Podcasts about elizabethan

Liv and I team up to talk about the newest target in our quest to play indie games, The Killing Stone! A baroque, complex, and, yes, messy deck builder-cum-Elizabethan revenge tragedy. Quintessentially an early access game, but something that is a lovely peek into something that could grow into something new and special -- check it out here! Learn more about your ad choices. Visit megaphone.fm/adchoices

Shakespeare is famous for his costume changes in his plays, including characters that swap genders and seemingly fool the world as their true identity simply by a change of clothes. Since Shakespeare's playing companies were all male, and still manage to portray some of the most powerful women characters ever created on the stage, we have to think there was indeed great power in costume. What was it about women's clothes versus men's designs that made them instantly recognizable on stage for the Elizabethan era? During this time, women were seeing their fashions change rapidly in the design and function of everything from bum rolls to chin clouts, and even the acceptable necklines of this period. Of course, men were seeing similar transitions in their fashions, with the French introducing English men to the famous poofy shorts that Shakespeare is so famous for wearing. The clothes, along with the sumptuary laws of this period, landed men and women on the wrong side of the law when it came to what they chose to get dressed in each morning. Here today to help us unpack the world of clothing and the laws that regulated them, along with how Shakespeare was able to portray all levels of society on stage without getting into legal trouble, is our guest, and author of the book Fashion in the Time of William Shakewsspeare, SarahJane Downing.

In this episode of the Anglotopia Podcast, Jonathan Thomas is joined by Brendan Dowd — West Point graduate, Iraq War veteran, government consultant, and host of History Nerds United, one of the most respected history book podcasts in the business with over 220 episodes — for a pure, unfiltered book nerd conversation. Both hosts came with a stack of their favorite British history books and took turns sharing their picks, debating the merits, going gloriously off-topic about Darkest Hour, the new Wuthering Heights film, Bridgerton, and Dan Jones's upcoming castles book, and building what amounts to a British history reading list that will keep you busy for years. Between them, Jonathan and Brendan recommend over 20 books spanning Alfred the Great, the Tudors, the Regency, Victorian London, World War II, Thatcher, the Iranian Embassy Siege, and the hidden history of English wolves — plus a peek at what's sitting on each of their TBR piles right now. Links History Nerds United ~History Nerds United Podcast~ ~History Nerds United on YouTube~ ~Brendan's Top Episode: Helen Castor on Joan of Arc~ (update with direct episode link) ⠀Jonathan's Picks ~Notes from a Small Island by Bill Bryson~ ~The Road to Little Dribbling by Bill Bryson~ ~Churchill: Walking with Destiny by Andrew Roberts~ ~My Early Life by Winston Churchill~ ~A Very English Scandal by John Preston~ ~London: The Biography by Peter Ackroyd~ ~Citizens of London by Lynne Olson~ ~Empireland by Sathnam Sanghera~ ~Empireworld by Sathnam Sanghera~ ~The Iron Lady by John Campbell~ ~The Last Wolf by Robert Winder~ ~The Decline and Fall of the British Aristocracy by David Cannadine~ ~Brideshead Revisited by Evelyn Waugh~ ~The Regency Years by Robert Morrison~ ~Churchill's Citadel by Katherine Carter~ ⠀Brendan's Picks ~Alfred the Great by Justin Pollard~ ~The Six Loves of James I by Gareth Russell~ ~Battle for the Island Kingdom by Don Hollway~ ~Once a King: The Lost Memoir of Edward VIII by Jane Marguerite Tippett~ ~The Greatest Knight by Thomas Asbridge~ ~Henry V by Dan Jones~ ~Thomas More: A Life by Joanne Paul~ ~The Stolen Crown by Tracy Borman~ ~The Crown's Silence by Brooke Newman~ ~The Eagle and the Hart by Helen Castor~ ~The Invention of Charlotte Brontë by Graham Watson~ ~London Falling by Patrick Radden Keefe~ ~The Siege by Ben Macintyre~ ⠀Also Mentioned ~Say Nothing by Patrick Radden Keefe~ ~Empire of Pain by Patrick Radden Keefe~ ~Secrets of Great British Castles with Dan Jones on Netflix~ ~Darkest Hour (2017)~ ~Young Winston (1972)~ ⠀Anglotopia ~101 Oxford Travel Tips and Tricks by Jonathan Thomas~ (update with direct product link) ~Anglotopia Guide to the World of Bridgerton~ (update with direct product link) ~Friends of Anglotopia Club~ (update with correct URL) ⠀ Takeaways Both Jonathan and Brendan started their podcasts for exactly the same reason — frustration at the quality of existing coverage in their field — and both were shocked to discover how generous, enthusiastic, and collegial the history author community turned out to be. Brendan's gateway into British history was Alfred the Great by Justin Pollard — a compact, accessible biography of the only English monarch to earn the title "the Great," which he recommends as the perfect gateway drug for readers who think history books are intimidating. Jonathan's most-reread British book is Bill Bryson's Notes from a Small Island — a definitive outsider's portrait of British culture from the early 1990s that remains beloved by British readers themselves, and the book that most shaped his vision for Anglotopia. Andrew Roberts's one-volume Churchill biography is both Jonathan and Brendan's recommended starting point for anyone wanting a modern, comprehensive, and myth-busting account of Churchill — and Roberts's Napoleon biography is equally essential. Helen Castor is independently named by Brendan as one of his very favorite history writers — her Eagle and the Hart on Richard II and Henry IV, and her Joan of Arc episode of his podcast, are both highlighted as exceptional examples of humanizing complex historical figures without sanitizing them. Both hosts agree that the best history books share a quality: they humanize their subjects — showing the positive and the negative — rather than either condemning or canonizing them. The books they admire most leave the reader to make their own moral judgments. Empireland by Sathnam Sanghera and The Crown's Silence by Brooke Newman both generated significant controversy — particularly in British publications — but both Jonathan and Brendan recommend them as essential, rigorously evidenced correctives to popular myths about the British Empire and the monarchy's role in the slave trade. Ben Macintyre's The Siege — on the 1980 Iranian Embassy siege in London that made the SAS famous — is Brendan's pick for best recent true British history read, praised for building unbearable tension over hundreds of pages before releasing it all in a single extended final chapter. The new Wuthering Heights film gets a thumbs-down from both hosts — "it looks beautiful but just didn't land" — while Darkest Hour generates a spirited debate about the Underground scene that ends with both agreeing it's historically wrong but emotionally right. Both hosts are currently working through books about the interwar period, Cold War espionage, and upcoming releases from Dan Jones and Thomas Asbridge — and both agree that the single greatest problem with loving history books is that the TBR pile never gets shorter. ⠀ Soundbites "I lost it. I said, there's gotta be a better way. I don't want to continually torture my family with all my rants about books. So I started the blog." — Brendan on the one-star Amazon review that launched History Nerds United. "I sent 10 emails on the first day thinking if I get one back I'll be ecstatic. I got eight back within three days. And I've now sat on a boat with Dan Jones having drinks, overlooking Omaha Beach. Nobody tell me it didn't happen." — Brendan on the unexpected magic of the history community. "I have yet to interview a jerk. Everyone has been unfailingly nice and so excited to be there and just so game to talk about whatever." — Brendan on 220+ episodes of History Nerds United. "My long-term goal is to be like Bill Bryson. I've actually met him. He's a very nice chap. I can only hope to be 10% as good as him one day." — Jonathan on Notes from a Small Island and his writing ambitions. *"If you want to understand why everything is happening in Downton Abbey, read *The Decline and Fall of the British Aristocracy. I read it as research for a novel I was writing in college and it has never left me." — Jonathan on David Cannadine's masterwork. "Churchill wouldn't have done that. He was not that type of person. But you put Churchill in a period tube carriage, surrounded by Londoners during the Blitz, and it captures the essence of what the story is trying to tell. Was it real? Heck no." — Jonathan and Brendan on the Underground scene in Darkest Hour. "Helen Castor is constantly teaching you, but you feel like you're just having a conversation within the book. At the end of it, you hear Helen get emotional talking about this teenager burned at the stake — how scared she must have been, even with all her faith. She makes her human instead of an icon." — Brendan on his favorite episode of History Nerds United. "The thesis is that because Britain hunted wolves to extinction, it unleashed the economic powerhouse of sheep farming and wool — and as a consequence of that led to so much of what we know as Britain. I read it and I wanted to read it all over again immediately." — Jonathan on The Last Wolf by Robert Winder. "She stayed laser focused on the Elizabethan succession and somehow it's still interesting all the way through. She mentions the Spanish Armada for about three sentences. I said in my review: this book has been written. We don't need any more on this subject." — Brendan on Tracy Borman's The Stolen Crown. "No author has ever made me feel more lazy than Catherine Grace Katz — she wrote *Daughters of Yalta* while she was in law school. If you told me that I would one day be sitting there with Marsha Clark from the OJ Simpson trial, I would have called you a liar. But that's what this world does." — Brendan on the surreal privilege of the history podcast community. ⠀ Chapters 00:00 Introduction — Jonathan sets up the book conversation episode and introduces Brendan Dowd 01:41 How a Tank Platoon Leader Got a 220-Episode History Podcast — Long commutes, bad Amazon reviews, and one unexpected email 05:58 The History Author Community — Why everybody wants you to win, and the generosity of historians 08:10 Dan Jones on a River Cruise — Brendan's honeymoon, Omaha Beach, and a surreal life moment 09:01 What History Nerds United Is — The format, the philosophy, and why Brendan calls himself the laziest podcaster 10:26 BOOK PICKS BEGIN 10:39 Brendan Pick #1: Alfred the Great by Justin Pollard — The George Washington of England and the perfect gateway drug 12:18 Jonathan Pick #1: Notes from a Small Island by Bill Bryson — The definitive outsider's portrait of British culture and Jonathan's most-reread book 14:28 Brendan Pick #2: The Six Loves of James I by Gareth Russell — A party animal king, Scottish trauma, and the most uncomfortable compliment Gareth ever received 16:58 Jonathan Pick #2: Churchill: Walking with Destiny by Andrew Roberts — The one-volume biography that settles the argument 18:15 Andrew Roberts's Napoleon — A brief but enthusiastic detour to France 18:56 Brendan Pick #3: Battle for the Island Kingdom by Don Hollway — 1000 to 1066, the most disgusting assassination in history, and setting up everything 20:05 Jonathan Pick #3: My Early Life by Winston Churchill — The only autobiography, the Boer War escape, and the Gary Stiles connection 21:50 Darkest Hour Debate — The Underground scene: historically wrong, emotionally right, and why it works anyway 23:18 The Perfect WWII Double Bill — Darkest Hour followed by Dunkirk as a single evening 23:50 Brendan Pick #4: Henry V by Dan Jones — Present tense biography, the greatest medieval king, and writing something when you feel ready for it 25:29 Jonathan Pick #4: A Very English Scandal by John Preston — Jeremy Thorpe, a murder plot, a dead dog, and the British establishment 26:57 John Preston's Robert Maxwell Book — And a certain imprisoned daughter 27:26 Brendan Pick #5: Thomas More: A Life by Joanne Paul — Saints, hair shirts, comedy gold, and debunking 500-year-old myths 29:24 Jonathan Pick #5: London: The Biography by Peter Ackroyd — The definitive history of London and the gateway to a great corpus 30:25 Brendan Pick #6: Once a King: The Lost Memoir of Edward VIII by Jane Marguerite Tippett — He wasn't a Nazi, and the documentation proves it 32:03 Jonathan Pick #6: Citizens of London by Lynne Olson — Americans in London during the Blitz and how they helped save Britain 33:24 Brendan Pick #7: The Stolen Crown by Tracy Borman — The Elizabethan succession, new evidence, and calling Henry VIII a few four-letter words 34:56 Tracy Borman on Inside the Tower of London — And Dan Jones's upcoming Castles book 36:03 Jonathan Pick #7: Empireland by Sathnam Sanghera — Deconstructing myths of the British Empire and why the author quit social media 37:32 Brendan Pick #8: The Crown's Silence by Brooke Newman — The monarchy's direct financial involvement in the slave trade and British publications' predictable response 39:34 Jonathan Pick #8: The Iron Lady by John Campbell — The definitive Thatcher biography and why she's Churchill's true successor 41:45 Brendan Pick #9: The Greatest Knight by Thomas Asbridge — William Marshal, four kings, King John, and a life that reads like a Hollywood script 43:22 Jonathan Pick #9: The Decline and Fall of the British Aristocracy by David Cannadine — The book that explains Downton Abbey and everything behind it 44:29 Brendan Pick #10: The Eagle and the Hart by Helen Castor — Richard II, Henry IV, and why taking the crown makes you a marked man 46:48 Jonathan Pick #10: Brideshead Revisited by Evelyn Waugh — Fiction that illuminates aristocratic decline and the companion read to Cannadine 48:18 Brendan Pick #11: The Invention of Charlotte Brontë by Graham Watson — Jane Eyre as a gateway, the weird genius of the Brontë family, and more autobiography than you realized 50:18 Wuthering Heights Film Discussion — Brendan defers, Jonathan gives a verdict: beautiful but it didn't land 51:43 Jonathan Pick #11: The Last Wolf by Robert Winder — No wolves, lots of sheep, and the surprising hidden springs of Englishness 53:10 Brendan Pick #12: London Falling by Patrick Radden Keefe — A body off a balcony opposite MI5, true crime that leaves you profoundly uneasy 54:54 Jonathan buys London Falling at Barnes & Noble — And finds it in the fiction section 55:24 Jonathan Pick #12: The Regency Years by Robert Morrison — What Bridgerton gets wrong, what Jane Austen's world actually was, and the Anglotopia Bridgerton guide 56:23 Bridgerton vs. The Patriot — Two hosts agree: know your genre, leave accuracy at the door 58:15 Brendan Pick #13: The Siege by Ben Macintyre — The Iranian Embassy siege, the SAS, and a final chapter that takes an hour to read 1:00:06 Jonathan Pick #13: Churchill's Citadel by Katherine Carter — Chartwell as weapon, the wilderness years, and the best first book Jonathan has read in years 1:01:31 What's on the TBR Right Now — Ike and Winston, Three Weeks in July, A Shellshocked Nation, the Nord Stream conspiracy, Dan Jones's Castles, and more 1:07:37 The Book Neither Host Can Find Anyone to Write — Brendan's gap in the market involving Joan of Arc's most disturbing companion 1:10:24 The Book Jonathan Should Write — Brendan makes his pitch; Jonathan firmly declines 1:11:06 Jonathan's Gap in the Market — Churchill's second term as Prime Minister: underexplored, fascinating, partially covered by The Crown 1:12:29 John Lithgow as Churchill — Too tall, earned it on The Crown, also very scary in Dexter 1:12:36 Brendan's Proudest Episode — Helen Castor on Joan of Arc, two hours that felt like twenty minutes 1:16:52 Wrap-Up — Where to find History Nerds United, the full book list in the show notes, and promises of a return visit Video Version

Episode 543 Nick the Rat crawls out of the Brooklyn sewer for Episode 543 with a deep dive into the oldest obsession in human history — demonology. From ancient Mesopotamian clay tablets and King Solomon's grimoire to Elizabethan spirit mediums and the Loudun possessions, Nick traces 5,000 years of humans trying to make contact with something they don't fully understand. Then he asks the question nobody else is asking: is firing up your AI chatbot really all that different from summoning a demon? Also on tonight's episode — Nick returns from Charlotte, NC with strong opinions about sidewalks and Wells Fargo, roasts the TSA over a $45 Real ID shakedown, and breaks down the United Airlines flight that turned around because someone named their Bluetooth speaker "bomb." Special guest Lilith the demon summoner calls in to share her craft, Mystery Man delivers a truly unhinged Bigfoot story from 1847, Zindu absolutely loses it over professional sports, and Jane Hanoi reports live from the Dark Sewer Network News. Donations, voicemails, and a late-night AI bubble rant round out one of the wildest episodes yet. Welcome to the sewer. #sewerchat #NickTheRatRadio #Demonology #AIConspiracy #Demons #Paranormal #ConspiracyTheory #DarkSewerNetwork #MysteryMan #JaneHanoi #Occult #Grimoire #KingSolomon #SleepParalysis #ArtificialIntelligence #AIBubble #Underground #Brooklyn #PodcastEpisode #LateNightRadio #WeirdPodcast #TrueParanormal #SpiderNoir #TSARant #DemonSummoning #CultPodcast A paranoid rat discusses conspiracies, secret agendas, and things they don't want you to know — while playing hand-picked underground music. Call in live: 1-917-719-5923 Originally aired: 06/10/26 All music is Attribution 3.0 Unported (CC BY 3.0). All artists are credited during the episode. For more info: www.nicktherat.com

In Shakespeare's plays, there are over 150 references to the word "hair" across which Shakespeare talks about a barber fixing someone's hair, about hair being dyed, about losing your hair being a natural product of old age, combing your hair, and even the weight of someone's hair. Clearly, there was a significant cultural focus on the care and maintenance of one's carefully selected coif. But exactly what did it look like for someone to care for their hair? Was there such a thing as soap, or dare we guess—Shampoo—that might have been used to keep your hair clean in the Tudor period? To find out more about what one would use in the 16-17th century if you decided to wash your hair, we are meeting with our guest, Julia Martins.   Julia is here this week to tell us all about products used to cleanse, care, and manage a head full of hair in Shakespeare's lifetime, as well as the manuals and advice that was given in the 16-17th century for the best hair care methods of the Elizabethan era.  

This episode draws on experimental and review literature on mirror-gazing, strange-face illusions, anomalous self-experience, dissociation, agency, face pareidolia, and face-distortion disorders, especially the work of Giovanni B. Caputo, Caputo/Lynn/Houran, Mash et al., Bregman-Hai and Soffer-Dudek, Derome et al., Palmer and Clifford, and Blom et al. Historical and occult context comes from research on catoptromancy, John Dee's angelic scrying records, the British Museum's “Dr Dee's Magical Mirror,” Campbell et al.'s Antiquity study on the mirror's Mexican/Aztec obsidian origin, and Mesoamerican material on Tezcatlipoca and the “Smoking Mirror.”Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsCore Scientific Sources: Mirror-Gazing, Strange Faces, and Altered Self-ExperienceCaputo, Giovanni B. “Strange-Face-in-the-Mirror Illusion.” Perception 39, no. 7, 2010, 1007–1008.Key use: This is the main science anchor for the episode. Caputo showed that prolonged mirror-gazing under low illumination can produce strange-face apparitions, including distortions, unknown faces, monstrous faces, animal-like faces, archetypal faces, and faces of relatives or deceased people.Caputo, Giovanni B., Steven Jay Lynn, and James Houran. “Mirror- and Eye-Gazing: An Integrative Review of Induced Altered and Anomalous Experiences.” Imagination, Cognition and Personality 40, no. 4, 2021, 418–457.Key use: This is one of the strongest overview sources. It reviews empirical studies on mirror-gazing, psychomanteum work, and eye-to-eye gazing, especially in relation to altered perception, anomalous experiences, bodily experience, and self-identity.Mash, Joanna, Paul M. Jenkinson, Charlotte E. Dean, and Keith R. Laws. “Strange Face Illusions: A Systematic Review and Quality Analysis.” Consciousness and Cognition 109, 2023, article 103480.Key use: Newer review source. Useful because it supports strange-face illusions as a reliable phenomenon in both mirror-gazing and interpersonal gazing, while also warning that stronger research is still needed on mechanisms and prevalence.Bregman-Hai, Noa, and Nirit Soffer-Dudek. “Mirror-Gazing-Induced Dissociation Impairs Self-Reported and Implicit Sense of Agency: A Causal Investigation of Dissociation and Agency Under Controlled Laboratory Conditions.” PLOS ONE 21, no. 2, 2026, e0341316.Key use: Excellent source for the agency section. This connects mirror-gazing-induced dissociation with weakened sense of agency, which pairs well with mediumship, possession, automatic writing, and the feeling that “something else” is present.Derome, Mélodie, Eduardo Fonseca-Pedrero, Giovanni Battista Caputo, and Martin Debbané. “A Developmental Study of Mirror-Gazing-Induced Anomalous Self-Experiences and Self-Reported Schizotypy from 7 to 28 Years of Age.” Psychopathology 55, no. 1, 2022, 49–61.Key use: Useful developmental source. It connects mirror-gazing-induced anomalous self-experiences with age, self-perception, and schizotypal traits.Caputo, Giovanni B. “Visual Perception During Mirror-Gazing at One's Own Face in Patients with Depression.” The Scientific World Journal, 2014.Key use: Useful for the emotion/self-face relationship section. Caputo found that strange-face apparitions were reduced in patients with depression compared with healthy controls, including shorter duration, fewer strange faces, weaker intensity, and lower emotional response.Tramacere, Antonella. “Face Yourself: The Social Neuroscience of Mirror Gazing.” Frontiers in Psychology 13, 2022, article 949211.Key use: Strong support for the idea that mirror-gazing is like seeing yourself as another. It connects self-face perception with social neuroscience and the overlap between how we perceive our own face and the faces of others.Chakraborty, Anya C., and Bhismadev Chakrabarti. “Looking at My Own Face: Visual Processing Strategies in Self–Other Face Recognition.” Frontiers in Psychology 9, 2018.Key use: Useful for the self-face recognition section. This study looks at how people process their own face compared with other faces.Conty, Laurence, Nathalie George, and Jari K. Hietanen. “Watching Eyes Effects: When Others Meet the Self.” Consciousness and Cognition 45, 2016, 184–197.Key use: Best support for the gaze/presence section. It argues that direct gaze captures attention and triggers self-referential processing, which helps explain why a mirror can make the viewer feel watched.Face Perception, Pareidolia, and Monstrous DistortionPalmer, Colin J., and Colin W. G. Clifford. “Face Pareidolia Recruits Mechanisms for Detecting Human Social Attention.” Psychological Science 31, no. 8, 2020, 1001–1012.Key use: Best source for the “face-making brain” section. It supports the idea that illusory faces are not treated as meaningless noise; they can recruit mechanisms involved in social attention.Blom, Jan Dirk, Bastiaan C. ter Meulen, Jitze Dool, and Dominic H. ffytche. “A Century of Prosopometamorphopsia Studies.” Cortex 139, 2021, 298–308.Key use: Use carefully as a comparison source, not as a direct explanation for all scrying. Prosopometamorphopsia is a rare condition where faces appear distorted, showing that face-processing systems can produce frightening facial distortions under certain conditions.Psychomanteum, Grief, and Seeing the DeadHastings, Arthur, Michael Hutton, William Braud, et al. “Psychomanteum Research: Experiences and Effects on Bereavement.” OMEGA: Journal of Death and Dying 45, no. 3, 2002, 211–228.Key use: Main grief / dead-in-the-mirror source. Use carefully. It does not prove afterlife contact, but it supports the idea that mirror-gazing, darkness, memory, and grief can produce powerful experiences interpreted as contact.Moody, Raymond A. Reunions: Visionary Encounters with Departed Loved Ones. New York: Villard, 1993.Key use: Main modern popular source for the psychomanteum as a grief-contact chamber. Use as practitioner/popular context, not as the strongest academic evidence.Terhune, Devin B., and Matthew D. Smith. “The Induction of Anomalous Experiences in a Mirror-Gazing Facility: Suggestion, Cognitive Perceptual Personality Traits and Phenomenological State Effects.” The Journal of Nervous and Mental Disease 194, no. 6, 2006, 415–421.Key use: Good supporting source for anomalous experiences in a mirror-gazing facility. Pairs well with Hastings and the Caputo review.Kamp, K. S., Evgenia Steffen, Louis A. Kasket, and others. “Sensory and Quasi-Sensory Experiences of the Deceased in Bereavement: An Interdisciplinary and Integrative Review.” Schizophrenia Bulletin 46, no. 6, 2020, 1367–1381.Key use: Strong source for the grief section. It supports the point that bereaved people often report sensory or quasi-sensory experiences of the deceased, including feeling a presence, seeing, hearing, smelling, or sensing the dead.Hewson, Helen, and colleagues. “The Impact of Continuing Bonds Following Bereavement: A Systematic Review.” Death Studies, 2024.Key use: Useful for continuing bonds. It helps frame ongoing inner relationships with the dead as part of bereavement rather than automatically pathological.Historical, Religious, and Occult Mirror DivinationJohnston, Sarah Iles. Ancient Greek Divination. Wiley-Blackwell, 2008.Key use: Broad academic background for ancient divination systems. Not only mirror scrying, but very useful for framing divination as a serious religious and cultural practice.“Technical Divination and Mechanics of Sacred Space.” In Technologies of the Marvellous in Ancient Greek Religion. Cambridge University Press.Key use: Useful for ancient catoptromancy. This chapter discusses mirror divination as a technical mode of ancient divination involving reflective/catoptric knowledge and assumptions about divine intervention in human knowledge.Lee, Mireille M. “The Gendered Economics of Greek Bronze Mirrors.” Hesperia 86, no. 1, 2017.Key use: Useful for Greek bronze mirrors as social, gendered, material, and possibly magical/divinatory objects.Pitt Rivers Museum. “Mirrors.” Body Arts Collection Resource.Key use: Good museum-level source for folklore around mirrors and catoptromancy. Useful for basic show-note support on the traditional belief that mirrors could reveal the future.John Dee, Black Mirrors, and ObsidianBritish Museum. “Dr Dee's Magical Mirror / Dr Dee's Magical Speculum.” Collection object 1966,1001.1.Key use: Essential object source. The British Museum identifies the object as Dr. Dee's magical mirror or magical speculum, made of obsidian, catalogued as Aztec, and broadly dated to the 14th–16th century.Campbell, Stuart, Elizabeth Healey, Jago Cooper, Naomi Speakman, and others. “The Mirror, the Magus and More: Reflections on John Dee's Obsidian Mirror.” Antiquity 95, 2021.Key use: Essential academic source for Dee's mirror. The study uses geochemical analysis to show that the British Museum obsidian mirrors are Mexican in origin, with Dee's mirror matching the Pachuca obsidian source.Nature. “A ‘Spirit Mirror' Used in Elizabeth I's Court Had Aztec Roots.” 2021.Key use: Short science-news summary of the Antiquity findings. Useful for quickly explaining that Dee's mirror was traced to a source near Pachuca, Mexico.Smithsonian Magazine. “Obsidian ‘Spirit Mirror' Used by Elizabeth I's Court Astrologer Has Aztec Origins.” 2021.Key use: Useful public-facing summary of Dee's mirror, its Aztec/Mexican origin, and its connection to Elizabethan occult culture.Dee, John, and Meric Casaubon, ed. A True & Faithful Relation of What Passed for Many YeaAlso want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

James Nason and his wife, Rowena Colthurst, own Pitchford Hall and Estate in Shropshire. At least, they do now.In 1992, Rowena's mother was forced to sell the Grade I listed Elizabethan manor house. Although the family retained the surrounding land, James and Rowena made it their mission to buy back the Hall and reunite her family home with the wider estate.In 2016, the couple raised the funds to purchase the Hall, which had fallen into dereliction. Since then, they have been working hard to source the contents that were sold at auction and bring the property back to life.James describes Pitchford as a “tourism estate”, offering tours of the Hall, grounds, orangery and the world's oldest treehouse. But it was their decision to become early adopters of solar energy that provided the consistent income needed to support additional borrowing.Recorded in the treehouse, this episode explores the trials and tribulations of running a heritage asset like Pitchford Hall.

Host Natalie Grueninger interviews Dr Wyn Derbyshire about the remarkable life of Bess of Hardwick — her uncertain origins, four marriages, sharp business sense, and rise to becoming the second-richest woman in England. The episode explores her building projects (Hardwick and Chatsworth), estate management, and relationships with Queen Elizabeth I and Mary, Queen of Scots. Learn more about Dr Derbyshire https://spiramus.com/wyn-derbyshire Learn more about your host: https://www.nataliegrueninger.com Support Talking Tudors on Patreon!

In Romeo and Juliet, Juliet declares "Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek" Katharina in Taming of the SHrew talks about painting your face, and Timon of Athens makes a connection between painting and your face saying "wear them, betray with them: whore still; Paint till a horse may mire upon your face, A pox of wrinkles!" And of course, Hamlet has the most famous facial disguise quote when he says "God has given you one face but you make yourself another." All of these references underpin what we know about cosmetics and facial care in Shakespeare's England. Famously, Queen Elizabeth herself kept her face quite decadently forever striving after that porcelain skinned ideal that was a hallmark of the Elizabethan Era. But what did women use to take care of their faces in the Elizabethan era, and in a. Culture where people like Hamlet were suspicious of women who disguised their true form, how was makeup received? Was it something normal and every day, or were there instances when applying makeup, or perhaps even the wrong makeup, could get someone into trouble? To find out more and explore the intricate and complex world of makeup, cosmetics, and facial care for women of Shakespeare's lifetime, we're delighted to welcome historian and author of Beauty and Cosmetics, 1550–1950, Sarah Jane Downing to the show this week. She's here to take us behind the makeup counters of Tudor women and share with us what we might there.

Joshua Kane please dress us! Amy Phillips and Emily Dorezas comedically recap Ladies of London, riffing on the cast endlessly “yelling across the garden,” Kimmy's allegedly raw Longleat omelet, and the show's mean-spirited “British way” of mocking outfits. They joke through Margo's villain arc and her disastrous confrontation with Mark—describing his sudden gentle tone as creepy and performative—while clocking how she torpedoes her own case with harsh insults. The conversation detours into Joshua Kane's runway suits (including “detached collars” and a very specific fit critique), Lottie's melodramatic runway panic, and a Christopher Guest-style parody fantasy. They spiral into bits about hormones, progesterone at Costco, cheddar cheese origins, demanding royal titles for Emma, tiara shopping, and Micah's confusing “Art of Showing Up” launch—then cap it with Mark's dramatic, posture-perfect crying and a final reminder: don't yell in the garden.BLISSY Wake up with clearer skin, smoother hair, and cooler sleep. Use code DRAMA for an extra 30% off at blissy.com/DRAMA BORN SHOES Go to https://www.bornshoes.com/  today for a 15% discount plus free ground shipping on all full-price shoes when you use my promo code DRAMA for 15% off and free shipping available exclusively to our listeners for just a limited timeFor more Drama, Darling, and exclusive content, subscribe to: http://Patreon.com/dramadarling Follow Amy Phillips on Instagram: Instagram.com/meetamyphillips Follow Drama, Darling on Instagram: Instagram.com/dramadarlingshow Amy on TikTok tiktok.com/@realamyphillips Email Drama, Darling with YOUR comments, questions and drama:  DramaDarlingz@gmail.com Drama Darling Shop https://drama-darling-shop.printify.me/

Episode 214:For today's guest episode I was pleased to get the chance to talk to Rob Eastaway, author of a book all about Shakespeare and his relationship to numbers and mathematics. Rob's book ‘Much Ado About Numbers' is a very entertaining read, whatever your level of understanding maths might be and quite an eye opener when considering how much maths permeates into Shakespeare's plays. This is not just about hard numbers and number crunching, but touches to the Elizabethan attitude towards descriptive scales, astrology, astronomy, music and optics. Rob does a great job in the book of condensing these very broad and often technical subjects into a book that is a mixture of popular science, mathematics, history and, of course, literature, so it was great to chat to Rob about just some of those concepts.Rob Eastaway is author of several bestselling books connecting maths with everyday life, including "Why do Buses Come in Threes?" and "How Many Socks Make a Pair?". His first book "What is a googly?", an introduction to cricket, was famously presented by British Prime Minister John Major to President Bush (snr) at Camp David in 1992, and was published in the USA under the title "Cricket Explained". With Mike Askew, he wrote "Maths for Mums & Dads", a book that helps parents to understand the new methods being used to teach maths, and offers ideas for how to make maths more engaging and fun at home. An American edition was published in 2010 entitled "Old Dogs, New Math". Rob appears regularly on radio in the UK and is a regular speaker. An activity that has taken him to the Usa and Australia. He was President of the Mathematical Association from 2007-8.Links to 'Much Ado About Numbers:Amazon UK: https://www.amazon.co.uk/Much-Ado-About-Numbers-Eastaway/dp/1805460293/ref=sr_1_1?Amazon US: https://www.amazon.com/Much-Ado-About-Numbers-Shakespeares/dp/B0CWD3SNXP/ref=sr_1_1?Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp You can find an advertisement free version of the latest podcast episodes by joining on Patreon at the lowest paid tier level – that's for just £1 per month. Hosted on Acast. See acast.com/privacy for more information.

This is for Terry Illikainen. No commentar.y As an experiment, I will do the commentary as a separate post. In a sombre Elizabethan pile above Lake Windermere, the air is thick with more than just decay. Miss Prunella Pendleham, the last of a long line, watches her companion, Amelia, wither into a gaunt and listless shadow. Amelia is the sixth companion; three before her never left these walls alive. Amidst the rattle of mountain rain, thin, high screams echo through the stone-vaulted halls. Is it the onset of madness, or is the house reclaiming a brutal, hidden history? As the light fades, the only certainty is the tightening grip of a terror that will have its say. The Triumph of Death first appeared in The Arkham Sampler, Autumn 1949. It was later collected in Strayers from Sheol (1961) and The Best Ghost Stories of H. Russell Wakefield (1978). H. Russell Wakefield (1888--1964) was an English writer best known for his unsettling ghost stories. Drawing on clerical, military, and publishing-world experience, he brought a sharp psychological edge to the classic British supernatural tale.

Sissinghurst is one of the country's crowning gems of National Trust gardens, and a place in which Adam was brought up, around the beauty curated by his grandparents.This week on ‘grow, cook, eat, arrange', we're delving into the centuries of legacy which led to a spot perfect for Vita Sackville-West and Harold Nicolson to create the poetic space we know and adore today, and how their vision is being revived today for generations to come.In this episode, discover:The remarkable story of how Vita Sackville-West turned a ruined Elizabethan courtyard house into one of the world's most celebrated gardensHow Sissinghurst evolved through centuries – from Renaissance palace to poetic family home and garden, and all in betweenThe creative partnership between Vita and Harold NicolsonWhat makes the white garden so magical, from its glowing night-time palette to its scented, moth-pollinated plantsHow the newly reimagined Delos garden brings a Greek hillside to Kent, blending historical inspiration with modern designProducts mentioned:Ammi majus: sarahraven.com/products/ammi-majusAmmi visnaga: sarahraven.com/products/ammi-visnagaAgrostemma githago 'Milas Snow Queen':sarahraven.com/products/agrostemma-githago-milas-snow-queenSee our events: https://www.sarahraven.com/courses-eventsGet in touch: info@sarahraven.comShop on the Sarah Raven Website: https://www.sarahraven.com/Follow us on Instagram: https://www.instagram.com/sarahravensgarden/Follow Sarah: https://www.instagram.com/sarahravenperchhill/Order Sarah's latest books: https://www.sarahraven.com/gifts/gardening-books?sort=newest

In this week's episode of The Learning Curve, co-hosts Prof. Albert Cheng of the University of Arkansas and Center for Strong Public Schools' Alisha Searcy speak with Stephen Greenblatt, Cogan University Professor of the Humanities at Harvard University and one of the world's foremost scholars of Renaissance literature. Greenblatt discusses his acclaimed book, Dark Renaissance: The Dangerous […]

In this week's episode of The Learning Curve, co-hosts Prof. Albert Cheng of the University of Arkansas and Center for Strong Public Schools' Alisha Searcy speak with Stephen Greenblatt, Cogan University Professor of the Humanities at Harvard University and one of the world's foremost scholars of Renaissance literature. Greenblatt discusses his acclaimed book, Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival, and explores the remarkable life, work, and legacy of Christopher Marlowe. He explains how Marlowe, the son of a cobbler from Canterbury, rose through England's demanding classical education system to become one of the boldest playwrights of the Elizabethan era. Prof. Greenblatt examines the political and cultural climate of Elizabethan England, shaped by censorship, religious conflict, and surveillance, and how those pressures influenced Marlowe's daring artistic voice. Greenblatt also unpacks enduring mysteries surrounding Marlowe's life, including theories that he served as a secret agent for Sir Francis Walsingham, Queen Elizabeth I's spymaster. He also discusses Marlowe's landmark plays Tamburlaine and Doctor Faustus, his celebrated poetry, and the dramatic innovations that transformed English theater. Additionally, he also reflects on Marlowe's rivalry with Shakespeare, mysterious death, and enduring influence on literature today. In closing, Prof. Greenblatt reads a passage from his book, Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival.

In this episode, Gail Eichenthal interviews the acclaimed opera director Shawna Lucey who helms LA Opera's "Falstaff." Shawna shares how she came to opera from theater, her long love affair with "Falstaff," and her formative training in Moscow. Experience Shawna's feminist perspective on Elizabethan society and find out why she says that "Falstaff" teaches us to love ourselves. "Falstaff" is playing now through May 10 at the Dorothy Chandler Pavilion. Get your tickets at LAOpera.org.

The story of how a respected Elizabethan botanist looked at a tomato, applied perfectly logical medical reasoning, and concluded that English people shouldn't eat one, and why it took two hundred years for anyone to prove him wrong. Learn more about your ad choices. Visit megaphone.fm/adchoices

English statesman, author, soldier, explorer, and a favorite courtier of England's Tudor Queen Elizabeth the First, Sir Walter Raleigh (1552-1618) was one of the most notable figures of the Elizabethan era. He played a leading part in English colonization of North America and helped defend England against the Spanish Armada. He was the younger half-brother of North American explorer Sir Humphrey Gilbert and a cousin of adventurer Sir Richard Grenville. In 1594, Raleigh heard of a "City of Gold" in the New World and sailed across the Atlantic Ocean to find it, publishing an account of his experiences in a book that contributed to the legend of "El Dorado". Check out the YouTube version of this episode at https://youtu.be/lRgdVlZte24 which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Walter Raleigh books available at https://amzn.to/3MqX10V El Dorado books available at https://amzn.to/3IAWmc4 ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM LibriVox: Historical Tales by C. Morris, read by Kalynda See omnystudio.com/listener for privacy information.

David Smalling portrait © Stefen Pompee Born in 1987 in Kingston, Jamaica, David Smalling lives and works in New York City. He studied Mathematics at Yale University, where he also trained at the Yale School of Art, and holds a Ph.D. from Harvard University. Drawing from the tradition of Mannerism and the Dutch Golden Age, Smalling's paintings examine how contemporary social codes and gender norms shape identity and behavior. Through carefully constructed domestic and ceremonial scenes, he explores themes of belonging, aspiration, and restraint, questioning the roles we inherit and perform. The exhibition of all new paintings on wood panels takes its title from the Elizabethan collar, the veterinary device colloquially known as the “cone of shame”—a protective apparatus designed to prevent an animal from tearing at its own sutures. The collar, as depicted in Cone of Shame, becomes a metaphor for conditional belonging: entry into a space that promises safety and prestige while quietly limiting autonomy. David Smalling, Party Favor, 2026 Oil on panel 61 × 91.5 cm — 24 × 36 in. Courtesy of the artist and Templon, Paris – Brussels – New York. Photo © Charles Roussel. David Smalling, Cremaster, 2025 Oil on panel 51 × 61 cm — 20 × 24 in. Courtesy of the artist and Templon, Paris – Brussels – New York; Photo © Charles Roussel. David Smalling, Follicular, 2025 Oil on panel 91 × 61 cm — 36 × 24 in. Courtesy of the artist and Templon, Paris – Brussels – New York. Photo © Charles Roussel.

Elizabethan ‘Sea Dog’ Sir Richard Grenville (1542-91) was Walter Raleigh’s cousin and an English privateers who was authorised by Queen Elizabeth I to raid England's enemies, even during times of peace. Carrying letters of marque issued by the English Crown, the Sea Dogs frequently attacked both enemy shipping at sea and enemy outposts on land... frequently targeting the Spanish in North American waters and ports. Check out the YouTube version of this episode at https://youtu.be/jsHtkKEUkPs which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Books about Pirates available at https://amzn.to/4aMr1ld Pirate mystery novel (Seeking Sasha) at https://amzn.to/4oqp7Ku Roanoke Colony books available at https://amzn.to/45tKBy6 ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (Twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credits: LibriVox—A Book of American Explorers by T.W. Higginson, read by D. Gines; Yo Ho Ho and a Bottle of Rum by Los Pirates www.youtube.com/@lospirates2409. Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting. See omnystudio.com/listener for privacy information.

She cut off her hair to sail the seas. She divorced her husband by locking him out of his own castle. And when her son was killed by the occupying English, she sailed straight up the Thames to plead for help from Elizabeth I. Or did she?Gráinne Ní Mháille, or Grace O'Malley, the legendary "Pirate Queen" of Ireland, was the head of a seafaring dynasty, while the Tudors tightened their grip, she commanded fleets, forged alliances, waged war, survived imprisonment, and outwitted some of the most ruthless men of her age.Professor Suzannah Lipscomb is joined by Dr Gillian Kenny to debunk some of the myths about one of the most remarkable women of the Elizabethan age.MOREWomen Pirates of the CaribbeanListen on AppleListen on SpotifyIreland's Witchcraft TrialsListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Why were Shakespeare's greatest heroines played by teenage boys? How did they learn their craft? On the Elizabethan stage, highly trained young men progressed from minor parts to play some of the Bard's most famous heroines, including Juliet and Cleopatra.Professor Suzannah Lipscomb is joined by Professor Roberta Barker to uncover how these cross-dressing apprentices brought some of the Renaissance theatre's most memorable characters to life.MOREShakespeare's First PlayhouseListen on AppleListen on SpotifyGirls on Stage and Page in the Elizabethan AgeListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

Join us as we explore outdoor recreation, conservation, and local adventures with Matthew Moore, owner of Hellbender Outfitters in Elizabethan. Discover how this store fosters community, promotes conservation, and equips outdoor enthusiasts of all levels. key  topicsOutdoor recreation access in East TennesseeConservation of the eastern hellbender and ecosystem healthCommunity building through outdoor education and gearConnect with Hellbender Outfitters: https://hellbenderoutfittersetn.com/Buy your next home, or list your current home with us!https://www.thecolinandcarlygroup.com/Be a guest on the Johnson City Living Podcast: https://www.johnsoncityliving.com/guests?fbclid=PAZXh0bgNhZW0CMTEAAaf_qLsH2l73s8fTV40Oebx8kSAGlIFS_y50ij7CRneeNX3I6NzzfQMUKP-7hw_aem_xHCpTZ5r_cOfc22X1DNvmw

Elizabethan seaman, adventure, privateer, and explorer Sir Martin Frobisher (1535-94) made three voyages (1576-77-78) to the New World looking for the Northwest Passage to Asia. Check out the YouTube version of this episode at https://youtu.be/8ge_Neg3zKE which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Martin Frobisher book at https://amzn.to/4iVCIab England History books available at https://amzn.to/4526W5n British Kings & Queens books available at https://amzn.to/430VOo0 Age of Discovery books available at https://amzn.to/3ZYOhnK Age of Exploration books available at https://amzn.to/403Wcjx ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (Twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credits: LibriVox Historical Tales by C. Morris, read by Kalynda See omnystudio.com/listener for privacy information.

Englishman Sir Francis Drake (1540-96) was one of the many Buccaneers that roamed the shores of North America on behalf of Queen Elizabeth I in the late 1570s. He was an explorer, sea captain, privateer, slave trader, Elizabethan naval officer, and politician. He is best known for his circumnavigation of the world in a single expedition, from 1577-80. This included his incursion into the Pacific Ocean, until then an area of exclusive Spanish interest, and his claim to Nova or New Albion for England, an area in what is now the U.S. state of California. Check out the YouTube version of this episode at https://youtu.be/jCKbhdmFBbY which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Books about Francis Drake at https://amzn.to/3S1xC0W England History books available at https://amzn.to/4526W5n Age of Discovery books available at https://amzn.to/3ZYOhnK Age of Exploration books available at https://amzn.to/403Wcjx ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (Twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credits: LibriVox Historical Tales by C. Morris, read by KalyndaSee omnystudio.com/listener for privacy information.

Katherine Parr survived Henry VIII -- no small feat -- only to die in childbirth at 36 after rushing into a marriage with Thomas Seymour, the charming, reckless, deeply ambitious man she'd wanted before Henry got in the way. The obvious "what if" is that she lives longer. But the more interesting question is what her survival means for Elizabeth Tudor -- the teenager living in that household, experiencing things no teenager should experience, and then losing the closest thing she had to a mother, all before her sixteenth birthday. In this alternate history episode we look at who Tom Seymour really was, what actually happened at Chelsea, and what a different outcome might have meant -- for Katherine's intellectual and religious work, for the Elizabethan religious settlement, and for whether the woman who became Elizabeth I might have carried a little less armor into her reign. Learn more about your ad choices. Visit megaphone.fm/adchoices

The much anticipated, Emmy and Golden Globe Award-winning medical drama The Pitt finally hits HBO max screens in the UK this week. Samira talks to lead actor Noah Wyle who plays Dr ‘Robby' Robinavitch, about being back in a high octane emergency department drama decades after making his name as Dr Carter in ER.The Elizabethan composer John Dowland died 400 years ago this month. Next weekend there will be a celebratory Weekend of his music performed at London's Wigmore Hall. We speak with two musicians who will be celebrating Dowland's music: Counter tenor Iestyn Davies and lutenist Elizabeth Kenny.Does opera need to be telling new stories? The ENO's former artistic director John Berry, and playwright Mark Ravenhill join us to discuss. Presenter: Samira Ahmed

Episode 207:It was just about this time last year I talked to Roberta Barker about her work on the boy actors of the Elizabethan period and she mentioned at the time that she was then working on a new edition of ‘Measure for Measure' for Cambridge University Press and I'm pleased to say that she agreed to carve some time out of her busy schedule to discuss the play with us today. Having been immersed in the play for a long time there is no one better placed at the moment than Roberta to discuss the play so I was particularly pleased when she agreed to come back onto the podcast at this point.Roberta Barker is a member of the Joint Faculty of King's College, London, where she is Professor of Theatre teaching in the Foundation Year and Early Modern Studies programs, and Dalhousie University, Halifax Nova Scotia, where she teaches Theatre in the Fountain School of Performing Arts. Her research interests centre upon the relationship between performance and the social construction of identity and has explored such topics as the representation of gender and class in early modern tragedy, the early modern careers and modern afterlives of Shakespeare's boy players, and the role played by the performance of illness on the nineteenth-century stage in the evolution of realist style. She is also a theatre and opera director.Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

We follow the adventures and the atrocities of the English “sea dogs,” from raiding ports in West Africa and Spanish mule trains in Central America to scrounging for gold in the Canadian tundra, as the Tudor regime exploited England's expertise in sailing and navigation to undermine the Spanish empire and try to turn the Atlantic into a massive free-trade zone. We uncover why Elizabethan England never created lasing colonies of their own, until the accession of the first Stuart king in 1603 led to a profound shift in policy, paving the way for the first English colonies beyond Ireland and the extension of the “British empire” to America. Patrons: comment on this post to let us know which country or state you are in: https://www.patreon.com/posts/tell-me-where-153392904 Please become a patron to hear all patron-only lectures: https://www.patreon.com/c/u5530632 My previous lecture on England in the Tudor Age: https://soundcloud.com/historiansplaining/age-of-absolutism-2-tudor-england-1485-1603 My interview with historian Melissa Morris on the early European colonies in Guiana, South America: https://soundcloud.com/historiansplaining/before-jamestown-when-england-colonized-the-amazon-a-conversation-with-melissa-morris Image: the “Armada Portrait” of Queen Elizbeth I, version probably commissioned by Francis Drake; notice English & Spanish ships seen over queen's shoulders, & queen's hand resting on North America on the globe, representing her purported claim to that land Suggested further reading: Armitage, “Ideological Origins of the British Empire”; Kupperman, “The Jamestown Project”

An Elizabethan shipbuilder, naval administrator & commander, merchant, navigator, privateer & slave trader—Admiral Sir John Hawkins (1532–95) was one of the foremost seamen of 16th-century England, he was the chief architect of the Elizabethan navy and was one of the many Buccaneers that roamed the shores of North America on behalf of Queen Elizabeth the First in the 1560s. Check out the YouTube version of this episode at https://youtu.be/5ABe6xFqnkM which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. John Hawkins book at https://amzn.to/47I8owL Books about Pirates available at https://amzn.to/4aMr1ld Pirate mystery novel (Seeking Sasha) at https://amzn.to/4oqp7Ku ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (Twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM See omnystudio.com/listener for privacy information.

Join me (Anna Stone) and guest host Emilio Tostado of Sleepless Cinematic Podcast as we break down William Shakespeare's Romeo and Juliet and the 1996 Baz Luhrman film adaptation. In this episode, Emilio discusses the use of water throughout the film, we talk about this amazing cast, and we both struggle to pronounce the word "Elizabethan". Follow on Instagram @stonestoptens and @sleeplesscinematicpodEmail stonestoptens@gmail.comSleepless Cinematic Podcast episode on Shakespeare In Love keywordsRomeo and Juliet, Baz Luhrmann, classic literature, film adaptation, themes, iconic scenes, character analysis, modern adaptations, cultural impact, Shakespeare Romeo and Juliet, modern adaptations, character dynamics, dystopian aesthetics, visual storytelling, sound design, casting choices, timelessness, aging characters, memorable scenes Romeo and Juliet, Baz Luhrmann, character analysis, film critique, performance review, costume design, modern adaptation, Shakespeare, cinematic choices, character dynamics Romeo and Juliet, film adaptation, costume design, soundtrack, modern casting, Baz Luhrmann, Shakespeare, movie critique, character analysis, 90s nostalgia

The 98th Academy Awards will air live on ABC and stream on Hulu this Sunday, March 15 at 7 p.m. ‘Hamnet,' directed by Chloé Zhao, based the novel by Maggie O'Farrell, and starring Jesse Buckley and Paul Mescal, is nominated for eight Academy Awards – including Costume Design. For her work on ‘Hamnet,' Malgosia Turzanska became fully enveloped in Tudor style and the Elizabethan era. She and her team designed and built gowns, bodices, doublets, and breeches out of sustainable and period correct fabrics and colors.

This episode comes from my recent livestream about Star Trek VI: The Undiscovered Country and its Shakespearean influences. The plot is a real-time metaphor for the end of the Cold War, highlighting larger-than-life personalities and critical historical moments in a way that Shakespeare did when writing his history plays. Klingon costumes are based on Elizabethan … Continue reading "228 – Star Trek VI is a Shakespeare Play!"

Episode 205:Last time Ben Jonson's retelling of a slice of Roman Imperial history failed to impress at the Globe theatre. As an actor in that play Shakespeare had first-hand experience of the way the audience in the theatre could turn on the poet and the players alike, but it is difficult to think that his confidence in his own work was much dented by the experience. His next play ‘The Tragedy of Othello, The Moor of Venice' is, I would say, brim full of the confidence of an experienced playwright who knew that his play would both entertain on several levels and provoke much thought in the audience.The dating and first performance of the playThe early publication history of the playDetails from a performance in 1610The source material for the playThe structure of the playThe significance of Venice and CyprusThe structural balances in the playThe poetry and imagery in the playThe use of language as a dramatic techniqueThe urgency of the opening of the playThe character of Iago and how he manipulates his victimsThe character of BrabantioWhat the Elizabethan audience might have thought of a ‘moor'Queen Elizabeth's attitude to immigrants from AfricaHow Shakespeare handled the racial aspects of the playThe character of Micheal CassioSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

We think of the Tudor period as velvet and poetry and dramatic executions. We do not think of it as siege warfare. That's a mistake. In this episode I'm looking at three Tudor sieges that completely wrecked my assumptions about this era: - Henry VIII personally showing up to besiege a French city (and having to be hoisted onto his horse to get there), - a Protestant reformer who ended up as a galley slave after one of the most dramatic castle standoffs in Scottish history, - and a massacre on an Irish headland that the Elizabethan golden age narrative tends to skip past. Gunpowder was changing everything in this period. The Tudors were living in a world of constant violence and instability that the pretty portraits don't show us. And some of the most consequential moments of the 16th century happened not in a court or a council chamber, but outside a set of walls. Learn more about your ad choices. Visit megaphone.fm/adchoices

Christina is joined by 2026 Oscar nominated costume designer Malgosia Turzanska, celebrated for her extraordinary work on Chloé Zhao's Hamnet. Known for her unforgettable costumes in Train Dreams, Stranger Things, The Green Knight, X, Pearl, and more, Malgosia takes us deep into her art and the creative journey behind one of the year's most talked-about films. They discuss the rich research behind Elizabethan clothing, the intimate storytelling within the Shakespeare family, and her concept of “emotional dressing,” where every detail carries meaning. From Agnes' striking reds in Jessie Buckley's Oscar nominated performance, to the protective padding worn by Shakespeare's mother, portrayed by Emily Watson, to Will Shakespeare's (Paul Mescal) ink-stained fingers, and much more. Plus, what Malgosia herself will be wearing to the Oscars! Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny L Harle returns to Line Noise for a record-breaking fourth time as we celebrate the release of his "debut" (ish) album Cerulean. Mar Vallverdú and Ben Cardew grill him on his greatest melody, working with his daughters, Dua Lipa's tea, Elizabethan composers, Ibiza and much more. Line Noise comes with the support of Cupra.

You might have recently seen Hamnet at the cinema, but did you read the book along with the Happy Place Book Club in January?In this chat, Fearne and author Maggie O'Farrell talk about how Jessie Buckley's award-winning performance brought Agnes to life in the film, why it's vital to remember women's place in history, and why Maggie chose not to name Shakespeare in the book.Maggie uses her intuition when she's writing, and talks about why she doesn't really plan what voice or tense to style she's going to write in.Plus, Maggie reveals some of the Elizabethan pursuits she took up during her research phase, including flying Kestrels and making herbal cold remedies... And Fearne reads out what she reckons is "the sexiest paragraph ever written"!Thank you to Tinder Press for use of the Hamnet audiobook, narrated by Jessie Buckley.If you liked this episode of Happy Place, you might also like:Book Club Meets: Nussaibah YounisBook Club Meets: Elizabeth DayBook Club Meets: Elizabeth Gilbert Hosted on Acast. See acast.com/privacy for more information.

Mario Bros. is the biggest franchise of all time. Bigger than Star Wars, Marvel… bigger than Harry Potter. Nintendo is an empire. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not-so-secret techniques that took famous businesses from mom and pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I’m Stephen’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is… Well, it’s us, but we’re highlighting ads we’ve written and produced for our clients. So here’s one of those. [Travis Crawford Ad] Dave Young: Welcome back to the Empire Builders Podcast. Dave Young here with you, and Stephen Semple’s alongside, with another empire-building story for us that- Stephen Semple: An exciting story. Dave Young: It’ll take you back to childhood, but it doesn’t take me back to childhood because I’m too goddamned old. Stephen Semple: Well, it depends how you look at this, this might be- Dave Young: No, I suppose. I suppose the company [inaudible 00:01:55]. Stephen Semple: It might be older than your childhood, but depends what we decide to talk about. Dave Young: Yeah, it’s just like when the big games came out, the… So we’re talking about Nintendo today. Stephen Semple: Correct. Correct. Dave Young: And I had Atari and things like that. And my kids all had the Nintendo. I actually have a Nintendo Switch, but I didn’t get that until I was… Stephen Semple: It also originally started as an arcade game, if we go back, because we are going to go back far enough. Dave Young: Well, that’s true. That’s true. Stephen Semple: Yes, yes. But if we actually went back to the company, Nintendo, we would be going back to 1889. Dave Young: Okay. So not so much my childhood. There you go. Stephen Semple: 1889. Yeah. And we’re really not going to talk so much about the origin and Nintendo as a company, but really, the origin of the video game business, and more specifically Donkey Kong, and went on later to become the Mario Brothers franchise. That’s really what we’re going to talk about. Dave Young: Now, hold on. Hold on. Hold on. Now, I don’t know everything, but I’m pretty sure video wasn’t around in 1889. Stephen Semple: It was not. Dave Young: There was no video games. Stephen Semple: No, there was not. So that’s why we’re really going to be talking about more of the recent history of Nintendo. Dave Young: A real Donkey Kong, climbing ladders and throwing barrels. Stephen Semple: Okay. That’s it. That’s it. Dave Young: Or a monkey, a gorilla. Yeah. Stephen Semple: And here’s the thing, the Mario Brothers franchise is huge. It’s one of the biggest franchises in history. There’s been 800 million video games sold worldwide, making it the bestselling video game of all time. It’s bigger than Pokemon in game sales alone. The estimated lifetime sales across all revenues for the Mario Brothers franchise is $60 billion. Bigger than Star Wars, bigger than Harry Potter, bigger than Marvel. Dave Young: Wow. Stephen Semple: The movies alone sold over a billion dollars. There’s theme park now. It’s huge. It’s absolutely massive. And the Nintendo company is very old. It was founded back in Kyoto, Japan in 1889 by Fusajiro Yamauchi. That’s it, Yamauchi. Dave Young: Oh. Stephen Semple: Boy, I’m going to struggle with these names. Dave Young: What were they doing back then? What was the company doing? Stephen Semple: The first product they did was a playing card called Hanafuda, and it was very, very successful. So they actually started- Dave Young: As a gaming company. Stephen Semple: … in game business doing playing cards. Dave Young: Okay. Stephen Semple: Now, during the 1950s, during Japan’s economic recovery, because if you remember, the economy was decimated in World War II, and through the Marshall Plan and whatnot, there was this rebuild going on. And during that time, they had a new leader, Hiroshi Yamauchi, who decided to explore all sorts of new businesses. He was doing all sorts of stuff. They had taxis, they had love hotels. Yes, you heard it right, love hotels. Dave Young: Love hotels. Stephen Semple: Instant rice, and of course, toys. And most of the things they did failed, except toys held a promise, so they continued to lean into toys. So it’s April 1978, so this is basically really where our story starts, and Taito, a competitor, releases a game called Space Invaders. Dave Young: Oh, right. I remember Space Invaders. Sure. Stephen Semple: Remember Space Invaders? And of course, this is back in the day of arcades, and you’re putting money into the games. This is so big in Japan, there’s 100 yen shortage. It would be like being in the U.S., and we run out of quarters. Dave Young: Right. Stephen Semple: It’s so big. So Nintendo, because it’s having some success in the game space, decides to make a knockoff of Space Invaders. So it’s October 1980, they create this knockoff called Radar Scope, and they decide also to ship it to the U.S., because they’ve started up a U.S. division. And it takes four months for the game to travel from Japan to the United States, and once it arrives, the trend has changed, it’s no longer Space Invaders, it’s now Pac-Man is the big game. Dave Young: Okay. Stephen Semple: So they’re left with these 2,000 unsold cabinets sitting in the United States. Enter Shigeru Miyamoto, who’s a graphic designer with Nintendo, and he has an idea, and he says to them, “Look, let’s reuse the cabinets, and let’s just create a new game. Let’s do that.” And it’s like, “What the heck? Let’s give this a try.” So Shigeru grew up in rural Japan, and this deeply influenced how he looked at games, because he grew up in a place where there was no television, none of these things, and he would go and he would play in like a cave that was nearby, and he would create all of these stories and characters. And this is the ’80s where the games do not have characters or a story. Dave Young: Okay. Yeah. Stephen Semple: They didn’t have that. Dave Young: Space Invader, you’re just knocking down… Stephen Semple: Right. Pac-Man, the same thing, there was no story. Pong, all that stuff, no stories. He takes a look around and he realizes that Nintendo has the rights to use Popeye, so Shigeru makes a suggestion to create a game using Popeye, where they already have the rights, and he moves ahead and does that. And so he also decides to make a game where characters move up rather than scrolling left to right, and there’d be different levels, which was also a relatively new idea. And he created this whole thing where they could jump, and using just a joystick in the buttons that already existed. So they started to create this game, but they hit a snag. Just before the release, they discovered Nintendo only had the rights to use Popeye for playing cards. Dave Young: For playing cards. Darn it. Stephen Semple: Now, turns out this was a gift from heaven, and the best thing that could ever happen in Nintendo. Dave Young: So it would’ve been Bluto up at the top, and Popeye trying to get up there, climbing the ladders and- Stephen Semple: And saving- Dave Young: So sort of a nautical theme? Stephen Semple: And saving olive oil. Dave Young: Yeah. Stephen Semple: Because remember, he would always capture olive oil. Dave Young: Yeah. Stephen Semple: And Popeye was this love triangle, right? Dave Young: Yeah. Stephen Semple: So what does Shigeru do? Replaces- Dave Young: Bluto becomes- Stephen Semple: … with- Dave Young: … the gorilla. Stephen Semple: Right. Popeye becomes Mario. Dave Young: Yeah. Stephen Semple: And olive oil is Princess Peach. Dave Young: Okay. Stephen Semple: It’s the same story. Dave Young: Yeah. Beautiful. Stephen Semple: It’s exactly the same story. And if you think about it, even the whole idea of this gorilla capturing the princess kind of sounds like King Kong, doesn’t it? Dave Young: A little bit. Sure. Stephen Semple: A little bit. And of course, they can’t use the name King Kong, so it’s Donkey Kong. And the reason why Donkey Kong is, he went looking through English dictionaries, and there’s all this stubbornness, and all this other things that go along with it. So we went, “You know what? This monkey, this Kong is kind of stubborn.” So Donkey Kong is the name of the game. Dave Young: Did they run into any issues with the King Kong folks? Stephen Semple: Nope. Dave Young: No? Stephen Semple: No, because you think about it, it’s a completely different name, Donkey Kong, right? Dave Young: Yeah, but it’s still a big gorilla with the word Kong in it. Stephen Semple: Yeah. Nope, no. It was different enough. Dave Young: [inaudible 00:09:14] just because it’s stubborn, and it sort of went with the word Kong? Stephen Semple: Yep. So it was different enough. It was all great. And the original character was not Mario. Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories To Sell Ad] Let’s pick up our story where we left off, and trust me, you haven’t missed a thing. Stephen Semple: And the original character was not Mario. The original character was Jumpman. Jumpman. Dave Young: I kind of remember that. Stephen Semple: Jumpman. And the game allowed them to reuse the cabinets, and just do it. And think about it, the objective of this, because he was also just a very junior graphic designer, and the objective on this was, “Hey, if we can sell these 2,000 unsold cabinets sitting in the U.S., that’ll take the financial strain off of our U.S. operations, and it will be great, it will keep them afloat.” And here’s what happened, they sold in 1981 alone 60,000 cabinets. Dave Young: I tell you, I poured a lot of money into one of those cabinets when I was in college. Stephen Semple: So Shigeru goes from this low-level designer to the creator of one of the best performing games up to that point. And one of the things that also ends up happening, he starts making modifications to the game. And one of the modifications is, he’s walking one day, and he sees these pipes, and he realizes character should be a plumber, and the landlord for one of the Nintendo properties’ name was Mario. Dave Young: Okay. Stephen Semple: So that’s where the whole idea of Mario came from, and eventually evolved to being brothers, Mario and Luigi. And of course, there was continuing success, and other formats and differing games. And Mario Brothers grew beyond Donkey Kong, it went from Donkey Kong to really the franchise being the Mario Brothers, with all sorts of new characters being added, and all sorts of new themes, like there’s go-kart racing and all sorts of different things. But the birth of the idea happened when they had this problem of, “We’ve got to have these cabinets…” And Shigeru saying- Dave Young: “And we either have to make a whole bunch of Popeye playing cards, or we have to find something to put in these cabinets.” Stephen Semple: “We have to find something to put in these cabinets.” And Shigeru saying, “It needs to be a story.” Dave Young: Yeah. No, that’s brilliant. And I feel like I’d be remiss if I didn’t point out to our listeners here in the U.S. that Steve is Canadian, and he pronounces it Mario, and everybody I’ve ever met says Mario. Stephen Semple: Mario. Dave Young: Mario. It’s Mario Brothers. Stephen Semple: Mario. Dave Young: It’s sort of like you say Mazda, we say Mazda. Stephen Semple: Right. Yes. Yes. Dave Young: So- Stephen Semple: Yeah, that’s true. Dave Young: Here’s a weird tangential thought. Do you have a minute for one of my weird tangential thoughts? Stephen Semple: Isn’t that why we’re here? Just for your weird tangential… Isn’t what we tune in for? Dave Young: That’s the way I look at it. I wonder if the guy that shot the UnitedHealthcare… Luigi, I wonder if there was a little bump in Nintendo stock. Stephen Semple: Oh, I wonder. Dave Young: And I wonder too, what was the discussion inside Nintendo about that? At first it was probably, “Oh my God, a guy named Luigi just shot someone.” And that was probably, “Oh my God, a guy named Luigi just shot someone that… Okay.” It’s not cut and dry. Stephen Semple: Well, it isn’t, because sometimes these negative events actually have positive impacts on sales. The one that I always remember that always comes to mind, I always find bizarre, is the white two-door Ford Bronco was due to be discontinued until O.J. Simpson went and did a joyride on LA freeways, and it actually extended the sales of that vehicle several years. And to this day, the white two-door Ford Bronco is a premium price from that year. Dave Young: Yeah- Stephen Semple: It’s nuts. Sometimes these crazy things happen. Dave Young: I don’t know if it was a joyride, but yeah. But we remember it, for sure. Stephen Semple: But we remember it. But- Dave Young: And those things have these impacts that you couldn’t buy that. There’s nothing Ford Motor Company could do that would’ve done that, that would’ve saved the Bronco. Stephen Semple: So here’s the interesting thing, coming back to Nintendo, that I find… So one of the influences it had was it was the first game that came along and basically said, “We should have a story.” And if we take a look at video games today, they’re all very heavy story based. And in fact, the stories are unbelievably rich, like Zelda, and all these other ones are these very complex universes that have been created. And he was kind of the first to come along, and his influence from that came from the fact that he didn’t grow up with these things. Dave Young: Yeah, he grew up with stories. Stephen Semple: So again, it’s this whole outside… We had this graphic designer that didn’t grow up with these things saying to a game, “Here’s what it should do. It should have this story, and there should be this imagination.” And all these things. And when you think about it, there was a couple of accidents, a couple of lucky happenstances that led to the birth of this. First of all, the console. Because if you think about it, if it was the creating of a brand new game, you wouldn’t take some junior graphic artist and put on it. The objective was, “All we need to do is move these 2,000 consoles.” So it was like, “Okay, so we’ll give it to the junior guy to do.” And then it blows out of the water. The other lucky happenstance is, think about how Nintendo’s fortunes would be completely different if they actually had the rights to use Popeye. Dave Young: Yeah, it would have been, like, Mario Brothers, that whole universe would never have come about, and- Stephen Semple: Well, the whole universe would be Popeye Universe, even if it worked. Dave Young: And I can’t see that happening. Stephen Semple: Right. But even if it worked, it would not have been theirs, it would have been- Dave Young: Oh, true. Stephen Semple: The people who would have made all the money were the owners of the Popeye license, would have been a licensee. Dave Young: Yeah, that’s true. Stephen Semple: So they had a couple of really lucky, fortunate things that happened that totally changed the trajectory of Nintendo. But here’s the other interesting lesson, and look, we talk about this all the time in storytelling, is there’s a couple of things you can do in storytelling. One is, you can take an existing story and just change the characters. We just took Popeye, changed as Donkey Kong. And what you know is, we knew that story worked, so it’ll work over here with different characters. Or what you can do is, you can take existing characters, and you can change the setting. In magical worlds, you’re always talking about how Sherlock Holmes, and- Dave Young: House M.D. Stephen Semple: … House M.D. is the same story. Dave Young: Sure. Stephen Semple: It’s just one is a detective during Elizabethan times, and the other one is an emergency room doctor in modern times. Same character, different setting, changes the story. Dave Young: Right. Stephen Semple: So when you’re looking to use stories, find ones that work, and do that. Dave Young: Find the popular stories and just take the framework. And I’ll give you another example- Stephen Semple: Right. Either change the characters, make it same story with different characters, or take the characters and put them in a different setting. Dave Young: … there’s a book called the Bible that had this story about this Jesus fella. Stephen Semple: I think it’s rather a relatively popular book. Dave Young: And then in 1605, a guy named Miguel Cervantes wrote a book called Don Quixote, and he took a lot of the storylines and metaphors from this story in the Bible and created a book that became the second bestselling book of all time right after the Bible. Then a guy named John Steinbeck took a lot of the stories from Don Quixote, and renamed characters, and put them in different situations, but took the structures of the stories, and… So this works. Just do this. Stephen Semple: Oh, yeah. Dave Young: Just find a story you like- Stephen Semple: Absolutely. Dave Young: … and take the [inaudible 00:17:59]. Stephen Semple: Reimagine it. Reimagine it. Reimagine it. Either change it, keep the same story and change characters, or take the characters and put them in a new setting. Dave Young: I mean, the cool thing is, you can’t copyright a story arc, right? Stephen Semple: No, no. Dave Young: Something bad happens to someone and they overcome it. “Okay, no, that’s mine.” Stephen Semple: I’m still waiting for the overcome part. Dave Young: Yeah. Right? Stephen Semple: Yeah. Dave Young: That’s still the part of the story. Oh, I love it. Stephen Semple: I just found these things that came together for the creating of the Mario Brothers to be really interesting. And it’s also interesting when you consider who was expected to be the star of the show was the donkey, and it ended up becoming the Mario Brothers. Dave Young: Yeah. Great story. And I see it. Thank you for switching to English. American English. I’m sorry. Stephen Semple: American. Dave Young: [inaudible 00:18:54]. Stephen Semple: All right. Thanks, David. Dave Young: Where can we go play some Donkey Kong next time? Stephen Semple: Well- Dave Young: Anybody got an old Donkey Kong console? Stephen Semple: Yeah. You know what? My kids have got some old play stuff, I’ll bring it down. Dave Young: No, I want the console. I want the big- Stephen Semple: Oh, you want that… Well, I think we may have to look hard for that. Dave Young: Yeah, that’s good. Well, keep your eyes out. Stephen Semple: I will. Dave Young: Thanks for the story of Nintendo, Stephen. Stephen Semple: All right. Thanks, David. Dave Young: Thanks for listening to the podcast. Please share us. Subscribe on your favorite podcast app, and leave us a big, fat, juicy five-star rating and review at Apple Podcasts. And if you’d like to schedule your own 90-minute empire-building session, you can do it at empirebuildingprogram.com.

A few months ago, Puerto Rican rapper Bad Bunny guest hosted an episode of “Saturday Night Live” where he appeared in a skit as a Spanish nobleman from the Middle Ages wearing an inky blue robe with gold threading on the collar and sleeves. The costume he wore didn’t come from the show’s wardrobe department. Instead, it was shipped overnight by the Oregon Shakespeare Festival Costume Rentals department in Talent.    As profiled in a recent article in Oregon ArtsWatch, for more than 20 years, OSF Costume Rentals has been making costumes and accessories that were created for its productions available to rent by local theater companies, academic institutions, film and photo shoots and TV shows like “SNL.” The vast digital inventory is searchable online and spans more than 30,000 costumes and accessories, from elaborate Elizabethan gowns and silky Regency dresses to velour smoking jackets and butterfly-collared shirts.    OSF Costume Rentals supervisor Celina Gigliello-Pretto and OSF Director of Productions Malia Argüello share how OSF is preserving its costumes and helping other productions reimagine their possibilities.  

Episode 203: We now stay in the world of the Elizabethan interpretation of classical history and myth with Ben Jonson's next play ‘Sejanus His Fall'. Rooted more firmly in history than myth Jonson's play uses the story of a power struggle motivated by personal ambition to look at the nature of power, justice and politics. This was quite evidently dangerous ground for a playwright already known for his clashes with the authorities, but it was not just that commentary of contemporary politics that got Jonson into trouble with this play. A brief word on the unfinished tragedy ‘Mortimer His Fall'The ‘argument' of the play and some thoughts on what the play might have beenThe early performance history of ‘Sejanus His Fall'The possible co-author of the playThe early reception of the playThe background to the poor reception of the playA synopsis of the playThe ban on satires and historiesThe translations of Tacitus and complications with EssexHow John Heyward's problems with censorship influence the playThe play as a commentary on Elizabethan societyQuestions of the control of power in the playQuestions of the application of justice in the playThe motivations of SejanusThe aesthetic issues with the playHow Jonson mixed comedy and tragedy in the playThe influence of Marlowe on the verse in the playJonson censured for the playThe later performance history of the playSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Westerns on a SaturdayFirst, a look at the events of the day.Then, Have Gun Will Travel starring John Dehner, originally broadcast January 31, 1960, 66 years ago, Bad Bert.    The search for "Bad Bert," a road agent widely wanted by lawmen, is in reality, an English nobleman!Followed by Gunsmoke starring William Conrad, originally broadcast January 31, 1960, 66 years ago, Chesters Dilemma.  Chester's in love with pretty Edna Wallstrom, Edna's very much interested in Marshal Dillon's mail!Then, The Six Shooter starring Jimmy Stewart, originally broadcast January 31, 1954, 72 years ago, Trail to Sunset.  Britt shoots Ace Tressler when Ace tries to steal Britt's horse. Britt promises him that he'll get medical treatment for Ace and not let him get lynched. Followed by The Hallmark Playhouse, originally broadcast on January 31, 1952, 74 years ago,  Westward Ho!, starring Joseph Cotton.  A historical adventure novel that follows the coming-of-age of Amyas Leigh, an idealistic young Englishman who sails to the New World amid the Elizabethan era's conflicts between England and Spain.Finally, Fibber McGee and Molly, originally broadcast January 31, 1955, 71 years ago, the Mystery of the Missing Garbage Can. Fibber tries to solve "The Mystery Of The Missing Garbage Can."Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

Isn't Carrotty Bess great?Topics in this episode include why Stephen compares Shakespeare to Shylock, Shakespeare's father John Shakespeare and his many business ventures, his legal troubles caused by some of those business ventures, Shakespeare's corn-hoarding during a famine, the irony of Irish Nationalists being devoted to Shakespeare, Shakespeare's role in providing propaganda for Britain's colonial project, Mr. Deasy's thoughts on Shakespeare, Chettle Falstaff, the time Shakespeare sued a guy over some malt, how The Merchant of Venice stoked Elizabethan antisemitism, plays that Shakespeare wrote to please various monarchs, James I and Macbeth, political propaganda found in Shakespeare's comedies, and why Stephen's point-of-view as an Irish person alters his interpretation of Shakespeare.Support us on Patreon to get episodes early, and to access bonus content and a video version of our podcast. On the Blog:Decoding Dedalus: He drew Shylock out of his own long pocket.Blooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

As the film Hamnet goes on general release, David Maxwell chats to herb expert Jekka McVicar about the role she played in advising the production on Elizabethan herbs. In Ratoath, County Meath, nursery owner John Lord is finding new opportunities in a garden he's developed over 30 years. He explains how it's become a playground for plants that serve to inspire both expert and novice gardeners alike. Listener Michael McLean gets a visit from Gardeners' Corner – he invited the programme to see a garden he's lovingly creating over a lifetime on a hillside above Newcastle. Also on the programme, a tribute to the late Seamus O'Brien who was head gardener at the National Botanic Gardens, Kilmacurragh in County Wicklow and widely regarded as one of Ireland's greatest plantsmen. Ann FitzSimons joins David in studio. Email the programme at gardenerscorner@bbc.co.uk

• Explores in depth the medicinal and magical properties of the many herbs, barks, and berries associated with the Christmas and Yuletide season• Looks at the origins of the Christmas tree and Santa Claus, as well as female gift bringers, holiday Spirits, and Yuletide animals• Shares crafts such as how to make a Yule Log, practices such as Winter Solstice divinations, and recipes for traditional foods and drinksFor millennia cultures have taken time out to honor the darkest days of the year with lights, foods, and festivities.In ancient Egypt, people decorated their homes with greenery at the festival of the rebirth of the God Horus. The ancient Romans shared gifts, especially candles, at the midwinter festival of Saturnalia. In Scandinavian and Germanic cultures, the Yule Log was burned in the hearth, fruit orchards were wassailed, and sheaves of wheat were displayed to carry luck into the New Year. In Celtic cultures, mummers and guisers went door to door, and European mistletoe (Viscum album) was gathered by Druids as a medicinal and magical aid.Ellen Evert Hopman shares folklore, recipes, rituals, and crafts to enliven your Yuletide observance. She explores the origins of the Christmas tree and Santa Claus as well as holiday Spirits and Yuletide animals. She explains how to perform Winter Solstice divinations and make traditional foods and drinks such as Elizabethan gingerbread cookies and Wassail. And she looks in depth at the medicinal and magical properties of the many herbs, barks, and berries associated with the Christmas and Yuletide season such as Frankincense and Myrrh, Cinnamon, Nutmeg, Hibiscus, Bayberry, and many more. This guide offers practical and magical ways to celebrate and honor the darkest days of the year.Ellen Evert Hopman is a master herbalist and lay homeopath, who has been a Druidic initiate since 1984. She is a founding member of the Order of the White Oak, the Archdruidess and founder of Tribe of the Oak, a former professor at the Grey School of Wizardry, and a member of the Grey Council of Mages and Sages. She is the author of Celtic herbals and Druid novels, including Secret Medicines from Your Garden, The Sacred Herbs of Samhain, and Once Around the Sun: Stories, Crafts, and Recipes to Celebrate the Sacred Earth Year. She lives in Massachusetts.https://elleneverthopman.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Did you know that Elizabethan Londoners were good kissers? That medieval drinkers used beer to fight off the flames of a raging inferno? And that Jane Austen doesn't paint an entirely accurate picture of the early 19th century? These are just some of the facts served up in Ian Mortimer's new book, Mortimer's A to Zs of English History. Here, in conversation with Spencer Mizen, Ian takes us on an immersive tour of the nation in four periods: the 14th century, the Elizabethan age, the Restoration and the Regency. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1602, Elizabeth I wrote a formal letter to the Emperor of China, hoping to open peaceful trade between their two realms. The letter was sent with an English explorer attempting to reach China via the Northwest Passage. He never made it. The minicast stayed in England for centuries, was once used to line a farm's bran bin, and was not finally delivered to China until 1984. This episode tells the story of that extraordinary diplomatic misfire, and what it reveals about Elizabethan ambition, global trade, and how history sometimes survives by accident. Hosted on Acast. See acast.com/privacy for more information.

What did people really eat in Shakespeare's England? In her new book, Much Ado About Cooking, food historian Sam Bilton uncovers the vibrant and surprising world of early modern cuisine—where sugar was locked away like treasure, fresh salads were everyday fare, and a “banquet” meant a “post-feast after party” dessert course. Bilton brings to life the flavors behind Shakespeare's food references: mince pies, herb-packed green sauces, saffron-brightened tarts, and even whimsical dishes crafted to look like something else entirely. These foods reveal a world shaped by global trade, humoral medicine, and a delight in spectacle. In this episode, Bilton discusses how cooking, dining, and food imagery can open a new window onto Shakespeare's plays and the people who lived, ate, and celebrated in his time. From the Shakespeare Unlimited podcast. Published December 16, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc. Sam Bilton is a food historian, author and presenter of the award-winning “Comfortably Hungry” and “A is for Apple” podcasts. She has written books on the history of gingerbread, saffron and chocolate, and writes articles on food history for a variety of print and online publications. Sam has also hosted several Shakespeare-themed supper clubs over the years. You can find out more details about Sam on her website: sambilton.com.

From his possible espionage work for the Elizabethan state to his open flirtations with atheism and subversive sexual themes, the brief life of playwright Christopher Marlowe tells us much about the shadowy edges of 16th-century England. Stephen Greenblatt joins Elinor Evans to discuss the subversive, dangerous life of 'Kit', who became both a collaborator and rival of his contemporary, William Shakespeare. (Ad) Stephen Greenblatt is the author of Dark Renaissance: The Dangerous Times and Fatal Genius of Shakespeare's Greatest Rival, Christopher Marlowe (Bodley Head, 2025). Buy it now from Amazon: https://www.amazon.co.uk/Dark-Renaissance-Dangerous-Shakespeares-Christopher/dp/1847927130/?tag=bbchistory045-21&ascsubtag=historyextra-social-histboty. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Hamlet, in his famous soliloquy, pondered the "dread of something after death, / the undiscovered country," he noted that such thoughts "puzzles the will." (Earlier editions of the play had this as a "hope of something after death" that "puzzles the brain." What's the significance for an Elizabethan writer (and audience) of the change from hope to dread? And from brain to will? In this episode, Jacke talks to Douglas Clark (The Will in English Renaissance Drama) about the moments of willing and will-making in English Renaissance drama, and how those moments play a crucial role in the depiction of selfhood, sin, sociality, and succession. PLUS Jacke takes a look at #7 on the list of the Greatest Books of All Time. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠. Or visit the ⁠⁠⁠⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices