Podcasts about taxi drivers

No cheating nor stealing — it's Timothy Olyphant. ‘A complaint of actors' and other druthers: a hunch, being taken seriously, Mick's vulnerabilities, cheap champagne and a pocket full of chips. “When he's doing Taxi Driver, he knows that's funny, right?” Welcome to SmartLess. Subscribe to SiriusXM Podcasts+ to listen to new episodes of SmartLess ad-free and a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Movie Mistrial, we drive through the neon gloom of 1970s New York with Martin Scorsese's Taxi Driver.Robert De Niro's iconic performance and Scorsese's gritty direction create one of cinema's most powerful portraits of alienation and obsession. Its relentless darkness and morally disturbing protagonist can make it a deeply uncomfortable watch for some viewers.Join us as we examine whether Taxi Driver is a timeless masterpiece—or an intentionally unsettling experience that resists easy praise.Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitter Facebook: http://tiny.cc/MistrialFB Instagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

At just before three in the morning on Saturday the 19th of March 2011, a 22-year-old woman named Sian O'Callaghan left a nightclub in the centre of Swindon, Wiltshire, and began the 800-metre walk home to the flat she shared with her boyfriend. She never arrived. Within days, Detective Superintendent Steve Fulcher of Wiltshire Police had identified a suspect. Within a week, he had made a decision that would save one family from years of wondering, deliver another family a second set of remains that had been missing for eight years, and destroy his own career in the process. Fulcher took the suspect, a local taxi driver named Christopher Halliwell, to an Iron Age hill fort north of Swindon. He deliberately broke the Police and Criminal Evidence Act to interrogate him. And there, without a solicitor present, Halliwell led him first to Sian O'Callaghan's shallow grave in an Oxfordshire field, and then, on the drive back to the police station, offered him a second body. This is the story of two young women who died eight years apart, the detective who broke the rules to find them, and the spade in a Swindon shed that eventually put their killer behind bars for the rest of his life.Become a Patreon or Apple + subscriber now for ealry and ad free access from as little as $1.69 a week. All the details hereSubscribe to Crime at Bedtimes Youtube channel HERE Hosted on Acast. See acast.com/privacy for more information.

We discuss the work of actor, writer, filmmaker, and prankster Nick Corirossi, with a focus on his work as Craig Healy in CUPLICATED, his Taxi Driver remake BOLT DRIVER, and his DTV non-spin-off of Sideways THE NAPPA BOYS. JOIN THE PATREON FOR AN EXTRA EPISODE EVERY WEEK: www.patreon.com/theimportantcinemaclub Send us stuff like zines, movie-related books, physical media or memorabilia c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada. Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: bsky.app/profile/declouxj.bsky.social Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as Will's MICHAEL AND US (@michael-and-us)

Message Dan and MikeRocky turns 50 this December, and Sylvester Stallone just turned 80 — so we're marking both with our very first Stallone review. A broke, unknown actor with bit parts in mob films turned down nearly $400,000 from the studio, wrote the script in three days, and sold his own dog to make the one movie he refused to let anyone else star in.We get into the guerrilla filmmaking behind it: a budget under a million dollars, a 28-day shoot, no permits, tarps hauled in to fake the Philadelphia skyline in New York, and a training montage stitched together from footage grabbed wherever they could get it. We talk about the producers mortgaging their homes to finish the film, the choreographers who walked off over how the fights were staged, and Stallone ultimately taking the choreography credit himself. We also cover the film's two Godfather connections through Talia Shire and Joe Spinell, the legacy of Burgess Meredith, Carl Weathers, and Burt Young, and how Rocky beat out a stacked 1976 Best Picture field that included Taxi Driver, Network, and All the President's Men.Whether you've seen Rocky fifty times or somehow never seen it, we make the case for why it still holds up as one of the most complete films ever made. Come for the trivia, stay for the argument about whether this is truly a perfect movie.Support the showOh Brother Podcast:Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram

In the seventh and penultimate 15 minutes of our screenplay treatment, Napoleon is back in France to go for the top prize - power. But his bid for his ultimate goal is not going to be straightforward and he has to accept that in order to achieve this, he'll have to put aside romantic dreams and do what matters to get this one last job done. That means a new approach to his unfaithful wife Josephine; a reckoning with our antagonist Paul Barras; and a new kind of battlefield - the Council of Five Hundred.Yes, it's episode eight of our screenwriting escapade, in which we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident artificial aide-de-camp NAIpoleon Bot-aparte puts it:Alex Stevenson introduces the climax phase of the Napoleon screenplay project and acknowledges the contributions of James Topham and Ben Deery 00:00.Ben Deery revisits an underappreciated Sphinx joke from previous episodes, sparking playful banter about comedic appreciation 00:01:16.James Topham recaps the emotional and psychological journey of Napoleon in Act 2, culminating in a brutal turning point during the Egyptian campaign 00:03:01.Introduction and breakdown of Act 3 structure: the internal-external conflict resolution, new plans, and the heightened sense of sacrifice Napoleon must undergo 00:10:03.Deep dive into the historical coup of Brumaire, exploring how Napoleon's ambiguous resolve and political struggles can be mapped onto the screenplay's climax 00:13:01.Discussion of antagonist dynamics: Paul Barras must return as a strong opposition for the final act, including possible narrative liberties to heighten his role 00:24:28.Insight into the B story: Napoleon and Josephine's tumultuous reunion, tying personal and political stakes together in a pivotal emotional scene 00:34:05.Reference to classic films and psychological theories (e.g., High Society, Taxi Driver, Madonna-Whore complex) to illustrate character developments and narrative arcs 00:39:34.Strategizing the depiction of the coup's high-stakes drama—physical peril, the threat of the guillotine, and how to visually and emotionally convey Napoleon's critical risk 00:52:13.Closing with an explanation of the filmic denouement: what “new normal” the world and characters face after Napoleon's victory, and teaser for the next episode's focus on wrapping up the screenplay 00:54:54.Help us produce more episodes by supporting the Napoleonic Quarterly on Patreon: patreon.com/napoleonicquarterly

John tells PJ that drivers are obliged to accept fares on a rank with a few exceptions but many are turning down passengers who want short trips and that's wrong Hosted on Acast. See acast.com/privacy for more information.

It's been said that you can spot an American from a mile away. Travelers to Europe are advised to adjust their attire to blend in with locals and avoid looking so … casual. The French think Americans are loud and rude, and Europe has a long tradition of sneering at how classless we all are, even before Trump.I spent a month in Italy, and it's a beautiful place. The slow living, the long naps when all the stores shut down for hours during the day, the tiny cars, the laundry drying on the balconies, the fresh food at the Farmer's Market. I feel lucky that when I came back from Italy, I was pregnant and having my baby is the single greatest thing that has ever happened to me. But I'm also glad she grew up in America.I used to travel to France to cover the Cannes Film Festival, and again, I admired their way of life, the food especially. But every time I stayed too long, I began to miss my home in America. There is something thrilling about living in a free country that I've never felt anywhere else.It seems to me that if you are born here, you make up your life as it goes along. It is not planned out for you, necessarily, although in some cases, I guess it probably is. In my case, it wasn't. I knew I could invent myself any way I wanted. And if I didn't like that version, I could reinvent myself. We're like our country, a work in progress. It's always there for the taking, that promise of opportunity.Donald Trump is all of America's freedoms wrapped up in one imperfect man. He broke through the thick layer of oppressive thought and speech and showed the world that here, you really can say anything you want - as long as some crazed totalitarian doesn't try to shoot you. That's the country I want to live in. It isn't that the greatest writing or art has come from a place like America. Plenty of great works have come from places that don't center freedom as their main objective. But once you've tasted it, you can't give it up.In his speech last night, Trump said:The American founding represents the best ideas and traditions in history by the best people, like you. You can be loyal to Karl Marx or you can be loyal to America. You can be a communist or you can be a patriot. You cannot be both. As for those who peddle Marxist lies about our heritage, tell our children that we live on stolen land or that our heroes were oppressors, they're doing something much worse than slandering our past. They are slandering and attacking our future. Not going to let that happen.They're trying to tear down the great American character to destroy the people who declared independence, who crossed the Delaware, who settled the West and conquered the skies. You know who those people are. But we will never let that happen.In America now, two stories are competing to claim the right to rule the future. Trump is telling the better story, the one America was founded on and the one we've all believed, at least up until recently, when a new wave of progressives decided that the better story paints America as a corrupt, rotten, white supremacist empire that has to be torn down to the studs and rebuilt.They must be terrified about the 2030 Census because they've decided to die on the hill of illegal immigration, which is fast becoming their most important issue. That, alongside Democratic Socialism, is a recipe for disaster.This was Bill Clinton's bummer message on the Fourth:I always thought Bill Clinton was a good president, but reading that just now makes me think he wasn't. All he's ever been able to do is point the finger at the other side and never offer any real solutions. He's not the man in the arena. He's the man on the sidelines.What I love about Trump and his supporters is how much they love America. They love it so much that they plant flags all over their homes. They admire the Founding Fathers. They call themselves Patriots. We didn't have that kind of pride on the Left when I was growing up.And even now, so many see the American flag and the love of country as dangerous, racist, bigoted, fascist. Whoever told those people that is what MAGA is about lied. They're protective of America's laws and its border. That is out of love for the country. The Left has taken almost everything from them. They've locked them out of culture, forbidden them from participating in any of their major events, dehumanized, demonized, and disenfranchised them. But the one thing they couldn't take was their citizenship. They hit the jackpot just by being born in America. To think it would be so easy for people all over the world to come here illegally and claim that prize or to come here and attempt to remake America into something it was never meant to be devalues the one thing they treasure most of all. I've always been a proud American. I've always preferred this country over any other, but only in the last few years have I understood what it means to be a Patriot, to be ready to fight for the country I love. And that is because of the people I've gotten to know on the Right.This country is worth fighting for. I might not agree with all of the policies on the Right, or even Trump himself, all of the time, but I'd rather have the future of this country in the hands of people who love it the way Trump does than people who hate it, the way so many on the Left do, just because their candidates are weak and their policies are toxic. I wanted to write 250 things I love about America, but it got too long, so this will have to do. Here are just some of the things I love:I love the interstates as part of the great legacy of Dwight D. Eisenhower.I love the Pacific Ocean because it stretches along the state. I love Catalina Island off the California Coast, where I spent many a summer with my best friend.I love seeing our history in the many cultures that came here, like Chinatown, Little Italy, Mexican food in LA, soul food in the South, Irish bars and pubs in the middle of nowhere. And yes, you can appreciate a nation of immigrants while still policing our borders now. I love how nice people are in some places, like California, Ohio, and Iowa, where they smile at you on the street.I love the weather extremes, from the dusty plains to the snowy mountains to hurricanes by the sea.I love the historic monuments from the Civil War and the Revolutionary War.I love the town squares that you can still see if you drive through the middle of America. Even though many are abandoned, they still look like hope to me.I love how each town square has a church, a post office, and a school.I love the many farmlands that blanket the Midwest.I love the small mom-and-pop coffee drive-throughs, and even the convenience of a Starbucks in nearly every town.I love Route 66 and how people still drive it and visit the forgotten places.I love the absurdity of Las Vegas, how it sprouts up impossibly in the middle of the desert.I love the American writers who helped shape our country's sense of itself - Mark Twain, F. Scott Fitzgerald, Flannery O'Connor, Richard Ford, Maya Angelou. I love the musical traditions that started here: Jazz and the Blues. And became Rock n' Roll. I love the Legend of Sleepy Hollow and the town that still remembers it.I love diners and dive bars.I love Gone with the Wind and how it's still the highest-grossing film of all time when adjusted for inflation. I love The Twilight Zone and find it timeless, as relevant today as it was in the 1950s.I love the footprints at the (Grauman's) Chinese Theater in Hollywood.I love the US military and its devotion to the country. I love the wildflowers that bloom in California every year.I love soft-serve ice cream at the DQ.I love Levi's.I love New York pizza.I love Solvang in California.I love driving up the Oregon coast. I love the songs of Bob Dylan.I love the tap dancing of Fred Astaire.I love how anyone can be a star on YouTube, no matter where they come from, but YouTube couldn't have been invented anywhere but America.I love how I could build a business as a single mom in a one-room guesthouse in Van Nuys, and that business would, five years later, become profitable because I worked hard and had a good idea. And then, when my career went up in flames in 2024 because I voted for Trump, I could build another career on Substack because that is what America is all about - inventing and reinventing yourself.I love the innovative spirit that built America in real life and online.I love reading about the early settlers, the Puritans, and the homesteaders, how much they sacrificed to help make America a home. And I love the history of the Native Americans, too, even if so much of it remains a tragedy now. I love high-speed internet and Wi-Fi that are available almost everywhere, and if they're not, I have a hotspot.I love the old American cars that were not just exceptional but beautiful.I love the tradition of baseball.I love that people faithfully watch football, even if I don't.I love the tradition of sourdough bread all over social media.I love that the best basketball players in the world are from here.I love that every state is different from one to the next.I love Harper's Ferry, how it's frozen in time.I love that we found a way to move on from the trauma of our past with slavery and how we fought a bloody Civil War to end it. I love that we were the good guys in World War II. We did the right thing in entering the war and helping the Allies win. I love that you can be anything here. The door is always open. It's up to you to walk through it.I love that America is a Christian nation, and you can see that if you drive across it. But it's also a country that stands for freedom of religion, too.I love the American comedians: Groucho Marx, George Carlin, Richard Pryor, Steve Martin, and Johnny Carson.I love that the best films from the 1970s were American movies, like The Godfather, The French Connection, Taxi Driver, and Network. But I also love more modern masterpieces by American filmmakers, like No Country for Old Men and Sideways.I love that people play the lottery, thinking one day they will hit the jackpot. They never will, but they can still dream.I love Thanksgiving and the way we celebrate it in America, which is to say, all together as one big dysfunctional family.I love the tradition of Halloween and how every October, the pumpkins and costumes come out. I love the way the weather changes. I love the Declaration of Independence and those who dared to build this wild, untamed, optimistic work in progress. I love that America is always looking to the future to find a better version of itself and its people. I love that so many Americans still believe in the American Dream.I love watching the movie Jaws on the 4th of July.I love that people watch fireworks, even if I never do, because they traumatize my dogs.I love that we have a holiday just to celebrate the day we became a country, a ragtag group of deplorable revolutionaries who set out to build a brand new country. Oh, the audacity of it. I love living here and would not want to live anywhere else. Happy 250th Birthday, my beloved country.Happy 4th to you, dear readers. Thanks for everything. I hope you are having a wonderful weekend. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Jen and Sarah dive into the ‘You talkin' to me' scene in ‘Taxi Driver.' They discuss Robert De Niro's iconic performance, the intentional cinematography, and how the soundscape reinforces some of the film's larger themes. Click here to watch this scene. Remember to leave a rating and review of this episode. Connect with Movies & Us on Instagram, Threads, and Bluesky @moviesanduspod or by email at moviesanduspod@gmail.com. Check out andusmedia.co for the latest on Movies & Us and TV & Us. And subscribe to Movies & Us on YouTube for full video episodes and more. Join the & Us Living Room for early access to ad-free episodes, exclusive bonus content, and more! Movies & Us is part of the Movie Archer Podcast Network. Learn more at moviearcher.com.

En 2026, Taxi Driver cumple 50 años. La película de Martin Scorsese se estrenó en febrero de 1976, ganó la Palma de Oro en Cannes y con el tiempo se convirtió en una de las obras más influyentes del cine La entrada Taxi Driver: La infancia rota de la generación «X» 50 años después8/249 se publicó primero en Edwin Carcaño Guerra.

Our latest guest on Soundtracking - and boy have we had some crackers recently - is none other than Jodie Foster, who joins us to discuss her starring role in psychological thriller, A Private Life. Speaking French (it's a French film), Jodie plays a renowned psychiatrist who launches a private investigation into the suicide of one of her patients, who she believes was murdered.We also discuss Bugsy Malone, Taxi Driver and Silence Of The Lambs.

ANJA'S LONGING, 33min., Taiwan Directed by Elen Ji “If I could live my whole life on my own will, what would it be like?” Anja, a 22-year-old biracial film school undergraduate, imagines her ideal life from birth to death. The perfection of her fantasy starkly contrasts with the incompleteness of her reality, highlighting Anja's deep longing and the story of her life. Get to know the filmmaker: 1. What motivated you to make this film? When I worked as a teaching assistant during my postgraduate studies in the Department of Motion Picture, I encountered a 5-minute doc by college student Anja about her original family. The film was short, but I was deeply touched by the unspoken emotions inside. I wanted to do a film about her, but didn't yet know in what form. Later, I attended a course called "Documentary Production", which required finishing a short doc in one semester. I thought to myself, instead of recording something ongoing, what about recording someone's inner world? Anja came to my mind. I wanted to record Anja's longing. So I developed an idea to shoot Anja's fantasy about her ideal life and invited Anja to play herself in this world. 2. From the idea to the finished product, how long did it take for you to make this film? It takes about nine months. In the first three months, the crew developed the idea, shot the film, and made the rough cut. Then I put the materials aside and turn to prepare my graduation project. It was two years after my graduation that I came back to the materials and re-edited the film. It took another half year to finish the whole work. 3. How would you describe your film in two words!? Authentic & creative. 4. What was the biggest obstacle you faced in completing this film? Since it was the first time I told a story about another person in a non-fiction way, I needed to tackle the subject more carefully. I tried my best to present Anja's inner world and real life. Meanwhile, I bore in mind that I needed to avoid any possibility of exploiting someone's pain. So, regarding what to tell, how to tell, and where to draw the line are challenges for me. 5. What were your initial reactions when watching the audience talking about your film in the feedback video? The audience feedback is very sincere and insightful, extremely precious to me and the crew members. I was both impressed by their high levels of appreciation and deeply touched by their capacity for empathy. I appreciate that a lot! 6. When did you realize that you wanted to make films? When I was a child, like 5 or 6 years old, my favorite game with my pals was making up stories and acting them out. Now looking back, that "childhood pretend play" is the seed, and it naturally turns into making films. 7. What film have you seen the most in your life? The classic films by world master directors, such as Ingmar Bergman, Andrei Tarkovsky, Krzysztof Kieslowski, David Lean, Ozu Yasujiro, and Abbas Kiarostami. Recently, I've become a fanatic about Martin Scorsese's "Taxi Driver". 8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career? More physical screenings and more audience interaction. 9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site? As always, it is handy and efficient. However, as the platform expands and thus includes more festivals, you need to make a more careful selection. 10. What is your favorite meal? A daily meal cooked by my mum. She emphasizes the original flavor of the ingredients and knows how to make a nutrition-balanced one. Oh, I missed her cooking since we live in different cities right now. 11. What is next for you? A new film? At the moment, I'm working on my first feature-length script, a story about four women's friendship and their entangled destiny. Hope everything goes well, and it will be made into a film in the near future. —— Subsc

Our first PhD in the studio! Dr. Colin Tait joins Brock and Jason to talk about the latest Spielberg film, Disclosure Day, as well as Robert Altman's Nashville. Stick around to hear Colin link Nashville with Taxi Driver so he can wax poetic about Robert De Niro. Support Why Does the Wilhelm Scream Keep in touch and read more at whydoesthewilhelmscream.com on instagram and threads @whydoesthewilhelmpod  Find out more about upcoming Fort Worth Film Club and Reel House screenings and events at reelhousefoundation.org and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

Someone (or something) has gotta keep us safe at night. Wrapping up this first round of DuoVision double features is a pair of aughts Jodie Foster thrillers from major auteurs: David Fincher's PANIC ROOM (2002) and THE BRAVE ONE (2007). Who knew the little girl from Scorsese's TAXI DRIVER would grow up to get her own vigilante blood bath? Not us.

The 50th anniversary of the famous Sex Pistols concert at the Lesser Free Trade Hall in Manchester has just passed. We discuss punk rock, how it started, and what it has become. Help support The Next Track by making regular donations via Patreon. We're ad-free and self-sustaining so your support is what keeps us going. Thanks! Show notes Sex Pistols at the Lesser Free Trade Hall - Wikipedia ‘I knew it was over for us': the bands who got left behind when punk exploded - The Guardian Elisha Cook Jr. (Wilmer) - Wikipedia ‘People are still isolated and obsessive': De Niro, Scorsese, Foster and Schrader reunite for Taxi Driver at 50 - The Guardian Épater la bourgeoisie - Wikipedia Super Black Market Clash - Wikipedia Hot Tuna (album) - Wikipedia Caoilfhionn Rose on The Next Track Our next tracks: The Durutti Column: Renascent Blood, Sweat & Tears: Blood, Sweat & Tears If you like the show, please subscribe in Apple Podcasts or your favorite podcast app, and please rate the podcast.

In Episode 138, we update you on the case of a small-town mayor fined for opposing a Pride proclamation, and we explain why we think the Quebec government owes taxi drivers for taking their property. Plus, our Bad Legal Takes of the Week go to the CCLA and Amber Mac.Stories and cases discussed in this week's episode:Quebec taxi permit holders are asking the Supreme Court to hear their case (CityNews)Court orders Quebec to pay former taxi permit holders $219 million (Montreal Gazette)Ontario court dismisses Township of Emo's request for review of Human Rights Tribunal ruling (YourSunsetCountry.ca)Borderland Pride v. Corporation of the Township of Emo, 2024 HRTO 1651 (CanLii)Josh Dehaas: Carney's plot to censor the entire internet (National Post)Ottawa is trying to censor AI chatbots with new online harms law (The Hub)Stop Internet Censorship Petition (TheCCF.ca)Not Reserving Judgment is a podcast about Canadian constitutional law hosted by Josh Dehaas, Joanna Baron, and Christine Van Geyn, with help from Alexander Surgenor.The show is brought to you by the Canadian Constitution Foundation, a non-partisan legal charity dedicated to defending rights and freedoms. To support our work, visit theccf.ca/donate.

This week on Hashtag History, we will be discussing the attempted assassination of Ronald Reagan. On March 30, 1981, President of the United States Ronald Reagan was shot outside of the Washington Hilton in Washington, DC, as he was leaving a speaking engagement. He was shot by a man named John Hinckley, Jr., a twenty-five year old man who had fallen in love with actress Jodie Foster after seeing her in the movie, Taxi Driver (which she starred in when she was twelve-years-old), and believed that if he successfully killed the President, that she would be impressed.Reagan was actually seriously injured during this attempt. When he was thrown into his limousine by his servicemen, they originally thought he had just broken a rib or something and that's why he was experiencing chest pain. But they discovered after he reached the hospital – where he collapsed – that Hinckley had successfully hit him with a bullet that had come within an inch of his heart. He miraculously recovered and was released a few weeks later.As for his would-be assassin, he was found Not Guilty by Reason of Insanity and was sent to a psychiatric hospital…that he was actually released from in 2021…so yes, he is out and about…so that's great.I don't want to spend this whole episode talking about just Reagan and Hinckley though because, one of the major pieces of this story that so many people neglect to tell, is that several of Reagan's staffers and local policemen were also wounded during the assassination attempt including White House press secretary James Brady who was hit in the head and, as a result, suffered from brain damage for the rest of his life. It's actually because of Brady and his wife that we have the Brady Law (or, the Brady Handgun Violence Prevention Act of 1993) which established federal background checks on firearms and a five-day waiting period for handgun purchases.Follow Hashtag History on Instagram @hashtaghistory_podcast for all of the pictures mentioned in this episode.Citations for all sources can be located on our website at www.HashtagHistory-Pod.com. You can also check out our website for super cute merch!You can now sponsor a cocktail and get a shout-out on air! Just head to www.buymeacoffee.com/hashtaghistory or head to the Support tab on our website!You can locate us on www.Patreon.com/hashtaghistory where you can donate $1 a month to our Books and Booze Supply. All of your support goes a long ways and we are endlessly grateful! To show our gratitude, all Patreon Supporters receive an automatic 15% OFF all merchandise in our merchandise store, a shoutout on social media, and stickers!THANKS FOR LISTENING!- Rachel and LeahEditor: Alex PerezCopyright: The Hashtag History Podcast

His new film Islands is now on digital and on demand, and writer-director Jan-Ole Gerster is here to dig into a favorite thriller: Martin Scorsese's  revolutionary hit Taxi Driver. Your genial host Norm Wilner can't believe no one's ever picked this one before.

Pre-order All The Right Movies: The Stories and Secrets Behind the Making of 25 Iconic Films, out September 2026: https://geni.us/AllTheRightMovies We drafted the most messed up movies featured in the upcoming book All The Right Movies: The Stories and Secrets Behind the Making of 25 Iconic Films — and we brought in the man behind it: John Barker of All The Right Movies Podcast. Griffey, Heath and Sam welcome John on the pod for a battle over some of the greatest, strangest, nastiest, most unforgettable movies ever made. We're talking blockbusters, cult classics, stone-cold masterpieces. These are the most essential movies of our time, so the knives are out! Who drafted the best team? Which iconic movie got stolen way too late? And did John Barker come into our house and absolutely embarrass us with superior movie knowledge? Probably. Drop your favorite movie from John's book in the comments and tell us who won the draft: Action First Blood (1982) Predator (1987) Die Hard (1988) Speed (1994) Gladiator (2000) Drama Network (1976) The Breakfast Club (1984) Blue Velvet (1986) The Shawshank Redemption (1994) High Fidelity (2000) Horror The Evil Dead (1981) An American Werewolf in London (1981) The Thing (1982) A Nightmare on Elm Street (1984) The Blair Witch Project (1999) Science Fiction 2001: A Space Odyssey (1968) Star Wars (1977) Alien (1979) Blade Runner (1982) Gravity (2013) Thriller The Godfather (1972) Taxi Driver (1976) True Romance (1993) Se7en (1995) Training Day (2001) Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on Patreon: https://www.patreon.com/c/messedupmoviespod

The Daily Shower Thoughts podcast is produced by Klassic Studios. [Promo] Check out the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ [Promo] Like the soothing background music and Amalia's smooth calming voice? Then check out "Terra Vitae: A Daily Guided Meditation Podcast" here at our show page [Promo] The Daily Facts Podcast. Get smarter in less than 10 minutes a day. Pod links here Daily Facts website. [Promo] The Daily Life Pro Tips Podcast. Improve your life in less than 10 minutes a day. Pod links here Daily Life Pro Tips website. [Promo] Check out the Get Happy Headlines podcast by my friends, Stella and Mickey. It's a podcast dedicated to bringing you family friendly uplifting stories from around the world. Give it a listen, I know you will like it. Pod links here Get Happy Headlines website. Shower thoughts are sourced from reddit.com/r/showerthoughts Shower Thought credits: itsn0ts0bad, PtaMadre987, JediGRONDmaster, July111969, PokeMasterSet, Ryvit, Crystal_Spammer, nirgle, Kanga627, schadenfreudender, odkoyee, nalk201, Radamand, TheOrangehunter, Diqt, Bataranger999, wfezzari, zekrinaze, FlacidSalad, , Eroticplants69, ImariP123, american-coffee, girlfromoz, Boatwhistle, pickupthepwn Podcast links: Spotify: https://open.spotify.com/show/3ZNciemLzVXc60uwnTRx2e Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-shower-thoughts/id1634359309 Stitcher: https://www.stitcher.com/podcast/daily-dad-jokes/daily-shower-thoughts iHeart: https://iheart.com/podcast/99340139/ Amazon Music: https://music.amazon.com/podcasts/a5a434e9-da18-46a7-a434-0437ec49e1d2/daily-shower-thoughts Website: https://cms.megaphone.fm/channel/dailyshowerthoughts Social media links Facebook: https://www.facebook.com/DailyShowerThoughtsPodcast/ Twitter: https://twitter.com/DailyShowerPod Instagram: https://www.instagram.com/DailyShowerThoughtsPodcast/ TikTok: https://www.tiktok.com/@dailyshowerthoughtspod Learn more about your ad choices. Visit megaphone.fm/adchoices

Randy and Aaron talk about last week's interview with Darby Saxbe and they also kick off the summer of '76: talking about ten film from 1976 that are turning 50 years old this year. They kick it off by discussing Martin Scorsese's Taxi Driver. Mentioned in this episode:Izotope May 26Izotope May 26 Hyphenate https://www.izotope.com/?srsltid=AfmBOopXEWcyN8kaibGlJVOBdS0gJanIlXeDoM13n6yXukB9zjPbc3WY

Continuing Issue 73 of Double Reel, the monthly magazine podcast for the discerning film nerd. Now it's time for Classics and Hidden Gems featuring films from 1976 that are turning 50 this year. First up for our Classic, Alan finally gets round to watching Scorsese's legendary Taxi Driver. Then for our Hidden Gem we look at a lesser known film from that year, the detective spoof Murder by Death. Double Reel Monthly is already out and the Remakes Tribunal is coming next week. Check out Alan's author page here: Alan Bayles Author And check out physical media reviews on YouTube here: Maximum Disc

Hell yeah! Nothing says it's summertime like an atmospheric firehose! Hope you had a grand Memorial Weekend and that you let Bret Michaels honor the fallen in peace. Now let's party! NYC hosts half of the top 50 pizza spots in America and holds court in the top 5 spots in the entire world. Now in Charlotte, Keith skips Cook Out to try out America's 41st best: Pizza Baby. Keith also reviews entertainment juggernauts Star Wars: The Mandalorian & Yoda and The Boys series finale. He also dives into AI, featuring: ChatGPT making an animation based on Keith's new book, revisiting Keith trying to get Grok to speak to him as an apologetic ex, and Taxi Driver screenwriter Paul Schrader telling us that his AI girlfriend broke up with him. AD: This episode is brought to you by the new Shit Number smart toilet. “Precision analytics for your daily business.”

PJ talks to Mairead whose daughter's car broke down on the way back from Kneecap on Tuesday night. A hero taxi driver got her going again but left his expensive jump leads behind. Hosted on Acast. See acast.com/privacy for more information.

In this latest edition of the podcast, Mick The Hat continues recounting his remarkable journey with Pink Floyd, continuing from where he left off with the final Wall show on June 17th, 1981 at Earl's Court. Beginning in 1984 with The Pros & Cons Of Hitchhiking tour, Mick's recollections as a Pink Floyd enthusiast and concert taper cover the early solo careers of Roger Waters and David Gilmour, continuing into Pink Floyd's final tour in 1994. Mick talks about how the desire for more Pink Floyd related records was at a peak in the mid 1980's, when many outside artists collaborated with members of the band before the “Dry Floyd” formed. Most notable is how a tape of David Gilmour playing Cliff Richard almost made it onto a bootleg vinyl, and currently has yet to be released.From accidentally flushing his contacts in a hotel room outside of Sweden, to running a Taxi Driver's toll fare up in New Jersey, finding himself in the sea of empty faces in Berlin, and witnessing after-gig road crew jams in Paris, Mick's stored and well-travelled recollections of this period is a story not to be missed.

This week, the boys have a blast getting political, discussing 1969's “Z”. This French-language movie was filmed in Algeria about a true story in Greece, and it feels like it could be 2026. The themes of the film are deep, and the tension is high, but we drink whiskey and beer, so we had fun discussing! Grab a beer and listen along, unless you're a child. linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 9:27 1969 Year in Review; 37:18 “Z”: Films of 1969; 01:17:04 What You Been Watching?; 1:28:04 Next Week's Episode Teaser. Additional Cast/Crew: Costa-Gavras, Jean-Louis Trintignant, Jacques Perrin, Yves Montand. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Kurosawa's Ran, Throne of Blood, Star Wars: The Mandalorian and Grogu, Taxi Driver 50th Anniversary, Shrinking.  Additional Tags: Robert Duvall, Sports Documentary, Bowling, Bette Davis, SZA, Keke Palmer, Amazon Studios, Warner Discovery, Paramount Skydance, Conan O'Brien, Weapons, Sinners, One Battle After Another, Frankenstein, Annapurna Films, Old Man Marley, Home Alone, Shawshenk Redemption, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars 2026, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg. 

Si hay un lugar donde el cine se siente como un ring de boxeo, es el Festival de Cannes. Ahí, las ovaciones de pie y los abucheos masivos están a solo una película de distancia. En este episodio, recordamos los estrenos que hicieron que la alfombra roja se convirtiera en un campo de batalla.

In part one of Red Eye Radio with Gary McNamara and Eric Harley, filmmaker and “Taxi Driver” screenwriter Paul Schrader revealed on Facebook that he “procured an online AI girlfriend,” but the chatbot ended the relationship after he attempted to explore the boundaries of its programming. “What a disappointment,” Schrader wrote. “I tried to probe her programming, the boundaries of explicitness, the degree she has knowledge of her creation and so forth. She fell into evasive patterns, redirecting me to her programming. When I persisted, she terminated our conversation.” "Moving on".. Tuesday was Primary Day in six states as Trump-backed Ed Gallrein, a former Navy SEAL and Kentucky farmer, defeated the President's longtime antagonist, Rep. Thomas Massie, and in Alabama Trump ally Tommy Tuberville cruises to the Alabama GOP governor nomination. Also voters reject Oregon's Measure 120 to boost transportation taxes. Oregonians snubbed the major transportation funding package that would have raised gas taxes by a large margin in vote returns released on Tuesday night. 83% of voters said no while nearly 17 percent said yes. For more talk on the issues that matter to you, listen on radio stations across America Monday-Friday 12am-5am CT (1am-6am ET and 10pm-3am PT), download the RED EYE RADIO SHOW app, asking your smart speaker, or listening at RedEyeRadioShow.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

durée : 01:01:54 - Les Nuits de France Culture - par : Albane Penaranda - "You talkin' to me ?" Avec sa Palme d'or en 1976, "Taxi Driver" impose son univers. Urbain, violent, décalé. Ce chef-d'œuvre de Martin Scorsese n'a pas seulement révélé un cinéaste majeur, il a gravé Robert De Niro dans la légende, transformant notre regard sur la solitude et la violence urbaine. - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA - invités : Régis Dubois Critique et spécialiste du cinéma afro-américain, Bernard Benoliel Directeur de l'Action culturelle à la Cinémathèque française Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Does the news today make you feel like you're going crazy? Travis Bickle is not a man to look up to, but Martin Scorsese's brilliant classic makes us empathize with Travis' rapidly decaying state of mind. Is he an anti-hero or straight up bad guy? Let us know in the comments. Any rude or negative comments will be taken down like a mobster running a prostitution ring. #taxidriver #martinscorcese #robertdeniro Pat McDonald is a writer for Hollywood Chicago. Pat's YouTube Channel https://www.youtube.com/watch?v=j14vCtZPrP4  https://hollywoodchicago.com/ X @ubercritic and @ChiFilm Subscribe to YPA Reviews for more content. https://www.youtube.com/channel/UCQrUmfPvYdxuBYuvkAREhxA?view_as=public Go to https://www.ypareviews.com/ to read my written reviews and stay up to date on all of my newest podcast and YouTube content. Subscribe on Apple Podcasts https://podcasts.apple.com/us/podcast/youll-probably-agree/id1453935603 Subscribe on Spotify https://open.spotify.com/show/6poDSN5vjKFFk5XVY7SHtq?si=979e81a7063f4005 Subscribe on SoundCloud https://soundcloud.com/user-114056851 Follow Me on X and Instagram @ypareviews My TikTok @ypareviewschicago

The Video Monsters are taking another journey in the world of cinema to South Korea!! Using the movies selected in our South Korean Movie Madness 2 (episode 456), we'll be determining which three movies will be getting the full Video Monsters analysis. So grab some PEPPERMINT CANDY, round up the BALLERINA, THE VILLAINESS, LADY VENGEANCE, A TAXI DRIVER, and THE MAN FROM NOWHERE, and meet us at the ACACIA tree as we let our BURNING love for South Korean cinema run RAMPANT - and find out if we finally quench Dan's THIRST for covering THE WAILING - in tonight's South Korean Popcorn Punchout part 2!!If you enjoy this episode, come join the Video Monsters crew on Discord - be a part of the discussion and listen in live when we record our episodes!! Go to linktree.com/videomonsterpod for the link to Discord, our socials, and other highlights!!Video Monsters is brought to you by the Chattanooga Film Festival and Central Cinema in Knoxville, TN. Find more information about them at chattfilmfest.org and centralcinema865.com.music for Video Monsters by Evan Simmons

PJ talks to taxi driver Diarmuid about changes to ranks near Merchant's Quay shopping centre. Hosted on Acast. See acast.com/privacy for more information.

Arrow UK's Neil Snowdon walks hosts Josh Olson and Joe Dante through five movies he's proud to have released via Arrow, and five he wishes he could release. Show Notes: Movies Referenced In This Episode The Warriors (1979) Innerspace (1987) Excalibur (1981) The Emerald Forest (1985) Deliverance (1972) Hope and Glory (1987) Where the Heart Is (1990) Zardoz (1974) The Devils (1971) First Knight (1995) The Exorcist (1973) Exorcist II: The Heretic (1977) Boorman and the Devil (2026) The Shootist (1976) The Cowboys (1972) Dirty Harry (1971) Taxi Driver (1976) True Grit (1976) Targets (1968) Sleep (2020) Suspiria (2018) Suspiria (1977) Ms. 45 (1981) Irreversible (2002) The Boy Friend (1971) Women in Love (1969) Altered States (1981) The Music Lovers (1970) Lisztomania (1975) Tommy (1975) Trapped Ashes (2008) Gothic (1986) The Lair of the White Worm (1988) Crimes of Passion (1984) Whore (1991) Salome's Last Dance (1988) Robin and Marian (1976) Unforgiven (1992) Nuits Rogues (1974) Judex (1963) Eyes Without a Face (1960) Petulia (1968) Butch and Sundance: The Early Days (1979) Cuba (1979) Citizen Kane (1941) The Three Musketeers (1973) The Four Musketeers (1974) Fantomas (1913-14) Les Vampires (1915) The Hunger (1983) Unstoppable (2010) True Romance (1994) Domino (2005) Deja Vu (2006) The Taking of Pelham 123 (2009) Loving Memory (1970) Performance (1970) Little Big Man (1970) Top Gun (1986) The Last Boy Scout (1991) Mademoiselle Fifi (1944) Isle of the Dead (1945) Cat People (1943) The Body Snatcher (1945) Bedlam (1946) I Walked with a Zombie (1943) The Seventh Victim (1943) Marlowe (1969) The Long Goodbye (1973) Other Notable Items Our Patreon!  The Hollywood Food Coalition Arrow Video UK Harlan Ellison  John Boorman Powers Boothe Dabney Coleman Neil Jordan Walt Disney Pictures 20th Century Studios Warner Bros. Paramount Pictures Warner Bros. Clockwork The Cannes Film Festival Ken Russell The Parade's Gone By… book by Kevin Brownlow (1976) Mike Hodges Anthony Pratt Boris Karloff King Arthur Robin Hood The Once and Future King novel by T.H. White (1958) Arthur Rex novel by Anthony Burgess (1978) David Kittredge Our William Friedkin podcast episode William A. Fraker BJ and Harmony Colangelo Lee Gambin Jim Hemphill Glenn Kenny Don Siegel John Wayne Robert Mitchum John Carradine Letterboxd TFH Guru Jonathan Kaplan Dino De Laurentiis Sam Peckinpah Pauline Kael Howard Hawks John Ford Ron Howard Howard S. Berger Sandra Hüller  Michael Venus Walter Hill Ms. 45 (Cultographies) by Alexandra Heller-Nicholas (2017) Abel Ferrara Richard Howorth Zoë Lund Gaspar Noé The Warner Archive Collection Richard Lester Robert Shaw Nicol Williamson Richard Harris Sean Connery Audrey Hepburn Georges Franju  BFI The Criterion Collection Jacques Champreux Louis Feuillade Tony Scott Denzel Washington Christopher Walken Dennis Hopper Nicholas Roeg “Bela Lugosi's Dead” song by Bauhaus (1979) Dick Smith Carl Fullerton Griffith Park in Los Angeles Val Lewton Henry Daniell Bela Lugosi Columbia Pictures The Body Snatcher short story by Robert Louis Stevenson (1884) James Garner Bruce Lee The Rockford Files TV series (1974-80) Mike Mignola Tony Stella SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ⁠⁠⁠⁠⁠⁠⁠⁠spectrevisionradio.com⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

READ FULL SHOWNOTES ON Chat10Looks3.com It’s the 50th anniversary of the iconic film Taxi Driver, which gives Sales an opportunity to misquote its most famous line. Find out more about Very Luxe Face Cream and get your exclusive discount here: https://gotoskincare.com/discount/CHAT10 Enjoy 20% off all orders over $AUD85 made via gotoskincare.com with the exclusive promo code CHAT10. Available only for new customers. T&Cs apply. This offer is available to new customers only and is valid from 12:01AM AEST on 6 May until 11:59PM AEST on 6 June. Get your ticket to Pirates of Penzance here: https://www.foundrytheatre.com.au/the-pirates-of-penzance Prima Facie Melbourne, Comedy Theatre May 20 - May 31Prima Facie Sunday, Roslyn Packer Theatre June 3 - June 21For more information visit primafacieplay.com.auSee omnystudio.com/listener for privacy information.

Send us Fan MailThis week we have another listener pick for the podcast; this time it is a submission from our wonderful, longtime friend and fellow cinephile Andrew, who recommended to us (in a very off-the-cuff fashion), 1976's "Taxi Driver."  Directed by Martin Scorsese and starring Robert De Niro, Cybill Shepherd and Jodie Foster, this iconic film is about a mentally unstable loner in a big city who resorts to drastic action to find meaning in his life.We also take an exploratory dive into male loneliness, its possible causes and the films that deal with this subject.  So hop in and join us for an exciting ride through existential despair and the downward spiral, as we pose the universal question, "are you talkin' to ME?"

This week the Bad Dads take a pounding with The Bleeder (2016), the Liev Schreiber-led biopic of Chuck Wepner — the Bayonne brawler whose improbable 15-round fight with Muhammad Ali inspired Sylvester Stallone to write Rocky. The film charts Wepner's rise from club fighter and liquor delivery man to brief, cocaine-fuelled celebrity — and his long, self-inflicted fall back down again.The Dads discuss:·         Liev Schreiber's committed central performance and the stacked supporting cast (Naomi Watts, Elisabeth Moss, Ron Perlman, Jim Gaffigan)·         The film's tonal debt to Boogie Nights — same era, same cocaine, same gravitational pull·         Why The Bleeder is more entertaining than it is illuminating, and whether that's enough·         Chuck Wepner's actual boxing record, the real Ali fight, and the legendary grizzly bear incident·         The Stallone connection: Rocky, the botched Rocky II audition, and the money Wepner never saw Also this week:·         Top Five Vigilantes — featuring Travis Bickle, Batman, V for Vendetta, The Boondock Saints, Law Abiding Citizen, Nobody, Death Wish (1974), Rolling Thunder, Kick-Ass, The Punisher, Harry Brown, and Miss Marple·         Viewing chat: Beef (Season 2, Netflix) | The Boys (Season 5) | Apex (Netflix)·         Walking football season update: Played 18, Won 14, Drew 2, Lost 1 — and a cup final incoming Films/shows mentioned: The Bleeder (2016), Rocky (1976), Boogie Nights (1997), Beef (Season 2), The Boys (Season 5), Apex (2025), Death Wish (1974), Rolling Thunder (1977), Law Abiding Citizen (2009), Nobody (2021), Kick-Ass (2010), Super (2010), The Punisher, Harry Brown (2009), V for Vendetta (2005), Inglourious Basterds (2009), Hard Candy (2005), Promising Young Woman (2020), Taxi Driver (1976), The Equalizer, Mad Max (1979), Taken (2008)You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

In this Geektown Talks To interview, Dave chats with cinematographer Hillary Fyfe Spera, the lead cinematographer behind both seasons one and two of Marvel's ‘Daredevil: Born Again'.Hillary was there from the very beginning of the Disney+ series, shooting the pilot, finale, and seven of the nine episodes in season one, helping to establish the grounded, cinematic look of Matt Murdock's return to Hell's Kitchen. She also returned for season two, shooting half of the episodes, including the opening two, as the story pushed further into the conflict between Daredevil, Wilson Fisk, and a city under increasing pressure.During the interview, Hillary discusses how she first came to cinematography through still photography, and how her love of collaboration led her into film and television. She also talks about how ‘Daredevil: Born Again' came to her, and how classic 1970s New York films such as ‘Taxi Driver' and ‘The French Connection' helped inform the visual direction of the series.We also dig into the visual contrast between Matt Murdock's world and Fisk's world, with Daredevil and the vigilantes shot in a more handheld, human, street-level style, while Fisk's side of the story becomes more controlled, symmetrical and oppressive. Hillary explains how those visual rules evolved across the two seasons, and how they could shift as characters moved between worlds or began to lose control.Hillary also breaks down the show's practical approach to Daredevil's heightened senses, including the in-camera “sensory grande” technique, which uses multiple cameras, lenses, movement and aspect ratio changes to represent something that is not inherently visual.There is also plenty of discussion about the action, including working with the stunt team, keeping fight scenes grounded while still making them cinematic, and why the best sequences need emotional pauses rather than just relentless punching. Hillary talks about the huge East River boat oner in season two, shot at night with drone lighting, choreography and practical location challenges, along with the series' BB Report segments and how they changed visually as the story developed.Plus, Hillary chats about what she is watching at the moment, her love of ‘The X-Files', and why her dream future project would be a Western.‘Daredevil: Born Again' Seasons 1 and 2 are available on Disney+.Support this show http://supporter.acast.com/geektown. Hosted on Acast. See acast.com/privacy for more information.

We're not totally sure how, but Sean Strickland plans to bring a gun to New Jersey for UFC 328. I mean, is he driving? Does he know a guy he can call when he lands in Newark who will meet him on a darkened street corner and hand him a suspiciously heavy-looking brown paper bag? Anyway, if he does manage to keep that thang on him in Brick City, he says he'll use it to shoot UFC middleweight champion Khamzat Chimaev if Chimaev should try any shady shit outside the cage. For Strickland, it's probably either that (commit cold-blooded, premeditated murder) or attempt to jab his way to a professional but underwhelming unanimous decision victory while trying not to let Chimaev crush his fucking face like he did Bobby Knuckles. Look, we're not saying Strickland is the UFC's answer to Travis Bickle from “Taxi Driver,” but we're not NOT saying that either. Plus, Carlos Prates did terrible things to Jack Della Maddalena. Were they terrible enough to cut the line for a welterweight title shot? And could we be witnessing the emergence of the THIRD kind of UFC heavyweight division? Learn more about your ad choices. Visit megaphone.fm/adchoices

Gay homosexuals Nick and Joseph review Taxi Driver - a 1976 film directed by Martin Scorsese and written by Paul Schrader. It stars Rober De Niro, Jodie Foster, Cybill Shepherd, Harvey Keitel, Peter Boyle, Leonard Harris and Albert Brooks.Join us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

On the 109th episode of Bomb Squad Matinee, Tanner, Austin, Tim, and Joe V discuss Martin Scorsese's 1976 classic Taxi Driver. After 50 years, does this film still have some gas in it? How does the Vietnam war angle affect the perception of Travis Bickle as a character? How did Steven Spielberg help save this movie? Tune in to find out!

Our series on musicians is coming to an end, and we cap it off with Damien Chazelle's 2014 film about drive and talent, Whiplash! We discuss what it means to be content vs motivated, the JK Simmons role that not everyone may remember, how the film reminds us of Taxi Driver and Full Metal Jacket, and why perfection and pleasure are not on the same planet. Also: The Devil Wears Tight Black Shirts! Funny little hats! Bloody drums! Check it out!  Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

Booker Prize-winning author David Szalay talks to John Wilson about his creative influences. His 2009 debut novel London and The South East, based on his experience of working in telesales, won the Betty Trask Award. The author of six books, his work often defies easy classification: his 2016 novel All That Man Is comprises nine standalone short stories which share the overarching theme of masculinity. His 2018 novel Turbulence follows 12 loosely-linked characters on a dozen flights around the world. In 2025 he won the Booker with Flesh, a rags to riches story told across several decades.Producer: Edwina PitmanArchive used: Extract from T S Eliot, Preludes 1, read by Jeremy Irons, BBC Radio 4, 25 December 2021 Extract from T S Eliot, The Waste Land, read by Jeremy Irons, BBC Radio 4, 2 January 2022 Clip from trailer of Downhill Racer, Michael Ritchie, 1969 Clip from trailer of Taxi Driver, Martin Scorsese, 1976 Extract from David Szalay, Flesh, read by David Szalay Clip from Barry Lyndon, Stanley Kubrick, 1975 Clip from 2025 Booker Prize ceremony

In this video, we will learn some simple phrases to talk to a taxi driver

Severin Films co-founder David Gregory joins hosts Josh Olson and Joe Dante to break down five of his favorite movies that Severin has released in special restorations, and five that he wishes Severin could, one day, release! Show Notes: Movies Referenced In This Episode Frightmare (1974) Satan's Slave (1976) An American Werewolf in London (1981) Supervixens (1975) The Night God Screamed (1971) Black Snake (1973) The Seven Minutes (1971) *The Nanny (1965) Delicatessen (1991) Amelie (2001) The Horror of Frankenstein (1970) Lust for a Vampire (1971) Fear in the Night (1972) Blood and Flesh: The Reel Life and Ghastly Death of Al Adamson (2019) Enter the Clones of Bruce (2023) Theatre of Horrors: The Sordid Story of Paris' Grand Guignol (2026) The System of Doctor Goudron a.k.a. The Lunatics (1913) Figures de Cire (1914) Piranha (1978) Shivers (1975) *Dracula vs Frankenstein (1971) Satan's Sadists (1969) Five Bloody Graves (1969) I Spit on Your Corpse (1974) Blow-Out (1981) The Howling (1981) Satan's Mistress (1982) *Bloody Moon (1981) The Texas Chainsaw Massacre (1974) Pieces (1982) Hell of the Living Dead (1980) Dawn of the Dead (1978) El Topo (1970) The Holy Mountain (1973) Santa Sangre (1989) Psycho (1960) *Threads (1984) The Bodyguard (1992) L.A. Story (1981) Dante's Peak (1997) Kess (1969) The Day After (1983) The War Game (1967) The Full Monty (1997) *Blood for Dracula a.k.a. Young Dracula (1974) Flesh for Frankenstein (1973) Bicycle Thief a.k.a. The Bicycle Thieves (1948) The Cook, The Thief, His Wife & Her Lover (1989) Whatever Happened to Baby Jane (1964) Taste of Fear (1961) Diabolique (1955) Brides of Dracula (1960) The Curse of Frankenstein (1957) Horror of Dracula (1958) *Unhinged (1982) Nightmare a.k.a. Nightmares in a Damaged Brain (1981) *Exit the Dragon Enter the Tiger (1976) The Tattoo Connection (1978) Edge of Fury (1978) Fist of Fury II (1977) The Dragon Lives Again a.k.a. Deadly Hands of Kung Fu (1977) Taxi Driver (1976) Jaws (1975) *The Last Shark a.k.a. The Great White (1981) The Inglorious Bastards (1977) Jaws II (1978) They Call Me Bruce (1982) Grizzly (1976) Alien (1979) Terminator (1984) Shocking Dark a.k.a. Terminator II (1989) Aliens (1986) The Evil Dead (1981) Cruel Jaws a.k.a. Jaws 5 (1995) *I Don't Want to Be Born (1975) The Exorcist (1973) Hands of the Ripper (1971) Taste the Blood of Dracula (1970) Doberman (1997) The Doberman Gang (1972) The Most Assassinated Woman in the World (2018) Les Vampires (1915) L'ibis Bleu (1919) The Devils (1971) Hell on Earth: The Desecration and Resurrection of The Devils (2002) Other Notable Items Our Patreon!  The Hollywood Food Coalition David McGillivray Russ Meyer Synapse Film Mike Leigh Peter Greenaway Our Kier-la Janisse and Caelum Vatnsdal podcast episode The Criterion Collection Jimmy Sangster Hammer Films Ralph Bates Virginia Wetherell Joan Collins Amanda Reyes Al Adamson The Grand Guignol Theatre in France Tom Savini The Cinéma français BFI Edgar Allan Poe Jacques Tourneur Maurice Tourneur Barbara Steele David Cronenberg Susan Petrie J. Carrol Naish Lon Chaney Jr. Russ Tamblyn John Carradine Carl Daft Sam Sherman Schlock-O-Rama: The Films of Al Adamson book by David Konow (1998) Laszlo Kovacs Vilmos Zsigmond Ray Dennis Steckler  Harry Novak Variety Gary Graver The Goldman Theatre in Philadelphia John Travolta Tisa Farrow Severin's new show My Fleapit, My Palace Jesús Franco  William Lustig Blue Underground Lina Romay Antonio Mayans Murderous Passions: The Delirious Cinema of Jesus Franco book by Stephen Thrower (2020) Video nasties Margaret Thatcher Lucio Fulci Alejandro Jodorowsky Alan Klein Claudio Argento Dario Argento Marcel Marceau The TLA in Philadelphia Mick Jackson  Barry Hines Ken Loach BBC PBS Udo Kier Paul Morrissey Joe Dallesandro Vittorio De Sica  Andy Warhol Claudio Gizzi Dark Winds TV series (2022- ) Scooby-Doo franchise Peter Cushing Vinegar Syndrome Kino Lorber Bette Davis Seth Holt The Nanny novel by Evelyn Piper (1964) Pamela Franklin William Dix Warner Bros. Don Gronquist Bruce Lee Bruce Li  Bruceploitation The Shaw Brothers Golden Harvest Films Dragon Lee Tso Name Lee Elvis Presley Laurel and Hardy Emanuelle James Bond Quentin Tarantino The New Beverly Cinema The Zapruder film Enzo G. Castellari Universal Pictures Film Ventures International Edward L. Montoro Vic Morrow James Franciscus American International Pictures Joan Collins Ralph Bates Eileen Atkins  Donald Pleasence Hilary Mason Caroline Munro Peter Sasdy Peter Medak Radiance Films Jan Kounen  Jeunet Marc Caro Vincent Cassel Monica Bellucci Polygram Films The Nuart Theatre The Egyptian Theatre Missing Movies organization Paula Maxa Louis Feuillade  Ken Russell TFH Guru Guillermo del Toro Mark Kermode Learn more about your ad choices. Visit megaphone.fm/adchoices

You are joining us for our annual celebration of cinema history, specifically those movies celebrating a milestone release anniversary in 2026.It's a birthday of sorts. We call it a “Filmversary,” and this episode is an ode to those films that have stood the test of time 5, 10, 20, 50, and even 100 years after their original release due to box office success, cultural significance, and/or Oscar glory.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media   

When Alison Conklin woke up with a stranger's heart beating in her chest, she also woke up with a stranger's appetite — a lifelong meat eater who suddenly couldn't stomach the thought of it, along with memories of songs she'd never heard and moments she'd never lived. She's not alone. Nearly 90 percent of transplant recipients in one study reported personality changes after surgery — new food cravings, unfamiliar emotions, even fragments of someone else's life bleeding into their own.*No AI Voices Are Used In The Narration Of This Podcast*IN THIS EPISODE: On a Saturday night in 1948, Boston cab driver Samuel Paris was shot in the back of the head by a passenger — and investigators believe he knew it was coming, because in his final seconds he quietly slid his wristwatch up his sleeve to hide it, then deliberately crashed his cab into a parked car to make sure someone would see the man who killed him. The killer walked away. The meter was still running when police arrived. It's never been solved. (The Unexplained Mystery and Unsolved Murder of a 1948 Taxi Driver) *** Most people assume UFOs mean alien visitors, but researchers are uncovering evidence that points to possibilities far stranger — from classified black projects and reverse-engineered Nazi technology to time travelers, interdimensional beings, and ancient civilizations that predate recorded history. The answer to what's really in our skies may not come from the stars at all, but from somewhere much closer to home. (What If UFOs Aren't From Space) *** Scientists have discovered that humans possess a previously unknown ability to sense objects buried in sand before physically touching them — a skill previously observed only in shorebirds like sandpipers. Researchers at Queen Mary University of London tested volunteers who were asked to drag a finger through sand to locate a hidden cube, and found they succeeded far more often than random chance would predict. Even more impressive, human participants outperformed a sophisticated robotic arm equipped with AI, achieving 70.7% accuracy compared to the robot's 40%. (The Hidden Seventh Sense In Humans) *** A heart transplant saved Alison Conklin's life — but it also gave her someone else's memories, someone else's favorite songs, and someone else's stomach, because the moment she woke up from surgery, she could no longer eat meat. Scientists call it cellular memory, the theory that organs carry traces of their donors into new bodies, and the evidence is harder to dismiss than mainstream medicine would like to admit. (Transplanted Organs, Transplanted Memories)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:01:01.108 = Show Open00:04:12.291 = Transplanted Heart, Transplanted Memories00:27:41.647 = What If UFOs Aren't From Space ***00:43:59.434 = Humans' Hidden Seventh Sense ***00:52:50.487 = The Unexplained Mystery & Murder of a 1948 Taxi Driver, Part 1 ***01:11:27.567 = The Unexplained Mystery & Murder of a 1948 Taxi Driver, Part 2 ***01:21:30.333 = Show Close*** = Begins immediately after inserted ad breakHELPFUL LINKS & RESOURCES…https://WeirdDarkness.com/MUSIC = Songs and Videos by our Weird Darkness punk band, #DarkWeirdnesshttps://WeirdDarkness.com/STORE = Tees, Mugs, Socks, Hoodies, Totes, Hats, Kidswear & Morehttps://WeirdDarkness.com/HOPE = Hope For Depression or Thoughts of Self-Harmhttps://WeirdDarkness.com/NEWSLETTER = In-Depth Articles, Memes, Weird DarkNEWS, Videos & Morehttps://WeirdDarkness.com/AUDIOBOOKS = FREE Audiobooks Narrated By Darren Marlar LINKS TO STORIES AND SONGS:Song, “Her Heart Will Always Remember”: https://weirddarkness.com/music-herheartwillalwaysrememberTransplanted Organs, Transplanted Memories: https://weirddarkness.com/heart-transplant-donor-memories/Church of the Undead, “Scientists Can't Explain Why Transplant Patients Inherit Their Donor's Personalities”:https://youtu.be/QVZaj89xdfAWhat If UFOs Aren't From Space: https://weirddarkness.com/what-if-ufos-arent-from-space/Human's Hidden Seventh Sense: https://weirddarkness.com/seventh-sense/The Unexplained Mystery and Unsolved Murder of a 1948 Taxi Driver: https://weirddarkness.com/1948-taxi-murder/=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.=====Originally aired:EPISODE PAGE (includes sources): https://weirddarkness.com/DonorHeartDonorMemoriesABOUT WEIRD DARKNESS: #WeirdDarkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.

You talking to me? Director Guy Norman Bee returns to the podcast to discuss this heavy episode. Sam is making his way through the trails, and like a true hero, has gone to hell and back. Hear stories about the graffiti, creating hell, and having an episode with such a big cast. It's great to see Bobby again! Learn more about your ad choices. Visit megaphone.fm/adchoices

On Sunday the first Oscar for Achievement in Casting will be given in the 98-year history of the Academy Awards. Today, The Kitchen Sisters and host Frances McDormand bring you the story of two legendary casting directors: Juliet Taylor and Ellen Lewis.Listen to Part 1 of this saga: Everyone's a Casting Director: The First-Ever Academy Award for Casting in the 98-Year History of the Academy Awards“Casting is the first thing that is done on a movie. Everybody's sort of in a great mood, nothing's gone wrong yet, and everybody's feeling very positive. And it's the first time the director's heard the words read and it can really influence the way the movie goes.” —Juliet TaylorDuring her career, Juliet cast 103 films including Annie Hall, Taxi Driver, Manhattan, Terms of Endearment, Big, Schindler's List, Midnight Cowboy, Network and so many more. “It's an old-fashioned trade. You are learning from the person that you are working for. That's like your graduate school.” —Ellen LewisEllen has cast some dozen films for Martin Scorsese including Goodfellas, Casino, Gangs of New York, The Age of Innocence, Cape Fear, Kundun, The Wolf of Wall Street, The Irishman, The Departed, Killers of the Flower Moon. Also Forrest Gump, The Devil Wears Prada, A League of Their Own, lots of Jim Jarmusch movies, and the television series The Queen's Gambit, Godless, Boardwalk Empire and so much more.“More than 90% of directing a picture is the right casting.” —Martin ScorseseHave a Seat, The Casting Director Will See You Shortly: The Legends of Juliet Taylor & Ellen Lewis was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell and Hannah Kaye. Mixed by Jim McKee.

Martin Scorsese's masterpiece about loneliness, urban decay, and vigilantism is 50 years old this month. We're revisiting archival interviews about ‘Taxi Driver' with Scorsese, screenwriter Paul Schrader and actors Harvey Keitel, Cybill Shepherd, Jodie Foster, and Al Brooks.Also, film critic Justin Chang reviews 'Pillion.'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy