Podcasts about cameras

Humans and pets have shared a deep bond for centuries, yet our animal companions are now considered more a part of the family than ever. So, it's no surprise that pet photography is a blossoming niche, and a perfect subject for this week's podcast—especially since it's National Pet Month! Above photograph © Nancy Borowick We start by chatting with pet photographer Karen Hoglund, who alerted us to her work in response to Allan's musing about using the hashtag “kittens” to generate traffic on social media. After noting that #kittens only yields a 20 percent bump over #photographer, Hoglund offers advice on the dos and don'ts of posing pets, and picking up on their non-verbal signs of anxiety or stress. After a break, we switch gears from posed pet portraits to learn about Sony Artisan Nancy Borowick's candid editorial-style coverage of the Westminster Dog Show, and her long-term project, “Part of the Pack.” Primarily known for telling intimate stories about people, Nancy explains how an invitation to photograph the dog show helped her process the loss of both her parents to cancer. She talks about the challenges of covering the show's frenetic atmosphere, describing how she maintains focus by seeking out telling details.  As we all agree, pets are truly a gift in our daily lives, and learning how to capture their unique personalities in pictures can only deepen this bond and enrich our experience. Guests: Karen Hoglund & Nancy Borowick For more information on our guests and the gear they use, see: https://blogd7.bhphotovideo.com/explora/podcasts/photography/kittens-picturing-pets-karen-hoglund-nancy-borowick Top shot © Nancy Borowick Episode Timeline:  2:06: Does #Kittens or pictures of cute pets help to drive traffic on social media?  4:28: How to recognize signs of stress and anxiety in pets, and tips for posing pets during a photo session. 7:48: Giving treats to a pet so they'll behave during a photo shoot and behavior differences to keep in mind when photographing dogs or cats. 16:06: Tips for photographing groups of pets and people, plus advice for photographing darker-colored pets. 21:32: Hoglund's pet photography gear bag and her thoughts on using mirrorless cameras and lenses. 25:57: Episode Break 27:04: Nancy Borowick's love of the Westminster Dog show and the challenges of working in such a fast-paced, frenetic environment. 36:11: Difficult breeds to photograph, the benefits of real-time eye autofocus for animals in Sony lenses, and Borowick's favorite dog breed. 39:25: Borowick's love for close-up details as storytelling tools, and her favorite lens: a Sony G series 85mm f/1.4. 42:30: Evolution from photographing at the dog show to Borowick's long-term project “Part of the Pack,” and the differences between dogs and owners at a top competition setting and in a home environment 54:30: Final thoughts from Borowick and Hoglund about owning pets today. Guest Bios: Karen Hoglund started out as a graphic designer, art-directing photo shoots for ad agencies and commercial clients. After honing her camera skills by photographing children and families, she shifted focus to her true love—dogs and cats. After starting a pet photography business in 2012, she hasn't looked back, working from her home base in Denver, Colorado with a squeaky toy in one hand, a camera in the other, and fur all over her clothes. Nancy Borowick is an internationally renowned photographer, author, teacher, and speaker. A graduate of the International Center of Photography, she is a Sony Artisan of Imagery and a Kickstarter Thought Leader. Working regularly with the New York Times since 2013, Borowick has told intimate stories of people, places, and pets from every corner of the globe. Her break-out project about her two parents in parallel treatment for stage-four cancer has received major accolades and awards such as The Arnold Newman Prize and the Humanitarian Award from the organization Women That Soar. This project was published in 2018 as the monograph The Family Imprint. Borowick currently resides on the island of St. John, USVI with her husband, two sons, and her dog, Einstein. Stay Connected: Karen Hoglund Website: https://karenhoglundphotography.com Karen Hoglund Instagram: https://www.instagram.com/karenhoglundphoto Karen Hoglund Facebook: https://www.facebook.com/KarenHoglundPhotography Karen Hoglund Twitter: https://twitter.com/khoglund_photo Karen Hoglund Pinterest: https://www.pinterest.com/khoglund/ Karen Hoglund YouTube: https://www.youtube.com/@karenhoglundphotography/ Karen Hoglund TikTok: https://www.tiktok.com/@karenhoglundphoto   Nancy Borowick Website: https://www.nancyborowick.com Nancy Borowick Instagram: https://www.instagram.com/nancyborowick/ Nancy Borowick Facebook: https://www.facebook.com/nancy.borowick/ Nancy Borowick Twitter: https://twitter.com/nancyborowick

Part Two of Rapid Fire starts with a listener question about whether Notre Dame Stadium will ever expand to 100,000-plus seats. Other topics include: *Pac-12 has approved in-game & pre-game football access initiatives to be implemented in Pac-12 broadcasts on ESPN, FOX Sports & Pac-12 Networks.   It includes:   -In-game head coach interviews   -Pre-game & halftime locker room camera access   -Coaches & select players wired on-field pre-game   -Cameras in coaches' booth w/out sound   -Extended handheld camera permission  We share our thoughts.  *The NFL's first Black Friday/Day after Thanksgiving game between the Jets and Dolphins will kickoff at 3 o'clock Eastern time. Do we prefer the afternoon time or would prime time be better?  *What's the best TV sports broadcast invention/innovation?  *There's currently a commercial out that has a fan being traded. If you were traded to be a fan of another team what team would you want to be traded to?   *Thoughts on this week marking the 45th anniversary of the first Chuck E. Cheese. Shop for Irish Breakdown gear at our online store: https://store.irishbreakdown.com Join the Irish Breakdown premium message board: https://boards.irishbreakdown.com Stay locked into Irish Breakdown for all the latest news and analysis about Notre Dame: https://www.irishbreakdown.com Subscribe to the Irish Breakdown podcast on iTunes: https://podcasts.apple.com/us/podcast... Like and follow Irish Breakdown on Facebook: https://www.facebook.com/groups/irish... Sign up for the FREE Irish Breakdown daily newsletter: https://www.subscribepage.com/irish-b.... Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tati Bruening and Anya Anti are two rising stars at the confluence of photography, digital assets, and social influence. In this week's episode of the B&H Photography Podcast, we get the lowdown on their burgeoning careers in fashion / beauty and conceptual / fine art portraits in part two of our chats from B&H's 2023 Depth of Field Conference. Above photograph © Tati Bruening We start with Tati Bruening, who shares how her plea to “Make Instagram Instagram Again” became a global meme, ultimately prompting a response from the platform's head. Learn how she spent the pandemic focused on daily DIY shoots with friends, allowing her to quickly master her Canon 5D Mark IV inside and out. Today, Bruening is supported by a powerhouse management team. Hear how she made these essential connections, get tips on working with a manager, and learn which pitfalls to avoid. After a break, we shift gears to Anya Anti, who fills us in on the intricate set design and attentive compositing work behind her whimsical portraits, which seamlessly bridge fantasy and real life. She distinguishes between shooting self-portraits for a more personal approach and posing models as alter egos for more control behind the camera. We also tackle the elephant in the room—artificial intelligence in photographic creation—with Anti weighing in on both the significant ethical issues posed by AI and its positive aspects as incorporated in Adobe's smart selection tools. Guests: Tati Bruening and Anya Anti For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/confronting-algorithms-and-ai-tati-bruening-anya-anti-at-depth-of-field-2023 Top shot © Tati Bruening Episode Timeline: 2:38: Tati Bruening's offhand Instagram post that turned into an international viral movement, emphasizing the value of stills over video.  6:13: Bruening's preferences for lighting tools, modifiers, and lenses. 11:52: Making an initial connection to a manager and assembling a wider team. 14:04: Bruening's 5-year plan to stop being controlled by social media algorithms. 15:33: Bruening's tips for seeking and working with a manager and pitfalls to avoid. 18:50: Episode Break 20:44: Anya Anti's approach to self-portraits vs. photographing other people to use as alter egos in her pictures. 25:20: Concept development and preproduction process for Anti's portraits. 28:27: Concerns about AI technology and its related ethical issues. 32:31: The beneficial aspects of AI and using Adobe smart selection tools. 34:22: Upcoming projects, a series of editing tutorials, and animation pieces. Guest Bios: Tati Bruening rose to fame by making personal portraits of some of TikTok's most recognizable stars, celebrating the individuality of her subjects. She made headlines in 2021 by posting a simple request to ‘Make Instagram, Instagram Again' and the rest of the world echoed her sentiment by adding over 300,000 signatures on her Change.org petition. She consults on Gen Z with various companies and has been a featured speaker on photography and social media at events such as VidCon 2022, among many other conferences. Anya Anti specializes in on-location fine art and conceptual portraiture. An internationally published, award-winning photo artist, Anti strives to go beyond traditional portraiture to tell imaginative stories through her art and share her passion for beauty and a craving for everyday enchantment. An international speaker and workshop instructor for companies such as Broncolor, Adobe, and Nikon, Anti has been a featured presenter at events like Adobe MAX, Adobe Live, PPE, WPPI, CES, among others. Stay Connected: Tati Bruening Website: https://www.illumitati.com/ Tati Bruening Instagram: https://www.instagram.com/illumitati/ Tati Bruening Facebook: https://www.facebook.com/tati.tutu.5/ Tati Bruening Twitter: https://twitter.com/illumitatiana Tati Bruening TikTok: https://www.tiktok.com/discover/tati-bruening Anya Anti Website: https://anya-anti.com/ Anya Anti Instagram: https://www.instagram.com/anya_anti_art/ Anya Anti Facebook: https://www.facebook.com/AnyaAntiArt Anya Anti YouTube: https://www.youtube.com/c/AnitaAnti Anya Anti Twitter: https://twitter.com/AnyaAnti Anya Anti Pinterest: https://www.pinterest.com/anya_anti/ Anya Anti TikTok: https://www.tiktok.com/@anya_anti

Sony pushes its main phone aimed at creatives to another level.

Sony pushes its main phone aimed at creatives to another level.

On this episode we talk about a lot of things like how my meeting went with the $0.99 cent store and how we found our one listener in the UK KIM!!! @poorprincesskimmy on tiktok! Definitely check out the episode and enjoy! I think we will be more consistant from now on out! 

In today's episode we discuss these topics which were requested by listeners:Performance anxiety vs debilitating anxiety; how channeling the former helps you execute betterThe bell curve relation of expensive gear and final image qualityCharging more but landing less clients as a way to increase net incomeThoughts around signing our work; canvas vs. fine art printsIf you have suggestions or topics for an episode, please feel free to write to us either through our personal instagram pages or through the podcast's instagram page. You can also send emails to info@thephotographermindset.comThanks to Rove Board Co for sponsoring this episode! You can check out their website below to see their full lineup of paddle boards, both traditional and inflatable!https://www.roveboards.com/Use Code "TPM10" for a 10% discount!Thanks to Tamron Americas for sponsoring this episode! Their MOTHER'S DAY SALE is on now through until May 28th 2023. Be sure to capitalize on hundreds of dollars worth of savings on Tamron lenses at your local or online photo retailer. You can also check out their website below to see their full lineup of camera lenses:https://tamron-americas.com/Thanks to OnCore Golf for being this episode's sponsor!Check out their award-winning patented perimeter weighted golf balls: https://www.oncoregolf.com/shop-golf-balls/Use code TPM15 for 15% off any order!Make a donation via PayPal for any amount you feel is equal to the value you receive from our podcast episodes! Donations help with the fees related to hosting the show: https://www.paypal.com/donate/?hosted_button_id=Z36E4SCB6D3LWBig shoutout to this week's #TPMartwork feature @monkeyandfox with his portrait of a rabbit munching through some grass blades. This is pretty damn good for a first wildlife photo ever so we had to celebrate. Congratulations Phillip! Be sure to check out more of his work and keep submitting to the hashtag for your chance to have your image featured and talked about on a future episode!Thanks for listening!Go get shooting, go get editing, and stay focused.@sethmacey@mantis_photography@thephotographermindsetSupport the show

This week Clint and Dawson sit down with Chris Watford. Chris grew up in a very outdoors oriented family. His family owned an outdoor outfitting shop in Roswell, Georgia called Call Of The Wild. The business was established in 1978 by his father. He grew up in this family business and took it over after graduation from college and operated it until 2005. Chris's primary passion has always been rock climbing, having gone for the first time on a Boy Scout trip at 11 years old in 1976. He started in earnest in 1978 or 79. Chris has authored and published 5 editions of a rock climbing guidebook series called the Dixie Cragger's Atlas, which cover climbing areas in Alabama, Georgia and Tennessee. While operating the retail shop, he was also a vendor of climbing and safety equipment for industrial users, high rise window washers, Fire and Rescue departments as well as the film and video industry. This led to quite a bit of work on film, television and commercial sets, doing everything from camera safety to assisting with stunt rigging. In 1996, he was fortunate to connect with the primary specialty television camera supplier for the Olympic Games in Atlanta Ga. That relationship exists to this day, and Chris has traveled the world working at large sporting events; World Cup soccer, European Cup soccer, Summer and Winter Olympics, The Summer and Winter Asian Games, the Commonwealth Games and others. Chris leads a team of climbers that are responsible for setting up all of the high angle aerial cameras for broadcast. Thanks for listening! Find all our episodes at dayfirepodcast.com This podcast is powered by ZenCast.fm

Welcome to Hardware Addicts, a proud member of the TuxDigital Network. Hardware Addicts is the podcast that focuses on the physical components that powers our technology world. In this episode, we discuss the hardware that powers AI like ChatGPT and Google Bard. Then we head to Camera Corner where Wendy will discuss Ricoh W6-6. So Sit back, Relax, and Plug In because Hardware Addicts Starts Now! Hardware Discussed In This Episode: - Backbone One for mobile gaming: https://amzn.to/3nlmHU9 - Apple iPhone 14 Max: https://amzn.to/3nERs6t - Portable Battery : https://amzn.to/3AWe2up

Stories this week include: Visitor wearing clown mask leaves suspicious substance at testing lab. Naked man driving stolen school bus with dead deer inside leads police on car chase. Late night game of Monopoly ends in Samurai sword fight. Village under siege from otter laying waste to prized fish.  We discuss our very own Banksy... Website: http://www.lapodcast.net/ Facebook: https://www.facebook.com/LAPodcast/ Twitter: @LAPodcast

SpaceX Explosion Damages Environment Around Launch Site Last Thursday, SpaceX's South Texas facility was awash in noise and fire, as crowds gathered in South Padre Island and Port Isabel to watch Starship's first orbital launch. It was the largest and most powerful rocket ever made, standing at around 400 feet tall. Four minutes into the launch, SpaceX detonated the rocket after the SuperHeavy booster failed to separate from the Starship as planned. The launch destroyed the company's launch pad, spreading concrete up to three quarters of a mile away. Cameras left by YouTubers were either knocked down or destroyed in the rumble, along with some of the fence surrounding the launch pad's road-facing property. To read the rest, visit sciencefriday.com.   The Private Space Race Takes A Toll On Planet Earth After the SpaceX explosion last month, debris wasn't the only thing on the minds of Science Friday listeners. The following messages arrived in our inbox after we reported on 3-D printed rockets in March. It was interesting to hear you discuss 7 space launches in 5 days, and then just moments later the fact that we're not on track to reduce carbon emissions. My understanding is that rocket launches release huge amounts of carbon and other greenhouse gases. Story idea?—@RevBobIerien, Twitter Also regarding the 3-D rockets there wasn't any concern made for space pollution was there? I may have tuned out unhappily before the end. —Juanita H, email How much carbon do rockets contribute to global warming? —Robert C, email Very disappointing to hear the report of new “cheaper” 3D-printed rockets are available so that, like fast food pods and big gulps, we can now drop even more cheap **** into the ocean. And, *immediately* following a story about the new report on climate change, what exactly is the carbon footprint resulting from the ability of more people to more cheaply fire rockets into space? —David M, email Carbon isn't the big pollutant that comes from spaceflight, says Dr. Eloise Marais, associate professor in physical geography at University College London. Instead, black carbon or soot particles are generated and released directly into the atmosphere, alongside reactive nitrogen and nitrogen oxides. Dr. Marais joins Ira to talk about how much of an impact increased rocket launches could have on the atmosphere, and how that compares to the auto industry.    How To Combat The Antibiotic Resistance Crisis For years scientists have been ringing alarm bells about a global antibiotic resistance crisis. Now hospitals and healthcare facilities face the consequences: In the United States, there are 2.8 million antimicrobial-resistant infections every year, and more than 35,000 people die from these infections. Bacteria naturally try to outsmart the drugs designed to kill them, which causes treatments to become ineffective over time. While new antibiotics are made to respond to these resistant strains, the bacteria continue to evolve—creating a constant, and costly, cycle. There's a number of added factors driving the crisis, including antibiotic use in livestock and the general overprescription of antibiotics. About 1 in 3 antibiotic prescriptions in outpatient settings like urgent care or emergency departments are unnecessary. Scientists are struggling to keep up with the need to replace antibiotics that no longer work. It's a never ending game of catch up. Ira discusses some of the possible solutions to this vexing problem and takes listener questions with Dr. Victor Nizet, faculty lead of the Collaborative to Halt Antibiotic-Resistant Microbes at the University of California San Diego and Dr. Eddie Stenehjem, executive vice chair of medicine at the University of Colorado.   Are Phages A New Page In Medicine? One of the many possible solutions to the global antibiotic resistance crisis is an old idea that's new again—bacteriophages, or phages for short. Phages are viruses that exist solely to kill bacteria and are abundant in nature. While scientists first discovered phages' ability to treat bacterial infections about a century ago, there's been little interest in turning them into a treatment for patients with antibiotic resistant infections—until recently. Ira talks with Dr. Graham Hatfull, professor of biotechnology at the University of Pittsburgh about the latest in phage science.   Transcripts for each segment will be available the week after the show airs on sciencefriday.com.

On This Episode Steffanie Padilla joins us in her Bear form! We discuss the power of images, AI and the evolution of photography. We toggle back and fourth about the impact that technology and AI is having on the youth and Ray and Steff nerd out about Cameras. Enjoy! Recorded at the Rose City Sound Studio Hosted by: @nataliiestephanie & @rickieleemota.   Produced and Edited by @Raymond_andrew_ Opening Song: Hoy by Luis Mota Watch a live stream recording every Friday at 6PM PST. on Twitch! Twitch.tv/onthisfrequency This Episode can be watched on YouTube! https://www.youtube.com/@onthisfrequency/featured   Stay connected with us on Twitter and Instagram: @onthisfrequency For sponsorship inquiries email us at onthisfrequency@gmail.com   support the team at: buymeacoffee.com/onthisfrequency

I'm back! I know it has been a bunch of time since my last podcast. I am regretful for that, though there is no grand story to explain my absence. Life simply got busy, and the podcast was the first thing to fall “below the line” of what I could keep up with. To ease back into the podcast, how about a light-hearted chat about the tools we hold most dear - cameras and software. Our cameras and editing software truly are modern marvels. Cameras have loads of options and modes for just about any subject and shooting condition - fast moving subjects, long exposures, low light. Software is equally powerful to process those images. Magically reveal details we didn't think were there, AI features to find and fix subject and noise, and an infinite combination of digital filters for any look or mood you can imagine.With all of this power at our fingertips and the infinite configurability of our cameras and editing software… what could possibly go wrong?!? Well, you guessed it. Plenty. I've just returned from hosting a workshop in Big Sur and all of us had our share of missed button presses, wrong way sliders, and toggled switches that left us confused with our gear for a few minutes.I share 5 mini-stories about mistakes made with buttons, switches, and sliders that I suspect you'll relate to, if not have fumbled with yourself, on your journey of photography. Hear these tales about the obvious-in-retrospect mistakes photographers make:The Blurry ProblemThe Mysterious Over/Under ProblemThe Incredible Drifting CompositionThe Ghosts Of Retouches PastUnexplained Fading Of EffectsOk … well that last one … I guess it's not unexplained since I'll tell you what actually happened!!Mentioned in this episode:Bandon Beach & Beyond: Join me November 13th - 16th, 2023 in Bandon, Oregon for a 4-day immersive workshop. The Oregon Coast is a fantastic location to capture seascapes.The Lighten Blending mode: Try your hand at capturing traffic trails and use the Lighten blending mode to create the composite. This blending mode works wonder for traffic trails and cityscapes, too!Rate & ReviewIf you enjoyed this episode, please rate and review it on Apple Podcasts, Stitcher, or Podchaser.com. Fresh, current ratings help other photographers find out about the show.Supporters Of The Show - Thank You!Thanks to everyone that supports this show, through comments, reviews, and shares. Sharing this podcast with your photo friends and camera clubs is one of the many zero-cost ways you can support the show. If you wish to support the show financially, you can also make a one-time donation.Affiliate LinksProduct links in this post may contain affiliate tags. Depending on the purchase, Scott Davenport Photography may receive compensation if you purchase a product via one of those links. There is no additional cost to you. The use of affiliate links never influences the content or opinions of the episodes.

One of the hardest parts of telling any history, is which innovations are significant enough to warrant mention. Too much, and the history is so vast that it can't be told. Too few, and it's incomplete. Arguably, no history is ever complete. Yet there's a critical path of innovation to get where we are today, and hundreds of smaller innovations that get missed along the way, or are out of scope for this exact story. Children have probably been placing sand into buckets to make sandcastles since the beginning of time. Bricks have survived from round 7500BC in modern-day Turkey where humans made molds to allow clay to dry and bake in the sun until it formed bricks. Bricks that could be stacked. And it wasn't long before molds were used for more. Now we can just print a mold on a 3d printer.   A mold is simply a block with a hollow cavity that allows putting some material in there. People then allow it to set and pull out a shape. Humanity has known how to do this for more than 6,000 years, initially with lost wax casting with statues surviving from the Indus Valley Civilization, stretching between parts of modern day Pakistan and India. That evolved to allow casting in gold and silver and copper and then flourished in the Bronze Age when stone molds were used to cast axes around 3,000 BCE. The Egyptians used plaster to cast molds of the heads of rulers. So molds and then casting were known throughout the time of the earliest written works and so the beginning of civilization. The next few thousand years saw humanity learn to pack more into those molds, to replace objects from nature with those we made synthetically, and ultimately molding and casting did its part on the path to industrialization. As we came out of the industrial revolution, the impact of all these technologies gave us more and more options both in terms of free time as humans to think as well as new modes of thinking. And so in 1868 John Wesley Hyatt invented injection molding, patenting the machine in 1872. And we were able to mass produce not just with metal and glass and clay but with synthetics. And more options came but that whole idea of a mold to avoid manual carving and be able to produce replicas stretched back far into the history of humanity. So here we are on the precipice of yet another world-changing technology becoming ubiquitous. And yet not. 3d printing still feels like a hobbyists journey rather than a mature technology like we see in science fiction shows like Star Trek with their replicators or printing a gun in the Netflix show Lost In Space. In fact the initial idea of 3d printing came from a story called Things Pass By written all the way back in 1945! I have a love-hate relationship with 3D printing. Some jobs just work out great. Others feel very much like personal computers in the hobbyist era - just hacking away until things work. It's usually my fault when things go awry. Just as it was when I wanted to print things out on the dot matrix printer on the Apple II. Maybe I fed the paper crooked or didn't check that there was ink first or sent the print job using the wrong driver. One of the many things that could go wrong.  But those fast prints don't match with the reality of leveling and cleaning nozzles and waiting for them to heat up and pulling filament out of weird places (how did it get there, exactly)! Or printing 10 add-ons for a printer to make it work the way it probably should have out of the box.  Another area where 3d printing is similar to the early days of the personal computer revolution is that there are a few different types of technology in use today. These include color-jet printing (CJP), direct metal printing (DMP), fused deposition modeling (FDM), Laser Additive Manufacturing (LAM, multi-jet printing (MJP), stereolithography (SLA), selective laser melting (SLM), and selective laser sintering (SLS). Each could be better for a given type of print job to be done. Some forms have flourished while others are either their infancy or have been abandoned like extinct languages. Language isolates are languages that don't fit into other families. Many are the last in a branch of a larger language family tree. Others come out of geographically isolated groups. Technology also has isolates. Konrad Zuse built computers in pre-World War II Germany and after that aren't considered to influence other computers. In other words, every technology seems to have a couple of false starts. Hideo Kodama filed the first patent to 3d print in 1980 - but his method of using UV lights to harden material doesn't get commercialized.  Another type of 3d printing includes printers that were inkjets that shot metal alloys onto surfaces. Inkjet printing was invented by Ichiro Endo at Canon in the 1950s, supposedly when he left a hot iron on a pen and ink bubbled out. Thus the “Bubble jet” printer. And Jon Vaught at HP was working on the same idea at about the same time. These were patented and used to print images from computers over the coming decades. Johannes Gottwald patented a printer like this in 1971. Experiments continued through the 1970s when companies like Exxon were trying to improve various prototyping processes. Some of their engineers joined an inventor Robert Howard in the early 1980s to found a company called Howtek and they produced the Pixelmaster, using hot-melt inks to increment the ink jet with solid inks, which then went on to be used by Sanders Prototype, which evolved into a company called Solidscape to market the Modelmaker. And some have been used to print solar cells, living cells, tissue, and even edible birthday cakes. That same technique is available with a number of different solutions but isn't the most widely marketable amongst the types of 3D printers available. SLA There's often a root from which most technology of the day is derived. Charles, or Chuck, Hull coined the term stereolithography, where he could lay down small layers of an object and then cure the object with UV light, much as the dentists do with fillings today. This is made possibly by photopolymers, or plastics that are easily cured by an ultraviolet light. He then invented the stereolithography apparatus, or SLA for short, a machine that printed from the bottom to the top by focusing a laser on photopolymer while in a liquid form to cure the plastic into place. He worked on it in 1983, filed the patent in 1984, and was granted the patent in 1986.  Hull also developed a file format for 3D printing called STL. STL files describe the surface of a three-dimensional object, geometrically using Cartesian coordinates. Describing coordinates and vectors means we can make objects bigger or smaller when we're ready to print them. 3D printers print using layers, or slices. Those can change based on the filament on the head of a modern printer, the size of the liquid being cured, and even the heat of a nozzle. So the STL file gets put into a slicer that then converts the coordinates on the outside to the polygons that are cured. These are polygons in layers, so they may appear striated rather than perfectly curved according to the size of the layers. However, more layers take more time and energy. Such is the evolution of 3D printing. Hull then founded a company called 3D Systems in Valencia California to take his innovation to market. They sold their first printer, the SLA-1 in 1988. New technologies start out big and expensive. And that was the case with 3D Systems. They initially sold to large engineering companies but when solid-state lasers came along in 1996 they were able to provide better systems for cheaper.  Languages also have other branches. Another branch in 3d printing came in 1987, just before the first SLA-1 was sold.  Carl Deckard  and his academic adviser Joe Beaman at the University of Texas worked on a DARPA grant to experiment with creating physical objects with lasers. They formed a company to take their solution to market called DTM and filed a patent for what they called selective laser sintering. This compacts and hardens a material with a heat source without having to liquify it. So a laser, guided by a computer, can move around a material and harden areas to produce a 3D model. Now in addition to SLA we had a second option, with the release of the Sinterstation 2500plus. Then 3D Systems then acquired DTM for $45 million in 2001. FDM After Hull published his findings for SLA and created the STL format, other standards we use today emerged. FDM is short for Fused Deposition Modeling and was created by Scott Crump in 1989. He then started a company with his wife Lisa to take the product to market, taking the company public in 1994. Crump's first patent expired in 2009.  In addition to FDM, there are other formats and techniques. AeroMat made the first 3D printer that could produce metal in 1997. These use a laser additive manufacturing process, where lasers fuse powdered titanium alloys. Some go the opposite direction and create out of bacteria or tissue. That began in 1999, when Wake Forest Institute of Regenerative medicine grew a 3D printed urinary bladder in a lab to be used as a transplant. We now call this bioprinting and can take tissue and lasers to rebuild damaged organs or even create a new organ. Organs are still in their infancy with success trials on smaller animals like rabbits. Another aspect is printing dinner using cell fibers from cows or other animals. There are a number of types of materials used in 3D printing. Most printers today use a continuous feed of one of these filaments, or small coiled fibers of thermoplastics that melt instead of burn when they're heated up. The most common in use today is PLA, or polylactic acid, is a plastic initially created by Wall Carothers of DuPont, the same person that brought us nylon, neoprene, and other plastic derivatives. It typically melts between 200 and 260 degrees Celsius. Printers can also take ABS filament, which is short for acrylonitrile-butadien-styerene. Other filament types include HIPS, PET, CPE, PVA, and their derivative forms.  Filament is fed into a heated extruder assembly that melts the plastic. Once melted, filament extrudes into place through a nozzle as a motor sends the nozzle on a x and y axis per layer.  Once a layer of plastic is finished being delivered to the areas required to make up the desired slice, the motor moves the extruder assembly up or down on a z axis between layers. Filament is just between 1.75 millimeters and 3 millimeters and comes in spools between half a kilogram and two kilograms. These thermoplastics cool very quickly. Once all of the slices are squirted into place, the print is removed from the bed and the nozzle cools off. Filament comes in a number of colors and styles. For example, wood fibers can be added to filament to get a wood-grained finish. Metal can be added to make prints appear metallic and be part metal.  Printing isn't foolproof, though. Filament often gets jammed or the spool gets stuck, usually when something goes wrong. Filament also needs to be stored in a temperature and moisture controlled location or it can cause jobs to fail. Sometimes the software used to slice the .stl file has an incorrect setting, like the wrong size of filament. But in general, 3D printing using the FDM format is pretty straight forward these days. Yet this is technology that should have moved faster in terms of adoption. The past 10 years have seen more progress than the previous ten though. Primarily due to the maker community. Enter the Makers The FDM patent expired in 2009. In 2005, a few years before the FDM patent expired, Dr. Adrian Bowyer started a project to bring inexpensive 3D printers to labs and homes around the world. That project evolved into what we now call the Replicating Rapid Prototyper, or RepRap for short.  RepRap evolved into an open source concept to create self-replicating 3D printers and by 2008, the Darwin printer was the first printer to use RepRap. As a community started to form, more collaborators designed more parts. Some were custom parts to improve the performance of the printer, or replicate the printer to become other printers. Others held the computing mechanisms in place. Some even wrote code to make the printer able to boot off a MicroSD card and then added a network interface so files could be uploaded to the printer wirelessly. There was a rising tide of printers. People were reading about what 3D printers were doing and wanted to get involved. There was also a movement in the maker space, so people wanted to make things themselves. There was a craft to it. Part of that was wanting to share. Whether that was at a maker space or share ideas and plans and code online. Like the RepRap team had done.  One of those maker spaces was NYC Resistor, founded in 2007. Bre Pettis, Adam Mayer, and Zach Smith from there took some of the work from the RepRap project and had ideas for a few new projects they'd like to start. The first was a site that Zach Smith created called Thingiverse. Bre Pettis joined in and they allowed users to upload .stl files and trade them. It's now the largest site for trading hundreds of thousands of designs to print about anything imaginable. Well, everything except guns. Then comes 2009. The patent for FDM expires and a number of companies respond by launching printers and services. Almost overnight the price for a 3D printer fell from $10,000 to $1,000 and continued to drop. Shapeways had created a company the year before to take files and print them for people. Pettis, Mayer, and Smith from NYC Resistor also founded a company called MakerBot Industries. They'd already made a little bit of a name for themselves with the Thingiverse site. They knew the mind of a maker. And so they decided to make a kit to sell to people that wanted to build their own printers. They sold 3,500 kits in the first couple of years. They had a good brand and knew the people who bought these kinds of devices. So they took venture funding to grow the company. So they raised $10M in funding in 2011 in a round led by the Foundry Group, along with Bezos, RRE, 500 Startups and a few others. They hired and grew fast. Smith left in 2012 and they were getting closer and closer with Stratasys, who if we remember were the original creators of FDM. So Stratasys ended up buying out the company in 2013 for $403M. Sales were disappointing so there was a changeup in leadership, with Pettis leaving and they've become much more about additive manufacturing than a company built to appeal to makers. And yet the opportunity to own that market is still there. This was also an era of Kickstarter campaigns. Plenty of 3D printing companies launched through kickstarter including some to take PLA (a biodegradable filament) and ABS materials to the next level. The ExtrusionBot, the MagicBox, the ProtoPlant, the Protopasta, Mixture, Plybot, Robo3D, Mantis, and so many more.  Meanwhile, 3D printing was in the news. 2011 saw the University of Southhampton design a 3d printed aircraft. Ecologic printing cars, and practically every other car company following suit that they were fabricating prototypes with 3d printers, even full cars that ran. Some on their own, some accidentally when parts are published in .stl files online violating various patents.  Ultimaker was another RepRap company that came out of the early Darwin reviews. Martijn Elserman, Erik de Bruin, and Siert Wijnia who couldn't get the Darwin to work so they designed a new printer and took it to market. After a few iterations, they came up with the Ultimaker 2 and have since been growing and releasing new printers  A few years later, a team of Chinese makers, Jack Chen, Huilin Liu, Jingke Tang, Danjun Ao, and Dr. Shengui Chen took the RepRap designs and started a company to manufacturing (Do It Yourself) kits called Creality. They have maintained the open source manifesto of 3D printing that they inherited from RepRap and developed version after version, even raising over $33M to develop the Ender6 on Kickstarter in 2018, then building a new factory and now have the capacity to ship well over half a million printers a year. The future of 3D Printing We can now buy 3D printing pens, over 170 3D Printer manufacturers including 3D systems, Stratasys, and Ceality but also down-market solutions like Fusion3, Formlabs, Desktop Metal, Prusa, and Voxel8. There's also a RecycleBot concept and additional patents expiring every year.  There is little doubt that at some point, instead of driving to Home Depot to get screws or basic parts, we'll print them. Need a new auger for the snow blower? Just print it. Cover on the weed eater break?  Print it. Need a dracolich mini for the next Dungeons and Dragons game? Print it. Need a new pinky toe. OK, maybe that's a bit far. Or is it? In 2015, Swedish Cellink releases bio-ink made from seaweed and algae, which could be used to print cartilage and later released the INKREDIBLE 3D printer for bio printing. The market in 2020 was valued at $13.78 billion with 2.1 million printers shipped. That's expected to grow at a compound annual growth rate of 21% for the next few years. But a lot of that is healthcare, automotive, aerospace, and prototyping still. Apple made the personal computer simple and elegant. But no Apple has emerged for 3D printing. Instead it still feels like the Apple II era, where there are 3D printers in a lot of schools and many offer classes on generating files and printing.  3D printers are certainly great for prototypers and additive manufacturing. They're great for hobbyists, which we call makers these days. But there will be a time when there is a printer in most homes, the way we have electricity, televisions, phones, and other critical technologies. But there are a few things that have to happen first, to make the printers easier to use. These include: Every printer needs to automatically level. This is one of the biggest reasons jobs fail and new users become frustrated. More consistent filament. Spools are still all just a little bit different. Printers need sensors in the extruder that detect if a job should be paused because the filament is jammed, humid, or caught. This adds the ability to potentially resume print jobs and waste less filament and time. Automated slicing in the printer microcode that senses the filament and slices. Better system boards (e.g. there's a tool called Klipper that moves the math from the system board on a Creality Ender 3 to a Raspberry Pi). Cameras on the printer should watch jobs and use TinyML to determine if they are going to fail as early as possible to halt printing so it can start over. Most of the consumer solutions don't have great support. Maybe users are limited to calling a place in a foreign country where support hours don't make sense for them or maybe the products are just too much of a hacker/maker/hobbyist solution. There needs to be an option for color printing. This could be a really expensive sprayer or ink like inkjet printers use at first We love to paint minis we make for Dungeons and Dragons but could get amazingly accurate resolutions to create amazing things with automated coloring.  For a real game changer, the RecycleBot concept needs to be merged with the printer. Imagine if we dropped our plastics into a recycling bin that 3D printers of the world used to create filament. This would help reduce the amount of plastics used in the world in general. And when combined with less moving around of cheap plastic goods that could be printed at home, this also means less energy consumed by transporting goods. The 3D printing technology is still a generation or two away from getting truly mass-marketed. Most hobbyists don't necessarily think of building an elegant, easy-to-use solution because they are so experienced it's hard to understand what the barriers of entry are for any old person. But the company who finally manages to crack that nut might just be the next Apple, Microsoft, or Google of the world.

Seannie Cameras (aka Sean O' Grady) is a photographer, filmmaker, and visual journalist residing in Los Angeles, CA. After growing up outside of Washington, D.C. he was blessed with a stellar work ethic, a determined mindset, and an exuberant personality. After cutting his teeth in the music, culture, and arts scene along the East Coast, he moved out to California to clean up his life, get sober, and test his professional mettle in L.A. Connect with Sean: His website, Facebook, LinkedIn, Twitter, YouTube, & Instagram!.Subscribe, rate us 5, come join in all the other fun we offer, but most of all we hope you enjoy! If you liked this, and want to hear more, give us a follow and let us know! Or maybe you just want to tell us how awful we are? Comments help the algorithm, and we love to see ‘em! And as always, don't kill the messenger. ~Beloved Sponsors~Exotic Fridge Join our DISCORD server!! Whiskey Fund (help support our podcast habit!): PayPal Our Patreon & YouTube Connect with Hermes: Instagram & Twitter Connect with Morpheus: Instagram Support the show

You're probably reading the title of this episode and thinking “site-specific choreography? Aren't most screendances site-specific?” You are certainly right, listener! You must be a screendance fan!As you know, site-specific episodes have been a recurring topic on the show. As we've segmented the dropped pins over the years, we've built an understanding of what the director may be conveying through movement within the landscape. The camera allows dance audiences to go on a journey that they may not be able explore on a live proscenium stage. The beauty of these films is that they push the boundaries of what these spaces can do. Art is experimentation and experimentation allows curiosity to run wild, and yet make all sense with it in the end.In this episode, we'll be picking apart the art of creating a site-specific dance film including many questions going from the very start of location scouting– Why do you want to create a film in/on/around this location? What is the significance of this space? What can you create in this space and what are your limitations? How do you want viewers to see and understand this environment? Along with all of that, we drop some useful advice that may help future makers well prepared for their next big film shoot. Press play and find out!–Check out Studiobinder for all your planning needs!Crash course on location scouting from the folks at Aputure!5 week online course from 2014: Site specific dance / choreography Stephan Koplowitz / CalArts– Follow us on Instagram @frameformpod–Got a question? Send us an email! Please reach out anytime at frameformpodcast@gmail.com

What to post on my feed today?Omg! I have no new photos to post this week?I wish I could post more often.I wonder how other content creators post so frequently. Should creating content be this difficult?I feel so tired of keeping up with posting on instagram.Do these thoughts about posting on social media ever cross your mind? wha..Much too frequently? I get it. Whatever your relationship might be with social media, if you are sharing your photos or videos on it regularly, you know that it is not easy. There is so much work that goes into being regular and consistent in posting that often it is overwhelming, tiring, confusing & frustrating. In today's podcast episode, we have 17 Pro food photographers & bloggers sharing their best strategies and top-tips to create content for social media. Consistency is a real toughie and so, these photographers share their best advice on how to create content without the strain, pressure and overwhelm that comes with it. They share what you can do to stay on top of content creation and create like a boss.Everytime I feel overwhelmed about posting, I remind myself of what it was like when I first got on Instagram. It was fun & exciting, just like the beginning of a romance.Just like we work on keeping the excitement alive in our romantic relationships, we need to do the same with social media too. Think of the beginning and why you fell in love with the platform. No matter how many times you post, how many followers you have, keep the love going with no expectations, if the platform still serves a purpose for you.What if you took away the pressure of posting and replaced it with the joy of sharing, just like when you started? Hear what our experts have to say about it. You'll love it. I think.​ Read more at https://myfoodlens.com Follow Dyutima on Instagram at https://www.instagram.com/dyutima_myfoodlens/  Show notes available at https://myfoodlens.com/52-top-tips-from-successful-photographers-and-bloggers-to-create-content-for-social-media-without-overwhelmRegister for the free Master the Art of Food Photography summit here 

Season 3 Episode #9 Mary Henderson is coming from Melbourne, AustraliaYou can find Mary via her website maryhendersoncoaching.com, via her podcast  - Industry Expert, or via LinkedIn (83K followers) – Mary is the Founder and Editor in Chief of Authority 5.0 Magazine – and it is only available via LinkedIn so please check it out.About our guest: When clients engage Mary, they access 40,000+ hours of experience, knowledge and wisdom in Personal Branding, client profiling, lead generation strategies, online course development, sales leadership, content development and digital acumen.Mary is a heart centered, compassionate and tenacious entrepreneur who thrives on human transformation and witnessing people fulfil their dreams.Mary helps Service Based Business Owners, Coaches and Consultants systemize, digitalize and commercialize their knowledge, wisdom and skills into a scalable & profitable online business and brand so they become an authority in their niche or industry.Mary has 20+ years' experience building 7 & 8 figure businesses & building high-performance sales teams in the IT sector and 15 years delivering online solutions for large and small businesses. She has been featured in many publications and is regarded as a thought leader in the Digital sector.If that was not enough, Mary's is also the founder of Lights.Cameras. Action an end-to-end coaching program that delivers tangible outcomes.  Mary, thanks for developing and sharing your talents and gifts with your clients and people all over the world, Welcome to the Show!TOTD – TRUST is Confidence born in two dimensions:   Character and Competence.  Dr. Stephen Covey In this episode:What was life like growing up?What are your Life's Essential IngredientsHelping people identify THEIR VALUES…Decision Making…40,000 hours of specializationgetting the correct feedback The Importance of Self- AwarenessSelf – Confidence and how do you maintain it…COURAGE, MINDSET… to STAND and DEMAND what you are WORTH… HOLDING SPACE (getting the right people on the bus…) to elevate your game…Difference between reacting and responding – removing the emotion aspect of the decisionThe importance of BRANDING…MASTERCLASSES – marketing yourself without selling…Gaining confidence to put yourself out there… how do you help your clients take that first step..TRIBELegacy    

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With the Indiana Supreme Court lifting its ban on courtroom cameras, it could be one of the first high-profile trials in Indiana to be televised in over a decade.See omnystudio.com/listener for privacy information.

The Shutter Brothers are back - and Wayne has his Normay camera bag with him! Today we get to find out what gear he plans to take with him to Norway in May. We also hear about Wayne's travel plans and what he expects to photograph there.  Before we get to look inside Wayne's camera, however, it's time to empty the mailbag and read some listener mail. Listener Roger gives a tour of his "mini camera museum,' which you can see by going to our show notes. We also read two emails that refer to Pentax cameras, and as a coincidence, Kevin relates his recent fist time experiences with the Pentax Spotmatic SP and the Pentax ME Super. Meanwhile, Kevin talks about his second attempt at creating a darkroom space in his small condo, and Wayne shares more of his "Thoughts from the Field."  Happy Photography!  

HERE WE GO! Tons of stories to cover this week! Senators propose a law to ban AI from launching nukes. Samsung profits are down 95%! NYC’s Transit Authority has pulled their alerts from Twitter. Microsoft’s AR goggles are still causing headaches and eye strain. Asus launches a Steam Deck killer. Sony is teasing the Sony … Continue reading "#SGGQA 297: Xiaomi 13 Ultra, OnePlus Pad, Sony XPERIA 1V Teaser, Samsung Profits Down 95%, Law Against AI Launching Nukes"

In this episode of Mac Geek Gab, Pilot Pete, John F. Braun, and Dave Hamilton start with some Quick Tips shared by the audience. Bruce, Erik, Ben, and Wayne share the tip of using Cmd-Shift-Period for showing hidden/invisible files in Finder. Scott shares a better way of navigating messages on […]

Tune into episode 319 of the Mobile Tech Podcast with guest and YouTube creator TK Bay -- brought to you by Mint Mobile. In today's episode, we review the OnePlus Pad, Moto ThinkPhone, and Nothing ear (2). We then compare the Oppo Find X6 Pro and Xiaomi 13 Ultra cameras. Finally, we chat about new leaks from Google, Realme, and Poco. Enjoy :)Episode Links- Support the podcast on Patreon: https://www.patreon.com/tnkgrl- Donate: https://tnkgrl.com/tnkgrl/- Support the podcast with Mint Mobile: https://mintmobile.com/mobiletech- TK Bay: https://twitter.com/tkdsl8655- My OnePlus Pad unboxing: https://www.youtube.com/watch?v=a1KrkJt0sNQ- TK's OnePlus Pad review: https://www.youtube.com/watch?v=JRL-2fGnS2s- Lenovo/Moto ThinkPhone review: https://www.theverge.com/2023/4/26/23698302/motorola-thinkphone-lenovo-price-availability-hands-on- Nothing ear (2) review: https://www.theverge.com/23649968/nothing-ear-2-review-wireless-earbuds- TK's Oppo Find X6 Pro camera review: https://www.youtube.com/watch?v=i5ibEt8iEMc- Xiaomi 13 Ultra review: https://www.xda-developers.com/xiaomi-13-ultra-review/- Google Pixel 7a "Coral" leak: https://www.gsmarena.com/google_pixel_7a_red_orange_color_render-news-58384.php- Realme 11 Pro+ leak (coming May 10): https://www.gsmarena.com/realme_11_pro_desing_photos-news-58371.php- Poco F5 Pro teaser (coming May 9): https://www.gsmarena.com/poco_f5_f5_pro_design_launch_date-news-58363.php

Adobe added a new AI-assisted denoise feature to Lightroom and a Remove tool in the public beta of Photoshop, both of which are impressive. But how many photographers find themselves using these and other tools? Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson) Kirk McElhearn: website (https://www.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn) Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-140-denoise-heal)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) DxO PureRAW 3 (https://www.dxo.com/dxo-pureraw/) Bring on the noise: How to save high ISO files deemed ‘too noisy' (https://www.popphoto.com/how-to/ai-de-noise-software/) PhotoshopCAFE: IMPOSSIBLE new Remove Tool in Photoshop disrupts retouching (https://youtu.be/TJHUlzuta0E) Our Snapshots: Jeff: Carson Camera Sensor Magnifier - 4.5 x 30mm (SM-44) (https://amzn.to/41lKkuq) Kirk: Photomator (https://www.pixelmator.com/photomator/) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.

Brigitte Quinn has the afternoon's top local stories from the WCBS newsroom.

Is it possible to lose your passion for food photography? Do you ever feel like you're always doing so much, always working but it's never enough?You don't feel like picking up your camera. The thought of it makes you feel tired.You feel like you don't have it in you anymore. You've lost your creativity, your passion, your fire, your desire. When you want to take a break, you feel guilty. You tell yourself, you're being lazy. You never have time for anything. You're constantly trying to catch up and yet, always behind with so much to do.But even though you feel tired, you ignore it and keep plowing through. Why am I bringing this up?..Because I experienced all of those feelings recently. It is called burnout and it cannot be taken lightly.Almost every creative person who is crafting a hobby,  juggling a full time job, building a business or balancing a family while pursuing their art, is prone to this. It can hit us at different times & in different ways. In this episode, I want to share the hidden signs of burnout you should watch out for if you feel like you've lost your creative spark. If you've not been motivated to pick up your camera, the thought of photography makes you feel tired or you've been feeling stuck, and taking a break has not helped …you might be burned out.Contrary to what most think, burnout is not a creative block or tiredness. It is more complex than that. Burnout does not go away easily. It can take months. That's why, don't let it enter your creative world in the first place. Don't assume it will never happen to you just because photography is not a business for you. Burnout hits creatives as hard as it hits businesses and Corporates. The hit is even worse when it is unexpected & we assume that our passion and love for photography is untouchable. Do you feel like you've lost your creative spark and nothing is helping? Read more at https://myfoodlens.comFollow Dyutima on Instagram at https://www.instagram.com/dyutima_myfoodlens/ Show notes available at https://myfoodlens.com/51-lost-your-creative-fire-hidden-signs-of-burnout-to-watch-out-for

On this episode we talk about going to the swapmeet, the .99 cent store, traveling to La Marcha del Orgullo Gay en CDMX and so much more...  Maxicotours.com 

Meet Amina. This founder is on a mission to fuel women's empowerment and gender equity in Africa using photography as the catalyst. Amina came to Canada in 1972 as a refugee from Uganda and grew up connected to two vastly different countries and cultures. Her love of photography led her to spend 15 years in the film in TV industry until she founded Cameras for Girls. Through this nonprofit, participants receive a camera to keep and take part in a 4-phase photography and business-skills program to support their career goals. Tune in to hear about this incredible org that has successfully trained 47 girls in Uganda and created pathways for 65% of them to have full-time paid work in photography-related careers

Whew! April is wrapping up, and this year is FLYING by! Closing out the month for a PJ Pod, we’ll go wherever the chat leads us. A number of new phones are landing before the summer months start. We’ve got a tease on a new tablet. More leaks on the Pixel Fold. I’m catching up … Continue reading "#SGGQA 296 – PJ Pod – Waiting for a Phone to Ship, Teasing Embargoes, and Should I Cover More Mobile Gaming?"

Hour One: Simon is joined by presidential candidate Vivek Ramaswamy to discuss his run for president in the upcoming cycle. Plus, State Senator Brad Zaun calls in to talk traffic cameras.

State Senator Brad Zaun joins Simon to Discuss Traffic Cameras following news that the City of Marion will be putting one in.

During Mama Tried this year I took over their Mama Tried Flat Out Friday Podcast and picked some guest of my own and set up shop in the green room of the Rave Ballroom and we had Cameras! So you can follow this LINK and view this entire podcast as though you were in the green room with us. This episode's guest is Bareknuckle Paul of Bareknuckle Performance.. Share with your friends and if y'all enjoy this maybe I will incorporate video into my future podcast. Danger Dan's Talk ShopMCshopTsLowbrow CustomsMotrcyleSherpa Permalink

In this episode, why Pentax and Lecia make Monochrome only cameras? You can find the show notes here. https://liamphotographypodcast.com/episodes/episode-334-why-monochrome-cameras-767 Remember I now have my own discount code for all Platypod branded products at http://www.platypod.com using my code LD20 you can save 20% off on ALL individual Platypod branded products EXCLUDING Bundles, which are already discounted and Square Jellyfish or Lume Cube branded items. I also now have my own affiliate link for Think Tank Photo, use the link to guy any of their gear, get a free gift and free shipping!!! https://www.thinktankphoto.com/?rfsn=7232819.5f5392&utm_source=refersion&utm_medium=affiliate&utm_campaign=7232819.5f5392 Also be sure to join the Liam Photography Podcast Facebook Group https://www.facebook.com/groups/liamphotographypodcast/ You can reach the show by call or text @ 470-294-8191 to leave a comment or request a topic or guest for the show. Additionally you can email the show @ liam@liamphotographypodcast.com and find the show notes at http://www.liamphotographypodcast.com. You can find my work @ https://www.liamphotography.net and follow me on Instagram, Facebook and Twitter @liamphotoatl. If you like abandoned buildings and history, you can find my project @ http://www.forgottenpiecesofgeorgia.com. and http://www.forgottenpiecesofpennsylvania.com. Please also stop by my Youtube channels Liam Photography Forgotten Pieces of Georgia Project Forgotten Pieces of Pennsylvania Project

In today's episode, we bring you the Churchfront show.  The Churchfront show is where we bring you the latest news in worship & tech so you can stay up on all that's happening with the most important stuff that crosses our desks here at Churchfront.  And the reason we try to stay up to date on all things worship and tech is to help our students more effectively in Worship Ministry School. In Worship Ministry School our students get access to step by step courses, one on one coaching from the Churchfront team, and sometimes can even have one of our staff members come on site to help you accomplish your ministry goals even faster.  For more information and to appy today, head to worshipministryschool.com/apply Apply to Join Worship Ministry School: Free Worship and Production Toolkit:  Shop Our Online Courses  Join us at the Churchfront Live Conference Beginner Church Sound Course Follow Churchfront on Instagram or TikTok: @churchfront Gear we use to make videos at Churchfront: https://kit.co/churchfront/youtube-setup

During Mama Tried this year I took over their Mama Tried Flat Out Friday Podcast and picked some guest of my own and set up shop in the green room of the Rave Ballroom and we had Cameras! So you can follow this LINK and view this entire podcast as though you were in the green room with us. This episode's guest are Little Chris of Harley Davidson and Jake Hindes of Prism Supply. Share with your friends and if y'all enjoy this maybe I will incorporate video into my future podcast. Danger Dan's Talk ShopMCshopTsLowbrow CustomsMotrcyleSherpa Permalink

In this episode, we are highlighting the wonderful Jennifer Scully-Thurston, also known as Rogue Dancer.  Frameform listeners may already know this friend of the podcast and fellow panelist at last year's Screendance Symposium. Enjoy this conversation with Scully and Jen Ray including experiences producing  festivals online and in person, creative approaches to curation and the pursuit of solutions instead of obstacles.  Jennifer Scully-Thurston (Scully) is a choreographer, dance filmmaker, curator, journalist, and video installation artist. She is founder and director of FilmFest by Rogue Dancer, a monthly thematic on-line event devoted to dance. She has curated and adjudicated for EnCore: Dance on Film, James River Film Festival, and Screen Dance International.Her dance films have been featured in Core Dance presents… REEL ART (commission), ADF Movies by Movers, Golden Earth Film Award (Best Female Director 2021), Direct Monthly Online Film Festival (Best Female Director 2019), DepicT! (Special Mention), and numerous other prestigious international festivals. She has been an administrator with Grasshorse (character animation studio), HOU & ATL Core Dance (performance company), and NC Arts in Action (in-school public dance program) and is currently Manager of Studio Programs and Community Engagement at the American Dance Festival.More about Rogue Dancer: We believe dance exists outside the walls of a proscenium stage.  It can exist in the wild with mischievous playfulness.  A person or organization can create work anywhere that wanders and behaves in unusual ways.  The creation and presentation of Dance Film is a great representation of these ideas.  We are dancers who have gone off grid to create work in our own way, with our own rules.–Thank you to Scully for being our first ever Frameform Fan and all of the wonderful support and engagement over the years. We are thrilled to share about your dynamic body of work and we're looking forward to having Frameform be part of ADF's Movies by Movers this season!–Listen to Season 3 Screendance Symposium Panel EpisodeWatch and Submit to FilmFest By Rogue DancerBecome a Rogue Dancer Patreon SupporterAmerican Dance Festival's Movies By Movers Follow on IG @roguedance @amerdancefest –Got a question? Email us at frameformpodcast@gmail.com–Follow us @frameformpod