Podcasts about elizabethan

We think of the Tudor period as velvet and poetry and dramatic executions. We do not think of it as siege warfare. That's a mistake. In this episode I'm looking at three Tudor sieges that completely wrecked my assumptions about this era: - Henry VIII personally showing up to besiege a French city (and having to be hoisted onto his horse to get there), - a Protestant reformer who ended up as a galley slave after one of the most dramatic castle standoffs in Scottish history, - and a massacre on an Irish headland that the Elizabethan golden age narrative tends to skip past. Gunpowder was changing everything in this period. The Tudors were living in a world of constant violence and instability that the pretty portraits don't show us. And some of the most consequential moments of the 16th century happened not in a court or a council chamber, but outside a set of walls. Learn more about your ad choices. Visit megaphone.fm/adchoices

fWotD Episode 3218: The Voices of Morebath Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Wednesday, 25 February 2026, is The Voices of Morebath.The Voices of Morebath: Reformation and Rebellion in an English Village is a 2001 non-fiction history book by the Irish historian of British Christianity Eamon Duffy and published by Yale University Press about Morebath, England, during the English Reformation of the 16th century. Using the detailed churchwarden's accounts maintained by Sir Christopher Trychay, the vicar of Morebath's parish, Duffy recounts the religious and social implications of the Reformation in a small conservative Catholic community through the reign of Henry VIII, during the violent 1549 Prayer Book Rebellion, and into the Elizabethan era. Trychay's accounts – first reprinted in 1904 – had been used in other scholarly works and were first encountered by Duffy during research for his 1992 The Stripping of the Altars on pre-Reformation English religion. The Voices of Morebath depicts both Morebath and Trychay through their strong early resistance to the Reformation to their eventual adoption of new religious norms under the Protestant Elizabethan Religious Settlement.The Voices of Morebath was praised for its coverage of ecclesiastical and secular parochial matters, particularly its personal treatment of Trychay. It drew criticism for instances where examples from Morebath are used to comment on broader subjects. Other reviewers commented that Duffy conceded the limitations of a local source. Though popular, some reviewers appraised the book as overly complex for the broad audience it had been written and marketed towards. In 2002, The Voices of Morebath won Duffy the Hawthornden Prize and the book was shortlisted for both the Samuel Johnson Prize and British Academy Book Prize.This recording reflects the Wikipedia text as of 01:08 UTC on Wednesday, 25 February 2026.For the full current version of the article, see The Voices of Morebath on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Niamh.

Christina is joined by 2026 Oscar nominated costume designer Malgosia Turzanska, celebrated for her extraordinary work on Chloé Zhao's Hamnet. Known for her unforgettable costumes in Train Dreams, Stranger Things, The Green Knight, X, Pearl, and more, Malgosia takes us deep into her art and the creative journey behind one of the year's most talked-about films. They discuss the rich research behind Elizabethan clothing, the intimate storytelling within the Shakespeare family, and her concept of “emotional dressing,” where every detail carries meaning. From Agnes' striking reds in Jessie Buckley's Oscar nominated performance, to the protective padding worn by Shakespeare's mother, portrayed by Emily Watson, to Will Shakespeare's (Paul Mescal) ink-stained fingers, and much more. Plus, what Malgosia herself will be wearing to the Oscars! Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny L Harle returns to Line Noise for a record-breaking fourth time as we celebrate the release of his "debut" (ish) album Cerulean. Mar Vallverdú and Ben Cardew grill him on his greatest melody, working with his daughters, Dua Lipa's tea, Elizabethan composers, Ibiza and much more. Line Noise comes with the support of Cupra.

Danny L Harle returns to Line Noise for a record-breaking fourth time as we celebrate the release of his "debut" (ish) album Cerulean. Mar Vallverdú and Ben Cardew grill him on his greatest melody, working with his daughters, Dua Lipa's tea, Elizabethan composers, Ibiza and much more. Line Noise comes with the support of Cupra.

You might have recently seen Hamnet at the cinema, but did you read the book along with the Happy Place Book Club in January?In this chat, Fearne and author Maggie O'Farrell talk about how Jessie Buckley's award-winning performance brought Agnes to life in the film, why it's vital to remember women's place in history, and why Maggie chose not to name Shakespeare in the book.Maggie uses her intuition when she's writing, and talks about why she doesn't really plan what voice or tense to style she's going to write in.Plus, Maggie reveals some of the Elizabethan pursuits she took up during her research phase, including flying Kestrels and making herbal cold remedies... And Fearne reads out what she reckons is "the sexiest paragraph ever written"!Thank you to Tinder Press for use of the Hamnet audiobook, narrated by Jessie Buckley.If you liked this episode of Happy Place, you might also like:Book Club Meets: Nussaibah YounisBook Club Meets: Elizabeth DayBook Club Meets: Elizabeth Gilbert Hosted on Acast. See acast.com/privacy for more information.

Mario Bros. is the biggest franchise of all time. Bigger than Star Wars, Marvel… bigger than Harry Potter. Nintendo is an empire. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not-so-secret techniques that took famous businesses from mom and pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I’m Stephen’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is… Well, it’s us, but we’re highlighting ads we’ve written and produced for our clients. So here’s one of those. [Travis Crawford Ad] Dave Young: Welcome back to the Empire Builders Podcast. Dave Young here with you, and Stephen Semple’s alongside, with another empire-building story for us that- Stephen Semple: An exciting story. Dave Young: It’ll take you back to childhood, but it doesn’t take me back to childhood because I’m too goddamned old. Stephen Semple: Well, it depends how you look at this, this might be- Dave Young: No, I suppose. I suppose the company [inaudible 00:01:55]. Stephen Semple: It might be older than your childhood, but depends what we decide to talk about. Dave Young: Yeah, it’s just like when the big games came out, the… So we’re talking about Nintendo today. Stephen Semple: Correct. Correct. Dave Young: And I had Atari and things like that. And my kids all had the Nintendo. I actually have a Nintendo Switch, but I didn’t get that until I was… Stephen Semple: It also originally started as an arcade game, if we go back, because we are going to go back far enough. Dave Young: Well, that’s true. That’s true. Stephen Semple: Yes, yes. But if we actually went back to the company, Nintendo, we would be going back to 1889. Dave Young: Okay. So not so much my childhood. There you go. Stephen Semple: 1889. Yeah. And we’re really not going to talk so much about the origin and Nintendo as a company, but really, the origin of the video game business, and more specifically Donkey Kong, and went on later to become the Mario Brothers franchise. That’s really what we’re going to talk about. Dave Young: Now, hold on. Hold on. Hold on. Now, I don’t know everything, but I’m pretty sure video wasn’t around in 1889. Stephen Semple: It was not. Dave Young: There was no video games. Stephen Semple: No, there was not. So that’s why we’re really going to be talking about more of the recent history of Nintendo. Dave Young: A real Donkey Kong, climbing ladders and throwing barrels. Stephen Semple: Okay. That’s it. That’s it. Dave Young: Or a monkey, a gorilla. Yeah. Stephen Semple: And here’s the thing, the Mario Brothers franchise is huge. It’s one of the biggest franchises in history. There’s been 800 million video games sold worldwide, making it the bestselling video game of all time. It’s bigger than Pokemon in game sales alone. The estimated lifetime sales across all revenues for the Mario Brothers franchise is $60 billion. Bigger than Star Wars, bigger than Harry Potter, bigger than Marvel. Dave Young: Wow. Stephen Semple: The movies alone sold over a billion dollars. There’s theme park now. It’s huge. It’s absolutely massive. And the Nintendo company is very old. It was founded back in Kyoto, Japan in 1889 by Fusajiro Yamauchi. That’s it, Yamauchi. Dave Young: Oh. Stephen Semple: Boy, I’m going to struggle with these names. Dave Young: What were they doing back then? What was the company doing? Stephen Semple: The first product they did was a playing card called Hanafuda, and it was very, very successful. So they actually started- Dave Young: As a gaming company. Stephen Semple: … in game business doing playing cards. Dave Young: Okay. Stephen Semple: Now, during the 1950s, during Japan’s economic recovery, because if you remember, the economy was decimated in World War II, and through the Marshall Plan and whatnot, there was this rebuild going on. And during that time, they had a new leader, Hiroshi Yamauchi, who decided to explore all sorts of new businesses. He was doing all sorts of stuff. They had taxis, they had love hotels. Yes, you heard it right, love hotels. Dave Young: Love hotels. Stephen Semple: Instant rice, and of course, toys. And most of the things they did failed, except toys held a promise, so they continued to lean into toys. So it’s April 1978, so this is basically really where our story starts, and Taito, a competitor, releases a game called Space Invaders. Dave Young: Oh, right. I remember Space Invaders. Sure. Stephen Semple: Remember Space Invaders? And of course, this is back in the day of arcades, and you’re putting money into the games. This is so big in Japan, there’s 100 yen shortage. It would be like being in the U.S., and we run out of quarters. Dave Young: Right. Stephen Semple: It’s so big. So Nintendo, because it’s having some success in the game space, decides to make a knockoff of Space Invaders. So it’s October 1980, they create this knockoff called Radar Scope, and they decide also to ship it to the U.S., because they’ve started up a U.S. division. And it takes four months for the game to travel from Japan to the United States, and once it arrives, the trend has changed, it’s no longer Space Invaders, it’s now Pac-Man is the big game. Dave Young: Okay. Stephen Semple: So they’re left with these 2,000 unsold cabinets sitting in the United States. Enter Shigeru Miyamoto, who’s a graphic designer with Nintendo, and he has an idea, and he says to them, “Look, let’s reuse the cabinets, and let’s just create a new game. Let’s do that.” And it’s like, “What the heck? Let’s give this a try.” So Shigeru grew up in rural Japan, and this deeply influenced how he looked at games, because he grew up in a place where there was no television, none of these things, and he would go and he would play in like a cave that was nearby, and he would create all of these stories and characters. And this is the ’80s where the games do not have characters or a story. Dave Young: Okay. Yeah. Stephen Semple: They didn’t have that. Dave Young: Space Invader, you’re just knocking down… Stephen Semple: Right. Pac-Man, the same thing, there was no story. Pong, all that stuff, no stories. He takes a look around and he realizes that Nintendo has the rights to use Popeye, so Shigeru makes a suggestion to create a game using Popeye, where they already have the rights, and he moves ahead and does that. And so he also decides to make a game where characters move up rather than scrolling left to right, and there’d be different levels, which was also a relatively new idea. And he created this whole thing where they could jump, and using just a joystick in the buttons that already existed. So they started to create this game, but they hit a snag. Just before the release, they discovered Nintendo only had the rights to use Popeye for playing cards. Dave Young: For playing cards. Darn it. Stephen Semple: Now, turns out this was a gift from heaven, and the best thing that could ever happen in Nintendo. Dave Young: So it would’ve been Bluto up at the top, and Popeye trying to get up there, climbing the ladders and- Stephen Semple: And saving- Dave Young: So sort of a nautical theme? Stephen Semple: And saving olive oil. Dave Young: Yeah. Stephen Semple: Because remember, he would always capture olive oil. Dave Young: Yeah. Stephen Semple: And Popeye was this love triangle, right? Dave Young: Yeah. Stephen Semple: So what does Shigeru do? Replaces- Dave Young: Bluto becomes- Stephen Semple: … with- Dave Young: … the gorilla. Stephen Semple: Right. Popeye becomes Mario. Dave Young: Yeah. Stephen Semple: And olive oil is Princess Peach. Dave Young: Okay. Stephen Semple: It’s the same story. Dave Young: Yeah. Beautiful. Stephen Semple: It’s exactly the same story. And if you think about it, even the whole idea of this gorilla capturing the princess kind of sounds like King Kong, doesn’t it? Dave Young: A little bit. Sure. Stephen Semple: A little bit. And of course, they can’t use the name King Kong, so it’s Donkey Kong. And the reason why Donkey Kong is, he went looking through English dictionaries, and there’s all this stubbornness, and all this other things that go along with it. So we went, “You know what? This monkey, this Kong is kind of stubborn.” So Donkey Kong is the name of the game. Dave Young: Did they run into any issues with the King Kong folks? Stephen Semple: Nope. Dave Young: No? Stephen Semple: No, because you think about it, it’s a completely different name, Donkey Kong, right? Dave Young: Yeah, but it’s still a big gorilla with the word Kong in it. Stephen Semple: Yeah. Nope, no. It was different enough. Dave Young: [inaudible 00:09:14] just because it’s stubborn, and it sort of went with the word Kong? Stephen Semple: Yep. So it was different enough. It was all great. And the original character was not Mario. Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories To Sell Ad] Let’s pick up our story where we left off, and trust me, you haven’t missed a thing. Stephen Semple: And the original character was not Mario. The original character was Jumpman. Jumpman. Dave Young: I kind of remember that. Stephen Semple: Jumpman. And the game allowed them to reuse the cabinets, and just do it. And think about it, the objective of this, because he was also just a very junior graphic designer, and the objective on this was, “Hey, if we can sell these 2,000 unsold cabinets sitting in the U.S., that’ll take the financial strain off of our U.S. operations, and it will be great, it will keep them afloat.” And here’s what happened, they sold in 1981 alone 60,000 cabinets. Dave Young: I tell you, I poured a lot of money into one of those cabinets when I was in college. Stephen Semple: So Shigeru goes from this low-level designer to the creator of one of the best performing games up to that point. And one of the things that also ends up happening, he starts making modifications to the game. And one of the modifications is, he’s walking one day, and he sees these pipes, and he realizes character should be a plumber, and the landlord for one of the Nintendo properties’ name was Mario. Dave Young: Okay. Stephen Semple: So that’s where the whole idea of Mario came from, and eventually evolved to being brothers, Mario and Luigi. And of course, there was continuing success, and other formats and differing games. And Mario Brothers grew beyond Donkey Kong, it went from Donkey Kong to really the franchise being the Mario Brothers, with all sorts of new characters being added, and all sorts of new themes, like there’s go-kart racing and all sorts of different things. But the birth of the idea happened when they had this problem of, “We’ve got to have these cabinets…” And Shigeru saying- Dave Young: “And we either have to make a whole bunch of Popeye playing cards, or we have to find something to put in these cabinets.” Stephen Semple: “We have to find something to put in these cabinets.” And Shigeru saying, “It needs to be a story.” Dave Young: Yeah. No, that’s brilliant. And I feel like I’d be remiss if I didn’t point out to our listeners here in the U.S. that Steve is Canadian, and he pronounces it Mario, and everybody I’ve ever met says Mario. Stephen Semple: Mario. Dave Young: Mario. It’s Mario Brothers. Stephen Semple: Mario. Dave Young: It’s sort of like you say Mazda, we say Mazda. Stephen Semple: Right. Yes. Yes. Dave Young: So- Stephen Semple: Yeah, that’s true. Dave Young: Here’s a weird tangential thought. Do you have a minute for one of my weird tangential thoughts? Stephen Semple: Isn’t that why we’re here? Just for your weird tangential… Isn’t what we tune in for? Dave Young: That’s the way I look at it. I wonder if the guy that shot the UnitedHealthcare… Luigi, I wonder if there was a little bump in Nintendo stock. Stephen Semple: Oh, I wonder. Dave Young: And I wonder too, what was the discussion inside Nintendo about that? At first it was probably, “Oh my God, a guy named Luigi just shot someone.” And that was probably, “Oh my God, a guy named Luigi just shot someone that… Okay.” It’s not cut and dry. Stephen Semple: Well, it isn’t, because sometimes these negative events actually have positive impacts on sales. The one that I always remember that always comes to mind, I always find bizarre, is the white two-door Ford Bronco was due to be discontinued until O.J. Simpson went and did a joyride on LA freeways, and it actually extended the sales of that vehicle several years. And to this day, the white two-door Ford Bronco is a premium price from that year. Dave Young: Yeah- Stephen Semple: It’s nuts. Sometimes these crazy things happen. Dave Young: I don’t know if it was a joyride, but yeah. But we remember it, for sure. Stephen Semple: But we remember it. But- Dave Young: And those things have these impacts that you couldn’t buy that. There’s nothing Ford Motor Company could do that would’ve done that, that would’ve saved the Bronco. Stephen Semple: So here’s the interesting thing, coming back to Nintendo, that I find… So one of the influences it had was it was the first game that came along and basically said, “We should have a story.” And if we take a look at video games today, they’re all very heavy story based. And in fact, the stories are unbelievably rich, like Zelda, and all these other ones are these very complex universes that have been created. And he was kind of the first to come along, and his influence from that came from the fact that he didn’t grow up with these things. Dave Young: Yeah, he grew up with stories. Stephen Semple: So again, it’s this whole outside… We had this graphic designer that didn’t grow up with these things saying to a game, “Here’s what it should do. It should have this story, and there should be this imagination.” And all these things. And when you think about it, there was a couple of accidents, a couple of lucky happenstances that led to the birth of this. First of all, the console. Because if you think about it, if it was the creating of a brand new game, you wouldn’t take some junior graphic artist and put on it. The objective was, “All we need to do is move these 2,000 consoles.” So it was like, “Okay, so we’ll give it to the junior guy to do.” And then it blows out of the water. The other lucky happenstance is, think about how Nintendo’s fortunes would be completely different if they actually had the rights to use Popeye. Dave Young: Yeah, it would have been, like, Mario Brothers, that whole universe would never have come about, and- Stephen Semple: Well, the whole universe would be Popeye Universe, even if it worked. Dave Young: And I can’t see that happening. Stephen Semple: Right. But even if it worked, it would not have been theirs, it would have been- Dave Young: Oh, true. Stephen Semple: The people who would have made all the money were the owners of the Popeye license, would have been a licensee. Dave Young: Yeah, that’s true. Stephen Semple: So they had a couple of really lucky, fortunate things that happened that totally changed the trajectory of Nintendo. But here’s the other interesting lesson, and look, we talk about this all the time in storytelling, is there’s a couple of things you can do in storytelling. One is, you can take an existing story and just change the characters. We just took Popeye, changed as Donkey Kong. And what you know is, we knew that story worked, so it’ll work over here with different characters. Or what you can do is, you can take existing characters, and you can change the setting. In magical worlds, you’re always talking about how Sherlock Holmes, and- Dave Young: House M.D. Stephen Semple: … House M.D. is the same story. Dave Young: Sure. Stephen Semple: It’s just one is a detective during Elizabethan times, and the other one is an emergency room doctor in modern times. Same character, different setting, changes the story. Dave Young: Right. Stephen Semple: So when you’re looking to use stories, find ones that work, and do that. Dave Young: Find the popular stories and just take the framework. And I’ll give you another example- Stephen Semple: Right. Either change the characters, make it same story with different characters, or take the characters and put them in a different setting. Dave Young: … there’s a book called the Bible that had this story about this Jesus fella. Stephen Semple: I think it’s rather a relatively popular book. Dave Young: And then in 1605, a guy named Miguel Cervantes wrote a book called Don Quixote, and he took a lot of the storylines and metaphors from this story in the Bible and created a book that became the second bestselling book of all time right after the Bible. Then a guy named John Steinbeck took a lot of the stories from Don Quixote, and renamed characters, and put them in different situations, but took the structures of the stories, and… So this works. Just do this. Stephen Semple: Oh, yeah. Dave Young: Just find a story you like- Stephen Semple: Absolutely. Dave Young: … and take the [inaudible 00:17:59]. Stephen Semple: Reimagine it. Reimagine it. Reimagine it. Either change it, keep the same story and change characters, or take the characters and put them in a new setting. Dave Young: I mean, the cool thing is, you can’t copyright a story arc, right? Stephen Semple: No, no. Dave Young: Something bad happens to someone and they overcome it. “Okay, no, that’s mine.” Stephen Semple: I’m still waiting for the overcome part. Dave Young: Yeah. Right? Stephen Semple: Yeah. Dave Young: That’s still the part of the story. Oh, I love it. Stephen Semple: I just found these things that came together for the creating of the Mario Brothers to be really interesting. And it’s also interesting when you consider who was expected to be the star of the show was the donkey, and it ended up becoming the Mario Brothers. Dave Young: Yeah. Great story. And I see it. Thank you for switching to English. American English. I’m sorry. Stephen Semple: American. Dave Young: [inaudible 00:18:54]. Stephen Semple: All right. Thanks, David. Dave Young: Where can we go play some Donkey Kong next time? Stephen Semple: Well- Dave Young: Anybody got an old Donkey Kong console? Stephen Semple: Yeah. You know what? My kids have got some old play stuff, I’ll bring it down. Dave Young: No, I want the console. I want the big- Stephen Semple: Oh, you want that… Well, I think we may have to look hard for that. Dave Young: Yeah, that’s good. Well, keep your eyes out. Stephen Semple: I will. Dave Young: Thanks for the story of Nintendo, Stephen. Stephen Semple: All right. Thanks, David. Dave Young: Thanks for listening to the podcast. Please share us. Subscribe on your favorite podcast app, and leave us a big, fat, juicy five-star rating and review at Apple Podcasts. And if you’d like to schedule your own 90-minute empire-building session, you can do it at empirebuildingprogram.com.

A few months ago, Puerto Rican rapper Bad Bunny guest hosted an episode of “Saturday Night Live” where he appeared in a skit as a Spanish nobleman from the Middle Ages wearing an inky blue robe with gold threading on the collar and sleeves. The costume he wore didn’t come from the show’s wardrobe department. Instead, it was shipped overnight by the Oregon Shakespeare Festival Costume Rentals department in Talent.    As profiled in a recent article in Oregon ArtsWatch, for more than 20 years, OSF Costume Rentals has been making costumes and accessories that were created for its productions available to rent by local theater companies, academic institutions, film and photo shoots and TV shows like “SNL.” The vast digital inventory is searchable online and spans more than 30,000 costumes and accessories, from elaborate Elizabethan gowns and silky Regency dresses to velour smoking jackets and butterfly-collared shirts.    OSF Costume Rentals supervisor Celina Gigliello-Pretto and OSF Director of Productions Malia Argüello share how OSF is preserving its costumes and helping other productions reimagine their possibilities.  

KPFA Theatre Critic Richard Wolinsky reviews “How Shakespeare Changed My Life” at Berkeley Rep Peets Theatre through March 1, 2026.           TEXT OF REVIEW You're just a kid. You're Black .Your teachers think you're stupid, a hopeless fat boy. At home, your mom tossed out your junkie dad. Mom herself is ice cold, and when you're sixteen, Mom throws you out on the street. You're homeless, destitute, and you love Shakespeare. That's the start of the world premiere one person play, How Shakespeare Saved My Life, written and performed by Jacob Ming-Trent, now at Berkeley Rep's Peets Theatre through March 1st. The play is billed as semi-autobiographical, and it's unclear what the relationship is between Jacob the character and Jacob the playwright performer. The real Jacob, for example, was already on stage at age eleven, and was admitted to acting school in New York at the age of seventeen, before developing a career in Hollywood. It shouldn't matter, but in retrospect, it does. The story, at least, feels real, and Jacob Ming-Trent has the acting chops to make it so, to grab an audience and to keep them. When the play works, it works wonders. The basic idea is that Shakespeare himself was an urban artist, in his own lifetime no different than Tupac or Biggie or the Wu-Tang Clan. Famous lines from the plays are easily incorporated into the dialogue, and each takes on new meaning and resonance. The Elizabethan poet meets the street. Jacob Ming-Trent has an innate ability to create empathy, an empathy that expands via the brilliant immersive staging of director Tony Taccone. When the lights, the sound, the acting and the script all work in tandem, the result can be stunning, as witness the character Jacob's discovery of James Baldwin, or his scenes with his dad. The theater shakes, the images flashed behind the actor never stop. But not everything does work. Phone dialogues with God through an old fashioned telephone fall flat, as does a sequence in a jail cell with an individual of uncertain gender. Some Shakespearean monologues go on too long, and the play itself does not stick the landing, leaving the audience wondering how the play's Jacob became the stage's Jacob. Audience participation, so successful earlier, now dissipates in a final, unearned test. But as a world premiere, some of these issues can be corrected going forward and there is enough here, and Jacob Ming-Trent is talented enough, to find solutions to these and other problematic elements. How Shakespeare Saved My Life is a work in progress, but even so, it's a diamond in the rough. How Shakespeare Saved My Life plays at Berkeley Rep's Peets Theatre through March 1st. For more information you can go to berkeleyrep.org. I'm Richard Wolinsky on Bay Area Theatre for KPFA. The post Review: “How Shakespeare Changed My Life” at Berkeley Rep Peets Theatre appeared first on KPFA.

Episode 203: We now stay in the world of the Elizabethan interpretation of classical history and myth with Ben Jonson's next play ‘Sejanus His Fall'. Rooted more firmly in history than myth Jonson's play uses the story of a power struggle motivated by personal ambition to look at the nature of power, justice and politics. This was quite evidently dangerous ground for a playwright already known for his clashes with the authorities, but it was not just that commentary of contemporary politics that got Jonson into trouble with this play. A brief word on the unfinished tragedy ‘Mortimer His Fall'The ‘argument' of the play and some thoughts on what the play might have beenThe early performance history of ‘Sejanus His Fall'The possible co-author of the playThe early reception of the playThe background to the poor reception of the playA synopsis of the playThe ban on satires and historiesThe translations of Tacitus and complications with EssexHow John Heyward's problems with censorship influence the playThe play as a commentary on Elizabethan societyQuestions of the control of power in the playQuestions of the application of justice in the playThe motivations of SejanusThe aesthetic issues with the playHow Jonson mixed comedy and tragedy in the playThe influence of Marlowe on the verse in the playJonson censured for the playThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Send us a textYou see, by 1582, when I was only eighteen, I married a lady by the name of Anne Hathaway,  Some scholars Believe that my wive's name was actually Agnes. In any case, our first daughter, Susanna, was born the following year. Twins, Hamnet and Judith, followed in 1585.  Unfortunately my dear son Hamnet later died. And then comes the mystery: the so-called “lost years.” Between 1585 and 1592, I completely disappear from the historical record. No plays, no mentions, no documents, but what we do know is that by 1592, I was in the city of London and making a name for myself. A rival playwright, Robert Greene, derided me in print as an “upstart crow.” For all its venom, the insult is proof that I had arrived — I was already challenging the university-trained writers and beginning my rise to the very top of the Elizabethan stage.GeorgeSo Mr. Shakespeare, it would seem that one might say that you were fully in the London scene.ShakespearePrecisely! By the early 1590s, I was fully in the - as you call it - London scene — which meant two things: theater and plague. In 1592, theaters were shut down because of an outbreak, and with the stage dark, I began to write poetry. Today the public might refer to this time in my life as my side-hustle era. I published two long narrative poems, Venus and Adonis and The Rape of Lucrece, dedicated to a wealthy young noble, the Earl of Southampton. You flatter a patron, they fund your career. And the process worked. These poems put my name in print for the first time.And in 1609, I published a book of sonnets that included the famous “shall I compare to a summers day”Shall I compare thee to a summer's day?Thou art more lovely and more temperate:Rough winds do shake the darling buds of May,And summer's lease hath all too short a date:Sometime too hot the eye of heaven shines,And often is his gold complexion dimm'd;And every fair from fair sometime declines,By chance or nature's changing course untrimm'd;But thy eternal summer shall not fadeNor lose possession of that fair thou ow'st;Nor shall Death brag thou wander'st in his shade,When in eternal lines to time thou grow'st:So long as men can breathe or eyes can see,So long lives this, and this gives life to thee.Support the showThank you for experiencing Celebrate Creativity.

Send us a textNow when I started this podcast I knew that I wanted to use a somewhat similar device WHERE I interviewed THE characters in Shakespeare's play - that could be very instructive and lots of fun. But first I wanted to get the relatively tedious stuff out of the way first - starting with rhetorical devices. And then I DELVED into several episodes dealing with the plague in England during Shakespeare's time. Interestingly enough topic the all important subject of the plague was not even discussed in my Shakespeare courses in college. But then again, that was before Covid. And I thought it would be especially interesting to compare Elizabethan societies reaction to the plague with contemporary reactions to Covid.  Both were deadly airborne diseases, and while Shakespeare's contemporaries how to comparatively primitive understanding of how the plague was spread, the dynamics of the plague were surprisingly similar to the dynamics of Covid - showing that people are basically people - no matter what the historical period. Oh and by the way, since the subject of death could often be very heavy I thought the best way to approach it was to have relatively brief episodes - lasting approximately 15 minutes each.But for a good part of the rest of this podcast series I went to continue a conversation with William Shakespeare, and next month start a look at the writers works, and a series of conversations with various characters - and some of Shakespeare's characters were fascinating individualsGEORGE (quiet):But first. You might say that We like to imagine Shakespeare alone with a quill, serenely producing masterpieces.But the theatre didn't run on serenity.It ran on deadlines.A play had to be ready.Actors had to learn parts.Costumes had to exist.A crowd had to be fed a new story—often constantly.Support the showThank you for experiencing Celebrate Creativity.

Westerns on a SaturdayFirst, a look at the events of the day.Then, Have Gun Will Travel starring John Dehner, originally broadcast January 31, 1960, 66 years ago, Bad Bert.    The search for "Bad Bert," a road agent widely wanted by lawmen, is in reality, an English nobleman!Followed by Gunsmoke starring William Conrad, originally broadcast January 31, 1960, 66 years ago, Chesters Dilemma.  Chester's in love with pretty Edna Wallstrom, Edna's very much interested in Marshal Dillon's mail!Then, The Six Shooter starring Jimmy Stewart, originally broadcast January 31, 1954, 72 years ago, Trail to Sunset.  Britt shoots Ace Tressler when Ace tries to steal Britt's horse. Britt promises him that he'll get medical treatment for Ace and not let him get lynched. Followed by The Hallmark Playhouse, originally broadcast on January 31, 1952, 74 years ago,  Westward Ho!, starring Joseph Cotton.  A historical adventure novel that follows the coming-of-age of Amyas Leigh, an idealistic young Englishman who sails to the New World amid the Elizabethan era's conflicts between England and Spain.Finally, Fibber McGee and Molly, originally broadcast January 31, 1955, 71 years ago, the Mystery of the Missing Garbage Can. Fibber tries to solve "The Mystery Of The Missing Garbage Can."Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

Redoing this one because it's the forty year anniversary of the recording of the song Forty Years.  A quick note from Joe Jackson's website - where, incidentally, you can't listen to his music any more. (You could when I first published this podcast episode, and I wanted to include the notes that were here before, but that particular one isn't true any more. Or at least, not right now.) http://joejackson.com/release?page=release&album_id=36852 "I want to clear up two myths about this record which still crop up all the time.  Myth 1:  During the live recording of the album, the audience was forbidden to applaud. Fact: There was plenty of applause. We were just playing a lot of unfamiliar material, and recording it for an album, so the audience were asked to hold it until they were sure a song was finished. They understood this and there was no problem. Myth 2:  It's a double album with a side missing. Fact: This was my first album to be released on CD, where the running time was not an issue. I was having a hard time deciding what to leave out for the LP, though, and I suggested making a 3-sided one, and selling it for the price of a regular album. Much to my surprise, the record company said yes. So rather than a side missing, you got an extra side. Critics, of course, hadn't had to pay for it."   And as long as I'm mentioning John Brown below, I'll note my personal belief that he saw the Carrington Event  (really, he couldn't have misssed it) but also that he may have seen the red sky as a good omen for the raid on Harper's Ferry.  In any case, Forty Years was recorded 40 years ago, in January 1986. That turned out to be a notable year, in particular with the Chernobyl nuclear incident which was one of the turning points that led to the end of the Soviet Union. The song mentions Berlin, D.C., and "where I come from" (England/United Kingdom), but not Moscow.  The Soviet Union would be gone 7 years after the song was recorded.    --------------   Starting from a 1986 song about how attitudes had changed in the time since World War II, a look at the passage of time, and how it affects the way people think about history.   You can listen to Big World on Joe Jackson's site - "Forty Years" is track 9: http://joejackson.com/music&album_id=36852 Information about the album, including recording date (January 1986) and release date (March 1986) https://en.wikipedia.org/wiki/Big_World    https://en.wikipedia.org/wiki/Virginia_v._John_Brown Charlestown, Va. 2nd December, 1859. I John Brown am now quite certain that the crimes of this guilty land: will never be purged away; but with Blood. I had as I now think: vainly flattered myself that without very much bloodshed; it might be done. https://en.wikipedia.org/wiki/United_States_presidential_election,_1860 Evidently in the mid-19th century, it was not common for candidates to campaign.  They sent out activists but mostly stayed home themselves, with Stephen Douglas being the one breaking tradition in 1860. https://millercenter.org/president/lincoln/campaigns-and-elections https://www.sethkaller.com/item/1583-23646-Lincoln-Tops-the-Field-in-1860-Presidential-Election-Currier-&-Ives This essay from Locke is dated 1690…so nearly fifty years after Gallileo's death, 60 after his trial. https://en.wikipedia.org/wiki/An_Essay_Concerning_Human_Understanding https://en.wikipedia.org/wiki/Age_of_Enlightenment https://en.wikipedia.org/wiki/Galileo_Galilei I had to look up how long Elizabeth and Victoria reigned. https://en.wikipedia.org/wiki/Elizabethan_era https://en.wikipedia.org/wiki/Elizabeth_I_of_England https://en.wikipedia.org/wiki/Queen_Victoria

Send us a textGEORGE:Today: How Plague Trained UsHow plague trained Elizabethan culture—audiences included—toward certain fears and reflexes…and how COVID trained us in remarkably similar ways.GEORGE:Quick reminder: my Shakespeare can look back from the present day—films, scholarship, modern claims—but he cannot predict the future. No prophecy.WILL:Memory, yes.Foresight, no.GEORGE:Now, When I say “habits of mind,” I mean the reflexes that become automatic:how you interpret a coughhow you feel about crowdswhat you do with your handswhat you believe when you're afraidwhat you do to feel safewho you trust, and how quickly you withdraw trustWILL:An epidemic trains a person the way war trains a person—not by speeches, but by repeated fear.GEORGE:Exactly. Repetition makes instinct.Support the showThank you for experiencing Celebrate Creativity.

Welcome, and welcome back, to the first Alnwick Castle Podcast of 2026! Whether you are a brand new listener or you have been with us from the start, we hope you will enjoy what we have planned for the upcoming year, with new episodes arriving on the last Wednesday of every month.We start 2026 with an in-depth biography of one of the most famous former owners of Alnwick Castle. Henry Percy, the 9th Earl of Northumberland, lived through the Elizabethan and Jacobean periods, and was connected to many of the key events and people of those times. He was also known as the Wizard Earl for his interest in science, alchemy, and magic.On this podcast, hosts Daniel and Deborah take you through the life of the Wizard Earl, including:His early yearsHis relationships with his mother Katherine and wife DorothyHis library collection and other "bookish matters"How he became known as the Wizard Earl, and his scientific (or magical) experimentsHis famous friends, rivals and (nearly) opponents in duelsHis trial following the Gunpowder Plot, and imprisonment in the Tower of LondonHis relationships with his children, Dorothy, Lucy and AlgernonHis attitudes towards womenAnd what was happening at Alnwick Castle and in the north during his lifetime.We reference several other episodes of the podcast during this biography. For more details, please go back into our catalohue and look for the following episodes:10 - Syon House22 - The Gunpowder Plot and Alnwick Castle31 - Women of Alnwick Castle (Part 2)36 - The Tudors, the Percys and Syon House43 - The History of Tennis45 - Strange and Mysterious Alnwick Castle Tales72 - The Border Reivers83 - The Stolen Crown

Katherine Chiljan is a researcher and author known for Shakespeare Suppressed, a work that challenges the traditional attribution of William Shakespeare's plays and sonnets. Chiljan examines historical records, literary analysis, political context, and censorship pressures of the Elizabethan era to argue that alternative authorship candidates and inconvenient evidence were minimized or ignored. Her research explores how power, patronage, and social class may have shaped what became the accepted literary canon, inviting readers to reconsider authorship, authors' identities, and how history decides which voices are preserved—or suppressed.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-x-zone-radio-tv-show--1078348/support.Please note that all XZBN radio and/or television shows are Copyright © REL-MAR McConnell Meda Company, Niagara, Ontario, Canada – www.rel-mar.com. For more Episodes of this show and all shows produced, broadcasted and syndicated from REL-MAR McConell Media Company and The 'X' Zone Broadcast Network and the 'X' Zone TV Channell, visit www.xzbn.net. For programming, distribution, and syndication inquiries, email programming@xzbn.net.We are proud to announce the we have launched TWATNews.com, launched in August 2025.TWATNews.com is an independent online news platform dedicated to uncovering the truth about Donald Trump and his ongoing influence in politics, business, and society. Unlike mainstream outlets that often sanitize, soften, or ignore stories that challenge Trump and his allies, TWATNews digs deeper to deliver hard-hitting articles, investigative features, and sharp commentary that mainstream media won't touch.These are stories and articles that you will not read anywhere else.Our mission is simple: to expose corruption, lies, and authoritarian tendencies while giving voice to the perspectives and evidence that are often marginalized or buried by corporate-controlled media

Isn't Carrotty Bess great?Topics in this episode include why Stephen compares Shakespeare to Shylock, Shakespeare's father John Shakespeare and his many business ventures, his legal troubles caused by some of those business ventures, Shakespeare's corn-hoarding during a famine, the irony of Irish Nationalists being devoted to Shakespeare, Shakespeare's role in providing propaganda for Britain's colonial project, Mr. Deasy's thoughts on Shakespeare, Chettle Falstaff, the time Shakespeare sued a guy over some malt, how The Merchant of Venice stoked Elizabethan antisemitism, plays that Shakespeare wrote to please various monarchs, James I and Macbeth, political propaganda found in Shakespeare's comedies, and why Stephen's point-of-view as an Irish person alters his interpretation of Shakespeare.Support us on Patreon to get episodes early, and to access bonus content and a video version of our podcast. On the Blog:Decoding Dedalus: He drew Shylock out of his own long pocket.Blooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

As the film Hamnet goes on general release, David Maxwell chats to herb expert Jekka McVicar about the role she played in advising the production on Elizabethan herbs. In Ratoath, County Meath, nursery owner John Lord is finding new opportunities in a garden he's developed over 30 years. He explains how it's become a playground for plants that serve to inspire both expert and novice gardeners alike. Listener Michael McLean gets a visit from Gardeners' Corner – he invited the programme to see a garden he's lovingly creating over a lifetime on a hillside above Newcastle. Also on the programme, a tribute to the late Seamus O'Brien who was head gardener at the National Botanic Gardens, Kilmacurragh in County Wicklow and widely regarded as one of Ireland's greatest plantsmen. Ann FitzSimons joins David in studio. Email the programme at gardenerscorner@bbc.co.uk

• Explores in depth the medicinal and magical properties of the many herbs, barks, and berries associated with the Christmas and Yuletide season• Looks at the origins of the Christmas tree and Santa Claus, as well as female gift bringers, holiday Spirits, and Yuletide animals• Shares crafts such as how to make a Yule Log, practices such as Winter Solstice divinations, and recipes for traditional foods and drinksFor millennia cultures have taken time out to honor the darkest days of the year with lights, foods, and festivities.In ancient Egypt, people decorated their homes with greenery at the festival of the rebirth of the God Horus. The ancient Romans shared gifts, especially candles, at the midwinter festival of Saturnalia. In Scandinavian and Germanic cultures, the Yule Log was burned in the hearth, fruit orchards were wassailed, and sheaves of wheat were displayed to carry luck into the New Year. In Celtic cultures, mummers and guisers went door to door, and European mistletoe (Viscum album) was gathered by Druids as a medicinal and magical aid.Ellen Evert Hopman shares folklore, recipes, rituals, and crafts to enliven your Yuletide observance. She explores the origins of the Christmas tree and Santa Claus as well as holiday Spirits and Yuletide animals. She explains how to perform Winter Solstice divinations and make traditional foods and drinks such as Elizabethan gingerbread cookies and Wassail. And she looks in depth at the medicinal and magical properties of the many herbs, barks, and berries associated with the Christmas and Yuletide season such as Frankincense and Myrrh, Cinnamon, Nutmeg, Hibiscus, Bayberry, and many more. This guide offers practical and magical ways to celebrate and honor the darkest days of the year.Ellen Evert Hopman is a master herbalist and lay homeopath, who has been a Druidic initiate since 1984. She is a founding member of the Order of the White Oak, the Archdruidess and founder of Tribe of the Oak, a former professor at the Grey School of Wizardry, and a member of the Grey Council of Mages and Sages. She is the author of Celtic herbals and Druid novels, including Secret Medicines from Your Garden, The Sacred Herbs of Samhain, and Once Around the Sun: Stories, Crafts, and Recipes to Celebrate the Sacred Earth Year. She lives in Massachusetts.https://elleneverthopman.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Sent us a text, you dicks!!Merry Christmas!!! Happy Boxing Day!!! ( And also, Happy Belated Hanukkah!!! And Happy Kwanzah!!!)In this episode, we talk about all the gifts that are given from one character to another in the Shakespeare canon.  We also talk about traditional Elizabethan gifts... 'cuz, you know, it's presents time of year!!!Did we miss any?? Write and tell us!!To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us??   Then leave us a five-star rating AND a review wherever you get your podcasts!!

Did you know that Elizabethan Londoners were good kissers? That medieval drinkers used beer to fight off the flames of a raging inferno? And that Jane Austen doesn't paint an entirely accurate picture of the early 19th century? These are just some of the facts served up in Ian Mortimer's new book, Mortimer's A to Zs of English History. Here, in conversation with Spencer Mizen, Ian takes us on an immersive tour of the nation in four periods: the 14th century, the Elizabethan age, the Restoration and the Regency. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1602, Elizabeth I wrote a formal letter to the Emperor of China, hoping to open peaceful trade between their two realms. The letter was sent with an English explorer attempting to reach China via the Northwest Passage. He never made it. The minicast stayed in England for centuries, was once used to line a farm's bran bin, and was not finally delivered to China until 1984. This episode tells the story of that extraordinary diplomatic misfire, and what it reveals about Elizabethan ambition, global trade, and how history sometimes survives by accident. Hosted on Acast. See acast.com/privacy for more information.

Episode 198:As Ben Jonson was writing ‘The Poetaster' in 1601 the Elizabethan age was drawing to a close. Elizabeth would live until March 1603, but by 1601 any hope of a natural heir was long past and her court and councillors were playing a waiting game and with different degrees of secrecy were trying to manipulate the situation over the accession to their own advantage. Jonson, I'm sure, had an eye and an ear on those politics, but the comedy he was writing was more concerned with the politics of the theatre than those in the court. In the previous episode on ‘Cynthia's Revels' and in my episodes on Thomas Dekker, that you can still find on the podcast archive, I have touched on ‘the war of the poets' and this episode on ‘The Poetaster' will bring these matters to a close. Although it's not essential you might find listening to those earlier episodes useful, if you have not done so already, before listening to this one.The early performance of the play and it's place in the ‘war of the poets'The print history of the playThe theme of the role of the poetA short synopsis of the playThe caricature of John MarstonThe Poetaster and SatiromastixThe feud as fuelled by the rivalry between playing troupesThe poet as councillor and companion to the monarchThe exposing of the poetastersThe change in titleReference to the Essex rebellionThe attempted censoring of the playThe epilogueThe end of the ‘Poetomachia'Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

What did people really eat in Shakespeare's England? In her new book, Much Ado About Cooking, food historian Sam Bilton uncovers the vibrant and surprising world of early modern cuisine—where sugar was locked away like treasure, fresh salads were everyday fare, and a “banquet” meant a “post-feast after party” dessert course. Bilton brings to life the flavors behind Shakespeare's food references: mince pies, herb-packed green sauces, saffron-brightened tarts, and even whimsical dishes crafted to look like something else entirely. These foods reveal a world shaped by global trade, humoral medicine, and a delight in spectacle. In this episode, Bilton discusses how cooking, dining, and food imagery can open a new window onto Shakespeare's plays and the people who lived, ate, and celebrated in his time. From the Shakespeare Unlimited podcast. Published December 16, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc. Sam Bilton is a food historian, author and presenter of the award-winning “Comfortably Hungry” and “A is for Apple” podcasts. She has written books on the history of gingerbread, saffron and chocolate, and writes articles on food history for a variety of print and online publications. Sam has also hosted several Shakespeare-themed supper clubs over the years. You can find out more details about Sam on her website: sambilton.com.

Episode 197: For today's guest episode I had the pleasure of talking to Simon Sandys Winsch, author of the Illustrated Tudor Dictionary. Given Simon's broad knowledge of the period I took the opportunity to talk to him about some of the entries in the dictionary that give us a view of what life was like for the Elizabethan's who went to the London theatres. We started by going back a few years into the reign of Henry 8th and discussed actions of his, the legacy of which the Elizabethans were still living with which led onto conversations about some of the struggles of the ordinary Elizabethan life.Simon Sandys Winsch graduated from Aberystwyth university with a degree in History and international politics and then became a history teacher working in various schools. It was during that career that he realised the importance of knowing topics in depth as well as the need to keep lessons informative and interesting as possible and he now puts those skills to use in writing history books.Link to the Tudor Illustrated Dictionary on Amazon UK: https://www.amazon.co.uk/Illustrated-Tudor-Dictionary-Simon-Sandys-Winsch/dp/1036101983/ref=sr_1_1?Link to the Tudor Illustrated Dictionary on Amazon US: https://www.amazon.com/Illustrated-Tudor-Dictionary-Simon-Sandys-Winsch/dp/1036101983/ref=sr_1_1?Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Send us a textShakespeare  Hello Mr. Smith. This is William Shakespeare the action figure, and I would be most remiss if I did not continue my narrative regarding my education in Stratford. You see, like many boys of my station, I probably attended the King's New School in Stratford. It has been so long that I must admit I am a bit foggy. The curriculum would have been heavy on Latin, rhetoric, and the classics. Day after day, I was been drilled in the works of Ovid, Seneca, and Plautus. Later, echoes of those schoolroom authors would resurface in my plays — such as Pyramus and Thisbe in A Midsummer Night's Dream, as well as the Roman senators in Julius Caesar. Night watchmenSo when did you start using the alphabet and language so masterfully?ShakespeareI certainly intend to address that, but for now be patient, my fellow toys, be patient. You see, by 1582, when I was only eighteen, I married a lady by the name of Anne Hathaway,  Some scholars Believe that my wive's name was actually Agnes. In any case, our first daughter, Susanna, was born the following year. Twins, Hamnet and Judith, followed in 1585.  Unfortunately my dear son Hamnet later died as a result of the plague. And then comes the mystery: the so-called “lost years.” Between 1585 and 1592, I completely disappear from the historical record. No plays, no mentions, no documents, but what we do know is that by 1592, I was in the city of London and making a name for myself. A rival playwright, Robert Greene, derided me in print as an “upstart crow.” For all its venom, the insult is proof that I had arrived — I was already challenging the university-trained writers and beginning my rise to the very top of the Elizabethan stage.Support the showThank you for experiencing Celebrate Creativity.

Ellen Evert Hopman shares folklore, recipes, rituals, and crafts to enliven your Yuletide observance. She explores the origins of the Christmas tree and Santa Claus as well as holiday Spirits and Yuletide animals. She explains how to perform Winter Solstice divinations and make traditional foods and drinks such as Elizabethan gingerbread cookies and Wassail. And she looks in depth at the medicinal and magical properties of the many herbs, barks, and berries associated with the Christmas and Yuletide season such as Frankincense and Myrrh, Cinnamon, Nutmeg, Hibiscus, Bayberry, and many more. This guide offers practical and magical ways to celebrate and honor the darkest days of the year.

This week on the podcast is part two of our interview with Elizabeth Solomeina. She's a Russian-born jewelry designer, and co-founder and managing director of Flying Solo—a retail marketplace for independent luxury designers. She founded Flying Solo to address the need for a central space for designers to sell their work and connect with clients, stylists, and press. Her own jewelry incorporates materials such as topaz, pearls and diamonds and fashions them into Art Deco and Elizabethan-inspired pieces. ​Tune in to hear how Elizabeth's hard work and passion grew an idea into operations in NYC and Paris, and more innovative activities on the horizon!

Composer Max Richter joins guest host Jon Burlingame to discuss his luminous, emotionally rich score for “Hamnet,” the new film from director Chloé Zhao. In their conversation, Richter shares how early musical sketches shaped the production, how he blended period instruments with processed textures, and how the film's psychological and natural landscapes guided his approach. And as Richter explains, Elizabethan-era music became a key creative touchstone for capturing the film's folkloric sensibility.“Elizabethan music is one of my great passions, really. It's an amazing moment in English music history where you have this community of composers writing just extraordinary things, both instrumental and chorally. It was a wonderful opportunity for me to go back and connect to that material… Which evoked what [director] Chloé [Zhao] called the witchy sensibility of the sort of folkloristic… maybe dark fairytale quality of the relationship with nature and the connection between human beings and nature.”—Max Richter, Composer, “Hamnet”Be sure to check out “Hamnet,” now playing in theaters in Dolby Vision® and Dolby Atmos®, where available.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

This week on the podcast is part one of our interview with Elizabeth Solomeina. She's a Russian-born jewelry designer, and co-founder and managing director of Flying Solo—a retail marketplace for independent luxury designers. She founded Flying Solo to address the need for a central space for designers to sell their work and connect with clients, stylists, and press. Her own jewelry incorporates materials such as topaz, pearls and diamonds and fashions them into Art Deco and Elizabethan-inspired pieces. Tune in to hear how Elizabeth's hard work and passion grew an idea into operations in NYC and Paris, and more innovative activities on the horizon!

Monday of the First Week of Advent Saint of the Day: St. Edmund Campion, 1540-1581; English convert who became a Jesuit, and preached up to three times per day, riding from town to town on horseback, winning many converts; in 1581 he was captured by Elizabethan authorities, and tortured on a rack before being sentenced to death; in December 1581, he was executed by drawing and quartering at Tyburn, London Office of Readings and Morning Prayer for 12/1/25 Gospel: Matthew 8:5-11

From his possible espionage work for the Elizabethan state to his open flirtations with atheism and subversive sexual themes, the brief life of playwright Christopher Marlowe tells us much about the shadowy edges of 16th-century England. Stephen Greenblatt joins Elinor Evans to discuss the subversive, dangerous life of 'Kit', who became both a collaborator and rival of his contemporary, William Shakespeare. (Ad) Stephen Greenblatt is the author of Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival, Christopher Marlowe (Bodley Head, 2025). Buy it now from Amazon: https://www.amazon.co.uk/Dark-Renaissance-Dangerous-Shakespeares-Christopher/dp/1847927130/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1586, William Stafford proposed one of the strangest assassination ideas of Elizabeth I's reign: blowing up the queen's bed while she slept, even though his own mother served in that room. This minicast unpacks the Stafford Plot, the French connection, and Walsingham's likely role in turning the whole thing into an intelligence trap. A bizarre slice of Elizabethan espionage with very real political consequences. Hosted on Acast. See acast.com/privacy for more information.

On this day in history, 19th November 1604, one of the most gifted churchmen of Elizabethan and early Jacobean England died - Richard Edes, Dean of Worcester, royal chaplain, poet, playwright, and one of the scholars appointed to help translate the King James Bible. Edes was only fifty years old when he died, and his death came just months after the great translation project began. He never lived to take part in the work that would define English religious life for centuries, yet his story opens a remarkable window into the world of late Tudor scholarship. In today's episode, I explore the life of this remarkable but often overlooked scholar: • His rise through Tudor academia • The plays and poems he composed as a young man • Queen Elizabeth's affectionate joke about her “three cousins” from the Isle of Wight • His church career and court connections • And the legacy he left behind at Worcester, Oxford, and beyond Join me as we remember Richard Edes, a man who stood at the crossroads of faith, learning, and language. If you enjoy discovering forgotten Tudor figures, don't forget to like, subscribe, and ring the bell for more daily Tudor history. #TudorHistory #RichardEdes #KingJamesBible #ElizabethI #JamesI #OnThisDay #ClaireRidgway #TheAnneBoleynFiles

When we imagine Elizabethan dining tables, we might picture roast meats, trenchers of bread, or tankards of ale. But lurking beneath the surface of rivers, marketplaces, and even the economy itself was a creature so valuable that it could pay rent, feed a nation, and still appear in Shakespeare's humor — the eel. Eels once filled England's rivers in such massive quantities that they became a crucial source of protein for the poor and a delicacy for the wealthy. They appear in legal documents, household accounts, market records, and yes — in Shakespeare's plays. In Love's Labour's Lost, Don Adriano says: "What, that an eel is ingenious?" — Love's Labour's Lost (I.2) Today we'll discover just how ingenious eels really were. This week, I'm speaking with Dr. John Wyatt Greenlee — medievalist, cartographic historian, and the internet's favorite eel enthusiast — to explore the culinary, economic, and cultural world of eels in Shakespeare's England. From eel rents and floating aquarium-ships to eel pies and insult comedy, we're diving into how this slippery fish shaped daily life in the world Shakespeare lived in.

When we imagine Elizabethan dining tables, we might picture roast meats, trenchers of bread, or tankards of ale. But lurking beneath the surface of rivers, marketplaces, and even the economy itself was a creature so valuable that it could pay rent, feed a nation, and still appear in Shakespeare's humor — the eel.Eels once filled England's rivers in such massive quantities that they became a crucial source of protein for the poor and a delicacy for the wealthy. They appear in legal documents, household accounts, market records, and yes — in Shakespeare's plays. In Love's Labour's Lost, Don Adriano says:“What, that an eel is ingenious?” — Love's Labour's Lost (I.2)Today we'll discover just how ingenious eels really were.This week, I'm speaking with Dr. John Wyatt Greenlee — medievalist, cartographic historian, and the internet's favorite eel enthusiast — to explore the culinary, economic, and cultural world of eels in Shakespeare's England. From eel rents and floating aquarium-ships to eel pies and insult comedy, we're diving into how this slippery fish shaped daily life in the world Shakespeare lived in. Hosted on Acast. See acast.com/privacy for more information.

This week on The Spooky Sleepover, our queen divas Nikki and Cheryl catch up this weeks antics including Nikki's Podcasting award win, Cheryl spills the beans on her latest TV obsessions & ponder on how Cheryl could have fallen asleep at her laptop for 2 hours in the middle of the day?

When Hamlet, in his famous soliloquy, pondered the "dread of something after death, / the undiscovered country," he noted that such thoughts "puzzles the will." (Earlier editions of the play had this as a "hope of something after death" that "puzzles the brain." What's the significance for an Elizabethan writer (and audience) of the change from hope to dread? And from brain to will? In this episode, Jacke talks to Douglas Clark (The Will in English Renaissance Drama) about the moments of willing and will-making in English Renaissance drama, and how those moments play a crucial role in the depiction of selfhood, sin, sociality, and succession. PLUS Jacke takes a look at #7 on the list of the Greatest Books of All Time. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode we're off to the least populated historic county of Wales, Radnorshire on the Welsh Marches!As for why Radnorshire has been so depopulated and wild for quite so long, it has a lot to do with war, and plenty to do with the Black Death. We discuss how these traumas, combined with the destruction of castles, have left the county speckled with desolate empty hillforts and ghost villages - a landscape filled with tales of murder and tragedy, as well as lots of fascinating superstitions...These include the ways in which 'Spirit Nights' were organised, how 'Sin Eaters' were employed to absorb the errors of the dead, and plenty else, from the donation of graveside 'Shovel Money' to 'Rag Knife Men' and the vigilante groups known as Rebecca and her Daughters. All this aside, we chat about the Cat Man of Radnor Forest, the drowned Giant's Graves now sunk within a reservoir, the Llandrindod Wells Sheela Na Gig, the county's link to the Elizabethan magus Doctor Dee, and plenty else besides, interspersed with some extracts from this Saturday's upcoming interview with award-winning Welsh storyteller and author Michael Harvey.All of which leads up to Martin's story for this week, "Davies and the Devil" through which a lowly orphan turns the tables on the Dark One across a hundred years of mischief.We hope that you enjoy the episode, and will speak to you again on Thursday with a new Three Ravens Bestiary episode all about Wargs and Werewolves and - if you're a Patreon supporter - our November Exclusive episode about the history and folklore of the Gunpowder Plot!The Three Ravens is a Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on a historic county, exploring the heritage, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcastProud members of the Dark Cast Network.Visit our website Join our Patreon Social media channels and sponsors Hosted on Acast. See acast.com/privacy for more information.

Episode 142: The Monsters and Myths of London | Halloween Special

This week Beau discusses the life and times of one of the greatest Elizabethan men of action, Sir Walter Raleigh. From his attempts to start colonies in North America, his role in the defeat of the Spanish Armada, his adventures in South America, his fall from grace and imprisonment under James I, his final hurrah in the New World, and his eventual disgrace and execution. 

In the autumn of 1605, Robert Catesby and Guy Fawkes led a desperate band of Catholic gentlemen in one of history's most daring conspiracies. Having smuggled 36 barrels of gunpowder beneath the Palace of Westminster, their plan was to blow up James VI & I, along with the majority of England's Protestant elite, paving the way for the restoration of Catholicism. In this first episode of our four-part series on the plot, Danny Bird speaks to historian John Cooper to uncover a world of persecution, espionage and faith-driven extremism. They unfurl the conspirators' bold plan and interrogate the powerful spy networks of late Elizabethan and early Jacobean England that set the scene for an explosive act of treason. ––––– GO BEYOND THE PODCAST Want to know more about the Gunpowder Plot? Danny Bird has curated a selection of essential reading from the HistoryExtra and BBC History Magazine archive to help you explore the religious tensions, political intrigue and lasting impact of this infamous act of treason: https://bit.ly/3WDunPw. ––––– (Ad) John Cooper is the author of The Lost Chapel of Westminster: How a Royal Chapel Became the House of Commons (Apollo, 2024). Buy it now from Amazon: https://www.amazon.co.uk/Lost-Chapel-Westminster-John-Cooper/dp/1801104514#:~:text=debate....-,John%20Cooper's%20The%20Lost%20Chapel%20of%20Westminster%20is%20a%20meticulously,beating%20heart%20of%20parliamentary%20debate/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this day in Tudor history, 17 October 1592, Frances Brooke, Lady Cobham died and was buried at Cobham in Kent. You may already know her face: she appears in the famous Cobham Family Portrait of 1567, that beautiful Elizabethan painting capturing an entire household, from Frances and her husband to six of their children. I'm historian and author Claire Ridgway, and in today's episode I'll introduce you to the woman behind the portrait: a loyal attendant who moved through the very heart of Elizabeth I's court. Frances served as Mistress of the Robes and Lady of the Bedchamber, rose high, briefly fell after her husband's involvement in the Ridolfi Plot, and was later restored to favour. Her story is one of quiet endurance, family alliances, and a life spent in the Queen's shadow, from Cobham Hall to the privy chamber itself. Like, subscribe, and ring the bell for more daily Tudor history, and tell me in the comments: Do you love the Cobham Family Portrait as much as I do? Link to portrait - https://upload.wikimedia.org/wikipedia/commons/5/5f/William_Brooke%2C_10th_Baron_Cobham_and_family.jpg   #TudorHistory #OnThisDay #ElizabethI #FrancesBrooke #LadyCobham #CobhamHall #TudorCourt #BessOfHardwick #TudorWomen #16thCentury #WomensHistory  

On this day in Tudor history, 14th October 1593, Arthur Grey, 14th Baron Grey of Wilton, died at his Buckinghamshire home. He'd served Elizabeth I as a soldier, statesman, and staunch Protestant, but his career left a stain that history has never quite erased. In this episode,I explore the life of the man behind one of the most brutal episodes of Elizabeth's rule, the Smerwick massacre, and ask how such a devout reformer became known for such ruthless acts. From the battlefields of France and Scotland to the rebellion-torn lands of Ireland and the muster fields of Tilbury, Arthur Grey's life reveals both the heroism and harshness of Tudor power. Was he a commander doing his duty, or a man who crossed a moral line in the name of faith and crown? #TudorHistory #ArthurGrey #ElizabethI #Smerwick #TudorIreland #HistoryTok #BritishHistory #OnThisDay #TudorDrama #Reformation  

What is the story we think we know about the Elizabethan succession? Was it a smooth transition to the Stuarts, or was it a stolen Tudor crown?   In this first episode of our four-part series, Chief Historian Tracy Borman will talk us through why Elizabeth I never named an heir, and what repercussions that had for the end of the Tudor dynasty.   Find out more about Elizabeth's brush with death in 1562.   Read more about the reign of Elizabeth I.    For a signed copy of Tracy Borman's new book The Stolen Crown, visit our online shop.   

Rosamund Clifford (“Fair Rosamund”) was Henry II's mistress, remembered more in legend than in fact. This episode traces her real story, the myths of labyrinths and poison that grew after her death, and how the Tudors revived her as a tragic heroine in chronicles, poems, and ballads. From Holinshed to Samuel Daniel, and from her Godstow tomb to Elizabethan nostalgia, Rosamund became one of England's most enduring romantic legends. Hosted on Acast. See acast.com/privacy for more information.

Christopher Marlowe and William Shakespeare were both born in 1564, rising from working-class origins finding success in the new world of the theater. But before Shakespeare transformed English drama, Marlowe had already done so—with Tamburlaine the Great and the introduction of blank verse to the stage. As Stephen Greenblatt argues in his new biography, Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival, virtually everything in the Elizabethan theater can be seen as “pre- and post-Tamburlaine.” Shakespeare learned from Marlowe, borrowed from him, and even tried to outdo him. Beyond his theatrical innovation, Marlowe was a poet, provocateur, and likely spy whose turbulent life was cut tragically short. In this episode, Greenblatt explores Marlowe's audacious works, his entanglements with power and secrecy, and his lasting influence on Shakespeare and the stage. From the Shakespeare Unlimited podcast. Published September 23, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Stephen Greenblatt is Cogan University Professor of the Humanities at Harvard University. He has written extensively on English Renaissance literature and acts as general editor of The Norton Anthology of English Literature and The Norton Shakespeare. He is the author of fourteen books, including The Swerve, winner of the Pulitzer Prize and National Book Award, and Will in the World, a Pulitzer Prize finalist.

FOLLOW RICHARD Website: https://www.strangeplanet.ca YouTube: @strangeplanetradio Instagram: @richardsyrettstrangeplanet TikTok: @therealstrangeplanet EP. #1246 Unmasking the Bard: The Shakespeare Authorship Conspiracy What if the greatest playwright in history wasn't the humble glove-maker's son from Stratford, but a nobleman with access to forbidden ancient texts? In this mind-bending episode of Strange Planet, we unravel the Shakespeare authorship mystery with Dr. Earl Showerman. Drawing from his book Shakespeare's Greater Greek, Showerman exposes how the plays echo untranslated Greek epics and tragedies—like Aeschylus' Oresteia in Hamlet—knowledge impossible for the official Bard. Could Edward de Vere, the 17th Earl of Oxford, be the true genius? We dive into clues from medicine, law, and court life that shatter the 400-year myth, challenging everything you learned in English class. Prepare to question the canon! GUEST: Dr. Earl Showerman is a Harvard-educated physician and retired emergency medicine specialist who now applies his diagnostic expertise to literary enigmas. Author of Shakespeare's Greater Greek, he argues that the Bard's works reveal deep knowledge of ancient Greek sources unavailable in English during Shakespeare's time, pointing to Edward de Vere as the likely true author. A leading voice in the Shakespeare authorship debate, Showerman has presented his research at conferences and in scholarly journals, bridging medicine, classics, and Elizabethan history. BOOK: Shakespeare's Greater Greek: An Exploration of Greek Drama, Epic & History in the Works of Shakespeare  SUPPORT OUR SPONSORS!!! FABRIC BY GERBER LIFE Life insurance that's designed to be fast and affordable. You could get instant coverage with no medical exam for qualified applicants.   Join the thousands of parents who trust Fabric to help protect their family.  Apply today in just minutes at meet fabric dot com slash STRANGE  TESBROS We're a small business built by Tesla owners, for Tesla owners. Everything we do is about helping our customers customize, protect, and maintain their ride — whether it's through our products or YouTube how-tos and reviews.  Go to tesbros.com and use code POD15 for 15% off your first order. That's T-E-S-B-R-O-S dot com and use code P-O-D-1-5 at checkout. ⁠BUTCHERBOX⁠ ButcherBox delivers better meat and seafood straight to your door – including 100% grass-fed beef,free-range organic chicken, pork raised crate-free, and wild-caught seafood. Right now, ButcherBox is offering our listeners $20 off their first box and free protein for a year. Go to ⁠ButcherBox.com/strange⁠ to get this limited time offer and free shipping always. Don't forget to use our link so they know we sent you. HIMS - Making Healthy and Happy Easy to Achieve Sexual Health, Hair Loss, Mental Health, Weight Management START YOUR FREE ONLINE VISIT TODAY - HIMS dot com slash STRANGE https://www.HIMS.com/strange QUINCE BEDDING Cool, Relaxed Bedding. Woven from 100% European flax linen. Visit QUINCE BEDDING to get free shipping on your order and 365-day returns.    BECOME A PREMIUM SUBSCRIBER!!!  https://strangeplanet.supportingcast.fm  Three monthly subscriptions to choose from.  Commercial Free Listening, Bonus  Episodes and a Subscription to my monthly newsletter, InnerSanctum.  Visit https://strangeplanet.supportingcast.fm Use the discount code "Planet" to receive one month off the first subscription.  We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/