 15s):Yeah. Yeah. I actually had an experience some that I relate to with that, which is that, you know, I, I volunteered to be part of this festival of one act and you know, the thing we were supposed to do is read all of the submissions and then pick our top three. And then they were gonna do this rank order thing where they're attempting to put each director with one of their top three choices. Well, I read, it was like 10 plays I read them and I, I didn't have three, three ch choices. There was only one play that I felt frankly was worth my time.2 (20m 56s):And I felt really uncomfortable about having that feeling. And I was doing all of the like, who do you think you are? And you know, it's, you haven't directed something in three years and beggars can't be choosers in the whole thing. And I just thought, you know, I know what I'm gonna do if I don't stand up for whatever it is I think I can do here is I'm gonna resent the thing that I get, you know, pitted with and then I'm gonna do something self-destructive or I'm gonna kind of like blow up the relationship and I don't wanna do that. So I spend a lot of time thinking about how I was gonna write this email back saying basically like, I don't have three choices. I only have one choice. And I understand if you don't want to give that to me that this, I might not be a good fit for you.2 (21m 37s):You know? But I really, I really kind of sweated over it because when you don't, you know, when you're a very, if I was an extremely established theater director, you know, I wouldn't have thought twice about it. But I'm not, I'm trying to be established here and I, you know, so my, my, my go-to has always been well having opinions and choices and stuff like that is for people who, you know, have more than you do or have more to offer than you do. And it doesn't always work out that when you kind of say, This is me and take me or leave me. It doesn't always work out. But in this case it doesn't. They gave me my first choice. And so I'm, I'm happy about that, but there's a lot.2 (22m 18s):Thank you. Thank you. Yeah, there's a lot that just goes into the, it's all just work I have to do on myself. Like, I have this, a way of thinking about things is like, I have to do this work with this other person or I have to convince them why it has nothing to do with that. It's just that I have to do this.1 (22m 34s):Well that's what I'm realizing, like Gina, Absolutely. And good for you for like, coming at it from a place of like, okay, like this might not work, but I have to do it to see and put it out there and it may not work and they may say, go fuck yourself. But the alternative one is resentment, but also is like, hmm, not doing anybody else any favors either. If you aren't saying like, I actually don't have three choices here, I'm not gonna do justice. And I also, it brings me to my other thing, which I thought was so full of shit, which is so true. It's like most things are just not, it's about not being a right fit. It's not about you're bad and I'm good, I'm good and you're bad.1 (23m 15s):It's like, this is not a good match. And I, I think it just takes what it takes to learn that it is a not, it's about a matching situation. So like you knew that like those other two wouldn't be good matches and you wouldn't do a service to them or yourself. And it's not, And also like this thing about beggars can't be choosers. I fucking think it's so dumb because like most of us are beggars all the time and, and we, we settle for garbage. And it doesn't, like, I feel like we can, like beggars should be more choosy. And I also feel like, I'm not saying not be humble, but like, fuck you if you take away our choices, like we have to have choices.1 (23m 57s):That's the thing. It's like beggars have choices, whatever you call a beggar, we still have choices. Like how we're gonna interact and how and how we're gonna send emails and shit. I'm just like,2 (24m 9s):Yeah. Plus that whole phrase is so like, in a way rooted in this kind of like terrible supremacy structure that we're trying to fight against, which is like, we wanna tell, of course we wanna tell beggars that they can't be choosers cuz we just, we don't wanna think about them as people who have the same agency in life as we do.1 (24m 25s):Sure. And now I've started saying to people when I have this conversation about like, about unhoused, people like having tent encampments and I get it, like, you're going to school, you're walking your kid to Montessori and there's a fucking tent encampment in your front yard. You did not pay for that. You did not sign up for that. You are, I get it. And also my question is, what are we gonna do when the tents outnumber the people in homes? Because then it's a real fucking problem. So like, how are we gonna do that? You think it's uncomfortable? I think it's uncomfortable to walk by a tent encampment as I'm on my way to a coffee date with someone or whatever.1 (25m 8s):That's uncomfortable. But what are we gonna do when, like in India, the, the quote slums or whatever people, you know, whatever people choose to call it, outnumber the goddamn people in the towers. Then we, then it's gonna be a different problem.2 (25m 35s):Today on the podcast, we were talking to Rodney Toe. Rodney is an actor, you know him from Parks and Recreation, Barry good girls Rosewood. He was in a film this summer called Easter Sunday. Anyway, he's a delight. He's also a professor of theater at USC and he's charming and wonderful and we know you are going to love listening to him as much as we loved talking to him. So please enjoy our conversation with Rodney Toe.3 (26m 8s):Can you hear me? Can you hear me okay?2 (26m 11s):Yes, you sound great. You sound1 (26m 13s):Happy. No echo. You have beautiful art behind you. We can't ask for a2 (26m 17s):Better Easter Sunday. We were just talking about Easter Sunday, so we're gonna have to ask you Oh sure about it, Beth. But first I have to say congratulations, Rodney tell you survive theater school.3 (26m 28s):Oh, thank you. Yes, I did. I sure did. Was2 (26m 31s):It usc? Did you go to3 (26m 32s):Usc? No, I, I'm a professor. I'm currently a professor at usc. So1 (26m 36s):We just assumed you went there, but where did you go3 (26m 38s):To No, no, no, no, no. I, that, that came about like in a roundabout way, but no, I, I totally, I went, went to Marquette University. Oh, in Milwaukee?1 (26m 46s):In Milwaukee. Oh my gosh. Yeah. So3 (26m 48s):Everybody's reaction, everybody's reactions like, well1 (26m 53s):I actually love Mil, I'm from Chicago and Evanston you do and then you are,3 (26m 58s):Yeah, born and raised north side. My family's still there. What1 (27m 1s):The hell? How did I not know this? Yeah, I'm from Evanston, but lived in Rogers Park and went to, we went to DePaul.3 (27m 7s):Well I hear the park. Yes, yes. Born and raised. My family's still there. I am a Chicago, I'm an undying Chicago and through and through. Yeah.1 (27m 15s):Wait a minute. So, so, okay, okay, okay. So you grew up on the north, you grew up in, on the north side.3 (27m 20s):Yeah, I grew up in, I, I grew up and I went to Lane Tech. Oh1 (27m 24s):My gosh, that's where my niece goes right this very minute. She goes, Yeah,3 (27m 28s):It's1 (27m 28s):Quite the school. I dunno how it was when you went, but it went through a hard time and now it's like one of these3 (27m 34s):Go, I mean when I went it was, it was still considered a magnet school. And I I, you know, I think like in like it went maybe through a period of like, sort of like shifting, but then it's like now it's an incredible school. I'm September 17th is apparently Rodney to day at Lane 10. No, Yeah, it just happened. I mean it's, it's silly. It's Easter significance. No, cause of Easter Sunday they did like a bunch of, you know, I do a lot of advocacy for the Asian American for Asian-American representation. So sort like all together1 (28m 4s):That movie had broke so many, broke so many barriers and was, I mean it was a phenomenal, and also I just feel like it's so obviously so needed. Duh. When people say like, more representation is needed, I'm like, okay, no shit Sherlock. But it's true. It bears repeat again. Cause it still is true that we need more representation. But I am fascinated. Ok, so you went to Lane Tech and were you like, I'm gonna be a famous actor, comedian? No, what,3 (28m 34s):What anything about it? Didn't I, you know, it's called Lane Tech for a reason, right? It's a technical school. Correct. So like we didn't, you know, it didn't, I mean there were arts, but I, it never really, you know, it was one of those things that were like, you know, I guess like when you were a kid, it's all like, hey, you wanna learn how to like macrame. But there were theater arts in my, in my high school, but it wasn't like,1 (28m 54s):In fact, my mother did macrame. And let me tell you something, it has come back in style. And the shit she made, we could be selling for $199 at Urban Outfitters right now. I'm just,3 (29m 4s):Oh yeah, it's trendy now. Yeah. It's like, yeah, it's in style.1 (29m 7s):Anyway, side note, side note. Okay, so you were like, I'm not doing, there was no performing at Lane Tech. There was no like out there, there,3 (29m 13s):There was, and there was, but it wasn't, again, you know, in terms of representation, there was nothing that like, I mean there was nothing that that showed me any kind of like longevity in, in, you know, it didn't even really occur to me that this was a business that people sort of like, you know, pursued for themselves. So it wasn't until I went to Marquette that I discovered theater. And so it was one of those things that like, I was like, oh, there's something here. So it wasn't like, it wasn't fostered since I was a kid.1 (29m 43s):This,2 (29m 44s):And this is my favorite type of origin story because it means, you know, like there are people who grow up in LA or their, their parents are in the industry. And then, so it's always a question like, am I gonna go into this industry? But, but people like you and like me and like Boz, who, there's no artist in our family, you know,3 (30m 4s):You2 (30m 4s):Just have to come to it on your own. So I would love to hear this story about finding it at Marquette.3 (30m 10s):So like the, this, I, I've told this story several times, but the short version of it is, so I went to college for chemistry. And so again, because I came from, you know, that that was just sort of the path that, that particularly, you know, an Asian American follows. It's a very sort of stem, regimented sort of culture. And when I went to Marquette, my first, my sort of my first like quarter there, it was overwhelming, you know, I mean, college was, was a big transition for me. I was away from home and I, I was overwhelmed with all of the STEM courses that I was taking, the GE courses. And I, I went to my advisor and at the time, you know, this is pre-internet, like he, we sat down, I sat down with him and he pulled out the catalog.3 (30m 52s):Oh yeah, the catalog, right? I1 (30m 54s):Remember the catalog. Oh yeah.3 (30m 56s):And so he was like, let's take a class that has nothing to do with your major. Oh,1 (30m 60s):I love this. I love this advisor. I love this advisor. Do you know, can he you say his name3 (31m 7s):At the, was it Daniel? Dr. Daniel t Hayworth. I mean, it's been a while I went to college with Dahmer was arrested. So that's been a1 (31m 15s):While. Okay. Yeah's, same with us. Same with me. Yeah.3 (31m 18s):Yeah. So like, I think it was Daniel Daniel Hayworth. Yeah. Cuz he was a, he was a chemistry professor as well. So he opened up, he opened up the, the thing in the, the catalog and it said acting for non-majors. And I remember thinking, that sounds easy, let's do that. And then I went to the class, I got in and he, he, he was able to squeeze me in because already it was already in the earl middle of the semester. And so I, the, the, the, the teacher for that class was a Jesuit priest. His name is Father Gerald Walling. And you know, God rest his soul. And he, his claim to fame was he had like two or three lines on Blues Brothers, the movie.1 (31m 59s):Amazing. I mean like great to fame to have Yes. Get shot in Chicago. Yeah. And if you're a Jesuit priest that's not an actor by trade, like that is like huge. Like most people would like die to have two to three lines on Blues Brothers that are working anyway. So, Okay, so you're, so he, so how was that class?3 (32m 19s):So I took the class and he, after like the first week he asked me, Hey is, and it was at 8:00 AM like typical, like one of those like classes that I was like, Oh my gosh, I'm gonna go in here miserable. Yeah. But he said to me early on, he said, Do you have any interest in doing this professionally? And I said, no. And he's like, and he, he said, and he said, I was like, You're hilarious. You know,1 (32m 43s):You're a hilarious Jesuit.3 (32m 45s):Yeah. I'm like, Good luck with God. He, he then he was directing, he was directing the university production of, and he asked me to audition for it. And I was, I don't even know what an audition was. That's amazing. So like, it was one of those things that I didn't really know how to do it. I didn't know much about it. And so he's like, Can you come in and audition for it? And I did and I got it and it was, it was Monts the physicist,1 (33m 12s):What the fuck is that?3 (33m 14s):Oh man, I love that play. It's Amont, it's the same, you know, it's the same. He's, you know, Exactly. It's really, it's one of those like sort of rarely done plays and it's about fictitious Albert Einstein, the real, lemme see if I, it's been so long since I recall this play. The real, So Isaac Newton and what was the other Mobius? A fictitious, So the real, I'm sorry, The real Albert Einstein, The real, the real Albert Einstein, the real Isaac Isaac New and a fake, a fictitious play scientist named Mobius.3 (33m 55s):And they were, they were all in, in a mental institution. And I1 (33m 60s):Think that I have this play and my shelves and I just have never read it before. Okay, so3 (34m 4s):Who did you play? It's extraordinary. Extraordinary. And so I played, I played a child like I did up until my mid thirties. I played a child who had like one line, and I remember it took, it took place in Germany, I believe. And I remember he's like, Do you have a German accent? I was like, No. You're1 (34m 20s):Like, I I literally am doing chemistry 90.3 (34m 23s):Yeah. I was all like, you're hilarious. Yeah. Only children do accents, You know what I mean? Like, it was totally, I was like, whatever's happening, I don't even know what's happening. And, and then I made up a European accent. I mean, I, I, I pulled it on my ass. I was like, sure, don't even remember it. But I was like, one of,1 (34m 39s):I love when people, like, recently Gina showed me a video of her in college with an accent. Let me tell you something, anytime anyone does an accent, I'm like, go for it. I think that it's so3 (34m 51s):Great. Yeah. I've got stories about, about, I mean, I'm Asian, right? So like, I mean it's been one of those things that all my life I've had to sort of navigate people being like, Hey, try this on for Verizon. I was like, Oh gosh. And you know, anyway, I can go on forever. But I did that, I had a line and then somebody saw me in the production with one line and said, Hey, this is at the Milwaukee Repertory Theater, somebody from the Milwaukee Repertory Theater. It's huge1 (35m 18s):Theater. Fyi. Right,3 (35m 20s):Right. Again, it's, it's to this day. And so they asked if I would intern, if I would be considered interning while I was in school. And I said, I didn't even know what that was. So I met with them. And when I walked into that theater, it was one of those, it's one of the biggest, most extraordinary music theaters in the wor in the country. Right. Won the regional, Tony and I, again, I had no frame of reverence for it. So walking in, it was like this magical place. And so I started, I started interning right, right off the bat. And it was one of those like life changing experiences. I, I mean, to this day, the best acting I think I've ever seen, you know, face to face has been on that stage. It's, you know, many of those actors are still, I'm still in touch with to this day.3 (36m 3s):Some of them have passed away. However, it was the best training, right? I mean, I got thrown into the deep end. It was like working with some of the greats who never, no one ever knew. Right. So it really, it was really a wonderful experience. And that's when I sort of, you know, that's when I was like, Oh, I actually can do this for a living. So it was,1 (36m 21s):Oh yeah, Milwaukee rep. I've seen some amazing stuff there. And also what would've been great is, yeah, we like, I mean there's so many things that would've been great at DePaul at the theater school, but one of them would've been, Hey, there's all these regional theaters, like if you wanna make some dough, it was either like, you are gonna be doing storefront and Die of Hunger, or you're gonna be a star. Hilarious was no like, what about Milwaukee Rep? What about the Guthrie? Like all the things3 (36m 50s):Gut, Yeah. Never1 (36m 51s):Told at least. Or I didn't listen or I was like in a blackout drunk state. But like, I just feel like hilarious. I just feel like that is so amazing that you got to do that. So then, Wait, did you change3 (37m 2s):Your It wasn't, I did. I eventually did. Yes. So I have both. And so now it was one of those, like, it was, it was harrowing, but eventually, I mean, I did nothing with my chemistry degree. Nothing. Like literally nothing. That's,2 (37m 16s):Most people do nothing with their theater degree. So, so it all evens out. Wait, I have a question. Now. This is a question that would be difficult for me to answer. So I wouldn't fault to you if it's difficult for you. What do you think it was in you that this person saw and said, have you ever considered doing this professionally? I mean, just trying to be really objective about the, the asce the essence of you that you bring to the table. Always. How, what did that person identify, do you think, if you3 (37m 44s):Had to guess? You know, I'd like to say it was talent. I'd love to be that person and be like, you know, they recognized in me in one line that ordinary artist was going to emerge into the universe and play children into his thirties. I, I wish I could. It was that, I mean, honestly, I looked different than everybody else on that's a white school and Milwaukee rep, you know, God, forgive me for saying this, but it was a sensibly all white institution.1 (38m 12s):Super white. Super white. Yeah.3 (38m 14s):So in comes this little Asian guy who like they thought might have had potential and also is Asian. And I checked off a lot of boxes for them. And you know what I could easily say, like I, I could easily sort of, when, if you asked me like 20 years ago, I was like, Oh, I was talented, but now I'm like, no, I made my way in because of, because I, I checked boxes for people and, and1 (38m 37s):Talented,3 (38m 38s):You couldn't,1 (38m 39s):You3 (38m 39s):Couldn't have done it if you didn't have talent to thank you. And I can, I can, you know, whatever, I can own that now. But the, but the reality is like, I made it in and that's how I got in. And I'm okay with that. And I'm not saying that it's not taking anything away from talent, but the reality is it's like you gotta get in on the inside to work your way out. And if I didn't have that exposure early on, I certainly wouldn't have had the regional career that I did for a little while. You know? So like that credit, like you, like you said Jen, it's like, it's a, it's a huge credit. So like I would not have made it in any other way. Right. And I certainly,1 (39m 12s):Yeah, I just am like noticing also like my reaction to, Yeah, it's interesting too as other humans in this industry or any industry, it's like, it's like we have had to, especially those of us that are, you know, I'm 47 and like those of us who have made it in or sort of in for, in my, I'm just speaking for myself. Like I, I sort of, right, It could have been fucked up reasons or weird reasons that we got in the door or even filling someone's need or fantasy. But then it's like what we do with it once we're in the room, that really, really matters. And I think that yeah, regardless of how you ended up in Milwaukee rep, like I think it's smart and like I really like the idea of saying okay, like that's probably why I was there.1 (39m 58s):I checked, I've checked boxes, but Okay. But that's why a lot of people are a lot of places. And so like, let's, let's, let's, you could stop there and be like, that is some fucked up shit. Fuck them. Or you could say, Wait a second, I'm gonna still have a fucking career and be a dope actor. Okay, so you're there, you're, you're still, you graduate from Marquette with a double major, I'm assuming, right? Chemistry and, and was it theater, straight up theater or what was your degree?3 (40m 23s):It's, well, no, no, it's called, it's, it's, it's the, at the time it's called, they didn't have a theater degree. Right. It was called the, you graduated with a degree in Communications. Communications,1 (40m 32s):Right? Yes. Okay, okay. Yeah. My, my niece likes to say Tia, all the people in communications at UCLA are the dumbest people. I'm like, No, no, no, no, no. That would've been me. And she's like, Well, anyway, so okay, so, so you graduate and what happens? What happens to you?3 (40m 54s):So, you know, I, I went from there. I went to, I got my equity card pretty ear pretty early cuz I went for my, I think it was my final between my, the summer, my junior year and my senior year I went to, because of the Milwaukee rep, I got asked to do summer stock at, at ppa, which is the Pacific Conservatory, the performing Arts, which is kind of like an Urda contract out in the West Co on the west coast. And so I was able to get credits there, which got me my equity card very quickly after, during that time I didn't get it at the institution, but I got like enough, you know, whatever credit that I was able to get my equity card. And again, at the time I was like, eh, what are the equity? I didn't even know know what that was really.3 (41m 34s):I don't know if anybody truly knows it when they're, when they're younger. So I had it and I went, right, I had my card and I went right to Chicago because family's there. So I was in Chicago. I did a couple of shows, I did one at at Lifeline at the time. I did one at North. Yeah. So it was nice to sort of go back and, and, and, and then I, you know, right then I, it's my favorite story, one of my favorite stories. I, I got my, my my SAG card and my after card in Chicago that summer, because at the time the union was separate. That's how old I am. And I got my SAG card doing a Tenax commercial, and I got my after card doing, I'm not sure if they're still there.3 (42m 18s):I think they are actually. It is a company called Break Breakthrough Services and they did it live industrial. Oh yeah.1 (42m 24s):They, I think they still wait live. How does that work? Yeah,3 (42m 29s):Exactly. So it's a lot of like those training, you know, you see it a lot, like the people do it, like corporate training stuff. Right. So they used, at the time it was really new. So like they used a lot of actors and they paid well.1 (42m 42s):Well, I did an Arthur Anderson one that like paid my rent3 (42m 45s):Long time. Yeah, yeah, yeah. So exactly when Arthur Anderson was still a, I think I did one too. So like, they,1 (42m 53s):Rodney,3 (42m 55s):Were you in St. Charles, Illinois?1 (42m 57s):I don't know. I had to take the Amtrak. It could have been,3 (42m 59s):Yeah. In St. Charles. Right? That's where they were centered. Yes. Yeah.1 (43m 2s):Okay, go ahead. Go ahead. So you, okay, so you got your, I know our world. Do you live, Where do you live?3 (43m 8s):I'm in, I'm in LA right now. This is my home. Yeah.1 (43m 11s):Okay. Well I'm coming to your home. Okay, great. I'm in Pasadena right now. Okay. Anyway, go ahead. Oh yeah.3 (43m 17s):Okay. So we, yeah, I went to Chicago, got my cards, and then was there for, you know, a hot minute and then I moved to New York. Okay.1 (43m 25s):Wait, wait, wait. Moved. Did you have, what years were you working in Chicago? Like were we still, were Gina and I in school? What, what, what years were that were you were like, Tampa, a man Chicago.3 (43m 35s):I did God bless that commercial. Yeah, it was so good. I did, let's see here, I grad, I was there in 90, let's see, 97,1 (43m 47s):We were there. Well, Gina was graduating and I, I was, yeah. Anyway, we were there.3 (43m 52s):And then I moved to New York in 98 and then I moved to New in 98. So1 (43m 55s):You were only in Chicago a hot minute? Yeah, yeah, yeah.3 (43m 57s):Okay. Yeah. But then I came back, I came back in 2004 five to do a show at Victory Gardens. Oh. And then I did a show at Victory Gardens, and then I did a workshop at Stepin Wolf. So it was nice. Look at1 (44m 12s):Victory Gardens. Victory Gardens. That was a whole,3 (44m 15s):I'm sorry, what was that?1 (44m 16s):R i p, Victory Gardens.3 (44m 17s):Oh, yeah. I mean, well I was there pre-K. Yeah. And so, but it was, yeah, r i p I mean, r i it was truly one of the most magnificent, magnificent shows that I've been part, but I mean,1 (44m 30s):Okay, so wait, wait, wait. Okay, so why New York? Why weren't you like, I'm gonna bust out and go to LA and be a superstar on,3 (44m 38s):It's all about representation. I mean, I didn't see at the time, and you know, if you think about it, like there were people on television, but, you know, in terms of like the, the, the, it wasn't pervasive. It was like sort of every once in a while I'll turn on my TV and I'll see like Dante Bosco or I'll see like, you know what I mean? But it wasn't like I saw like, you know, I wasn't flooded with the image of an Asian American making it. However, at the time, you know, it was already Asian Americans were starting to sort of like flood the theater world, right? So I started, you know, through James c and, and Lisa Taro in Chicago, and like, people who are like, who are still friends of mine to this day, Asian American actors, they were doing theater. And so I was like, you know what, I'm gonna do theater. And so I, it was just one of those, like, I went to, and I already had these credits.3 (45m 19s):I had my equity card, I had some credits. My natural proclivity was then to go to, to, to first theater in New York. So it wasn't, I didn't even think about LA it wasn't like, oh, let me, let me like think about doing television and film. So I went1 (45m 32s):To York. I just feel like in LA it's so interesting. As an actor, writing is a little different, but as an actor, it, most of us, if we plan to go to LA as actors, we're gonna fail. I just feel like you have to end up here as an actor by accident because you do something else that you love and that people like, and then they're like, I just, it's not the most welcoming. Right. Medium film and tv. So like, it's so hard. So I think by accident is really sort of the only way, or if you're just already famous for something else, but like, anyway, So you're in New York. Did you, did you love it? Wait, can I,2 (46m 9s):Can I hang on Buzz, Can I do a timeout? Because I've been wanting to ask this just a little bit back to, you know, your undergrad experience. Did you wanna be, did you love chemistry or did you just do that because Oh, you did, Okay. So it wasn't, it wasn't like, oh, finally I found something that I, like you liked chemistry.3 (46m 29s):Yeah. To this day, to this day, I still like, it's still very much like, you know, the, the, the values of a stem field is still very much in how I teach, unfortunately. Right? Like, I'm very empirical. I, I, I need to know an, I need to have answers. Like, you know, it tends to, sometimes it tends to be a lot of it, like, you know, you know, sort of heady and I'm like, and now I need, I need, I'm pragmatic that way. I need to understand like why, Right? That2 (46m 53s):Doesn't seem unfortunate to me. That seems actually really fortunate because A, you're not the only artist who likes to think. I mean, you know, what about DaVinci? Like, a lot of people like to think about art in a, in a, I mean it's really, they're, they're, they're really kind of married art and science.3 (47m 8s):Yeah. They really are people. I, I think people would, It's so funny. Like people don't see it as such, but you're absolutely right. I agree. It's so more, Yeah. There's so much more in common.1 (47m 18s):The other thing that I'm glad Gina brought that up is cuz I'm questioning like, okay, so like, I don't know about at Marquette, but like at DePaul we had like, we had, like, we had these systems of, you got warnings if you, you weren't doing great and I bet like you probably didn't have the cut system cause that just is okay, good. But okay.3 (47m 36s):Well we were, we remember we were, we weren't a conservatory, right? So we were very much a, a liberal programming.1 (47m 42s):Yeah, I love it. Oh God, how I longed for that later, right? But anyway, so what would've helped is if someone with an empirical, like someone with more a stem mind sat down with me and said, okay, like, here are the things that aren't working in a practical way for you, and here are the things that you can do to fix it. Instead, it was literally this nebulous thing where my warning said, You're not living up to your star power now that's not actually a note. So that, that, that Rick Murphy gave me, and I don't, to this day, I'm like, that is actually, so I would love if I had someone like you, not that you'd be in that system, but like this to say like, okay, like here's the reasons why.1 (48m 25s):Like there was no why we were doing anything. It was like, you just do this in order to make it. And I said, Okay, I'll do it. But I was like, what the hell? Why are we doing this? That's,3 (48m 35s):That's like going to a doctor and a doctor being like, you're sick. You know what I mean? And you're like, but can, that's why I'm here is for you to help me get to the root of it and figure it out. Right. Being like, you're,1 (48m 46s):I think they didn't know, Here's the thing, I don't think it, it3 (48m 50s):Was because they're in.1 (48m 51s):Yeah. I I don't think it was because they were, I mean, they could have been rude in all the things. I literally, now that I'm 47, looking back on that experience, I'm like, Oh, these teachers didn't fucking know what they were, how to talk. And3 (49m 3s):This is how I came. Yeah, yeah. Which is how I came back to usc. So like that's,1 (49m 7s):Anyway, continue your New York adventure. I just wanted to know.3 (49m 11s):No, no, no. New York is was great. New York is New York was wonderful. I love it. I still love it. I I literally just got back with it. That's why, remember I was texting you, emailing you guys. I I just got back, Yes. The night before. Some amazing things. My husband would move back in a heartbeat if I, if I like texted him right now. And I was like, Hey, like let's move back. The house would be packed and we'd, he'd be ready to go. He loves, we both love it. You know, Am I in love with New York? I, that, that remains to be seen. I mean, you know, as I get older that life is, it's a hard life and I, I love it when there's no responsibilities when you can like, skip around and have tea and you know, walk around Central Park and like see shows.3 (49m 53s):But you know, that's obviously not the real, the reality of the day to day in New York. So I miss it. I love it. I've been back for work many times, but I, I I don't know that the life is there for me anymore. Right. I mean, you know, six fuller walkups. Oh no. Oh no. I just, yeah, I1 (50m 11s):Just like constantly sweating in Manhattan. Like I can't navigate, It's like a lot of rock walking really fast and3 (50m 20s):Yeah. And no one's wearing masks right now. I just, I just came back and I saw six shows when I was there. No one's wearing masks. It's like unnerving. And again, like, you know, you know, not throwing politics in it. I was like, you guys, like, how are you okay with it? I'm just like, how are you not unnerved by the fact that we're cramped in worse than an airplane? And everyone's like coughing around you and we're sitting here for three hours watching Death of a Salesman. I mean, like, how was that1 (50m 43s):Of an2 (50m 45s):Yeah know?3 (50m 46s):I mean,2 (50m 47s):So what about the, so at some point you, you pretty much, I mean, you don't do theater anymore, right? You transition to doing3 (50m 55s):Oh, I know, I do. Very much so, very much. I'm also the associate, Yeah. I'm the associate artistic director of, I am a theater company, so like I'm, I'm very much theater's. I will never let go. It's, it's just one of those things I will never as, as wonderful as television and film has been. It's, it's also like theater's, you know? It's the, it's my own, it's my first child. Yeah.2 (51m 19s):Yeah.1 (51m 20s):We have guests like Tina Parker was like that, right? Wasn't,2 (51m 23s):Yeah. Well a lot of, a lot of people. It's also Tina Wong said the same thing.3 (51m 26s):He and I are different. She's part, we're in the same theater company. So Yeah. Tina's.2 (51m 30s):That's right. That's right. That's right. Okay, now I'm remembering what that connection was. So I have a question too about like, when I love it, like I said, when people have no idea anything related to performing arts, and then they get kind of thrust into it. So was there any moment in sort of discovering all this where you were able to make sense of, or flesh out like the person that you were before you came to this? Like a lot of people have the experience of, of doing a first drama class in high school and saying, Oh my God, these are my people. And never knowing that their people existed. Right. Did you have anything like that where you felt like coming into this performing sphere validated or brought some to fullness?2 (52m 14s):Something about you that previously you hadn't been able to explore?3 (52m 18s):Yeah. I mean, coming out, you know what I mean? Like, it was the first time that people talk, you know? Of course, you know, you know, I was born to, you know, like was God, I said I was born this way. But that being said, like again, in the world in which I grew up in, in Chicago and Lane Tech, it's, and, and the, you know, the technical high school and, and just the, the, the, I grew up in a community of immigrants. It's not like it was laid out on the table for one to talk about all the time. Right. It wasn't, and even though I may have thought that in my head again, it wasn't like, it was like something that was in the universe and in the, in the air that I breathed. So I would say that like when I got to the theater, it was the first time, you know, the theater, you guys we're, we're theater kids, right?3 (53m 2s):We know like every, everything's dramatic. Everything's laid, you know, out to, you know, for everyone. Everyone's dramas laid out for everyone. A the, and you know, part of it was like sexuality and talking about it and being like, and having just like, just being like talking about somebody's like ethnic background. And so it was the first time that I learned how to talk about it. Even to even just like how you even des you know, you know how you even describe somebody, right? And how somebody like, cuz that again, it's not, it wasn't like, it wasn't language that I had for myself. So I developed the language and how to speak about people. So that's my first thing about theater that I was like, oh, thank God.3 (53m 43s):You know? And then, you know, even talking about, you know, like queer, like queer was such a crazy insult back when I was a kid. And then now all of a sudden queer is now this embraced sort of like, badge of honor, Right? And so like, it was just like that and understanding like Asian and Asian American breaking that down, right? And being Filipino very specifically breaking that down, that all came about from me being in theater. And so like, I, I'm, I owe my, my life to it if you, and, and because I've, yeah, I didn't, you know, it's so funny how the title of this is I Survived Theater School for me. It's, Yes, Yes.3 (54m 23s):And I also, it also allowed theater also gave, allowed me to survive. Yes.2 (54m 31s):Theater helped you survive. Yes. That's beautiful. So in this, in the, in this spectrum or the arc, whatever you wanna call it, of representation and adequate representation and you know, in all of our lifetimes, we're probably never gonna achieve what we think is sort of like a perfect representation in media. But like in the long arc of things, how, how do you feel Hollywood and theater are doing now in terms of representation of, of specifically maybe Filipino, but Asian American people. How, how do you think we're doing?3 (55m 3s):I think we, you know, I think that there's, there's certainly a shift. You know, obviously it, we'd like it to be quicker than faster than, than it has been. But that being said, there's certainly a shift. Look, I'm being, I'll be the first person to say there are many more opportunities that are available that weren't there when I started in this, in this business, people are starting to like diversify casts. And you know, I saw Haiti's Town, it was extraordinary, by the way. I saw six shows in New York in the span of six days out of, and this was not conscious of me. This is not something I was doing consciously. Out of the six shows, I saw every single show had 90% people of color.3 (55m 43s):And it wasn't, and I wasn't conscientious of it. I wasn't like, I'm going to go see the shows that like, it just happened that all I saw Hamilton, I saw K-pop, I saw, you know, a death of a Salesman I saw. And they all were people of color and it was beautiful. So there's definitely a shift. That said, I, for me, it's never, this may sound strange, it's not the people in front of the camera or on stage that I have a problem with. Like, that to me is a bandaid. And this is me speaking like an old person, right? I need, it needs to change from the top down. And for me, that's what where the shift needs to happen for me. Like all the people at top, the, the, the people who run the thing that needs to change. And until that changes, then I can expect to starter from1 (56m 25s):The low. It's so interesting cuz like, I, I, I feel like that is, that is, we're at a point where we'd love to like the bandaid thing. Like really people really think that's gonna work. It never holds. Like that's the thing about a bandaid. The longer the shit is on, it'll fall off eventually. And then you still have the fucking wound. So like, I, I, I, and what I'm also seeing, and I don't know if you guys are seeing it, but what I'm seeing is that like, so people got scared and they fucking started to promote execs within the company of color and othered folks and then didn't train them. And now are like, Oh, well we gave you a shot and you failed, so let's get the white kid back in that live, you know, my uncle's kid back in to, to be the assistant.1 (57m 6s):And I'm3 (57m 7s):Like, no people up for success is a huge thing. Yeah. They need to set people up for success. Yes, yes, for sure.2 (57m 12s):Yeah. So it's, it's performative right now. We're still in the performative phase of1 (57m 16s):Our, you3 (57m 17s):Know, I would say it feels, it, it can feel performative. I I'm, I'm definitely have been. I've experienced people who do get it, you know what I mean? It's just, Sunday's a perfect example of somebody who does get it. But that being said, like again, it needs to, we need more of those people who get it with a capital I like, you know, up at the top. Cause again, otherwise it's just performative, like you said. So it's,1 (57m 38s):Does it make you wanna be an exec and be at the top and making choices? Yeah,3 (57m 42s):You know, I've always, people have asked me, you know, people have asked me what is the next thing for me. I'd love to show run. I've, I just, again, this is the, this is the stem part of me, right? Like, of us, like is I'm great at putting out fires, I just have been that person. I'm good with people, I'm, I'm, you know, and I've, I, you know, it's, it's, it's just one of those things that like I, I see is a, is a natural fit. But until that happens, you know, I'm, I'm, I'm also, you know, a professor is very much a version of show learning. So I've been doing that every day.1 (58m 14s):We talk about how, cause you've mentioned it several times about playing children into your thirties. So a lot, we have never had anyone on the show that I'm aware of that has had that sort of thing or talked about that thing. They may have had it. Mostly it's the opposite of like, those of us who like, I'll speak for myself, like in college, were playing old people at age, you know, 16 because I was a plus size Latina lady. And like that's what what went down. So tell me what, what that's what that journey has been like for you. I'm just really curious mostly, cuz you mentioned it a couple times, so it must be something that is part of your psyche. Like what's that about? Like what the, I mean obviously you look quote young, but there's other stuff that goes into that.1 (58m 57s):So how has that been for you and to not be, It sounds like you're coming out of that.3 (59m 1s):Yeah, I mean, look, all my life I've always been, you know, I mean I'm, I'm 5, 5 6 on a good day and I've always just been, I've always just looked young. Like, I mean, I mean, and I don't mean that like, oh I look young. Like I don't mean that in any sort of self-aggrandizing way. I literally just am one of those and you're built, like me, my one of my dear friends Ko, God rest his soul, he was always like, Rodney, you're like a little man look, looks, you're like a man that looks like a boy. And I was like that, that's hilarious. Like, and look, I for growing up little in, in high school and, and it, it was one of those things that I was always like, you know, like I was always chummy with people, but I was never sort of like, like there's a look, let's face it.3 (59m 45s):Like we're, we're a a a body conscious society and when you're, whatever it is, you can't help. There's implicit bias, right? Implicit bias, right. Supremacy at it's most insidious. And so I am not all my life, I was like always trying to, you know, the Napoleon complex of always trying to sort of be like, prove that I was older than I was.1 (1h 0m 6s):How did you do it? How did you do, how were you, what kind of techniques did you use? For3 (1h 0m 10s):Me, it wasn't even my technique. It was about doing everything and anything I possibly could. I mean, I was like president or vice president, I a gajillion different clubs. So it1 (1h 0m 18s):Was doing, it was doing, it was not like appearance. Okay, okay. So you3 (1h 0m 23s):Was actually yeah, I couldn't do anything about this. Yeah.1 (1h 0m 25s):Right. So yeah, but like people try, you know, like people will do all kinds of things to their body to try to, But for you, it sounds like your way to combat that was to be a doer, like a super3 (1h 0m 36s):Duer. And I certainly, I certainly like worked out by the time I got to college I was like working out hardcore to try and masculinize like, or you know, this. And, and eventually I did a gig that sort of shifted that mentality for me. But that being said, I think the thing that really, that the thing that, that for me was the big sort of change in all of this was just honestly just maturity. At some point I was like, you know what? I can't do anything about my age. I can't do anything about my height, nor do I want to. And when that shifted for me, like it just ironically, that's when like the maturity set in, right? That's when people started to recognize me as an adult.3 (1h 1m 17s):It's when I got got rid of all of that, that this, this notion of what it is I need to do in order for people to give me some sort of authority or gimme some sort of like, to l
Welcome to Freedom Friday w/guest Dr. Steve Turley, join us as we discuss the attempted cancel culture attack on Steve's new Documentary "The Rise of the American Patriot. How a Remnant church stepped up and saved the premier and why its important to stand with others in times of censorship.https://www.turleytalks.com/https://www.facebook.com/turleytalks/https://twitter.com/DrTurleyTalkshttps://www.instagram.com/turleytalks/https://rumble.com/c/DrSteveTurleyhttps://insidersclub.turleytalks.com/welcome Welcome to freedom Fridays. This is Dr. Steve Turley. And he is a well, you're an author, you're a movie maker, you have a podcast, you've got a YouTube channel, if you've if you've been on YouTube, I mean, which I haven't you see this guy, and I love. I love your demeanor, your care, your kind of your, your style of commentary, because it's very, it's funny, it's light hearted, you know, because we're looking at some dark subjects. And you bring such a good, just uplifting and entertaining way of looking at some of these things. So I appreciate you coming on the program. Steve 6:17 Oh, thanks, Gary. It's it's, it's my honor, we were just talking earlier, you know, you are in a bluer area and a very, very red state. So I'm in a very, very blue state. And so I guess on the little red dot and that blue state. So we have, we see we see comparable challenges in our own backyards. And I think we can encourage each other a lot through it. Gary Duncan 6:41 Yeah, thank you. Let's talk about your new document that you just came out on the 15th, I believe. And I'll read a little bit about some pushback you got as soon as it came out before it came out. Your your documentary is called the return of the American patriot. Because you're the page you're the professor, patriot, right? Patriot, Professor, Steve 7:00 Patriot professor, that's Gary Duncan 7:02 you, I was thinking, if I had you as a professor, when I was in college, I probably would have stayed awake during history class. Because I mean, your the way you bring about the news and and things that are happening in our culture and in the church and things like that, is it just keeps you it keeps you focused, but entertained enough to to not walk away really ticked off. You know what I'm saying? And you bring a great perspective to it. So talk a little bit about the documentary you've got out, and you're kind of some of the things you've run against, you know, producing Oh, Steve 7:41 yeah, well, so this movie really tries to present that our 20 minute documentary, that kind of hopeful optimism that Ronald Reagan gave to us any great movement is going to have to be optimistic at its very core also ends up eating itself and dies or just look at woke leftism, and just the resentment that killing their movement. Yeah, this returning the American patriot is actually a it's a, it's a documentary on the rise of the Pennsylvania Magga movement. It really is the story of how ordinary Americans who never before involved in politics rose up in mass and mobilized to successfully take on unconstitutional COVID mandates, election integrity issues, woke school boards all across their state. It's a very inspirational story of the people effectively pushing back against the permanent political class. And you would think that anyone who openly supported democracy would be interested in a film like this, you know, it's as democratic as it gets. But little did we know that the very drama we captured on film would actually play itself out in real time for the premiere we had. We had scheduled a live premiere on July 16th, at a local IMAX theater in Lancaster, Pennsylvania called Penn cinemas and they had a 400 seat capacity. We opened up the tickets and we sold out literally in hours. We sold out in 24 hours, those 400 tickets. And then we learned just days before the premiere that a group of woke activists called Stand Up Lancaster cry bullied the movie theater to cancel our premiere. Remember, these are people who actually believe you can work try to wrap your mind around this. These are people actually believe that censorship is a form of free speech. They literally believe that right? They defend big tech and all sorts of censoring us because they say that's their right to their own freedom of speech. That's their Gary Duncan 9:58 free speech. Ah, that's their nobody else's. Steve 10:02 Exactly. Exactly. Exactly. Well, sad. Right? Exactly. Again, it's a square circle. It's just, it's beyond absurd. They cry bullied this movie theater to canceled premiere and unfortunately the owner of the theater was a coward and he caved and canceled our contract just days before the scheduled viewing. So there we were without a venue for tickets sold. No venue. So we went to another venue. And it was the Wyndham hotel in Lancaster. And they gave us a contract to rent out their theater venue there. They had hosted the republican party a few months prior to that the state Republican Party, so we thought we were pretty safe with them. And they there was they had an 800 seat capacity. So we doubled our ticket sales again. So it was really like, Oh, this is great. This is awesome. And then the same thing happened. They were they were they weren't just cried bullied, I was told there was even threats of mob violence if they didn't shut us down. And and so there we were two venues canceled. We were being mocked and ridiculed by the local Lancaster paper, which is a total left wing rag. It's the most Whoa, it's called LNP. It is pathetic, their board of editors actually came out and defended these practices. So again, now we have a medium major media outlet local media outlet defending censorship. It's absolutely astonishing. And keep in mind, Gary, keep in mind for a movie no one had ever even seen. This, this was this was the most dangerous movie, no one saw. I mean, literally no one. I hadn't even sat through the whole thing by this time, right? They were getting my staff was gonna surprise me with the whole edited version. So there we were no venue. And that is and this is why I'm so honored to talk with you. That is when the pastors of Christ Community Church and Camphill godly men stepped in, they have a 1200 seat auditorium, replete with a full movie theater quality sound system, massive movie theater size screen, and they offered it to us and their 1200 seat auditorium. We ended up selling all 1200 tickets. Okay, so we went from 400 to 1200. Talk about three fold increase, right? Yeah, God Gary Duncan 12:28 had better plans for you than you thought it and Steve 12:31 that there's no way we could have planned this. We would never have planned our brains don't think that way. Let's plan for a 1200 seat, you know, Premier with Doug Mastriano there and all that sort of stuff, kind of stuff who's running for governor there? They offered to us and the moment these leftists heard about that, they started threatening the church. Okay. Again, this tells you who these people really are. They started threatening the church they were going to contact the IRS which they did. Again, there was an the same media outlets did the exact same thing. You know, violating separation between church and state bringing Doug Mastriani was campaigning for Governor there in person and blah, blah, blah, violating the Johnson Amendment all this nonsense. And and so when it ended up having all of this you know, proverbial dung hitting the fan. Even the lawyer of the church told the pastors you need to drop this, right, because lawyers are risk averse. That's what do you need to drop this? We're getting, we don't want the IRS breathing down our neck and so forth. Those two pastors stood firm. They told their lawyer take a hike. We're standing for liberty and truth. And, and, and they hosted us. We came in 1200 People Doug mastriano, huge premiere, it was absolutely amazing. Electric standing ovation at the end. And in the end, Gary, in the end, seven protesters showed up they weren't even allowed on to the vicinity. They had to hang out on the street across from the church seven protesters with their little arts and crafts, you know, signs document separation between church and state. I think even one guy said I worship Satan something ridiculous right? And, and just to show you that God, God does have a very wonderful sense of humor for his children. Gary, it was raining. So they had to stand out there in the rain, with their masks on looking repulsively ridiculous as people who love faith, family and freedom were all gathered together in an astonishing fellowship. It was absolutely beautiful. You know, Doug master on game got up gave a very great It's just and, and beautiful talk. And it was an amazing testimony to what patriots can do when we all stick together. Gary Duncan 15:09 Wow, that's awesome. As you were talking about that I was getting this picture of this little, tiny weeny little mouse and this huge elephant. And, and it gives me encouragement because I've really focused a lot on where's the church, and I could see how the left and the small 1% or half a percent of a population controls the whole country and my church. And so we really that's encouraging to hear. And and it's who's the church again, is you need to you need to give that name out again, because the people that hosted you and those pastors because they really that's a there and a thing goes for that. Yeah, Steve 15:51 absolutely. Christ Community Church in Camp Hill, Pennsylvania, Camp Hill, two words, Pennsylvania, Gary Duncan 15:58 they if you're looking for a church in that in that city, then this is the one to go to, because they that's what you that, to me, that's Ephesians six, you know, when you stand and they're willing to stand against all odds, and that's, that's awesome. Steve 16:13 And just just to drive this home, the pastor when he got up to give the prayer before the whole event, invited everyone of course, if you're looking for churches to come here, and by the way, next week, we're showing another movie 2000 mules. So these guys, are they these guys are the real deal. Gary Duncan 16:32 They are the remnant church. Steve 16:34 They are so bold, it's beautiful. Gary Duncan 16:38 That that is great. What would you so that was the one way churches and the community to you know, leadership in church could get involved? Get your get your documentary and have it hosted at their church? I mean, are you are you pursuing that at all or looking? Steve 17:00 Oh, yeah, no, we've had we had the documentary going around all over the place now at this point. So it just last Thursday. It went live live streaming. So now you can actually stream it live. If you go to the return of the American patriot.com You can get your own copy. And, and absolutely, I think we even have a situation. We have a protocol from where you can you can show it in a mass viewing. Okay. Oh, absolutely. Yeah. Gary Duncan 17:31 And I'll put the links in the show notes and all that for a site and all that. What's tell us a little bit about some of the stories or the things that are in the movie are a couple of them just kind of thesis. Steve 17:43 Yeah, well so what it centers on so Pennsylvania is interesting because it is probably the single most Rhino infested state in the nation a lot of people don't know that so when we think of like you know, Republicans in name only write your Neo cons just just PETE Yeah their note well I prefer Diablo Democrat and all but label or you know if they're part of the unit party the Lindsey Graham's the Mitt Romney's the middle Lincoln project, right to Lincoln Lane candy project. Exactly. Liz Cheney. They're there. They're part of the permanent political class. It's radically secularized, radically globalist that hates our culture's customs traditions, hate family, faith, family and freedom. Those things get in the way of their their globalist projects and so forth Gary Duncan 18:34 are wolves in sheep's clothing. Steve 18:36 They really are because they because they campaign is patriots but then they Governor governor's permanent political class members. And when we tend to think of states like that, I mean up until recently, we tend to think of some a place like Arizona where you know, John McCain had such an inordinate effect effects and influence well that's gone now Carrie Lake and Blake masters and Mark Finch him have all crushed that it's now Maga country and Carrie Lake is going to win by the way she's definitely on track and I think like masters gonna have no mark Finch up to he's almost 10 over his opponent. So the these people he's going for Secretary of State so the, you know, you tend to think that these people these rhinos are in places like Arizona or even most recently, like Utah with Mitt Romney and their crazy Governor given his pronouns out and all this sort of nonsense. Okay, keep in mind these are Republicans, but but Pennsylvania is actually the worst Pennsylvania the Republican Party is no different, literally than the Democratic Party when Doug Mastriano one who's a dear Christian brother, amaze me. He's He's literally now the poster boy for Christian nationalism, as they call it today. The big boogeyman we could talk about that, which is a lot of fun, you know, but nevertheless, he, when he got the nomination was almost 50% of the vote with a Guys in that race for the Republican nomination, the top five Republicans in the Senate, his suppose it colleagues, he's a state senator, they all turned around and endorsed the Democrat Josh Shapiro. And keep in mind, Gary, Josh Shapiro is all for unfettered abortion. Right. He's all for, you know transgenderism is all for CRT in our, in our classrooms. I mean, this is full blown woke nonsense and Republicans are endorsing it. This movie is all about moms and dads and grandparents and people who've never been involved at Amish Pennsylvania dodge, all rising up together, mobilizing and organizing and taking back the Republican Party with Doug Mastriano has nomination being sort of the crown jewel of this project, taking back the Republican Party away from these rhinos, these Diablos and giving it back to the people so that the values of faith, family and freedom become the values of the party they want all they want. In the end. It's a process, the technical processes known as re territorialization. Yeah, it's a fancy schmancy word. But what it just simply means what we're seeing today, and this is what I think Christian nationalism actually is. It's if globalism, de territorial losses of globalism, dis embeds and dislodge his political life away from the local and to the trans local to this managerial class that oversees the entire political and economic complex, if globalism, D territory alized his political involvement, what the what the collapse of globalism is basically is a re territorial loss. And it's bringing politics back to the people back to the local back to the county and the community. And what you're seeing in Pennsylvania in particular, but you're seeing it all over Pennsylvania is a microcosm, what you're seeing is these communities, all organizing all across their counties to create a single party, that is once again, upholding the values, interests, concerns of those who love faith, family and freedom. That's all they want. They just want their leaders to represent their values rather than despise them. And that's the movie takes you through the journey of how they did that through the COVID mandate and sanity through the CRT and sanity and through the election. You know, shenanigans in 2020. Gary Duncan 22:43 With would this be sound like a great movie that I need to show in our Davidson County Republican Party group to see how it's done? Because, you know, as we talked earlier, I was I'm in a red state, you know, super majority of Republicans in the state. But in my county, which is the state capital of the Davidson County, which were the state capitalism. It's full blown blue, communist. I mean, those school board is full on communist liberal. I mean, they voted down the Nash, the Republican National Committee come into town for the convention. Yeah, we're, we're, we're going to be paying for people to go across our state employees to go across the state lines to get abortions. I mean, it's just bizarre. And, you know, how do how does a small well, not a small county, but the main county in the state had, how do we fight against this? I mean, were those small, local areas, were they blue? Or were they more red, and people just came together? I know, it's a groundswell of grassroots effort. Steve 23:54 It is so Pennsylvania's can be a little different, because Pennsylvania, so if anything, like we're talking about earlier that the the Republican Party is a bit complacent in Tennessee from from what I'm hearing, or to say, whereas whereas in Pennsylvania, that complacency, characterized the last three decades, and and now there's kind of a reawakening going on. And, yeah, it applying it to your particular locality would be interesting that that's going to involve, I think, some some, you know, creative inventiveness on your part. How do you awaken the population, your own locality, one thing that seems to be doing it and this there's a section in this movie that touches on it, one thing that seems to be doing it is wokeness wokeness is freaking out, even the left. That's something we've got some studies on that now. So we're finding that anything woke will actually tend to split the left. So think of people like Bill Maher, or peers Morgan or a Dave Rubin, either even even even a Jordan Peterson would have said he would have been considered center left. Five years ago, you would have considered himself center left five years ago. They, they they abhor wokeness every bit as much as any conservative wokeness is, is a pourraient to most people. And so the more we push culture wars, and this is what Mastriano is doing. It's what Glenn Younkin did. So well so ingeniously in, in Virginia, back in the 2021 election, where he's pushing CRT CRT soon, and he made Terry McAuliffe actually defend teachers, unions, school boards, and CRT and that split the last half of Macola Fs constituents went back, I don't want that. Whereas the other half were ravenously, eating it up like zombies, you know, eating up a body or something like that. So that's one side of it. But the other side of it is as it's splitting and laugh, woke issues, unite the right woke issue for and again, for lack of better terms left and right, right. But it unites the right unites the Republicans. In other words, if you ask Democrats, do you support this work issue? 50% Say yes. 50% say no, you ask Republicans to support this work is you 100% basically say, No. So Republicans are more likely to come out and vote against a woke issue than Democrats are to come out and vote for it. So pushing the culture wars, from the vantage point of the woke left exposing the woke left, that seems to have a very powerful animating capacity. Gary Duncan 26:48 So how going back to churches again, because that's my thing is Yeah, is because they've got the biggest voice, because they've got people in front of them. And what you just said there is pushing the culture because the church should be the one that changes culture, not the culture, change the church, of course, and we need those pastors and those leaders that will take that very thing and push that narrative of the culture in a biblical way that educates and motivates the people sitting in the pews. And, and I'm not seeing that I'm starting to see a lot around the country happen. And I'm seeing one or two or three maybe churches here in town that do that. But it's not, I don't see it as and that's why I like you, because you're very positive. I'm usually a positive guy. But after 2020, I just went downhill. Yeah, positiveness. Because it saw assault. 2020 is is the dividing point within the church of woke and realism. There because we're in a spiritual war, we're in our spiritual war that I don't think people really get. It's a biblical revelational. In times spiritual war, we've always been in war. But this one takes a different to me, this one takes on a different connotation, because what we're doing to the children, what we're allowing to be done to the children in the name of not offending other people, you know, with masks and all the stuff and then the wokeness in the schools. And I've been to several school board meetings, and I think I've yet to see a pastor stand up, and shame and, and, and preach to the school boards, right about what they're doing. I've seen regular people. And I think that it has to actually some a lot of the movement is coming from the people sitting in the pews that are sick and tired. Yes, what's going on? And there's nothing in the pulpit that says, This is how we deal with transgenderism. This is how we deal with because they don't want to get yelled at. They don't want to leave the church because we had a church split. Pastor left, but he's a very, I'm telling you, Steve burger. I mean, if you ever heard him, right, he's on fire about what we should be doing. Ryan. Steve 29:13 It is it is. It is a a very chilling testimony, that the person who has done more for Christianity and has just recently delivered, perhaps the single best message to the church is from a Canadian psychologist who doesn't even go to church. Gary Duncan 29:35 Jordan Peterson? Oh, yes. Okay. Okay. Right. Steve 29:38 Right. I mean, that's it. That's a testimony to either Well, I should say it's a judgment. I mean, that's, I mean, if you think about how, what he has been able to say, I mean, I don't know if you saw his message to Christian churches. I like to Well, yeah, it's very good. It's very good. I've got on my channel. I did a little commentary. on it, but it was absolutely brilliant. Woke I mean, he he made he didn't he didn't mince words, woke ism is a crippled religion. It is an it is a it is a pernicious violent ideology that wants to erase the church. And so the only way the church is going to push back against woke ism is by not being woke. But being the opposite. And and you cannot be more opposite woke than to speak into the hearts and minds of the men of your congregation. You've got to speak to the men. And you've got to let men all over the nation know that if they want to be men. And if they want a place where they're allowed to be men without being disparaged. The only place is the Christian church. That's when you see revival. When you see men come because you know the old saying if you if you when children and your evangelistic efforts if you win children, you win children, okay? If you if you if you win, wives, you know, you win wives, but if you win, husbands, you win the husbands, you win the wives and you win the children, there's a right there's, there's an order to which God created the world a creational order. And woke ism is just throwing it all into utter chaos, as did Satan and Genesis chapter three, the serpent, turn the world upside down, right? It's supposed to be God, man, woman animals, and we're just not in that, that kind of order. And Satan that the serpent turns around and makes it animal woman man and God's not even there. Right. So that's the great inversion that we've seen. So woke ism is very, it's just, it's just in line with that. So what we entered understand what's really going on big picture seems to me is that for the last 100 years or so that's those were when the seeds were being sold sown, but it really came to fore in the 1940s, as I understand it. Before 1940, the Supreme Court saw religion as a public good, as did all of our founding fathers. They all believed in what's called an accommodationist conception of religion. And the accommodations, conceptual religion is church and state work together in partnership for the betterment of human society, to create a republic of virtue of free men, because they knew the founding fathers knew that the only way we could be free, is if we were self governing, but the only way we could be self governing is if we had if we we tapped into a virtue tradition of some kind. And for them, of course, 98% of them that's going to be Christian and formed fruits of the Spirit, you name it, right Sermon on the Mountain, like 10 commandments, but the only way you can really tap into a faith tradition genuinely, is if you're free. Right? So and the only way you're ultimately free, is if you're if you're cultivating some kind of virtue, but the only way you're cultivating virtue is by tapping into some kind of faith. And the only way you're tapping to real true faith is through freedom which grows virtue which God has faith with God is free. That's called the Golden Triangle of freedom. And so they understood the church is indispensable to a free people. You have to have a sacred vision of the good to which we can all aspire, in order for us to be a people living in Liberty walking in Liberty, right? The Galatians passage barks a lot. For liberty, you have been set free. After 1940 For whatever reason, it's hard to pinpoint why but obviously, it seems to be something in the legal the law schools in the universities, the Supreme Court started instituting a separation test doctrine between church and state. So while the accommodations doctrine always made a clear distinction between church and state, the state's not the church, the church, not the state, Christ's humanity and divinity, right. They're not commingled in the lie. By Gary Duncan 34:24 grant. That's why they came to America, one of the reasons they got away from England, Steve 34:28 because it was a state church. Exactly. Right. Exactly. Right. So so the church and the state are different, and yet they work together. And that's what made our experiments so powerful, so amazing, because freedom is what holds it all together, in that sense. And so then, after 1940, the Supreme Court started instituting more of a separations for you and we know that because they started quoting from a letter that Thomas Jefferson wrote rode to the Danbury, Baptists, Danbury, Connecticut, I'm not born not too far away from there, where he used this phrase against, not even in the Constitution, Jefferson didn't even write the constitution is not even in the Constitution, you know the phrase, the separation between church and state. And before 1940. That phrase was only used as I understand about a handful of times in Supreme Court decisions and deliberations in the light after 1940. It's been used 1000s of times. So something happened there. And what that did in effect is it drove the church from the public square, and consigned it solely into the private sphere of life care. You see it in our urban planning, you know, think of your New England Commonwealth, what was the most prominent building on the town green, the steeple, the church, absolutes, the church, you go into the medieval towns of Europe, the most prominent building that you see in the center of this beautiful medieval city, it's the church, right, and the castle is right across from often in the shadow of the church. So in our urban planning, we can see the the role the place that the church played in a flourishing human society today in modern urban planning, where's the church? Gary Duncan 36:25 Not it's beside the coffee shop, Steve 36:28 you got it. That's it, you got it. It's in the place of consumption, and consumerism. So you've got your, you've got your pizza hut, you know, you've got your dry cleaners, and you've got first Methodist, you've got it, it's push, it's pushed into the periphery, the private sphere of life. And here's how we tie it all together, Gary, there is no way that the church can proclaim truth, social truth, cultural truth, in that position, any more than Pizza Hut can. That's what happened to us. We got privatize, we were talking about it. Earlier in the break. You said it perfectly belonged to the church today, in most people's minds, even inside the church, thank God for the Holy Spirit, converting our hearts. But even inside the church, our social conditions have trained us to believe that being part of the church is being part of a club. It's being part of you might as well be part of weightwatchers right or what our yoga club or whatever it is, it has no objective moral truth to its proclamation anymore. So it's now ridiculed and laughed at and dismissed, and the like, what pastors are going to have to rediscover. And by the way, the Maga movement is right there to help them with this. What they're going to have to rediscover is a voice that can speak publicly. Again, this is not personal, private truth. Christ is truth, the law galls holds the universe together. And when we proclaim God's truth, that's true for everyone, regardless of whether you believe it or not, because that's public and a private, I get it personal, private, Subjective Truth. That's your deal. That's my deal. You like pistachio? I like chocolate. No problem, I got it. But when you're dealing with public, social life, truth is objective. It applies to all not just some, it's objective. It's not just subjective, it's obligatory. It's not just optional. Now, of course, we're free to respond. But that freedom of response is predicated on the objectivity of that truth. And that's what our pastors have to rediscover, when they rediscover it. They were discovered this that we're on fire. Gary Duncan 38:50 Yeah, I think, like you're saying, we've lost the identity or am I'm really about waking up the leadership, because the leaders are what leads the people, not the people lead the leader, but that's kind of where it's going. But we've lost our identity and our authority in our power. I mean, I'm reading the Bible, and it's saying, you know, these signs shall follow those who believe you will cast out demons you will heal the sick, right? speak in new tongues, and I'm looking around I'm going well, when's the last time I cast out a demon? Or anybody's cast out a demon and healed the sick and it's like, that's our heritage. God gave us through the Holy Spirit these abilities when he chooses to do those things. And if if leadership is not telling us and helping us, it's because that's the purpose. The purpose of these gifts are to edify the church so we can go out and do these things. And it just it just and that's why 2020 blew me away so bad is because the deception that came about And it's like, who are we anymore? And no wonder young people in the Millennials don't want to get involved in a church unless it's happy clappy and coffee and smoke machines and fog machines and all that kind of stuff. You know, it's a country club again. So and the one thing I'm, and here's my negative, so help me out here. I think when we get to the when we do wake up the left, and the evil that's behind the globalists and all the things, they're not going to let it go too long. I mean, you're talking about, it's getting time to where we're going to sacrifice more than just our good name, our lives, our livelihood, there's people out there now doing that and praise God to those that are standing and fighting. But I think that what the the leadership of the church needs to really get ready, is to gird up, because I see the coming age of the church not being happy clappy, but it's gonna be persecuted beyond belief where we're at coming. You see what they did in 2020? What's What are they willing to do if they're willing to kill children? And they're willing to euthanize the older and they're willing to, to propagate a bio weapon across the whole world? What are they willing to do? Ya know, it's scary when the church does stand up, what are they willing to do and we got to be ready for it. We got to know how to fight back. And that's my whole thing. We're not fighting. We've raised a bunch of in the last 50 years, we've raised a bunch of chocolate soldiers. You're in the first moment of any heat, we melt like, like little statues of a bunny rabbit. Steve 41:42 But that's what privatized faith does it right. It has it has no backbone, you know, it's like, you know, you renounce pistachio ice cream, I'm gonna punch you okay, I pronounced that. Right. That's that. That's what privatize faith does? It is it is. There's no I mean, when Alexander Solzhenitsyn came over to the United States, and gave his Harvard address in 1979, that amazing address called the world split apart. One of the first things he did it, I mean, everybody thought he was gonna go rah, rah West, he actually said no, Soviet Union is pretty horrible, pretty terrible. But the West is just a secular, it's just as atheistic and you're gonna go in the same direction, you're just you're doing it with four car garages, you know, you make it a little bit more tolerable. And he said, the one thing he noticed about the West, the principal characteristic that caught his eyes, we've lost courage. And in the classical world, the Four Virtues, wisdom, moderation, justice, and courage of those four, and that, you know, corresponds to the four elements of the cosmos. Right, that's all held together by the law girl. So we've got our four gospels, right, that all held together by Christ, the logos themselves, and then we have the additional faith, hope and love virtues and all that sort of stuff. It's all part of this amazing world, this identity would belong to 2000 years old, and even stretching before that with these, these pagan traditions that end up getting transfigured and, and by Christ himself. I mean, Solzhenitsyn pointed out, you know, of those Four Virtues, all the ancients recognize courage was the most important one, because without courage, you don't have the fortitude to defend the other three. Without courage, you can't defend, in this case, faith, hope and love. You can't defend it. You can't defend faith, family and freedom requires. It requires courage. So I think, look, I think the good news in this is, again, you look around the world and what's happened. You had 70 years of Soviet communism ravaged land. That was the jewel of Byzantium. Okay, so you're talking Czarist Russia, 60,000, ornate, gorgeous churches. Some of the biog some of the historical biographies you'll read, I mean, they weren't incredibly Pieta stick people, extraordinarily so Bolsheviks come in, and literally ravaged it so that by the end of that 70 year period, interesting, interesting number of by the way, at the end of that 70 year period, there were only 2000 functioning churches left they were gone, that it was going through 1000 monasteries during the Czar's period. Not a single monastery was an operation when the when the Soviet Union fell. And by the way, keep in mind, keep in mind, the very day the Soviet Union officially fell the most atheistic regime on the planet. Of course, it was December 25. It was Christmas Day, right. So a new birth happened because now here we are 30 years later. And by the way, this is this is true for much of eastern Europe as a whole 30 years later, a Russia is now approaching upwards of five 50,000 churches, they are on track by the year 2050, to be in full restoration of that czarist orthodox glory and the book by John Burgess, a theological historian at Pittsburgh seminary, where he went out to study the role of Christianity in Russia right now, what happened in Russia, in effect was communism got replaced by orthodoxy. So the vacuum that communism left was filled by going back to their identity by going back to their civilization, their cultures, a customs, and traditions. So for right or wrong, all that sort of stuff, you're not getting it all that what we have to understand is, that was after 70 years of the single most incessant atheistic regime on the planet that was literally killing millions upon millions upon millions of people. And here we are 30 years after it's collapsed. And the church is on fire. They're like never before there was a 2012 study done by the journal for the scientific study of religion. And they they had a marker of religious revivals, they had about seven different gauges for determining the level of religious revival. And they concluded there's no way around it. Christianity is on fire. So is Soviet Union falls and 1992. Only about 3019 91 Sorry, 30% of the population because themselves Christian, today. 70% does, it's hot. It's cool to be a Christian, and we're like we were talking about earlier today, what they were able to do is they were able to rediscover it and re weave Christianity into their culture into their, into their life. We they could do that with with, you know, their Russian Orthodox resources. And imagine what we can do with our evangelical resources. The way we can reawaken the church and weave it into every aspect of life. So yeah, it's gonna be dark. No question. Yeah, there's a Friday upon us. But you know what day follows Friday. Darkness of Friday is always followed by Sunday. Always. That's the Christian gospel all ways guaranteed. And when we have that faith, when we have that confidence, we cannot be intimidated. And when we cannot be intimidated, we like an axe, we begin turning the world upside down. Gary Duncan 47:40 Oh, great. I feel better already. No, that's good. That's good. I know you gotta run. One last question. We're gonna take it. See real quick. I'll edit this out. Sure. Okay. And you may have already answered but so where do you see us going from here in our culture? I know you're involved with reawakening tour. You've been involved with that. So with the church, do you? Where do you Well, let me ask you this. Where do you see England going? Now that we've got this new monarchy? That Well, Queen Elizabeth, she died? Okay. Sure. Sure. 70 years in reign? That's an interesting historical marker right there. Steve 48:35 Absolutely. Yeah. Yeah. Which? Yeah. Yeah, yeah. Cuz in many ways, she really was the last monarch of Christendom, of real genuine Christian emerge, she was, she was anointed, she was literally anointed with the Holy oil as Queen back in her and throne, their coronation 1953 It was the same coronation ceremony that goes all the way back to the 10th century to their very first king. And, and she did she I think she she held that position brilliantly, as only she could is sort of the last, you know, Elizabeth and member of the Elizabethan era, as it were, where we go from here is very difficult to see because England has again like we do they have a choice and but England? Well, no, it's going to be the same to be the same. In many respects. The choice is, are you going to continue down this futile road of flippant leftist skepticism and doubt and secularism? Or are you going to rediscover in many ways, like Her funeral was a call to do? And this by the way goes for Anglican clergy, who were probably even worse than most lay people on this woke nonsense stuff. I know I went to school with them. in Durham University, are they going to re embrace truth as understood in 2000 years of the Christian tradition unbroken? Or are they going to go the way of secular leftist liberalism? If they go back to truth that is going to be the most unifying, powerful, socially revivifying choice they could possibly make. If they go down the road of secular flippant you know, liberalism, the UK will dismember you can write that down. The UK will dismember it will fall and we're talking was we're talking first all of its abroad territories, you know, in the, in the, in the Caribbean area and so forth and Pacific and it's, it's going to dismember there and then you'll start to see the Scottish referendums come out, you're gonna start seeing United Ireland movements come out like never before, you're gonna start seeing Welsh nationalism come out, like you're gonna see English nationalism come out like never before we start breaking apart what it'll break apart and and it'll start tribal laws, and there's no way and I think we're going that's inevitably what's gonna happen with us. Because that's, we're already there. The 35 nations have been added to the world map since 1991. Since the fall of the Soviet Union, we're already there. Write a text that today is more popular than it's ever been, right, the Texas independence movement. I mean, it doesn't matter what we're looking at. Everywhere we look whether it's the breakaway republics and Donetsk and Lugansk, in the, in the Donbass region in Ukraine, whether it's Transnistria Transnistria, is a breakaway Republic from Moldova that wants to hook up back with with Russia, or Burundi and Rwanda or Slovakia and the Czech Republic, the two Sudan's, you name it everywhere we look, the world is breaking up. And the question is, what can hold it together? What holds the nation together and you said, you use the word culture, and the church being at the center of culture, we have to remember what the word is at the heart of the word culture. And that's the Latin cult cult us. We're not talking about people knocking on your doors, giving you tracks and I had to lead us to worship or something like that. Right? Right. We're talking the old old word cultist, meaning worship, the place of worship, your culture always comes out of, it flows out of the font of what you worship. And if we are going to worship, if we're gonna go back to worship God, in the way that has sustained Western civilization now, for 2000 years, we're gonna have another 2000 years, no problem, if we're gonna go and embrace this brave new world, things will break up. There's no way the brave new world of secular liberalism, gloves, and so forth is going to shatter, it's going to collapse. And we're going to break up into all of our own different regional loyalties or, or ideological loyalties or religious worlds, whatever it is, or increasing like BLM and so forth. Racial loyalties, we're going to try belies breakup and there's nothing that will stop that apart from returning to our Christian faith, the Christian faith alone will hold the UK together, the Christian faith alone will hold the United States together, I am very optimistic about the United States. I have to be honest, I'm not particularly optimistic with the UK. Gary Duncan 53:49 So the church is the glue that holds it all together, our Christian faith, and so that if we can regain our identity, which I think that's kind of the grassroots the move that that's coming along is regaining our roots in our belief, and in America, the church, and what are our power and authority is in the culture, I think you're right, if we can regain that back and take it back from the darkness, we do still have some time we are the salt and the law. And so ultimately, that's, that's our job is to, to, to push back evil, and to you know, continue to have freedom in this country. So the return of the American patriot, your documentary, that's a good place to start to getting encouraged and I'm gonna get a hold of that and watch it and get encouraged to to just stand and fight and like Ephesians six says to stand and that's what we're doing and I appreciate you very much for what you're doing and, and all the work that you're doing through YouTube and just getting the word out because every little bit counts. You know, and you're doing a big part. So I want to encourage the little guys out there as well. You know if you've got a voice to stand and fight against this, do it. But Dr. Steve Turley appreciate your time very much. And thank you so much for, for what you're doing in our culture. Steve 55:20 Thank you, Garrett. God bless you. God bless everything you're doing God bless Tennessee in that little blue pot a little blue patcher in the Nashville area. Little God bless and you are you're doing God's work and calling the church his people and particularly the leaders to embrace who we've been called to be. We are We are more than conquerors through Him who called us Yeah, Gary Duncan 55:44 very good. Thank you so much. You appreciate God bless. Appreciate it very much. It was pleasure meet you. Steve 55:51 Oh, right back at you, man. Yeah, right back. atcha Yeah, I saw I saw the probe. Transcribed by https://otter.ai
By the second half of the Elizabethan period, the perception of English had changed significantly in England. It was increasingly perceived as a sophisticated language capable of matching the refinement of other European languages. One of the language's most vocal … Continue reading →
I recently met up with Mark from The Cuckoo Town Podcast to discuss the Gunpowder Plot of November 5th 1605. This was one of the most audacious attempts to bring down a State ever recorded, that occurred during a fascinating period of British and European History. We talked about the religious context of the plot and the political background. How the Elizabethan persecutions of the post-reformation period motivated the plotters and some of their backstory. Who was involved? How did the plot develop during the preceding year? We looked at the practical elements of the event and how catastrophic the ramifications would have been if Robert Catesby and his band of conspirators would have been successful. How were they discovered and why? What is The Monteagle Letter? How were they punished? This should give you an idea of what we covered. It's a great story that still influences UK society to this day! Find Mark's Podcast, Cuckoo Town at the links below. ____________________________________________________________________ Podcast: https://podcasts.apple.com/us/podcast/the-cuckoo-town-podcast/id1646362484 https://www.spreaker.com/show/the-cuckoo-town-podcast https://open.spotify.com/show/5UrBVaeIHb5FQ1ol7b67Lz?si=b5fa810abfd841ee YouTube: https://www.youtube.com/channel/UCw8vnq61fp-DqrpIa6S4t5g ____________________________________________________________________
Meet Desdemona. She's kind, beautiful and generous, and yes, she will ultimately be an innocent victim, but she ain't so virginal and proper. The girl knows what she wants! She knew exactly what she was attracted to and she went out and got it, and her father and the old white dudes in Venice can't believe their ears! Pay attention to the word 'ear' which gets repeated a LOT in this scene too. Is it a coincidence that ear is Elizabethan slang for vagina? PLEASE, if you want to be part of this conversation leave us a comment or a question here or on the website: fckshakespeare.com Want to know more? Follow us on Instagram: https://www.instagram.com/fckshakespeare/ Tweet at us, if you must: @fckshakespod Join our Facebook group: https://www.facebook.com/groups/fshakespeare And if you are inclined to be a patron like Queen Elizabeth, you can support this podcast for as little as 99¢/month. Click the link below! Think of it like throwing money in the virtual hat while we crazy players do our little song and dance here. We thank you! (imagine us bowing now) We don't have a plan for the next thing. Want to cast your vote for the next play? DM us or email us: email@example.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/fckshakespeare/support
When homosexuality was made a death penalty offence for the first time in English history by Henry VIII in 1533, it looked like the new laws might claim hundreds or even thousands of lives. But, sixty years later, a young poet was openly writing poems about his love for another man in a London ruled over by Henry's daughter. What was the reality for Tudor people who fell in love or lust with their own gender? Did it change under the Stuarts? Exploring the impact of the laws, the complexities of Elizabethan culture, and the scandals that rocked Stuart high society, this episode of Single Malt History discusses the ways in which sexuality was punished, hidden, proclaimed, and analysed in the early modern period. CONTENT WARNING: This episode contains frequent use of sexual language and a discussion of assault which some listeners may find distressing.
Legendary choreographer, Rennie Harris has restaged his classic work, ‘Rome & Jewels' to honour the company's anniversary. 25 years later this critically acclaimed Elizabethan masterpiece, Rome & Jewels is a retelling of Shakespeare's Romeo and Juliet set in the streets of Philadelphia.
The works and plays of William Shakespeare have endured for centuries. But what is it about Shakespeare that has made his works such a mainstay in our culture for so long? Are his works truly as transcendent as one would think, or are there other reasons that explain his enduring legacy? Cassidy Cash, a historical map illustrator and host of That Shakespeare Life, the #2 Shakespeare history podcast in the world, joins the podcast. Learn more about Cassidy at www.cassidycash.com
Pustules and chancres and ague and belching,Carbuncles, dropsy, kyphosis, and felching....Okay, that last one wasn't Shakespeare per se, but it fucking rhymes!!!On today's episode, we go through all the lovely medical terms in Elizabethan times and Shakespeare plays.Got your tissues and puke bags handy?? You're gonna need 'em. Enjoy!!To send us an email - please do, we truly want to hear from you!!! - write us at: firstname.lastname@example.org To support us (by giving us money - we're starving artists, dammit!!) - per episode if you like!):On Patreon, go here: https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us?? Then leave us a five-star rating AND a review wherever you get your podcasts!!Episode Sources:Years and years of experience with Shakespeare from two - scratch that, SIX!!! - rather opinionated theatre professionals, you dicks!!!! And cunts. (Owen insisted we add this.)Many, many, many books.And the inter webs :)
Having watched the second Elizabethan era draw to a close in recent weeks, it is fitting that in this episode we are going back to the beginning of the first Elizabethan era – the moment when Mary Tudor died leaving the throne to her younger half-sister. These two queens, the first women to rule England in their own right, were divided by their faith. The greatest challenge facing Elizabeth on her accession was to unite a country which was polarised by religion, having passed from hard-line Protestantism under Edward VI back to Catholicism with Mary. Our learned guide on this journey is Dr Lucy Wooding whose masterful new book, Tudor England, gives a rich, detailed vision of the period. Wooding's book is not simply limited to the big political moments but takes the reader right into the lives of ordinary people as well. Dr Lucy Wooding is Langford Fellow and Tutor in History at Lincoln College, Oxford. She is an expert on Reformation England, its politics, religion and culture, and the author of Henry VIII. Tudor England by Lucy Wooding is out now. Show notes Scene One: 17 November 1558, London. In the early morning, Mary I lies dying at St James's Palace. By evening, the Archbishop of Canterbury, Cardinal Reginald Pole, has also died – a momentous day for Catholicism in England. Scene Two: November 1558, a few days earlier. Princess Elizabeth is at a dinner party at Brocket Hall, with the Count of Feria who has been sent by Philip II (Mary's husband) to sound out the heir to the throne. He concludes that she is, ‘'She is a very vain and clever woman', who is, ‘determined to be governed by no one'. Scene Three: Late 1557, The Works of Sir Thomas More, sometime Lord Chauncellor, wrytten by him in the Englysh tonge are published by the printer William Rastell, who was also More's nephew. Memento: The reliquary known as the ‘Tablet de Bourbon', made by one of the great Parisian goldsmiths and acquired as part of a ransom during the Hundred Years War. Worn by Mary I in the portrait by Hans Eworth. People/Social Presenter: Violet Moller Guest: Dr Lucy Wooding Production: Maria Nolan Podcast partner: Ace Cultural Tours Theme music: ‘Love Token' from the album ‘This Is Us' By Slava and Leonard Grigoryan Follow us on Twitter: @tttpodcast_ Or on Facebook See where 1558 fits on our Timeline
Hello family!Welcome back. This is day 48 of our 54-day Rosary Novena.Family, If you have enjoyed our podcast and would like to support our ministry.Please continue sharing the podcast with your friends and loved ones. The episodes do not delete. Please give us a rating or review where ever you listen to the podcast.If you would like to give us a little support, you can pay it forward and make a donation on our website 54daysofroses.com.We take PayPal: email@example.com.We accept Venmo: @Novena54daysofroses.comThere's still time to submit your prayer request. Please visit our website 54daysofroses.com or send us an email at firstname.lastname@example.org.Day 48 : Glorious Mysteries in ThanksgivingWith that, let's get started. Today, day 48 we pray the Glorious Mysteries in Thanksgiving.Blessed Mother, Queen of the Most Holy Rosary, we ask that you intercede for our petitions and bring us closer to the Sacred Heart of Jesus.Blessed Mother, we pray for everyone celebrating a Birthday in October.We pray for the Catholic Church, priests, missionaries, and all religious.And we pray for all florists.Blessed Mother, we pray for our family's intentions here on the podcast, and for all the intentions received by email, Instagram, and YouTube.And we pray for the intentions of: TKD Mas, Simone, Noble, Thai Lang Family, Elaine, St. Linus Life Teen, Micheline, Dr. Rinu, Albert, Carla, Ixchele, Varence, Kylee, Ari, Mimi, Kris, Manolita, Gina, Elizabethan, Sherry, Vero, Joe, Jenna, Monica, Andrini, Lupita, Karen, Ronald, Fatima, Somto, Lu, Cheryl, Kamila, Tessa, Cassandra, LBE, Liosalpha, Mary Jane, Matt, Brenda, Jesse, Marlene, Aman, and Maria.With love, Maritza Mendez.Linktr.eehttps://linktr.ee/54daysofrosesWebsite:https://www.54daysofroses.com/Live Rosary Prayerhttps://calendly.com/54daysofroses/liverosary_8?month=2022-09Book a Rosary prayer with Maritzahttps://calendly.com/54daysofroses/rosaryprayerDonate via Venmohttps://account.venmo.com/u/Novena54DaysofRosesDonate via PayPalhttps://www.paypal.com/paypalme/54DaysOfRosesSupport our Ministryhttps://www.54daysofroses.com/supportContent Creator & Web designhttps://lillywriteshere.com/Audio Engineerhttps://luisaperez238.wixsSupport the show
¡Hola Familia!Bienvenidos de nuevo. Este es el día 48 de nuestra Novena del Rosario de 54 días.Familia, si ha disfrutado de nuestro podcast y le gustaría apoyar nuestro ministerio.Continúe compartiendo el podcast con sus amigos y seres queridos. Los episodios no se borran.Puedes darnos una calificación o reseña donde sea que escuches el podcast.Si desea brindarnos un poco de apoyo, puede hacer una donación en nuestro sitio web 54daysofroses.com.Aceptamos PayPal: email@example.com.Aceptamos Venmo: @Novena54daysofroses.comTodavía hay tiempo para enviar su petición de oración. Visite nuestro sitio web 54daysofroses.com o envíenos un correo electrónico Oremos@54daysofroses.com.Día 48: Misterios Gloriosos en AgradecimientoHoy, día 48, rezamos los Misterios Gloriosos en AgradecimientoMadre Santísima, Reina del Santísimo Rosario, te pedimos que intercedas por nuestras peticiones y nos acerques al Sagrado Corazón de Jesús.Oramos por todos los que celebran un cumpleaños en octubre.Oramos por la Iglesia Católica, los sacerdotes, los misioneros y todos los religiosos.Y rezamos por todos los floristas.Rezamos por las intenciones de nuestra familia aquí en el podcast, por todas las intenciones recibidas por correo electrónico, Instagram y YouTube.Y rezamos por las intenciones de: TKD Mas, Simone, Noble, Familia Thai Lang, Elaine, St. Linus Life Teen, Micheline, Dr. Rinu, Albert, Carla, Ixchele, Varence, Kylee, Ari, Mimi, Kris, Manolita, Gina, Elizabethan, Sherry, Vero, Joe, Jenna, Monica, Andrini, Lupita, Karen, Ronald, Fatima, Somto, Lu, Cheryl, Kamila, Tessa, Cassandra, LBE, Liosalpha, Mary Jane, Matt, Brenda, Jesse, Marlene, Aman, and Maria.Con amor, Maritza MendezLinktr.eehttps://linktr.ee/54daysofrosesPágina webhttps://www.54daysofroses.com/Oración del Rosario, en vivo.https://calendly.com/54daysofroses/liverosary_8Oración del Rosario, con Maritzahttps://calendly.com/54daysofroses/rosaryprayerVenmohttps://account.venmo.com/u/Novena54DaysofRosesPayPalhttps://www.paypal.com/paypalme/54DaysOfRosesCreación de Contenido y Diseño Webhttps://lillywriteshere.com/Audiohttps://luisaperez238.wixsite.com/portafolioApoya el Podcasthttps://www.54daysofroses.com/supportSupport the show
What do Antony and Cleopatra, Lord and Lady Macbeth, and Tamora and Aaron have in common with Brad and Angelina, and Chris and Rihanna???They are all INCREDIBLY TOXIC RELATIONSHIPS!!! Therapists could have made a FORTUNE in Elizabethan times!!!Join us as we work our way through most of the couples in Shakespeare, discussing the dirt on each one of them. Whew!!! It's a LOT!!!To send us an email - please do, we truly want to hear from you!!! - write us at: firstname.lastname@example.org To support us (by giving us money - we're starving artists, dammit!!) - per episode if you like!):On Patreon, go here: https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us?? Then leave us a five-star rating AND a review wherever you get your podcasts!!Episode Sources:Years and years of experience with Shakespeare from two - scratch that, SIX!!! - rather opinionated theatre professionals, you dicks!!!! And cunts. (Owen insisted we add this.)Many, many, many books.And the inter webs :)
The end of the Elizabethan-era (part II) prompted us to reflect on how British pop culture has dominated GenX's imaginaries, from new wave and the new romantics, to Fawlty Towers and Monty Python, to iconoclasts like Bowie and the Sex Pistols up to and including contemporary favorites the Great British Bake Off and The Crown, to the British royal family itself as pop culture. Plus, it's a very Hulu week for us with Welcome to Wrexham and Reboot. We drop a nuo-lingo for new relationships and two songs from beloved icons from the 80s and now.
William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions – shock, sadness, fear – that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? In the Bard's day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theatre were high. It was also a time of important scientific progress. Shakespeare kept pace with anatomical and medical advances, and he included the latest scientific discoveries in his work, from blood circulation to treatments for syphilis. He certainly didn't shy away from portraying the reality of death on stage, from the brutal to the mundane, and the spectacular to the silly. Elizabethan London provides the backdrop for Death By Shakespeare: Snakebites, Stabbings and Broken Hearts (Bloomsbury, 2020), as Dr. Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die. Was death by snakebite as serene as Shakespeare makes out? Could lack of sleep have killed Lady Macbeth? Can you really murder someone by pouring poison in their ear? Dr. Harkup investigates what actual events may have inspired Shakespeare, what the accepted scientific knowledge of the time was, and how Elizabethan audiences would have responded to these death scenes. Death by Shakespeare will tell you all this and more in a rollercoaster of Elizabethan carnage, poison, swordplay and bloodshed, with an occasional death by bear-mauling for good measure. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions – shock, sadness, fear – that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? In the Bard's day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theatre were high. It was also a time of important scientific progress. Shakespeare kept pace with anatomical and medical advances, and he included the latest scientific discoveries in his work, from blood circulation to treatments for syphilis. He certainly didn't shy away from portraying the reality of death on stage, from the brutal to the mundane, and the spectacular to the silly. Elizabethan London provides the backdrop for Death By Shakespeare: Snakebites, Stabbings and Broken Hearts (Bloomsbury, 2020), as Dr. Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die. Was death by snakebite as serene as Shakespeare makes out? Could lack of sleep have killed Lady Macbeth? Can you really murder someone by pouring poison in their ear? Dr. Harkup investigates what actual events may have inspired Shakespeare, what the accepted scientific knowledge of the time was, and how Elizabethan audiences would have responded to these death scenes. Death by Shakespeare will tell you all this and more in a rollercoaster of Elizabethan carnage, poison, swordplay and bloodshed, with an occasional death by bear-mauling for good measure. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
“We're learning what she meant to us by having to cope with her absence.” So says Sam Allberry, British author, speaker, pastor, and apologist as he reflects on the death of Queen Elizabeth II during this week's episode of The Russell Moore Show. Allberry and Moore talk about the role the queen filled in the British and global imaginations, what it means for the Elizabethan age to end, and the type of leadership the queen embodied. They also discuss the Church of England, trends in American and British Christianity, and interdependence in the global church. “The Russell Moore Show” is a production of Christianity Today Chief Creative Officer: Erik Petrik Executive Producer and Host: Russell Moore Director of Podcasts: Mike Cosper Production Assistance: CoreMedia Coordinator: Beth Grabenkort Producer and Audio Mixing: Kevin Duthu Associate Producer: Abby Perry Theme Song: “Dusty Delta Day” by Lennon Hutton Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jenna discusses the end of the second Elizabethan era and what it means to Americans to have freedom in our constitutional system distinct from the British government.See omnystudio.com/listener for privacy information.
Today we discuss the passing of one of modern history’s most beloved and well-known leaders: Queen Elizabeth II. With her departure comes the end of the second Elizabethan era, one that weathered world war and domestic tumult with a brand of political neutrality rarely seen on the world stage today. Much is to be discussed in the coming years regarding the state […]
Today we discuss the passing of one of modern history's most beloved and well-known leaders: Queen Elizabeth II. With her departure comes the end of the second Elizabethan era, one that weathered world war and domestic tumult with a brand of political neutrality rarely seen on the world stage today. Much is to be discussed in the coming years regarding the state of the Commonwealth, with several countries already hinting at their departure. But today, we take a moment with seriousness — and yes, some humor — to remember the powerful impact of Queen Elizabeth II, her life, her legacy, and her unique unifying force. Download the transcript https://www.aei.org/wp-content/uploads/2022/09/Nile-Transcript-Final.docx (here).
Photo: No known restrictions on publication. @Batchelorshow #LondonCalling: Becoming an American-born subject of the Elizabethan Crown @JosephSternberg @WSJOpinion https://www.wsj.com/articles/an-american-mourns-his-queen-elizabeth-ii-monarchy-u-k-citizenship-allegiance-oath-america-affection-11662749034