Podcast appearances and mentions of Steven Soderbergh

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with two-time Academy Award-nominated producer Stacey Sher, the creative force behind some of Hollywood's most unconventional and influential films. From executive producing Pulp Fiction to producing Django Unchained, Out of Sight, Erin Brockovich, Get Shorty, Reality Bites, Man on the Moon, and The Hateful Eight, Stacey has built a career through her collaborations with visionary directors like Quentin Tarantino, Steven Soderbergh, and Danny DeVito. Her work demonstrates exceptional taste and the rare ability to bridge indie passion projects with mainstream success.Lessons from a Family Crisis (09:12) Stacey opens up about her personal life during her early career, how it informed her storytelling choices, and the impact it had on her perspective of Hollywood hierarchy and loyalty.Finding Great Material Through Unconventional Methods (16:03) Stacey reveals her mentor Lynda Obst's genius strategy of scouring "Filming in the Future" columns to identify scripts with great cast attachments, which led her to discover Reservoir Dogs and meet Quentin Tarantino.Warren Beatty's Career-Defining Question (27:44) At age 26, Warren Beatty asked Stacey what kind of movies she wanted to make, leading to his profound advice: "Do you want to have various children or marry various men? Because that's the same commitment you need to have to the movies that you make."The Birth of Jersey Films and Creative Freedom (28:15) How Stacey became a founding partner with Danny DeVito and Michael Shamberg, using their discretionary fund to make blind deals with emerging talent like Quentin Tarantino before he'd directed a single frame.Hollywood's Most Beloved Collaborators (35:11) Stacey shares insights on working with industry legends: Stephen Soderbergh, Julia Roberts, George Clooney, John Travolta's generosity, and Hillary Swank's determination to use her Oscar win to get Freedom Writers made.Django Unchained and Controversial Testing (41:03) Stacey shares the remarkable story of how Django Unchained tested similarly across demographic groups, including a screening in the Deep South.Stacey demonstrates how authentic relationships, unwavering taste, and commitment to meaningful stories can create a lasting impact on cinema and culture.Host: Kevin GoetzGuest: Stacey SherProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, Nick Nunez, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Stacey Sher:Wikipedia: https://en.wikipedia.org/wiki/Stacey_SherIMDB: https://www.imdb.com/name/nm0792049/X: https://x.com/staceysher?lang=enFor more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

I think BLACK BAG misses the mark but it's one of Melanie's favourites. So what happens when we disagree on whether, from a craft perspective, a story is working or not? Well, you'll have to tune in to this week's episode to find out. One thing I'll say is that this might be a film that is meant for super fans of the spy genre (i.e., Melanie) because it seems to assume a level of knowledge about the world of espionage that the average viewer (i.e., me) simply doesn't have. Enjoy! -V. Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Ep. 349: Toronto 2025: Edo Choi on The Christophers, Wavelengths, The Currents, Two Pianos, Nouvelle Vague, plus Tuner Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 50th edition of the Toronto International Film Festival had far too many movies for a single episode, and so I'm happy to talk through more titles with Edo Choi, film programmer at Metrograph. Among the films discussed are The Christophers (directed by Steven Soderbergh), Two Pianos (Arnaud Desplechin), The Currents (Milagros Mumenthaler), Nouvelle Vague (Richard Linklater), Tuner (Daniel Roher), and a few highlights from the Wavelengths section: Morgenkreis (Basma al-Sharif), CONFERENCE (Björn Kämmerer), Rojo Zalia Blau (Viktoria Schmid), and FELT (Blake Williams). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Another Pod Casty For Me Experience: we're talking Steven Soderbergh's 2005 experiment BUBBLE - day-and-date release experiment, digital cinematography experiment, first-time actor experiment, improvised script experiment - with our buddy Evan from Left of the Projector! And this one's set at a factory, so you know we go crazy on it. We get into film distribution economics, working people on film, first-time actors, naturalism, digital cinema, eastern Ohio accents, and much more. Really tremendous film and tremendous conversation. It's also Jake's dang birthday, so you better enjoy this episode!!! Further Reading: "Eight Hours Are Not A Day" by Matthew Ross "An Interview with Steven Soderbergh" by Scott Indrisek Further Viewing: Interview with Debbie Doebereiner HARLAN COUNTY USA (Kopple, 1976) STROSZEK (Herzog, 1977) BLUE COLLAR (Schrader, 1978) SLACKER (Linklater, 1990) CLERKS (Smith, 1994) CITY OF GOD (Meirelles and Lund, 2002) ELEPHANT (Van Sant, 2003) FISH TANK (Arnold, 2009) WESTERN (Grisebach, 2017) THE 15:17 TO PARIS (Eastwood, 2018) BAD TRIP (Sakurai, 2021)   Follow Left of the Projector: https://leftoftheprojector.com/   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

How We Seeez It! Episode 301,  Ocean's Eleven (2001) “Apparently, he's got a record longer than my... well, it's long!” Linus Caldwell. Steven Soderbergh brings us a great heist movie. A team comes together to pull off the biggest job in Las Vegas. Twists and turns and the action keeps you entertained but it is the interactions and connection of the team that really brings the joy. We cover our thoughts on it and there is so much to talk about in this one, so join us for the discussion and don't forget about our cocktails for this episode. There should be some good ones.         As always, mix a drink, have a listen, and let us know what you think. Or if there is something you watched that we might enjoy or a can't miss series. Also please rate and review show on all your favorite podcast apps. Drinks for the episode "The Soothing Taupe" Raid the mini bar for the following: 1 mini bottle bourbon 1 mini bottle coffee liqueur 1 mini bottle Irish cream ¼ mini bottle of amaro Two cherry ice cubes floating like loaded dice On the Side: A half-eaten cheeseburger for Rusty to finish "Heist Monkey" 2 oz Monkey Shoulder blend scotch 1 oz Campari  1 oz Pineapple Juice 4 oz Ginger Ale Orange wedge garnish Las Vegas Cocktail  Equal parts whiskey, white vermouth, cola and lemonade.  The Frank Highball glass half filled with Jack Daniels  "Beer" Lemon Berry Hoppy Refresher by Lagunitas   Show links: https://hwsi.podbean.com/e/oceans-eleven-2001/  HWSI LinkTree HWSI Facebook Link HWSI Instagram Link HWSI Youtube link !!  You can also email the Podcast at the.HWSI.podcast@gmail.com

In this episode, we discuss the changes to Middle Level Certification in Pennsylvania. Things that bring us joy this week: Black Bag by Steven Soderbergh (https://www.rottentomatoes.com/m/black_bag) Schwinn IC4 Bike (https://www.schwinnfitness.com/product/ic4-indoor-cycling-bike/100873.html?srsltid=AfmBOorxhzbwzDQ4O4ZunElvLR0eb9epTGzi1Tb2UcAZOc2d4lV7ZyQL) Intro/Outro Music: Notice of Eviction by Legally Blind (https://freemusicarchive.org/music/Legally_Blind)

It's like seeing Draft Class for the first time, like you can be passing on the street, and you look at each other for a few seconds, and there's this kind of a recognition like you both know something. Next moment the person's gone, and it's too late to do anything about it. And you always remember it because it was there, and you let it go, and you think to yourself, 'What if I had stopped? What if I had said something?' What if, what if... it may only happen a few times in your life.Joining Jon Saks for the Final (for now...?) Round of the STEVEN SODERBGH Draft - SPECIAL GUESTS!Ben AllenJake Estes

Mircea Monroe is an actor who is perhaps best known for her stand-out series regular role as “Morning” in Showtime's critically acclaimed comedy EPISODES, created by David Crane and Jeffrey Klarik and starring opposite Matt LeBlanc for five seasons. She also starred as Tansy Truitt on The CW's HART OF DIXIE and was a series regular on TV Land's IMPASTOR opposite Michael Rosenbaum.  Most recently, Mircea appeared in a recurring role on ABC's THE ROOKIE with Nathan Fillion, CBS's DINNER WITH THE PARENTS and the BBC/Amazon series THE OUTLAWS. Her feature film credits include THE CHANGE-UP opposite Ryan Reynolds, MAGIC MIKE with Channing Tatum, directed by Steven Soderbergh and BOOK CLUB opposite Jane Fonda, Diane Keaton, and Andy Garcia. Across her career, Mircea has starred in numerous network pilots and appeared in a wide range of television and film projects, excelling in both comedic roles (on shows including SCRUBS and HOW I MET YOUR MOTHER) as well as dramatic performances (SONS OF ANARCHY and MADSO'S WAR, directed by Walter Hill). We chat about creativity for creativity's sake, Whose Line Is It Anyway? Spirituality, creative shifts, being in 10+ shows that don't go ahead, rejection, doing standup, validation, visualisation, trying new things, moving beyond fear plus plenty more. Check Mircea out on: Instagram: https://www.instagram.com/mirceamonroe/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Join us for a discussion of all things home improvement. Tell us your favourite DIY tips at https://bsky.app/profile/horrorvanguard.bsky.social Support the show for less than the price of giving Steven Soderbergh monety for another movie at patreon.com/horrorvanguard

André Holland has wowed us in movies like MOONLIGHT and his new Sundance hit LOVE, BROOKLYN. But he says that he gets the most comments -- and perhaps even owes his career -- to his role as Dr. Algernon Edwards in the Steven Soderbergh-helmed Cinemax series THE KNICK. It was a role he could relate to, and of the kind he'd been searching high and low for -- one that fit. He and Jordan talk about the essential perspective that role brought to the Peak TV era, and the show's often unsettling resonance for today (despite being set in 1900).Then, Jordan offers a tribute to the indelible actor Graham Greene. Feeling Seen is hosted by Jordan Crucchiola and is a production Maximum Fun.Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Movie of the Year: 1999The Limey (feat. Adam Kempenaar from Filmspotting)Why The Limey Still Packs a PunchIn this episode of Movie of the Year, the Taste Buds turn their sights on The Limey (1999), Steven Soderbergh's sharp revenge thriller about grief, family, and memory. Mixing classic crime tropes with experimental editing, The Limey is both a gripping noir and an impressionistic meditation on loss. With Terence Stamp delivering a career-defining performance, the film remains one of Soderbergh's most daring works.1960s vs 1990s in The LimeyAt the heart of The Limey lies a conversation between two eras. Terence Stamp's Wilson—a hardened ex-con from the swinging London of the 1960s—arrives in neon-soaked Los Angeles of the 1990s to uncover the truth about his daughter's death. The Taste Buds discuss how the film contrasts the ideals, aesthetics, and morality of these decades, using Wilson's journey as both a cultural clash and a generational reckoning.Steven Soderbergh's Directing Style in The LimeyKnown for pushing boundaries, Steven Soderbergh infuses The Limey with fractured editing, nonlinear storytelling, and the haunting use of flashbacks. The Taste Buds break down how these stylistic choices elevate a standard revenge plot into a hypnotic piece of cinema. They also explore how The Limey connects to Soderbergh's other 1999 classic, Out of Sight, and how his experimental style paved the way for his 2000s successes.Family, Revenge, and The Limey's Emotional CoreWhile The Limey is structured like a thriller, its true heartbeat lies in themes of family and redemption. Wilson's grief over his daughter and his desperate search for answers give the film unexpected emotional weight. The Taste Buds explore how family drives the story forward, turning vengeance into something deeply human and heartbreaking.Guest Panelist: Adam Kempenaar from FilmspottingJoining this week's episode is Adam Kempenaar, host of the long-running podcast Filmspotting. Adam brings decades of cinephile experience and critical insight to the discussion, offering a deeper look at Soderbergh's influence and the lasting cultural relevance of The Limey. His perspective helps connect the film to both classic noir traditions and contemporary cinema.Listen to Filmspotting here!Bonus Segment: 10 Things I Hate About You (1999)The Taste Buds balance The Limey's brooding intensity with a bonus discussion of 10 Things I Hate About You, the teen comedy that reimagines Shakespeare for the 1990s. They break down the film's clever script, breakout performances from Heath Ledger and Julia Stiles, and how it epitomizes the teen movie boom of the decade. Together, the two films showcase the remarkable range of 1999 cinema.FAQ About The Limey Podcast EpisodeWhat is The Limey (1999) about?The film follows Wilson (Terence Stamp), an ex-con who travels to Los Angeles to investigate his daughter's mysterious death.Why is Steven Soderbergh's style in The Limey unique?Through nonlinear editing, impressionistic flashbacks, and tonal shifts, Soderbergh transforms a revenge story into an artful meditation on grief and memory.Why is family important in the film?Wilson's pursuit of justice is rooted in his...

Look, we all go way back and uh, I owe you from the Draft Class with the guy in the place and I'll never forget it.Joining Jon Saks for Round 2 of the STEVEN SODERBGH Draft - SPECIAL GUESTS!Ben AllenJake Estes

Was passiert, wenn ein Spionagefilm komplett auf Action verzichtet – und stattdessen in Küchen, Büros und einem Bootshaus spielt? Black Bag von Steven Soderbergh setzt dort an: Statt Schießereien oder Verfolgungsjagden gibt es Gespräche, Schweigen und die Frage, wer in Wahrheit für wen arbeitet. Cate Blanchett, Michael Fassbender und ein hochkarätiges Ensemble drehen das Genre dabei einmal auf links. Alles hängt an einem gestohlenen Programm, einem Maulwurf im System – und einer Essenseinladung, die gefährlicher ist als jede Pistole.

A little something different this week: we're looking at two Soderbergh-scripted adaptations of international genre films! First, Soderbergh adapted Ole Bornedal's 1994 NATTEVAGTEN as 1997's NIGHTWATCH, also directed by Bornedal, starring post-TRAINSPOTTING, pre-PHANTOM MENACE Ewan McGregor as a night watchman at a spooky morgue. Next, Soderbergh turned Fabián Bielinsky's 2000 Argentine heist smash NUEVA REINAS (NINE QUEENS) into 2004's CRIMINAL, the directorial debut of Gregory Jacobs starring John C. Reilly and Diego Luna. Why did Sodey do this? Is there anything of the man in these adaptations? Do you need to watch four films before you listen to this episode? The answer to the last question is no! Fun ep, please enjoy. Further Reading: Steven Soderbergh: Interviews, ed. Anthony Kaufman Further Viewing: LOCAL HERO (Forsyth, 1983) THE KINGDOM (Von Trier et al, 1994) HARD EIGHT (Anderson, 1996) PUSHER (Refn, 1996) FUNNY GAMES (Haneke, 1997/2007) FIGHT CLUB (Fincher, 1999) LA CIENAGA (Martel, 2001) BORGEN (Price et al, 2010) ZAMA (Martel, 2017) LA FLOR (Llinás, 2018)   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

It's the cross-promotion event of the summer! Nate, Matt, and Bryan head into traffic with Steven Soderbergh's "Traffic", a film about drug trafficking (not L.A.'s rush hour). Check out their hot takes on The Silver Screenings and head over to our flagship podcast, The Criterion Chat, for the in depth analysis of the film.Leave us a review wherever you get your shows and follow Nate, Matt, and Bryan on Letterboxd at:BlindBuyMedia https://boxd.it/2jJyfandBryan_P https://boxd.it/Rjp7

I remember reading somewhere that men learn to love the Draft Class that they're attracted to, and that women become more and more attracted to the Draft Class that they love.One of the most versatile and prolific directors who has ever lived. Unpredictable. Exciting. Remarkable track record of consistency while never feeling repetitive. True master of many cinematic crafts. STEVEN SODERBERGH!Joining Jon Saks for 3 Rounds of the STEVEN SODERBGH Draft - SPECIAL GUESTS!Ben AllenJake Estes"Let us know what Draft you would like to listen to by sending us a message!"Support the show

Editors - Chris Patterson and Dirk Westervelt ACE EENIE MEANIE editors Chris Patterson and Dirk Westervelt reunite after a six-year break from their first co-editing effort, ZOMBIELAND: DOUBLE TAP.  From its indie vibe to its seventies-inspired aesthetic, EENIE MEANIE doesn't shy away from its influences. Chris shares how both he and writer/director Shawn Simmons gravitated towards filmmakers like Steven Soderbergh, drawing inspiration from classics like OUT OF SIGHT and OCEAN'S ELEVEN. EENIE MEANIE tells the story of Edie, a reformed teenage getaway driver who gets dragged back into her unsavoury past when a former employer offers her an opportunity to save the life of her chronically unreliable ex-boyfriend.   The film was written and directed by Shawn Simmons, making his directorial debut. CHRIS PATTERSON On his way to co-editing ZOMBIELAND: DOUBLE TAP with Dirk, Chris began his career assisting on films such as THE ROYAL TENENBAUMS (2001), ANALYZE THAT (2002), THE TOWN (2010), ZERO DARK THIRTY (2012) and READY PLAYER ONE (2018). DIRK WESTERVELT ACE When he's not cutting for James Mangold on projects such as; LOGAN (2017), FORD v FERRARI (2019), and INDIANA JONES and THE DIAL OF DESTINY (2023), Dirk's editing chops can be seen in  DEADPOOL 2 (2018) and ZOMBIELAND: DOUBLE TAP (2019). The Credits Visit ExtremeMusic for all your production audio needs Hear Chris and Dirk talk about cutting Zombieland: Double Tap Listen to Dirk and editors Andrew Buckland and Mike McCusker discuss Indiana Jones and the Dial of Destiny Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

In this episode we tackle Steven Soderbergh's "Out of Sight" (1998), the smooth, stylish crime caper that helped make George Clooney a movie star, and, against all odds, convinced us that (the-artist-formerly-known-as) Jennifer Lopez could actually act... Yes, the same JLo responsible for a string of recent cinematic crimes turns in such a memorable performance here, that we're forced to eat our words… at least for 90 minutes.Make a film recommendation for an upcoming episode!Thank you for listening! Don't forget to rate & subscribe. New episodes bi-weekly. Also available on YouTube. All new website coming soon!

Send us a textOn this week's episode, the Summer Swindle continues! New York based theatre artist, Sarah Lahue, returns to the show. We chat for a bit about Sarah's new found appreciation of the New York Mets before diving into this week's featured movie, Steven Soderbergh's star-studded sizzler, Ocean's Eleven.Sarah can be found across social media @SarahTheColor. You also follow her blog at monstrousfeminine.Wordpress.com.Follow Fat Dude Digs Flicks across social media:Facebook - Fat Dude Digs FlicksInstagram - FatDudeDigsFlicksTwitter - FatDudeFlicksTikTok - FatDudeDigsFlicksLetterboxd - FatDudeFlicksSubscribe to this podcast on Apple Podcasts, Spotify, Amazon Music, Goodpods, or wherever you get your podcasts. Search for Fat Dude Digs Flicks and click on that subscribe button. Please take a second to rate and review the show, while you're at it!Subscribe to the Fat Dude Digs Flicks YouTube channel and send a thumbs up or two my way!If you'd like to contact me for any recommendations, questions, comments, concerns, or to be a future guest, you can send an email to FatDudeDigsFlicks@gmail.com.And now the call to action:The fight for Women's Reproductive Rights continues. If you are interested in supporting a woman's right to choose, please look into the following organizations:Planned ParenthoodCenter for Reproductive RightsPathfinder InternationalNational Women's Law CenterNARAL Pro-Choice AmericaReligious Coalition for Reproductive ChoiceEquality NowEvery Mother CountsGlobal Fund For WomenGun violence in the United States has reached epidemic proportions. Join the fight for better gun laws and regulations by looking into or contributing to:Coalition to Stop Gun ViolenceEverytown for Gun SafetyThe Brady CampaignNewtown Action AllianceMoms Demand Action for Gun Sense in AmericaAmericans for Responsible SolutionsLaw Center to Prevent Gun ViolenceHelp protect, defend, and support our LGBTQ+ brothers, sisters, and non-binary spiritual siblings by checking out:Transformation Project SDGLAADTrans LifelineThe Trevor ProjectThe Center of Excellence for Transgender HealthGender DiversityHuman Rights CampainIt Gets Better ProjectThe Transgender Law CenterFORGEGLSENThe Matthew Shepard FoundationPride FoundationTransgender Legal Defense and Education FundTrans Women of Color CollectiveTrans Youth Equality FoundationNational Center For Transgender EqualityTrue Colors FundThe Trans Culture District Support the show

The team reviews this non-conventional ghost story from director Steven Soderbergh.

Anthony Brandon Wong is an award winning actor, who has worked for 40 years in movies, TV and theatre all over the world, a singer-songwriter and one of Australia's most sought- after acting teachers and coaches. His numerous film and TV credits include: the role of Ghost in “The Matrix Reloaded”, “The Matrix Revolutions” and the “Enter the Matrix” video game, opposite Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Jada Pinkett Smith and Hugo Weaving, Steven Soderbergh's “Haywire” opposite Channing Tatum and Antonio Banderas, “Guns, Girls and Gambling” opposite Gary Oldman and Christian Slater, “Hemingway and Gellhorn” opposite Nicole Kidman and Clive Owen, “Queen of Oz” opposite Catherine Tate, “Godzilla x Kong: The New Empire”, “Glee”, “NCIS”, “Hawaii Five-0”, “Flight of the Phoenix”, “Harrow”, “Upright” and “The Twelve” Season 2 as series regular Winston Hang.  Anthony played the role of Danny Law in “The Family Law” and he and his fellow cast won 3 consecutive Equity Ensemble Awards for Outstanding Performance by an Ensemble in a Comedy Series. On stage, Anthony has played lead and major roles for Sydney Theatre Company, Melbourne Theatre Company, The Malthouse and State Theatre Company of South Australia and he won The Victorian Green Room Award for Best Actor in “Sex Diary of an Infidel”. Anthony played the role of the outrageous maid/butler Jacob in the stage musical "La Cage Aux Folles".  As an acting teacher, Anthony has taught at the National Institute of Dramatic Art (NIDA), Actors Centre Australia, Screenwise and the Q Theatre in Sydney, Western Australian Academy of Performing Arts (WAAPA), Melbourne's 16th Street Studios, Queensland University of Technology (QUT), Australian Theatre for Young People (ATYP), as well as in Los Angeles at TVI Studios, in Brisbane at the Australian Acting Academy, on the Gold Coast at The Warehouse Workshop Screen Acting Studio and in Byron Bay at the Actors Room.  Anthony's thousands of acting students over his 30 year teaching and coaching career include Magda Szubanski, Delta Goodrem, Angus McLaren (Packed to the Rafters), Aaron Glenane (Snowpiercer), Shareena Clanton (Wentworth), Natalie Mendoza (Moulin Rouge) and Stef Dawson (The Hunger Games). Anthony is the most senior Certified Teacher of the Ivana Chubbuck Technique in Australia. Ivana Chubbuck is the world renowned coach of Oscar winners Halle Berry, Charlize Theron and Jared Leto, and Oscar nominated actors Brad Pitt, Jake Gyllenhaal, Catherine Keener, Djimon Hounsou, Kate Hudson, America Ferrera, Elisabeth Shue, Terrence Howard and Sylvester Stallone. Ivana personally trained Anthony over a period of 14 years in Los Angeles and in Australia. Anthony has also worked extensively with master teacher Larry Moss, who is the coach of Leonardo di Caprio, Hilary Swank, Tobey Maguire, Helen Hunt and Austin Butler. In addition, Anthony has studied with Eric Morris (Jack Nicholson's coach), Elisabeth Kemp (Bradley Cooper, Hugh Jackman and Lady Gaga's coach), Margie Haber (coach of Vince Vaughan and Tea Leoni), Rowena Balos (voice trainer to Judy Davis), the Steppenwolf Company and in the Meisner and Strasberg Techniques.  As a singer-songwriter, Anthony released a dance pop single "Emancipate", which can be played on all music platforms. The music video can be seen on YouTube and Vevo. We chat about the Matrix, not working for periods, handling rejection, his amazing acting classes, food, mindset, his win spreadsheet, being who you are, learning new things, gratitude plus plenty more!   Check Anthony out on: Instagram: https://www.instagram.com/anthony_brandon_wong/ Facebook: https://www.facebook.com/p/Anthony-Brandon-Wong-100063593643833/ Actors Room Byron Bay (Masterclass workshop): https://www.actorsroombyronbay.com/august-23rd-24th-chubbuck-with-anthony-brandon-wong?fbclid=IwY2xjawMJULdleHRuA2FlbQIxMABicmlkETE4TGVRTVNCTWtvaGJYdGRPAR71_DVmVHvzhlfXPlx0j1JXiY8X1iq8r_RfnXTwUtqk33bc0b__lK5KtZcKJg_aem_xD0UJ0YlVdDoP6P_N5gFuQ Anthony Brandon Wong's Acting Troupe: https://www.facebook.com/groups/55344248581 Food Blog: https://www.instagram.com/universe_of_taste/ ------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

Phil and Emily continue their miniseries on Oscar-winning Best Director follow-ups from the 2000s with Steven Soderbergh's effortlessly cool Ocean's 11. Joined by screenwriter Liz Hannah and producer Brian Millikin, they unpack how this slick, stylish remake redefined the modern heist film. From its razor-sharp script and effortless ensemble chemistry to Soderbergh's precision, tonal balance, and inventive production choices, the discussion explores how Ocean's 11 rose above formula to become a timeless crowd-pleaser. Along the way, they dive into character dynamics, behind-the-scenes decisions, and the film's lasting place in early 2000s cinema—all while celebrating the undeniable charm of Clooney, Pitt, and company.If you enjoy this episode and want even more deep-dive film discussions, exclusive mini-series, and bonus content, join our Patreon community at patreon.com/PodcastLikeIts. Hosted on Acast. See acast.com/privacy for more information.

OCEAN'S ELEVEN was a monster hit, and so naturally Steven Soderbergh made a sequel. An extremely normal sequel that didn't confuse or piss off almost everyone who saw it. We're getting silly today talking about OCEAN'S TWELVE - a very silly movie - with writer and film critic Rory Doherty! We're both sick right now so that's all the episode description you get, sorry! Good movie, good ep - check it out. Further Reading: "Why OCEAN'S 12 Is Actually A Good Movie" by Matt Goldberg Further Viewing: TO CATCH A THIEF (Hitchcock, 1955) THE ADJUSTMENT BUREAU (Nolfi, 2011)   Follow Rory Doherty: https://x.com/roryhasopinions https://letterboxd.com/roryjdoherty/   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Xbox just keeps taking hits, and there is no way to spin it. Sony takes one on the chin too, as their Live Service goals aren't playing out the way they hoped. Plus Blizzard loses Rod, Strauss is the ultimate hype man, and Battlefield is back? Plus Paramount sets its sights on its new future, DC Studios has a plan, Captain Jack Sparrow might be back. Plus Reviews of Black Bag, Twisted Metal Season 2 and the first two episodes of Alien Earth.

Behind the Scenes with Iconic Gaffer Jim Planchett! Join Adam Chase Rani and Christine Chen on the Get Reelisms Podcast as they chat with renowned gaffer Jim Plannette. Jim shares insights from his illustrious career, working on classics like E.T., Braveheart, Young Frankenstein, and many more. Discover the challenges and rewards of lighting some of Hollywood's most memorable films, the impact on personal life, and the importance of luck and timing in the film industry. This is a must-watch for filmmaking enthusiasts who want to learn from a true industry veteran!  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) Guest: Jim Plannette For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.comWEBISODE version of the Podcastgetreelisms.com  00:00 The Realities of Working in the Film Industry 00:46 Introduction to the Get Reelisms Podcast 01:11 Meeting Jim and His Work on E.T. 02:54 Jim's Favorite Film Projects 04:19 Challenges and Memorable Moments in Filmmaking 05:16 Jim's Journey into the Film Industry 06:39 Union Struggles and Early Career 07:20 Working on Iconic Films: From Andromeda Strain to Chinatown 09:57 Balancing Personal Life and Film Work 15:30 Shooting in Black and White: Young Frankenstein and Beyond 20:33 The Evolution of Black and White Film 21:48 Behind the Scenes of Ocean's 11 24:41 Challenges in Production Design 28:19 Filming Braveheart: A Unique Experience 33:52 Working with Steven Soderbergh 35:54 Conclusion and Future Plans Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. In 1998, Steven Soderbergh produced Gary Ross's PLEASANTVILLE, a visually inventive satire of nostalgia and small-town repression - and in 2025, we did a dang Patreon episode on it. We talk passion, desire, old TV, and the ongoing push for safe limits on production working hours following the death of camera operator Brent Hershman. Watch Haskell Wexler's Who Needs Sleep? Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork.

SEASON 2 - EPISODE 153 - Steven Soderbergh - Director In this extended episode of the Team Deakins Podcast, we speak with director Steven Soderbergh (BLACK BAG, TRAFFIC, OUT OF SIGHT). Steven credits his father for giving him the movie bug, and he shares how a young adulthood shooting short films and writing spec scripts in Louisiana led to the 8-years-in-the-making overnight success of his debut feature: SEX, LIES, AND VIDEOTAPE. We spend much of the episode discussing Steven's insights into directing and filmmaking, and he opens up about his transition into shooting his own films under the alias Peter Andrews. Steven also reflects on directing OUT OF SIGHT, recalling how he ended up with the job, when a studio note protected him from his own instinct to be lean in the film's edit, and why he felt the movie was at stake when he went to war to cast Jennifer Lopez. Steven also stresses the importance of character and reputation in the business, and he recalls the pitfalls of acting like an egomaniac that he witnessed while crewing in his early days. We also discuss the value of establishing a basic grammar and set of rules specific to the film one is making, and Steven shares how he tries to listen to what a movie wants “itself” to be. - Recommended Viewing: OUT OF SIGHT  - This episode is sponsored by Aputure & Barco

Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!For Jeannine's birthday month, she has finally decided now is the time to introduce Morgan to the Magic Mike movies, and rounds the series out with a British cult favourite; a precursor in this particular genre, to complete the ALL MALE REVUE!The series gets off to a start with our introduction to the group of Tampa based male strippers, a surprising level of emotional depth, grim realities, and show stopping performances in Steven Soderbergh's MAGIC MIKE (2012) starring Channing Tatum, Alex Pettyfer & Matthew McConaughey!Our YouTube Channel for all our regular videos:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Keep being wonderful!!

This week, we're reviewing Ocean's Eleven. No, it's not the classic heist movie by Steven Soderbergh that spawned the franchise we've probably all heard of today. We're instead talking about the 1960 film by Frank Sinatra's Rat Pack. We slogged our way through this egotistical mess to see if it deserves to be as poorly remembered as it is.Join our Patreon for our bonus episodes! https://www.patreon.com/oldiebutagoodiepodFollow the show!Instagram: https://www.instagram.com/oldiebutagoodiepod/Facebook: https://fb.me/oldiebutagoodiepodPodcast Platforms: https://linktr.ee/oldiebutagoodiepodGot feedback? Send us an email at oldiebutagoodiepod@gmail.comFollow the hosts!Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/- Twitter: https://twitter.com/sandrofalce- Letterboxd: https://letterboxd.com/SandroFalce/- Twitch: https://www.twitch.tv/SandroFeltChairZach Adams - Instagram: https://www.instagram.com/zach4dams/- Twitter: https://twitter.com/ZackoCaveWizard- Letterboxd: https://letterboxd.com/zach4dams- Twitch: https://www.twitch.tv/zackocavewizardWatch our editor, Starkie, on Twitch! https://www.twitch.tv/sstarkieeOldie But A Goodie's theme tune is written and produced by Josh Cake. Check out his work here: https://www.joshcake.com/Check out other shows from our network 'That's Not Canon'! https://thatsnotcanon.com/ Hosted on Acast. See acast.com/privacy for more information.

Steven Soderbergh's second release of 2002, after FULL FRONTAL, was another very odd move: a remake of Andrei Tarkovsky's SOLARIS (well, more of a new adaptation of the Stanislaw Lem novel). Underappreciated at the time, Soderbergh's SOLARIS has grown in reputation as one of the great science fiction films of the 2000s - so we brought on a bonafide science fiction expert, Aaron Thorpe, to talk about it! Join us for a thoughtful and wide-ranging conversation about the purpose of science fiction, comprehending the vastness of space, grief, blackness in sci-fi, and OSMOSIS JONES. Don't worry, it's plenty stupid, too. Further Reading: Solaris by Stanislaw Lem Sculpting in Time by Andrei Tarkovsky Tool-Being: Heidegger and the Metaphysics of Objects by Graham Harman Myths of the Near Future by J.G. Ballard Further Viewing: SOLARIS (Tarkovsky, 1972) CONTACT (Zemeckis, 1997) EVENT HORIZON (Anderson, 1997) OSMOSIS JONES (Farrelly, 2001)  STAR TREK: NEMESIS (Baird, 2002) Follow Aaron Thorpe: https://x.com/afrocosmist https://x.com/thetrillbillies https://substack.com/@spacelight Follow Pod Casty For Me: https://www.podcastyforme.com https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Send us a textThe theatrical landscape of 2025 tells a fascinating story through its box office patterns and creative trends. Animation continues its unstoppable theatrical dominance across multiple studios, while long-running franchises like Mission Impossible and Jurassic World show unmistakable signs of fatigue. Has the time come to put these decades-old properties to rest?Our midyear film roundup reveals a striking preference for original storytelling over franchise continuation. From the breathtaking coastal beauty of Paolo Sorrentino's Parthenope to the inventive shark thrills of Dangerous Animals, our top picks demonstrate cinema's continued ability to surprise and captivate. Steven Soderbergh's spy thriller Black Bag showcases masterful craftsmanship, while Tim Robinson's Friendship brings his distinctive comedic sensibilities to feature length with remarkable success.The conversation turns passionate when discussing Ryan Coogler's Sinners and Ari Aster's Eddington – films that blend genres with extraordinary confidence while delivering profound thematic depth. Both represent bold, auteur-driven visions that resonated deeply with audiences seeking thoughtful, challenging cinema.Looking ahead, the remainder of 2025 promises an embarrassment of riches from acclaimed filmmakers including Park Chan-wook, Paul Thomas Anderson, and Jim Jarmusch. Their upcoming works, alongside anticipated releases like Edgar Wright's The Running Man and Blumhouse's Weapons, suggest our year-end lists may undergo significant transformation.What films have captured your imagination in 2025? Join our conversation about this remarkable year in cinema and share your own discoveries and disappointments. The theatrical experience continues to evolve, but the power of original storytelling remains undiminished.Support the show

Chris and Neil are back to talk movies. Like normal but different movies. First, they talk one they missed in the theater- the Steven Soderbergh horror(?) Presence starring Lucy Liu, Chris Sullivan and Callina Liang. Then after news, they talk Ari Aster's newest bonkers film- Eddington starring Joaquin Phoenix, Pedro Pascal, Emma Stone, Austin Butler and more! Is Presence gonna scare your pants off? Is Eddington more coherent than Beau is Afraid. Don't be a chump, be a chum and listen, cowpoke.  Oh yeah , if you want a 100% free sticker (we even pay postage) send us a message! www.moviesthatdontsuck.net https://w2mnet.com/category/podcasts/movies-that-dont-suck-and-some-that-do www.patreon.com/moviesthatdontsuck https://www.bonfire.com/movies-that-dont-suck-and-some-that-do-logo/ FB: facebook.com/moviesthatdontsuckpodcast Bluesky: @moviesthatdontsuck.bsky.social https://www.youtube.com/@moviesthatdontsuckpodcast

On Toolkit we want to explore the challenges facing filmmakers today, and a growing concern is A.I. But we find for all the promises and fears of what A.I.will do, there are few conversations about what A.I. is actually able to do right now. Writer and director Scott Z. Burns has the perfect case study for us: trying to write a sequel to his and Steven Soderbergh's 'Contagion' using A.I. screenwriters and film critics. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sean and Amanda return to continue their yearlong project of listing the 25 best movies of the 21st century so far. Today they discuss one of the greatest sports movies of all time: Bennett Miller's ‘Moneyball'—starring Brad Pitt and Jonah Hill. They explore the film's very curious production history with director Steven Soderbergh, share why they think this was the best performance of Pitt's career, and examine what the movie's legacy is considering Miller's lack of work following its release. Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders THIS EPISODE IS SPONSORED BY THE STARBUCKS COFFEE COMPANY. ORDER NOW | STARBUCKS.COM/MENU Learn more about your ad choices. Visit podcastchoices.com/adchoices

We present our Ocean's Trilogy review!Ocean's is a series of heist films. Beginning with the 1960 Rat Pack film Ocean's 11, the series has seen mixed to favorable critical reception and substantial commercial success. After the 1960 film, a reboot trilogy was released from 2001 to 2007, often cited as defining its genre and leading to a proliferation and commercialization of heist films throughout the world. The most commercially successful was the first film, Ocean's Eleven (2001). It established the ensemble cast of George Clooney as Danny Ocean, Matt Damon as Linus Caldwell, and Brad Pitt as Rusty Ryan. A long list of supporting cast members maintain the trilogy. The first sequel, Ocean's Twelve, was released in 2004, with the final film, Ocean's Thirteen, following in 2007. An all-female spin-off titled Ocean's 8 was released in 2018.Ocean's Eleven is a 2001 American heist comedy film directed by Steven Soderbergh and written by Ted Griffin. A remake of the 1960 film of the same name, it serves as the first installment in the Ocean's franchise. The film features an ensemble cast including George Clooney, Matt Damon, Andy García, Brad Pitt, Julia Roberts, Casey Affleck, Don Cheadle, Scott Caan, Elliott Gould, Bernie Mac, and Carl Reiner. Its plot follows Danny Ocean, a recently paroled con artist who orchestrates a complex scheme to simultaneously rob the vaults of three major Las Vegas casinos owned by Terry Benedict, the current partner of Ocean's ex-wife, Tess.Ocean's Twelve is a 2004 American heist comedy film directed by Steven Soderbergh and written by George Nolfi. Serving as the second installment in the Ocean's film trilogy, it is a direct sequel to Ocean's Eleven (2001). The film features an ensemble cast including George Clooney, Brad Pitt, Matt Damon, Catherine Zeta-Jones, Andy García, Don Cheadle, Bernie Mac, Julia Roberts, Casey Affleck, Scott Caan, Vincent Cassel, Eddie Jemison, Carl Reiner, and Elliott Gould. Its plot follows Danny Ocean and his crew as they are forced to regroup for a series of elaborate heists across Europe after being targeted by Terry Benedict and a mysterious rival thief known as the Night Fox.Ocean's Thirteen is a 2007 American heist comedy film directed by Steven Soderbergh and written by Brian Koppelman and David Levien. It is the third in the Ocean's film trilogy and features an ensemble cast including George Clooney, Brad Pitt, Matt Damon, Andy García, Don Cheadle, Bernie Mac, Ellen Barkin and Al Pacino. Its plot centers on Danny Ocean and his team as they seek revenge against ruthless casino owner Willy Bank after he double-crosses one of their own.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Guest Ethan Thompson returns for a pandemic-themed double feature pairing cinematic outbreaks with legendary brews. The films are Eddington, the newest from Ari Aster, and Steven Soderbergh's eerily prescient Contagion from 2011, a film that's only grown more chilling since the world lived through its own global pandemic. To match the apocalyptic mood, the beers are just as special. First up is Pliny the Elder from Russian River Brewing—a white whale for many beer lovers, this West Coast double IPA is as mythic as it is delicious, and the crew dives into why it still holds such a revered place in craft beer circles. Then there's Jakobus, a crisp and complex pilsner from Schilling Beer Co., offering a grounding contrast to the hop-heavy intensity of Pliny. Together, the films and the beers spark a conversation about fear, misinformation, leadership, and what it takes to hold a community together when the world starts to fall apart. It's an episode full of sharp insights, great storytelling, and rare brews—don't miss it.

We welcome the esteemed critic, journalist, and podcaster Jourdain Searles to the show to discuss Quentin Tarantino's seminal third feature Jackie Brown, an adaptation of the Elmore Leonard novel Rum Punch that also serves as Tarantino's love letter to Blaxploitation cinema and one of its defining stars, Pam Grier. We begin with a discussion of Blaxploitation cinema, Pam Grier's status within the genre, and how Tarantino navigates the fine line between homage and aesthetic fetishism. Then, we unpack the film's taught, thoughtfully structured script that manages to pack the customary twists and reversals of a Leonard adaptation without skimping on the romance and hangout vibes that underly Tarantino's most accomplished work. Finally, we pull back to discuss Tarantino today and whether we can successfully decouple the director's artistry from his support for Israel. Follow Jourdain Searles on Twitter. Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

Yeah, like we weren't going to go over two and a half hours on FULL FRONTAL. Following the generational run of OUT OF SIGHT, THE LIMEY, ERIN BROCKOVICH, TRAFFIC, and OCEAN'S ELEVEN, Steven Soderbergh did what anyone would do: he shot a semi-improvised ensemble Hollywood satire on a consumer grade digital camera. The result, FULL FRONTAL, is a fascinating film about connection, mediation, performance, and the film industry, so who better to talk about it with than our Hollywood bigwig buddy, filmmaker and producer Chadd Harbold? This is a really good one, folks - don't sleep on it! Further Reading: "Digital Release: Steven Soderbergh's Full Frontal" by Lawrence Garcia "Just Like A Movie: Full Frontal As Postmodern Love Story" by Daniel McKleinfeld "Soderbergh Lets It All Hang Out: Full Frontal at 20" by Craig J. Clark Further Viewing: BAMBOOZLED (Lee, 2000) STAR WARS: EPISODE II - ATTACK OF THE CLONES (2002)   Follow Chadd Harbold: https://x.com/chaddwithtwoDs https://vimeo.com/chaddharbold   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Topics covered include: Steven Soderbergh's greatest commentary tracks, the first Mission Impossible as a perfect film, writing movies for actors not executives, Ari telling Bill the idea for Eddington outside of an Italian restaurant, Bill laughing at the sound of Toni Collette's head falling off in Hereditary, being intuitive and impulsive, David Lynch as a great spiritual teacher, using genre film as a shield, Ari's deep research process in New Mexico before making Eddington, the genius comedy of Christopher Morris, walking into the meat grinder, unmade horror scripts, Bill's cameo in Beau is Afraid, going beyond the breaking point, Steven Spielberg as the king of shot sequencing, childhood obsession with screenplays, Sturges on Sturges, Bill filming shorts as a kid with his sister in Tulsa, meeting Scorsese at SNL, and 50+ films that shaped them. 

To celebrate five years of What Are You Watching, Alex and Nick discuss the most influential director of Alex's life, Steven Soderbergh. Thirty-five movies, (at least) five career phases, a Palme d'Or, an Oscar, and an unparalleled work ethic all make Soderbergh an icon of modern cinema. Let's go!Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Send mailbag questions to whatareyouwatchingpodcast@gmail.com

Editor - Stephen Mirrione, ACE F1 editor Stephen Mirrione ACE, known for his exceptional work in films like Traffic and The Revenant, took on a whole new challenge with F1, an adrenaline-fueled project that demanded innovation and intricacy at every turn.  One of the many tasks for Mirrione was ensuring the emotional weight and authenticity within F1's racing scenes. Every cut, every transition was made with the intention of drawing the audience deeper into the world of racing. The commitment to authenticity was evident in using Formula One track cameras and high-speed car mounts, which provided unparalleled realism. F1 stars Brad Pitt as race car driver, Sonny Hayes. In the 1990s, Hayes was Formula 1's most promising driver until an accident on the track nearly ended his career. Thirty years later, the owner of a struggling Formula 1 team convinces Sonny to return to racing and become the best in the world. Driving alongside the team's hotshot rookie, Sonny soon learns that the road to redemption is not something you can travel alone. Stephen Mirrione, ACE Stephen has spent the past thirty years building an impressive body of work.  Unlike many editors who begin their journey into postproduction as assistants, Stephen made a name for himself right away as an editor in the indie film world.  His work with directors Doug Liman (Getting in, Swingers, Go) and Jill Sprecher (Clockwatchers, Thirteen Conversations About One Thing) quickly established Stephen as a creative force to be reckoned with in the cutting room. Soon after Stephen would meet a director who would have a significant impact on his career...Steven Soderbergh.  Their time together would begin with the film Traffic.  This would not only be the first of Stephen's three Oscar nominations, but also his first Oscar win.  Following Traffic, Stephen would take on the duties of editing Soderbergh's "Ocean's" films, starring an actor that would eventually become a prominent director in his own right, George Clooney. When Clooney began looking for an editor for his first project, Confessions of a Dangerous Mind, Soderbergh recommended Mirrione.  The creative partnership between Clooney and Mirrione would result in seven feature films.  Not one to rest on his laurels too long, over that same time period Mirrione would also edit five of Alejandro G. Iñárritu's films (21 Grams, Babel, Biutiful, Birdman or (The Unexpected Virtue of Ignorance) and The Revenant). The Credits Visit ExtremeMusic for all your production audio needs Streamline your postproduction pipeline with Shade Hear Stephen talk about his work with George Clooney on THE MIDNIGHT SKY See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Claude Zdanow is a visionary leader in the business and marketing industry, boasting nearly two decades of unparalleled experience in scaling and directing multiple marketing and advertising enterprises. His strategic acumen has transformed startups into global brands valued at tens of millions of dollars. Zdanow's impressive client portfolio includes industry giants such as 7-Eleven, Brown Forman, Disney's FX Networks, The Recording Academy, Peter Thomas Roth, Pernod Ricard, Rolls Royce, Steven Soderbergh's Singani 63, and Microsoft's Xbox. Throughout his career, he has successfully executed transactions exceeding $100 million in cash value, encompassing acquisitions, capital raises, asset sales, financings, restructurings, and other corporate financial activities.Before venturing into marketing and advertising, Zdanow built a formidable reputation in the music industry, initially as a musician and later as an entrepreneur. He founded and grew companies that collaborated with top-tier artists like Avicii, The Chainsmokers, Chris Brown, The Chicago Symphony Orchestra, Eminem, Drake, and Yo-Yo Ma. His businesses were involved in 22 Grammy Award-winning projects and received 30 Grammy nominations, reflecting his significant impact on the music scene.As a dynamic and insightful speaker, Claude engages global audiences on topics including business, marketing, M&A, and music. His thought leadership has been featured in prestigious media outlets such as Bloomberg, Rolling Stone, Forbes, Inc. Magazine, MarketWatch, and The Village Voice. He has also served as an industry expert for renowned organizations and events like The Recording Academy, The Organization of American States, Grammy Camp, Pro Audio Summit, Rotterdam Beats, SAE University, Columbia Business School, Winter Music Conference, and Amsterdam Dance Event.Currently, Zdanow is the CEO of ONAR (OTCQB:RELT), a publicly traded marketing agency network that acquires and develops marketing agencies specializing in driving growth for clients across various sectors, including consumer products, entertainment, spirits, and healthcare. Beyond his corporate achievements, Zdanow is a mentor, advisor, and board member to startups and businesses, including Endexx Corporation & Chemtech. His passion for nurturing entrepreneurial talent and business leadership is matched by his love for wine and hospitality. He is the founder of Sona Hills, a boutique vineyard resort in Paso Robles, CA, and Claude Philippe Wines, where he combines his business acumen with his personal interests.

Brothers J and Drew discuss the 2025 Steven Soderbergh film Black Bag which was not quite what they expected but that they enjoyed. Along the way they discussed movies by mail Netflix, The Agency, and The Jackyl. Housekeeping begins at 35:35 during which they discuss The Good Wife, Michael J Fox, passive aggression toward neighbors, M3gan 2.0, the podcast The Town With Matthew Belloni, and the new James Bond File length 1:08:57 File Size 49.9 MB Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way  

Ante up, listener! It's the OCEAN'S ELEVEN episode. After the unbelievable one-two punch of BROCKOVICH and TRAFFIC, Steven Soderbergh took a victory lap by remaking a dull Rat Pack movie into one of the most entertaining films ever made - and it made a bunch of money and everyone loves it. Including our guest, filmmaker and YouTuber Patrick Willems! We talk heists, movie stars, Vegas, pleasure - this is a real fun one, folks. Enjoy. Further Reading: Rebels on the Backlot by Sharon Waxman The BFI Companion to Crime, ed. Phil Hardy Further Viewing: GIDGET (Wendkos, 1959) OCEAN'S 11 (Milestone, 1960) THE LEAGUE OF GENTLEMEN (Dearden, 1960) THE GREAT ESCAPE (Sturges, 1963) THE DIRTY DOZEN (Aldrich, 1967) THE HOT ROCK (Yates, 1972) ROUNDERS (Dahl, 1998) TERRIERS (Griffin, 2010) NOW YOU SEE ME (Leterrier, 2013) Follow Patrick Willems: https://www.youtube.com/@patrickhwillems    Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Ellis and Corbin and ERIC MARSH discuss "Che: Part One," Steven Soderbergh's process oriented tale of the Cuban Revolution, first movie ever shot on a 4K Movie Camera. Topics include: Oakley Sunglasses, Soderbergh during this time, digital cinemtography blessing his particular way of working, and why CAPITALIST STREAMING PLATFORMS make this movie hard to watch.  Ellis: 'Song at the end is "Carlos Puebla – Hasta Siempre, Comandante," which is about Che.' Our next episode is about SPEED RACER. Tremble in fear.   

Caring crusaders are almost their own movie genre and one of the most successful films about such is Erin Brockovich. Steven Soderbergh had a huge year in 2000 with Traffic and also this biopic, turning both into blockbuster Oscar-winners. He won the award for directing Traffic while Julia Roberts won her own gold trophy for playing the brash, real-life, legal assistant who works day and night to expose an environmental cover-up that killed children in a small California town. Albert Finney, Aaron Eckhart and Marg Helgenberger shine too, but this movie belong to Julia…and it might be her signature performance. So, Stick Man, be like Erin and be an empath in provocative clothes as we file a class action lawsuit against those who poison water, but as we also review Erin Brockovich in this 673rd edition of Have You Ever Seen. You don't have to memorize everyone's coffee order (or their phone number) if you want some good java. Just go to "sparkplug.coffee/hyes" and take advantage of our onetime 20% discount. Use our "HYES" promo code to do that. Subscribe to Have You Ever Seen in your podcast app, but also check us out on YouTube (@hyesellis in the search bar). Rate, review, comment, etc. Getting in touch with us can be done by seeking us out social media (Ryan is @moviefiend51 on Twi-X and ryan-ellis on Bluesky, while Bev is @bevellisellis on the first and just bevellisellis on the second) and we also read your emails (haveyoueverseenpodcast@gmail.com).

This week, Steven Soderbergh's Presence gives Desmond and Tom a look at a haunted house film shot from the POV of the presence in the house. Then Des goes solo on a Dread Media Top 5 POV Films. Songs included: "New Best Friend" by Deadguy, "Ominous Presence (Live)" by New Math, "Through These Eyes" by Social Distortion, and "Through Thine Eyes" by GosT. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

The second half of Soderbergh's unbelievable year 2000 was TRAFFIC, his sprawling adaptation of the 1989 Channel 4 miniseries about the many sides of the drug trade. At the time, it was hailed as a highly nuanced and humane look at narcotics. But how does it look from 2025? Joining us to discuss is professor and author of our much-cited Quick Fixes: Drugs in America from Prohibition to the 21st Century Binge, Benjamin Y. Fong! We talk macroeconomics, "Mexico filter," drug movies, Benicio Del Toro's accent, and a whole lot more. Really fascinating episode, we hope you enjoy! Further Reading: Quick Fixes: Drugs in America from Prohibition to the 21st Century Binge by Benjamin Y. Fong Rebels on the Backlot by Sharon Waxman In Search of Respect: Selling Crack in El Barrio by Philippe Bourgois Steven Soderbergh: Interviews, ed. Anthony Kaufman Further Viewing: "No, Mexico isn't actually that orange. Hollywood is just racist." from Mashable MIKEY AND NICKY (May, 1976) TRAFFIK (Reid, 1989) HIGHWAY PATROLMAN (Cox, 1991) LEAVING LAS VEGAS (Figgis, 1995) ENTER THE VOID (Noe, 2009) THE HOUSE I LIVE IN (Jarecki, 2012) THE SPECTACULAR NOW (Ponsoldt, 2013) EMBRACE OF THE SERPENT (Guerra, 2015) MONOS (Landes, 2019) BLOODY NOSE, EMPTY POCKETS (Ross brothers, 2020)   Follow Benjamin Y. Fong: https://benfong.com/   Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Send us a textSo, we've made it this far! 200 episodes! A milestone requires a big topic. The star-studded remake from Steven Soderbergh, Ocean's Eleven. Dayton hosts Amber, Disney John, Liam, Mike, Robert, and Tim as they share reflections of the podcast and discuss this film. We hope you enjoy listening to the episode as much as we enjoyed making it. Twitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://discord.gg/T8Nt3YB7

Soderbergh finally hit a box-office home run in 2000 with ERIN BROCKOVICH, a Julia Roberts-starring biopic about a paralegal with a big personality and a nose for corporate environmental malfeasance, and the one-two punch of BROCKOVICH and TRAFFIC in a single year cemented him as a truly major filmmaker. This is one of the big ones, so we brought in our friend Carlee from Hit Factory to talk about basically everything: capitalism, the climate, gender, fashion, interpassivity, Todd Haynes, and Sheryl Crow. Great ep! Don't use ChatGPT even as a joke! Further Reading: Superman's Not Coming by Erin Brockovich "Digging For The Truth" by Robert B. Welkos "Ordinary Heroes vs. Failed Lawyers: Public Interest Litigation in 'Erin Brockovich' and Other Contemporary Films" by Michael McCann and William Haltom "Erin Brockovich, 20 Years Later: 'I See So Many of Us Finding That Courage to Stand Up'" by Susan King Further Viewing: A CIVIL ACTION (Zaillian, 1998) LEGALLY BLONDE (Luketic, 2001) FIRST REFORMED (Schrader, 2017) DARK WATERS (Haynes, 2019) EVIL DOES NOT EXIST (Hamaguchi, 2023)   Follow Carlee: https://x.com/deepimpactcrier https://x.com/HitFactoryPod Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart