Podcasts about sundance grand jury prize

In this episode, we speak with two-time Oscar nominee editor Saar Klein. He's known for editing films such as Almost Famous, The Thin Red Line, and The Bourne Identity, to name a few. He also directed the feature film After the Fall.In our conversation, we discussed how he broke into the industry, his approach to storytelling, managing egos, and the importance of opening yourself up to the creative process.This episode is sponsored by The Gate+ and produced by Jack Kirkwood.Hosted by directors Craig Bingham and Ozzie Pullin.Saar Klein - BiographyFilm editor Saar Klein is a two-time Oscar nominee for his work on Terrence Malick's The Thin Red Line and Cameron Crowe's Almost Famous. The Thin Red Line was Klein's second credit as editor, and alongside his Oscar nomination, Klein also received nominations from the ACE, ACCA, and OFTA Awards. For Almost Famous, Klein won the ACE Award for his editing and was similarly nominated for an ACCA and OFTA Award.Klein's collaborative relationship with director Doug Liman began with The Bourne Identity for Universal Pictures, where the two relative newcomers introduced a new realism and energy to action that influenced the genre for years to come. Their partnership continued with films including Jumper for 20th Century Fox, Locked Down for Warner Bros., Fair Game, American Made, and most recently The Instigators for Apple TV, starring Matt Damon and Casey Affleck.Klein also works frequently with director Terrence Malick, their first collaboration being the documentary Endurance, which premiered at Venice Film Festival. Their relationship flourished with The Thin Red Line, The New World, and Klein's uncredited work on The Tree of Life, and the two continue to collaborate to this day. Other credits include Jean-Stéphane Sauvaire's Asphalt City, which was nominated for the Palme d'Or at Cannes Film Festival, Andrew Heckler's Burden, which was nominated for the Sundance Grand Jury Prize, Antonin Baudry's The Wolf's Call for Netflix, and Dito Montiel's Fighting for Universal Pictures.More recently, Klein worked on the Apple TV series Masters of the Air, directed by Cary Fukunaga and starring Austin Butler. Previously, Klein wrote, directed and edited his own film, After the Fall, winner of the 40th Anniversary Award at the Deauville American Film Festival. The film also premiered at Berlin International Film Festival and was nominated for an Audience Award at SXSW Film Festival.Originally from Jerusalem, Klein eventually moved to the United States and received his bachelor's degree in psychology from Vassar College in Poughkeepsie, New York. On his first job, he assisted editors Joe Hutshing, Pietro Scalia, and Hank Corwin on Oliver Stone's JFK, then later returned to co-edit Stone's U-Turn. Klein's versatility across various genres and experience with big-budget studio films and European and independent cinema are a testament to his diverse interest and expertise in storytelling that he continues to hone with each new project.

ImdbBioCorey Frost is an emmy-nominated editor renowned for his work in both documentary and scripted films. With a focus on emotionally charged storytelling, Corey has edited a diverse range of content, including short and feature-length documentaries for top television networks and sports channels. He most recently co-edited the acclaimed genre-bending documentary New Here, directed by Sundance Grand Jury Prize winner Dan Sickles and produced by Oscar winner Shane Boris. Corey's scripted feature Grace Point premiered at the 2023 Santa Barbara International Film Festival, and is available on digital and VOD now. His other credits include Netflix's Coach Snoop, Amazon Prime's All or Nothing: The Michigan Wolverines, and UFC's 25 Years in Short series, for which Corey received a Sports Emmy nomination in 2018. An Affiliate Member of the American Cinema Editors, Corey has also directed and produced various projects, including ESPN's Before They Were Cowboys, showcasing his versatility as a filmmaker and storyteller.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

Today on Art of the Cut we speak with writer/director/editor, Brendan Bellomo of the Oscar-nominated documentary, Porcelain War. The film was nominated for an ASC Award for cinematography for its cinematographer, even though it was his first time using a camera. It won the DGA Award for Outstanding Directorial Achievement in Documentary. It won the PGA Award for Producing, won the Australian Screen Sound Guild Award and the HPA Award for Best Sound, and won the Sundance Grand Jury Prize award.This discussion includes - among other things - determining the structure of the film based on emotion, why color grading needed to be part of the off-line edit, and how the editing pace was determined by the personality of the documentary's subjects. You can read along with this interview and see images including the timeline and clips and trailers on the BorisFX blog at:borisfx.com/blog/aotc

“Ukraine is like porcelain, easy to break yet impossible to destroy.” —Slava Leontyev Join us for a Q&A with the co-director and the producer. Under roaring fighting jets as war ravages their homeland, three artists—Slava, Anya and Andrey—stay behind in their native Ukraine, defiantly finding beauty amid destruction. Armed with art, cameras and—for the first time in their lives—guns, they show that while it's easy to frighten people, it's harder to destroy their passion for living. Nominated for an Academy Award for best documentary feature, Porcelain War has already won the 2024 Sundance Grand Jury Prize. The film is a stunning tribute to the resilience of the human spirit, embodying the enduring hope and passion of ordinary people living through extraordinary circumstances. From the Academy Award-winning producer of The Cove and the Emmy Award-winning producer of Chasing Ice, and the team behind the Grammy Award-winning Quincy, Porcelain War is one of the most decorated documentary features of 2024. We will have a discussion with co-director Slava Leontyev and producer Paula DuPré Pesmen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Silje Evensmo Jacobsen's documentary A New Kind of Wilderness won the 2024 Sundance Grand Jury Prize for World Cinema – Documentary and will be screening at the Adelaide Film Festival on Saturday 26 October and Tuesday 29 October.This serene and moving film follows a young family in the midst of transition. Parents Maria and Nik are raising their four children on a remote farm in Norway, teaching them a self-sustainable way of life and learning how to live alongside the land they call home. With Maria's photography helping provide a steady income for the family, all seems to be moving along comfortably, that is, until Maria passes away leaving Nik to raise their children. With no means of financially supporting the family, Nik is faced with the difficult decision of shifting his family to a new home and possibly moving away from Norway back to his home country of England where he has stronger familial support.While this sounds like a heavy experience, Silje reflects on Maria's life perspective, her photos, and her journal writings which can be found on her blog, and in that process she manages to transform A New Kind of Wilderness into a beautiful, enriching, life affirming film that will leave you with a renewed perspective on family, nature, and the lives that we live.In the following interview, Silje talks about how she shot A New Kind of Wilderness and the relationships that she had with the family on and off camera, while also reflecting on the relationship that the film will have with audiences around the globe.A New Kind of Wilderness screens at the Adelaide Film Festival on Saturday 26 October and Tuesday 29 October. Tickets are available here. Hosted on Acast. See acast.com/privacy for more information.

Director Silje Evensmo Jacobsen's documentary A New Kind of Wilderness won the 2024 Sundance Grand Jury Prize for World Cinema – Documentary and will be screening at the Adelaide Film Festival on Saturday 26 October and Tuesday 29 October.This serene and moving film follows a young family in the midst of transition. Parents Maria and Nik are raising their four children on a remote farm in Norway, teaching them a self-sustainable way of life and learning how to live alongside the land they call home. With Maria's photography helping provide a steady income for the family, all seems to be moving along comfortably, that is, until Maria passes away leaving Nik to raise their children. With no means of financially supporting the family, Nik is faced with the difficult decision of shifting his family to a new home and possibly moving away from Norway back to his home country of England where he has stronger familial support.While this sounds like a heavy experience, Silje reflects on Maria's life perspective, her photos, and her journal writings which can be found on her blog, and in that process she manages to transform A New Kind of Wilderness into a beautiful, enriching, life affirming film that will leave you with a renewed perspective on family, nature, and the lives that we live.In the following interview, Silje talks about how she shot A New Kind of Wilderness and the relationships that she had with the family on and off camera, while also reflecting on the relationship that the film will have with audiences around the globe.A New Kind of Wilderness screens at the Adelaide Film Festival on Saturday 26 October and Tuesday 29 October. Tickets are available here. Hosted on Acast. See acast.com/privacy for more information.

One of Alexei's absolute favourite contemporary filmmakers David Lowery jumps into the Last Video Store to pick up a stack of his favourite films. David's feature films include Sundance Grand Jury Prize winner Ain't Them Bodies Saints, the live-action adaptation of Pete's Dragon, A Ghost Story, The Old Man & the Gun starring Robert Redford and Sissy Spacek; and the Dev Patel–led fantasy epic The Green Knight. We talk about some of his first memories of films before even seeing them, the surrealist horror of Freddy Krueger, horror cinema, the genre-bending of Jim Jarmusch, the modern fables of Aki Kaurismäki and Indigenous ghost story anthology. Pick up tickets to catch Alexei in conversation with DAVID LOWERY at MIFF here Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here's David Lowery's combo on Letterboxd.See omnystudio.com/listener for privacy information.

The first ever time someone steps on a movie set, be they actor, director, writer or whoever, can be extremely precarious. Producer Javier Gonzalez says humility is always the safest move because it brings out the best in others, as it did for Clint Eastwood in his 1971 directorial debut and today's "B-side": Play Misty for Me. Javier Gonzalez is a Mexican-American, El Paso, TX-based, Emmy-winning and Sundance Grand Jury Prize- winning Producer whose films and series have been selected for the Cannes, Venice, Sundance, Toronto, South by Southwest, New York, Rotterdam, TriBeCa, Fantastic Fest, Morelia, Glasgow, Hot Docs, Stockholm, Denver, Sitges, Los Cabos, True/False, Miami, Cartagena and Fanstasia Film Festivals. Javier has spent the last twenty years working in various production capacities throughout the American and Mexican film industries. Javier is fluent in Spanish, English and German. Javier has been a guest lecturer for the film program at the Rhode Island School of Design. Javier Gonzalez JAG Films IMDB Alex Keledjian Alex Keledjian is the creator of Project Greenlight, a documentary television series where executive producers Matt Damon and Ben Affleck gave first-time filmmakers a chance to direct their first feature film.   In 2018, Alex wrote and directed the film High Voltage starring David Arquette and Luke Wilson. MAX launched the latest season of the Emmy-nominated TV series Project Greenlight from executive producer Issa Rae and Miramax Television in July 2023. How I Got Greenlit Instagram Twitter Podlink Credits Alex Keledjian, Host Pete Musto, Producer/Editor Jeremiah Tittle, Producer Experience more of How I Got Greenlit via nextchapterpodcasts.com For guest inquiries, sponsorships, and all other magnificent concerns, please reach How I Got Greenlit via howIgotgreenlit@gmail.com For inquiries and more information on Next Chapter Podcasts info@ncpodcasts.com New episodes go live every Tuesday. Please subscribe, rate & review on Apple Podcasts, Spotify, Stitcher, wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Filmmaking requires a wide array of factors to come together in perfect alignment, not the least of which are things like funding, favors and finding a place to do it. That's why producer Javier Gonzalez leaves no stone unturned when setting a project in motion. Javier Gonzalez is a Mexican-American, El Paso, TX-based, Emmy-winning and Sundance Grand Jury Prize- winning Producer whose films and series have been selected for the Cannes, Venice, Sundance, Toronto, South by Southwest, New York, Rotterdam, TriBeCa, Fantastic Fest, Morelia, Glasgow, Hot Docs, Stockholm, Denver, Sitges, Los Cabos, True/False, Miami, Cartagena and Fanstasia Film Festivals. Javier has spent the last twenty years working in various production capacities throughout the American and Mexican film industries. Javier is fluent in Spanish, English and German. Javier has been a guest lecturer for the film program at the Rhode Island School of Design. Javier Gonzalez JAG Films IMDB Alex Keledjian Alex Keledjian is the creator of Project Greenlight, a documentary television series where executive producers Matt Damon and Ben Affleck gave first-time filmmakers a chance to direct their first feature film.   In 2018, Alex wrote and directed the film High Voltage starring David Arquette and Luke Wilson. MAX launched the latest season of the Emmy-nominated TV series Project Greenlight from executive producer Issa Rae and Miramax Television in July 2023. How I Got Greenlit Instagram Twitter Podlink Credits Alex Keledjian, Host Pete Musto, Producer/Editor Jeremiah Tittle, Producer Experience more of How I Got Greenlit via nextchapterpodcasts.com For guest inquiries, sponsorships, and all other magnificent concerns, please reach How I Got Greenlit via howIgotgreenlit@gmail.com For inquiries and more information on Next Chapter Podcasts info@ncpodcasts.com New episodes go live every Tuesday. Please subscribe, rate & review on Apple Podcasts, Spotify, Stitcher, wherever you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today on The Neil Haley Show, Neil "The Media Giant" Haley interviews Tim Blake Nelson. Described as a "modern character actor",his roles include Delmar O'Donnell in O Brother, Where Art Thou? Gideon in Minority Report , Dr. Pendanski in Holes , Danny Dalton Jr. in Syriana , Samuel Sterns in the Marvel Cinematic Universe, Richard Schell in Lincoln the title character in The Ballad of Buster Scruggs and Henry McCarty in Old Henry He portrayed Wade Tillman / Looking Glass in the HBO limited series Watchmen, for which he received a Critics' Choice Television Awards nomination for Best Supporting Actor in a Drama Series in 2020. Nelson's directorial credits include Eye of God which was nominated for the Sundance Grand Jury Prize and an Independent Spirit Award; O , a modern-day adaptation of Othello; and the Holocaust drama The Grey Zone . Eye of God and The Grey Zone were both adapted from Nelson's own plays. Nelson has also co-directed music videos for billy woods and Kenny Segal including Babylon by Bus and Soft Landing. He also co-directed the music video for Armand Hammer'sTrauma Mic feat. Pink Siifu. Nelson recently published his debut novel, City of Blows, an epic group portrait of four men grappling for control of a script in a radically changing Hollywood.

Today on The Neil Haley Show, Neil "The Media Giant" Haley interviews Tim Blake Nelson. Described as a "modern character actor",his roles include Delmar O'Donnell in O Brother, Where Art Thou? Gideon in Minority Report , Dr. Pendanski in Holes , Danny Dalton Jr. in Syriana , Samuel Sterns in the Marvel Cinematic Universe, Richard Schell in Lincoln the title character in The Ballad of Buster Scruggs and Henry McCarty in Old Henry He portrayed Wade Tillman / Looking Glass in the HBO limited series Watchmen, for which he received a Critics' Choice Television Awards nomination for Best Supporting Actor in a Drama Series in 2020. Nelson's directorial credits include Eye of God which was nominated for the Sundance Grand Jury Prize and an Independent Spirit Award; O , a modern-day adaptation of Othello; and the Holocaust drama The Grey Zone . Eye of God and The Grey Zone were both adapted from Nelson's own plays. Nelson has also co-directed music videos for billy woods and Kenny Segal including Babylon by Bus and Soft Landing. He also co-directed the music video for Armand Hammer'sTrauma Mic feat. Pink Siifu. Nelson recently published his debut novel, City of Blows, an epic group portrait of four men grappling for control of a script in a radically changing Hollywood.

Toward the end of this year's Sundance Grand Jury Prize-winning documentary “Porcelain War”, one of the directors and main subjects of the film, Slava Leontyev, says, “Ukraine is like porcelain. Easy to break but impossible to destroy.” Slava, along with his wife, Anya, create beautifully crafted “porcelain beasts” that used to be their main professional focus. Since Russia's invasion of Ukraine, Slava has served with the Ukrainian Special Forces and Anya dodges landmines in the fields near their home.   Joining Ken for a live, in-person interview at Sundance 2024, directors Slava Leontyev and Brendan Bellomo describe the unlikely circumstances that brought them together and the unique creative process that resulted in this remarkable film. Amidst the constant battle against the Russian invaders, Slava, Anya, and their friend Andrey Stevanov (the film's DP) see a world around them that is broken, but, through the courage of their resistance, cannot be destroyed.   Thanks to Amos Cochran of Edit/Score for hosting our 2024 Sundance interviews.  Edit/Score is a new music library with an innovative approach to finding music for your film.   Listen to the library and learn more at editscoremusic.com    The Presenting Sponsor of "Top Docs" is Netflix.   Follow: @brendanbellomo and @anyaslavaporcelain on Instagram @topdocspod on Instagram and twitter

Tia Lessin and Carl Deal are filmmaking partners whose careers have run the gamut from directing their Sundance Grand Jury Prize-winning Trouble The Water about Hurricane Katrina and its aftermath, to producing several of Michael Moore's films, and more. Tia also directed, with Emma Pildes, 2022's Emmy Award-winning The Janes, about women providing abortion care in pre-Roe v. Wade Chicago. Tia started out as a labor organizer and an activist. And while Carl has an activist background as well, he also attended Columbia University Journalism School. We talk about how journalism and activism play out in their filmmaking, the creative use of stock footage, and documentary ethics.More about Tia and Carl here.Films mentioned in the episode:Trouble the Water (2008), Dir. Tia Lessin and Carl Deal  The Janes (2022), Dir. Tia Lessin and Emma Pildes Where To Invade Next (2015), Dir. Michael MooreThe UnRedacted (originally Jihad Rehab) (2022), Dir. Meg SmakerFollow us on Instagram! @ThousandRoadsPodSpecial thanks for helping make this series happen: Sara Archambault, Florence Barrau-Adams, Jon Berman, Ben Cuomo (music), Jax Deluca, Pallavi Deshpande, Nancy Gibbs, Kathleen Hughes, Caroline Kracunas, Laura Manley, Alexis Pancrazi, Liz Schwartz, Jeff Seelbach, Lindsay Underwood (logo/graphics)This episode was supported by a fellowship at the Shorenstein Center on Media, Politics and Public Policy at Harvard Kennedy School.

When it comes to realising the visual concept of a film, the Production Designer is key. They use a unique set of skills to develop the design style for the sets, locations, graphics, props, lighting and costumes. In this podcast, WFT Member and Production Designer and Graphic Artist Jill Beecher talks with Production Designer Katie Byron about their craft and all things industry related... from flotation tanks to film families. This event has been made possible with the support of Coimisiún na Meán. Katie Byron: Don't Worry Darling is the second collaboration between Olivia Wilde and Katie Byron after Booksmart in 2018. Her work includes Mike Mills' C'mon C'mon, Janicza Bravo's Zola, Tara Miele's Wander Darkly , Spectrevision's Color Out Of Space an HP Lovecraft adaptation by cult director Richard Stanley, meta slasher film The Final Girls and several films by Drake Doremus; Sundance Grand Jury Prize winner Like Crazy, Zoe, Breathe In, Equals and Newness. Her television work includes BBC America's Dirk Gently Holistic Detective Agency, IFC's Documentary Now, the FX series A Teacher and the Australian/American genre bending series Wolf Like Me. Jill Beecher: Jill was born in Dublin, Ireland in 1984. She is a production designer, art director and concept illustrator who has worked across Hollywood Productions and local Irish projects too. Jill is now represented by William Morris Endeavour and is a member of the British and American Art Director Guilds. She also is a visual artist who has exhibited in Europe, America and Australia.

Jeff and Jessie dive into the depths of the Sundance Grand Jury Prize-winning horror film Nanny (2022). J&J discuss the intimate nature of the story of Aisha and her sacrifices to bring her son over to America from Senegal. They explore the African folklore that influences Aisha's very existence and how they intertwine and interfere with her grip on reality. Senegalese nanny Aisha is putting together a new life in New York City while caring for the child of an Upper East Side couple. She is forced to face a hidden truth that threatens to annihilate her insecure American Dream. --- Support this podcast: https://anchor.fm/moviestobemurderedby/support

The 2022 Sundance Grand Jury Prize winner was the first ever horror film to win the top award at the film festival. But before that, "Nanny" — the feature film debut from Nikyatu Jusu — was also the recipient of the 2022 Dolby Institute Fellowship, which awards a low-budget Sundance film with a post-production grant to finish the film in Dolby Vision® and Dolby Atmos®.Now that "Nanny" is available to stream on Prime Video, we recently sat down with writer-director Nikyatu Jusu, supervising sound editor Dave Flynch, and Academy Award winning re-recording mixer Skip Lievsay to discuss the film's rich soundtrack. This episode was recorded during a live post-screening Q&A for the Artist Academy — Film at Lincoln Center's program for young filmmakers — and was moderated by our executive producer Amanda Schneider.“We talked a lot about character arc for the soundscape… There is a tendency to neglect sound in the conception stage. And if you think about your soundscape as a character, then you can have an arc for that soundscape so that the audience doesn't become numb, with a relentless soundscape that is not ebbing and flowing.”— Nikyatu Jusu, Writer and Director, "Nanny"Be sure to check out "Nanny" on Prime Video.Please subscribe to The Dolby Institute Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

** Please note the location has changed to 233 Topaz St. BraveMaker HQ for the screening NOT Cañada College.** Jared Callahan https://www.instagram.com/jared_cal/ is an award-winning director / producer. He founded and runs People People Media, an Emmy-nominated production company based on a 95-acre farm in the San Francisco East Bay. His work has been released through The New York Times, PBS, GQ Magazine, The Atlantic, ALTER, NoBudge, Short of the Week & Vimeo Staff Picks. Jared served as one of the Atlanta Film Society's Filmmakers in Residence, and produced The Driver is Red, which played over 100 festivals, won 43 awards, and qualified for the 2019 Academy Award in two categories. He worked as First Assistant Director on Short Term 12 (2009), which won the Sundance Grand Jury Prize for Short Filmmaking, and the feature I Am Not A Hipster, which premiered at Sundance in 2012. https://www.instagram.com/peoplepeoplemedia/ Jonathan Pickett https://www.instagram.com/jphowdy/ is a national Emmy-nominated creative producer / editor with People People Media, a small production company based on a farm in the San Francisco East Bay. He edited 3 feature films by the age of 26, and has has been on the producing team for projects that have been released through The New York Times, PBS, The Atlantic, ALTER, GQ Magazine, NoBudge, Short of the Week, and Vimeo Staff Picks. He was an associate producer on The Driver is Red, which screened at the 2018 Sundance Film Festival, and he produced Mr. Somebody which was a selection at the 2020 Tribeca Film Festival. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/bravemaker/message Support this podcast: https://anchor.fm/bravemaker/support

"Cairo Film Festival Kicks Off With New Leadership Team at Helm of Arab Film Showcase The Cairo Intl. Film Festival kicked off Nov. 13 with the Middle East premiere of Steven Spielberg's “The Fabelmans,” and a new-look leadership team bringing fresh energy to the grande dame of Arab cinema. This ye" "--START AD- #TheMummichogblogOfMalta Amazon Top and Flash Deals(Affiliate Link - You will support our translations if you purchase through the following link) - https://amzn.to/3CqsdJH Compare all the top travel sites in just one search to find the best hotel deals at HotelsCombined - awarded world's best hotel price comparison site. (Affiliate Link - You will support our translations if you purchase through the following link) - https://www.hotelscombined.com/?a_aid=20558 “So whatever you wish that others would do to you, do also to them, for this is the Law and the Prophets."" #Jesus #Catholic. END AD---" "ar's event marks the first as festival director for Egyptian filmmaker Amir Ramses, who was appointed earlier this year, as well as industry head Reem Allam. Ramses was tapped just weeks after Egyptian producer Mohamed Hefzy stepped down as festival president, after a four-year tenure in which he helped to revamp the long-running event. Hefzy was particularly instrumental in expanding the fest's international reach, bolstering ties with counterparts overseas, and launching an industry component that has quickly established itself as one of the leading platforms for filmmakers from the region. The festival's 44th edition, which runs until Nov. 22, unspools amid a crowded fall calendar of Arab fests, running parallel to Marrakech (Nov. 11 – 19) and on the eve of Saudi Arabia's splashy Red Sea Film Festival, which hosts its second edition in Jeddah from Dec. 1 – 10. Meanwhile, Egypt's El Gouna Film Festival, which for five years had occupied a late-October slot and brought a touch of star power to the Red Sea resort town, was put on pause this year. Its future is uncertain. Speaking to Variety on the eve of opening night, Ramses — who was the artistic director in El Gouna from 2017-2021 — described a spirit of healthy competition among the region's festivals, who he sees less as rivals than collaborators working toward a common goal of bolstering Arab cinema. “We're talking on a weekly basis about where we are, how we can support each other,” he said. “It's not about taking the lead. You can't build the region on one strong festival. We complement each other.” In his first year in Cairo, Ramses has nevertheless been keen to secure the kind of lineup that helped land El Gouna on the map. Along with the regional premiere of “The Fabelmans,” he's helped attract a strong slate of titles already making waves on the international festival circuit. Among the films celebrating regional premieres in Cairo are Carla Simón's Berlin Golden Bear Winner “Alcarràs”; Alice Diop's Venice Grand Jury Prize and Lion of the Future award winner “Saint Omer”; Alejandro Loayza Grisi's Sundance Grand Jury Prize winner “Utama”; Sally El Hosaini's Toronto opening film “The Swimmers”; and a host of award winners from this year's Cannes Film Festival, including Lukas Dhont's Grand Prix winner “Close,” Jerzy Skolimowski's Jury Prize-winning “EO” and Riley Keough and Gina Gammell Camera d'Or winner “War Pony.” At the same time, the longest continually running showcase of Arab cinema will look to shine a spotlight on the region's emerging and established talents. In the international competition, Egyptian director Ahmad Abdalla's “19B,” which celebrates its world premiere, will screen among 14 titles vying for the festival's Golden Pyramid, including Lebanese director Ali Cherri's Cannes Directors' Fortnight player “The Dam.” Ahmad Abdalla's “19B” has its world premiere in the festival's international competition. Courtesy of the Cairo Film Festival The festival's Horizons of Arab Cinema competition, meanwhile, opens with the world prem

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. Herdís Stefánsdóttir is a composer of music for multimedia, a songwriter, and an electronic musician. Her compositional endeavors — installations in museums, dance, theatre, and a successful electronic music duet she is a part of – are establishing her as an expansive artist. Herdís Stefánsdóttir graduated with an M.A. degree in film scoring from New York University in 2017. Since graduation she has scored two feature films, an HBO series and a few short films. She won the 2022 Icelandic Music Award for her score to the FX series Y: the Last Man and was also nominated for her score in Ry Russo-Young's MGM/Warner Bros. feature film The Sun Is Also a Star. Her other scoring work includes the HBO series We're Here, and in 2022 she co-scored Apple TV+'s Essex Serpent with Dustin O'Halloran, starring Claire Daines and Tom Hiddleston. Dustin O'Halloran is an American pianist and composer with four acclaimed solo albums under his own name, and a member of the band A Winged Victory for the Sullen. Winner of a 2015 Emmy Award for his main title theme to Amazon's comedy drama Transparent, he was also nominated for an Oscar, a Golden Globe, a BAFTA, and a Critics' Choice Award for his score to 2016's Lion, written in collaboration with Volker Bertelmann (aka Hauschka). O'Halloran's film career began when Sofia Coppola invited him to contribute to 2006's Marie Antoinette, and since then he's worked on multiple films and TV shows, including Drake Doremus' Sundance Grand Jury Prize winner, Like Crazy (2011), and Marc Turtletaub's Puzzle (2018), where he collaborated with veteran Scandinavian chart-topper Ane Brun for the film's closing song. In 2018, he scored George Tillman Jr.'s The Hate U Give and joined forces with Bryan Senti for Nick Murphy's six-part Sky TV series, Save Me, while he and Bertelmann also reconvened that year for Netflix's The Old Guard, starring Charlize Theron. He and Bertelmann continue to collaborate, scoring the BBC's 2019 adaptation of Charles Dickens' A Christmas Carol.

In this VIFF podcast episode, we're featuring a special talk from the 2021 Vancouver International Film Festival with Jonas Poher Rasmussen, the writer & director behind the Sundance Grand Jury Prize-winning film, Flee.Blurring the line between documentary and narrative filmmaking styles, Flee tells the personal story of pseudonymous Amin Nawabi (a longtime friend of Rasmussen's) and his harrowing journey as a child refugee from Afghanistan.Using a blend of animation and archival footage as both an aesthetic choice and an ethical necessity (to hide Amin's true identity), the film is an illuminating and heartrending true story about the importance of personal freedom in all its meanings.Speaking to Brishkay Ahmed, writer/director of In the Rumbling Belly of Motherland, Rasmussen discusses how he employed a technique he learned when working in radio to elicit descriptive memories from Amin, his unique editing process and how Riz Ahmed came on board as a co–executive producer.This conversation was recorded on October 6, 2021. ––––––––––––––––––––––––––––––––––––––––––––––––––This podcast is brought to you by the Vancouver International Film Festival.Presented on the traditional and unceded territory of the xʷməθkʷəy̓əm (Musqueam), sḵwx̱wú7mesh (Squamish), and sel̓íl̓witulh (Tsleil-Waututh) nations.The Greater Vancouver International Film Festival Society is a not-for-profit cultural organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF), the year-round programming of the theatres at the VIFF Centre and the online streaming platform, VIFF Connect. See what's playing now.As a nonprofit cultural organization, VIFF relies on community support to help make everything we do possible.  You can show your love of cinema by making a tax-deductible gift to VIFF. goviff.org/donate

Almost daily, the news media report on a new refugee crisis or a tragic border crossing attempted by those fleeing desperate circumstances in their home countries for the promise of a better life elsewhere. Danish filmmaker Jonas Poher Rasmussen takes the measure of one such story in his remarkable new documentary “Flee”, which gives a blow-by-blow, first-hand account of a young Afghan refugee named Amin who faces a perilous journey before finally making it safely to Denmark. Jonas and Amin became friends in high school, but it was not until years later that Jonas had even the slightest idea of all that had happened to Amin and his family. Why did Amin finally decide to tell his story? How did Jonas respect Amin's desire to stay anonymous, while at the same time portraying his story not only accurately and completely, but also visually? How did a filmmaker who started out with an idea for a short film, eventually take on an incredibly ambitious, multi-layered animated feature? Recently, Mike and Ken had the opportunity to ask Jonas about his special relationship with Amin and delve into Jonas' own creative odyssey. “Flee” captured the 2021 Sundance Grand Jury Prize and is now being heralded as a serious contender for this year's Oscar for Best Documentary Feature. NEON releases the film in theaters starting on December 3rd. Hidden Gem: Trollkarlen

Filmmaker Jesse Moss talks about his new documentary “Mayor Pete” with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™. “Mayor Pete” is available worldwide on Amazon's Prime Video. This riveting film takes viewers inside Pete Buttigieg's historic campaign as the first openly gay democratic Presidential candidate's bid for the highest office of the United States. From the earliest days of the campaign to his unexpected triumph in Iowa and beyond, this documentary reveals an intimate insider's inquiry of what takes place behind the scenes in a significant political campaign and how it impacts the lives of those involved. We all know Buttigieg's story from a little known Mayor from South Bend, Indiana to his Presidential bid for the White House and his Biden Administration appointment as the first openly LGBTQ Cabinet member in U.S. history as U.S. Secretary of Transportation. In this film Moss provides a modern cinéma vérité experience that explores the reality of what takes place behind the curtain in a high profile political campaign including the emotional roller coaster ride it provided for Buttigieg's staff, family, friends and especially how it affected his relationship with his husband Chasten. “Mayor Pete” has been making the film festival circuit to rave reviews and is directed, written and produced by Moss in collaboration with writers Jeff Gilbert, Amanda McBaine and produced by Dan Cogan, Amanda McBaine, Jon Bardin and Laurie David. We talked to Jesse about his inspiration for taking on this must-see film “Mayor Pete” and as a fierce gay ally his spin on our LGBTQ issues.  Jesse Moss is an Emmy and Sundance Grand Jury Prize-winning director. His last film “Boys State” co-directed with his wife Amanda McBaine premiered at the 2020 Sundance Film Festival. The film was awarded the Grand Jury Prize and released by Apple Original Films and A24. The film was shortlisted for the Academy Award for Best Feature Documentary and nominated for two Primetime Emmys. It won the 2021 Primetime Emmy for Outstanding Documentary. Moss has twice been nominated by the Directors Guild of America for Outstanding Directorial Achievement. “Mayor Pete” will be released globally by Amazon Studios on Prime Video November 12th.  For More Info… LISTEN: 500+ LGBTQ Chats @OUTTAKE VOICES

What happens when 1,000 teenage boys come together to build a representative government? High School Slumber Party AP co-hosts Aislinn Addington and Brian Rodriguez are headed deep in the heart of Texas to chat the Sundance Grand Jury Prize winning documentary; Boys State. Have a listen as Aislinn shares her experiences both as a student and as a counselor at Girls State as your AP professors offer up some differing final grades for this critically acclaimed Apple TV+ film.

Praise be that film festivals are back! To kick things off, Megan talks about IFFBoston's Fall Focus, and her experiences watching SPENCER (2:03), BELFAST (6:12), HAPPENING (8:32), and MEMORIA (10:31). Evan joins her to talk about PETITE MAMAN (14:21) and THE WORST PERSON IN THE WORLD (20:52). Then Evan (with an assist from Megan) takes everyone through Shudder's HORROR NOIRE (30:25), an anthology film with six horror stories from Black directors and screenwriters. Lastly, Dave and Evan review the 4K restoration of Wendell B. Harris Jr.'s CHAMELEON STREET (44:13), which won the 1990 Sundance Grand Jury Prize and has been hard to find since. And in this week's Patreon exclusive audio, we feature the monthly poll winner - we asked you to choose from FRANKENSTEIN films and the winner is THE BRIDE, starring Sting and Jennifer Beals. We had a blast talking about it, so check it out and consider becoming a patron!

On this episode of HOW DO YOU DO, FELLOW KIDS? we're looking at the Sundance Grand Jury Prize winning comedy IN THE SOUP from 1992, featuring a dynamite performance from the late Seymour Cassel, small appearances from Jim Jarmusch, Sam Rockwell, Stanley Tucci and Carol Kane, and - of course - Steven Buscemi as aspiring filmmaker Adolfo Rollo! We also chat about Buscemi's recent appearance on the WTF podcast, his near-fatal barfight from years back and SO MUCH MORE. CHECK IT OUT! The post Episode 89 – How Do You Do, Fellow Kids? – In The Soup (1992) appeared first on Cinema Smorgasbord.

Director Jonas Poher Rasmussen joins us to talk about his remarkable animated documentary 'Flee"‘. The Sundance Grand Jury Prize winner ‘FLEE ‘tells the story of Amin, who through a series of interviews with Rasmussen, tells his dramatic journey as a child refugee from Afghanistan to Denmark in the 1980s & grappling with his traumatic past. Riz Ahmed and Nikolaj Coster-Waldau are set to star, as lead voice actors, in the upcoming English version. Flee (Flykt) premieres in Sweden on August 20th, Tristar. And rolls out in other territories through the fall & winter 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Roundtable we are joined by Cinematographers Rodney Taylor (ASC), Tommy Maddox Upshaw (ASC), and Eric Branco. Rodney has been a long time Television DP and his recent credits include Swagger and Ballers. Tommy is also a veteran of the Television world and recently became a member of the ASC; his recent credits include Empire and Snowfall. Eric has established himself in the indie film world, and his latest films are Clemency, which won the Sundance Grand Jury Prize in 2019 and Forty Year Old Version, which won the US Dramatic Award at Sundance in 2020. He also recently shot his first TV series for HBO. A broad range of topics are discussed, including how to transition into Television from the movie world, how the genres differ, the toll the industry can have on family life, and what these filmmakers have learned from previous mistakes.

On todays episode of the Frame & Reference Podcast, Kenny talks with cinematographer Thorsten Theilow about the Sundance Grand Jury Prize winning documentary “Boys State.” The documentary follows a thousand 17-year-old boys from Texas who join together to build a representative government from the ground up. Some of Thorsten’s credits include the films “Robin Williams: Come Inside My Mind” and “Ariana Grande: Excuse Me, I Love You” and the documentary mini-series “Allen v. Farrow.” Enjoy the episode! Liking the podcast? Leave a rating and review on your favorite podcast app! Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coasts leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out Filmtools.com for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ProVideoCoalition.com for the latest news coming out of the industry.

This week's Get Lit Minute focuses on Marquesha Babers, a Get Lit Poet and artist. We review her life to date and how she began her artistic journey. This episode also features a reading of Baber's poem "That Girl."About Marquesha Babers: After growing up homeless and channeling her pain into power, Marquesha has become a mentor for Get Lit and an ambassador for the film Girl Rising, which stresses the importance of education for girls in developing countries. With Get Lit, she has performed at the MUSE Conference in Oregon, at the Women in the World Summit at Lincoln Center (alongside Angelina Jolie and Hillary Clinton), at Cadogan Hall in London, and at colleges and universities throughout the nation. She has also appeared on the series Verses and Flow, and she is a blogger for ONE.org. Look out for her poetry anthology and memoir, coming soon to a bookstore near you! She is also featured in the upcoming 2020 film "Summertime", directed by Carlos López Estrada, who's first feature film "Blindspotting" (starring Daveed Diggs and Rafael Casal) was nominated for the 2018 Sundance Grand Jury Prize, with Estrada nominated by the DGA for Outstanding Directorial Achievement of a First-Time Feature Film Director. “Summertime” premiered at the 2020 Sundance Film Festival, and will be distributed by Good Deed Entertainment in the Spring of 2021."Support the show (https://getlit.org/donate/)

On this episode of FORGOTTEN GEMS? we're looking at 1988 Sundance Grand Jury Prize winner HEAT AND SUNLIGHT from director/actor Rob Nilsson! It's a completely improvised drama about a former war photographer who now finds himself tangling with complicated feelings about his current relationship and BOY does it swing widely between visually and formally inventive and absolutely tedious. Also, there's FRUITICIDE. Let's check it out! The post Episode 42 – Forgotten Gems? – Heat and Sunlight (1987) appeared first on Cinema Smorgasbord.

EPICENTRO, a richly textured portrait of the resilient people of Cuba directed by renowned documentarian Hubert Sauper (We Come As Friends, Oscar-nominated Darwin’s Nightmare). Winner of the 2020 Sundance Grand Jury Prize for World Cinema Documentary, the film launches in virtual cinemas through Kino Marquee starting Friday, August 28. EPICENTRO is an immersive and metaphorical portrait of post-colonial, “utopian” Cuba, where the 1898 explosion of the USS Maine still resonates. This Big Bang ended Spanish colonial dominance in the Americas and ushered in the era of the American Empire. At the same time and place, a powerful tool of conquest was born: cinema as propaganda. In his latest film, Hubert Sauper explores a century of interventionism and myth-making together with the extraordinary people of Havana—who he calls “young prophets"—to interrogate time, imperialism and cinema itself. For news, screenings and updates go to: kinolorber.com/film/epicentro Social Media twitter.com/hubertprivate #hubertsauper #Epicentro #HubertSauper @KinoLorber

While the world waits for the release of blockbusters like "Tenet" and "Mulan," smaller films continue to appear on the regular and on a variety of platforms. This week, Adam and Josh recommend a few of them: Amy Seimetz's SHE DIES TOMORROW, Beyoncé's BLACK IS KING, Kris Rey's I USED TO GO HERE and the Sundance Grand Jury Prize-winner BOYS STATE. 0:00 - Billboard 1:05 - Review: "She Dies Tomorrow" 29:22 - "She Dies Tomorrow" Spoilers Beyoncé, "BLACK PARADE" 37:48 - Next Week/Notes 49:33 - Massacre Theatre 57:25 - "I Used To Go Here," "Boys State," "Black Is King" 1:15:30 - Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we talk about Chinonye Chukwu's Sundance Grand Jury Prize-winning film centering on a veteran death row prison warden at a psychological and emotional crossroads. Alfre Woodard and Aldis Hodge give great performances and Chukwu gives them room to put real emotion on screen. Subscribe on  Apple Podcasts: https://itun.es/i6gB67Y Check out our Facebook page: www.facebook.com/actorandengineer and follow us on twitter @actorengineer

Bronwyn Cornelius is a Sundance and SXSW Grand Jury Award-winning producer. She is also a fellow list maker and paper store enthusiast. A champion of diverse storytellers, she is currently developing Kenyan political thriller The Czar; a feature adaptation of the YA novel When We Collided, starring Laura Marano; comedy sketch series A Brief History of Misogyny in partnership with Nina Tassler; a dramedy series Mad About Men written by Kit Steinkellner, and a comedy series inspired by her time working on Wall Street. During our hour together, Bronwyn shines a light on following your intuition, how life changes after winning Sundance, and how to keep going when things get difficult. Can’t wait to hear what you think of this week’s episode! -Caca

Igor Martinovic is a Croatian cinematographer based in New York. Igor photographed the Academy Award winning documentary, Man On Wire, which also won the BAFTA for Best British Film as well as the Sundance Grand Jury Prize and Audience Award of 2008. Igor was the Director of Photography for the Netflix original series House of Cards as well as Wormwood and The Night Of. He was nominated for an Emmy in 2014 for his work on the series House of Cards.

Today, we’re sharing a conversation about the Sundance Grand Jury Prize winner One Child Nation, which opens in limited release this week. The film, directed by Nanfu Wang and Jialing Zhang, powerfully and personally explores China’s One Child Policy, which made it illegal in most circumstances for couples to have more than one child. The film screened at Human Rights Watch Film Festival, where co-director Nanfu Wang joined Yaqiu Wang, China Researcher at Human Rights Watch and Minky Worden, Director of Global Initiatives at Human Rights Watch. This podcast is brought to you by Film at Lincoln Center.

"I've seen what you witness in Tyrel many times and it's definitely not comfortable and it carries a lot of hidden tension and hypocrisy." Award-winning Chilean writer-director Sebastián Silva talks about his love of Sundance, his filmmaking process, and his films, including Sundance Grand Jury Prize winner The Maid (2009) and his latest release, Tyrel (2018). Information on Tyrel can be found HERE! Don’t forget to subscribe to the Write On Podcast on iTunes! 

This month, Stance explores what has been hailed as a new era in masculinity, a year on from the launch of the #metoo movement. Stance dissects society’s idea of masculinity and how this is being challenged and reshaped, with voices including Emmy-winning filmmaker Deeyah Khan. Stance profiles the award-winning acclaimed poet, musician and writer Kate Tempest, and speak with Emmy award-winning director and actor and winner of the Sundance Grand Jury Prize, Desiree Akhavan, ahead of the launch of her highly anticipated new TV show, The Bisexual.  Stancepodcast.com @stancepodcast 

Jared Ian Goldman is an American film and television producer. He is known for his work on Alex Strangelove, Ingrid Goes West, The Skeleton Twins, the Academy Award-nominated Loving, The Punisher (TV series) for the Marvel Cinematic Universe, Wilson, Kill Your Darlings, Solitary Man, And So It Goes, The Wackness, and the Sundance Grand Jury Prize winning documentary Manda Bala (Send a Bullet).   This show is sponsored by Experiment 27. Get the discovery call script & questions template HERE.   In this episode you'll learn: [01:17] How is a movie pitched to Jared [03:50] Jared's mindset behind choosing projects [05:29] How to find an audience for a project [07:35] How money affects project approval [09:50] How Jared started working on The Punisher [11:50] Working on The Punisher was different than producing a movie [14:14] Jared's approach to pitching projects [18:10] Strategy behind distributing a movie [21:22] "It's easier to get a movie financed now than it's ever been, but it's also much harder to get a movie seen than it's ever been." [21:50] Has Jared ever bailed on a project  [22:30] How often do projects fall apart in the pre-production phase  [24:00] How to pick a director for your project [27:50] What it takes for Jared to reply to a pitch Links mentioned: Jared's imdb profile   Brought to you by Experiment 27. Find us on Youtube.   If you've enjoyed the episode, please subscribe to The Alex Berman Podcast on iTunes and leave us a 5-star review.   Get access to our FREE Sales Courses.

Jonathan's feature film work includes Wristcutters: A Love Story, The High Cost Of Living, Breathe In, and the Sundance Grand Jury Prize winner Like Crazy.  Jonathan has collaborated with director Andrew Haigh on the HBO series Looking, the film 45 Years starring Charlotte Rampling, and most recently the gritty coming of age tale Lean on Pete.  Jonathan has recently been working on Wash Westmoreland's  upcoming Earthquake Bird, starring Alicia Vikander.

Netflix has been pushing the envelope with their new releases. And after '13 Reasons Why,' which shined a light on teen suicide, comes the Sundance Grand Jury Prize-nominated movie 'To The Bone,' which highlights the brutal truth about eating disorders.' To the Bone' is written and directed by Marti Noxon. Perhaps best known for her work as writer and producer on 'Buffy the Vampire Slayer,' in 'To the Bone' she explores issues that she herself once dealt with. The result is an oft-times dark, sometimes funny story about Ellen (Lily Collins), a young woman battling anorexia. Noxon describes getting beneath the surface issues, writing based on your own life, and leaning into your idiosyncrasies. In addition to this audio format, the print interview for this conversation is available on Creative Screenwriting Magazine’s website. Stay up-to-date on other creative advice at www.creativeprinciples.live

Nathan is an Emmy-nominated composer and has been named one of Indiewire's Composers to Watch.  Some of his notable film scores over the years include the Sundance Grand Jury Prize winner film, Rich Hill, the Emmy and Peabody Award-winning, Marina Abramovic: The Artist Is Present, and All the Presidents Men Revisited. More recent scores from Nathan include the documentary, Joan Didion: The Center Will Not Hold, the features, The Rider and One Percent More Humid, and the documentary Minding The Gap.

Heather Rae (Cherokee) has been doing groundbreaking work as a producer and executive for more than twenty years. She has produced over 10 feature films including Oscar-nominated and Sundance Grand Jury Prize winner FROZEN RIVER (2008). Her latest film, Netflix Original TALLULAH stars Ellen Page and Allison Janney and is now available on the SVOD platform. She is the former director of the Native Program at the Sundance Institute, has sat on their board of trustees, and has advised for such organisations as The Rockefeller Foundation, IFP, Film Independent, The Ford Foundation, The Tribeca Institute, and First Americans in the Arts. Heather draws on her experiences as an activist, a maker, a film producer, and a leader in the arts to deliver a provocative keynote address on storytelling and risk in today’s world. Heather's keynote address took place on Sat 24 Sept, 10am at the Big Screen Symposium 2016 in Auckland, NZ. The Big Screen Symposium is New Zealand's annual premiere film event, proudly brought to you by Script to Screen and J&A Productions.                                   

On this episode we participate in a cinematic home invasion with Melanie Lynskey to celebrate her new film, the 2017 Sundance Grand Jury Prize winner I DON'T FEEL AT HOME IN THIS WORLD ANYMORE. To make sure we're comfortable in our selected double feature on homes, we bring back a favorite guest in Karly from the Core Temp Arts network podcasts That Pop This Life and Talking Shondaland. We discuss Lynskey having her home invaded by sister-in-law Anna Kendrick in the improvised HAPPY CHRISTMAS, and then Lynskey herself being the home invader as a divorcee returning back to her parents home in HELLO I MUST BE GOING. Also an appreciation of the Kiwi accent, as always. Twitter/Instagram/Letterboxd: @warmachinehorse You can also support this show with a donation on Patreon to get extra episodes or to program an episode with a film of your choosing.  

We are back and it is officially "bidness time". We talk the Great British Bake Off, why we are more interested in the Knope/Newport Jr. debates, and how much we enjoy watching Justin Bieber getting spanked. Also, we debate cheese vs. cake, and lament the fact that we never had a Bat Mitzvah/Quinceñera. Finally, we talk the Sundance Grand Jury Prize winning documentary detailing the failed mayoral candidacy of Anthony Weiner and Bethany finally uses the phrase "Get to da choppa!".

Jim Cummings is the writer/director of Thunder Road, a single take 12-minute short that won the Sundance Grand Jury Prize this year. This week, we ask Jim questions about long takes. When to use them? How to create them? And why they are a powerful tool.

Todd Solondz won the Sundance Grand Jury Prize for his debut feature Welcome To The Dollhouse. He followed it up with Happiness, which explored themes including rape, paedophilia, murder and suicide. Upon the release of his latest venture, the dark comedy Wiener Dog, Todd talks to Edith about musical collaborations with Nina Persson and Devendra Banhart, plus his love of Mary Poppins, The Carnival of the Animals and Barry Manilow. To hear all the music from the show in full, check out our spotify playlist - https://open.spotify.com/user/1175379738/playlist/1FCSL0ZsctbasEza3kyeMb and please subscribe to the show on itunes. You can find out what else Edith is up to at www.edithbowman.com and follow her on twitter @edibow Next week, Todd Phillips - the man behind the Hangover trilogy, whose new film War Dogs is based on the extraordinary true story of two highly unlikely arms dealers.

Emmy Award winning cinematographer Sam Henriques is known for his work on “The Farm” which won both the Sundance Grand Jury Prize and an Oscar nomination, and “Riding the Rails” which won the Peabody Award. His camera work includes “The Unbreakable Kimmy Schmidt”, “The Michael J. Fox Show”, as well as work for National Geographic, Viacom, HBO, Showtime, Disney, and Martha Stewart.

The last time you might have heard Wikishuffle appear on our podcast was back in April during the Quizcast and, as ever, Steve kicks off this pod with a quiz of his own before the team discuss latest new releases. There's disappointment over Seth McFarlane's controversial comedy sequel Ted 2. The Sundance Grand Jury Prize nominated dramady Dear White People doesn't quite live up to its hype. Even the animated Irish fantasy film Song of the Sea squeezes its way into this edition. Despite this episode being shorter than our most recent efforts, there's still time for: Owen to review the much lauded 1994 sports documentary Hoop Dreams; Phil rewatches The Guest, his favourite film of last year; Chris tries to figure out why this season of True Detective isn't working for him; Jack actually has fun (no, really) whilst watching Minions; and Steve finally gets around to Marvel's Netflix show, Daredevil. Join us again next week as we'll be back to review Ant Man! In the meantime, don't forget to vote for... See acast.com/privacy for privacy and opt-out information.

Recorded at a live event at DCTV, the latest episode of the Talkhouse Film podcast features Tracy Droz Tragos, one of the directors of Sundance Grand Jury Prize-winning documentary Rich Hill (now on general release), in conversation with After Tiller's Martha Shane. The two talk about the more personal aspects of non-fiction filmmaking, such as the art of co-directing (with your cousin!), building trust with subjects and how relationships shift after production has ended. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

This soon-to-be-released, 2012 Sundance Grand Jury Prize-winning documentary about the so-called “War on Drugs” will be specially screened on November 1 at NACDL's 5th Annual Defending the Drug Case seminar at the Planet Hollywood Hotel in Las Vegas. This week, we caught up with criminal defense attorney, former public defender, journalist, and Emmy-nominated director and producer David Kuhn at Charlotte Street Films. He is leading the outreach program to deploy Eugene Jarecki's “The House I Live In” for social reform and will be presenting the film to attendees at NACDL's Defending the Drug Case seminar. Learn more about NACDL. Steven Logan, production supervisor. Music West Bank (Lezet) / CC BY-NC-SA 3.0 and Walkabout (Digital Primitives) / CC BY-NC-ND 3.0. Running time: 13m 44s.

Christian Biegai, from Berlin, Germany, has written film scores for feature films, documentaries, and animated films around the world. These films include: the short film Whistle (directed by Duncan Jones), films for Marc Meyer, and with Helena Bulaja on the animated fairytale Regoch and her experimental interactive movie inspired by Nikola Tesla which also features Laurie Anderson and Terry Gilliam. Working at Park Road Post as an editor, Christian contributed a string quartet piece for the Sundance Grand Jury Prize nominee, Eagle vs. Shark and contributed to the score for the New Zealand documentary The Big Picture. He also scored Brigitte Bertele's feature film: Nacht Vor Augen (A Hero's Welcome), which premiered at Berlin.Christian is a classical saxophonist who has played with large orchestras, small quartets, and artist collectives. He has performed with the Berlin Philharmonic and New Zealand Symphony Orchestra, the clair-obscur saxophone quartet, Antony and the Johnsons, and the artist collective Edison Woods, and on the score for 3:20, written for solo saxophone for him by Gerald Busby.

Ira Sachs was born in Memphis, TN and moved to New York after graduating from Yale University with a BA in Literature and Film Theory. Ira was a recipient of a Rockefeller Fellowship in 1999, Sachs has been an Adjunct Professor in the MFA Program at the Columbia University School of Film, a creative advisor at the Sundance Director’s Lab, and a fellow at both the MacDowell Colony and Yaddo.  His films include the features Married Life, Forty Shades of Blue which won a Sundance Grand Jury Prize, and The Delta. They have been screened at the Berlin, Toronto, New York, Rotterdam, and London Film Festivals. Ira is presently working on a new feature, The Goodbye People, co-written with Oren Moverman, and adapted from the fiction of screenwriter and novelist Gavin Lambert.

When Jim Cummings decided to shoot his single take short film, Thunder Road, he had no idea it would take him all over the world, and launch his career. Do yourself a favor and watch his Sundance Grand Jury Prize winning short before listening to our interview about the ramifications of winning Sundance. https://vimeo.com/174957219 Unpaid Endorsements: Jim: The Detectives https://www.youtube.com/watch?v=8qwleAzlSFo Matt: The Nerdist Writer's Panel Development Executives episode http://nerdist.com/the-writers-panel-287-development-executives/ Oren: Japanese show Work Work Watching! https://www.youtube.com/watch?v=7XrM8uZM3_s You can find Jim @jimmycthatsme. And, as always, follow @MrMattEnlow and Oren @SmiteyPieLeg on twitter. Show your support: rate and review us on iTunes. Send feedback to @justshootitpod or justshootitpod@gmail.com or Call us at (262) 6-SHOOT-1, and we’ll air your voicemail on the show! Music was provided by the free music archive and by Jahzzar.Support this podcast at — https://redcircle.com/just-shoot-it-a-podcast-about-filmmaking-screenwriting-and9776/donations