Podcasts about 4x5

On today's episode I welcome back returning guest photographer Jeff Lipsky. Jeff has worked with clients such as Vogue,Outside Magazine, Chase Bank, and Oakley to name a few. In this interview I speak to Jeff about his love of 4X5 film photography, his approach to photographing covers, his experience photographing Jimmy Buffett and much more. www.jefflipsky.com USE PROMO CODE "Banter" and get 2 months free at www.picdrop.com

Cruising the US in his Buick, Nolan has been around the block taking pictures along the way. He joined us all the way from Ohio to chat film and his experiences along the way. Most folks now a days equate Polaroid or instant film with Instax or this new version of what Polaroid has become while Nolan still shoots the OG pack film better known peel apart.  We get a glimpse into who Nolan is and what he's been up to the last few years.  Visit him on Instagram! https://www.instagram.com/nolaroid.film/ If you enjoyed this episode please consider becoming a guest sponsor! Visit our Patreon for more details.  https://www.patreon.com/phxfilmrevival Don't forget to follow us on our socials!

We're joined by guest Laurent B. Chevalier(@chevaliercreative) for a wide ranging discussion on black and white film, shooting 4X5, pre-visualizing vs letting things happen, the finality of an image and more!Music: Oui lele

Imagine you were taking an ad out in your local newspaper. It's approximately 4X5 and you're wanting to run that for 3 days. DO you know how much that would cost you? In my town, roughly $500 - $700. Based on the response you get, it would be fairly easy to determine what your ROI (return on investment) is. So what's the ROI on social media? It's more challenging to figure out if you're not paying any money and are using your time and energy.  You're going to be sorely disappointed if you think you can put the least amount of work in, show up sporadically and are outsourcing every task related to social media that you lose your brand and your voice. But if you're willing to do the work, put in the time, nurture the relationships that you form online, I believe that social media can be a game changer. Don't be afraid to make yourself known for something. The right people are watching and will remember your name. But you have to be willing to be in the marathon, not the sprint, of social media marketing. In today's episode, I share with you real-life examples of how I've used social media to gain some incredible opportunities. I also lay out my S.O.C.I.A.L. framework to leverage social media in your business. To read more in-depth about my S.O.C.I.A.L. framework, check out my book, 'The Golden Rules of Social Media Marketing' >>> https://www.sweetteasocialmarketing.com/thegoldenrules

Vídeos verticais! Conversamos sobre o polêmico formato que já se tornou padrão no nosso cotidiano de vida e trabalho. Chega mais, porque a treta está lançada! Apresentadores:Rafa Costa: www.instagram.com/rafacosta83Marcelo Ferraz: www.instagram.com/marcelofrodo/Convidados:Alfredo Barros: https://www.instagram.com/alfbarros/Junior Pelissari: https://www.instagram.com/jrpelissari/1º Grande Encontro de Montagem (AMC & EDT)https://unibescultural.byinti.com/#/ticket/eventInformation/L-tj2PGJZ2BEViSgR3-1Data: 21 e 22/03/20Local: Unibes CulturalRua Oscar Freire, 2500 – Sumaré / SPPatrocinadores:AvMakershttps://www.avmakers.com.br/salaAcesse a página de benefícios exclusivos para os ouvintes e apoiadores do podcast.MovLocadorahttps://movlocadora.com.br10% de desconto para todos os ouvintes em qualquer locação de equipamento.Apoiadores do Sala VIP ganham 20% de desconto em qualquer orçamento.Agradecemos os nossos apoiadores do Sala VIP:Otto Blodorn, Cesar Munoz, Isaac Orcino, Germano Strazzi, Cristiano Videira, Ricardo Tavares, Brener Oliveira, Anderson Massambani, Leopoldo Nakata, Wagner Pimentel, Mari Porlan, Andre Albuquerque, Gustavo Reinecken, Eduardo Arake, Luquinhaz e Thiago Emérito.Seja um Apoiador Sala VIP: https://bit.ly/2YtvIsk e ganhe benefícios exclusivos.Acesse www.saladeedicao.com.br para ver os links relacionados a este episódio.Nosso e-mail: contato@saladeedicao.com.brFacebook: https://www.facebook.com/saladeedicaoInstagram: https://www.instagram.com/saladeedicaoTwitter: https://www.twitter.com/saladeedicaoLinkedin: https://www.linkedin.com/company/saladeedicao/YouTube: https://bit.ly/2Eqjp8a

Vídeos verticais! Conversamos sobre o polêmico formato que já se tornou padrão no nosso cotidiano de vida e trabalho. Chega mais, porque a treta está lançada! Apresentadores:Rafa Costa: www.instagram.com/rafacostaeditorMarcelo Ferraz: www.instagram.com/marcelofrodo/Convidados:Alfredo Barros: https://www.instagram.com/alfbarros/Junior Pelissari: https://www.instagram.com/jrpelissari/1º Grande Encontro de Montagem (AMC & EDT)https://unibescultural.byinti.com/#/ticket/eventInformation/L-tj2PGJZ2BEViSgR3-1Data: 21 e 22/03/20Local: Unibes CulturalRua Oscar Freire, 2500 – Sumaré / SPPatrocinadores:AvMakershttps://www.avmakers.com.br/salaAcesse a página de benefícios exclusivos para os ouvintes e apoiadores do podcast.MovLocadorahttps://movlocadora.com.br10% de desconto para todos os ouvintes em qualquer locação de equipamento.Apoiadores do Sala VIP ganham 20% de desconto em qualquer orçamento.Agradecemos os nossos apoiadores do Sala VIP:Otto Blodorn, Cesar Munoz, Isaac Orcino, Germano Strazzi, Cristiano Videira, Ricardo Tavares, Brener Oliveira, Anderson Massambani, Leopoldo Nakata, Wagner Pimentel, Mari Porlan, Andre Albuquerque, Gustavo Reinecken, Eduardo Arake, Luquinhaz e Thiago Emérito.Seja um Apoiador Sala VIP: https://bit.ly/2YtvIsk e ganhe benefícios exclusivos.Acesse www.saladeedicao.com.br para ver os links relacionados a este episódio.Nosso e-mail: contato@saladeedicao.com.brFacebook: https://www.facebook.com/saladeedicaoInstagram: https://www.instagram.com/saladeedicaoTwitter: https://www.twitter.com/saladeedicaoLinkedin: https://www.linkedin.com/company/saladeedicao/YouTube: https://bit.ly/2Eqjp8a

As 2019 draws to an end we have a couple more interviews with participants of our second Postcard Salon which took place at the beginning of this year. Back in July I met up with Louise Crawford and Stéphan Guéneau, artist couple from Scottland and France respectively. We speak about their series 36 Related Objects, their love of large format analogue photography and the inevitable transition to a digital workflow.----------Louise Crawford (Scotland) and Stéphan Guéneau (France) work on large format analogue photography (4X5), 16mm films and installations. They live in Paris and Berlin. Louise Crawford studied at Falmouth School of Art in England followed by a postgraduate year at the Düsseldorf Kunstakademie. Stéphan Guéneau studied in l’École des Beaux-Arts de Rouen in France and in the Hochschule der Künste in Berlin. They are both Le Fresnoy — Studio national des arts contemporains alumni. They have been collaborating since 2000. Recurrent themes throughout their work are; an interest in contemporary history and its impact on urban space and landscape, film —and the film noir aesthetic—, the archive as document/as artwork, the half-tone image and its relationship to history, archiving and cataloging. In April 2019, they had a screenprinting residency with Atelier #808080 in association with La Maison Julien Graq; in 2016, a post-production residency with Light Cone in Paris to re-master and digitize 2 film works and in 2014 were chosen for an Écritures de Lumières’ academic photography residency at Pierre & Marie Curie college in Bolbec, Normandy. In 2010 they were commissioned by the Goethe Institut and the French Alliance in Glasgow to produce a series of photographs celebrating the 20th anniversary of German Reunification shown at Street Level Photography Gallery during Glasgow International and in 2008 they were commissioned by L’Onde Art Centre outside of Paris to produce a series of photographs exhibited in advertising panels throughout the city of Velizy-Villacoublay.----------Interview with Louise Crawford and Stéphan Guéneau recorded by Michael Dooney on 30. July 2019 in Berlin, Germany.LOUISE CRAWFORD AND STÉPHAN GUÉNEAUWebsite http://www.crawfordgueneau.net/Soundcloud https://soundcloud.com/user-134454193JARVIS DOONEYhttp://www.jarvisdooney.com/https://www.facebook.com/jarvisdooneyhttps://www.instagram.com/jarvisdooney/https://twitter.com/jarvisdooneyhttps://www.patreon.com/JarvisDooneySEBASTIAN DE LA LUZhttps://soundcloud.com/sebastiandelaluzMICHAEL DOONEYhttp://www.michaeldooney.net/https://www.instagram.com/michaeldooney/https://twitter.com/michaeldooney_https://www.youtube.com/michaeldooney

The discussion starts off with a question about the features you would want on a single camera you might have on the desert island with a camera-supplies mini-mart.This episode’s guest is Lucus Landers, a Brooklyn-based photographer and camera-maker. We learn about how gaffer’s tape bellows on a home-built 4X5 stem from growing up in the great state of Oklahoma. The gaffer’s tape is a recurring theme…George Daniels writes books about watchmaking that helped Lucus understand the building of gears for a film transport mechanism:https://www.amazon.com/Watchmaking-George-Daniels/dp/0856677043/ref=sr_1_1?crid=1FAN85T8NZNNY&keywords=george+daniels+watchmaking&qid=1568676150&s=gateway&sprefix=george+daniels+%2Caps%2C180&sr=8-1https://www.amazon.com/Practical-Watch-Escapement-George-Daniels/dp/085667687X/ref=sr_1_2?crid=1FAN85T8NZNNY&keywords=george+daniels+watchmaking&qid=1568676150&s=gateway&sprefix=george+daniels+%2Caps%2C180&sr=8-2Gear profiles are discussed (cycloidal gear profile and involute gear profile) as Graham’s brain starts to enter a state of bafflement.Build quality vs. engineering quality is highlighted.Lucus’s next project is revealed late in the show.Lucus Landers’ work can be found at LucusLanders.com and on Instagram @cropped_cameraHe mentions the instagram account The Daily Mini (@dailymini).The YouTube channel that features the tear-down of Retinas (https://www.youtube.com/channel/UCBNcopU34d_pGsKTvRzHcsg)Lucus mentions Penumbra Foundation and their work in the photographic world (https://www.penumbrafoundation.org/)   You can find Lucus at http://lucuslanders.com and on instagram @cropped_camera. His Youtube Videos can be found under cropped_camera.

Ben Horne limits himself to spark creativity. He only photographs with large format cameras primarily using 8x10 or 4x5 film which forces him to create visually stunning landscape photography within those parameters. In this episode, we talk with Ben about the discipline it takes to work with film, his go-to cameras and how he shares his experiences via his YouTube channel.Be sure to subscribe as we go live with a new full episode every Tuesday!

Graham has a hammer and everything is looking like a nail and he tells us why (14:00). Nick tries to talk him down from his issue with materials by suggesting a variety of solutions for different usages. Sometimes it’s better to think of a design as a series of elements that gets built up into a whole instead of a single element that is constructed for the single purpose (25:45). Ethan Moses has come out with a new 4X5 hand camera, the Cameradactyl OG (cameradactyl.com) and Graham and Nick each have one from the first batch and they talk about its structure and materials (28:15) as well as how to extend its usefulness and functionality. Graham comes up with the absolute worst idea for making an optical lens (31:15) while Nick talks about more difficult methods that might actually work.  One of the battles we have to fight as designers of cameras is keeping the film flat against the film gate. To help with that, Graham proposes reducing the area of the image size (49:00). Nick brings up the concept of making mini bellows focusing mechanisms (58:00) as a method of saving weight through the elimination of the helical. The Cameradactyl OG is discussed in length again (1:00:00). Please excuse the rustling in the background as both of the hosts have their cameras in-hand during this time. Graham harkens back to the Starship Enterprise for inspiration for a light-shading device for viewing the ground glass even though Nick doesn’t want to think about it. Just like a cuckoo bird laying an egg in another bird’s nest, Nick and Graham discuss an interview conducted on the Classic Lenses Podcast (https://classiclensespodcast.podbean.com/) with Raffaello Pondri of the PONF camera (ponfcamera.com) project (1:24:30). The PONF camera is a design that features swappable film and digital backs on a 35mm camera. It is well worth a direct listen instead of relying on the shaky memories of Nick and Graham. The manufacturing process would use a metal 3D printing system like this one https://www.youtube.com/watch?v=Igq8gQuXfR4. One of the most interesting of the concepts that came up in the discussion of the PONF camera is the use of an LCD shutter (1:42:15). They are plentiful and cheap but that doesn’t mean they are right for film photography. They move on to what they’ve been working on lately (1:51:00), including the adapting of lenses, more about lumen boxes and issues with Graham’s 3D printer. Graham incorrectly identifies the supplier of lenses as Surplus Shack while it is Surplus Shed (surplussed.com). Shout out to Matt Melcher of the Box of Cameras podcast and poster on Flickr (mattmelcher) and Instagram (@mattmelcher and @box_of_cameras). Graham has some cameras for sale on Etsy (https://www.etsy.com/shop/FrozenPhotonCameraCo) and thinks everyone should own one of them.

The show starts off by explaining why downloading the Homemade Camera Podcast will help your love life (9:15) but then move almost directly into 3D Printing and the technologies available to the camera builder. The Korean watchmaker 3 Hands Studio (https://www.instagram.com/3hands_studio/) is mentioned (42:00) and while it is not mentioned on the podcast, his exposed clockwork cameras are very worthy of appreciation (https://www.instagram.com/p/BqeKNXdBvMT/). Ethan talks about his new camera design that is a follow up to the Cameradactyl that was so hugely popular on Kickstarter (45:45). They next discuss metal cutting methods in the goal of developing a 6X12 roll film back for a 4X5 camera (1:04:40) and why laser or water jet cutting might be too expensive for a small batch camera.  In the process, Nick tells us about a Flatter or Top Tool and why you need a big hammer in the tool bag if you want to make a camera. Nick asks Ethan about where the Butter camera that goes with the Buttergrips is (1:19:00) and Ethan tells us about how the Cameradactyl got its colors. Then they talk about why three cars are better than one, or maybe not. Nick’s friend Philip Greene (https://www.flickr.com/photos/philipgreene) has been getting some good results from Harmon Direct Positive (1:34:05). Graham starts rambling on about Lumenography and the Lumenboxes he’s been making (1:42:00). He gives credit to Joterman (https://www.instagram.com/joterman/) and to Nicole Small (https://www.instagram.com/joterman/) for providing inspiration and technical information. The mystery of how Graham and Nick met and how the two of them met Ethan is solved (1:51:00)! The books for this time around: A Lesser Photographer (https://www.amazon.com/Lesser-Photographer-Escape-Focus-Matters-ebook/dp/B07HXNFB1M/ref=sr_1_1?ie=UTF8&qid=1547430667&sr=8-1&keywords=a+lesser+photographer). And Camera Technology: the Dark Side of the Lens (https://www.amazon.com/Camera-Technology-Dark-Side-Lens/dp/0122875702/ref=sr_1_1?ie=UTF8&qid=1547430742&sr=8-1&keywords=the+dark+side+of+the+lens). Nick shouts out to Brian Cuyler (https://www.flickr.com/photos/bbcuyler) on Flickr.

This time around Nick and Graham discuss photographs they have taken and how they inform the cameras that they build and how the cameras that they build allow for photographs that are different from the ones they can take with off-the-shelf models. Nick’s photo is here: https://www.flickr.com/photos/51834204@N07/42317986574/in/dateposted/ Graham’s photo is here: https://www.flickr.com/photos/129971511@N04/41391598034/in/pool-3976524@N23/ Graham starts talking about his point and shoot sheet film camera that he designed and printed though to start he refers to it as a 2-1/4 by 2-1/4 when it is actually 2-1/4 by 3-1/4 (27:30). Nick’s build for this episode is the PinBlad Deluxe, a pinhole camera made from a Hasselblad and an Ilex No. 3 shutter (42:50). Project Save the Scameras from Graeme’s Hammer gets an update (52:00) with Graham’s project of putting an SLR lens on the front of his Olympia. This episode’s book is, The Complete Nikon System: An Illustrated Equipment Guide by Peter Braczko (https://www.amazon.com/Complete-Nikon-System-Illustrated-Equipment/dp/1883403855/ref=sr_1_1?ie=UTF8&qid=1536246746&sr=8-1&keywords=the+complete+nikon+system). Graham corrects a shoutout from the last episode where he gives credit to Panomicron on Instagram for building an XPan type of camera using 3D printing when he should have credited it to Cody (https://www.instagram.com/james__irvin/). It is still worth looking at Panomicron’s work too as he’s building some cool cameras (https://www.instagram.com/panomicron/). Graham was confused as one of Cody’s images appears in Panomicron’s timeline. Also, take the time to look at Ethan from Cameradactyl’s timeline on Instagram as he’s been doing some crazy-fun shit lately (https://www.instagram.com/cameradactyl/). Nick also mentions an image posted by Dirk Fletcher’s ultralight 4X5 camera on our Flickr feed: (https://www.flickr.com/photos/dirkfletcher/44439938251/in/pool-3976524@N23/) Nick also mentions Walker Cameras (http://www.walkercameras.com/) whose website is worth taking a look at.  

  The viewfinder and Scameras. Graham mentions a trip around St. Simons Island where he took a picture (https://www.flickr.com/photos/129971511@N04/36592696526/in/datetaken/) with a camera he hates that got 84,000 views on Flickr for some reason he cannot figure out (1:25) as he and Nick discuss cameras they don’t like. Neither of them likes the Minolta Weathermatic Dual.  Nick talks about issues with parallax in viewfinders (13:45) and the solutions to address the issue in cameras. Graham grabs a couple of cameras off his shelf to verify what Nick says. They take a moment to revel in Voigtlander fandom (20:05) and then get back to business. They move on to SLR through-the-lens viewfinders and their advantages and disadvantages (23:45) along with the advantages of the pentaprism on SLRs (29:30). Some viewfinders have very little information and some have an overload of information and this balance can affect the shooting experience (36:20). They discuss “viewfinder” cameras like the Trip 35, cameras with little or no information in the viewfinder (30:30).  Filter effects are discussed and how to use them without seeing the actual taking image (44:38). They eventually make their way to large format cameras and viewfinder issues with view finding (53:25). Finally, Nick and Graham start talking about how to make, adapt and scavenge your own viewfinders for homemade camera projects (1:02:54). They mention an article in 35MMC about salvaging a viewfinder from a broken camera (1:08:29) (https://www.35mmc.com/01/07/2018/35mm-accessory-viewfinder-budget-conscious-wonders-3d-printing/ With the subject of viewfinders completed, our fearless hosts moved on to poking the bear (Graeme of Sunny 16 Podcast) and his call for the smashing of all Scameras on sight. Nick and Graham (note how OUR Graham spells his name correctly) have responded to this heinous call with a call to action of their own: Modify these cameras into worthwhile photographic tools (1:26:20).    This episode’s book is The Ansel Adams Guide: Basic Techniques of Photography - Book 1 (https://www.amazon.com/Ansel-Adams-Guide-Techniques-Photography/dp/0821225758/ref=sr_1_1?ie=UTF8&qid=1533591609&sr=8-1&keywords=the+ansel+adams+guide) (2:03:55). Graham read one email talked about two Kickstarter campaigns for 4X5 cameras, the Standard (https://www.kickstarter.com/projects/144867732/the-standard-4x5-a-3d-printed-4x5-view-camera) that was ending in just an hour and a half and the Camradactyl (https://www.kickstarter.com/projects/416154634/cameradactyl-4x5-field-camera) that still had 16 days to go as of the recording. Both efforts had reached their goals.  

On this episode of Photo Geek Weekly, Don is joined by Chris Marquardt to dive into the reasons behind a confusing new smartphone sensor design from Sony, the cryptic launch messaging from Nikon about their new camera system, when and why you’d like to use a 4×5 camera (and how to get one inexpensively), and [...]

On this episode of Photo Geek Weekly, Don is joined by Chris Marquardt to dive into the reasons behind a confusing new smartphone sensor design from Sony, the cryptic launch messaging from Nikon about their new camera system, when and why you’d like to use a 4×5 camera (and how to get one inexpensively), and [...]