Podcasts about act iii

In the wake of great loss, the different crews clash against each other while trying to balance survival with the mother of all paydays.  But the only way out is to work together.,, PROLOGUE Disclaimer 0:00 Intro 0:51 Opening Theme 3:58 Character Intros 4:32 CHAPTER VIII Salvaging the Situation 7:27 Flotsam and Jetsam 32:30 Chapter IX Scrubbers 41:17 Who's Still Here? 1:05:58 CHAPTER X Cooper's Progeny 1:22:34 The Company Man 1:40:54 CHAPTER XI The Only Way Out 2:10:11 Coda 2:22:10 EPILOGUE Closing Theme 2:26:03 End Credits 2:27:08 DON'T FORGET TO LIKE & SUBSCRIBE! Patreon at https://www.patreon.com/user?u=84724626 Website: https://www.itsamimic.com Email at info@itsamimic.com Social: Instagram at https://www.instagram.com/itsamimic/?hl=en Threads at https://www.threads.net/@itsamimicpodcast Facebook at https://www.facebook.com/itsamimic/ Reddit at https://www.reddit.com/r/ItsaMimic/ Find Us On: Spotify at https://open.spotify.com/show/3Y19VxSxLKyfg0gY0yUeU1 Apple Podcasts https://podcasts.apple.com/us/podcast/its-a-mimic/id1450770037 Podbean at https://itsamimic.podbean.com/ YouTube at https://www.youtube.com/channel/UCzQmvEufzxPHWrFSZbB8uuw Captain Miller and Acting Captain Johns: CB Dave Liam Flynn: Megan Lengle Agent Wilson: Terry Williams Roughneck Cham: Stephen Golding Lucas and Pinion: Sean O'Coin Voice of the Cronus: Elaria Game MU/TH/UR: Adam Nason Based loosely on the Alien RPG Starter Set Director:  Adam Nason Editors:  Stephen Golding and Adam Nason Executive Producer:  Adam Nason Musical Scores:  Tyler Gibson Logo by:  Megan Lengle Other Artwork is owned by Wizards of the Coast. This episode is meant to be used as an entertaining inspirational supplement for Alien Roleplaying Game and tabletop roleplaying games in general.  It's A Mimic! does not own the rights to any Free League Publishing materials.

A statement and some questions.FOMO is real.  But often buried beneath that fear is the hope of inclusion or even a do over. In this episode of Accursed Philoctetes the Greek heroes Odysseus and Diomedes, who abandoned Philoctetes years ago, return to the isolated cave where he had previously sequestered himself.  What kind of a reception will he give them?Does he still have his sanity intact?After nine years of foot festering, why have they come back now?What has changed?  Is it true that Troy cannot be taken without the bow AND the man?Is this a second chance for Philoctetes?Can he actually be cured of his affliction?Could there be an end to his FOMO if he can forgive those who betrayed him previously? Can he forgive after 9 years of torment? Isn't vengeance more likely the tune on his bow?Can he listen to another Greek hero's overtures?Tune in to find answers to all your questions in Act III of Accursed Philoctetes.

Nikki Blakk talks with Death Angel’s Rob Cavestany about the band’s new single “Cult of the Used,” the meaning behind its lyrics, and the return of their Act III album on tour. Rob shares how the chaotic state of the world inspired the song, what it’s like revisiting material from 35 years ago, and how the band is preparing to headline The Fillmore in San Francisco for the first time. It’s a deep dive into creativity, evolution, and the legacy of Bay Area thrash.See omnystudio.com/listener for privacy information.

Happy Halloween! This is part three of a three part story. Make sure you listen to each part in order for the full story! Synopsis: A mysterious man of influence finds his soul on the line when he is absorbed into a client's struggle against demonic powers... Patreon: ⁠⁠patreon.com/thewarningwoods/⁠⁠ Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thewarningwoods.myshopify.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Written and narrated by Miles Tritle NOTE: The Warning Woods contains stories which include horror elements of all varieties. These may include, but is not limited to, graphic violence, murder, suicide, drug use, human and/or animal death, and other topics some viewers may find upsetting. Keep this in mind when choosing to listen.⁠ Social:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/thewarningwoods⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.thewarningwoods.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.milestritle.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Copyright 2025 Miles Tritle The Warning Woods podcast contains original works of fiction. Some of the locations within the stories may be real, but the characters and events are entirely fictional. Any resemblance to real individuals, groups, organizations, or events, unless otherwise specified, is entirely coincidental. Any names or titles belonging to real individuals, groups, or organization are not used intentionally unless otherwise specified. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ce 28 octobre, Marjorie Hache enchaîne deux heures de guitares affûtées et de nouveautés explosives dans Pop-Rock Station. L'émission démarre avec "1969" des Stooges avant le retour de Kasabian avec "Hippie Sunshine", annonçant leur neuvième album "Act III". Elle célèbre aussi les 11 ans de "Royals" de Lorde, titre culte qui révélait la chanteuse néo-zélandaise à seulement 16 ans. L'album de la semaine, "We Were Just Here" de Just Mustard, se poursuit avec le titre "Pollyanna", tandis que la reprise du jour revisite "Comfortably Numb" de Pink Floyd par les Scissor Sisters. Dans la foulée, Marjorie Hache diffuse Die Spitz, Wet Leg, The Charlatans et les Deftones, avant un clin d'œil à Cream et System of a Down. La nouveauté " Fresh" du soir met à l'honneur le retour des Lemonheads et leur premier album en vingt ans, "Love Chant", enregistré au Brésil. La soirée s'achève sur Fiona Apple, Gossip et Soulwax. The Stooges - 1969 Kasabian - Hippie Sunshine Lorde - Royals Santa Esmeralda - Don't Let Me Be Misunderstood Editors - Papillon Dire Straits - Love Over Gold Franz Ferdinand - Ulysses Just Mustard - Pollyanna Van Halen - Ain't Talkin 'Bout Love Fun Lovin' Criminals - Scooby Snacks Deep Purple - Hush Deftones - Infinite Source Scissor Sisters - Comfortably Numb The Smashing Pumpkins - Tonight Tonight Die Spitz - Pop Punk Anthem (Sorry For The Delay) Cream - White Room Rival Sons - Company Man Wet Leg - Mangetout The Pretenders - Brass In Pocket System Of A Down - Aerials The Lemonheads - In The Margin Jimi Hendrix - Crosstown Traffic Fiona Apple - Criminal Gossip - Standing In The Way Of Control The Charlatans - Deeper And Deeper Soulwax - Gimme A ReasonHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Good evening, and welcome to the third chapter of Apocalypse Video's Vamptober Spooktacular, Live from Lestat's Bar and Grill. Tonight, we go overseas to Sweden and turn on the subtitles for a little piece of romantic horror from 2008 entitled, Let the Right One In. I'm joined this evening by fellow cinephile and blood sucker, Cody. Topics of discussion in this episode include two kids who belong on the Mount Rushmore of Kid Actors; we wonder what kind of movies Oskar is watching as he weirds out his classmates with his creepily extensive knowledge of crime scene factoids; and finally, we throw our support behind the school's bully, Conny, as he rightfully bullies Oskar, the film's chief protagonist and little freak boy. Be sure to rate, review and subscribe wherever you get your podcasts. You can also Like Us on Facebook, or shoot us an email at apocalypsevideopod@gmail.com That will do it for Act III of Apocalypse Video's Vamptober Spooktacular. When we return, we'll conclude this year's Spooktacular with the shiniest, most beautiful vampire film ever made: Twilight. See you then my fellow ghouls.

In this episode of Conversations on Careers and Professional Life, I explire one of the most powerful frameworks for structuring clear, persuasive business communication: the Minto Pyramid Principle. The framework, created by Barbara Minto at McKinsey, is a simple but transformative way to organize ideas. Think of your communication as a pyramid: At the top is your main point — your recommendation, your answer, your "so what." Beneath that are the supporting arguments — the key reasons your audience should agree with or believe your main point. At the base are the evidence and details — the facts, data, and analysis that give those arguments weight. The beauty of the Pyramid Principle is that it works at every level. Your entire presentation can follow it, each section within your presentation can follow it, and even each individual slide can follow it. Every idea should ladder up neatly to the one above it. Why does this matter? Because most presentations and meetings fail not because the ideas are bad, but because the structure is confusing. When you cram multiple ideas into a single slide, include disconnected data, or bury the lead, your audience can't follow the story. If everything is important, nothing is important. The Pyramid Principle forces you to make choices. It asks: What's the single most important point I want my audience to remember if they leave after five minutes? That's the point that belongs at the top of the pyramid. Everything else exists to serve that idea—or it doesn't belong. Here's how to apply it. Start with your answer—your key recommendation. Imagine that the most senior person in the room gets a phone call and leaves six minutes into your presentation. If they walk out then, will they know what you're recommending? Don't make your audience wait until slide 17 to find out your point. Put it right up front. Then, support it with your major premises—ideally three. There's a reason consultants love the "rule of three." Research shows that once you go beyond three supporting points, credibility actually drops. Four or five reasons feel like overkill; three feels complete. For example: "We recommend launching the pilot in Austin—because customer adoption is highest, operational costs are lowest, and the competitive landscape is still open." That single sentence is a mini pyramid: a clear main point supported by three reasons. Each reason could then become a section, a slide, or even a paragraph of an email—each with its own evidence and analysis. Finally, check that every piece of content—every chart, bullet, and image—supports one of those reasons. If it doesn't, cut it. Anton Chekhov said, "If there's a gun on the wall in Act I, it must go off by Act III. If it's not going to be fired, take it down." The same is true for your slides: if it doesn't serve your main point, it shouldn't be there. Common pitfalls? Starting with background or methodology. You want to show your process, but your audience doesn't care how you got there until they know where you're going. Start with the destination. Overloading slides. Each slide should have one key message, and the title should say it, not label it. Instead of "Customer Survey Results," say, "Customers are willing to pay 20% more for faster delivery." Forgetting your audience. The Pyramid Principle works best when grounded in AIM—Audience, Intent, Message. Who are you talking to? What do they care about? What action do you want them to take? Before you build your next deck, don't start in PowerPoint. Start with a piece of paper. Write your main point at the top, your three strongest supporting arguments underneath, and then only the data or visuals that prove those points. When you've done that, you've built a story pyramid that's clear, concise, and persuasive. Remember—slides don't cost anything. Use as many as you need, but only one idea per slide. Start with the answer. Support it with logic. End with confidence. That's the Minto Pyramid Principle—and it's how you turn information into influence. Resources Mentioned Barbara Minto, The Pyramid Principle Nancy Duarte, Resonate and Slide:ology Scott Berinato, Good Charts HBR: "How to Give a Killer Presentation," by Chris Anderson

The City Of New Orleans Vs. The MafiaJump to AD FREE SAFE HOUSE EDITIONEpisode 408 explores the lead-in and aftermath of one of the most deadly vigilante actions in American history. When the commissioner of police is assassinated on his way home, a committee of 50 citizens call an indignation meeting, and you know how those are likely to go. Just a couple of notes: One, the descriptions of the action in Act III are quite graphic, so use your discretion. And two, there are several instances of a derogatory term used in this episode, but I follow the same policy I do for racial slurs, that I will soften the narrative language but will not change anything that is printed in direct quotes. History is not always pretty, folks, so don't come here if you want it white-washed.Become a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.CLICK HERE to reserve your bunk at The Safe House, where the past is present and the rent is just a buck a week but gives you access to ad-free editions of over 400 episodes in the dusty vault, early access to all new episodes, exclusive content, access to the big boss, and whatever personal services you require.

As we embark on another edition of our horror-film driven guest series, The Slasher Sessions: Act III we have our friend Alex returning to fill the guest role of the last episode of our 100's. Alex joins us for an exciting, seasonal-inspired version of “This or That,” this time drawing the category of Horror Movie Remakes as we compare and contrast films. We also discuss John Cena's retirement tour, loyalty to certain brands/products, Cam Ward's 2025 NFL season so far, & SO MUCH MORE!

This week, we talk about the bizarre, the unusual and unsettling, the creepy and uncharacteristic… And what really makes it terrifying and disturbing is that these are true stories… Be prepared to be shocked! These are Rocktastrophes: true tragedies that occurred in the real world of rock n' punk n' metal.What is it we do here at InObscuria? Every show, Kevin opens the crypt to exhume and dissect from his personal collection, an artist, album, or collection of tunes from the broad spectrum of rock, punk, and metal. Robert is forced to test his endurance and provide feedback, as he has no idea what he will be subjected to every week. Our hope is that we turn you on to something that was lost on your ears, or something you've simply forgotten about, or that (in our opinion) should have been the next big shocking thing.Songs this week include:For Squirrels – “Superstar” from Example (1995)The Gits – “It All Dies Away” from Frenching The Bully (1992)Death Angel – “Stagnant” from Act III (1990)Reagan Youth – “Heavy Metal Shuffle” from A Collection Of Pop Classics (1994)The Exploding Hearts – “Still Crazy” from Guitar Romantic (2021)The Yellow Dogs – “Until The Night Was Done” from Upper Class Complexity (2012) Armegeddon – “Brother Ego” from Armegeddon (1975)Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://www.instagram.com/inobscuria/https://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it: InObscuria StoreIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Thrash legends Death Angel talk Bay Area pride, their new song, and upcoming Fillmore Christmas shows with Chasta and Baby Huey.See omnystudio.com/listener for privacy information.

A rundown of all that's happened, plus some rules check-ins, before the launch of Act IV. Dark Nexus is a creation of Plug & Hum Productions. Visit us at darknexuspodcast.com. This is a horror story and may not be appropriate for anyone under 18 years of age. Visit our Content page (darknexuspodcast.com/content) for more information.Dark Nexus uses trademarks and/or copyrights owned by Paizo Inc., used under Paizo's Fan Content Policy. This podcast is not published, endorsed, or specifically approved by Paizo. For more information about Paizo Inc. and Paizo products, visit paizo.com.Music and sound by Syrinscape (syrinscape.com/?att_dark_nexus). “Because Epic Games Need Epic Sound.” Complete list of credits at tinyurl.com/3zatscbd.Opening and closing themes, along with additional music, composed by Rob Kauzlaric.All artwork for Dark Nexus is by Matt Wahlquist (tartarsaucecomics.com).

(00:00:00) Introduction and Community Forum (00:09:24) Back at Camp and Old Lumiere (00:18:20) Maelle and the Manor (00:24:18) Fight with Dad (00:29:36) Back at Camp (00:38:22) Visage Island (00:43:53) Sirène (00:52:08) Esquie's Secret (00:53:47) The Dessendre Family (00:56:33) To the Monolith (01:09:40) Renoir's Final Plea (01:11:46) Confronting the Paintress (01:20:05) Celebration... (01:23:12) ...Short lived. Please consider supporting the show on Patreon!You can also join our free Discord server, or connect with us on Bluesky, Instagram, and TikTok!Who really is the one painting death? And who paints life instead? The narrative analysis of Clair Obscur: Expedition 33 continues! In this episode, Rick and Thrak (The 3DO Experience! and ThrakOps) cover from leaving Monoco's Station until the beginning of Act III. Renoir poses questions that trouble Verso deeply; is there more to the Dessendre family than we know? Join us for discussion on honesty, the sheer amount of art there is in this life, and the game's central thesis: that of the grieving process. Please enjoy!Thank you for listening! Want to reach out to PPR? Send your questions, comments, and recommendations to pixelprojectradio@gmail.com! And as ever, any ratings and/or reviews left on your platform of choice are greatly appreciated!

Wherein we answer questions submitted by YOU! Dark Nexus is a creation of Plug & Hum Productions. Visit us at darknexuspodcast.com. This is a horror story and may not be appropriate for anyone under 18 years of age. Visit our Content page (darknexuspodcast.com/content) for more information.Dark Nexus uses trademarks and/or copyrights owned by Paizo Inc., used under Paizo's Fan Content Policy. This podcast is not published, endorsed, or specifically approved by Paizo. For more information about Paizo Inc. and Paizo products, visit paizo.com.Music and sound by Syrinscape (syrinscape.com/?att_dark_nexus). “Because Epic Games Need Epic Sound.” Complete list of credits at tinyurl.com/3zatscbd.Opening and closing themes, along with additional music, composed by Rob Kauzlaric.All artwork for Dark Nexus is by Matt Wahlquist (tartarsaucecomics.com).

A conversation about our experiences in Act III. Dark Nexus is a creation of Plug & Hum Productions. Visit us at darknexuspodcast.com. This is a horror story and may not be appropriate for anyone under 18 years of age. Visit our Content page (darknexuspodcast.com/content) for more information.Dark Nexus uses trademarks and/or copyrights owned by Paizo Inc., used under Paizo's Fan Content Policy. This podcast is not published, endorsed, or specifically approved by Paizo. For more information about Paizo Inc. and Paizo products, visit paizo.com.Music and sound by Syrinscape (syrinscape.com/?att_dark_nexus). “Because Epic Games Need Epic Sound.” Complete list of credits at tinyurl.com/3zatscbd.Opening and closing themes, along with additional music, composed by Rob Kauzlaric.All artwork for Dark Nexus is by Matt Wahlquist (tartarsaucecomics.com).

A Hung Jury For Hazel CombsJump To The AD-FREE Safe House EditionEpisode 387 starts out conventionally enough: A woman murders her husband to collect the double indemnity insurance policy. But when after she cheats the hangman at the  end of Act II, the story doesn't stop there. Because of the legal technicalities of the insurance she took out, a jury still has to determine whether or not she committed the crime in Act III.Hear More Episodes About FEMMES FATALEBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.Join us at The Safe House, where every resident gets the key and safe combination to the dusty old vault where they listen to the largest collection of True Crime Historian episodes available in the entire universe, all ad-free.

The Slippery Scoundrel Gerald ChapmanJump To The Ad-Free Safe House EditionEpisode 384 tells the story of a so-called gentleman thief who fearlessly went for the big scores, even while the object of a nation-wide man-hunt. This is another action-packed episode loaded with gunfights, jailbreaks, courtroom breakdowns, and all kinds of shenanigans. Act III starts with a rather odd, melodramatic feature story published while this creep was waiting for the hangman. Jump To More Stories With PRISON BREAKSBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.Join us at The Safe House, where every resident gets the key and safe combination to the dusty old vault where they listen to the largest collection of True Crime Historian episodes available in the entire universe, all ad-free.

The Vermont DesperadoAd-Free Safe House EditionEpisode 386 tells the epic story of one of New England's most persistent scoundrels. It's the kind of story I delight in finding, that in another context would make a great Elmore Leonard or Carl Hiaasen novel, this one about a slippery but dim-witted thief, that would almost be comic if there wasn't a tragic loss of life in Act II, and even when he gets his come-uppance in Act III, there's still a couple of strange twists in the tale. No spoilers, but let's just say #botchedexecution.Hear More Stories About PRISON BREAKSBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.Join us at The Safe House, where every resident gets the key and safe combination to the dusty old vault where they listen to the largest collection of True Crime Historian episodes available in the entire universe, all ad-free.

GUY HALE chats to Paul Burke about The Shakespeare Murders, PUT OUT THE LIGHT, ALL OUR YESTERDAYS, The Comeback Trail, Stratford theatre, indie publishing and dodgy 70s cops.Put Out The Light, Paperback Act III Stratford-upon-Avon, Spring 1972 On the streets of Stratford four murders remain unsolved. For DC Toby Marlow there is only one potential killer: Oliver Lawrence. But nobody has seen Oliver for over fifteen years. They don't even know what he looks like, they are chasing a shadow. Oliver's first act is complete. As Spring turns to summer Act III is about to begin. Like Othello, he is poisoned by lies from the past. Revenge has consumed him…Now is the time to put out more lights!Guy Hale was born in Worcestershire. He has owned and run a successful construction business and is a publisher at Bullington Press and record label boss at Gulf Coast Rocords. His debut novel featured Jimmy Wayne and was the first in the Comeback Trial series, The Croaking Raven launched the Shakespeare Murders. His new novel, the third in that series is Put Out the Light.Mentions: Gardner - book wholesaler/distributor, Caroline England, Luke Deckard.Recommendations: Trevor Wood, Vaseem Khan, Abir Mukherjee, Chris Lloyd, Chris McDonald, Rob Parker, Heather Critchlow.Paul Burke edits Aspects of Crime Magazine and writes for Crime Time, Crime Fiction Lover and the European Literature Network, Punk Noir Magazine (fiction contribution). He is also a CWA Historical Dagger Judge 2025. His first book An Encyclopedia of  Spy Fiction will be out 2026.Produced by Junkyard DogCrime TimeCrime Time FM is the official podcast ofGwyl Crime Cymru Festival 2023 & 2025CrimeFest 2023CWA Daggers 2023 & 2024 & National Crime Reading Month& Newcastle Noir 2023 and 20242024 Slaughterfest,

The Murderous Journeys Of Frederick DeemingJump To The AD-FREE Safe House EditionEpisode 383 is another request from a listener Down Under, the story of a man who brutally murdered his wife and buried the body inside the house, then disappeared. Although they capture him at the end of Act II, Act III reveals an even more gruesome murder on the opposite side of the globe. He's a slippery one, but he gets his comeuppance.Hear More Episodes About BLUEBEARDSBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.Join us at The Safe House, where every resident gets the key and safe combination to the dusty old vault where they listen to the largest collection of True Crime Historian episodes available in the entire universe, all ad-free.

The Court Martial Of Pvt. Eddie LeonskiJump To The AD-FREE Safe House EditionEpisode 382 is dedicated to the Australian scoundrel Philip Quinn, a dedicated listener from Down Under who wanted to hear more about the case of Eddie Leonski, an American soldier who terrorized of Melbourne with a murder spree while the city was under mandated “brown-outs,” reductions in the use of lighting to make it less of a air raid target. The only good contemporary coverage of the case was during the trial, which was conducted by the American Army and not the local government, so you'll have to wait for the defense in Act III to learn the strange story behind the soldier's deadly impulse.Hear More Stories About SERIAL KILLERSBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-crime-historian--2909311/support.Join us at The Safe House, where every resident gets the key and safe combination to the dusty old vault where they listen to the largest collection of True Crime Historian episodes available in the entire universe, all ad-free.

Wherein they remember. Dark Nexus is a creation of Plug & Hum Productions. Visit us at darknexuspodcast.com. This is a horror story and may not be appropriate for anyone under 18 years of age. Visit our Content page (darknexuspodcast.com/content) for more information.Dark Nexus uses trademarks and/or copyrights owned by Paizo Inc., used under Paizo's Fan Content Policy. This podcast is not published, endorsed, or specifically approved by Paizo. For more information about Paizo Inc. and Paizo products, visit paizo.com.Music and sound by Syrinscape (syrinscape.com/?att_dark_nexus). “Because Epic Games Need Epic Sound.” Complete list of credits at tinyurl.com/3zatscbd.Opening and closing themes, along with additional music, composed by Rob Kauzlaric.All artwork for Dark Nexus is by Matt Wahlquist (tartarsaucecomics.com).

Margherita (the trapped and conditioned feminine consciousness), has lost her reason due to Faust's abandonment and the death of her (divine) mother, since the sleeping potion had deleterious effects. Driven to insanity, the distressed Margherita, having born Faust's child, drowns it in a pond to spite her absent lover. Faust is driven by remorse to seek her in the bowels of a prison with the help of Mefistofele, who provides the key to the initiatic mysteries and the means to unlock wisdom from the well of the world, the bottomless pit or abyss where knowledge must be found, discerned, and consciously integrated. Such a descent into the lower worlds is a common trope within mythological narratives, whereby the warrior (human) soul (Tiphereth) must face the terrors of hell and redeem the fallen consciousness (Sophia) from perdition. Such allegories reflect what Samael Aun Weor called the Ninth Sphere, the transformed and divinely-inspired sexuality between husband and wife who conquer desire and practice alchemy, chastity, or sexual transmutation. However, such a path is fraught with pain and hardship, since lust is difficult to extirpate, and “Bitterness”—(which defines many marriages)—“lies in the (alchemical) cup of even the best love: thus it arouses longing for the Superman; thus it arouses your thirst, creator (alchemist)” (Nietzsche, Thus Spoke Zarathustra). Learn how to transmute the pain of the Ninth Sphere through a study of the 21st Arcanum of the Tarot, known as the Fool in conventional decks, whereby Margherita, the Essence trapped in our defects or ego, can be liberated towards the higher worlds of the initiatic path. Resources and References: https://chicagognosis.org/lectures/the-fool-lust-insanity-and-pain-of-the-ninth-sphere-in-mefistofele-act-iii https://chicagognosis.org/lectures/arcanum-9-the-hermit https://chicagognosis.org/lectures/arcanum-21-transmutation Boito - Mefistofele: Arena, Ramey, Benackova, San Francisco Opera House

Wherein they face the past. Dark Nexus is a creation of Plug & Hum Productions. Visit us at darknexuspodcast.com. This is a horror story and may not be appropriate for anyone under 18 years of age. Visit our Content page (darknexuspodcast.com/content) for more information.Dark Nexus uses trademarks and/or copyrights owned by Paizo Inc., used under Paizo's Fan Content Policy. This podcast is not published, endorsed, or specifically approved by Paizo. For more information about Paizo Inc. and Paizo products, visit paizo.com.Music and sound by Syrinscape (syrinscape.com/?att_dark_nexus). “Because Epic Games Need Epic Sound.” Complete list of credits at tinyurl.com/3zatscbd.Opening and closing themes, along with additional music, composed by Rob Kauzlaric.All artwork for Dark Nexus is by Matt Wahlquist (tartarsaucecomics.com).

Wherein they let go. Dark Nexus is a creation of Plug & Hum Productions. Visit us at darknexuspodcast.com. This is a horror story and may not be appropriate for anyone under 18 years of age. Visit our Content page (darknexuspodcast.com/content) for more information.Dark Nexus uses trademarks and/or copyrights owned by Paizo Inc., used under Paizo's Fan Content Policy. This podcast is not published, endorsed, or specifically approved by Paizo. For more information about Paizo Inc. and Paizo products, visit paizo.com.Music and sound by Syrinscape (syrinscape.com/?att_dark_nexus). “Because Epic Games Need Epic Sound.” Complete list of credits at tinyurl.com/3zatscbd.Opening and closing themes, along with additional music, composed by Rob Kauzlaric.All artwork for Dark Nexus is by Matt Wahlquist (tartarsaucecomics.com).

#ThisMorning | #Retirement | #RoadstoRetirement #Act III - A #Sacramento #Gold Rush | #Tunein: broadcastretirementnetwork.com #Aging, #Finance, #Lifestyle, #Privacy, #Retirement, #wellness

Did Beyonce give another hint at a potential Act III? Plus, an update on Diddy after his lawyers filed to bail him out early… Learn more about your ad choices. Visit megaphone.fm/adchoices

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This week, we are diving into everything from Beyoncé's record-breaking Cowboy Carter tour (and the real Act III theories) to the cringe heard 'round the internet—aka Sydney Sweeney's ad for American Eagle. Plus: is Katy Perry dating Justin Trudeau? Are we about to get TS12? And what's going on with Justin Timberlake's mic (or lack thereof)?Oh, and Blue Ivy might be coming for all your fave Nepo babies—fair warning. Tap in!Subscribe for monthly bonus episodes:https://patreon.com/2Queens2CrownsJoin the conversation:TikTok -⁠@2queens2crowns⁠,⁠@iam_kjmiller⁠, @leta_bitchknow⁠YouTube -⁠2 Queens 2 Crowns⁠IG:⁠@kjmiller, ⁠⁠@letabknow References:Jake Dayton's Taylor Swift Theory:https://www.tiktok.com/@jakedeyton1/video/7532193362825284878Elle Article on Katy Perry and Justin Trudeau:https://www.elle.com/culture/celebrities/a65541339/katy-perry-justin-trudeau-montreal-dinner-dating-rumors-explained/American Eagle Campaign with Sydney Sweeney:https://www.youtube.com/watch?v=2DNyA-6X0cI&t=1sBrooke Shields Calvin Klein Jeans Commercial:https://www.youtube.com/watch?v=AXzR5b6HoIABuilding the Band on Netflix:​​https://www.netflix.com/title/81701544

Nora Helmer begins Act I as a devoted wife to her respectable husband, Torvald, and a devoted mother to her young children. She ends Act III by walking out on all of them and closing the door behind her. The emotional distance covered in these three acts (representing a span of just a few days in the lives of the Helmers) makes Nora one of the greatest and most coveted acting challenges in the theater. How might we mark out a route between the Nora of Act I, the charming toy of the men in her life who seems to desire nothing more than the comfort and ease her husband's recent promotion is set to provide, and the Nora of Act III, an independent woman willing to sacrifice everything in pursuit of her own self-determination? Wes & Erin discuss Henrik Ibsen's "A Doll's House."

On the new Billboard Pop Shop Podcast, Katie & Keith are chatting about the surprise reunion and what it might mean for Act III -- the expected third act to complete the trilogy that started with 2021's Renaissance and continued with 2024's Cowboy Carter. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we're gossiping about Love Island (we can't escape them), JaNa & Kenny breaking up and season 7 post-villa life. Bravo couple news: Michelle & Aaron from The Valley break up, while Garcelle gets cozy with a new man! We chat about Beyoncé and Destiny's Child reuniting and our predictions, dream collabs, and style mood boards for Act III

This morning, with mist on the path and a newborn soul in the family, I found myself standing in the middle of time. In this episode, I reflect on becoming a grandfather—not just as a title but as a threshold. What does it mean to witness both ends of the arc at once? To hold memory in one hand and possibility in the other?  This is a story about legacy, presence, and the quiet craft of love. About wisdom walks, lineage, and the sacred responsibility of walking ahead while leaving footprints behind.If you're navigating Act III of your own life—or simply wondering what kind of ancestor you're becoming—this one's for you. Come walk with me. Let's find the sacred in the ordinary, the wisdom in wondering, and the story that wants to be remembered.

Ricky Ian Gordon has written a cycle of songs about flowers. In this episode, we hear one of them. Rachmaninoff wrote a song called “Lilacs.” We hear that, too. Bach opens his Goldberg Variations with an aria (and closes the work with that same aria). Tchaikovsky's wrote a couple of blockbuster arias in The Queen of Spades. And on we go. Gordon, “We should not mind so small a flower” Rachmaninoff, “Lilacs” Bach, Goldberg Variations Tchaikovsky, Lisa's Aria from Act III of “The Queen of Spades” Tchaikovsky, Prince Yeletsky's Aria, Act II, “The Queen of Spades” Tchaikovsky, “It was in early spring” Shostakovich, Prelude in D-flat major Bach-Kempff, Siciliano

In this College Deep Dive, MTCA Charlie Murphy chats with Jessica Boevers Bogart and Sydney Morton from University of Michigan. They chat about:  Showcase as human-first, not performance-perfect The myth of “best” auditions – it's all about breathing and presence Ego vs. confidence: What happens when you come from a big-name program Working faculty – the pros, cons, and what consistency really means If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.nyc], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Together Real Bad, Beautifulll and Ace open up about the highs, lows, and hilarious moments of launching their new business venture together — Jem Junkies. From working the Black Boy Art Show in Chicago to building a brand that blends beauty and culture, the duo shares what it's really like to start a business with your partner. They talk about:

In the show's 35th episode, we are super electrified to have designer Kaleb Wentzel-Fisher join us and to talk about Power Vacuum and so much more. The stories here might shock you! The puns I force Kaleb to make might make your hair stand on end! That's all a part of the guarantee that you are in for a more fun time than a stroll down the aisle of your local appliance store.But in all seriousness, this is a great episode. You already knew that.Check out Kaleb's work:WebsiteBlue SkyPower Vacuum (purchasable through Keen Bean Studio)[The intro kind of forgot the number initially, making things sound a little funky–but that was corrected shortly after–lol.]NEW SHOW NOTES FEATURE–Google Doc of Games Mentioned this EpisodePrologue (0:00)Several fun introductory anecdotes, and Kaleb is set up with a task that will help “set the scene” for each of the following acts.Act I (18:30)Exploring Kaleb's backgrounds in film and sound in order to see how they have made their way into Kaleb's board game design thoughts. Kaleb and Malachi Ray Rempen (Keen Bean Studio) have a very interesting backstory, and Kaleb reflects on that here as well.Act II (48:11)Some quotes taken from The Death of Stalin, an inspiration for Power Vacuum, and some random questions based on those quotes.Act III (1:15:16)What constitutes an appliance?How did Power Vacuum come to exist?What is the meaning of life?Two of those three questions are answered.Probably.Epilogue (1:41:26)A text on Kaleb's mind and things to look out for from him in the future.-----------------------------------------------------------------------------------------If you like this show, liking it on whatever platform you listen to and writing a review would mean so much! Furthermore, it's as independent as it gets, so any financial support would help with the subscriptions that make this project go smoothly. That can be done here: Buy Me a Coffeevodthepod@gmail.comBlueskyInstagramTikTokOversized Sandwich BGGOversized Sandwich (to purchase)

Rozhok, Ziggy, and the Lord Benedict delve deep into the hidden temple of the Little Maker... Spoiler warning - this story is set between the first and second Dune novels, so if you haven't read Dune or seen the film bear in mind you're going to encounter some HEAVY spoilers. If you enjoyed this and are interested in more Dune content, check out Gom Jabbar wherever you listen to podcasts! Music by Noah Perito & Lisa Condemi Sound Effects: “Battle with Monsters and Magic” - Michaël Ghelfi "Sword-clash-and-slide" - Fun with Sound "gun-cocking-sound" - theartguild of ⁠Freesound.org "shotscifipowerdownbuildshorthighs" - cjdeets of ⁠Freesound.org "bullet-ricochet" - aust-paul of ⁠⁠Freesound.org⁠ Additional sound effects by Noah Perito.

Send us a textNancy is in wrapping up "Act II" of her life journey. Act I was living in Ohio and working in HR in the corporate world. Act II brought her to the beaches of NC to become a CTE teacher at Jacksonville High School. With a few decades of teaching under her belt and only a few years left until retirement (Act III), Nancy has been gazelle intense, working on having her financial house in order as she gets ready to ride off into the sunset and travel the world as a part of her final act. Nancy first appeared on FIT last year on episode 159 (check that out to hear more about her personal story). Since then, she has officially become a net worth millionaire and is helping others along the way! 

Linktree: https://linktr.ee/AnalyticBecome A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: https://ow.ly/oPsc50VBOuHIn this segment of Notorious Mass Effect, Analytic Dreamz unpacks Megan Thee Stallion's fiery first solo single of 2025, “Whenever,” released April 25. With bold lyrics echoing her Fever era, Megan delivers unapologetic confidence, slamming haters in a Western-themed music video directed by Zac Dov Wiesel. Analytic Dreamz dives into the single's southern swagger, Coachella 2025 buzz, and Megan's TikTok Live updates on her upcoming album Act: III. From collaborations with Blackpink's Lisa to her legal victory over Tory Lanez, join Analytic Dreamz to explore Megan's unstoppable rise.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Donald Macleod explores Danish composer, Carl Nielsen, through his temperaments Carl Nielsen (1865-1931) is probably the most eminent Danish composer. Known mainly for his talent as a symphonist and for his incidental music for 'Aladdin', he also pushed the boundaries of Romantic music, whether in his work on the voice or his exploration of dissonance. Born in the fairy tale-looking island of Fyn, his music is indeed full of characters: Nielsen was fascinated by the multiplicity of human emotions and personalities. To the extent that they frequently were the source of his musical creativity. After all, he was himself a passionate character, something that transpires in his very scores, in which the composer often hides behind the music. This week, inspired by his second and fourth symphonies, Donald Macleod invites you to discover Carl Nielsen's story through the prism of five different aspects of his temperament.Music Featured: Saul og David (Prelude to Act II) Symphony No 2, Op 16, FS29 ‘The Four Temperaments' Fynsk Forar, Op 42 (excerpt) Polka in A major, FS1 Little Suite for strings in A minor, Op 1 (3rd mvt) Aladdin Suite, Op 34 (excerpt) Søvnen, Op 18 String Quartet in D Minor, FS 3d (3rd mvt) Saga-Drøm, Op 39, FS 46 Concerto for Flute and Orchestra, FS 119 (1st mvt) The Heavens darken, vast and silent, FS 106 Dream about ‘Silent Night', FS 34 Farewell, my respectable native town! String Quartet No 1 in G minor, Op 13, FS 4 (excerpt) Humoresque Bagatelles Moderen [The Mother], Op 41 (No 2, Tågen letter “The Fog is Lifting”) String Quartet No 2 in F minor, Op 5 (excerpt) Romance in D major for violin and piano Hymnus amoris [Hymn of Love] for soloists, choir and orchestra, Op 12 (No 4, Old Age) Three Motets (No 3, Benedictus Dominus) 5 Songs, FS 12 (No 4, Irmelin Rose) Piano Suite "The Luciferan", FS 91, Op 45 (excerpt) String Quartet No 3 in E-flat major, FS 23, Op 14 (excerpt) Symphony No 3, Op 27, FS 60 "Sinfonia espansiva" (3rd mvt) Maskarade, FS 39, Act III (excerpt) Symphonic Suite for Piano, Op 8, FS 19 (4th mvt, Finale) Stophic Songs, FS 42, Vol 2, No 1, "Saenk kun dit hoved, du blomst" The Spider's Song Jens Vejmand (arr. Finn Savery) Helios, Op 17, FS 32 Violin Concerto, Op 33, FS 61 (Preludium) Symphony No 6 "Sinfonia semplice", FS 116 (4th mvt, Tema con variazioni) Symphony No 4 "The Inextinguishable", Op 29, FS 76 (4th mvt)Presented by Donald Macleod Produced by Julien Rosa for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Carl Nielsen (1865-1931) https://www.bbc.co.uk/programmes/m0029j16 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

“Embracing Aging: Ashton Applewhite on Fighting Ageism, Wisdom, and the Joys of Act III. THE OPEN NESTERS PODCAST.

Next up on COisG... WE SING-A-LONG WITH THE ROCKY HORROR PICTURE SHOW!!!Never taken a shortcut before? -- Don't fence me in ⁠⁠ -- The Good Guys:  Regan, Rob, and Ryan Myers  -Producer:  Eric 'e0n' Chung  -Engineers:  Regan & Eric  -Social Media Strategist:  @Syndicate0n  -Trailer Music is ACT III courtesy of Karl Casey @ White Bat Audio  -Theme music is Battle (Boss) by BoxCat Games and is licensed under CC BY 3.0  - Additional music is Against the Wall by BoxCat Games and is licensed under CC BY 3.0  - http://coisgpod.com/  -

Geoff and Tanner rumble with Claudio Sanchez and crew for the latest from Coheed.

The LGP-30 is one of my favorite computers. It's small, scrappy, strange, and wonderous. Among its many wonders are two obscure languages: ACT-I and ACT-III. In this episode we are exploring the ACTS, how the LGP-30 was programmed in practice, and why I've been losing sleep for the last few weeks.

Kicking the dead horse... With 4 legs. -- JC2VD2⁠ ⁠⁠ -- The Good Guys:  Regan, Rob, and Ryan Myers  -Producer:  Eric 'e0n' Chung  -Engineers:  Regan & Eric  -Social Media Strategist:  @Syndicate0n  -Trailer Music is ACT III courtesy of Karl Casey @ White Bat Audio  -Theme music is Battle (Boss) by BoxCat Games and is licensed under CC BY 3.0  - Additional music is Against the Wall by BoxCat Games and is licensed under CC BY 3.0  - http://coisgpod.com/  -

The third act of Kentucky Route Zero is a chunky one, featuring some new and recurring characters, pivotal story moments, and arguably the most iconic scene in the game.Join this playthrough, get bonus episodes, join the Discord, and support this podcast at http://patreon.com/gaminginthewild.See the videos and find me on social media: http://gaminginthewild.com.Thanks for listening!

Luisa: Renata Scotto Rodolfo: Giuliano Ciannella Miller: Giorgio Zancanaro Laura: Rina Pallini Conductor: Peter Maag Teatro Regio di Parma 16 January 1976 Broadcast?