Podcasts about Chevalier

Comment un petit diplomate de rien du tout, sans appui ni fortune, a-t-il pu mettre en péril la paix de l'Europe ? Voici l'histoire extraordinaire du Chevalier d'Éon. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

⚽️PODCAST FOOTBALL AU COEUR DU PARIS SAINT GERMAIN

Le mercato avance et le Paris Saint-Germain reste au centre de l'attention avec sa nouvelle guerre des goals potentielle. Le club de la capitale serait proche d'un accord avec le LOSC pour l'arrivée de Lucas Chevalier dans la capitale. Et la dernière tendance serait à une cohabitation d'un an avec Gianluigi Donnarumma, titulaire au PSG depuis son arrivée en 2021. Cette cohabitation est-elle impossible ? Est-ce la pire manière pour Chevalier de démarrer une aventure ? Le dossier ⚽⚽ Donnaruma est-il prioritaire en ce mois d'août pour le PSG ? On parle également d'Heung-Min Son qui a annoncé son départ de Tottenham. Est-ce la meilleure décision sportive pour les deux parties ? Son doit-il rester en Europe ? Est-ce une légende de Tottenham ? Sa carrière est-elle sous-cotée ?

In this episode of Occupied Thoughts, FMEP Fellow Hilary Rantisi speaks with Rania Elias, former director of  the Yabous Cultural Centre and the Jerusalem Festival. They speak about Palestinian culture in Jerusalem, both the powerful potential for activities like dance and music to revive Palestinian society as well as the challenges of maintaining culture under occupation. They discuss Israeli efforts to repress Palestinian culture, including through arrests, detention, and other forms of control, including against children. They look at the experience of child incarceration and the impact of repression on personal and collective levels.  Rania Elias is a Palestinian cultural advocate who has dedicated her career to promoting the arts, cultural development, and artistic events. For over two decades, she led the Yabous Cultural Centre and the Jerusalem Festival, transforming Yabous from an abandoned cinema into the largest cultural hub in Jerusalem. Elias has managed and coordinated numerous cultural events, festivals, and art exhibitions, while advocating for gender equality and women's rights. She has contributed to various cultural organizations and is deeply involved in defending the social and political rights of Palestinian women. In addition to her leadership roles, she has been recognized internationally for her contributions to cultural preservation and activism, earning prestigious honors such as a nomination for the Chevalier de L'Ordre de la Légion d'Honneur of France in 2021. Hilary Rantisi grew up in Palestine and has been involved with education and advocacy on the Middle East since her move to the US. She is a 2025 Fellow at FMEP and was most recently the Associate Director of the Religion, Conflict and Peace Initiative (RCPI) and co-instructor of Learning in Context: Narratives of Displacement and Belonging in Israel/Palestine at Harvard Divinity School. She has over two decades of experience in institution building at Harvard, having been the Director of the Middle East Initiative (MEI) at Harvard Kennedy School of Government prior to her current role. She has a BA in Political Science/International Studies from Aurora University and a master's degree in Middle Eastern Studies from the University of Chicago. Before moving to the US, Hilary worked at Birzeit University and at the Jerusalem-based Sabeel Ecumenical Liberation Theology Center. There, she co-edited a photo essay book Our Story: The Palestinians with the Rev. Naim Ateek.  Original music by Jalal Yaquoub.

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Lucas Chevalier va devenir le gardien du Paris Saint-Germain. Est-ce le bon move ? Quid de Donnarumma ? Mon analyse.

Malgré son rôle décisif dans la conquête de la Ligue des Champions, Gianluigi Donnarumma semble menacé. Son remplaçant pourrait venir de Lille : le gardien Lucas Chevalier.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This is a free preview of a paid episode. To hear more, visit psgtalk.substack.com and subscribe.Joining me on the latest Ensemble PSG Podcast is longtime PSG Talk contributor Marc Damon (@marcdamon9) to discuss the latest developments regarding Donnarumma and whether his reported replacement would be a good fit.

Les thèmes :1. « Merci Paris ! »- Vos questions et nos réponses 2. Le chassé-croisé Donnarumma / Chevalier - Un dénouement inattendu ?- Côté Donnarumma, qu'en penser ?- Chevalier, le candidat idoine ?/! https://fr.tipeee.com/culturepsg pour aider le site Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Qui de Lucas Chevalier ou Gigio Donnarumma sera le gardien du PSG la saison prochaine ? Auteur d'une fin de saison exceptionnelle avec le Paris Saint-Germain, Donnarumma n'a toujours pas prolonger avec le club vainqueur de la Ligue des Champions. Courtisé par les deux clubs de Manchester et en Turquie, le gardien italien semble proche d'un départ de Paris. Pour le remplacer, le PSG songe à Lucas Chevalier, le gardien du LOSC. Qui doit-être le prochain gardien du but du Paris Saint-Germain ? Débats dans le mag mercato du WFC.

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“As a writer, I do believe that art and literature in and of themselves are important. I'm going to keep on writing novels, and one of the most important reasons why is because, as you mentioned, language is crucial. Part of the way that states and authoritarian regimes exercise their power is not just through physical violence and intimidation, but through a maltreatment of language itself. Trump is a perfect example of this. Everything that comes out of his mouth in terms of language is horrifying for anybody with any sensitivity to language. The excesses of his language in terms of insults and hyperbolic praise for his fans are perfect examples of how language is used by an authoritarian and by the state to obfuscate reality and intimidate people. That language is ugly from my perspective, and there is something about being committed to literature and to art that awakens us to the importance of beauty.I think about what John Keats, the poet, said: beauty is truth, truth beauty. You can't separate these kinds of things. If you're committed to the beauty of language, you're also committed to the idea that language has a relationship to truth. You can see that authoritarians don't have a relationship to truth. They have a relationship to the abuse of truth and to lying, not only in content but in the form of their language as well. There is a crucial role for writers here in our relationship to language because language is one of the most crucial ways that authoritarianism extends its power. What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook.He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

This summer, Finger Lakes Opera and Garth Fagan Dance are bringing a rarely heard 18th century opera to the stage in Rochester."The Anonymous Lover" was composed by Joseph Bologne, a Black composer, violinist, and fencer known as the Chevalier de Saint-Georges.Guest host Mona Seghatolaslami and her guests explore the opera's surprising history, how this production blends Afro-Caribbean and French court styles, and what it says about FLO's evolution.Our guests for the hour: Stephanie Havey, artistic director of Finger Lakes Opera Elizabeth Long, executive director of Finger Lakes Opera Norwood “PJ” Pennewell, artistic director for Garth Fagan Dance  Jonathan Pierce Rhodes, tenor

Episode 53: Paul Chevalier on How To Create A Global Wine Brand by

Nolay s'illumine : les Nocturnes Théâtrales 2025 font revivre légendes et Histoire. Un spectacle vivant porté par 50 bénévoles passionnés au cœur du village médiéval. La première, c'est ce soir !Chaque été, le charmant village médiéval de Nolay devient le décor féerique des Nocturnes Théâtrales, une plongée au cœur des légendes locales. Dans ce podcast exclusif, Claude Chevalier, de l'agence de tourisme de Nolay, partage les coulisses de cet événement unique qui attire chaque année un public fidèle et curieux.Des Jacquemarts conteurs et espièglesPerchés au sommet du campanile, Jacquot et Jacquotte, les célèbres Jacquemarts de Nolay, entraînent les spectateurs à travers les ruelles pavées pour découvrir l'histoire du village et de ses monuments. À travers huit saynètes, dont la moitié est renouvelée chaque année, on redécouvre les grandes heures et petites anecdotes locales.Un fil rouge porté par les habitantsInterrogée sur le choix des personnages et la cohérence entre les scènes, Claude Chevalier explique : (« Chaque saynète est conçue comme une pièce d'un puzzle. On cherche à relier les époques et les histoires autour des figures emblématiques de Nolay »). La troupe, composée d'environ 40 à 50 bénévoles des villages alentour, se réunit par petits groupes pour répéter, chacun s'appropriant un pan du récit collectif.Des bénévoles motivés et fidèlesLe recrutement des acteurs se fait sur le terrain : bouche-à-oreille, réseaux locaux, anciens participants. Selon Claude Chevalier, (« Beaucoup reviennent pour l'ambiance conviviale, l'envie de faire vivre leur patrimoine et le plaisir de jouer ensemble »). L'événement est aussi l'occasion de renforcer les liens entre habitants.Un spectacle accessible à tousPour accueillir les nombreux visiteurs étrangers, un dépliant multilingue (anglais, allemand, néerlandais) est proposé. La traduction est travaillée en collaboration avec des bénévoles bilingues et des professionnels, afin de garantir une médiation culturelle de qualité : (« On veut que chacun puisse comprendre et apprécier l'histoire, même sans parler français »). Les Nocturnes Théâtrales de Nolay s'affirment comme un rendez-vous incontournable de l'été, mêlant patrimoine, théâtre et convivialité. Une belle manière de redécouvrir ce joyau médiéval de Côte-d'Or, entre humour, émotion et transmission. RDV les vendredis 18 et 25 juillet, ainsi que les 8, 13 et 20 août. Plus d'infos avec l'Office de tourisme Beaune & Pays Beaunois

“I was trying to figure out what's my lane that I need to be saying yes to? And what are the things I would have to say no to so that I can say yes to the better things?”Kent Chevalier's speaking journey is anything but conventional. In this week's episode of The Speaker Lab podcast, Grant Baldwin sits down with Kent, a longtime pastor turned Pittsburgh Steelers chaplain—who's built his career at the intersection of faith, leadership, and personal courage.Kent opens up about transitioning from preaching in churches to mentoring professional athletes, and how the toughest challenge wasn't the change of audience, it was learning to truly value his craft. Like many who come from service-driven backgrounds, Kent faced the uncomfortable work of charging for his expertise, despite years spent speaking for free. He shares honestly about wrestling with guilt, setting boundaries, and deciding that his time spent away from his wife and daughters needed to be respected and compensated.Underneath it all is a message familiar to anyone striving to turn passion into a profession: fulfillment comes from betting on yourself, even when the path feels risky. Whether he's backstage at an NFL game or leading a business seminar, Kent's mantra of “do it afraid” holds true. If you need a push to embrace your own next leap, Kent's story will remind you that your purpose is bigger than any one season, and your gifts are worth every bit of what you ask!You'll learn:Kent's role as a Pittsburgh Steelers chaplainPreaching new content as opposed to reusing talksNavigating which opportunities to accept and declineChallenges of charging for speakingTarget audiences and adjusting approach based on event contextImportance of expert positioning and business fundamentalsAnd much, much more!“I love encouraging people to embrace fear and to jump because comfort is really a robber. It's a thief.”Episode ResourcesKent's WebsiteGet Free Speaker ResourcesBook a Call with The Speaker LabCalculate Your Speaking FeeJoin The Speaker Lab Community on FacebookSubscribe on Apple PodcastsSubscribe on SpotifySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Naomi Smith and Alex Andreou talk through the week's political stories, covering the outcome of Macron's state visit, and the churn on the right of politics, with every splitter starting his own party/movement/grift. Plus, a very special report from our resident Chevalier, Olivier Morel, with behind-the-scenes gossip from Macron's visit. ***SPONSOR US AT ⁠⁠⁠⁠⁠⁠⁠⁠KO-FI.COM/QUIETRIOTPOD⁠⁠⁠⁠⁠⁠⁠⁠*** “He [Macron] went off script and that was the best part of the speech. He got the biggest cheer when he said, in effect, that the EU is poorer for being without the UK.”  “Being loved at home and respected abroad is very rare. I do think most leaders have to choose where they are clapped - Brussels or Blackpool?” “Kemi Badenoch just told the most self-serving group of politicians in the entire country that, if substance matters to them they should stick with her, but if they want to get elected they should go to Reform. How is she so bad at this?” Our bookshop including many of the books we have featured can be found at ⁠⁠⁠⁠⁠⁠⁠⁠uk.bookshop.org/shop/quietriot⁠⁠⁠⁠⁠⁠⁠⁠ Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠quietriotpod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or visit our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.quietriotpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. ***SPONSOR US AT ⁠⁠⁠⁠⁠⁠⁠⁠KO-FI.COM/QUIETRIOTPOD⁠⁠⁠⁠⁠⁠⁠⁠*** With Naomi Smith, Alex Andreou and Kenny Campbell – in cahoots with Sandstone Global. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Qui est donc ce roi mérovingien qui, d'après la chanson populaire, avait mis sa culotte à l'envers ? Dagobert Ier est né autour de l'an 600. Arrière-arrière-petit-fils de Clovis, il a régné sur le royaume des Francs de 629 à sa mort, dix ans plus tard. Dans cet épisode, je vous raconte la véritable origine de la comptine. Bonne écoute (et abonnez-vous) !

This week's guest on Off the Shelf is Jason Workmaster from Miller & Chevalier. Workmaster discusses the potential legal implications of the Revolutionary FAR Overhaul (RFO), and analyzes the key features of the RFO and the implications for contractors and contracting officers. He highlights the potential ramifications for the bid protest process and the roles of GAO and the Court of Claims. Turning to GSA's Multiple Award Schedule (MAS) program, Workmaster gives his thoughts on the expansion of Transactional Data Reporting (TDR) across the program and what contractors need to focus on during the expansion. Finally, he outlines the Department of Justice's enforcement priorities for government contractors under the new Trump administration. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.The whole power of the state is geared towards dividing and conquering, whether it's domestically within a state or whether it's exercising power overseas, including things like colonization, which is all about dividing and conquering. In the face of that, to engage in expansive solidarity and capacious grief is to work against the mechanisms of colonialism, militarism, and the state. It's enormously difficult, which is why it has to be rebuilt from every generation, as every generation is subject to the power of the state and its ideologies and mythologies. I think the lessons that I've extracted from this book, To Save and to Destroy, where I talk about expansive solidarity and capacious grief, are lessons that have been learned by other people before me, but lessons that I had to learn for myself and to put into my own words how I came to those lessons.”Viet Thanh Nguyen has spent much of his life exploring the stories we tell—and the stories we erase—about war, migration, and memory. His 2015 debut novel The Sympathizer, about a communist double agent in the aftermath of the Vietnam War, won the Pulitzer Prize and a long list of other major literary awards. In 2024, The Sympathizer was adapted into a critically acclaimed HBO series directed by Park Chan-wook. He followed it with The Committed, and his latest work, To Save and to Destroy: Writing as an Other, a meditation on writing, power, and the politics of representation.Nguyen is also the author of Nothing Ever Dies, a finalist for the National Book Award in nonfiction, and the short story collection The Refugees. He's edited collections like The Displaced: Refugee Writers on Refugee Lives, and most recently the Library of America volume for Maxine Hong Kingston, who was once his teacher.He was born in Vietnam, came to the U.S. as a refugee, and is now a professor at the University of Southern California. He's received Guggenheim and MacArthur fellowships, honorary doctorates, and has been named a Chevalier by the French Ministry of Culture. Today, we'll talk about his books, America's forever wars, and how the act of writing—across fiction, memoir, and scholarship—can become both a form of resistance and a way of making sense of being, as he puts it in his memoir “A Man of Two Faces.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Send us a textIn this episode of the L3 Leadership Podcast, Doug Smith interviews Kent Chevalier, Chaplain of the Pittsburgh Steelers. Kent discusses his journey from a campus pastor to serving in the NFL, emphasizing the unique role he and his wife play in supporting players and coaches spiritually and emotionally.00:00 Welcome Back, Kent Chevalier!00:41 Role of a Chaplain in the NFL02:00 First Year Experiences08:06 Building Trust in the NFL12:50 Leadership Lessons from Coach Tomlin17:21 The Human Side of the NFL28:15 Addressing Accountability Among Peers28:39 Deflect the Glory Campaign33:06 The Origin Story of Becoming a Chaplain39:37 Do It Afraid: Embracing Faith Over Fear44:15 The Importance of Community and Brotherhood48:12 Encouragement for Church Leaders53:30 Final Thoughts and FarewellThe L3 Leadership Podcast is sponsored by Andocia Marketing Solutions. Andocia exists to bring leaders' visions to life. Visit https://andocia.com to learn more.Connect with Kent: https://www.kentchevalier.com/Watch the Full Episode: https://youtu.be/WCJm8MDH1jE

Nous avons raconté dans ce podcast comment les aventures du roi Arthur et des chevaliers de Bretagne ont inspiré les premiers romans au Moyen-Âge. Mais nous n'avons pas encore évoqué l'un des plus grands d'entre eux, dont l'histoire fut racontée par le grand Chrétien de Troyes : il s'agit de Perceval le Gallois. Pourtant, Perceval faillit bien ne jamais devenir chevalier. Écoute donc… Conte-moi l'aventure est un podcast original Chérie FM. Ecriture : Marion Lemoine Interprétation : Léa des Garets Enregistrement : Cédric le Doré Réalisation : Cédric le Doré et Adrien le Blond Edition : Anaïs Koopman Production : Anne-Cécile Kirry Direction des contenus : Sarah ConanDistribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Assistant Editor - Jared Simon Assistant Editor Jared Simon's new book, Every Frame Counts - An Assistant Editor's Reference Book, covers everything an assistant editor needs to know, and then some.  Topics covered in Jared's book include: Setting Up The Show - Everything you need to know to get up and running for the first day on the job—from setting up the printer to setting up the NEXIS. Media Composer and FileMaker - A deep technical dive into the tools assistants use in the context of a cutting room. Dailies Workflow - Soup to nuts coverage of the dailies process in excruciating detail, including a nifty downloadable checklist! You'll love it. Audio - ADR, full 5.1 workflow tips, how to address complex music sync notes, and an overview of the mix stage. VFX - Tips for creating temp VFX and managing the workload of a VFX editor. Yeah, we're gonna talk about FileMaker. Digital Intermediate - What to expect when you're expecting to spend time in the DI. Color pipelines, Titles, Review sessions… you name it. Screenings - How to prepare for screenings—internal, external, and preview screenings. Turnovers - Let's make sure our naming conventions are consistent, and our encoding is efficient. Best Practices - What do we do when the editor is, well, editing? Manage versions, communicate using markers, make sure the project is backed up… and more!   JARED SIMON Jared Simon is an editor and assistant editor with selected credits including Ad Astra, The Piano Lesson, Chevalier, and Come From Away. He frequently works with editors John Axelrad, ACE and Leslie Jones, ACE.  Jared earned a BFA in Film Editing from the School of Visual Arts. In addition to his professional pursuits, he's tried every flavor of La Croix and enjoys collecting physical media.   The Credits Visit ExtremeMusic for all your production audio needs Get your copy of Jared's book in Kindle or Paperback! Hear Jared and editor John Axelrad ACE discuss their work together on ANTEBELLUM Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

durée : 00:48:07 - Le Masque et la Plume - par : Rebecca Manzoni - Nos critiques partagent leurs avis concernant les nouveautés littéraires, depuis le festival international "Quai du Polar" : les nouveaux livres de Michael Connelly, Séverine Chevalier, Jacky Schwartzman, Aslak Nore et Marin Ledun. - invités : Arnaud Viviant, Elisabeth Philippe, Patricia Martin, Bernard Poirette - Arnaud Viviant : Critique littéraire (Revue Regards), Elisabeth Philippe : Critique littéraire (L'Obs), Patricia Martin : Journaliste, critique littéraire et productrice chez France Inter, Bernard Poirette : Journaliste et critique (Podcast C'est à lire) - réalisé par : Guillaume Girault Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:11:29 - Le Chevalier imaginaire : Philippe Fénelon - Peter Eötvös - Kafka nous raconte dans La vérité sur Sancho Pança qu'un homme à l'imagination débordante, Sancho Pança, aurait inventé un personnage qu'il aurait affublé du nom de Don Quichotte et l'aurait suivi dans d'incroyables péripéties. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Double #SessionLive pour la Fête de la Musique avec l'ADN lumineux d'Emily Loizeau et les berceuses florales de Kyrie Kristmanson.  Emily Loizeau Son 1er album est sorti en 2006 L'Autre bout du Monde, Emily Loizeau sort son 6ème album La Souterraine, 4 ans après Icare (sorti en 2021) et une tournée triomphale qui aura duré près de 2 ans. Ce disque, prolongement naturel du précédent, a également été enregistré au Pays de Galles aux Rockfield Studios (Queen, Oasis, Coldplay), sous la houlette du réalisateur John Parish (PJ Harvey, Aldous Harding, Dominique A). Le premier extrait, La route de Vénus, est porté par une mélodie qui résonne déjà comme un classique, presque rétro, avec son entêtante introduction sifflée rappelant les thèmes de western d'Ennio Morricone. Un côté surf rock 60's amené par la guitare accompagne un optimisme inattendu sur une route lumineuse qu'on cherche pour se réinventer. Emily Loizeau appelle ici à libérer nos âmes de ce monde qui nous aliène, à nous soulever, en suivant Vénus, l'amour, mais aussi l'étoile du matin, celle du berger qui nous indique le chemin. Emily est en solo piano voix, avant de clore la session live avec une reprise «aménagée» de Bob Dylan, en duo avec son amie Kyrie Kristmanson. L'artiste nous parle aussi de la naissance de son collectif ADN «L'art de Dire Nous».   Kyrie Kristmanson Deux ans après l'éclosion de son album Floralia (2023), Kyrie Kristmanson prolonge l'expérience en nous offrant un nouvel EP Lullabies for the flowers sorti en juin 2025. En avril 2025, la chanteuse franco-canadienne nous a invités, le temps d'une soirée au sein du mythique Hôtel La Louisiane pour une grande célébration présentée par Emily Loizeau. Ce soir-là, Kyrie Kristmanson a reçu l'insigne de Chevalier de l'ordre des Arts et des Lettres des mains d'Emily, et nous a dévoilé deux titres de l'EP Lullabies for the flowers. Kyrie Krismanson est une artiste franco-canadienne, née à Ottawa. C'est une aventurière des musiques qui aime naviguer entre le folk nord-américain et la lointaine mémoire du Moyen-Âge européen. Son premier album, Origin of Stars, s'inspire des vibrations des paysages canadiens qui l'ont vue grandir. Récompensé aux Canadian Folk Music Awards, l'album est sorti mondialement chez NØ FØRMAT!/Universal France en 2010. Elle saisit les spectateurs du Printemps de Bourges et elle séduit Emily Loizeau qui l'invite à assurer ses premières parties. La tournée qui suivra l'amènera à travers l'Asie et l'Europe jusqu'au sud de la France où, intriguée par l'histoire portée par les pierres, elle visite les ruines des châteaux médiévaux. Ces vestiges l'inciteront à retracer le répertoire lacunaire des premières compositrices : les trobairitz. Après avoir complété une thèse à leur sujet à La Sorbonne, c'est en prenant la liberté de s'approprier ces poèmes d'amour qu'elle compose un second opus Modern Ruin. Arrangé pour quatuor à cordes et voix par Clément Ducol, son hommage à ces compositrices méconnues est sorti chez Naïve en février 2015. Fascinée également par les découvertes de la physique quantique, Kyrie s'est ensuite interrogée sur l'hypothèse d'une tradition musicale venue d'un monde parallèle. Le résultat de ce questionnement est l'album Lady Lightly, un folk-cosmique qui semblerait avoir voyagé des années-lumière à travers des cieux stellaires. Enregistré dans une aile abandonnée du Château de Versailles et réalisé par Saint Michel, la tournée se fait aux côtés d'Etienne Klein, philosophe des sciences. Kyrie Kristmanson ne cesse d'explorer et d'expérimenter avec sa guitare et ses chansons habitées par de très anciennes et très puissantes énergies. Titres interprétés au grand studio - Éclaire-moi, Emily Loizeau Live RFI - Song X, Kyrie Kristmanson Live RFI - Strong Enough, extrait de l'album La Souterraine Emily Loizeau - Street of Laredo, extrait EP Lullabies or the Flowers de Kyrie Kristmanson - La route de Vénus, Emily Loizeau Live RFI - Songe d'un Ange, Kyrie Kristmanson Live RFI - Celle qui vit vers le Sud, Emily Loizeau et Kyrie Kristmanson Live RFI (titre original de Bob Dylan Girl from the north country). Line Up : Emily Loizeau (piano, voix), Kyrie Kristmanson (guitare, voix). Son : Mathias Taylor, Benoît Letirant Réalisation : Hadrien Touraud / Donatien Cahu.   Site Emily Loizeau - Site Kyrie Kristmanson - YouTube Emily Loizeau - YouTube Kyrie Kristmanson. ► Album La Souterraine Emily Loizeau (Les éditions de la dernière pluie/Sony 2024) ► EP Lullabies for the Flowers Kyrie Kristmanson (Kyrie Kristmanson/Idol 2025).

Double #SessionLive pour la Fête de la Musique avec l'ADN lumineux d'Emily Loizeau et les berceuses florales de Kyrie Kristmanson.  Emily Loizeau Son 1er album est sorti en 2006 L'Autre bout du Monde, Emily Loizeau sort son 6ème album La Souterraine, 4 ans après Icare (sorti en 2021) et une tournée triomphale qui aura duré près de 2 ans. Ce disque, prolongement naturel du précédent, a également été enregistré au Pays de Galles aux Rockfield Studios (Queen, Oasis, Coldplay), sous la houlette du réalisateur John Parish (PJ Harvey, Aldous Harding, Dominique A). Le premier extrait, La route de Vénus, est porté par une mélodie qui résonne déjà comme un classique, presque rétro, avec son entêtante introduction sifflée rappelant les thèmes de western d'Ennio Morricone. Un côté surf rock 60's amené par la guitare accompagne un optimisme inattendu sur une route lumineuse qu'on cherche pour se réinventer. Emily Loizeau appelle ici à libérer nos âmes de ce monde qui nous aliène, à nous soulever, en suivant Vénus, l'amour, mais aussi l'étoile du matin, celle du berger qui nous indique le chemin. Emily est en solo piano voix, avant de clore la session live avec une reprise «aménagée» de Bob Dylan, en duo avec son amie Kyrie Kristmanson. L'artiste nous parle aussi de la naissance de son collectif ADN «L'art de Dire Nous».   Kyrie Kristmanson Deux ans après l'éclosion de son album Floralia (2023), Kyrie Kristmanson prolonge l'expérience en nous offrant un nouvel EP Lullabies for the flowers sorti en juin 2025. En avril 2025, la chanteuse franco-canadienne nous a invités, le temps d'une soirée au sein du mythique Hôtel La Louisiane pour une grande célébration présentée par Emily Loizeau. Ce soir-là, Kyrie Kristmanson a reçu l'insigne de Chevalier de l'ordre des Arts et des Lettres des mains d'Emily, et nous a dévoilé deux titres de l'EP Lullabies for the flowers. Kyrie Krismanson est une artiste franco-canadienne, née à Ottawa. C'est une aventurière des musiques qui aime naviguer entre le folk nord-américain et la lointaine mémoire du Moyen-Âge européen. Son premier album, Origin of Stars, s'inspire des vibrations des paysages canadiens qui l'ont vue grandir. Récompensé aux Canadian Folk Music Awards, l'album est sorti mondialement chez NØ FØRMAT!/Universal France en 2010. Elle saisit les spectateurs du Printemps de Bourges et elle séduit Emily Loizeau qui l'invite à assurer ses premières parties. La tournée qui suivra l'amènera à travers l'Asie et l'Europe jusqu'au sud de la France où, intriguée par l'histoire portée par les pierres, elle visite les ruines des châteaux médiévaux. Ces vestiges l'inciteront à retracer le répertoire lacunaire des premières compositrices : les trobairitz. Après avoir complété une thèse à leur sujet à La Sorbonne, c'est en prenant la liberté de s'approprier ces poèmes d'amour qu'elle compose un second opus Modern Ruin. Arrangé pour quatuor à cordes et voix par Clément Ducol, son hommage à ces compositrices méconnues est sorti chez Naïve en février 2015. Fascinée également par les découvertes de la physique quantique, Kyrie s'est ensuite interrogée sur l'hypothèse d'une tradition musicale venue d'un monde parallèle. Le résultat de ce questionnement est l'album Lady Lightly, un folk-cosmique qui semblerait avoir voyagé des années-lumière à travers des cieux stellaires. Enregistré dans une aile abandonnée du Château de Versailles et réalisé par Saint Michel, la tournée se fait aux côtés d'Etienne Klein, philosophe des sciences. Kyrie Kristmanson ne cesse d'explorer et d'expérimenter avec sa guitare et ses chansons habitées par de très anciennes et très puissantes énergies. Titres interprétés au grand studio - Éclaire-moi, Emily Loizeau Live RFI - Song X, Kyrie Kristmanson Live RFI - Strong Enough, extrait de l'album La Souterraine Emily Loizeau - Street of Laredo, extrait EP Lullabies or the Flowers de Kyrie Kristmanson - La route de Vénus, Emily Loizeau Live RFI - Songe d'un Ange, Kyrie Kristmanson Live RFI - Celle qui vit vers le Sud, Emily Loizeau et Kyrie Kristmanson Live RFI (titre original de Bob Dylan Girl from the north country). Line Up : Emily Loizeau (piano, voix), Kyrie Kristmanson (guitare, voix). Son : Mathias Taylor, Benoît Letirant Réalisation : Hadrien Touraud / Donatien Cahu.   Site Emily Loizeau - Site Kyrie Kristmanson - YouTube Emily Loizeau - YouTube Kyrie Kristmanson. ► Album La Souterraine Emily Loizeau (Les éditions de la dernière pluie/Sony 2024) ► EP Lullabies for the Flowers Kyrie Kristmanson (Kyrie Kristmanson/Idol 2025).

Dan Bardell is live to talk Emi Martinez's potential departure and Julien Laurens reporting that Villa have sounded out Lucas Chevalier as a replacement. Supported by: Match Bingo Interested in sponsoring 1874: The Aston Villa Channel? Email us at studio@1874.io Subscribe to the channel and turn notifications so you'll be informed as soon as we upload a new video. Presented by Dan Bardell Learn more about your ad choices. Visit podcastchoices.com/adchoices

_____________________________________________________________ Please like and subscribe to our YT channel Special Affiliate Link for Official Aston Villa Merch: aston-villa-store.sjv.io/DVNAYd Special Affiliate Link for KitBag Aston Villa Merch  https://kitbag.evyy.net/RyVR1a Gym + Coffee UK Link:https://bit.ly/3Ny1oHU Gym + Coffee Ireland & EU Link: https://bit.ly/3pjVJgL Gym + Coffee AUS & NZ Link: https://bit.ly/3NBHeNs Gym + Coffee US & Rest of World Link: https://bit.ly/3Jz4b2q Follow on Twitter:    / lovemcgrathpod   Subscribe to our Audio Pod: Apple Podcast: https://t.co/6Vhm3BMLT6 Spotify: https://t.co/ny4xO1w7Lf If you would like to support us please find us on Patreon:    / fortheloveofpaulmcgrath   Part of the Sport Social Podcast Network https://podcast.sport-social.co.uk/po... For the Love of Paul McGrath is an independent fan channel. Made for Villa fans by Villa fans, FTLoPMcG provides you with the latest Villa transfer news, match previews, match reviews and much more #AVFC #AstonVilla #Transfer #Transferwindow #EPL #UTV Learn more about your ad choices. Visit podcastchoices.com/adchoices

Join Luke as he reacts to all the latest Aston Villa transfer news, Aston Villa have made contact with Lille over a move for goalkeeper Lucas Chevalier. #astonvilla #avfc #lucaschevalier #lille #premierleague

It's time to delve way back into the archives from our very first season nearly five years ago. Carrying on our outdoor theme, this week we're Earthing.Come on a journey of discovery into the world of Grounding, aka Earthing. It turns out there is a reason why it feels so good to be barefoot, whether that's on the beach or in the grass – something so simple that we humans have been doing forever, although less so in our modern lives. Dr. Gaetan Chevalier PhD, Director of The Earthing Institute, talks us through the research being done on the health benefits associated with regularly spending time barefoot on the ground, including pain and stress relief, improved sleep and reduced inflammation.To find out more about Grounding, head to The Earthing Institute, where you can read more about the research being done and watch The Earthing Movie: https://earthinginstitute.net/The other film we refer to in this episode is The Grounded:https://grounded.com/the-grounded-movieGaetan also recommends the following Facebook group: https://www.facebook.com/groups/earthinginsidersFor all RUMP info in one place: visit our linkt.ree Get a shout-out:Want a mention on the next RUMPette? Tell us your feedback or what you do to make yourself feel good: rightupmypodcast@gmail.com Support RUMP: If you enjoy the podcast, please subscribe, share with your friends and leave a review. It takes less than 60 seconds and really makes a difference in helping people discover the podcast. Thank you! Join the RUMP Club! Support the team and access exclusive content from as little as £3 p/month at: Right Up My Podcast | Patreon Or, if you'd like to make a one-off donation, you can buy us a virtual coffee from Buy Me a Coffee! Be social with us:Instagram Facebook TikTok Thank you to our team:Music - Andrew GrimesArtwork - Erica Frances GeorgeSocial Media - Kate Balls

Welcome to the award-winning FCPA Compliance Report, the longest running podcast in compliance. Today, I welcome back James Tillen and Ann Sultan, both partners at Miller & Chevalier. We take a deep dive into four recent DOJ Policy announcements: FCPA Enforcement, White Collar Enforcement, Criminal Enforcement Policy and Whistleblower Pilot Program.   New DOJ Policy Memorandum  We take a deep dive into Deputy Attorney General Todd Blanche's Memo on Investigations and Enforcement of the FCPA. We review the stated main goals of the DOJ and how are prosecutors supposed to achieve these goals. We consider the 3 directives to prosecutors: focus on cases with individual misconduct, proceed expeditiously, consider collateral consequences. We look at the White Collar Plan and CEP  and ask if we moved from a presumption of a declination to a more tangible framework? We conclude by reviewing what compliance professionals need to be thinking about and looking into now.   Key Highlights IncludeHow does the principle of "not attribute[ing] nonspecific malfeasance to corporate structures" impact potential prosecutions of companies and individuals?   And how do these priorities jive with other DOJ priorities, such as prosecuting cartels/transnational criminal organizations? What does it mean for companies that the DOJ is prioritizing “serious misconduct”?  What are the implications of the DOJ's stated intent to avoid penalizing “routine business practices in other nations”? Do you see this as a shift in focus for the DOJ to non-US companies? Other DOJ Priorities & Announcements Policy Shifts and Clarifications Looking Ahead: What's on the Horizon Resources FCPA Spring Review 2025 – Miller & Chevalier DOJ Criminal Division White Collar Plan Guidelines for Investigations and Enforcement of the FCPA  Tom Fox Instagram Facebook YouTube Twitter LinkedIn   For more information on the use of AI in Compliance programs, my new book, Upping Your Game. You can purchase a copy of the book on Amazon.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Thomas Keller has built a collection of restaurants that have set new standards in the hospitality profession. As the first American-born chef to receive multiple three-star ratings from the Michelin Guide for The French Laundry and Per Se and one star for The Surf Club Restaurant, he is the most recognized American chef by Michelin. In 2011, he was designated a Chevalier of the French Legion of Honor, the first American male chef to be so honored. He is the author of six cookbooks, including The French Laundry Cookbook, which recently celebrated its 25th anniversary.Alice Waters is the visionary chef and owner of Chez Panisse in Berkeley, California. She is the author of four cookbooks, including Chez Panisse Vegetables and Fanny at Chez Panisse. In 1994 she founded the Edible schoolyard at Berkeley's Martin Luther King Jr. Middle School, a model curriculum that integrates organic gardening into academic classes and into the life of the school.On May 29, 2025,  Thomas Keller and Alice Waters came to the Sydney Goldstein Theater in San Francisco for an onstage conversation with Phil Rosenthal, the creator of the PBS documentary series “I'll Have What Phil's Having” and Netflix's “Somebody Feed Phil.” 

durée : 00:19:44 - Disques de légende du vendredi 13 juin 2025 - Tous les contemporains d'Erich Kleiber parlent de lui comme d'un chef simple et sûr, maitre du style et de l'élégance, un seigneur de la baguette. Lorsqu'il revient dans son Autriche natale, après la période nazie, il grave quelques disques devenus légendaires.

French football journalist Jonathan Johnson joins Dan Bardell for a Transfer Talk focusing on Asensio, Kamara and Chevalier.Jonathan breaks down each players current situation and what this means for Villa. ______________ Interested in sponsoring 1874: The Aston Villa Channel? Email us at studio@1874.io All data is provided by Sportsmonk a trustworthy and affordable data supplier (https://www.sportmonks.com). Presenters: Dan Bardell & Jonathan Johnson ⁠#avfc Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nous sommes le 16 février 1965. Yvonne Nèvejean est déclarée « Juste parmi les Nations », un statut honorifique attribué à celles et ceux qui ont sauvé des Juifs pendant la Shoah au péril de leur vie. Cette distinction, instaurée deux ans plus tôt, est un témoignage de la reconnaissance du peuple juif, comme le souligne la mention : « Quiconque sauve une vie, sauve l'univers tout entier ». Pourtant, à l'époque, l'événement est à peine médiatisé : pas un seul article dans la presse belge. Cette reconnaissance couronne pourtant des années d'engagement à la tête de l'Œuvre Nationale de l'Enfance (ONE), dont Yvonne Nèvejean fut la première directrice générale dès 1940. Ce qui l'amena, durant l'Occupation, à utiliser sa position pour organiser le sauvetage de milliers d'enfants juifs. Elle a également joué un rôle crucial dans la Résistance en cachant des archives de services de renseignement et des messages destinés au gouvernement de Londres. Elle sera d'ailleurs reconnue comme « Agent de renseignement et d'action » et décorée de la Croix de guerre ainsi que de celle de Chevalier de l'Ordre de Léopold Après la Libération, Yvonne Nèvejean continue de se mobiliser pour l'enfance, au niveau national et international jusqu'à sa retraite en 1968 et s'efforcera, avec obstination, jusqu'aux dernières années de sa vie, à délivrer un message de paix et de tolérance. Un engagement exemplaire dont il ne faut toutefois pas taire les zones d'ombres, revenons sur le parcours d'Yvonne Nèvejean… Avec nous : Romane Carmon, historienne, autrice deaux éditions Racine. Sujets traités : Yvonne Nèvejean, O.N.E, Shoah, Juste parmi les nations, Enfance, Ocupation, Résistance , Libération, Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

For the 37th episode of “Reading the Art World,” host Megan Fox Kelly speaks with Ian Wardropper, author and former director of The Frick Collection, about his illuminating new book “The Fricks Collect: An American Family and the Evolution of Taste in the Gilded Age,” published by The Frick Collection in association with Rizzoli Electa.Wardropper shares the fascinating story of Henry Clay Frick's evolution from a rough Pittsburgh businessman to one of America's most discerning collectors. Through careful research into the Frick archives, Wardropper shows how Frick spent his first twenty years collecting contemporary American art — learning to develop his eye and work with dealers — before making the leap to Old Master paintings at the highest level of the market.Our conversation reveals Frick's distinctive approach to collecting: his relentless focus on quality over quantity, his willingness to edit and refine his holdings, and his vision for creating harmonious environments where great paintings lived alongside exceptional decorative arts. Wardropper also brings to light the crucial role of Helen Clay Frick, whose strong opinions and different tastes shaped the collection's growth after her father's death, including her establishment of the world-renowned Frick Art Research Library.This episode provides essential insights for collectors, museum professionals, and anyone interested in how great collections are built and sustained across generations. Wardropper's deep understanding of both the Frick family's story and the institution's transformation offers a compelling look at American collecting at its finest.ABOUT THE AUTHOR Ian Wardropper served as the Anna-Maria and Stephen Kellen Director of The Frick Collection for 14 years, leading the institution through its most transformative period, including the first comprehensive renovation in nearly 90 years and the innovative Frick Madison project. Previously, he held curatorial positions at the Metropolitan Museum of Art as Chairman of European Sculpture and Decorative Arts and at the Art Institute of Chicago for twenty years. A specialist in European decorative arts and sculpture, Wardropper oversaw ambitious exhibitions, a major capital campaign that raised $242 million, and pioneering digital initiatives including the acclaimed "Cocktails with a Curator" series. He holds a Ph.D. in art history from NYU and was named a Chevalier de l'Ordre des Arts et Lettres by the French Minister of Culture.PURCHASE THE BOOK https://shop.frick.org/the-fricks-collect-an-american-family-and-the-evolution-of-taste-the-gilded-age-softcoverSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

La France joue cet après-midi face à l'Allemagne pour le match pour la 3e place de la Ligue des Nations. Qu'attendez-vous de ce match ? Sert-il à rien ? Rayan Cherki doit-il être titulaire ? Après sa très bonne entrée face à l'Espagne, le Lyonnais a-t-il marqué des points dans la tête de Didier Deschamps ? Son profil est-il une bénédiction pour la sélection ? Mike Maignan doit-il être remis en question dans les buts ? Le joueur du Milan est en partance pour Chelsea et ses prestations ne rassurent pas. Deschamps doit-il donner sa chance à Lucas Chevalier aujourd'hui ? La hiérarchie peut-elle être bouleversée ?

Michel Jean nommé Chevalier de l’Ordre des arts et des lettres de la République française. Entrevue avec Michel Jean, écrivain. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radio Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Le Train Grande Vitesse | Michel Jean nommé Chevalier | Urgences et délai | Québécois en finale de la NBA Dans cet épisode intégral du 3 juin, en entrevue : Jean Mercier, professeur associé, Département de science politique à l’Université Laval. Michel Jean, écrivain. Renaud Brossard, vice-président communications à l’Institut économique de Montréal (IEDM). Une production QUB Juin 2025Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Join us this week for a wildly entertaining conversation with André Hueston Mack, winemaker and owner of Maison Noire Wines! André brings his signature blend of passion and humor to our podcast, sharing stories from his time as sommelier at The French Laundry and helping to open Per Se. As he says, "The greatest foil to pretension is humor" - and he lives that mantra with his Kick-Ass Garage Wines from Oregogne (yes, that's a French nod to Burgundy). Click the link below and give these wines a try! #HappyFriday! #ItsWineTime! #Cheersing Please visit https://maisonnoirwines.com/wine-shop/ to check out ALL of the Maison Noir wines!Wines this episode:2022 Maison Noir Wines "New Noir" Willamette Valley Orange Wine ($25 at the winery)2023 Maison Noir Wines "Bastardo Jackson" Willamette Valley Trousseau Noir ($30 at the winery)2022 Maison Noir Wines "Free Gamay" Willamette Valley Gamay Noir ($30 at the winery) 2022 Maison Noir Wines "Gamma Ray" Willamette Valley Red Wine ($30 at the winery)   A HUGE thanks to our sponsors: Liberty Lake Wine Cellars and CDA Gourmet!Liberty Lake Wine Cellars: Looking for amazing wine? Taste Liberty Lake Wine Cellars' big, bold reds from Red Mountain, along with their delightful Tahija whites and Rosés. Join their Wine Club for exclusive benefits including their Thursday Wine Club night. Get all the details at https://www.libertylakewinecellars.com/ or call 509-255-9205. Liberty Lake Wine Cellars: Celebrating 20 years of making exceptional Washington wine!CDA Gourmet: Are you looking to elevate your kitchen? You need to check out CDA Gourmet! Located in Midtown Coeur d'Alene, just down the street from Pilgrim's Market, CDA Gourmet offers a diverse mix of flavor enhancing product as well as the tools to make it all happen. Visit https://www.cdagourmet.com for more information or  call 208-551-2364. CDA Gourmet: Your kitchen elevatedAnd of course, a HUGE thank you to Tod Hornby who wrote and recorded our official Wine Time Fridays theme music. Please visit https://todhornby.com to see what Tod is up to!The Pilgrim's Market Wine Words of the Week - Garage Wines Garage Wines are characterized by small-scale, artisanal production, often in a "garage" or small facility.Pilgrim's Market: Check out Pilgrim's Market for an expansive selection of fine wines with wine club prices EVERY day, weekly complimentary tastings and just up the street from CDA Gourmet! Visit pilgrimsmarket.com or call 208-676-9730!Some wines we've enjoyed this week: Ridge Vineyards Three Valleys, Chevalier de la Crée Montagny Premier Cru, Geografico Le Mire Toscana Bianco, Simi Chardonnay, Domaine Bersan Les Ouches Chablis, Oyster Bay Chardonnay, Emmolo Merlot and Far Niente Chardonnay.Mentions: Red Hook Tavern, Vaso CellarsPlease find us on Facebook (https://www.facebook.com/WineTimeFridays), Twitter (@VintageTweets), Instagram (@WineTimeFridays) on our YouTube Channel, https://www.youtube.com/@winetimefridays and on Threads, which is @winetimefridays. You can also “Follow” Phil on Vivino. His profile name is Phil Anderson and will probably “Follow” you back! © 2025 Wine Time Fridays - All Rights Reserved

In this episode of the Know Your Shit podcast, Josh Cadillac sits down with Derrick Chevalier, master negotiator, speaker, and author of the boldly titled book Don't Be a Bitch, Be a Better Human. Together, they dive into the psychology, strategy, and emotional nuance behind high-level negotiations. Derrick shares stories, tools, and lessons learned from decades of studying human behavior—from identifying cultural cues to using silence as a tool for leverage. This episode isn't just about closing deals—it's about becoming the kind of person who earns the right to sit at the table and win with integrity.

Order NOW The Book: EVOLVE or Be Slaughtered: Negotiation For The 21st Century (Beyond Negotiating) by Derrick (The Van Gogh of Negotiation) Chevalier What if the rule we've all been taught — “never negotiate without a BATNA” — is the very thing limiting your success? In this mind-expanding conversation, Kwame Christian sits down with Derrick Chevalier, negotiation strategist and author of Evolve or Be Slaughtered, to expose the hidden danger of over-relying on your BATNA. Together, they explore why the best deals are rarely the ones you plan for, how to embrace creative discovery at the table, and what great negotiators actually do when things don't go according to script. Whether you're a seasoned dealmaker or just learning the ropes, this episode will challenge everything you thought you knew about leverage, planning, and negotiation itself. Connect with Derrick https://h-c.com/ Follow Derrick on LinkedIn Contact ANI Request A Customized Workshop For Your Company Follow Kwame Christian on LinkedIn The Ultimate Negotiation Guide Click here to buy your copy of How To Have Difficult Conversations About Race! Click here to buy your copy of Finding Confidence in Conflict: How to Negotiate Anything and Live Your Best Life!

One mistake. One moment of faking expertise. And it cost him a deal with Stevie Wonder. Order NOW The Book: EVOLVE or Be Slaughtered: Negotiation For The 21st Century (Beyond Negotiating) by Derrick (The Van Gogh of Negotiation) Chevalier In this unforgettable episode, Kwame Christian sits down with Derrick Chevalier — bestselling author of Evolve or Be Slaughtered and executive VP at Harrison Chevalier — to unpack the painful but powerful story that changed his life. From a failed negotiation with Stevie Wonder to creating a framework that helps leaders master their craft, Derrick shares how true confidence is built through competence — not performance. What you'll learn: Why pretending to know something can ruin your credibility — permanently. The ICSEAR framework: a step-by-step model for mastering any skill, including negotiation. How to move beyond balance and embrace harmony in high-pressure conversations. Why great negotiators must learn to flow like jazz — and how to get there Connect with Derrick https://h-c.com/ Follow Derrick on LinkedIn If you've ever walked out of a meeting thinking, “I should've done better,” this episode will show you how to make sure that never happens again. Contact ANI Request A Customized Workshop For Your Company Follow Kwame Christian on LinkedIn The Ultimate Negotiation Guide Click here to buy your copy of How To Have Difficult Conversations About Race! Click here to buy your copy of Finding Confidence in Conflict: How to Negotiate Anything and Live Your Best Life!

Greg Jenner is joined by Professor Jonathan Morris and comedian Sophie Duker to learn all about the bittersweet history of coffee.Coffee is undoubtedly one of the most popular drinks worldwide, and we consume an estimated 95 million cups of the stuff everyday in the UK alone. But where does coffee come from, and when did we start enjoying its caffeinated effects? From its origins in medieval Ethiopia and Yemen, through the coffeehouses of the Middle East and Europe, to its central importance to soldiers during the American Civil War, this episode traces the complex history of our favourite beverage. Along the way, it explores the uses people have had for coffee over the years, in religious rituals, as a stimulant to intellectual exchange, and even as a medicine. We also debunk some of the myths that have been brewed up about coffee's history. Did the Pope really call it ‘the devil's brew'? Was it discovered by an Ethiopian goatherd? And did a Dutch man really have to smuggle coffee trees out of Yemen? Listen to find out! If you're a fan of delicious disputes over food, wild medical treatments from centuries past and murky historical myths, you'll love our episode on the history of coffee.If you want more from Sophie Duker, check out our episodes on Benedetta Carlini or the Chevalier de Saint-Georges. And for more on culinary creations of the past, listen to our episodes on the history of chocolate and ice cream.You're Dead To Me is the comedy podcast that takes history seriously. Every episode, Greg Jenner brings together the best names in history and comedy to learn and laugh about the past. Hosted by: Greg Jenner Research by: Matt Ryan Written by: Emmie Rose Price-Goodfellow, Emma Nagouse, and Greg Jenner Produced by: Emmie Rose Price-Goodfellow and Greg Jenner Audio Producer: Steve Hankey Production Coordinator: Ben Hollands Senior Producer: Emma Nagouse Executive Editor: James Cook