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Gay homosexuals Nick and Joseph discuss Swept Away - a 2002 adventure romantic comedy film written and directed by Guy Ritchie, a remake of Lina Wertmüller's 1974 Italian film of the same name, starring Madonna, Adriano Giannini, Bruce Greenwood, Jeanne Tripplehorn and Elizabeth Banks. Additional topics include: -Letterboxd 2024 and Apple Music Replay 2024 -Black filmmakers who are not Tyler Perry: Nia DaCosta, Janicza Bravo, Ernest Dickerson, Carl Franklin, and Wendell B. Harris, Jr. -Restaurants in Mérida, Yucatán -The deaths of Linda Lavin, Greg Gumbel, Angus Macinnes, Olivia Hussey, Charles Shyer, and Jimmy Carter Join us on Patreon: https://www.patreon.com/FishJellyFilmReviews Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson
At the end of this month, after more than two decades, Netflix is phasing out its DVD-rental business. While that may not come as a surprise given the predominance of streaming platforms, it's a great loss to cinephiles, according to the New Yorker's Richard Brody. Streaming services routinely drop titles from circulation, and amazing films may be lost to moviegoers. “Physical media is what protects us from being at the mercy of streaming services for our movies and our music,” Brody says. “It's like a library at home.” Brody gives the producer Adam Howard a peek into his own personal stash of films, and picks a few DVDs of films he would take with him in a fire: Godard's “King Lear” (“the greatest film ever made – literally”); “Chameleon Street,” by Wendell B. Harris, Jr.; “Stranded” and “The Plastic Dome of Norma Jean,” by Juleen Compton; and a box set of five films by John Cassavetes.
Wendell B. Harris Jr. is an American independent filmmaker trained in drama at Interlochen and Juilliard. His family founded Prismatic Images, a multi-award-winning film/video/audio production facility in Flint, Michigan, in 1979 and he broke onto the scene by making the breakthrough Sundance smash, Chameleon Street just one year after Steven Soderbergh broke with his debut film. One of my favorite film critics, Robert Daniels joins me to talk about Chameleon Street and the reason why it was Harris' only film to date. (He has tried many times to get projects greenlit but it still hasn't happened as of this recording). Robert and I celebrate the audacity of this remarkable talent both in front of the camera and behind it. Before that, we learn about Robert's background and have a discussion on the current state of film criticism. Then later on, we preview our next conversation for next year on Charles Burnett and more! 00:00 - 41:30 - Introduction / Views on Film Criticism 41:31 - 01:34:55 - Chameleon Street / Wendall B. Harris 01:34:56 - 02:06:33 - Other Films / Outro Follow Robert's Work: https://twitter.com/812filmreviews https://substack.com/@812filmreviews https://www.rogerebert.com/contributors/robert-daniels Buy The New Chameleon Street Blu-Ray: https://shoparbelosfilms.com/products/le-chameleon-street-blu-ray
The first feature from Wendell B. Harris Jr. (Chameleon Street) won the grand jury prize at Sundance in 1990. He has yet to be given the opportunity to make a follow-up. In this epic interview Harris shares the lessons gleaned from a life inside and outside of Hollywood, from his meetings with legends like Orson Welles and Chester Himes, to the project he has been working on since “Chameleon Street”, a documentary called “Yeshua vs. Frankenstein In 3D/G-Speak”. How is the world wrong about Wendell B. Harris, Jr.? From Andras Jones: I knew when I watched “Chameleon Street” that its writer, director and star was an important artist but after talking with him for over 7 hours (cut down to the three and half hours for this episode) it's clear to me that Wendell B. Harris Jr is as vital as ever, and sitting on several scripts and projects that remain ahead of their time today. Find all of our episodes at www.theworldiswrongpodcast.com Follow us on Instagram @theworldiswrongpodcast Follow us on Twitter @worldiswrongpod Follow us on YouTube: https://www.youtube.com/channel/UCKE5tmbr-I_hLe_W9pUqXag The World Is Wrong theme written, produced and performed by Andras Jones Check out: The Director's Wall with Bryan Connolly & AJ Gonzalez & The Radio8Ball Show hosted by Andras Jones See omnystudio.com/listener for privacy information.
Noirvember 2021 continues with a look at Wendell B. Harris's Chameleon Street. After winning the Sundance film festival in 1990 the film took too long to come out theatrically and died a quick death after it did. It's the story of Douglas Street played by Harris. He's a man who goes from installing burglar alarms to extorting a Detroit Tiger to impersonating a doctor, student, lawyer, and more.Jay Jackson and Jonathan Melville join Mike to discuss this thought-provoking film. Learn more about your ad choices. Visit megaphone.fm/adchoices
Noirvember 2021 continues with a look at Wendell B. Harris's Chameleon Street. After winning the Sundance film festival in 1990 the film took too long to come out theatrically and died a quick death after it did. It's the story of Douglas Street played by Harris. He's a man who goes from installing burglar alarms to extorting a Detroit Tiger to impersonating a doctor, student, lawyer, and more. Jay Jackson and Jonathan Melville join Mike to discuss this thought-provoking film.
Praise be that film festivals are back! To kick things off, Megan talks about IFFBoston's Fall Focus, and her experiences watching SPENCER (2:03), BELFAST (6:12), HAPPENING (8:32), and MEMORIA (10:31). Evan joins her to talk about PETITE MAMAN (14:21) and THE WORST PERSON IN THE WORLD (20:52). Then Evan (with an assist from Megan) takes everyone through Shudder's HORROR NOIRE (30:25), an anthology film with six horror stories from Black directors and screenwriters. Lastly, Dave and Evan review the 4K restoration of Wendell B. Harris Jr.'s CHAMELEON STREET (44:13), which won the 1990 Sundance Grand Jury Prize and has been hard to find since. And in this week's Patreon exclusive audio, we feature the monthly poll winner - we asked you to choose from FRANKENSTEIN films and the winner is THE BRIDE, starring Sting and Jennifer Beals. We had a blast talking about it, so check it out and consider becoming a patron!
This Friday, a new restoration of the 1989 indie classic Chameleon Street opens at BAM. Wendell B. Harris's utterly unique satire follows a real-life compulsive conman, Douglas Street, whose increasingly risky scams demonstrate both a sociopathic genius and a deep pathos. Wendell not only wrote and directed the film, but, like his hero Orson Welles, also played the lead character, with all of the dangerous charm of a man who conned his way into a surgical theater. On today's podcast, Wendell joins FC Editors Clinton Krute and Devika Girish for a fascinating oral history of the making of Chameleon Street, which won the Grand Jury Prize at Sundance. He also revealed that he's pulled some cons of his own: in 1978, he scored an interview with classic Hollywood actor Hurd Hatfield by pretending to be a Film Comment reporter. Wendell, when you find the tape, please send it our way! Better late than never.
Wendell B. Harris Jr’s directorial debut about career con man Douglas Street is a totally unique and experimental satire that frightened Hollywood when it was released in 1989. Directed byWendell B. Harris Jr. Starring Wendell B. Harris Jr., Angela Leslie, Paula McGee, Jennifer Turner & Dave Barber How is the world wrong about this film? From Andras: After winning the Grand Jury Award at Sundance Film Festival in 1990 Wendell B. Harris Jr. was unable to secure distribution for “Chameleon Street” or get anyone to fund a follow up. I’d never heard of it until it was recommended to me by director Skinner Myers and we invited him to join the podcast to share his take on this film and its troubled history. Skinner Myers: https://www.skinnermyers.com/ Radio8Ball with Andras Jones: http://www.radio8ball.com/ The Director's Wall with Bryan Connolly & AJ Gonzalez: https://directorswall.com/ Swindled podcast about Douglas Street: https://swindledpodcast.com/podcasts/season-1/episode-08-the-impostor/ See omnystudio.com/listener for privacy information.
Today we have on filmmaker and film professor Mtume Gant (http://twitter.com/SirCoreGant). This is the Harden flop we mentioned https://twitter.com/MustBeCharm/status/1119730396575539202. Some of the movies that were mentioned: Chameleon Street (Wendell B. Harris, Jr.) Dutchman (Anthony Harvey, Amiri Baraka) The Spook Who Sat by the Door (Ivan Dixon) The Landlord (Hal Ashby) Blue Collar(Paul Schrader) Scratch (Documentary) Killer of Sheep (Charles Burnett) Ganja and Hess (Bill Gunn) Oscar Micheaux movies on Netflix, under the title "Pioneers of African-American Cinema": https://www.netflix.com/title/80161851?s=i&trkid=13747225
Wendell B. Harris, Jr won the Grand Jury Prize at the 1990 Sundance Film Festival with his debut independent feature "Chameleon Street", a fictional retelling of the incredible life of professional imposter William Douglas Street, a man who pretended to be lawyers, reporters, students and doctors, even performing 36 successful hysterectomies. "Chameleon Street" announced the arrival of a fully-formed cinematic auteur who had carved out a highly-specific mix of humor, drama, politics, and race relations and was seemingly presented with all the runway to fulfill the promise repped in his entirely self-funded, truly independent first feature. Instead, he never directed another film.
Bill speaks with writer and film programmer Ashley Clark about his pursuits, from his early blog Permanent Plastic Helmet and programming screenings at the movie theatre where he worked to writing for publications like The Guardian, Sight & Sound, Reverse Shot and Vice and programming for the BFI and MOMA. Other topics covered include: THE HATEFUL EIGHT, Wendell B. Harris Jr.’s CHAMELEON STREET and the emotional side of curation, his book “Facing Blackness – Media and Minstrelsy in Spike Lee’s BAMBOOZLED”, TAXI DRIVER, the importance of editors, organizing the Black Star series at London's BFI Southbank, Ed Guerrero’s Framing Blackness, and having a smaller trailer than Billy Zane as a child actor. Visit Ashley Clark’s official site: http://www.ashleyclark.net/ Read Wendell B. Harris’ essay “Who Killed CHAMELEON STREET?” http://metrograph.com/edition/article/28/who-killed-chameleon-street Buy Ashley Clark’s book “Facing Blackness – Media and Minstrelsy in Spike Lee’s BAMBOOZLED”: https://www.amazon.com/Facing-Blackness-Media-Minstrelsy-Bamboozled/dp/1941629210/ref=sr_1_8?ie=UTF8&qid=1495317164&sr=8-8 Buy the BFI DVD/Blu-Ray TWO FILMS BY LINO BROCKA, featuring liner notes by Cathy Landicho Clark. https://www.amazon.co.uk/dp/B01N941RHA/ref=pd_sim_74_16?_encoding=UTF8&psc=1&refRID=94GZDT8NATVG8FFCVYHZ Buy Ed Guerrero’s book Framing Blackness: The African American Image in Film https://www.amazon.com/Framing-Blackness-African-American-Culture/dp/1566391261/ref=sr_1_1?s=books&ie=UTF8&qid=1495415133 Watch Ashley Clark discuss BAMBOOZLED with Spike Lee: https://www.youtube.com/watch?v=_Jxa83KgAy4&t=9s Hear Ashley Clark on The Film Comment podcast: https://www.filmcomment.com/blog/film-comment-podcast-identity/
Hosted By Trina T , Dometi and Merk. Produced By: Taylor Kristen & Marques Elliston Intro feature insert from "Chameleon Street" Dir. Wendell B. Harris, Jr. Music: Slum Village - Go Ladies Black Star- Brown Skin Lady BlackGirlsAreGods.com WPLXRADIO.com