Podcasts about Audiovisual

'Winter Light — A Daughter of Holocaust Survivors' tells Her Story.  On this episode of The Avrum Rosensweig Show, we are honored to welcome Grace Feuerverger — Professor Emerita at the University of Toronto, award-winning author, and a scholar whose work explores identity, culture, language, and peace education. Grace's powerful memoir, 'Winter Light: Memoir of a Child of Holocaust' Survivors, tells the story of growing up in Montréal as the daughter of parents who survived Nazi persecution in Poland. In this deeply moving conversation, Grace reflects on the legacy of trauma passed down through generations, the search for inner refuge, and the surprising moments of grace that shaped her life. Praised for its lyrical writing and profound humanity, Winter Light explores how a child of survivors navigates the shadows of history while moving toward healing, meaning, and hope. In this episode, we discuss the legacy of the Holocaust, the resilience of survivor families, Grace's journey through many cultures and languages, and the enduring power of education and human connection. Join us for a thoughtful and inspiring conversation about memory, identity, and the courage to keep walking toward the light. #GraceFeuerverger #WinterLight #HolocaustLegacy #ChildOfSurvivors #HolocaustMemory #JewishHistory #HolocaustEducation #AvrumRosensweigShow #HolocaustStories #JewishPodcast #HolocaustSurvivors #Resilience #HumanSpirit #JewishAuthors #HistoryAndMemory ——

Recorded directly from the vibrant floor of the Fira at ISE 2026 in Barcelona we bring you Episode 142 of the All Things TechIE PodcastJoin Justin Dawson as he chats with the inspiring Angelica Georges, a tech-focused content creator with over a million Instagram followers.Angelica Georges shares her journey from relatable student content during COVID to thriving in the tech space on Instagram and TikTok. Hear first-hand impressions of the world's biggest AV trade show. From immersive halls and innovative products, to why Hall 8's lasers and smoke machines are a must-see.The duo discusses the best gear for mobile content creation, the magic of simple editing tools, and clever AV solutions spotted at the show.Both speakers highlight less-obvious tech career paths and how trade shows like ISE open doors to industries beyond IT and coding. From must have accessories to why you should always pack comfy shoes, Angelica Georges offers advice for making the most out of huge events like ISE.Whether you're part of the AV industry, curious about content creation, or just want a lively behind the scenes glimpse into ISE 2026, this episode has something for everyone. #ISE2026 #Podcast #Tech #AV #ContentCreation #EdTech #Inspiration #AllThingsTechIE #PushBeyond

1326. El podcast 'Hechos reales' ha regresado a mi cola de reproducción y, esta vez, lo ha hecho en forma de experimento audiovisual que me parece especialmente interesante para quienes vivimos pendientes de hacia dónde evoluciona el podcasting.Hace unos días, aprovechando el buen tiempo en Madrid, hice una escapada a la sierra, hacia el embalse de Burguillo. Al recorrer la M-501 y ver esas enormes antenas que siempre impresionan, recordé la visita al museo lunar y, casi sin darme cuenta, volví mentalmente a aquel episodio titulado Medio segundo. Ya hablé de él hace tiempo, pero esta vez el motivo es otro: a finales de diciembre decidieron darle una segunda vida convirtiéndolo en una versión en video para YouTube. Lo interesante aquí no es simplemente que un podcast llegue a YouTube, porque eso ya lo hemos visto mil veces. Lo que me parece relevante es cómo lo han hecho. No han tocado ni una coma del episodio original. No han regrabado, no han reinterpretado, no han adaptado el guion pensando en cámara. Lo que han hecho ha sido añadir una capa visual generada con inteligencia artificial y trabajada con criterio, con diseño, con intención narrativa. Y eso cambia completamente el enfoque. Cuando hablo de la eterna discusión sobre el videopodcast, muchas veces me da la sensación de que nos olvidamos del podcast narrativo. Si desde el principio piensas en imágenes, puedes acabar haciendo un documental que además se puede escuchar. Que no es lo mismo. En cambio, aquí el orden de los factores sí altera el resultado: primero estuvo el audio. Primero se escribió, se diseñó, se grabó y se editó como podcast. Y bastante tiempo después llegó el complemento visual. Eso, para mí, es clave. Porque el video no condicionó la creación original. No eclipsa la historia. No compite con el diseño sonoro. Lo acompaña. Las imágenes, que recuerdan más a viñetas de novela gráfica o a un storyboard en movimiento, amplifican la experiencia sin traicionar la esencia del formato. Me parece un buen ejemplo de cómo la tecnología puede sumar sin sustituir. De cómo la IA no viene a reemplazar la narrativa, sino a amplificarla si se usa con criterio. Y también me parece una pista interesante para quienes quieren experimentar con el video sin perder lo que hace especial al podcast narrativo. Puedes suscribirte a 'Hechos reales' a través de tu plataforma de podcast preferida:https://pod.link/1739571598Aquí puedes disfrutar de la nueva versión audiovisual de 'Medio segundo' a través de Youtube:https://youtu.be/GIGZZgbWDXU?si=d1EWszfqAEr9WAkAÚnete a la conversación de Linkedin donde Álvaro de Cózar anunció esta nueva versión de 'Medio segundo':https://www.linkedin.com/posts/%C3%A1lvaro-de-c%C3%B3zar-41007a223_medio-segundo-la-llegada-del-hombre-a-la-activity-7419670550962339840-afMX_____________Consigue tu entrada para el directo de 'Contando Kilómetros Podcast' el 28 de marzo en las Podnights Madrid a través de Eventbritehttps://www.eventbrite.es/e/1980175107050?aff=oddtdtcreator_____________ ¡Gracias por pasarte 'Al otro lado del micrófono' un día más para seguir aprendiendo sobre podcasting! Si quieres descubrir cómo puedes unirte a la comunidad o a los diferentes canales donde está presente este podcast, te invito a visitar https://alotroladodelmicrofono.com/unete Además, puedes apoyar el proyecto mediante un pequeño impulso mensual, desde un granito de café mensual hasta un brunch digital. Descubre las diferentes opciones entrando en: https://alotroladodelmicrofono.com/cafe. También puedes apoyar el proyecto a través de tus compras en Amazon mediante mi enlace de afiliados https://alotroladodelmicrofono.com/amazon La voz que puedes escuchar en la intro del podcast es de Juan Navarro Torelló (PoniendoVoces) y el diseño visual es de Antonio Poveda. La dirección, grabación y locución corre a cargo de Jorge Marín. La sintonía que puedes escuchar en cada capítulo ha sido creada por Jason Show y se titula: 2 Above Zero.  'Al otro lado del micrófono' es una creación de EOVE Productora.

La producción audiovisual está viviendo una transformación acelerada gracias a la inteligencia artificial. En este episodio analizamos cómo la IA está cambiando la forma en que se crean guiones, imágenes, voces, animaciones y piezas completas de contenido. Desde la optimización de tiempos y presupuestos hasta los nuevos modelos de negocio que surgen a partir de estas herramientas, exploramos el impacto real de la tecnología en la industria creativa.También discutimos los retos: ética, originalidad, derechos de autor y el papel del talento humano en un entorno cada vez más automatizado. Un episodio clave para creadores, agencias y emprendedores que buscan entender cómo integrar la IA en sus procesos sin perder identidad ni estrategia.#ProducciónAudiovisual #InteligenciaArtificial #IA #ContenidoDigital #InnovaciónCreativa #TecnologíaCreativa #IndustriaAudiovisual #MarketingDigital #CreatorEconomy #FuturoDelContenido #PodcastDeNegocios #TransformaciónDigital

Audiovisual ➡️ fanlink.tv/Y0UTUBE Tracklisting ➡️ soon.. Dark, complex, and full of character. Unicum becomes more than a drink in Barnowsky's interpretation; it turns into a metaphor. Bittersweet layers, herbal depth, and a warming intensity mirror the way his sets unfold: bold at first contact, then increasingly nuanced with every minute. Just like the iconic Hungarian liqueur crafted from dozens of herbs, this mix reveals new flavors as it evolves: rich, distinctive, and unapologetically deep. Barnowsky, aka Zoltan from Hungary, has been shaping electronic journeys since the '90s. With over two decades behind the decks, his sound spans melodic and progressive house while naturally extending into deeper, minimal, and atmospheric realms. Known for precise transitions and harmony-driven storytelling, he layers an unusually high number of tracks into seamless motion — constantly blending, experimenting, and refining the flow. The result is a layered, high-energy journey that feels both experimental and controlled. Driving yet thoughtful, intricate yet fluid, this set captures Barnowsky's signature approach: crafting a sonic experience that lingers long after the final transition fades. Cheers! The bartenders Barnowksy @barnowsky Schirmchendrink @schirmchendrink www.facebook.com/schirmchendrink www.instagram.com/schirmchendrink

Estamos vivendo um momento paradoxal no cinema. Ao mesmo tempo em que filmes brasileiros chamam a atenção do público e da crítica internacional, está difícil para se produzir cinema no país.“Temos um momento muito bom de visibilidade, mas não de produção ou de incentivo à produção", afirma Marina Person, cineasta e apresentadora a Gama. Ela é a entrevistada do Podcast da Semana, da edição sobre o atual momento do cinema brasileiro."O governo Lula não conseguiu ainda colocar de volta os tijolos na casinha do Ministério da Cultura, da Secretaria do Audiovisual, do fundo setorial. Os editais não estão acontecendo, o dinheiro não está saindo”, diz.“A gente tem muita coisa boa para mostrar, somos um país enorme, o único país da América Latina que fala outra língua. Tem uma música que é incrível, o carnaval, a Amazônia. Então o reconhecimento para mim é algo que você fala ‘bom, que bom que agora tão vendo'. Mas a gente já sabia”, ela diz no podcast.Person é roteirista, diretora, atriz e uma estudiosa do cinema. Ela acaba de voltar do Festival de Berlim, onde foi exibido o filme “Isabel”, protagonizado por ela. Também está viajando pelo Brasil para apresentar a cópia restaurada em 4K do filme “São Paulo Sociedade Anônima” (1965), escrito e dirigido por seu pai, Luis Sergio Person, há 60 anos. A cópia foi restaurada pela Film Foundation, instituto de preservação da memória do cinema de Martin Scorsese.Ao Podcast da Semana, a cineasta reflete sobre o atual momento do cinema nacional no exterior, sobre a corrida pelo Oscar e sobre as chances do Brasil no prêmio, além da importância de contar e preservar as nossas histórias brasileiras.Roteiro e apresentação: Isabelle Moreira Lima

Rafael Arinelli e Marina Oliveira recebem Iafa Britz, a produtora que entrou na sala errada e nunca mais saiu do cinema. Literalmente. Ela foi fazer um curso de computação gráfica na Fundição Progresso, errou de porta e caiu numa aula de produção audiovisual. O resto é história (e blockbuster).Da era do deserto pós Embrafilme às franquias bilionárias de Minha Mãe é uma Peça, Iafa construiu a Migdal Filmes com um pacto pessoal: usar o sucesso comercial para bancar projetos de impacto social e diretores estreantes. É o cinema como devolução à sociedade, sem romantismo barato.Mas o papo vai fundo: a crise após a morte de Paulo Gustavo, o esgotamento num mercado que virou "jogo de adultos", e como a formação em psicologia salvou sua relação com o audiovisual. Iafa não tem papas na língua para falar sobre ego inflado, indústria tóxica e a necessidade de ter vida fora do set para não pirar de vez.Entre Cássia Eller, Descontrole e a adaptação de Geni pela Ana Muylaert, ela segue firme na "república dos excluídos". Porque cinema bom é aquele que mexe em ferida aberta, e Iafa sabe disso melhor que ninguém.• 03m41: Pauta Principal• 1h17m20: Plano Detalhe• 1h26m07: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio CoqueletFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Marina): Podcast: Desculpa o Transtorno• (Marina): Podcast: É tudo culpa da cultura• (Iafa): Filme: Descontrole• (Iafa): Exposição: MAR• (Rafa): Livro: Film Business: O Negócio do Cinema• (Rafa): Filme: Valor SentimentalEdição: ISSOaí

Welcome to the show. There are moments in history when leadership is not ceremonial — it is existential. When uncertainty spreads, when fear rises, and when moral clarity feels obscured, the question is no longer who speaks the loudest, but who carries the deepest responsibility. This week we turn to Parshat Tetzaveh — Leadership When the World Is Unsteady, a portion that speaks directly into such moments. Unlike narratives of plagues or revelation, Tetzaveh turns inward. It speaks of garments. Of oil. Of light. Of the Kohen Gadol, Aaron, clothed “for glory and for splendor.” Yet beneath the gold threads and precious stones lies something far more demanding: he must carry the names of the twelve tribes over his heart. Leadership, the Torah teaches, is not about prominence — it is about bearing people. Their pain. Their hope. Their dignity. Close to one's chest. The parsha opens with the command: וְאַתָּה תְּצַוֶּה — “And you shall command.” Moses' name does not appear in this entire portion, yet it begins by addressing him directly. The message is profound. True leadership does not require the spotlight. The greatest leaders are sometimes most powerful when they step back. We are commanded לְהַעֲלֹת נֵר תָּמִיד — “to raise up a continual light.” Not merely to ignite a flame, but to kindle it until it rises on its own. Light is not self-sustaining. It requires tending. It requires pure oil. It requires constancy. In times of crisis, moral leadership functions the same way — disciplined, steady, luminous, even when the surrounding world feels dark. And Aaron is told: וְנָשָׂא אַהֲרֹן אֶת שְׁמוֹתָם עַל לִבּוֹ — “And Aaron shall carry their names upon his heart.” On his shoulders — responsibility. On his heart — compassion. Leadership is both weight and love. Today we will explore the enduring questions of this parsha: Why begin with pure olive oil before speaking of sacred garments? What does a continual flame teach about spiritual responsibility in unstable times? Why are the garments described as “for glory and for splendor”? What is the difference between carrying a people on one's shoulders and carrying them on one's heart? Why is Moses' name absent — and what does that teach about humility, sacrifice, and essence beyond ego? Tetzaveh reminds us: when the world trembles, the answer is not louder noise. It is steadier light. Leadership is not loudness — it is the disciplined commitment to sustain illumination and hold a people together when history grows dark. Let's begin. ——

If you're passionate about AV, broadcast, collaboration tech, or just fascinated by the future of digital spaces, you need to check out episode 141 of the All Things TechIE Podcast! Recorded live at ISE 2026 in Barcelona.This episode features Simon Lang from CT Ireland alongside host Justin Dawson. * Get first-hand impressions and insights on the hottest trends, products, and innovations from the world's leading industry event. * Hear Simon's expert take on how corporate and broadcast solutions are converging – and what that means for your business.Discover what's new from Elgato, Logitech, Shure, WolfVision, Nureva, Jabra, Aver, and more. * Expect real talk about virtual desks, AI-driven cameras, sound, and experiential tech for museums and education.* Learn how the industry is tackling tighter budgets, sustainability requirements, and accessibility for all users.* This episode is packed with personal stories, honest opinions, and discussions you won't get anywhere else.Listen to episode 141 of All Things TechIE Podcast now and join the conversation! Feel free to share with your network and spark some techie discussion!#AV #TechPodcast #ISE2026 #Collaboration #Broadcast #Sustainability #Accessibility #CTIreland #AllThingsTechIE #PushBeyond 

ÓRUM DE TIRADENTES | PAINEL – GT PRESERVAÇÃOEste painel propõe um diálogo transversal que afirma a preservação audiovisual como um dispositivo estratégico de promoção de direitos, cidadania, soberania cultural e disputa simbólica no Brasil contemporâneo. Embora reconhecida como elemento estruturante do setor audiovisual, esse reconhecimento ainda não se traduziu em ações concretas por parte do poder público, tanto na esfera executiva quanto legislativa, capazes de contribuir para o equilíbrio e a sustentabilidade desse ecossistema. A partir de reflexões e casos concretos, o painel destacará o impacto da preservação na produção contemporânea, na difusão e circulação de obras em diferentes janelas e mercados, bem como na formação de profissionais e na construção de repertórios, referências, identidades e de um projeto de país plural e diverso.

FÓRUM DE TIRADENTES | PAINEL – GT OBSERVATÓRIOSEm 2026, o GT Observatórios do Audiovisual propõe debater a importância e os desafios da implementação e do fortalecimento de políticas culturais baseadas em evidências. A mesa reunirá experiências de grupos já consolidados na produção de pesquisas e dados técnicos, voltados ao apoio à tomada de decisões por órgãos públicos, setor privado e terceiro setor, com o objetivo de construir respostas coletivas para o cinema e o audiovisual a partir de dados empíricos.

Reunião do FÓRUM DE TIRADENTES | PAINEL – GT PRODUÇÃO.Este grupo de trabalho propõe investigar práticas de produção audiovisual que reconheçam a diversidade de agentes, narrativas, territórios e modelos de atuação como elemento central para o fortalecimento do setor. O debate parte da necessidade de construir relações mais equilibradas entre criação, mercado e políticas públicas, compreendendo a produção como um espaço de negociação permanente entre dimensões artísticas, econômicas e institucionais. Ao valorizar o trabalho coletivo, as redes de colaboração e os diferentes arranjos produtivos, o GT busca refletir sobre caminhos que promovam maior estabilidade, profissionalização e continuidade das atividades no audiovisual.

FÓRUM DE TIRADENTES | PAINEL – GT EXIBIÇÃO / DIFUSÃOA necessidade de expansão e diversificação do circuito exibidor e das formas de difusão audiovisual é consensual e urgente. A partir da compreensão da realidade trazida por profissionais com experiências ligadas às salas comerciais, a plataformas de streaming independentes, a festivais e circuitos públicos, esta mesa mapeará as prioridades políticas e as necessidades estruturais de um segmento que está no centro das transformações trazidas pela tecnologia.

Caio César Loures, que é diretor-adjunto de Operações e Tecnologia, passa a fazer parte do Conselho de Comunicação Social do Congresso Nacional, órgão responsável por opinar em projetos de lei que abordam temas da comunicação brasileira. O foco do mandato, que teve início em fevereiro, deve ser a regulação da inteligência artificial e dos serviços de streaming no Brasil.Reportagem: Lara MansurEdição: Gabriel Savelli e Thiago Kropf

History does not whisper in our lifetime — it thunders. Nations are tested, alliances are strained, and the moral weight of leadership settles on those called to stand in the storm. In such moments, diplomacy is no longer ceremony. It is strategy. It is conviction. It is the voice of a nation carried across oceans. Today, we are honored to sit at one of the most consequential crossroads of our era with Michael 'Yechiel' Leiter, Israel's Ambassador to the United States. His appointment in January 2025 is not the result of a single moment, but the culmination of a life shaped by intellect, policy, and public service. He has served in senior advisory roles to Israel's leadership, including as chief of staff to Benjamin Netanyahu during his tenure as finance minister, and in key positions across government ministries and national institutions — from national education policy to strategic infrastructure oversight. In every arena, his work has required one essential quality: the ability to translate vision into reality. Yet Ambassador Leiter is not only a practitioner of statecraft — he is a scholar of it. Holding a Ph.D. in political philosophy from the University of Haifa, with advanced training in international relations and law, he has written and lectured extensively on democracy, governance, and the moral foundations of power. His book, John Locke's Political Philosophy and the Hebrew Bible, argues that modern democratic ideals are not merely products of secular Enlightenment thought, but are deeply rooted in biblical covenantal ideas — that authority is conditional, morally bound, and entrusted rather than absolute. Few diplomats arrive with both the academic depth to interpret history and the practical experience to help shape it. Born in Scranton, Pennsylvania, and forged in Israel's public life, Ambassador Leiter stands as a bridge between worlds — scholarship and strategy, conviction and diplomacy, heritage and unfolding history. His earlier advocacy work on behalf of the Jewish community of Hebron positioned him as a key voice explaining one of Judaism's oldest cities — home to the Tomb of the Patriarchs — to international audiences, framing its story not only through conflict, but through history, faith, and continuity. And he carries something more — something deeply personal. His firstborn son, Lt. Col. Moshe Yedidya Leiter, an elite Israeli combat officer, was killed in action in Gaza following the war that erupted after October 7. That loss is inseparable from his public voice. When he speaks about Israel's security, democracy, and moral responsibility, he does so not only as a diplomat, but as a father who has borne the cost of national defense. Michael Leiter brings together three rare callings: senior government practitioner, trained political philosopher, and diplomatic representative. His career bridges theory and policy, scholarship and statecraft, faith and democracy. This is not merely an interview. It is a conversation at the fault line of our times. Ambassador Michael Leiter — welcome to the program. ——

Los incentivos al cine y la producción audiovisual ¿sí, o no? Hace apenas unos días el gobierno de México convocó a la comunidad cinematográfica nacional y a varios medios (ahí estuvimos) para anunciar un conjunto de incentivos económicos y fiscales para impulsar la producción audiovisual nacional y, sobre todo, la internacional que quiera trabajar en México. Como siempre ocurre ante anuncios como este, al inicio hubo recelo. La industria cinematográfica mexicana ya ha sido descuidada e incluso maltratada (basta recordar el hoyo en que la sumió el Tratado de Libre Comercio de América del Norte). A ello hay que sumar que el sector cultural ha sufrido un marcado descuido de parte de las autoridades correspondientes, especialmente en los últimos años. ¿Cómo debemos tomar entonces este anuncio? Con cuidado y buscando el mejor enfoque. En especial porque tampoco se debe caer en situación de falsa alarma y mucho menos ser parte de la desinformación, como lo hicieron medios muy pocos serios que dicen cubrir las actividades de la industria cinematográfica. Por eso, para conocer detalles y opiniones sobre estos incentivos, es que a este podcast sobre el tema invitamos a Abril Alzaga, comunicadora, ex directora del FICUNAM y actualmente Directora General de PROCINE, Fideicomiso para la Promoción y Desarrollo del Cine Mexicano en la Ciudad de México. Learn more about your ad choices. Visit megaphone.fm/adchoices

Audiovisual ➡️ fanlink.tv/Y0UTUBE Tracklisting ➡️ soon.. Warm, smooth, and slightly unexpected — Mathilde Nordberg's 'Frangelico Sour 'sets the mood for this episode. Hazelnut liqueur meets fresh lemon and lime, shaken to a creamy foam that balances sweetness with sharp citrus bite. It's round, nutty, and refreshing at once, a refined twist on a classic sour. That layered elegance mirrors Mathilde's sound: intimate yet vibrant, soft in texture but grounded in groove. Moving between Melodic and Afro House, Mathilde blends organic depth with club-ready energy. As a producer, songwriter, and DJ, she records her own cello, piano, and vocal samples, weaving acoustic warmth into electronic precision. Released on labels like Unreleased Records, Ki Records, and Didschn, her music carries analog soul with modern drive. This mix flows just like the cocktail: smooth at first sip, then alive with subtle tension and lift. Grooving, emotive, and effortlessly moving, it features many of Mathilde's own productions, offering a deep dive into her signature sound. Perfect for late evenings, small gatherings, or a quiet moment that slowly turns into spontaneous dance. Cheers! The bartenders Mathilde Nordberg @mathildenordberg www.instagram.com/mathildenordberg Schirmchendrink @schirmchendrink www.facebook.com/schirmchendrink www.instagram.com/schirmchendrink

In every community, there are people who volunteer. And then there are people who quietly become part of the community's infrastructure — the ones who notice what's missing, gather others, and build what's needed. In this podcast, we'll meet one of those people: Shayna Rehberg-Paquin of Tzfat. Shayna is a mother of seven — including children with special needs — and she somehow holds the many moving pieces of family life, leadership, and volunteerism with a rare blend of strength, sensitivity, and organizational mastery. Her days are a tapestry: caring for her children, mentoring, guiding projects, responding to urgent needs, and still carrying a spirit of creativity and optimism. Whether she's leading a foraging hike, running a support circle for mothers, or helping women through moments of crisis, Shayna shows up with purpose — grounded in service. Her path to Tzfat has been as multifaceted as her work. She's lived in four countries, visited fifteen, and moved twenty-eight times — and for the past eleven years, she's been proud to call Tzfat home. Professionally, she began in real estate, then shifted into nonprofit leadership — working with the Jewish Federation and Livnot U'Lehibanot, later becoming a grant writer and development strategist who helped secure support for organizations like the Safed English Library and the HUB, now Klika. She co-founded Sparks to Life, served as Project Director in Tzfat's Immigration Absorption Department, and has hosted Nefesh B'Nefesh pilot-trip participants since 2010. And in a city with deep history and spiritual resonance — one of Judaism's four holy cities, and today the poorest Jewish city in Israel — Shayna is helping shape a stronger future: from a five-year strategic aliyah plan, to transforming bomb shelters into therapeutic spaces for children, to founding a clothing gemach that restores dignity to families in need. Some people build programs. Others build communities. Shayna is doing both — with vision, compassion, and an uncommon capacity for action. This is a conversation about leadership that isn't about titles — it's about responsibility, love, and what it means to keep building, even when life is full. Welcome to the show. ——

Ready to catch the pulse of innovation straight from the show floor of ISE 2026? Tune in to Episode 140 of All Things TechIE Podcast with Justin Dawson and industry expert David Danto  as they dive into the game-changing trends, surprising launches, and real-world insights shaping the future of AV and collaboration tech.Hear about the boldest moves from Microsoft and Shure, next-gen audio/video bars, and how AI is transforming (but not overwhelming) the tech landscape.Get the inside scoop on standout innovation from major players like Cisco, Sony, Logitech, Jabra, and trailblazers like SkyTed and Nureva.We have an unfiltered discussion on the real future for VR, 3D displays, and DVLED—plus practical takes on where classrooms and courtrooms are heading.Whether you're a higher-ed pro, integrator, or just passionate about all things tech, discover what products and trends should be on your radar. Don't settle for second-hand update! Hear what's actually happening at ISE 2026 from two experts in the thick of it. #AVtweeps #ISE2026 #ProAV #TechInnovation #Podcast #AllThingsTechIE #PushBeyond 

Dirigido y moderado por José Luis Arranz. En este episodio 'Especial Fórmula 1' nos acompañan Nira Juanco, Paola Boutellier, Jorge Bermejo, Adolfo Santos y Ángel Caparrós. Opinión, debate y entretenimiento. Buena compañía y buena conversación. En directo el... 19 de febrero de 2026'Podcasteando con amigos' en... WhatsApp: https://www.podcasteando.es/agoraInstagram: https://www.instagram.com/podcasteandoconamigos Conócenos mejor... NIRA JUANCO ALONSO (Las Palmas de Gran Canaria, 1978) es Licenciada en Periodismo, y en Derecho. Desde 2004 ha trabajado en Localia TV, CNN+, La Sexta, Antena 3 y DAZN. En 2009 le llegaría su gran oportunidad al convertirse en miembro clave del equipo de Fórmula 1 de la mano de Antonio Lobato. Ahí conoció a Fernando Alonso, a Pedro de la Rosa, a Jaime Alguersuari, a Marc Gené, a María de Villota. Durante seis temporadas viajó por todo el mundo, primero con La Sexta y luego con Antena 3, cubriendo los GP de F1. En la actualidad es la directora de comunicación del Gran Premio de España de F1. PAOLA BOUTELLIER (Málaga, 1993) es graduada en Comunicación Audiovisual. Máster en Dirección de Marketing y Comunicación Digital de la CEREM International Business School. Su pasión por el cine, las series y, sobre todo los libros, la llevó a crear en 2016 la comunidad Bicheando Libros. Ahora cuenta en sus redes sociales con más de 200.000 seguidores con los que comparte su pasión por la lectura. Sus novelas negras (A ojos de nadie, Asesinato de un culpable, Aún no es tarde y El último giro) han enamorado a miles de lectores.JORGE BERMEJO ARRANZ (Málaga, 2006) es estudiante del Grado de Matemáticas en la UMA. Gran aficionado de los videojuegos y los deportes, en particular del fútbol y de la fórmula 1. Le encanta leer, y es un amante de Star Wars desde que nació. Disfruta mucho de salir con sus amigos, y actualmente dedica los ratos libres a aprender a tocar la guitarra española.JOSÉ LUIS ARRANZ SALAS (Málaga, 1968) es Informático y Comunicador. Cuenta con más de 30 años de experiencia profesional en los diferentes sectores de las Tecnologías de la Información, la comunicación y la docencia. Docente vocacional ha impartido cursos en distintos centros y universidades. Es emprendedor en Celinet Soluciones Informáticas. Entrevistador en Entrevistas a Personas Interesantes (Mejor Blog de Actualidad en los Premios 20 Blogs de 20 Minutos). Instagramer y YouTuber en En directo con amigos. Podcaster en Podcasteando con amigos. Articulista en Mentes Inquietas y otros medios físicos y digitales. ADOLFO SANTOS FLORIDO (Málaga, 1968) es Informático, padre y talibán del asfalto. Cuenta con más de 25 años de experiencia en TIC y especialmente en el Tráfico y la Seguridad Vial con mayúsculas, tema donde piensa que aún no se ha hecho ni innovado lo suficiente. Enamorado de su familia, del Software Libre, de la movilidad sostenible y de los desplazamientos en bicicleta, sueña que algún día será posible atravesar Europa dando pedales con las máximas garantías.ÁNGEL CAPARRÓS VEREDA (Málaga, 1968) es Informático, administrador de sistemas, especializado en diseño y programación de equipamientos electrónicos de automoción, control de acceso, flotas, laboratorios y observatorios astronómicos. Astrófilo desde que vió unos puntos brillantes en el cielo, y constructor de telescopios desde que aprendió a usar la sierra y el martillo. Ha diseñado equipos de software y hardware abierto orientados al control de telescopios y la astrofotografía que, para su sorpresa, aún siguen siendo construidos y usados por aficionados en todo el mundo. Afortunado padre de dos niñas, ignora felizmente todo lo relacionado con el fútbol profesional.Disclaimer: Las opiniones vertidas en este podcast las realiza cada contertulio a título personal. La responsabilidad, a todos los efectos, de todo lo dicho es exclusiva de esa persona.

Hablamos con Sara Sevilla, responsable de la Navarra Film Commission y Arturo Cisneros, gerente del CLAVNA

La celebración del Immersive Future Forum en Murcia, un evento diseñado para consolidar a la ciudad como un centro neurálgico de producción audiovisual mediante el uso de tecnologías inmersivas e inteligencia artificial, nos permite conocer la necesidad de crear un ecosistema creativo y administrativo ágil que permita a la Región competir con otros polos industriales, sugiriendo una alianza estratégica con Alicante para aprovechar las infraestructuras de Ciudad de la Luz. Asimismo, subrayan la importancia de la escalabilidad del talento local y el impulso a la representación femenina en puestos directivos y técnicos del sector. En última instancia, el foro busca atraer inversores resaltando las virtudes naturales de Murcia y la capacidad de sus profesionales para transformar proyectos pequeños en industrias sostenibles y competitivas.

Gobierno anuncia incentivos para fortalecer industria audiovisual  Aumenta presupuesto para el cine mexicano  Carlos Castellanos lo invita a estrenar un nuevo horario informativo  Más información en nuestro podcast

Sheinbaum anuncia incentivos al cine; “la cultura es un derecho”Casa Blanca reduce despliegue migratorio en MinnesotaNuevo horario informativo de Carlos Castellanos Más información en nuestro podcast

Are you curious about the future of smart home tech, digital privacy, and the big debate around social media addiction? This week's episode of All Things Techie Podcast is a must-listen!In episode 139 Justin welcomes his wife, Lady Jennifer for a hands-on and refreshingly fun review of two of the quirkiest tech products from CES 2026, plus a deep dive into the pressing issues that are shaping our digital world.Discover why the latest Ring Doorbell's Super Bowl ad sparked a global debate about convenience vs. privacy—and how a heartwarming idea to help find lost pets became a real-life Black Mirror controversy. Hear real opinions from both sides. Some listeners love the safety benefits, others are worried about creeping surveillance.Don't miss the powerful discussion on whether addictive social platforms should be banned for kids, radically redesigned, or regulated to protect all users. Justin unpacks the latest global moves, from Australia's total ban to Ireland's heated government hearings.From pet safety gadgets and musical lollipops (seriously—don't miss this demo with his wife Jen!) to the challenges of reducing screen time, this episode is packed with insights you won't hear anywhere else.Like, comment, share, and let's shape the tech conversation together! #TechPodcast #AllThingsTechie #SmartHome #Privacy #SocialMedia  #PodcastRecommendationAll episodes available at : www.AllThingsTech.ie

UNAM aprueban presupuesto 2026 SuspendenCarnaval de Coyotepec por riesgo de sarampiónNoticiario de Carlos Castellanos cambia de horarioMás información en nuestro podcast

O audiovisual brasileiro vive um momento de ampliação de sua presença no cenário global. A mesa propõe debater políticas públicas, estratégias e desafios da internacionalização do setor no contexto contemporâneo, com foco na circulação internacional de obras, nas coproduções e na participação do Brasil em mercados e festivais. Estarão em pauta programas e iniciativas da APEX Brasil, da ANCINE e da Secretaria do Audiovisual (SAV), além de trocas de experiências, identificação de potencialidades e perspectivas para o aprimoramento dos mecanismos de fomento e estratégias que fortalecem a presença do audiovisual brasileiro no mundo.Convidados:André Araújo Virgens – Coordenador de Políticas para Difusão e Internacionalização – Sav / MinC | DFDaniel Tonacci – coordenador de Programas Internacionais da Ancine | RJJúnia Matsuura – produtora, distribuidora We Are Here / Abrasia | AlemanhaMariele Christ – coordenadora de indústria e serviços da  Apex Brasil | DFRodrigo Teixeira – RT Features | SPMediação: Débora Ivanov – Coordenadora Geral do 4º Fórum de Tiradentes | SP

Welcome to the show. Some performances don't just tell a story — they open a doorway into a world. A glance, a pause, a quiet exchange can carry generations of memory, longing, humor, and faith. Today we step into that world with Sarel Piterman — an actor born in Haifa whose work reveals the poetry hidden inside ordinary moments, known to audiences around the globe for his portrayal of Zvi Aryeh Shtisel in the acclaimed series Shtisel. That series invited viewers into an intimate universe where family bonds, tradition, and personal struggle unfold with tenderness and depth — and Sarel's presence reflects the essence of that world: authenticity, restraint, and emotional truth. But his artistic journey stretches far beyond a single frame. Across his career, Sarel has pursued roles that demand vulnerability, discipline, and a fearless curiosity about human nature. His performances carry a quiet intensity — an understanding that the most powerful storytelling often lives in what is felt rather than spoken. In this conversation, we explore the path of an Israeli actor devoted to craft: the risks and revelations behind the scenes, the cultural textures that shape storytelling, and the enduring search for meaning through art. We talk about identity, imagination, and the responsibility of bringing complex lives to the screen and stage. This episode is an invitation — to listen closely, to feel deeply, and to witness the artistry that transforms moments into memory. I first came to appreciate Sarel through a remarkable one-man play he wrote and directed, Without An Evil Eye — an innovative comedy recounting the inspiring true-life story of Asaf Ben Shimon, whose gradual descent into blindness becomes a profound affirmation of life itself. It is thoughtful, courageous, and truly groundbreaking. Beyond Shtisel, Sarel's creative footprint spans a wide range of film and television projects — from intimate dramas and dark comedies to thrillers and socially grounded stories — each reflecting his versatility and commitment to emotionally honest storytelling. Ladies and gentlemen, it is my pleasure to bring you Sarel Piterman. ——

En este episodio hablamos con Virginia, una persona clave del equipo de producción de Little Spain, una de las productoras más influyentes del momento. Hablamos de qué hace realmente una productora, por qué la identidad de Little Spain conecta tanto con la gente y del papel del “producer”. Una conversación sobre creatividad, organización, estrés, rodajes caóticos y el trabajo de detrás de las cámaras que hace que todo ocurra

Welcome to the show. We are joined by Howard Langer — award-winning writer, attorney, and author of 'The Last Dekrepitzer', a novel that has already earned the National Jewish Book Award and marks his first work of fiction in fifty years. Howard is the founder of a leading antitrust law firm in Philadelphia, an adjunct professor at the University of Pennsylvania Law School, and a teacher whose work has taken him from Oxford to Tokyo. Yet in this conversation, we meet him foremost as a storyteller — one deeply concerned with memory, justice, and the fragile persistence of the human spirit. The Last Dekrepitzer opens in a New York subway station in 1965, where a lone fiddler braids Hasidic melodies with blues and gospel. He is the Dekrepitzer Rebbe — the final survivor of a vanished Chasidic sect destroyed in the Holocaust. From a lost Polish shtetl to the docks of Naples, from the American South to Manhattan streets alive with music and tension, his journey becomes an odyssey of survival, displacement, faith, and identity. Through encounters that cross cultures and histories, the novel asks a difficult question: how does a person live — spiritually, morally, musically — after everything has been torn away? Howard studied under literary giants Yehuda Amichai and Aharon Appelfeld, and his writing carries that lineage of moral seriousness and poetic depth. Critics have praised the novel for introducing one of the most singular figures in contemporary Jewish fiction — a character haunted by memory, sustained by music, and forever wrestling with God. Today's conversation is about faith and fracture, about music as a vessel for memory, and about what we continue to carry long after the world tells us to move on. It is a discussion of survival not as an ending, but as a lifelong reckoning — personal, communal, and spiritual. I'm glad you're here. ——

Welcome to a very special—and deeply personal—episode. Today's conversation is not about theory. It's not about abstract belief. It's about belonging, courage, and the quiet, stubborn pull of a soul toward truth. Today, we're sitting with three people who each chose Judaism—not because it was easy, fashionable, or convenient, but because it felt unavoidable. Because something inside them recognized home. Conversion is not simply a change of religion. It is a change of identity. A re-rooting of the soul. It means choosing a people, a history, a destiny—and in today's world, it often means choosing a path marked by misunderstanding, loss, and real social cost. And yet—here they are. Chris Wood's journey began not in a synagogue, but in a hair salon in Toronto. Raised without Jewish community, he encountered Judaism first through people—through Shabbat tables, family warmth, humor, ritual, and a deep sense of togetherness he had been missing his entire life. What began as cultural connection slowly became something far deeper: a spiritual awakening. A realization that Judaism was not simply something he admired—it was something his soul had been waiting for. For Chris, October 7th and the surge of antisemitism that followed did not push him away. It clarified everything. When someone he loved turned on the Jewish people—and on him—he saw, in real time, how ancient hatred still operates. Instead of retreating, he stepped forward. He chose to wear his Magen David. He chose public solidarity. Bezalel Schraeder's path emerged through trauma, caregiving, and the spiritual exhaustion that comes from witnessing suffering and death. As a nurse, Bezalel watched bodies break and souls unravel—and in that pain, meaning itself began to collapse. Christianity no longer held the answers. Torah did not come to Bezalel as an escape. It came as a rebuilding. Through deep study, honest conversations with rabbis, and unfiltered spiritual struggle, Judaism restored something essential—not only faith in God, but faith in humanity, and in himself. Judaism became a way to stand inside suffering without surrendering to it. And Shifra's journey carries the weight of history, memory, and a soul that always seemed to know where it belonged—long before her mind did. Raised in evangelical Christianity, she reached a breaking point when she could no longer accept a theology that condemned good people for belief alone. When hell stopped making sense, Jesus stopped being the center—but God did not disappear. What followed was not a rejection of faith, but a return to something older, deeper, and more honest. From a lifelong pull toward Holocaust history to a visceral moment at the U.S. Holocaust Memorial Museum—where she felt, without explanation, “my people”—Judaism had been calling long before she had words for it. Three different lives. Three different paths. One shared truth: Judaism was not something they found. Judaism is something that found them. In a time when it is easier than ever to walk away from the Jewish people, these three chose to walk toward us. In a moment of rising antisemitism, they chose visibility. This is not a conversation about conversion. This is a conversation about what it means to choose a people—and to be chosen in return. Let's begin. ——

Audiovisual ➡️ fanlink.tv/Y0UTUBE Tracklisting ➡️ https://bit.ly/4bCBwIL Fresh, elegant, and subtly complex, the French Pearl is a cocktail that combines gin, dry vermouth, and white crème de cacao with a twist of lemon — crisp, aromatic, and delicately balanced. Just like this refined drink, Mymocea x S.High-Ends deliver a mix that starts smooth and unfolds with flavor, blending groove, emotion, and unexpected turns in equal measure. Based in Zurich, this dynamic duo began their collaboration in a small club through a mutual friend — and what started as a contrast of styles quickly became chemistry. Mymocea brings electronic weight, melodic basslines, and precision, while S.High-Ends adds deep grooves, funk, and warmth rooted in vinyl instinct. Different tools, different palettes… same obsession: digging, discovering, and learning. Their sets move beyond genre, building spaces where tension and emotion coexist — raw, playful, and irresistibly groovy. This session is a super-groovy mix that sits perfectly between club energy and at-home listening. It's danceable without being predictable and immersive without losing momentum. With immaculate track selection and flow, this set truly stands out — we love it, and it's nothing short of a masterpiece.

Welcome to Torah in Real Time with Rabbi Shlomo Gemara. Parashat Beshalach is remembered for thunder and miracle— for a sea split open, for walls of water, for a people finally breaking free from centuries of slavery. It is remembered for Shirat HaYam, the Song of the Sea— for faith erupting into poetry, for a nation finding its voice. But before any of that— before the water parts, before the singing begins— the Torah tells us something quieter, heavier, and more demanding: “And Moses took the bones of Joseph with him.” The people do not leave Egypt empty-handed. They do not rush forward in triumph alone. They carry their dead. They carry a promise made generations earlier. They carry the weight of unfinished redemption. Beshalach teaches us that freedom is not only about escape. It is about responsibility. It is about refusing to build a future that forgets those who were lost along the way. The Exodus is not only a story of running. It is a story of carrying. Only then do they reach the sea. Only then does Pharaoh chase. Only then does terror rise and faith is tested. The people cry out. They feel trapped—with water in front of them and an army behind them. This is not yet the song. This is the moment before the miracle, when courage is demanded without guarantees. And it is precisely there—at the edge of fear— that redemption takes its most honest shape. This week, Beshalach is no longer only a Torah portion. It is a living reality. As Israel receives the final hostage, Master Sergeant Ran Gvili, z”l, Beshalach is unfolding in real time. Ran Gvili was a police special forces officer who ran toward danger on October 7th to defend Israeli civilians. He was killed in battle and taken into Gaza. After 843 days, his remains were finally brought home for burial—closing a chapter of captivity for the Jewish people. Like Joseph's bones, Ran Gvili's return reminds us of a hard truth: A people cannot truly cross forward while someone is still missing. A nation cannot fully sing while one soul is left behind. Only after the sea splits does the Torah say: “Then Moses and the children of Israel sang this song to the Lord.” The Song of the Sea is not just a song of victory. It is a song that comes after responsibility. After memory. After carrying the weight of covenant. The Torah describes the sea parting “by the breath of God's nostrils.” In the Torah, nostrils—af, apayim—are the gateway of breath and life, but also of power, anger, and divine force. The same breath that gives life is the breath that reshapes the world. And only then do the words rise: “I will sing to the Lord, for He has triumphed gloriously… The Lord is my strength and my song, and He has become my salvation.” Beshalach teaches us that redemption is not measured only by miracles. It is measured by memory. By dignity. By who we insist on bringing with us. Today, as Israel brings home Master Sergeant Ran Gvili, z”l, we are living Joseph's bones in real time. We are being reminded that true freedom is not only about who walks out— but about who is carried out. This is not ancient history. This is Beshalach. This is the sea in front of us. This is the weight we carry. This is now. ——

EPISODIO #74_______En nuestro episodio de hoy volvemos a un tema que llevábamos varios episodios sin comentar, y es el tema de los drones.En los últimos años, los permisos se han vuelto mas laxos, y creo que es importante ver en que situación están y como avanzan. Y no hemos podido encontrar un mejor invitado que Xavier Peiruza, un loco experto de los drones, que montó su productora audiovisual www.dabuten.cat en la que está acostumbrado a volar en los sitios mas restrictivos, y muchas veces en directos para televisión.Xavi nos contará como dejó un trabajo como Mosso de Escuadra, totalmente estable, a aventurarse en el mundo del emprendimiento audiovisual, incluso contratando gente para seguir creciendo.Escúchate este episodio tanto si te gustan los drones como si no, por que Xavi nos da una lección de vida._______☕️ ¿Te gustaría colaborar conmigo e invitarme a un café (¡el que me tomo mientras grabo el podcast!)? Puedes hacerlo a través de

On Wednesday, January 28th from 5-8pm, RPI will be offering a three-hour workshop Cloud Control: Interactive Networks for Audio-Visual Performance with Eric Souther. This virtual session will introduce the node-based programming environment TouchDesigner for creating real-time audiovisuals. Eric Souther spoke with Sina Basila Hickey.

#ElGranMusical | Roberto Aguirre. Incentivos para la producción audiovisual del Ecuador by FM Mundo 98.1

Today on the podcast, I'm deeply honored to welcome Rabbi Dr. Minna Bromberg — the founder and president of Fat Torah, a groundbreaking initiative working at the intersection of Jewish life, sacred text, and body liberation. Fat Torah's mission is both urgent and expansive: to confront and end weight stigma in Jewish communal spaces, to train leaders and educators to recognize and uproot fatphobia wherever it appears — including within ourselves — and to cultivate spiritual practices rooted in dignity, wholeness, and liberation for people of every body size. Rabbi Bromberg brings more than three decades of fat activism into deep conversation with Judaism, theology, and lived experience. She holds a PhD in sociology from Northwestern University, was ordained at Hebrew College, has led a 250-family Conservative congregation, released multiple albums of original music, made aliyah, and directed the Year-in-Israel program for Hebrew College rabbinical students. She is also a voice teacher who helps people reclaim their voices in prayer — work that beautifully echoes Fat Torah's insistence that every body and every voice truly belongs. Minna lives in Jerusalem with her husband, Rabbi Alan Abrams, and their two children. Her forthcoming book, Every Body Beloved: A Call for Fat Liberation in Jewish Life, challenges us to rethink holiness, tradition, and belonging from the inside out. This is a conversation about Torah, justice, embodiment, and what it really means to create Jewish communities where no one has to shrink themselves — physically, spiritually, or emotionally — in order to belong. ——

Detrás de cada frase que escuchamos doblada en una película, o de cada subtítulo que leemos si la vemos en versión original, hay mucha dedicación, mucho conocimiento, muchas exigencias técnicas que a la audiencia nos pasan desapercibidas. Es el trabajo de los traductores de audiovisuales, en todas sus categorías: subtituladores, adaptadores, audiodescriptores... Para defender sus derechos está la asociación Atrae, con Iris Permuy a la cabeza. Ella nos habla de lo que hacen y de sus reivindicaciones. Escuchar audio

Welcome to Torah in Real Time with Avrum Rosensweig and Rabbi Shlomo Gemara! This week we enter Parashat Bo—the moment in the Exodus when power finally collapses under the weight of its own cruelty. Egypt is no longer warned. It is undone. Darkness presses in. The future is struck down first. And still, Pharaoh refuses to let go—not because he doesn't know he's wrong, but because surrendering power would mean admitting moral failure. What's most radical in Bo isn't what happens to Egypt—it's what happens to the enslaved Israelites. Before they are free, they begin acting free. They mark their doors. They slaughter the Egyptian god in public. They reclaim time itself. While still trapped inside an empire, they stop thinking like slaves. And that's why Bo feels painfully current. Because today, in Iran, we are watching the same pattern unfold. A rigid regime clings to control while its people pay the price—through repression, economic collapse, darkness, and death. And beneath that regime, something irreversible is happening. Women remove hijabs. Protesters speak openly. Families mourn in public. People act free before they are free. Parashat Bo teaches that tyrannies don't fall because they're persuaded—but because their moral emptiness is exposed, and because the people beneath them stop pretending. Freedom doesn't begin at the border. It begins the moment fear stops dictating behavior. In every generation, Bo asks the same question: Who is still clinging to power at the cost of human life—and who is already preparing to walk out? Let's learn. Let's listen. And let's see what freedom looks like in real time. ——

Audiovisual ➡️ fanlink.tv/Y0UTUBE Tracklisting ➡️ https://bit.ly/tracklist_lavenderginfizz Light, floral, and gently uplifting, the Lavender Gin Fizz sets the tone for this episode — elegant on the surface, with depth unfolding sip by sip. Just like the cocktail, Resilient guides us into a refined yet emotionally rich journey, where subtle aromas turn into lasting impressions and every layer reveals itself slowly over time. With over a hundred releases to his name, Resilient is a true storyteller through rhythm. His music isn't just heard — it's felt. Bold synths, characterful vocals, and groovy bass lines weave together into emotional narratives that spark memories you didn't know you'd forgotten. His sets are never rushed; they are journeys built with patience, intuition, and intention. This episode marks a milestone: our longest mix ever, stretching close to four hours of pure, uninterrupted storytelling. It's a slow-burning, immersive marathon that rewards surrender. Close your eyes and picture Ibiza — standing at a quiet viewpoint, gazing toward the iconic silhouette of Es Vedrà as the sun fades. Press play, relax, and let Resilient carry you all the way. Cheers! The bartenders Resilient @resilientmusik www.facebook.com/resilientmusik www.instagram.com/marko_resilient Schirmchendrink @schirmchendrink www.facebook.com/schirmchendrink www.instagram.com/schirmchendrink

Welcome to Torah in Real Time. This week we turn to Parashat Va'era, the second portion in the Book of Exodus—a moment when history, faith, and power collide. In Va'era, God reveals Himself to Moses and launches a direct confrontation with Pharaoh, the most powerful ruler of his time. What follows are the first seven plagues—acts meant not only to punish Egypt, but to expose the moral bankruptcy of a system built on oppression. Again and again, Pharaoh hardens his heart. Again and again, the call for freedom is ignored. Va'era is not just a story of miracles; it is a story about resistance to change, the cost of stubborn power, and the long, painful road to liberation. And that is why Va'era speaks so loudly right now. Today, in Iran, millions of people across dozens of cities are rising up amid economic collapse, soaring prices, and deep frustration with an entrenched ruling system. What began as protests has become a nationwide challenge to authority—met with violent crackdowns, arrests, blackouts, and a mounting human toll. The details are modern, the context is different—but the themes feel hauntingly familiar. In both Va'era and Iran today, we see: Leaders clinging to power despite overwhelming suffering; Ordinary people demanding dignity, not just survival; Systems that respond to moral challenge with force rather than reflection. The Torah teaches that liberation does not come easily—and that hardened hearts often require escalating consequences before change becomes possible. At the same time, real-world struggles remind us that freedom carries real risk, real pain, and real human cost. Tonight, we will explore these parallels carefully and responsibly. We will also acknowledge the deep and ancient Jewish presence in Iran, one of the oldest Jewish communities in the world—still living, worshipping, and navigating a fragile existence inside a hostile political reality. Parashat Va'era is not ancient history locked in parchment. It is a living text—asking us urgent questions about power, conscience, courage, and what happens when rulers refuse to listen. That's where our learning begins. ——

#ElGranMusical | Jorge Ulloa: llevando la industria audiovisual del Ecuador para el mundo by FM Mundo 98.1

Artist Bette A. shares her collaboration with Brian Eno, reading her short stories over his ambient music. Discover how slowing down her delivery and embracing silence gave her words new power.Listen to Episode 348 - A Symphony of Colors: Bette A., Brian Eno, and the Magic Within Their Collaboration

The founder of one of the fastest-growing private companies in Washington shares her story of how she created this audio visual production company in her garage, her worst event horror story, and how she thought about succession planning as she sold her company last year. Niki McKay has over 20 years experience running large scale events around the world including clients like Macklemore, Alaska Airlines, and more. In this episode Rachel and Niki also discuss the price gouging happening in the industry due to a monopoly, and what needs to be done about it.All of this and your top local business news stories!Top Stories:1. Inside the audio visual production industry2. Publisher of Seattle Times passes the torch to his son3. Seattle Ferries: wi-fi coming, new ferries, and ferries for sale!4. Ross is closing its downtown locationAbout guest Niki McKay - Founder & former CEO of Blue Danube Productions:Niki started her company in 2007 in her garage. She has successfully ran Blue Danube Productions until she sold it late last year. Blue Danube was recognized as the #1 fastest-growing woman-owned companies in the state in 2023 and again this year. It was also ranked ranked the second fastest-growing private company in the state by the Puget Sound Business Journal in 2023.About host Rachel Horgan:Rachel is an independent event producer, emcee and entrepreneur. She worked for the Business Journal for 5 years as their Director of Events interviewing business leaders on stage before launching the weekly podcast. She earned her communication degree from the University of San Diego.Contact:Email: info@theweeklyseattle.comInstagram: @theweeklyseattleWebsite: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theweeklyseattle.com

NotiMundo Estelar - Andrés Robalino, Contrato de inversión con la industria audiovisual, ¿de qué se trata? by FM Mundo 98.1

El Mundo de Cabeza – Ana Cecilia Alvarado, certificado de inversión audiovisual en Ecuador by FM Mundo 98.1