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The Leica M EV1 has us a little surprised at Leica's willingness to deviate from the analog nature of their M series of cameras, and we debate whether it's the camera Leica fans have been waiting for. But before that, Lucas continues his internal struggle of how to manage and edit his photos. Also, we look at an interesting set of Lightroom presets a listener pointed us to that seem to match other brands' cameras to Fuji film simulations. If you enjoy the show, we'd welcome your support on Patreon. It's only $3 per month and helps us keep the show running. You can check it out here: https://www.patreon.com/cameragearpodcast Also, some of the product links in the notes below are affiliate links which earn us a commission if you make a purchase, at no additional cost to you. Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Notes: Camera RAW X [Apple App Store] Nitro [Gentlemen Coders] Photomater [Pixelmator] Mylio FUJIFILM GFX ETERNA 55 LUTs Released [CineD] Fujify.me Leica M EV1 [B&H]

Last time we spoke about the Russian Counter Offensive over the Heights. On the Manchurian frontier, a Japanese plan hatched in the hush before dawn: strike at Hill 52, seize the summit, and bargain only if fate demanded. Colonel Sato chose Nakano's 75th Regiment, delivering five fearless captains to lead the charge, with Nakajima rising like a bright spark among them. Under a cloak of night, scouts threaded the cold air, and at 2:15 a.m. wires fell away, revealing a path through darkness. By dawn, a pale light brushed the crest; Hill 52 yielded, then Shachaofeng did, as dawn's demands pressed forward. The Russians responded with a thunder of tanks, planes, and relentless artillery. Yet the Japanese braced, shifting guns, moving reinforcements, and pressing a discipline born of training and resolve. The battlefield fractured into sectors, Hill 52, Shachaofeng, the lake, each demanding courage and cunning. Night winds carried the buzz of flares, the hiss of shells, and the stubborn clang of rifles meeting armor. The Russians tried to reweave their strength, but Japanese firepower and tenacious assaults kept the line from bending. By nightfall, a quiet resolve settled over the hills; the cost was steep, but the crest remained in Japanese hands.   #182 The Second Russian Counteroffensive over the heights Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. The Japanese retained their hard won positions despite fierce Russian counterattacks. For the Japanese command structure at the front, 3 August was of prime importance. Suetaka concluded that he could not merely direct the fighting around Changkufeng nor abandon Kyonghun, given his need to manage relations with Korea Army Headquarters and central authorities, as well as the special characteristics of these battles and his grave concerns about the Wuchiatzu front to the north. By 5 p.m., the newly arrived 37th Brigade commander, Morimoto Nobuki, was assigned control of all sectors from Hill 52 and Changkufeng to Shachaofeng, establishing his command post at the former site of the 75th Regiment at Chiangchunfeng. The Japanese estimated losses from the Soviet counterattacks on 2–3 August as follows: Hill 52-Changkufeng, at least 300 Soviet casualties and four tanks; Shachaofeng, about 300 casualties and several tanks, plus several heavy machine guns knocked out. By 17:00 on 3 August, Russian strength committed to the front and immediate rear was assessed at ten infantry battalions, 40 artillery pieces, and 80 tanks. Japanese casualties on the 2nd and 3rd totaled 16 killed and 25 wounded. Suetaka judged the Soviet bombardments on 3 August powerful, but their infantry assaults were not particularly bold, likely due to their heavy losses on the 2nd. Even though morale was not high, there were signs of reinforcements from elite units, including armor and large artillery formations. Suetaka concluded the Russians would again attempt to retake the Shachaofeng sector and positions around Changkufeng. During the night of 3–4 August, the 75th Infantry, still on alert against resumed enemy counterattacks, intensified security and worked energetically to strengthen defenses. K. Sato remained at Chiangchunfeng to complete the turnover to the 37th Brigade and to brief Morimoto. The regiment established its new command post for the right sector at the foot of Fangchuanting. Throughout the night, Soviet vehicles with blinking lights were observed moving south along the high ground east of Khasan, and a new buildup of mechanized forces and artillery appeared in the area. At 05:30, 36 tanks were seen advancing to Hill 29, followed by the apparent withdrawal of 50–60 Russian horsemen into the same area. At 07:00 on 04 August, Soviet artillery began a bombardment. Although there was a lull around noon, by 14:00 intensity peaked, described as "like millions of lightning bolts striking at once." After another quiet spell, enemy guns renewed their tempo at 19:30, targeting Hill 52 and Changkufeng. The Russians' artillery was not precisely zeroed in; "many of the shells plopped into the Tumen, which delighted us considerably." Beginning on the 4th, Soviet artillery sought to cut lines of communication by bombarding the river crossing site, disrupting daytime supply. Japanese artillery records add: "Until today, this battalion had been fired on only by field artillery; now 122-mm. howitzers went into action against us. We sustained no losses, since the points of impact were 100 meters off. Apparently, the Russians conducted firing for effect from the outset, using data provided by the field artillery in advance." Around midnight, Ichimoto, the old commander of the 1st Infantry Battalion, arrived at the 75th Regiment Headquarters to resume command. He was "itching to fight." K. Sato described the casualties in detail, but "he didn't look beaten at all." "To the contrary, the colonel was strong and in excellent spirits. Yet while he wasn't pessimistic, one could not call him optimistic." At the battalion site, about 100 men were in operational condition out of an original 400. Some soldiers were hauling ammunition, rations, and position materiel; others were cremating the dead, since corpses would rot in the August heat. Japanese casualties on 4 August were light: the 75th Infantry lost five killed and three wounded; among attached engineers, the platoon leader and two men were wounded. Ammunition expenditure was very low. The Japanese press noted that although the Russians had been reported retreating behind the lake to the northeast, investigation showed a redeployment forward from south of Changkufeng. An American observer in Tokyo stated that "the best information obtainable is that the Russians now occupy the lower slopes of Changkufeng, while the Japanese still occupy the heights." From this period dates a series of pleas from the 19th Division for the dispatch of long-range artillery from the Kwantung Army. Suetaka believed that the addition of long-range artillery was necessary and feasible. As Kitano predicted, Suetaka submitted his recommendation at 05:00 on 5 August for the attention of the Korea Army commander and the AGS deputy. As dawn approached on 5 August, the Korea Army received Suetaka's request. A message was dispatched to the vice minister of war and the AGS deputy, and an inquiry was sent to Hsinking. The note detailed Soviet artillery on the Changkufeng front, eight to ten batteries of field and mountain guns, including 10-cm cannons and two or three 15-cm howitzers, and described how these long-range pieces kept up a slow fire beyond Japanese firing range. Overnight, Soviet traffic pressed along the high ground east of Khasan, and by 06:30 the horizon brimmed with new threat: 48 tanks concentrated near Hill 29, with fresh artillery deployed once the Russians realized their own guns were receiving scant challenge from the Japanese. Movement across the lake suggested continued armor in play; at dawn, 10 to 15 tanks lingered on the Crestline, while closer still, six Russian tanks prowled near the southern edge of Khasan. By 03:00, Changkufeng came under bombardment again. K. Sato urged the mountain artillery to answer dawn with counterfire against the high ground east of Khasan and against Hill 29. Between 05:00 and 05:40, the artillery struck armor concentrations, knocked out two tanks, and forced the rest toward the east of Hill 29. Observation posts were neutralized, and cavalry was driven north. At the same hour, the Soviet barrage against the Japanese rear intensified, targeting lines of communication across the Tumen. The Sozan link failed by day, and telephone lines to the artillery battalion were severed, though signalmen managed to restore communications. The river crossings, Fangchuanting, Hill 52, and Shachaofeng bore the brunt of the shelling, with 15-cm blasts jolting the frontline. "From today enemy shellfire was coned and grew increasingly accurate, until every area along our front was deprived of its dead angles and our casualties mounted." The Hill 52 zone endured a slow siege, but tank fire from the eastern heights remained severe. Noguchi's company, positioned south of Changkufeng, found itself trapped in crossfire from positions across the lake. Suetaka, his front-line subordinates, and their worries about artillery superiority pressed onward. He did what he could with the resources at hand, and, in the morning, shifted a two-15-cm howitzer battery from Kyonghun to the sector opposite Changkufeng, a modest increment in reach but a needed one. At 10:00, Suetaka ordered replenishment of frontline strength. He calculated the enemy's power and their own limits: the Russians had deployed three or four infantry battalions, around 120–130 tanks, 50–60 armored cars, about 1,000 mounted troops, and three or four artillery battalions. Yet he found a glimmer in their morale; "the morale of our own units has risen, as we have been dealing grievous blows to the foe on occasion and have been steadily breaking hostile intentions." By 5 August, he noted, fifty enemy tanks had already fallen. Morimoto watched the ominous lull that threatened another attritional test and warned that the situation demanded constant vigilance. "Even if the front seems quiet, we must tighten security, reinforce positions, and not give the foe even the slightest advantage to exploit." The 5th saw only four Japanese soldiers wounded, three from the 75th and one from the mountain artillery, while ammunition usage remained low. Anti-aircraft guns west of Sozan drove off two aircraft that appeared over Changkufeng at 11:45, triggering a counterbarrage from the northeast of Khasan. A few Soviet planes skimmed over Hill 52 and Changkufeng in the afternoon, but their flights felt more like reconnaissance than threat. Across the line, the Russians continued to probe the east side. Northeast of Khasan, waves of infantry and trucks, dozens at a time, slipped south, while roughly 20 tanks began their own southern march. The Russians worked to erect new positions along the Khansi heights. In the meantime, conversations in Moscow pressed toward a decision, with intelligence predicting that a breakthrough would come by noon on the 5th. Around midnight on 5 August, Morimoto observed that the Russians' forward elements seemed to have been pulled back and the front lay quiet. He ordered vigilant guard duties, stressing that crossing the border, trespassing, and fomenting trouble were prohibited by all units and even by scouts. Meanwhile, the Japanese had been preparing for night attacks and consolidating positions. Throughout the foggy night, mechanized units moved on the Crestline east of Khasan. At daybreak, a platoon leader north of Changkufeng reported tanks heading toward Hill 29, estimating the total force at about 70 tanks and 50 troop-laden trucks. Japanese observers at Hill 52 detected new artillery positions on both sides of Hill 29 and 40 tanks on the Crestline south of the hill. By 07:00, the high ground was covered by no fewer than 100 tanks, with 8 or 9 infantry battalions deployed ahead and behind. As early as 03:00, K. Sato had urged his artillery liaison officer to ensure friendly guns fired at daybreak against the Hill 29 sector to thwart the enemy's intentions in advance. When morning fog lifted a bit at 06:00, Kamimori's mountain artillery battalion "hit the tanks very well," and front-line officers spotted shell impacts, though visibility improved only until 10:00, when mist again hampered observation. By 07:00, Soviet guns began firing from near Hill 29, triggering a duel in which the Japanese outranged them. Around 09:00, as the fog lifted from the higher crest of Changkufeng, Japanese gunners added their fire against the 40 Russian tanks near Hill 29. From Fangchuanting, the lone Japanese mountain piece also engaged armor and troop-laden trucks around Hill 29. As time wore on, the Soviet artillery showed its power, and Hill 52 became a beehive of shelling. From 11:00 onward the defenders began to suffer more and more casualties, with works shattered in succession. Flank fire from Gaho and heavy guns from Maanshan took a toll. The 100 tanks deployed on the Crestline north and south of Hill 29 delivered furious low-trajectory fire, gradually turning the front walls of our firing trenches into something resembling a saw. Russian shellfire pounded defenses at Hill 52, Noguchi Hill, and Changkufeng. Between 02:00 and 05:00 the Russian shells had been dispersed; now they concentrated their bombardment. They even struck the rear headquarters of the 37th Brigade and the 75th Regiment. The crossings at Sozan and Matsu'otsuho took heavy hits, and Sato worried that friendly batteries would become exposed to counter-battery fire if they opened up too soon. A peak of intensity arrived near 13:30 as the Soviet ground assault began. Now 30 Soviet aircraft bombed Changkufeng, Fangchuanting, and Hill 52, and Russian tanks moved toward Hill 52, with infantry 300–400 meters behind. To blunt the assault, Hirahara ordered ammunition caches and instructed troops not to open fire prematurely. The Soviet infantry and tanks pressed to a line about 900 meters from the Japanese, paused briefly, then continued. By 14:00, the advance resumed, led by three battalions and 50 tanks. Lieutenant Saito, commanding the 3rd Battalion's antitank battery, waited until tanks were 800 meters away and then opened fire with his three pieces. In a furious exchange between 13:50 and 14:30, as armor closed to 300 meters, the Japanese stopped 14 tanks and seriously damaged others in the rear. One antitank squad leader, a corporal, would later receive a posthumous citation for destroying more than ten tanks. Several tanks fled into a dip near Khasan; some Soviet troops were reportedly crushed by their own tanks in the melee. Supporting Saito's fire were Hisatsune's regimental guns and the captured antitank gun at Changkufeng, which the Japanese used to engage armor along the lake's slopes. Noguchi's unit fired battalion guns against the tanks while the attached mountain pieces bombarded the Russians despite intense counterbattery fire. At Hill 52, liaison lieutenant Fuji'uchi observed the shelling and coordinated infantry–artillery actions with a platoon leader, never flinching even after being buried in trenches three times by shell blasts; he was killed near 14:00. Captain Shiozawa, the mountain battery commander, took charge of directing fire and also was also slain. The Russians' assault pushed forward; 16 tanks followed behind the vanguard, moving along the Crestline behind Hill 52, and joined the tanks in firing but did not advance further. To the rear, a large force moved along the lake north of Hill 52 until checked by fire from Noguchi's positions. A dozen Russian tanks converged southwest of Khasan at 16:00. Master Sergeant Kobayashi, acting platoon leader of the engineers, proposed a close-quarter demolition attack since Japanese antitank strength was limited. After approval from Hirahara, at around 16:30 he and 13 men crept forward 300 meters undetected. Twenty meters from the tanks, Kobayashi urged his men: "One man, one tank! Unto death for us all!" The assault wrecked six to eight (or possibly ten) of the 12 enemy tanks and killed many crew members inside and outside the vehicles, but Kobayashi and seven of his men were killed; only one soldier, Kabasawa, survived to perform a posthumous rescue of a fallen comrade. Of the 60 Russian tanks and at least four battalions that rushed to Hill 52, only one tank charged into the hill positions. At 17:30, this machine reached within 150 meters of the 11th Company lines but was destroyed by armor-piercing heavy machine-gun fire. Back at the 75th Regiment command post, K. Sato received reports from the line units, but hostile fire cut communications with Hill 52 in the afternoon. His antitank guns were increasingly inoperable, and casualties mounted. He reinforced Hill 52 first with heavy machine guns and then with an infantry company. North of Hill 52, Noguchi had been in position with an infantry platoon, a machine-gun platoon, and the battalion gun battery. By 09:30, enemy bombardment forced him to pull back temporarily to the lower Scattered Pines area to avoid needless casualties. At Akahage or "Red Bald" Hill, Noguchi left only lookouts. Around 16:00, about two enemy companies were observed moving toward Changkufeng. Noguchi redirected fire to meet the threat. The Japanese, pinned by infantry and four tanks approaching within 150 meters, endured infantry guns and other tanks in a protracted exchange. Shelling continued until sundown. Casualties mounted; the machine-gun platoon leader, Master Sergeant Harayama, fell with 20 of his men. "It was a hard battle, but we retained our positions, and the enemy advance toward Changkufeng was checked." After sunset there were occasional fire exchanges; tanks remained visible burning. Soviet troops attempting to breach barriers faced hand-grenade assaults. A great deal of noise signaled casualties being evacuated and tanks salvaged behind enemy lines, but no fresh assaults followed. The effective barrage by the 2nd Mountain Artillery Battalion helped deter further attempts.  Around 13:30 the advance began. Soviet ground troops laid down a barrage of field, heavy, and mountain gunfire against Hill 52, Noguchi Hill, and Fangchuanting until sunset. Casualties were heaviest between 15:00 and 17:00. Soviet cutoff fire against the Tumen crossings continued even after the sun went down. Japanese close-support artillery attracted instantaneous counterbattery fire. Enemy planes also seemed to be bombing in quest of the artillery sites. On the sector defended by T. Sato, throughout the night of 5-6 August, Russian movements had been frequent on the Kozando-Paksikori road and east of Khasan, trucks and tanks making round trips. The roar of engines and rumbling of vehicles were especially pronounced on the lake heights. Headlights shone brightly, causing Japanese lookouts to speculate that the Russians were putting on a demonstration to suggest that their main offensive effort was being aimed against Hill 52. Nevertheless, the left sector unit was ready for an enemy dawn assault, which did materialize around 06:00. One or two Soviet battalions struck forward, encountered a torrent of fire at 300 meters, and fled, leaving 30 bodies behind. Near 09:00 the left sector experienced a fierce series of bombardments; all of the men except lookouts took cover in trenches. The Soviet guns thundered unrelentingly, apparently in preparation for an offensive. At 14:30 several dozen bombers struck. Simultaneously, a wave of 60 tanks moved forward, followed by three battalions of infantry. Major Obo, battalion commander on the right wing, had his heavy machine guns, battalion guns, and line companies engage the foot soldiers, while antitank and regimental guns concentrated against armor. The tanks fanned out and approached within 700 meters, stopping to fire on occasion in "mobile pillbox" fashion. Despite unrelenting enemy tank and artillery shelling, the Japanese regimental guns, and the rapid-fire pieces in particular, shifted position and laid down raiding fire. In conjunction with heavy weapons belonging to Takenouchi's battalion, Obo's men succeeded in stopping 20 tanks. The rest of the armored group continued to push forward. The Russian infantry had pressed on another 200 meters behind the tanks, but eventually they lost momentum 400 meters from the Japanese positions. Having managed to separate the tanks from the infantry, the Japanese units staged close-in assaults in concert with heavy weapons and smashed ten more tanks. Thirty machines had been immobilized by now after a furious struggle lasting five hours. Although Lieutenant Ikue was killed by machine-gun fire, his mountain artillery platoon, emplaced at Shachaofeng, rendered yeoman service, stopping 20 tanks. The forward elements of Soviet infantry, still firing from 400 meters behind the tanks, had apparently abandoned the attack. Second-line forces seemed to have pulled far back, northeast of the lake.   Several dozen Soviet bombers struck Takenouchi's left-wing battalion around 14:30 and lost one plane to machine-gun fire. At the same time, 50 Soviet tanks closed to 800 meters. Engaging this armored formation were battalion guns, heavy field artillery, and mountain artillery attached to the sector unit, as well as heavy weapons firing from the neighboring battalion. In succession the tanks were knocked out, perhaps 20 in all. Under cover of artillery and bombing, a battalion of Soviet infantry, who had been advancing behind the tanks, got as close as 30 or 40 meters before being checked by guns firing from the Nanpozan area and by the vigorous resistance of the defenders. The enemy withdrew 600 meters and began to dig in. T. Sato noted at 19:00 that, although the Russians on the right and left sectors seemed to have sustained considerable losses, they apparently were "planning something at point-blank range in front of our positions." The 73rd Infantry would therefore cope with a twilight or night attack by the one battalion and several tanks immediately facing it. On 06:08, immediately after large-scale air attacks involving four-engine bombers between noon and 14:00, enemy barrages began. Enemy artillery positions, 6,000–7,000 meters away, were not engaged by the Japanese since their gunners were trained only at 1,000 meters. Longer ranges were ineffective, would betray the guns, and would waste ammunition. Near 16:00 50 tanks appeared at 3,000 meters, and infantry could also be seen, wearing high boots and marching around the lake. Although the Russians may have closed to 200 or 300 meters, Tominaga received no impression that their foot soldiers were particularly aggressive. Soviet armored tactics were poor: some tanks were moving, some stopped, but they did their firing from rises, which made them easy targets. Perhaps it was because of the terrain, undulating and swampy. Without armor-piercing rounds, the Japanese guns could not penetrate the heaviest armor, so they aimed at the treads or at the belly when the tank was on a rise. Tominaga's weapons were aided by rapid-fire pieces and machine guns and by the 15-cm howitzers from across the river. Of the ten targets which came within effective range, Tominaga's battery claimed five light tanks. Major Takenouchi remembered a tank-led Soviet attack that day on Takenouchi's sector. The enemy infantry deployed in good order four kilometers from the defenses. As the formations drew closer, the Japanese counted more than 40 tanks and 3,000 ground troops. The commander knew he had a serious problem, for there were only 20 antitank shells for the rapid-fire guns. When the Russians got within 4,000 meters, the Japanese opened fire with all available heavy weapons. The attackers hit the ground and continued to advance in creeping formation, although the terrain consisted of paddy fields. All the Japanese could see were Russians, wearing reddish-purple trousers and carrying rifles, deployed every 200 meters behind the front lines and apparently exhorting the soldiers. These must have been the "enforcers." The Japanese let the tanks close to 800 meters before opening fire with their precious antitank ammunition. Both the lead and the last tanks were knocked out, but there were by now only four or five shells left, and the firing had to be stopped. Fortunately for the Japanese, the tanks never again advanced, perhaps because of the wet terrain. The Soviet infantry, however, pressed forward tenaciously all day and wormed their way close to the front edge of the barbed wire under cover of artillery and machine guns. Throughout the day, pleas for reinforcement were made frequently by the two Japanese line companies, but the battalion had no reserves, only the few soldiers in the command team. Requests were met with the reply to "hold on for a while; help is coming." Luckily, there was no close-quarter fighting by the time night fell, but the Russians did lay down concerted machine-gun fire after dark. When dawn broke without a Soviet assault, Major Takenouchi surmised that the barrage of machine-gun fire laid down by Russian infantry the evening before must have been intended to cover disengagement from the lines or to check a Japanese attack. Now, in daylight, Russian assault troops which had closed to the entanglements the day before had pulled back to a distance of 400 or 500 meters and could be seen constructing positions. At 19:10 Morimoto warned that while the Soviet offensive had bogged down, "all units are to be wary of attacks after twilight and are to crush them in good time." Ito, in charge at Changkufeng, was consequently alert, although regimental headquarters did not particularly share his concern. Ito had only two infantry squads from the 6th Company and Hisatsune's regimental gun battery, 121 men in all. A little after 20:00, Ito received a report from lookouts that enemy troops were advancing onto the southern skirt. At 20:30 two Soviet companies attacked the advanced lines, hurling grenades. One Japanese squad was almost wiped out; "they died heroic deaths, leaping into a hostile force which outnumbered them 20:1." Immediately, the Russians surged toward the main Japanese positions farther up the hill, while other strong elements sought to encircle the crest on the left. Accompanying the Soviet troops were "wardens." From north, east, and south the Japanese defenses were being overrun, and the regimental guns were in jeopardy. Wounded men fell back and down the hill, one by one. Lieutenant Hisatsune personally sought to repulse the Russians. Taking his command team, a dozen men under a master sergeant, and the two regimental gun squads which possessed only captured rifles, he led a desperate charge at 21:10. With fixed bayonets, the Japanese rushed forward, yelling loudly and hurling rocks, since there were not enough grenades. The Russians retreated in confusion, pursued by the Japanese. Hisatsune cut down several Russians, was wounded badly by grenades, but plunged into the enemy one last time before meeting a "matchlessly heroic death" at 21:40. Almost all of the noncoms and soldiers fell with him. Suddenly, at 21:20, Ito's antitank squad leader staggered to the 75th Regiment command post at Fangchuanting, his face mangled. "Changkufeng is in danger! Avenge us!" Nishimura and the reinforcements had to run 1,200 meters to reach the hill. Major Ichimoto also worked desperately to retrieve men from logistical chores; somehow he assembled 45. Grabbing every grenade available at the command post, Ichimoto ran with his men to the relief of Changkufeng. Next, Regimental Aide Suko sent 10 soldiers, the last being headquarters clerks and runners. When 16 men from the 2nd Company turned up, having delivered their supplies, Suko rushed them out, also. At regimental headquarters there now remained only a dozen soldiers and one heavy machine gun. By then, the Russians had climbed up and across Changkufeng peak and were pushing halfway down the Japanese slope of the hill. Enemy machine guns fired fiercely, but it was mainly grenades that felled Murakoshi's unit; although few were killed, half of the lead platoon was wounded. Murakoshi, struck by a grenade fragment, tied a cloth around his knee and kept on running. Clinging to Changkufeng, Ito now had little more than 50 men left—only seven of his own soldiers, the rest gunners. The latter had lost their pieces, however, and had never been armed with rifles in the first place. The survivors had to use stones, picks, and shovels to grapple with the foe in the trenches.  A little before 22:00, the 17-man contingent under Nishimura arrived. Ten minutes later, Ichimoto rushed up with his 45 men, bunched closely. The survivors, inferior to the reinforcements in numbers, were heartened immensely. Soon afterward, at 22:30, the regimental warrant officer, Nishizawa, caught up with another dozen soldiers, and Murakoshi brought 16 more at 23:00. Wild fighting ensued, furious grenade exchanges, the crisscrossing of fire, and shouts and flashes. Ichimoto remembered that by the time he arrived, the last remnants of Ito's company were fighting hand-to-hand in the trenches on the north side in utter darkness. Thirty meters from the peak, he and Nishimura scouted the situation. Then, having combined the 120 reinforcements into one line, Ichimoto drew his sword and led the charge. In the constant flashes, shapes could be discerned rather well. The Russian machine guns were firing "crazily," all tracers, probably to warn away their own troops. But the firing was very high, sometimes ten meters over the heads of the Japanese, perhaps because of the darkness, the 40-degree slope near the crest, and the angle of the guns. Much of the fire was considerably lower, but the Japanese had only to observe the roots of the tracer fire and stay down, ducking behind boulders. The Soviets had been committing new troops steadily, and a considerable amount of heavy weapons had been emplaced. Near midnight the Russians were driven south, down the cliff, but most of the Japanese had been killed or wounded, and ammunition was exhausted. The mere dozen unscathed survivors were pushed back, but Master Sergeant Isobe and his platoon from Inokuma's company reached the crest in the nick of time at 02:00. With this reinforcement, Ichimoto led a new charge and again drove the enemy below the cliff.  At 22:50 P.M., Inokuma set out with only 49 men, crossed the border, and headed for the enemy's rear. First to be encountered, probably at 01:00, were several dozen Soviet soldiers, armed with machine guns, who were surprised and almost destroyed, abandoning more than 20 corpses. Inokuma veered north along Khasan, cutting down Russian phone lines on the way. The Japanese detected no evidence of enemy retreat. Instead, voices and the sound of oars on the lake could be heard from the eastern foot of Changkufeng, perhaps they came from Soviet reinforcements. Inokuma decided that the best course would be to plunge ahead and take the Russians by surprise. On his own initiative, he began his new operation, although by now he had lost permanent touch with the assault teams. At 02:00, Inokuma's unit broke silently through the "imperfect" lines of barbed wire and charged through another enemy force of company size which was equipped with machine guns. Next, Inokuma directed an attack against a concentration just behind the company location, a unit estimated to number two battalions massing west of the Khasan crossing. The Russians were "stunned" by the assault. According to Akaishizawa, the enemy were killing their own men by wild firing. A portion fled north, leaving over 30 bodies behind. At the same time, the foe called down fire from all areas, causing very heavy Japanese casualties. Inokuma charged, managed to scatter the foe, and seized the cliff. By now he had only a half-dozen men left. His own sword had been shattered and his pistol ammunition exhausted; he picked up a Russian rifle and bayoneted several enemy soldiers. Now the Soviet troops, who had fallen back once, were approaching again from the right rear. Inokuma charged once more, shouting. The Russians retreated to the foot of the heights on the northeast. Daybreak was near. Already hit several times, Inokuma sought to resume the attack, this time from the rear of hostile forces desperately engaging Ichimoto's elements on Changkufeng crest. Akaishizawa said his last orders were, "Ito is just ahead. Charge on!" Although he had only a few soldiers left, Inokuma was trying to move forward when a bullet or a grenade fragment struck him in the head, and he died at 03:00. Sergeant Okumura, although wounded seriously, had remained with Inokuma to the last and defended the positions that had been reached. He saw to it that Inokuma's corpse was recovered first and next struggled to evacuate the wounded. Only then did he withdraw. Around 07:00, Okumura got back to Fangchuanting with one unscathed and two badly wounded soldiers. A day later, the seriously injured but indestructible M. Saito appeared at the regiment command post, somehow dragging a rifle and light machine gun with his one good arm, for "we were always trained to respect our weapons." It was estimated that, during the fighting throughout 6 August, the Russians lost 1,500 killed and wounded as well as 40 tanks knocked out in K. Sato's right sector alone. Japanese casualties were heavy on the 6th. The 75th Infantry lost three officers; 44 enlisted men were killed and 85 wounded. In the engineer platoon seven were killed and five wounded out of 19 men. The 54 killed and 90 wounded in the right sector amounted to 17 percent of the 843 men available. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. Japanese leadership under Colonel Sato assigned Nakano's 75th Regiment for a dawn assault, seizing Hill 52 and Shachaofeng despite fierce Soviet counterattacks,tanks, aircraft, and heavy artillery. Across the front, sustained bombardment, shifting fire, and nocturnal maneuvers characterize the period. Yet the crest endured, losses mounting but resolve unbroken, until the sun dipped and the hillside remained stubbornly Japanese

Chapka Seguros, tu seguro para Japón. Con el código GAIKAN o a través de este enlace, tendrás un 7% de descuento: https://www.chapkadirect.es/?app=cd_gaikanpodcast Recupero un fragmento del encuentro que tuve con el tomodachi tras volver del país nipón. Si quereis escucharlo completo, lo tenéis aquí: "Extra 81 - Vinos nipones, retrogaming, monte Fuji y muchas reflexiones más del primer viaje de Miguelón del Vallés" https://www.ivoox.com/extra-81-vinos-nipones-retrogaming-monte-fuji-audios-mp3_rf_154132519_1.html Mi editorial con libros sobre Japón: https://www.segasaturnoproductions.com Blog de GAIKAN: https://www.podcastjapon.com Arigatooo.

Fuji: A Mountain in the Making (Princeton UP, 2025) is A panoramic biography of Japan's iconic mountain from the Ice Age to the present Mount Fuji is everywhere recognized as a wonder of nature and enduring symbol of Japan. Yet behind the picture-postcard image is a history filled with conflict and upheaval. Violent eruptions across the centuries wrought havoc and instilled fear. Long an object of worship, Fuji has been inhabited by deities that changed radically over time. It has been both a totem of national unity and a flashpoint for economic and political disputes. And while its soaring majesty has inspired countless works of literature and art, the foot of the mountain is home to military training grounds and polluting industries. Tracing the history of Fuji from its geological origins in the remote past to its recent inscription as a World Heritage Site, Andrew Bernstein explores these and other contradictions in the story of the mountain, inviting us to reflect on the relationships we share with the nonhuman world and one another. Beautifully illustrated, Fuji presents a rich portrait of one of the world's most celebrated sites, revealing a mountain forever in the making and offering a meditation on the ability of landscape both to challenge and inspire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fuji: A Mountain in the Making (Princeton UP, 2025) is A panoramic biography of Japan's iconic mountain from the Ice Age to the present Mount Fuji is everywhere recognized as a wonder of nature and enduring symbol of Japan. Yet behind the picture-postcard image is a history filled with conflict and upheaval. Violent eruptions across the centuries wrought havoc and instilled fear. Long an object of worship, Fuji has been inhabited by deities that changed radically over time. It has been both a totem of national unity and a flashpoint for economic and political disputes. And while its soaring majesty has inspired countless works of literature and art, the foot of the mountain is home to military training grounds and polluting industries. Tracing the history of Fuji from its geological origins in the remote past to its recent inscription as a World Heritage Site, Andrew Bernstein explores these and other contradictions in the story of the mountain, inviting us to reflect on the relationships we share with the nonhuman world and one another. Beautifully illustrated, Fuji presents a rich portrait of one of the world's most celebrated sites, revealing a mountain forever in the making and offering a meditation on the ability of landscape both to challenge and inspire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Fuji: A Mountain in the Making (Princeton UP, 2025) is A panoramic biography of Japan's iconic mountain from the Ice Age to the present Mount Fuji is everywhere recognized as a wonder of nature and enduring symbol of Japan. Yet behind the picture-postcard image is a history filled with conflict and upheaval. Violent eruptions across the centuries wrought havoc and instilled fear. Long an object of worship, Fuji has been inhabited by deities that changed radically over time. It has been both a totem of national unity and a flashpoint for economic and political disputes. And while its soaring majesty has inspired countless works of literature and art, the foot of the mountain is home to military training grounds and polluting industries. Tracing the history of Fuji from its geological origins in the remote past to its recent inscription as a World Heritage Site, Andrew Bernstein explores these and other contradictions in the story of the mountain, inviting us to reflect on the relationships we share with the nonhuman world and one another. Beautifully illustrated, Fuji presents a rich portrait of one of the world's most celebrated sites, revealing a mountain forever in the making and offering a meditation on the ability of landscape both to challenge and inspire.

Fuji: A Mountain in the Making (Princeton UP, 2025) is A panoramic biography of Japan's iconic mountain from the Ice Age to the present Mount Fuji is everywhere recognized as a wonder of nature and enduring symbol of Japan. Yet behind the picture-postcard image is a history filled with conflict and upheaval. Violent eruptions across the centuries wrought havoc and instilled fear. Long an object of worship, Fuji has been inhabited by deities that changed radically over time. It has been both a totem of national unity and a flashpoint for economic and political disputes. And while its soaring majesty has inspired countless works of literature and art, the foot of the mountain is home to military training grounds and polluting industries. Tracing the history of Fuji from its geological origins in the remote past to its recent inscription as a World Heritage Site, Andrew Bernstein explores these and other contradictions in the story of the mountain, inviting us to reflect on the relationships we share with the nonhuman world and one another. Beautifully illustrated, Fuji presents a rich portrait of one of the world's most celebrated sites, revealing a mountain forever in the making and offering a meditation on the ability of landscape both to challenge and inspire. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Marcus Vinicius Kvitschal, da Estação Experimental de Caçador, conta a história da Gala e da Fuji em Santa Catarina. O pesquisador também comenta sobre as tecnologias desenvolvidas para a cultura da maçã e o sucesso de cultivares da Epagri na Europa.>> CRÉDITOS:Produção, roteiro e locução: Mauro Meurer e Maykon OliveiraApoio técnico e edição: Eduardo Mayer

This is The Digital Story Podcast 1,031, Dec. 23, 2025. Today's theme is, "More Realistic Film Simulations with a Dash of Grain." I'm Derrick Story. Film simulations by Fuji, Nikon, and OM System are great for color and tones, but there's a missing ingredient when compared to actual analog shots: grain! This week we're going to explore the virtues of a few dashes of grain and learn how to apply it for more realistic film simulations. All of that, and more, on today's TDS Photography Podcast. I hope you enjoy the show.

In this episode of the Mastering Rod Building Podcast, host Bill Falconer sits down with Bassmaster Classic champion Easton Fothergill to dive deep into advanced bass fishing strategies.Easton shares expert insights on drop shot rods, essential gear setups, finesse techniques, and real-world tournament experiences, including his recent run at the Skeeter Saltwater Redfish Series.Discover pro tips on choosing the right drop shot rig, fishing structure like docks, grass, and heavy cover, and how these tactics help anglers succeed at the highest level.Easton also talks about his journey after winning the Bassmaster Classic, sponsorship opportunities, and new developments in fishing gear with Strike King. If you're looking to up your bass fishing game with proven techniques and industry-leading advice, tune into this episode!Mastering Rod Building is brought to you by Anglers Resource — your source for genuine Fuji Tackle components.Where to buy genuine FUJI®️ rod components (Area Distributors)Japan: FIRST Corporation — https://first-fuji.co.jp/ • mail@first-fuji.co.jpAmerican Continent (North & South America): Anglers Resource — https://anglersresource.net/ • info@anglersresource.netOceania: Frogleys Offshore — https://fujitackle.com.au • enquiries@frogleysoffshore.com.auSpain/Czech/Finland/Sweden/Estonia/Latvia/Poland/Denmark/Belgium/Germany/Netherlands/Ireland/Luxembourg/France/Portugal/UK/Norway/Belarus/Ukraine/Russia:: CALICO S.A. (Kalikunnan) — https://kalikunnan.com/ • fuji@calico.esEurope: MAJORA Intelligent Fishing (FUJI Tackle Italy) — https://www.fujitackle.it • info@fujitackle.itAsia: KOWA Company, Ltd. — fujitackle@kowa.co.jp

Revivimos las pruebas de la Transalp 750, la CB1000 Hornet y la GB350S, hablamos con Mir, Zarco, Tosha, Fuji y Gabriel Marcelli y nos metemos de lleno en la seguridad en moto.

Schneegekrönte Berge, tropische Wälder, ausgedehnte Seenlandschaften und dazu moderne Städte - Japan fasziniert Outdoorer wie Kulturinteressierte gleichermaßen. In der aktuellen Folge hörst du, wie du dort einen dreiwöchigen Wander-Urlaub am besten angehst, welche Wege ganz automatisch zu Tempeln führen und wo die wildesten Nationalparks auf dich warten. Und du erfährst, ob der Fuji-Gipfel wirklich unbedingt auf die Bucket List gehört.

The Amazing Power of Apples: Nature's Crunchy Superfood with Susan Smith Jones, PhDDid you know that apples are the most widely consumed fruit globally? From sweet red varieties, like Red Delicious, Fuji, or Gala, to tangy green ones, like Granny Smith, there's an apple for everyone. They're commonly used in recipes like pies, cookies, muffins, jam, salads, oatmeal or smoothies. They also make a great snack or sliced and spread with nut butter. In addition to their culinary versatility and numerous colors and flavors, apples are available at every grocery store and Farmer's Market for a reasonable price… and are an exceptionally healthy fruit with many research-backed benefits.Our guest today, holistic health and lifestyle expert, Susan Smith Jones, PhD, says consuming an apple a day can benefit both our physical and mental health. Have you had an apple today? You'll want to enjoy one after you hear what Susan says about their myriad merits. Welcome back.About Dr. Susan         For a woman with three of America's most ordinary names, Susan Smith Jones, PhD, has certainly made extraordinary contributions in the fields of holistic health, anti-aging, optimum nutrition and balanced living. For starters, she taught students, staff and faculty at UCLA how to be healthy and fit for 30 years! Susan is the founder and president of Health Unlimited, a Los Angeles-based consulting firm dedicated to optimal wellness, health education and human potential. Susan is a frequent radio, podcast and TV talk show guest and motivational speaker; she's also the author of many books, including her 3 latest ones …⭐️ A HUG IN A MUG: Revitalize with Superfoods & Healthy Living Extras ⭐️ UPLIFTED: 12-Minutes to More Joy, Faith, Peace, Kindness & Vitality ⭐️ VEGETABLE SOUP/THE FRUIT BOWL (children's 2-in-1 nutrition book--ages 1-9)SusanSmithJones.com •

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Photografix-News ist EUER News-Podcast rund um alle Themen der Digitalen Fotografie!

In this episode, we sit down with legendary rod builder and educator Todd Vivian, a driving force in the world of custom fishing rod building, rod-building innovation, and craft preservation.Todd shares how he got started in the industry, the early challenges that shaped his skills, and the moment he realized rod building would become his life's work. He opens up about his creative process—from design concept to finished custom rod—and discusses the philosophies behind his signature style, known for its balance, precision, and durability.Todd also reflects on key milestones in his career, his most memorable builds, and the unique client requests that pushed his creativity. The episode honors influential mentors like Al Jackson, diving into his contributions to the craft and the importance of mentorship in preserving rod-building heritage. Todd closes by revealing current projects, upcoming workshops, and the advice he hopes future builders will carry forward as they develop their own craft and legacy in the custom rod-building community.Mastering Rod Building is brought to you by Anglers Resource — your source for genuine Fuji Tackle components.Where to buy genuine FUJI®️ rod components (Area Distributors)Japan: FIRST Corporation — https://first-fuji.co.jp/ • mail@first-fuji.co.jpAmerican Continent (North & South America): Anglers Resource — https://anglersresource.net/ • info@anglersresource.netOceania: Frogleys Offshore — https://fujitackle.com.au • enquiries@frogleysoffshore.com.auSpain/Czech/Finland/Sweden/Estonia/Latvia/Poland/Denmark/Belgium/Germany/Netherlands/Ireland/Luxembourg/France/Portugal/UK/Norway/Belarus/Ukraine/Russia:: CALICO S.A. (Kalikunnan) — https://kalikunnan.com/ • fuji@calico.esEurope: MAJORA Intelligent Fishing (FUJI Tackle Italy) — https://www.fujitackle.it • info@fujitackle.itAsia: KOWA Company, Ltd. — fujitackle@kowa.co.jp

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

Saber cuáles son los mejores sitios para ver el monte Fuji es una de las preguntas que más recibimos. Por eso, en este episodio te damos un montón de ideas para que decidas desde donde quieres verlo (eso sí, siempre que se deje, que el Fuji a menudo es algo caprichoso y tímido). Así, tienes Fujinomiya, la zona de los cinco lagos, Hakone, el tren bala y muchos más sitios desde los que disfrutar de la montaña más icónica de Japón. Luego, en Japonismo mini hablamos de trenes en colaboración con Super Mario, del fallecimiento de la gatita Nitama, jefa de estación en Kishi, y de nuestros calendarios de fotos para 2026 (habrá de Japonismo y de Coreanismo). Además, como siempre, leemos comentarios y, para acabar, te contamos cómo se dice en japonés "volcán", ya que estamos con el Fuji. ¿Quieres colaborar con el programa? - Colabora en Patreon - Únete a la Comunidad Japonismo - Reserva hoteles en Japón (y en todo el mundo) - Consigue seguro de viajes (¡no sólo para Japón!) - Busca los mejores vuelos - Lleva Internet (pocket wifi o SIM) - JR Pass para viajes ilimitados en tren ---- Continúa la conversación en: - Web: https://japonismo.com - Discord: https://discord.gg/hZrSa57 - Facebook: https://facebook.com/japonismo - Twitter: https://twitter.com/japonismo - Instagram: https://instagram.com/japonismo - Pinterest: https://pinterest.com/japonismo - Newsletter semanal: http://eepurl.com/di60Xn

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

This episode we look at many of the natural events and talk about those observing and writing things down, and why they may have wanted to do so. For more, check out our podcast blogpage:  https://sengokudaimyo.com/podcast/episode-139   Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 139: Observing the "Natural" World. Members of the Onmyou-ryou, dressed in the official robes of their office, sat around in their observation tower, measuring the location of the stars.  They kept their light to a minimum, just enough so that they could write down their observations, but not so much that it would destroy their vision.  As they looked up, suddenly they saw a strange movement: a streak through the sky.  They waited, and observed, and then there was another, and another after that.  It was as if the stars themselves were falling from the heavens.  They watched as it seemed that the constellations themselves were melting and falling apart.  Quickly they scribbled down notes.  Tomorrow, with the light of day, they would consult various sources to see just what it could mean.  For now, their role was simply to observe and record.   Welcome back, everyone.  It is the height of holiday season in the US as I record this, and in our narrative we are in the middle of the reign of Ohoama, aka Temmu Tennou, who came to power in 672 and who has been shoring up the Ritsuryo state instigated by his late brother, Naka no Oe, aka Tenji Tennou.  We have talked in recent episodes about how Ohoama put a lot of the state under the control of members of the royal family, or at least those with claims to royal blood, and how he had also begun work on the Chronicles—the very works that we have been using to try and understand the history of this and earlier periods.   It seems clear that Ohoama and his cohorts were doing their best to solidify their control and, in the process, create what they felt was a modern state, leveraging the continental model, but not without their own local flavor.  After all, they were also investing in the kami based rituals of state and specifically in Ise shrine, which they claimed as an ancestral shrine for their lineage. This episode, let's dig into another thing that was getting reported around this time.  And that is… science!  Or at least observations of the world and indications of how people were interacting with it. Before going into the subject, I want to acknowledge that "science", or "Kagaku" in modern Japanese, may not look like what we think of as "science" today.  The word "Kagaku" itself appears to come about in the late Edo period, and became associated with the western idea of "Science" in the Meiji period.  Today we think of it as observations, yes, but also testing via the scientific method. I think it might be more appropriate to categorize a lot of earlier science under a term like "learning" or "study", and it seems to have encompassed a wide range of topics of study, some of which we would include as "science" and some which we might refer to more as "arts".  There is also a very fine line with religion and philosophy as well. From a modern perspective, I think one could fairly argue that "science"—particularly the so-called "hard" sciences—refers to something that can be empirically tested via the scientific method.  So you can see something, form a hypothesis, create a test, and then that test should produce the same results no matter who conducts it, assuming you account for the variables. And please don't @ me about this… I know I am simplifying things.  This isn't a podcast about science unless we are talking about the social sciences of history and archaeology. In contrast to our modern concept of science, much of what we see in the Asuka era is built around using our reasoning to arrive at the truth of something.  In cases where we are dealing with clearly physical phenomena that have observable causes and effects, this can lead to remarkably reliable results.  One example of this is calendrical science—it isn't that hard to observe the passing of days and seasons.  Even the rotation of the earth and the movements of stars and even something with as large a period as comets could be observed and tracked, especially if you had centuries of data to comb through.  In fact, they often would predict things that it turns out they couldn't, themselves, see.  They could predict that an eclipse would occur, for example, even when that eclipse was only visible somewhere else.  And they didn't have to calculate gravitational pull, mass, or distances between different heavenly bodies for that to occur. Similarly, in the agricultural sphere: you had so many people who observed the seasons and would figure out new ways of doing things.  It doesn't take an understanding of chlorophyl to know that plants generally do better when exposed to sunlight. I believe the leap happens when you get to things that go beyond purely observable means.  Sickness, for example—how do you explain viruses or germs without equipment like microscopes to see what our eyes alone cannot?  And if such "invisible" things could cause so much damage, then why could there not be other "invisible" elements, such as kami and boddhisatvas?  And as humans we are driven to make connections.  It is one of the things that has driven our technological innovation and rise, but it is also something that can easily go awry.  Like when you are sitting in a dark house, alone, and you hear a noise.  Rationally, you might know that houses settle and creak, but that doesn't necessarily stop your brain from connecting it with thoughts that someone must be in the house making that noise. Or even how we make judgments based on nothing more than how someone talks or what they look like, because our brains have made connections with those things, for good or ill. A large part of the rationalization that was accomplished in Asian thought had to do with concepts of Yin and Yang, the negative and the positive, the dark and the light.  This was thought of as a kind of energy—qi or ki—that was embedded in things.  We discussed this somewhat back in episode 127, because yin yang theory, along with the five element theory, known as Wuxing or Gogyou in Japanese, became embedded in the idea of the calendar.  Why was summer hot, except that it was connected with an excess of fire energy?  And the cold, dark days of winter would be associated with an excess of water, naturally. I should note that while this is one of the more comprehensive philosophical systems in use, it was not the only means by which various phenomena and effects were rationalized.  After all, it had to be imposed on a framework of how the world otherwise worked, and descriptions of the world came from a variety of places.  There was, for example, the Classic of Mountains and Seas, or Sanhaijing, which detailed the world as envisioned in the period before the Qin dynasty, although there were occasional updates.  The Sanhaijing  described regular plants and animals in the same breath as gods and monsters.  There were also various buddhist sutras, which brought their own cosmological view of the universe that had to be squared with other visions, including those passed down locally describing the archipelago as the "Reed Plain" and giving particular importance to eight of the islands—though which eight depends on which variant of the creation myth you are referencing. To categorize the study of the natural—and what we would consider the supernatural—world around them, the Ritsuryou set up specific bureaus.  One of these was the Onmyou-ryou, the Bureau of Yin-yang, also known as the Onyo no Tsukasa.  This Bureau oversaw divination, astronomy, time, and calendars.  At its head was the Onmyou-no-kami.  Below them were the various scholars studying the core subjects, as well as technical practitioners to carry out the rites and divination. On the continent, priority was generally given to astronomical and calendrical studies, and many of the more magical practices or rituals would fade away, likely because there were local Taoist institutions who could take up much of that work.  In Japan, however, it seems that the calendrical studies tended to ossify, instead, while onmyoji came to fill a role not just for the state but also among the population for divination and other such practices.  Even into the Edo period one could find private onmyoji, and the Bureau itself lasted until the very beginning of the Meiji period. Another important institution of the Ritsuryo government for learning was the Daigakuryou, the Bureau of Great Learning.  Students of Japanese may recognize the term "Daigaku" referring, today, to universities. The original concept for the Daigaku-ryou, or Daigaku no Tsukasa, was focused on the study of those things that were considered perhaps a bit more practical and necessary to anyone who might want a political career.  Since this was founded on concepts of Confucian government, it is little wonder that it was originally designed to focus on Confucian studies, among other things.  This fits into the idea of a supposed meritocracy, where one's education was part of the examination.  You may recall from Episode 115 we talked about the National University in Chang'an, which is likely something that the Daigaku Ryou could only ever dream of becoming. Early arts taught at the Daigaku Ryou included the Confucian classics, mathematics, writing, and Chinese pronunciation.  These were all things that you would need to know to become a part of the bureaucracy The idea of a school may have been born along with the early institution of the government, with mention as early as 671, in the last year of Naka no Oe's reign, but we don't have it clearly established in the code until later.  Full operations may have been somewhat delayed due to the tumultuous events of Ohoama's accession to power in 672, but we do see it explicitly mentioned in the year 675.  On the first day of the year we are told that Students from the Daigaku Ryou, along with students from the Onmyou-Ryou and from the Gaiyaku Ryou, the Bureau of External Medicine; along with the Woman of S'ravasti, the Woman of Tara, Prince Syeonkwang of Baekje, and Silla labourers offered presents of drugs and various rarities. We talked about the first two, the Daigaku-ryou and the Onmyou-ryou, but the Gaiyaku Ryou doesn't seem to have a lot of information out there beyond this mention.  Later there would a "Ten'yaku Ryou", or Bureau of Medicine, established in the code.  Since we don't have any extant codes from this period beyond what was written down in the Nihon Shoki, we don't know for certain what the Gaiyaku-ryou was , and it is possible that the Gaiyaku-Ryou was a precursor to the Ten'yaku Ryou.  "GAI" means "outside" or "external", leading me to wonder if this referred to external medicine in contrast to internal medicine, or if it meant medicine or drugs from outside teh archipeloago. I would point out that these students are found with the Woman of S'ravasti, or Shae; the Woman of Tara; a Baekje prince and Silla labourers.  In other words, they were all people from outside of the archipelago.  This is not entirely surprising as it was from outside that much of the learning was coming into the country. "Yaku" or "Kusuri", which can be translated as either "Drugs" or "medicine", could refer to a number of things.  How effective they were is somewhat questionable. Almost certainly some of them had confirmed medicinal efficacy, but others may have been thought to have been effective due to things like their connection to the five elements, or wuxing, theory. For example, something red might be assumed to have a warming effect because of the presumed presence of the fire element.  And the power of the placebo effect no doubt made them seem at least partially effective.  Consider, for example, how many people will swear by certain remedies for the common cold when all it really does is distract you, or perhaps make you a bit more comfortable, until the symptoms pass on their own. A more certain science was probably that of Astronomy, which we've mentioned a few times.  The passage of the stars through the sky was something that could be easily observed.  There is a theory that some of the first lines in the Yijing, or book of changes, may actually be a description of the changing of seasons as different aspects of a given constellation rise over the horizon, and the placement of certain stars would help in the adjustment of the lunar calendar, since the moon's orbit does not match up exactly with the solar year, and year the solar year was quite important to things like agriculture and even sailing to the mainland. This all makes 675 a seemingly banner year for science, as four days after the presentation of medicine to the throne, the government erected a platform by which to observe the stars.  This wouldn't need to be much—it could have been an earthen mound, or just a tower, from which one could get above the ground, presumably see over any buildings, to the horizon.  Granted, Asuka might not be the best place for such observations, with the nearby mountains meaning that the true horizon is often obstructed.  Nonetheless, it may have been enough to make calculations. Astronomy platforms, or Tenmondai, would continue to be used up until at least the Meiji period.  Without a telescope, observations were somewhat limited—though they also didn't have the same level of light pollution that we have today.  Remember, many woke just before dawn and went to sleep not too long after the sun went down, which only makes sense when you are living in a place where creating light, while doable, also ran the risk of burning your entire house to the ground. It is worth noting that the sky for the ancient Japanese was likely quite different than what most of us see when we look up, unless you are fortunate enough to live in a place with very little light pollution.  For many of those living today in the cities and suburban landscape, go outside at night and you might see the moon and some of the brightest stars, but for most of the ancient Japanese, they would look up and see the heavenly river, the Amakawa, or Milky Way.  They would have looked up at a sky glittering with myriad dots of light, as well as planets and more.  It was both familiar and strange—something one saw regularly and yet something that was also extremely inaccessible. Astronomical observations would have been important for several reasons, as I've mentioned.  They would have been used to keep the calendar in check, but they would also have likely been used to help calibrate the water clock, which helped to tell time.  Of course, going back to the five elements and yin yang theory, it is also believed that the energy, the qi or ki, changed with the seasons and the movements of the stars and planets—planets were not known as such, of course, but their seemingly erratic movements compared to bright lights in the sky meant they were noticed and assigned values within the elemental system. One of the things that came with the changing seasons, the heavenly movements, and the flow of ki was a concept of "kata-imi", literally directional taboos.  There were times when certain directions might be considered favorable or unfavorable for various actions.  This could be something as simple as traveling in a given direction.  In the centuries to come this would spawn an entire practice of kata-tagae, or changing direction.  Is the north blocked, but you need to travel there, anyway?  Well just go northwest to say hello to a friend or visit your local sake brewery, and then travel due east.  Ta-da!  You avoided going directly north!  There were also mantra-like incantations that one might say if they had to travel in an inauspicious direction to counteract the concept of bad influences. This also influenced various other things, and even today you will often see dates where a year and month might be followed by simply the character for "auspicious day" rather than an actual day of the month. So observing the heavens was important, and it was also important that they tostudy the works of those on the continent, whose records could help predict various astronomical phenomena.  Except that there was one tiny problem:  I don't know if you've noticed, but Japan and China are in two different locations.  Not all astronomical phenomena can be observed from all points of the globe.  The Northern Lights, for example, are rarely seen in more southerly latitudes, and while eclipses are not too rare, a total eclipse only impacts certain areas of the earth, along relatively narrow paths. I mention this because it isn't always clear if the records we get in the Nihon Shoki are about phenomena they directly observed or if they are taking reports from elsewhere and incorporating them into the narrative.  One such event is the comet of 676. The entry in the Nihon Shoki tells us that in the 7th lunar month of the 5th year of Temmu Tennou, aka 676 CE, a star appeared in the east that was 7 or 8 shaku in length.  It disappeared two months later. We've mentioned some of this before, but the sky was divided up into "shaku", or "feet", though how exactly it was measured I'm not entirely sure.  It appears to be that one foot was roughly 1.5 degrees of the sky, give or take about a quarter of a degree, with 180 degrees from horizon to horizon.  So it would have been about 10 to 12 degrees in the sky.  Another way to picture it is if you hold out your arm towards the object, and spread your index and little finger, it would probably fit between those two points.  This comet hung around for some time, and a great part about a comet like this is that it was viewable from multiple locations.  After all, as the earth turned, different areas were exposed to the comet as it passed through our part of the solar system.  Thus we have records of it from not just the Nihon Shoki:  We also find it in the Anglo-Saxon chronicles, where it was thought to have foretold the end of Bishop Wilfred's control of Northumbria.  We also see it in Tang, Silla, and Syrian sources. These sources aren't always in complete agreement.  For one thing, they noted when they first saw it, which might have been impacted by local conditions.  And then conversion between lunar and solar calendars can also sometimes get in the way.  Roughtly speaking, we have the Nihon Shoki providing dates of somewhere from about August or September of 676, on the Western calendar, to October or November. Tang sources put it from 4 September to 1 November.  Silla Chronicles claim that it first appeared in the 7th lunar month, so between August and September.  A Syrian Chronicle notes a comet from about 28 August to 26 October in the following year, 677, but this is thought to have been a mistake.  European sources generally seem to claim it was seen in August and lasted for three months.  All of these sightings put it at roughly the same time. Working with that and with known comets, we think we actually know which comet this is:  The Comet de Cheseaux also known as the Comet Klinkenberg-Cheseaux.  And I should mention this is all thanks to a research paper by M. Meyer and G. W. Kronk.  In that paper they propose that this is the comet with the designation of C/1743 X1, or the common names I just mentioned.  If so, based on its trajectory, this comet would have been visible in 336, 676, 1032, 1402, 1744, and is next predicted to show up in 2097.  And no, those aren't all exactly the same amount of time.  It is roughly every 350 years or so, but with the movements of the solar system, the planets, and various gravitational forces that likely slow or speed up its movement, it doesn't show up on exactly regular intervals.  Still, it is pretty incredible to think that we have a record of a comet that was seen the world over at this time, by people looking up from some very different places. Comets were something interesting for early astronomers.  They may have originally been seen as particularly ominous—after all, in the early eras, they were hardly predictable, and it would take years to get enough data to see that they were actually a somewhat regular occurrence.  In fact, it is likely that early astronomers were able to figure out eclipse schedules before comets.  Still, they seem to have come to the realization that comets were in fact another type of natural and reoccurring phenomenon.  That isn't to say that they didn't have any oracular meaning, but it did mean they were less of an obvious disturbance of the heavenly order. We have another comet mentioned in the 10th lunar month of 681, but that one seems to have had less attention focused on it, and we don't have the same details.  Then in the 8th lunar month of 682 we have an entry about a Great Star passing from East to West—which was probably a shooting star, rather than a comet.  Comets, for all that they appear to be streaking across the sky thanks to their long tails, are often relatively stable from an earthbound perspective, taking months to appear and then disappear again. Then, on the 23rd day of the 7th month of 684 we get another comet in the northwest.  This one was more than 10 shaku in length—about 15 degrees, total, give or take.  Given the date, we can be fairly confident about this one, as well: it was the famous Halley's comet.  Halley's comet is fascinating for several reasons.  For one, it has a relatively short period of about 72 to 80 years, though mostly closer to 75 to 77 years in between sightings.  The last time it visited the earth was in 1986, and it is expected back in 2061.  Halley's comet has been recorded since the 3rd century BCE, and, likely because of its short period, it was the first periodic comet to be recognized as such.  There are other periodic comets with short periods, but many of them are not visible with the naked eye.  Halley's comet is perhaps the most studied comet, given its regular and relatively short periodicity.  It is also connected to the famous writer, humorist, and essayist, Samuel Langhorne Clemens, aka Mark Twain.  He was born only a few days after the comet reached perihelion in 1835 and died a day after it reached the same point again in 1910, and while he may not have visited Japan in his lifetime, it was a period of great change both in his home country of America and in Japan.  America, of course, would undergo a Civil War over the issue of slavery in the early 1860s, and shortly after that Japan would have its own civil war in the form of the Meiji Revolution.  And while he never visited—and translation could only do so much to capture the art of his prose—Mark Twain's works were apparently quite influential in Japan in the early 20th century. Of course, comets were just one of the celestial phenomena to be observed.  The astronomers were interested in just about anything happening in the sky.  We have accounts of both solar and lunar eclipses, and not necessarily full eclipses either.  We even have notice of the movement of some planets, such as in 681, when they noted that the planet mars "entered" the moon. Obviously the astronomers weren't recording every raincloud that came through—at least not in the main chronicles—but they did capture a fair number of events.  They did record particularly memorable storms.  For instances, in the 8th lunar month of 675 there was a storm that is said to have caused sand to fly and which then damaged houses.  This sounds like a wind storm without rain—after all, if there was rain, you would expect that the sand would have been wet and tamped down.  It is possible to have hurricane level winds without the rain.  While typhoons typically bring rain, especially as they usually build up their strength at sea, it is possible to have the winds alone, as I've experienced, myself, in Tokyo.  This most likely happens in an isolated area—there is water and rain somewhere, but the typhoon can be large, so parts of it may only get the wind and little or no rain.  I wonder if something like that happened in this instance.  It is also possible that this record refers to actual sand being brought across from the continent.  In some instances, sand can be lifted up from as far away as Mongolia and carried all the way to Japan, though it is pretty rare. And it wasn't just wind and sand.  We get accounts of hail coming down as large as peaches, torrential rainstorms, and even ash, likely from a volcanic eruption that was otherwise unrecorded.  There are also accounts of snow, though typically recorded in times where you wouldn't expect to see it, such as the third lunar month, which would mean snow in late April or early May. Mostly these storms are mentioned in terms of how they affected the immediate fortunes of the living, but sometimes storms did even more damage.  In 682, for example, a hoar-frost was reported in both Shinano and Kibi in the 7th lunar month.  On its own, this probably wouldn't have been worth mentioning, but the chroniclers add that because of storms the "five grains had not formed".  So storms had diminished the crops and the hoar-frost was apparently the killing blow.  The harvest that year would be lean, and it would not be a happy time for many that winter. And then, just as important as what was happening was what was not.  There are several mentions of droughts, particularly towards the end of Spring, early Summer.  This is traditionally a drier period, and if it is too dry it could harm the harvest.  And so the government was expected to find a way to bring the rain—a tall order, the general resolution to which seems to be prayers and rituals designed to bring rain.  In a place like Japan, I suspect that it was usually just a matter of time before the prayers were "successful", thus reinforcing their presumed efficacy. Some of the things that they recorded were a bit more mysterious.  For example, in the second lunar month of 680 we are told that a sound like drums was heard from the East.  There are many things this could theoretically be, from rumbles of thunder to some other phenomenon, though the following year we have a note about thunder in the West, so theoretically they knew the difference between thunder and drums.  Later that same year, 680, we are told that there was a "brightness" in the East from the hour of the dog to the hour of the rat—about 8pm to midnight.  Was this some kind of aurora?  But wouldn't that have been in the north, rather than the east?    Could it have been some kind of lightning?  But that is a long time for a lightning storm to hang around.  And there are other strange things, some of which seem impossible and we have to doubt.  For example, in 684 they said that, at dusk, the seven stars of the Big Dipper drifted together to the northeast and sank.  Unless they are just recording the natural setting of the stars of the big dipper.  Certainly, over time the constellation appears to rotate around the north star, and it dips down to or below the horizon in the autumn months.  So were they just talking about the natural, yearly setting of the stars, or something else? There may be some clues in that the 11th lunar month, when that was recorded, we see several other heavenly phenomena recorded.  Two days after the Big Dipper set, at sunset, a star fell in the eastern quarter of the sky that we are told was as large as a jar.  Later, the constellations were wholly disordered and stars fell like rain.  That same month, a star shot up in the zenith and proceeded along with the Pleiades until the end of the month.  While this sounds like shooting stars and a possible meteor shower, a later commenter suggested that this was all a heavenly omen for the state of the court, showing the "disordered" state of the nobility at this time.  Of course, this was also a year and change before the sovereign's eventual passing, so there is also the possibility that the Chroniclers were looking at events later and ascribing meaning and importance after the fact. In another account of something seemingly wonderous: in 682 we are told that something shaped like a Buddhist flag, colored like flame, was seen by all of the provinces and then sank into the Japan sea north of Koshi.  A white mist is also said to have risen up from the Eastern mountains. There are various things that could be going on here.  It strikes me that the white mist could be a cloud, but could also be something volcanic.  And the flame colored prayer flag makes me think about how a high cloud can catch the light of the rising or setting sun.  That could look like a flag, and can seem extremely odd depending on the other conditions in the sky. Or maybe it was aliens. Okay, it is unlikely that it was aliens, but I think that these do give an idea of the kinds of records that were being made about the observed phenomena.  Obviously the Nihon Shoki is recording those things that were considered particularly significant for whatever reason.  This could just be because it was something odd and unexplained, or perhaps it was more well known but rare.  It may have even had religious connotations based on some aspect, like evoking the image of Buddhist flags.  And it is possible that it was thought to have had significant impact on events—perhaps even an impact that isn't clear to us today, many centuries removed from the events. Some things were clear, however.  Lightning strikes are often mentioned specifically when they strike something of note.  In 678, we are told that a pillar of the Western Hall of the New Palace was struck by lightning, though apparently the building itself survived.  Then, in 686, Lighting appeared in the southern sky with a large roar of thunder.  A fire broke out and caught the tax cloth storehouse of the Ministry of Popular affairs, which immediately exploded in flames.  After all, a thatched roofed, wooden building filled with kindling in the form of cloth—and likely a  fair amount of paper and writing supplies to keep track of it all—sounds like a bonfire waiting to happen.  There were reports that the fire had actually started in Prince Osakabe's palace and then spread to the Ministry of Popular Affairs from there. It is also worth noting that recording of such events was still somewhat new to the archipelago as a whole. They were learning from the continent, but also defining their own traditions. Observations of natural phenomena weren't just relegated to celestial occurrences or weather.  After all, there was something else that one could observe in the sky:  birds.  Now this wasn't your average bird-watching—though I'm not saying that there weren't casual birders in ancient Japan, and if we ever find someone's birding diary from that era I think that would be so cool.  But there were some things that were significant enough to be mentioned. For example, in 678 we get a report of "atori", or bramblings.  Bramblings are small songbirds which are found across Eurasia.  Notably they are migratory, and are known to migrate in huge flocks especially in the winter time, and sure enough on the 27th day of the 12th month we are told that the bramblings flew from the southwest to the northeast, covering the entire sky.  This makes me think about some of the other mass migrations that used to occur that have largely been reduced significantly due to habitat loss, disruption to traditional migratory routes, and other population pressures on various bird species.  Still, having so many birds that it blocked out the sky certainly seems a significant event to report on.  We later see a similar account in 680, with the flock moving from southeast to northwest.  Given the location of Asuka it sounds like they were flocking in the mountains and heading out over the Nara Basin, perhaps seeking food in another mountainous area. In 682, the birders were at it again.  This time, around midday on the 11th day of the 9th lunar month, several hundreds of cranes appeared around the Palace and soared up into the sky.  They were there for about two hours before they dispersed.  Once again, cranes are migratory and known to flock.  Cranes are also known as a symbol of long life and joy—and I can understand it.  Have you ever seen a flock of cranes?  They are not small birds, and they can be really an incredible sight.  Flocks of cranes themselves were probably not that rare, and it was no doubt more about so many gathering around the palace which made it particularly special. It wasn't just birds in the sky that were considered important symbols, though.  Birds often are noted as auspicious omens.  Usually strange birds, plants, or other such things are found in various provinces and presented to the throne.    So in 675, Yamato presented auspicious "barn-door fowl", likely meaning a fancy chicken.  Meanwhile, the Eastern provinces presented a white falcon and the province of Afumi presented a white kite.  Chickens are associated with the sun and thus with the sun goddess, Amaterasu, and albino versions of animals were always considered auspicious, often being mentioned in Buddhist sources.  Later, in 680, we see a small songbird, a "Shitodo", also described as white, and probably albino, sent to the court from nearby Settsu. Then, in 681 there is mention of a red sparrow.  Red coloration is not quite the same as albinism, though it is something that does occur at times, when the brownish coloration comes out more red than brown, and I suspect this is what we are talking about.  This is most likely just a recessed gene or genetic mutation, similar to causes for albinism, but just in a different place in the DNA.  As for why it was important:  I'd first and foremost note that anything out of the ordinary (and even some ordinary things) could be considered a sign.   Red was also seen as an auspicious color, so that may have had something to do with it as well.  And then there is the concept of Suzaku, the red bird of the south.  Suzaku is usually depicted as an exotic bird species of some kind, like how we might depict a phoenix.  But it was also just a "red bird", so there is that, and perhaps that was enough.  Not that this red sparrow was "Suzaku", but evoked the idea of the southern guardian animal.  A year prior, in 680, a red bird—we aren't told what kind—had perched on a southern gate, which even more clearly screams of the Suzaku aesthetic. It is probably worth noting here that in 686, towards the end of the reign, not that anyone knew it at the time, Ohoama decided to institute a new nengo, or regnal period.  It was called Shuuchou—red or vermillion bird—and it likely referred to Suzaku.  This nengo was cut short, however, with Ohoama's death that same year.  Nengo were often chosen with auspicious names as a kind of hope for the nation, so clearly "red bird" was considered a good thing. A month after the red sparrow, Ise sent a white owl, and then a month after that, the province of Suwou sent a red turtle, which they let loose in the pond at the Shima palace.  Again, these were probably just examples of animals seen as auspicious, though they would have likely been recorded by the Onmyou-ryou, who would have likely combed through various sources and precedents to determine what kind of meaning might be attached to them. Color wasn't the only thing that was important.  In 682, the Viceroy of Tsukushi reported that they had found a sparrow with three legs.  There are numerous reasons why this could be, but there is particular significance in Japan and Asia more generally.  A three legged bird is often associated with the sun Andusually depicted as a black outline of a three legged bird inside of a red sun.  In Japan this was often conflated with the Yata-garasu, the Great Crow, which is said to have led the first mythical sovereign, Iware Biko, to victory in his conquest of Yamato.  Thus we often see a three legged crow depicted in the sun, which was an object of particular veneration for the Wa people from centuries before.  And I suspect that the little three-legged sparrow from Tsukushi  I suspect that this had particular significance because of that image. Animals were not the only auspicious things presented to the throne.  In 678, Oshinomi no Miyatsuko no Yoshimaro presented the sovereign with five auspicious stalks of rice.  Each stalk, itself, had other branches.  Rice, of course, was extremely important in Japan, both from a ritual and economic sense, so presenting rice seems appropriate.  Five stalks recalls things like the five elemental theory—and in general five was consider a good number.  Three and five are both good, prime numbers, while four, pronounced "Shi", sounds like death and is considered inauspicious.  Three, or "San" is sometimes associated with life, and five is associated with the five elements, but also just the fact that it is half of ten, and we have five fingers on one hand and in so many other ways, five is regarded as a good number in much of Asia. That the stalks had multiple branches likely referred to them bearing more than the usual amount of rice on them, which seems particularly hopeful.  Certainly the court thought so.  In light of the auspicious gift, all sentences of penal servitude and lower were remitted.  In 680, Officials of the Department of Law gave tribute of auspicious stalks of grain, themselves.  I'm not sure, in this case, that it was all that they hoped, however, as that began three days straight of rain and flooding. A year earlier, in 679, we are told that the district of Ito, in Kii, immediately south of Yamato, sent as tribute the "herb of long life".  We are told that it "resembled" a mushroom—probably meaning it was a mushroom, or maybe something formed into a mushroom shape.  But the stem was about a foot long and the crown was two spans, about 6 feet in diameter.  This is pretty incredible, and I have to wonder if there is a bit of exaggeration going on here. Another tribute was a horn found on Mt. Katsuraki.  It branched into two at the base, was united at the end, and had some flesh and hair still attached, about an inch in length.  They claimed it must be horn or a Lin, or Kirin, sometimes referred to as an Asian unicorn—a mythical creature considered to be quite auspicious and benevolent.  This was on the 26th day in the 2nd lunar month of the year 680, probably around March or April.  I highly suspect that what they found was an oddly shaped bit of antler from  a buck whose antlers had begun to come in and which might have been taken out by wolves or bears or something else altogether.  The fact that the ends were said to be fused together could just be referring to some kind of malformation of the antlers.  The fur and flesh could mean that the antlers were still growing—antlers would probably just be coming in around early spring time.  Still, there is no telling how long it was there, so it could have been from the previous year as well.  Attributing it to a kirin seems a bit of a stretch, but it was clearly something unusual. Animals and plants were recorded in tribute, but also when something odd happened.  Fruiting out of season was one such occurrence, which we've seen elsewhere in the chronicles as well.  There was even a record when the famous Tsuki tree outside of Asukadera had a branch fall down.  Presumably it was a large and noticeable branch, and by now this appears to have been a tree with a bit of age to it that had seen a lot, so it makes sense it got a mention. Finally, we go from the heavens to the earth.    Perhaps the most numerous observations in the Chronicles were the earthquakes.  We've noted in the past that Japan is extremely active, volcanically speaking, so it makes sense that there are multiple accounts of earthquakes each year, especially if they were compiling reports from around the country.  Most of these are little more than just a note that there was an earthquake, but a few stand out. The first is the 12th lunar month of 678.  We are told that there was a large earthquake in Tsukushi—modern Kyushu. The ground split open to the width of about 20 feet for more than 30,000 feet.  Many of the commoners' houses in the area were torn down.  In one place there was a house atop a hill, and though the hill crumbled down the house somehow remained intact.  The inhabitants had apparently been home and must have been oblivious, as they didn't realize anything had happened until they woke up the next morning. Again, probably a bit of hyperbole in here, but if we think back to things like the 2016 Kumamoto earthquake, where large areas of land shifted noticeably along the fault lines, it is likely that this was a similar or even more catastrophic event.  And here I'll give a quick plug for Kumamoto, which is still working to rebuild from the earthquake, and if you ever get a chance, I recommend a visit to the Kumamoto Earthquake Memorial Museum or Kioku, where you can see for yourself just how powerful mother nature can be. Another powerful earthquake was mentioned in the 10th lunar month of 684.  If the earthquake in Tsukushi had hit mostly agricultural areas, based on the description, this seems to have hit more populated regions.  We are told that it started in the dark of night, the hour of the boar, so about 10pm, give or take an hour.  The shaking was so bad that throughout the country men and women cried out and were disoriented—they could not tell east from west, a condition no doubt further hindered by the dark night sky.  There were mountain slides and rivers changed course, breaking their banks and flooding nearby areas.  Official buildings of the provinces and districts, the barns and houses of the common people, and the temples, pagodas, and shrines were all destroyed in huge numbers.  Many people and domestic animals were killed or injured.  The hot springs of Iyo were dried up and ceased to flow.  In the province of Tosa, more than 500,000 shiro of cultivated land sank below sea level.  Old men said that they had never seen such an earthquake.  On that night there was a rumbling noise like that of drums heard in the east—possibly similar to what we had mentioned earlier.  Some say that the island of Idzu, aka Vries Island, the volcanic island at the entrance of Edo Bay, increased on the north side by more than 3,000 feet and that a new island had been formed.  The noise of the drums was attributed to the gods creating that island. So here we have a catastrophic quake that impacted from Iyo, on the western end of Shikoku, all the way to the head of Edo Bay, modern Tokyo.  This appears to be what seismologists have labelled a "Nankai Trough Megathrust Earthquake".  Similar quakes have occurred and are predicted to occur in the future., along a region of Japan from the east coast of Kyushu, through the Seto Inland Sea, including Shikoku, through the Kii peninsula and all the way to Mt. Fuji.  The Nankai Trough, or Southern Sea Trough, is the area where the continental shelf drops down, and where the Philippine tectonic plate slips underneath the Eurasian—or more specifically the Amuric—plate.  As these plates move it can cause multiple events all along the trough at the same time.  Since being regularly recorded, these quakes have been noted every 100 to 150 years, with the last one being the Showa Nankai quakes of 1944 and 1946. For all of the destruction that it brought, however, apparently it didn't stop the court.  Two days after this devastating quake we are told that Presents were made to the Princes and Ministers.  Either they weren't so affected in the capital, or perhaps the date given for one of the two records is not quite reliable.  Personally, I find it hard to believe that there would be presents given out two days later unless they were some form of financial aid.  But what do I know?  It is possible that the court itself was not as affected as other areas, and they may not have fully even grasped the epic scale of the destruction that would later be described in the Chronicles, given the length of time it took to communicate messages across the country. Which brings us back to the "science" of the time, or at least the observation, hoping to learn from precedence or piece out what messages the world might have for the sovereign and those who could read the signs.  While many of the court's and Chronicler's conclusions may give us pause, today, we should nonetheless be thankful that they at least decided to keep notes and jot down their observations.  That record keeping means that we don't have to only rely on modern records to see patterns that could take centuries to reveal themselves.  Sure, at this time, those records were  still a bit spotty, but it was the start of something that would be remarkably important, and even though these Chronicles may have been focused on propaganda, the fact that they include so many other references are an incalculable boon to us, today, if we can just see to make the connections.  And with that, I think I've rambled enough for this episode.  We still have a couple more to fully cover this period. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

En el consultorio de esta semana, respondo a las siguientes cuestiones que propone la audiencia y que me hacen llegar a través de mis redes sociales (El Laboratorio de Juan, en todas ellas), o de mi mail.Estas son las 5 consultas respondidas en este programa:           -1. Zapatillas para barro: ¿Merrell MTL Long Sky 2 Matryx o Asics Fuji Lite 6?(3:32) - 2. Modelos Altra para Marathon des Sables(8:06) - 3. Zapatillas amortiguadas con horma ajustada (15:04) - 4. Zapatillas de drop 4 a 6 y perfil bajo(19:18) - 5. Modelos de horma amplia y polivalentes para 100-120kms.Contacto:juan@ellaboratoriodejuan.com

Join host Bill Faulkner on the Mastering Rod Building Podcast as he welcomes Nikki Paschen, renowned Gyotaku (Japanese fish printing) artist, ceramic specialist, and owner of Nautical Paschens, along with her collaborator Jen Cox. Dive into the vibrant world of Gyotaku fish printing on the Gulf Coast as Nikki and Jen share their journey from yacht detailing to creating stunning fishing art, apparel, and fishing memorabilia for anglers and boaters. Hear unique stories behind printing rare species like blue marlin and lionfish, discover tips for starting your own fish print art, and learn how the fishing community at Zeke's Marina inspires their work. Plus, get the latest on custom rod building, Gulf Coast fishing, and how art connects anglers across generations. Featuring shoutouts to captains Tony Bearden, Gary Goodwin, Jamie G., and Patrick Dickinson, this episode is a must-listen for fishing enthusiasts, art lovers, and those looking for unique fishing gear and gifts.Mastering Rod Building is brought to you by Anglers Resource — your source for genuine Fuji Tackle components.Where to buy genuine FUJI®️ rod components (Area Distributors)Japan: FIRST Corporation — https://first-fuji.co.jp/ • mail@first-fuji.co.jpAmerican Continent (North & South America): Anglers Resource — https://anglersresource.net/ • info@anglersresource.netOceania: Frogleys Offshore — https://fujitackle.com.au • enquiries@frogleysoffshore.com.auSpain/Czech/Finland/Sweden/Estonia/Latvia/Poland/Denmark/Belgium/Germany/Netherlands/Ireland/Luxembourg/France/Portugal/UK/Norway/Belarus/Ukraine/Russia:: CALICO S.A. (Kalikunnan) — https://kalikunnan.com/ • fuji@calico.esEurope: MAJORA Intelligent Fishing (FUJI Tackle Italy) — https://www.fujitackle.it • info@fujitackle.itAsia: KOWA Company, Ltd. — fujitackle@kowa.co.jp

O mercado da fotografia profissional está vivendo uma ruptura sem precedentes. Enquanto algumas marcas históricas batem recordes apostando em experiência, legado e imperfeição humana, outras gigantes da tecnologia estão perdendo terreno em velocidade surpreendente. Ao mesmo tempo, o Google dispara na frente na corrida da IA visual, congressos tradicionais perdem força, fotógrafos se fragmentam em nichos e a sensação de estar sempre atrasado virou regra entre profissionais experientes.Neste episódio, analiso as 5 forças tectônicas que estão redefinindo a fotografia em 2025 e criando o que chamo de C.A.O.S. Fotográfico.1. A crise silenciosa da AdobeA gigante do software criativo perdeu quase 35% de valor de mercado em um ano e enfrenta seu possível “momento Kodak”. A pressão da IA nunca foi tão grande.2. O verdadeiro vencedor da corrida da IANão é quem você pensa. O Google assumiu a liderança com o Nano Banana, uma virada tão profunda quanto o Photoshop nos anos 90. E o ritmo de avanço está só começando.3. O fim dos mega congressosEventos gigantes entraram em declínio. Surge um novo ecossistema descentralizado, feito de microencontros, nichos específicos, itinerância e conexões mais profundas.4. A contraofensiva da autenticidadeEnquanto a IA domina os holofotes, marcas como Leica, Sigma, Fuji e até a Corona crescem apostando em legado, experiência física, minimalismo e imperfeição real.5. O verdadeiro inimigo do fotógrafoNão é a IA. É o excesso. Segundo a pesquisa “Estado da Fotografia Profissional 2025”, 54% dizem que o mercado muda mais rápido do que conseguem acompanhar. Mesmo fotógrafos com mais de 10 anos de carreira sentem o impacto.Este episódio é um mergulho direto e sem ruído no caos que define o presente da fotografia e nas oportunidades que surgem para quem consegue ler o movimento antes da onda bater.Atenção: Vision Friday (última semana até 24/11)Se você quer acompanhar análises como esta toda semana e ter acesso ao Radar IA, curadoria aprofundada, conteúdos exclusivos e um ambiente estratégico para pensar o futuro da fotografia, estamos na última semana da Vision Friday.Durante esse período, você pode entrar para a Fotograf.IA + C.E.Foto por uma condição especial, com metade do valor anual e vantagens extras.

Honoring the Fallen: The 1979 Camp Fuji Fire In this episode of Oscar Mike Radio, I had the privilege of speaking with Marine Corps veteran and journalist Chas Henry, author of Fuji Fire. Together, we revisited the 1979 Camp Fuji fire in Japan, one of the most devastating peacetime disasters in Marine Corps history. This tragedy, triggered by a powerful typhoon, claimed the lives of several Marines and left a lasting scar on those who survived. My conversation with Chas brought this painful yet important chapter of military history to light, ensuring that the courage and sacrifice of those Marines are never forgotten. Chas Henry's Investigative Journey Chas took me through his in-depth investigative process behind Fuji Fire, uncovering the systemic failures that led to the disaster and exploring the leadership lessons that remain relevant today. His storytelling is both powerful and sobering, a reminder of how history can shape the standards and safety we uphold in the service today. As we talked, it was clear that this story isn't only about tragedy, it's also about resilience, courage, and brotherhood, the very essence of the Marine Corps. Lessons in Leadership and Remembrance This conversation with Chas reminded me why preserving these stories is so important. The Marines who endured Camp Fuji displayed extraordinary strength in the face of chaos, showing true leadership and unity. By revisiting this story, we honor not just those who were lost, but also those who carried on, the ones who rebuilt, learned, and continued to serve. It's a testament to the eternal Semper Fidelis spirit. Learn More To dive deeper into this powerful story, I encourage you to visit chashenry.com/fujifire to learn more about Chas Henry's investigative work and his dedication to honoring Marine Corps history. Thank you, Chas, for joining me and sharing your insights, and thank you to everyone who continues to remember and honor our brothers and sisters in arms. Semper Fidelis.

WINNERS FIND A WAY, host Trent M. Clark sits down with Mitch Allen — founder of Hire Santa, Shark Tank deal-maker, and serial entrepreneur behind 12 businesses — for a fun, insightful, and deeply practical conversation on turning big ideas into lasting impact. What started as a simple act of Christmas cheer evolved into a thriving enterprise — connecting Santas around the world and spreading holiday joy year-round. But behind the red suit and laughter lies a masterclass in leadership, preparation, and purpose. From building and selling companies to mentoring leaders in the Entrepreneurs' Organization (EO), Mitch shares candid lessons about scaling, learning from failure, and leading leaders — the toughest role of all. Together, Trent and Mitch dive into:

Fuji has released yet another iteration in the X-T30 line, and Jeff Bridges is bringing back the Widelux panoramic film camera. Also, Daniel's collection of pocketable cameras grows ever larger. If you enjoy the show and want to contribute to our hosting costs, we'd welcome your support on Patreon. You can check it out here: https://www.patreon.com/cameragearpodcast Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Notes: Jeff Bridges' WideluxX Revival Has Reached Prototype Stage and It's Beautiful [PetaPixel] Fuji X-T30 III [B&H] Fujifilm X-T30 III Review: Same Price, Nearly the Same Camera [PetaPixel] Fuji XC 13-33mm f/3.5-6.3 OIS Lens [B&H]

Thanks for finding our podcast! We are a family of 5 who does most of our travel using credit card points and miles and we share how we leverage credit card offers to earn a ton of points/miles so we can afford travel as a larger family.Follow us on Instagram @TravelPartyof5These are all the experiences we booked in Japan using Viator:Our Fave Japan ExperiencesThis episode wraps up our Japan series with a practical Q&A:  From eSIM setup and Suica hacks to Shinkansen tradeoffs and Japanese toilets, we share what worked, what didn't, and what we'd do differently next time.• choosing eSIMs over pocket Wi‑Fi for simple, low‑cost data• adding Suica to Apple Wallet and getting physical child IC cards• booking Shinkansen on short notice and budgeting for higher fares• reserving luggage space vs overhead racks for carry‑ons• live navigation with Google or Apple Maps and using Google Translate• Borderless vs Planets and why early time slots matter• views of Shibuya Crossing without paying tower fees• packing light with airline weight limits and carry‑on tips• paying with cards, IC cards at vending, and minimal cash needs• eating etiquette, where to sit, and the lack of public bins• clean, ubiquitous bidet toilets and what to expect• no‑tipping norms and rare cases we tipped• long flights with kids: downloads, snacks, and clear expectations• future wishlist: Fuji, Hokkaido, Okinawa, Kyoto's new TeamLabSend me a DM on Instagram @travelpartyof5 if you have further questions! 

Episode: 3244 Bias and Diversity in Photography and Face Recognition Software.  Today, bodies, in beautiful black and white.

On this episode of the Mastering Rod Building Podcast, we sit down with AFTCO's Bill Shedd and Casey Shedd to explore the deep history of one of fishing's most iconic brands. We trace AFTCO's journey from its groundbreaking origins in rod components, discussing what made their roller guides revolutionary, to its evolution into a full-fledged fishing lifestyle brand. Bill and Casey share the story behind their iconic fishing shorts and how the company balanced hardware innovation with technical apparel. This conversation also takes a deep dive into AFTCO's core identity of advocacy, detailing their 10% Pledge to Protect & Conserve, their fight for legislative change like gillnet bans, and their support for grassroots efforts through B.A.S.S. Nation grants.Mastering Rod Building is brought to you by Anglers Resource — your source for genuine Fuji Tackle components.Where to buy genuine FUJI®️ rod components (Area Distributors)Japan: FIRST Corporation — https://first-fuji.co.jp/ • mail@first-fuji.co.jpAmerican Continent (North & South America): Anglers Resource — https://anglersresource.net/ • info@anglersresource.netOceania: Frogleys Offshore — https://fujitackle.com.au • enquiries@frogleysoffshore.com.auSpain/Czech/Finland/Sweden/Estonia/Latvia/Poland/Denmark/Belgium/Germany/Netherlands/Ireland/Luxembourg/France/Portugal/UK/Norway/Belarus/Ukraine/Russia:: CALICO S.A. (Kalikunnan) — https://kalikunnan.com/ • fuji@calico.esEurope: MAJORA Intelligent Fishing (FUJI Tackle Italy) — https://www.fujitackle.it • info@fujitackle.itAsia: KOWA Company, Ltd. — fujitackle@kowa.co.jp

From myth and legend to cider-fuelled revolutions, from Johnny Appleseed's frontier orchards to the Victorians' quest for the perfect pippin, the story of the apple has been anything but ordinary. In the final part of this five-part series, John and Patrick follow the fruit onto the world stage - when refrigeration, global shipping, and empire transformed it into an international commodity. From Tasmania's “Apple Isle” and Cecil Rhodes's Cape orchards, to Japan's remarkable embrace of the fruit that would one day give us the Fuji, the apple became both a tool of empire and a symbol of modernization.But world war would shake that story, stripping Britain of its imported fruit and forcing farmers to dig for victory. The apple rallied in service of king and country - only to face a peacetime collapse that saw Britain's orchards vanish in the shadow of supermarket shelves and European imports. Yet the apple endures, still shaping landscapes, economies, and everyday diets around the globe.Join John and Patrick as they conclude the saga of the world's most storied fruit - a tale of empire, war, decline, and resilience - that leaves us with the apple we know today.----------In Sponsorship with Cornell University: Dyson Cornell SC Johnson College of Business-----------Join the History of Fresh Produce Club for ad-free listening, bonus episodes, book discounts and access to an exclusive chatroom community.Support us!Share this episode with your friendsGive a 5-star ratingWrite a review -----------Subscribe to our biweekly newsletter here for extra stories related to recent episodes, book recommendations, a sneak peek of upcoming episodes and more.-----------Step into history - literally! Now is your chance to own a pair of The History of Fresh Produce sneakers. Fill out the form here and get ready to walk through the past in style.-----------Instagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com

n this explosive episode, Sir Shina Peters, the legendary Afro-Juju pioneer, sits down with Daddy Freeze, Toun,Zinnieposh and Husband Material to open up like never before. From his humble beginnings in Fuji music to becoming one of Nigeria's biggest music icons, Shina shares his journey through fame, controversies, regrets, love, and redemption.

Our show is best watched on YouTube:https://go.www.letsgettothepoints.com/TokyoExplore Tokyo on points and miles! We cover booking ANA and JAL flights to finding the best hotels, trains, food, and Mt. Fuji views. Plus, tips on saving money, when to visit, and off-the-beaten-path Japan.Thank you to Kengo from www.youtube.com/@tokyokenchan for joining us as a guest co-host!Learn about points and miles in our Elevate course and community:https://letsgettothepoints.com/elevateCredit Card Links: http://go.www.letsgettothepoints.com/CreditCardsSign up for our newsletter:https://go.www.letsgettothepoints.com/JoinOurEmailWebsite: https://www.letsgettothepoints.com/Email: letsgettothepoints@gmail.comIG: https://www.instagram.com/letsgettothepoints/ TikTok: https://www.tiktok.com/@letsgettothepointsEXCLUSIVE TRAVEL DISCOUNT CODES:https://letsgettothepoints.com/tools/Seats.aero: Award Flight Search EngineUse Code: LETSGETPRO for $20 off the first yearhttps://seats.aero/Book Private Transport in 100+ Countries with Kiwitaxi:https://go.www.letsgettothepoints.com/KiwitaxiUse Code: LGTTP5 for 5% off all ridesSign up for Award Email Notifications from Straight To The PointsUse Code: LGTTP20 for 20% off the annual planhttps://go.www.letsgettothepoints.com/StToThePointsTravel Freely: The FREE site we use to stay organized and track our 5/24 statushttps://my.travelfreely.com/signup?bref=lgwCardPointers: Save Money and Maximize Your Spend Bonuseshttps://go.www.letsgettothepoints.com/CardPointersMaxMyPoint: Hotel Rewards CheckerUse Code: LGTTP for 20% off the first year of your Platinum Subscription https://maxmypoint.comON TODAY'S SHOW:0:00 Intro1:37 Tokyo on Points and Miles7:34 How to Book ANA and JAL Flights14:28 The ANA Credit Card18:25 Train vs Flights in Japan22:36 Hotel Updates in Tokyo: Park Hyatt, Caption, Hyatt House29:15 Train Stations in Tokyo36:01 Food Recommendations in Tokyo from a Local44:51 Saving Money on Hotels and Ryokans47:57 Best Time to Go to Japan50:53 Mt Fuji Views51:47 Living in Tokyo as a Local52:43 Off the Beaten Path JapanLISTEN TO US ON THE GO: Apple Podcast: https://go.www.letsgettothepoints.com/ApplePodcastSpotify:https://go.www.letsgettothepoints.com/SpotifyThank you for supporting our Channel! See you every Friday with a new episode!Support this podcast: https://go.www.letsgettothepoints.com/SupportUsDisclaimer: The content is for informational purposes only, you should not construe any such information or other material as legal, tax, investment, financial, or other advice.Advertiser Disclosure:This video may contain links through which we are compensated when you click on or are approved for offers. The information in this video was not provided by any of the companies mentioned and has not been reviewed, approved, or otherwise endorsed by any of these entities. Offers are current only at the time of the video publishing date and may have changed by the time you watch it.Let's Get To The Points is part of an affiliate sales network and receives compensation for sending traffic to partner sites, such as CardRatings. Let's Get To The Points and CardRatings may receive a commission from card issuers.This compensation may impact how and where links appear on this site. This site does not include all financial companies or all available financial offers. Terms apply to American Express benefits and offers. Enrollment may be required for select American Express benefits and offers. Visit americanexpress.com to learn more.Opinions expressed here are the author's alone, not those of any bank, credit card issuer, hotel, airline, or other entity. This content has not been reviewed, approved or otherwise endorsed by any of the entities included within the post. The content of this video is accurate as of the posting date. Some of the offers mentioned may no longer be available.

⁠Help keep our podcast going by contributing to our Patreon! In this episode, we'll delve into the mystery of Aokigahara, known in Japanese as the Sea of Trees—and to the rest of the world as the Suicide Forest. After the Golden Gate Bridge, it is the second most popular suicide destination in the world.  The forest is over a thousand years old. It grew over lava floes laid down in a devastating volcanic eruption on the slopes of Mt. Fuji, a holy mountain believed to be a gateway to the spirit world. Perhaps this is why it's said to be the birthplace of the Yurei—a ghost in Japanese folklore created out of deep trauma.  It's no wonder Aokigahara is associated with death. But the forest is also filled with life and incredible natural wonders. Join us as we explore the haunting history and folklore of Aokigahara. Sponsors and Advertising This podcast is a member of Airwave Media podcast network. Want to advertise on our show? Please direct advertising inquiries to advertising@airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join host Bill Falconer as he welcomes Andrew Tsui, founder of the Ike Jime Federation, for an in-depth discussion on Ike Jime and Shike Jime—revolutionary fish care techniques that elevate seafood quality and ensure humane harvesting.Discover the science behind rigor mortis, the impact of proper fish handling on flavor and safety, and practical tips for anglers looking to improve their catch.Learn how these methods, recognized by top chefs and fisheries experts, can transform your fishing experience and seafood preparation.This episode covers sustainable fishing practices, seafood aging, and the essential tools every angler needs. Whether you're a seasoned fisherman or new to the sport, this fishing podcast delivers actionable insights for better seafood and responsible angling.For Mastering Rod Building, in every episode's show notes, both going forward and updating all previous shows, we need this:Mastering Rod Building is brought to you by Anglers Resource — your source for genuine Fuji Tackle components.Where to buy genuine FUJI®️ rod components (Area Distributors)Japan: FIRST Corporation — https://first-fuji.co.jp/ • mail@first-fuji.co.jpAmerican Continent (North & South America): Anglers Resource — https://anglersresource.net/ • info@anglersresource.netOceania: Frogleys Offshore — https://fujitackle.com.au • enquiries@frogleysoffshore.com.auSpain/Czech/Finland/Sweden/Estonia/Latvia/Poland/Denmark/Belgium/Germany/Netherlands/Ireland/Luxembourg/France/Portugal/UK/Norway/Belarus/Ukraine/Russia:: CALICO S.A. (Kalikunnan) — https://kalikunnan.com/ • fuji@calico.esEurope: MAJORA Intelligent Fishing (FUJI Tackle Italy) — https://www.fujitackle.it • info@fujitackle.itAsia: KOWA Company, Ltd. — fujitackle@kowa.co.jp

Alan welcomes Dr. Zach Meiners, co-host of the Very Clinical podcast and restorative dentist extraordinaire, back to the Very Dental podcast. They dive deep into their shared passion for glass ionomer (GI) restorative materials. Sparked by Alan's recent solo episode on using glass ionomer for groove restorations the guys talk GI in depth.  Key Takeaways Glass Ionomer (GI) as a Primary Restorative: Both doctors advocate for GI (like Fuji 9 or Equia) as a legitimate, permanent restorative material for specific classes of restorations, moving past its traditional use as only a provisional or base. Ideal Clinical Applications: GI is highly effective for: Class I, III, and V restorations, particularly on posterior teeth where aesthetics are less critical. Geriatric and Pediatric patients due to its forgiving nature, minimal technique sensitivity, and fluoride release. Core Build-ups: Zach considers it his main build-up material, noting its reliable adhesion and stability against being pulled out by temporary crowns. Crown Margin Repairs. Material Benefits: GI offers several advantages over traditional resin or amalgam: No Post-Operative Sensitivity and Minimal Shrinkage. Forgiving Technique in less-than-ideal isolation situations, sticking particularly well to dentin. Continued Hardening for months after the initial set, leading to excellent longevity and a surprisingly low failure rate. Efficiency and Cost: While the initial cost of GI is relatively high, the efficiency gained from eliminating the need for separate etching and bonding steps (using only a cavity conditioner provided in the kit) and the speed of placement makes it a cost-effective choice in terms of time and materials. Placement and Setting: Placement Technique: For occlusal restorations (like in grooves), Alan recommends over-squirting the material and using a moist, gloved finger to push it into the grooves, or using an anti-stick agent like Stick Free for metal instruments. Accelerating Set: Though not a light-cure material, applying the curing light can accelerate the chemical setting reaction via heat, cutting the two-and-a-half-minute set time down to about 90 seconds. The GI "Dream": The doctors agree that a future GI material with the strength to reliably handle Class II restorations would revolutionize the entire direct restorative market, given GI's unique benefits.  Some links from the show: Fuji IX Fuji Equia Forte    Join the Very Dental Facebook group using the password "Timmerman," Hornbrook" or "McWethy," "Papa Randy," "Lipscomb" or "Gary!" The Very Dental Podcast network is and will remain free to download. If you'd like to support the shows you love at Very Dental then show a little love to the people that support us! -- Crazy Dental has everything you need from cotton rolls to equipment and everything in between and the best prices you'll find anywhere! If you head over to verydentalpodcast.com/crazy and use coupon code “VERYDENTAL10” you'll get another 10% off your order! Go save yourself some money and support the show all at the same time! -- The Wonderist Agency is basically a one stop shop for marketing your practice and your brand. From logo redesign to a full service marketing plan, the folks at Wonderist have you covered! Go check them out at verydentalpodcast.com/wonderist! -- Enova Illumination makes the very best in loupes and headlights, including their new ergonomic angled prism loupes! They also distribute loupe mounted cameras and even the amazing line of Zumax microscopes! If you want to help out the podcast while upping your magnification and headlight game, you need to head over to verydentalpodcast.com/enova to see their whole line of products! -- CAD-Ray offers the best service on a wide variety of digital scanners, printers, mills and even  their very own browser based design software, Clinux! CAD-Ray has been a huge supporter of the Very Dental Podcast Network and I can tell you that you'll get no better service on everything digital dentistry than the folks from CAD-Ray. Go check them out at verydentalpodcast.com/CADRay!  

It's The Week In Sports Cars show featuring Marshall Pruett and DailySportsCar.com's Graham Goodwin and Stephen Kilbey. TOPIC: WEC at Fuji, and more! Every episode is graciously supported by the Justice Brothers, the Sports Car Championship Canada, and TorontoMotorsports.com.  NEW show stickers and memorabilia: ThePruettStore.com If you'd like to join the PrueDay podcast listener group, send an email to pruedayrocks@gmail.com and you'll be invited to participate in the Discord chat that takes place every day and meet up with your new family at events. Play on Podbean.com: https://marshallpruett.podbean.com/ Subscribe: https://marshallpruettpodcast.com/subscribe Join our Facebook Group: https://www.facebook.com/MarshallPruettPodcast [WSC]

Apples are one of those rare fruits that you can actually recognize by name. Honeycrisp, Gala, Fuji… the list seems endless.But have you ever wondered where these names came from?Is there an actual 'granny' behind the Granny Smith?Was the Red Delicious truly the most delicious of all red apples?And what about Bramley - does that name come from a person, a place, or perhaps an aristocratic family?In this month's livestream, John and Patrick dig into a few apple varieties and explore the fascinating history behind their names.----------In Sponsorship with Cornell University: Dyson Cornell SC Johnson College of Business-----------Join the History of Fresh Produce Club for ad-free listening, bonus episodes, book discounts and access to an exclusive chatroom community.Support us!Share this episode with your friendsGive a 5-star ratingWrite a review -----------Subscribe to our biweekly newsletter here for extra stories related to recent episodes, book recommendations, a sneak peek of upcoming episodes and more.-----------Step into history - literally! Now is your chance to own a pair of The History of Fresh Produce sneakers. Fill out the form here and get ready to walk through the past in style.-----------Instagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com

On this week's Double Stint, Jonathan Grace and Jamie Klein break down the FIA World Endurance Championship's 100th race at Fuji Speedway, catch up on the latest news in sports car racing and more.

CONTINUED HEADLINE: Peru's Political Crisis Deepens as President's Approval Hits 2% GUEST NAME: Evan Ellis SUMMARY: Peru's President Dina Boluarte faces 2-3% approval amid crime and corruption. The 2026 election features candidates including Keiko Fujimori. China dominates Peru's economy through mining investments and the Chancay port. Brazil's Bolsonaro received 27-year sentence for alleged assassination plot against Lula, polarizing society and pushing Brazil toward BRICS nations. 1930 CARACAS

CONTINUED HEADLINE: Peru's Political Crisis Deepens as President's Approval Hits 2% GUEST NAME: Evan Ellis SUMMARY: Peru's President Dina Boluarte faces 2-3% approval amid crime and corruption. The 2026 election features candidates including Keiko Fujimori. China dominates Peru's economy through mining investments and the Chancay port. Brazil's Bolsonaro received 27-year sentence for alleged assassination plot against Lula, polarizing society and pushing Brazil toward BRICS nations. 1936

CONTINUED HEADLINE: Peru's Political Crisis Deepens as President's Approval Hits 2% GUEST NAME: Evan Ellis SUMMARY: Peru's President Dina Boluarte faces 2-3% approval amid crime and corruption. The 2026 election features candidates including Keiko Fujimori. China dominates Peru's economy through mining investments and the Chancay port. Brazil's Bolsonaro received 27-year sentence for alleged assassination plot against Lula, polarizing society and pushing Brazil toward BRICS nations. CARACAS, VENEZUELA