The New Yorker Radio Hour

In Aaron Sorkin's latest film, “The Social Reckoning,” the Facebook founder Mark Zuckerberg deals with multiple federal investigations and a whistle-blower's revelations about the damage that the company was causing young people. It's a dark sequel to the 2010 film, “The Social Network,” and, this time around, Zuckerberg is played by Jeremy Strong, who's best known as Kendall Roy on “Succession” and as Roy Cohn in “The Apprentice.” Strong undergoes an unusually intense level of preparation to inhabit his roles; he tells David Remnick that he would send Sorkin e-mails, while in character as Zuckerberg, at night after shooting. They discuss why Strong was rankled by The New Yorker's 2021 Profile of him, and his interest in playing characters who are “right on the fault line of everything that's going on in our world right now.” Further reading:“On ‘Succession,' Jeremy Strong Doesn't Get the Joke,” by Michael Schulman“ ‘Springsteen: Deliver Me from Nowhere' Tamps the Boss Down,” by Richard Brody“ ‘The Apprentice,' Reviewed: The Immoral Makings of Donald Trump,” by Richard Brody“Masterstroke Casting in ‘An Enemy of the People,' ” by Vinson Cunningham“Farewell, Kendall Roy,” by Michael Schulman New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Min Jin Lee gave up climbing the ladder of conventional success by quitting her corporate-law job and then spending more than a decade working on her début novel, “Free Food for Millionaires.” Ten years later, in 2017, she published “Pachinko,” a historical epic that was translated into more than thirty languages. Nearly another decade later, she released “American Hagwon,” which follows a family as they move from Seoul to Sydney to Southern California in pursuit of the best possible education for their children. Lee talks with David Remnick about the institution of the hagwon, her love of research, and making Korean experiences legible to readers around the world. “It's my job to make everybody Korean, David,” she says. “I think Koreans are awesome. I want you to be Korean.” Further reading and listening: “Min Jin Lee Reads Wendy Kaufman,” an episode of the Fiction Podcast“Testing,” by Min Jin Lee“Min Jin Lee on Exams and Hagwons,” by Deborah Treisman“What Min Jin Lee Wants Us to See,” by Michael Luo“Stonehenge,” by Min Jin Lee“After the Pyeongchang Winter Olympics, Healing the Deepest Fracture,” by Min Jin Lee New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ari Emanuel is the executive chairman of W.M.E., one of the biggest talent agencies in Hollywood. He has overseen the careers of Oprah Winfrey, Taylor Swift, Meghan Markle, Martin Scorsese, Dwayne (the Rock) Johnson, and Donald Trump. His entertainment machine now includes the W.W.E., the U.F.C., live theatres, ticketing operations, and more. In a new memoir, “Roll the Calls,” Emanuel charts his rise from working in the mailroom to global power. He talks with David Remnick about his disappointment with Donald Trump's self-enrichment during his Presidency; his close relationship with Elon Musk, whom he calls an “incredible human being”; and doing business within “shades of gray” with the de-facto Saudi leader Mohammed bin Salman. Further reading:“Ari Emanuel Takes on the World,” by Connie Bruck New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Grandmaster Flash has been an innovator in the art of d.j.'ing since he was practically a child growing up in the Bronx. As a young man named Joseph Saddler, he spent his days trying to figure out how to make the drum breaks in his favorite songs last longer and longer. Now in his late sixties, Flash remains as devoted to the art of the turntable as ever. In a new memoir, “Birth of a Culture,” he looks at hip-hop's earliest days, as the music made its way from outdoor parties to huge venues like the Audubon Ballroom. He tells David Remnick how his creative innovations were born of an obsession with electronics, and why he views his group's biggest hit, “The Message,” as the beginning of the end of a glorious moment in hip-hop culture. Further reading: “Grandmaster Flash's Remix of Hip-Hop History,” by Vinson Cunningham New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Malcolm Gladwell, a longtime staff writer at The New Yorker, often uses ideas from the social sciences and epidemiology and applies them to surprising topics. But his new book tackles an issue that's in the headlines every day. The book is called “The American Way of Killing,” and the subject is America's unique association with gun violence. Death statistics, he says, fail to convey the scale of the problem because advances in medical care save countless lives that are nevertheless scarred by violence. Gladwell talks with David Remnick about how gun-control advocates have got the problem wrong, and why he thinks that a persistent dynamic of under-policing and over-incarcerating is at the root of America's problem. “I can't even utter the phrase ‘defund the police,' ” Gladwell says, “without nearly blowing a gasket.”Further reading:“What We Get Wrong About Violent Crime,” by Malcolm Gladwell“Daniel Ellsberg, Edward Snowden, and the Modern Whistle-Blower,” by Malcolm Gladwell “Thresholds of Violence,” by Malcolm Gladwell New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A woman who acts as a surrogate, carrying a child for someone else, is said to be going on a “journey.”Kayla Elliott started her surrogacy journey at the age of twenty-six. She gave birth to a baby girl for a wealthy couple living in a mansion in L.A. County. The couple told her that they already had one child, who desperately wanted a sibling. But nothing about the situation was as it appeared.Kayla soon learned that the couple already had twenty other children, most of them under the age of three, who had also been carried by surrogates. After one of the children was taken to an emergency room with head injuries, the police got involved, and then the F.B.I. As the scandal unfolded, the surrogates for the couple began to find one another.Who was this mysterious couple, and why had they collected so many children?“The Journey,” a five-part audio series, unravels what was going on inside the couple's mansion and exposes a scheme that threatens the surrogacy industry. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

John Wilson is a documentary filmmaker, a comedian, and a contemporary philosopher. On his hit HBO show, “How To with John Wilson,” he wandered around New York City filming everyday life, pontificating, and asking strangers questions ranging from the mundane to the esoteric. The New Yorker staff writer Andrew Marantz has written about Wilson, and recently met him at the independent movie theatre that he runs, Low Cinema, in Queens. They discuss Wilson's newest film, “The History of Concrete,” which premières September 18th. Further reading:“How to Make a Movie House with John Wilson,” by Madeleine Wulfahrt“John Wilson's Sewage-Treatment-Plant Adventure,” by Andrew Marantz“ ‘How To with John Wilson' Offers a Martian's-Eye View of Homo Sapiens' Habits,” by Alexandra Schwartz New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Colin Kaepernick had a stunning rise as an N.F.L. quarterback after becoming a full-time starter, in 2012. He was a legitimate dual threat—as effective running the ball as he was throwing it. And, to this day, Kaepernick still holds the record for rushing yards by an N.F.L. quarterback in a playoff game. But his formidable skills as a player were quickly overshadowed by his decision—quiet at first—to engage in protest for social justice a decade ago. He knelt during the national anthem at games, and that generated an enormous amount of controversy, with everyone from his fellow-players to a future President weighing in on his decision. In the aftermath of his demonstrations, the San Francisco 49ers told him that they were going to cut him, and no other team would sign him. In his new memoir, “The Perilous Fight,” Kaepernick describes how this wasn't even the full extent of the league's efforts to punish him. He and David Remnick discuss his new book and the consequences of his political activism. “I had football taken away from me,” Kaepernick explains. “I didn't get to leave on my terms. And I didn't get to leave because, ‘Oh, you're not good enough to play anymore.' It was because of the causes I was supporting and the change I was trying to effect. So that leaves a sour taste in your mouth.”Further reading: “The N.F.L.'s Change of Tone, and the Limits of Merely Listening,” by Louisa Thomas“Colin Kaepernick's Contested Workout and the Power Plays of the N.F.L.,” by Louisa Thomas“Behind Nike's Decision to Stand by Colin Kaepernick,” by Jelani Cobb“What Will Taking the Knee Mean Now?,” by Doreen St. Félix“The Racial Demagoguery of Trump's Assaults on Colin Kaepernick and Steph Curry,” by David Remnick New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For more than thirty years, Edwidge Danticat has written about the experiences of Haitians and Haitian Americans in fiction, memoir, and journalism. In The New Yorker, she has covered the ways in which the Trump Administration has targeted Haitian immigrants with lies and threats of deportation. In a new novel about a Miami real-estate broker, called “Dèy”—which means “grief” or “mourning” in Haitian Creole—Danticat considers the meaning of home “when home may not want you,” and when violence in Haiti may preclude returning there. She speaks with the New Yorker staff writer Doreen St. Félix about the novel, and what the revocation of Temporary Protected Status for Haitians means for the large Haitian American community. Further reading:“The Great Delegalization,” by Dara Lind“The World Cup and the Changing Psyche of the Haitian Diaspora,” by Doreen St. Félix“Miami's Haitian Community Braces for Deportations,” by Edwidge Danticat“The Haiti That Still Dreams,” by Edwidge Danticat New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The political consultant Sarah Longwell runs focus groups of voters, and she has a lot of advice for Democrats seeking to wrest control of the government from MAGA. Longwell, a former Republican disaffected from Donald Trump's party, presents her playbook to the New Yorker staff writer Evan Osnos: go on the offensive talking about corruption; make a positive case for immigration; and adapt to a podcast-driven media environment. “You can go on ‘Joe Rogan' or not go on ‘Joe Rogan,' ” she says. “The question is: can you sit for a long period of time and talk to someone who doesn't know that much about politics and have an engaging conversation? . . . This is how trust is built now, in this screen-to-screen environment.” Longwell's new book is called “How to Eat an Elephant: One Voter at a Time.” Further listening: “Can Trump Voters Still Change Their Minds?,” an episode of The New Yorker Radio Hour“A G.O.P. Strategist on the Republican Voters Who Could Abandon Trump,” an episode of The Political Scene New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gloria Steinem, who died on September 2nd, at the age of ninety-two, was one of the most influential figures of our time in politics and feminism. Her work shaped the ideas of generations of Americans. Steinem was one of David Remnick's very first guests after The New Yorker Radio Hour launched, in 2015; her autobiography, “My Life on the Road,” had just come out. Further reading and viewing:“A Feminist Fractal in ‘The Glorias,' ” by Anthony Lane from 2020“Road Warrior,” by Jane Kramer from 2015“Glora Steinem Doesn't Drive,” a short film by The New Yorker from 2015“Feminism 101,” by Rebecca Mead from 2013“Cover Woman,” by Hendrik Hertzberg from 1974“Liberation,” by Anthony Hiss, Jane Boutwell, and Hendrik Hertzberg from 1970 New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the film “Coyote vs. Acme,” which was released this week, the ingenious but unlucky Wile E. Coyote sues the Acme Corporation for damages caused by its malfunctioning merchandise. That is also the premise of the New Yorker staff writer Ian Frazier's original piece, which inspired the film. The screenwriter Samy Burch reimagined Frazier's premise as a satire of legal thrillers. “What if Wile E. was actually like a Dustin Hoffman character?” Burch wondered. “This guy out in the desert, working on something obsessively, addicted. . . . If this were humans, would the plot make any sense?” The film features actors such as Will Forte alongside Coyote, Foghorn Leghorn, and other “Looney Tunes” characters. Frazier talks with Burch, who was nominated for an Academy Award for “May December,” a drama starring Natalie Portman and Julianne Moore. Further reading: “Coyote V. Acme,” by Ian Frazier “Toons Have Seldom Been Loonier Than in ‘Coyote vs. Acme,' ” by Justin Chang New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

During the height of Roy Cohn's friendship with Donald Trump, according to the historian Kai Bird, “they were on the phone with each other a dozen times a day.” Bird's new book, “American Scoundrel,” details Cohn's profound influence on Trump—whom he met as a young real-estate heir in the nineteen-seventies—and how Cohn is “haunting” politics in our time. “I had written about Roy Cohn in [previous biographies] as this nefarious, minor, awful figure who was disruptive and divisive and unethical. And I suddenly realized that the establishment that I'd been writing about for forty years is gone. Their values and culture, the politics, the bipartisanship . . . that's all gone,” he tells David Remnick. “Roy Cohn explains something about the dark side of America that I just didn't understand.” They discuss Cohn's early career as a prosecutor and his role as the “mastermind” of the McCarthy purges; his service as a lawyer and fixer for Mafia members, politicians, and celebrities; and an allegation of being involved in sex trafficking. Further reading and listening: “How Roy Cohn Taught Donald Trump Everything,” by Kai Bird and Susan Goldmark “The Mobster Cosplay of Donald Trump,” by David Remnick “Adapting Oppenheimer's Life Story to Film, with Biographer Kai Bird,” an episode of The New Yorker Radio Hour “Roy Cohn and the Making of a Winner-Take-All America,” by Naomi Fry New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Fox News' “The Five” is the most-watched program on cable news. So there are millions of eyes on Jessica Tarlov, who occupies the liberal hot seat (alternating with Harold Ford, Jr.) on a panel featuring the diehard conservatives Dana Perino, Greg Gutfeld, and Jesse Watters. Her exchanges with fellow-panellists tend to get heated, but Tarlov is constantly aware of how she represents liberal views in front of a largely hostile audience—and of how liberal viewers may misunderstand her colleagues. Her new book, largely inspired by her work on Fox, is called “I Disagree: Winning Arguments Without Losing Friends.”  Further listening: “Bret Baier on Trump's Love-Hate Relationship with Fox News,” an episode of The New Yorker Radio Hour   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the 2026 midterm elections, close finishes in crucial swing states have put a spotlight on the divide between the Democratic Party's moderate and progressive wings. Jon Lovett straddles that divide. He was a longtime speechwriter for Hillary Clinton and then for Barack Obama, but, as a host of the podcasts “Pod Save America” and “Lovett or Leave It,” he's been critical of the Party's establishment. Lovett sat down with David Remnick to answer listeners' questions about the midterms and what they suggest about the 2028 Presidential election. In a “broad trend,” Lovett says, centrist Democrats “put up candidates, and they say, ‘Vote for us, or else.' And [voters] just keep picking ‘or else.' . . . Across the board, I don't know what this establishment of the Democratic Party stands for, and neither does the country.” Further listening:  “ ‘Pod Save America' 's Jon Lovett on Trump: ‘The Threat of Jail Time Sharpens the Mind,' ” an episode of The New Yorker Radio Hour   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Since a famous case against a California utility, the name Erin Brockovich has become synonymous with a fighter taking on big polluters. Earlier this year, Brockovich began receiving e-mails from people worried about the construction of A.I. data centers, which is happening at a frenetic rate all over the country. People expressed concerns about the loss of farmland and natural areas; disruptions to the water table; deleterious noise; and substantial usage of electricity and water, leading to rising utility bills. She speaks with David Remnick about her mapping project to document data-center construction and environmental complaints. “In my thirty years,” she tells Remnick, “I've never really seen the people show up like they are at a very local level.”  Further reading: “A.I. Is Now a Major Election Issue,” by Benjamin Wallace-Wells “Inside the Data Centers That Train A.I. and Drain the Electrical Grid,” by Stephen Witt   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The data centers that power artificial intelligence are being built at a rampant pace, and are spurring resistance all over the country. Apart from public concerns about A.I.'s impact on jobs, privacy, and other aspects of life, data centers consume vast amounts of electricity and water. New York has passed a moratorium on new data centers; fourteen other states have considered restrictions. The Vermont senator Bernie Sanders is taking this fight to the national level. He and Representative Alexandria Ocasio-Cortez have introduced legislation that calls for a nationwide moratorium on data centers to allow time for more research and public input on the issue. The furor, Sanders tells David Remnick, cuts across political divisions. The opponents “are conservatives, they are progressives, they are moderates,” he adds. “They're saying, What the hell are we doing? What is this gonna contribute to? Is this gonna result in my kid not being able to have a job? Is this gonna result in my not having any privacy? Why am I aiding these large corporations owned by the wealthiest people in the world who [couldn't] care less about me? Let's stand up.”   Further reading and listening:  “When Bernie Sanders Headed for the Hills,” by Jill Lepore “Bernie Sanders and Alexandria Ocasio-Cortez Fight the Oligarchy,” by Emily Witt “Geoffrey Hinton: ‘It's Far Too Late' to Stop Artificial Intelligence,” an episode of The New Yorker Radio Hour   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sam Smith burst onto the music scene in 2014 with their début album, “In the Lonely Hour.” It was one of the best-selling albums of the decade and won Smith three Grammys, for Best Pop Vocal Album and both Record and Song of the Year, for the massive hit “Stay With Me.” Smith's early hits were ballads of heartbreak and unrequited love, so their new album marks something of a change: it's an album of love songs, requited in this case. Many were written about Smith's fiancé, the fashion designer Christian Cowan. Smith talked about the writing process that led to their new album “Hazel Eyes,” which comes out August 21st, with New Yorker Radio Hour producer Jeffrey Masters. Further reading: “Sam Smith's Sugary Loneliness and the Choir Effect,” by Doreen St. Félix “Getting the James Bond Song Right,” by Ian Crouch   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

One of the biggest stories of this election cycle is the emergence, for the first time in a long time, of socialism as a force on the national stage. Inspired perhaps by Alexandria Ocasio-Cortez and Zohran Mamdani, D.S.A. candidates are running in congressional and state-level races all over the country. But some of those candidates, David Remnick thinks, talk more like F.D.R. Democrats than like students of Marx. How socialist is democratic socialism, and how does it square with the future of the Democratic Party? Remnick talks with a co-chair of the D.S.A., Megan Romer, who recently went viral for a lightning round of questions pitched at her on Fox News. Romer defends controversial D.S.A. positions on workers' ownership of the means of production, U.S. support of Israel, the war in Ukraine, and defunding the police.   Further reading:  “Will Left-Wing Democrats Reinvent the Party or Hurt Its Chances in November?,” by Isaac Chotiner “Which Way Should the Democratic Party Go Now?,” by Benjamin Wallace-Wells “An Idea for Democrats to Keep It Together in 2028,” by Bill McKibben “Can Zohran Mamdani Sway the Commie Corridor's ‘Civil War'?,” by Naaman Zhou “The Woman Who Made the Machine That Made Zohran Mamdani,” by Molly Fischer   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

An incumbent mayor of Los Angeles normally faces smooth sailing for reëlection, but for the Democrat Karen Bass her term has been marked by criticism of her handling of last year's devastating wildfires and the city's ongoing homelessness crisis. The city-council member Nithya Raman was a former ally of Bass who now faces her in a November runoff election. Raman is aligned with the Democratic Socialists of America, and she talks with David Remnick about her frustration with Democratic leadership, which she says is  lacking “urgency around the issues that I felt mattered most, and, in some ways, a moving away from the direction that I felt L.A. needed to be moving.” Further listening: “Mayor Karen Bass on Marines in Los Angeles,” an episode of The New Yorker Radio Hour   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Michigan's Senate seat is a must-win for Democrats hoping to take control of the Senate in 2026. The midterms are reflecting a surge of energy behind left-leaning Democratic candidates—sometimes known as the Mamdani effect—challenging their party's establishment and its tarnished image. Abdul El-Sayed, a former health official, firmly supports Medicare for All and the abolition of ICE. He's ahead of his moderate Democratic rival, Haley Stevens, in most polls. But that has some Democrats worried that El-Sayed is too radical to win the general election in a state that narrowly voted for Trump in 2024. El-Sayed talks with David Remnick about being “radicalized in medical school,” the trap of expressing righteous anger as an Arab candidate, how Robert F. Kennedy's anti-science views have taken such a hold on the public, and why AIPAC and other lobbying groups have spent sixty million dollars opposing him in this election.   Further reading and listening:  “Michigan Is the Next Big Test for the Democratic Party,” by Jason Zengerle “Can the Democrats Get It Together?,” by Amy Davidson Sorkin “Governor Gretchen Whitmer on COVID-19, Trump, and the Accusations Against Joe Biden,” an episode of The New Yorker Radio Hour   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Though President Donald Trump came back to the White House with broad support for his border policies, his Administration's immigration crackdown has been broadly unpopular. The staff writer Jonathan Blitzer spoke with two representatives in Congress about the blowback: Jason Crow, of Colorado, and María Salazar, of Florida. Crow is one of the Democratic Party's recruitment co-chairs for the midterm elections, a role that entails helping candidates figure out what to say about issues that have proved controversial for their party. Salazar, whose district includes much of Miami, is a diehard Trump supporter, but many of her Republican constituents are outraged at how ICE has been operating, and she remains hopeful that the Administration might make a sharp turn. “Mr. President, you've got to change the way when it comes to immigration,” she'd like to tell him. “Otherwise, we're not going to have a Republican Party.” Further listening: “A Member of the ‘Seditious Six' on Reviving the Democratic Party,” an episode of The Political Scene featuring Jason Crow New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In 2025, as ICE was struggling to meet an impossible goal of three thousand immigration arrests per day, the agency took an unprecedented step: picking people up when they arrived at immigration court. These were immigrants seeking legal status through appropriate channels. The staff writer Jonathan Blitzer, who has been reporting on immigration for over a decade, tells the story of one man detained this way, a Guinean refugee who was seeking asylum after a severe beating and death threats by his government. His first name is Alsainy, and his story exemplifies the ways that the Trump Administration is sabotaging the system of legal immigration.  Further reading:  “Inside ICE's Largest Detention Center,” by Jonathan Blitzer “For the Nation's Birthday, Making It Harder to Become an American,” by Jonathan Blitzer “Trump's Mass-Detention Campaign,” by Jonathan Blitzer New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The film critic Richard Brody talks with David Remnick about three notable films this summer: Christopher Nolan's “The Odyssey,” an epic adaptation of Homer's poem, arriving amid buzz and huge advance ticket sales; the shoplifting comedy “I Love Boosters,” the second film from the sci-fi-inflected director Boots Riley; and “Remake,” the latest from the documentary legend Ross McElwee, in which he pays tribute to his late son, Adrian, an aspiring filmmaker.    Further reading: “Christopher Nolan's ‘The Odyssey' Leaves the Gods in the Outtakes,” by Richard Brody “ ‘Remake' Confronts a Father's Grief and a Filmmaker's Responsibility,” by Richard Brody “Why the Odyssey Keeps Defeating Filmmakers,” by David Denby “ ‘I Love Boosters,' Reviewed: A Socialist-Surrealist Shoplifting Fantasy,” by Richard Brody   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rahm Emanuel is a Democratic Party elder, having served in the Clinton and Obama Administrations and as mayor of his native Chicago for two terms. He's a centrist known for valuing political wins over ideology, making it especially notable that Emanuel recently gave a blistering speech in Israel, calling the country's path “not sustainable politically.” He says that the United States should no longer grant Israel unconditional military support, and explains his own plan for a diplomatic Middle East solution that he calls a “twenty-three-state solution.” Emanuel, who hasn't formally announced but appears to have embarked on a campaign for the 2028 Presidency, defends his position on trans rights, which has angered many on the left, and his contention that the Democratic Party is overly concerned with identity politics.  Further reading:  “Trump and Rahm Emanuel Both Love a Fight, Especially Against Each Other,” by Susan B. Glasser. “Rahm Emanuel's Lessons for Hilary Clinton,” by Benjamin Wallace-Wells “The Sudden but Well-Deserved Fall of Rahm Emanuel,” by Rick Perlstein “Emanuel in Full,” by Lizzie Widdicombe   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Department of Government Efficiency, better known as DOGE, has officially been terminated. Its July 4th sunset date was part of Donald Trump's original executive order that created the agency, which Elon Musk ran. During his tenure, Musk oversaw the dismantling of U.S.A.I.D., which used to provide life-saving medical and nutritional programs around the world. Musk, who recently became the world's first trillionaire, claims that there is no evidence that a single person died after DOGE cancelled more than eighty per cent of U.S.A.I.D.'s programs, cutting basic health-care access to some ninety-five million people. Atul Gawande disagrees. He was the assistant administrator for global health at  U.S.A.I.D. until he stepped down, the same week Trump ended U.S. foreign assistance. Gawande says an estimated seven hundred thousand people have already died as a result of the cuts. David Remnick speaks with the longtime New Yorker contributor about the profound effects of ending U.S.A.I.D.'s work abroad, Musk's involvement in these decisions, and the deaths it all has wrought.    Further reading, viewing, and listening:  “The Shutdown of U.S.A.I.D. Has Already Killed Hundreds of Thousands,” film by Thomas Jennings and Annie Wong, text by Atul Gawande “Hundreds of Thousands Will Die,” an episode of The New Yorker Radio Hour “Behind the Chaotic Attempt to Freeze Federal Assistance,” by Atul Gawande New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

With all the sports news at play this summer, from the New York Knicks winning the N.B.A. Finals to Donald Trump having a direct impact on FIFA's decisions during the World Cup, it's time for a deep dive into the biggest sports moments of late. The New Yorker sportswriter Louisa Thomas and David Remnick talk about the most significant stories of the week, and what to keep an eye on in the days and weeks ahead. Further reading, viewing, and listening: “The U.S. Crashes Out of the World Cup,” by Louisa Thomas “Serena Williams Returns to Wimbledon,” by Louisa Thomas “The Knicks Win the N.B.A. Title: A Post-Game Conversation,” with David Remnick, Vinson Cunningham, and Louisa Thomas New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The comedian Fred Armisen has a thing for sound: he's a former punk-rocker who gets a lot of comic mileage from doing accents, and he released an album of sound effects—a modern update of a novelty genre from his youth. “100 Sound Effects” came out last year, on the venerable indie label Drag City. The track titles are themselves little punch lines: “Guitar Tuned but Still Somehow Out of Tune,” “Supportive Booing at a Speech,” and “Terrified Audience at an Authoritarian Nation Official Event.” Armisen talked with the staff writer Michael Schulman about sound effects and the origins of his love for accents, and they went out to do some sound recording of their own on the summer streets of New York.    This segment was produced with assistance from John DeLore.  This segment originally aired on August 29, 2025. Further reading:  “Fred Armisen Goes Bang! Zip! Zoop!,” by Michael Schulman “Shakespeare, Off the Cuff,” by Mike O'Brien and Fred Armisen   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The unofficial anthem of New York City is “Empire State of Mind,” the Jay-Z song with that unforgettable hook, sung by Alicia Keys. So it was only fitting that when New York celebrated the Knicks' N.B.A. Finals victory, Keys took the stage at City Hall to sing it. It was a classic New York moment, for an artist who is herself a true New Yorker. In her musical, “Hell's Kitchen,” Keys uses her songs to tell the story of a teen-ager growing up, like Keys, in the titular Manhattan neighborhood, near Times Square—a “place of the have-nots,” as she told David Remnick, with “this unique balance between that grime, and the potential of Broadway.” They spoke when “Hell's Kitchen” was in previews; it went on to win two Tony Awards, and recently began a national tour.  This segment originally aired on March 29, 2024. Further reading:  “‘Hell's Kitchen' Brings Alicia Keys's Musical Power to the Public,” by Helen Shaw   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Washington Roundtable is joined by Jeff Stein, the veteran political reporter and founding editor of the newsletter “Spytalk,” to examine Donald Trump's appointment of Bill Pulte as the new acting Director of National Intelligence, a position that, in theory, oversees the C.I.A., N.S.A., F.B.I., and fifteen other agencies. Pulte has no intelligence background and no national-security experience, but does have a track record of going after the President's perceived enemies. Plus, the panel discusses a recent Washington Post investigation that raised new questions about the outgoing director, Tulsi Gabbard, and her alleged ties to a religious cult. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Americans tend to see the Declaration of Independence and the Revolutionary War as milestones in world history that inaugurated the era of modern democracy. But the British, unsurprisingly, see these events quite differently. David Remnick talks with the historians who host the popular podcast “The Rest Is History,” Dominic Sandbrook and Tom Holland. Growing up in Britain, Sandbrook explains, the Revolution seemed like “a parade of quite boring men talking very earnestly about liberty, [with] battles that involved twenty people in a field somewhere. . . . It's not Waterloo!” The King was “annoyed” to lose the thirteen colonies to the new nation, but, for his government, “it could have been a lot worse.” Sandbrook and Holland discuss historical events that overshadow the American Revolution in the British mind; the 1619 Project and the subject of slavery; the “colossally consequential” Presidency of Donald Trump; and the fate of the British monarchy.  Further reading and listening:   “The American Revolution Wasn't the Main Event,” by Daniel Immerwahr America at 250, a special issue of The New Yorker “Was the Declaration of Independence Better Before the Edits?,” by Jill Lepore “Scandal, Protest, Goofiness, and Grandeur at the U.S. Bicentennial,” by Jill Lepore “We Could Have Been Canada,” by Adam Gopnik    New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film's twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box office and promptly revolutionized the way movies were promoted, distributed, and merchandised. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace how Spielberg inaugurated a new phenomenon in Hollywood: the blockbuster. He would tap his own playbook again and again with such hits as “Close Encounters of the Third Kind,” “E.T.,” and “Jurassic Park,” all of which drew impressive audiences and profits. The hosts talk through his filmography, culminating in his new release, “Disclosure Day,” which both replicates and iterates on themes and techniques found in his earlier work. Though other directors may share his capacity for spectacle and action-packed set pieces, much of his appeal lies in his profound earnestness. “What Spielberg is so good at is bringing the human to the fore in these extreme, sci-fi circumstances,” Schwartz says. “And that's what makes a great blockbuster.”   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The former Secretary of State Hillary Clinton sat down with David Remnick at the 92nd Street Y, in New York, on Monday evening, after the Trump Administration announced a memorandum of understanding to end its war in Iran. Remnick asked whether the United States lost this war. “Yes,” Clinton replied. “The United States has come out weaker. Iran has come out stronger.” According to Clinton, Israel repeatedly tried to pressure the Obama Administration into backing a similar action in Iran, but she didn't take the bait. “They would say things like ‘Our planes are on the tarmac,' ” Clinton recalled. “And I'd say, ‘Well, good luck. Great. Why are you doing this?' ” They also discuss Joe Biden's decision to run for a second term, and its fateful consequences. “He made a terrible mistake,” she said. Had Biden stayed with his plan of serving for one term, “I believe whoever emerged . . . would have beaten Donald Trump.”   Further reading and listening:  “Hillary Clinton on the Psychology of Autocrats,” an episode of The Political Scene  “Hillary Clinton Explains What Happened,” an episode of The New Yorker Radio Hour “The Broadway Life of Hillary Clinton,” by Michael Schulman “Curtis Sittenfeld's ‘Rodham' Offers the Catharsis of Uncomplicated Regret,” by Nora Caplan-Bricker   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The sports journalist Pablo Torre recently won the 2026 Pulitzer Prize for audio reporting for an investigation on his podcast, “Pablo Torre Finds Out.” Torre talks with David Remnick about the challenge of investigative reporting in professional sports—where leagues, owners, players, and sometimes even fans don't welcome hard questions. “As much as I am doing that and urging people to join me in the pool,” he says, “it kind of feels like I'm the guy who is the proverbial turd” in that pool. But as private equity invests massive sums in teams, he says, the work is even more necessary—and that fans do care when misdeeds are revealed. Further reading:  “Lessons in Fanhood from the Knicks,” by Vinson Cunnigham “The Knicks: The Only Game in Town,” by David Remnick   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When Rachel Goldberg-Polin's son, Hersh, was taken hostage by Hamas on October 7, 2023, she became a prominent spokesperson for the families of Israeli hostages. Throughout Hersh's captivity, and then after his murder, Goldberg-Polin, who was born in Chicago and emigrated to Israel in 2008, argued that Israel's priority should be to bring the hostages home, and that the killing of all innocents, Israeli and Palestinian, must stop. She advocated with Israeli politicians, Pope Francis, and other leaders, and she addressed the Democratic National Convention in 2024. She recently spoke with David Remnick about her new book, “When We See You Again,” and how she has continued her work as a public figure despite unending grief. “People are desperate for us to be angry . . . to feel things that I think that they assume they would feel if they were in the position that we are in. But the truth is, I'm open to feeling anything,” she reflects. “I put Hersh in the ground on September 2, 2024. After that, I'm in a completely different universe.”  Further reading:  “Gaza's Broken Politics,” by Mohammed R. Mhawish “The End of Israel's Hostage Ordeal,” by Ruth Margalit “Why Hamas Agreed to Release the Hostages,” by Isaac Chotiner “Hope and Grief in Israel After the Gaza Ceasefire Deal,” by Ruth Margalit   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In April, the four crew members of NASA's Artemis II mission were the first humans to ever glimpse something that cannot be seen from Earth—the so-called dark side of the moon. The mission's commander, the former Navy captain Reid Wiseman, is fifty years old, which also makes him the oldest person ever to travel beyond low Earth orbit. Wiseman sat down recently with the New Yorker contributor David W. Brown. They talked about the challenge of NASA returning to the moon after many decades, Wiseman's struggle to parent his two daughters while training, and the strangeness and beauty of returning to Earth. “One thing that really did surprise me was how quickly Earth gets so small out the window,” Wiseman explains. “It's like a fingernail, almost; the size of a quarter. It's just impossibly tiny out there. There's a little tiny super-bright crescent of an Earth.”  Further reading and listening:  “The Leader of NASA's Artemis II Mission Is Still Moonstruck,” by David W. Brown “What Will the Artemis II Moon Mission Teach Us?,” by David W. Brown “A New Era of Moon Exploration Is Upon Us,” by David W. Brown   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jack Schlossberg, the grandson of John F. Kennedy, was one of a number of Kennedy family members who spoke out against the policies and the character of Robert F. Kennedy, Jr. Schlossberg became a public figure on social media, often trolling the right, doing his imitation of Vladimir Putin, or claiming that Usha Vance was carrying his baby. But, when Schlossberg decided to run for an open seat in Congress, critics pointed to his lack of experience in governing, or even holding a job. In some ways, Schlossberg seems a test case for how social-media influence may translate into electoral politics. “I understand that content creation is a new profession, and that it's not synonymous for many people with a quote-unquote real job,” Schlossberg tells David Remnick. “I think that my experience is exactly what the Democratic Party needs right now from candidates.”  Further reading:  “How a Congressional Primary Became a Proxy Battle Over A.I.,” by Gideon Lewis-Kraus “ ‘Love Story' Is a Forgettable Elegy for Gen X,” by Doreen St. Félix “A Battle with My Blood,” by Tatiana Schlossberg   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a guest appearance on WNYC's “Brian Lehrer Show,” David Remnick, who hosts the New Yorker Radio Hour, discusses the Democratic Party's identity crisis and the candidates vying in the midterm elections; the late newspaper magnate Donald Newhouse, and the importance of editorial independence in journalism; Remnick's upcoming live taping at the Tribeca Festival, with “Pod Save America” 's Jon Lovett, on June 10th; and, most important of all, the Knicks.  Join David Remnick and Jon Lovett at the Tribeca Festival.   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Colson Whitehead is one the few novelists, and the only still alive, to win two Pulitzer Prizes for Fiction—for “The Underground Railroad” and “The Nickel Boys.” Whitehead's protagonist in the Harlem trilogy is Ray Carney, a small-time crook who fences stolen goods while working as a furniture salesman. Ray first appeared in “Harlem Shuffle,” and the final book of the trilogy, “Cool Machine,” will be published in July. David Remnick and Whitehead discuss the trilogy's second book, “Crook Manifesto,” and how David Bowie inspired Whitehead's genre-hopping approach to fiction. This segment originally aired on July 21, 2023. Further reading and listening:  “The Theresa Job,” by Colson Whitehead “Colson Whitehead on Historical Heists,” by Deborah Treisman “The Match,” by Colson Whitehead   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

As control of the Senate hangs in the balance, many eyes are on Dan Osborn, of Nebraska. He's a dream candidate for the Democrats: a mechanic in the food-processing industry, a former president of his local union, and a veteran of the Navy and the Army National Guard. But Osborn isn't a Democrat; he's running as an independent. Polls show a close or tied race with the Republican incumbent, Pete Ricketts, an heir to a financial fortune. David Remnick talks with Osborn about leading a strike at a Kellogg's plant; how Donald Trump's tariffs are affecting voters in an agricultural state; and Osborn's decision to not caucus with either party if he wins the seat. Further reading:  “Can the Democrats Take Back the Senate?,” by Amy Davidson Sorkin   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Trump Administration has made little secret of its desire to dismantle the Federal Emergency Management Agency and give states the responsibility to respond to all manner of natural disasters on their own. FEMA has endured tremendous internal strife over leadership, and reports have suggested its mission has been compromised by partisan decision-making: President Trump—the sole arbiter of who ultimately gets FEMA relief—has rejected aid for Democratic-led states at the highest rate in the agency's history.  This has led to accusations of emergency aid being used as a “political cudgel,” and has had a chilling effect on some of the rank-and-file staff at the agency. The New Yorker Radio Hour's Adam Howard speaks to a longtime employee of FEMA about what's going on behind the scenes, and whether it could have a negative impact on the agency's ability to respond to the next emergency.  The subject of this interview is currently working for FEMA, a federal agency, and he asked to remain anonymous. His voice has been digitally regenerated for the audio of this interview. Further reading and listening:  “American Emergency: The Movement to Kill FEMA,” by “On the Media” “Outrage and Paranoia After Hurricane Helene,” by Jessica Pishko “For the Victims of Florence, Trump Needs to Prove that He Can Get Hurricane Recovery Right,” by Doug Bock Clark and Charles Bethea “Inequality and Hurricane Harvey,” by Ben Taub   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There will be a variety of celebrations to honor America's two-hundred-and-fiftieth anniversary this year. Much of it is to be expected: fireworks, red, white, and blue lights, even a military parade. But something else is happening, something that probably wouldn't occur if anyone other than Donald Trump were President. The Ultimate Fighting Championship, the premier league for mixed martial arts, is staging a fight at the White House. The U.F.C. was founded in 1993, and exploded in popularity after Dana White took over as president of the company, in 2001. He's also been friends with Donald Trump for a quarter century, and spoke on the President's behalf at all three Republican National Conventions where Trump was the nominee. He's stumped for him at rallies, and Trump even called him up to speak at his victory celebration on Election Night in 2024. David Remnick and White discuss his remarkable rise to prominence, and his relationship with the increasingly unpopular President. “He's not a racist,” White tells Remnick. “He's not a fascist. He loves this country. And if you're an American—race, religion, whatever it is—President Trump is on your team, that I guarantee you.” Further reading:  “Donald Trump's U.F.C. Victory Party,” by Sam Eagan “Cage-Fighting During a Pandemic: Is This the Future of Sports?,” by Kelefa Sanneh “Fighting for Trump: The U.F.C. Comes to New York City,” by Kelefa Sanneh   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The staff writer and historian Jill Lepore is an admirer of the Federal Writers' Project, and the man-on-the-street form of documentary it helped to pioneer. This type of journalism, she thinks, is integral to the democratic project. As part of a special episode of The New Yorker Radio Hour, Lepore collaborated with the audio-storytelling group Transom to create a new documentary on how Americans perceive their country on the eve of its two-hundred-and-fiftieth anniversary. Producers conducted interviews in Illinois, California, Louisiana, Vermont, and Utah, in gas stations, city parks, and malls, on street corners and dairy farms, asking people how they see themselves in the American story, how they feel about America at two hundred and fifty, and what they imagine the tricentennial of independence will be like.  The New Yorker Radio Hour's collaboration with Transom was produced by Sophie Crane. It was recorded by Eve Abrams, Scott Carrier, Erica Heilman, Yohance Lacour, and David Weinberg. Mixing and sound design by Josh Crane. Music by Jon Evans and Matthias Bossi at Stellwagen Symphonette. It was created as part of Transom's Listeners Project, an experiment in hyperlocal documentary storytelling.    New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The two-hundred-and-fiftieth anniversary of the Declaration of Independence arrives during intense disputes about American history, as the Trump Administration demands a more glorifying view of the nation's past at federally run historical sites and in federally funded projects. The staff writer Jill Lepore (who won the Pulitzer Prize in History this month for her book “We the People: A History of the U.S. Constitution”) guest-hosts a special episode of The New Yorker Radio Hour about this fraught moment, reflecting on the responsibility of academic historians to shape the public debate. She compares our moment with the bicentennial—which fell in the wake of the Vietnam War and the scandals of Richard Nixon's Presidency—in a conversation with the Yale historian Beverly Gage. Lepore looks at the nature of the country's war over history with Jelani Cobb, the dean of Columbia Journalism School and a staff writer at The New Yorker. They discuss the Donald Trump-approved “Freedom 250” projection on the Washington Monument, and talk about how Americans can meaningfully participate in the semiquincentennial. If “we're sitting around waiting for the occupant of the White House to tell us what American history means,” Lepore says, “you just kind of want to walk into traffic.”  Further reading:  America at 250, a special issue of The New Yorker “Was the Declaration of Independence Better Before the Edits?,” by Jill Lepore “Scandal, Protest, Goofiness, and Grandeur at the U.S. Bicentennial,” by Jill Lepore “Two Hundred and Fifty Years of Complicated Commemorations,” by Jelani Cobb “This Land Is Your Land: A Road Trip Through U.S. History,” by Beverly Gage   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Harriet Clark's novel, “The Hill,” is one of the most anticipated works of fiction of the year. It's a story of a girl growing up visiting her mother, who is serving a life sentence in prison for a politically motivated crime. And although “The Hill” is a work of fiction, it follows the contours of Clark's own life closely: her mother is Judy Clark, who drove a getaway car after a robbery in which two police officers and a security guard were killed. One of “The Hill” 's enthusiastic admirers is Rachel Aviv, a staff writer at The New Yorker. She spoke with Clark about the power of fiction, her mother's life story, and the power of narrative when thinking about how to confront carceral systems. Further reading:  “Harriet Clark's Début Is a New Kind of Coming-of-Age Novel,” by James Wood “The Trial of Gisèle Pelicot's Rapists United France and Fractured Her Family,” by Rachel Aviv   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The contributing writer Peter Slevin met with Barack Obama at the new Obama Presidential Center, which opens next month, in Chicago, and asked him the question on a lot of Democrats' minds: Where is he, and why isn't he doing more to help the country in a moment of crisis? Slevin shares excerpts from his interview, during which Obama explains the limits of his role, and why he should no longer be the figurehead for his party. Slevin also speaks with David Remnick about why the famously optimistic President has lost some of his confidence in the American prospect. “I would be dishonest if I didn't acknowledge that,” Obama admitted.  Further reading:  “Barack Obama Considers His Role in the Age of Trump,” by Peter Slevin “Presidents' Days: From Obama to Trump,” by David Remnick   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.