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Episode 478 avec Xavier et Sébastien B.. • Bientôt des écouteurs Wifi (00:02:18) : Qualcomm annonce l'arrivée imminente de casques équipés de la technologie XPAN. (Source : androidauthority.com) • Meta continue le fact checking, mais Google refuse (00:09:21) : Le Fact Checking, Meta continue, Google arrête, pourquoi ce remue ménage? (Sources : techcrunch.com et axios.com) • Un selfie de vous dans l'espace? C'est possible! (00:15:31) : Quand un ex de la NASA s'associe à Google pour envoyer un satelitte via SpaceX. (Source : 01net.com) • Le Bloc-Notes (00:21:03) : Quelques infos en bref. • Samsung lance une montre connectée pour enfants (00:28:00) : Il n'y a pas d'âge pour une montre connectée! (Source : frandroid.com) • Grosse amende pour un éditeur de jeux vidéos (00:35:50) : 20 Millions de dollars: amende record pour l'éditeur de Genshin Impact. (Source : frandroid.com) • Carrefour piraté, ou pas, ou oui, ou bien ? (00:42:49) : Hypothétiquement plus de 13 millions de données dans la nature. (Source : clubic.com) Retrouvez toutes nos informations, liens, versions du podcast via notre site Abonnez-vous à notre infolettre afin d'être informé de notre veille technologique de la semaine et de la parution de nos épisodes
Episode 478 avec Xavier et Sébastien B..• Bientôt des écouteurs Wifi (00:02:18) : Qualcomm annonce l'arrivée imminente de casques équipés de la technologie XPAN. (Source : androidauthority.com) • Meta continue le fact checking, mais Google refuse (00:09:21) : Le Fact Checking, Meta continue, Google arrête, pourquoi ce remue ménage? (Sources : techcrunch.com et axios.com) • Un selfie de vous dans l'espace? C'est possible! (00:15:31) : Quand un ex de la NASA s'associe à Google pour envoyer un satelitte via SpaceX. (Source : 01net.com) • Le Bloc-Notes (00:21:03) : Quelques infos en bref. • Samsung lance une montre connectée pour enfants (00:28:00) : Il n'y a pas d'âge pour une montre connectée! (Source : frandroid.com) • Grosse amende pour un éditeur de jeux vidéos (00:35:50) : 20 Millions de dollars: amende record pour l'éditeur de Genshin Impact. (Source : frandroid.com) • Carrefour piraté, ou pas, ou oui, ou bien ? (00:42:49) : Hypothétiquement plus de 13 millions de données dans la nature. (Source : clubic.com) Retrouvez toutes nos informations, liens, versions du podcast via notre site Abonnez-vous à notre infolettre afin d'être informé de notre veille technologique de la semaine et de la parution de nos épisodes
Episode № 84 is a special rush-released super-sized Christmas / Hanukkah episode — unwrap it and enjoy!Gabe's been shooting with the Polaroid Big Swinger, Rolleiflex 2.8E2, Nikon F2, Leica M4…he had a lab mishap! they made it right, but it still shakes your confidencePolaroid peel-apart camera rollers vs. bladesGabe went to Alcove Café with Rafael Hernandez and Dave Tada, members of the elite Fuji X100VI club, and now he's lusting for onesubmitted for your approval: the mighty Fujifilm GF670 Professionalwhen was the last time Jeff shot with the Leica M6 TTL? August 2021… so we're both culling our collections! message us!is there a camera that's too perfect? that you shoot too quickly with? like the Canon EOS Rebel 2000 or Canon 5D?Jeff didn't shoot much in Jamaica, and here's why: he wanted no barriers between him and the experience - do you sympathize?the Fujifilm GA645 Professional gave Jeff a scare - as with the XPan, Fuji's battery indicators are wildly deceptiveare CR123 and CR123a the same battery? maybe!final reckoning: which cameras will Jeff bring to Iceland? meanwhile, Ollie's bringing a Kodak Medalist!expired 220 film is super-intriguing!Gabe feels he can always count on his Rolleiflex - what are the cameras you rely on?our Prodigious Mailbag™ is bigger than Santa's bag of toysnext episode, Jeff reviews Bellamy Hunt a.k.a. Japan Camera Hunter's new book Film Camera Zen - tune in for the tea!
I Dream of Cameras storms into the fifth year of its five-year mission with new life and new civilization! Gabe went on a photo tear through New York City. Jeff cut an astounding deal on new gear at the Chelsea flea market. And there are imminent trips to Jamaica, Iceland and downtown LA. Will your enterprising interlocutors boldly go where no XPan has gone before? Pluck our latest pod and find out!welcome to IDOC Year Five!Gabe recounts his visit to B&H Photo in New York with rockstar street-shooter Sissi Lu and repair guru Shlomowho killed Fotografiska NYC? could it be… Satan?to find out, Jeff and P watched Finding Vivian Maierat Sissi's behest, Gabe will be giving the controversial Pentax 17 another half-a-shotJeff's coveted 24mm Angenieux for the Alpa arrived, and it's gorgeoushe also made an impulse buy at the 25th St. flea market in Chelsea…a Fujifilm GA645 Professional, complete with original box, papers, case and caps!it's a medium-format half-a-cookie autofocus point-and-shoot! 6x4.5 but not a big ugly box!negotiation strategy: Jeff and Ollie cut a package deal with the seller for the Fuji, a Contax III and a Konica Big Mini - what a bargain!the GA645 image size is 56×42mm = 2,352mm² (XPan is 1,560mm²), so should it replace the XPan on Jeff's forthcoming trips to Jamaica… and Iceland?Gabe's planning a night shoot with Leicas M10, Monochrom and M4.. and flash!and of course, we close with an exceptionally informative and Prodigious Mailbag™• • go to our merch page for all your holiday gift-giving!
“Four more years! Four more years!” Could you have ever imagined, when these two miscreants launched I Dream of Cameras on 11/20/20, that four years later the show would be an unstoppable juggernaut and the toast of seven continents? Neither could we! In this epic-sode, Gabe dons a dopey hat and Jeff a dopey visage to reflect upon IDOC's journey from to zygote to Smash Hit. There's a quiz! A truce! A song! A rundown of panoramic aspect ratios! Tune in for all the persiflage and badinage, which is NEVER, EVER BORING!It's our fourth anniversary show, and Gabe wore a stupid hat! Celebrate four years of our Smash Hit Podcast™ by giving us notes!Gabe went to a Beers and Cameras meetup at Canyon Coffee in Echo Park…… and William Piper let him try his Plaubel Makina 67 - but Gabe has an issue with it!Gabe quizzes Jeff about how well he knows his podpartnerJeff bought himself a birthday present, the rare and coveted 24mm Angenieux for the Alpa… waited all day for it to arrive… and the mailman passed him by! We invite you to share your own maddening “waiting for new equipment” storiesJeff embarks on an ill-advised and deeply nerdy rundown of panoramic aspect ratios (XPan, Minolta P's, Widelux) vs. various cinema formatsNo more animosity with Camerosity! we love those guys, and not just ‘cause they wanna collaborate on an Alpa episodeGabe went to a Catalina wine mixer, POW! - USC's Distinguished Leaders Program - and led the participating CEOs through a cool photography exercisefinally, we take a relaxing dip in our prestigious and Prodigious Mailbag™, perhaps our best yet! prepare to be moved!
Like “Man in Black” Johnny Cash, Gabe Sachs is never seen without his signature ebon apparel. So what could coax him into donning a white dress shirt? And while we're asking questions: who's shooting 220 film, what's a Zunow, and can Jeff actually perform Tom Lehrer's “The Elements” on command? Find out in the latest obsidian-dark episode of I Dream of Cameras!Gabe was plied with birthday gifts!a camera-print shirt from a Paris boutiqueEyes Wide Open! 100 Years of Leica Photographya Polaroid Big Swinger and three precious packs of Fujifilm FP-3000bJeff made a world-wind trip to LA, where he and Gabe dined with Jeff's friend and Renaissance-woman Cathy Rogers of indiepop legends Heavenly and Junkyard Wars a.k.a. Scrapheap ChallengeToday is Jeff's 12th Alpaversary, yet his cherished 11si does not exist!to celebrate, he replaced the mirror foam in his Alpa 10s, and has a sexy how-to tip!Gabe bought a thrashed Rolleicord with Rolleinar close-up attachment and is wracked with regretJeff shot the Heavenly show with a Pentax 6x7 and 45mm lens and does not recommendyet he was quite pleased with his wedding shots from the XPan and Olympus XA4Gabe loved the documentary Uncropped, produced by Wes Anderson, about photographer James Hamiltonalso take note of Glen E. Friedman, seminal skateboard, punk and hip-hop shooter whose work is all over Dogtown and Z-Boysnow some questions! ever tried Shanghai 220 film?ever heard of the fascinating and ultra-rare Zunow SLR?did you know Tom Lehrer did a version of “The Elements” for a Polaroid sales meeting?and finally, our Prodigious Mailbag™, featuring a truly devastating missive from John Kelly, late of the Washington Post, in which he compares IDOC to the obscure and little-heard Camerosity podcast
「クアルコム独自のハイレゾワイヤレス技術「XPAN」が間もなく本格始動。責任者が語る「大きな期待」」 米クアルコムによる最先端のオーディオ技術の現在地を、オーディオ部門の責任者であるディノ・ベキス氏に聞いた。
Our blockbuster eightieth episode includes talk of wedding shoots and model shoots, German Rolleis and Swiss Alpas, plastic Pentaxes and Pano Portrait Snobs. Tune in for all the badinage!Eighty episodes — even the hosts can't remember the highlights! So which three episodes would you recommend to the uninitiated?Gabe went to a Cameras & Coffee meetup at the Culver Steps……where he drooled over an Olympus OM-4Ti and a MamiyaflexHe also brought five cameras to a shoot with Claire Hinkley:the rare and coveted Tele-Rolleiflex lent to him by the sainted John-Michael Mendizzathe old faithfuls: Rolleiflex 2.8E2 and Leica M4the mighty Nikon FM3aand a long-languishing Hasselblad 500CWhen Jeff and his siblings met up in Philadelphia for their yearly Fourphans™ Weekend, the Canon EOS Rebel 2000 with 40mm lens was his faithful plastic companionHe also went to Unique Photo and gaped at some rare Alpas, including the freakish 8b, which is both an SLR and a rangefinderWhich cameras did he use to cover his girlfriend's son's wedding?Canon EOS Rebel 2000 for pre-wedding prepOlympus XA4 with A11 flash for the rehearsal dinnerand of course the Hasselblad XPan for rooftop beauty shots of the betrothedYearning to get some new gear, Jeff grabbed an 24mm Angenieux lens for the Alpa at KEH… only to return it because it was not Alpa mount, but ExaktaHe also handled a Pentax 17 and recoiled from its icky extruded bodyAnd despite his devotion to the XPan, he bombed at the Epson Pano Awards — could he be a victim of the pano portrait snobs?As requested by faithful listener Gaetan Cormier, may we present the “So good” t-shirt, a loving tribute to Gabe's catchphraseAnd finally: a deep dive into our Prodigious Mailbag™
One of the Best Photography Podcasts To Listen To In 2024 (per Amateur Photographer magazine) returns to bask in some praise for a change! In this blockbuster XL episode, we run down our travels in Europe and Canada, recap recent celebrity photo shoots, exult over exotic gear acquisitions, and dive to the bottom of our Prodigious and Informative Mailbag™! Tune in to see what the fuss is about!THE BIGGEST NEWS: our smash hit podcast earned global acclaim, as Amateur Photographer named us one of the best photography podcasts of 2024! Thanks, Jess Miller!you'd be wise to consult Lina Bessonova's invaluable hand check guide before travelingJeff once again experienced sudden XPan battery death after less than a month (= 30 rolls), so mock his spreadsheet at your perila Czech photographer picked on Jeff for daring to do portraits with a pano camera - also, he failed to make the cut for Brooklyn Film Camera's photo show - the shame!finding film in far-flung locations is HARD, so stock upJeff recounts an extremely bad experience with a Rome photo labnot to be out-traveled, Gabe went to Canada with his Leica M10 and Noctilux - what's more, he:…visited Leitz Road in Midland, Ontario so his lens could see its birthplace…hung out with Jessica Devic at Youthful Vengeance Coffee in Toronto - she's a tremendous photographer, check her out…toured Memento Film Lab in Toronto…shot Claire Hinkley with the peerless Olympus 35 RC and monstrous Mamiya C330…and had a Fred Coury rock 'n' roll idyll at the Rainbow and Whisky a Go Go with Taime Downe of Faster PussycatJeff harpooned a long-sought white whale you've never heard of: the Petri Color 35 CustomGabe bonded with a TSA agent at Toronto Airport who turned out to be a film shooterbehold the B&H Lego set!check out the Half Frame List of half-cookie cameras in current productionwe'll be at the Bruce Gilden and Vivian Maier shows at Fotografiska in Augustand finally, our Prodigious and Informative Mailbag™, featuring plenty of fierce clapback about the Pentax 17
Two glasses of white wine reduces Jeff to drunkenly raving about travel cameras, airport hand-check injustices and (predictably) his usual cast of bêtes noires. Meanwhile, stone-cold-sober Gabe offers sharp, reasoned takes on the new Pentax 17 and the cameras of 1955. Tune in to Episode № 74 (not 75) for all the mayhem!Jeff recorded this episode from Rome after imbibing two glasses of cheap white wine, which is why he keeps calling it Episode 75Why the two cameras Jeff picked for his extended European trip — Olympus XA4 and Hasselblad XPan — have been idealLisbon Airport is the worst — they abjectly refused to hand-check Jeff's film!Jeff had 18 rolls developed at Ars Imago in Rome, and here's what he learned: Kodak Portra 160 needs tons of lightGabe unexpectedly presents: Cameras in Focus 1955!Miranda TCanon IIs2A $200,000 Leica accessory the Leica UW underwater housingOlympus WideGabe visited our lovely friends at LA Film Camera and you should tooThe boys drop some Strong Opinions™ about the new Pentax 17 half-frame film cameraGabe considered trading his Rolleiflex 2.8F for a Plaubel Makina and finally opted not to……but because he's Gabe, he stumbled across a garage sale in Pacific Palisades and came away with all this for only $200:Olympus 35RCTopcon RE Super with three lensesLeica V-Lux 3Gabe revisits his chronic bouts of which-camera-to-bring anxietyWe drop a small I Dream of Pizzas travel tip: the best pizza Jeff's girlfriend has ever had was at Ai Marmi in RomeA dip into our paltry yet Prodigious Mailbag™ Gabe reacts to the NY Times article about film shooters trashing their negativesAnd Jeff offers one more shout for the RitchieCam, an iPhone app that can emulate the XPan
“I am sitting in the smallest room of my house. I have your review before me. In a moment it will be behind me.” — Max Reger, German composer (1873–1916), responding to a savage reviewJeff's in Lisbon at the start of a month-long European trip; Gabe's in LA developing his own film for the first time in years. But what's obsessing them the most? Their first rotten review! Tune in for all the merriment and NO PRAISE!Jeff's choice of cameras and film for a month-long European trip:the Hasselblad XPan with both the 45mm and 90mm lensesthe mighty Olympus XA4 macro24 rolls of Kodak Portra 400 and Portra 160Gabe's eBay misadventure in pursuit of the Pentax 50mm 1.7: the “as-is” Pentax ME Super and S1 turned out to be nonfunctional, the lens was dented……but he did get a Watson bulk loader!He lent his Canon EOS 3 to Martin Starr… so he had to buy a replacement: the EOS Elan 7NE. Which was perfect — even better than our beloved Rebel 2000!More eBaying: Gabe also got the Nikon 85mm f1.4Dand he got his beloved Leica M3 repaired by our trusty dusty camera repair guy! whom he interviewed! and who may finally be unmasked in an upcoming episode!Jeff was on the cusp of buying an Olympus OM-3 when his cherished 12” Retina MacBook dropped dead… hence no OM-3Gabe went shooting with the Elan and his Rolleiflex and processed the film himself — it's a new era!In Lisbon, Jeff visited Vintage Dream Cameras and took a hard, hard look at a Snoopy 110 camera and a rare Leica IIIc with sharkskin leatheretteWe got a terrible review!Gabe compared Rolleiflex TLRs with Dave Tada, but it turns out there are lots of differences between the 2.8E and the 2.8E2! Also, Dave's has an RZ67 finder!Our friend Oliver's exotic Chinese Pearl River SLRJeff experienced sudden XPan battery deathWe empty out our Prodigious Mailbag™ Some notes on our composer Fred Coury: his former band Cinderella's Night Songs was released on this day in 1986; also, Fred just won his 6th Emmy!
WILL HE DO IT??? WILL JASON SELLLLL? More Caleb: https://www.youtube.com/@BadFlashes https://www.instagram.com/calebknueven/ More Jason: https://www.youtube.com/@grainydaysss https://www.instagram.com/50_shades_of_jason/ Business Inquiries: mamiyamigos@gmail.com
It's a voyage to the bottom of the Prodigious Mailbag™ on our Smash Hit Podcast™, but before that there's talk of the year in photography 1957, the revived Southern California camera show, Jeff's trip to the Caribbean with a sexy Swede and also his girlfriend, eBay execs sending pig fetuses to their critics, and so much more!Jeff made yet another major math error! 64 is 2 cubedSorry, but Parenting Hell is not a smash hit podcastGabe presents The Year in Focus 1957:Nikon SPIlford SportsmanHasselblad 500CKodak Retina ReflexConcava Tessina watch camera TLRLeica M2 (for real) which when new went for $276, or $2,884.37 in today's dollarsArsenal SalyutAsahi came out with the original PentaxOlympus Wide EGabe went to the new Huntington Park camera show (very exciting) and nearly bought a Contax TJeff visited 5R Photo Lab in New York and met proprietor AlecA trip to St. Barth's, French West Indies occasioned the return of the XPan, and a love affair was reignitedJeff shot with both Portra 400 and 160… and liked 160 better!Gabe visited Jeff and P in NYC, went to B&H Photo, bought nothing……but then ordered an Exa 1B and a Helios-44 lensMint unveiled their coming-soon Rollei 35AF — apparently anyone can license the name “Rollei” for a buck fifty — but who needs this thing?A bunch of eBay execs were creepy criminalsJeff got a cool Minox film slitter from camerhack.itCheck out RitchieCam, a camera app for iPhone with an XPan emulation modeA dive so deep into our Prodigious Mailbag™ that it requires a bathyscapheGabe wants to hear about online photography websites you love - blogs, magazines, whatever
Qualcomm recently hosted its annual Snapdragon Summit in Maui, Hawaii, where it made several interesting announcements. AI, more specifically on-device generative AI, was a key theme. Qualcomm demonstrated the AI-on-edge capabilities on both smartphone and laptop reference designs, and they were impressive.Key announcements included the Snapdragon 8 Gen 3 mobile platform, and the all-new Snapdragon X Elite compute platform powered by Oryon CPU cores. Qualcomm also announced the S7 and S7 Pro Gen 1 sound platforms, with the Pro version adding the XPAN feature for streaming audio using Bluetooth and Wi-Fi. Lastly, we also saw Snapdragon Seamless, a technology to link multiple devices across OEMs and multiple operating systems for audio and peripherical connectivity and file transfer.In the latest episode of “The Counterpoint Podcast”, Research Director Tom Kang and VP of Research Neil Shahdiscuss their key takeaways from the Snapdragon Summit 2023. They touch upon the industry's transformation towards AI-driven experiences, partnerships, the reduced gap between chipset release and chipset adoption, and much more. Follow us on social media platforms –Twitter – https://twitter.com/counterpointtrLinkedIn – https://www.linkedin.com/company/counterpoint-technology-market-research/YouTube - https://www.youtube.com/@counterpointresearch/Instagram - https://www.instagram.com/counterpointresearch/
XPAN AUSSTELLUNG - Meetup beim DEALER - POLAROID I-2 - FEEDBACK & KORREKTUR zur MJU
“So no one told you life was gonna be this way / Your Nikon's in the shop, your XPan's D.O.A....” Join Jeff and Gabe in Noo Yawk Cit-tay for a very special episode, featuring a schmear and a Dr. Brown's and the most underrated Canon SLR of the modern era. We'll be there for you! Cameras of 1964:the O.G. Leicaflexthe elusive Canon FXthe wildly undervalued Pentax SVthe freakish Nikkorex Auto 35the large and unwieldy Koni-Omega RapidGabe's NYC photo walk with the great Sissi LuThe team's visit to B&H Photo (and Russ & Daughters) with Chris ChuJeff bought a Canon F-1 Lake Placid Olympics edition, the only classic-era Canon SLR he's never ownedComparing the XPan with the Minolta P's: field of view and aspect ratio are quite similar!Another roll-the-dice segment! Adapting this lens for that camera, and the worst camera we've ever used — fight us!Plus a dip halfway down our prodigious mailbag!
In Episode № 57 of I Dream of Cameras, we mind our P's — Minolta's little-known pocket XPan killer — and Q's — diving into a particularly prodigious mailbag. Also, Gabe's gone digicam kray-zee, and Jeff's still obsessed with that Nikon Year of the Dog camera. Tune in for all the chitter-chatter!Cameras of 1966:The troublesome but alluring Rolleiflex SL66The unreleased yet tantalizing Pentax 220The well-named Petri RacerGabe's recent acquisitions — he's a digicam hipster!Nikon Coolpix S1000pj with built-in projectorNikon D700Nikon Coolpix P7000Jeff's thoroughly besotted with the delightful panoramic point-and-shoot Minolta P's — it leaves the tab out when rewinding! And it comes in four other colors, red, blue, green and black — does he need 'em?Olympus Stylus, mirrored chrome edition — are these special finishes worth the premium?Revisiting the Nikon FM2/T Year of the Dog camera — the price continues to plummet, but the dog looks like the dogecoin Shiba Inu, so does that ruin it?Gabe's recent use of the Leica M6 on the WGA picket line reminded him how nice it is to use a lighter, less bulky cameraeBay annoyances, suspicious sellers…and our super-prodigious mailbag!
“On Wednesday evening, at the start of the opera in the St. Margarethen quarry, the unbelievable happened: Carmen survived.” And this is just the start of Episode № 56 of I Dream of Cameras, which features a harrowing escape from certain death, an enigmatic Central European supermodel, exotic cameras from East Germany and Czechoslovakia, and Jeff Bridges! Tune in for all the intrigue.On the final night of his Central European trip, Jeff was almost killed at an outdoor performance of CarmenCameras of 1967:Olympus Trip 35Hanimex Praktica Novo I BZenit EMore on Jeff's recent observation of fashion shoots, including two different professionals' use of the Olympus StylusLook for many behind-the-scenes XPan shots on Jeff's InstagramGabe finally found his long-lost Leica R6.2… he'd sold it to LA Film Camera!Our composer Fred Coury went to an LA Photography Club meetup and got hookedThe Argus C3 is terrible — fight us on this!On Alan Peres's recommendation, Jeff visited FotoŠkoda in Prague and it was incrediblePicked up a Zeiss Pentacon FM and a Carl Zeiss Jena 35mm f2.4 Flektogon lensIn Český Krumlov, Jeff visited the fascinating Museum Fotoatelier Seidel……and found a Czech-made Meopta Stereo-Mikroma at a local antique storeGabe got a black Olympus OM-2……and a Nikon D700……and is seeking a waist-level finder for his Contax 645The challenges of shooting film abroad: do you wrestle with unsympathetic airport security personnel? Ship your film home and risk it getting x-rayed along the way? Process it locally? After equivocating for days, Jeff rolled the dice and took 18 rolls to the lab at FotoŠkoda… and it was a smashing success!Also: Portra 400 is totally worth it, and the XPan is a great travel cameraExciting news: a new Widelux is inbound from Jeff and Susan Bridges and the team at Silvergrain ClassicsWhile the Widelux has a 126° field of view, the XPan with 45mm lens covers 71° — is that panoramic?What do we think of the Minolta P's and other “fake” panoramic 35mm cameras which merely mask the frame?Finally, a dip into our prodigious mailbag!
Hello, oh-oh, Vienna calling! Jeff's in the City of Dreams for Episode № 55 of I Dream of Cameras, featuring talk of travel, model shoots and being trailed by paparazzi. Do they swoon for the XPan? Find out in this globe-spanning dispatch!Jeff's in Vienna, Austria for this one!Cameras of 1968:Petri Color 35Fed MikronKonica Autoreflex TPraktica Super TLGabe's been going to a lot of camera meetups ‘cause Jeff has abandoned himJeff talks about the nature of his globetrotting adventure: Bratislava, Brno, Vienna, Prague, Karlovy Vary…Photographing picturesque cities, being trailed by paparazziThe cameras he brought: the Hasselblad XPan and the Olympus XA4 MacroThe XPan opens doors! photographers notice it — it's not a dilettante's camera — and this has led to some fascinating conversationsGabe's had a similar experience with Rollei TLRsThe XPan is a surprisingly great travel camera — between behind-the-scenes stuff and exotic Central European cities, Jeff's burning through two or three rolls of Kodak Portra 400 a dayKodak Ultramax 400 was cheaper but a bit disappointingalso in the queue: Portra 160 and FPP Color 125 (a.k.a. Svema)Jeff's getting an extraordinary insight into the collaboration between model and photographer on a fashion shootyesterday's photo shoot was with Leica Ambassador Pat Domingo, who used a Leica SL2 Reporter and a custom black chrome Hermes edition Leica M10-D with red leather and a 35mm Summicron that belonged to his fatherGabe had some struggles to get back in sync with his black-paint Leica M4Jeff's pretty good at judging exposure — are you?Gabe's also been out shooting with the Mamiya RZ67, the Hasselblad 501cm and the Rolleiflex 2.8E2And he's fascinated by the work of Saul LeiterAnd he's still enjoying the black Canonflex RM and Pentacon Six TLJeff's favorite black-and-white film is Double-X 250, a GREAT stock which for some reason isn't commercially available (except through Cinestill) — buy a 100-foot roll from Ultrafine Online and start bulk-loading!Jeff's East Coast lab of choice: picturehouse + smalldarkroom in Chelsea, NYCand finally, a dip into Das Prodigious Mailbag!
New York, London, Paris, Munich… there's nowhere I Dream of Cameras won't go in pursuit of our elusive dream camera. In Episode № 53, Jeff is off to London and the Photographica '23 photo fair, while Gabe treks to Ventura, California in search of one of the last great camera shops. Also, one of us actually handles the rare and nose-bleedingly expensive Ilford Witness! Tune in for all the Pop Muzik!A week after returning from Paris, Jeff impulsively jetted off to London for the reunion of his friend Cathy's band HeavenlyBrought a small Peak Design bag, the Everyday Sling 5L, a birthday gift from GabeDid some concert photography with the XPan, using both Ilford Delta 3200 and Kodak TMax P3200, plus HP5 pushed to 1600Fortuitously this was the same weekend as Photographica 2023, an incredible camera show! Met Chroma Steve and Kosmo Stephen and Jimmy Hickford and Richard, saw an Alpa 9f, an XPan II... and an Ilford Witness!What'd Jeff buy? A really good gift: a Rollei 35 B plus some Kosmo Foto Agent Shadow 400. Listeners: what's a good $100 camera for the 25-year-old son of a friend?Meanwhile, he failed to land his white whale, which nobody even bothered to guess at: an Alpa 10sMore travel travails: Heathrow airport security refused to hand-check any film below ISO 400, and carped about the number of rollsGabe ordered a new lens: the Canon 50mm f1.4 Leica screw-mount…and visited the mighty Dexter's Camera in Ventura, CaliforniaJeff impulsively snagged two Mamiyas: the rare and desirable 2000 DTL and the plentiful and unloved 1000 DTLGabe is fascinated by photographer Dominique IssermannFinally, a dip into our prodigious mailbag!
In the history of the 20th century photo industry, there have been countless cameras made by countless companies from countless countries. Of all those cameras, one subset of film photography seems to appeal to a larger number than most, the 35mm half-frame camera. Originally the only size for still photography on 35mm film, single frame fell out of favor after World War II, but saw a huge resurgence in the 1960s with half-frame models being released by nearly every company who made cameras. In this, the 49th episode of the Camerosity Podcast, Anthony, Theo, Paul, and Mike welcome first time and returning callers, Ray Nason, Brian Howard, Phil C., Keir Frei, Maxwell Whitaker, Richard Diver, Roger Coats, and Sean Mahan to share with us their favorite half-frame models. Mike can't help himself and gives a brief (for him) history of half-frame and why it was originally called 'single frame', we ponder what exactly qualifies as half-frame, should 4.5cm x 6cm medium format or 24mm x 24mm square format cameras count? A huge amount of time is spent on the Olympus Pen series and a huge number of 35mm half-frame models by Ricoh, Konica, Yashica, Ansco, Minolta, Pentacon, Canon, Taron, Petri, and others. As is the case with many episodes, we get off topic a bit and venture into square frame 35mm with the likes of the Berning Robot, Zeiss-Ikon Tenax, and Bolta Photavit cameras. Of course we come back, only to get off topic again talking about Rapid and Karat film cassettes. We start on a slippery slope of what Gen Z looks for in photography today and briefly touch upon why anyone would want to shoot the new Kodak H35 and similar cameras. As always, the topics we discuss on the Camerosity Podcast are influenced by you! We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras. Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show. We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. It is hard to believe, but the next episode of the Camerosity Podcast will be our 50th! Way back in 2021, there was this crazy idea to create a Podcast in the style of an AM/FM Radio Talk Show in which listeners could call in during a live recording and ask questions or talk about whatever they wanted. The first two episodes of this show were done with little more than an hour's notice and between those two episodes, spawned 47 more episodes, eventually making us not only the number one open source film photography podcast, but one of the fastest growing podcasts of any format. We are trying to put something special together for our 50th episode, but haven't yet settled on the details, or even when we will record yet. I can tell you it will definitely be in early June, but when I know, you'll know. Hope to see you then! This Week's Episode Anthony reminisces about cheap AGAT 18s / A brief history lesson on the origins of half-frame all the way back to Thomas Edison Anthony takes us back even further to the Lumière brothers and the Cinématographe Olympus 18 / Pen revived the half-frame market in Japan in the 1960s / Half-frame is technically Single Frame Medium format cameras, like 6x9 vs 6.45 are not considered half-frame The Univex Mercury camera has a rotary shutter and very sharp lenses / Olympus Pen F also has a rotary shutter Cynthia A. Repinski wrote a good book, The Univex Story / Mercury II Theo brings in the Ansco Memo, which uses cartridges you can make yourself Maxwell shoots his AGAT 18K a lot with enlarged prints / Canon Demi / AGFA Memo Berning Robot and Zeiss-Ikon Tenax II are square format, are they considered half-frame? Theo considers is 35mm full frame is half-frame compared to XPan format / Bolta Photavit Half-frame was hated by photo finishers and tended to have a whole year pictures on one roll / Ilford created a double length film Theo shows the AGFA Optima Parat / Mike has the AGFA Parat I Understanding all the Olympus Pen models / Olympus Pen F / Pen FT / Pen FV Double wind on a half-frame camera is strange / The Pen FT has a bespoke metering number system / EV Couplings are terrible The Olympus Pen EE and EE-S / Pen D series with faster f/1.9 and 1.7 lenses Olympus Pen-W is well sought out, Olympus Pen-S is a great small mechanical half-frame Ricoh Auto-Half / Ricoh Drive / Italian Ducati / Konica IIIM Other Half Frame Cameras by Nikon, Pentax, and Polaroid The Pentacon Penti is a fashion accessory camera Kodak Single Use camera can give you a Rapid Cassette replacement Why was half-frame so popular in Japan? / Photography for Everyone is a good book on the rise of photography popularity in Japan How Japan became a powerhouse in photography industry The Yashica Samurai / Yashica Rapide / Yashica Sequelle / Taron Chic / Canon Dial 35 / Ricoh Caddy Sean's AGAT 18 with a Nikkor 8mm lens attached Adapted lenses for the Pen F / Mike Loves the BeLOMO Chaika 3 Keir does not have a half-frame, but may soon! / The Fed Mikron is a copy of the Konica EYE Mamiya made a half frame with the Myrapid Half-Frame cameras which have two different taking lenses / Canon Multi-Tele / Fuji TW-3 / Konica Recorder The Lomo LC-A Wide can switch between formats The Kodak H35 and it's clone / Why do Gen Z like half-frame? Can you modify a camera to be half-frame? Original Olympus Pen made by third party and was very popular The podcast descended in chaos with a debate on what half-frame means Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/
Bonjour nos amis! Play The Marseillaise, play it, because your letter of transit is here: Episode № 52 of I Dream of Cameras, “Liberté, Égalité, Photographie.” Jeff's back from Paris with tales of the XPan and exotic camera shops, plus his abrupt conversion to the cult of the camera bag, while back in the States, Gabe splurged on a sexy black Canonflex. Connectez-vous pour une conversation amusante!Gabe got a sexy new black Canonflex RMJeff's continuing XPan saga:The XPan II had problems, so back it went to the dealer… who put it right back on the site without fixing it!what Jeff learned from his brief time with the XPan II: the O.G. is better!however, even after repair it kept squeaking and locking up, prompting the impulsive purchase of a backup XPan at K&M Camera in NYC (love those guys!)Other Paris trip preparation:the backup camera: a Leitz Minolta CL with the 40mm SummicronA camera bag (Peak Design Everyday Sling 10L V2) from REI — now he's a convert!Portra 400, which is pricey!at Paris airport security, they refused to hand-check the cameras, so Jeff had to force-rewind the XPan and waste half a rollParis camera shops:Aux Vieux FormatOdéon Occasions Photo, where Jeff met Christopher Nisperosinstead of toting eleven rolls of film back to LA, Jeff took it to a local lab, picturehouse + smalldarkroom, Sissi Lu's favorite — no extra charge for pano! watch Jeff's Instagram for the remarkable results!high-end compact autofocus camera prices are skyrocketing!A Mamiya MSX 500 at B&H Photo prompted memories of the 500DTL and 1000DTL
It's back to the coalface for Episode № 51 of I Dream of Cameras, featuring notable cameras of 1973 (uh, the early '70s), amnesty for the prodigious mailbag, a recap of Gabe's recent portrait shoot and a photowalk at the Getty Center, and the strange and terrible saga of Jeff's XPan. Topics discussed include:A recap of our banner 50th episode and the chaotic events of past three monthsGabe presents… the cameras of 1972, which bear a striking resemblance to the cameras of 1973: the Olympus OM-1, the Polaroid SX-70, the Nikon F2 and the Rollei A26Despite the rapturous response to the 50th — all credit to Chris Chu — a lot was left on the cutting-room floor, including the prodigious mailbag, so… amnesty!Gabe did a portrait shoot at iHeartRadio for a couple of friends — how do you learn about lighting setups?Do you guys apply firmware updates to your digital cameras?Gabe loves his Canon EOS 3 and Hasselblad 501cm; Jeff's EOS 5 experience soured him on autofocus cameras forever (and maybe Canon, too)Victoria of Tiny Camera Store fame turned Gabe on to the Chinon Auto 3001 Multifocus and the Voigtländer Bessa II with the Heliar lensThe new Los Angeles Photography Club had a photo walk at the Getty Center — what makes a good photo walk? would you prefer a “photo sit”? — also, Jeff loathes both the Getty's architecture and its architectHowever, we saw a great photography exhibit by Carrie Mae Weems and Dawoud BeyAnd now… a SAGA! Jeff's beloved Hasselblad XPan froze up mere days before a trip to Paris, and even though it unfroze, his confidence is shattered. His deranged solution? Order the incrementally improved XPan II as a backup!A rundown of the differences between the XPan and XPan II (pro tip: they didn't fix the bad paint)A discussion of the concept of the “backup camera”Other panoramic cameras are nice, but don't kid yourselves, the XPan reigns supreme. Fight me on this!Any photographic advice for a first-time visitor to Paris? Email us, you know where!Gabe has begun processing his own film, and can't load the reels in the changing bags without closing his eyes to make it “extra dark”The eBay “startTime” hack doesn't work anymore, so what to do? Sort by Time: newly listed, and it'll show the date the auction was postedGabe vows to shoot with the Graflex Super D — send him your tips!
It's here, folks — the long (and we do mean long) awaited Episode № 50 of I Dream of Cameras! And courtesy of the filmmaking talents of our friend Chris Chu, it's our very first video show! Listen to it wherever you pluck your pods, or watch at https://tinyurl.com/IDOC50.Topics include:notable cameras of '73when Jeff hit a bump on the LA River bike path, his XPan flew into the air... and the accursed strap saved his baconthe rare and exotic Alpa Surgical 81 - one shutter speed, no finder or meter, only 102 units madeGabe's Graflex and Exakta, and his doomed pursuit of the Olympus OM-4Gabe's quest for the sharpest lens... as opposed to the lovely softness of the RectaflexWe regret to inform you that Polaroid is at it again: David Bowie i-Type film50 episodes in, what have we learned?
Die letzte Folge vor meiner Auszeit. Es geht um Achtsamkeit und künstliche Intelligenz und Kreativität. Die Musik kommt unter anderem von der besten Platte des Jahres.
“Businesses are attacked twice: they are attacked when they get hacked and attacked again when they get sued.” – Rebecca Rakoski Rebecca Rakoski, Esq., is the co-founder and Managing Partner at XPAN Law Partners, a boutique domestic and international cybersecurity and data privacy law firm. XPAN Law is committed to global strategic thinking that reduces risk and leads businesses forward. Rebecca is an experienced litigator who has handled hundreds of matters in state and federal courts and has counseled and defended public and private corporations and their boards during data breaches. She received her Juris Doctor from the Widener University School of Law. Rebecca joins us today to discuss why businesses need to proactively work toward cybersecurity regardless of their size. She describes her career history and how she realized the importance of cybersecurity and data privacy for businesses. She explains how legal structures and cybersecurity go hand-in-hand, how laws catch up to the speed of tech development, and why cybersecurity isn't just a matter of technology. Rebecca also recommends some steps small businesses can take today to build cybersecurity and underscores the value of understanding data. This week on Breaking Barriers: ● Rebecca's background and career in the cybersecurity industry ● The relationship between law and cybersecurity ● The importance of knowing niche laws that are keeping up with the speed of tech development ● What small business owners can do to protect themselves and their data ● Why small businesses are uniquely at data risk ● Common cybersecurity-related legal issues small businesses encounter ● What remediation looks like for a business owner involved in a data breach ● The common mistakes small business owners make with cybersecurity matters ● What justice looks like in keeping companies cyber secure This podcast is brought to you by Hire Ground Hire Ground is a technology company whose mission is to bridge the wealth gap through access to procurement opportunities. Hire Ground is making the enterprise ecosystem more viable, profitable, and competitive by clearing the path for minority-led, women-led, LGBT-led, and veteran-led small businesses to contribute to the global economy as suppliers to enterprise organizations. For more information on getting started, please visit us @ hireground.io today! If you enjoyed this episode, please subscribe and leave a review wherever you get your podcasts. Apple Podcasts | TuneIn | GooglePlay | Stitcher | Spotify Be sure to share your favorite episodes on social media and join us on Facebook, Twitter, and LinkedIn.
Rebecca Rakoski, Esq., is the co-founder and Managing Partner at XPAN Law Partners, a boutique domestic and international cybersecurity and data privacy law firm. XPAN Law is committed to global strategic thinking that reduces risk and leads businesses forward. Rebecca is an experienced litigator who has handled hundreds of matters in state and federal courts and has counseled and defended public and private corporations and their boards during data breaches. She received her Juris Doctor from the Widener University School of Law. Rebecca joins us today to discuss why businesses need to proactively work toward cybersecurity regardless of their size. She describes her career history and how she realized the importance of cybersecurity and data privacy for businesses. She explains how legal structures and cybersecurity go hand-in-hand, how laws catch up to the speed of tech development, and why cybersecurity isn't just a matter of technology. Rebecca also recommends some steps small businesses can take today to build cybersecurity and underscores the value of understanding data. “Businesses are attacked twice: they are attacked when they get hacked, and attacked again when they get sued.” - Rebecca Rakoski This week on Breaking Barriers: ● Rebecca's background and career in the cybersecurity industry● The relationship between law and cybersecurity● The importance of knowing niche laws that are keeping up with the speed of tech development● What small business owners can do to protect themselves and their data● Why small businesses are uniquely at data risk● Common cybersecurity-related legal issues small businesses encounter● What remediation looks like for a business owner involved in a data breach● The common mistakes small business owners make with cybersecurity matters● What justice looks like in keeping companies cyber secure Resources Mentioned: ● National Institute of Standards and Technology Connect with Rebecca Rakoski: ● XPAN Law Partners● XPAN Law Partners LLP on LinkedIn● XPAN Law Partners LLP on Facebook● XPAN Law Partners LLP on Twitter● Rebecca Rakoski on LinkedIn● Email: rrakoski@xpanlawpartners.com This podcast is brought to you by Hire Ground Hire Ground is a technology company whose mission is to bridge the wealth gap through access to procurement opportunities. Hire Ground is making the enterprise ecosystem more viable, profitable, and competitive by clearing the path for minority-led, women-led, LGBT-led, and veteran-led small businesses to contribute to the global economy as suppliers to enterprise organizations. For more information on getting started please visit us @ hireground.io today! If you enjoyed this episode, please subscribe and leave a review wherever you get your podcasts. Apple Podcasts | TuneIn | GooglePlay | Stitcher | Spotify Be sure to share your favorite episodes on social media and join us on Facebook, Twitter, and LinkedIn.
Half a cookie? Try one-twelfth of a cookie! After a deep dive into our bulging mailbag, we go big on one of the smallest cameras ever made: the mighty Minox! Tune in for all the fun!OK, we're late and here's why: Illness, torrential rain, power outages, travel…!We won the Sunny award for Best Sunny 16 Presents Podcast!Gabe went to B&H in New York and didn't buy anything, not even a bagMeanwhile, Jeff did not go to Antarctica - those who have been, please tell us, is it worth it?Jeff unloaded some gear (including the 90mm Summicron) with the KEH guys and is completely delighted — it paid for the XPan!Gabe's M6 is under a doctor's careOur beyond-prodigious mailbag, including discussion of the new Pentax "film camera project"And now… the Minox idyll! That is a great pun!The Riga Minox, designed by Walter ZappA through III-sBthe Minox developing tank, enlarger — it's a whole system!CBLLXShooting with a Minox is different!renewing our IDOC photo assignment: shoot a portrait of a friend, shoot a portrait of a stranger — post on Instagram and tag us to be amplified!Jeff is performing February 12th at the Ruskin Theatre in Santa Monica — follow this link, click on See A Show, then choose Library Girl
Round 2 of the Xpro judging is live! Follow along here: https://mattlovescameras.com/xpro-2022-competition-entries/ My co-judge is Xpan man Mr Matthew Joseph: https://www.instagram.com/fotodudenz/ Buy Matt a coffee! Support the show by donating to my Ko-Fi page! https://ko-fi.com/mattlovescameras Matt Loves Cameras on YouTube I would love your support for my YouTube channel! MATT LOVES CAMERAS Web: https://mattlovescameras.com YouTube: https://www.youtube.com/mattlovescameras Podcast: https://mattlovescameras.podbean.com/ Email: mattlovescameras@gmail.com Lomography: https://www.lomography.com/homes/mattlovescameras Instagram: https://www.instagram.com/mattlovescameras Tik Tok: https://www.tiktok.com/@mattlovescameras
In episode 63 of Matt Loves Cameras we judge the first round of Xpro entries! Round 2 coming soon. Follow along here: https://mattlovescameras.com/xpro-2022-competition-entries/ My co-judge is Xpan man Mr Matthew Joseph: https://www.instagram.com/fotodudenz/ Buy Matt a coffee! Support the show by donating to my Ko-Fi page! https://ko-fi.com/mattlovescameras Matt Loves Cameras on YouTube I would love your support for my YouTube channel! MATT LOVES CAMERAS Web: https://mattlovescameras.com YouTube: https://www.youtube.com/mattlovescameras Podcast: https://mattlovescameras.podbean.com/ Email: mattlovescameras@gmail.com Lomography: https://www.lomography.com/homes/mattlovescameras Instagram: https://www.instagram.com/mattlovescameras Tik Tok: https://www.tiktok.com/@mattlovescameras
thanks to the lords of Sunny 16, we now have our own podcast feed! a lightning round to empty our prodigious mailbag - limit one sentence per email! Gabe's about to leave for New York Fashion Week - here's the final list of cameras he's bringing:Leica Q Canon R5 Leica M10 Widelux F7 Rolleiflex 2.8F Yashica T4 Gabe's kit for a portrait shoot with Kal Penn: the R5, the Q and the M10 to fund Gabe's recent impulse buy of the Canon R5, he actually sold some stuff:a Contax T2 to Eoin Macken and a bunch of other gear (Hasselblad 503cx, Minolta Autocord, Leica R6.2) to our friends at LA Film Camera on the same trip, Jeff failed to unload a mint-in-box 90mm f2 Summicron ASPH with caps, case and original papers - any takers? Jeff's about to make another trip to Atlanta and KEH — last time, he looked at a ton of cool stuff (thanks Sam) and came away with a 35mm Nikkor for his SP rangefinder this time he has his eye on a 35mm f2.8 PC-Nikkor tilt-shift lens to use with the XPan Jeff's recent impulse buy: a Konica Acom-1 a.k.a. Autoreflex TC - what is “automatic” exposure, and why do we judge those who use it? the difference between shooting the Widelux (serendipitous) and the XPan (deliberate) no cameras allowed at the Malibu Chili Cookoff, and no cameras on tripods in LA's public parks! wtf? serial numbers - do you find them interesting? Jeff sure does! Jeff used the Paterson System 4 with its babyish plastic developing reels.. and he loved it! forty episodes in, what have we learned?
A signal show in which we finally step out of the shadow of Sunny 16 Presents and get our own podcast feed! Now you can search for I Dream of Cameras wherever you pluck your podcasts. In addition, we empty the mailbag at light speed, discuss Gabe's preparations to shoot New York Fashion Week, talk of recent impulse buys, compare the Widelux and the XPan, carp at absurd public photography restrictions, muse upon the mystery of camera serial numbers, praise the babyish plastic developing reels, and reflect on what if anything we have learned after 40 episodes.thanks to the lords of Sunny 16, we now have our own podcast feed!a lightning round to empty our prodigious mailbag - limit one sentence per email!Gabe's about to leave for New York Fashion Week - here's the final list of cameras he's bringing: Leica Q Canon R5 Leica M10 Widelux F7 Rolleiflex 2.8F Yashica T4Gabe's kit for a portrait shoot with Kal Penn: the R5, the Q and the M10to fund Gabe's recent impulse buy of the Canon R5, he actually sold some stuff: a Contax T2 to Eoin Macken and a bunch of other gear (Hasselblad 503cx, Minolta Autocord, Leica R6.2) to our friends at LA Film Cameraon the same trip, Jeff failed to unload a mint-in-box 90mm f2 Summicron ASPH with caps, case and original papers - any takers?Jeff's about to make another trip to Atlanta and KEH — last time, he looked at a ton of cool stuff (thanks Sam) and came away with a 35mm Nikkor for his SP rangefinderthis time he has his eye on a 35mm f2.8 PC-Nikkor tilt-shift lens to use with the XPanJeff's recent impulse buy: a Konica Acom-1 a.k.a. Autoreflex TC - what is “automatic” exposure, and why do we judge those who use it?the difference between shooting the Widelux (serendipitous) and the XPan (deliberate)no cameras allowed at the Malibu Chili Cookoff, and no cameras on tripods in LA's public parks! wtf?serial numbers - do you find them interesting? Jeff sure does!Jeff used the Paterson System 4 with its babyish plastic developing reels.. and he loved it!forty episodes in, what have we learned?
En #JesúsCarranza preparan festejos por la toma de protesta como #alcaldes de #PasianoRuedaCanseco, para el viernes 12 de agosto, después de estar encarcelado en #Tuxpan, #VeracruzPasiano Rueda, en #entrevista en la Primera Emisión con Pascal Beltrán del Río.
It's Jeff week here at Sunny 16 Towers (which is coincidentally Jeff's nickname) after the I Dream Of Cameras star (co-star) made a flash trip to the UK to buy a fancy camera, drink some fancy beer in the sun with Ade, make prints and drink pints with Rachel, visit burial grounds and television sets and probably drink who knows what with Clare, and drink Lemonade and get shown the way out by Graeme - what a week! Is Jeff as nice as he comes across in his podcast? Is the Xpan the answer to all of life's questions? Does Gabe just not like us enough to travel half way around the world? Some of these questions will be answered, some you can figure out for yourselves, only on Jeff Week here at Sunny 16! Title for this show provided by Ade. Alternative titles included "Jeffs-on-an Airplane". "Four Welcomes and a Fuji-clone" and "The Perils of Poor Impulse Control"
A VERY SPECIAL EPISODE recapping Jeff's absurd acquisition of a Hasselblad XPan, and more importantly, his trip to England and Wales to meet all four hosts of the Sunny 16 Podcast!In our last episode, Chris Chu talked Jeff out of getting a Hasselblad XPan, so how did he end up impulsively buying one on his first day in London?A magical trip to Camera City, the very same place where Jeff found his sacred Alpa 11si ten years ago... and what should be on the shelf but an XPan?And now, the circuit of the Sunnies…Drinks with Ade at the Camera Museum in LondonA side trip to the Photographer's Gallery and their incredible film wallDarkroom work with Rachel at her studio at Northern Lights in LiverpoolTouring Anglesey and Portmeirion, Wales with ClareBrowsing vintage cameras with Graeme at the Cameras London stall at Portobello RoadAn underdiscussed aspect of the XPan: the standard 45mm f/4 lens is incredible!In other news… where's all the film? And why's the film we have so expensive?Gabe has set up an on-deck circle of underused cameras……and has been snapping up photography booksThought experiment: if the boys had to cut their collections down to only ten cameras, which would they choose?Next episode, we tackle the prodigious mailbag!
VERY SPECIAL EPISODE recapping Jeff's absurd acquisition of a Hasselblad XPan, and more importantly, his trip to England and Wales to meet all four hosts of the Sunny 16 Podcast! In our last episode, Chris Chu talked Jeff out of getting a Hasselblad XPan, so how did he end up impulsively buying one on his first day in London? A magical trip to Camera City, the very same place where Jeff found his sacred Alpa 11si ten years ago.. and what should be on the shelf but an XPan? And now, the circuit of the Sunnies…Drinks with Ade at the Camera Museum in London A side trip to the Photographer's Gallery and their incredible film wall Darkroom work with Rachel at her studio at Northern Lights in Liverpool Touring Anglesey and Portmeirion, Wales with Clare Browsing vintage cameras with Graeme at the Cameras London stall at Portobello Road An underdiscussed aspect of the XPan: the standard 45mm f/4 lens is incredible! In other news… where's all the film? And why's the film we have so expensive? Gabe has set up an on-deck circle of underused cameras… …and has been snapping up photography books Thought experiment: if the boys had to cut their collections down to only ten cameras, which would they choose? Next episode, we tackle the prodigious mailbag!
Part 1 of when Matthew Met Lucy! I bring back 2 fan favourites to discuss the hot topics in film photography. Recording issues meant we only got through one topic, so look out for part 2 soon! Xpan man Mr Matthew Joseph: https://www.instagram.com/fotodudenz/ Check out Lucy's YouTube channel: https://www.youtube.com/channel/UCDRFbE1xnJtTCiRFdSKPdLQ Lucy's Instagram: https://www.instagram.com/lucy_lumen/ PhotoPrintDay: https://www.instagram.com/photoprintday/ Pantastic 2021-22 is still open! Competition details and entry form: https://mattlovescameras.com/pantastic-2021-plastic-panorama-camera-competition/ Buy Matt a coffee! Support the show by donating to my Ko-Fi page! https://ko-fi.com/mattlovescameras Don't forget to subscribe and leave a review on Apple Podcasts! Matt Loves Cameras: film camera reviews, instant camera reviews, everything analogue photography related. Email: mattlovescameras@gmail.com Web: https://mattlovescameras.com Lomography: https://www.lomography.com/homes/mattlovescameras/ Instagram: https://www.instagram.com/mattlovescameras/ Tik Tok: https://www.tiktok.com/@mattlovescameras
In episode 56 of Matt Loves Cameras I discuss the first 25 entries for the Pantastic 2021-22 competition with Xpan man Mr Matthew Joseph (https://www.instagram.com/fotodudenz/) Play along at home, check out the entries here: https://mattlovescameras.com/pantastic-2021-22-competition-entries/ Take part in Pantastic 2021-22! Comp is open until 17 April 2022. Competition details and entry form: https://mattlovescameras.com/pantastic-2021-plastic-panorama-camera-competition/ Buy Matt a coffee! Support the show by donating to my Ko-Fi page! https://ko-fi.com/mattlovescameras Don't forget to subscribe and leave a review on Apple Podcasts! Matt Loves Cameras: film camera reviews, instant camera reviews, everything analogue photography related. Email: mattlovescameras@gmail.com Web: https://mattlovescameras.com Lomography: https://www.lomography.com/homes/mattlovescameras/ Instagram: https://www.instagram.com/mattlovescameras/
参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
参加“艺卓杯摄影大赛”，请关注微信公众号“摄影早自习”，回复：艺卓早安，我是叶梓，今天是摄影早自习陪伴大家的第1754天。今天是我们聊画幅的第三课，之前好像没有聊过这么仔细的，这次就聊个痛快。那么之前我们了解了全画幅，说它是柯达小铁桶胶卷135型胶卷的感光面积：24×36mm。又聊了它砍一半的面积，就是那个所谓的半画幅 ——APS-C画幅，但是我也说了这两个画幅面积并不完全相等，最后我们又聊了M4/3画幅。Photo by Patrick on Unsplash这里我补一句，全画幅和APS-C画幅都是2:3的尺寸，唯独M4/3画幅它是4:3尺寸，这个长宽比变了。其实咱们手机拍照也都是4:3尺寸为主，所以下次你一看照片2:3的，你就知道了要么全画幅，要么APS-C画幅，对吧。一看4:3就知道了，要么就是手机拍的，要么就是M4/3画幅拍的。当然还有富士的所谓的“4433”的中画幅。富士GFX 50S 感光元件43.8x 32.9mm 图片来源：富士官网中画幅又是什么玩意呢？之前其实我跟大家提了一嘴，就是在整个相机大家族里边，135胶卷那绝对是“小画幅”啊，绝对是很小的，因为它的老大哥有的是。其中比它大一点的就有一种胶卷，它也是胶卷，也是卷在一根卷轴上的一个东西。那个胶卷的宽度是6cm多一点，我没细量过，我在网上查了一下资料，是6.15cm宽吧，因为它也是一长卷，所以它肯定也能拍很多张是不是？每拍一张把这个胶卷卷一卷，然后就拍下一张。左：135胶卷 右：120胶卷 图片来源：淘宝画英雄那你也可以想象了，这个胶卷它限制了我们的感光的面积的高，但是宽其实随便你造是不是？所以我们有好多种中画幅的相机，它用来感光的面积最小的6×4.5cm，大一点6×6cm正方形，再大6×7cm，6×9cm，甚至高达“617”——6×17cm。富士就有生产这个相机，名字特别好记，因为它差一点就“618”了。那么这种相机看上去它拍的照片特别宽特别长，胶片面积也特别大，但是因为它用的胶卷还是那个6cm宽度的120胶卷，所以我们还是管它叫做中画幅相机。FUJI（富士） PANORAMA G617 PRO 宽幅相机 图片来源：祥升行相机博物馆其实同样的事情也发生在135的胶卷里头。我之前说了135胶卷的总宽度是35mm，但是要去掉齿孔，所以用来感光拍照片的面积最高也就是24mm，但是宽度其实也是不受限制的，所以才会有之前说的半画幅相机——半格相机24×18mm宽度的感光面积。当然也有更宽的，就是哈苏XPan，其实我自己非常喜欢这个机器，但是今天也没买得起。哈苏这个相机它能拍的最大的最宽的画幅是24×65mm，它的长宽比是6:17，你看又是“617”。这两种相机它都是用了一种尺寸比较小的胶片，但是却因为拓展宽度而达到了很大的感光面积，很清晰的画质的这么一种结果，是非常讨巧、非常聪明的。但是它的长宽比因为非常奇葩，所以构起图来也确实考验人。HASSELBLAD（哈苏） Xpan 宽幅相机图片来源：祥升行相机博物馆还是回到中画幅的话题上来，不难看出，中画幅的宽度随便搞，但是这高度肯定是6cm。中画幅里有谁最常用的、最标准的呢？其实大家比较习惯正方形6×6，单位是cm，这个是中画幅里的标准画幅，就像135画幅的标准化画幅是24×36mm一样（长宽比是）2:3，中画幅120胶卷里面最常见的是1:1。Ricoh（理光） 120中画幅相机图片来源：祥升行相机博物馆但不管怎么样，你会发现富士所生产的中画幅数码相机，它严格来讲确实不应该算中画幅，它的大小是44×33mm，它不及6cm宽，所以它是介于135画幅——所谓的全画幅和120的中画幅之间的一个尺寸。所以有人也带有鄙视性的称其为残中幅、中残幅。我其实也不太喜欢这个词，因为听上去有点不太文明，是不是？感觉总有一点那种鄙视链的意味，这个是我们不想要的。但是反正大家叫也叫惯了，就叫富士中幅，就代称它那种“4433”画幅的相机了。其实哈苏的X1D它其实也是这个尺寸，“4433”。其实还有别的尺寸也是介于全画幅和中画幅之间，比如说宾得的645z，它的尺寸43.8×32.8mm。在这些名称被历史统一之前，我们就暂且都称它为中幅好了，暂且饶它们一命。但是你心里要知道，就是我们一说中幅，第一反应其实是6×6cm的感光元件的尺寸或者是胶片的面积。有没有这样的数码相机是民用级的呢？有的，其实哈苏还有飞思——这个品牌大家可能不熟悉，因为它实在是太专业了——这两个品牌它都有6×6cm的标标准准的中画幅的数码后背。Phase One（飞思）XT相机 图片来源：Phase One中国什么叫数码后背？其实就是说它这个后背是跟机身分开卖的，感光元件这个区块，包括屏幕在内，它整个后边这半截是跟前面的机身分开卖的，就管它叫数码后背，你就暂时这么理解吧，反正它是个专业玩意。这种东西的画质真的不是那种偏小的画幅的数码相机能够比拟的，但是它也确实有它的缺点，什么对焦特别慢啊，什么拍东西连拍速度极慢无比啊，相机相对比较笨重啊，这些东西其实都是刚好跟 M4/3画幅的特别小画幅的奥林巴斯相机对着的。奥林巴斯所擅长的，它都不擅长，而它所擅长的奥林巴斯都不擅长。最后我还是要嘱咐一句，中画幅之上其实还有大画幅，但是大画幅的尺寸比例就非常非常的多了。你就记着只要不是用中画幅120胶卷的，比它大的都叫大画幅。它除了画质好以外，其实还由于它的相机设计的特殊的原因，它可以实现一些像移轴这样的特殊效果，这个我们今天不展开谈。Speed Graphic大画幅相机 图片来源：祥升行相机博物馆你还需要知道一点的是，大画幅的胶卷是没有那种卷轴状的，它不像135胶卷是一个小铁桶，也不像120胶卷是一个小纸筒，它是一片一片的。这个道理也很好理解，就是因为它画幅实在是太大了，卷起来再摊开来拍照它的边肯定不是很平整，到时候会有很大的成像上的问题。最后还是做个总结吧，其实还是那句话，画幅这个东西它也并不说是谁大谁就好，也不是说谁小谁就好，它们各有所长。我自己干活的时候愿意拿全幅，弱光的时候愿意拿全画幅，因为它成像素质好。偶尔的情况下拍商业片需要更高的成像的时候会拿中幅。但是旅行摄影，包括为甲方干活的那种旅行摄影，委托创作的这种，大量的时候我其实都是带奥林巴斯走，用的是M4/3的画幅。因为我懒啊，我就是想要轻便的嘛，而且它拍出来的画质在大部分情况下是绝对够用的，那够用不就好了吗？好，画幅的故事我们就聊这么多了，希望各位同学有所收获，我知道大家有很多问题想讨论，任何问题都可以在底部向我留言，不管是在微信公众号还是喜马拉雅里，你们的留言我都能看得见。有问题也欢迎在下方提问，我会尽力为你解答。另外别忘了艺卓和我们联合主办的“艺卓杯摄影大赛”就在这个月底截稿，现在还有三四天的时间，大家不要错过了投稿的机会，那个大奖是非常诱人的——专业的艺卓显示器，艺卓可是显示器界的天花板级的存在。具体的比赛信息、投稿信息请点击今天的微信公众号“摄影早自习”的第二条图文链接，或者你就在我们的微信公众号摄影早自习底下回复“艺卓”两个字，艺术的艺，卓越的卓。另外11月7号我们的颐和园的外拍课程已经确认成团，现在正是秋色最美的时候，大家不要错过，你可以扫描语音下方的海报里的二维码来咨询报名。今天是摄影早自习陪伴大家的第1754天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
OnePlus is cancelling the 9T, but they added a fun new camera feature! The FTC is looking more closely at tech mergers. Apple ripped off another developer's idea, and then blocked their app from the App Store. Surface Duo 2 visits the FCC, and the Surface Pro 8 gets leaked. And we'll really take some time to host a viewer Q&A like I DID NOT do last week! Let's get our tech week started right! Stories This Week: I'm not reviewing the iPhone 13 https://somegadgetguy.com/2021/09/14/iphone-13-im-not-buying-one/ Camera Sensor Sizes EXPLAINED! https://somegadgetguy.com/2021/09/17/dont-upgrade-your-phone-just-for-a-better-camera/ How tech reviewers get camera reviews wrong https://somegadgetguy.com/2021/09/07/how-techies-get-phone-camera-reviews-wrong/ Vue Lite Smart Glasses https://somegadgetguy.com/2021/09/08/vue-lite-smart-glasses-good-looking-geek-wear/ Olive Pro Hearables: OTC Hearing Aids? https://somegadgetguy.com/2021/09/09/olive-pro-review-over-the-counter-hearing-aids/ What I mean when I talk about a “weak” headphone amp https://somegadgetguy.com/2021/09/10/what-i-mean-when-i-talk-about-weak-headphone-amps-on-phones/ Why is the Pixel camera SO good? https://somegadgetguy.com/2021/09/04/why-is-the-pixel-5a-camera-so-good-its-not-what-you-think/ NexDock 360 Review! https://somegadgetguy.com/2021/08/24/nexdock-360-your-next-laptop-could-be-your-phone/ USB DAC Buying Guide! https://somegadgetguy.com/2021/08/10/apple-music-lossless-amazon-music-hd-spotify-premium-tidal-masters-but-your-phone-doesnt-have-a-headphone-jack-dac-buying-guide/ Galaxy S21 Sales TANKED, but why? https://somegadgetguy.com/2021/08/05/where-we-can-finally-admit-the-samsung-galaxy-s21-is-just-a-dog/ Audeze CRBN! $4500 Headphones! https://somegadgetguy.com/2021/08/02/audeze-crbn-4500-headphones-electrostatic-technology-built-for-ucla/ Best of Our Week 37 (with TK Bay, Josh, and Isa)! https://www.youtube.com/watch?v=UxOOPldsDg4 NVIDIA Broadcast Interview with Newegg! https://www.youtube.com/watch?v=h-S6GdCeWSA Juan on Let's Chat DeX talking about LapDocks and Desktop Modes https://www.youtube.com/watch?v=MqkrG3LZzj4 SomeGadgetGuy Merch! https://teespring.com/stores/somegadgetguy Android 11 auto -reset coming to older Android phones https://www.engadget.com/android-11-permissions-auto-reset-android-6-update-170017665.html T-Mobile adding in-store repair https://www.t-mobile.com/news/devices/t-mobile-adds-in-store-repairs-and-more-device-protection-benefits-for-customers FTC Looking more closely into tech mergers https://www.cnbc.com/2021/09/15/ftc-presents-findings-from-study-of-small-tech-mergers.html Apple ripped off another app https://www.inputmag.com/tech/apple-blocked-the-flicktype-watch-keyboard-then-announced-a-clone-of-it Apple looking at poor gains for the A15 https://semianalysis.com/apple-cpu-gains-grind-to-a-halt-and-the-future-looks-dim-as-the-cpu-engineer-exodus-to-nuvia-and-rivos-impact-starts-to-bleed-in/ Surface Duo 2 tipped at FCC https://www.windowscentral.com/surface-duo-2-fcc Surface Pro 8 leaks https://www.msn.com/en-us/money/other/microsofts-surface-pro-8-might-include-a-120hz-screen-and-thunderbolt-ports/ar-AAOBJ6g?ocid=uxbndlbing TOP STORIES OF THE WEEK ON r/GLOWINGRECTANGLES https://www.reddit.com/r/glowingrectangles/top/?t=week OnePlus cancelling the 9T https://www.xda-developers.com/oneplus-9t-officially-canceled/ Juan Rambles on about the OnePlus XPAN mode and answers Viewer questions! Support SomeGadgetGuy! The complete list of how you can contribute to production on this channel AND get yourself some cool stuff! Patreon, Amazon, Humble Bundle, OnePlus, Audible, Merch, and MORE! https://somegadgetguy.com/2012/07/15/support-somegadgetguy-get-cool-stuff/ SomeGadgetGuy's Gear List: Panasonic G9 https://amzn.to/2E95rKM Panasonic 15mm f/1.7 http://amzn.to/2qWH0UZ Panasonic 25mm f/1.7 http://amzn.to/2ohTzsd Audio-Technica Lavalier https://amzn.to/2WywofM Focusrite 6i6 Audio Interface http://amzn.to/2p5l7py Shure SM57 Microphone http://amzn.to/2oypnLm Cloudlifter CL1 http://amzn.to/2oKN9G5 LED Light Panels http://amzn.to/2oy60ls AJA U-TAP HDMI http://amzn.to/2wfprBF Elgato HD S http://amzn.to/2p95Unu SUBSCRIBE TO #SGGQA! 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OnePlus is cancelling the 9T, but they added a fun new camera feature! The FTC is looking more closely at tech mergers. Apple ripped off another developer’s idea, and then blocked their app from the App Store. Surface Duo 2 visits the FCC, and the Surface Pro 8 gets leaked. And we’ll really take some … Continue reading "#SGGQA 222: OnePlus adds XPAN but drops 9T, Apple A15 Poor CPU Gains, Surface Duo 2 and Surface Pro 8 Leaks, Audience Q&A!"
From short how-to videos on YouTube to years-long college and university programs, people have plenty of options for digital education. But what about large organizations that need to educate and re-train their entire team? Where do they turn? Enter Xpan Interactive Ltd., a Calgary-based global leader in custom and immersive digital knowledge solutions. Since 2001, Ron has led his team to increase engagement, performance and competency to over 5 million learners across more than 250 large organizations. Join me as Ron talks about XPan’s evolution over the past 20 years from pioneers to global leaders in digital learning and connects the dots between education and a thriving economy.
Host Catherine Short speaks with Rebecca L. Rakoski the Co-Founder & Managing Partner XPAN Law Group. Her firm is a data privacy and cybersecurity law firm that bridges the gap between law and technology by considering the unique needs and blueprint of businesses about Vendor Management in Healthcare. They discuss the importance of vendor management in the healthcare industry, explore recent vendor- related data breaches and the threat vendors can pose, discuss the issues presented by COVID-19, and explain the regulatory framework- healthcare-related businesses need to understand. We will also provide a three-step process to address vendor management. To stream our Station live 24/7 visit www.HealthcareNOWRadio.com or ask your Smart Device to “….Play HealthcareNOW Radio”. Find all of our network podcasts on your favorite podcast platforms and be sure to subscribe and like us. Learn more at www.healthcarenowradio.com/listen/
早安，我是叶梓，今天是摄影早自习陪伴大家的第1583天。今天是周一，应该来讲器材，所以我先简单给大家推荐一款软件，手机的拍摄软件叫做“FIMO”。我跟这个软件没有关系，只是简单的喜欢用，就推荐给大家。我之前给大家推荐过类似的软件，比如说“NOMO”对吧？这两款软件都是所谓的胶片色的拍摄软件，拍出来就跟胶片相机拍的一样。我之前还给大家推荐过一款叫做“VSCO”的软件，是用来调色的，可以把普通的手机拍的照片调得非常像胶片的颜色。那为什么我们这么喜欢胶片色呢？其实是因为第一是柯达、富士这样的胶片巨头，它在这么长的时间里面累积了非常深厚的有关色彩的一些调色方法，所以我们可以向它们学习。第二是因为胶片它是个光化反应，它是个真实存在的化学反应，所以在这个过程中，它产生的色彩比较不能说是接地气吧，应该说是比较站得住脚，它不会像是数码照片，拿起来在后期软件里随便瞎调调出来的那么怪异。所以如果你不知道怎么调色的时候，去向胶片的颜色去靠拢或者说是去参考，是一个非常好的方法。基于这个原因，给我推荐大家使用这款软件来体验一下胶片色。这款软件是免费的，下载以后有几个胶片也是免费的，可以任意使用，但是它还有更多的胶片可能是收费的。我也不记得哪个收费哪个不收费了，反正我就是买了一些、用了一些，喜欢的我就给大家推荐一下，好不好？首先我最喜欢的一个胶片色，也是我自己在生活中最喜欢使用的胶卷就是“柯达炮塔”那个卷。这里提供的Kodak PORTRA 160NC，是120型号胶卷。这个胶卷颜色上比较寡淡，但是非常温柔，很有诗意，而且因为这个软件里提供的是120的型号，所以它就是一个正方形的画幅，大家可以尝试一下。© 叶梓另外有很多人喜欢使用的是富士的“业务卷”——“Business 400”。“业务卷”的意思就是说它是过去给那些摄影师在影楼里使用的，它是又便宜又好的一种胶卷，这种胶卷对肤色的还原比较符合亚洲人的那种期待，而且它颜色上和对比度上都会比PORTRA要强一些，颜色会更漂亮一些。© 叶梓再接下来给大家推荐是“Nature1600”1600感光度的胶卷。这个是富士的很著名的一个叫做“月光女神卷”，国内的人给它取了个外号，意思是在月光下它都能拍照。这个胶卷说实话我用的不是特别多，但是我的学生馨瑶用得比较多，她比较土豪。这个胶卷在去年好像停产了，所以它的售价——现在在网上都买到的过期卷的售价，好像要300多一卷。你在这里可以用非常低的价格去体验它，我觉得是非常划算的一种方式，在这个软件里去体验它。© 叶梓那么再往后给大家推荐一个比较特殊的卷，叫做“柯达克罗姆”就是这个黄色的“KDchrome”。这个卷怎么说呢，它那个颜色很特别很特别，它不是那种简单的怀旧，它是有它自己的一种偏黄的一种质感在里头。这个胶卷我没有用过，因为它老早老早就已经全部停产，而且你即便是买到，你也找不到那个冲印的药水、冲印的店，那套工艺都没有了。但是“柯达克罗姆”太著名，太多好照片都是由它来拍摄的，在摄影史上占有很重要的一席之地，甚至有一个电影我可以推荐给大家，就叫做“柯达克罗姆（Kodak Chrom）”——这个胶卷的名字，大家可以去看一看，可能对这个胶卷会有更深的了解。在这里你使用它的话，你得到的是个长方形的照片，但是它外面会套一个白色的方框。这个方框不是随便搞的，不是为了好看，它其实是过去我们所谓的幻灯片夹——就是把底片夹在这个夹子里面以后，把它整个投放在幻灯片机里面，在后边放一灯泡，前面放一镜头，就能把底片上的影像直接投映到墙面或者是荧幕上去观看它，这么个幻灯片夹，按一个按钮就切换到下一张，一个机械的结构。这个我们通常会在幻灯片夹上去写比如说拍摄日期啊或者是主题啊，这照片是什么啊或者签个艺术家的名字啊……都可以，所以在这里的幻灯片夹上也是有一点字的。© 叶梓接下来再给大家推荐两个片幅特别宽的胶卷，这个片幅特别特别宽，宽到什么程度呢，它就是哈苏“Xpan”的相机的画幅尺寸，它是两张135胶片叠在一起的尺寸，比两个2:3的尺寸加在一起还要再宽一点，像是一个全景的照片。这个也很像是我们在电影院看电影的宽度，所以这里有一个胶卷是叫做“V3 500T”，这款胶卷它应该是仿的一款电影卷，具体仿得像不像其实我不知道，因为我用电影卷用的不多。但是它拍出来的确实很有电影感，颜色偏的比较严重，但是在偏色的同时，它又看上去是自然而舒服的。© 叶梓另外柯达的“Tri-X400”，这个卷是我平时比较用得多的。它是个黑白卷，但是因为它是厚乳剂型胶卷，所以它的宽容度很大，在使用时曝光也不用特别小心，后期反正可以拯救的余地也比较大，所以我还挺喜欢的，也有很多人会比较喜欢这个卷，它也同样是一个超宽幅的画幅的胶卷。© 叶梓好吧，今天我就简单的给大家推荐这么多，今天的早自习听完以后你最好去下载一下这个软件，这是免费软件，下载以后你可以使用一些免费的胶卷，也可以去购买自己心仪的胶卷。但不管怎么样，希望各位不只是拿手机玩这个软件，而是要从中慢慢的去体会一下所谓的胶片色到底是什么感觉，这个对你今后的调色到底有什么样的一些启发。相比真正的去玩胶片相机和胶卷而言，用软件来体会算是非常廉价、非常经济划算的一种做法了，虽然它模仿的可能不能说是百分百的像胶片，但是现在这些软件也确实是越做越好了，这一点真的是让人非常开心。最后再补充一句，在4月3-5号，也就是清明假期期间，我们会在北京举办工作坊，5.1长假期间，会在重庆举办工作坊，这两者的名额都非常少，大家如果需要的话可以去戳今天图文链接第二条、第三条来了解详情。顺便有很多同学不了解工作坊是什么形式，其实就是小型的以实践为主的一种学习。全过程需要同学们和我一起来创作一组自己的稍微有点深度的摄影的作品。同学们能获得的收获大体上就是突破自己的瓶颈，解决一些切实的问题，提升自己的审美的能力，获取更多的有关艺术的思考素材。一般来说学生们都会非常有收获，所以感兴趣的同学一定要尽早抢占名额，现在名额所剩不多，特别是北京的工作坊，因为4月份很近了，现在只有3个名额剩余。关于上课有更多的问题的都可以在帖子里面找到我们的课程顾问，向她详细咨询。今天是摄影早自习陪伴大家的第1583天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
早安，我是叶梓，今天是摄影早自习陪伴大家的第1583天。今天是周一，应该来讲器材，所以我先简单给大家推荐一款软件，手机的拍摄软件叫做“FIMO”。我跟这个软件没有关系，只是简单的喜欢用，就推荐给大家。我之前给大家推荐过类似的软件，比如说“NOMO”对吧？这两款软件都是所谓的胶片色的拍摄软件，拍出来就跟胶片相机拍的一样。我之前还给大家推荐过一款叫做“VSCO”的软件，是用来调色的，可以把普通的手机拍的照片调得非常像胶片的颜色。那为什么我们这么喜欢胶片色呢？其实是因为第一是柯达、富士这样的胶片巨头，它在这么长的时间里面累积了非常深厚的有关色彩的一些调色方法，所以我们可以向它们学习。第二是因为胶片它是个光化反应，它是个真实存在的化学反应，所以在这个过程中，它产生的色彩比较不能说是接地气吧，应该说是比较站得住脚，它不会像是数码照片，拿起来在后期软件里随便瞎调调出来的那么怪异。所以如果你不知道怎么调色的时候，去向胶片的颜色去靠拢或者说是去参考，是一个非常好的方法。基于这个原因，给我推荐大家使用这款软件来体验一下胶片色。这款软件是免费的，下载以后有几个胶片也是免费的，可以任意使用，但是它还有更多的胶片可能是收费的。我也不记得哪个收费哪个不收费了，反正我就是买了一些、用了一些，喜欢的我就给大家推荐一下，好不好？首先我最喜欢的一个胶片色，也是我自己在生活中最喜欢使用的胶卷就是“柯达炮塔”那个卷。这里提供的Kodak PORTRA 160NC，是120型号胶卷。这个胶卷颜色上比较寡淡，但是非常温柔，很有诗意，而且因为这个软件里提供的是120的型号，所以它就是一个正方形的画幅，大家可以尝试一下。© 叶梓另外有很多人喜欢使用的是富士的“业务卷”——“Business 400”。“业务卷”的意思就是说它是过去给那些摄影师在影楼里使用的，它是又便宜又好的一种胶卷，这种胶卷对肤色的还原比较符合亚洲人的那种期待，而且它颜色上和对比度上都会比PORTRA要强一些，颜色会更漂亮一些。© 叶梓再接下来给大家推荐是“Nature1600”1600感光度的胶卷。这个是富士的很著名的一个叫做“月光女神卷”，国内的人给它取了个外号，意思是在月光下它都能拍照。这个胶卷说实话我用的不是特别多，但是我的学生馨瑶用得比较多，她比较土豪。这个胶卷在去年好像停产了，所以它的售价——现在在网上都买到的过期卷的售价，好像要300多一卷。你在这里可以用非常低的价格去体验它，我觉得是非常划算的一种方式，在这个软件里去体验它。© 叶梓那么再往后给大家推荐一个比较特殊的卷，叫做“柯达克罗姆”就是这个黄色的“KDchrome”。这个卷怎么说呢，它那个颜色很特别很特别，它不是那种简单的怀旧，它是有它自己的一种偏黄的一种质感在里头。这个胶卷我没有用过，因为它老早老早就已经全部停产，而且你即便是买到，你也找不到那个冲印的药水、冲印的店，那套工艺都没有了。但是“柯达克罗姆”太著名，太多好照片都是由它来拍摄的，在摄影史上占有很重要的一席之地，甚至有一个电影我可以推荐给大家，就叫做“柯达克罗姆（Kodak Chrom）”——这个胶卷的名字，大家可以去看一看，可能对这个胶卷会有更深的了解。在这里你使用它的话，你得到的是个长方形的照片，但是它外面会套一个白色的方框。这个方框不是随便搞的，不是为了好看，它其实是过去我们所谓的幻灯片夹——就是把底片夹在这个夹子里面以后，把它整个投放在幻灯片机里面，在后边放一灯泡，前面放一镜头，就能把底片上的影像直接投映到墙面或者是荧幕上去观看它，这么个幻灯片夹，按一个按钮就切换到下一张，一个机械的结构。这个我们通常会在幻灯片夹上去写比如说拍摄日期啊或者是主题啊，这照片是什么啊或者签个艺术家的名字啊……都可以，所以在这里的幻灯片夹上也是有一点字的。© 叶梓接下来再给大家推荐两个片幅特别宽的胶卷，这个片幅特别特别宽，宽到什么程度呢，它就是哈苏“Xpan”的相机的画幅尺寸，它是两张135胶片叠在一起的尺寸，比两个2:3的尺寸加在一起还要再宽一点，像是一个全景的照片。这个也很像是我们在电影院看电影的宽度，所以这里有一个胶卷是叫做“V3 500T”，这款胶卷它应该是仿的一款电影卷，具体仿得像不像其实我不知道，因为我用电影卷用的不多。但是它拍出来的确实很有电影感，颜色偏的比较严重，但是在偏色的同时，它又看上去是自然而舒服的。© 叶梓另外柯达的“Tri-X400”，这个卷是我平时比较用得多的。它是个黑白卷，但是因为它是厚乳剂型胶卷，所以它的宽容度很大，在使用时曝光也不用特别小心，后期反正可以拯救的余地也比较大，所以我还挺喜欢的，也有很多人会比较喜欢这个卷，它也同样是一个超宽幅的画幅的胶卷。© 叶梓好吧，今天我就简单的给大家推荐这么多，今天的早自习听完以后你最好去下载一下这个软件，这是免费软件，下载以后你可以使用一些免费的胶卷，也可以去购买自己心仪的胶卷。但不管怎么样，希望各位不只是拿手机玩这个软件，而是要从中慢慢的去体会一下所谓的胶片色到底是什么感觉，这个对你今后的调色到底有什么样的一些启发。相比真正的去玩胶片相机和胶卷而言，用软件来体会算是非常廉价、非常经济划算的一种做法了，虽然它模仿的可能不能说是百分百的像胶片，但是现在这些软件也确实是越做越好了，这一点真的是让人非常开心。最后再补充一句，在4月3-5号，也就是清明假期期间，我们会在北京举办工作坊，5.1长假期间，会在重庆举办工作坊，这两者的名额都非常少，大家如果需要的话可以去戳今天图文链接第二条、第三条来了解详情。顺便有很多同学不了解工作坊是什么形式，其实就是小型的以实践为主的一种学习。全过程需要同学们和我一起来创作一组自己的稍微有点深度的摄影的作品。同学们能获得的收获大体上就是突破自己的瓶颈，解决一些切实的问题，提升自己的审美的能力，获取更多的有关艺术的思考素材。一般来说学生们都会非常有收获，所以感兴趣的同学一定要尽早抢占名额，现在名额所剩不多，特别是北京的工作坊，因为4月份很近了，现在只有3个名额剩余。关于上课有更多的问题的都可以在帖子里面找到我们的课程顾问，向她详细咨询。今天是摄影早自习陪伴大家的第1583天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
早安，我是叶梓，今天是摄影早自习陪伴大家的第1583天。今天是周一，应该来讲器材，所以我先简单给大家推荐一款软件，手机的拍摄软件叫做“FIMO”。我跟这个软件没有关系，只是简单的喜欢用，就推荐给大家。我之前给大家推荐过类似的软件，比如说“NOMO”对吧？这两款软件都是所谓的胶片色的拍摄软件，拍出来就跟胶片相机拍的一样。我之前还给大家推荐过一款叫做“VSCO”的软件，是用来调色的，可以把普通的手机拍的照片调得非常像胶片的颜色。那为什么我们这么喜欢胶片色呢？其实是因为第一是柯达、富士这样的胶片巨头，它在这么长的时间里面累积了非常深厚的有关色彩的一些调色方法，所以我们可以向它们学习。第二是因为胶片它是个光化反应，它是个真实存在的化学反应，所以在这个过程中，它产生的色彩比较不能说是接地气吧，应该说是比较站得住脚，它不会像是数码照片，拿起来在后期软件里随便瞎调调出来的那么怪异。所以如果你不知道怎么调色的时候，去向胶片的颜色去靠拢或者说是去参考，是一个非常好的方法。基于这个原因，给我推荐大家使用这款软件来体验一下胶片色。这款软件是免费的，下载以后有几个胶片也是免费的，可以任意使用，但是它还有更多的胶片可能是收费的。我也不记得哪个收费哪个不收费了，反正我就是买了一些、用了一些，喜欢的我就给大家推荐一下，好不好？首先我最喜欢的一个胶片色，也是我自己在生活中最喜欢使用的胶卷就是“柯达炮塔”那个卷。这里提供的Kodak PORTRA 160NC，是120型号胶卷。这个胶卷颜色上比较寡淡，但是非常温柔，很有诗意，而且因为这个软件里提供的是120的型号，所以它就是一个正方形的画幅，大家可以尝试一下。© 叶梓另外有很多人喜欢使用的是富士的“业务卷”——“Business 400”。“业务卷”的意思就是说它是过去给那些摄影师在影楼里使用的，它是又便宜又好的一种胶卷，这种胶卷对肤色的还原比较符合亚洲人的那种期待，而且它颜色上和对比度上都会比PORTRA要强一些，颜色会更漂亮一些。© 叶梓再接下来给大家推荐是“Nature1600”1600感光度的胶卷。这个是富士的很著名的一个叫做“月光女神卷”，国内的人给它取了个外号，意思是在月光下它都能拍照。这个胶卷说实话我用的不是特别多，但是我的学生馨瑶用得比较多，她比较土豪。这个胶卷在去年好像停产了，所以它的售价——现在在网上都买到的过期卷的售价，好像要300多一卷。你在这里可以用非常低的价格去体验它，我觉得是非常划算的一种方式，在这个软件里去体验它。© 叶梓那么再往后给大家推荐一个比较特殊的卷，叫做“柯达克罗姆”就是这个黄色的“KDchrome”。这个卷怎么说呢，它那个颜色很特别很特别，它不是那种简单的怀旧，它是有它自己的一种偏黄的一种质感在里头。这个胶卷我没有用过，因为它老早老早就已经全部停产，而且你即便是买到，你也找不到那个冲印的药水、冲印的店，那套工艺都没有了。但是“柯达克罗姆”太著名，太多好照片都是由它来拍摄的，在摄影史上占有很重要的一席之地，甚至有一个电影我可以推荐给大家，就叫做“柯达克罗姆（Kodak Chrom）”——这个胶卷的名字，大家可以去看一看，可能对这个胶卷会有更深的了解。在这里你使用它的话，你得到的是个长方形的照片，但是它外面会套一个白色的方框。这个方框不是随便搞的，不是为了好看，它其实是过去我们所谓的幻灯片夹——就是把底片夹在这个夹子里面以后，把它整个投放在幻灯片机里面，在后边放一灯泡，前面放一镜头，就能把底片上的影像直接投映到墙面或者是荧幕上去观看它，这么个幻灯片夹，按一个按钮就切换到下一张，一个机械的结构。这个我们通常会在幻灯片夹上去写比如说拍摄日期啊或者是主题啊，这照片是什么啊或者签个艺术家的名字啊……都可以，所以在这里的幻灯片夹上也是有一点字的。© 叶梓接下来再给大家推荐两个片幅特别宽的胶卷，这个片幅特别特别宽，宽到什么程度呢，它就是哈苏“Xpan”的相机的画幅尺寸，它是两张135胶片叠在一起的尺寸，比两个2:3的尺寸加在一起还要再宽一点，像是一个全景的照片。这个也很像是我们在电影院看电影的宽度，所以这里有一个胶卷是叫做“V3 500T”，这款胶卷它应该是仿的一款电影卷，具体仿得像不像其实我不知道，因为我用电影卷用的不多。但是它拍出来的确实很有电影感，颜色偏的比较严重，但是在偏色的同时，它又看上去是自然而舒服的。© 叶梓另外柯达的“Tri-X400”，这个卷是我平时比较用得多的。它是个黑白卷，但是因为它是厚乳剂型胶卷，所以它的宽容度很大，在使用时曝光也不用特别小心，后期反正可以拯救的余地也比较大，所以我还挺喜欢的，也有很多人会比较喜欢这个卷，它也同样是一个超宽幅的画幅的胶卷。© 叶梓好吧，今天我就简单的给大家推荐这么多，今天的早自习听完以后你最好去下载一下这个软件，这是免费软件，下载以后你可以使用一些免费的胶卷，也可以去购买自己心仪的胶卷。但不管怎么样，希望各位不只是拿手机玩这个软件，而是要从中慢慢的去体会一下所谓的胶片色到底是什么感觉，这个对你今后的调色到底有什么样的一些启发。相比真正的去玩胶片相机和胶卷而言，用软件来体会算是非常廉价、非常经济划算的一种做法了，虽然它模仿的可能不能说是百分百的像胶片，但是现在这些软件也确实是越做越好了，这一点真的是让人非常开心。最后再补充一句，在4月3-5号，也就是清明假期期间，我们会在北京举办工作坊，5.1长假期间，会在重庆举办工作坊，这两者的名额都非常少，大家如果需要的话可以去戳今天图文链接第二条、第三条来了解详情。顺便有很多同学不了解工作坊是什么形式，其实就是小型的以实践为主的一种学习。全过程需要同学们和我一起来创作一组自己的稍微有点深度的摄影的作品。同学们能获得的收获大体上就是突破自己的瓶颈，解决一些切实的问题，提升自己的审美的能力，获取更多的有关艺术的思考素材。一般来说学生们都会非常有收获，所以感兴趣的同学一定要尽早抢占名额，现在名额所剩不多，特别是北京的工作坊，因为4月份很近了，现在只有3个名额剩余。关于上课有更多的问题的都可以在帖子里面找到我们的课程顾问，向她详细咨询。今天是摄影早自习陪伴大家的第1583天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
Konstantin & Becky bring to you the latest Nikon news and photography related announcements. Visit our e-shop: http://bit.ly/eshop_Grays Rebecca Danese: http://bit.ly/Bex_on_InstaKonstantin Kochkin: http://bit.ly/kon_on_insta Production: Foteini Tasiopoulou Listen on Spotify: https://bit.ly/GoW_podcast Listen on Apple Podcasts: https://bit.ly/Gow_podcast Contact us at media@graysofwestminster.co.uk MAIN STORIES OF THE WEEK# Nikon Q3 financial results are out: “record quarterly sales for mirrorless cameras” https://www.nikon.com/about/ir/ir_library/result/index.htm#y2021 https://www.nikon.com/about/ir/ir_library/result/pdf/2021/21_3qf_c_e.pdf https://www.nikon.com/about/ir/ir_library/result/pdf/2021/21_3qf_d_e.pdf https://www.nikon.com/about/ir/ir_library/result/pdf/2021/21third_all_e.pdf New report suggest Nikon will close two lens factories in Japan https://bit.ly/3aRW4Mc & http://bit.ly/3qbSsez Nikon released and updated the following articles on their website. Setting up the Nikon Z 6, Z 6II, Z 7, Z 7II with the Atomos Ninja V for RAW recording https://bit.ly/3rIwS1o N-Log recording (included Z6/7 II cameras) https://bit.ly/3pcdLeB PC-E NIKKOR lens compatibility with DSLRs https://bit.ly/3p3qG2s Nikon UK discontinued the following items# HR-2 50MM Lens Hood MF/AF BM-11 LCD monitor cover NIKON RELATED / OTHER NEWS New Lomography Atoll ultra-wide 2.8/17 Art lens launched on Kickstarter Nikon Z http://bit.ly/3a76qJ2 Megadap Released a firmware update v2.0 for the MTZ11 Leica M lenses to Nikon Z cameras autofocus adapter http://bit.ly/3qen276 Affinity 1.9 is here https://affinity.serif.com/en-gb/1-9/?utm_medium=email&utm_source=serifemail&utm_campaign=19_Launch_2021&mc=19LAUNCHE01 Congratulations to Canon who celebrates production of 150 million interchangeable EF and RF lenses https://photorumors.com/2021/02/04/canon-celebrates-production-of-150-million-interchangeable-rf-and-ef-lenses/#ixzz6laZJlFE6 REVIEWS Nikon Z7 II Review & Field TEST by ePhotozine http://bit.ly/3q9TuHL Ephotozine: Hands-on with Nikon's pricey but super-fast and very sharp Z 50mm f/1.2 S prime lens (Sample Gallery) https://www.imaging-resource.com/news/2021/01/15/hands-on-with-nikons-pricey-super-fast-and-sharp-z-50mm-f-1.2-s-prime-lens Weekend read / watch The Image Sensor Industry by Thom Hogan https://www.bythom.com/newsviews/the-image-sensor-industry.html Fabian Oefner is creating art by cutting Nikon cameras into pieces https://nikonrumors.com/2021/02/04/fabian-oefner-is-creating-art-by-cutting-nikon-cameras-into-pieces.aspx/#ixzz6laUBhwbn Tokyo XPan – A Cinematic View of Japan – By Mike AmosHe talks about his life journey of using film cameras. Xpan was the photographers / cinematographers camera due to its very special frame size. https://www.35mmc.com/03/01/2021/tokyo-xpan-a-cinematic-view-of-japan-by-mike-amos --- Send in a voice message: https://anchor.fm/grays-of-westminster/message
早自习课表周一【器材】 周二【技巧】周三【审美】 周四【赏析】周五【生活】 周六【嘉宾】早安，我是叶梓，今天是摄影早自习陪伴大家的第1542天。今天的早自习稍微有点迟到，很抱歉，因为我是刚刚回到北京，现在是在北京陪大家早自习。今天是周一，按照约定我们来聊一个有关器材的事，今天我想专门给大家聊一下照片的长宽比例。请注意，我这里想聊的并不是画幅，不是底片有多大，感光原件有多大，什么全画幅、APS-C画幅、M4/3画幅……不是这个，我想聊的是照片的长宽比，但这两个东西又确实是有一点关系的。为什么要了解这个知识点呢？其实是因为我看到大家在裁切照片的时候有一点乱来，想裁成什么样裁成什么样。左边多了个人，把左边人裁掉。哎？照片裁了以后它长宽比看上去不对劲啊，有一点点露馅了的感觉。明眼人一看就知道你一定是裁过这张照片，这个感觉很奇怪。所以聪明人他在裁照片的时候通常会按照一定的比例去裁切。这个比例怎么来、怎么定？其实就是根据我们有什么样的相机，有哪些长宽比是天然形成的这个照片的长宽比，按照这个来确定。首先单反和微单的全画幅照相机还有APS-C画幅的照相机，这两种感光元件尺寸它能拍下来的照片的长宽比是2:3。长宽比3:2 © 叶梓佳能全画幅微单：EOS R6 图片来源：佳能官网因为全画幅它就是我们135胶片——那种柯达小铁桶胶片的成像区域的大小，是一模一样大的。所以135胶片的长宽比一般也是2:3，它的宽度是3，高度是2，是比值不是厘米。135胶片 图片来源：pixabay.com还有一种长宽比很常见，比如说奥林巴斯的M4/3画幅，还有手机它的原生的——也就是说它最大像素的照片，它的长宽比是4:3，宽度为4，高度为3，比刚才那个看上去要稍微胖一点，没那么宽。长宽比4:3 © 叶梓奥林巴斯 E-M1 Mark III 图片来源：奥林巴斯官网除此之外，还有一种是大家比较耳熟能详的，就是16:9，宽度为16，高度为9。这种画面看上去更宽、高度更窄一些，它通常是用在视频领域。比如我们在网上看个短片，它清晰度的选择是什么720P、1080P……，这些视频格式的标准其实都是16:9的一个长宽比。所以你把照片裁成16:9的话，也行，看上去也是一个大家比较习惯的长宽比例。长宽比16:9 © 叶梓有的同学可能细心，他会发现iPhone从诞生的第一天开始，它在拍照的这个功能上，就提供了一种叫做1:1的尺寸。这个有很多同学是不理解的，一开始就觉得为什么要拍方的呀？后来就越来越发现方形好用，它构图显得比较简洁、比较规整，很容易做减法构图。而且以九宫格的形式晒在朋友圈，晒在微博的时候，这个照片尺寸你看上去是非常舒服的，即便在缩略图里也不会裁切掉画面的左右两侧。但是很多同学不知道的是这个1:1是大有来头，它实际上是在胶片摄影的年代，中画幅里的，鼎鼎有名的禄来双镜头反光镜照相机的尺寸，也是所谓的相机之王——哈苏生产的单镜头反光镜照相机的胶片的成像的尺寸，它们俩用的都是6cm×6cm厘米的胶片在成像，所以长宽比就是1:1。所以iPhone也好还是部分的安卓手机也好，在自己的软件里面内置了一种1:1的拍照的长宽比，这个在我看来肯定是受到了当时的胶片的尺寸的影响。那么同样的把自己的照片裁成1:1的尺寸其实也是可以的，没什么问题，看上去一样好看。长宽比1:1 © 叶梓禄来相机 图片来源：pixabay.com以上是常见的几种，当然其实还有一些奇葩另类。比如说我有一台叫玛米亚RB67的胶片机，它的长宽比是7×6，所以它的名字就叫RB67。我还有一种很喜欢的，但一直没舍得买的相机是哈苏的XPan，这种相机它的长宽比是1:2.7，相当宽幅的一种相机。它在拍照的时候，一次按快门，会在横着并排的两张底片上同时进行曝光，得到一张超宽的影像。但是由于这些尺寸不是特别常见，我就不推荐大家按照这种比例去裁切自己的照片了。最后给一个小贴士，今天想告诉大家的是照片裁的时候要有规矩，按照常见的长宽比去裁，但是千万不要忘了，你这一组照片一起往外发，要保持它的长宽比是统一的。比如说你这一组都是2:3的长宽比，那么其中有张照片你要裁掉右边的人，那就请你在裁右边的时候也顺带把上边下边也裁掉一点，你可以锁住长宽比的小锁再去裁切，保证你的这一张照片裁出来还是2:3的。或者是说你就喜欢那个电影效果，想裁成16:9，那可以，请你把你这一组所有照片全裁成16:9的，这样会比较统一，观众在一张张浏览的时候就不容易出戏。好吧，今天我们就简单的先聊这么多，希望大家有所收获。更多摄影好课请见“阅读原文”。想连贯听早自习的，不妨在喜马拉雅APP里面搜索“摄影早自习”，别忘了在评价里面给我们一个5星好评，这是对我们最大的鼓励。今天是摄影早自习陪伴大家的第1542天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
早自习课表周一【器材】 周二【技巧】周三【审美】 周四【赏析】周五【生活】 周六【嘉宾】早安，我是叶梓，今天是摄影早自习陪伴大家的第1542天。今天的早自习稍微有点迟到，很抱歉，因为我是刚刚回到北京，现在是在北京陪大家早自习。今天是周一，按照约定我们来聊一个有关器材的事，今天我想专门给大家聊一下照片的长宽比例。请注意，我这里想聊的并不是画幅，不是底片有多大，感光原件有多大，什么全画幅、APS-C画幅、M4/3画幅……不是这个，我想聊的是照片的长宽比，但这两个东西又确实是有一点关系的。为什么要了解这个知识点呢？其实是因为我看到大家在裁切照片的时候有一点乱来，想裁成什么样裁成什么样。左边多了个人，把左边人裁掉。哎？照片裁了以后它长宽比看上去不对劲啊，有一点点露馅了的感觉。明眼人一看就知道你一定是裁过这张照片，这个感觉很奇怪。所以聪明人他在裁照片的时候通常会按照一定的比例去裁切。这个比例怎么来、怎么定？其实就是根据我们有什么样的相机，有哪些长宽比是天然形成的这个照片的长宽比，按照这个来确定。首先单反和微单的全画幅照相机还有APS-C画幅的照相机，这两种感光元件尺寸它能拍下来的照片的长宽比是2:3。长宽比3:2 © 叶梓佳能全画幅微单：EOS R6 图片来源：佳能官网因为全画幅它就是我们135胶片——那种柯达小铁桶胶片的成像区域的大小，是一模一样大的。所以135胶片的长宽比一般也是2:3，它的宽度是3，高度是2，是比值不是厘米。135胶片 图片来源：pixabay.com还有一种长宽比很常见，比如说奥林巴斯的M4/3画幅，还有手机它的原生的——也就是说它最大像素的照片，它的长宽比是4:3，宽度为4，高度为3，比刚才那个看上去要稍微胖一点，没那么宽。长宽比4:3 © 叶梓奥林巴斯 E-M1 Mark III 图片来源：奥林巴斯官网除此之外，还有一种是大家比较耳熟能详的，就是16:9，宽度为16，高度为9。这种画面看上去更宽、高度更窄一些，它通常是用在视频领域。比如我们在网上看个短片，它清晰度的选择是什么720P、1080P……，这些视频格式的标准其实都是16:9的一个长宽比。所以你把照片裁成16:9的话，也行，看上去也是一个大家比较习惯的长宽比例。长宽比16:9 © 叶梓有的同学可能细心，他会发现iPhone从诞生的第一天开始，它在拍照的这个功能上，就提供了一种叫做1:1的尺寸。这个有很多同学是不理解的，一开始就觉得为什么要拍方的呀？后来就越来越发现方形好用，它构图显得比较简洁、比较规整，很容易做减法构图。而且以九宫格的形式晒在朋友圈，晒在微博的时候，这个照片尺寸你看上去是非常舒服的，即便在缩略图里也不会裁切掉画面的左右两侧。但是很多同学不知道的是这个1:1是大有来头，它实际上是在胶片摄影的年代，中画幅里的，鼎鼎有名的禄来双镜头反光镜照相机的尺寸，也是所谓的相机之王——哈苏生产的单镜头反光镜照相机的胶片的成像的尺寸，它们俩用的都是6cm×6cm厘米的胶片在成像，所以长宽比就是1:1。所以iPhone也好还是部分的安卓手机也好，在自己的软件里面内置了一种1:1的拍照的长宽比，这个在我看来肯定是受到了当时的胶片的尺寸的影响。那么同样的把自己的照片裁成1:1的尺寸其实也是可以的，没什么问题，看上去一样好看。长宽比1:1 © 叶梓禄来相机 图片来源：pixabay.com以上是常见的几种，当然其实还有一些奇葩另类。比如说我有一台叫玛米亚RB67的胶片机，它的长宽比是7×6，所以它的名字就叫RB67。我还有一种很喜欢的，但一直没舍得买的相机是哈苏的XPan，这种相机它的长宽比是1:2.7，相当宽幅的一种相机。它在拍照的时候，一次按快门，会在横着并排的两张底片上同时进行曝光，得到一张超宽的影像。但是由于这些尺寸不是特别常见，我就不推荐大家按照这种比例去裁切自己的照片了。最后给一个小贴士，今天想告诉大家的是照片裁的时候要有规矩，按照常见的长宽比去裁，但是千万不要忘了，你这一组照片一起往外发，要保持它的长宽比是统一的。比如说你这一组都是2:3的长宽比，那么其中有张照片你要裁掉右边的人，那就请你在裁右边的时候也顺带把上边下边也裁掉一点，你可以锁住长宽比的小锁再去裁切，保证你的这一张照片裁出来还是2:3的。或者是说你就喜欢那个电影效果，想裁成16:9，那可以，请你把你这一组所有照片全裁成16:9的，这样会比较统一，观众在一张张浏览的时候就不容易出戏。好吧，今天我们就简单的先聊这么多，希望大家有所收获。更多摄影好课请见“阅读原文”。想连贯听早自习的，不妨在喜马拉雅APP里面搜索“摄影早自习”，别忘了在评价里面给我们一个5星好评，这是对我们最大的鼓励。今天是摄影早自习陪伴大家的第1542天，我是叶梓，每天早上6:30，微信公众号“摄影早自习”，不见不散。
Data privacy and security is always a priority, for businesses as well as individuals. With so many people working from home and conducting business on personal devices, the lines around employee privacy are getting blurred.Dave Bookbinder goes Behind The Numbers with Rebecca Rakoski and Jordan Fischer, Managing Partners at XPAN Law Group.In this episode, Jordan and Rebecca share their insights around keeping your data private and secure in the ‘new normal’ as well as how they maintain a corporate culture as a virtual law firm.Check out more of Behind The Numbers on YouTubeBehind The Numbers is available wherever you get your podcastsPlease subscribe to keep up with the latest episodes, and please rate the podcast so that others might find it – and please let me know what part of the world you’re tuning in from!Want to share your insights with the business community? Message me to learn how you can be a guest on Behind The Numbers. BehindTheNumbersDB@Gmail.com
David Emery of The Marshall Financial Group talks with John Mason of Seeking Alpha about debt and banking issues then … Read More! The post Money Matters TV #20-41 Jordan Fischer, Esq. of Xpan Law Group appeared first on Money Matters TV.
Hey everybody, welcome to this week's podcast with me your host the Phlogger. As I explore this medium of photography and play around I become interested in many areas. One of these that always springs to mind is a double exposure. I remember when running my competitions with Kodak Alaris that there was a few multi-exposure entries. In fact, one of them by Ben Felten won a memorable mention and obviously stuck in my conscious mind. So I thought hell I had not interviewed someone who does this consistently with film so let’s get him on the show. Ben was very willing and I couldn’t wait to talk with him. Now bear in mind Ben is from France, but has lived in a few countries and currently living in Hong Kong. So if you are expecting a heavy French accent you might be surprised. Anyway, Ben’s a family man like myself and a very decent guy. After speaking with Ben I’ve come up with the idea of an act of random kindness every day. So you search for someone on Instagram and share their picture on your story - simple. it would be great to hear of you doing this too. Remember karma everyone, do something nice for someone and feel positive. So this podcast is all about Ben’s pursuit of happiness with multi-exposure and his human nature project. It’s a learning journey and he talks to us about the technical and conceptual aspects too, so very useful. So in this one we discuss: multi-exposure background choices shooting Xpan studio vs home sessions negative space vs busy backgrounds cyanotypes photograms hong kong restrictions zines Other Links We discuss the beginning of cyanotypes with (botanist) Anna Atkins with her book on plant life. https://en.wikipedia.org/wiki/Anna_Atkins Chris Relander - www.christofferrelander.com Ben Links Etsy - https://www.etsy.com/shop/WideWorldPhotography Instagram - https://www.instagram.com/benfelten/ Friends of the show I have discussed David from FilmDev in this show and how he's developed all my 120 colour work for a few years. Great work guaranteed and as an example, he only charges £4 for small files with delivery & TIFF's! Large scans are £8 compared to. Do check them out - https://filmdev.co.uk/ Other friends are: Static Age - https://www.staticage.co.uk/ Chroma Camera - https://chroma.camera/ --- Send in a voice message: https://anchor.fm/photography-insights/message
In this part 2 of the podcast when continue the conversation with Jordan Fischer from XPAN Law Group. We covered an array of topics:Risk ProcessesCyber Liability InsuranceNth Party RiskState Privacy LawsBiometric Privacy LawsGDPROffshore Data RegulationsResearch RegulationsThe Future of Cyberlaw Jordan is co-founder and managing partner of the XPAN Law Group. XPAN is a women-owned boutique law firm. Jordan specializes in international data privacy, cybersecurity and cross-border data management.Follow Jordan on these social media platforms:LinkedInTwitterFor more information on XPAN Law Group go here: https://xpanlawgroup.comSupport the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=BPUXUJ8SWLCR6&source=url)
In this episode I spoke with Jordan Fischer from the XPAN Law Group.Jordan is co-founder and managing partner of the XPAN Law Group. XPAN is a women-owned boutique law firm. Jordan specializes in international data privacy, cybersecurity and cross-border data management.In part one of the interview we focus on the following questions:What are the biggest challenges right now in the pandemic?What advice does she have for small and medium sized businesses that do not have a Remote Work policy?What is the latest information related to Work From Home Threat ModelingFollow Jordan on these social media platforms:LinkedInTwitterFor more information on XPAN Law Group go here: https://xpanlawgroup.comSupport the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=BPUXUJ8SWLCR6&source=url)
I almost dropped an Xpan. No, that's not a joke, it's the truth. In July 2019, podcaster, photographer, and Sunny 16 helper Matthew Joseph flew up to Brisbane for a few days and we met up for a photo walk. Matthew gave his Xpan to shoot with when the incident occurred. Was it my clumsiness that almost saw a legendary camera smash to the floor of the Queensland Gallery of Modern Art? Or was it Matthew's inability to put a camera strap on properly? Keep listening and find out. Also keep listening for details of the Matt Loves Cameras plastic pano challenge! Don't forget to subscribe and leave a review on Apple Podcasts! Matt Loves Cameras: film camera reviews, instant camera reviews, everything analogue photography related. Music used in the show: Casi - thEnd [Free Download] by Casi is licensed under a Creative Commons License. Available at https://soundcloud.com/casisnmz/thend Email mattlovescameras@gmail.com Web https://mattlovescameras.com Instagram @mattlovescameras
As large companies continue to advise of data breaches that put you at risk, the need to be mindful and diligent is paramount. Consumers and businesses alike share in the issue of risk regarding data privacy and cyber security.Dave Bookbinder goes Behind The Numbers with Jordan Fischer, Managing Partner of XPAN Law Group.In this episode Jordan shares her insights on data privacy issues and how to protect yourself or your business from cyber threats. Jordan also shares her background as a founder of a women-owned business.Check out more of Behind The Numbers on YouTubeBehind The Numbers is available wherever you get your podcastsPlease subscribe to keep up with the latest episodes, and please rate the podcast so that others might find it.Want to share your insights with the business community? Message me to learn how you can be a guest on Behind The Numbers. BehindTheNumbersDB@Gmail.com
Jordan L. Fischer, co-founder and managing partner of XPAN Law Group, LLC joins Belinda Enoma on this episode to empower you to just go for it and launch. Jordan does many powerful things that I just couldn’t help but have a chat with her. For new law school grads or people trying to start their own law firm or even cybersecurity practice, Jordan has a message for you.Get the full gist about this episode at https://www.destinychats.com/jordan-fischer
Mike and Andre are joined by Johnny Sisson from the Classic Lenses Podcast and employee of Central Camera in Chicago! We discuss age demographics of film and digital shooters, Johnny discusses 4x5 pack film holders and converting them to panoramic format and cheap Xpan alternatives, a large format craze happening?, and Mike has problems loading film on plastic developing reels for the first time in a long time. Next, we have Johnny answer questions from the Negative Positives Podcast Facebook Group that leads us down so many rabbit holes that we had to make two episodes out of it!
This time around Nick and Graham discuss photographs they have taken and how they inform the cameras that they build and how the cameras that they build allow for photographs that are different from the ones they can take with off-the-shelf models. Nick’s photo is here: https://www.flickr.com/photos/51834204@N07/42317986574/in/dateposted/ Graham’s photo is here: https://www.flickr.com/photos/129971511@N04/41391598034/in/pool-3976524@N23/ Graham starts talking about his point and shoot sheet film camera that he designed and printed though to start he refers to it as a 2-1/4 by 2-1/4 when it is actually 2-1/4 by 3-1/4 (27:30). Nick’s build for this episode is the PinBlad Deluxe, a pinhole camera made from a Hasselblad and an Ilex No. 3 shutter (42:50). Project Save the Scameras from Graeme’s Hammer gets an update (52:00) with Graham’s project of putting an SLR lens on the front of his Olympia. This episode’s book is, The Complete Nikon System: An Illustrated Equipment Guide by Peter Braczko (https://www.amazon.com/Complete-Nikon-System-Illustrated-Equipment/dp/1883403855/ref=sr_1_1?ie=UTF8&qid=1536246746&sr=8-1&keywords=the+complete+nikon+system). Graham corrects a shoutout from the last episode where he gives credit to Panomicron on Instagram for building an XPan type of camera using 3D printing when he should have credited it to Cody (https://www.instagram.com/james__irvin/). It is still worth looking at Panomicron’s work too as he’s building some cool cameras (https://www.instagram.com/panomicron/). Graham was confused as one of Cody’s images appears in Panomicron’s timeline. Also, take the time to look at Ethan from Cameradactyl’s timeline on Instagram as he’s been doing some crazy-fun shit lately (https://www.instagram.com/cameradactyl/). Nick also mentions an image posted by Dirk Fletcher’s ultralight 4X5 camera on our Flickr feed: (https://www.flickr.com/photos/dirkfletcher/44439938251/in/pool-3976524@N23/) Nick also mentions Walker Cameras (http://www.walkercameras.com/) whose website is worth taking a look at.
Happy New Year! We start the year off with special guest, Clint Clarkson, the VP, elearning at Xpan Interactive. After a brief history from Clint, we dove into a discussion that spanned from getting certifications all the way to his current position as VP of elearning and everything in between. Be sure to check out Clint’s comic that is related to the L&D field as well for a good laugh! Clint’s history in the industry Certifications Balancing out elearning visuals Clint’s comics and the industries response Matching courses to learners This podcast is powered by ZenCast.fm
全景摄影并不是数码摄影的产物，也并不是都需要在后期中拼接图片。详见语音。“摇头”全景相机（胶片）哈苏XPAN全景相机（胶片）“摇头”全景相机（数码）来"水立方"看叶梓摄影个展，请关注微信公众号：摄影早自习，留言回复：漂。加入摄影早自习【微信群】：1、添加叶梓老师微信：leonyee5（暗号：喜马拉雅）2、说明“申请入群”【微博】@叶梓【QQ群】384277488《自由职业摄影师》、《新媒体视频导演》及更多摄影课程咨询请加微信：hello-kato打开微信，搜索微信公众号：摄影早自习，每天早上6：30，不见不散。
Click here for the show notes: http://awesomecameras.com/podcast-11/
Warcraft Off the Record – A World of Warcraft Podcast – Elder Scrolls Online Podcasts & More!
Overwatch!!Warcraft Movie looks amazing Xpan drops weds midnight FINALLY Jeannelle talks about gnomes Poke Macros in his show segments Warcraft Off The Record Ep13 The PG show https://www.youtube.com/watch?v=HNmECH8IjDE Last Weeks [...] Source
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