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2 episodes with Charles Burnett
2 episodes with Charles Burnett
3 episodes with Charles Burnett
2 episodes with Charles Burnett
2 episodes with Charles Burnett
2 episodes with Charles Burnett
2 episodes with Charles Burnett
3 episodes with Charles Burnett
5 episodes with Charles Burnett
Charles Burnett talks ‘Killer of Sheep’ 4K restoration, and the film’s lasting influence After a theatrical release in select theaters by Janus Films, the Criterion Collection now introduces the new 4K restoration of Charles Burnett’s 1977 feature debut film, Killer of Sheep, into its library. The film follows a family in Watts, with the father in this household being Stan, who works in a slaughterhouse. Burnett's understanding of working-class family dynamics makes for a story that’s as relatable as it is emotionally devastating at moments. These complex themes portrayed in film have served as inspiration for the likes of Barry Jenkins, whose Oscar-winning film Moonlight offers a similar blend of cinematic storytelling through the lives of adults and children. We’ll dig deeper into the film by speaking with its filmmaker, Charles Burnett. The 4K restoration of ‘Killer of Sheep’ is out now in Blu-ray and 4K UHD; to read more about the special features included, and to purchase the film, click here.
Today on AirTalk, Tinder's latest update allows paid users to set height preferences for potential partners; a new study shows a growing number of the mental health of mothres is declining; Johneric Concordia is the chef behind a Filipino-American BBQ restaurant; FilmWeek and 'Killer of Sheep' filmmaker Charles Burnett talks about its new 4K restoration. Today on AirTalk Tinder now lets paid users set a height preference (0:15) Dropoffs in mothers' mental wellness (18:29) Filipino-American BBQ (38:12) FilmWeek: ‘The Phoenician Scheme,’ ‘Bring Her Back' and more (51:33) Charles Burnett talks ‘Killer of Sheep’ (1:22:28)
Our Farrow v Allen series continues with four more collaborations: September (1987), Another Woman (1988), Oedipus Wrecks (1989, part of the anthology movie New York Stories), and Crimes and Misdemeanors (1989). We count the ways in which Allen mashes up his favourite playwrights, filmmakers, and Russian novelists, trace the development of Allen's "survivor" theme through these movies, and discuss the different flavours of invisible that Farrow brings to them. And in Fear and Moviegoing in Toronto, Charles Burnett, in town to present De Sica's Bicycle Thieves and a 4K restoration of his own Killer of Sheep, tells us about the cost of art and the time someone stole his bicycle. Time Codes: 0h 00m 25s: SEPTEMBER (1987) [dir. Woody Allen] 0h 24m 17s: ANOTHER WOMAN (1988) [dir. Woody Allen] 0h 44m 29s: “Oedipus Wrecks” segment of NEW YORK STORIES (1989) [dir. Woody Allen] 0h 57m 33s: CRIMES AND MISDEMEANORS (1989) [dir. Woody Allen] 1h 20m 24s: Fear and Moviegoing in Toronto: Vittorio De Sica's The Bicycle Thieves (1948) and Charles Burnett's Killer of Sheep (1978), both introduced by Charles Burnett at TIFF Lightbox ++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
In this episode, Brian talks about some recent Blu-ray and 4K releases from Criterion, Including Sean Baker's 3rd feature THE PRINCE OF BROADWAY, Charles Burnett's KILLER OF SHEEP, the cult classic WITHNAIL AND I as well as CHUNGKING EXPRESS. This week's episode is also brought to you by the fine folks at DiabolikDVD - a great place to buy your discs from! https://www.diabolikdvd.com/ Just the Discs Now has a YouTube Channel! Check it out here and subscribe! https://www.youtube.com/channel/UCffVK8TcUyjCpr0F9SpV53g Follow the Show on Twitter here for Episode previews and new Blu-ray News! https://bsky.app/profile/justthediscs.bsky.social Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts We're also on Instagram! instagram.com/justthediscspod/
This week on Bullseye, we talk to filmmaker Charles Burnett. His most famous film, Killer of Sheep, was part of his Masters' thesis at UCLA Film School in 1977. Now, it's in the Criterion Collection and the Library of Congress. His 1999 romance film, The Annihilation of Fish, has just been restored and set for its first theatrical release. He talks to Bullseye about representing communities authentically, the tension of studying at UCLA and living in South Central, and his regrets about the roof-jumping scene in Killer of Sheep.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Indie pioneer Charles Burnett recollects the making of his 1978 masterpiece. Learn more about your ad choices. Visit megaphone.fm/adchoices
Frank Mosley is an actor and filmmaker from Texas, now living in Los Angeles. He is an alumnus of the 2015 Berlinale Talents, the 2017 NYFF Artist Academy at Lincoln Center, and Black Factory Cinema's 2016 Auteur Workshop led by Abbas Kiarostami in San Antonio de los Banos, Cuba. He participated as an actor in the 2016 Austin Film Society Artist Intensive under the direction of Charles Burnett. Most notably, Frank is also the curator for Required Reading, a staged reading series in Los Angeles that highlights new work from both emerging and established playwrights. In this episode, we talk about his take on the classic table read, and how Required Reading is taking live readings to the next level. FOLLOW REQUIRED READING IG: @requiredreading.laVISIT FRANK'S WEBSITE HERE
Today's show features a conversation with Charles Burnett, who Martin Scorsese and Steven Soderbergh credit as one of America's greatest filmmakers. His creative works tell personal and intimate stories – exploration of culture, relationships, social justice, mental illness, discrimination, and love. He was born in Mississippi in 1944 but moved to Watts in South Los Angeles in 1947. Killer of Sheep, based on his life in Watts, was his student thesis film at UCLA but it wasn't until he was awarded an honorary Academy Award in 2017 that it began to be seen. It was his first full-length feature and took five years to complete, and it set him apart, even at a young age, as a great filmmaker. The '60s were not necessarily kind to Black filmmakers and complicated music rights kept Killer of Sheep away from wide distribution until Steven Soderberg took it under his wing and helped restore it. He also cleared the music rights and found distribution. It has since been admitted into the Library of Congress and called a national treasure. Other films from Charles include “The Annihilation of Fish” with James Earl Jones and Lynn Redgrave; My Brother's Wedding, The Glass Shield, and To Sleep With Anger starring Danny Glover. Martin Scorcese was quoted in a review by Daniel Borrero, saying, “Charles Burnett is one of the finest filmmakers in this country. His pictures speak in a unique voice that is uniquely and completely his own. I am honored to be speaking with Charles Burnett and am grateful for his candor about the industry and his gracious depiction of unfolding events in his life. We can all learn from him. If you enjoy our podcast, please subscribe and tell all your friends about us! We love our listeners. And, if you have ideas for segments, write to OWCRadio@catania.us. We are always up for new ideas! You can find OWC RADiO at OWCRadio.com, on Spotify, Apple Podcasts and all other podcatchers! ABOUT OWC: Other World Computing, under the leadership of Larry O'Connor since he was 15 years old, has expanded to all corners of the world and works every day to create hardware and software that make the lives of creatives and business-oriented companies faster, more efficient and more stable. Go to MacSales.com for more information and to discover an ecosystem that serves your needs. Cirina Catania, is a successful filmmaker, former Sr Vice President of Worldwide Marketing at MGM-UA and United Artists and one of the co-founders and former director of the Sundance Film Festival. She is the founder, CEO and Executive Director of the non-profit, High School Media Collective. Cirina is Founder/Lead Creative at the Catania Group Global, Showrunner and Host of OWC RADiO and partner, Lumberjack System, as well as Tech Ambassador for companies such as Blackmagic Design. She is a long-time member of the Producers Guild, Writers Guild, Cinematographers Guild, the National Press Club, National Press Photographer's Association, and more.
This month for ClapperCast's February 2025 Patreon Bonus Episode, Jak-Luke Sharp joins Carson Timar to review the hidden gem that is Charles Burnett's To Sleep with Anger!Listen to the full episode by subscribing to our Patreon or Spotify Subscriptions: https://www.patreon.com/clappercastpod
Welcome back to the messy circus. This time around I think I’m getting back to normal. Not much talk about the distant past and more worrying about what is now. What I’ve watched and the 1990 Danny Glover lead Charles Burnett written and Directed Black comedy To Sleep With Anger. Voicemail: 732-639-1435
Jason Fraley interviews trailblazing director Charles Burnett about his long-lost film “The Annihilation of Fish" starring James Earl Jones and Lynn Redgrave as the romance returns to select theaters tomorrow for Valentine's Day. He also reflects on his groundbreaking 1977 film “Killer of Sheep,” named one of the Top 100 Films of All Time on the latest critics poll by Sight & Sound Magazine. (Theme Music: Scott Buckley's "Clarion")
Gay homosexuals Nick and Joseph discussThe Annihilation of Fish - a 1999 American romance film directed by Charles Burnett, starring Lynn Redgrave, James Earl Jones and Margot Kidder.Additional topics include: -LAFCA Awards ceremony -Health Choice Cafe Steamers -Black filmmakers who are not Tyler Perry: Charles Stone III, Ryan Coogler, Victoria Mahoney, Khalil Joseph, and Angela Robinson -The death of Irv GottiJoin us on Patreon:https://www.patreon.com/FishJellyFilmReviewsWant to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson
Gay homosexuals Nick and Joseph discuss End of Days - a 1999 American action horror film directed by Peter Hyams, starring Arnold Schwarzenegger, Gabriel Byrne, Robin Tunney, Kevin Pollak, Rod Steiger, CCH Pounder, Derrick O'Connor, Miriam Margolyes, and Udo Kier. Additional topics include: -The Six Triple Eight Documentary -Black filmmakers who are not Tyler Perry: Ava DuVernay, Charles Burnett, Chinonye Chukwu, Paris Barclay, and Dee Rees -Overpriced items at restaurants -Twin Talk with the Sibley Twins Join us on Patreon: https://www.patreon.com/FishJellyFilmReviews Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support
Legendary Filmmaker Charles Burnett talks about his newly restored, underseen romance comedy The Annihilation of Fish, starring James Earl Jones and Lynn Redgrave, as he prepares to headline the Black Harvest Film Festival in Chicago. Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.
In this episode we discuss two films from director Charles Burnett, Killer of Sheep and To Sleep with Anger Intro- What we've been watching (0:00-34:00) Charles Burnett/Killer of Sheep(34:00) To Sleep with Anger(54:00) Killer of Sheep Link - https://ok.ru/video/2130936466118 Welcome To Jay - https://www.youtube.com/watch?v=ZOI0qNWR_Q8 Chime - https://www.polygon.com/24172471/chime-how-to-watch-best-horror-movie-2024-kiyoshi-kurosawa Link is below for all our social media. https://linktr.ee/silverscreenvideo Thanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast or Twitter @SilverVideo --- Support this podcast: https://podcasters.spotify.com/pod/show/silverscreenvideo/support
Estrenada en 1991, en el Festival de Sundance, Daughters of the Dust es la quintaesencia del filme independiente de esos años: realizada por al margen de la industria, con una puesta en escena absolutamente singular y por un equipo que jamás pensó en integrarse al mainstream. No es exactamente teatro filmado, pero sus textos están declamados. No es cine-ensayo, pero la tesis que sustenta el relato es casi más importante que éste. En su tiempo fue clasificada junto a los filmes de Spike Lee, John Singleton y Charles Burnett, pero en rigor no está conectado con ninguno de ellos y sí mucho más al L.A. Rebellion, una corriente de artistas y activistas que tardaría en dejar real huella en el cine estadounidense. Estas "hijas del polvo" tienen su base en la inevitable migración y deriva de la población negra, acosada por el racismo, la pobreza y la vulnerabilidad, décadas después de la emancipación de la esclavitud y la guerra civil: ambientada en el seno de la población Gullah —un grupo de familias que se afincó en la isla de Saint Helena (en Carolina del Norte) desarrollando incluso su propio dialecto— la película dramatiza el picnic de la familia Peazant, al borde del mar que los separa del continente. Es el último que tendrán antes de partir, en un viaje que será tan frágil como monumental. De eso y más se habla en este podcast.
https://notesonfilm1.com/2024/07/31/cinema-rediscovered-2024-wrap-up/ We have nothing but praise for this year's edition of Cinema Rediscovered. In the podcast, we discuss the pleasures of seeing Gilda (Charles Vidor, 1946) and Le Samurai (Jean-Pierre Melville, 1967) in beautiful prints on the opening night; the pleasure in seeing restorations with an audience where every time someone responds differently it raises a question one might not have thought of before; thus, a pleasure that begins in the realm of the aesthetic and moves on and combines with the the real of dreams and thoughts. We talk about the two Edward Yang films screened, A Confucian Confusion (1994) and Mahjong (1996) and praise Ian Wang for doing such a terrific job of introducing the films: interesting, entertaining, succinct and opening up ways of entering the film, a challenge in the age of Wikipedia. We discuss the Ninon Sevilla cabaretera films, possibly the hit of the festival. There was a fantastic programme of 'New' Hollywood films -- Out of Their Depth: Corruption Scandal and Lies in the New Hollywood -- and we discuss the only two films in the programme that we did manage to see: Night Moves (Arthur Penn, 1975) and The Long Goodbye (Robert Altman, 1973). We hope to catch up with the rest when it tours. The festival offers a great balance tween the more esoteric strands and those appealing to a larger audience. It was wonderful to see The Wizard of Oz (1939) with an audience full of children, some of them dressed up as Dorothy. We also touch on the eff Barnaby and Bill Douglas cycles as well as the Sergei Parajanov restorations and other strands of the festival. We will be doing a separate podcast on the Queer Cinema from the Eastern Bloc programme. There were several revelations in this festival that we discuss in the podcast: The Student Nurses (Stephanie Rothman, 1970) the only woman to direct a film in Hollywood between Ida Lupino and Elaine May; Charles Burnett's The Annihilation of Fish (1999); Ehsahn Khoshbakht's beautiful and very personal Cellulloid Underground; and Giuseppe Patroni Griffi's Il Mare (1962), which David Melville Wingrove in his introduction argued had been a formative influence on Jarman as well as Bill Douglas and, we later learned on Tony Richardson as well as Pedro Almodóvar. Quite a queer package. Lastly, we praise how the festival makes use of the city, the different venues, It's part of a concerted effort to bring the city into the festival and the festival into the city. The festival seems an incubator for curators, some curating a single film, some a strand. A very entertaining event, and no one used their phones during the screening. Big Gold Star. The community feel, the social engagement, the educational component of talks and workshops, a teaching people how to do things, all meshed together to form a very impressive festival. Many congratulations to all. Some of the strands will be touring.
https://notesonfilm1.com/2024/07/20/cinema-rediscovered-2024-preview/ Richard and I preview the 2024 Cinema Rediscovered Programme taking place in Bristol, July 24-28. We've already podcast on the Parajanov films and the Ninon Sevilla ‘cabaretera' films so we here highlight some of the other strands such as the 70s cycle of ‘New” American films of the 70s titled OUT OF THEIR DEPTH: CORRUPTION, SCANDAL AND LIES IN THE NEW HOLLYWOOD and QUEER CINEMA FROM THE EASTER BLOC. We also highlight restorations of films from Charles Burnett, Bela Tarr, Edward Yang and many others, as well as the rare opportunity to see films by the likes of Lynda Miles, Stephanie Rothman, not to mention beautiful restorations of classics such as GILDA and THE LONG KISS GOODBYE. Cinema Rediscovered offers not only a superb programme but a model of engagement, community based, inclusive, social, cinephile, generative. It includes films but also history walks, workshops on criticism and projection and much else. Aat the centre of it all are films, usually in beautiful prints with great attention to projection, all instigating a conversation on cinema.
This week, we discuss two critically acclaimed feature films from first time directors. The first is Killer of Sheep (1978), edited, filmed, written, produced and directed by Charles Burnett. Shot primarily in 1972 and 1973, it was originally submitted by Burnett to the UCLA School of Film in 1977 as his Master of Fine Arts thesis. The second is George Washington (2000), written and directed by David Gordon. Its story centres on a group of children in a depressed small town in North Carolina who band together to cover up a tragic mistake. Timestamps This podcast contains spoilers for the following films/TV shows: What we've been watching (00:01:05) – Inside Out 2, Can I Tell You A Secret?, Welcome to Wrexham season 3, Sunderland ‘Til I Die season 3, Beverly Hills Cop, Colin Quinn: Our Time Is Up. Killer of Sheep (00:27:04) George Washington (00:46:30) Coin toss (01:07:45) Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie Letterboxd – @andycifpod @fat-tits mcmahon Justwatch.com – streaming and rental links - https://www.justwatch.com
We are joined once again with special guest Shawn C. Baker from The Horror Vision podcast to continue our exploration of films from 1994. Listen as we talk about John Carpenter's In the Mouth of Madness, Charles Burnett's The Glass Shield, Kevin Smith's Clerks, and Danny Boyle's Shallow Grave.
fWotD Episode 2592: The Ecstatic Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Sunday, 9 June 2024 is The Ecstatic.The Ecstatic is the fourth studio album by American rapper Mos Def, released on June 9, 2009, by the independent record label Downtown Records. After venturing further away from hip hop with an acting career and two poorly received albums, Mos Def signed a recording contract with Downtown and recorded The Ecstatic primarily at the Record Plant in Los Angeles. He worked with producers such as Preservation, Mr. Flash, Oh No, and Madlib, with the latter two reusing instrumentals they had produced on Stones Throw Records. The work of Stones Throw rapper MF Doom was also cited by Mos Def as an influence, while singer Georgia Anne Muldrow, formerly of the record label, performed as one of the album's few guest vocalists, along with rappers Slick Rick and Talib Kweli.Described by music journalists as a conscious and alternative hip hop record, The Ecstatic features an eccentric, internationalist quality. Mos Def's raps about global politics, love, war, spirituality, and social conditions are informed by the zeitgeist of the late 2000s, Black internationalism, and Pan-Islamic ideas, incorporating many Islamic references throughout the album. Its loosely structured, lightly reverbed songs use unconventional time signatures and samples taken from a variety of international musical styles, including Afrobeat, soul, Eurodance, jazz, reggae, Latin, and Middle Eastern music. Mos Def titled the album after one of his favorite novels, Victor LaValle's The Ecstatic (2002), believing its titular phrase evoked his singular musical vision. For the album's front cover, a still from Charles Burnett's 1978 film Killer of Sheep was reproduced in a red tint.The Ecstatic charted at number nine on the Billboard 200 in its first week of release and eventually sold 168,000 copies. Its sales benefited from its presence on Internet blogs and the release of a T-shirt illustrating the record's packaging alongside a label printed with a code redeemable for a free download of the album. To further support the album, Mos Def embarked on an international tour with concerts in North America, Japan, Australia, and the United Kingdom between August 2009 and April 2010. As his DJ on the tour, Preservation began to develop remixes of the album's songs, which he later released on the remix album The REcstatic in 2013.A widespread critical success, The Ecstatic was viewed as a return to form for Mos Def and one of the best albums from 2009, with reviewers applauding its exuberant musical feel, adventurous creative range, and shrewd lyrical performances. Some publications ranked it among the greatest albums of the 2000s decade, including The Times at number 30. However, it struggled to reach mainstream audiences beyond Mos Def's fan base and led the already disillusioned rapper further away from the music industry, resulting in less recorded work from him over subsequent years.This recording reflects the Wikipedia text as of 01:01 UTC on Sunday, 9 June 2024.For the full current version of the article, see The Ecstatic on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Olivia Neural.
Today on The Neil Haley Show, Neil "The Media Giant" Haley interviews Chris Mazzilli. Chris Mazzilli Is the founder and owner of Dream Car Restorations/CMC Motors in Plainview, New York and spearheads the RDJ Dream Car Sweepstakes. He also assembled and oversaw the team of experts – including Jehu Garcia, a YouTube star of “Jag35” and Los Angeles-based champion of clean tech in cars; YouTube star Rich Benoit, star of “Rich Rebuilds” and owner of “Electrified Garage” in Salem, MA; Charles Burnett from KEM South in Monticello, GA; and Dave Weber, the master Corvette restorer from Dream Car Restorations – who have retrofitted the cars to 2023 eco-friendly standards at various specialty restoration shops around the country, including his own. Mazzilli also served as an Executive Producer and co-host of “RDJ Dream Cars,” a six-episode series on MAX that focuses on the refurbishment of the cars. The RDJ Dream Cars Sweepstakes has been running since June 16, 2023 through July 16, 2024 and will give away the six iconic cars featured in the six-episode Downey's Dream Cars series. FootPrint Coalition's nonprofit, which advances research frontiers and promotes solutions, is the beneficiary of the RDJ Dream Cars Sweepstakes.
Today on The Neil Haley Show, Neil "The Media Giant" Haley interviews Chris Mazzilli. Chris Mazzilli Is the founder and owner of Dream Car Restorations/CMC Motors in Plainview, New York and spearheads the RDJ Dream Car Sweepstakes. He also assembled and oversaw the team of experts – including Jehu Garcia, a YouTube star of “Jag35” and Los Angeles-based champion of clean tech in cars; YouTube star Rich Benoit, star of “Rich Rebuilds” and owner of “Electrified Garage” in Salem, MA; Charles Burnett from KEM South in Monticello, GA; and Dave Weber, the master Corvette restorer from Dream Car Restorations – who have retrofitted the cars to 2023 eco-friendly standards at various specialty restoration shops around the country, including his own. Mazzilli also served as an Executive Producer and co-host of “RDJ Dream Cars,” a six-episode series on MAX that focuses on the refurbishment of the cars. The RDJ Dream Cars Sweepstakes has been running since June 16, 2023 through July 16, 2024 and will give away the six iconic cars featured in the six-episode Downey's Dream Cars series. FootPrint Coalition's nonprofit, which advances research frontiers and promotes solutions, is the beneficiary of the RDJ Dream Cars Sweepstakes.
On this episode of What a Picture, Bryan and Hannah take a break from throwing rocks at each other to discuss Killer of Sheep, the 1978 movie directed by Charles Burnett that ranks #43 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: https://whatapicturepod.com Bryan's Bluesky: https://bsky.app/profile/bryanwhatapic.bsky.social Bryan's Letterboxd: https://letterboxd.com/bryan_whatapic Bryan's Twitter: https://twitter.com/bryan_whatapic Music is "Phaser" by Static in Verona.
Robert, Nat, and Cody are joined by returning guest Jim Laczkowski of Voices & Visions as we throw our ninth annual Secret Santa party. Who gave what to whom is the mystery of the episode as we take turns discussing five movies especially chosen for their recipients by their secret Santas. This episode is apparently sponsored by TUBI as several films can be found there. The films this year include MADAM SATAN (1930), TO SLEEP WITH ANGER (1990), DEFENDING YOUR LIFE (1991), DOGGIEWOGGIEZ! POOCHIEWOOCHIEZ! (2012), and SPRING (2015). Plenty of fun is had. Some big swings are taken. Listen to hear if they pay off. Play along and see if you can guess who gave what to whom. Time Tracks: 0:00 - MADAM SATAN (1930) 33:30 - TO SLEEP WITH ANGER (1990) 1:00:15 - DEFENDING YOUR LIFE (1991) 1:30:15 - DOGGIEWOGGIEZ! POOCHIEWOOCHIEZ! (2012) 1:46:00 - SPRING (2014)
In this author interview, I speak with Nate Patrin, a freelance writer based in St. Paul, Minnesota. He has covered nearly every imaginable genre of music for outlets including Bandcamp, Stereogum, Pitchfork, The Vinyl Factory, and Red Bull Music Academy. His first book Bring That Beat Back: How Sampling Built Hip-Hop was published in 2020, and he joins me today to talk about his new book, The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave. Listen to hear the importance of Lynch's first film Eraserhead to his career, what exactly a Lynchian film is, and why Lynch is a mystery even to himself. Books mentioned in this episode include:Films mentioned in this episode include:Pulp Fiction directed by Quentin TarantinoCasino directed by Martin ScorseseBoogie Nights directed by Paul Thomas AndersonMaster of the Flying Guillotine directed by Dazed and Confused directed by Guardians of the Galaxy directed by James GunnEasy Rider directed by Dennis HopperAmerican Graffiti directed by George LucasKiller of Sheep directed by Charles Burnett
All The News & Knowledge You Need To Get You Through Your October 18, 2023. It's Wisdom Wednesday! . On This Day – Chuck Berry; Wynton Marsailis; Bob Beamon; “Raisin” ; Charles Burnett's “Killer Of Sheep”; . News From UNN - www.myunn.net . All Episodes of This Is The G Podcast Are At: www.castropolis.net . #castropolispodcastnetwork #TuneupTuesday #blackhistory #news #blackpodcast #podcast #DailyPodcast #atlantapodcast #McDonoughGa #ChuckBerry #WyntonMarsalis #RaisinInTheSun #CharleBurnett #KillerOfSheepMovie #CamNewton #RudolphIsley #dailypodcast #BobBeamon
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
In an other: a black feminist examination of animal life (Duke UP, 2023), Sharon Patricia Holland offers a new theorization of the human animal/divide by shifting focus from distinction toward relation in ways that acknowledge that humans are also animals. Holland centers ethical commitments over ontological concerns to spotlight those moments when Black people ethically relate with animals. Drawing on writers and thinkers ranging from Hortense Spillers, Sara Ahmed, Toni Morrison, and C. E. Morgan to Jane Bennett, Jacques Derrida, and Donna Haraway, Holland decenters the human in Black feminist thought to interrogate blackness, insurgence, flesh, and femaleness. She examines MOVE's incarnation as an animal liberation group; uses sovereignty in Morrison's A Mercy to understand blackness, indigeneity, and the animal; analyzes Charles Burnett's films as commentaries on the place of animals in Black life; and shows how equestrian novels address Black and animal life in ways that rehearse the practices of the slavocracy. By focusing on doing rather than being, Holland demonstrates that Black life is not solely likened to animal life; it is relational and world-forming with animal lives. Sharon P. Holland (she/her) is the President of the American Studies Association. She is also the Townsend Ludington Distinguished Professor in American Studies at the University of North Carolina at Chapel Hill. She served as Chair of the Department from July 2020- July 2022. Callie Smith, PhD. is a museum educator and poet based in Louisiana. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
"Blackness is a lie, but it's a true lie." - RaMell Ross. The boundaries between fiction and nonfiction have never been stable, neutral, or benign. What the work of photographer and filmmaker RaMell Ross, author and cultural historian Saidiya Hartman, and filmmaker Charles Burnett have in common is the belief that nonfiction media teaches how to see race, how to inhabit it, and how to police it. Can it also open up new ways to see differently? Featuring RaMell Ross, Saidiya Hartman, Charles Burnett, Terri Francis, and Ina Archer
Hey Joe, what do ya know? Film critic Robert Daniels (New York Times, LA Times, RogerEbert.com, etc.) is here to chat with Slim and Mitchell about his four favorites: Killer of Sheep, If Beale Street Could Talk, A.I. Artificial Intelligence and Bamboozled. If you think that sounds like a Mount Rushmore of titles, you'd be exactly right! Strap in as Robert takes us on an incredibly insightful tour through the complicated themes and explosive emotions of these gems. Topics include: what it means to be human, blackface through Hollywood's history, the adaptability that comes with being Black in America, the glimmer of hope that must be held for the next generation, a call for The Underground Railroad to get more attention and why “masterpiece” doesn't always mean “perfect”. Chapters: Opening credits (00:00:00) Killer of Sheep (00:07:44) If Beale Street Could talk (00:19:41) A.I.: Artificial Intelligence (00:35:46) Bamboozled (00:52:52) Stats talk (01:10:08) Closing credits (01:13:29) Credits: Recorded in Newark DE, Philadelphia PA and Chicago IL. Edited by Slim. Theme music: “Vampiros Danceoteque” by Moniker. Editorial producer: Brian Formo. Production manager: Sophie Shin. The Letterboxd Show is a TAPEDECK production. Lists & Links: List of movies mentioned Robert's Letterboxd profile Robert's Sight & Sound 2022 ballot; Robert's Criterion essay on Beasts of No Nation; Robert's IndieWire interview with Charles Burnett on My Brother's Wedding; Robert's interview with Barry Jenkins for Medicine for Melancholy; Robert's interview with Barry Jenkins for The Underground Railroad; Robert's Polygon essay on Brian Tyree Henry's big scene in If Beale Street Could Talk; Robert's ranking of Spike Lee movies for Okayplayer; Robert's essay on Bamboozled for The Playlist Lists mentioned: Films that took an already amazing and well-known song and made it better by adding a cinematic moment to it that you are always reminded of when you hear the song by Starboy Reviews mentioned: Graham Williamson's Killer of Sheep review Kambole Campbell's Bamboozled review
Wendell B. Harris Jr. is an American independent filmmaker trained in drama at Interlochen and Juilliard. His family founded Prismatic Images, a multi-award-winning film/video/audio production facility in Flint, Michigan, in 1979 and he broke onto the scene by making the breakthrough Sundance smash, Chameleon Street just one year after Steven Soderbergh broke with his debut film. One of my favorite film critics, Robert Daniels joins me to talk about Chameleon Street and the reason why it was Harris' only film to date. (He has tried many times to get projects greenlit but it still hasn't happened as of this recording). Robert and I celebrate the audacity of this remarkable talent both in front of the camera and behind it. Before that, we learn about Robert's background and have a discussion on the current state of film criticism. Then later on, we preview our next conversation for next year on Charles Burnett and more! 00:00 - 41:30 - Introduction / Views on Film Criticism 41:31 - 01:34:55 - Chameleon Street / Wendall B. Harris 01:34:56 - 02:06:33 - Other Films / Outro Follow Robert's Work: https://twitter.com/812filmreviews https://substack.com/@812filmreviews https://www.rogerebert.com/contributors/robert-daniels Buy The New Chameleon Street Blu-Ray: https://shoparbelosfilms.com/products/le-chameleon-street-blu-ray
In this fifth installment of my 70s film series I focus on the emerging interest in the decade in representing human beings outside the ,mainstream of typical Hollywood entertainment, as well as films that play with the intersection of fiction and documentary. More on this livestream featuring your podcast host and cinema scholar, Mitch Hampton, here: "1970s cinema part 5: Documenting the Underrepresented" On this part 5 of 1970s cinema I deal with the visual representation of the documented and the real. I am interested in how fictional filmmakers flirted with documented material more or less taken from reality and how they integrated this material into more imagined or non documentary representations. A lot of the films are to be announced but I will show clips from Jon Jost's Chameleon, Charles Burnett's Killer Of Sheep , Paul Mazursky's Harry And Tonto , Fred Wiseman's Welfare and more. #mitchhampton Mitch Hampton https://anchor.fm/mitch-hamptonhttps://www.patreon.com/journeyofanae...https://www.jouneyofanaesthetepodcast...http://www.audibletrial.com/Journeyof...#music #jazz #composing #humanities #podcasts #audible #anchorfm #film #theatre #philosophy #filmtheory #filmarchives #spirituality #jazz #composition #literature #poetry #soundart #soundtracks #playwrighting #theatre #arts #travel #augustwilson #legacy #writing #philisophy #artsbroadcasting #books --- Send in a voice message: https://podcasters.spotify.com/pod/show/mitch-hampton/message Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support
On this special episode of The Letterboxd Show, Mia chats with Cheryl Dunye about the Criterion Collection's new release of her groundbreaking 1996 film The Watermelon Woman, which was the first feature directed by an out Black lesbian. Written, directed and starring Cheryl herself, The Watermelon Woman follows a young Black lesbian who works a day job in a video store while trying to make a film about a Black actress from the 1930s, known for playing the stereotypical “mammy” roles relegated to Black actresses during that period. Cheryl talks to Mia about her signature “Dunyementaries,” finding cinematic inspiration from the likes of Julie Dash and Charles Burnett, and how sometimes you have to create your own history. Sponsor: Searchlight Pictures presents Theatre Camp playing in select theatres on July 14. Credits: Recorded in Los Angeles, CA. Edited by Slim. Theme music: “Vampiros Danceoteque” by Moniker. Editorial producer: Brian Formo. Production manager: Sophie Shin. The Letterboxd Show and Weekend Watchlist are TAPEDECK productions.
It's a first for The Oscar Project, an interview with an author who writes about movies. Today's guest is Mia Mask, a professor at Vassar College where she teaches African American cinema, Documentary History, and seminars on topics including horror film and auteurs like Spike Lee, Charles Burnett and Ava DuVernay. She also teaches feminist film theory, African national cinemas, and other genre courses. Her commentary can be heard on NPR and her first book Divas on Screen: Black Women in American Film was published in 2009. Today she joins me to talk about her new book Black Rodeo: A History of the African American Western.Listen to hear about Mia's work with Criterion, including getting to speak with actor Sidney Poitier, what three of her favorite westerns are, and much more.Books mentioned in this episode include:The Western in the Global South by MaryEllen Higgins, Rita Keresztesi, and Dayna OscherwitzUndead in the West: Vampires, Zombies, Mummies, and Ghosts in the Cinematic Frontier by Cynthia J. Miller and A. Bowdoin Van RiperHorror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means ColemanHorse by Geraldine BrooksFilms mentioned in this episode include:The Learning Tree directed by Gordon ParksBuck and the Preacher directed by Sidney PoitierThomasine and Bushrod directed by Gordon Parks Jr.Queen & Slim directed by Melina MatsoukasBonnie & Clyde directed by Arthur PennDjango Unchained directed by Quentin TarantinoThe Harder They Come directed by Perry HenzellFive Fingers for Marseilles directed by Michael MatthewsThe Homesteader directed by Oscar Micheaux and Jerry MillsSwingtime directed by George StevensA Raisin in the Sun directed by Daniel PetrieHorror Noire: A History of Black Horror directed by Robin Givens, Kimani Ray Smith, Rob J. Greenlea, Director X., Zandashé Brown, and Joe WestCheck out Wikipedia for more information about the Lobo Comics mentioned in the interview.
This week, Kevin and Sarah review Chinonye Chukwu's film Till, about Mamie Till-Mobley's pursuit of justice after the 1955 lynching of her son Emmett. Then for the Watchlist, Kevin introduces Sarah to Charles Burnett's debut feature film, Killer of Sheep. Watch Killer of Sheep on Archive.org Follow us on Twitter @SeeBelievePOD Support the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week, Kevin and Sarah review Chinonye Chukwu's film Till, about Mamie Till-Mobley's pursuit of justice after the 1955 lynching of her son Emmett. Then for the Watchlist, Kevin introduces Sarah to Charles Burnett's debut feature film, Killer of Sheep. Watch Killer of Sheep on Archive.org Follow us on Twitter @SeeBelievePOD Support the Seeing & Believing Patreon Learn more about your ad choices. Visit podcastchoices.com/adchoices
On today's episode of our daily NYFF60 edition, director Elvis Mitchell and executive producer Steven Soderbergh discuss Is That Black Enough For You?!?, a Spotlight selection of this year's festival, with NYFF Executive Director Eugene Hernandez. American film critic Elvis Mitchell's kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs. With Is That Black Enough for You?!? (the title referencing a recurring line from Ossie Davis's 1970 benchmark Cotton Comes to Harlem), Mitchell takes a personal and panoramic approach, expressing his own experiences as a viewer while detailing the cinematic and political histories that led to this extraordinary flowering of a newly ascendant Black heroism. The Learning Tree, Watermelon Man, Shaft, Sweet Sweetback's Baadasssss Song, Cool Breeze, Sounder, Super Fly, Coffy, The Spook Who Sat by the Door, Claudine, Uptown Saturday Night, Cornbread, Earl and Me, Killer of Sheep, and dozens more are analyzed with Mitchell's customary verve and perspicacity. This is a work of painstaking scholarship that's also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated. Featuring interviews with Margaret Avery, Harry Belafonte, Charles Burnett, Laurence Fishburne, Whoopi Goldberg, Samuel L. Jackson, Suzanne de Passe, Glynn Turman, Billy Dee Williams, Zendaya, and more. A Netflix release. To learn more and get tickets for this year's NYFF, taking place through October 16 in all five boroughs of NYC, visit filmlinc.org/tix.
Why yes we ARE back for season 5 of You Might Know Her From with nothing less than an Emmy winner, babies! Sheryl Lee Ralph joins us for a candid conversation about her decades-long career on stage and screen. You might know her from: Abbott Elementary, Moesha, Sister Act 2, To Sleep with Anger, Ray Donovan, A Piece of the Action and the original Broadway productions of Thoroughly Modern Millie and Dreamgirls. Sheryl is a powerhouse quadruple threat: actor, singer, dancer, and producer who knocked us out as Deena Jones in Dreamgirls and just won an Emmy for her work as Barbara Howard in Abbott Elementary. We cover everything from her Broadway beginnings, to her disco one hit wonder, “In the Evening,” to sharing a memorable opening night with Carol Channing. Plus, working with Michael Bennett, Charles Burnett, Sidney Poitier, and Robert DeNiro. And why you don't want an orangutan as a scene partner Buckle up bebes, because your dreams are just about to come true! Follow us on social media: @damianbellino || @rodemanne Discussed this week: Sheryl Lee Ralph won an Emmy for Abbott Elementary Jimmy Kimmel bit at Emmy's Selma Blair is on Dancing with the Stars Jojo Siwa lesbian drama on tik tok We miss Tom Bergeron Tyra's whoops on DWTS Former guests Natalie Zea promoting La Brea and Caroline Aaron in the Maisel clip Sheryl & former guest Lisa Ann Walter were fast friends Husband is Penn State Senator Vincent Hughes Played Deena Jones in the original Broadway cast of Dreamgirls, directed by Michael Bennett “Steppin to the Bad Side” choreo Produced Thoughts of a Colored Man on Broadway in 2021 The Dreamgirls movie was bad and didn't ask Sheryl to cameo Played Muzzy in the original Broadway cast of Thoroughly Modern Millie. Role was originated by Carol Channing in the movie screaming “Raspbbbbberrrrries” out of a moving plane Carol Channing had to erase the black woman from her family in order to “make it.” Her close friendship with Pearl Bailey Wants to do Mame, Hello Dolly, Madame Rose. Damian suggesting Sunset Boulevard Won Indie Spirit award for To Sleep with Anger (dir Charles Burnett) DeVon Nixon was her son in To Sleep with Anger and he's now on Snowfall (Not DeVon Franklin) Her husband in that movie (Richard Brooks) plays her husband on Abbott First movie was directed by Sidney Poitier: A Piece of the Action (1977) Played Dee, the stepmother on Moesha Wanted to be like Patty Duke on The Patty Duke Show or Sally Field on The Flying Nun Moesha jumped the shark in 6th season where Frank (the dad) had a secret son and the writers were determined to add unnecessary drama. Sheryl left the show. Has gay cred: longtime HIV activist, played Margo Channing in Applause, produced the Sylvester musical. Dancers in Applause were Shaun T and Leslie Odom Gay disco anthem “In the Evening” Would call her Instant Mom co-star, Tia Mowry if car broke down Starred opposite Robert DeNiro in Mistress Jon Voight DOES wear a white scarf to dress up Mother is fashion designer Ivy Ralph who created the kariba suit Sheryl's Dreamgirls premiere dress Stars as Rita in Oliver & Company but singing voice went to Ruth Pointer Co-starred I'm the 1994 live action Flintstones movie and had to do a scene with an orangutan Was a judge for Shade the Rusical on s6 of Drag Race which was particularly rough. They sang live. Sang one song at 54 Below for Jen Tepper in honor of 20th anniversary of Millie Carol Channing on Wendy Williams Former guest Da'Vine Joy Randolph should play Pearl Bailey Carol Channing + Pearl Bailey special (1969) Lea Michele opened Funny Girl and there were lots of videos, then she got COVID Funny Girl had to bring in someone last minute bc of so much COVID (Barbara Tirrell as Mrs Meeker) Rosie was set to see Lea too. She has a new gf who's a TikTok person Rosie's sign off is “TikTok ya don't stop”
"You are not a child anymore. You soon will be a goddam man." Photographer and founder of Black Women Directors Danielle Scruggs joins us to tackle Charles Burnett's long locked-away neo-realist masterpiece Killer of Sheep. We'll tackle the film's impact, its influence, and the many, many layers hidden beneath its seemingly "slice of life" structure. Next week:A Woman Under the Influence w/ Robert BellissimoHosts:Michael NataleTwitterInstagramLetterboxd Tom LorenzoTwitterInstagramLetterboxd Producer:Kyle LamparTwitterInstagram Guest:Danielle ScrugsBlack Women DirectorsWebsite Follow the Show:TwitterInstagramWebsite Music by Mike Natale
Stephen James Taylor - Musician & Explorer : Trans-tonal Music - Transcendent ThinkingStephen James Taylor has a unique musical identity. His style has often been called “Afro-futuristic) as it represents a blend of classical, rock, blues, gospel, world music, homemade instruments, and avante garde. His past projects include scoring Richard Tanne's 2020 Amazon film Chemical Hearts, music for the Star Wars Cantina at Disneyland's Galaxy's Edge (2019) {the first microtonal music ever in rotation at Disneyland), the PBS documentary by Charles Burnett entitled Power To Heal (2018), Maya Angelou-And Still I Rise (2016), Richard Tanne's theatrical release, Southside With You (2016), Tom Bradley: Bridging the Divide (2015), People Are The Sky, (2015), Marvel's TV Series The Black Panther, music for theme parks such as Disney World and The Red Sea Astrarium, Universal's The Adventures of Brer Rabbit, Disney's Mickey's Twice Upon a Christmas (for which he won Best Original Score at the 2004 DVDX Awards), Teachers Pet, a Disney animated feature with wide theatrical release in 2003, and most of the films directed by Academy Award winner, Charles Burnett including To Sleep With Anger and the blues documentary, Warming By the Devil's Fire produced by Martin Scorsese. He has composed scores for many of Robert Townsend's films such as The Making of the Five Heartbeats (2017) Of Boys and Men (2008), Carmen, A HipHopera (2004) and Holiday Heart (2000). In 2001 he wrote underscore and produced some of the songs for Clark Johnson's Boycott (HBO films) as well as his 2018 Netflix film, Juanita (2017). In 1996 he was commissioned to write an orchestral suite for the Opening Ceremonies of the Olympics and was one of the conductors of the Atlanta Symphony for that occasion. In 1993, Stephen received an Emmy nomination for an R&B song he wrote for I'll Fly Away as well as a Daytime Emmy nomination for his classical orchestral score for an episode of the animated series, The Lion King's Timon and Pumbaa. Other Emmy nominations have been for the PBS movie Brother Future (1991), and Raw Toonage an animated series for Disney. In 1999 and 2000 he has received Annie nominations for his work on Disney's Mickey Mouseworks. He has also done string arrangements for James Taylor and for Crosby, Stills, and Nash. He is currently working on a cartoon series for Netflix. After graduating from Stanford University in 1976 with a B.A. in music, he studied composition for four years with Henri Lazarof, professor of music at UCLA. He studied microtonality with Erv Wilson for 20 years with whom he helped develop a new 810 key microtonal keyboard used in many of the above scores. Taylor's second chamber symphony was commissioned and premiered by the Pasadena Chamber Orchestra in 1983. The Detroit Symphony later performed it in 1990. His various chamber works have been performed throughout the country. He has done a great deal of composing in surround sound. His 2001 “COME ALIVE” premiered at the El Paso Microhoot and has been presented many times since. More recently his 55 minute surround suite, “MUSIC FROM THE OTHER WAKANDA”, was selected by the composition faculty at Virgina Tech to be presented as part of its 2022 Afrofuturist themed “Cubefest”. Other projects include a trans-tonal pop album entitled Embrace It All (now available on itunes). A filmmaker as well, he has also completed some short films of his own: the award winning documentary, SURFING THE SONIC SKY, the science fiction short, I AM HERE. as well a research documentary about the micro- geometry of subatomic matter with co-director Jesus Trevino called “Gurule Shells, A Quantum Metaphor”. A few samples: "Red Sun Blue Highway" (fretless acoustic blues guitar} https://www.youtube.com/watch?v=WgBIf... “The Bradley Variations” (31 tone guitar solo)
The Beached White Male Podcast welcomes Scott Young, Creator and President of Culture Connection and the former Director of the City of Angels Film Festival. Ken likes to call Scott the Professor of Cinema. Scott asserts that we are at the end of the "print culture" and we've become a "culture of moving images." Movie images are today's "lingua franca." Some see movies for entertainment or escape, others to process the challenges of their lives - or to enrich. Ken shares four films that have shaped and enriched his life - One Flew over the Cuckoo's Nest, Beautiful Mind, Dead Poet Society, and Belfast. Scott shares his list: Apocalypse Now, Taxi Driver, and Nightmare Alley. As we finished Black History Month, Scott features world-class directors who are also people of color, including Ava DuVernay and When They See Us - the story of the Central Park Five (also known for the award-winning Selma). Charles Burnett produced the film Killer of Sheep (1978) as an MFA film student at UCLA - the story of life in South Central Los Angeles. Gregory Nava's film Selena with a young Jennifer Lopez with Edward James Olmos, the story of a rising Latin singer who reached the pinnacle of stardom and then tragically murdered at age twenty-three. Alejandro Gonzalez Inarritu directed “Babel" (2006), a collection of stories with Kate Blanchett and Brad Pitt. Rooted in the biblical story of Babel, the stories and the images come together making a powerful punch. Scott ends by sharing some practical advice on how to watch a movie.SHOW NOTESBecome a Patron - www.patreon,com/beachedwhitemaleSupport the show (http://thebeachedwhitemale.com)
10 - Eight Men Out (1988) / Finding Buck McHenry (2000) This week we're talkin' baseball as we discuss John Sayles' historical investigation of the 1919 Black Sox scandal and Charles Burnett's children's book adaptation about a Negro Leagues legend hiding in plain sight
An interview with Charles Burnett, Professor of the History of Islamic Influences in Europe at the Warburg Institute, School of Advanced Study, University of London. Dr. Burnett is the author, editor, or translator of literally hundreds of books, monographs, and articles. This interview was conducted on June 15, 2021.
Tune in for some of the most exciting drone news in a while, plus discussions about a recent article exposing MoviePass and deep cuts by black filmmakers to honor Juneteenth. In this episode, we talk about… How MoviePass, for a while, was an amazing deal where you could see unlimited movies for one monthly fee. Venture Capital and how it factored into Movie Pass's business model. What made Movie Pass a scam and how it fell apart. The drone market for the film industry as it currently stands. Sony getting into the drone game with their new Airpeak S1, how great it is for mirrorless cameras, and how amazing the autofocus is. Deep Cuts: discussions about underappreciated works by black filmmakers including De Rees's Pariah, Channing Godfrey Peoples' Miss Juneteenth, and Charles Burnett's The Glass Shield. Links to Resources: Turns out MoviePass was even shadier than we thought Sony's Drone Was Built for Your Mirrorless Camera Pariah (2011) (which is on Netflix) Miss Juneteenth (2020) The Glass Shield (1994) Killer of Sheep (1978) Charles Haine: http://www.charleshaine.com/ Kath Tolentino: https://www.borderwoman.pictures/ You can read about all this and more at https://nofilmschool.com/. You can also check out our Gear Guides and Entertainment News on the right hand side. Please like us on Facebook, follow us on Twitter, and check us out on Instagram! Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome to The Last Thing I Saw, a podcast where we reach out to friends to talk about what we've been watching. It's as simple as that. Joining Nicolas Rapold this time is Amy Taubin, a mainstay of film criticism and a longtime inspiration. It's always a rich and varied journey when Amy shares her viewing notes, and this time was no different. Among the movies discussed were John Frankenheimer's Grand Prix, Charles Burnett's police drama The Glass Shield, Gina Prince-Bythewood's Love and Basketball, the pioneering work of Monika Treut and Elfi Mikesch, Spike Lee's Da Five Bloods, Werner Herzog's Family Romance, plus a couple of short films and a Kanye West music video. Photo by Steve Snodgrass
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