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La celebración del Immersive Future Forum en Murcia, un evento diseñado para consolidar a la ciudad como un centro neurálgico de producción audiovisual mediante el uso de tecnologías inmersivas e inteligencia artificial, nos permite conocer la necesidad de crear un ecosistema creativo y administrativo ágil que permita a la Región competir con otros polos industriales, sugiriendo una alianza estratégica con Alicante para aprovechar las infraestructuras de Ciudad de la Luz. Asimismo, subrayan la importancia de la escalabilidad del talento local y el impulso a la representación femenina en puestos directivos y técnicos del sector. En última instancia, el foro busca atraer inversores resaltando las virtudes naturales de Murcia y la capacidad de sus profesionales para transformar proyectos pequeños en industrias sostenibles y competitivas.
Sheinbaum anuncia incentivos al cine; “la cultura es un derecho”Casa Blanca reduce despliegue migratorio en MinnesotaNuevo horario informativo de Carlos Castellanos Más información en nuestro podcast
Gobierno anuncia incentivos para fortalecer industria audiovisual Aumenta presupuesto para el cine mexicano Carlos Castellanos lo invita a estrenar un nuevo horario informativo Más información en nuestro podcast
UNAM aprueban presupuesto 2026 SuspendenCarnaval de Coyotepec por riesgo de sarampiónNoticiario de Carlos Castellanos cambia de horarioMás información en nuestro podcast
A mesa discute a articulação das políticas públicas para o audiovisual brasileiro a partir de modelos nacionalizados de gestão compartilhada, com foco no Programa Nacional Aldir Blanc (PNAB), nos Arranjos Regionais e no Fundo Setorial do Audiovisual (FSA). O debate reúne gestores públicos para analisar modelos de governança federativa, mecanismos de fomento e desafios de implementação na relação entre União, estados e municípios, destacando a descentralização de recursos e o fortalecimento dos ecossistemas audiovisuais regionais.Lançamento do Panorama do Ecossistema Audiovisual – Arranjos Regionais 2025, que consolida um amplo diagnóstico sobre a estrutura e o funcionamento das políticas públicas de audiovisual em estados e municípios participantes da Linha de Arranjos Regionais.Convidados:Eliane Parreiras – Secretária Municipal de Cultura e Belo Horizonte e Presidente do Fórum Nacional de Secretários Municipais de Cultura das Capitais | MGMilena Evangelista – diretora de Formação e Inovação Audiovisual – SAv/MinC | DFRoberta Cristina Martins – Secretária de Articulação Federativa e Comitês de Cultura – MinC | DFMediação: Alessandra Meleiro – coordenação GT Observatórios | SP
O audiovisual brasileiro vive um momento de ampliação de sua presença no cenário global. A mesa propõe debater políticas públicas, estratégias e desafios da internacionalização do setor no contexto contemporâneo, com foco na circulação internacional de obras, nas coproduções e na participação do Brasil em mercados e festivais. Estarão em pauta programas e iniciativas da APEX Brasil, da ANCINE e da Secretaria do Audiovisual (SAV), além de trocas de experiências, identificação de potencialidades e perspectivas para o aprimoramento dos mecanismos de fomento e estratégias que fortalecem a presença do audiovisual brasileiro no mundo.Convidados:André Araújo Virgens – Coordenador de Políticas para Difusão e Internacionalização – Sav / MinC | DFDaniel Tonacci – coordenador de Programas Internacionais da Ancine | RJJúnia Matsuura – produtora, distribuidora We Are Here / Abrasia | AlemanhaMariele Christ – coordenadora de indústria e serviços da Apex Brasil | DFRodrigo Teixeira – RT Features | SPMediação: Débora Ivanov – Coordenadora Geral do 4º Fórum de Tiradentes | SP
Welcome to the show. Some performances don't just tell a story — they open a doorway into a world. A glance, a pause, a quiet exchange can carry generations of memory, longing, humor, and faith. Today we step into that world with Sarel Piterman — an actor born in Haifa whose work reveals the poetry hidden inside ordinary moments, known to audiences around the globe for his portrayal of Zvi Aryeh Shtisel in the acclaimed series Shtisel. That series invited viewers into an intimate universe where family bonds, tradition, and personal struggle unfold with tenderness and depth — and Sarel's presence reflects the essence of that world: authenticity, restraint, and emotional truth. But his artistic journey stretches far beyond a single frame. Across his career, Sarel has pursued roles that demand vulnerability, discipline, and a fearless curiosity about human nature. His performances carry a quiet intensity — an understanding that the most powerful storytelling often lives in what is felt rather than spoken. In this conversation, we explore the path of an Israeli actor devoted to craft: the risks and revelations behind the scenes, the cultural textures that shape storytelling, and the enduring search for meaning through art. We talk about identity, imagination, and the responsibility of bringing complex lives to the screen and stage. This episode is an invitation — to listen closely, to feel deeply, and to witness the artistry that transforms moments into memory. I first came to appreciate Sarel through a remarkable one-man play he wrote and directed, Without An Evil Eye — an innovative comedy recounting the inspiring true-life story of Asaf Ben Shimon, whose gradual descent into blindness becomes a profound affirmation of life itself. It is thoughtful, courageous, and truly groundbreaking. Beyond Shtisel, Sarel's creative footprint spans a wide range of film and television projects — from intimate dramas and dark comedies to thrillers and socially grounded stories — each reflecting his versatility and commitment to emotionally honest storytelling. Ladies and gentlemen, it is my pleasure to bring you Sarel Piterman. ——
On Episode 138 of the All Things TechIE Podcast, recorded live from the vibrant Midwich US AV on Air studio at Integrated Systems Europe (ISE) 2026,Justin Dawson sat down with Lewis Shevelan from King's College London and Greg Jeffreys to unpack the groundbreaking journey toward a new accessibility standard for higher education AV.Hear firsthand how industry leaders are collaborating to shape an AVIXA backed standard that will empower universities worldwide, drive meaningful inclusion, and elevate user experiences for both students and educators.Learn how this accessible AV standard could level the playing field for institutions, create competitive advantages, and potentially extend into wider verticals beyond education.From stories of testing old hearing loops to new tech solutions like Auracast, the episode is full of practical insights on why accessible design benefits EVERYONE.If you're passionate about inclusive design, higher ed tech, or AV standards or just want to keep your finger on the pulse of where the industry is heading, this is the episode for you.Big thanks to Karen Horsup Midwich Group for hosting this important conversation and James Tremayne CTS MInstSCVE for his assistance with sound and video on the day.Ready to get inspired? Listen now and join the movement for accessible AV in education.
No Direto ao Ponto desta semana, recebemos Jean Victor Castilhos, produtor audiovisual e sócio da Umbra Filmes. Ele destacou sobre o crescimento do mercado do audiovisual e a expectativa para o lançamento do documentário que narra a história do torcedor solitário Tiago Rech.
No Direto ao Ponto desta semana, recebemos Jean Victor Castilhos, produtor audiovisual e sócio da Umbra Filmes. Ele destacou sobre o crescimento do mercado do audiovisual e a expectativa para o lançamento do documentário que narra a história do torcedor solitário Tiago Rech.
La compositora ferrolana Sofía Oriana Infanteha sido nominada a los XXIV Premios Mestre Mateo 2026 en la categoría de Mejor Música Original por su trabajo en Antes de nós. El anuncio se realizó el 3 de febrero, destacando su creatividad entre otros finalistas como Kangding Ray, Santi Jul e Iván Laxe y Xavier Bértolo. La película dirigida por Ángeles Huerta es una de las más nominadas, con candidaturas también a Mejor Película, Dirección, Guion e interpretaciones protagonistas y de reparto. La gala, organizada por la Academia Galega do Audiovisual, reconocerá lo mejor del cine y series gallegas en 2025, consolidando la música de Oriana como una de las apuestas más originales del año.
O painel faz uma análise sobre o audiovisual como estratégia de Estado, considerando sua participação no Programa Nova Indústria Brasil, o Plano de Diretrizes e Metas e os desafios da consolidação de políticas públicas estruturantes. A partir das convergências entre cultura, indústria e desenvolvimento, o painel apresenta perspectivas para a construção de políticas de longo prazo voltadas ao fortalecimento do audiovisual brasileiro, ampliando seu papel econômico, cultural e estratégico no país.Nesta ocasião, a Secretaria do Audiovisual (Sav) faz entrega do documento do Balanço da Gestão do Audiovisual – 2023/2025Convidados: Bruna Boeckmann – Assessora da Ancine | RJDaniela Fernandes – Diretora de Difusão e Preservação da SAV/ Minc | DF Joelma Gonzaga – secretária do audiovisual – Ministério da Cultura |DFJussara Locatelli – membro do Conselho Superior de Cinema, integrante do GT do PDM, do GT Produção e Presidente do Siapar |PRWalkiria Barbosa – presidente da Federação da Indústria e Comércio Audiovisual (Fica) | RJMediação: Débora Ivanov – membro da coordenadora geral do 4º Fórum de Tiradentes | SP
A sessão de abertura reúne representantes dos Poderes Executivo, Legislativo e Judiciário, profissionais do audiovisual e a sociedade civil para debater os desafios e as oportunidades na consolidação de um ecossistema nacional do audiovisual. O encontro busca identificar pontos de convergência, compromissos e agendas comuns entre políticas públicas, instituições e agentes do setor, visando ao fortalecimento de uma cadeia produtiva diversa, integrada e articulada, capaz de impulsionar o desenvolvimento estratégico do audiovisual brasileiro.Além de seu impacto econômico e institucional, a sessão destaca a potência simbólica do audiovisual como dimensão essencial da soberania cultural, reafirmando seu papel como política de Estado na construção da identidade nacional e na projeção internacional do Brasil.Convidados:Aline Zero – Coordenadora-Geral de Educação Integral e Tempo Integral – Diretoria de Políticas e Diretrizes da Educação Integral Básica na Secretaria de Educação Básica – Ministério da Educação | DFDurval Ângelo – Conselheiro-presidente do Tribunal de Contas do Estado de Minas Gerais | MGFrancis Vogner dos Reis – coordenador curatorial da Mostra de Cinema de Tiradentes | SP Frei Betto – escritor, teólogo, defensor dos direitos humanos | SPJandira Feghali – Deputada Federal – PcdoB | RJJoelma Gonzaga – Secretária do Audiovisual – Ministério da Cultura | DF Juliano Lopes – prefeito em exercício de Belo Horizonte | MGPatrícia Barcelos – diretora da Ancine |RJSamara Castro – Chefe de Gabinete do Ministro da Secretaria de Comunicação Social da Presidência da República | DFMediação: Tatiana Carvalho Costa – membro do Conselho Superior de Cinema e Presidenta da APAN | MG
En este episodio hablamos con Virginia, una persona clave del equipo de producción de Little Spain, una de las productoras más influyentes del momento. Hablamos de qué hace realmente una productora, por qué la identidad de Little Spain conecta tanto con la gente y del papel del “producer”. Una conversación sobre creatividad, organización, estrés, rodajes caóticos y el trabajo de detrás de las cámaras que hace que todo ocurra
El Consejo Oleícola Internacional (COI) formará parte de una delegación que depositará el próximo 25 de febrero un primer lote de semillas de olivo en el Banco Mundial de Semillas de Svalbard (Svalbard Global Seed Vault), en Noruega -conocido como "la bóveda del fin del mundo". Un estudio hecho en el Jiloca vincula mayor antigüedad del viñedo y más riqueza microbiana. Tres parcelas de la bodega El Pago de la Boticaria -en Murero, Atea y Villafeliche- analizadas durante tres años reflejan matices que se aprecian en el suelo, la hoja y el fruto. El Departamento de Agricultura, Ganadería y Alimentación del Gobierno de Aragón ha confirmado que durante el pasado mes de enero se han contabilizado 2.796 jabalíes recogidos en toda la Comunidad dentro del dispositivo extraordinario de control de fauna silvestre, impulsado para frenar la expansión de enfermedades como peste porcina africana (PPA) Como cada domingo abrimos nuestra ‘Gestoría agrícola y ganadera'. Jorge Sanz publica el fotolibro ‘La estela de los últimos trashumantes' 'El campo es nuestro', de Aragón TV, gana el Premio Iris al Mejor Programa Autonómico Tras recibir el Premio Ondas Nacional de Televisión 2025 al Mejor Contenido de Proximidad el pasado 26 de noviembre, el espacio suma ahora un nuevo galardón de gran prestigio: el Premio Iris de la Academia de la Televisión y de las Ciencias y Artes del Audiovisual al Mejor Programa Autonómico.
Welcome to the show. We are joined by Howard Langer — award-winning writer, attorney, and author of 'The Last Dekrepitzer', a novel that has already earned the National Jewish Book Award and marks his first work of fiction in fifty years. Howard is the founder of a leading antitrust law firm in Philadelphia, an adjunct professor at the University of Pennsylvania Law School, and a teacher whose work has taken him from Oxford to Tokyo. Yet in this conversation, we meet him foremost as a storyteller — one deeply concerned with memory, justice, and the fragile persistence of the human spirit. The Last Dekrepitzer opens in a New York subway station in 1965, where a lone fiddler braids Hasidic melodies with blues and gospel. He is the Dekrepitzer Rebbe — the final survivor of a vanished Chasidic sect destroyed in the Holocaust. From a lost Polish shtetl to the docks of Naples, from the American South to Manhattan streets alive with music and tension, his journey becomes an odyssey of survival, displacement, faith, and identity. Through encounters that cross cultures and histories, the novel asks a difficult question: how does a person live — spiritually, morally, musically — after everything has been torn away? Howard studied under literary giants Yehuda Amichai and Aharon Appelfeld, and his writing carries that lineage of moral seriousness and poetic depth. Critics have praised the novel for introducing one of the most singular figures in contemporary Jewish fiction — a character haunted by memory, sustained by music, and forever wrestling with God. Today's conversation is about faith and fracture, about music as a vessel for memory, and about what we continue to carry long after the world tells us to move on. It is a discussion of survival not as an ending, but as a lifelong reckoning — personal, communal, and spiritual. I'm glad you're here. ——
En este episodio conversamos con Pepi Gonçalvez, una figura polifacética y fundamental de la cultura uruguaya. Productora, activista, docente y ambientalista, Pepi nos comparte su visión sobre el cine, la educación y el impacto social del audiovisual en nuestra región.Exploramos a fondo la sección "Pantalla Maldonado" dentro del 28° Festival Internacional de Cine de Punta del Este, conociendo los detalles de las proyecciones en el Cine Cantegril, la Torre del Vigía y el Teatro de Verano Margarita Xirgú. Además, profundizamos en su rol como Coordinadora del Área Audiovisual en el Polo Educativo Tecnológico Arrayanes (UTU), donde se forman las nuevas generaciones de cineastas.También viajamos al pasado para conocer la historia de "Polizonte", el icónico detective que habitó las calles de Montevideo en los años 80, y conversamos sobre su incansable labor social en defensa de los derechos de las mujeres y la comunidad trans a través de proyectos como MAU (Mujeres Audiovisual Uruguay) y Pampeanas Regenerativas Orientales.
Welcome to a very special—and deeply personal—episode. Today's conversation is not about theory. It's not about abstract belief. It's about belonging, courage, and the quiet, stubborn pull of a soul toward truth. Today, we're sitting with three people who each chose Judaism—not because it was easy, fashionable, or convenient, but because it felt unavoidable. Because something inside them recognized home. Conversion is not simply a change of religion. It is a change of identity. A re-rooting of the soul. It means choosing a people, a history, a destiny—and in today's world, it often means choosing a path marked by misunderstanding, loss, and real social cost. And yet—here they are. Chris Wood's journey began not in a synagogue, but in a hair salon in Toronto. Raised without Jewish community, he encountered Judaism first through people—through Shabbat tables, family warmth, humor, ritual, and a deep sense of togetherness he had been missing his entire life. What began as cultural connection slowly became something far deeper: a spiritual awakening. A realization that Judaism was not simply something he admired—it was something his soul had been waiting for. For Chris, October 7th and the surge of antisemitism that followed did not push him away. It clarified everything. When someone he loved turned on the Jewish people—and on him—he saw, in real time, how ancient hatred still operates. Instead of retreating, he stepped forward. He chose to wear his Magen David. He chose public solidarity. Bezalel Schraeder's path emerged through trauma, caregiving, and the spiritual exhaustion that comes from witnessing suffering and death. As a nurse, Bezalel watched bodies break and souls unravel—and in that pain, meaning itself began to collapse. Christianity no longer held the answers. Torah did not come to Bezalel as an escape. It came as a rebuilding. Through deep study, honest conversations with rabbis, and unfiltered spiritual struggle, Judaism restored something essential—not only faith in God, but faith in humanity, and in himself. Judaism became a way to stand inside suffering without surrendering to it. And Shifra's journey carries the weight of history, memory, and a soul that always seemed to know where it belonged—long before her mind did. Raised in evangelical Christianity, she reached a breaking point when she could no longer accept a theology that condemned good people for belief alone. When hell stopped making sense, Jesus stopped being the center—but God did not disappear. What followed was not a rejection of faith, but a return to something older, deeper, and more honest. From a lifelong pull toward Holocaust history to a visceral moment at the U.S. Holocaust Memorial Museum—where she felt, without explanation, “my people”—Judaism had been calling long before she had words for it. Three different lives. Three different paths. One shared truth: Judaism was not something they found. Judaism is something that found them. In a time when it is easier than ever to walk away from the Jewish people, these three chose to walk toward us. In a moment of rising antisemitism, they chose visibility. This is not a conversation about conversion. This is a conversation about what it means to choose a people—and to be chosen in return. Let's begin. ——
Audiovisual ➡️ fanlink.tv/Y0UTUBE Tracklisting ➡️ https://bit.ly/4bCBwIL Fresh, elegant, and subtly complex, the French Pearl is a cocktail that combines gin, dry vermouth, and white crème de cacao with a twist of lemon — crisp, aromatic, and delicately balanced. Just like this refined drink, Mymocea x S.High-Ends deliver a mix that starts smooth and unfolds with flavor, blending groove, emotion, and unexpected turns in equal measure. Based in Zurich, this dynamic duo began their collaboration in a small club through a mutual friend — and what started as a contrast of styles quickly became chemistry. Mymocea brings electronic weight, melodic basslines, and precision, while S.High-Ends adds deep grooves, funk, and warmth rooted in vinyl instinct. Different tools, different palettes… same obsession: digging, discovering, and learning. Their sets move beyond genre, building spaces where tension and emotion coexist — raw, playful, and irresistibly groovy. This session is a super-groovy mix that sits perfectly between club energy and at-home listening. It's danceable without being predictable and immersive without losing momentum. With immaculate track selection and flow, this set truly stands out — we love it, and it's nothing short of a masterpiece.
Welcome to Torah in Real Time with Rabbi Shlomo Gemara. Parashat Beshalach is remembered for thunder and miracle— for a sea split open, for walls of water, for a people finally breaking free from centuries of slavery. It is remembered for Shirat HaYam, the Song of the Sea— for faith erupting into poetry, for a nation finding its voice. But before any of that— before the water parts, before the singing begins— the Torah tells us something quieter, heavier, and more demanding: “And Moses took the bones of Joseph with him.” The people do not leave Egypt empty-handed. They do not rush forward in triumph alone. They carry their dead. They carry a promise made generations earlier. They carry the weight of unfinished redemption. Beshalach teaches us that freedom is not only about escape. It is about responsibility. It is about refusing to build a future that forgets those who were lost along the way. The Exodus is not only a story of running. It is a story of carrying. Only then do they reach the sea. Only then does Pharaoh chase. Only then does terror rise and faith is tested. The people cry out. They feel trapped—with water in front of them and an army behind them. This is not yet the song. This is the moment before the miracle, when courage is demanded without guarantees. And it is precisely there—at the edge of fear— that redemption takes its most honest shape. This week, Beshalach is no longer only a Torah portion. It is a living reality. As Israel receives the final hostage, Master Sergeant Ran Gvili, z”l, Beshalach is unfolding in real time. Ran Gvili was a police special forces officer who ran toward danger on October 7th to defend Israeli civilians. He was killed in battle and taken into Gaza. After 843 days, his remains were finally brought home for burial—closing a chapter of captivity for the Jewish people. Like Joseph's bones, Ran Gvili's return reminds us of a hard truth: A people cannot truly cross forward while someone is still missing. A nation cannot fully sing while one soul is left behind. Only after the sea splits does the Torah say: “Then Moses and the children of Israel sang this song to the Lord.” The Song of the Sea is not just a song of victory. It is a song that comes after responsibility. After memory. After carrying the weight of covenant. The Torah describes the sea parting “by the breath of God's nostrils.” In the Torah, nostrils—af, apayim—are the gateway of breath and life, but also of power, anger, and divine force. The same breath that gives life is the breath that reshapes the world. And only then do the words rise: “I will sing to the Lord, for He has triumphed gloriously… The Lord is my strength and my song, and He has become my salvation.” Beshalach teaches us that redemption is not measured only by miracles. It is measured by memory. By dignity. By who we insist on bringing with us. Today, as Israel brings home Master Sergeant Ran Gvili, z”l, we are living Joseph's bones in real time. We are being reminded that true freedom is not only about who walks out— but about who is carried out. This is not ancient history. This is Beshalach. This is the sea in front of us. This is the weight we carry. This is now. ——
Join Justin Dawson as he explores two packed days at CES 2026 in Las Vegas, with in-depth coverage from the Venetian Expo and Eureka Park—showcasing groundbreaking startups and experiences—and then heads back on Thursday to the iconic Las Vegas Convention Centre for even more industry-leading tech action.Episode highlights include hands-on demos or interviews from top companies and products such as:Pocket Dot (affordable Braille tech)Ininum (AI-powered smart fragrance device)AI Tales (healthy cat monitoring)Sky 10 (AI noise-cancelling headset)LG (OLED AI2 wireless displays + accessibility features)Stingray (in-car karaoke entertainment)Richter Skyrider X6 (personal flying vehicle)Wow Now (NFC/3D card vending machines)TCL (“Amy” AI robot)Segway (e-bikes and go-karts)Expirista Robo Barista (robot coffee)Rescue Retriever (pet safety alert system)From robotics and smart home advances, to AI wearables, pet technology, healthcare innovation, and driverless cars—don't miss a single moment!
La ficción en España está experimentando un diálogo inédito entre el cine y la televisión, alcanzando un nivel de sofisticación narrativa equiparable al mercado internacional. Esta tendencia se materializa con el estreno de la película "Aída y Vuelta", dirigida por Paco León, que no solo reúne al elenco original de la serie para rendirles homenaje, sino que propone un ejercicio de "meta-cine" innovador en el que los actores reflexionan sobre su propia profesión. La cinta refuerza su carácter transmedia ofreciendo a los espectadores un regalo final mediante un código QR que permite visualizar un episodio inédito grabado exclusivamente para esta ocasión.Por otro lado, la exitosa saga cinematográfica de Santiago Segura da el salto a la pequeña pantalla con la serie "Padre No Hay Más Que Uno"; aunque mantiene el concepto de familia numerosa, la ficción presenta un reparto renovado y un humor más "blanco" y acogedor, con un estreno previsto en Atresplayer y Amazon Prime para el 6 de febrero.
EPISODIO #74_______En nuestro episodio de hoy volvemos a un tema que llevábamos varios episodios sin comentar, y es el tema de los drones.En los últimos años, los permisos se han vuelto mas laxos, y creo que es importante ver en que situación están y como avanzan. Y no hemos podido encontrar un mejor invitado que Xavier Peiruza, un loco experto de los drones, que montó su productora audiovisual www.dabuten.cat en la que está acostumbrado a volar en los sitios mas restrictivos, y muchas veces en directos para televisión.Xavi nos contará como dejó un trabajo como Mosso de Escuadra, totalmente estable, a aventurarse en el mundo del emprendimiento audiovisual, incluso contratando gente para seguir creciendo.Escúchate este episodio tanto si te gustan los drones como si no, por que Xavi nos da una lección de vida._______☕️ ¿Te gustaría colaborar conmigo e invitarme a un café (¡el que me tomo mientras grabo el podcast!)? Puedes hacerlo a través de
On Wednesday, January 28th from 5-8pm, RPI will be offering a three-hour workshop Cloud Control: Interactive Networks for Audio-Visual Performance with Eric Souther. This virtual session will introduce the node-based programming environment TouchDesigner for creating real-time audiovisuals. Eric Souther spoke with Sina Basila Hickey.
#ElGranMusical | Roberto Aguirre. Incentivos para la producción audiovisual del Ecuador by FM Mundo 98.1
Today on the podcast, I'm deeply honored to welcome Rabbi Dr. Minna Bromberg — the founder and president of Fat Torah, a groundbreaking initiative working at the intersection of Jewish life, sacred text, and body liberation. Fat Torah's mission is both urgent and expansive: to confront and end weight stigma in Jewish communal spaces, to train leaders and educators to recognize and uproot fatphobia wherever it appears — including within ourselves — and to cultivate spiritual practices rooted in dignity, wholeness, and liberation for people of every body size. Rabbi Bromberg brings more than three decades of fat activism into deep conversation with Judaism, theology, and lived experience. She holds a PhD in sociology from Northwestern University, was ordained at Hebrew College, has led a 250-family Conservative congregation, released multiple albums of original music, made aliyah, and directed the Year-in-Israel program for Hebrew College rabbinical students. She is also a voice teacher who helps people reclaim their voices in prayer — work that beautifully echoes Fat Torah's insistence that every body and every voice truly belongs. Minna lives in Jerusalem with her husband, Rabbi Alan Abrams, and their two children. Her forthcoming book, Every Body Beloved: A Call for Fat Liberation in Jewish Life, challenges us to rethink holiness, tradition, and belonging from the inside out. This is a conversation about Torah, justice, embodiment, and what it really means to create Jewish communities where no one has to shrink themselves — physically, spiritually, or emotionally — in order to belong. ——
Detrás de cada frase que escuchamos doblada en una película, o de cada subtítulo que leemos si la vemos en versión original, hay mucha dedicación, mucho conocimiento, muchas exigencias técnicas que a la audiencia nos pasan desapercibidas. Es el trabajo de los traductores de audiovisuales, en todas sus categorías: subtituladores, adaptadores, audiodescriptores... Para defender sus derechos está la asociación Atrae, con Iris Permuy a la cabeza. Ella nos habla de lo que hacen y de sus reivindicaciones. Escuchar audio
Welcome to Torah in Real Time with Avrum Rosensweig and Rabbi Shlomo Gemara! This week we enter Parashat Bo—the moment in the Exodus when power finally collapses under the weight of its own cruelty. Egypt is no longer warned. It is undone. Darkness presses in. The future is struck down first. And still, Pharaoh refuses to let go—not because he doesn't know he's wrong, but because surrendering power would mean admitting moral failure. What's most radical in Bo isn't what happens to Egypt—it's what happens to the enslaved Israelites. Before they are free, they begin acting free. They mark their doors. They slaughter the Egyptian god in public. They reclaim time itself. While still trapped inside an empire, they stop thinking like slaves. And that's why Bo feels painfully current. Because today, in Iran, we are watching the same pattern unfold. A rigid regime clings to control while its people pay the price—through repression, economic collapse, darkness, and death. And beneath that regime, something irreversible is happening. Women remove hijabs. Protesters speak openly. Families mourn in public. People act free before they are free. Parashat Bo teaches that tyrannies don't fall because they're persuaded—but because their moral emptiness is exposed, and because the people beneath them stop pretending. Freedom doesn't begin at the border. It begins the moment fear stops dictating behavior. In every generation, Bo asks the same question: Who is still clinging to power at the cost of human life—and who is already preparing to walk out? Let's learn. Let's listen. And let's see what freedom looks like in real time. ——
Audiovisual ➡️ fanlink.tv/Y0UTUBE Tracklisting ➡️ https://bit.ly/tracklist_lavenderginfizz Light, floral, and gently uplifting, the Lavender Gin Fizz sets the tone for this episode — elegant on the surface, with depth unfolding sip by sip. Just like the cocktail, Resilient guides us into a refined yet emotionally rich journey, where subtle aromas turn into lasting impressions and every layer reveals itself slowly over time. With over a hundred releases to his name, Resilient is a true storyteller through rhythm. His music isn't just heard — it's felt. Bold synths, characterful vocals, and groovy bass lines weave together into emotional narratives that spark memories you didn't know you'd forgotten. His sets are never rushed; they are journeys built with patience, intuition, and intention. This episode marks a milestone: our longest mix ever, stretching close to four hours of pure, uninterrupted storytelling. It's a slow-burning, immersive marathon that rewards surrender. Close your eyes and picture Ibiza — standing at a quiet viewpoint, gazing toward the iconic silhouette of Es Vedrà as the sun fades. Press play, relax, and let Resilient carry you all the way. Cheers! The bartenders Resilient @resilientmusik www.facebook.com/resilientmusik www.instagram.com/marko_resilient Schirmchendrink @schirmchendrink www.facebook.com/schirmchendrink www.instagram.com/schirmchendrink
Welcome to Torah in Real Time. This week we turn to Parashat Va'era, the second portion in the Book of Exodus—a moment when history, faith, and power collide. In Va'era, God reveals Himself to Moses and launches a direct confrontation with Pharaoh, the most powerful ruler of his time. What follows are the first seven plagues—acts meant not only to punish Egypt, but to expose the moral bankruptcy of a system built on oppression. Again and again, Pharaoh hardens his heart. Again and again, the call for freedom is ignored. Va'era is not just a story of miracles; it is a story about resistance to change, the cost of stubborn power, and the long, painful road to liberation. And that is why Va'era speaks so loudly right now. Today, in Iran, millions of people across dozens of cities are rising up amid economic collapse, soaring prices, and deep frustration with an entrenched ruling system. What began as protests has become a nationwide challenge to authority—met with violent crackdowns, arrests, blackouts, and a mounting human toll. The details are modern, the context is different—but the themes feel hauntingly familiar. In both Va'era and Iran today, we see: Leaders clinging to power despite overwhelming suffering; Ordinary people demanding dignity, not just survival; Systems that respond to moral challenge with force rather than reflection. The Torah teaches that liberation does not come easily—and that hardened hearts often require escalating consequences before change becomes possible. At the same time, real-world struggles remind us that freedom carries real risk, real pain, and real human cost. Tonight, we will explore these parallels carefully and responsibly. We will also acknowledge the deep and ancient Jewish presence in Iran, one of the oldest Jewish communities in the world—still living, worshipping, and navigating a fragile existence inside a hostile political reality. Parashat Va'era is not ancient history locked in parchment. It is a living text—asking us urgent questions about power, conscience, courage, and what happens when rulers refuse to listen. That's where our learning begins. ——
#ElGranMusical | Jorge Ulloa: llevando la industria audiovisual del Ecuador para el mundo by FM Mundo 98.1
On this podcast, I'm honored to welcome Dr. Marci Reiss. Marci's story begins where so many hopeful stories begin—with a future wide open. In her mid-twenties, newly married, on her way to medical school, life felt full of promise. And then, over a single Valentine's Day weekend, everything changed. What began as a headache and a walk along the beach became a medical crisis. A frightening diagnosis. A sentence that would quietly govern the next fourteen years of her life. “You have Crohn's disease,” a doctor said—and walked out of the room. With those words, Marci entered a world of hospitals, procedures, chronic pain, and relentless uncertainty. She was hospitalized 162 times. She survived sepsis twice. She watched every corner of her life—marriage, motherhood, work, identity—bend under the weight of being chronically ill. But this is not only a story about suffering. It's a story about resilience. About misdiagnosis. And about the staggering consequences of human certainty when it goes unchallenged. Fourteen years later, a world-renowned physician discovered the truth: Marci never had Crohn's disease at all. Her illness had been caused by medications prescribed for a disease she didn't have. When those medications stopped, her health returned. So what does someone do with fourteen years lost to an illness that wasn't real—but whose pain absolutely was? Marci chose to turn loss into purpose. She devoted her life to helping others still living inside that prison—people whose bodies hurt, whose voices are doubted, whose identities have been reduced to diagnoses. Her wisdom isn't born from textbooks alone, but from lived experience: helping people find clarity in chaos, reclaim identity beyond illness, and remember who they are beneath medical labels. She has helped build integrated models of care at major institutions including the Mayo Clinic, Vanderbilt University, and the University of California San Diego—bringing mental and emotional health into spaces that once focused only on the body. This is a conversation about grief and healing. About the fragility of certainty. And about reclaiming a life after everything you thought you knew falls apart. I'm deeply grateful to share it with you. ——
Artist Bette A. shares her collaboration with Brian Eno, reading her short stories over his ambient music. Discover how slowing down her delivery and embracing silence gave her words new power.Listen to Episode 348 - A Symphony of Colors: Bette A., Brian Eno, and the Magic Within Their Collaboration
The founder of one of the fastest-growing private companies in Washington shares her story of how she created this audio visual production company in her garage, her worst event horror story, and how she thought about succession planning as she sold her company last year. Niki McKay has over 20 years experience running large scale events around the world including clients like Macklemore, Alaska Airlines, and more. In this episode Rachel and Niki also discuss the price gouging happening in the industry due to a monopoly, and what needs to be done about it.All of this and your top local business news stories!Top Stories:1. Inside the audio visual production industry2. Publisher of Seattle Times passes the torch to his son3. Seattle Ferries: wi-fi coming, new ferries, and ferries for sale!4. Ross is closing its downtown locationAbout guest Niki McKay - Founder & former CEO of Blue Danube Productions:Niki started her company in 2007 in her garage. She has successfully ran Blue Danube Productions until she sold it late last year. Blue Danube was recognized as the #1 fastest-growing woman-owned companies in the state in 2023 and again this year. It was also ranked ranked the second fastest-growing private company in the state by the Puget Sound Business Journal in 2023.About host Rachel Horgan:Rachel is an independent event producer, emcee and entrepreneur. She worked for the Business Journal for 5 years as their Director of Events interviewing business leaders on stage before launching the weekly podcast. She earned her communication degree from the University of San Diego.Contact:Email: info@theweeklyseattle.comInstagram: @theweeklyseattleWebsite: www.theweeklyseattle.com
Audiovisual ➡️ fanlink.tv/Y0UTUBE Tracklisting ➡️ https://bit.ly/tracklist_jaegerbomb We're keeping the winter spirit alive with this high-energy episode, perfectly paired with a classic Jäger Bomb. Just like the iconic shot, ice-cold, bold, and instantly uplifting, this mix is built to wake you up, push you forward, and keep the momentum high. Think late-night ski lodge vibes, glowing lights, cold air outside and pure adrenaline on the dancefloor inside. TWIINS, the Dutch DJ and producer duo now based in Greece, embody the new wave of electronic music with a sound that's sharp, modern, and full of drive. Having started their production journey at just 16, they've quickly earned support from key names in the scene thanks to their ability to fuse cutting-edge production with wide, dancefloor-ready appeal. Their sets balance precision and power, delivering energy without losing musical depth. Much like dropping a Jäger Bomb into an ice-cold glass, this mix hits fast and keeps buzzing long after the first impact. It's dynamic, punchy, and designed to keep bodies moving, an energizing rush that cuts through winter nights and turns them into unforgettable moments. Turn it up, embrace the cold season, and let TWIINS fuel your night with pure, high-octane sound. ❄️
NotiMundo Estelar - Andrés Robalino, Contrato de inversión con la industria audiovisual, ¿de qué se trata? by FM Mundo 98.1
El Mundo de Cabeza – Ana Cecilia Alvarado, certificado de inversión audiovisual en Ecuador by FM Mundo 98.1
Welcome to Torah in Real Time. Today, Rabbi Shlomo Gemara and I step into Parashat Vayechi—a Torah portion that speaks softly, yet carries immense weight. Vayechi opens at a bedside. Jacob's life is drawing to a close, and a family shaped by betrayal, exile, fear, and longing gathers for final words. These are not blessings meant only to comfort. They are words meant to repair. What was fractured is named. What was lost is remembered. What must endure is entrusted forward. It is an ending filled not with finality, but with responsibility. Read against the backdrop of our own moment, Vayechi feels uncannily present. In early 2025, a fragile ceasefire in Gaza brought the first returns of Israeli hostages—some alive, some not—after months of anguish. Families waited. A nation held its breath. And the missing were finally brought home. Vayechi, too, is a parashah of return: Joseph reconciles with his brothers, and Jacob insists that his body not remain in exile, but be carried back to the ancestral land. The Torah reminds us that being brought home—whether in life or in death—matters deeply, spiritually and morally. The parashah also confronts us with kavod hamet, honoring the dead. Jacob's burial is described in striking detail, attended not only by family but by an entire society. Grief is public. Loss is acknowledged. Dignity in death, Vayechi teaches, is not a private concern—it is a collective responsibility. And yet, there is no easy closure. Just as families and citizens today wrestle publicly with painful questions of accountability, negotiation, and moral urgency, Jacob's final blessings are marked by tension. He speaks hard truths. He names past violence. He struggles—one last time—to shape unity from a divided family. Vayechi insists that reconciliation is not sentimental. Love does not erase conflict; it faces it honestly. This is the end of the Book of Genesis—but not an ending without direction. Vayechi asks enduring questions: How do we bring the missing home? How do we honor the dead without abandoning the living? How do families—and nations—hold together after trauma? Jacob's final charge is not despair, but continuity. Even in exile. Even after loss. Even when the future feels uncertain. Vayechi—“and he lived.” Let's explore what that means, right now, with Rabbi Shlomo Gemara. ——
Audiovisual ➡️ fanlink.tv/Y0UTUBE Tracklisting ➡️ soon.. For the very last mix of the year, we turn up the energy and welcome back Floloco, Schirmchendrink's co-founder and bartender-in-chief. His 'Glow Gin', the bold, spiced alternative to classic Mulled wine (Glühwein), is all about warmth and momentum. Just like the drink, it's comforting yet powerful, familiar yet exciting, built to keep you moving while the nights are longer. A true child of the 80s, Floloco has spent decades immersed in electronic music, shaping a sound that thrives on emotion, groove, and forward drive. His mixes are never rushed; tracks are carefully selected and arranged until they lock together into something whole. Genres blur, energy rises and falls, and tension is released with intent. Storytelling remains at the core — but this time, the story dances. If you feel it in your body, the mission is accomplished. This closing mix of the year delivers exactly that: groovy, energetic, and charged with momentum, while still carrying Floloco's signature melancholic edge. It bounces confidently across genres, powered by rhythm, drama, and that unmistakable Floloco swing. Like a perfectly heated Glow Gin, it warms you up from the first moment — then keeps the fire burning until the very last beat. As we close out the year, we want to say a huge thank you to all the incredible artists who trusted us with their music, and to our loyal listeners around the world who keep the Schirmchendrink spirit alive. We wish you a happy new year and only the very best for 2026 — filled with good health, great moments, and even better music. The journey continues, and the year ahead is already lined up with amazing artists and exciting episodes. Cheers! The bartenders Floloco @floloco www.facebook.com/iamfloloco www.instagram.com/iamfloloco Gimérique @gimerique www.facebook.com/gimeriquemusic www.instagram.com/gimerique Schirmchendrink @schirmchendrink www.facebook.com/schirmchendrink www.instagram.com/schirmchendrink
Today on the podcast, I'm honored to welcome Mustapha Ezzarghani — an Arab, a Moroccan, and a Muslim whose life and work unfold at one of the most charged intersections of our time. Mustapha is a political analyst, peace activist, and community organizer originally from Marrakech, Morocco. He is the co-founder and president of the Moroccan-Israel Friendship Association, an American organization dedicated to strengthening ties between the Kingdom of Morocco and the State of Israel through diplomacy, cultural exchange, and grassroots initiatives. Since MIFA's founding in 2020, Mustapha has led efforts to build economic and educational bridges between two peoples whose shared history is often forgotten and whose future is too often framed only through conflict. But Mustapha is more than a title or an organization. He is someone who lives at the intersection of experience and reflection — a thinker shaped not only by ideas, but by lived reality. His journey opens windows onto questions many of us wrestle with but rarely slow down enough to examine: identity and belonging, faith and doubt, tradition and change, responsibility and freedom. What makes this conversation especially powerful is Mustapha's willingness to speak honestly — without slogans, without simplifications — about Israel, the Jewish people, Morocco, and the wider Muslim world. He does not offer easy answers. He offers presence, insight, and the courage to sit with complexity. Raised with deeply ingrained assumptions about Jews and Israel, Mustapha describes how his worldview was transformed through personal encounters — including a moment that shook him to his core, when a Jewish Moroccan doctor from Israel helped save the life of a young girl from a poor Berber family in the Atlas Mountains. That experience sparked a reckoning, leading Mustapha to study Jewish history in Morocco, the Israel-Palestine conflict, and the narratives he had once accepted without question. Influenced by Sufi education and Islamic scholarship — particularly the teaching that one should enter debate wanting to be convinced — Mustapha reminds us that dialogue was once a sacred act, not a political weapon. In a world addicted to certainty and outrage, he calls us back to listening, humility, and moral seriousness. 6: 19 - "We learn about the Jewish people from our textbooks, and at one time I decided to challenge everything I have learned," 12:30 - "If all our stories about the Jews of Morocco were positive, how come when they left to Israel, they became the devil." 27:10 - "When you bring an Arab to Israel for open-heart surgery and they go back home with hatred in their heart....it's because they couldn't find another identity." 39:44: "The hundreds of thousands of Jews we kicked out...turned them to land owners to refugees..is more then enough for us to support your new state, called Israel." 49:56: "Our wars against them (Israel), strengthened them, and it weakened us (the Arab world)" ——
Torah in Real Time — Parashat Vayigash Parashat Vayigash opens with one of the Torah's most charged moments: “Vayigash elav Yehudah”—Judah steps forward. He steps toward Joseph, the most powerful man in Egypt, carrying the weight of a broken family and a famine that has stripped away all illusions of safety. This is not a scene of theology or ritual. It is a scene of human crisis. Hunger has driven Jacob's family across borders. They have come to Egypt not to thrive, but to survive. Before the Torah ever speaks about refugees as a category, it tells us their story. Jacob's family are climate refugees—forced from their land by famine. They arrive vulnerable, dependent, and at the mercy of a foreign power. Their future hinges on whether someone in authority will see them as a threat, a burden, or as human beings. Judah's act of stepping forward is more than family loyalty; it is moral courage in a refugee moment. He refuses to let the weakest—Benjamin—become collateral damage. He teaches us that responsibility does not belong only to systems or governments, but to individuals who choose not to look away. When Joseph reveals himself, the Torah shows us something radical: compassion can transform power. Egypt, the superpower of its time, becomes a place of refuge—because one person remembers who he is and where he came from. Vayigash speaks directly to our world, where millions are displaced by war, hunger, and climate crisis. The Torah does not ask us first what refugees will contribute. It asks who we will become in how we respond to them. This week on Torah in Real Time, Rabbi Gemara explores Vayigash as a living text about displacement, responsibility, and the courage to draw near rather than retreat. Because the test of a society is not how it treats the strong—but whether, in moments of fear and scarcity, it still makes room for the stranger. ——
Send us a textEn este episodio entrevistamos a Alejandro Bolaños García-Escribano, profesor e investigador de University College London y traductor de trabajos como «Born in Africa» (National Geographic) o «The Joel McHale Show» (Netflix).Alejandro nos guía por su trayectoria profesional, desde sus primeros pasos en España hasta su experiencia laboral y académica en el Reino Unido. Exploramos las diferencias entre ambos contextos en la concepción, enseñanza y práctica de la TAV, así como los retos y sinergias de compaginar el trabajo como traductor autónomo con la labor investigadora y docente.Hablamos también de las competencias clave que hoy se exigen a los futuros traductores audiovisuales y del profundo impacto que las plataformas de streaming han tenido en el volumen, la diversidad y las exigencias de calidad del sector. El episodio aborda además el papel de la automatización, la inteligencia artificial y la traducción automática en procesos como la subtitulación y el doblaje, reflexionando sobre si representan una amenaza o una oportunidad para los profesionales humanos.Finalmente, repasamos los principales temas tratados en el congreso APTIS celebrado los días 3 y 4 de noviembre.Consulta el episodio subtitulado y accede a la lista de enlaces en nuestro canal de Youtube.En sincronía by Damián Santilli, Blanca Arias Badia & Guillermo Parra is licensed under a Creative Commons Reconocimiento-NoComercial 4.0 Internacional License: https://bit.ly/3jXTwjB
Chegamos ao fim de 2025 com a sensação de que o cinema passou por um ano de ajustes decisivos. Entre retomadas, reavaliações e mudanças de rota, a indústria audiovisual parece ter entendido que repetir fórmulas já não garante o mesmo impacto. Este episódio propõe uma retrospectiva de um ano marcado menos por euforia e mais por reposicionamento: artístico, industrial e cultural.Ao longo da conversa, Rafael Arinelli, Edu Sacer e Claudio Gabriel, analisam como, após a recuperação iniciada em 2024, o cinema mundial passou a investir com mais cuidado em produções regionais, autorais e de nicho. O mercado global voltou a crescer, com aumento expressivo de público impulsionado sobretudo pela América Latina e pela Ásia. No Brasil, 2025 foi simbólico: pela primeira vez desde 2019, o cinema nacional ultrapassou a marca de 25 milhões de ingressos vendidos, mostrando diversidade estética e força em gêneros como terror, animação e filmes híbridos entre apelo popular e experimentação.Na no papo de retrospectiva também houve debate sobre o evidente desgaste dos grandes blockbusters, especialmente dos filmes de heróis. Títulos aguardados como Superman, Capitão América e Thunderbolts ficaram abaixo das expectativas, reforçando a percepção de saturação desse modelo. Em contraste, o topo das bilheterias foi ocupado por apostas mais seguras, como animações, remakes como Lilo & Stitch, Zootopia e o fenômeno chinês Ne Zha 2.Falamos ainda sobre o excesso de lançamentos nos streamings, a sensação de efemeridade do catálogo e como isso tem tornado o público — inclusive nós — mais seletivo na ida ao cinema. Para fechar, comentamos o Oscar de 2025, a histórica vitória brasileira em Melhor Filme Internacional e compartilhamos listas pessoais de destaques, surpresas e decepções do ano.Um episódio essencial de retrospectiva para entender o que 2025 revelou — e escondeu — sobre o presente e o futuro do cinema.• 03m49: Pauta Principal• 1h20m43: Plano Detalhe• 1h34m45: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Claudio): Filme: Broken Rage• (Claudio): Filme: Misericórdia• (Edu): Série: Simon Cowell: O Próximo Sucesso• (Edu): Série: It: Bem-Vindos a Derry• (Edu): Série: Pluribus• (Rafa): Podcast: Não ImportaEdição: ISSOaí
El movimiento consciente es un camino de sanación y presencia. En esta entrevista, Marina Gallego Ramos explica cómo habitar el cuerpo permite sanar las heridas femeninas ligadas al amor, la voz, el placer y el poder. Cuando nos movemos desde la conciencia y el grupo, el cuerpo se convierte en un portal hacia la verdad, la creatividad y la libertad interior. Es el momento de SANAR. Marina Gallego Ramos Terapeuta Integral y licenciada en Comunicación Audiovisual. Formada en Terapia de Regresiones, danza movimiento, meditación y astrología. Puedes contactar con Marina por correo electrónico aquí: marinagallegoramos@gmail.com https://www.instagram.com/sanacionmarina_/ Más información en: https://www.mindaliatelevision.com PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------ INFORMACIÓN SOBRE MINDALIA ----------DPM Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ - Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS https://www.mindalia.com/plataformas/ *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas. #Verdad #Placer #Poder
El poder de la intención y cómo manifestar tu realidad en 2026: descubre cómo alinear tu mente, emociones y energía para crear el futuro que deseas. En esta mesa redonda de Mindalia, expertos en espiritualidad, conciencia y crecimiento personal nos revelan cómo usar la intención consciente, la ley de atracción y la energía cuántica para materializar abundancia, amor y propósito en el nuevo año. Maria Miranda Fundadora de Templum Sacrum, un espacio dedicado a la alquimia interior, los sueños conscientes y la sabiduría simbólica. Acompaña procesos de transformación a través de alquimia, arquetipos y trabajo con el inconsciente. https://templumsacrum.com/ https://www.instagram.com/miranda_mmaria Marina Gallego Ramos Terapeuta Integral y licenciada en Comunicación Audiovisual. Formada en Terapia de Regresiones, danza movimiento, meditación y astrología. https://www.instagram.com/sanacionmarina_/ Alejandro Vargas Médium y canalizador. https://www.instagram.com/compartirdesdelaesencia María Eugenia Marín Coach Holística | Mentora | Canalizadora. Facilita Sesiones y Talleres para el Despertar de Consciencia, integrando Coaching Transpersonal, Astrología y Metafísica. Canaliza mensajes y activaciones para la ascensión a Quinta Dimensión. https://mailchi.mp/b1d11069efcd/eugeniaenprimerapersonaok https://www.instagram.com/eugenia_enprimerapersona_ok Miguelón Ingeniero civil de obras públicas con máster en energías renovables. Es además coach, organizador de retiros y eventos espirituales y facilitador de la energía Kundalini a través de la sabiduría chamánica. https://www.instagram.com/miguelon_jugador3d_mensajero?igsh=MWVndmUzemFqNTBhOA%3D%3D Más información en: https://www.mindaliatelevision.com PARTICIPA CON TUS COMENTARIOS EN ESTE VÍDEO. ------------ INFORMACIÓN SOBRE MINDALIA ----------DPM Mindalia.com es una ONG internacional, sin ánimo de lucro, que difunde universalmente contenidos sobre espiritualidad y bienestar para la mejora de la consciencia del mundo. Apóyanos con tu donación en: https://www.mindalia.com/donar/ - Suscríbete, comenta positivamente y comparte nuestros vídeos para difundir este conocimiento a miles de personas. Nuestro sitio web: https://www.mindalia.com SÍGUENOS TAMBIÉN EN NUESTRAS PLATAFORMAS https://www.mindalia.com/plataformas/ *Mindalia.com no se hace responsable de las opiniones vertidas en este vídeo, ni necesariamente participa de ellas. #Manifestar #Intención #Futuro
Tras casi un siglo de historia, Radio Nacional de España ha anunciado el apagón definitivo de sus emisiones en Onda Media, previsto antes del 31 de diciembre de 2025. La decisión se apoya en argumentos de peso: la calidad técnica de la AM es inferior a la de la Frecuencia Modulada, lo que provocó una caída vertiginosa de audiencia desde la llegada de la FM; además, los elevados costes de mantenimiento hacen difícil sostener un sistema que en Europa ya ha sido abandonado por 26 países.Hoy, la cobertura en FM alcanza más del 98% para Radio Nacional y el 95% para Radio 5, mientras que la escucha a través de TDT e internet crece de manera constante. Sin embargo, la medida deja una sombra: algunas aldeas quedarán sin acceso a la radio, perdiendo un vínculo esencial con la información y la cultura.Sobre este dilema reflexionan Marta Peirano, Javier Sánchez, Director de Área de Política Audiovisual y Servicio Público de RTVE, miembro del Comité de Radio de la UER y de la Junta Directiva de WorldDab y David Marugán, experto en radio. Escuchar audio
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