Podcast appearances and mentions of ariella azoulay

In today's Three Books that inspired you special, we hear Greek curator and writer Natasha Christia talk about the important role of literature in her work and also what inspired her in theoretical writing.Her three recommendations are:Emmanuel CarrèreAriella Azoulay - the civil contract of photography / potential history: unlearning imperialism Natasha Christia & Lukas Birk, GülistanFind visuals to the books on our website www.vernacularsocialclub.org  Follow us on Instagram:@Vernacular Social Club@Lukas BirkBecome a Vernacular Social Club member

Falamos com a Aline Valek (autora dos livros As Águas-Vivas Não Sabem de Si e de Cidades Afundam em Dias Normais) sobre homens sendo abusivos com inteligências artificiais, vídeos de reação, cyberpunk x solarpunk, uma campanha tensa da Levi's e as fotógrafas LaToya Ruby Frazier e Ariella Azoulay. Não-lançamentos: livro e podcast do John Green, “The Rick Gervais Show” e o game Okami. Link para o curso sobre criatividade e escrita online da Aline: https://www.domestika.org/pt/courses/1981-tecnicas-criativas-para-transformar-ideias-em-textos https://www.instagram.com/surra_de_ref/

Brooklyn-based film producer NADIA TAHOUN learned the value of artistic collaboration at an early age in Miami when she helped start the punk art venue The Granary.  In Episode 15 of the ARTish Plunge podcast, Nadia shares how her education and experiences in film production have allowed her to curate visual art experiences, including the new community-focused arts and fabrication studio Flower Shop Collective that supports skill sharing and work space for underrepresented artists.Find Nadia: Website:  nadiatahoun.com Instagram:   @flowershopcollective    Mentioned: This Bridge Called My Back, Fourth Edition: Writings by Radical Women of Color, by Cherríe Moraga (read)Potential History: Unlearning Imperialism, by Ariella Azoulay (read)How to Do Nothing: Resisting the Attention Economy, by Jenny Odell (read) “Confirmation,” Justin Bieber music video (watch)  Daniel Arsham, artist  (see) (TIP: Click “weightless” for extra fun!)Arsham's Future Relic series, trailer for imaginary film (watch)  “Isa,” video featured on PBS (watch) (TIP: start at the 8:27 marker)2020 Spring/Break Art Show New York (see) Jess Bass  (see)  Flower Shop Collective  (explore)  Sixty Hotel, Flower Shop Collective event (learn)Slow Process Summer (learn)Find Me, Kristy Darnell Battani: Website:    https://www.kristybattani.comInstagram:  kristybattaniartFacebook:  kristybattaniart Did you enjoy this episode? If so, please take a moment to leave a rating and a comment: https://lovethepodcast.com/artishplunge  Music:"Surf Guitar Madness," Alexis Messier, Licensed by PremiumBeat.comSupport the show (https://www.buymeacoffee.com/artishplunge)Support the show (https://www.buymeacoffee.com/artishplunge)

Matt is joined by Ross, Andrea and her son Oscar to discuss the first episode of Adam Curtis's new TV series ‘Can't Get You Out of my Head'. We talk about post truth, Curtis's claim that what he does is journalism, and the affective or emotional tone of Curtis's films. Below is a list of links to things mentioned in the episodeTribune Article about Adam Curtis - https://tribunemag.co.uk/2021/02/in-defence-of-adam-curtisNew Yorker interview with Curtis - https://www.newyorker.com/news/letter-from-the-uk/adam-curtis-explains-it-allNXIVM documentary ‘The Vow' - https://en.wikipedia.org/wiki/The_Vow_(TV_series)The Civil Contract of Photography by Ariella Azoulay - https://press.princeton.edu/books/paperback/9781890951894/the-civil-contract-of-photographyLutz Dammbeck - https://www.imdb.com/name/nm0198892/

Apoie este podcast: apoia.se/alinevalek Meu novo romance, “Cidades afundam em dias normais”, em pré-venda: bit.ly/3jo75rs [indicações de leitura] • “Desaprendendo as origens da fotografia”, artigo de Ariella Azoulay bit.ly/3kugMoD • Entrevista com Ariella Azoulay sobre a fotografia como meio de extração de riqueza visual glo.bo/3iLWYg4 • Dissertação “O Príncipe Maximiliano de Wied-Neuwied”, de Christina Rostworowski da Costa, da USP bit.ly/3iLRQIR • Artigo “Viagem ao Brasil: produção e circulação entre o público europeu do século XIX”, de Igor Lima e Silva bit.ly/32Hx1IX • Um Príncipe em Saquarema bit.ly/3caJc48 • Livro “Viagem ao Brasil”, do príncipe Maximiliano de Wied-Neuwied amzn.to/3kzT7TZ • Sobre os Krenak: bit.ly/2REDCxg • O eterno retorno do encontro, texto de Ailton Krenak bit.ly/35QRv3K • Trilha sonora: YoungBerry Beats bit.ly/2N3eJZV // Playboydinero bit.ly/2ZNHLU3 [apoiadores] Alex Luna • Aline Matulja • Alyson Cavalcante • Alyson Cavalcante • Ana Flávia Pontes • Ana Magalhães • Ana Maria Garcia Margonato • Ana Paula Camina • Ananda Vargas Hilgert • Andréa Mrtnl • Andreia Meinerz • Andressa Costa • anna hilbert • Bárbara Moreira Bom Ângelo • Breno Martins • Bruna Dutra • Camila Mendes • Camila Regina Travassos • Carlos Henrique Mendes • Carlos Roberto Staino • Carol Souza • Carolina Fonseca Saldanha • Carolina Vidal Décio • Caroline Costa • Caroline Natsumi • Dariane Morais • Eder Marcos • Eduarda de Oliveira • Eduardo Antonio • Elisa Kruger Artico • Elvis Soriano Rodrigues • Erika Negrao • Felipe Carpes Neves • Fernanda Mendes • Fernanda Monteiro • Fernanda Serodio • Franciele Flach • Gabriel Cadete • Gabriela Garcia Abreu • Gal Sesoko • Geovana Frois Rocha • Giovana Bomentre • Guilherme Nagüeva • Guiomar Simões Idêncio • Gus Santana • Helena Morgado Corelli • Henrique Santos • Hermes de Sousa Veras • Hugo Paceli Souza Albuquerque • Iara Vidal • Isabella C Santos • Isaque Criscuolo • Izadora Netz • Jamille Rodrigues • Janaina de Mattos Moraes • Jayne de Lima Oliveira • Jéssica Carvalho • Joana Tancredo • Joanna A M Araújo • José de Mendonça • Jose Erick • Julia Carvalho • Julia Chiovetto • Juliana Rezende • Juliana Sousa Fazio • Kaká Lobo • Karina Pamplona Ribeiro Bastos • Karina Santos • KEIVIANY SILVA DE SENA • Laura Elizia Haubert • Laura N.N.M. Brandão • Lilyan Fernandes • Lisandro Gaertner • Lorena Sabino Guedes • LOURDES SILVA MODESTO ALVES • Luana Barbosa Vieira • Luana Pereira de Melo • Lucas Riboli Besen • Luciana Carvalho • Lucianne Fabrizia Santana Gomes • Luiz Carlos Machado de Oliveira Junior • Luiz Machado Junior • Luiza de Souza • Mallena P S Gomes • Marcos Felipe Pereira • Maria Carolina Ramos Costa Cysneiros • Maria de Fátima Xavier • Maria Regia Ferreira de Souza • Mariana Ramos Cavalcanti Nery • Mariete Pinheiro da Costa • Marina Ferreira de Oliveira • Michele Strohschein • Naieni Ferraz • Pamela P. Cabral da Silva • Patricia Fernandes • Patrícia Leardine • Paula Rangel • Rafael Alves da Costa • Raquel Miranda • Risla Lopes Miranda • Rodrigo Van Kampen • Sidnei Bruno • Sofia Osório • Sophie Nadas • Stephanie Moreira • Taissa Reis • Tsamiyah Carreno Levi • Vanessa Falkowski • Vinicius Depizzol • Virginia Vesúvio • Viviane Reis • Zander Catta Preta

Ariella Azoulay's new book Potential History: Unlearning Imperialism (Verso, 2019) is an important read on the topic of museums, colonialism, and their clear relationship. In this conversation, Azoulay, who is Professor of Modern Culture & Media and Comparative Literature at Brown University, joins us at Hyperallergic HQ to explain what we need to unlearn, and how artists, collectors, critics, and other arts professionals play a role in the continuing dispossession of colonial subjects, most often people of color, around the world. This conversation is essential for anyone interested in the future of arts institutions and their role in social change. A special thanks to Dried Spider for the music to this week’s episode. (driedspider.bandcamp.com)Subscribe to Hyperallergic’s Podcast on iTunes, and anywhere else you listen to podcasts.

The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. Kratsman was the 2011 recipient of the Robert Gardner Fellowship in Photography, an internationally recognized award given annually by the Peabody Museum of Archaeology and Ethnology to a photographer who has demonstrated great originality working in the documentary vein. Through images created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observers gaze under conditions of occupation. These photographs look at both “wanted men”—individuals sought by the Israeli state– and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a “suspect.” The work is both transgressive and banal, crossing boundaries between Israel and Palestine, wanted and innocent, street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their “fate.” His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death. Supported with thought-provoking text by Ariella Azoulay, she looks at various models of historical and civil construction of the gaze and explores the ways in which the shadow of death is an actual threat that hovers over Kratsman’s photographed persons and frames both individuals and the borrowed time within which they exist. Miki Kratsman was born in Argentina and emigrated to Israel in 1971. He worked as a photojournalist for Hadashot and Ha’aretz until 2012. A photo educator for a number of years, Mr. Kratsman has taught at the Camera Obscura College of Photography and the School for Geographic Photography of Tel Aviv as well as in the Department of Art in Haifa University, he was also the head of the photography department at Bezalel Academy of Arts and Design until 2014, when he retired. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. Kratsman was the 2011 recipient of the Robert Gardner Fellowship in Photography, an internationally recognized award given annually by the Peabody Museum of Archaeology and Ethnology to a photographer who has demonstrated great originality working in the documentary vein. Through images created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observers gaze under conditions of occupation. These photographs look at both “wanted men”—individuals sought by the Israeli state– and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a “suspect.” The work is both transgressive and banal, crossing boundaries between Israel and Palestine, wanted and innocent, street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their “fate.” His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death. Supported with thought-provoking text by Ariella Azoulay, she looks at various models of historical and civil construction of the gaze and explores the ways in which the shadow of death is an actual threat that hovers over Kratsman’s photographed persons and frames both individuals and the borrowed time within which they exist. Miki Kratsman was born in Argentina and emigrated to Israel in 1971. He worked as a photojournalist for Hadashot and Ha’aretz until 2012. A photo educator for a number of years, Mr. Kratsman has taught at the Camera Obscura College of Photography and the School for Geographic Photography of Tel Aviv as well as in the Department of Art in Haifa University, he was also the head of the photography department at Bezalel Academy of Arts and Design until 2014, when he retired. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. Kratsman was the 2011 recipient of the Robert Gardner Fellowship in Photography, an internationally recognized award given annually by the Peabody Museum of Archaeology and Ethnology to a photographer who has demonstrated great originality working in the documentary vein. Through images created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observers gaze under conditions of occupation. These photographs look at both “wanted men”—individuals sought by the Israeli state– and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a “suspect.” The work is both transgressive and banal, crossing boundaries between Israel and Palestine, wanted and innocent, street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their “fate.” His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death. Supported with thought-provoking text by Ariella Azoulay, she looks at various models of historical and civil construction of the gaze and explores the ways in which the shadow of death is an actual threat that hovers over Kratsman’s photographed persons and frames both individuals and the borrowed time within which they exist. Miki Kratsman was born in Argentina and emigrated to Israel in 1971. He worked as a photojournalist for Hadashot and Ha’aretz until 2012. A photo educator for a number of years, Mr. Kratsman has taught at the Camera Obscura College of Photography and the School for Geographic Photography of Tel Aviv as well as in the Department of Art in Haifa University, he was also the head of the photography department at Bezalel Academy of Arts and Design until 2014, when he retired. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. Kratsman was the 2011 recipient of the Robert Gardner Fellowship in Photography, an internationally recognized award given annually by the Peabody Museum of Archaeology and Ethnology to a photographer who has demonstrated great originality working in the documentary vein. Through images created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observers gaze under conditions of occupation. These photographs look at both “wanted men”—individuals sought by the Israeli state– and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a “suspect.” The work is both transgressive and banal, crossing boundaries between Israel and Palestine, wanted and innocent, street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their “fate.” His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death. Supported with thought-provoking text by Ariella Azoulay, she looks at various models of historical and civil construction of the gaze and explores the ways in which the shadow of death is an actual threat that hovers over Kratsman’s photographed persons and frames both individuals and the borrowed time within which they exist. Miki Kratsman was born in Argentina and emigrated to Israel in 1971. He worked as a photojournalist for Hadashot and Ha’aretz until 2012. A photo educator for a number of years, Mr. Kratsman has taught at the Camera Obscura College of Photography and the School for Geographic Photography of Tel Aviv as well as in the Department of Art in Haifa University, he was also the head of the photography department at Bezalel Academy of Arts and Design until 2014, when he retired. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. Kratsman was the 2011 recipient of the Robert Gardner Fellowship in Photography, an internationally recognized award given annually by the Peabody Museum of Archaeology and Ethnology to a photographer who has demonstrated great originality working in the documentary vein. Through images created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observers gaze under conditions of occupation. These photographs look at both “wanted men”—individuals sought by the Israeli state– and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a “suspect.” The work is both transgressive and banal, crossing boundaries between Israel and Palestine, wanted and innocent, street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their “fate.” His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death. Supported with thought-provoking text by Ariella Azoulay, she looks at various models of historical and civil construction of the gaze and explores the ways in which the shadow of death is an actual threat that hovers over Kratsman’s photographed persons and frames both individuals and the borrowed time within which they exist. Miki Kratsman was born in Argentina and emigrated to Israel in 1971. He worked as a photojournalist for Hadashot and Ha’aretz until 2012. A photo educator for a number of years, Mr. Kratsman has taught at the Camera Obscura College of Photography and the School for Geographic Photography of Tel Aviv as well as in the Department of Art in Haifa University, he was also the head of the photography department at Bezalel Academy of Arts and Design until 2014, when he retired. Learn more about your ad choices. Visit megaphone.fm/adchoices

When do cities recover from disaster? Conference: Injured Cities/Urban Afterlives 10.14.11 - 10.15.11 9:00AM - 6:00PM FRIDAY EVENTS IN MILLER THEATRESATURDAY EVENTS IN WOOD AUDITORIUM, AVERY HALL Gerry Albarelli, Ariella Azoulay, Carol Becker, Nina Bernstein, Hazel Carby, Mary Marshall Clark, Teddy Cruz, Roberta Galler, Saidiya Hartman, Dinh Le, Ann Jones, Anne McClintock, Rosalind Morris, Shirin Neshat, Walid Ra'ad, Somi Roy, Saskia Sassen, Diana Taylor, Karen Till, Clive van den Berg, Eyal Weizman, and Mabel Wilson #wood101511

When do cities recover from disaster? Conference: Injured Cities/Urban Afterlives 10.14.11 - 10.15.11 9:00AM - 6:00PM FRIDAY EVENTS IN MILLER THEATRESATURDAY EVENTS IN WOOD AUDITORIUM, AVERY HALL Gerry Albarelli, Ariella Azoulay, Carol Becker, Nina Bernstein, Hazel Carby, Mary Marshall Clark, Teddy Cruz, Roberta Galler, Saidiya Hartman, Dinh Le, Ann Jones, Anne McClintock, Rosalind Morris, Shirin Neshat, Walid Ra'ad, Somi Roy, Saskia Sassen, Diana Taylor, Karen Till, Clive van den Berg, Eyal Weizman, and Mabel Wilson #wood101511

When do cities recover from disaster? Conference: Injured Cities/Urban Afterlives 10.14.11 - 10.15.11 9:00AM - 6:00PM FRIDAY EVENTS IN MILLER THEATRESATURDAY EVENTS IN WOOD AUDITORIUM, AVERY HALL Gerry Albarelli, Ariella Azoulay, Carol Becker, Nina Bernstein, Hazel Carby, Mary Marshall Clark, Teddy Cruz, Roberta Galler, Saidiya Hartman, Dinh Le, Ann Jones, Anne McClintock, Rosalind Morris, Shirin Neshat, Walid Ra'ad, Somi Roy, Saskia Sassen, Diana Taylor, Karen Till, Clive van den Berg, Eyal Weizman, and Mabel Wilson #wood101511