Podcasts about Fuji

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Photografix-News ist EUER News-Podcast rund um alle Themen der Digitalen Fotografie!

In this episode, we sit down with legendary rod builder and educator Todd Vivian, a driving force in the world of custom fishing rod building, rod-building innovation, and craft preservation.Todd shares how he got started in the industry, the early challenges that shaped his skills, and the moment he realized rod building would become his life's work. He opens up about his creative process—from design concept to finished custom rod—and discusses the philosophies behind his signature style, known for its balance, precision, and durability.Todd also reflects on key milestones in his career, his most memorable builds, and the unique client requests that pushed his creativity. The episode honors influential mentors like Al Jackson, diving into his contributions to the craft and the importance of mentorship in preserving rod-building heritage. Todd closes by revealing current projects, upcoming workshops, and the advice he hopes future builders will carry forward as they develop their own craft and legacy in the custom rod-building community.Mastering Rod Building is brought to you by Anglers Resource — your source for genuine Fuji Tackle components.Where to buy genuine FUJI®️ rod components (Area Distributors)Japan: FIRST Corporation — https://first-fuji.co.jp/ • mail@first-fuji.co.jpAmerican Continent (North & South America): Anglers Resource — https://anglersresource.net/ • info@anglersresource.netOceania: Frogleys Offshore — https://fujitackle.com.au • enquiries@frogleysoffshore.com.auSpain/Czech/Finland/Sweden/Estonia/Latvia/Poland/Denmark/Belgium/Germany/Netherlands/Ireland/Luxembourg/France/Portugal/UK/Norway/Belarus/Ukraine/Russia:: CALICO S.A. (Kalikunnan) — https://kalikunnan.com/ • fuji@calico.esEurope: MAJORA Intelligent Fishing (FUJI Tackle Italy) — https://www.fujitackle.it • info@fujitackle.itAsia: KOWA Company, Ltd. — fujitackle@kowa.co.jp

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

Saber cuáles son los mejores sitios para ver el monte Fuji es una de las preguntas que más recibimos. Por eso, en este episodio te damos un montón de ideas para que decidas desde donde quieres verlo (eso sí, siempre que se deje, que el Fuji a menudo es algo caprichoso y tímido). Así, tienes Fujinomiya, la zona de los cinco lagos, Hakone, el tren bala y muchos más sitios desde los que disfrutar de la montaña más icónica de Japón. Luego, en Japonismo mini hablamos de trenes en colaboración con Super Mario, del fallecimiento de la gatita Nitama, jefa de estación en Kishi, y de nuestros calendarios de fotos para 2026 (habrá de Japonismo y de Coreanismo). Además, como siempre, leemos comentarios y, para acabar, te contamos cómo se dice en japonés "volcán", ya que estamos con el Fuji. ¿Quieres colaborar con el programa? - Colabora en Patreon - Únete a la Comunidad Japonismo - Reserva hoteles en Japón (y en todo el mundo) - Consigue seguro de viajes (¡no sólo para Japón!) - Busca los mejores vuelos - Lleva Internet (pocket wifi o SIM) - JR Pass para viajes ilimitados en tren ---- Continúa la conversación en: - Web: https://japonismo.com - Discord: https://discord.gg/hZrSa57 - Facebook: https://facebook.com/japonismo - Twitter: https://twitter.com/japonismo - Instagram: https://instagram.com/japonismo - Pinterest: https://pinterest.com/japonismo - Newsletter semanal: http://eepurl.com/di60Xn

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The Great Wave is perhaps the most famous piece of Japanese artwork: a roaring blue wave and three boats on the ocean. And far in the background is Mt. Fuji. And that's actually what Hokusai's famous woodprint is about: Mt. Fuji, volcano and Japan's tallest mountain. Andrew Bernstein tells the story of Mt. Fuji–from its geographic origins as a violent volcano through to its present day status as Japan's national symbol and a world heritage site—in his latest book Fuji: A Mountain In The Making(Princeton UP, 2025). Andrew is professor of history at Lewis & Clark College and the author of Modern Passings: Death Rites, Politics, and Social Change in Imperial Japan (University of Hawaii Press: 2006) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Fuji. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

„Schon wieder eine neue Kamera?“ — hinter der Frage steckt mehr als Technik. In dieser Folge sprechen wir offen darüber, warum Wechsel kein Selbstzweck sind, sondern manchmal der ehrlichste Weg, bei sich anzukommen. Falk erzählt von Weggabelungen zwischen Canon, Fuji und Leica, von Momenten, in denen Ausrüstung plötzlich bremst (Hochzeit im Gegenlicht, Karibikreise) und von dem Punkt, an dem Reduktion Ruhe bringt. Lars hält den Spiegel: Wo endet das Ausweichen vor sich selbst, wo beginnt sinnvolles Neujustieren? Es geht um Entscheidungs-Minimalismus statt FOMO, um Menschengefälligkeit vs. Bauchgefühl — und um die Freiheit, Dinge wirklich auszuprobieren (Austern inklusive). Eine Einladung, den eigenen fotografischen Kompass zu prüfen – ohne Rechtfertigungen, mit Neugier.

This episode we look at many of the natural events and talk about those observing and writing things down, and why they may have wanted to do so. For more, check out our podcast blogpage:  https://sengokudaimyo.com/podcast/episode-139   Rough Transcript: Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is episode 139: Observing the "Natural" World. Members of the Onmyou-ryou, dressed in the official robes of their office, sat around in their observation tower, measuring the location of the stars.  They kept their light to a minimum, just enough so that they could write down their observations, but not so much that it would destroy their vision.  As they looked up, suddenly they saw a strange movement: a streak through the sky.  They waited, and observed, and then there was another, and another after that.  It was as if the stars themselves were falling from the heavens.  They watched as it seemed that the constellations themselves were melting and falling apart.  Quickly they scribbled down notes.  Tomorrow, with the light of day, they would consult various sources to see just what it could mean.  For now, their role was simply to observe and record.   Welcome back, everyone.  It is the height of holiday season in the US as I record this, and in our narrative we are in the middle of the reign of Ohoama, aka Temmu Tennou, who came to power in 672 and who has been shoring up the Ritsuryo state instigated by his late brother, Naka no Oe, aka Tenji Tennou.  We have talked in recent episodes about how Ohoama put a lot of the state under the control of members of the royal family, or at least those with claims to royal blood, and how he had also begun work on the Chronicles—the very works that we have been using to try and understand the history of this and earlier periods.   It seems clear that Ohoama and his cohorts were doing their best to solidify their control and, in the process, create what they felt was a modern state, leveraging the continental model, but not without their own local flavor.  After all, they were also investing in the kami based rituals of state and specifically in Ise shrine, which they claimed as an ancestral shrine for their lineage. This episode, let's dig into another thing that was getting reported around this time.  And that is… science!  Or at least observations of the world and indications of how people were interacting with it. Before going into the subject, I want to acknowledge that "science", or "Kagaku" in modern Japanese, may not look like what we think of as "science" today.  The word "Kagaku" itself appears to come about in the late Edo period, and became associated with the western idea of "Science" in the Meiji period.  Today we think of it as observations, yes, but also testing via the scientific method. I think it might be more appropriate to categorize a lot of earlier science under a term like "learning" or "study", and it seems to have encompassed a wide range of topics of study, some of which we would include as "science" and some which we might refer to more as "arts".  There is also a very fine line with religion and philosophy as well. From a modern perspective, I think one could fairly argue that "science"—particularly the so-called "hard" sciences—refers to something that can be empirically tested via the scientific method.  So you can see something, form a hypothesis, create a test, and then that test should produce the same results no matter who conducts it, assuming you account for the variables. And please don't @ me about this… I know I am simplifying things.  This isn't a podcast about science unless we are talking about the social sciences of history and archaeology. In contrast to our modern concept of science, much of what we see in the Asuka era is built around using our reasoning to arrive at the truth of something.  In cases where we are dealing with clearly physical phenomena that have observable causes and effects, this can lead to remarkably reliable results.  One example of this is calendrical science—it isn't that hard to observe the passing of days and seasons.  Even the rotation of the earth and the movements of stars and even something with as large a period as comets could be observed and tracked, especially if you had centuries of data to comb through.  In fact, they often would predict things that it turns out they couldn't, themselves, see.  They could predict that an eclipse would occur, for example, even when that eclipse was only visible somewhere else.  And they didn't have to calculate gravitational pull, mass, or distances between different heavenly bodies for that to occur. Similarly, in the agricultural sphere: you had so many people who observed the seasons and would figure out new ways of doing things.  It doesn't take an understanding of chlorophyl to know that plants generally do better when exposed to sunlight. I believe the leap happens when you get to things that go beyond purely observable means.  Sickness, for example—how do you explain viruses or germs without equipment like microscopes to see what our eyes alone cannot?  And if such "invisible" things could cause so much damage, then why could there not be other "invisible" elements, such as kami and boddhisatvas?  And as humans we are driven to make connections.  It is one of the things that has driven our technological innovation and rise, but it is also something that can easily go awry.  Like when you are sitting in a dark house, alone, and you hear a noise.  Rationally, you might know that houses settle and creak, but that doesn't necessarily stop your brain from connecting it with thoughts that someone must be in the house making that noise. Or even how we make judgments based on nothing more than how someone talks or what they look like, because our brains have made connections with those things, for good or ill. A large part of the rationalization that was accomplished in Asian thought had to do with concepts of Yin and Yang, the negative and the positive, the dark and the light.  This was thought of as a kind of energy—qi or ki—that was embedded in things.  We discussed this somewhat back in episode 127, because yin yang theory, along with the five element theory, known as Wuxing or Gogyou in Japanese, became embedded in the idea of the calendar.  Why was summer hot, except that it was connected with an excess of fire energy?  And the cold, dark days of winter would be associated with an excess of water, naturally. I should note that while this is one of the more comprehensive philosophical systems in use, it was not the only means by which various phenomena and effects were rationalized.  After all, it had to be imposed on a framework of how the world otherwise worked, and descriptions of the world came from a variety of places.  There was, for example, the Classic of Mountains and Seas, or Sanhaijing, which detailed the world as envisioned in the period before the Qin dynasty, although there were occasional updates.  The Sanhaijing  described regular plants and animals in the same breath as gods and monsters.  There were also various buddhist sutras, which brought their own cosmological view of the universe that had to be squared with other visions, including those passed down locally describing the archipelago as the "Reed Plain" and giving particular importance to eight of the islands—though which eight depends on which variant of the creation myth you are referencing. To categorize the study of the natural—and what we would consider the supernatural—world around them, the Ritsuryou set up specific bureaus.  One of these was the Onmyou-ryou, the Bureau of Yin-yang, also known as the Onyo no Tsukasa.  This Bureau oversaw divination, astronomy, time, and calendars.  At its head was the Onmyou-no-kami.  Below them were the various scholars studying the core subjects, as well as technical practitioners to carry out the rites and divination. On the continent, priority was generally given to astronomical and calendrical studies, and many of the more magical practices or rituals would fade away, likely because there were local Taoist institutions who could take up much of that work.  In Japan, however, it seems that the calendrical studies tended to ossify, instead, while onmyoji came to fill a role not just for the state but also among the population for divination and other such practices.  Even into the Edo period one could find private onmyoji, and the Bureau itself lasted until the very beginning of the Meiji period. Another important institution of the Ritsuryo government for learning was the Daigakuryou, the Bureau of Great Learning.  Students of Japanese may recognize the term "Daigaku" referring, today, to universities. The original concept for the Daigaku-ryou, or Daigaku no Tsukasa, was focused on the study of those things that were considered perhaps a bit more practical and necessary to anyone who might want a political career.  Since this was founded on concepts of Confucian government, it is little wonder that it was originally designed to focus on Confucian studies, among other things.  This fits into the idea of a supposed meritocracy, where one's education was part of the examination.  You may recall from Episode 115 we talked about the National University in Chang'an, which is likely something that the Daigaku Ryou could only ever dream of becoming. Early arts taught at the Daigaku Ryou included the Confucian classics, mathematics, writing, and Chinese pronunciation.  These were all things that you would need to know to become a part of the bureaucracy The idea of a school may have been born along with the early institution of the government, with mention as early as 671, in the last year of Naka no Oe's reign, but we don't have it clearly established in the code until later.  Full operations may have been somewhat delayed due to the tumultuous events of Ohoama's accession to power in 672, but we do see it explicitly mentioned in the year 675.  On the first day of the year we are told that Students from the Daigaku Ryou, along with students from the Onmyou-Ryou and from the Gaiyaku Ryou, the Bureau of External Medicine; along with the Woman of S'ravasti, the Woman of Tara, Prince Syeonkwang of Baekje, and Silla labourers offered presents of drugs and various rarities. We talked about the first two, the Daigaku-ryou and the Onmyou-ryou, but the Gaiyaku Ryou doesn't seem to have a lot of information out there beyond this mention.  Later there would a "Ten'yaku Ryou", or Bureau of Medicine, established in the code.  Since we don't have any extant codes from this period beyond what was written down in the Nihon Shoki, we don't know for certain what the Gaiyaku-ryou was , and it is possible that the Gaiyaku-Ryou was a precursor to the Ten'yaku Ryou.  "GAI" means "outside" or "external", leading me to wonder if this referred to external medicine in contrast to internal medicine, or if it meant medicine or drugs from outside teh archipeloago. I would point out that these students are found with the Woman of S'ravasti, or Shae; the Woman of Tara; a Baekje prince and Silla labourers.  In other words, they were all people from outside of the archipelago.  This is not entirely surprising as it was from outside that much of the learning was coming into the country. "Yaku" or "Kusuri", which can be translated as either "Drugs" or "medicine", could refer to a number of things.  How effective they were is somewhat questionable. Almost certainly some of them had confirmed medicinal efficacy, but others may have been thought to have been effective due to things like their connection to the five elements, or wuxing, theory. For example, something red might be assumed to have a warming effect because of the presumed presence of the fire element.  And the power of the placebo effect no doubt made them seem at least partially effective.  Consider, for example, how many people will swear by certain remedies for the common cold when all it really does is distract you, or perhaps make you a bit more comfortable, until the symptoms pass on their own. A more certain science was probably that of Astronomy, which we've mentioned a few times.  The passage of the stars through the sky was something that could be easily observed.  There is a theory that some of the first lines in the Yijing, or book of changes, may actually be a description of the changing of seasons as different aspects of a given constellation rise over the horizon, and the placement of certain stars would help in the adjustment of the lunar calendar, since the moon's orbit does not match up exactly with the solar year, and year the solar year was quite important to things like agriculture and even sailing to the mainland. This all makes 675 a seemingly banner year for science, as four days after the presentation of medicine to the throne, the government erected a platform by which to observe the stars.  This wouldn't need to be much—it could have been an earthen mound, or just a tower, from which one could get above the ground, presumably see over any buildings, to the horizon.  Granted, Asuka might not be the best place for such observations, with the nearby mountains meaning that the true horizon is often obstructed.  Nonetheless, it may have been enough to make calculations. Astronomy platforms, or Tenmondai, would continue to be used up until at least the Meiji period.  Without a telescope, observations were somewhat limited—though they also didn't have the same level of light pollution that we have today.  Remember, many woke just before dawn and went to sleep not too long after the sun went down, which only makes sense when you are living in a place where creating light, while doable, also ran the risk of burning your entire house to the ground. It is worth noting that the sky for the ancient Japanese was likely quite different than what most of us see when we look up, unless you are fortunate enough to live in a place with very little light pollution.  For many of those living today in the cities and suburban landscape, go outside at night and you might see the moon and some of the brightest stars, but for most of the ancient Japanese, they would look up and see the heavenly river, the Amakawa, or Milky Way.  They would have looked up at a sky glittering with myriad dots of light, as well as planets and more.  It was both familiar and strange—something one saw regularly and yet something that was also extremely inaccessible. Astronomical observations would have been important for several reasons, as I've mentioned.  They would have been used to keep the calendar in check, but they would also have likely been used to help calibrate the water clock, which helped to tell time.  Of course, going back to the five elements and yin yang theory, it is also believed that the energy, the qi or ki, changed with the seasons and the movements of the stars and planets—planets were not known as such, of course, but their seemingly erratic movements compared to bright lights in the sky meant they were noticed and assigned values within the elemental system. One of the things that came with the changing seasons, the heavenly movements, and the flow of ki was a concept of "kata-imi", literally directional taboos.  There were times when certain directions might be considered favorable or unfavorable for various actions.  This could be something as simple as traveling in a given direction.  In the centuries to come this would spawn an entire practice of kata-tagae, or changing direction.  Is the north blocked, but you need to travel there, anyway?  Well just go northwest to say hello to a friend or visit your local sake brewery, and then travel due east.  Ta-da!  You avoided going directly north!  There were also mantra-like incantations that one might say if they had to travel in an inauspicious direction to counteract the concept of bad influences. This also influenced various other things, and even today you will often see dates where a year and month might be followed by simply the character for "auspicious day" rather than an actual day of the month. So observing the heavens was important, and it was also important that they tostudy the works of those on the continent, whose records could help predict various astronomical phenomena.  Except that there was one tiny problem:  I don't know if you've noticed, but Japan and China are in two different locations.  Not all astronomical phenomena can be observed from all points of the globe.  The Northern Lights, for example, are rarely seen in more southerly latitudes, and while eclipses are not too rare, a total eclipse only impacts certain areas of the earth, along relatively narrow paths. I mention this because it isn't always clear if the records we get in the Nihon Shoki are about phenomena they directly observed or if they are taking reports from elsewhere and incorporating them into the narrative.  One such event is the comet of 676. The entry in the Nihon Shoki tells us that in the 7th lunar month of the 5th year of Temmu Tennou, aka 676 CE, a star appeared in the east that was 7 or 8 shaku in length.  It disappeared two months later. We've mentioned some of this before, but the sky was divided up into "shaku", or "feet", though how exactly it was measured I'm not entirely sure.  It appears to be that one foot was roughly 1.5 degrees of the sky, give or take about a quarter of a degree, with 180 degrees from horizon to horizon.  So it would have been about 10 to 12 degrees in the sky.  Another way to picture it is if you hold out your arm towards the object, and spread your index and little finger, it would probably fit between those two points.  This comet hung around for some time, and a great part about a comet like this is that it was viewable from multiple locations.  After all, as the earth turned, different areas were exposed to the comet as it passed through our part of the solar system.  Thus we have records of it from not just the Nihon Shoki:  We also find it in the Anglo-Saxon chronicles, where it was thought to have foretold the end of Bishop Wilfred's control of Northumbria.  We also see it in Tang, Silla, and Syrian sources. These sources aren't always in complete agreement.  For one thing, they noted when they first saw it, which might have been impacted by local conditions.  And then conversion between lunar and solar calendars can also sometimes get in the way.  Roughtly speaking, we have the Nihon Shoki providing dates of somewhere from about August or September of 676, on the Western calendar, to October or November. Tang sources put it from 4 September to 1 November.  Silla Chronicles claim that it first appeared in the 7th lunar month, so between August and September.  A Syrian Chronicle notes a comet from about 28 August to 26 October in the following year, 677, but this is thought to have been a mistake.  European sources generally seem to claim it was seen in August and lasted for three months.  All of these sightings put it at roughly the same time. Working with that and with known comets, we think we actually know which comet this is:  The Comet de Cheseaux also known as the Comet Klinkenberg-Cheseaux.  And I should mention this is all thanks to a research paper by M. Meyer and G. W. Kronk.  In that paper they propose that this is the comet with the designation of C/1743 X1, or the common names I just mentioned.  If so, based on its trajectory, this comet would have been visible in 336, 676, 1032, 1402, 1744, and is next predicted to show up in 2097.  And no, those aren't all exactly the same amount of time.  It is roughly every 350 years or so, but with the movements of the solar system, the planets, and various gravitational forces that likely slow or speed up its movement, it doesn't show up on exactly regular intervals.  Still, it is pretty incredible to think that we have a record of a comet that was seen the world over at this time, by people looking up from some very different places. Comets were something interesting for early astronomers.  They may have originally been seen as particularly ominous—after all, in the early eras, they were hardly predictable, and it would take years to get enough data to see that they were actually a somewhat regular occurrence.  In fact, it is likely that early astronomers were able to figure out eclipse schedules before comets.  Still, they seem to have come to the realization that comets were in fact another type of natural and reoccurring phenomenon.  That isn't to say that they didn't have any oracular meaning, but it did mean they were less of an obvious disturbance of the heavenly order. We have another comet mentioned in the 10th lunar month of 681, but that one seems to have had less attention focused on it, and we don't have the same details.  Then in the 8th lunar month of 682 we have an entry about a Great Star passing from East to West—which was probably a shooting star, rather than a comet.  Comets, for all that they appear to be streaking across the sky thanks to their long tails, are often relatively stable from an earthbound perspective, taking months to appear and then disappear again. Then, on the 23rd day of the 7th month of 684 we get another comet in the northwest.  This one was more than 10 shaku in length—about 15 degrees, total, give or take.  Given the date, we can be fairly confident about this one, as well: it was the famous Halley's comet.  Halley's comet is fascinating for several reasons.  For one, it has a relatively short period of about 72 to 80 years, though mostly closer to 75 to 77 years in between sightings.  The last time it visited the earth was in 1986, and it is expected back in 2061.  Halley's comet has been recorded since the 3rd century BCE, and, likely because of its short period, it was the first periodic comet to be recognized as such.  There are other periodic comets with short periods, but many of them are not visible with the naked eye.  Halley's comet is perhaps the most studied comet, given its regular and relatively short periodicity.  It is also connected to the famous writer, humorist, and essayist, Samuel Langhorne Clemens, aka Mark Twain.  He was born only a few days after the comet reached perihelion in 1835 and died a day after it reached the same point again in 1910, and while he may not have visited Japan in his lifetime, it was a period of great change both in his home country of America and in Japan.  America, of course, would undergo a Civil War over the issue of slavery in the early 1860s, and shortly after that Japan would have its own civil war in the form of the Meiji Revolution.  And while he never visited—and translation could only do so much to capture the art of his prose—Mark Twain's works were apparently quite influential in Japan in the early 20th century. Of course, comets were just one of the celestial phenomena to be observed.  The astronomers were interested in just about anything happening in the sky.  We have accounts of both solar and lunar eclipses, and not necessarily full eclipses either.  We even have notice of the movement of some planets, such as in 681, when they noted that the planet mars "entered" the moon. Obviously the astronomers weren't recording every raincloud that came through—at least not in the main chronicles—but they did capture a fair number of events.  They did record particularly memorable storms.  For instances, in the 8th lunar month of 675 there was a storm that is said to have caused sand to fly and which then damaged houses.  This sounds like a wind storm without rain—after all, if there was rain, you would expect that the sand would have been wet and tamped down.  It is possible to have hurricane level winds without the rain.  While typhoons typically bring rain, especially as they usually build up their strength at sea, it is possible to have the winds alone, as I've experienced, myself, in Tokyo.  This most likely happens in an isolated area—there is water and rain somewhere, but the typhoon can be large, so parts of it may only get the wind and little or no rain.  I wonder if something like that happened in this instance.  It is also possible that this record refers to actual sand being brought across from the continent.  In some instances, sand can be lifted up from as far away as Mongolia and carried all the way to Japan, though it is pretty rare. And it wasn't just wind and sand.  We get accounts of hail coming down as large as peaches, torrential rainstorms, and even ash, likely from a volcanic eruption that was otherwise unrecorded.  There are also accounts of snow, though typically recorded in times where you wouldn't expect to see it, such as the third lunar month, which would mean snow in late April or early May. Mostly these storms are mentioned in terms of how they affected the immediate fortunes of the living, but sometimes storms did even more damage.  In 682, for example, a hoar-frost was reported in both Shinano and Kibi in the 7th lunar month.  On its own, this probably wouldn't have been worth mentioning, but the chroniclers add that because of storms the "five grains had not formed".  So storms had diminished the crops and the hoar-frost was apparently the killing blow.  The harvest that year would be lean, and it would not be a happy time for many that winter. And then, just as important as what was happening was what was not.  There are several mentions of droughts, particularly towards the end of Spring, early Summer.  This is traditionally a drier period, and if it is too dry it could harm the harvest.  And so the government was expected to find a way to bring the rain—a tall order, the general resolution to which seems to be prayers and rituals designed to bring rain.  In a place like Japan, I suspect that it was usually just a matter of time before the prayers were "successful", thus reinforcing their presumed efficacy. Some of the things that they recorded were a bit more mysterious.  For example, in the second lunar month of 680 we are told that a sound like drums was heard from the East.  There are many things this could theoretically be, from rumbles of thunder to some other phenomenon, though the following year we have a note about thunder in the West, so theoretically they knew the difference between thunder and drums.  Later that same year, 680, we are told that there was a "brightness" in the East from the hour of the dog to the hour of the rat—about 8pm to midnight.  Was this some kind of aurora?  But wouldn't that have been in the north, rather than the east?    Could it have been some kind of lightning?  But that is a long time for a lightning storm to hang around.  And there are other strange things, some of which seem impossible and we have to doubt.  For example, in 684 they said that, at dusk, the seven stars of the Big Dipper drifted together to the northeast and sank.  Unless they are just recording the natural setting of the stars of the big dipper.  Certainly, over time the constellation appears to rotate around the north star, and it dips down to or below the horizon in the autumn months.  So were they just talking about the natural, yearly setting of the stars, or something else? There may be some clues in that the 11th lunar month, when that was recorded, we see several other heavenly phenomena recorded.  Two days after the Big Dipper set, at sunset, a star fell in the eastern quarter of the sky that we are told was as large as a jar.  Later, the constellations were wholly disordered and stars fell like rain.  That same month, a star shot up in the zenith and proceeded along with the Pleiades until the end of the month.  While this sounds like shooting stars and a possible meteor shower, a later commenter suggested that this was all a heavenly omen for the state of the court, showing the "disordered" state of the nobility at this time.  Of course, this was also a year and change before the sovereign's eventual passing, so there is also the possibility that the Chroniclers were looking at events later and ascribing meaning and importance after the fact. In another account of something seemingly wonderous: in 682 we are told that something shaped like a Buddhist flag, colored like flame, was seen by all of the provinces and then sank into the Japan sea north of Koshi.  A white mist is also said to have risen up from the Eastern mountains. There are various things that could be going on here.  It strikes me that the white mist could be a cloud, but could also be something volcanic.  And the flame colored prayer flag makes me think about how a high cloud can catch the light of the rising or setting sun.  That could look like a flag, and can seem extremely odd depending on the other conditions in the sky. Or maybe it was aliens. Okay, it is unlikely that it was aliens, but I think that these do give an idea of the kinds of records that were being made about the observed phenomena.  Obviously the Nihon Shoki is recording those things that were considered particularly significant for whatever reason.  This could just be because it was something odd and unexplained, or perhaps it was more well known but rare.  It may have even had religious connotations based on some aspect, like evoking the image of Buddhist flags.  And it is possible that it was thought to have had significant impact on events—perhaps even an impact that isn't clear to us today, many centuries removed from the events. Some things were clear, however.  Lightning strikes are often mentioned specifically when they strike something of note.  In 678, we are told that a pillar of the Western Hall of the New Palace was struck by lightning, though apparently the building itself survived.  Then, in 686, Lighting appeared in the southern sky with a large roar of thunder.  A fire broke out and caught the tax cloth storehouse of the Ministry of Popular affairs, which immediately exploded in flames.  After all, a thatched roofed, wooden building filled with kindling in the form of cloth—and likely a  fair amount of paper and writing supplies to keep track of it all—sounds like a bonfire waiting to happen.  There were reports that the fire had actually started in Prince Osakabe's palace and then spread to the Ministry of Popular Affairs from there. It is also worth noting that recording of such events was still somewhat new to the archipelago as a whole. They were learning from the continent, but also defining their own traditions. Observations of natural phenomena weren't just relegated to celestial occurrences or weather.  After all, there was something else that one could observe in the sky:  birds.  Now this wasn't your average bird-watching—though I'm not saying that there weren't casual birders in ancient Japan, and if we ever find someone's birding diary from that era I think that would be so cool.  But there were some things that were significant enough to be mentioned. For example, in 678 we get a report of "atori", or bramblings.  Bramblings are small songbirds which are found across Eurasia.  Notably they are migratory, and are known to migrate in huge flocks especially in the winter time, and sure enough on the 27th day of the 12th month we are told that the bramblings flew from the southwest to the northeast, covering the entire sky.  This makes me think about some of the other mass migrations that used to occur that have largely been reduced significantly due to habitat loss, disruption to traditional migratory routes, and other population pressures on various bird species.  Still, having so many birds that it blocked out the sky certainly seems a significant event to report on.  We later see a similar account in 680, with the flock moving from southeast to northwest.  Given the location of Asuka it sounds like they were flocking in the mountains and heading out over the Nara Basin, perhaps seeking food in another mountainous area. In 682, the birders were at it again.  This time, around midday on the 11th day of the 9th lunar month, several hundreds of cranes appeared around the Palace and soared up into the sky.  They were there for about two hours before they dispersed.  Once again, cranes are migratory and known to flock.  Cranes are also known as a symbol of long life and joy—and I can understand it.  Have you ever seen a flock of cranes?  They are not small birds, and they can be really an incredible sight.  Flocks of cranes themselves were probably not that rare, and it was no doubt more about so many gathering around the palace which made it particularly special. It wasn't just birds in the sky that were considered important symbols, though.  Birds often are noted as auspicious omens.  Usually strange birds, plants, or other such things are found in various provinces and presented to the throne.    So in 675, Yamato presented auspicious "barn-door fowl", likely meaning a fancy chicken.  Meanwhile, the Eastern provinces presented a white falcon and the province of Afumi presented a white kite.  Chickens are associated with the sun and thus with the sun goddess, Amaterasu, and albino versions of animals were always considered auspicious, often being mentioned in Buddhist sources.  Later, in 680, we see a small songbird, a "Shitodo", also described as white, and probably albino, sent to the court from nearby Settsu. Then, in 681 there is mention of a red sparrow.  Red coloration is not quite the same as albinism, though it is something that does occur at times, when the brownish coloration comes out more red than brown, and I suspect this is what we are talking about.  This is most likely just a recessed gene or genetic mutation, similar to causes for albinism, but just in a different place in the DNA.  As for why it was important:  I'd first and foremost note that anything out of the ordinary (and even some ordinary things) could be considered a sign.   Red was also seen as an auspicious color, so that may have had something to do with it as well.  And then there is the concept of Suzaku, the red bird of the south.  Suzaku is usually depicted as an exotic bird species of some kind, like how we might depict a phoenix.  But it was also just a "red bird", so there is that, and perhaps that was enough.  Not that this red sparrow was "Suzaku", but evoked the idea of the southern guardian animal.  A year prior, in 680, a red bird—we aren't told what kind—had perched on a southern gate, which even more clearly screams of the Suzaku aesthetic. It is probably worth noting here that in 686, towards the end of the reign, not that anyone knew it at the time, Ohoama decided to institute a new nengo, or regnal period.  It was called Shuuchou—red or vermillion bird—and it likely referred to Suzaku.  This nengo was cut short, however, with Ohoama's death that same year.  Nengo were often chosen with auspicious names as a kind of hope for the nation, so clearly "red bird" was considered a good thing. A month after the red sparrow, Ise sent a white owl, and then a month after that, the province of Suwou sent a red turtle, which they let loose in the pond at the Shima palace.  Again, these were probably just examples of animals seen as auspicious, though they would have likely been recorded by the Onmyou-ryou, who would have likely combed through various sources and precedents to determine what kind of meaning might be attached to them. Color wasn't the only thing that was important.  In 682, the Viceroy of Tsukushi reported that they had found a sparrow with three legs.  There are numerous reasons why this could be, but there is particular significance in Japan and Asia more generally.  A three legged bird is often associated with the sun Andusually depicted as a black outline of a three legged bird inside of a red sun.  In Japan this was often conflated with the Yata-garasu, the Great Crow, which is said to have led the first mythical sovereign, Iware Biko, to victory in his conquest of Yamato.  Thus we often see a three legged crow depicted in the sun, which was an object of particular veneration for the Wa people from centuries before.  And I suspect that the little three-legged sparrow from Tsukushi  I suspect that this had particular significance because of that image. Animals were not the only auspicious things presented to the throne.  In 678, Oshinomi no Miyatsuko no Yoshimaro presented the sovereign with five auspicious stalks of rice.  Each stalk, itself, had other branches.  Rice, of course, was extremely important in Japan, both from a ritual and economic sense, so presenting rice seems appropriate.  Five stalks recalls things like the five elemental theory—and in general five was consider a good number.  Three and five are both good, prime numbers, while four, pronounced "Shi", sounds like death and is considered inauspicious.  Three, or "San" is sometimes associated with life, and five is associated with the five elements, but also just the fact that it is half of ten, and we have five fingers on one hand and in so many other ways, five is regarded as a good number in much of Asia. That the stalks had multiple branches likely referred to them bearing more than the usual amount of rice on them, which seems particularly hopeful.  Certainly the court thought so.  In light of the auspicious gift, all sentences of penal servitude and lower were remitted.  In 680, Officials of the Department of Law gave tribute of auspicious stalks of grain, themselves.  I'm not sure, in this case, that it was all that they hoped, however, as that began three days straight of rain and flooding. A year earlier, in 679, we are told that the district of Ito, in Kii, immediately south of Yamato, sent as tribute the "herb of long life".  We are told that it "resembled" a mushroom—probably meaning it was a mushroom, or maybe something formed into a mushroom shape.  But the stem was about a foot long and the crown was two spans, about 6 feet in diameter.  This is pretty incredible, and I have to wonder if there is a bit of exaggeration going on here. Another tribute was a horn found on Mt. Katsuraki.  It branched into two at the base, was united at the end, and had some flesh and hair still attached, about an inch in length.  They claimed it must be horn or a Lin, or Kirin, sometimes referred to as an Asian unicorn—a mythical creature considered to be quite auspicious and benevolent.  This was on the 26th day in the 2nd lunar month of the year 680, probably around March or April.  I highly suspect that what they found was an oddly shaped bit of antler from  a buck whose antlers had begun to come in and which might have been taken out by wolves or bears or something else altogether.  The fact that the ends were said to be fused together could just be referring to some kind of malformation of the antlers.  The fur and flesh could mean that the antlers were still growing—antlers would probably just be coming in around early spring time.  Still, there is no telling how long it was there, so it could have been from the previous year as well.  Attributing it to a kirin seems a bit of a stretch, but it was clearly something unusual. Animals and plants were recorded in tribute, but also when something odd happened.  Fruiting out of season was one such occurrence, which we've seen elsewhere in the chronicles as well.  There was even a record when the famous Tsuki tree outside of Asukadera had a branch fall down.  Presumably it was a large and noticeable branch, and by now this appears to have been a tree with a bit of age to it that had seen a lot, so it makes sense it got a mention. Finally, we go from the heavens to the earth.    Perhaps the most numerous observations in the Chronicles were the earthquakes.  We've noted in the past that Japan is extremely active, volcanically speaking, so it makes sense that there are multiple accounts of earthquakes each year, especially if they were compiling reports from around the country.  Most of these are little more than just a note that there was an earthquake, but a few stand out. The first is the 12th lunar month of 678.  We are told that there was a large earthquake in Tsukushi—modern Kyushu. The ground split open to the width of about 20 feet for more than 30,000 feet.  Many of the commoners' houses in the area were torn down.  In one place there was a house atop a hill, and though the hill crumbled down the house somehow remained intact.  The inhabitants had apparently been home and must have been oblivious, as they didn't realize anything had happened until they woke up the next morning. Again, probably a bit of hyperbole in here, but if we think back to things like the 2016 Kumamoto earthquake, where large areas of land shifted noticeably along the fault lines, it is likely that this was a similar or even more catastrophic event.  And here I'll give a quick plug for Kumamoto, which is still working to rebuild from the earthquake, and if you ever get a chance, I recommend a visit to the Kumamoto Earthquake Memorial Museum or Kioku, where you can see for yourself just how powerful mother nature can be. Another powerful earthquake was mentioned in the 10th lunar month of 684.  If the earthquake in Tsukushi had hit mostly agricultural areas, based on the description, this seems to have hit more populated regions.  We are told that it started in the dark of night, the hour of the boar, so about 10pm, give or take an hour.  The shaking was so bad that throughout the country men and women cried out and were disoriented—they could not tell east from west, a condition no doubt further hindered by the dark night sky.  There were mountain slides and rivers changed course, breaking their banks and flooding nearby areas.  Official buildings of the provinces and districts, the barns and houses of the common people, and the temples, pagodas, and shrines were all destroyed in huge numbers.  Many people and domestic animals were killed or injured.  The hot springs of Iyo were dried up and ceased to flow.  In the province of Tosa, more than 500,000 shiro of cultivated land sank below sea level.  Old men said that they had never seen such an earthquake.  On that night there was a rumbling noise like that of drums heard in the east—possibly similar to what we had mentioned earlier.  Some say that the island of Idzu, aka Vries Island, the volcanic island at the entrance of Edo Bay, increased on the north side by more than 3,000 feet and that a new island had been formed.  The noise of the drums was attributed to the gods creating that island. So here we have a catastrophic quake that impacted from Iyo, on the western end of Shikoku, all the way to the head of Edo Bay, modern Tokyo.  This appears to be what seismologists have labelled a "Nankai Trough Megathrust Earthquake".  Similar quakes have occurred and are predicted to occur in the future., along a region of Japan from the east coast of Kyushu, through the Seto Inland Sea, including Shikoku, through the Kii peninsula and all the way to Mt. Fuji.  The Nankai Trough, or Southern Sea Trough, is the area where the continental shelf drops down, and where the Philippine tectonic plate slips underneath the Eurasian—or more specifically the Amuric—plate.  As these plates move it can cause multiple events all along the trough at the same time.  Since being regularly recorded, these quakes have been noted every 100 to 150 years, with the last one being the Showa Nankai quakes of 1944 and 1946. For all of the destruction that it brought, however, apparently it didn't stop the court.  Two days after this devastating quake we are told that Presents were made to the Princes and Ministers.  Either they weren't so affected in the capital, or perhaps the date given for one of the two records is not quite reliable.  Personally, I find it hard to believe that there would be presents given out two days later unless they were some form of financial aid.  But what do I know?  It is possible that the court itself was not as affected as other areas, and they may not have fully even grasped the epic scale of the destruction that would later be described in the Chronicles, given the length of time it took to communicate messages across the country. Which brings us back to the "science" of the time, or at least the observation, hoping to learn from precedence or piece out what messages the world might have for the sovereign and those who could read the signs.  While many of the court's and Chronicler's conclusions may give us pause, today, we should nonetheless be thankful that they at least decided to keep notes and jot down their observations.  That record keeping means that we don't have to only rely on modern records to see patterns that could take centuries to reveal themselves.  Sure, at this time, those records were  still a bit spotty, but it was the start of something that would be remarkably important, and even though these Chronicles may have been focused on propaganda, the fact that they include so many other references are an incalculable boon to us, today, if we can just see to make the connections.  And with that, I think I've rambled enough for this episode.  We still have a couple more to fully cover this period. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

En el consultorio de esta semana, respondo a las siguientes cuestiones que propone la audiencia y que me hacen llegar a través de mis redes sociales (El Laboratorio de Juan, en todas ellas), o de mi mail.Estas son las 5 consultas respondidas en este programa:           -1. Zapatillas para barro: ¿Merrell MTL Long Sky 2 Matryx o Asics Fuji Lite 6?(3:32) - 2. Modelos Altra para Marathon des Sables(8:06) - 3. Zapatillas amortiguadas con horma ajustada (15:04) - 4. Zapatillas de drop 4 a 6 y perfil bajo(19:18) - 5. Modelos de horma amplia y polivalentes para 100-120kms.Contacto:juan@ellaboratoriodejuan.com

Join host Bill Faulkner on the Mastering Rod Building Podcast as he welcomes Nikki Paschen, renowned Gyotaku (Japanese fish printing) artist, ceramic specialist, and owner of Nautical Paschens, along with her collaborator Jen Cox. Dive into the vibrant world of Gyotaku fish printing on the Gulf Coast as Nikki and Jen share their journey from yacht detailing to creating stunning fishing art, apparel, and fishing memorabilia for anglers and boaters. Hear unique stories behind printing rare species like blue marlin and lionfish, discover tips for starting your own fish print art, and learn how the fishing community at Zeke's Marina inspires their work. Plus, get the latest on custom rod building, Gulf Coast fishing, and how art connects anglers across generations. Featuring shoutouts to captains Tony Bearden, Gary Goodwin, Jamie G., and Patrick Dickinson, this episode is a must-listen for fishing enthusiasts, art lovers, and those looking for unique fishing gear and gifts.Mastering Rod Building is brought to you by Anglers Resource — your source for genuine Fuji Tackle components.Where to buy genuine FUJI®️ rod components (Area Distributors)Japan: FIRST Corporation — https://first-fuji.co.jp/ • mail@first-fuji.co.jpAmerican Continent (North & South America): Anglers Resource — https://anglersresource.net/ • info@anglersresource.netOceania: Frogleys Offshore — https://fujitackle.com.au • enquiries@frogleysoffshore.com.auSpain/Czech/Finland/Sweden/Estonia/Latvia/Poland/Denmark/Belgium/Germany/Netherlands/Ireland/Luxembourg/France/Portugal/UK/Norway/Belarus/Ukraine/Russia:: CALICO S.A. (Kalikunnan) — https://kalikunnan.com/ • fuji@calico.esEurope: MAJORA Intelligent Fishing (FUJI Tackle Italy) — https://www.fujitackle.it • info@fujitackle.itAsia: KOWA Company, Ltd. — fujitackle@kowa.co.jp

Anders Grandien från Stockholm har cyklat från Karesuando i nordligaste Sverige genom halva Europa, via länder som Uzbekistan, Mongoliet och Kina ända till Japan. Nu är han bara någon dagsetapp från resans slutmål - den heliga vulkanen Fuji. Ett äventyr som tagit honom mer än 8 månader, inneburit otaliga punkteringar och många nätter i tält i sträng kyla. Men också gjorde honom till hedersgäst vid ett bröllop i Tadjikistan. Möt Anders i nya avsnittet av Japanpodden och hör honom berätta om den fantastiska resan. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit japanpodden.substack.com

Na edição anterior do Panorama Agrícola, você conheceu o conceito de Indicação Geográfica e descobriu que Santa Catarina já tem dez produtos reconhecidos oficialmente, como o queijo serrano, a banana de Corupá e a maçã Fuji de São Joaquim. Hoje, vamos falar sobre o evento que coloca esse tema em destaque: o X Workshop Catarinense de Indicação Geográfica e IX Mostra de Produtos Tradicionais, que será realizado na próxima semana, no IFSC – Campus Continente, em Florianópolis. Para falar sobre o evento, recebemos novamente o coordenador-geral, Paulo Arruda. >> CRÉDITOS:Produção, roteiro e locução: Mauro Meurer e Maykon OliveiraApoio técnico e edição: Eduardo Mayer

O mercado da fotografia profissional está vivendo uma ruptura sem precedentes. Enquanto algumas marcas históricas batem recordes apostando em experiência, legado e imperfeição humana, outras gigantes da tecnologia estão perdendo terreno em velocidade surpreendente. Ao mesmo tempo, o Google dispara na frente na corrida da IA visual, congressos tradicionais perdem força, fotógrafos se fragmentam em nichos e a sensação de estar sempre atrasado virou regra entre profissionais experientes.Neste episódio, analiso as 5 forças tectônicas que estão redefinindo a fotografia em 2025 e criando o que chamo de C.A.O.S. Fotográfico.1. A crise silenciosa da AdobeA gigante do software criativo perdeu quase 35% de valor de mercado em um ano e enfrenta seu possível “momento Kodak”. A pressão da IA nunca foi tão grande.2. O verdadeiro vencedor da corrida da IANão é quem você pensa. O Google assumiu a liderança com o Nano Banana, uma virada tão profunda quanto o Photoshop nos anos 90. E o ritmo de avanço está só começando.3. O fim dos mega congressosEventos gigantes entraram em declínio. Surge um novo ecossistema descentralizado, feito de microencontros, nichos específicos, itinerância e conexões mais profundas.4. A contraofensiva da autenticidadeEnquanto a IA domina os holofotes, marcas como Leica, Sigma, Fuji e até a Corona crescem apostando em legado, experiência física, minimalismo e imperfeição real.5. O verdadeiro inimigo do fotógrafoNão é a IA. É o excesso. Segundo a pesquisa “Estado da Fotografia Profissional 2025”, 54% dizem que o mercado muda mais rápido do que conseguem acompanhar. Mesmo fotógrafos com mais de 10 anos de carreira sentem o impacto.Este episódio é um mergulho direto e sem ruído no caos que define o presente da fotografia e nas oportunidades que surgem para quem consegue ler o movimento antes da onda bater.Atenção: Vision Friday (última semana até 24/11)Se você quer acompanhar análises como esta toda semana e ter acesso ao Radar IA, curadoria aprofundada, conteúdos exclusivos e um ambiente estratégico para pensar o futuro da fotografia, estamos na última semana da Vision Friday.Durante esse período, você pode entrar para a Fotograf.IA + C.E.Foto por uma condição especial, com metade do valor anual e vantagens extras.

Honoring the Fallen: The 1979 Camp Fuji Fire In this episode of Oscar Mike Radio, I had the privilege of speaking with Marine Corps veteran and journalist Chas Henry, author of Fuji Fire. Together, we revisited the 1979 Camp Fuji fire in Japan, one of the most devastating peacetime disasters in Marine Corps history. This tragedy, triggered by a powerful typhoon, claimed the lives of several Marines and left a lasting scar on those who survived. My conversation with Chas brought this painful yet important chapter of military history to light, ensuring that the courage and sacrifice of those Marines are never forgotten. Chas Henry's Investigative Journey Chas took me through his in-depth investigative process behind Fuji Fire, uncovering the systemic failures that led to the disaster and exploring the leadership lessons that remain relevant today. His storytelling is both powerful and sobering, a reminder of how history can shape the standards and safety we uphold in the service today. As we talked, it was clear that this story isn't only about tragedy, it's also about resilience, courage, and brotherhood, the very essence of the Marine Corps. Lessons in Leadership and Remembrance This conversation with Chas reminded me why preserving these stories is so important. The Marines who endured Camp Fuji displayed extraordinary strength in the face of chaos, showing true leadership and unity. By revisiting this story, we honor not just those who were lost, but also those who carried on, the ones who rebuilt, learned, and continued to serve. It's a testament to the eternal Semper Fidelis spirit. Learn More To dive deeper into this powerful story, I encourage you to visit chashenry.com/fujifire to learn more about Chas Henry's investigative work and his dedication to honoring Marine Corps history. Thank you, Chas, for joining me and sharing your insights, and thank you to everyone who continues to remember and honor our brothers and sisters in arms. Semper Fidelis.

WINNERS FIND A WAY, host Trent M. Clark sits down with Mitch Allen — founder of Hire Santa, Shark Tank deal-maker, and serial entrepreneur behind 12 businesses — for a fun, insightful, and deeply practical conversation on turning big ideas into lasting impact. What started as a simple act of Christmas cheer evolved into a thriving enterprise — connecting Santas around the world and spreading holiday joy year-round. But behind the red suit and laughter lies a masterclass in leadership, preparation, and purpose. From building and selling companies to mentoring leaders in the Entrepreneurs' Organization (EO), Mitch shares candid lessons about scaling, learning from failure, and leading leaders — the toughest role of all. Together, Trent and Mitch dive into:

Fuji has released yet another iteration in the X-T30 line, and Jeff Bridges is bringing back the Widelux panoramic film camera. Also, Daniel's collection of pocketable cameras grows ever larger. If you enjoy the show and want to contribute to our hosting costs, we'd welcome your support on Patreon. You can check it out here: https://www.patreon.com/cameragearpodcast Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Notes: Jeff Bridges' WideluxX Revival Has Reached Prototype Stage and It's Beautiful [PetaPixel] Fuji X-T30 III [B&H] Fujifilm X-T30 III Review: Same Price, Nearly the Same Camera [PetaPixel] Fuji XC 13-33mm f/3.5-6.3 OIS Lens [B&H]

Thanks for finding our podcast! We are a family of 5 who does most of our travel using credit card points and miles and we share how we leverage credit card offers to earn a ton of points/miles so we can afford travel as a larger family.Follow us on Instagram @TravelPartyof5These are all the experiences we booked in Japan using Viator:Our Fave Japan ExperiencesThis episode wraps up our Japan series with a practical Q&A:  From eSIM setup and Suica hacks to Shinkansen tradeoffs and Japanese toilets, we share what worked, what didn't, and what we'd do differently next time.• choosing eSIMs over pocket Wi‑Fi for simple, low‑cost data• adding Suica to Apple Wallet and getting physical child IC cards• booking Shinkansen on short notice and budgeting for higher fares• reserving luggage space vs overhead racks for carry‑ons• live navigation with Google or Apple Maps and using Google Translate• Borderless vs Planets and why early time slots matter• views of Shibuya Crossing without paying tower fees• packing light with airline weight limits and carry‑on tips• paying with cards, IC cards at vending, and minimal cash needs• eating etiquette, where to sit, and the lack of public bins• clean, ubiquitous bidet toilets and what to expect• no‑tipping norms and rare cases we tipped• long flights with kids: downloads, snacks, and clear expectations• future wishlist: Fuji, Hokkaido, Okinawa, Kyoto's new TeamLabSend me a DM on Instagram @travelpartyof5 if you have further questions! 

In this week's episode, we're diving into the world of apples with someone who lives and breathes them every single day. Our guest is Austin Fowler of Fowler Farms in upstate New York — a farm that's been in continuous operation since 1858. That's six generations of the Fowler family devoted to one crop, one passion, and one mission: growing apples of the highest quality.Think about that for a moment — six generations! The Civil War was still on the horizon when the Fowler family planted their first trees. Since then, they've weathered depressions, recessions, blights, storms, and the constant shifting demands of consumers — and through it all, they've not only survived, but thrived.Fowler Farms is known not only for honoring tradition but also for pushing innovation in apple growing. They've helped introduce new varieties that consumers now love, adopted cutting-edge growing practices, and built a legacy that has shaped the apple industry in New York and far beyond.In this episode, Austin will take us into the orchard to talk about what it's really like to grow apples in the modern era — the science, the challenges, the weather, and of course, the joy of bringing in a harvest that might end up on your kitchen table. We'll also talk about how tastes in apples are changing, why some varieties explode in popularity while others quietly fade away, and what it means to carry a family legacy into the next generation.So whether you're a fan of Honeycrisp, Gala, Fuji, Empire, or one of the many newer apples like Snapdragon that are making waves in the produce aisle, you'll want to stay tuned. By the end of this episode, you'll have a new appreciation for the people, the history, and the hard work behind every single apple you bite into.

Episode: 3244 Bias and Diversity in Photography and Face Recognition Software.  Today, bodies, in beautiful black and white.

On this episode of the Mastering Rod Building Podcast, we sit down with AFTCO's Bill Shedd and Casey Shedd to explore the deep history of one of fishing's most iconic brands. We trace AFTCO's journey from its groundbreaking origins in rod components, discussing what made their roller guides revolutionary, to its evolution into a full-fledged fishing lifestyle brand. Bill and Casey share the story behind their iconic fishing shorts and how the company balanced hardware innovation with technical apparel. This conversation also takes a deep dive into AFTCO's core identity of advocacy, detailing their 10% Pledge to Protect & Conserve, their fight for legislative change like gillnet bans, and their support for grassroots efforts through B.A.S.S. Nation grants.Mastering Rod Building is brought to you by Anglers Resource — your source for genuine Fuji Tackle components.Where to buy genuine FUJI®️ rod components (Area Distributors)Japan: FIRST Corporation — https://first-fuji.co.jp/ • mail@first-fuji.co.jpAmerican Continent (North & South America): Anglers Resource — https://anglersresource.net/ • info@anglersresource.netOceania: Frogleys Offshore — https://fujitackle.com.au • enquiries@frogleysoffshore.com.auSpain/Czech/Finland/Sweden/Estonia/Latvia/Poland/Denmark/Belgium/Germany/Netherlands/Ireland/Luxembourg/France/Portugal/UK/Norway/Belarus/Ukraine/Russia:: CALICO S.A. (Kalikunnan) — https://kalikunnan.com/ • fuji@calico.esEurope: MAJORA Intelligent Fishing (FUJI Tackle Italy) — https://www.fujitackle.it • info@fujitackle.itAsia: KOWA Company, Ltd. — fujitackle@kowa.co.jp

What does it really mean to live lightly, to trade walls for water, and routine for flow?In this episode, we sit down with Ally Wilson, who has spent the past three years living aboard a wide-beam narrowboat with her husband, Tim, and their cat, Fuji.Cruising the canals and rivers of the UK, Ally has built a life that's equal parts adventurous, practical, and deeply peaceful.Together, we explore the realities and rewards of life afloat: from learning how to manage power, water, and waste, to navigating canal locks and finding Wi-Fi strong enough to run a business from the boat.Ally shares how this slower, more intentional lifestyle has reshaped her mindset, offering lessons in simplicity, patience, and presence.It's a conversation about freedom, balance, and what it means to create a home that moves with you.Whether you're curious about boat life, alternative living, or simply finding a gentler rhythm in your own world, this episode will leave you inspired to rethink what “enough” really means.☕ Grab a cuppa, meet Fuji the boat cat, and join us for a journey that floats - both literally and figuratively.Ally Wilson is a continuous cruiser exploring the UK's canals and rivers on a wide-beam narrowboat with her husband Tim and their boat cat, Fuji (yes, named after the camera film).After years behind cameras and computers, Ally chose a slower, waterborne life: two-week moorings, solar power, lock days, and sunrise coffees on the bow.She shares the practical magic of life afloat - resourcefulness, routine, and the joy of waking up to a new view, while rekindling her love of photography through black-and-white film. You can find out more about Ally and her work here:Website: https://www.redrocketstudio.co.uk/ for the live trainingBoating stuff: https://www.instagram.com/wilsonswaterywanderings Fuji: https://www.instagram.com/fujitheboatcat Image explorers page: http://imageexplorers.com/

From myth and legend to cider-fuelled revolutions, from Johnny Appleseed's frontier orchards to the Victorians' quest for the perfect pippin, the story of the apple has been anything but ordinary. In the final part of this five-part series, John and Patrick follow the fruit onto the world stage - when refrigeration, global shipping, and empire transformed it into an international commodity. From Tasmania's “Apple Isle” and Cecil Rhodes's Cape orchards, to Japan's remarkable embrace of the fruit that would one day give us the Fuji, the apple became both a tool of empire and a symbol of modernization.But world war would shake that story, stripping Britain of its imported fruit and forcing farmers to dig for victory. The apple rallied in service of king and country - only to face a peacetime collapse that saw Britain's orchards vanish in the shadow of supermarket shelves and European imports. Yet the apple endures, still shaping landscapes, economies, and everyday diets around the globe.Join John and Patrick as they conclude the saga of the world's most storied fruit - a tale of empire, war, decline, and resilience - that leaves us with the apple we know today.----------In Sponsorship with Cornell University: Dyson Cornell SC Johnson College of Business-----------Join the History of Fresh Produce Club for ad-free listening, bonus episodes, book discounts and access to an exclusive chatroom community.Support us!Share this episode with your friendsGive a 5-star ratingWrite a review -----------Subscribe to our biweekly newsletter here for extra stories related to recent episodes, book recommendations, a sneak peek of upcoming episodes and more.-----------Step into history - literally! Now is your chance to own a pair of The History of Fresh Produce sneakers. Fill out the form here and get ready to walk through the past in style.-----------Instagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com

n this explosive episode, Sir Shina Peters, the legendary Afro-Juju pioneer, sits down with Daddy Freeze, Toun,Zinnieposh and Husband Material to open up like never before. From his humble beginnings in Fuji music to becoming one of Nigeria's biggest music icons, Shina shares his journey through fame, controversies, regrets, love, and redemption.

Our show is best watched on YouTube:https://go.www.letsgettothepoints.com/TokyoExplore Tokyo on points and miles! We cover booking ANA and JAL flights to finding the best hotels, trains, food, and Mt. Fuji views. Plus, tips on saving money, when to visit, and off-the-beaten-path Japan.Thank you to Kengo from www.youtube.com/@tokyokenchan for joining us as a guest co-host!Learn about points and miles in our Elevate course and community:https://letsgettothepoints.com/elevateCredit Card Links: http://go.www.letsgettothepoints.com/CreditCardsSign up for our newsletter:https://go.www.letsgettothepoints.com/JoinOurEmailWebsite: https://www.letsgettothepoints.com/Email: letsgettothepoints@gmail.comIG: https://www.instagram.com/letsgettothepoints/ TikTok: https://www.tiktok.com/@letsgettothepointsEXCLUSIVE TRAVEL DISCOUNT CODES:https://letsgettothepoints.com/tools/Seats.aero: Award Flight Search EngineUse Code: LETSGETPRO for $20 off the first yearhttps://seats.aero/Book Private Transport in 100+ Countries with Kiwitaxi:https://go.www.letsgettothepoints.com/KiwitaxiUse Code: LGTTP5 for 5% off all ridesSign up for Award Email Notifications from Straight To The PointsUse Code: LGTTP20 for 20% off the annual planhttps://go.www.letsgettothepoints.com/StToThePointsTravel Freely: The FREE site we use to stay organized and track our 5/24 statushttps://my.travelfreely.com/signup?bref=lgwCardPointers: Save Money and Maximize Your Spend Bonuseshttps://go.www.letsgettothepoints.com/CardPointersMaxMyPoint: Hotel Rewards CheckerUse Code: LGTTP for 20% off the first year of your Platinum Subscription https://maxmypoint.comON TODAY'S SHOW:0:00 Intro1:37 Tokyo on Points and Miles7:34 How to Book ANA and JAL Flights14:28 The ANA Credit Card18:25 Train vs Flights in Japan22:36 Hotel Updates in Tokyo: Park Hyatt, Caption, Hyatt House29:15 Train Stations in Tokyo36:01 Food Recommendations in Tokyo from a Local44:51 Saving Money on Hotels and Ryokans47:57 Best Time to Go to Japan50:53 Mt Fuji Views51:47 Living in Tokyo as a Local52:43 Off the Beaten Path JapanLISTEN TO US ON THE GO: Apple Podcast: https://go.www.letsgettothepoints.com/ApplePodcastSpotify:https://go.www.letsgettothepoints.com/SpotifyThank you for supporting our Channel! See you every Friday with a new episode!Support this podcast: https://go.www.letsgettothepoints.com/SupportUsDisclaimer: The content is for informational purposes only, you should not construe any such information or other material as legal, tax, investment, financial, or other advice.Advertiser Disclosure:This video may contain links through which we are compensated when you click on or are approved for offers. The information in this video was not provided by any of the companies mentioned and has not been reviewed, approved, or otherwise endorsed by any of these entities. Offers are current only at the time of the video publishing date and may have changed by the time you watch it.Let's Get To The Points is part of an affiliate sales network and receives compensation for sending traffic to partner sites, such as CardRatings. Let's Get To The Points and CardRatings may receive a commission from card issuers.This compensation may impact how and where links appear on this site. This site does not include all financial companies or all available financial offers. Terms apply to American Express benefits and offers. Enrollment may be required for select American Express benefits and offers. Visit americanexpress.com to learn more.Opinions expressed here are the author's alone, not those of any bank, credit card issuer, hotel, airline, or other entity. This content has not been reviewed, approved or otherwise endorsed by any of the entities included within the post. The content of this video is accurate as of the posting date. Some of the offers mentioned may no longer be available.

⁠Help keep our podcast going by contributing to our Patreon! In this episode, we'll delve into the mystery of Aokigahara, known in Japanese as the Sea of Trees—and to the rest of the world as the Suicide Forest. After the Golden Gate Bridge, it is the second most popular suicide destination in the world.  The forest is over a thousand years old. It grew over lava floes laid down in a devastating volcanic eruption on the slopes of Mt. Fuji, a holy mountain believed to be a gateway to the spirit world. Perhaps this is why it's said to be the birthplace of the Yurei—a ghost in Japanese folklore created out of deep trauma.  It's no wonder Aokigahara is associated with death. But the forest is also filled with life and incredible natural wonders. Join us as we explore the haunting history and folklore of Aokigahara. Sponsors and Advertising This podcast is a member of Airwave Media podcast network. Want to advertise on our show? Please direct advertising inquiries to advertising@airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join host Bill Falconer as he welcomes Andrew Tsui, founder of the Ike Jime Federation, for an in-depth discussion on Ike Jime and Shike Jime—revolutionary fish care techniques that elevate seafood quality and ensure humane harvesting.Discover the science behind rigor mortis, the impact of proper fish handling on flavor and safety, and practical tips for anglers looking to improve their catch.Learn how these methods, recognized by top chefs and fisheries experts, can transform your fishing experience and seafood preparation.This episode covers sustainable fishing practices, seafood aging, and the essential tools every angler needs. Whether you're a seasoned fisherman or new to the sport, this fishing podcast delivers actionable insights for better seafood and responsible angling.For Mastering Rod Building, in every episode's show notes, both going forward and updating all previous shows, we need this:Mastering Rod Building is brought to you by Anglers Resource — your source for genuine Fuji Tackle components.Where to buy genuine FUJI®️ rod components (Area Distributors)Japan: FIRST Corporation — https://first-fuji.co.jp/ • mail@first-fuji.co.jpAmerican Continent (North & South America): Anglers Resource — https://anglersresource.net/ • info@anglersresource.netOceania: Frogleys Offshore — https://fujitackle.com.au • enquiries@frogleysoffshore.com.auSpain/Czech/Finland/Sweden/Estonia/Latvia/Poland/Denmark/Belgium/Germany/Netherlands/Ireland/Luxembourg/France/Portugal/UK/Norway/Belarus/Ukraine/Russia:: CALICO S.A. (Kalikunnan) — https://kalikunnan.com/ • fuji@calico.esEurope: MAJORA Intelligent Fishing (FUJI Tackle Italy) — https://www.fujitackle.it • info@fujitackle.itAsia: KOWA Company, Ltd. — fujitackle@kowa.co.jp

Join us for a  conversation with author Chas Henry, retired Marine Corps captain and award-winning journalist, as he shares the harrowing story behind Fuji Fire: Sifting Ashes of a Forgotten U.S. Marine Corps Tragedy. On October 19, 1979, a super typhoon struck Camp Fuji, a remote Marine Corps training site on the slopes of Mount Fuji in Japan. Floodwaters from the storm breached a fuel storage area, triggering a gasoline spill that engulfed the camp's Quonset huts—some of which were heated by open-flame kerosene burners. The resulting inferno killed 13 Marines and injured 73 others, most of them grievously burned. It remains the deadliest peacetime accident in Marine Corps history. Our program will feature not only Chas Henry but also two Marines who survived the fire: Mike Cummings, who suffered second- and third-degree burns over 75% of his body. He was medevacked to Brooke Army Medical Center in San Antonio and endured years of grueling treatment and surgeries. David Luttenberger, who escaped the burning hut but visited friends in the burn ward soon after the tragedy. What he witnessed there left a mark deeper than the fire itself. This long-overlooked episode is one of the Corps' most searing stories of sacrifice, resilience, and institutional failure. With deep archival research and firsthand accounts, Fuji Fire uncovers how this “freak accident” happened—and why it was almost forgotten. #FujiFire #MarineCorps #VeteransStories #MilitaryHistory #CampFuji #BurnSurvivor #TyphoonTip #USMC #VBC #ChasHenry #VeteransBreakfastClub #ForgottenHistory We're grateful to UPMC for Life  for sponsoring this event!

Fluent Fiction - Japanese: Braving Rain and Doubt in Fuji Hakone's Autumn Splendor Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-10-10-22-34-02-ja Story Transcript:Ja: 富士箱根伊豆国立公園では、秋の鮮やかな紅葉が彩る中、直樹とさゆりがハイキングを楽しんでいました。En: In Fuji Hakone Izu National Park, amidst the vibrant autumn foliage, Naoki and Sayuri were enjoying a hike.Ja: 直樹は経験豊かなハイカーで、普段は冷静ですが、最近は仕事に対する疑念を抱えていました。En: Naoki, a seasoned hiker, was usually calm, but recently he had been grappling with doubts about his job.Ja: 一方のさゆりは、冒険心旺盛で楽観的ですが、心の底には重要な決断を控えている不安を抱えていました。En: On the other hand, Sayuri was adventurous and optimistic, but deep down, she was anxious about an impending important decision.Ja: 空は晴れていて、二人はのんびりと秋の日差しの下を歩き始めました。En: The sky was clear, and the two started walking leisurely under the autumn sunshine.Ja: しかし、山道の途中で突然激しい雨が降り始めました。En: However, suddenly a heavy rain began to pour in the middle of the mountain trail.Ja: 道が滑りやすくなり、計画通りのハイキングが難しくなります。En: The path became slippery, making it difficult for them to hike as planned.Ja: 直樹は悩みました。En: Naoki was troubled.Ja: 雨の中を進むべきか、それとも安全のために一時的に避難するか。En: Should they proceed through the rain, or should they temporarily seek shelter for safety?Ja: しかし、彼はさゆりに、「少し頑張って、この先の展望台に行こう」と提案しました。En: However, he suggested to Sayuri, "Let's push on a bit and go to the observation deck ahead.Ja: 「そこからの景色はきっと素晴らしいはずだ」と。En: The view from there is sure to be amazing."Ja: さゆりもまた、今を楽しむことと、不安からくる安全策を考え、心が揺れていました。En: Sayuri also found herself torn between enjoying the present moment and considering safety measures driven by her anxieties.Ja: でも、直樹の言葉に勇気をもらい、思い切って進むことに決めました。En: But Naoki's words gave her courage, and she decided to boldly move forward.Ja: 雨は激しさを増し、二人はずぶ濡れになりながら展望台にたどり着きました。En: The rain intensified, and they arrived at the observation deck drenched.Ja: その先には霧がかった壮大な山々の景色が広がっていました。En: Beyond, there lay a mist-covered, majestic view of the mountains.Ja: 自然の美しさに心を奪われ、一瞬、彼らは抱えていた悩みを忘れました。En: Captivated by the natural beauty, they momentarily forgot the worries they carried.Ja: 雨音が少し静まった時、直樹は自分の仕事に対する思いをさゆりに打ち明けました。En: When the sound of the rain subsided a bit, Naoki confessed his feelings about his job to Sayuri.Ja: 「先の見えない不安があっても、一歩踏み出さないと変わらないんだよね」と彼は言いました。En: "Even with the looming anxieties, nothing changes if you don't take a step forward," he said.Ja: さゆりもまた、大きな人生の選択について口を開きます。En: Sayuri also opened up about a significant life choice.Ja: 「怖いけど、挑戦しなければ始まらないよね」と、笑顔で言いました。En: "It's scary, but nothing will start unless you take on the challenge," she said with a smile.Ja: 雨が止み始め、二人は下山を決意しました。En: As the rain began to stop, the two decided to descend the mountain.Ja: 山を下りる途中で、直樹は自分の未来をもう少しポジティブに考えるようになり、さゆりもリスクを取ることの意味を理解しました。En: On their way down, Naoki began to think more positively about his future, and Sayuri understood the importance of taking risks.Ja: 二人は霧に包まれる自然の中で、自分の心の霧も少し晴れていったのです。En: In the mist-covered nature, the fog in their hearts also began to clear slightly.Ja: 自然が教えてくれた、二つの心の新しい旅の始まりでした。En: It was the beginning of a new journey for the two hearts, taught by nature. Vocabulary Words:seasoned: 経験豊かなgrappling: 抱えてadventurous: 冒険心旺盛impending: 控えているtrail: 山道slippery: 滑りやすくshelter: 避難intensified: 激しさを増しdrenched: ずぶ濡れmajestic: 壮大captivated: 心を奪われsubsided: 静まったconfessed: 打ち明けlooming: 先の見えないchallenge: 挑戦embarked: 始めdescend: 下山risks: リスクtaught: 教えてくれたfoliage: 紅葉vibrant: 鮮やかなleisurely: のんびりremarkably: 非常にmomentarily: 一瞬encouraged: 勇気をもらいslightly: 少しpath: 道emerged: 出現optimistic: 楽観的safety measures: 安全策

The Tokyo Game Show has come and gone. But the question on everyone's lips is "Will EA Survive?" ----more----   SPECIAL ANNOUNCEMENT The XboxCast is now doing merch! You heard that right. We have launched our very own merch that you can totally buy. Its 100% legit. We're now offering "Xbox on Cup" mugs, with our very own logo. Keen to get yours? The shop is live now on our site. Order yours today before Kyle changes the design...    And now on with The Regular Show!  

Alan welcomes Dr. Zach Meiners, co-host of the Very Clinical podcast and restorative dentist extraordinaire, back to the Very Dental podcast. They dive deep into their shared passion for glass ionomer (GI) restorative materials. Sparked by Alan's recent solo episode on using glass ionomer for groove restorations the guys talk GI in depth.  Key Takeaways Glass Ionomer (GI) as a Primary Restorative: Both doctors advocate for GI (like Fuji 9 or Equia) as a legitimate, permanent restorative material for specific classes of restorations, moving past its traditional use as only a provisional or base. Ideal Clinical Applications: GI is highly effective for: Class I, III, and V restorations, particularly on posterior teeth where aesthetics are less critical. Geriatric and Pediatric patients due to its forgiving nature, minimal technique sensitivity, and fluoride release. Core Build-ups: Zach considers it his main build-up material, noting its reliable adhesion and stability against being pulled out by temporary crowns. Crown Margin Repairs. Material Benefits: GI offers several advantages over traditional resin or amalgam: No Post-Operative Sensitivity and Minimal Shrinkage. Forgiving Technique in less-than-ideal isolation situations, sticking particularly well to dentin. Continued Hardening for months after the initial set, leading to excellent longevity and a surprisingly low failure rate. Efficiency and Cost: While the initial cost of GI is relatively high, the efficiency gained from eliminating the need for separate etching and bonding steps (using only a cavity conditioner provided in the kit) and the speed of placement makes it a cost-effective choice in terms of time and materials. Placement and Setting: Placement Technique: For occlusal restorations (like in grooves), Alan recommends over-squirting the material and using a moist, gloved finger to push it into the grooves, or using an anti-stick agent like Stick Free for metal instruments. Accelerating Set: Though not a light-cure material, applying the curing light can accelerate the chemical setting reaction via heat, cutting the two-and-a-half-minute set time down to about 90 seconds. The GI "Dream": The doctors agree that a future GI material with the strength to reliably handle Class II restorations would revolutionize the entire direct restorative market, given GI's unique benefits.  Some links from the show: Fuji IX Fuji Equia Forte    Join the Very Dental Facebook group using the password "Timmerman," Hornbrook" or "McWethy," "Papa Randy," "Lipscomb" or "Gary!" The Very Dental Podcast network is and will remain free to download. If you'd like to support the shows you love at Very Dental then show a little love to the people that support us! -- Crazy Dental has everything you need from cotton rolls to equipment and everything in between and the best prices you'll find anywhere! If you head over to verydentalpodcast.com/crazy and use coupon code “VERYDENTAL10” you'll get another 10% off your order! Go save yourself some money and support the show all at the same time! -- The Wonderist Agency is basically a one stop shop for marketing your practice and your brand. From logo redesign to a full service marketing plan, the folks at Wonderist have you covered! Go check them out at verydentalpodcast.com/wonderist! -- Enova Illumination makes the very best in loupes and headlights, including their new ergonomic angled prism loupes! They also distribute loupe mounted cameras and even the amazing line of Zumax microscopes! If you want to help out the podcast while upping your magnification and headlight game, you need to head over to verydentalpodcast.com/enova to see their whole line of products! -- CAD-Ray offers the best service on a wide variety of digital scanners, printers, mills and even  their very own browser based design software, Clinux! CAD-Ray has been a huge supporter of the Very Dental Podcast Network and I can tell you that you'll get no better service on everything digital dentistry than the folks from CAD-Ray. Go check them out at verydentalpodcast.com/CADRay!  

Ancora un pareggio e ancora una volta la Juventus non riesce a mantenere un vantaggio. Analizziamo e psicanalizziamo il 2-2 col Villareal con il tifoso bianconero Francesco Oppini, poi completiamo la serata di Champions con Filippo Maria Ricci di rientro da Barcellona-PSG e con Raffaele Auriemma per un commento sulla vittoria del Napoli sullo Sporting Lisbona.Manca solo una corsa per conoscere chi si aggiudicherà il Mondiale Endurance e da queste parti si fa il tifo per la Ferrari 499P che ci ha abituati alla Le Mans, ma che ha toppato l'ultima 6 Ore del Fuji vinta dalla Alpine. Convocata la formazione base della Compagnia del Volante: Gionata Ferroni e Roberto Lacorte di Cetilar Racing.

It's The Week In Sports Cars show featuring Marshall Pruett and DailySportsCar.com's Graham Goodwin and Stephen Kilbey. TOPIC: WEC at Fuji, and more! Every episode is graciously supported by the Justice Brothers, the Sports Car Championship Canada, and TorontoMotorsports.com.  NEW show stickers and memorabilia: ThePruettStore.com If you'd like to join the PrueDay podcast listener group, send an email to pruedayrocks@gmail.com and you'll be invited to participate in the Discord chat that takes place every day and meet up with your new family at events. Play on Podbean.com: https://marshallpruett.podbean.com/ Subscribe: https://marshallpruettpodcast.com/subscribe Join our Facebook Group: https://www.facebook.com/MarshallPruettPodcast [WSC]

Apples are one of those rare fruits that you can actually recognize by name. Honeycrisp, Gala, Fuji… the list seems endless.But have you ever wondered where these names came from?Is there an actual 'granny' behind the Granny Smith?Was the Red Delicious truly the most delicious of all red apples?And what about Bramley - does that name come from a person, a place, or perhaps an aristocratic family?In this month's livestream, John and Patrick dig into a few apple varieties and explore the fascinating history behind their names.----------In Sponsorship with Cornell University: Dyson Cornell SC Johnson College of Business-----------Join the History of Fresh Produce Club for ad-free listening, bonus episodes, book discounts and access to an exclusive chatroom community.Support us!Share this episode with your friendsGive a 5-star ratingWrite a review -----------Subscribe to our biweekly newsletter here for extra stories related to recent episodes, book recommendations, a sneak peek of upcoming episodes and more.-----------Step into history - literally! Now is your chance to own a pair of The History of Fresh Produce sneakers. Fill out the form here and get ready to walk through the past in style.-----------Instagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com

On this week's Double Stint, Jonathan Grace and Jamie Klein break down the FIA World Endurance Championship's 100th race at Fuji Speedway, catch up on the latest news in sports car racing and more.

In this episode of Mastering Rod Building, host Bill Falconer sits down with renowned craftsman Mark Blaum for an in-depth exploration of artistry, innovation, and tradition in custom rod building. Broadcasting from the heart of the rod building community, Bill and Mark trace Mark's evolution from a passionate woodworker and pen turner to a world-class creator of segmented wood handles—pieces that have captivated and inspired builders across the country.Listeners will discover the story behind Mark's signature techniques, including the origins of his segmented turning, the challenges of sourcing and preparing unique woods, and the intricate process of assembling hundreds of pieces into a single, flawless grip. The conversation delves into the practicalities of tool selection, gluing, cutting, and finishing, as well as the importance of safety and continuous learning in the workshop.Throughout the episode, Mark and Bill reflect on the value of mentorship, the generosity of the rod building community, and the joy of sharing knowledge with newcomers and veterans alike. Mark shares insights from decades of experience, offers resources for those eager to learn more, and highlights the friendships and collaborations that have shaped his journey.Packed with technical wisdom, personal stories, and a celebration of craftsmanship, this episode is a must-listen for anyone passionate about rod building, woodworking, or the creative process. Whether you're seeking inspiration, practical advice, or a deeper connection to the community, you'll find it in this engaging, information-rich conversation with one of the craft's true masters.For Mastering Rod Building, in every episode's show notes, both going forward and updating all previous shows, we need this:Mastering Rod Building is brought to you by Anglers Resource — your source for genuine Fuji Tackle components.Where to buy genuine FUJI®️ rod components (Area Distributors)Japan: FIRST Corporation — https://first-fuji.co.jp/ • mail@first-fuji.co.jpAmerican Continent (North & South America): Anglers Resource — https://anglersresource.net/ • info@anglersresource.netOceania: Frogleys Offshore — https://fujitackle.com.au • enquiries@frogleysoffshore.com.auSpain/Czech/Finland/Sweden/Estonia/Latvia/Poland/Denmark/Belgium/Germany/Netherlands/Ireland/Luxembourg/France/Portugal/UK/Norway/Belarus/Ukraine/Russia:: CALICO S.A. (Kalikunnan) — https://kalikunnan.com/ • fuji@calico.esEurope: MAJORA Intelligent Fishing (FUJI Tackle Italy) — https://www.fujitackle.it • info@fujitackle.itAsia: KOWA Company, Ltd. — fujitackle@kowa.co.jp

Llevo mes y medio con la Fujifilm X-E5 y hoy te cuento la verdad desde el uso real: por qué me tiene loco, qué pros y contras le he encontrado y el combo minimalista con el que estoy disfrutando la fotografía como hacía tiempo: X-E5 + 23mm f2.8 (kit), un 56mm TTArtisan 1.8, mini impresora Canon Zoemini y dos flashes retro compactos (Godox IT30 Pro y un Viltrox transparente muy cuco).También te explico qué está pasando con el stock: el kit con el 23mm está agotadísimo y el cuerpo suelto se ve más disponible. ¿Fracaso? Todo lo contrario: exitazo… y quizá por eso casi no hay vídeos en español con la cámara en mano.Lo que más me flipaColor science de Fuji y simulaciones de película (los JPG salen que enamoran).Tamaño y look retro: no pasa desapercibida, y con los flashes queda brutal.Versatilidad con el 23mm (eq. 35mm) + el 56mm (eq. 90mm) y el recorte digital.Lo que no me gustaJoystick diminuto e incómodo.Botones de Play/Disp muy arriba: el sensor del visor apaga la pantalla al tocar.El dial de simulaciones es bonito pero poco práctico; tiro de atajo de botón.Con recetas custom (F1–F3) me aparece “memorización” y me corta el ritmo entre foto y foto (en ráfaga se mitiga).Uso personal y toques proMe la llevo siempre en una bandolerita Manfrotto y, en trabajos con Sony, la uso para retratos espontáneos con flash y simulaciones. A los clientes les flipa el look directo de cámara.Si te mola este contenido, dímelo en comentarios: se vienen más vídeos de esta delicia, incluyendo review del 23mm f2.8, TTArtisan 56 1.8, y comparativa de los flashes compactos para Fuji.**COMPRA EN FOTOK desde este enlace y pon el cupón GABELLIFTK en tu carrito de la compra para llevarte un regalo.WEB FOTOK: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fotok.es/?aff=y206⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠___________________WEBS: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.rubengabelli.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fotografodecomida.es⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YOUTUBE: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://cutt.ly/ft3QEHF ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PATREON: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/RubenGabelli ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM: @rubengabelli

Mount Fuji is at once instantly familiar and seemingly immutable, yet it always remains strange and changeable. Its postcard-perfect peak is known around the world as a wonder of nature and a symbol of Japan. But behind that outline lies a far more complicated history.Over the centuries, Fuji's eruptions devastated farmland and terrified villagers. Revered as a sacred presence, its divine inhabitants changed with shifts in belief and power. Once locally known, Fuji later became claimed as a national emblem, its slopes inspiring poetry, painting, and pilgrimage—and serving as the stage for political and economic disputes.In Fuji: A Mountain in the Making (Princeton, 2025), Andrew Bernstein traces this layered story from the mountain's surprisingly recent geological beginnings to its recognition as a World Heritage Site. The result is a portrait of a place both familiar and unsettled: a mountain still in the making, continually remade by the humans who live with it, use it, revere it, and visit it.For show notes and more, go to the Historically Thinking Substack page for this episode.

CONTINUED HEADLINE: Peru's Political Crisis Deepens as President's Approval Hits 2% GUEST NAME: Evan Ellis SUMMARY: Peru's President Dina Boluarte faces 2-3% approval amid crime and corruption. The 2026 election features candidates including Keiko Fujimori. China dominates Peru's economy through mining investments and the Chancay port. Brazil's Bolsonaro received 27-year sentence for alleged assassination plot against Lula, polarizing society and pushing Brazil toward BRICS nations. 1936

CONTINUED HEADLINE: Peru's Political Crisis Deepens as President's Approval Hits 2% GUEST NAME: Evan Ellis SUMMARY: Peru's President Dina Boluarte faces 2-3% approval amid crime and corruption. The 2026 election features candidates including Keiko Fujimori. China dominates Peru's economy through mining investments and the Chancay port. Brazil's Bolsonaro received 27-year sentence for alleged assassination plot against Lula, polarizing society and pushing Brazil toward BRICS nations. 1930 CARACAS

CONTINUED HEADLINE: Peru's Political Crisis Deepens as President's Approval Hits 2% GUEST NAME: Evan Ellis SUMMARY: Peru's President Dina Boluarte faces 2-3% approval amid crime and corruption. The 2026 election features candidates including Keiko Fujimori. China dominates Peru's economy through mining investments and the Chancay port. Brazil's Bolsonaro received 27-year sentence for alleged assassination plot against Lula, polarizing society and pushing Brazil toward BRICS nations. CARACAS, VENEZUELA

In this episode of Mastering Rod Building, host Bill Falconer sits down with renowned craftsman Mark Blaum, celebrated for his innovative segmented wood turning and flawless custom rod handles. Mark shares his journey from pen turning and carpentry to becoming a world-class rod builder, offering listeners a rare glimpse into the artistry and technical mastery behind his signature spider webs, ellipticals, and intricate woodwork.Together, Bill and Mark break down the entire process—from selecting and preparing wood, to gluing, cutting, boring, and turning complex multi-piece handles. Mark reveals his favorite tools, glues, and finishing techniques, and provides invaluable safety tips for working with power tools and exotic woods. The conversation also explores the importance of community, mentorship, and sharing knowledge within the rod building world, with shoutouts to influential builders and resources for those eager to learn more.Listeners will discover practical advice for elevating their own craft, behind-the-scenes stories of trial, error, and innovation, and the enduring camaraderie that defines the custom rod building community. Whether you're a seasoned builder or just starting out, this episode is packed with inspiration, technical insight, and a celebration of the creativity that makes custom rod building so unique.Mastering Rod Building is brought to you by Anglers Resource — your source for genuine Fuji Tackle components.Where to buy genuine FUJI®️ rod components (Area Distributors)Japan: FIRST Corporation — https://first-fuji.co.jp/ • mail@first-fuji.co.jpAmerican Continent (North & South America): Anglers Resource — https://anglersresource.net/ • info@anglersresource.netOceania: Frogleys Offshore — https://fujitackle.com.au • enquiries@frogleysoffshore.com.auSpain/Czech/Finland/Sweden/Estonia/Latvia/Poland/Denmark/Belgium/Germany/Netherlands/Ireland/Luxembourg/France/Portugal/UK/Norway/Belarus/Ukraine/Russia:: CALICO S.A. (Kalikunnan) — https://kalikunnan.com/ • fuji@calico.esEurope: MAJORA Intelligent Fishing (FUJI Tackle Italy) — https://www.fujitackle.it • info@fujitackle.itAsia: KOWA Company, Ltd. — fujitackle@kowa.co.jp

“吃面仙人”涛哥上线，携手“血液里流着面汤”的西安人老王与美食爱好者划水怪，开启一场“面门”之旅！从FUJI现场的美食，到霓虹国的各种拉面，再到中华面食，本期堪称碳水爱好者的福音！日本蘸面太咸？那是吃法不对！涛哥早把蘸面、荞麦面、油面、拉面的门道摸透了，在本期节目里，涛哥不仅揭秘了霓虹国的宝藏面馆，还讲述了各种面的正确吃法。最后，说回到我国面食，陕西臊子面、重庆小面、舟山海鲜面、封神生煎包更是轮番轰炸味蕾。友情提示：本期节目容易流口水，深夜谨慎收听哦！更多精彩内容，欢迎收听本期节目~主播 / 相征 王涛 老王音频后期 / 陆凯BBBBUDDHA音频上传 / 恬恬-本节目由深夜谈谈 Midnight Network出品 -Playlist:02:17:05 RJmrLA,Joe Moses,Nice - RamenTimeline:00:04:36 FUJI三朝元老谈谈感想00:15:17 咱们聊聊美食吧00:20:31 先说说FUJI现场的美食00:31:08 吃面仙人涛哥00:38:12 日本拉面的分类00:48:20 武藏蘸面的魅力01:00:41 荞麦面吃的是环境01:08:31 说说乌冬面01:23:31 寿喜烧和天妇罗 01:34:55 拉面大盘点01:54:48 说回咱们国家的面食深夜谈谈签下了日本独立小众清酒品牌倉本KURAMOTO 系列清酒中国独家代理权，3款独具特色的清酒已在夜市上线，数量有限，欲购从速唷~微信小程序搜索「大内夜市」即可购买！大内夜市近期上新！大内人气玄学嘉宾张无梦为女性量身打造4款文玩手串，旺金财运、金玉良缘、扶摇直上、顺遂安然，电子木鱼弱爆了！物理配饰积功德，玄学朋克，硬核转运！微信搜索「大内夜市」即可购买！深夜谈谈夏季招聘来啦，本次开放岗位：设计师（全职/兼职），感兴趣的朋友们请发送求职信+简历+个人作品请发送至邮箱jobs@midnightalks.com。记得注明应聘岗位及意向城市嗷。深夜谈谈播客网络旗下播客：大内密谈、枕边风、空岛、随便聪明、淮海333-你还可以在这里找到我们：小红书：@深夜谈谈、@相征terry、@miyaB站：@大内密谈midnightalks视频号&抖音：@深夜谈谈微博：@大内密谈 微信公众号：大内密谈 商务合作邮箱：biz@midnightalks.com加听众群：加深夜谈谈子微信（微信号:SYTT-midnightalks）并回复【听众群】即可进群。