Podcasts about Polaroid

Tony Bible shares his humble beginnings, his writing inspirations, and his love for football and role-playing games. We delve into the intriguing tale of 'The Photo Jumper,' where protagonist Allister McClamroch transports himself into photographs in an attempt to solve his best friend's murder. Join us in a discussion about world-building, time travel, and the implications of an AI-driven future where everyone could potentially be a photo jumper. Books of his we discuss: Photo JumperFurther info on this and other episodes can be found at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlternateFutures.co.uk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you're on Wordpress.com, you can follow the podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alternatefuturespodcast.wordpress.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Finally, you can also find the podcast, and follow my articles on science fiction, socio-technological issues, and futurism at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alternatefutures.substack.com⁠⁠

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 Intro 2:10 CAM JOINS 7:25 COSTUME REVEALS 10:19 FABLETICS 12:03 CAM'S EMBARRASSING FIELD TRIP 21:10 STAY IN CHARACTER 24:57 PEYTON'S LOOSE UNDIES 27:21 BROOKLYN BEDDING 28:45 MAMA LIV'S MOOSE 32:47 17TH DOOR HAUNTED HOUSE 40:51 FUM 42:13 CRAZY MORNING ROUTINE CHALLENGE 53:52 SHOPIFY 55:41 MOAB 240 1:06:36 CAM'S INFECTED TOES 1:09:22 BOOKING.COM 1:10:44 THE LOUVRE HEIST 1:17:20 TRUE CLASSIC 1:18:54 CORNIEST JOKE 1:21:36 HALLOWEEN WOULD YOU RATHER 1:26:10 ANNOUNCEMENTS Todays Sponsors: Fabletics - Go to http://fabletics.com/YSK and sign up as a VIP and get eighty percent off everything. Brooklyn Bedding - Go to http://brooklynbedding.com and use my promo code YSK at checkout to get 30% off sitewide. This offer is not available anywhere else. Fum - Head to https://www.tryfum.com to Start with Zero. Shopify - Sign up for $1 per month trial and start selling today at http://shopify.com/ysk Booking.com - Don't miss out on consistent bookings and global reach. Head over to https://Booking.com and start your listing today. True Classic - Upgrade your wardrobe and save on @trueclassic at http://trueclassic.com/ysk ! #trueclassicpod YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

a seconda puntata di questa nuova stagione ci ha riempiti di orgoglio e di musica vera!

Tara Calico was a 19-year-old college student from Belen, New Mexico, who went missing on September 20, 1988. That day, she set out on her daily bike ride along New Mexico State Road 47 but never returned. Tara's case became nationally known due to a mysterious photograph that surfaced a year later, showing a young woman resembling Tara bound and gagged in the back of a van alongside a young boy. The Polaroid was found in a parking lot in Florida, nearly 1,500 miles from where she disappeared.Despite extensive investigations and a few potential leads over the years, Tara's case remains unsolved. Her disappearance has led to numerous theories, ranging from abduction to murder, and the photograph sparked intense public speculation. In 2008, local sheriff's officials suggested they had evidence linking two men to Tara's case, but no arrests were ever made, and no conclusive evidence was found. Tara's mother believed for years that the woman in the Polaroid was indeed her daughter, but forensic analysis has yielded conflicting results.(commercial at 9:17)to contact me:bobbycapucci@protonmail.comsource:https://allthatsinteresting.com/tara-calicoBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

These sightings, centered on a Florida contractor named Ed Walters. His story began quietly on the evening of November 11, 1987, when he claimed to see a glowing disc-shaped object hovering above his neighborhood in Gulf Breeze, Florida. Armed with a Polaroid camera, Walters captured a series of photographs that quickly became some of the most widely circulated UFO images of their time.Listeners will hear how Walters' initial encounter sparked a wave of reports throughout the Gulf Coast community. Over the following months, he said the mysterious craft returned again and again, sometimes following him in his car, sometimes appearing over his house. He described beams of blue light, encounters with small glowing beings, and even telepathic communication from what he called “the visitors.”The episode traces the chain of events that followed: how local newspapers published his photos under the alias “Mr. X,” how national media descended on the small coastal town, and how organizations like MUFON (the Mutual UFO Network) sent investigators to examine the evidence. Optical physicist Dr. Bruce Maccabee would later analyze Walters' Polaroids and conclude they showed no signs of manipulation. For many UFO researchers, the Gulf Breeze photos were the clearest visual record of a possible alien craft ever captured.But the story did not end there. Two years later, a model of a flying saucer, eerily similar to the craft in Walters' pictures, was discovered in the attic of his former home. Reporters replicated his photos using the model, sparking fierce debate over whether the Gulf Breeze images were genuine or fabricated. Walters denied any connection, insisting the model had been planted to discredit him.Through archival recordings, eyewitness accounts, and interviews with investigators, this episode examines how the Gulf Breeze case evolved from a local mystery into a national phenomenon. We'll also look at the cultural moment it created — a time when ordinary people with cameras were suddenly thrust into the center of the UFO conversation.Was Ed Walters documenting a genuine visitation, or did the story become larger than the truth?  https://www.pastliveshypnosis.co.uk/https://www.patreon.com/alienufopodcastMy book 'Verified Near Death Exeriences' https://www.amazon.com/dp/B0DXKRGDFP Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Bentrovate e bentrovati a una nuova puntata del podcast di “Memoria polaroid – un blog alla radio”, la trasmissione in onda ogni settimana da Bologna, sulle frequenze di NEU Radio. Tutta una volata da Glasgow a Malmö, da Bristol a Jakarta, con il prezioso supporto di Benty e della sua rubrica “Troppa Braga”, ed ecco … Continua a leggere “Memoria polaroid” – un blog alla radio S25E03

There's a ubiquitous prop in just about every police procedural and conspiracy thriller: a cork board pinned with documents, newspaper clippings, and Polaroid photos, all connected by a web of red string. They go by many names, including pin boards, string boards, evidence boards, investigation walls, conspiracy walls, and walls of crazy. These boards can be vehicles of insight or manifestations of madness—and in many cases, both. But where did they come from? And can they really solve a crime? In this episode, we try to unwind the red string board all the way to its center. To aide in our investigation, we enlist the help of Aki Peritz, a former CIA analyst and the author of Disruption: Inside the Largest Counterterrorism Investigation in History. You'll also hear from Shawn Gilmore, editor of The Vault of Culture and creator of the Narrative String Theory project; and Dr. Anne Ganzert, author of Serial Pinboarding in Contemporary Television. And we learn about the intricacies of building a string board from production designers Michael Scott Cobb (It's Always Sunny in Philadelphia) and John D. Kretschmer (Homeland). This episode was written and produced by Evan Chung, Decoder Ring's supervising producer. It was edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Max Freedman. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Benson, Richard. “Decoding the Detective's 'Crazy Wall',” Esquire, Jan. 22, 2015. Coley, Rob. “The case of the speculative detective: Aesthetic truths and the television ‘crime board',” NECSUS, May 28, 2017. Ganzert, Anne. Serial Pinboarding in Contemporary Television, Palgrave Macmillan, 2020. Gilmore, Shawn. “Narrative String Theory,” The Vault of Culture. McGarry, Andrew. “Did Orwell's nightmare Nineteen Eighty-Four inspire the Snowtown murders?” Australian Broadcasting Corporation News, May 21, 2019. Peritz, Aki. Disruption: Inside the Largest Counterterrorism Investigation in History, Potomac Books, 2021. Peritz, Aki. “The FBI Is Going Crazy-Stringboard Crazy,” Slate, Feb. 1, 2022. Stiehm, Jamie. “My So-Called Bipolar Life,” New York Times, Jan. 17, 2012. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's a ubiquitous prop in just about every police procedural and conspiracy thriller: a cork board pinned with documents, newspaper clippings, and Polaroid photos, all connected by a web of red string. They go by many names, including pin boards, string boards, evidence boards, investigation walls, conspiracy walls, and walls of crazy. These boards can be vehicles of insight or manifestations of madness—and in many cases, both. But where did they come from? And can they really solve a crime? In this episode, we try to unwind the red string board all the way to its center. To aide in our investigation, we enlist the help of Aki Peritz, a former CIA analyst and the author of Disruption: Inside the Largest Counterterrorism Investigation in History. You'll also hear from Shawn Gilmore, editor of The Vault of Culture and creator of the Narrative String Theory project; and Dr. Anne Ganzert, author of Serial Pinboarding in Contemporary Television. And we learn about the intricacies of building a string board from production designers Michael Scott Cobb (It's Always Sunny in Philadelphia) and John D. Kretschmer (Homeland). This episode was written and produced by Evan Chung, Decoder Ring's supervising producer. It was edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Max Freedman. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Benson, Richard. “Decoding the Detective's 'Crazy Wall',” Esquire, Jan. 22, 2015. Coley, Rob. “The case of the speculative detective: Aesthetic truths and the television ‘crime board',” NECSUS, May 28, 2017. Ganzert, Anne. Serial Pinboarding in Contemporary Television, Palgrave Macmillan, 2020. Gilmore, Shawn. “Narrative String Theory,” The Vault of Culture. McGarry, Andrew. “Did Orwell's nightmare Nineteen Eighty-Four inspire the Snowtown murders?” Australian Broadcasting Corporation News, May 21, 2019. Peritz, Aki. Disruption: Inside the Largest Counterterrorism Investigation in History, Potomac Books, 2021. Peritz, Aki. “The FBI Is Going Crazy-Stringboard Crazy,” Slate, Feb. 1, 2022. Stiehm, Jamie. “My So-Called Bipolar Life,” New York Times, Jan. 17, 2012. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's a ubiquitous prop in just about every police procedural and conspiracy thriller: a cork board pinned with documents, newspaper clippings, and Polaroid photos, all connected by a web of red string. They go by many names, including pin boards, string boards, evidence boards, investigation walls, conspiracy walls, and walls of crazy. These boards can be vehicles of insight or manifestations of madness—and in many cases, both. But where did they come from? And can they really solve a crime? In this episode, we try to unwind the red string board all the way to its center. To aide in our investigation, we enlist the help of Aki Peritz, a former CIA analyst and the author of Disruption: Inside the Largest Counterterrorism Investigation in History. You'll also hear from Shawn Gilmore, editor of The Vault of Culture and creator of the Narrative String Theory project; and Dr. Anne Ganzert, author of Serial Pinboarding in Contemporary Television. And we learn about the intricacies of building a string board from production designers Michael Scott Cobb (It's Always Sunny in Philadelphia) and John D. Kretschmer (Homeland). This episode was written and produced by Evan Chung, Decoder Ring's supervising producer. It was edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Max Freedman. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Benson, Richard. “Decoding the Detective's 'Crazy Wall',” Esquire, Jan. 22, 2015. Coley, Rob. “The case of the speculative detective: Aesthetic truths and the television ‘crime board',” NECSUS, May 28, 2017. Ganzert, Anne. Serial Pinboarding in Contemporary Television, Palgrave Macmillan, 2020. Gilmore, Shawn. “Narrative String Theory,” The Vault of Culture. McGarry, Andrew. “Did Orwell's nightmare Nineteen Eighty-Four inspire the Snowtown murders?” Australian Broadcasting Corporation News, May 21, 2019. Peritz, Aki. Disruption: Inside the Largest Counterterrorism Investigation in History, Potomac Books, 2021. Peritz, Aki. “The FBI Is Going Crazy-Stringboard Crazy,” Slate, Feb. 1, 2022. Stiehm, Jamie. “My So-Called Bipolar Life,” New York Times, Jan. 17, 2012. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

There's a ubiquitous prop in just about every police procedural and conspiracy thriller: a cork board pinned with documents, newspaper clippings, and Polaroid photos, all connected by a web of red string. They go by many names, including pin boards, string boards, evidence boards, investigation walls, conspiracy walls, and walls of crazy. These boards can be vehicles of insight or manifestations of madness—and in many cases, both. But where did they come from? And can they really solve a crime? In this episode, we try to unwind the red string board all the way to its center. To aide in our investigation, we enlist the help of Aki Peritz, a former CIA analyst and the author of Disruption: Inside the Largest Counterterrorism Investigation in History. You'll also hear from Shawn Gilmore, editor of The Vault of Culture and creator of the Narrative String Theory project; and Dr. Anne Ganzert, author of Serial Pinboarding in Contemporary Television. And we learn about the intricacies of building a string board from production designers Michael Scott Cobb (It's Always Sunny in Philadelphia) and John D. Kretschmer (Homeland). This episode was written and produced by Evan Chung, Decoder Ring's supervising producer. It was edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Max Freedman. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Benson, Richard. “Decoding the Detective's 'Crazy Wall',” Esquire, Jan. 22, 2015. Coley, Rob. “The case of the speculative detective: Aesthetic truths and the television ‘crime board',” NECSUS, May 28, 2017. Ganzert, Anne. Serial Pinboarding in Contemporary Television, Palgrave Macmillan, 2020. Gilmore, Shawn. “Narrative String Theory,” The Vault of Culture. McGarry, Andrew. “Did Orwell's nightmare Nineteen Eighty-Four inspire the Snowtown murders?” Australian Broadcasting Corporation News, May 21, 2019. Peritz, Aki. Disruption: Inside the Largest Counterterrorism Investigation in History, Potomac Books, 2021. Peritz, Aki. “The FBI Is Going Crazy-Stringboard Crazy,” Slate, Feb. 1, 2022. Stiehm, Jamie. “My So-Called Bipolar Life,” New York Times, Jan. 17, 2012. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Polaroids, You Can't Rush ‘Em” Ever try to shake a Polaroid picture to make it develop faster? (Yeah, we all did.) Spoiler alert: it doesn't work — and neither does rushing God's timing. Listen in and rediscover how to trust the One who's still developing your story, one frame at a time. Links in comments.

Anne Ganguzza sits down with Billy Collura, a powerhouse agent with over 30 years at CESD New York. Billy shares his unique perspective on the dramatic evolution of the voice acting industry, from the early days of union-only radio spots to the current market dominated by non-union and digital opportunities. This conversation provides essential insight into the biggest voice acting trends that have shaped the industry and reveals the simple, authentic quality that makes a voice actor successful today. 00:03 - Anne (Host) Hey guys, it's Anne from VO Boss here.  00:06 - Speaker 2 (Announcement) And it's George the Tech. We're excited to tell you about the VO Boss. Vip membership, now with even more benefits.  00:12 - Anne (Host) So not only do you get access to exclusive workshops and industry insights, but with our VIP plus tech tier, you'll enjoy specialized tech support from none other than George himself.  00:23 - Speaker 2 (Announcement) You got it. I'll help you tackle all those tricky tech issues so you can focus on what you do best Voice acting. It's tech support tailored for voiceover professionals like you.  00:34 - Anne (Host) Join us guys at VO Boss and let's make your voiceover career soar. Visit vobosscom slash VIP-membership to sign up today.  00:43 - Speaker 3 (Announcement) Slash VIP-membership to sign up today. It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss, a VO boss. Now let's welcome your host, Anne Ganguzza.  01:08 - Anne (Host) Hey everyone, Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I am thrilled to welcome someone who truly defines what it means to be a powerhouse in the voiceover industry. With more than 30 years at CESD New York, Billy Collura has been at the forefront of commercials and beyond, representing talent with a direct and grounded approach that has earned him the trust of clients and voice actors alike. I think it's fair to say that he doesn't just follow the changes in the business. He really helps to shape them. So, Billy, I am so excited to have you here on the podcast.  01:44 - Billy (Host) Thank you for asking me. Yeah, this is so nice, yeah.  01:47 - Anne (Host) Yeah, I love it, and of course we're like on opposite coasts here, so you're on my home coast and so I do miss New York quite a bit and we did have a little.  01:58 - Speaker 2 (Announcement) How often do you get out here, pardon me, do you get out here often?  02:00 - Billy (Host) Do you ever get out. You know what?  02:01 - Anne (Host) Not as often as I should. I really have now started to say I'm only coming out during the warm season because I'm done with the snow. Yeah, I hear you. But I would imagine like do you travel like elsewhere in the wintertime in New York, Because I know I stay here.  02:22 - Billy (Host) I travel a lot in general um during the course of the year, but um you know, I right now I'm upstate in well. I'm up in the Hudson Valley and in the city of Hudson, which is two hours North of Manhattan, so I go back and forth Um in the winter time. No, I'm usually, I don't know, I'm usually in the Northeast sometimes.  02:43 - Anne (Host) Okay, Are you a skier? Are you a skier? No, absolutely not, Absolutely not. That was, that was what a lot. What kept a lot of people on the East coast? Um, in my area anyways, they're like oh no, I have to be able to ski in the winter.  02:56 - Billy (Host) No, I don't like the cold.  02:57 - Anne (Host) Well, I have a. I have a mountaineer in California, Uh huh.  03:00 - Billy (Host) Uh-huh.  03:02 - Anne (Host) Oh my gosh. Well, anyways, it's so nice to see you again. It's been a while. I saw you at VO Atlanta and I'm just really thrilled that I have the opportunity to talk to you. I know how busy you are, but I'm just so excited that the bosses are going to get this opportunity to really benefit from your wisdom. And so, benefiting from the wisdom speaking of that, you've been at CESD for over three decades. Um, that's, that's amazing. So how would you say that your role as an agent has evolved during that time?  03:37 - Billy (Host) Well, you know like it started when I started. Um, it'll be. Um, it'll be 32 years in May. Oh my gosh, when I started, voiceover was a smaller industry and I dabbled in a little bit of everything, okay.  03:55 - Speaker 2 (Announcement) I did commercials.  03:57 - Billy (Host) There really wasn't. There was no internet back then. So we did radio and TV commercials and industrials and I'm not even sure cable was around when.  04:08 - Anne (Host) I started. I hear you. You know we didn't have computers, any of that.  04:13 - Billy (Host) So we did a little bit of everything. And then, you know, and promos, promos were a thing, and narration and trailers, and so, you know, we did a little bit of all of that. And then, as the industry kept getting bigger and bigger, we started specializing. And all of a sudden, in animation, I dabbled in gaming, but I also, you know, but pretty much my focus was commercials, because that's where the money is, you know, and that was the day where it was just, you know, it was just TV and radio, and you made the actors made a lot of money. Yeah, it was only union, we only worked on union jobs. And now fast forward to now, where 60% to 70% of my desk is non-union. We started doing non-union in 2019. Okay, the union opportunities have pretty much dried up, and I say that, but it's ebb and flow.  05:22 I mean right now this year it was a slow summer for some reason. It was like the old days, it was really slow and I mean that union and non-union. And then I go away on vacation and it just like exploded while I was away and I've been and since then I've been playing catch up and it's been so busy with union, lots of union stuff with non union. Yeah, so it's been great there.  05:49 Yeah. So I mean that's changed and I guess for me what's changed for me is because now I specialize much more on commercials. I do have a few non-union accounts, but I have my large union study accounts, steady accounts. Um, so most of my work, uh is you know, is in the commercial world. I also happen to handle the audio books, but I always say I'm not an audio book agent. I'm the agent at CESD that handles the audio books.  06:18 - Speaker 2 (Announcement) So it's a little difference.  06:20 - Billy (Host) Um so, but the audio book, what I do love about it. You know an an an agent who left um cause she was having. She got married and had babies and she said, take the audio books. They're the nicest people in the world. And I got to say they really are, and so I've kept it.  06:36 I love it. The people are so nice. Um, I really, really enjoy it. So that you know, so I I've been doing that. I also do ADR and loop group stuff, again very specialized, and there really aren't a lot of industrials. Now I know some of the other. I'm one of five, six agents in the department and then there's another two agents that work with agencies that cater to medical industrials.  07:04 - Speaker 2 (Announcement) So they're doing I don't do personally.  07:05 - Billy (Host) I don't do a lot of industrials. I think a lot of the industrials have gone to the pay-to-play sites, so but the union stuff, the medical ones, they are still at the big agencies. I just personally don't happen to have those. I would say maybe the commercial aspect of right Healthcare like pharmaceuticals and that sort of thing is huge and more and more of those blue chip companies are going non-union and those rates are you know.  07:34 - Anne (Host) Sure. What do you attribute that? Why is that happening? What do?  07:39 - Billy (Host) you attribute it to is when it started, when digital work started happening, and these great companies, the Droga5s and there was so many, that's just the first one they were doing great work with the digital work. You know, they were just with stuff before even streaming, when they were just doing they were making commercials for digital work and they were doing fine work. They were doing really good work and these companies, these blue chip companies, were saying, hey, you did that for this much money, why don't you just take all of our network stuff? And that's how I remember, like 10, 12 years ago, a large fast food chain started going, you know, went totally non-union. And then the large fast food chain started going, went totally non-union.  08:25 Then there would be some that because they had a celebrity voice on certain spots, and then they would get a third party and more and more I feel like these agencies, these digital agencies, just kept getting better and better at it and the actors were getting better and better at it. And it's not like the cable stations that you see up here that you know these infomercial things that you know that you can tell it's non-union. You know I've fallen and I can't get up kind of stuff. These. They're doing great work.  08:56 - Anne (Host) I can't tell, are they doing great work because they have great actors or are they doing great work because the entire production value of it?  09:05 - Billy (Host) Yes.  09:06 - Anne (Host) Yes, yes, you know, people are getting better at it.  09:09 - Billy (Host) The voiceover people certainly, and it's not even I mean the voiceover so many people. Covid just changed the game and everybody you know voiceover was the one business in town that didn't shut down during.  09:23 - Speaker 2 (Announcement) COVID.  09:24 - Anne (Host) And every I always say every jaboni with a mic, you know, just set up a studio at home and said I'm going to do voiceover, and not only you know they were well-established Broadway and TV and film you know everybody was doing it and that's and that's so interesting because I would say the majority of people that you know cause I was I was super busy coaching during COVID and I just had so many people that just wanted to like make the demos and get into the industry. But I had a lot more of the talent that were more beginner right to intermediate. But I would imagine that with COVID, with celebrities right them wanting to get into voiceover because what else was there? Because they weren't able to go into a studio, and so I would say that a good portion of that, I would say a good portion of people that were getting those jobs, were probably the celebrities right.  10:27 - Billy (Host) Absolutely coaching. You know they just kept getting better and better at it. And you know, and, and we're willing to work for low wages, I mean that's the other thing. And you know we always say somebody takes a job for $100. You know it's just a race to the bottom. Yeah, you know, if you're gonna add, because you know we don't work on the non union stuff, we don't work on the non-union stuff, we don't work on certain things. I won't work on stuff just because it's not worth my time.  10:48 - Anne (Host) Sure.  10:49 - Billy (Host) And I don't mean to be like, oh, but $250 is a lot to some people. Oh yeah, for all the work that I have to go into it, for me to do it and have my assistant do it and doing the editing to maybe get it, it's just not worth it. But I do. I mean that's usually. My threshold is 250.  11:10 - Anne (Host) And I understand that because I always tell people, because I do a lot of non-broadcast narration, coaching and demos, and I'm always telling people they're like, well, I want an agent. I'm like, well, an agent doesn't get excited about non-broadcast stuff because it's a one and done thing. You don't make your money on that, and so typically you want to have a tip top commercial demo because that's where they're going to be making their money with the residuals and and that sort of a thing. So would you do? You think it has to do with the sheer volume of people that got into voiceover as well. If you've got enough, you know, if you throw spaghetti against the wall right there, some of them will stick. And so then I started to drive down. I'm going to say it started to drive down maybe the prices, uh, or people willing to do the work for less, because it just got to be competitive.  11:56 - Billy (Host) It did.  11:57 There's so many people doing it now, so many people, and especially in the non-union world, there's so many opportunities out there and you know, with the pay to plays and I've kind of changed my tune a little on the pay to plays and I kind of see they're there for a reason. They're a great, you know, tool for learning, for getting the experience, for the auditioning. And I and I learned recently when I was at a conference in Holland and met the CEO from Voices 123. And I learned that they love to put people together and to put the actor and the company together. Take it off the platform and do your thing.  12:41 They don't want to micromanage, like there are other pay-to-plays that micromanage everything.  12:45 But I really found that you know, oh, that's really nice, and then people can make money that way. They're not interested, they're just interested in making the match. So, but, that being said, there are so many people that are doing this now and, yeah, driving down the prices because you know, they may be this may not be their full-time gig, it just may be a side hustle for them. So, yeah, sure, an extra $200, an extra $100, an extra $350. That can accumulate. But unfortunately then they're like well, you did it last time for $100. Why can't you? So it's hard, it's hard.  13:21 - Anne (Host) It is, but would you say that the amount of jobs is diminishing or no, it's just as volume you know, I don't see volume as normal.  13:33 - Billy (Host) I'm busy, you know, but I don't know, like, like I said, this summer was slow with the opportunities, with the, with the auditions. I find that my casting directors, my union casting, just my casting directors in general, um, they, you know, I have some that are busier than others, some I will hear from, you know, once every other month, and then some I will hear from three or four times a week. You know, um, so it's and it's all you know. There's no logic to it.  14:03 - Anne (Host) And then on the um isn't that the truth. Yeah, and then um after all these years, wouldn't you think like you could? You could predict, you know.  14:14 - Billy (Host) I would say to actors you know, I'm not booking, it's just one phone call, it's one job, don't forget. They're only picking one person, but yeah, yeah, picking one person. You, yeah, you know, only picking one person you know and you don't know.  14:25 - Anne (Host) That's a way to put it in perspective. Actually, if you think about it, but in 400,.  14:30 - Billy (Host) You know how many people are auditioning.  14:31 That's why with select VO. You know that only allows you X amount of people to submit. So if they, if the agency says, if they invite you and they say you can only submit three people per role, they won't let you submit a fourth person. So you really have to be smart and we're not the type of agency that will send you know to ten people and then, sophie's Choice, the three that I want. You know, I don't believe in that. I don't. I feel it's a waste of time of the actor. It's certainly a waste of time for my assistant and for me to have to listen to, then you have to listen to them Exactly.  15:10 - Anne (Host) What's the point, you know, and so that translates to me to a good relationship with everybody that's on your roster, absolutely, that that knowledge of their capabilities and you can communicate, uh, back and forth to make sure that the two of you are are, you know, keeping up with one another, and you would be the one that say, okay, I'm going to handpick this audition and send this to this many people, because you're the one that has to do the work right To send it the top three, to the. So the client.  15:43 - Billy (Host) Yeah, absolutely so. It's my reputation and there are some casting directors that you know they will.  15:48 I will submit a list and they will pick who they want to hear you know, back up, if I lose, or if we lose somebody, who else would you like? Or, you know, sometimes they'll say these are the three I want to hear. Send me one of your choice that maybe I, somebody, I don't know, um, and then there are certain casting directors that will micromanage and they have to. They, you know they will only see these people and they're, you know, not flexible. But it just kind of makes me a better agent.  16:14 - Anne (Host) That's why we're.  16:15 - Billy (Host) Cesd is an exclusive agency. We don't oversign in the union or non-union world. We're still building up our non-union roster. You know we're still doing that, but that's where we have the most amount of opportunities. You know, in the non-union world, Sure, Plain and simple.  16:34 - Anne (Host) Absolutely, absolutely. So what would you say after all these years? What's kept you loving your job?  16:42 - Billy (Host) Because it's different every day. You know, that's the— that's the thing. I never know what's ahead of me. So I, you know, I just love. Every day there's some, there's a new challenge, there's something new. Also, recently I have a new assistant who I adore and I love teaching him. He's a little sponge and he wants to learn.  17:09 And so that kind of inspires me to want to teach him, and you know so that that is. I guess that's the difference, and also being able to, because the business has changed. Remotely, you know, I can start earlier, I'm not in the office, I I can work later, you know. It just kind of like the whole. It's such I don't want to say a relaxed, but I feel I feel more relaxed Now. It could be because I've been doing this for a hundred years, but I just feel relaxed, I enjoy what I do. I don't feel the pressure. I don't feel like there's no such thing as a voiceover emergency If somebody screws up or, you know, if I've given you know there's no such thing.  17:51 - Anne (Host) Bravo to that. I always say there's never a VO emergency.  17:54 - Billy (Host) No, there's never a first you know, if something went wrong, don't freak out. How?  17:59 - Anne (Host) do we fix it? How do we?  18:00 - Billy (Host) fix it, that's all you know.  18:02 - Anne (Host) Now, that's from your perspective. What about your client, your casting director? Your client's perspective? Are there VO emergencies? Yeah, there could be, that's on them, not on me. Yeah, okay, I love that.  18:13 - Billy (Host) I don't, you know, I wanna help fix the problem, you know, sure so. And I mean, yeah, you know, it's always something. Fortunately I haven't had any of those emergencies in a while. But you know, the other night I was it was nine o'clock my time and an LA. It was an LA agency booking a client. She happened to be on the West coast, so it worked out okay, but it was nine 30. And I was like you know, I'm old, I can't stay up. And then I thought, and I got a text from the casting director she goes we want to book so-and-so. I left all the information on the email. So I was like, oh well, I have to finish Gilded Age, this episode, and then, as soon as I'm done, I will get on my computer.  18:56 - Anne (Host) I love it, that's great?  18:59 - Billy (Host) I guess yeah. So that's what keeps me going. The relationship with my clients, I don't. It's different because back in the day, actors used to come into the office to audition. West Coast was different because you guys were MP3ing long before, because you all wouldn't get in a car and drive a half hour to the studio.  19:20 - Anne (Host) But in New York, well, because of the traffic.  19:24 - Billy (Host) Yeah, yeah, and that's why you couldn't get to three auditions back in the day, but it was our job in New York to get you, you know, to get you from the Upper West Side down to Wall.  19:34 - Anne (Host) Street over to Midtown yeah, I know so many voice actors who still um go into studios to audition in New York. I mean, I almost don't hear about it anymore, except for well, I'm sorry, excuse me to go into the go on for booking.  19:48 - Billy (Host) No for bookings, they will.  19:49 - Anne (Host) They encourage that now but I have heard people in the last couple of years. I mean it's not every day, but sometimes they are going in. I don't know if it's to audition or if it's to actually do the job it's usually you know there's one or two the studios.  20:03 - Billy (Host) You know a couple of the studios that do auditioning, because that's what changed? Oh, okay, that makes sense, like all the advertising agencies that were in-house casting directors and those casting directors ended up going to the studios in New York and they have in-house casting directors, so they will encourage the Sonic Unions. The. Headrooms the Sound Lounges they will encourage hey, if the client is local to New York, boom, have them come in. Oh, that makes sense. And it kind of opened up because not everybody got SourceConnect especially our older clients.  20:40 It wasn't cost effective for them for that one audition every other month. It wasn't so the foreign language people, they weren't getting it because there weren't enough opportunities. But especially I I want to say the older clients they really weren't getting so this kind of opened up. If you lived in New York you could still send an MP3 and you're able to go to Sound Lounge for the booking that was always that's always a nice caveat.  21:06 - Anne (Host) So I'm sure people ask you this all the time. Commercial voiceover has changed, evolved over the years. Advertisers have changed how they buy and consumers have changed, I think, how they listen. What would you say is what sort of things have changed in terms of trends for commercial VO? What are you looking for now that maybe is different than what was relevant maybe five, even five or 10 years ago, Because I know probably you're going to say like 30 years ago it was more of that announcer sort of style, it was promo. But you know, maybe five, 10 years ago, what has changed?  21:43 - Billy (Host) You know, it was the, you know, when I first started. It was the time, when, you know, Demi Moore started with Keds and there was that raspy, damaged sound that has kind of you know, demi Moore started with kids and she there was that raspy damage sound that has, kind of you know, was such a thing for so long and our and I know our women back then, you know, were the most successful.  22:04 - Anne (Host) I coveted that which is not a part of my genetic makeup at all. I'm like I can't, I can't get a raspy.  22:11 - Billy (Host) No, if you don't, you know you can't put oh, I woke up with a, you know, with a sore throat today. I sound great I should audition. No, you shouldn't. Exactly. So that was. You know, that was always the thing and yeah, it was the rough and tough announcers and you know all those, all those guys, and then that kind of went away and it was the John Corbett kind of sound and he was you.  22:31 he stuck around for a long time as a prototype and now it's Paul Rudd and Rashida Jones and then. So those trends kind of changed. But then about 10 years ago, everything you know really were, it was people of color. You know they wanted voices for actors and that really opened up a wide, you know a wider net. There was no general market anymore because they used to say, you know, they were very specific, we want a Caucasian voice. But now you only see that if you're doing a demo for the on-camera and the on-camera actor happens to be a certain color. But they want authenticity. I remember you know getting. Now, everybody, especially in the union world, they want authenticity. I remember you know getting. You know everybody, especially in the union world, they all want to check boxes. You know, yeah, yeah, they, yeah, so they, you know it's all ethnicities. You know we want non-binary people and I'm like what does a non-binary person sound?  23:27 - Speaker 2 (Announcement) like I don't, it took me you know.  23:29 - Billy (Host) Then I realized oh, they don't really, they're just checking off boxes, but for the, you know, for the African-American community, they were in vogue. They were, you know, I would get breakdowns, all ethnicities, and the prototypes would be Viola Davis, Tiffany Haddish and Angela.  23:49 Bassett, Do the math you know, so that was a thing. And Angela Bassett do the math. You know, so that was a thing. And I think you know, I still think that that is happening. But I'm finding a trend like that is kind of changing, where general market is truly general market. Now they want, you know, it's everybody, it's everything.  24:09 - Anne (Host) That's great. Yes, I love to hear that.  24:12 - Billy (Host) That's the way it should have been, but unfortunately it was so the other way for so long and then it shifted and now it's kind of evening out.  24:21 - Anne (Host) Sure.  24:21 - Billy (Host) Sure, I don't know.  24:23 - Anne (Host) Well, I mean, that's what I was thinking would happen at some point. Right, it would even out and it's kind of nice to hear that that's happening.  24:31 I mean, I wouldn't want it to go another extreme you know, at all, you know, and especially because the world's a little chaotic right now and I know that it's affecting companies and their advertising, and so that to me says gosh, I hope that there's still as much opportunity for everybody as there ever was. And so that's just one of those things where I think if there was a slow part of the season, maybe it's people, you know. I think there's companies trying to gauge like what's happening and what's going to be what's going to work for them in terms of advertising.  25:08 And it's not so much the voice, but the whole, the whole thing, yeah, the whole, all of it On camera, all of it, all of it. How are they going to advertise it to be effective?  25:18 - Billy (Host) And I think you know, and I think that and this is just me I feel like voice wise, I feel that the union world is more tries to check the boxes, much more than the non-union world.  25:32 - Speaker 3 (Announcement) I truly than the non-union world.  25:33 - Billy (Host) I truly believe the non-union world they're gonna pick the best voice for the job, no matter what ethnicity you are.  25:41 I find, and I just because of the actors that I speak with, not only because I speak with my non-union actors in general so much more, just simply because there's so much opportunity there. But I notice, with my union actors I just don't A I don't really have that many opportunities for them. But you know it is. I speak to certain ones more, a lot more than the others. But I don't find that, I find it much broader in the non-union world. I mean it's a different and I've learned so much about the non-union world. I mean it's a different and I've learned so much about the, the non-union community and how. You know how different it is. I feel that it is much more I don't know how to say it. It's much more of a community, I feel.  26:27 I feel that they, they really are supportive of each other, they help each other. It's not as competitive or as petty competitive as it can sometimes be in the union world, it's just, and I think it's fabulous that they really everybody's out to help each other much more in that community.  26:52 - Anne (Host) Well, that's refreshing to hear. I like that from you, Absolutely. So then for you, for talent on your roster. What sort of qualities are you looking for in any talent that might appear on your roster? You know what's funny.  27:06 - Billy (Host) When I first started, you know, when COVID happened first thing, when I and I did a lot of these classes, first thing I was like, obviously the first thing was do you have SourceConnect? You know if?  27:17 - Speaker 2 (Announcement) you have SourceConnect, because so few?  27:18 - Billy (Host) people did.  27:19 - Anne (Host) You went right to the top of my list.  27:22 - Billy (Host) Yeah, if you had SourceConnect, and then it's, you know, and then it's just about reading the copy, and that's the same basic thing is, how do you read copy? Some of my most successful people, my white actors over 40, I have a couple of them and they just read copy. So well, I don't know what it is, they just they're just, they're just great they were. And so, yeah, there's. You can't teach it, it's, you know, it's just natural. This one particular guy, yeah, does he have that Paul Rudd feel to him? Just that guy next door, just that real comfortable, relaxed, nothing pushed, that's how he is in life and that's how it comes across Right, right. Oh, there was something else.  28:06 Oh, I did this one class and there was this woman, you know, like late 20s white woman, and there was just something. I was on a panel, I was one of three people and, oh my God, she was. There was just something about her read that made me crazy and like the next day I was like I have, you know, I want to set you up. I love you, you know, I love you the best. And now, here we are. I love you, know, I love you the best, and now here we are, fast forward to probably a little more than a year. She is one of my most successful actresses on my roster. And what is it about her? I don't know. She's just fabulous. You know, she just, she just reads. It's just, it's honest.  28:50 - Anne (Host) So I'm always looking for that honest. I like that honest, yeah, authentic, yeah. And I like, with that honest, I like that honest, yeah, authentic, yeah. And I like how you know we've heard for for so long right, bring you to the party, bring you to the party, it's that. I think that's so important. And and we throw it around like, oh yeah, okay, I can bring me, but and yet so many people still try to perform, uh and and if they really can just stop in their own head and and just bring themselves to the party because, like you and I like talk like there's something about like I really like Billy, and it's, it's, it's like an intangible thing and it's your personality, right, it's, it's how we connect.  29:23 - Billy (Host) And I think that's what's so right away. The first time we met, we would just like exactly.  29:30 - Anne (Host) I think that's the same thing for voice actors. If you can, you know, if, if you've got a great personality and you're like one of those people that you can connect with right away, I mean that's what I think we're looking for, that authenticity it's you're not trying to, you know, push anything and and this is who you are and I love to hear that, because I keep telling people gosh, you are enough. I mean it really is. Please don't try to be anything other than yourself, because I really like you.  29:55 - Billy (Host) Yes, and so many voice actors. They forget that.  30:00 - Speaker 2 (Announcement) you know this is acting and I said you know you got to get out of your head into your gut.  30:05 - Billy (Host) Whether you're selling peas for 99 cents, it doesn't matter. You have to be, you know, honest and authentic with it, so important. Now I have to ask the question authentic with it, so important?  30:14 - Anne (Host) Now I have to ask the question because you know probably everybody does. And what do you think about the threat of AI in the industry, and especially now that there's? It's not even just voice, it's on camera too.  30:27 - Billy (Host) Yeah, yeah. So I mean, we keep our eye on it. We read every contract, we read every contract, we read every breakdown. You know SAG is doing their best. Bless their hearts.  30:42 You know, nava is you know, above and beyond, what they're doing with the rules and the legislation and what they're doing. You know it's coming, it's not going away and it's going to get better and better. So we just try to keep our eyes and ears on everything and try to follow the rules and say, nope, large deal right now. And there was a huge component with um. They wanted an AI replica and fortunately, the person um doing it was like no, I've heard replicas of my voice and they're not, and they never sound as good as the real thing.  31:27 - Anne (Host) Um, so that's a really interesting point because I know for a fact that that's true, because I, you know back in the day. Well, back a few years ago, I started really delving deep into that and researching companies and how they made voices, and I've heard a lot of voices and there are some people who are amazing actors but yet their voice doesn't translate. Well, either it's the AI technology that has not given, it's just it's not doing the right thing for them and, yeah, it doesn't translate.  31:56 - Billy (Host) Yeah, and he said no, I, I will not. It's my, it's my voice, it's my reputation, and I will be available whenever they need me. They were like well, what in case he's what? You know? What if he's away on vacation?  32:08 - Anne (Host) Yeah, he said there are no VO emergencies. No, there are no VO emergencies, Right, there's no VO emergencies.  32:15 - Billy (Host) So yeah, so are we concerned about it? Yeah, am I concerned, absolutely, but you know I can't lose sleep over it.  32:23 - Speaker 3 (Announcement) It's coming.  32:24 - Billy (Host) You know, it's coming, and so we just have to manage it and make it work to our advantage.  32:30 - Anne (Host) Yes, I agree, I agree, I and make it work to our advantage. Yes, I agree, I agree, I love that. So I'm very excited because you're going to be doing a class for us, a VO Boss workshop, in November. As a matter of fact, it's going to be November 12th. Can you tell us a little bit about what we're going to be doing in that class?  32:48 - Billy (Host) Well, what I usually do is I like to just kind of give my spiel about what I've been doing and I guess the do's and don'ts of the proper way to get in touch with an agent, what to expect, what not to expect from you know. Once you're submitting to an agent, I just try to, I try to just say the things you know, kind of give the tips that actors need to know. You know what's proper, what's not, what's gonna get you. You know what's gonna get you seen, what's gonna get you heard. You know what makes it easy for me, the agent.  33:24 And I've come to also realize that it works differently from agency to agency. So I can only speak to what works for me, um, at CESD, um, but we'll, you know, I'll talk about that and I'll just talk about my feelings on on what it takes, what tools you're going to need and I mean like literal tools, what kind of demos you're going to need, that sort of stuff. Do a little Q and a and then read some copy, you know and anybody that does come to the class.  33:54 um, it's gotta be commercial copy, because that's that's what I do, you know um. I, I'm, I'm not going to be able to judge you on your animation copy or you know that kind of stuff. That's not really what I do. So we'll, you know, we'll do that and we'll tear it apart and hopefully get to two pieces within the class.  34:14 - Anne (Host) Yeah, I love that. We'll see. Yay, well, I'm very excited for that and, bosses, I'll be putting a link so that you can sign up for it, because I'm quite sure it's going to go quickly. Now my last question is because you said you're in upstate New York and I, you know, I have my own, like my own, nostalgic memories of upstate New York, and so, for me, I'd be riding a horse, you know, in in the countryside. So if you weren't an agent, philly, what would you be doing right now? Oh God, would you have a different career? Would you be retired and riding horses, or?  34:49 - Billy (Host) Yeah, well, you know, I've only had three different jobs in my life, okay, well, you know, other than high school jobs. I was an actor slash waiter, and then I became an agent. You know Like I've been it's you know. So I moved to New York to be an actor and that didn't happen, but I always kind of I was. I had a friend who was a commercial casting director and so I used to go in and help him out at the casting calls.  35:20 That was back in the days of Polaroids and signing up and I really was fascinated by it. And he would you know. And he kept saying there's an opening at this agency. Do you want to go? And I would go and audition, you know, to be an assistant. Sure, and then boom, boom, boom.  35:35 And then, it just so happens, he said CED, because we weren't CESD at that point it was looking to expand the voiceover department and was I interested, and my partner at the time said go and audition. I mean go and audition, apply for the job, cause one of these days you will make more money than me. And so you know. And um and so um, and now, every year, every year. I'm still in touch with him and I call him and I say thank you, greggy, for allowing me to have this job.  36:08 - Anne (Host) Here's my annual income report allowing me to have this job.  36:11 - Billy (Host) Here's my annual income report yes, so anyway, yeah. So I've thought about this. What do I do? I'm too old to be a waiter.  36:23 - Anne (Host) I'm not going to go back, though I think I would be really good at it.  36:25 - Billy (Host) I have these- I agree, actually, you've got the social I think I could do. Yeah, so do I go. But when I retire, whenever that is, I want to social. I think I could do. Yeah, you know, so do I go. But you know, when I retire, you know, whenever that is, I'm on a travel. I just love to travel, that's, that's my thing. So you know. You know, I feel like when this is behind me, that I will, you know, I'll just travel. I'm not going to be on a horse up here, but I always had.  36:50 You know, sometimes I've had, you know, I don't know if I even want another. You know job and I'm at that point now where you know, I'm old and I don't want another career. It's not like I'm. You know, I'm going to be an artist, or you know, I once thought I thought well, maybe I'll just go do community theater somewhere.  37:07 - Speaker 2 (Announcement) I have a friend.  37:08 - Billy (Host) I have a friend, interestingly enough, a little older than I am, lives in Chicago and he started taking an acting class just for the hell of it.  37:16 - Anne (Host) For the hell of it.  37:17 - Billy (Host) And he said, the others they love it because they have somebody to play the old man in all those scenes. And I thought, oh my God, that's great, I could do that. Yeah, I love that. I thought yeah, why not community theater you? Know, if that was it. Now there's no community theater in New York City, so if that's where I retire, you know. But if I was to retire up here, you know that would interest me, and you know because I am a lover of theater, so I do.  37:46 - Anne (Host) Yeah, Well, I feel like you kept yourself in the acting world, you know by being an agent I mean in that you know, it's still like a. It's still you're very much immersed in it, and so I feel like, if that was your one love, you came to New York, by the way. Where did you come from?  38:02 - Billy (Host) I grew up in Waltham Massachusetts, oh okay. Okay yeah, just a little outside of. Boston.  38:07 - Anne (Host) Yeah, very familiar with it. I went.  38:09 - Billy (Host) Yeah, I grew up in Waltham and then I went to UMass, Amherst and then to New York.  38:14 - Anne (Host) That was my. Oh, fantastic, yeah, there you go. Well, my gosh, it has been such a pleasure chatting with you today. I mean, I could go on. I feel like we could go on, but at some point, I do have to quit at some point.  38:32 But yeah, thank you so so much for sharing your wisdom. It's been really a joy talking with you. I'm so excited for November. Guys, bosses, remember November 12th. Get yourself to vobosscom and sign up to work with this gentleman. He's amazing, and I'm going to give a great big shout out to our sponsor, ipdtl. You, too, can connect and network like bosses like Billy and myself, and find out more at IPDTLcom. Guys, have an amazing week and I'll see you next week. Bye, bye.  39:05 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 Intro 2:11 CAM JOINS 4:37 IS CAMS KID NORMAL? 10:34 ROCKET MONEY 11:54 PEYTON VS CAM IN REAL LIFE! 14:13 ANATOMY WITH YSK 15:43 CAM LOSES HIS SHINS 18:14 DRAFT KINGS 20:01 DIRECTIONS TO YOUR HEART 34:38 FACTOR 36:27 GOING TO DEAF SOCIAL 41:18 PEYTON'S FUNERAL SHOW 48:05 CAM'S MID SHOW SNACK 54:20 CAYMAN JACK 55:48 MY $10K UNDERWEAR 1:01:09 DIVORCED AFTER 60 YEARS 1:12:26 GLD 1:14:11 HE EATS TURTLES? 1:20:21 SECRET YOUTUBE CHANNEL 1:25:23 ANNOUNCEMENTS Todays Sponsors: Rocket Money - Cancel your unwanted subscriptions and reach your financial goals faster with Rocket Money. Go to http://rocketmoney.com/ysk today. Draft Kings - Download the DraftKings Sports book app and use code YSK. That's code YSK, bet five bucks and get 3 months of League Pass plus get $300 in bonus bets if your bet wins. In partnership with Draft Kings — The Crown Is Yours. Gambling problem? Call one eight hundred Gambler. In New York, call eight seven seven eight HOPENY or text HOPENY (four six seven three six nine). In Connecticut, Help is available for problem gambling. Call eight eight eight seven eight nine seven seven seven seven or visit https://www.ccpg.org Please play responsibly. On behalf of Boot Hill Casino & Resort (Kansas). Pass-thru of per wager tax may apply in Illinois. Twenty-one plus age and eligibility varies by jurisdiction. Void in Ontario. Restrictions apply. Bet must win to receive Bonus Bets which expire in 7 days. Minimum odds required. NBA League Pass auto-renews until cancelled. Additional terms at https://www.DKNG.co/audio Limited time offer. Factor - Eat smart at FactorMeals dot com SLASH ysk50off and use code ysk50off to get 50% off your first box, plus Free Breakfast for 1 Year. That's code ysk50off at FactorMeals dot com for 50% off your first box, plus Free Breakfast for 1 Year. Get delicious, ready-to-eat meals delivered—with Factor. *Offer only valid for new Factor customers with code and qualifying auto-renewing subscription purchase. Cayman Jack - Crack into your Margarita State of Mind. Pick up Cayman Jack at your local store or visit http://caymanjack.com to find it near you. Please drink responsibly. GLD - New customers get 50% Off AND a FREE chain with code YSK at http://GLD.com YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kevin and Erin discuss the horror "Classic": Polaroid. Spoilers aplenty! Like and share this episode, and check us out at https://linktr.ee/TPodcastTWDie. TJ from http://introoutrobed.com custom-made our music! Use my special link https://zen.ai/OPqxxQiaqgDLKVIziDbCE-bL9F-GRRqYLBJ5f6qmlwU to save 30% off your first month of any Zencastr paid plan.

Creepypasta Scary Story

“Presto finiremo nella discarica della storia / Sul punto di essere dimenticati e obsoleti / Il mondo continua ad accelerare / A un ritmo che non riesco a tenere / Ma il tempo si era fermato quando tu eri qui con me”, canta il nostro amato Jens Lekman nella canzone che apre la scaletta di … Continua a leggere “Memoria polaroid” – un blog alla radio S25E02

This week on The Metallica Report… We wrap up our final 2025 visit to Iveniem, home to the real-life Metallica Black Box. Dan Nykolayko (Metallica's in-house curator) and Ally Bace (Inveniem archivist) join Steffan to sift through boxes, bags, and tapes to uncover more rich Metalli-gold. The excitement during this last mad rummage is palpable as the trio uncovers vintage Polaroids, ancient demos, and two hidden gems that left Dan's gloved hands scrambling to pick his jaw up off the floor. The Metallica Black Box: metallica.com/museum  Music from The Metallica Report: metallica.lnk.to/TMR-music   Upcoming Tour Dates: metallica.com/tour Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Ideas on Stage podcast we spoke with Amanda Baker. Amanda Baker is a story strategist and coach who knows the future belongs to those brave enough to share their stories. Creator of the 5 Stories method, she shows creators and founders how to make a difference in the world and stay true to themselves through the stories only they can tell. In this episode we talked about how to tell your story and why it matters. What You'll Learn:- Why your personal story matters- Common mistakes when telling your story- The 5 Stories framework to guide your message- Shaping stories that connect with your audience- Applying your stories across pitches, talks and websites We hope you enjoy it! ——————— Amanda Baker: - LinkedIn: https://www.linkedin.com/in/amandatells5stories/ - Website: https://www.5stories.com/ Recommended books: - How to Break Up With Your Phone by Catherine Price- Digital Minimalism by Cal Newport - The Artist's Way by Julian Cameron - Immortal Diamond by Richard Rohr - The Power of Now by Eckhart Tolle - Connect by Carole Robin Ph.D. - The Surrender Experiment by Michael A. Singer Mentions: - Iris Murdoch: 'Unselfing' - Polaroid’s campaign: Real stories. Not stories & reels- Elizabeth Gilbert ——————— IDEAS ON STAGE RESOURCES - Books: ‘Confident Presenter’ https://www.ideasonstage.com/resources/confident-presenter-book/ and ‘Business Presentation Revolution’ https://www.ideasonstage.com/business-presentation-revolution/book/ - The Confident Presenter Scorecard: https://ideasonstage.com/score - Free Web Class: https://www.ideasonstage.com/uk/events/ - Free Mini-Course: https://bit.ly/confident-presenter-mini-course #IdeasOnStagePodcast #Storytelling #LeadershipCommunication #PersonalBranding

Thrilled to welcome to the podcast fellow Gen-Xer, high desert dweller and photographic experimenter Liz Potter. From Holgas to Polaroid lifts, we run the gamut of topics. I hope you enjoy this fun conversation.Links:Liz Potter websiteLiz Potter IG

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 BIG THINGS COMING 2:10 CAM JOINS 3:41 PAID TO GET SLAPPED 7:33 SPORT vs COMPETITION DEBATE 9:15 HIMS 10:35 EMBARRASSED IN FRONT OF CELEBRITY 20:14 HELLO FRESH 21:45 SPITBALL SNEAK ATTACK 26:16 911 HOUSE CALL 28:46 CLASS BATHROOM TRAUMA 33:57 MANSCAPED 35:27 VIDEO GAME CHALLENGE 40:43 MEETING CELEBRITY CRUSH 46:28 PEYTON'S WWE STORE 49:47 OPENPHONE 51:06 EXIT ROW DISASTER 59:00 BROKEN BACK STORIES 1:04:55 SHOPIFY 1:06:40 ELECTRIC SHOCK QUIZ Todays Sponsors: Hims - To get simple, online access to personalized, affordable care for ED, Hair Loss, Weight Loss, and more, visit http://hims.com/ysk HelloFresh - Go to http://hellofresh.com/YSK10FM to get 10 free meals + free breakfast for life Manscaped - Get The Handyman Rocketman and 15% off your entire order with code “PSH” at http://manscaped.com! #ManscapedPartner OpenPhone - OpenPhone is offering our listeners 20% off of your first 6 months at http://openphone.com/ysk Shopify - Sign up for $1 per month trial and start selling today at http://shopify.com/ysk YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

TVC 709.6: Emmy Award-winning actress Mariette Hartley talks to Ed about some of her other movie and TV roles, including the back story of the long-running, highly successful series of commercials that she did with James Garner for Polaroid cameras—and how the chemistry between her and Garner was so natural, many viewers believed that they were actually married. Mariette co-stars, co-wrote, and co-produced, along with her husband Jerry Sroka, in Our (Almost Completely True) Love Story, a romantic comedy that is available now for streaming on demand on Amazon Prime and other major platforms; it is also available on DVD and Blu-ray. Photo of James Garner and Mariette Hartley courtesy Polaroid.

Trump chronicler Michael Wolff joins the Beast's Joanna Coles to unpack Trump's latest delusions of grandeur. This time, namely, his fantasy of winning a Nobel Peace Prize for “ending seven wars” that never existed.Wolff recounts a disturbing encounter involving Jeffrey Epstein, the head of the Nobel Committee, and alleged Polaroids of Trump, while Pam Bondi, now heading the DOJ, pointedly refuses to discuss them.From showy Middle East tours to Chicago photo ops with the National Guard, Joanna and Michael explore how Trump's obsession with power, spectacle, and apparent paranoia, tinged with fear, continues to reshape his presidency. Is Trump intending to occupy cities like Chicago indefinitely or just seeking attention?  Hosted on Acast. See acast.com/privacy for more information.

We're checking out a new horror short in the form of Picture, a 7-minute-long short about a haunted Polaroid camera from director Sadé Sellers (guest on our previous episodes for Alien 3 and Orphan).Watch the short here.Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Nick Shelton retired from oil and gas at 49 thinking he'd won the race, only to find himself fading into invisibility. Everyone thought he had it made, but inside he felt profoundly alone. "I felt like Marty McFly watching himself disappear from the Polaroid—still alive, but fading away," he shares. Through hitting the wall hard, Nick developed the Reset Button framework to help others navigate the painful transition from achievement-based identity to purpose-driven living. His "be the angel" philosophy transformed emptiness into daily meaning. What happens when you die to your first life and consciously create your second? Nick's journey offers both validation and practical hope.Nick Shelton is a bestselling author, TEDx speaker, and former petroleum chemist who retired from oil and gas at 49, only to discover that freedom without purpose can feel like a slow collapse. That crisis led him to create The Reset Button, a six-phase reinvention framework for accomplished men navigating retirement and major life transitions. Nick is also author of "An Introvert's Guide to World Domination" and has spoken on stages globally. With candor and practical insight, he helps high achievers reset their lives in ways that feel true, grounded, and alive again.About The Show: The Life in Transition, hosted by Art Blanchford focuses on making the most of the changes we're given every week. Art has been through hundreds of transitions in his life. Many have been difficult, but all have led to a depth and richness he could never have imagined. On the podcast Art explores how to create more love and joy in life, no matter what transitions we go through. Art is married to his lifelong partner, a proud father of three and a long-time adventurer and global business executive. He is the founder and leader of the Midlife Transition Mastery Community. Learn more about the MLTM Community here: www.lifeintransition.onlineIn This Episode: (00:00) Opening: Why Retire at 49?(11:03) Identity Built on Achievement(16:41) Midlife Transition Mastery Ad(24:51) Be the Angel Philosophy(33:17) The Reset Button Framework(43:27) Creating Your Second Life(50:46) Transition Mastery Coaching Ad(52:03) The Moment Everyone Thinks You Won(59:06) Taking the Smallest Step Forward(01:09:41) Closing and ResourcesLike, subscribe, and send us your comments and feedback.Resources:Website: https://resettheman.com/ LinkedIn: https://www.linkedin.com/in/nicholasleonshelton/ Email Art BlanchfordLife in Transition WebsiteLife in Transition on IGLife in Transition on FBJoin Our Community: https://www.lifeintransition.online/My new book PURPOSEFUL LIVING is out now. Order it now: https://www.amazon.com/PURPOSEFUL-LIVING-Wisdom-Coming-Complex/dp/1963913922Explore our website https://lifeintransitionpodcast.com/ for more in-depth information and resources, and to download the 8-step guide to mastering mid-life transitions.The views and opinions expressed on the Life In Transition podcast are solely those of the author and guests and should not be attributed to any other individual or entity. This podcast is an independent production of Life In Transition Podcast, and the podcast production is an original work of the author. All rights of ownership and reproduction are retained—copyright 2025.

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 NEW THINGS COMING 2:19 CAM JOINS 7:35 PUBLIC GYM FACIAL 14:21 LOCKER ROOM HORROR STORY 18:04 SHOWER SLIP AND SLIDE 21:43 DRAFT KINGS 23:14 PUNCHING LOCKER OPEN 25:49 TARZAN CLUB 31:28 SMALL FACED BURGLAR 37:43 BETTER HELP 38:58 CREATE A PERSON GAME 49:22 RIDGE 51:02 HOW TO EAT STRAWBERRIES 57:49 BATTLE SCARRED KNEES 1:00:24 RAG & BONE 1:02:20 TRASH TALK STUTTER 1:07:38 24 HOUR MILE CHALLENGE 1:12:23 POP CULTURE: WWE & SPORTS 1:17:19 ANNOUNCEMENTS Todays Sponsors: Draft Kings Casino - New players get 500 spins over 10 DAYS on your choice of Cash Eruption slots when you wager five dollars. Play classic Cash Eruption today, then Red Hot Joker or Coins and Clovers tomorrow—it's all up to you! Get the app, sign up with code YSK Better Help - Our listeners get 10% off their first month at http://betterhelp.com/ysk #ad Ridge - One thing to pack, five ways to power! Get 10% Off @Ridge with code YSK at http://ridge.com/ysk #Ridgepod Rag & Bone - Upgrade your denim game with Rag & Bone! Get 20% off sitewide with code YSK at http://rag-bone.com #ragandbonepod YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____ Newsletter: Musing On Society And Technology https://www.linkedin.com/newsletters/musing-on-society-technology-7079849705156870144/_____ Watch on Youtube: https://youtu.be/nFn6CcXKMM0_____ My Website: https://www.marcociappelli.com_____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak:  https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3A new transmission from Musing On Society and Technology Newsletter, by Marco CiappelliReflections from Our Hybrid Analog-Digital SocietyFor years on the Redefining Society and Technology Podcast, I've explored a central premise: we live in a hybrid -digital society where the line between physical and virtual has dissolved into something more complex, more nuanced, and infinitely more human than we often acknowledge.Introducing a New Series: Analog Minds in a Digital World:Reflections from Our Hybrid Analog-Digital SocietyPart II: Lo-Fi Music and the Art of Imperfection — When Technical Limitations Become Creative LiberationI've been testing small speakers lately. Nothing fancy—just little desktop units that cost less than a decent dinner. As I cycled through different genres, something unexpected happened. Classical felt lifeless, missing all its dynamic range. Rock came across harsh and tinny. Jazz lost its warmth and depth. But lo-fi? Lo-fi sounded... perfect.Those deliberate imperfections—the vinyl crackle, the muffled highs, the compressed dynamics—suddenly made sense on equipment that couldn't reproduce perfection anyway. The aesthetic limitations of the music matched the technical limitations of the speakers. It was like discovering that some songs were accidentally designed for constraints I never knew existed.This moment sparked a bigger realization about how we navigate our hybrid analog-digital world: sometimes our most profound innovations emerge not from perfection, but from embracing limitations as features.Lo-fi wasn't born in boardrooms or designed by committees. It emerged from bedrooms, garages, and basement studios where young musicians couldn't afford professional equipment. The 4-track cassette recorder—that humble Portastudio that let you layer instruments onto regular cassette tapes for a fraction of what professional studio time cost—became an instrument of democratic creativity. Suddenly, anyone could record music at home. Sure, it would sound "imperfect" by industry standards, but that imperfection carried something the polished recordings lacked: authenticity.The Velvet Underground recorded on cheap equipment and made it sound revolutionary—so revolutionary that, as the saying goes, they didn't sell many records, but everyone who bought one started a band. Pavement turned bedroom recording into art. Beck brought lo-fi to the mainstream with "Mellow Gold." These weren't artists settling for less—they were discovering that constraints could breed creativity in ways unlimited resources never could.Today, in our age of infinite digital possibility, we see a curious phenomenon: young creators deliberately adding analog imperfections to their perfectly digital recordings. They're simulating tape hiss, vinyl scratches, and tube saturation using software plugins. We have the technology to create flawless audio, yet we choose to add flaws back in.What does this tell us about our relationship with technology and authenticity?There's something deeply human about working within constraints. Twitter's original 140-character limit didn't stifle creativity—it created an entirely new form of expression. Instagram's square format—a deliberate homage to Polaroid's instant film—forced photographers to think differently about composition. Think about that for a moment: Polaroid's square format was originally a technical limitation of instant film chemistry and optics, yet it became so aesthetically powerful that decades later, a digital platform with infinite formatting possibilities chose to recreate that constraint. Even more, Instagram added filters that simulated the color shifts, light leaks, and imperfections of analog film. We had achieved perfect digital reproduction, and immediately started adding back the "flaws" of the technology we'd left behind.The same pattern appears in video: Super 8 film gave you exactly 3 minutes and 12 seconds per cartridge at standard speed—grainy, saturated, light-leaked footage that forced filmmakers to be economical with every shot. Today, TikTok recreates that brevity digitally, spawning a generation of micro-storytellers who've mastered the art of the ultra-short form, sometimes even adding Super 8-style filters to their perfect digital video.These platforms succeeded not despite their limitations, but because of them. Constraints force innovation. They make the infinite manageable. They create a shared language of creative problem-solving.Lo-fi music operates on the same principle. When you can't capture perfect clarity, you focus on capturing perfect emotion. When your equipment adds character, you learn to make that character part of your voice. When technical perfection is impossible, artistic authenticity becomes paramount.This is profoundly relevant to how we think about artificial intelligence and human creativity today. As AI becomes capable of generating increasingly "perfect" content—flawless prose, technically superior compositions, aesthetically optimized images—we find ourselves craving the beautiful imperfections that mark something as unmistakably human.Walking through any record store today, you'll see teenagers buying vinyl albums they could stream in perfect digital quality for free. They're choosing the inconvenience of physical media, the surface noise, the ritual of dropping the needle. They're purchasing imperfection at a premium.This isn't nostalgia—most of these kids never lived in the vinyl era. It's something deeper: a recognition that perfect reproduction might not equal perfect experience. The crackle and warmth of analog playback creates what audiophiles call "presence"—a sense that the music exists in the same physical space as the listener.Lo-fi music replicates this phenomenon in digital form. It takes the clinical perfection of digital audio and intentionally degrades it to feel more human. The compression, the limited frequency range, the background noise—these aren't bugs, they're features. They create the sonic equivalent of a warm embrace.In our hyperconnected, always-optimized digital existence, lo-fi offers something precious: permission to be imperfect. It's background music that doesn't demand your attention, ambient sound that acknowledges life's messiness rather than trying to optimize it away.Here's where it gets philosophically interesting: we're using advanced digital technology to simulate the limitations of obsolete analog technology. Young producers spend hours perfecting their "imperfect" sound, carefully curating randomness, precisely engineering spontaneity.This creates a fascinating paradox. Is simulated authenticity still authentic? When we use AI-powered plugins to add "vintage" character to our digital recordings, are we connecting with something real, or just consuming a nostalgic fantasy?I think the answer lies not in the technology itself, but in the intention behind it. Lo-fi creators aren't trying to fool anyone—the artifice is obvious. They're creating a shared aesthetic language that values emotion over technique, atmosphere over precision, humanity over perfection.In a world where algorithms optimize everything for maximum engagement, lo-fi represents a conscious choice to optimize for something else entirely: comfort, focus, emotional resonance. It's a small rebellion against the tyranny of metrics.As artificial intelligence becomes increasingly capable of generating "perfect" content, the value of obviously human imperfection may paradoxically increase. The tremor in a hand-drawn line, the slight awkwardness in authentic conversation, the beautiful inefficiency of analog thinking—these become markers of genuine human presence.The challenge isn't choosing between analog and digital, perfection and imperfection. It's learning to consciously navigate between them, understanding when limitations serve us and when they constrain us, recognizing when optimization helps and when it hurts.My small speakers taught me something important: sometimes the best technology isn't the one with the most capabilities, but the one whose limitations align with our human needs. Lo-fi music sounds perfect on imperfect speakers because both embrace the same truth—that beauty often emerges not from the absence of flaws, but from making peace with them.In our quest to build better systems, smarter algorithms, and more efficient processes, we might occasionally pause to ask: what are we optimizing for? And what might we be losing in the pursuit of digital perfection?The lo-fi phenomenon—and its parallels in photography, video, and every art form we've digitized—reveals something profound about human nature. We are not creatures built for perfection. We are shaped by friction, by constraint, by the beautiful accidents that occur when things don't work exactly as planned. The crackle of vinyl, the grain of film, the compression of cassette tape—these aren't just nostalgic affectations. They're reminders that imperfection is where humanity lives. That the beautiful inefficiency of analog thinking—messy, emotional, unpredictable—is not a bug to be fixed but a feature to be preserved.Sometimes the most profound technology is the one that helps us remember what it means to be beautifully, imperfectly human. And maybe, in our hybrid analog-digital world, that's the most important thing we can carry forward.Let's keep exploring what it means to be human in this Hybrid Analog Digital Society.End of transmission.______________________________________

Some ghost stories fade with time. This one only grows sharper. For one man, his earliest memory isn't of toys, school, or laughter—it's of a ghost. At just four years old, he woke in his parents' bedroom to see curtains stir on a still night… and then it appeared. A hooded figure, glowing bluish-green, towering nearly seven feet tall. Featureless. Silent. Watching. He screamed for his mother, but she saw nothing. For him, the memory burned deep, as vivid as trauma. Over the years, he would see ghosts seven times, but none etched into him like this. And years later, his sister admitted she saw the same thing: the tall, glowing hooded figure. Then came the Polaroid. An accident. A photo snapped by mistake—only to reveal the very same hooded apparition, standing beside a ghostly woman who faded from the waist down. The family kept the proof for years… until the day his mother died. Then the photo disappeared. Gone forever. So what was it? A ghost? A guardian? An angel? Or something older, something that only watches? This isn't just a true ghost story—it's a haunting mystery that bridges childhood fear, photographic proof, and decades of unanswered questions. Proof once existed. And then it vanished. But the memories never did. Because once you've been chosen to be watched… maybe you're never truly alone again. #TrueGhostStory #RealHaunting #GhostPhoto #HauntedMemories #ParanormalActivity #SupernaturalStories #CreepyEncounters #UnexplainedMysteries #GhostEncounters #HauntedLife #ScaryStory #Hauntings Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Some ghost stories fade with time. This one only grows sharper. For one man, his earliest memory isn't of toys, school, or laughter—it's of a ghost. At just four years old, he woke in his parents' bedroom to see curtains stir on a still night… and then it appeared. A hooded figure, glowing bluish-green, towering nearly seven feet tall. Featureless. Silent. Watching. He screamed for his mother, but she saw nothing. For him, the memory burned deep, as vivid as trauma. Over the years, he would see ghosts seven times, but none etched into him like this. And years later, his sister admitted she saw the same thing: the tall, glowing hooded figure. Then came the Polaroid. An accident. A photo snapped by mistake—only to reveal the very same hooded apparition, standing beside a ghostly woman who faded from the waist down. The family kept the proof for years… until the day his mother died. Then the photo disappeared. Gone forever. So what was it? A ghost? A guardian? An angel? Or something older, something that only watches? This isn't just a true ghost story—it's a haunting mystery that bridges childhood fear, photographic proof, and decades of unanswered questions. Proof once existed. And then it vanished. But the memories never did. Because once you've been chosen to be watched… maybe you're never truly alone again. #TrueGhostStory #RealHaunting #GhostPhoto #HauntedMemories #ParanormalActivity #SupernaturalStories #CreepyEncounters #UnexplainedMysteries #GhostEncounters #HauntedLife #ScaryStory #Hauntings Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Let's Chat!A single pill promises rest—and opens a door. We follow Aston Keller, a high-performing attorney whose sleepless nights turn his glass-and-marble life into a mirror maze where reflections stop mirroring and start studying. A voicemail bleeds into Natalie Cole, a boardroom melts into versions of his own face, and a wall of Polaroids tightens its red thread into a body that learns to breathe with his lungs. The question isn't whether he'll sleep—it's who will wake up in his place.I share why predators never rush the kill and how exhaustion is their favorite accomplice. We unpack the subtle ways stress collapses timing, how sedation blurs the line between rest and surrender, and why institutions often reward replaceable reflections over real authorship. Claire's absence becomes both grief and glitch, and the city turns into a chorus of “Not you anymore,” forcing a reckoning with identity, memory, and consent. This is a tense, cinematic chapter packed with practical takeaways: guardrails for decisions, rituals that return your breath, and five reflection questions that cut through numbness without shame.If you've ever medicated your defenses, if your work reads wrong in your own handwriting, or if your reflection feels like it learned you too well, this story will hit home. Listen, then sit with the prompts. Share it with someone who knows your real face. And if it helps, subscribe, leave a quick review, and pass it along—your support keeps this journey honest and alive."True mastery is found in the details. The way you handle the little things defines the way you handle everything."

Cataanda James, Chief Beauty Officer of CJ The Beauty Group, talks about building a career that surpasses her wildest dreams.  Cataanda James is a textured-hair expert, educator, and beauty industry strategist whose career embodies resilience, authenticity, and the courage to follow one's passion.  Raised in Kalamazoo, Michigan, she grew up inspired by her mother's love of fashion and flawless grooming.  By junior high, Cataanda was already recognized as the "cat-eye queen," sharing makeup techniques with classmates, and by her college years, she had turned her dorm room into a thriving salon.  What others dismissed as a pastime became her undeniable calling. Her journey wasn't without resistance. While her mother supported her talent wholeheartedly, her father insisted that beauty was not a "real career."  Determined to prove otherwise, Cataanda pursued cosmetology, but soon discovered that many schools neglected textured hair altogether.  The turning point came when she enrolled at Dudley Cosmetology University in North Carolina, where she was immersed in technical excellence and, equally important, a business-first philosophy.  There she learned to approach beauty not only as an art, but as a profession requiring entrepreneurship, customer service, and polish. From there, she built a diverse foundation, working in barbershops, marketing herself with Polaroid photos long before Instagram existed, and mastering speed and precision at Supercuts.  A bold move to Baltimore in 2002 brought her closer to New York and opened new doors.  At MAC Cosmetics, she refined her artistry, attracted a broader client base, and stepped into freelance opportunities that connected her to the wider beauty industry. In 2003, Cataanda began a career-defining relationship with L'Oréal.  What started with consumer events grew into a nearly decade-long role at the New York Technical Center, where she became the company's Texture Expert.  There, she collaborated with chemists and product developers, testing innovations for brands such as L'Oréal Paris, Garnier, Carol's Daughter, and Dark & Lovely, and influencing product launches worldwide.  Following the pandemic's impact on the industry, Cataanda joined The Mane Choice as a Brand Educator, focusing exclusively on curly and textured hair.  While that chapter was valuable, her entrepreneurial spirit ultimately led her to create CJ The Beauty Group, a consultancy dedicated to helping beauty brands innovate with integrity, test products rigorously, and design inclusive strategies that authentically serve textured-hair consumers. Through every chapter, her philosophy has remained the same: step boldly into opportunity, nurture authentic relationships, and trust that what is meant for you will not pass you by.  From Kalamazoo roots to global stages, Cataanda James is proof that when passion is paired with persistence, the sky is not the limit, it's only the beginning.   Key Takeaways from Cataanda's Journey Passion Always Leaves Clues - What you loved as a child often holds the seeds of your purpose. Pay attention to those early sparks. Don't Let Doubt Define You - Even when others can't see your vision, trust yourself enough to pursue it with bold confidence. Education Is More Than Skill - True success requires not just talent but also professionalism, business acumen, and the courage to treat your passion like a career. Say Yes to Opportunity - Sometimes the next step isn't clear. Leap anyway—the door may lead to more than you ever imagined. Relationships Are Currency - Genuine connections open doors that strategy alone cannot. Stay in touch, stay authentic, and stay open. Quotes by Cataanda "What's meant for you will never pass you by; your only job is to walk boldly into the opportunities placed in front of you." "You don't need to have the entire plan; sometimes you just have to move, trust God, and figure it out along the way." "Even when you're scared, do it anyway, fear doesn't mean stop, it means step forward with faith."   Connect With Cataanda   Instagram: https://www.instagram.com/cataandaj/   Website: https://cataandaj.com/   LinkedIn: https://www.linkedin.com/in/cataandaj   X: https://x.com/cataandaj

Mike Brodie talks to us about growing up in the BMX and punk scene leading to photography, capturing freight hopping culture and community on film, Polaroid and 35mm, making photo books, taking time away from the art world, his new book, “Failing” and more!

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 PATREON DISCOUNT! 2:47 CAM JOINS 6:40 RATING OUR LOOKS 9:56 FUM 11:14 GIVE ME MY WACKY PACK 14:38 GETTING HIT ON GONE WRONG 26:57 SKIMS 28:22 CAM'S TOO AGGRESSIVE 34:46 CAYMAN JACK 36:08 WORST COMMERCIAL EVER 44:35 SHOPIFY 46:24 RANDOM ITEM CHALLENGE 1:11:59 ROCKET MONEY 1:13:49 GOOGLE GEMINI 1:14:57 BATHROOM BUNDY 1:26:35 ANNOUNCEMENTS Todays Sponsors: Fum - Head to https://tryfum.com/products/zero-crisp-mint to Start with Zero. Skims - https://www.skims.com/ysk #skimspartner Cayman Jack - Crack into your Margarita State of Mind. Pick up Cayman Jack at your local store or visit http://caymanjack.com to find it near you. Please drink responsibly. Shopify - Sign up for your $1 per month trial and start selling today at http://shopify.com/ysk Rocket Money - Download the Rocket Money app and enter my show name You Should Know Podcast in the survey so they know I sent you! Google Gemini - Visit http://gemini.google/students to learn more and sign up. Terms apply. YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

Seit dem 19. September 2025 gibt es musikalisch keinen Grund mehr, sich über graue Wolken zu beklagen: Die vier studierten Musiker aus Lübeck präsentieren auf ihrem dritten Werk "Kein schlechtes Wetter" klangvolle Momentaufnahmen zwischen Melancholie und Hoffnung. Mit feinem Gitarrenspiel, atmosphärischen Synthies und der markanten Stimme von Jonas Nay wird jeder Song zum akustischen Polaroid. Mehr dazu von Pudeldame live im studioeins von radioeins – inklusive Interview und exklusiver Live-Performance!

Remember Polaroid and its instant photo proposition? For some it's a dusty icon of the past, but for others it might just be the latest innovative idea. Polaroid's internal creative and planning leads, Patricia Varella and Dovile Banyte join me to talk about "The camera for an analog life." 

Let's Chat!What if your life was being tallied without your knowledge? What if someone—or something—was keeping track of every mistake, every debt, every moment of weakness?Aston's nightmare begins with a simple discovery: twelve Polaroid photographs arranged on his kitchen counter in the middle of the night. Not scattered randomly, but positioned with deliberate precision like entries in a ledger. Each bears a mysterious red mark in the corner, like debts being counted. One mark, two marks, three marks, four...As the high-powered attorney tries to make sense of these unsettling photographs, his carefully constructed world begins to fracture. His colleagues at the prestigious Warren and Keller firm circle like sharks sensing blood in the water. A mysterious stranger on the subway carries a briefcase filled with more photographs of Aston—from angles and moments he doesn't recognize. Music with pointed lyrics seeps through his walls at the most unsettling moments.The ledger grows. The red marks multiply. The photos rearrange themselves when he isn't looking. The debt is climbing, but what exactly does he owe? And to whom?This haunting fourth episode of "The Patience of Predators" series explores the arithmetic of guilt and the ledgers we all silently keep. When does a man become prey? When does he become the predator? Sometimes the hunter and the hunted exist within the same skin, and the most frightening reflection is the one that smiles back without your permission.Take a journey into psychological horror that will make you question the debts you carry, the reflections you avoid, and the personal ledgers you might be keeping without even realizing it. Remember—predators don't always wear teeth. Sometimes they wear patience."True mastery is found in the details. The way you handle the little things defines the way you handle everything."

My trip abroad and beyond was filled with many happenstances including roaches, pizza, and a Polaroid to heal old wounds...but now that I'm finally back from a long workation, it's finally time to get myself back into the official mindset of SHOWGIRL. Shift with me back into Showgirl and Swiftie mode as we talk about the most recent developments in the world of the new record including the theatrical release and the Target exclusive edition of the record, and then finish it off with a deep dive on Halsey's interview with Zane Lowe. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thelizardreview.substack.com/subscribe

Grief can make the world feel uncanny — and sometimes the uncanny feels like comfort. In this episode we hear from multiple listeners whose lives were changed by strange coincidences and possible messages from the other side. One woman flies across the country after her father dies and begins seeing small, specific signs: the Breakfast Club song playing at impossible moments, a yellow balloon that bursts on the exact anniversary, a mysterious phone ring that shouldn't have connected — and recurring dreams where Dad insists, “I'm not dead… I faked my death.” Are these comforting visitations, or our minds searching for connection? We also debate memorial choices: cremation keepsakes and urn jewelry that let families carry a piece of a loved one, and whether that matters to the departed. Then we shift to other eerie submissions — a college Christmas with a Polaroid that keeps ending up in the trash, an EVP capture that sounds like a chilling whisper, and a man who kept seeing the synchronicity number 11:11 during a terrifying medical scare. When a tiny cross gifted by a sister shows up at the exact moment of difficult biopsy news, coincidence becomes consolation. Are these supernatural signs, psychological comfort, or meaningful synchronicities? We don't have definitive answers — only the real, moving stories people send in when they want to know if they're still being watched over. Tune in for comfort, goosebumps, and the tender strangeness that shows up after loss. #SignsFromBeyond #GriefStories #Synchronicity #11_11 #EVP #TrueGhostStories #CremationJewelry #RealHauntings #ComfortFromBeyond #RealGhostStoriesOnline Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Tara Leigh Calico, a 19-year-old college student, vanished on September 20, 1988, during a 35-mile bike ride on New Mexico State Road 47. Known for her active and organized nature, she left with her mother's pink Huffy bike and a Sony Walkman. When she didn't return by noon, her mother, Patty Doel, found her Boston cassette tape on the roadside and alerted police, who responded swiftly. Scattered Walkman pieces suggested Tara marked her trail, but her bike was never found.   Witnesses reported a suspicious light-colored 1950s Ford truck with a camper shell trailing Tara. Barron Freeman and Ishmael Delarosa described a sinister driver, but police dismissed Delarosa's account. In 1989, a Polaroid in Florida showed a bound woman resembling Tara, though analyses were inconclusive. More photos later surfaced, adding mystery.   Declared dead by homicide in 1998, the case saw unproven claims in 2008 of teens accidentally killing her. A 2013 task force, 2019 FBI reward, 2021 search warrant, and 2023 suspect identification yielded no charges. Theories include abduction by locals or a serial killer like David Parker Ray, but no evidence confirms this. Tara's parents died without answers; her father's 2002 death was ruled a homicide after a robbery-induced heart attack. The case remains an active FBI kidnapping investigation.   Join The Dark Oak Discussion: Patreon The Dark Oak Podcast Website Facebook Instagram Twitter TikTok Youtube This episode of The Dark Oak was created, researched, written, recorded, hosted, edited, published, and marketed by Cynthia and Stefanie of Just Us Gals Productions with artwork by Justyse Himes and Music by Ryan Creep

Let's Chat!What happens when the evidence of your life no longer matches your memory? When photographs appear showing you in places you've never been? When your reflection moves differently than you do?"The Polaroids" plunges us into the fractured reality of Ashton Cross, a successful Manhattan attorney whose carefully constructed world begins to shatter after discovering mysterious Polaroid photographs of himself—images capturing moments he never lived, showing him in places he never visited. Most disturbing is the photo where his reflection in the window isn't his own but someone with colder eyes and a smile that seems to widen each time he examines it.The brilliance of this psychological thriller lies in its exploration of how paranoia functions not through violence but through doubt. As Ashton's colleagues claim to have seen him in locations where he wasn't present, as phone calls from loved ones become distorted with unfamiliar voices, as photographs arrange themselves in patterns when he isn't looking, we witness the deliberate dismantling of a man's sense of reality. The predator doesn't need physical harm when psychological weapons prove far more devastating.This episode challenges us to consider our own "Polaroids"—those uncomfortable truths we avoid confronting about ourselves. What aspects of your identity have you denied? What reflections have you refused to acknowledge? What version of yourself might be waiting in the glass, smiling back with patience as you unravel? Because ultimately, the most dangerous predator may not be the stranger watching from the shadows, but the evidence you've been ignoring about who you really are.Listen now and discover that sometimes the most terrifying identity theft isn't when someone steals your information—it's when they steal your face."True mastery is found in the details. The way you handle the little things defines the way you handle everything."

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 LIVE SHOW THIS WEEK 2:44 CAM JOINS 4:48 PEYTONS BODY SCAN GONE WRONG 13:22 HOW TO START TV SHOWS DEBATE 16:92 GOOGLE GEMINI 17:07 STUFFED ANIMALS MADE US MEN 25:12 GROWN MAN TOY COLLECTION 27:10 HIMS 28:26 SHOPPING BAG DEBATE 35:39 GYM SHOWER GONE WRONG 40:39 RESPECT FOR OTHERS POO 46:32 WAYFAIR 47:48 NO SHIRTS IN THE BATHROOM 55:35 1000 NAMES DEBATE 1:02:14 FACTOR 1:03:54 GETTING "BASS"FISHED 1:10:17 BRAINROT QUIZ 1:18:32 BOOKING.COM 1:19:46 SACRED LETTERMAN JACKET 1:24:41 EMPTY YEARBOOK 1:27:57 CURRENCY ISN'T REAL 1:29:41 ANNOUNCEMENTS Todays Sponsors: Google Gemini - Visit http://gemini.google/students to learn more and sign up. Terms apply. Hims - To get simple, online access to personalized, affordable care for ED, Hair Loss, Weight Loss, and more, visit http://hims.com/ysk Wayfair - Shop, save, and SCOOOORE today at http://wayfair.com Factor - Eat smart at http://factormeals.com/ysk50off and use code YSK50OFF to get 50% off your first box, plus Free Breakfast for 1 Year. Booking.com - Find exactly what you're booking for. Booking.com, Booking.YEAH! Book today on the site or in the app. http://booking.com YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

Diella, la primera “ministra” generada por Inteligencia Artificial en Albania. Cómo tener una foto Polaroid con tu artista o personaje favorito usando Gemini de Google. La nueva temporada de “The Morning Show“ en Apple TV Plus. Elon Musk ya no es la persona más rica del mundo, el cofundador de Oracle, Larry Ellison sube a la primera posición. La presencia de la inteligencia artificial cada vez más temprano en los escenarios educativos, La policía de Georgia ha detenido esta semana a Simon Leviev, el estafador de Tinder. Un inusual "bache" magnético que desconcierta a los científicos. Lenny Kravitz celebra 30 años de Circus con una nueva edición deluxe digital. Lo nuevo de Gorillaz.

Diella, la primera “ministra” generada por Inteligencia Artificial en Albania. Cómo tener una foto Polaroid con tu artista o personaje favorito usando Gemini de Google. La nueva temporada de “The Morning Show“ en Apple TV Plus. Elon Musk ya no es la persona más rica del mundo, el cofundador de Oracle, Larry Ellison sube a la primera posición. La presencia de la inteligencia artificial cada vez más temprano en los escenarios educativos, La policía de Georgia ha detenido esta semana a Simon Leviev, el estafador de Tinder. Un inusual "bache" magnético que desconcierta a los científicos. Lenny Kravitz celebra 30 años de Circus con una nueva edición deluxe digital. Lo nuevo de Gorillaz.

Ricostruiamo oggi l'incredibile storia di un ragazzo che nel '93 ebbe un incontro, ravvicinatissimo e ripetuto, con una piccola creatura di presunta natura aliena e che immortalò anche con una Polaroid. Intervistiamo il protagonista, Filiberto Caponi e Massimiliano Sbrolla, autore di un documentario sulla vicenda intitolato "Alien Polaroid".

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 LIVE SHOW AVAILABLE SOON 2:04 CAM JOINS 4:26 DOGSITTING GONE WRONG 13:22 ZOCDOC 14:51 SCARING MY NEIGHBOR GONE WRONG 18:39 CAM'S OUT OF TOUCH 20:54 SIGNIFICANT OTHER SPRINT TEST 27:38 BOOKING.COM 28:46 TRUCK MADE OF TILE 35:06 EAR PIERCING STORY GONE WRONG 43:55 HUEL 45:27 DONE TALKING TO PEOPLE 51:05 AUTUMN vs FALL DEBATE 1:00:33 SHOPIFY 1:02:09 PULLED OVER BY HELICOPTER 1:04:46 SENIOR CITIZEN POLICE 1:07:31 WHAT'S MALACHI WATCHING? 1:12:58 DRAFT KINGS 1:15:05 GOOGLE GEMINI 1:16:27 POP CULTURE: UNKOWN NUMBER: THE HIGHSCHOOL CATFISH RECAP 1:25:45 ANNOUNCEMENTS Todays Sponsors: ZocDoc - Stop putting off those doctors appointments and go to http://zocdoc.com/PSH to find and instantly book a top-rated doctor today. Booking.com - Find exactly what you're booking for. Booking.com, Booking.YEAH! Book today on the site or in the app. http://booking.com Huel - Today, get Huel for FIFTEEN PERCENT OFF with this exclusive offer for New Customers only with code YSK at http://huel.com/ysk (Minimum $75 purchase). Shopify - Sign up for $1 per month trial and start selling today at http://shopify.com/ysk Draft Kings - Download the DraftKings Sportsbook app and use code YSK. That's code YSK to get $300 in bonus bets instantly when you place your first bet of $5 or more—plus over $200 off NFL Sunday Ticket from YouTube and YouTubeTV. Google Gemini - Visit http://gemini.google/students to learn more and sign up. Terms apply. YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join us as we try to remember Chris Nolan's freshmaker Memento! It's not confusion, it's art: a Polaroid un-developing, blood shooting back into a body, and a gun working in reverse like it's got a refund policy. Meanwhile we're just trying to keep our notes straight without accidentally tattooing “don't believe his lies” on ourselves. No white or male goes unscrutinized as we question who to trust and whether a tattoo counts as a “fact”. We also chat Nolan family drama, Chicago accents, sausage debates, Sharpie jokes, and Guy Pearce's abs (sharp enough to slice the editing timeline). It's one of the easiest recommendations Nick will ever make, but also one most likely to send Elise into the fetal position muttering “I'm so confused” while the rest of us pretend we have a system. Tune in and unshoot this masterpiece one scene at a time.  And do yourself a favor, get a "don't give Anthony the Polaroid if you invite him into your home" tattoo now so you don't forget and regret. https://www.imdb.com/title/tt0209144/

The Ochelli Effect 9-12-2025 NEWS SNAFUNEWS, NO NEWS, or NO NEW NEWSFRIDAY Pre-show SOLO(First a Personal Note)9-11 has always sucked for me personallyI try every year to ignore the coming date,or seek to occupy my being with things that turn my attention away from inner dread and pain1976 My father took his life September 11The rip in reality on that calendar day in 2001A rare female relative that loved Grandma Claire dead 40 years after her son, same dayThere is a list of lost friends,I narrowly avoided painful deaths and kept the pain on a handful of 9-11ssome of the worst things in my personal history,at a rate of a bit more than every other September 11I get a horror show in my world and/or our collective reality.Astrological calculations as informed by biblical study tell me this was the true birthday of The religious figure many call Jesus Christ.It is a day of darkness to me ever since I bothered with the date at all and started as soon as I was able to read a newspaper.So I just couldn't do a LIVE show yesterday.(End Personal Note)---NOT A TRANNY SHOOTER MANY HOPED FOR BUT...Charlie Kirk says gun deaths are 'worth it' to protect our rights in resurfaced 2023 cliphttps://www.youtube.com/watch?v=rMzr5cDKza0Pronouns blamed when anti-nouns are what's in play. They, Them, We, Us, is how those people, You People, and what happens when the wrong You People end up on The public opinion court house lawn and gallows block every road to nowhere. We should not blame his White Christian family either.ONLINE GAMING TAUNTS Maybe? Childish provocative unfiltered blasts of language meant to make others make mistakes? Guess what? Now there are people that heard trigger words they wanted to hear and now matter how anything gets debunked, some will keep believing what sounded correct to them, facts be damned. The suspect, still waiting to be formally accused, is depicted in a pro-trump shirt in widely celebrated and circulated blurry seemingly grabbed grainy video appears to be a fake (according to independent analysis by Chuck) but those that want to hop on that photoshop boat will not abandon the good ship Loli-pimple-pop and insist that I know you are but what are we team tag games like the old days. Boys against girls , shirts versus skins, and forget that it's hard to shake hands with anyone who insists they can not unclench their fists.James Dobson and Charlie Kirk and whether to rejoice in deathhttps://baptistnews.com/article/james-dobson-and-charlie-kirk-and-whether-to-rejoice-in-death/FALSE instant heat for using wrong, left, or right, right pronounsCharlie Kirk killer's ammunition ‘engraved with pro-trans messages'Three unused rounds marked with writing, it is revealed, but official urges caution as wording could have been misread or misinterpreted https://www.telegraph.co.uk/us/news/2025/09/11/charlie-kirk-killer-ammunition-engraved-trans-messages/ENSCRIPTIONS AS REVEALED BY LAW ENFORCEMENTThree unfired casings also had inscriptionsOne read, "Hey fascists! Catch!" with an up arrow, a right arrow and three down arrows.The second said, "Oh bella ciao, bella ciao, bella ciao ciao ciao."The third, "If you read this, you are gay LMAO." Here's To You Mr. Robinson, $100K cash, offered by the F.B.I. and Kash with a K Patel for Tyler Robinsons dad who provided the tip that on the suspect who is his son. Brutal, unrestrained, and pyrrhic Unrest that dehumanizes all is cultivated so many misguided and uninformed ideologically driven yet unsupportable in a rational law and order, order is all that those who demand to control the order of the line waiting to enter the Thunderdome where a busted deal for due process means that only THOSE people face the fixed Wheel. Mission creeps to Uncivil Civil War sowing seeds and sprinting the reaping too often walked path of constant violence alongside devoted acolytes from all directions of extreme..Voracious  cults-of personality Unsated, openly demand sanguinary vendettas quenched. Rhetorical strife and disagreeable ideas are acceptable justifications for laying waste to enemies. PREVIOUSLY On The Canceled Reality show we called reality Investigative Agencies had to at least appear as though they were Impartial.NEXT TIME STREAMING via ANTI-TRUTH ANTI-SOCIAL TRUMP-MERICA, This is The New NormalA bizarre Kash Patel comment could derail Kirk killer prosecution: legal expert (OR NOT says OCHELLI, you are thinking of Communist America AKA Weekend at Joey Bidens featuring poorly trained Zobie ventriloquist COMMUNIST-ALA Harris)https://www.rawstory.com/charlie-kirk-2673991437/?u=548ad90c0e879f774930a38769d4007f7f715717dcbc8d92c81bf7e7b4875523So Leaders can mislead and declare that YOUR Enemy Forfeits value granted by virtue of their creation. They are the OTHER, and ONLY Scotched earth is allowed to remain in the wake of retribution. Excuses for deciding a scale of value where 99% of the Populus is convinced that deaths of some fathers are acceptable thus worthy of righteous recidivism as humanity commits it's most consistent collective habitual human on human crime.War or the crime against humanity that humanity insists upon requiring Extrajudicial and extra moral injustice where many fathers are needlessly slaughtered. Demon O Crats and Con Man preservatives speak of thoughts, prayers, Empathy, and how murder is unacceptable. They are ALL lying and so are the exuberant followers parroting the full spectrum of media mouthpiece fallacies are enacting a silent agenda where a checklist to obtain permission to disregard the human right to be exists. Once enough boxes are ticked, the verdict is NOT TO BE, and there is no question of what the show trial must show, even if the criteria is not close to a true capital offense. EXAMPLE of a FAKE NEWS Mouthpiece :Meathead CuomoAppearing liberal, slowly converting to MAGA after being fired by CNN for Creep Policing and acting as a lawyer to be his brother's creeper keeper claiming journalistic integrity.Pals with other outdated propagandists, living on a newer Christian Broadcasting entity that has it preferred propaganda masked by trademark NEWSNATIONBlessed with turn key Indie media slots to artificially generated book sales and sponsors paying off like hosts have Polaroids of CEOS eating their own children, while carrying Trump's water like Chris is in a foot race with Smerconish. Disgraced former Limbaugh Wannabe, O'Reilly and the double fake actual DEI add-on Post-sold soul Geraldo Rivera staring as the empty avatar after revealing integrity more vacant than a Capone vault who's last acts of journalism were allowing the world to see the Zapruder film and making his T.V. NEWS bones broadcasting the horror of  soon-to-be-rebooted lunatic asylums if the 47th POTUS gets his agenda fully implemented are consistent Cuomo cohorts.A guy I don't want to believe is as meat headed as he appears and perhaps only plays one on TV is one less capatosta ensuring no Italian POTUS in my Lifetime is often revealing my hopes to be unrealistic, inspires me to comment on his blessed social media and content platforms sections with text resembling this recent addition to his YouTube comments section:disingenuousadjectivedis·​in·​gen·​u·​ous ˌdis-in-ˈjen-yə-wəs lacking in candora false appearance of simple franknessBugiarduni:Insinceru:Cristoforo            Otherwise you'd stop propping up O'Reily and that team and work with people outside the Left/Right trap you've contributed to with every platform you've infected and amplify people who speak to the paradigm in America that fake Christians represent and the non-liberal left falsely advocate for, which is that Abuse and ending of life is ok with the proper justification , political, social, etc. boil it down and that's what actual INDIE media have been struggling to have heard for my entire 50+ years . Millions of content creators and if you searched you'd find a dozen Americans maybe, you never acknowledged the 100 you could have across your career either. Prove THAT wrong  and you'd be something unique (END COMMENT)response to:Chris Cuomo on the Fallout From Charlie Kirk's Murderhttps://youtu.be/yihdmkgzOVw?si=YapgCW9zsh7RLwKP---Iran-Contra figures Oliver North and Fawn Hall secretly marry 40 years after scandal: report  https://nypost.com/2025/09/09/us-news/iran-contra-figures-oliver-north-and-fawn-hall-secretly-marry-40-years-after-scandal-report/#Russia 'deliberately targeted' Poland's airspace, Sikorski sayshttps://kyivindependent.com/russia-deliberately-targeted-polands-airspace-sikorski-says/Trump sparks health fears at 9/11 event as one side of face 'completely drops'Yet again, rumours are swirling about the US president's health following his latest appearance at the Pentagon Memorial near Washington on the anniversary of 9/11https://www.mirror.co.uk/news/us-news/trump-sparks-health-fears-911-35889605Bob Menendez's wife says she was ex-senator's ‘puppet' as she gets 4½ years in prison for briberyhttps://apnews.com/article/nadine-menendez-bribery-sentencing-egyptian-government-04f87a7e5eea1d9afb8da1b00067f77a?Poland downs drones in its airspace, becoming first NATO member to fire during war in Ukrainehttps://www.reuters.com/business/aerospace-defense/poland-downs-drones-its-airspace-becoming-first-nato-member-fire-during-war-2025-09-10/---I hope that he was going to be found guilty, I would imagine, and IBE THE EFFECTListen/Chat on the Sitehttps://ochelli.com/listen-live/TuneInhttp://tun.in/sfxkxAPPLEhttps://music.apple.com/us/station/ochelli-com/ra.1461174708Ochelli Link Treehttps://linktr.ee/chuckochelliAnything is a blessing if you have the meansWithout YOUR support we go silent.---NOVEMBER IN DALLAS LANCER CONFERENCEDISCOUNT FOR YOU10 % OFF code = Ochelli10https://assassinationconference.com/Coming SOON Room Discount Details The Fairmont Dallas hotel 1717 N Akard Street, Dallas, Texas 75201. easy access to Dealey Plaza

JOIN US ON PATREON: https://www.patreon.com/swiftologist Taylor Swift once invited fans into her actual homes to hear her albums before release — cookies baked by Taylor, Polaroids with her cats, holding her GRAMMYs. Secret Sessions were peak Swiftie lore. But after the chaos of Lover — leaks, drama, clogged toilets, and unhinged fan behavior — the sessions disappeared for good. In this episode, we revisit the rise and fall of Secret Sessions, from Tumblr-era stalking to the insanity of the Lover house party, and explain why The Life of a Showgirl will never get them. Taylor's fame, paranoia, and the scale of her stardom in 2025 make Secret Sessions literally impossible. Learn more about your ad choices. Visit podcastchoices.com/adchoices

PATREON: https://www.patreon.com/YouShouldKnowPodcast FACEBOOK: https://www.facebook.com/people/You-Should-Know-Podcast/61552092953106/ NEW TWITCH CHANNEL: https://m.twitch.tv/peytonhardin/home Peyton's Polaroids: https://instagram.com/peytonpolaroids?igshid=MzRlODBiNWFlZA== TRUE VAULT ESCAPADES: https://youtube.com/@AtomicWolf54 00:00 BIG THINGS COMING 2:16 CAM JOINS 5:03 CRAZIEST AFFAIR EVER 7:51 THE CHEATING APP 11:01 CAM'S CRAZIEST PICTURE 14:08 LIQUID IV 15:28 CRAZY PUBLIC PRANKS 23:22 PEYTON'S FINALLY FREE 29:14 CAYMAN JACK 30:34 MAKING BED DEBATE 35:06 6th GRADE KICKBACK 40:53 RIDGE 42:32 THE GROUPIE & ELDERLY WOMAN 51:12 GEMINI 52:33 PEOPLE WATCHING ON CRUISE 58:24 DATING WITH AWFUL PETS 1:02:45 BOOKING.COM 1:03:59 BATHROOM IN PUBLIC DEBATE 1:09:51 ARRESTED AT MEET & GREET 1:14:48 POP CULTURE: UNKOWN NUMBER: HIGH SCHOOL CATFISH 1:19:12 ANNOUNCEMENTS Todays Sponsors: Liquid IV - Tear. Pour. Live More. Go to http://liquidiv.com and get 20% off your first order with code YSK at checkout. Cayman Jack - Crack into your Margarita State of Mind. Pick up Cayman Jack at your local store or visit http://caymanjack.com to find it near you. Please drink responsibly. Ridge - One thing to pack, five ways to power! Get 10% Off @Ridge with code YSK at http://ridge.com/ysk #Ridgepod Google Gemini - Visit gemini.google/students to learn more and sign up. Terms apply. Booking.com - Find exactly what you're booking for. Booking.com, Booking.YEAH! Book today on the site or in the app. http://booking.com YouShouldKnow P.O. BOX 191564 2825 Oak Lawn Ave Dallas, Texas 75219 FOLLOW PEYTON: https://instagram.com/psh8?igshid=ZDg1NjBiNjg= JOIN THE DISCORD: https://discord.gg/V5WYhSte2R Learn more about your ad choices. Visit podcastchoices.com/adchoices

It seems like in the Bible, miracles are happening all the time. Did they stop happening when they invented the Polaroid or something? What's up with that?Some of us feel like if we saw a miracle happen before our own eyes, we'd be the best believers of all time. Yet the Israelites saw the Red Sea part and were grumbling and complaining again three days later. Jump in to hear Brian Tome break down why growth, faith, and gratitude often starts with having a good memory.  Recorded live at Crossroads Church in Cincinnati, Ohio.

Lanie Gardner doesn’t just write songs—she writes pages of her life and turns them into music. After her viral cover of “Dreams” (63M+ and counting), she’s gone from small-town Carolina to the Grand Ole Opry stage, proving that authenticity still wins in a world full of noise. Her upcoming album Faded Polaroids (Sept 5th) is more than just a follow-up to her debut EP—it’s a songwriter’s diary you’re invited to read. It’s messy, it’s vulnerable, it’s real life caught on tape. Along the way, she’s collaborated with Thomas Rhett (What Could Go Right), Warren Zeiders (Loving in Letting Go), and even had Mick Fleetwood play drums on High Divin’. She’s made her Stagecoach debut, joined tours with Corey Kent and Gavin Adcock, and her songs have landed in Twisters and Queen of the Ring. At just 25, she’s already living out prayers she used to whisper—singing Cry (a song she wrote at 16) on tour with Jelly Roll, making her Opry debut, and becoming one of country music’s most talked-about new voices.See omnystudio.com/listener for privacy information.