Podcasts about Hasselblad

The Cinematography Podcast Episode 335: Jess Hall Cinematographer Jess Hall, ASC, BSC reunited with director Matt Shakman to bring the retro-future world of The Fantastic Four: First Steps to life. The two had collaborated on several projects together, such as Marvel's Wandavision. “I have a lot of faith in Matt Shakman,” says Jess. “I went into it with a lot of goodwill behind me. I was very aware that this was one of the original Marvel, it is the first family of Marvel, so I took that responsibility very seriously. I got very well prepared and I made sure that I was making choices that I thought would bring success to the project as well as tell the story that Matt wanted to tell.” Fantastic Four: First Steps required a higher level of pre-production planning than most, involving intense collaboration with the special effects team and production design. Many complicated sequences were prevised to meticulously establish the intended 1960s aesthetic. Jess achieved this period look through his lighting, camerawork, and lens choices. For the majority of the cinematography, he chose the relatively new Panavision Ultra Panatar II lenses, which coved the IMAX camera and were customized to his specifications. He also used a 16mm camera and Hasselblad lenses for some of the newsreel sequences. Color was crucial for establishing the 1960s aesthetic, and Jess infused it with a comic book vibrancy. He was inspired by a 1968 Fantastic Four comic book, creating a unified color palette for the LUT that featured blue, green, orange, and pale blue. Complex lighting setups were essential, incorporating miniatures, bluescreens, blackscreens, and motion capture performances. Jess opted for tungsten lights on Mr. Fantastic's (Pedro Pascal) lab set—a deliberate, retro choice that grounds the technology in the past. He found controlling the light challenging on bluescreen and blackscreen stages, as the lack of background required him to carefully conceive and control the light sources to maintain a sense of photorealistic depth. The production team prioritized creating as much of the film practically as possible to achieve the photoreal look director Matt Shakman wanted, with characters and scenes enhanced with VFX in post. Both Ben Grimm “The Thing” (Ebon Moss-Bachrach) and the Silver Surfer (Julia Garner) performed in motion capture suits. Rather than working on a volume stage, blue screens and black screens were used for the space sequences. A miniature scale model of the Fantastic Four's ship helped bring it to life, while a realistic 1960's Times Square set was built for the New York action sequences. For the planet-eater Galactus, Jess had a unique practical concept: treating him like a miniature. An extremely detailed costume was constructed, and Galactus moved through a small-scale set. Jess used specialized lighting and camerawork on his suit to create the illusion of the villain's immense, terrifying size. Find Jess Hall: Instagram: @metrorat See The Fantastic Four: First Steps streaming on Disney+ SHOW RUNDOWN: 01:56 Close Focus 13:10-59:54 Interview 01:00:08 Short Ends 01:10:09 Wrap up/Credits The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

In questo nuovo appuntamento al Fotobar, insieme a Francesco Carlini, analizziamo un periodo decisamente vivace per il mercato, ricco di anteprime e di conferme tanto nel settore action quanto in quello della fotografia tradizionale e mobile. Partiamo subito con una preview molto attesa, quella della Insta360 Ace Pro 2, per capire quali passi avanti siano stati fatti rispetto alla generazione precedente e come si posizioni oggi nel competitivo mondo delle action cam. Ci spostiamo poi sul versante mobile photography, dove l’asticella continua ad alzarsi: sotto la nostra lente finisce l’Oppo Find X9 Pro, proposto in un interessante kit con teleconverter Hasselblad, una soluzione che mira a fondere sempre di più l’esperienza smartphone con la qualità ottica professionale. Spazio anche al mondo mirrorless APS-C con la Fujifilm X-T30 III, l’evoluzione di una delle serie più apprezzate dagli amanti del brand, che promette di coniugare compattezza e prestazioni aggiornate. Chiudiamo infine con le importanti novità in casa Canon, discutendo della Canon R6 Mark III e dell’affascinante RF 45mm f1.2 STM, un’ottica che per focale e apertura ha già destato molta curiosità tra gli addetti ai lavori. Leggi gli articoli del nostro Magazine: https://magazine.discorsifotografici.itSeguici su Facebook: https://www.facebook.com/discorsifotograficiSeguici su Instagram: https://www.instagram.com/discorsifotografici/Scrivici a: info@discorsifotografici.it

¿Buscas la mejor cámara sin espejo de 2025? En este vídeo, John Vargas analiza las 10 cámaras mirrorless más impresionantes del año, disponibles en B&H Photo.Desde las full frame de Nikon y Canon hasta el medio formato de Hasselblad y Fujifilm, descubrirás sus principales características, para quién están pensadas, y cuál podría ser tu próxima compañera perfecta para crear contenido o elevar tu fotografía al siguiente nivel.

Welcome to Unpacked, Five Questions, a podcast that takes you behind the scenes of one great travel story. In this episode, host Katherine LaGrave sits down with photographer Kari Medig, who has spent 15 years traveling the world documenting ski culture—from Austria's iconic Hahnenkamm downhill to landlocked Lesotho. But one region has captivated him above all others: the Balkans. Kari shares his journey through Bulgaria, Bosnia and Herzegovina, and Kosovo, revealing why these mountains—many higher than the Swiss Alps—offer something beyond world-class skiing. He discusses the unbelievable hospitality that keeps bringing him back, his unique analog photography approach using a Hasselblad film camera, and why he seeks out parking lot encounters as much as pristine powder. From a chance morning photo of a ski rental owner in her bathrobe to reconnecting with a Bulgarian café owner a decade later, Kari's stories illuminate how skiing becomes a lens for experiencing culture in its most authentic form. On this episode you'll learn: Why the Balkans' mountains are higher than many expect—and vastly underdeveloped for skiing How "Midwest Kind" isn't the only form of extraordinary hospitality—the Balkans surprised Kari with their warmth Why Kari shot his Balkan trips on film with a single Hasselblad camera instead of modern digital equipment How parking lots and ski rental shops become unexpected locations for the most meaningful photographs What makes skiing a unique way to participate in—not just observe—a culture Don't miss these moments: [02:00] Kari's first trip to Bulgaria in 2004 and his amazement at the scope of the mountains [03:00] The café owner who Kari reconnected with a decade later [05:00] Why Kari uses a Hasselblad film camera for his nostalgic, muted aesthetic [08:00] The ski hill in Bulgaria and why parking lots are Kari's favorite shooting locations [10:00] The last-morning photo of a ski rental owner in her bathrobe that captured the entire trip [12:00] Why people always ask Kari—who grew up skiing in Canada—"Why are you here? You have the best skiing in the world" Resources Explore Kari's complete Afar photo essay about skiing in the Balkans Follow Kari Medig for more ski culture photography Stay Connected Sign up for our podcast newsletter, ⁠⁠⁠⁠⁠⁠⁠⁠Behind the Mic⁠⁠⁠, where we share upcoming news and behind-the-scenes details of each episode.  Explore our other podcasts, View From Afar, about the people and companies shaping the future of travel, and ⁠Travel Tales⁠⁠⁠, which celebrates first-person narratives about the way travel changes us. Unpacked by Afar is part of ⁠⁠⁠Airwave Media⁠⁠⁠'s podcast network. Please contact ⁠⁠⁠advertising@airwavemedia.com⁠⁠⁠ if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Threads is about to get a 10,000 character limit (sort of), and OnePlus and Hasselblad end their nearly five year camera romance once and for all.Starring Jason Howell and Huyen Tue Dao.Show notes can be found here. Hosted on Acast. See acast.com/privacy for more information.

This week, Marques, Andrew, and David talk about everything from the new Hasselblad camera to the upcoming Apple event! First, they talk cameras for a bit before going over some final thoughts of the Pixel 10 phones. Then they try to figure out what the Apple event invite could be telling us before finally talking about Hollow Knight Silk Song for a bit. It's a fun one! Links: Verge - Hasselblad X2D II B&H - Ricoh GR IV Team Cherry - Hollow Knight Silk Song trailer Music provided by Epidemic Sound Shop the merch: https://shop.mkbhd.com Social: Waveform Threads: https://www.threads.net/@waveformpodcast Waveform Instagram: https://www.instagram.com/waveformpodcast/?hl=en Hosts: Marques: https://www.threads.net/@mkbhd Andrew: https://www.threads.net/@andrew_manganelli David: https://www.threads.net/@davidimel Adam: https://www.threads.net/@parmesanpapi17 Ellis: https://twitter.com/EllisRovin TikTok: https://www.tiktok.com/@waveformpodcast Join the Discord: https://discord.gg/mkbhd Music by 20syl: https://bit.ly/2S53xlC Waveform is part of the Vox Media Podcast Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices