Podcasts about lcd

Here's the Supporter-only Q&A from June 5th, 2025. All comments and questions are fielded through the supporter service Q&A page. Please consider supporting this channel via monthly support services, tips, or even just by using our affiliate links to purchase things you were already going to buy anyway, at no extra cost to you: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.retrorgb.com/support.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠T-Shirts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://retrorgb.link/tshirts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Recommended List: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://retrorgb.link/amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TIMESTAMPS (please assume all links are affiliate / paid links that pay RetroRGB a commission on each sale.  Even if links are currently not affiliate, I may update them with one, should a partner list that item for sale in the future):00:00  Welcome!00:23  Uses for HD CRT's?:  https://youtu.be/iLkN2AZLBMA05:46  Good audio DAC:  https://amzn.to/4kkTtwO 08:32  Is a new old stock 4:3 LCD worth it?10:30  RT4K through mClassic:  1440p60 EDID Spoofer*:  https://amzn.to/3Eo3t8i  /  Video that shows custom RT4K modelines:  https://youtu.be/Cps00mV9gfQ?t=548 (make one that's 640x480@60)13:27  Extract SCART Audio?16:03  MMCE / PS2:  https://www.retrorgb.com/playstation-2-mmce-setup-demo-livestream.html17:04  Audio for modern & retro:  https://youtu.be/5_ircUCLxeE19:56  CRT Talk & Multiformat Monitor27:06  Uncompressed 4K Capture:  https://www.retrorgb.com/how-to-get-4k60-lossless-captures.html30:16  Mars & Anime Con32:36  Patches to enhance retro games performance35:24  Some consoles don't look right - Fix colors?38:33  Thank you!:  https://www.retrorgb.com/support.html

OnePlus lanza la Pad 3 con pantalla casi 4K, batería gigante y chip Snapdragon 8 Elite  Por Félix Riaño @LocutorCo OnePlus presentó la tercera generación de su tablet, la Pad 3, que estará disponible desde el 8 de julio en Estados Unidos, Canadá y, se espera, muy pronto también en México. Tiene una pantalla LCD de 13,2 pulgadas con resolución 3.4K, batería de 12.140 miliamperios hora, sistema multitarea Open Canvas y el procesador más potente de Android en 2025. Su precio arranca en 700 dólares. En América Latina, especialmente en México y Colombia, donde las marcas de BBK Electronics como OnePlus, Oppo, Realme y Vivo han ganado presencia, esta tablet podría convertirse en una opción destacada. ¿Será suficiente para competir contra el iPad o la Galaxy Tab de Samsung? Pero hay dudas razonables por el precio y limitaciones. La Pad 3 de OnePlus busca captar la atención de usuarios exigentes. Tiene una pantalla de 3.392 por 2.400 píxeles. Eso equivale a 3.4K, que es muy cercano a la resolución 4K que solemos ver en televisores de alta gama. La diferencia, en la práctica, es mínima para el ojo humano. Esta pantalla permite ver detalles finísimos en fotos, leer texto sin esfuerzo y ver películas con alta definición. Además, con una tasa de refresco de 144 hercios, el movimiento es suave, ideal para videojuegos y desplazamiento rápido. Esta pantalla es LCD, no OLED, lo que significa que los negros no serán tan profundos, pero en comparación con otras tablets en este rango de precio, sigue estando entre las mejores. La experiencia visual está respaldada por ocho parlantes distribuidos para adaptar el sonido a la orientación de la tablet. Aun con esas características, la OnePlus Pad 3 genera dudas por su precio. La marca debutó en el mercado ofreciendo tecnología de alta gama a precios reducidos. Esa era su promesa. Pero en esta ocasión, el precio base es de 700 dólares, y si se agregan el teclado y el lápiz, supera los 900. Eso la ubica en el mismo terreno de las tablets premium de Samsung y Apple. Y aquí es donde surgen preguntas. ¿Vale la pena pagar tanto por una tablet que no tiene lector de huellas ni conexión celular? Es decir, no puedes desbloquearla con huella ni usarla con un plan de datos móviles. Además, OnePlus solo promete tres años de actualizaciones del sistema operativo Android, mientras que Apple y Samsung ofrecen más. La pregunta de fondo es: ¿sigue siendo OnePlus una marca “accesible”, o está apostando por otro tipo de usuario? A pesar de esas inquietudes, hay razones para entusiasmarse. La Pad 3 tiene el nuevo procesador Snapdragon 8 Elite, el chip más rápido de Android este año. Está acompañado por hasta 16 gigabytes de RAM, lo que la convierte en una herramienta fluida para multitarea, edición de documentos, dibujo digital y reproducción de contenido multimedia. Y su batería merece una mención especial: tiene 12.140 miliamperios hora. ¿Eso es mucho? Sí. Una tablet promedio tiene entre 7.000 y 8.000. Esta puede durar más de un día completo de uso intensivo. Además, carga del 0 al 100 % en solo 92 minutos con un cargador rápido de 80 vatios. Y si se deja en reposo, la batería casi no se descarga. El sistema operativo Android 15 incluye Open Canvas, una herramienta para dividir la pantalla y tener tres aplicaciones abiertas al tiempo, ideal para quienes trabajan en varias tareas a la vez. Además, la tablet se puede conectar con teléfonos OnePlus para compartir archivos fácilmente y con computadores Mac para controlarlos de forma remota. En México, Colombia y otros países de América Latina, las marcas del grupo BBK han crecido silenciosamente. Aunque el nombre BBK Electronics no es tan conocido por el público, sus marcas sí lo son: OnePlus, Oppo, Vivo, Realme e iQOO. Estas marcas ofrecen celulares, relojes inteligentes, audífonos, y ahora tablets como la Pad 3, con la que buscan entrar a nuevos segmentos. En el mercado mexicano, donde la oferta de tablets premium Android no es tan amplia como en Estados Unidos o Europa, una opción como la Pad 3 puede ser clave. Además, el diseño delgado —solo 5,97 milímetros— y su color azul oscuro metálico le dan un aspecto moderno y elegante. La cámara trasera es de 13 megapíxeles y la frontal de 8. No son cámaras impresionantes, pero son útiles para videollamadas. La Pad 3 también incluye inteligencia artificial en la grabadora de voz, en el editor de notas y en la galería de fotos. Tiene un botón dedicado para el asistente Gemini de Google, y funciones de personalización muy útiles para quienes usan la tablet como herramienta de trabajo o estudio. La OnePlus Pad 3 es una tablet avanzada, ideal para productividad y entretenimiento, con pantalla casi 4K y batería de larga duración. Aunque su precio es alto, puede competir con los modelos más populares. ¿La comprarías? Déjalo en los comentarios y escucha más en Flash Diario en Spotify.Pantalla casi 4K, chip top y batería gigante: así es la nueva tablet de OnePlus. ¿Le gana al iPad?Bibliografía:Bloomberg WIRED Stuff.tv  The Verge Conviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/flash-diario-de-el-siglo-21-es-hoy--5835407/support.

Today's episode of Rock Docs is about "Shut Up and Play the Hits", a 2012 film about the final, uncontroversial, conclusive, never to be reversed ending of LCD Soundsystem directed by Dylan Southern and Will Lovelace. Our guest today is self-professed LCD superfan and New York guy living in LA, film director Luca Morganti. Shut Up and Play the Hits, of course, is about LCD's 2011 retirement show at Madison Square Garden. The documentary features an interview with LCD mastermind James Murphy and journalist Chuck Klosterman, some backstage stuff before and after the show, and James Murphy's French bulldog. And perhaps more Arcade Fire than one would expect or prefer from the vantage point of 2025. Does this era of music and culture hold up? Is it too soon? Is LCD's dramatic conclusion and subsequent reformation the most (or least) interesting thing about the band? When will they finally put out their new album? All this and more in this episode of Rock Docs. Check out the Treble 100 review of "Sound of Silver": https://www.treblezine.com/treble-100-no-52-lcd-soundsystem-sound-of-silver/ Rock Docs is a Treble Media Podcast hosted by David Lizerbram & Andrew Keatts Twitter: @RockDocsPod   Instagram: @RockDocsPod   Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt  

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT This podcast is a bit different, as I am on the other side of the interview table - answering questions instead of asking them. That's because this is the last Sixteen:Nine podcast with me as the host. I've been doing Sixteen:Nine for almost 20 years, and the podcast version for the last nine. I'm retiring. I'm 67 and it is time to slow the hell down. I'm not leaving the industry, entirely. Just dialing back to a few side hustle gigs and other work, working more when the weather gets cold in my part of the world and I'm looking for distractions and extra money that will get Joy and I away from that cold weather for a bit. Think of this as my exit interview, done with my friends in Munich at invidis, who have been longtime content partners and will now edit and manage Sixteen:Nine. This makes me happy, as I didn't want to just stop what I think is a valued part of this business. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Balthasar Mayer: Welcome to the Sixteen:Nine podcast. This is Balthasar Mayer.  Antonia Hamberger: This is Antonia Hamberger.  Balthasar Mayer: We have a very special guest today. He is the bullshit filter of the digital signage industry. He's the head, heart, and driving force behind Sixteen:Nine, one of the rare people who manages to produce a trade publication that makes you laugh and gives you something to learn at the same time. He also keeps the digital signage industry with his beloved industry mixes at trade shows, and he's never afraid to cut through marketing fluff and speak his mind and now he's retiring, and we are very happy to have him here on the podcast. Welcome, Dave Haynes. Thank you.  Dave Haynes: Yes, I was joking. This is the exit interview. It's like leaving a company.  Antonia Hamberger: It is the exit interview, and we were thinking about just turning things around. Your blog is called Sixteen:Nine, and we're now doing the Nine:Sixteen edition. You'll get nine questions where we just let you ramble on a bit about your career, and then you'll get sixteen questions where you'll give us rapid-fire answers. Dave Haynes: Alright, I'm drinking Vice beer because I'm in Munich so this could get salty by the end of it.  Balthasar Mayer: That is our goal to make it salty, and interesting at the same time.  Antonia Hamberger: Dave, you've been doing this blog for 20 years. You've been in the industry for even longer than that. So I guess I'm wondering what made you go into digital signage? How did this happen in the first place?  Dave Haynes: I was in the newspaper industry. I was a daily newspaper reporter. I started in 1979 at the Winnipeg Free Press, and my first job out of school, working for a newspaper, was covering the rock music scene. So my first three years in the newspaper, I was interviewing rock bands like Billy Joel, Ozzy Osbourne, you name it, back in the early 80s, late 70s, just about anybody who was big at that time. I did an interview with them, which was quite interesting. At times, you would get lovely people and sometimes you'd get absolute a-holes, and everything in between.  Antonia Hamberger: Probably also a lot of drunk people, drunk rock stars?  Dave Haynes: Ozzy definitely was impaired, and Billy Joel, he stopped in Winnipeg on the first stop on his North American tour back in 1981 or something and he was just off a plane from New York, he and his band, and they had a press event at a Holiday Inn in Winnipeg, and he was very tipsy. He'd been having cocktails all the way from New York. So that was pretty interesting. I've had a number of those kinds of interviews.  So anyways, then I continued in newspapers for several years, became an editor, and got bored with being an editor in a market where not a lot of bad things happened, and as a journalist, you're not praying for bad things to happen, but they're much more interesting to write about than calm, stable situation. When the newspaper started talking about doing new media, getting into digital, I stuck my hand up and said, I'll do it. So I took the newspaper online in 1995, one of the first North American papers to go online, and did that for four years and reported directly to the publisher and nobody on the executive team, including the publisher, bought into my concerns that this was going to be a problem for newspapers. They just tended to think this was a passing fancy. It wasn't really gonna happen. So, I just got frustrated and left and weirdly went to work for a company called Elevator News Network that was putting digital screens, LCD panels in elevators, office tower elevators in 1999. Very complicated, very expensive. I started out as the GM for Western Canada, but pretty quickly became Vice President of Operations for the whole show. So I was putting screens in 70-story office towers in the elevator shops, in the shafts, and running all the cabling in the elevator shafts, and very expensive, very complicated, and very frustrating because you're dealing with unionized labor. With elevator companies, where they wanted to charge you $250 to stand there and watch you, that sort of thing. So I did that. There was a shotgun merger with another company in the US that was doing that, and I walked off the plank with the rest of the Canadian management team and found myself looking around, going, okay, now what do I do? And I ended up starting my own digital out-of-home media company, putting screens in. Public walkways in the underground walkways at downtown Toronto which was a great idea, but probably ten years too early because I would go to advertising agencies and say, I'm doing this, and they would look at me like… What? Digital out-of-home was just not a thing back then. So I was the dreaded pioneer lying in a field with arrows in my back, having done that. So I didn't make a lot of money out of that, and my wife, bless her, said it would be great if we had an income. So I started working for what is now known as ComQi. At the time, it was called Digital View, and then it became EnQi, and then it became ComQi, and I was a business development person. So I was doing sales and looking around going, how did a guy who used to interview Rock bands become a sales guy for a software company?  But I did that and went over to Broadsign because they offered me more money and then the Great Recession hit in 2008-2009, and that was that was it for salespeople. That company, Broadsign, ran into deep problems at that point. They totally rose back up like a phoenix, and they are a powerhouse now, but at the time, they were in trouble. So that was 2009, and I decided, okay, do I wanna work for somebody else or do what am I gonna do? And I just decided to go out on my own and start just doing writing and some consulting, things like that. But early on, when I was still with Digital View, I decided to just look at the industry and the level of “thought leadership” that was available at the time. It wasn't very good. A lot of it was just nonsensical or badly written, and I thought, okay, I understand this space at this point. I've been doing it for seven years. I know how to write. So I just, for the hell of it, I just started Sixteen:Nine, and never thought that this would be something that would define my career, my later-stage career for many years, and be like a full-time job, and generate real money. So it just happened.  Antonia Hamberger: But we're all glad it took that turn for you, Dave, because I don't think anybody would take you for a good salesperson. I think you're much better off as an editor and publisher. Because you would just say the truth and would probably offend a lot of people. Dave Haynes: That was one of my problems when I was doing business development. If we lost a deal, if I could understand why the target company went in a different direction, I would be fine with it, and I think to be a really good business development person or “salesperson”, you've gotta just want to be a killer. You just wanna win every deal, and it doesn't matter whether you're the right solution, you just wanna win the deal and my mind doesn't work that way. I probably wasn't best suited to it.  Balthasar Mayer: So just to understand, you founded Sixteen:Nine in 2006, and then you went full-time on it in 2009?  Dave Haynes: I wouldn't say by 2009, I was full-time, but I liked doing it every day. But it wasn't necessarily my main thing. It was just something that I'd been doing, and I kept on doing it because I felt, so I had, at that point, I had a following, and it felt something of an obligation to do it. In the first few years, I would have a Google ad on there, and every quarter, I would get like $37 or something from Google ads. But then I started getting questions saying, “Hey, can we advertise on this?” And so I would just get inbound, and that just built up and built up to become inbound. It took a while, but it was all inbound as opposed to me shaking trees. It took a while, and it was like making real money, and it was something that would be a proper income for me. At which point, I was able to back off doing much in the way of consulting or writing for hire and just mostly do Sixteen:Nine.  Antonia Hamberger: For somebody who's been in the industry only a few years, I'm wondering what the industry was like when you first came into it, and what you hoped to contribute? Dave Haynes: It was very embryonic. A few people understood it. When people would ask what I did, and I would tell them digital signage, they would just have to give me a sort of tilted head and say… Huh?   Antonia Hamberger: I still have to explain it on a weekly basis to people outside the industry. So I can't imagine what it was like 15 years ago. Dave Haynes: There are so many more reference cases now, whereas before you would have to say, you might be in a store, and you might see this. Now it's like everywhere. So I just have the digital menus in any quick service restaurant that's digital signage, and posters that you see on the sidewalks that's digital out-of-home/digital signage, and they go, okay, I get it. In those days, it was very expensive. Few people understood it. There were far fewer vendors. A lot of the companies that were providing software in particular were companies that had, in a lot of cases adapted that software from other purposes like broadcast and turned that into something that would also work on as sometimes described a narrow cast, just like narrowly defined network as opposed to something sent out everywhere. It was in those days not well known, not well understood, and I just felt that the writing that was available back in 2006 was a lot of buzzword bingo stuff, crossing the chasm, paradigm shift, all these nonsense phrases out of business books, and I just thought, if somebody's just gotta write something that says, here's this thing, here's why they're doing it, here's what's good about it, here's what I think is problematic and how it could be done better. So, it was a little bit of my, I don't wanna say bully pulpit, but it was a way to express my advice without being mean or anything else..  Antonia Hamberger: Were there any trends you predicted really early on that then became true or didn't?  Dave Haynes: Oh, I saw everything. I would say more than anything else, you could see that whereas in the early stages, it was something that was nice to do, I clearly saw that this was going to be something that was needed to do for a company. It was going to be mission-critical. It was just going to be fundamental to how retailers and other businesses designed a space in the same way that they're thinking about their furnishings, thinking about their lighting, their HVAC system and everything else, they're gonna start thinking about, okay, where does the digital fit?  And in the early days, it was to build a space and then look for empty space on a wall and go, okay, we'll put the screens there, even though in a lot of cases it wasn't the appropriate place to put it. I'd say the other thing was pretty obvious, and I started writing about this in 2011 but I could see LED was gonna come and come hard and start to supplant flat panel displays just because of all the benefits and the flexibility that I have. I invested a lot of time in in the last few years, went to Taiwan and China and everything else to visit factories and really fully understand what it is as opposed to just writing about it and taking what the manufacturers are saying because manufacturers as is their way, their marketing people tend to fledge the facts and play pretty fast and loose with what something is versus what it really is.  Antonia Hamberger: In a lot of cases, they don't even know what it really is.  Dave Haynes: This is true. It's the thing about the digital science industry. A lot of the companies still are run by technical people, engineers, electrical engineers, software developers, and everything else. They're not good marketers. Then they hire people to do their marketing for them, and those people with some notable exceptions, don't understand a damn thing about the space. So they just parrot what their executives say, which is far too technical and people don't understand it, and I always try to bang on people that if you're going to market your product, for God's sake, provide some relevance and context and to use my Canadian term, give me an explanation as to why I should give a crap about this and why should I care?  Antonia Hamberger: I guess that's a thing that a lot of companies in the digital signage space struggle with. Finding those people who want to understand their product on a technical level. But we don't just wanna bash in the digital signage industry because there's a lot of great things in the industry, and. So what's your favorite thing about the industry?  Dave Haynes: If we're talking in technical terms, I am impressed and encouraged and excited by how LED in particular is opening up all kinds of new possibilities to start to think in terms of displays being a building material, being a finish, being the curtain wall glass, being something that's a full exterior of a building. That gets way beyond just this idea of a screen on a wall, which is how this industry was defined for a whole bunch of years.  Thinking about the industry, it's a relatively small industry. Even though we tend to think that it's giant and it's booming and everything else, in pure terms, it's very small compared to most technology industries. But that means you get to know a lot of people all over the world, and there's no shortage of knuckleheads, but I would say by and large, it's full of really great people, and because it's a small industry and it gets together two or three times a year at different events, I've got to know people all over the world and develop friendships with people all over the world that I never do at all in doing other work, which is fantastic. I'm friends with the Invidis folks, and here I am in Munich having a beer.  Antonia Hamberger: Yeah, and we're always glad to have you. But you've also done a lot of trips over the years, right? You went to Taiwan. You visited some display manufacturers last year. Dave Haynes: Yeah, I spent a week in Taiwan in October.  Antonia Hamberger: So what was the best work trip you had during all that time?  Dave Haynes: The best trip I had. I did an extended consulting gig on digital signage for a mobile carrier, a telecoms company in South Africa, and I went down there three times. I never would've gone to South Africa. It's very expensive. It's a long flight and everything else, but I was there for, I think, six or eight weeks, I forget now, and so I spent a lot of time in Johannesburg, Cape Town, and that was absolutely fantastic, and it was just something I never would've done otherwise. I would say the most interesting stuff has been going to Asia just because that's where it all emanates, and I think the second time I went to Hong Kong was when LEDs were really starting to come out. It was kind of a big moment for me in that I don't like to go to tourist places, although all of Hong Kong is really a tourist place, but I like to go off the beaten track, where you don't see all the people with their cameras and everything else and I was just walking in this district and saw over a nightclub entrance, a very large billboard, a LED billboard, that in North America would be a press release. There'd be all kinds of buzz about it, because look at the signs of that.  Antonia Hamberger: In Germany, let me tell you that will be the breaking news, the news of the year.  Balthasar Mayer: Talk of the digital signage town. Dave Haynes: But there, it was just there, and it really told me that, okay, this is where this is gonna go where it just becomes commonplace. Because it was already there, and when you go to Asia, it's way over the top from what I've seen from a distance in China. I've been to China, but I haven't been in several years now, pre-COVID covid where you see entire skylines that've got LED lighting. Whether it's mesh lighting or they've got larger lighting that's illuminating the whole building, but entire skylines that are synchronized. I don't really want that in whatever city I live in with all the light pollution. It looks amazing, but it's not appealing in another way, but China, Taiwan. Hong Kong and Seoul, all those areas really are instructive as to the possibilities, as well as Dubai. But Dubai's just insane.  I don't think that's a marker or an instruction of anything. It's just a crazy place.  Antonia Hamberger: No, it just also has tons of money in that place.  Dave Haynes: The building tires skyscrapers on a change order.  Antonia Hamberger: Dave, was there ever a particular moment when you realized that your blog really has influence, because I know almost everybody in the North American proAV and digital signage industry knows you and reads you. But that has taken a while. So was there a moment when you?  Dave Haynes: Oh, it was immediate. Antonia Hamberger: Yeah? Oh.  Dave Haynes: No. There were a couple of moments. Early on, I said I'd gone from one company, with Broadsign, and I went up to Montreal to do the interview. They'd approached me, and I was walking the hallways, and one guy came around the corner and said, “Oh, Dave Haynes, I read your stuff” and I went, oh, really?  Antonia Hamberger: This is something we still have to achieve still.  Balthasar Mayer: Yes, this is a big goal for us. Did you ever sign an autograph? Dave Haynes: I have signed autographs which is absolutely bizarre. I was asked, can you sign your business card because there's somebody back in the office that'll just be thrilled and I go, really? I don't want to see what's gone wrong in your life, but the big thing that has always stuck with me is the number of times that companies have told me that part of their onboarding process now for new employees is, there's the parking lot, here's your parking assignment, here's this, that's your desk, here's your wifi password, and so on, here are the instructions for healthcare and this and that, but here's what you need to do on a daily basis, you need to subscribe to this thing, and you need to be reading it every day to stay current in this industry. I've had dozens of people tell me that I'm just kind of part of their workplace operations that they've told people as part of learning this business, you need to be reading this every day, and yeah, that's always been really heartening and nice to hear.  Antonia Hamberger: So apart from reading Sixteen:Nine every day, which is an obvious thing to do as part of your daily routine, what advice would you give to someone just entering the industry?  Dave Haynes: Learn it. The flip side of what I was just saying is I'm always astonished at how many people I run into who've been in this industry for ten years or more, and they had no idea about Sixteen:Nine or something else that they're not learning about their industry, and I'm flabbergasted by that. How can you work in an industry without investing any time to learn emerging technologies and trends and everything else?  I would say just invest the time. Make sure you invest the time to read about it and look at things with curiosity, but also with a degree of skepticism because as you guys well know, there's a lot of trade press and a lot of PR that's just cheerleading. It's just shaking the pompoms about, “This is amazing” and “This is world's first” and all that. I've spent 18 years calling bullshit on things that it's not the world's first, and if it is, who cares? It can be the world's first, but it has no business application. It's just eye candy.  So spend the time looking at stuff. Try to get your head past the wow factor and the eye candy side of things because we collectively go to trade shows and we will see people at certain stands, I won't name them, but they're slack jaws staring at this technology there going, oh my God, that's amazing…  Antonia Hamberger: Did I hear the word hologram just now?  Dave Haynes: I didn't say it but…  Antonia Hamberger: I saw you thinking it! Dave Haynes: Yes. It is just thinking about what the business application is, what you're gonna do with it, and get past whether you think it's amazing looking because as I've said for years and years, eye candy and wow factor have very short shelf lives. They're exciting the first time you see it, second time it's eh, third time you just walk right on by it. And that's a lot of money to spend on something that people aren't really paying attention to.  Some of the best digital signage out there. I started using the term boring signage a few years ago. Some of the best digital signage is crushingly boring, but incredibly relevant to the people who are looking at it. Like, how busy is this washroom? Do I turn left or right? Is this lineup faster if I go this way or that way? It's just data, but it's immediately relevant to the people who want to know this. They don't need to see a hologram of somebody dancing or whatever, or pretending they're a security control agent. They just need something saying, “This line over here” because we're using AI to measure or computer vision to measure the density of lineups that this one's gonna take five minutes. The one you're right in front of right now is gonna take you 12 minutes, so they're gonna go to the left, down to the other one, and that's gonna load, balance the venue, which is awesome. It just makes operations better, but for the people who are all about the eye candy, it's not not very exciting. But it works. It beautifully serves its purpose.  Antonia Hamberger: So learn about the industry. Take your time, learning everything you can. Learn about new emerging technologies and don't get wowed too easily by flashy stuff.  Dave Haynes: View everything with a degree of skepticism and a business mindset of, okay, even if this is super cool, would anybody use it, or does this scale? Some of this stuff is amazing. But given the cost of it, there's never gonna be a whole bunch of them. Antonia Hamberger: Balthasar, do you want to throw some rapid fire corners?  Balthasar Mayer: Dave, you ran Sixteen:Nine for almost 20 years. You gave great insights for the industry, and you're giving it over to us at Invidis. I really hope that we can keep up the spirit of Sixteen:Nine. We will try our best. Dave Haynes: You've got big, smelly shoes to fill.  Balthasar Mayer: The smelly part we can do. So we have sixteen rapid-fire questions for you.  Dave Haynes: Sounds like a game show.  Balthasar Mayer: Yeah, it's  in celebration. It's a celebration for you. I have sixteen questions. You try to answer them as rapidly as possible. Since this is your exit interview and your celebration, you are allowed to put one sentence into it. We are not that strict with the rules. We're a little flexible today. Today, on our very first podcast. You need another sip of beer, or are you ready?  Dave Haynes: I'm good.  Balthasar Mayer: Then let's begin. What is your first big thing you do in retirement?  Dave Haynes: Ooh, boring yard work.  Balthasar Mayer: After the show, wine or beer?  Dave Haynes: After what show?  Balthasar Mayer: ISE?  Dave Haynes: That's Spain, so wine. Balthasar Mayer: Infocomm?  Dave Haynes: That'd be beer because it's hot.  Balthasar Mayer: What do you like more: conferences or trade shows?  Dave Haynes: Conferences.  Balthasar Mayer: In conferences, on stage or in the audience?  Dave Haynes: I like both.  Balthasar Mayer: Blog or the newspaper?  Dave Haynes: I'm a newspaper guy. Unfortunately, I love the tactile side of newspapers, but they're hard to find. So if I'm in New York, I'll pick up The Times.  Balthasar Mayer: Hardware or software?  Dave Haynes: Hardware.  Balthasar Mayer: Hologram or MicroLED?  Dave Haynes: MicroLED.  Balthasar Mayer: What was the coolest story you covered in Sixteen:Nine?  Dave Haynes: Oh boy, that's hard to give a snappy answer to.  Balthasar Mayer: You can give the top three because it's the exit interview.  Dave Haynes: I would say going to China, going to Taiwan, and, I always remember the LED billboard that is at 8 Times Square. It was back ten years ago or something in front of the Marriott Marquee in Times Square, they lit up what at that time was the biggest LED board, certainly in the United States, and probably among the biggest in the world and I saw the room where they had all the servers and everything else, and then I was there when they turned the thing on, and that was pretty cool.  Balthasar Mayer: True MicroLED or OLED?  Dave Haynes: They are so different. True MicroLEDs are still in their infancy. OLED is getting a lot better than it used to be. But I still don't see it as a digital signage project product by and large. Balthasar Mayer: I messed up the numbers, but what was the silliest story you covered.  Dave Haynes: Top three allowed. Oh. Most of those, I just don't run.  Balthasar Mayer: We'll change the question. What was the absolute silliest press release you got? Dave Haynes: It's a tie between those Guinness World Records and those with the Frost and Sullivan Awards, which you buy. You don't win an award, you buy a Frost and Sullivan Award.  Balthasar Mayer: But I have to say I love the Guinness World Records stories, but yeah, you're right.  The coolest person in digital signage you interviewed? Dave Haynes: The coolest? Can I say the best interview? That's easier. Chris Riegel, CEO of StrataCash, founder of StrataCash. Sole owner, as far as I know. Insanely smart guy. Very dry sense of humor, but so knowledgeable and so blunt. It inevitably or very reliably was a great interview.  If he talks, people should listen. Balthasar Mayer: We heard about your past. So, what was the best interview you ever had aside from digital signage?  Dave Haynes: Oh, boy, I had a whole bunch of really great interviews when I was doing the entertainment industry. I think one of the ones that always sticks in my mind is Bryan Adams in his very early days, when he was still playing in local nightclubs and not in arenas or anything else. I had a chat with him at our offices. He came up there and he was playing at a local spot, and said, are you coming tonight? I said, yeah, I'll come. Is your wife coming? Yeah, she's gonna come with me, and I said, come and see me, and went up to see him after the first set, he said, did your wife come? I said, yeah and he said, let's go.  So he sat down with Joy and I and friends of ours and shot the shit in between the sets. Super nice guy. I met some rock people who were idiots, but he was among the truly nice people, and that's always encouraging that fame doesn't get to them.  Balthasar Mayer: The most useless digital signage tech you've ever seen?  Dave Haynes: I know I rag on holograms. I do think they have a role. I just think they're overstated in terms of their applicability. Also, robots, screens on roving robots. Those are almost universally pointless.  Balthasar Mayer: A technology you didn't think would make it, but became successful. Dave Haynes: These are hard questions.  Balthasar Mayer: Was there ever a thing you were wrong about or you misjudged?  Dave Haynes: Oh, never!  You know what? The rotating LED rotors, when I first saw them, I thought they were interesting, but those will disappear in a couple of years. To Hypervisions' credit. Hypervision is the company that markets them more than anybody. They've done a great job of marketing their product and getting people excited about it and I have seen instances of it where I think it's really applicable, but I've seen lots of other cases where I just don't get it. I was wrong there that I thought that would just disappear, but they've done a good job.  Balthasar Mayer: You're at fifteen questions now, so here's question #16: Imagine you run a successful trade block for almost 20 years. You were very successful, and are a guiding star in the industry. If you retire, what is better: simple goodbye or emotional farewell??  Dave Haynes: A simple goodbye.  By the time this gets up and listenable, I already have my goodbye post written, and it's me riding off into the sunset on my lawnmower.  Antonia Hamberger: We couldn't top that. That picture of you riding off into the sunset on your lawnmower. We wanna preserve that memory of you.  Dave Haynes: Just imagine a cowboy on an electric lawnmower.  Balthasar Mayer: Nevertheless, thanks, Dave, for all the things you've done from all of Invidis. We'd really try to hold up your flag, and I think it's your time to have the last words.  Dave Haynes: Thank you. I've known Florian and stuff and you guys for quite some time now. Got to not just be industry colleagues and people doing the same work, but friends as well, and when I decided to wind things down, I'm 67 now and at some point you gotta do it or you're gonna be sitting at a computer when you're 85 and trying to remember your name. I think I'm leaving it in good hands. I've got a lot of respect for what you guys do with the yearbook, with your day-to-day stuff, and everything else. It would've been challenging to just have some person come into the industry and try to have a little baptism by fire understanding it, so to have it taken over by people who already know the industry, know the people in it, know the goods and bads, and understand some of the bullshit, that makes it a lot easier to kinda back out of it, and as I've said to you and I said to others, it's not like you'll never see me again, I'm gonna stay in the industry. I just decided I didn't want to do this every day first thing in the morning. I would be better off health-wise to get up, have my coffee, and then do some stretching and go for a walk, and things like that, instead of banging away on a keyboard.  I'll be around, I'll still go to ISE and do other things. I'll probably still do some writing on Sixteen:Nine, but just as a guest editor as opposed to the daily editor. So it's been great, and I think this is gonna work out really well, and I'm excited for it.  Antonia Hamberger: We're excited too. Thank you, Dave.

James and John discuss eBay finds: Power Macintosh G4 with Studio Display, Power Macintosh G3 All-In-One, and SE/30 case with color LCD mod. John digitizes some old Apple VHS tapes revealing the 1984 Macintosh Commercial Epilogue from 1995, and news includes a MacOS software server, and some great retro Mac videos from This Does Not Compute.  Join our Facebook page, follow us on Twitter, watch us on YouTube, and visit us at RetroMacCast.

In this episode of the Digital Signage Today podcast, produced by Networld Media Group, Judy Mottl, editor of Digital Signage Talk, talks with Rob Meiner, a senior solutions engineer with Peerless-AV, about the digital signage project at the Lincoln Park Zoo in Chicago.Peerless-AV's discussions with the zoo revealed the zoo wanted to boost its visitors experience as well as provide more engaging content. Peerless-AV designs and manufactures outdoor displays and TVs, dvLED and LCD video wall systems, integrated kiosks, professional carts and stands.The zoo's indoor Searle Visitor Center installation included four 75-inch Samsung landscape displays and Peerless-AV SmartMount Universal Flat Wall Mounts and a 55-inch Samsung display with a Peerless-AV Smart Mount Universal Flat Wall Mount.The outdoor East Gate area installation included three Peerless-AV Smart City Kiosks with 55" Xtreme High Bright Outdoor Displays fixed to concrete pedestals. Each was equipped with a Wi-Fi antenna and a BrightSign media player. There are also Two Peerless-AV 75-inch Xtreme High Bright Outdoor Displays (XHB754) with Outdoor Flat Wall Mounts.Meiner shares insight on the deployment of digital signage and kiosks from placement strategy to the challenges an outside installation presents.

Plasma-TVs galten einst als das Nonplusultra für Heimkino-Enthusiasten. Doch warum sind sie heute fast ausgestorben? In dieser Folge des Elektrotechnik Podcast erkläre ich Dir die Technik hinter den Plasmafernsehern, warum sie tiefstes Schwarz und höchste Kontraste liefern konnten und weshalb sie trotzdem von LCDs und OLEDs verdrängt wurden. Außerdem: Gibt es sie noch heute? Und wenn ja, wer nutzt sie noch?

fWotD Episode 2933: IMac G4 Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Friday, 16 May 2025, is IMac G4.The iMac G4 is an all-in-one personal computer designed, manufactured, and sold by Apple Computer from January 2002 to August 2004. The computer is comprised of a hemispheric base that holds the computer components, including the PowerPC G4 processor, with a flatscreen liquid-crystal display (LCD) mounted above. The display is connected to the base via an adjustable arm that allows the monitor to be tilted and swiveled.Apple's previous release, the iMac G3 (1998), was a commercial success for Apple at a time when the company was close to bankruptcy. As component prices fell, Apple began envisioning a replacement based around an LCD instead of the G3's bulky cathode-ray tube. The resulting iMac G4 took two years to develop. The new iMac's shape was inspired by a sunflower, with Apple's design team exploring different ways of attaching the monitor to the base before settling on a single stainless steel arm. The iMac G4 eschewed the colorful translucency of the iMac G3 in favor of opaque white.The iMac G4 was announced at the Macworld San Francisco trade show on January 7, 2002, and began shipping that month. The model was updated over the years with faster internal components and larger LCDs. The iMac G4 was a critical and commercial success for Apple, selling more than 1.3 million units in its first year and roughly 3.1 million units alongside the eMac in its lifetime. It was succeeded by the iMac G5 in 2004, which replaced the G4's bold design language with a more conservative look that would influence later iMac models.This recording reflects the Wikipedia text as of 00:31 UTC on Friday, 16 May 2025.For the full current version of the article, see IMac G4 on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Ivy.

Need a quick refresher? 1 pager review document:https://docs.google.com/document/d/1cC8abC9_Dv5l7LhuY7XxW3wpbVKZPMl1e9NiFUrE8Pk/edit?tab=t.0We talk about all the display technologies commonly seen today! We start with backlit displays (LCD, Micro LED, QUANTUM Micro LCD) and then move onto non-backlit displays (OLED, AMOLED, WLED, QLED) and their pros and cons! We also discuss the TRUE CRAB (Mini LED)Crab Analogy: https://www.youtube.com/watch?v=TyUA1OmXMXA&t=491sOther Source: https://www.youtube.com/watch?v=_ubwkG7uCFAThank you so much everyone for all your support (even though I unconsciously switched to a monthly release for two episodes =))And NO that is not a double chin. =) is the emoji and ) is the closing parenthesis – so we get =))

隨著時間推移，台灣科技產業也紛紛進入了接班與轉型的關鍵時刻。 以全球最大的 LCD 背光模組廠——瑞儀光電為例，這家公司同時也是 iPad 背光模組的主要供應商，在創辦人王本然意外受傷後，王昱超臨危受命，毅然決然結束了Amazon的工作返台接掌家業。他能否借鏡 Amazon 的工作文化，推動企業內部的創新與變革？ 而面對產業轉型的浪潮，王昱超為何積極併購芬蘭光學公司 Nanocomp 及丹麥光學公司 NILT？在超穎透鏡（metalens）的深遠佈局之中，他還有哪些挑戰必須克服？ 主持人：天下雜誌總主筆 陳良榕 來賓：瑞儀光電董事長暨總經理 王昱超 製作團隊：李洛梅、劉駿逸 ＊免費訂閱《胡說科技電子報》，讓你站在台灣科技發展的最前線>> https://bit.ly/3CJbm86 ＊預約加入天下官方line，了解更多《兩千大調查》：https://maac.io/3xSoE ＊重新認識比爾蓋茲，看見他不為人知的一面，訂閱天下再享閱《原始碼》>> https://bit.ly/3CHBu30 ＊意見信箱：bill@cw.com.tw -- Hosting provided by SoundOn

A Skype ma végleg leteszi a kagylót Hétköznapi hálózaton száguldoztak a kvantumtitkosított adatok Nagy változásra készül az Apple az iPhone-oknál Akár Magyarországra is zuhanhat az öreg, szovjet űrszonda Musk úr, mikor megyünk a Tau Cetire? OLED gyilkosnak nevezett LCD tévével lépett elő egy kínai cég Nem engedi el a kínai piacot az Nvidia Az amerikai és az európai hatóságoknak ugyanaz a bajuk a Google-vel Óriásit lépett előre grafika terén a Windows ingyenes, nyílt forrású klónja Zebradániók oktatják a robotokat, hogyan kell rajban mozogni Orosz hekkerek próbáltak meg beavatkozni a romániai elnökválasztásba Jönnek az emberi robotok: már 2030-ban eláraszthatják a világot Szakadt ruhában végzett űrsétát a NASA űrhajósa A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

A Skype ma végleg leteszi a kagylót Hétköznapi hálózaton száguldoztak a kvantumtitkosított adatok Nagy változásra készül az Apple az iPhone-oknál Akár Magyarországra is zuhanhat az öreg, szovjet űrszonda Musk úr, mikor megyünk a Tau Cetire? OLED gyilkosnak nevezett LCD tévével lépett elő egy kínai cég Nem engedi el a kínai piacot az Nvidia Az amerikai és az európai hatóságoknak ugyanaz a bajuk a Google-vel Óriásit lépett előre grafika terén a Windows ingyenes, nyílt forrású klónja Zebradániók oktatják a robotokat, hogyan kell rajban mozogni Orosz hekkerek próbáltak meg beavatkozni a romániai elnökválasztásba Jönnek az emberi robotok: már 2030-ban eláraszthatják a világot Szakadt ruhában végzett űrsétát a NASA űrhajósa A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

We look at the NeoRuler from Hozo. See more about the product on their website here. NeoRuler from HOZO reviewed This ruler works well, but it is probably one for in the office, rather than onsite, simply because you wouldn't want to trash it by getting lime, cement or paint on it. This product is the result of a kickstarter campaign which is in some ways a positive validation for the product's existence at all. It has been created because it bridged a gap in the market and it is being bought and used by those who feel it will help them in their work. With the customer reviews on the website at first they seemed slightly unrelentingly positive, but, by page two, you realise many are written by people who supported the kickstarter campaign. This is actually perhaps more honest and preferable, in that, if you need a tool to do a job like this, then it is the right tool for you. This is not intended to be circular logic but rather that you will probably know if this is the right tool for you. More information about the NeoRuler Step into the future of measuring with Neoruler, where advanced technology combines with sleek design for an unparalleled measuring experience. With 93 built-in scales, you'll have a variety of options at your fingertips for any task. Need to work with non-standard or misprinted plans? No problem - set custom scales easily to suit your unique needs. Dividing measurements into 2-12 equal sections is now effortless with clear LED indicators guiding the way, removing the hassle of manual calculations. The digital LCD screen ensures crystal-clear, accurate readings, with a precision of 0.004 inch (0.1mm), so every detail counts. Plus, the free MEAZOR App lets you record and export your results seamlessly, ensuring your measurements are always at your fingertips. 93 built-in scales, including US standard engineer and architecture scales. Custom scales for specific projects, ideal for misprinted or unscaled plans. Effortless dividing of measurements into 2-12 sections with LED indicators. Clear, accurate readings with a precision of 0.004 inch (0.1mm) on a digital LCD screen. Free MEAZOR App for easy recording and exporting of results. Basic Specs Range: 12 in (305mm) Accuracy: 0.004 in (0.1mm) Battery: 1000mAh rechargeable Li-ion (45-day standby, 12-hour continuous use) Display: 1.14" Backlit True-color LCD Display Resolution: 240ppi Dimensions (L, W, D): 131.70.39 in (330x43x10 mm) App: MEAZOR APP 2.0 (available for Android and iOS, Phone & Tablets) Award-Winning Design NeoRuler, winner of the iF Design Award 2024, redefines precision measurement with its revolutionary modular digital design. Unlike traditional rulers with fixed markings, NeoRuler displays all measurements and functions digitally on an LCD screen, delivering unmatched accuracy and convenience. Its innovative slide bar system allows any point to be the starting point, while seamless unit switching, non-standard scale calculations, and fraction conversions eliminate the limitations of conventional tools. With 93 built-in scales and customizable options via the app, NeoRuler is a game-changer, offering global compatibility for professionals across industries. See more product reviews here. More about Irish Tech News Irish Tech News are Ireland's No. 1 Online Tech Publication and often Ireland's No.1 Tech Podcast too. You can find hundreds of fantastic previous episodes and subscribe using whatever platform you like via our Anchor.fm page here: https://anchor.fm/irish-tech-news If you'd like to be featured in an upcoming Podcast email us at Simon@IrishTechNews.ie now to discuss. Irish Tech News have a range of services available to help promote your business. Why not drop us a line at Info@IrishTechNews.ie now to find out more about how we can help you reach our audience. You can also find and follow us on Twitter, LinkedIn, Facebook, Instagram, TikTok and Snapchat.

Bienvenue depuis la belle Alicante en soleil plein ! 

La love room est en train de devenir un incontournable dans le paysage de la location courte durée… mais beaucoup se lancent sans comprendre les vraies règles du jeu.Positionnement marketing flou, sites peu optimisés, visuels maladroits, manque d'upsells pensés dès la réservation : les erreurs sont nombreuses.Dans cet épisode, Sammy et Maxime décryptent tout ce qui fait (ou casse) la rentabilité d'une love room. On parle pricing, expérience client, taux d'occupation, packs romantiques, massages, balnéo, et surtout… comment traduire tout cela dans un site de réservation qui donne vraiment envie de réserver.

Et si on se lançait dans la location courte durée ??? Après avoir : ➡ passé pas mal de nuits dans différents logements  ➡ échangé avec plein de propriétaires satisfaits ➡ bossé avec des coachés de notre programme Ascension Immo sur leur projet  On se rend bien compte des avantages de ce mode d'exploitation : ✅ Rentabilité boostée  ✅ Une plus grande maîtrise sur son bien ✅ La possibilité de créer quelque chose de beau ✅ Les rencontres... Mais on garde aussi clairement à l'esprit les désavantages : ❌ Le gros travail de mise en route  ❌ La charge mentale  ❌ Les risques de tomber sur de mauvais voyageurs (ou une intervention du GIGN) ❌ L'instabilité des revenus... Bref, il y a beaucoup de pour et de contre ! Dans cet épisode, on vous révèle si on est prêts ou non à se lancer dans ce type d'exploitation. On vous y partage les 3 options qui existent aujourd'hui pour réaliser ce type d'investissement en Belgique. Bonne écoute ! www.money-mindset.be 

This is The Digital Story Podcast #996, April 22, 2025. Today's theme is, "Night and Twilight Photography." I'm Derrick Story. Opening Monologue Daylight is great. The bulk of my photography happens when the sun is shining. That's also true for everyone else, however. So when I want to create something that's unique, and eye-catching, I wait for the sun to dip below the horizon. That's when the drama begins. I share some of my favorite tips for night and twilight photography on this week's TDS Photography Podcast. I hope you enjoy the show. Glow, then choose Orton Effect in the submenu. Be sure to turn on Advance Settings to control softness, brightness, and warmth of the effect. Aside from being a terrific standalone app, Luminar is a powerful editing extension for Photos as well. The Orton Effect does a great job of counteracting digital over sharpening giving your night shots that magical look. Twilight Photography My favorite post-sunset shots are often while there's still color in the sky. I like the oranges and blues. And a great technique this time of evening is to work with silhouettes. For example, if you're in a popular place where folks are photographing the sunsets, such as Hawaii, step back from the crowd and get the people, trees, and other objects silhouetted against the colorful sky. It's often a far more interesting picture. Combining Live Photo and Night Mode This is a great technique if you have water in the scene. I combine Night Mode with Live View Long Exposure. Make sure Live View is turned on in the Camera App for the iPhone, then in Photos, choose Long Exposure from the Live menu. The effect can be quite impressive, especially considering that this is a handheld long exposure at night. Then apply the color correcting techniques I discussed earlier, plus a little Orton Effect, and you'll have a real winner. Live Composite on Olympus Cameras Live Composite is a high-tech version of Bulb mode, where the shutter stays open for an extended period of time, but you can watch the picture unfold before your eyes on the camera's LCD screen. This is particularly nice when you have moving lights in the scene. Begin by setting the camera to Bulb Mode. Then you can navigate to Live Composite. On the OM-3 you use the rear dial. Make sure the camera is steady, set your parameters, and watch the magic appear. Final Thoughts As much as I like the people and daytime landscape shots from Maui, I'm also loving the magic the twilight and night shots bring to the library. Camera Industry News Japan's 2025 CP+ Camera Show Got Even Bigger on PetaPixel.com. Two of the best-looking cameras ever made take home trophies at TIPA World Awards on DigitalCameraWorld.com. Virtual Camera Club News TDS Photography Workshops! Reserve your spot now. We have an exciting slate of online and in-person events. If you have any questions, use the Nimble Photographer Contact Form. I will get back to you ASAP. New Workshop!: Route 66 Photography Workshop led by Rob Knight, starting on Oct. 16, 2025. Join pro photographer and Route 66 explorer Rob Knight to explore the "mother road" this October. We will be based in Winslow and Kingman, Arizona, putting us right in the middle of the action. The stretch of Route 66 through northern Arizona contains many of the most iconic spots that still exist from the heyday of American car culture. We will visit towns along Route 66 like Seligman, Oatman, and Williams, Arizona. Along the way, we will explore and photograph the roadside attractions that made Route 66 so legendary. New Workshop!: Sony Creative Master Class led by Rob Knight, starting on May 8th, 2025. This all-new class is designed to help you make the most of your Sony camera. We will dive in to the features, custom functions, menus, and MORE. Each online class will include presentations and tutorials based on years of professional photography experience using various Sony cameras and lenses, PLUS plenty of time for your questions about the system. Workshop Updates! Creative Camera Techniques led by Derrick Story, starting on June 5, 2025. In addition to the full slate of goodies I have planned for iPhone photographers, Fuji cameras, Nikons, and more, I'm adding creative techniques for the new OM System OM-3. Photographers will be able to pick and choose techniques based on the camera system they shoot with. Sonoma County Autumn Adventure Workshop, led by Derrick Story, starting on Nov. 4, 2025. We will be returning to Safari West African Wildlife preserve, and visiting the world famous Coppola Vineyard, home of amazing wines, rolling vineyards, Academy Awards, an authentic Tucker car, and more. You can reserve your place of each of these events by visiting our Workshops Page. Schedule a My TDS Moment Recording Session If you want to participate in our 1,000th Podcast Celebration, here's how it's going to work. I've set up a Meeting Calendar for Friday appointments. If there's an open slot, you can sign up for it. On that date, we will connect via Zoom and I will record your TDS Moment. I hope you can join us in the festivities! The Nimble Photographer Newsletter is now publishing every Thursday. Readers will enjoy a variety of content spanning from short photo essays, to commentary on weekly events, to reviews of the latest and coolest photo gear. Inner Circle Members: A big thanks to those who support our podcast and our efforts! We are having a blast at our new Inner Circle hangout, the private group I've set up at DerrickStoryOnline. We'd love it if you join us. You can become an Inner Circle Member by signing up at our Patreon site. You will automatically be added to the new hangout. Great Photography Articles on Live View - If you check out our publication and appreciate what you see, be sure to follow us and clap for those authors. You can find us at medium.com/live-view. If you're interested in writing for Live View, drop me a line at dstory@gmail.com. The New Donation Kit for Carefree Shipping of Found Film Cameras - If you've discovered a film camera that's no longer being used, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on

Professionnalise-toi ou meurs ! C'était vrai dans l'épisode #1, c'est encore plus vrai aujourd'hui.Sammy et Maxime reçoivent Élise Ripoche, organisatrice du Salon de la location saisonnière, et définissent ensemble les 10 règles d'or à respecter pour performer durablement en location courte durée. Une discussion riche, sans langue de bois, qui remet à plat toutes les croyances encore trop répandues dans le secteur.Répondre à la demande du marché (et pas à ses envies), pratiquer un revenu management rigoureux, optimiser son annonce comme une vraie page de vente, diversifier ses canaux de réservation… Chaque commandement est l'occasion de partager des retours terrain concrets, des exemples vécus, des erreurs fréquentes à éviter, et des conseils actionnables pour booster sa rentabilité.Ce tour d'horizon met aussi en lumière des leviers souvent sous-estimés, comme la nécessité de toujours anticiper les galères ou encore de rester en veille sur la réglementation. Car une chose est sûre : en 2025, il ne suffit plus de “faire de l'Airbnb” pour que ça marche. Il faut piloter son activité comme un véritable business.

It's been 16 frigid months since our last all-intro episode, but now we're pulling the ice tray out of the freezer and offering you another cube of cold opens, covering everything from surge protector safety to thermal paste application methods, stacking storage bins without crushing them, the crazed monitor murderer who's struck again, artifacts of our very early careers, an intensive Weird Al lyrical breakdown, a little paean for Zachtronics, and how not to forget about obligations that might get you arrested. Support the Pod! Contribute to the Tech Pod Patreon and get access to our booming Discord, a monthly bonus episode, your name in the credits, and other great benefits! You can support the show at: https://patreon.com/techpod

The gaming landscape shifted dramatically this week with Nintendo's long-awaited announcement of the Switch 2, setting the stage for what promises to be one of the most significant console launches in recent memory.After years of speculation, we finally have concrete details about Nintendo's next-generation hybrid console: a 7.9-inch LCD screen capable of 1080p resolution in handheld mode and up to 4K when docked, with support for frame rates up to 120fps and HDR implementation. What's particularly exciting is Nintendo's partnership with Nvidia to incorporate DLSS technology, enabling AI-powered upscaling that delivers stunning visuals without sacrificing performance - a crucial advancement for a portable system.The biggest surprise wasn't the hardware specs but rather the ambitious reimagining of the Mario Kart franchise. Mario Kart World transforms the traditional circuit-based racing into an expansive open-world experience where players can freely explore interconnected environments, participate in various race types, and discover shortcuts throughout a seamless landscape. The return of the iconic feather item from the SNES era adds another layer of nostalgia-meets-innovation to this flagship launch title.Beyond Mario Kart, we dissect Nintendo's smart approach to backward compatibility, with enhanced versions of beloved titles like Breath of the Wild and Tears of the Kingdom receiving dedicated Switch 2 editions with improved performance and additional content.Send a Text Message to The Game Junction Podcast we may read live!NYXI Gaming - NYXI Wizard GameCube Wireless Joy-pad for Nintendo Switch. Use code "gamejunction" for 10% off!PWRUP Grip 2Use code "GameJunction" for 10% off.Launch Your Own Podcast Now - BuzzsproutStart for FREE with our affiliate link.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showLive on YouTube, TikTok, & Twitch Fridays @ 8 PM EST YouTube Channels @GameJunctionMedia @BrandonHurlesYT @TheJunctionNetwork All Socials: https://linktr.ee/GameJunctionFacebook: https://www.facebook.com/GameJunctionInstagram: https://www.instagram.com/GameJunctionMediaTikTok: https://www.tiktok.com/@GameJunctionMediaDiscord: https://discord.gg/gamejunctionTeespring: https://my-store-dcccac.creator-spring.com/Patreon: https://www.Patreon.com/GameJunctionMediaBonfire Merch: ...

*** Ep. 97: "Maggie Valley... Just the Tip!" Drops at noon tomorrow! ***Wow, we were surely on a roll!Episodes every two weeks - and we even got our 8.5 listeners all the way back!!So... what do we do?We disappear for a month and a half, in true LCD fashion!Welp - y'all go right around and pull up a chair, and listen as we jump right into a PRE-pre-preview episode of the Maggie Valley Minitruckin' Nationals!We talk all sorts of fun stuff on this episode. Broken compressors, caribou KitKats, blowing motors, abandoning Shay, new Maggie Valley/LCD shirts and stickers for this year ... and we even phone a friend about IDI Diesels!If you have 2 hours and change to burn, join right in and sit a spell! We'd love to have ye!(NOTE: This isn't the OFFICIAL preview episode... BUT... we wanted to talk Highway 19 just a bit in case we can't get back together to do a recording justice!)

Press XJoin the Press X Discord: https://discord.gg/MAXtvmv2rw Topics:Doug Bowser explains why Switch 2 costs $150 more than Switch: 1) "a lot of improved features" with Joy-Con 2, LCD screen, and CPU/GPU processing power, and 2) the social features like GameChat - CNBC Video“the Super Mario Bros. 2 movie” will be released next March (movie hasn't been described as a “2” before)Bowser offers iffier quote about price to CBC that went viral https://www.cbc.ca/news/entertainment/nintendo-switch-2-price-tariffs-1.7503598Doug Bowser claims tariffs "weren't factored into the pricing" of Switch 2, but Nintendo is "actively assessing" the situation - Wired (non-paywall) / (gives lots of similar non-answers to NPR too)Doug Bowser explains the $80 price for Mario Kart World Washington Post (non-paywall)Switch 2 Joy-Con controller was designed "from the ground up" but doesn't use Hall sticks https://www.engadget.com/gaming/nintendo/nintendo-says-the-switch-2-joy-con-controllers-dont-have-hall-effect-thumbsticks-145541771.htmlNintendo Switch 2 Welcome Tour is $9.99; BotW & TotK Switch 2 upgrades are also $9.99 each https://www.ign.com/articles/our-big-nintendo-switch-2-interview-with-nintendo-of-americas-bill-trinenSwitch 2 carts still taste bad on purpose https://www.gamespot.com/articles/switch-2-carts-still-taste-bad-designed-purposefully-to-be-spat-out/1100-6530649/Switch 2 eShop will have no music either; Switch 2 has no achievementsBuilds for old or canceled Switch games have leaked, apparently including Retro Studios' canceled music RPG, Project Harmony https://nintendoeverything.com/cancelled-nintendo-switch-games-leaked-online-with-footage-of-scrapped-retro-studios-game-ridge-racer/Xbox Game Showcase set for June 8, followed immediately by The Outer Worlds 2 Direct https://news.xbox.com/en-us/2025/04/09/xbox-games-showcase-2025-outer-worlds-2-direct/ Questions from Discord: 

Want to share your feedback? Send us a message!Dr. Kathleen Scaler Scott, Ph.D., CCC-SLP, BCS-SCF, joins host Sara MacIntyre, M.A., CCC-SLP, for an in-depth discussion on the assessment and treatment of cluttering. In this episode, Dr. Scaler Scott breaks down the differential diagnosis process using the LCD definition, provides a comprehensive overview of assessment and treatment, and shares clinical examples and key considerations along the way. Packed with practical insights, this episode will leave listeners feeling more confident and ready to apply what they've learned immediately.Tip: For additional background, check out a Season 6 episode "All Things Cluttering with Dr. Kathleen Scaler Scott" Resources:'All Things Cluttering with Dr. Kathleen Scaler Scott,' Stuttering Foundation Podcast Episode [referenced in episode]'The Cluttering Experience' Rutger Wilhelm Stuttering Foundation Podcast Episode'Cluttering: Expanding Evaluation & Treatment' Virtual Learning Session'Cluttering: Shared Experiences' Virtual Learning SessionCluttering Conversations PodcastASHA Leader Article: Debunking Myths About ClutteringKathleen Scaler Scott, Ph.D., CCC-SLP, BCS-SCF, is a practicing speech-language pathologist, Board Certified Specialist in Stuttering, Cluttering and Fluency, and Professor of Speech-Language Pathology at Misericordia University. She has been a practicing clinician for 30 years in hospital, school, and private practice settings. Dr. Scaler Scott's research interests are largely in cluttering, atypical disfluency, and child language and literacy disorders. She has spoken nationally and internationally and authored peer reviewed articles, book chapters and books on the topic of fluency, literacy and pragmatic challenges. She was the first Coordinator of the International Cluttering Association, and is the recipient of the 2018 Deso Weiss Award for Excellence in the Field of Cluttering, and the 2018 Professional of the Year award from the National Stuttering Association. In 2020, Dr. Scaler Scott received the Judge Max and Tillie Rosenn Excellence in Teaching Award from Misericordia University. In 2022, she became a Fellow of the American Speech-Language-Hearing Association.She is co-editor of Cluttering: A Handbook of Research, Intervention, and Education, co-author of Managing Cluttering: A Comprehensive Guidebook of Activities, author of Fluency Plus: Managing Fluency Disorders in Individuals with Multiple Diagnoses and co-author of the recently released Second Edition of the Source for Stuttering and Cluttering. She is also co-founder and co-host of the podcast Cluttering Conversations, a free podcast available on SoundCloud. 

In this travel-prep-focused episode of AwesomeCast, Michael Sorg, Dave Podnar, and Zach Rizza get geeky about all things tech and production as Sorg prepares for a massive livestream event at SAE Aero Design West in California. From wireless HDMI gadgets and Pelican cases to Nintendo's shocking Switch 2 reveal, the team dives into the logistics of pro-level field production and the nerd-worthy new gadgets catching their eye. Plus, exclusive commentary on Nintendo's new game announcements, including open-world Mario Kart and Kirby Riders!

In this travel-prep-focused episode of AwesomeCast, Michael Sorg, Dave Podnar, and Zach Rizza get geeky about all things tech and production as Sorg prepares for a massive livestream event at SAE Aero Design West in California. From wireless HDMI gadgets and Pelican cases to Nintendo's shocking Switch 2 reveal, the team dives into the logistics of pro-level field production and the nerd-worthy new gadgets catching their eye. Plus, exclusive commentary on Nintendo's new game announcements, including open-world Mario Kart and Kirby Riders!

We're hot off the heels of the Nintendo Switch 2 Direct where an absolute ton of information was dropped about the much anticipated console. In this episode, we'll be recapping and sharing opinions about the hardware, games, and controversies surrounding the Switch 2 - including some information that Nintendo has since dropped on websites and other videos.The Nintendo Switch 2 is set to release on June 5, 2025. Featuring a larger 7.9-inch 1080p LCD screen, HDR support, and up to 120fps gameplay, this console promises stunning visuals and smooth performance. With 256GB of internal storage, magnetic Joy-Con 2 controllers, and innovative features like GameChat for real-time voice and video communication, the Switch 2 is designed for immersive and social gaming experiences that try and mimic old school couch co-op. Launch titles include a collection of first-party and third-party offerings including: 'Mario Kart World,' 'Elden Ring,' 'Hades 2,' and much more.

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT The UK-based research and advisory firm Futuresource Consulting sends a big team every year to the ISE trade show in Barcelona, and then a few weeks later releases a big report that serves as a technical recap for the pro AV community - both for people who could not attend, and for people like me who did, but didn't have anywhere near enough time to see everything. The 2025 report is out now and the good news is that it is a free download - a departure for a company that produces detailed reports that are typically paywalled and tend to cost at least four figures. In this podcast, I chat with Ted Romanowitz, a principal consultant focused mainly on LED, and Morris (or Mozz) Garrard, who heads the pro displays file and looks more at LCD and OLED. We get into a bunch of things in a too-short 30 minute interview. You'll hear about mass-transferred Chip On Board tech. Where Chip On Glass, also known as MicroLED, is at. And we also get into LCD, OLED, e-paper and projection. Have a listen. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Ted and Morris, thank you for joining me. You guys are from Futuresource Consulting.  Every big trade show, like an ISE or an Infocomm and some other ones as well, but those are the ones I'm most familiar with, Futuresource sends a whole bunch of people to these shows. I'm curious how many people at Futuresource are on the pro display file, and why do you go to trade shows like ISE?  Morris Garrard: Dave, I'm glad to jump in. Thank you again for your time today, and looking forward to tossing with you. Overall, we took nearly 20 analysts and business development people to ISE which shows Futuresource's commitment to the trade show and our clients, specifically the Pro AV, we took four analysts, and I'm on the consulting and advisory side, so we had a really good representation across all the technologies: projection, flat panel, interactive, and LED.  I assume the reason that you go is it's a very efficient way to see a whole bunch of new stuff and touch base with a whole bunch of companies under one roof in a matter of days. Morris Garrard: Oh, absolutely. For me, it's just always, you walk in and you hit that Hall 3 where a lot of the display companies are, and it's just. Like that first impression you go, oh my gosh, here we are. How am I gonna do all this?  It's always nice. I always start at the Lang booth because they always do a nice job of having that big wow something right there at the major intersection. Yeah, they've done well with that. One thing about Futuresource is that the great majority of the material you put out is understandably paywalled. That's your business, you're producing subject matter expertise reports and selling them. So I'm always a bit curious about a complete 180 with these post-show reports. They're very detailed, there are many pages, and it's almost boy, that's more than you needed to do. Morris Garrard: Yes, I think it's, this year was something between 40 and 50 pages to cover the many, different areas of our practices, but, yeah, we think it adds value to our clients to see the latest and greatest, what's happening and not just a reporting of this product announcement or that product announcement, but it provides the context of what's really happening the undercurrents and the, big stories, the technology transitions, if you will, that are happening that are driving shifts in the industry. That kind of helps us open doors with clients to have deeper Engagements with them based on our unique insights.  Ted Romanowitz: I think just to add to that as well is we don't produce these show reports solely for the benefit of our clients. We also work with an extensive research network that benefits from these show reports, as well as other industry bodies that we work with, like trade associations, for example, and our channel partners as well.  It's a way, obviously, that you're getting driving awareness of the sort of work that you guys do and what is possible behind the paywall.  Ted Romanowitz: Exactly that. Yeah. It's a brilliant opportunity to raise our profile and also to raise the profile of the analysts working within these product sectors as well. So we're already four minutes in, and I've got about half an hour to chat with you guys. So we should dive straight into some of what you saw and came away with, and I would say that the biggest thing is probably LED in the context of pro display, anyway. So let's skip past audio and some of those other areas. You talked a lot in the report about mass transfer chips on board. Can you, first of all, describe what that is? Because we're in an industry that's overwhelmed by acronyms and why they're important, and what's the distinction? Why are you saying mass transferred when you're processing COB with mass transferred? Ted Romanowitz: Yes, and not only are there a lot of acronyms, Dave, but the problem is that terms are being misused, and I've heard you talk about that a little bit. It's a really strategic inflection point that's happening right now, literally right in front of our very eyes at ISE, where you're shifting from packaged LED technologies that have driven the industry for 20 years where the LED: red, blue, green are packaged and then picked and placed onto a PCB. That's shifting to package list technologies where the individual chiplets are red, blue, and green and are being mass transferred. So instead of one pixel at a time, they're doing thousands, and when you think about it in context, a 4k display is over 8.2 million pixels. So if you can transfer thousands at a once instead of one by one, you save a lot of time, and so this package list technology is like a chip on board where the backplane is a PCB and it's a passive driver and then chip on glass or what we call micro LED. Truly micro LED, that is, sub-100 micrometers mass transferred onto a TFT black backplane with an active driver. So at ISE, you saw this crazy tidal wave, I'm going to go with that term, this crazy tidal wave of companies that are announcing COB, and the biggest thing is that they're coming to the fruition of manufacturing processes so that they can mass transfer instead of pick and place. So the cost is going to be a lot less to make them, first of all, because you don't have to package first, then pick and place, and then secondly, because you can mass transfer.  So we expect, and this is going to, within maybe the next 12 months following, this could drive up to a 50 percent decrease in the ASPs, average sales price of 1.5 millimeters and below. It's just truly amazing. We've been hearing about this for several years, Futuresource has been writing about it, and now it's happening right before our eyes.  With COB, there are other inherent advantages as well, right? The first one would be that as they're manufactured, the finished modules have some sort of protective coating on them. That's just fundamental to how they do them, right? Versus SMD, it's the older school packaged LED displays where they're unprotected unless they've got this glue on board coating, and they're more prone to damage.  Ted Romanowitz: Yes, exactly, and those processes have been perfected over the last two to three years. So not only can you do a nice job of encapsulating it, but they can repair the LEDs as well, even after encapsulation.  So that's a major thing that's happening, and one of the things that I saw at the show was i5LED actually had a double difficult display that they did in the sense that it's a corner, an inside corner, which is difficult to do with LEDs to get, so there's not any seams or anything. But then the second thing they did is they put a touch overlay on an encapsulated COB display so you could touch. It had multi-touch on it. So again, really interesting to see the future of what's happening.  Yeah, because touch and LED were different worlds for the longest time, and it's only been recently where you start to see IR frames around displays that would make them interactive, and you wouldn't want to touch a conventional SMB display because it was going to damage it.  Ted Romanowitz: Exactly, especially when you get to 1.2 millimeters and below. The joke has always been that you needed to put a little tray underneath the LED wall that you were touching to capture all of the LED pixels that were falling off. But now, that's improved with all these new manufacturing techniques.  Are there benefits as well to COB in terms of energy consumption or brightness, things like that? Ted Romanowitz: Yeah, and the answer is yes. It's really incredible to see. Early in the LED market, if you've got 600 nits that was a lot, now you're seeing indoor displays at a 1000 or 1500 nits, which allows you to put them in a high ambient light situation, room that has Florida ceiling windows, like an office or an atrium, or even in a store window or of course outdoors in a kind of a kiosk or a standalone LED display. So this package is like technology; the chips are getting so small that you're filling in the space between the chips with an ultra black covering. That increases the contrast ratio and makes HDR content sing.  Yeah, it's like the old days of plasma displays and how their big benefit was deep blacks.  Ted Romanowitz: Exactly.  Yeah, so one of the things I came away with from ISE, and I had the impression in earlier shows as well, but really amplified this year with all the talk around micro LED and how it's coming, and that's like the ultimate super premium display.  I would look at the current product line of manufacturers who are doing COB and think, okay, that's more than good enough. I don't know that the world needs to get to micro LED video walls for us to finally have good-looking LED video walls. We're already there.  Ted Romanowitz: That's true, but really, it comes down to a cost basis, and this is where we've modeled. Working with some of the biggest OEMs and ODMs in the world, we've modeled the volume that they're going to be able to produce over the next several years, and the quality that they'll be able to deliver in mass quantities, and basically, the outcome is that by the early 2030s, let's say a 77-inch or 80-inch micro LED display chip on glass will be $4,000 or less and so that brings it into mass adoption and really makes it useful for, not only does it enable the close up viewing that chip on glass does, or chip on board, but it enables a price point where you're going to see it broadly deployed in meeting rooms and corporate, you'll see it in classrooms and education, all across stadiums, venues, hospitality, every different market vertical is going to be impacted by a price point of LED that's comparable to LCD today within the next several years.  Why wouldn't that happen just with COB?  Ted Romanowitz: It's the cost basis of being able to do things on a PCB is more expensive versus a TFT backplane. Over the long run, it has to shift towards a TFT backplane, a glass backplane.  The barrier to that happening right now is unlike COB, where mass transfer appears to have been worked out. It's still a work in progress on the chip on the glass or micro LED side, right? Ted Romanowitz: It is. There are a few other roadblocks that have to be overcome for chip on glass to be in volume with high quality, high yields, and when that happens, then you'll start seeing the volume ramp and the price really starts to drop.  So there will be a day, early in the next decade, when chip-on-glass micro LED displays have the same dimensions, same resolution, everything else would be at price parity with LCD. Ted Romanowitz: Yes, with LCD today. What Moss has been looking at with the rest of the team is what's gonna happen with flat panel LCD, interactive LCD, and projection. What are the unique instances where those need to be implemented, best-fit applications and what they're doing to drive price down and add value, differentiate to keep extending those product life cycles. Moss, is there much runway still for LCD? I'm also very curious about OLED, which keeps getting better technically but is still pretty narrowly defined, particularly on the pro-AV side.  Morris Garrard: Yeah. I think there are a few nuances here that we need to consider when we're talking about the LCD product lifecycle.  How we looked at this in our recent strategic market outlook was to split the market into three parts. So first, looking at the video will market, then looking at the digital signage market, and then looking at what we define as the presentation market, so in front of classroom, front of boardroom devices. Video wall, I think it's no real surprise that it is certainly being cannibalized by LED the fastest. We're already seeing that kind of impact happening at, I think, back in 2020; even LED overtook LCD as the main contributor to market value in the video wall market. If we then look at digital signage, which obviously would include screens that are sub 100 inch, which typically would have the price per resolution advantage over LED. We're already seeing LED making inroads to that market as well, so it's actually in 2025 that we're expecting LED to overtake LCD as the main contributor to the market value. Then, looking at the presentation market, which is very much dominated by the likes of interactive flat panel display, but then also obviously nontouching in many boardrooms as well. Obviously, there is still that cost consciousness when it comes to presentation displays. However, in the more narrow pixel pitch segments, as Ted mentioned, that price attrition that we're expecting over the next few years, it's going to rapidly increase the adoption of LEDs within the boardroom, especially the boardroom, and perhaps less so in K12, which obviously makes up the bulk of the education segment. But we're expecting by 2028 that LED will overtake LCDs and market value share by that point. That's not to say necessarily that the LCD market is going away in volume terms. I think the key point is in terms of value. Prices are continuing to erode to really race to the bottom on LCD. And then obviously, yeah, with volume starting to flatten out, LED is making inroads quite rapidly.  What about OLED? Morris Garrard: OLED's an interesting one. I think the key stumbling block for OLED in the professional displays market has been the price, as opposed to LCD. We're looking at around about 1.5 to 2X differential, which within the cost conscious mindset, especially in signage, but also in presentation displays as well. It has presented an obstacle to adoption. So OLED, we're looking at around 1% of volumes across the global market in terms of volume, and really that's stayed quite stable over the last few years, hasn't ramped as perhaps was expected a few years ago,  One thing that was intriguing to me was reading some of the stuff coming out of CES and then going to ISE, and I went to the TCL booth, I believe and they had a 120 or 125-inch something, giant TV, and I was thinking, okay, that I know what they're doing with these things. There's local dimming and everything else, and the visuals coming out of these displays are stunning. They look borderline OLED quality and at that form factor, as costs come down on manufacturing those things, they are starting to approach, very close in size to all in LED displays that a lot of manufacturers have in their product lines to simplify things for meeting spaces, conference rooms and so on. Do you see these LCDs getting some traction, supplanting the all-in-one LEDs?  Morris Garrard: Do you know what, Dave? That's a really interesting point because we had a number of conversations at ISE about the opportunity for larger than 100-inch LCDs. I think my answer to those individuals was that there may be an opportunity for now. I think the price attrition that we're seeing on all-in-one LEDs will bring those displays into, maybe not into price parity, then at least, within the same kind of ballpark.  But I think the other key issue with, let's take 120 inch LCD, for example, is the logistics of it. If you're in a boardroom and you're on the fifth floor, and you've got to fit a 120-inch LCD into a lift, then where we're based in Europe, that's absolutely not going to happen. Maybe in North America where you guys have your freight elevators and whatnot, but I think in terms of being able to install the display itself. You're not carrying that on the stairs.  Morris Garrard: Exactly, and let's say someone does crack it on the floor as they're installing it, then you've got to replace the whole thing. Whereas with an LED wall, it's just one module that needs to be replaced. I think there are those challenges as well that will limit the opportunity in that segment.  Are you seeing much innovation when it comes to LCD and OLEDs?  Morris Garrard: I would say in terms of the commercial LCD market, over the last few years, the key points of innovation have been, as you say, OLED initially, 8K resolution, 21:9, and then high brightness and kind of outdoor displays lumped into one. Those have really been the key points of development.  In terms of market adoption, though, they haven't really taken off. I would say high brightness and outdoors are probably the best examples, accounting for around 2 to 4% of market volumes, whereas the rest is still lingering around 1 to 2%. There was a lot of buzz and quite a bit of activity at ISE around electronic ink products, e-paper products, particularly on the color side. They've gotten bigger. There were 75-inch versions there. I had seen them earlier when I was over in Taiwan, and I thought, okay, this is interesting, but it's really early days, and this is a proof of concept more than anything else because yeah, they didn't look bad, but they didn't look good.  Morris Garrard: Yeah, I think e-paper is an interesting one and I think it presents a fantastic opportunity to the pro displays industry as a whole I think there has been a bit of maybe industry confusion around the purpose and the intended use case for e-paper and I think the point that really needs clarifying is that e-paper is not here to replace lcd I think in many ways it's there to complement LCD. Yes, it's there to replace print.  Morris Garrard: It's there to replace print, exactly, and one of the key conversations around that exact point is, would using the 16:9 aspect ratio be the most appropriate? Obviously, for signage customers that are used to digital signage, then yes, but for those end users that are replacing print signage would actually like the A Series, for example, be a more appropriate sizing range to use. I think that this market segment is still figuring some of those things out. But yeah, definitely a lot more, A lot more on on show at ISE this year, which was fantastic to see, and even new brands as well, not only kind of new models from those brands that were already active in the space. As I say, it's the early adopter phase at the moment, but I think certainly a lot of industry potential.  It was interesting, though, because, with all the buzz around it, I don't know that many people because they don't have a reason to be paying that close attention to it. They don't understand that all of these color e-paper displays are coming from one manufacturer, and whether it's Samsung Sharp or Agile Display Solutions, they're remarketing and tweaking E Ink's product. Is there any other manufacturer out there that you've run into that's actually coming up with something that is also color e-paper? I'm aware of some ESL manufacturers who are not using E Ink, but that's monochrome stuff.  Morris Garrard: Yeah, I would say really the pioneer is obviously E Ink. I have seen some Chinese facsimiles, but I would say, generally, the major brands that we work with are working with E INk.  Tearing through stuff here out of necessity, but I wanted to ask about projection.  Morris Garrard: With projection, I think, there is a tendency within the industry to focus on all of the innovation that's happening in LED especially, and thinking that projection is going away silently, but we're still expecting the projection is going to be a very robust component of market value by the end of the decade. We're still looking at a multi-billion-dollar industry by 2029 or 2030.  I would say the conversation within projection has shifted; it's a very mature product segment, of course. We're not really seeing the kind of product revolutions anymore in terms of feature sets or whatnot, the conversation has now shifted more towards the applications for projection. So where can projection be used where other display technologies may not be appropriate? One of the key applications, of course, that's grabbing a lot of headlines is projection mapping, for example, being able to scale an image at a massive scale onto things like historic buildings, for example. You're not going to be doing that with led in, historic cities in Europe, for example, it's just not going to happen. But finding other applications as well, for projection where the other technologies just wouldn't be able to be deployed basically.  When I go to a giant show, like an ISE, I will run into folks like you two and lots of other industry people who've been around for a long time, and we'll always have the conversation of: so,  what did you see that? I need to go see that as well, and I have my own thoughts around that, but I'm curious if there are technologies or particular manufacturers who you came across and thought, “Oh, that's interesting”. Ted Romanowitz: I'll jump in and say, both the chips on board, the wall at Samsung and the LG magnet at their booth looked fantastic, and then you saw chip on glass actually demonstrated in a large format, 136 inch at LG, as a kind of a TV kind of format. Samsung had the transparent micro LED, which I think shows they're starting to evolve their thinking. It's such a cool technology, but I think everyone's struggling with what the killer application for transparent micro LED is just because companies have been struggling with the idea of a transparent OLED. Where does it really fit in? Those are some of the killer things that I saw.  The waterfall at Lang booth. I thought it was incredibly cool, as was the kinetic LED display facing the LG booth. Not practical, but it's cool.  Yeah, and that one, I was impressed by a lot more than previous kinetic LED walls that I've seen because this was more like a game show spinning tile thing where you didn't have all this, very tight synchronizing of modules to make it look good, and I saw another kinetic LED wall I was talking to an old industry friend who said, yeah, this thing's cool, but it's breaking down every half an hour because his stand was right next to it. So it's handled with care.  Ted Romanowitz: Yeah, I thought the other cool part of that kinetic display at LG was the fact that they drew in a social media aspect where you could, upload your picture and they do a little AI magic and all of a sudden you can see Dave Haynes right up there in the middle of the LG kinetic wall. Yes, you could, but I tried that, and it turned me into a guy going through a gender transition, which I'm not quite sure how that happened.  Ted Romanowitz: We love everybody. So that's good. We love you for just who you are, Dave. That's all I'm gonna say about that. It's a side of me I hadn't thought about, but some people said you look good like that. I don't know. Okay, sorry, but it ain't happening.  Moz, how about you?  Morris Garrard: Yeah, we've already touched on it. Compared with the conversations I was having around e-paper at the end of last year, I was amazed to see larger than 32-inch form factors, let alone 75 inches. I think it was at the Dynascan booth. I was just impressed purely with the progress that technology is making in such a short space of time. So yeah, that, for me, was the takeaway.  All right. This has been great. We could have easily spoken for three hours, but we had limited time somehow or other. I appreciate you guys jumping on the phone with me.  Ted Romanowitz: Thanks so much. It's a pleasure, and we're headed over to Taiwan and Korea, so maybe we can talk again and give you some feedback on what we saw at Touch Taiwan with some of the big OEMs and ODMs in Asia.  You gonna have some Soju? Ted Romanowitz: I will definitely have that.  Alright, thanks, guys.  Morris Garrard: Thanks so much, Dave.

Armed conflict is challenging enough, but when the very battlefield is a more significant threat than the enemy, the stakes are significantly raised.On this episode, US Air Force LtCol Jahara "Franky" Matisek and retired US Coast Guard LCDR Jeremy McKenzie explain how military operations in the Arctic present unique challenges. Temperatures well below freezing not only make basic survival a struggle, but LCDs on avionics and electronics quit working, as do most lubricants, and a dropped wrench can shatter upon impact.As the strategic importance of the Arctic increases, military operations there—and before long, perhaps Antarctica—require substantial consideration and investment that cannot be put off until the day before shooting begins.For financial planning questions or assistance, contact Zach Mindel at zmindel@forumfinancial.com, (630) 474-3599, or visit https://www.forumfinancial.com/profile/zachary-mindel/Zach Mindel, CFP®, is a Financial Advisor with Forum Financial Management, a registered investment adviser with the Securities and Exchange Commission. Neither specialized services nor adherence to the fiduciary standard of conduct should be interpreted as a guarantee of specific outcomes. The success and effectiveness of planning services depend on various factors, including but not limited to the timing and manner of implementation, collaboration with the client and their other professionals, and market conditions. Military service benefits may have eligibility requirements. Past performance is not indicative of future results. All investing comes with risk, including risk of loss. For more information, visit our website at www.forumfinancial.com.Support this podcast at — https://redcircle.com/the-fighter-pilot-podcast/donations

Danielle and Kyle of Creative Imaging Displays join us in the studio to talk about trade show booths, displays and all of the important considerations around show size, shipping, labor costs, etc..  We gain excellent insight into the current trends and ideas that are taking front stage at trade shows across America, and discuss back-lit displays, LCD displays, and a variety of other trade show booth products.  Enjoy the show.   Creative Imaging Displays

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT All kinds of people in this industry are very aware that while there is lot of dodgy stuff, there is also lots of well made display technology available from Chinese manufacturers who have zero brand recognition outside of that country. Buy potential buyers don't tend to have the time or resources to make the big flights over the Pacific to visit China and directly source reliable manufacturing partners. And they really - if they're smart - don't want to just order stuff, and then cross their fingers and toes hoping the stuff shows up, lines up with what was ordered, works, and then meets necessary certifications. Jacob Horwitz saw an opportunity to create a new company that functions as something as a boutique digital signage distribution company that sources, curates and markets display and related technologies that its resellers can then take to market. Horwitz will be familiar to a lot of industry people for a pair of installation companies he started and ran the U.S. - IST and later Zutek. In both cases, he sold the companies, and he could have just retired ... but he didn't want to retire. Nor did his wife, because a Jacob with too much time on his hands would make her crazy. So he started Illuminology with a longtime industry friend and business partner Stephen Gottlich, who for many years ran the digital file for Gable. I caught up with Horwitz to talk about the origins and rationale for Illuminology, which is just spinning up but has some big plans. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Jacob, it was nice speaking with you. You have started a company called Illuminology, which sounds like you started a cult, but I think that's not what it is.  Jacob Horwitz: Not yet, no, We hope it will be at some point, a good following, but first off, Dave, thanks for having me. It's been nine years since you and I first chatted on a podcast. I don't know if you realize that. It was December of 2016, and we had just finished, I think maybe the nationwide rollout of Burger King, you and I had a chat about that, and it's hard to believe nine years have gone by.  This was when you had IST?  Jacob Horwitz: Installation Service Technologies was a nationwide installation and service company, that was sold in 2018 and then a year later, I restarted a company called Zootech, and I was approached by a customer who was looking to be entrepreneurial and that company is now owned by Karen Salmon. It's a woman-owned business mow, and her father was the founder of Powerpoint of Sale. I took a couple of years off. I have a person that I have worked with for 30 years, my business partner, Stephen Gottlich. I think you've met Stephen, and he has been working with Gable Signs for the last 17 years and I think what Illuminology is now is a culmination of really two parallel journeys. Stephen took a traditional sign company 17 years ago down a path of innovation, and Gable went from a bending metal traditional sign company to a visual solutions company my background, which has been installation and service for the last 20 years, brings together two people who are a little bit older than when you and I first talked nine years ago.  It was probably 60 pounds ago when I talked to you for the first time. I'm a little gray or a little wiser and a little bit older. So the two of us come from really parallel journeys in different areas of digital signage, and we wanted to create something a little different in the United States. We'd seen some business models and other parts of the world that seem to be working. So we wanted to create a marketplace that would expand digital signage to companies interested in expanding their scope of business. So we focus a lot on traditional sign companies other technology-type companies, and installation companies. They all have some type of footprint in the verticals with technology but they're not carrying digital signage.  So we thought, how do we expand digital signage to reach a lot more people? And we've come up with this business model.  So for people who are completely unfamiliar with it, how do you describe it in your elevator pitch? Jacob Horwitz: The easiest way to describe it is to think of us as a traditional distributor of digital signage to authorized resellers. Much like a Blue Star, B&H, except that we're very boutique, and we're very focused, and we're very passionate. Stephen and I are not, we've been fortunate in business. I'm 65, Stephen is 70-ish, so we know we don't have a lot of time to build something that's going to take years and years, but we wanted to build something special.  So you would be like, an Almo or those kinds of companies, but much more focused specifically on digital signage?  Jacob Horwitz: … And being able to support them differently. So take a digital traditional sign company, next month, we'll be at the International Sign Show in Las Vegas, the USA, and a lot of those people are digital, but it's amazing how many fast signs, and banners to go, those types of places that are selling digital signage today and have no idea what digital is. They're very old and traditional.  I think of it if you sold typewriters or telephones a couple of decades ago and you didn't evolve in the IP phones and computers, you're probably not in business anymore. So we're taking a lot of those types of sign companies. We have a course called Illuminology University. We take them through an 8 to 10-week course. These are live training classes and curricula we put together to train them about what is a sign in digital singage, what's LED, what's LCD, what is GOB versus COB, just really teaching them about the industry and they have a lot of reach in the verticals that traditional people selling digital signage today don't have. The other thing that makes us unique. When you go to traditional companies like Blue Stars, you don't have everything available under one distributor. We have an experience center that's opening next week in Kansas City. It's a supermarket of visual solutions, so you'll be able to see not just LED or LCD, but you're also going to see light boxes, you're going to see different kiosks, you're going to see where AI comes into play with digital signage, you're going to have a good understanding in our experience center of the programmatic side of how things can be monetized with a digital retail network. I think that because of the 30 years that Steven and I have been involved in technology and in the last twenty in digital signage, we can be much more of a boutique to help people with a wider range of solutions, not just a traditional 55-inch monitor, but LED posters, you had on your blog a few weeks ago that digital desk, which is part of our showroom, so I think it's about innovation. I think it's about a wider range of solutions, and it's hopefully in our last chapters of life, having a lot of fun with our partners.  So I assume if I call or contact one of the larger distributors who do unified communications, do all kinds of different things, and I start asking them about it, I'm a POS company, I have a customer who's asking me about menu boards and things like that. I don't know where to start.  If you talk to a larger distribution company, they have a sheet or a system that lists all the stuff they have and they can rattle off, here's what we have, what do you want, whereas you're saying because you're much more focused on this area and you have an experience center, people could come in and you can try to find something that's tailored to their needs as opposed to what we have.  Jacob Horwitz: Yeah, I think that all those traditional distribution models are very good at taking orders and taking money. A couple of them even have some departments where they're trying to help you with that consultive part of the business but I think at the end of the day, from my installation side, conservatively, we installed well over 400,000 displays in every kind of vertical you could imagine when I owned IST.  We did the new SoFi Stadium. We did all of their point of sale. Arlington Stadium, we did all of their digital assets when Daktronics had contracted us. And Stephen has done every kind of hardware installs you could think of when he was with Gable. So I think that being able to work with a company and be there to hold their hand too, we've already gotten on a plane and gone to sales calls with our partners. You're not going to get that from a traditional distributor. We work and do the RFPs with them. We work with them on pricing and quotes. So it's a little bit different than just trying to take an order so I think that's what makes us unique and the education and our school of hard knocks, you know, god knows, we've made an awful lot of mistakes in 20 years So I think we're gotten pretty good at what we do.  So are you selling strictly third-party stuff, or are there products that fall under the Illuminology brand or a related brand?  Jacob Horwitz: We've been going back and forth for a decade now to China. Stephen and I's first project together, was Simon Properties, 250 malls, and one of the largest media networks for digital out-of-home in the country, we designed the kiosk 10 years ago that they were still using and running in their malls, and that was a factory direct where we worked directly with the factories, built a kiosk, and were able to give Simon an amazing solution, especially where technology was 10 years ago.  So through that experience and over the last decade, we've met absolutely the best factories in China. There are a lot of stereotypes of what a Chinese factory could look like, and until you go and you see the automation and the technology there, God knows you've done it. You've been all over the world. It's not what a lot of people think. So we work directly with factories. We are creating two brands. There are more later on in the year, we are white labeling or branding our product. There'll be a line of displays called LightScapes, and then there'll be a line of kiosks called EasyOSK. So these are part of our longer-term business plan to have a brand. So you're not just saying, well, we bought these from some factories in Taiwan Korea Vietnam and China. We work very closely with the factories. We work very closely with people like AUO who are on the display side, and the panel side, and we will have some things that are unique within that brand. It will not just be the same product that everybody can buy. But because we're doing factory direct because we've got ten-year relationships with these factories, and they know Stephen and me well. We've been going except during COVID several times a year to China. I think that we're able to buy from them at incredibly good pricing and pass those savings on to our resellers. So what if you had a Chinese manufacturer that's strong domestically in that country and has a lot of them trying to come to the U.S. or over to Europe and say, here we are, and not get anywhere, would you sell their product under their brand or would it have to fall under one of your brands? Jacob Horwitz: No, we sell generic products as well. So for example, that desk that you talk about, I was in that factory last month. The person who owns that factory is a very small equity owner within Illuminology because we've known her for ten years and anything that comes from any factory out of China, she will go do that quality check before it ever hits the container to get over here. So she's a very instrumental part of our business over there, but we sell some of the stuff out of her factory as a generic product. It's not necessarily branded with LightScapes. It might be branded with Illuminology, but when you go look at the certification tags and serial numbers, it's still her company name on it, whereas LightScapes and EasyOSK are true white-labeled products that are going to be unique to us. Does that get around any regulatory issues in terms of what can come over from China if it's coming through you?  Jacob Horwitz: The regulations that are driving everybody in our industry crazy right now are the tariffs. But, to us, I think some of the big things that you don't see out of Chinese companies are the right approvals. We're very focused right now on our products being a UL or UL equivalent. There are five or six laboratories that are like MET. That is exactly like UL. It's UL-approved. We had a very large factory send us apart to test and they looked at it yesterday and we already rejected it because the power supply was not a UL-approved power supply. We said, we're not even going to test it.  So I think that those are things that are not regulatory from the U.S., but they're important to us, from a safety side, especially when you're working with enterprise tier one customers, they, have to have the right certifications, but I think the only thing that's causing us headaches is not the regulatory side, but, trying to figure out the right pricing with tariffs and how we handle that. Cause it's changing by the day.  Jacob Horwitz: Every time I look up, I'm afraid to look at the TV to see if it's higher or whatnot, but all of our pricing that we post to our dealers today is a landed cost from Kansas City. So it's including if we had inbound shipping or we had tariffs, we don't want our resellers to have to worry about that and they know that this is the pricing and if the tariffs go away, then we can lower that price. But if it goes crazy, they need to be prepared. We're working closely with some factories right now in Taiwan, Korea, and others in Vietnam so that we have a backup solution because right now the lion's share is coming from China.  If it's touched in Taiwan or touched in Vietnam, but with Chinese components, does that make a difference? Jacob Horwitz: Yeah, we just had that problem. We had ordered some stuff that came in from Canada, and this was before the Canadian tariff of 25%. This was two-three weeks before that, and we got a bill for tariffs, and we were talking with the U.S. Customs and the experts at DHL and UPS, and it turns out, if you're buying something from, for example, the great area of Canada, where you're sitting at home, but the company we bought it from manufactured their part in China when they ship it to us and their commercial invoice to U.S. Customs asks the company in Canada, where the country of origin it was manufactured and even though I bought it from Canada, had no idea that the part I ordered was not manufactured in Canada, we got hit with that 20 percent tariff on that product, and that surprised us. We didn't think it through or understand and the hard part is even when you talk to the absolute top people at U.S. Customs at the borders that are doing this, they're not even sure hour by hour what the rules are. So it's been hard.  We had another container come in and we had, I think, a $7k or $8k tariff. This is when it was 10%, but it landed in the U.S. before the tariff started and they still would not release it without us paying the tariff. Two days ago, we got that money back from U.S. customs. They realized they shouldn't have even charged it. It was before the date the tariff started. But unfortunately, by the time we released it, they held it hostage for a bit. So it's a hard situation, but we're going to work with other countries and I think that everybody's in the same boat, and I think in terms of pricing, our distribution model is much like the traditional guys. It's on a very low margin. So we have to have a lot of resellers that are looking to expand their business. So I'm curious about markets like Vietnam and India, which I keep hearing about, having gotten into electronics and being alternatives to Korea, Taiwan, particularly China, is that industry, particularly on the display side, mature enough now to buy products from there?  Jacob Horwitz: Since September, I've visited sixteen different countries across the world, I think on three or four continents and getting ready for the right factories and the right things and just enjoying travel at the same time, and the one thing that surprised me is how far behind the U.S. is compared to a lot of parts of the world and how much digital signage you see. Also, when you talk to these people what they're paying for digital signage throughout other parts of the world is far less money than the U.S. customers paying us companies for digital signage. The margins in Asia and Europe are much thinner than the traditional margins that resellers have been getting in the U.S.  Our motto, and you see it across our website, is “The Best for Less”, and we have tried to find the best factories in the world and be able to give it at a price that is not greedy. That's a win for us, for our resellers, and most importantly for the companies that are trying to buy and put that digital signage into their business so they can inspire and tell a story to their customer. And I think that even in the smallest towns of Vietnam, you still see digital outdoor LEDs on the sides of buildings and you go into the shopping malls and it's far more digital than you see here. So that was interesting to me as I've got to travel the world in the last four months. Is it a function of cost or awareness?  Jacob Horwitz: I'm not sure, but I'm assuming first it's a function of cost because where they're working on margins that are so much less, it allows that to get into people's businesses, and when you're charging $1k for a 55-inch commercial grade LCD, 500 nit monitor, it's a barrier to entry. So we're trying to brand something and bring something to the market where we can be 20% less to the end user than a lot of the traditional things, and we think we've accomplished that. The tariffs hurt us a little bit, but they hurt everybody by and large. So I think that's really why the U.S. is slower. I don't want to use the word greed. I own businesses, but people have tried to get margins that I don't think you can get anymore, and I think that you're going to have to find other ways to monetize your business through the installation side, through the content side, and I think that it's also helping companies. It's a big part of what we do. I think of Chris at Stratacash, he has a whole area where he helps monetize their solutions and it's helped, and we're looking at that closely. We're working with three or four companies right now where we can have our resellers work directly with them and educate their end users on how they can monetize the solution, through advertising in certain verticals. Not all verticals are conducive to digital out-of-home, but most are.  So that's an important part of how we're going to help move products into places that normally maybe couldn't afford to put the right solutions in. I assume that there are all kinds of people in North America, the U.S. in particular, who are aware that they can buy stuff via AliExpress or whatever. But they've heard enough to know, yes, you can pay substantially less, but you have to cross your fingers when it shows up.  Is Illuminology positioned as a safe harbor way to do it? Like we're doing the sourcing, we've figured that part out so we could pass on those savings without all the worry. Jacob Horwitz: Look to me, those sites are a lot like a box of chocolates. You never really know what you're going to get when that product shows up. As I said, even with the sample we got from somebody yesterday not being the right display, UL, and approvals, we're not going to be a website where you can buy whatever you want. It's going to be very focused on innovation. It's going to be the same factories. As I'm sure you've seen I get if I get one I get at least three emails every day from some Chinese factory trying to sell you whatever and everyone is a nickel cheaper than the other and I think that's just Pennywise and quality foolish.  So we're not going to be that it's going to be the best for less, and if we can create this supermarket of visual solutions, and it's a great product and the pricing can hit the street to an end user, double-digit, less expensive, and we are distributing through companies that have reached where the traditional resellers aren't touching, then we think that will help expand digital signage across the U.S.  So these would be reached to like the sign companies you mentioned, maybe the point of sale technology companies, those kinds of companies?  Jacob Horwitz: I have a guy I talked to a couple of days ago who sells medical devices. Nothing to do with digital signage. He's out there every day selling blood pressure machines or whatever medical devices he's selling and in the last few days, I've probably talked three times to him now about the opportunity he has to do stuff in the medical world because he's already out there calling on places to put in screens and some LED posters. And, so I think it's all kinds of places that maybe haven't even thought about incorporating digital signage into their end-user business, and these people are now educating why being able to tell a story through digital is so much better than a static sign.  So yeah, it's been enlightening to see all the different verticals you can all of a sudden make inroads that you never thought about. Yeah. So many companies are just going down the same familiar path of chasing QSRs, chasing retail, and I've always advised people to look at those other kinds of companies that already have established trust with your target vertical who supply other things to them and partner with them. Jacob Horwitz: Yeah, it's been interesting. When I was doing the installation side, we did a lot of QSR, McDonald's, Burger King, Sonic, Del Taco, that type of stuff, and a lot of them have seen a few of the first initial posts we've done and they're calling and asking more of what we can do and I'm excited just about window technology whether that be an LED, a double-sided LCD hanging in the window of a fast food restaurant is so much more effective than printing two breakfast sandwiches for $5 and shipping it out to the store, hoping the manager puts it in the window during the promotional time. Half the time, three weeks after the motions are over, they still have that digital thing in there saying breakfast sandwiches or the static poster thing, and then at 10:30 when breakfast is over, they're still talking about breakfast sandwiches instead of talking about Value meals or other desserts or other things they could be buying during dinner. So it makes nothing but sense to have those assets in there.  But the people who are buying their outdoor digital menu board don't even offer that product. So we feel that a supermarket with a full set of solutions, in a C-store to be able to do a stretch screen and a gondola and still do their monitors over their register and doing their digital menu board and having things that inspire people to walk in from the pump into the C-store, we have that full range of product where a lot of people just don't have a full range of offerings to that.  When you say a full range of products, is it purely display technology, or does your supermarket have other things?  Jacob Horwitz: We do light boxes, which are just an aluminum extruded frame that hangs on a wall with backlit LED, but it's a fabric, you see them in every airport. So we do a lot of light boxes, and that's a very affordable and very effective solution. It's a static display, but it pops.  We are doing music. We have partnered with CloudCover. CloudCover is owned by SiriusXM, I believe, and Pandora, because we think that it's part of the whole experience, it's touching all the senses of when you go into that business, we think music is a really important part of branding your business. So there are several out there that are there. We've hitched our ride there on the software side. Because we have to support the dealers, we have, we offer two software platforms, and it's because of relationship and stability and they're the best. There's a saying, if you're the smartest guy in the room, you're in the wrong room and so we've partnered with people that make me where I am not even close to the smartest guy in the room. We love working with Navori. We think Jeffrey Weitzman is amazing. So we offer to our partners and we've worked aggressively to have a good distribution model in Navori to our partners and potential end users. So if I'm sitting in a room with Jeff Hastings, I'm not the smartest guy in the room anymore. So we offer BrightSign, and BrightAuthor, and the players we go with are either the Navori or the BrightSign players, and we offer that CMS. They're not. The cheapest CMS, you had a great interview with Alistair and what they're doing and I listened to you last night. So there are a lot of options, but we have to support the dealer network. So to be able to have a dealer that wants to go off and do a different CMS, we support that. They can send us software and we'll test it to make sure, particularly if it's going to be SOC, that what they're using is going to run properly on that version of Android. So we'll support them that way or just before we order the product, we'll go into our lab and throw that on, but we can't support that dealer network on how to use the CMS. We have BrightAuthor and Novori, and we're good, and then we have two full-time people thatwho NOVA certified. So on the LED side, we're no, we have NOVA-certified experts, so we can help them with Novastar. So we can support that, but we can't support every CMS. So we encourage them, especially if they need a 4-a-month CMS, then I think that Alistair is a great solution, and there are a lot of those types of companies out there. But that won't be us. We'll have a couple of CMS, we'll have the music solution and we hope we can create a visual experience and a sensory experience that when they walk into an end user that's bought a product through one of our resellers, that product's inspiring consumers to spend more money. You and Stephen are hands-on with this, but how many other people do you have working with you?  Jacob Horwitz: Oh gosh, I've tapped into a lot of my old employees in a lot of years, so Stephen and I have known each other for 30 years. For us, it's more passionate at this age. It's certainly not about really the money. This is because your wife said you need to do something.  Jacob Horwitz: After years of being in the house and driving her crazy every 10 minutes, she made it clear I will either go find a job, or I'll have to support her next husband. So that had a little bit to do with it. But Stephen and I are wired the same way. It's about quality. It's about good solutions. It's never been about trying to make money on this. I think it's helping people. The people that I've brought in, I have a Project Manager who worked for me starting 15 years ago, and now she's ahead of our marketing, Becca, and she's been with me for a decade and a half. The girl in my accounting department has been with me for over 15 years. I have a fragment in the house Legal who is my full-time in my old business and they've all been around at least 10 or 15 years. My CIO has been with me since 1999. So he was in college when he started. So we've got a good, like Stephen and I, that these are not newbies to this industry. One of my Project Managers started with me when we first talked nine years ago when she was a Senior Project Manager for Burger King. So, everybody that I've surrounded myself with so far, there's been at least a decade of hitting the shows, doing the installs, and that school of hard knocks. So have you got 20 people, 40 people? Jacob Horwitz: Right now, we're a team of maybe ten or eleven people. I have three people coming in next week for interviews after the experience center is open that are all industry veteran types and we're just getting started. The idea started in September. I went to Infocomm and then maybe I saw you and just started feeling the waters. We were going to launch in early January or February. We're a month old. The container of our showroom sat in Long Beach for six weeks before it got. It took longer to get from Long Beach to our offices than it did from China to Long Beach. So we're just getting started. But we're going to stay in a boutique. We don't want to be all things to all people.  Right, and they can find you online at Illuminology.com?  Jacob Horwitz: Illuminology.com and there's an online brochure of the product and we thank you. And Dave, I said this to you the other day, but I want to say it again. I need to thank you because, for everybody I've ever hired for the last decade, the first thing we have them do is go through your podcast and your blogs and learn about the industry, and what you do for us is so valuable and I mean that with all sincerity.  Thank you.  Jacob Horwitz: We hired a new sales guy and he started a month ago. He called me yesterday and said, Do you know this Dave Haynes guy? He didn't know, he did not know I had a podcast today. He goes, I am learning so much from him. And, I go, yeah, I'm chatting with him tomorrow. So thank you for what you do as well.  Thank you. That's very kind.  Jacob Horwitz: Very well deserved. So thank you for the opportunity to share our story and we look forward to working with the people in the industry, to help and expand digital signage into places that can be more like your Europe where it's everywhere. All right. Thank you!

LCD Soundsystem is an exhaustive one-hundred minute affair that showcases the best of what the combination of rock and dance music can become when crafted by the hands of an erudite music nerd. LCD eponymous - the start of a relatively flawless catalog that continues into the now.

Remember that sense of delight and wonder you'd get when you'd force your parents to stop off at a fast food restaurant, reach into a bag containing foods that would slowly come to destroy your body over the intervening decades, and pull out a tiny plastic symbol of the power mass consumerism held over the youth of a generation? Well we do, and we're excited to talk about it! That's right, The Hill Is Always Greener is looking back at the history of Sonic the Hedgehog fast food toys! From Sonic 3 the game to Sonic 3 the movie, and from windups to LCD games to "here's some cardboard, make it yourself", we cover the breadth of Sonic's kids meal collectables over the last 30 years! (Warning: this episode may present a choking hazard to children under 3 years of age.) (0:00:00) Intro/Main topic: Sonic fast food toys (0:03:17) Burger King (1993, Sega Zip Strips) (0:07:53) McDonald's (1994, Sonic 3) (0:17:07) McDonald's (1994, Happy Train) (0:20:50) Carl's Jr. (1996, Sonic the Hedgehog and Pals Mini-Viewers) (0:25:50) Burger King (1998, Sonic R) (0:29:58) Jack in the Box (1999, Sega PC) (0:32:59) Burger King (1999, Sonic Adventure, cancelled) (0:36:57) Denny's (2000, Sonic Underground) (0:40:15) McDonald's (2003, Sonic Adventure DX LCD games) (0:43:05) McDonald's (2004, Sonic Heroes LCD games) (0:47:15) McDonald's (2006, Sonic X) (0:50:23) McDonald's (2007, Sonic X) (0:51:30) Red Rooster (2012) (0:53:24) Carl's Jr. (2015, Sonic Boom: Fire and Ice) (0:56:27) Subway (2018, combining gears) (0:59:21) Arby's (2019, Sonic Dash) (1:01:40) Kura Sushi (2020) (1:03:39) McDonald's (2022, Sonic 2 the movie) (1:06:39) Burger King (2023, Fidget toys) (1:08:40) McDonald's (2023, buildable Toys) (1:10:14) McDonald's (2024, Sonic 3 the movie) (1:14:06) Final thoughts (1:17:53) Outro Amie Waters on Linktree Sonic McOrigins Plus

How can the same sh!t happen to the same guy twice? And a trap for young players with LCD's. And a giveaway for the young whippersnapper in Australia. Forum: https://www.eevblog.com/forum/blog/eevblog-1670-bm786-multimeter-battery-leakage-repair-giveaway/ 00:00 – How can the same sh!t happen to the same guy twice? 06:27 – Zebra strip elastomeric connector 09:40 – It STILL doesn't work? …

Check out my Tronic Radio on your favorite streaming platforms here: https://ssyncc.com/tronic-podcast Don't miss Christian Smith's remix for apaull's LCD track out now on Tronic's TREATMENT vol.2 compilation: https://www.submithub.com/link/tr522 1.Humar - Groovy Cycle [Duenia] 2.Kamilo Sanclemente - Whale Voices (Gai Barone Extended Remix) [Proton Music] 3.Miss Kittin, The Hacker - Ostbahnhof (Extended Version) [Nobody's Bizzness] 4.Fischerspooner - Danse en France (D.I.M Remix) [Kitsuné Music] 5.The Hacker - Monopoly [Different] 6.apaull - Strays (Life in Wartime Edit) [Life in Wartime] 7.Paul London - K.I.N.Z. [Kinetika Records] 8.Marc Romboy - Exeter [Systematic Recordings] 9.Madge, Noizu - Acid Rain (Extended Mix) [Confession] 10.Marc Romboy - Exeter [Systematic Recordings] 11.DJ Hell, Naiborg - Acid Boyfriend (Marc Romboy, André Winter Remix) [International Deejay Gigolo Records] 12.Andre Winter - OneZeroZero [Senso Sounds] 13.TOLEE - Chaos Theory [Reload Records] 14.Lampe, Konfusia - Nothing to Fear [Black Kat] 15.apaull (Christian Smith) - LCD (Christian Smith Remix) [Tronic] 16.Victor Ruiz, Alex Stein - Human Robot [Senso Sounds] 17.Anthony Rother - Man Up the Hill [Clash Lion] 18.Carbon - Lack of Empathy [IAMT] 19.Novem Vivit, 444 - Der Anfang [Duenia] 20.FOLUAL - Dark Symphony (Extended Mix) [Codex Recordings] 21.FOLUAL - Dark Symphony (Extended Mix) [Codex Recordings] 22.Shadowmaw - Second Wind [Black Kat] 23.Uven - Perennials (Ross Harper Remix) [City Wall Records] This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Getting stuck in a small Town on Nude Day, turns interesting.Based on a post by m storyman x, in 2 parts. Listen to the podcast at Steamy Stories.Owning a consulting business has its advantages. Over the years I had been quite successful and enjoyed a few perks for that success. I was enjoying one of them, flying to a consulting job in my Cessna 350 Corvallis, when a fantastic series of events was set in motion. I could never afford such an expensive plane, but after performing several hundred hours of independent testing on it, as part of a law suit, they sold the state of the art craft to me for a single dollar. Car type bucket seats and fly by wire technology made it one of the most comfortable planes I had ever flown.Amanda, a professional photographer that I had used a number of times on jobs like the one we were traveling to; seemed to also enjoy the comfort of this plane compared to the old 172 I used to fly.I felt the first shudder in the engine while I was busy sneaking a peek at Amanda's legs. With her lounging sleepily in the bucket seat next to me, her already short skirt had ridden up a couple more inches, and the rising sun was just brightening the inside of the cockpit enough for me to really see just how much leg she was unknowingly showing. In fact, if I caught the reflection in the LCD screen just right, I could almost see up between her legs to the light colored panties she wore. Yeah, I knew I was almost twice her age, but hell, she was hot and I was Always horny. How could I not look?The second shudder really got my attention, and I went to work in the cockpit; all thought of her panty color and legs leaving my mind as it went into immediate troubleshooting mode.I knew the electronics of this craft inside out, having done so much testing on the fly by wire during the legal suit. It only took a few moments to check and confirm that the dual ignition system of the fuel injected six cylinder engine was working as designed. We were cruising at nearly one hundred eighty knots, and everything seemed ok. But that second shudder had me on edge. I did not miss the third time it shuddered, just as I was in the middle of checking the fuel system. I caught it in the act. It was just a fluke that I happened to be looking right at the fuel pressure read out when it did it. Just for a moment, it blinked lower. Not a lot, a few pounds, but it was enough to set every alarm bell I had ringing. This baby needed to be on the ground and Now!I gave Amanda an unceremonious, almost rude, shove with my hand before I set to work hitting the GPS navigation system for the closest airfield. "Tighten your belts, we're setting down." I practically growled as my mind went through emergency modes and check lists. I had filed a Visual Flight Rules route plan so I didn't need to contact a controller, but just to be safe I punched in 7700 into my transponder and hit the ident key. The response to my emergency code was almost immediate, Kansas City flight following had me on the radio in seconds asking my emergency. After several terse exchanges with them, they recommended we proceed to Kansas City International for an emergency procedure landing. I was just about to make that turn when the engine tone changed. Air speed quickly started to fall as the engine RPM tailed off to a little more than an idle."Negative KC Center. Looks like I just lost power." I responded as my fingers started working the GPS system to find the closest airport. It was tiny, some little 'burg called Milan. I'd never heard of it, but it had a strip. I tipped the wings over and started dropping at nearly a thousand feet per minute; hoping that what little power the engine had would hang on until I could get the wheels on the ground.In the early dawn morning it was hard to pick out, but with a little help from the GPS pointers I was able to find the single strip of the small airport, sitting just outside what looked like a very small town. KC Center acknowledged my plans and stayed with me until I was out of radar contact, only a thousand feet off the ground. It wasn't my finest landing, but given that I only had one shot at it, I thought it was pretty damn good. The engine had just enough power to idle off the runway and onto a taxiway before it quit completely. But that was ok...we were down.The airport was small, and to be honest, looked pretty deserted; and the air felt like stepping into a furnace when I popped the door open. "Looks like we have to walk." I said to Amanda as I stepped out and gingerly off the wing. Even for a mid-July morning it seemed oppressively hot."Well, I suppose I can charge you mileage!" She joked as she unfolded her slim frame barefoot onto the wing. She closed the door and sat down on the smooth aluminum surface to put her high heels back onto her feet while I shook my head at her good looking, but less than functional, footwear. She slid down the smooth metal of the wing and allowed me to catch her before her feet hit the ground, the edge of the wing catching her skirt and pulling it up as she slid off. I only got a glimpse of her cream colored panties before she pulled her skirt back down and blushed a bright red. "Oops. Sorry about that." She almost whispered."Not a problem. Last time I checked I still liked looking at beautiful women's panties. Especially if they were still in them!" I responded jokingly, which only made her blush even more.It was a fairly long walk from where the plane decided to park itself, to the office complex of the small airport. It didn't take much looking around to find out that there was a mechanics office, but that Freddie was in town and didn't work on Wednesdays. That was just great! Freddie didn't leave a phone number either, but did leave the address of his shop in town. I figured maybe we could talk him into making an emergency repair.Using my i-phone I looked up the address and found that it was only a couple miles from the airstrip. A quick call confirmed that it was still too early for Freddie to be there. It was going to be a warm walk into town, but then it was better than sitting out here and roasting. After a short consultation with Amanda, we decided to trek into town and see if we could track down Freddie.City CaféIt was still early as we approached the small town, and it showed. The streets were deserted except for a few cars passing by. We found the address of Freddie's shop, but it was still locked up. I decided some breakfast might be in order and the only thing that looked open was a small diner across the street."Looks like breakfast!" I said as I led Amanda across the still empty road and entered the tiny diner. To say I was shocked would have been the biggest understatement in the book. There were a number of people sitting around eating, all naked! It looked like a nudist convention. But you could have knocked me over with a feather when the waitress came out of the kitchen with a tray of dishes, and not a stitch of clothing on."Be right with you!" She said as she turned and bent to put the dishes down, her easily double D tits swinging enticingly. She turned back and walked up with a smile on her face and only a tiny apron around her waist that failed to completely cover the junction of her legs. "So I take it your new in town?" She asked, looking past us toward where our car might be parked, if we had one."Would you like a booth?" She asked cheerily."Yeah, actually we would." I answered, after which she led us to a booth toward the rear that was a bit less in the line of site of the windows and most of the other patrons."Um, Yeah. Did we come at a bad time?" I asked, looking around at the naked patrons."Nope, it's the fourteenth." She said as if it explained everything."And that means?" I asked, cocking my head and lifting my shoulders to encourage her to explain."Oh. Yeah. I guess you're not from here. It's a City ordinance. No clothes in public for National Nude day, unless of course you are from out of town. We can't force you visitors to participate, but everyone in town does, or they stay home." She said with a smile and a shrug. "I can loan you a bag for your clothes if you want." She said, as she set our table with cutlery and menues. She was also eyeing the growing bulge in my pants, as I watched her absolutely fantastic tits jiggle over our table."Just so I understand, everyone in town goes nude? And this happens why?" I asked."National Nude Day. The whole town had a say in it and we decided to make it a town holiday. Some of the townsfolk floated the idea as a joke. Me and a few others called their bluff. It's been that way a few years now. Everybody seems to like it. E used to set it for the actual day that the rest of the nation observes, but the town just turned into a traffic jam and our residents became internet fodder. So now we have a town committee setting a random summer day, and only give a 48 hour notice. The result is really good for business, since a lot of travelers come here hoping to get lucky, and patronizing the businesses all summer long.""I can see why." I said looking around at the mostly male population of the diner and thinking that most of them were probably not here for the food."Here you go” she said, handing us our menus. “And really, I'd be happy to loan you a sack for your clothes. I mean if you want to take them off and all." She said with a wink. "I'll be back in a sec with menus."True to her word she was back in a few moments to take our orders, and if I was any judge, her tiny apron hiked up a tad more. From my seated position I could easily see her shaved mound, complete with a tiny blue butterfly tattoo. As she set down the menus she stepped her feet slightly apart, allowing me to see her protruding lips, which to my experienced eye, looked like they had been freshly stroked. My attention was temporarily fixed on her glistening lips until she bent over to place silver wear on the table and her large tits hung literally inches from my face."So what can I interest you in to drink? Coffee, juice, milk?" She asked, pulling her little pad out of the tiny apron."I think some Orange Juice." Amanda said, her voice clearly displaying her nervousness."Actually I've always been a milk lover." I said with a smile."I'm sure I can find you a nice tall glass." The waitress said with a smile, turning to walk off, allowing her cute ass to wiggle seductively as she headed toward the kitchen."Seems like a nice young lady." I said to Amanda as I opened the menu. "What do you think?""I'm not sure I could go around naked all day." She replied as she looked around the small diner."Why not. You're a very good looking woman. You have nothing to be ashamed of.""Like you're going to run around naked?" She answered with a smirk."Sure, why not?" I answered."I've worked for you for how long now? Five years? I think I know you pretty well, and the way you were checking out that waitress you've got to be hard as hell. You sure you want to show that off to everyone who looks your way?" She chided with a grin, her directness surprising me."Oh? Sounds like you've been watching me when I wasn't looking.""Why not? Are you going to tell me you didn't notice how far my skirt was hiked up in the plane? Come on, I'm not that naive. I know you like me wearing these skirts. I just prefer to keep my sexual activities a bit more private.""Well, if that's how you feel. I dare you to strip for me." I said, wondering if she really would."Sure. Like I'm going to run around naked? Fat chance.""That's a shame." The waitress said as she set two glasses on the table, the smell of turned on cunt clearly evident as she stood close to me. "You look cute. You might find it fun to go naked like this. It's kind of a turn on actually.""I'm not sure I can actually go naked in front of strange men." Amanda replied."You should try it. It's actually kind of fun to tease them.""Aren't you afraid of getting molested?" Amanda asked her seriously."Hasn't happened yet. Besides these old geezers come in every year to watch me. It's kind of fun to see what they will come up with next to get me to do something with them. I never will, but they don't know that." The waitress said with a smile. "So how about it? You two going to join us?""Oh, I don't know." Amanda whispered."Ok. Why don't I get your order and in the meantime you can think about it!" The waitress said, smiling at me sweetly."Well, I'll have the ham and eggs, over easy, white toast." I told her as she scribbled on the pad."And you miss?" She asked looking at Amanda."I think the biscuits and gravy look pretty good.""Good choice. I'll be back in a few minutes with your food. And if you change your mind you can use the ladies room to undress, you may find that more comfortable." The waitress said as she turned and headed for the kitchen."Might as well, Amanda. Never going to get a chance like this again." I teased."Let's admit it; you just want to see me naked!" She shot back at me with a frown. "Sure why not? Besides, didn't you just tell me a little while ago you've been intentionally wearing sexy stuff just to tease me? Just think how much of a tease this will be!""Ok, hot shot. I will if you will. But you gotta strip, right here, first! Let's see how cocky you are when you have to show off that boner!""So I get up and undress, and then you do? No running to the bathroom and hiding?" I said with a crooked smile."Um, Yep." She sighed realizing that she had walked directly into a trap."Ok! You're on!" I said, sliding out of the booth and standing up. I was just pulling my shirt tail out of my pants when the waitress came back."Oh; decided to join me?" She asked with a smile.Seems that way." I answered as I turned to face her."Well, in that case, let me." She said, reaching out for my shirt and pulling it up and over my head. She tossed it onto the bench seat of the booth and then stepped closer. "This will drive those old geezers nuts." She whispered as she placed her hand on my hard cock and rubbed it through my pants. She stroked me with one hand while the other deftly undid my belt, and the button of my pants. Her hand moved long enough to unzip my pants and then slid inside them, rubbing my increasingly hard cock through my underwear as she pushed my pants down."Nice." She said as she crouched down, bringing her face level with my underwear clad cock. She untied my low top hikers and pulled them off, and then worked my pants over my feet, leaving me in nothing but my socks and underwear. "Now, let's take care of this too." She said with a smile, looking up at me as she reached for my briefs. I closed my eyes and tried not to moan as she pulled my underwear down and closed her lips around the head of my cock. "Hmm" she mumbled around my cock, as she licked and sucked on it gently. She continued to suck my engorged cock while she worked my underwear down my legs and over my feet. "Tasty." She said quietly when she pulled her mouth from my cock. "You wouldn't mind taking care of a really horny cunt with it, would you?""That depends on whose it is?" I breathed."Mine." She said as she stood up in front of me and reached for my hands. She pulled me across the aisle to the booth on the other side and sat her ass on the edge of the table. She let go of one hand and reached for my hard cock, pulling it toward her cunt as she pulled my hand toward her chest."Oh God yes." she whispered, as she rubbed my engorged head around her wet lips. "Slide it in now." She practically begged.By that point I was thinking with my dick and willingly leaned into her, allowing my cock head to spread her lips and slowly push into her cunt. I let out a quiet moan as I felt my head expand her tunnel and pass that first point of resistance. I felt her velvety smooth walls slowly engulf my shaft, teasing its length and the sensitive spot under my head, as I slowly pushed deeper into her. Finally I felt my head press against the end of her tunnel, nestling into a little pocket next to her cervix. Her whole tunnel seemed to squeeze me with just the right amount of pressure, resisting my efforts as I started to slowly pull back out."Oh yeah. That's what I want." She said quietly as I stopped with only the head of my cock inside her, and then pressed deep into her again.Right then I didn't care who was watching. I had my cock buried in a hot cunt and my hands were busy with both her tits and her clit. I cupped and stroked her tit and nipple, teasing first one and then the other, each growing harder and more puckered as time passed; meanwhile my other fingers were busy stroking her clit while my shaft slid in and out of her wet cunt."Oh Fuck Yes!" She hissed as her body began to tremble. "So fucking good!" She mumbled as my left thumb stroked across her exposed clit. Each time I pressed into her I allowed my thumb to stroke slowly across the hard nub, and then just when I was at the end of her tunnel I would rub it in small circles until I pulled back down her tunnel.I continued to work her cunt and nipples as her body shook, pushing her closer and closer to her impending orgasm. Her chest heaved and small beads of sweat began to collect in the sweet crevasse created by her sexy tits. My own climax was building with each second that I teased her closer to hers. Finally she began to spasm, her grunts and moans getting louder by the second as her body began to jerk uncontrollably. I felt her legs wrap around my waist, her heels pulling me deep into her as her whole body shook with spasms, control of her muscles giving way to her orgasm. Slowly her jerking and trembling passed and she pulled herself up until her tits were pressing into my chest and her lips were pressed against mine.The embrace was soft and hard at the same time, filled with passion and desire. She kissed me wetly for several minutes before finally releasing my neck and leaning back."God that was incredible, thank you." She whispered. "I wish I had time to play more. I could definitely get used to having this inside me." She said with a wiggle of her hips, moving herself on my still primed and hard cock. "But I need to get your food. Besides, I don't want to deprive your friend of getting some of this.""I'm not sure it's exactly what she has in mind." I said."Well, if she doesn't, I will. You won't go away unhappy. I pride myself on customer service." She said with a grin.

Why your camera's LCD screen keeps turning off and how to fix it.    Click here for a transcript: NYC Photo Safari Blog

How to optimize your camera LCD for better photos.   Click here for a transcript: NYC Photo Safari Blog

I sat down with Glenn Sandifer, who went from being a self-proclaimed "introverted only child" to a corporate leader with some fascinating stops along the way – including a stint at Samsung back when they were the "Dynex of their day" (his words, and if you're too young to get that reference, count yourself lucky). We dove into how growing up ping-ponging between family members and entertaining himself with video games and comics inadvertently prepared him for leadership. Glenn had me chuckling with his story of becoming a tech expert by practically living in libraries, learning the difference between plasma and LCD displays when most of us were just hoping our TVs would turn on. But what really got me was his take on modern masculinity and leadership – turns out there's a world of difference between being a manager who just keeps the ship afloat and a leader who actually steers it somewhere worthwhile. His insights on male friendship and community hit especially hard in our age of LinkedIn connections but real-world disconnection. Between his corporate wisdom and spiritual groundedness, Glenn makes a compelling case for measuring success not by the size of your PowerPoint deck (he's down to two slides now), but by how many people you help climb the ladder with you.About Glenn: Founder Glenn Sandifer has the current privilege of leading the world class Inside Sales and Client Sucess group at the second largest Global Security provider.  His strategic leadership and client-centric approach, lead to consistent conversion of inbound and outbound contacts, envied by the competition.  Glenn provides strategic support within the Global Marketing Team with a heavy focus on North American Markets. Whether it is supporting the Sales Operations components of the business or providing support to the Operations group, Glenn ensures value for the organization stays top of mind.  In 2018, Glenn Founded Glenn Sandifer Consulting with the aim of supporting SME and Local Enterprise Organizations in their efforts around Demand Generation, Lead Qualification, Lead Nurture and Client Success practices. Most clients were in the Home Service Verticals and enjoyed unprecedented growth during this time.  He is currenlty a member of Emblaze (formerly AA-ISP)  Wilson County and Nashville Black Chambers of Commerce. Glenn is also a proud member of the Gamma Phi Chapter of Omega Psi Phi Fraternity, Inc. Glenn is from Indiana, but currently resides in Nashville, Tennessee with his wife and two children. WebsiteLinkedInFaceBookInstagram

HETMA would like to thank Peerless for sponsoring us during ISE 2025!Peerless-AV is an industry-leading designer and manufacturer of audiovisual solutions, offering a comprehensive range of products including digital signage, outdoor displays, kiosks, and mounting systems. With a commitment to quality manufacturing, continuous innovation, and exceptional customer service, Peerless-AV provides reliable and functional solutions tailored to various industries such as corporate, education, hospitality, and government. Their customizable kiosks and SEAMLESS LED video wall integration program exemplify their dedication to meeting diverse client needs with cutting-edge technology.During ISE 2025, they are at Booth 3Q150, where they are showcasing:The new PR565ML3 Motorized Trolley, designed to safely mount, move and store the latest interactive displays up to 95” in education environments. This competitively priced trolley offers a height adjustable range from 1500 up to 1750mm controlled by touch with a safety lock.The main focus of the booth: dvLED. They are showing exclusive dvLED concepts that show the many design possibilities for this technology over traditional LCD and projection. They have an exclusive showing of their third generation Universal dvLED Mounting System, featuring a host of new enhancements that reduce install time by 50%. This has the slimmest profile on the market with depth adjustment doubled to 40mm.Our HETMA volunteers were excited to see products that make our daily workload smoother and our campuses sleeker. We believe technology managers will appreciate the flexibility of the products Peerless-AV offers.But don't just take our word for it!According to Beky Cann,Elevate the learning experience in classrooms and lecture theatres with flexible digital signage installations. In the ever-changing world of education, it's essential to incorporate the latest tools to enhance learning in classrooms, online, or around campus. Technology continues to play a pivotal role in innovation for education spaces.For those interested in learning more about Peerless and the products featured at ISE, head over to https://eu.peerless-av.com// and follow them on X: https://x.com/PeerlessAV and LinkedIn: https://www.linkedin.com/company/peerless-av/.

Why you should use your LCD screen.   Click here for a transcript: NYC Photo Safari Blog

In this episode Christian Kleine, an original member of Ableton, shares about the early days of the company and the evolution of Live. He details the development of features like MIDI implementation, Max for Live, and shares his involvement in creating instruments and effects like Meld, LFO, Echo, and more. Christian also talks about his music production process and the balance between technical work and artistic expression. Christian Kleine, an original member of Ableton since 2001, is an accomplished musician, producer, and software developer. He's been instrumental in shaping Ableton Live, contributing to key features like MIDI and Max for Live, and developing instruments and effects such as Meld, LFO, Envelope Follower, DrumSynths, Echo, and many others. Kleine is a solo artist and the creator of Max for Cats, including the OSCiLLOT modular system. His ability to merge technical innovation with artistic expression has made him a highly influential figure in music technology. Follow Christian Kleine below:https://www.instagram.com/christian__kleinehttp://www.christiankleine.comhttp://maxforcats.com https://bsky.app/profile/crk74.bsky.social   https://christiankleine.bandcamp.com https://x.com/maxforcats SPONSORED BY AUDIENT:Experience a new level of recording with EVO audio interfaces, featuring the revolutionary Motion UI control system and Smartgain technology. Designed to make recording easier than ever, EVO delivers award-winning preamps and advanced converters for a professional sound. With its vibrant full-color LCD screen, you'll have total control over every detail of your session.Learn more:  https://bit.ly/48iH47k Quickly grow your skills and learn with Abe, the Ableton AI Chatbot: https://www.liveproducersonline.com/ableton-chatbot Join the newsletter to get free Ableton content + early episode access:⁠⁠⁠https://www.liveproducersonline.com/newsletter

Nothing quite says the Appalachian Mountains like a potluck supper and friends sitting around telling old stories. Welp, that's exactly what happened recently! Kim Davis (major shout out to her!) was kind enough to feed us as we held one of our favorite episodes of the year. Join us for our THIRD "How (NOT) to Put on a Car Show!" - our listener Q&A episode where we answer YOUR questions about putting on carshows, cruise-ins and meets. Sit back and relax for the LONGEST episode ever. Nearly 4 and a half ours of answers and old stories from our star panel of show promoters, former and current! Listen to Don "Dizzy" Davis (The Sparks Sparks) as well as first time superstar guest Chris Wilson (The "Unleashed" Show from the late 2000s), as well as the usual LCD cast of Farva, Shay and LMC shed light on what to do - and what NOT to do - when it comes to putting on a successful event. Plus - LMC tries to quit cussing. Again. Once again, as always - thank y'all for wasting your time with us. It's such an honor to know that there are at least 8.5 of you out there who tune in and spend an evening or two on our virtual front porch. If it wasn't for you all out there, we wouldn't do what we do! (FYI: If you've NOT listened to Ep 94 - "A Wake Up Call!" and Ep 95 - "2025 Year in Preview!" yet, it's a great time to catch up before Friday evening as these three episodes definitely go hand in hand!)

War Tales: The Perfect Strategy Escape Discover War Tales, a low-fantasy strategy game blending elements of Dungeons & Dragons, XCOM, and Mount & Blade. Here's why it's worth your time:   Grim Medieval Charm: Navigate a world of mercenaries, plague, and survival with unique professions like fishing, brewing, and barding. Tactical Combat: Engage in turn-based skirmishes fueled by strategic resource management. Replayability: Explore diverse regions, playstyles, and storylines. Whether you're virtuous or villainous, the choice is yours! While some mechanics feel incomplete, War Tales offers incredible value at under $20, making it a must-try for fans of tactical RPGs.   GTA 6: Breaking the Price Ceiling? With GTA 6 rumors in full swing, anticipation builds for a new trailer on January 30th. But there's a twist—reports suggest a potential price point of $80 to $100.   Justified Hike? Rockstar argues its massive scope and development time warrant the premium price. Industry Ripple Effect: Could this normalize higher prices across all AAA titles? Consumer Backlash: Critics point to rising revenues from microtransactions and question the need for costlier base games. While GTA 6 may justify its price tag, its impact on future game pricing remains to be seen.   Nintendo Switch 2: Next-Gen Magic Awaits Nintendo fans, rejoice! The Switch 2 promises exciting upgrades and a stellar game library. Here's what we know so far:   Hardware Upgrades: Sleeker design, durable Joy-Cons, a larger LCD screen, and powerful Nvidia Tegra T239 processing. Quality-of-Life Features: Enhanced kickstand, 256GB storage, and DLSS tech for 1080p or 4K gaming. Launch Titles: New exclusives like Mario Kart 9 and Metroid Prime 4, plus ports like Final Fantasy 7 Remake and Elden Ring. With a rumored price of $300–$400, the Switch 2 balances innovation with affordability, making it a must-watch for Nintendo enthusiasts.   #GamingNews #WarTales #GTA6 #NintendoSwitch2  

Episode Highlights With Anjan KattaHis own experience with the pitfalls of modern technology The downside of so much blue light at all times of day and nightWhat the designer of LCD screens thought they would be used, and what he would have done differently if he had known we'd be using them this muchLight is a master signaling mechanism for hormone and circadian healthWhat are the most harmful negative impacts of modern technologyEvolutionary mismatch with modern technology The comparison of the evolutionary mismatch with sugarWhat flicker rate is, and why it's important to understand The real deal with blue light and how this confuses our nervous systemLight is the master switch for so many aspects of hormones and healthThe evidence that a lot of ADHD is a circadian dysfunction and how light comes into playWhat screen apnea is, and why it's an emerging termNature deficit disorder How screens affect even our breath rate and thus our nervous system The circadian-aligned computer he created that is blue-light-free, flicker-free, and usable in the sunshine Resources We MentionDaylight ComputerBONCHARGE light bulbsFlicker Free Bulbs

Merry Old Christmas, and welcome to the new year - straight from your friends in the hills and hollers of Eastern Kentucky! Join us for our annual "Year in Preview!" episode as we break in season 6 in a big way! We talk boomer boards, potential minitrucker of the year picks, what shows we look forward to the most, and more! The whole LCD family gets together once again and takes a look at the year ahead - joined by Dustin Buttery! *** EASTER EGG! LISTEN TO THIS EPISODE TO FIND OUT ONE OF THE TWO NEW TRUCKS ON THE UPCOMING 2025 LCD SHIRT ARTWORK!!!! *** This abundance of hillbilly enlightenment drops at 7pm tonight. That gives y'all time to listen to Episode 94 - a Wake up Call with Glenn brown - an episode that is really blowing up and worth a first (or second) listen! For 2025, a sincere thank you - so much appreciation for y'all taking the time to put up with us. Without everyone of you'ins who has pulled a rocking chair up to our virtual front porch from time to time and shucked a bean or two with us in the last 5 years, our deepest and most sincere gratitude. Without y'all - we would have probably been a political podcast! Thanks to y'all for keeping us on the straight and narrow, and we promise to keep providing you unbiased, blunt, honest, sometimes humorous and occasionally offensive old and new minitruck content for years (weeks?) to come!

Sometimes, love can be tough. Especially among family. This episode STARTED OUT as a 2024 recap. What it ended up was ... a totally different direction and focus. We feel a needed one for some. In this scene we love, those of us who are lucky enough to have been a part of this ol' minitruckin' world for a long, long time - we have seen people, trucks and shows come and go. More times than we care to count. Welcoming newcomers into the scene is part of what makes minitruckers... well, minitruckers. We all start somewhere! But sometimes - people don't try to be a part of the scene for the right reasons. Sometimes, they want to be but just don't know how to follow that path respectfully - or at all. We talk about that this time. All of it. It's harsh. Sometimes fairly brutal. But if you or your show is worth being mentioned? Chances are it's because you have likely earned a position of respect from us or our guests and deserve some blunt honesty - and critique is not an insult, but designed to shape things in a more positive manner. Join the legendary Glenn Brown and the full cast of LCD podcast (with a triumphiant return by Farva!) as well as Glenn's son Gavin losing his LCD virginity live on air, as we discuss shows that we feel could've done better recently. This is tough love- but understand it comes from family. We want the scene to be better as a whole and sometimes, it may need some work. Some of you may get your feelings hurt, and for that, we are sorry. For those willing to listen to a small group of old minitruckers, most of which aren't even that well known, provide some thoughts on the trajectory of your event (and even with suggestions to make them better) ... well, then, consider this episode a wake up call.

Video podcasting offers unique advantages and challenges, making it essential for creators to weigh the pros and cons before diving in. While video can enhance engagement through visual cues and body language, audio podcasts provide greater portability and simplicity in production. Dave Jackson explores the contrasting benefits of both formats, highlighting that audio often leads to better memory recall and a more personal connection with listeners. As the landscape of podcasting evolves, particularly with platforms like Spotify and YouTube gaining traction, understanding the implications of these choices is crucial. By the end of this discussion, you'll be equipped with insights to decide whether to integrate video into your podcasting strategy.Takeaways: Video podcasts can enhance audience engagement through visual cues and body language, creating a more relatable experience. Audio podcasts offer greater portability for multitasking, making them ideal for commuting or exercising. The production of audio podcasts is simpler, requiring less equipment and allowing more casual guest appearances. Completion rates for audio podcasts tend to be higher than those for video podcasts, indicating better listener retention. YouTube and Spotify compete for podcasting dominance, but each has different monetization challenges. While video can expand audience reach, it also incurs additional production costs and time commitments. Links referenced in this episode:schoolofpodcasting.comaskthepodcastcoach.comPodnews Weekly ReviewPodcast IndexMedia Round TableSound Off Podcastmixlr.comSweetwater (aff)Sounds ProfitableGear MentionedViltrox 2 pack LCD with remoteNewer 2 Light LCD with RemoteRode Wireless Mico lavalier MicrophoneMentioned in this episode:What Is Your Favorite Podcast in 2024 and WHY?If you could only pick ONE show as "Your favorite in 2024" Here is what I need: The name of the show. The website address. A little bit about it, and then go AS LONG AS YOU WANT as to WHY it is your favorite. Then tell us your show's name, the website address, and a little bit about it (so I can add you to the show notes).Question of the MonthWorry Free PodcastingAre you ready to take your podcasting dreams to the next...

Could Apple be ramping up its efforts to bolster itself in the smart home market? Apple released Final Cut Pro 11 with new features. The M4 MacBook Pro quietly got a quantum dot display over an LCD display. And Apple releases updates to iOS 18 and macOS that you should update to if you haven't yet! Apple's next device is an AI wall tablet for home control, Siri and video calls. Apple's fiscal 2024 in charts. Apple releases updates to Final Cut Pro and Logic Pro for the Mac and iPad. Apple quietly gave the M4 MacBook Pro a quantum dot display. Apple faces UK 'iCloud monopoly' compensation claim worth $3.8 billion. Apple removes another RFE/RL app at request of Russian regulator. Apple releases iOS 18.1.1 with 'important security fixes' for iPhone. PSA: iPhone users receiving AppleCare+ refunds multiple years after Apple trade-in. Top execs explain Apple's chip philosophy: 'We are not a merchant silicon company, trying to leave nothing on the table'. Apple offers $100M to undo Indonesia iPhone 16 ban. Trump's tariff proposal could add $240 to the cost of an iPhone. Here's the math. Discriminatory job ads for iPhone workers ended after Reuters report; Apple didn't comment. Apple now sells its own Apple News ads for the first time. Apple shares the most popular podcasts of 2024. Apple debuts The Weeknd: Open Hearts, the first-of-its-kind immersive music experience for Apple Vision Pro. Porch pirates appear to be accessing AT&T data to track iPhone deliveries. Apple seemingly discontinuing lightning to headphone jack adapter introduced alongside iPhone 7. Picks of the Week: Alex's Pick: Kondor Blue USB-C Mobile Andy's Picks: Charlie Brown Thanksgiving & Feedbin Jason's Picks: ReadKit & Unread Hosts: Leo Laporte, Alex Lindsay, Andy Ihnatko, and Jason Snell Download or subscribe to MacBreak Weekly at https://twit.tv/shows/macbreak-weekly. Get episodes ad-free with Club TWiT at https://twit.tv/clubtwit Sponsors: 1password.com/macbreak zocdoc.com/macbreak