Podcasts about bezalel academy

Who is responsible for making a work of art? In each episode of this collaborative podcast series, one anthropologist, specialising in a particular cultural context, has a conversation with an artist of their choosing, exploring issues of authorship and responsibility in art. Ranging across geographical locations and creative practices, discussions address and unpack the conceptualisation of the artistic person, authorship as centred upon an individual or bounded group, and the development of responsibility for artworks during and after their making. Each episode brings a fresh perspective on where ideas come from, what agency an artist feels in the creation of their work, and how, and in which contexts, ownership and responsibility for the artwork are claimed. Ultimately, as a collection, the series encourages listeners to think about ‘the artist' and ‘the artwork' as dynamic processes in a relationship of authoring. Series 3, Episode 4 of Artery features Ayala Gazit with Rotem Steinbock Ayala Gazit is a visual artist who specializes in photography and installation. Born in Israel, she is currently living and working in Berlin. Prior to moving to Berlin she lived in New York city, where she completed, with honors, a BFA in Photography in The School of Visual Arts. Ayala has presented works in art venues around the globe, including in Germany, USA, Australia, New Zealand, and Israel. She is the recipient of numerous awards such as The Tierney Fellowship and The Photography NOW Award at Woodstock, amongst others. Her works cover a wide range of themes, including history, memory, loss, family, and creation, all explored through a special focus on the question of how can the photographic image capture the things that are no longer there. https://www.ayalagazit.com/ Rotem Steinbock is a PhD candidate in the Department of Social Anthropology at the University of Cambridge, working on the intersection between art, immigration, and identity. Her PhD research follows Jewish Israeli visual artists who immigrated to Berlin, focusing on the ways they negotiate, reflect upon, and visually represent their dynamic senses of alterity and belonging. Before coming to Cambridge Rotem completed a B.A. in psychology and sociology and anthropology and an M.A. in anthropology at the Hebrew University of Jerusalem, and a B.F.A. at the Department of Fine Arts at the Bezalel Academy of Arts and Design in Jerusalem. https://www.socanth.cam.ac.uk/staff/rotem-steinbock-2019 Artery is a podcast organised by Iza Kavedžija (University of Cambridge) and Robert Simpkins (SOAS, London) and supported by the AHRC. Music: Footsteps, by Robert Simpkins.

In this interview with Rula Khoury, an art curator living in the city of Haifa, we talk about the role of Palestinian artists in the movement and how art is leveraged to convey a political message. When is dialogue constructive and when is dialogue destructive? And how do we embody the creative life force? Bio: Rula Khoury is an art curator, historian and critic. In 2011, she received a Masters degree in Art History from Haifa University, and an additional Masters degree in Writing Art Criticism from the New York School of Visual Arts in 2017.Khoury was the General Director of the Arab Culture Association in Haifa. Her curating experience includes: It's as if, O Badr, we never came and never left in Haifa in 2018, Sensorial Immunity in Ramallah in 2017, A Black Hole in the Sun in Jerusalem in 2016. Moreover, Khoury curated a street exhibition in Haifa titled Wisdom of the Crowd. In 2014, while holding her position as the Artistic Director of Khalil Sakakini Culture Center in the same year. Within the Qalandiya International Biennale (2014), she managed and curated two major projects: Manam exhibition in Haifa, and Mapping Procession a happening in the streets of Ramallah. Additionally, Khoury has published critic pieces for Independent Online Art Magazine, Tohu Magazine, Arab 48, and Tribe Photo Magazine. She has also been an instructor and advisor in higher education institutions since 2010, teaching at Bezalel Academy of Art and Design in Jerusalem, International Academy of Art in Ramallah.Are you ready to connect with your creative life force? Schedule a free consultation ⁠⁠⁠here⁠⁠⁠!

In this episode, we sit down with architect and author Joshua Skarf to discuss his fascinating book, ArchitecTorah: Architectural Ideas in Judaism and the Weekly Torah Portion. Skarf offers a unique perspective on how the principles of architecture and engineering can deepen our understanding of Torah, shedding new light on iconic narratives and themes. We explore the inspiration behind his work and the four categories into which the book is organized, each demonstrating the profound connections between architecture and Torah study. Together, we dive into key chapters, including a fresh look at the burning bush through an architectural lens, how brickmaking in Egypt informs our understanding of the Israelites' labor, and the role of wind patterns in the splitting of the sea. The conversation continues with insights on the prohibition against graven images and its connection to architecture, how ancient urban planning enriches the narrative of the Israelites inheriting Canaanite cities, and the interplay between Jerusalem and Tel Aviv, offering a compelling juxtaposition of architectural and spiritual insights. Join us for this thought-provoking discussion as Joshua Skarf bridges the worlds of design and divinity, offering readers and listeners a new way to engage with the Torah. --- • Bio: Joshua Skarf is a licensed architect living and working in Jerusalem. He studied in Yeshivat Har Etzion and has degrees in architecture from the University of Michigan and the Bezalel Academy of Art & Design. He has designed hospitals, train stations, shopping malls, Israeli consulates, elementary schools, museums, and research facilities in Israel. Skarf was born in Toronto, grew up in Michigan, and has been living in Israel since 2004. --- • Welcome to JUDAISM DEMYSTIFIED: A PODCAST FOR THE PERPLEXED | Co-hosted by Benjy & Benzi | Thank you to...Super Patron: Jordan Karmily, Platinum Patron: Craig Gordon, Gold Patrons: Dovidchai Abramchayev, Lazer Cohen, Travis Krueger, Vasili Volkoff, Rod Ilian, Silver Patrons: Ellen Fleischer, Daniel Maksumov, Rabbi Pinny Rosenthal, Fred & Antonio, Jeffrey Wasserman, and Jacob Winston! Please SUBSCRIBE to this YouTube Channel and hit the BELL so you can get alerted whenever new clips get posted, thank you for your support!

Yishai Feisher is broadcasting from Brooklyn and talks with Dr. Mordechai Kedar about the players in the bloody Syrian conflict. Then, a rant on where a Jew should live, and who should control Gaza. Ben Bresky on the artists who formed the Bezalel Academy. And Table Torah on image of Jacob's Ladder.

SEASON 2024 EPISODE 44: Yishai is broadcasting from Brooklyn and talks with Dr. Mordechai Kedar about the players in the bloody Syrian conflict. Then, a rant on where a Jew should live, and who should control Gaza. Ben Bresky on the artists who formed the Bezalel Academy. And Table Torah on image of Jacob's Ladder. SPONSOR LINKS:The Israel Bible https://theisraelbible.com/Prohibition Pickle https://www.facebook.com/Prohibitionpickle/Hebron Fund https://hebronfund.org/The Jewish Press https://www.jewishpress.com/JNS https://www.jns.org/Kosher Cycle Tours http://www.KosherCycleTours.comPODCAST INFO:Podcast website: https://yishaifleisher.com/podcast/Apple Podcasts: https://apple.co/3mIsdfUSpotify: https://open.spotify.com/show/3oP2Reo4JYnfIJdDUrQS2cRSS: https://feeds.buzzsprout.com/1271258.rssYouTube: https://www.youtube.com/c/YishaiFleisherTVSUPPORT & CONNECT:Check out the sponsors above, it's the best way to support this podcastSupport on Givecloud: https://kumah.givecloud.co/Twitter: https://twitter.com/YishaiFleisherInstagram: https://www.instagram.com/yishaifleisherLinkedIn: https://www.linkedin.com/in/yishaifleisher/Facebook: https://www.facebook.com/YishaiFleisherSupport the show

On this episode, multidisciplinary artist Orit Bergman talks about how she takes on so many creative disciplines, her latest projects (one which won a 2023 World Illustration Award), and what she's looking forward to creating. About Orit: Orit Bergman was born in Jerusalem and lives and works in Kerem Maharal, Israel. She writes and illustrates children's books, adapts her stories to the theater and frequently meets children across the country. Her books were published in Israel, USA, France, and China. Orit is a senior lecturer at Bezalel Academy of Arts & Design Jerusalem, where she headed the Illustration Studies program in 2018-2023.  She won the World Illustration Award in 2023 in the site-specific category, as well as the overall professional winner, for the work she created With Anat Warshawshky for their exhibition What is More Yellow or an Elephant. She seeks new locations for this work, and novel ways to develop both this and future concepts.   www.oritbergman.com https://www.facebook.com/orit.bergman https://www.instagram.com/oritbergman/

Artist, designer, technologist, writer, and Israeli peace activist, Mushon Zer-Aviv shows us why binary partisanship in the Israeli-Palstinian conflict hurts everyone, and what to do about.

Wrapping Memory, is a project of the Department of Visual Communication at Bezalel Academy of Arts and Design Jerusalem, that aims to capture and commemorate the beauty of the Gaza Envelope region as it was before the tragic morning of October 7, 2023; and to support those whose lives were upended on that day. Dozens of illustrations conveying the special character of the region were created by Bezalel faculty, graduates and 4th year students, which can be viewed on a dedicated web site designed in association with Wix. A digital file of an illustration can be acquired for a donation of 100 shekels, which is transferred in full to the Shoresh Fund that supports the residents of the Gaza Envelope. The project was initiated by Amit Trainin, head of the illustration department at Bezalel, who himself grew up on a kibbutz in the south. He spoke to KAN's Naomi Segal about the project. (Illustration: A Quiet Evening, Noa Mishkin)See omnystudio.com/listener for privacy information.

Trends Talk met Els Verbakel, hoofd architectuur Bezalel Academy in Jeruzalem

Trends Talk met Els Verbakel, hoofd architectuur Bezalel Academy in Jeruzalem

A stellar novel rendered into a darkly comic, unforgettable narrative by Booker International Prize winning translator Jessica Cohen. An Israeli professor travels to a fictitious West African nation to trace a slave-trading ancestor, only to be imprisoned under a new law barring successive generations from profiting off the proceeds of slavery. But before departing from Tel Aviv, the protagonist falls in love with Lucile, a mysterious African migrant worker who cleans his house. Entertaining and thought-provoking, this satire of contemporary attitudes toward racism and the legacy of colonialism examines economic inequality and the global refugee crisis, as well as the memory of transatlantic chattel slavery and the Holocaust. Is the professor's passion for Africa merely a fashionable pose and the book he's secretly writing about his experience there nothing but a modern version of the slave trade?Agur Schiff, born in 1955 in Tel Aviv, is a graduate of Saint Martin's School of Art in London and the Rijks Art Academy in Amsterdam. He has worked as a filmmaker, started writing fiction in the early 1990s, and has published two short story collections and six novels. Schiff, professor emeritus at the Bezalel Academy of Art and Design in Jerusalem, has been awarded the Israeli Prime Minister's Prize.Jessica Cohen shared the 2017 Man Booker International Prize with author David Grossman for her translation of A Horse Walks into a Bar. She has translated works by Amos Oz, Etgar Keret, Dorit Rabinyan, Ronit Matalon, Nir Baram, and others.Buy the book from Wellington Square Bookshop - ​https://wellingtonsquarebooks.indiecommerce.com/book/9781954404168

In this arts special, we visit Jerusalem's Bezalel Academy of Arts and Design and catch up with legendary art critic and Pulitzer Prize winner Jerry Saltz to discuss his book ‘Art Is Life: Icons and Iconoclasts, Visionaries and Vigilantes, and Flashes of Hope'. Plus: Tracy Chevalier, author of ‘Girl with a Pearl Earring', joins Robert Bound to discuss the new Vermeer exhibition at Amsterdam's Rijksmuseum and her own special connection with the works.

Ep.126 features Shuli Sadé. Her cross-disciplinary artwork blends theory and practice with a focus on memory, space, and urbanism. work creates maps of urban memory, reflecting the DNA of a city. Sadé mixes mediums including photography, videography, augmented reality, site-specific installations, sculpture, and drawing. Sadé received the Pollock Krasner Foundation Grant, (2014), and the National Endowment for the Arts Fellowship (1991) among other grants. She has taught and lectured at the University of Pennsylvania School of Architecture, Parsons School of Design, Columbia University, Barnard College, and Bezalel Academy of Art and Design. Her work is represented by Galleria Ethra, Mexico City. She lives in NYC and works at her studio at Mana Contemporary, NJ. She had collaborated with neural scientists at the Neurobiology of Cognition Laboratory, New York University, and with architects and designers across the US. Sadé's recent site-specific murals artworks are permanently installed in several locations in Manhattan, Philadelphia, Boston, North Carolina, New Jersey, and others. Currently, she won a competition to create a mural for City Hall in Huntsville, Alabama. Her recent exhibitions include Bird's Eye View, an AR Public Art Installation sponsored by Battery Park City, NYC, 2022, Upstream Downstream, an AR Public Art Installation sponsored by Riverside Park, NYC, Fluid Formations at Gensler DC, (2019), Wild Heterotopias, AR installation at the High Line Nine Galleries and along the High Line, (2019), Solid Red, Galleria Ethra, Mexico City, (2018) Day Dreams, AR installation at Montefiore Medical Center, the Bronx, NY (2017). Artist https://www.shulisade.com/ Mana Contemporary https://www.manacontemporary.com/editorial/the-art-of-shuli-sade/ https://www.manacontemporary.com/artists/shuli-sade Galeria Ethra http://galeriaethra.com/ Hyperallergic https://hyperallergic.com/727467/shuli-sade-augmented-reality-reveals-birds-battery-park-city-waterfront/ Time Out https://www.timeout.com/newyork/news/an-interactive-art-installation-is-virtually-transforming-battery-park-city-into-a-bird-paradise-042222 Riverside Park NYC https://riversideparknyc.org/meet-the-regrowth-artists-shuli-sade/ New York Times https://www.nytimes.com/2019/11/27/arts/augmented-reality-exhibitions.html Fenton Lab https://capitel.humanitas.edu.mx/la-joya-de-singapur-2/ https://www.fentonlab.com/the-space Bird's Eye View https://calendar.aiany.org/2022/09/23/installation-tour-birds-eye-view-ar-with-shuli-sad%C3%A9/ Montefiore https://montefiorefineartprogram.squarespace.com/shuli-sade AICF https://aicf.org/artist/shuli-sade/ LinkedIn https://www.linkedin.com/in/shulisade Downtown NY https://downtownny.com/event/public-art-opening-shuli-sade-birds-eye-view/ CODAworx https://www.codaworx.com/projects/evolving-formations/

The Ace List - Live with Itay Noy of Itay Noy Watches - S03E08 The only independent high-end watchmaker in Israel is a true artist. Itay Noy is an Israeli watchmaker, designer and artist who creates limited-edition timepieces in his independent studio in the Old Jaffa. Since the year 2000 Itay Noy's timepieces combine true craftsmanship with out-of-the-box designs, meant to induce philosophical perspectives on the concept of time. Itay make about 120 pieces a year, all his own original designs, using components & movements of the highest quality integrated with in-house dynamic dials, modules and complications. Ace Jewelers' CEO Alon Ben Joseph and mastermind Itay Noy are long-time personal friends. They have many mutual interests, besides watchmaking. There are also many ties running back-and-forth between their home countries. Mr. Noy graduated with a BFA from the Jewelry department in the Bezalel Academy of Art and Design in Jerusalem, followed by a M.Des. from the Design Academy in Eindhoven. His work has been exhibited in museums around the world and acquired by important collections such as those of the Israel Museum, the Tel Aviv Museum of Art, the Charles Bronfman Collection in New York and the Droog Collection in Amsterdam. He is the recipient of nine prizes, including the Andy Prize for the Arts, the Israeli Ministry of Culture Prize and the America-Israel Cultural Foundation Prize. Since 2005 he lectures on timepiece making and design at the Bezalel Academy Of Art and Design in Jerusalem. Ace Jewelers has been a proud authorized dealer of Itay Noy watches. Since the demand for Noy's watches are so high and his production capacity so limited, he reverted back to a model of Direct-To-Consumer. But, we at Ace Jewelers are very much ambassadors of Mr. Itay Noy and his artisan timepieces of art. In this interview they discussed creativity, art and timekeeping with the very modest and creative Itay Noy. All episodes are available on http://www.TheAceList.com to watch back. #AceJewelers #TheAceList #ItayNoy#TheAceListLive #Watchmaker #Design #Artist --- Send in a voice message: https://anchor.fm/acejewelers/message

Founder and CEO, Miri Berger, is an industrial designer by training completed a master's degree from the Pratt Institute and a B.F.A in Ceramic Design from the Bezalel Academy of Arts. She holds patents for her work in design and has over 15 years of experience in a wide variety of projects in the fields of toys, furniture, electronics, and soft goods. Miri specializes in designing products that consider unconventional needs, materials, and uses.

Sabino Maria Frassà"Semi" di Flora DeborahMostra a Roma al Gaggenau DesignElementiAttraverso una pietra e le opere dell'artista in ceramica, terra e oro lo spettatore diventerà parte della favola gotico-contemporanea di Flora Deborah e del suo lungo viaggio alla ricerca del senso più profondo dell'esistere. Il risultato sarà la costruzione di una nuova Torre di Babele, luogo di dialogo e confronto. "Semi"mostra personale di Flora Deborah a cura di Sabino Maria Frassàfino al 31 ottobre 2022lunedì-venerdì ore 10:30 - 13:00 / 15:30 - 19:00Gaggenau DesignElementiLungotevere de' Cenci 4, RomaPromossa da Gaggenau, Cramum, DesignElementiAl Gaggenau DesignElementi di Roma la mostra Semi dell'artista franco-israeliana Flora Debora alla sua prima personale in Italia. La mostra curata da Sabino Maria Frassà è il secondo appuntamento del ciclo di mostre “Materiabilia” promosso da Gaggenau e Cramum nel 2022. “Semi” è il racconto della favola gotico-contemporanea di Flora Deborah e del suo lungo viaggio alla ricerca del senso più profondo dell'esistere; un viaggio che, come in tutte le favole, è lungo e travagliato, ma caratterizzato dall'ottimismo dell'andare avanti con infinita resilienza. Il Gaggenau DesignElementi di Roma diventa così scenario di una vera e propria esperienza performativa oltre che installativa. Come spiega il curatore Frassà "agli spettatori è chiesto di portare e donare un sasso, così da poter partecipare a quello che potrebbe essere definito come un corale viaggio di iniziazione, pensato dall'artista per la costruzione di una nuova Torre di Babele, luogo di dialogo e confronto".La mostra è costruita intorno a immagini sempre in bilico tra sogno e realtà, nate da un processo creativo che non prevede mai correzioni, ma che vede proprio nelle imprecisioni o nei ripensamenti del gesto artistico una metafora delle alterne vicende umane: non si torna mai indietro, non c'è gomma, ma si va avanti portando nuova materia all'interno del proprio percorso. Così nascono le opere in ceramica, terra e oro di Flora Deborah, che sublima e sintetizza lo straordinario lungo viaggio che è l'esistenza umana: tutto nella nostra vita può essere il seme di un nuovo frutto, a patto che si riesca anche dolorosamente a raggiungere una piena consapevolezza di sé. Da una videoinstallazione in cui scava e assembla la terra del kibbutz in cui i genitori si sono incontrati, passando per i calchi della propria lingua e di quelle dei membri della sua famiglia, fino ad arrivare ai piatti e le piastrelle più recenti in cui personaggi onirici si passano delle coppe: "Flora Deborah" spiega il curatore "riflette su come non siano (solo) i luoghi a determinare chi siamo, bensì il linguaggio che impieghiamo per parlare e pensare. Può il lessico di ciascuno di noi penetrare ed essere seme e frutto dei linguaggi di chi ci vive intorno, e quali sono i confini di questo lessico famigliare?".Flora Deborah descrive un'umanità che nutre un nuovo universale idioma, un esperanto fatto di arte, intesa come unione di materia e bellezza, e coinvolge anche gli spettatori in questo processo attraverso una vera e propria esperienza performativa oltre che installativa. Chiunque visiti la mostra può infatti far parte dell'opera d'arte, lasciando una pietra con cui costruire una nuova Torre di Babele; un gesto che è stato anche parte di una performance dedicata presso lo showroom, in cui i partecipanti hanno infine assaporato il calco della lingua dell'artista, realizzato in cioccolato. Un vero e proprio scambio, in cui spettatore e artista si nutrono a vicenda, e da cui può nascere un nuovo lessico comune, con cui vedere e raccontare insieme un mondo nuovo. Come conclude il curatore Sabino Maria Frassà "nessuno di no sa come queste pietre che abbiamo lasciato verranno impiegate dall'artista. Come nella cultura ebraica queste pietre sono il simbolo di rispetto e pietas di fronte al passato e all'esistenza di un'altra persona. Dopo aver visitato la mostra non conosceremo quindi il finale della storia: incuriositi, stupiti e forse un po' malinconici tutti noi spettatori-attori avremo la consapevolezza di esser parte di qualcosa di grande, della vita di un'altra persona".Flora Deborah è un'artista franco-israeliana; nata a Evian, è cresciuta a Milano e attualmente vive e lavora a Tel Aviv. Deborah ha conseguito un MFA in Belle Arti presso la Bezalel Academy of Arts di Gerusalemme e un PG in Fotografia presso la University of the Arts London. Tra le mostre degne di nota, le collettive al Museo Nazionale dell'Ebraismo Italiano, alla Galleria Saatchi e al museo Bar David. È stata finalista al Premio Cramum che sostiene l'eccellenza artistica in Italia. Attualmente è in residenza d'artista presso il CCA di Tel Aviv come parte del gruppo Gino per il progetto “Tights: Dance & Thought Shelter for Calibrating Frequencies”.Spaziando tra scultura, disegno e video, Deborah definisce il proprio lavoro come una "pratica di empatia", che implica l'esplorazione della natura mutevole della soggettività umana. Partendo dal senso di estraneità, l'artista esamina il mondo attraverso la coscienza degli avatar da lei creati: personaggi di natura storica, religiosa o immaginaria, animali, piante e microrganismi. Attraverso questi avatar, è in grado di decostruire e ripensare i sistemi che hanno la pretesa di definirci, mettendo così a nudo l'apparente assurdità di convinzioni e strutture sociali ampiamente diffuse.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Evan Vernon interviews Studio Plonter, directors of HOMESICK. Hila Einy, Yoav Aluf and Noy Bar, graduates of Bezalel 2018, were born and raised in Israel. During their studies, Yoav specialized in Stop-motion and Hila and Noy specialized in 2d animation technique. The film "HOMESICK" is their graduation film they created as part of their animation studies at Bezalel Academy of Art and Design. HOMESICK was recently selected as a Winner in the Animation Nights New York 5th ANNY Best of Fest in 2021. HOMESICK A crisis in a young woman's life forces her to return to her parents' home. Her reappearance shakes the delicate balance in the family nest. Studio Plonter Studio Plonter is a creative collaboration that specializes in animation, motion graphics, and magic tricks! We will take any idea, complex or abstract, and will turn it into an accessible, interesting, and magical story. In our studio, we believe that animation must be fun so we take our job very seriously. We will write, direct and produce your idea into the best and most beautiful story, allowing it to reach anyone around the world and leave an unforgettable impact. https://www.plonteranimation.com/ Theme music by Joe Lazenby You can subscribe to The AFA Podcast on iTunes, Acast, and Stitcher. Join ANNY on our Discord Server! About ANNY: Animation Nights New York is a curated monthly screening event and annual festival first established in NYC in 2015. The event showcases animated short films and virtual reality animation experiences from all around the world and both project submission and admission to monthly screenings of in-competition films are free to the general public. If you would like to submit a VR/AR/Game or short film project, you can find Animation Nights New York on Film Freeway. ANNY Exchange is our talent connect initiative. We connect animation talent to opportunity using our festival as a vehicle. ANNY Best of Fest is our annual festival held in mid November. --- Send in a voice message: https://anchor.fm/animation-for-adults/message

McLean, Ashbee and Geddes may not be household names for many in Jerusalem and those who are in various way interested in, or attached to the city. Yet, these British urban planners had a major influence in the development of Jerusalem and its design since the British conquered the city in December 1917. Dr. Noah Hysler Rubin, an urban planner and geographer at Bezalel Academy of Arts and Design in Jerusalem, tells about the role these individuals played in re-imagining and planning the city once the British took over. Their legacy is particularly visible in the city outside the walls where they had been able to accommodate various ideas, their own, the desire of the British administrators and finally of the Zionists - local Arabs were essentially excluded from the process. With Dr Rubin, we then discussed the question of the Jerusalem Municipal Archives, a rather neglected, underfunded and hard to access institution that could provide invaluable material in order to write a more comprehensive history of modern Jerusalem. In the end Dr Rubin hopes that her work will help many to understand the various layers of Jerusalem and began to be more inclusive and remember those who have been excluded in the past.Support this show http://supporter.acast.com/jerusalemunplugged. See acast.com/privacy for privacy and opt-out information.

Gabriela Ariana Campoverde sits down with Ronen Assia, Managing Partner at Team8 Fintech Foundry, a venture fund within Team8 that partners with entrepreneurs to build companies in the fintech space. For over twenty years, Ronen has successfully merged technology and design together into useful and accessible products, and defined user experience across various devices and platforms. Most recently Ronen served as eToro's Chief Product Officer, managing product and engineering, and helped grow the company into a Fintech unicorn serving 13 million users in over 140 countries. eToro pioneered Social Investing, enabling every investor to see, follow and automatically copy the portfolios of other investors in the network. In this episode you will learn all about: - How Team8 works with fintech talent - Ronen's insights into the Isreali fintech ecosystem and global investment outlook - Blockchain innovation, NFTs and art curation - How start-up's can marry the old and new worlds of fintech - And so much more! About Ronen Assia Ronen Assia is a Managing Partner at Team8 Fintech Foundry and a Co-Founder and Executive Director at eToro, a social investing platform. Ronen currently resides in Israel and studied Product Design at the Royal College of Art and Bezalel Academy of Art and Design. About Team8 Fintech Team8 Fintech partners with entrepreneurs to co-found transformative fintech companies. For additional information on Team8 Fintech, please visit team8.vc/team8-fintech. For more FinTech insights, follow us below: Medium: medium.com/wharton-fintech WFT Twitter: twitter.com/whartonfintech Gabriela's Twitter: twitter.com/byGabyC Gabriela's LinkedIn: linkedin.com/in/gcampoverde

Evan Vernon interviews Yael Reisfeld, director of ALEF B'TAMUZ. Yael graduated from Bezalel animation department in 2018. Born in Jerusalem 1990, she now works as a freelance animator and video editor in Tel Aviv. Her film ALEF B'TAMUZ was recently selected as a Winner in the Animation Nights New York 5th ANNY Best of Fest in 2021. ALEF B'TAMUZ Three destitute pilgrims experience a strange night in the old Jewish cemetery in Zefat, when they are possessed by souls from the 16th century Trailer: https://vimeo.com/288640149 SHOW NOTES 00:40.000 Animation Nights New York in partnership with Alamo on Demand presented the “5th ANNY Best of Fest” (Program #66 | Season 5 & 6 | Winners) on Saturday, Nov 13 - Saturday Nov 20, 2021 5th ANNY Best of Fest Film Winners Programs 1 & 2: https://www.animationnights.com/screening66-5th-anny-best-of-fest/ 02:01.252 https://en.wikipedia.org/wiki/The_Ren_%26_Stimpy_Show (Ren and Stimpy) 04:17.371 https://en.wikipedia.org/wiki/Bezalel_Academy_of_Arts_and_Design (Bezalel Academy of Art and Design) 02:01.252 https://simple.wikipedia.org/wiki/Safed_Old_Jewish_Cemetery#:~:text=The%20Safed%20Old%20Jewish%20Cemetery%20is%20one%20of%20the%20oldest,Canaan%20near%20the%20Amud%20River. (Safed Cemetery) Social Media Links http://yaelreisfeld.com/ (Personal Website) https://vimeo.com/manage/videos/645727633 (Showreel) Interview by Evan Vernon Theme music by Joe Lazenby You can subscribe to The AFA Podcast on iTunes, Acast, and Stitcher. Join ANNY on our Discord Server!

Ido Ferber was born 1989, Jerusalem, Israel. Ido pursued his education are received his BA in Industrial Design from Bezalel Academy of Art and Design and graduated 2018. Ido is currently an MA student at the Tokyo University of the Arts, Tokyo Japan in the department of Ceramic Craft.

This episode is in English Further down you can also see the movie SUSANA. In this episode of SAQMI Play we meet the Argentinian filmmaker Susana Blaustein Mūnoz, who became an early queer pioneer with her neverendlingly relevant autobiographical film Susana. This film from 1980 marks one of the first Swedish lesbian stories to be portrayed in moving images - although Susana is not originally from Sweden, she lived in Stockholm for a while in the late 70's - and was hanging out in circles involved with Lesbisk front (Lesbian Front). Christina, her Finno-Swedish girlfriend at the time, who was also new to Stockholm, also appears in the film. 40 years later their reborn love is depicted in the short film Old Love Dies Hard, which was meant as a longer follow up to Susana,But seems not to have made it past the 8-minute long documentary form that its in today. Susana Blaustein Munoz had her broad international breakthrough in 1985 with the documentary film Las Madres de la Plaza de Mayo, which was nominated for an Oscar. Las Madres is a film about the Argentinian women who challenged the nation's military rule and waged a tremendous struggle for the right to know what happened to their children who'd disappeared during the years when Argentina was a military dictatorship. Every Thursday the women gathered in front of the President's residency at the Plaza de Mayo in Buenos Aires. Their white scarves became a symbol of their movement, and the movement grew famous across the world. Susana Blaustein Munoz, now 68 years of age, has an art degree from the Bezalel Academy in Jerusalem - Israel, and a master in film from the San Francisco Art Institute in the US. Today she once again lives in her hometown of Mendoza in Argentina. In just a sec we'll let Susana talk about her work herself. Straight off the bat she mentions her self-portrait Susana, which came to life while she was studying film in San Francisco. Susana is a kind of diary of moving images as well as a meeting between two sisters who've chosen different ways of living their lives. Susana weaves together cinema vérité and interviews to create a collage of stills, amateur films, and animations, to portray the cultural context in which female, sexual, and ethnic identities are formed. In the film, she asks her family members, lovers, exes, and friends to talk about her in front of the camera. What do you think about Susana? she wonders. Just like many of Susana's films - The film ended up being censured by the Argentinian state. She says that today it's almost impossible for her to work as a filmmaker in her home country. Malin Holgersson and SAQMI's founder Anna Linder had this discussion with Susana on the 28th of June, 2021. Susana is sitting in her home in Mendoza in Argentina and Anna and Malin are sitting in Anna's home in Majorna in Göteborg. Text by Malin Holgersson. Translated to English by Alex Alvina Chamberland. Voice by Sam Message. Trailer for the film SUSANA: Related material: Screen: 'Las Madres' of Argentina Text by Walter Goodman, The New York Times, April 2, 1986 Swedish article: Relationer blir film långt borta och nära, SvD Text av Henrik Sahl Johansson, Publicerad den 4 augusti 2014. Texts and films by Susana Blaustein Muñoz: Filmography: SUSANA, 1980, US/Argentina, 25 min, Black/White, 16mm. Experimental documentary about Susana Blaustein Muñoz life. In this autobiographical portrait, Susana leaves her native Argentina to live her life outside the strictures of Latin American cultural and family pressures. Susana interweaves cinema vérité interviews of her family and lovers with snapshots, home movies and even a Disney cartoon to render the cultural context in which female, sexual and ethnic identity is shaped. See the film SUSANA Price: 40 skr. The money goes directly to the filmmaker. Las Madres; The Mothers of Plaza de Mayo, 1985, 64 min, 16mm. Co-directed and produced with Lourdes Portillo. Nominated for an Academy Award for Best Documentary in 1986, Las Madres documents the courageous political actions of the Mothers of the Plaza de Mayo, a group of Argentine women who gather weekly at the Plaza de Mayo in Buenos Aires to remember the children that "disappeared" during the Dirty War (1976-1983). La Ofrenda - The Days of The Dead (El Diade Los Muertos), 1989, 62 min. Produced and Directed by Lourdes Portillo and Susana Blaustein Muñoz. Filmed simultaneously in Oaxaca DF and San Francisco. A documentary exploring the varying cultural practices of the "Day of the Dead" in both Mexico and Chicano/a communities in the United States. Nominated for Grand Jury Prize at Sundance Film Festival 1989. My Home: My Prison, 1993, 60 min. My Home: My Prison is based on the autobiography of Palestinian journalist Raymonda Tawil, one of the first Palestinians to engage Israelis in dialogue twenty-four years ago. She was arrested several times by the Israeli military and accused of being a collaborator by some of her own people. Yet today, she is considered a pioneer of the peace process in the Middle East. My Home, My Prison is also about the struggle for women's rights. Raised in a misogynistic society that limits the freedom of women. Raymonda grew into a person who dared to speak her mind. Now exiled in Paris, she remains controversial; her daughter Suha married Yasser Arafat. Directed with intensity by two Jewish filmmakers. Erica Marcus and Academy Award nominee Susana Blaustein Muñoz, the film, set against the backdrop of the last fifty years of the Israeli-Palestinian conflict, goes beyond traditional documentary by interweaving archival footage, interviews and reenacted scenes from Tawil's memories, accompanied by dramatized excerpts from her writings. It screened at the Haifa Film Festival 1994 -1996. Ave Phoenix, 1995, 27 min. Short Film. Directed, produced and written by Susana Blaustein Muñoz. Starring Mira Furlan a former actress of Emir Kusturica. Sponsored by AFI in Hollywood, Awakening from Sorrow: Buenos Aires 1997, 2009, 40 min, Directed by John Knoop and Karina Epperlein. Produced by John Knoop, Susana Blaustein Muñoz, Karina Epperlein. A documentary about the rise of the movement called HIJOS. Children of the disappeared. The film is about a crucial moment in history when the grief of young Argentines - whose parents disappeared and were tortured and killed during the 'Dirty War' (Argentina's dictatorship organized mass killings of civilian dissidents during the 1970s until 1983) erupts into public action, and becomes a cornerstone for social movements from South America to Serbia. Until these young people began to organize and demand explanations from their government, the predominant coping strategy has been to pretend that the missing are still alive. This film documents the power to transform pain into action to lift the veil of repression that has gripped a generation of young people. Old Love Dies Hard, 2013, 8:30 min. This autobiographical film shows that there is no agelimit for falling in love. The story of Susana and Christina takes us from Stockholm to Buenos Aires. Susana and Christina met in their 20`s and reconnected via Facebook 35 years later. Their love was rekindled at age 60 and they made a commitment to settle together. Never say never is the message! See the film Old Love Dies Hard: Credits SAQMI Play: Producers: Anna Linder and Malin Holgersson Design and code: Vincent Orback Composer: Amanda Lindgren Edited and Mixed by Malin Holgersson Voice: Sam Message Publisher: Anna Linder SAQMI Play is produced with the support from The Swedish Arts Council and Gothenburg City.

This episode is both in Swedish and English If you are English-speaking, you can find the English introduction further down which makes the talk easier to follow. Längre ned kan du även se filmen SUSANA. Further down you can also see the movie SUSANA. I det här avsnittet av SAQMI Play möter vi den argentinska filmskaparen Susana Blaustein Muñoz, som med sin ständigt aktuella självbiografiska film Susana tidigt blev en queer pionjär. Filmen från 1980 är en av dom allra första svenska lesbiska historier som skildras i rörlig bild, Susana bodde nämligen i Stockholm ett tag i slutet av 70-talet och hängde bland annat i kretsarna kring Lesbisk front. Christina, hennes dåvarande finlandssvenska flickvän som också var ny i Stockholm, figurerar i filmen. 40 år senare kommer deras pånyttfödda kärlek att skildras i kortfilmen Old Love Dies Hard, som skulle blivit en längre uppföljare till Susana men som verkar förbli den drygt åtta minuter kortdokumentär den är idag. Sitt breda internationella genombrott fick Susana Blaustein Muñoz 1985 med dokumentärfilmen Las Madres de la Plaza de Mayo som nominerades till en Oscar. Las Madres är en film om dom argentinska kvinnor som utmanade landets militärjunta och drev en enorm kamp för att få veta vad som hänt deras barn, som försvunnit under dom år Argentina var en militärdiktatur. Varje torsdag samlades mödrarna på torget Plaza de Mayo i Buenos Aires framför presidentens residens. Deras vita sjalar blev ett signum och rörelsen känd över hela världen. Susana Blaustein Muñoz, idag 68 år, har examen i konst från Bezalel Academy i Jerusalem i Israel och en master i film från San Francisco Art Institute i USA. Idag bor hon återigen i sin hemstad Mendoza i Argentina. Vi ska alldeles strax låta Susana själv berätta om sitt arbete. Hon nämner direkt sitt självporträtt Susana som kom till när hon studerade film i San Fransisco. Susana är en slags dagbok i rörliga bilder och ett möte mellan två systrar som valt olika sätt att leva sina liv. Susana väver samman cinema vérité och intervjuer till ett collage av stillbilder, amatörfilmer och animationer för att gestalta den kulturella kontext i vilken kvinnlig, sexuell och etnisk identitet formas. Hon ber sina familjemedlemmar, älskare, ex och vänner berätta om henne framför kameran. Vad tycker du om Susana? undrar hon. Filmen blev censurerad av den argentinska staten – som flera av Susanas filmer. Hon säger idag att det är nästintill omöjligt för henne att arbeta som filmskapare i sitt hemland. Malin Holgersson och SAQMIs grundare Anna Linder, hade samtalet med Susana den 28 juni 2021. Susana sitter i sitt hem i Mendoza i Argentina och vi sitter hemma hos Anna i Majorna i Göteborg. Text av Malin Holgersson. SUSANA, 1980, US/Argentina, 25 min, sv/vit, 16mm. Experimentell dokumentär om Susana Blaustein Muñoz liv. I sitt självbiografiska porträtt lämnar Susana hemlandet Argentina, för att leva sitt liv utanför det kulturella trycket från den latinamerikanska samhälls- och familjestrukturen. Det är en personlig och privat berättelse, likt en dagbok i rörliga bilder. Susana är en politiskt viktig film och en av de allra första svenska lesbiska historier som skildras och som bör ingå i ett svenskt kulturarv. Fler filmer av Susana längre ned: Trailer till filmen SUSANA: Relaterat material: Screen: 'Las Madres' of Argentina Text by Walter Goodman, The New York Times, April 2, 1986 Relationer blir film långt borta och nära, SvD Text av Henrik Sahl Johansson, Publicerad den 4 augusti 2014. Texts and films by Susana Blaustein Muñoz: In this episode of SAQMI Play we meet the Argentinian filmmaker Susana Blaustein Muñoz, who became an early queer pioneer with her always relevant autobiographical film Susana. This film from 1980 marks one of the first Swedish lesbian stories to be portrayed in moving images, since Susana lived in Stockholm for a while in the late 70's, and for instance hung out in the circles around Lesbisk front (Lesbian Front). Christina, her Finno-Swedish girlfriend at the time, who was also new to Stockholm, appears in the film. 40 years later their reborn love will be depicted in the short film Old Love Dies Hard, which was meant as a longer follow up to Susana, but seems to remain the slightly over 8-minute long documentary short that it is today. Susana Blaustein Muñoz had her broad international breakthrough in 1985 with the documentary film Las Madres de la Plaza de Mayo, which was nominated for an Oscar. Las Madres is a film about the Argentinian women who challenged the nation's military rule and waged a tremendous struggle for the right to know what happened to their children who'd disappeared during the years when Argentina was a military dictatorship. Every Thursday the women gathered at the Plaza de Mayo in Buenos Aires in front of the President's residency. Their white scarves became a signum, and the movement grew famous all over the world. Susana Blaustein Muñoz, now 68 years of age, has an art degree from the Bezalel Academy in Jerusalem in Israel, and a master in film from the San Francisco Art Institute in the USA. Today she once again lives in her hometown of Mendoza in Argentina. In just a moment we'll let Susana talk about her work herself. Directly she mentions her self-portrait Susana, which came to life while she was studying film in San Francisco. Susana is a kind of diary of moving images as well as a meeting between two sisters who've chosen different ways of living their lives. Susana weaves together cinema vérité and interviews to create a collage of stills, amateur films, and animations, to portray the cultural context in which female, sexual, and ethnic identity is formed. She asks her family members, lovers, exes, and friends to talk about her in front of the camera. What do you think about Susana? she wonders. The film was censured by the Argentinian state – just like many of Susana's films. She says that today it's almost impossible for her to work as a filmmaker in her home country. Malin Holgersson and SAQMI's founder Anna Linder had this discussion with Susana on the 28th of June, 2021. Susana sits in her home in Mendoza in Argentina and we sit in Anna's home in Majorna in Göteborg. Text by Malin Holgersson. Translated to English by Alex Alvina Chamberland Filmografi: SUSANA, 1980, US/Argentina, 25 min, Black/White, 16mm. Experimental documentary about Susana Blaustein Muñoz life. In this autobiographical portrait, Susana leaves her native Argentina to live her life outside the strictures of Latin American cultural and family pressures. Susana interweaves cinema vérité interviews of her family and lovers with snapshots, home movies and even a Disney cartoon to render the cultural context in which female, sexual and ethnic identity is shaped. See the film SUSANA Price: 40 skr. The money goes directly to the filmmaker. Las Madres; The Mothers of Plaza de Mayo, 1985, 64 min, 16mm. Co-directed and produced with Lourdes Portillo. Nominated for an Academy Award for Best Documentary in 1986, Las Madres documents the courageous political actions of the Mothers of the Plaza de Mayo, a group of Argentine women who gather weekly at the Plaza de Mayo in Buenos Aires to remember the children that "disappeared" during the Dirty War (1976-1983). La Ofrenda - The Days of The Dead (El Diade Los Muertos), 1989, 62 min. Produced and Directed by Lourdes Portillo and Susana Blaustein Muñoz. Filmed simultaneously in Oaxaca DF and San Francisco. A documentary exploring the varying cultural practices of the "Day of the Dead" in both Mexico and Chicano/a communities in the United States. Nominated for Grand Jury Prize at Sundance Film Festival 1989. My Home: My Prison, 1993, 60 min. My Home: My Prison is based on the autobiography of Palestinian journalist Raymonda Tawil, one of the first Palestinians to engage Israelis in dialogue twenty-four years ago. She was arrested several times by the Israeli military and accused of being a collaborator by some of her own people. Yet today, she is considered a pioneer of the peace process in the Middle East. My Home, My Prison is also about the struggle for women's rights. Raised in a misogynistic society that limits the freedom of women. Raymonda grew into a person who dared to speak her mind. Now exiled in Paris, she remains controversial; her daughter Suha married Yasser Arafat. Directed with intensity by two Jewish filmmakers. Erica Marcus and Academy Award nominee Susana Blaustein Muñoz, the film, set against the backdrop of the last fifty years of the Israeli-Palestinian conflict, goes beyond traditional documentary by interweaving archival footage, interviews and reenacted scenes from Tawil's memories, accompanied by dramatized excerpts from her writings. It screened at the Haifa Film Festival 1994 -1996. Ave Phoenix, 1995, 27 min. Short Film. Directed, produced and written by Susana Blaustein Muñoz. Starring Mira Furlan a former actress of Emir Kusturica. Sponsored by AFI in Hollywood, Awakening from Sorrow: Buenos Aires 1997, 2009, 40 min, Directed by John Knoop and Karina Epperlein. Produced by John Knoop, Susana Blaustein Muñoz, Karina Epperlein. A documentary about the rise of the movement called HIJOS. Children of the disappeared. The film is about a crucial moment in history when the grief of young Argentines - whose parents disappeared and were tortured and killed during the 'Dirty War' (Argentina's dictatorship organized mass killings of civilian dissidents during the 1970s until 1983) erupts into public action, and becomes a cornerstone for social movements from South America to Serbia. Until these young people began to organize and demand explanations from their government, the predominant coping strategy has been to pretend that the missing are still alive. This film documents the power to transform pain into action to lift the veil of repression that has gripped a generation of young people. Old Love Dies Hard, 2013, 8:30 min. This autobiographical film shows that there is no agelimit for falling in love. The story of Susana and Christina takes us from Stockholm to Buenos Aires. Susana and Christina met in their 20`s and reconnected via Facebook 35 years later. Their love was rekindled at age 60 and they made a commitment to settle together. Never say never is the message! See the film Old Love Dies Hard: Credits SAQMI Play: Producenter: Anna Linder och Malin Holgersson Design och kod: Vincent Orback Komposition: Amanda Lindgren Klipp och mix: Malin Holgersson Ansvarig utgivare: Anna Linder SAQMI Play produceras med stöd av Kulturrådet och Göteborgs stad.

Tal Kantor is an Israeli independent Animation Filmmaker & Visual Artist. I discovered her work through the simple and moving film "In other words".She Graduated from the 'Bezalel Academy of Arts and Design', in 2015. She also studied film, new media and animation at the 'School of the Art Institute of Chicago'.Since then, she has been working on various projects and films, such as an art director for the documentary feature film "Advocate", Oscars Shortlisted in 2019, as a concept art developer, as a curator of animation exhibitions and programs, as well as a writer and editor at the Israeli magazine "moonfash".She just finished her new short animated film " letter to a pig" that she animated during her residency at CICLIC in 2019. More on:Her official websiteInstagramVimeo

Elinor Carucci and I talk about her book Midlife, an autobiographical exploration of life, ageing, mortality, and the challenges women face as they get older to not become invisible. We talk about the hard work and stresses involved with making personal and commercial work, raising children, and teaching. Elinor talks about her mentors, and the ways in which she has changed as an educator and how she learns from her students.   http://www.elinorcarucci.com   Born 1971 in Jerusalem, Israel, Elinor Carucci graduated in 1995 from Bezalel Academy of Arts and Design with a degree in photography, and moved to New York that same year. In a relatively short amount of time, her work has been included in an impressive amount of solo and group exhibitions worldwide, solo shows include Edwynn Houk gallery, Fifty One Fine Art Gallery, James Hyman and Gagosian Gallery, London among others and group show include The Museum of Modern Art New York and The Photographers' Gallery, London.   Her photographs are included in the collections of The Museum of Modern Art New York, the Brooklyn Museum of Art, Houston Museum of Fine Art, among others and her work appeared in The New York Times Magazine, The New Yorker, Details, New York Magazine, W, Aperture, ARTnews and many more publications.   She was awarded the International Center of Photography Infinity Award for Young Photographer in 2001, The Guggenheim Fellowship in 2002 and NYFA in 2010. Carucci has published two monographs to date, Closer, Chronicle Books 2002 and Diary of a dancer, SteidlMack 2005 and MOTHER, Prestel 2013. In fall of 2019 Monacelli Press published her fourth monograph, Midlife.   Carucci teaches at the graduate program of Photography and Related Media at School of Visual Arts and is represented by Edwynn Houk Gallery.

A ketubah is a traditional marriage contract in Judaism that showcases a couple's hopes, promises, and dreams for their marriage and one another. Anat Michaelis is a ketubah artist based in Israel who creates beautiful ketubot (plural for ketubah) for people all over the world. A graduate of the Bezalel Academy of Arts and Design in Jerusalem, Anat began her ketubah illustrations as gifts for her friends and has since turned it into her business known as Leila. Anat discusses her art journey, as well as explores her Jewish journey growing up in religious and secular environments in different parts of Israel and how these experiences have contributed to how she practices and sees Judaism today. For custom ketubot and Judaica art, visit https://www.leilabyanat.com/ 2021 All Rights Reserved --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jewish-today-pod/support

David Glasser is the two decade Chairman & CEO of the Ben Uri Gallery and Museum in the U.K. and oversaw its recreation as the first full-scale virtual art museum and research center. Ben Uri Gallery and Museum was founded in 1915 in Whitechapel's Jewish ghetto in the East End of London, by émigré Russian artist Lazar Berson who previously exhibited with Chagall in Paris. In 2000, a new strategic direction was built around scholarship and expanding the remit from solely Jewish artists by incorporating the wider, diverse immigrant artist experience in Britain since 1900. Glasser and Zuckerman discuss the Bezalel Academy of Art and Design and the founding goal, museum relevancy in the 21st century, defining distinctive strength, doing a collections audit, being a public benefit, women refugees to the UK post WWII, a safe house for artists, a 24% female artist collection, mainstreaming a museum strategy, how few people actually visit some physical museums, why a digital museum is so compelling, global as the new local, deaccessioning, and being brave enough! *** This episode is brought to you by Kelly Klee private insurance . Please check out their website: Kellyklee.com/Heidi and they will make a $50 donation to Artadia, an art charity I’ve recommended, per each qualified referral. This episode is brought to you by Best & Co. Please visit www.BestandCoAspen.com and use discount code Heidi2020 to receive 5% off of any item on the Best & Co. website. If you are interested in creating a custom piece please email custom@bestandcoaspen.com and mention that you heard about Best & Co. on my podcast to receive the special discount. *** Interested in sponsoring the podcast? Please email press@hiz.art *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.Follow Heidi: Instagram: https://www.instagram.com/heidizuckerman/ Twitter: https://twitter.com/heidizuckerman LinkedIn: https://www.linkedin.com/in/heidi-zuckerman-a236b55/

In this episode of the podcast, Benny & Dan have perhaps one of their freest flowing conversations yet with visual artist and illustrator Roy Margaliot in which they embark on a deep journey into an artist's mind.  On the way, they explore the philosophy of the physical, metaphysical, and spiritual realms – including the source of creativity inside us, how to be ok with the uncertainty of our times, the fragile nature of the world, Jewish consciousness, Hasidic teachings, UFO's and the possibility of extraterrestrial life and sources of energy.  Last but not least, Roy guides Dan and Benny through a selection of some of his artwork, breaking down his creative process and interpreting the possible meaning behind each piece.  Roy Margaliot is an Israeli visual artist and illustrator.  Born in 1982, he is a Master of Visual Communication, having studied at Jerusalem's prestigious Bezalel Academy of Art & Design.  Roy's stunning work is influenced by themes and narratives of the Jewish cultural and Israeli societal context, and has been featured in exhibitions in Israel and abroad, is included in private collections, and in magazines like Juxtapoz (the largest art publication in the US), Communication Arts (the largest international trade journal of visual communications) and more.  Links to the artwork featured in the episode: https://drive.google.com/file/d/1PUMqAr5AA9CFJidnTSvnQp-nSQu2dKue/view?usp=sharing (Slide Away) https://drive.google.com/file/d/1ogA-hf1zbkrt0Z2Q0F5opxNRV75DJuCt/view?usp=sharing (Always Home) https://drive.google.com/file/d/1gWTiRa6f127hDBcb2v4Tq-WGcABkpRvP/view?usp=sharinghttps://drive.google.com/file/d/1gWTiRa6f127hDBcb2v4Tq-WGcABkpRvP/view?usp=sharing (You Started) https://drive.google.com/file/d/1kO2hHcxiikN5cW7LUjq2hZorx6rmOilt/view?usp=sharing (Heal Your Heart) https://drive.google.com/file/d/13Oq9eRvYXLY054Dbq12p442LgiqdlqiT/view?usp=sharing (Untitled #1)        https://drive.google.com/file/d/1JKyES9GO4kQS-D7eTow7XrczLWth7HNo/view?usp=sharing (Untitled #2)       https://drive.google.com/file/d/1-ub0WPQcZc8bP3vGrRyu4M81jKGmFdA3/view?usp=sharing (Untitled #3) Other Links:       Roy's official website, http://www.roymargaliot.com/ (roymargaliot.com)        https://www.instagram.com/humusjan/ (@humusjan), Roy's Instagram        For inquiries and to purchase Roy's artwork, visit his website, DM on Instagram, or email hello@roymargaliot.com As always, make sure to subscribe to Jewanced on https://open.spotify.com/show/6984NiP7H1ULW9lJeVt8Ie?si=Gi6URWDORRKCavowsCv4UA (Spotify), https://podcasts.apple.com/us/podcast/jewanced/id1522195382 (Apple Podcasts), or wherever you get your podcasts and subscribe to our YouTube https://www.youtube.com/channel/UC7r6xLC1K4Zf29i9ttxbNFg/ (channel). For more information, visit us at http://www.jewanced.com/ (http://www.jewanced.com)

" Rae Stern’s practice employs digital tools in the manipulation of multiple media including ceramics, photography, paper, and textiles. After a decade in the high-tech industry, her work is concerned with the social and cultural effects of technology. Between 2009 and 2018, Stern collaborated with Aya Margulis under the name Doda Design and created several bodies of work. Recent residencies include the Penland School of Crafts, Anderson Ranch, and Belger Crane Yard Studios. Stern has received grants from Asylum Arts, the Schusterman Foundation, and Belger Arts. Currently based in New York City, NY, Stern’s work has been exhibited internationally at the Eretz Israel Museum, (Tel Aviv, Israel), Belger Arts, (Kansas City, MO), Harvard University, (Cambridge, MA), and Medalta Museum, (Alberta, Canada). Her work is included in the collection of Eretz Israel Museum, The Racine Art Museum, (Racine, WI), International Museum of  Dinnerware Design (Ann Arbor, MI), as well as numerous private collections in Israel and the USA. Stern completed her undergraduate degree in psychology and communications at Tel Aviv University followed by a master’s degree in design from the Bezalel Academy of Art and Design, Jerusalem. All images courtesy of the artist   00:00 - Podcast Introduction 00:37 - Episode Introduction 01:25 - Interview with Rae Stern (part 1) 25:31 - Mic Break 26:04 - Interview with Rae Stern (part 2) 41:38 - Comfort Edge - Helena Deland 41:44 - Outro 42:07 - Comfort Edge (cont’d) - Helena Deland 45:21 - Finish "

Creating under the pseudonym 2-Stroke since 2013, Christopher McElroy constructs one-of-a-kind pipes and rigs adorned with his colorful, psychedelic, textile-inspired patterning technique known as Heliocoileh. His current body of work includes polychromatic water pipes, dry pipes, cups, marbles, and beads, created with the philosophy that the ornamentation of daily objects serves to elevate an experience from mundane to mystical. McElroy earned his BFA from Virginia Commonwealth University and his MFA from The University of Washington, where he studied under Mark Zirpel. His early glass mentors Emilio Santini, Sally Prasch and Rick Schneider encouraged him to forge his own path from the very start of his relationship with the medium. His sculptural and functional works have been exhibited at The Henry Arts Gallery (Seattle, Washington), Anderson Gallery (Richmond, Virginia), Traver Gallery (Seattle, Washington), Missoula Art Museum (Missoula, Montana), Dampkring Gallery (Amsterdam) and Pismo Fine Art Gallery (Aspen, Colorado).  Teaching has played an important part of McElroy’s history with glass and includes flameworking instruction at Kyoto University of Art and Design in Japan, Penland School of Crafts, the Corning Museum of Glass, Pilchuck Glass School, Haystack Mountain School of Crafts, and the Bezalel Academy of Art and Design in Israel.  Growing up in Southwest Virginia’s scenic rolling hills and farmlands shaped McElroy’s affinity for agrarian and wilderness landscapes. Informed by color relationships in plants, animals, lichen, and minerals, the artist studies and examines how colors convey information of biological purpose. Lessons of age, nutrition, fertility, and danger are communicated among entities that speak the language of color. Informed by avant-garde contemporary fashion, ceremonial objects of pre-columbian South American cultures, and textiles from around the world, the artist cites artistic influences to include Robert Irwin, El Anatsui, Kelsey Brooks, & Tom Sachs. Color, collection, and craft have always been and remain at the core of his studio practice. In early June 2020, the artist exhibited new work in a four-person show, A Time for Passion, held at Stoked, Connecticut, and will be a part of Mins, a group pipe show held in Minneapolis, Minnesota, October 16, 2020.  From his studio in Hudson, New York, McElroy discusses the transition from sculpture to pipes, and how art school training affects his approach to functional glass.  

Noam Rosenberg is a clay & ceramics Israeli artist. Noam earned his BFA from the Bezalel Academy of Arts and Design in Jerusalem with honors. Nowam owns the NORO brand - common art Inspired by nature, urban environment, & architecture. Noam's love for gardening and the flora world influences his work and his experience as a visual designer enriched his art work with attraction to aesthetics, beauty, and patterns. In his Instagram account Noam demonstrate the processes of creating his works

What you’ll learn in this episode: How and why Shenkar’s Department of Jewelry Design was founded. Why Shenkar is on the cutting-edge of jewelry design and innovation education. The unique classes Shenkar offers to students. How Shenkar prepares students for careers in the jewelry design field. About Uri Samet: Uri Samet is the co-founder of the Alice Gottesman Jewelry Design Department at Shenkar College in Israel, where he served as a senior lecturer and member of the faculty until appointed head of the Department. He teaches courses in eyeglasses, watch design, gold and silversmithing, while working in conjunction with external companies. Uri also has his own independent studio, where he works on diverse projects across the industry. Over the years, he has exhibited in numerous exhibitions in Israel and abroad. Uri holds a master’s degree in design from the University of Middlesex in London and a bachelor's degree from the Bezalel Academy of Art and Design. Upon completion of his studies, Uri attended a continued design program at the vocational gold and silversmithing school, Centro di Formazione Professionale in Florence, Italy. Additional resources: Department of Jewelry Design Website Department's Facebook Department's Instagram SNAG 2020 conference Transcript 

In episode 74 UNP founder and curator Grant Scott is in his shed considering Instagram requests for image usage, young photographers starting out on a photography education, the documentation of self and the death of photographer John Cohen. Plus this week photographer Elinor Carucci takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which she answer's the question ‘What Does Photography Mean to You?' If you have enjoyed this podcast why not check out our A Photographic Life Podcast Plus. Created as a learning resource that places the power of learning into the hands of the learner. To suggest where you can go, what you can read, who you can discover and what you can question to further your own knowledge, experience and enjoyment of photography. It will be inspiring, informative and enjoyable! You can find out here: www.patreon.com/aphotographiclifepodcast You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-life and Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Elinor Carucci was born 1971 in Jerusalem, Israel, and graduated in 1995 from the Bezalel Academy of Arts and Design, Jerusalem with a degree in photography, the same year that she moved to New York. Her work has been included in an impressive amount of solo and group exhibitions worldwide, including solo shows at the Edwynn Houk Gallery, New York, the Fifty One Fine Art Gallery, Antwerp and the James Hyman and Gagosian Gallery, London among others. Her work has also been included within group shows at The Museum of Modern Art New York and The Photographers' Gallery, London. Her photographs are included in the collections of The Museum of Modern Art New York, the Brooklyn Museum of Art, Houston Museum of Fine Art, among others and her work has appeared in The New York Times Magazine, The New Yorker, Details, New York Magazine, W, Aperture, ARTnews and many more publications. She was awarded the International Center of Photography, New York, Infinity Award for a Young Photographer in 2001, The Guggenheim Fellowship in 2002. Carucci has published three monographs to date, Closer, in 2002, Diary of a Dancer, in 2005 and MOTHER in 2013. Her latest book titled Midlife, chronicles one woman's passage through ageing, family, illness, and intimacy and will be published by Monacelli Press in October this year. Elinor has held teaching positions at Princeton University, Harvard University and ICP, New York and currently teaches on the graduate programme of photography at the School of Visual Arts, New York. She is represented by the Edwynn Houk Gallery, New York. www.elinorcarucci.com Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. His documentary film, Do Not Bend: The Photographic Life of Bill Jay can now be seen at www.youtube.com/watch?v=wd47549knOU&t=3915s. © Grant Scott 2019

In this episode, your hosts interview internationally recognised fashion designer Tamara Yovel Jones. Tamara discusses the pressures of the fashion industry, creativity in fashion today, and the difficulties that come with combining creativity and business, within the context of a discussion on mental health in the fashion industry.   Tamara has a long-standing relationship with the house of Roberto Cavalli, where she served as the head of its design studio and fashion design supervisor, after having been a designer there for many years. She has had her own boutiques and design studios in Jerusalem and Tel Aviv, and has also served as a fashion consultant for the government of Guatamala. She has designed collections for brands like Maskit and Rikma, and had an exhibition of Art to Wear that was shown in both Israel and New York. Tamara has also played a large role in fashion education in Israel. After many years as a senior lecturer, she was the head of the fashion design department at Shenkar College, and she was also the head of the fashion and jewelry department at the Bezalel Academy in Jerusalem. Most recently, Tamara was the initiator and co-curator of the exhibition "Decoding Israeli Fashion" at the Israel Museum Jerusalem, which was the first major fashion exhibition in the country.   Thanks for listening! We'd love to hear from you.   Follow us on Instagram: @undressingfashion Find us on Facebook: Undressing Fashion   Don't forget to rate, review and subscribe!   Thanks for getting undressed with us!

Best selling author of ‘The Warrior Diet’ Ori talks through everything from his new book on stress and how ‘controlled stressors’ such as intermittent fasting and the right eating pattern can make you leaner, fitter and stronger alongside how it can slow down the ageing process whilst ramping up your sex drive.   Introduction: Ori Hofmekler is a modern renaissance man whose formative military experience prompted a life interest in survival science. A graduate of the Bezalel Academy of Art and the Hebrew University in Jerusalem, where he received a degree in Human Science, he is a world-renowned artist whose political satire artwork has been featured in books and magazines worldwide.   As editor-in-chief of Mind and Muscle Power magazine, Hofmekler introduced his diet approach to the public to immediate acclaim from readers and professionals. He is the best selling author of The Warrior Diet, Maximum Muscle Minimum Fat/ the secret science behind physical transformation, the anti-estrogenic diet and unlocking your muscle gene/trigger the biological mechanism that transforms your body and extends your life (which a lot of you who follow my Snapchat and Instagram will regularly hear me mention).   His newest book The 7 Principles of Stress: Extend Life, Stay Fit, and Ward Off Fat--What You Didn't Know about How Stress Can Reboot Your Mind, Energy, and Sex Life is now available on Amazon and all well-known bookstores.     Ori’s Social Media Links Website Instagram Facebook   Amazon links to Ori’s Books: The Warrior Diet 7 Principles of Stress: Extend Life, Stay Fit, and Ward off Fat. What You Didn't Know About How Stress Can Reboot Your Mind, Energy, and Sex Life Maximum Muscle Minimum Fat Unlock Your Muscle Gene  

Massive Graft Case Indicts Ex-Deputy Minister And Nine Others   State prosecution has just issued indictments for ten Israeli officials from the Yisrael Beytenu party including former Deputy Minister Faina Kirshenbaum - on charges of bribery, fraud, and money laundering. #Graft #FainaKirshenbaum #IsraelBeytenu ____________________ Israel, U.S., Russia Had Secret Talks On Syria   Israel, the U.S. and Russia had secret talks to discuss the ceasefire deal in Syria and the establishment of safe zones for Syrian civilians.   #Syria #US #Russia ____________________ Israel-Jordan Relations At Risk   Dr. Mordechai Kedar, Begin-Sadat Center for Strategic Studies, Bar Ilan University speaking at ILTV studio to discuss the Israel-Jordan relations.   #MordechaiKedar #Jordan ____________________ 19 Year-Old Suspects Arrested For Global Cyber Attacks   Israeli police have just busted a major cyber-attack ring that's caused millions of dollars in damages through cyber-attacks all over the world. The suspects are two teenagers from Israel.   #Cyber #Teens ____________________ Azaria Begins His 18-Month Stay Behind Bars   The former IDF soldier Elor Azaria, who was convicted of manslaughter for killing an incapacitated Palestinian attacker, is going to jail for 18 months after the courts rejected his appeal.   #ElorAzaria #Jail ____________________ Likud Holds Rally In Support Of P.M. Netanyahu   Netanyahu's Likud party is now organizing a no-expense-spared rally to support the Prime Minister. ILTV's Brett Smith reports from the event.   #Netanyahu #Rally ____________________ Home Of Jesus' Apostles May Have Been Found   Archeologists are saying they just discovered the lost Roman city of Julias, known to Christian believers as the home of Jesus' three apostles: Peter, Andrew and Philip. #Archaeology #Jesus #Apostles ____________________ Taking An Interest In Israel's Medical Wonder-Workers   Dr. Masad Barhoum, CEO of The Galilee Medical Center speaking at ILTV studio about the Galilee Medical Center that does incredible humanitarian efforts especially when it comes to the northern border, refugees and emergency situations abroad.   #MasadBarhoum #MedicalCenter ____________________ A Visit To The Bezalel Academy Of Arts And Design   ILTV's Emanuelle Kadosh covering her visit to the student exhibition in the Bezalel Academy's industrial design department.   #EmanuelleKadosh #Bezalel ____________________ Artist Lays Controversial Tweets At Twitter's Doorstep   A German-Israeli artist Shahak Shapira is saying twitter repeatedly ignored, and refused to take down offensive tween even after users flagged them as hateful. The artist took the controversial tweets to the Twitter CEO in Germany.   #ShahakShapira #Twitter ____________________ Hebrew word Of The Day, : TZIVONI | צבעוני  = COLORFUL   Learn a new Hebrew word every day. Today's word is "tzivoni" which means "colorful"   #Learnhebrew   #Hebrewwordofday   #Iltvhebrewwordofday _____________________ The Weather Forecast   Tonight should be partly cloudy with a low of seventy-nine or twenty-six degrees Celsius. Tomorrow will clear up a bit and the temperatures are expected to drop to a high of around eighty-nine or thirty-two degrees Celsius.   #Israelweather   #Israelforecast See omnystudio.com/listener for privacy information.

In White City, Black City: Architecture and War in Tel Aviv and Jaffa (MIT Press, 2015), Sharon Rotbard, Senior Lecturer in the Architecture Department at Bezalel Academy in Jerusalem, examines the dual histories of Tel Aviv and Jaffa. He offers a nuanced and compelling deconstruction of the myth of the White City and the erasure of what he deems the Black City. This book is a compelling contribution, bringing critical urban studies into conversation with critical histories of Zionism in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

In White City, Black City: Architecture and War in Tel Aviv and Jaffa (MIT Press, 2015), Sharon Rotbard, Senior Lecturer in the Architecture Department at Bezalel Academy in Jerusalem, examines the dual histories of Tel Aviv and Jaffa. He offers a nuanced and compelling deconstruction of the myth of the White City and the erasure of what he deems the Black City. This book is a compelling contribution, bringing critical urban studies into conversation with critical histories of Zionism in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

In White City, Black City: Architecture and War in Tel Aviv and Jaffa (MIT Press, 2015), Sharon Rotbard, Senior Lecturer in the Architecture Department at Bezalel Academy in Jerusalem, examines the dual histories of Tel Aviv and Jaffa. He offers a nuanced and compelling deconstruction of the myth of the White City and the erasure of what he deems the Black City. This book is a compelling contribution, bringing critical urban studies into conversation with critical histories of Zionism in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

In White City, Black City: Architecture and War in Tel Aviv and Jaffa (MIT Press, 2015), Sharon Rotbard, Senior Lecturer in the Architecture Department at Bezalel Academy in Jerusalem, examines the dual histories of Tel Aviv and Jaffa. He offers a nuanced and compelling deconstruction of the myth of the White City and the erasure of what he deems the Black City. This book is a compelling contribution, bringing critical urban studies into conversation with critical histories of Zionism in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

In White City, Black City: Architecture and War in Tel Aviv and Jaffa (MIT Press, 2015), Sharon Rotbard, Senior Lecturer in the Architecture Department at Bezalel Academy in Jerusalem, examines the dual histories of Tel Aviv and Jaffa. He offers a nuanced and compelling deconstruction of the myth of the White City and the erasure of what he deems the Black City. This book is a compelling contribution, bringing critical urban studies into conversation with critical histories of Zionism in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

Playing for Team Human is Mushon Zer-Aviv. Mushon shares his creative strategies for resistance against assimilation into the big data mindset. His playful, interactive designs turn the cult of data collection on its head, re-ambiguating humans and embracing the most quirky, inspired, and anomalous aspects of our lives. Mushon’s recent project, AdNauseam.io  challenges surveillance advertising by feeding it back into itself. Check out this and his many projects linked below. You can also learn more about “reambiguation” on Mushon’s  Medium blog. Full bio from Mushon.com: Mushon is a designer, an educator and a media activist based in Tel Aviv. His work and writing explore the boundaries of interface and the biases of techno-culture as they are redrawn through politics, design and networks. Among Mushon’s collaborations, he is the CO-founder of Shual.com – a foxy design studio; YouAreNotHere.org – a tour of Gaza through the streets of Tel Aviv; Kriegspiel – a computer game version of the Situationist Game of War; the Turing Normalizing Machine – exploring algorithmic prejudice; the AdNauseam extension – clicking ads so you don’t have to; and multiple government transparency and civic participation initiatives with the Public Knowledge Workshop; Mushon also designed the map for Waze.com. Mushon is an alumni of Eyebeam – an art and technology center in New York. He teaches digital media as a senior faculty member at Shenkar School of Engineering and Design. Previously he taught new media research at NYU and Open Source design at Parsons the New School of Design and in Bezalel Academy of Art & Design. Read him at Mushon.com and follow him at @mushon. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Playing for Team Human is Mushon Zer-Aviv. Mushon shares his creative strategies for resistance against assimilation into the big data mindset. His playful, interactive designs turn the cult of data collection on its head, re-ambiguating humans and embracing the most quirky, inspired, and anomalous aspects of our lives. Mushon’s recent project, AdNauseam.io  challenges surveillance advertising by feeding it back into itself. Check out this and his many projects linked below. You can also learn more about “reambiguation” on Mushon’s  Medium blog. Full bio from Mushon.com: Mushon is a designer, an educator and a media activist based in Tel Aviv. His work and writing explore the boundaries of interface and the biases of techno-culture as they are redrawn through politics, design and networks. Among Mushon’s collaborations, he is the CO-founder of Shual.com – a foxy design studio; YouAreNotHere.org – a tour of Gaza through the streets of Tel Aviv; Kriegspiel – a computer game version of the Situationist Game of War; the Turing Normalizing Machine – exploring algorithmic prejudice; the AdNauseam extension – clicking ads so you don’t have to; and multiple government transparency and civic participation initiatives with the Public Knowledge Workshop; Mushon also designed the map for Waze.com. Mushon is an alumni of Eyebeam – an art and technology center in New York. He teaches digital media as a senior faculty member at Shenkar School of Engineering and Design. Previously he taught new media research at NYU and Open Source design at Parsons the New School of Design and in Bezalel Academy of Art & Design. Read him at Mushon.com and follow him at @mushon. See acast.com/privacy for privacy and opt-out information.

The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. Kratsman was the 2011 recipient of the Robert Gardner Fellowship in Photography, an internationally recognized award given annually by the Peabody Museum of Archaeology and Ethnology to a photographer who has demonstrated great originality working in the documentary vein. Through images created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observers gaze under conditions of occupation. These photographs look at both “wanted men”—individuals sought by the Israeli state– and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a “suspect.” The work is both transgressive and banal, crossing boundaries between Israel and Palestine, wanted and innocent, street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their “fate.” His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death. Supported with thought-provoking text by Ariella Azoulay, she looks at various models of historical and civil construction of the gaze and explores the ways in which the shadow of death is an actual threat that hovers over Kratsman’s photographed persons and frames both individuals and the borrowed time within which they exist. Miki Kratsman was born in Argentina and emigrated to Israel in 1971. He worked as a photojournalist for Hadashot and Ha’aretz until 2012. A photo educator for a number of years, Mr. Kratsman has taught at the Camera Obscura College of Photography and the School for Geographic Photography of Tel Aviv as well as in the Department of Art in Haifa University, he was also the head of the photography department at Bezalel Academy of Arts and Design until 2014, when he retired. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. Kratsman was the 2011 recipient of the Robert Gardner Fellowship in Photography, an internationally recognized award given annually by the Peabody Museum of Archaeology and Ethnology to a photographer who has demonstrated great originality working in the documentary vein. Through images created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observers gaze under conditions of occupation. These photographs look at both “wanted men”—individuals sought by the Israeli state– and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a “suspect.” The work is both transgressive and banal, crossing boundaries between Israel and Palestine, wanted and innocent, street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their “fate.” His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death. Supported with thought-provoking text by Ariella Azoulay, she looks at various models of historical and civil construction of the gaze and explores the ways in which the shadow of death is an actual threat that hovers over Kratsman’s photographed persons and frames both individuals and the borrowed time within which they exist. Miki Kratsman was born in Argentina and emigrated to Israel in 1971. He worked as a photojournalist for Hadashot and Ha’aretz until 2012. A photo educator for a number of years, Mr. Kratsman has taught at the Camera Obscura College of Photography and the School for Geographic Photography of Tel Aviv as well as in the Department of Art in Haifa University, he was also the head of the photography department at Bezalel Academy of Arts and Design until 2014, when he retired. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. Kratsman was the 2011 recipient of the Robert Gardner Fellowship in Photography, an internationally recognized award given annually by the Peabody Museum of Archaeology and Ethnology to a photographer who has demonstrated great originality working in the documentary vein. Through images created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observers gaze under conditions of occupation. These photographs look at both “wanted men”—individuals sought by the Israeli state– and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a “suspect.” The work is both transgressive and banal, crossing boundaries between Israel and Palestine, wanted and innocent, street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their “fate.” His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death. Supported with thought-provoking text by Ariella Azoulay, she looks at various models of historical and civil construction of the gaze and explores the ways in which the shadow of death is an actual threat that hovers over Kratsman’s photographed persons and frames both individuals and the borrowed time within which they exist. Miki Kratsman was born in Argentina and emigrated to Israel in 1971. He worked as a photojournalist for Hadashot and Ha’aretz until 2012. A photo educator for a number of years, Mr. Kratsman has taught at the Camera Obscura College of Photography and the School for Geographic Photography of Tel Aviv as well as in the Department of Art in Haifa University, he was also the head of the photography department at Bezalel Academy of Arts and Design until 2014, when he retired. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. Kratsman was the 2011 recipient of the Robert Gardner Fellowship in Photography, an internationally recognized award given annually by the Peabody Museum of Archaeology and Ethnology to a photographer who has demonstrated great originality working in the documentary vein. Through images created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observers gaze under conditions of occupation. These photographs look at both “wanted men”—individuals sought by the Israeli state– and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a “suspect.” The work is both transgressive and banal, crossing boundaries between Israel and Palestine, wanted and innocent, street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their “fate.” His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death. Supported with thought-provoking text by Ariella Azoulay, she looks at various models of historical and civil construction of the gaze and explores the ways in which the shadow of death is an actual threat that hovers over Kratsman’s photographed persons and frames both individuals and the borrowed time within which they exist. Miki Kratsman was born in Argentina and emigrated to Israel in 1971. He worked as a photojournalist for Hadashot and Ha’aretz until 2012. A photo educator for a number of years, Mr. Kratsman has taught at the Camera Obscura College of Photography and the School for Geographic Photography of Tel Aviv as well as in the Department of Art in Haifa University, he was also the head of the photography department at Bezalel Academy of Arts and Design until 2014, when he retired. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Resolution of the Suspect by Israeli photographer Miki Kratsman, with text by Ariella Azoulay, is co-published by the Peabody Museum Press at Harvard and Radius Books of Santa Fe, NM (2016). Mr. Kratsman was the 2011 recipient of the Robert Gardner Fellowship in Photography, an internationally recognized award given annually by the Peabody Museum of Archaeology and Ethnology to a photographer who has demonstrated great originality working in the documentary vein. Through images created in the context of daily news, his tens of thousands of photographs have, in retrospect, taken on fascinating new meanings, as bystanders become protagonists and peripheral details move to the center. Isolated from the original frame, cropped, enlarged, and redisplayed, the reimagined images ask us to explore the limits of the observers gaze under conditions of occupation. These photographs look at both “wanted men”—individuals sought by the Israeli state– and the everyman and everywoman on the street who, by virtue of being Palestinian in a particular time and place, can be seen as a “suspect.” The work is both transgressive and banal, crossing boundaries between Israel and Palestine, wanted and innocent, street photography and surveillance imagery. Kratsman has also provoked vital, long-term interaction around the images on social media, creating a Facebook page on which viewers are invited to identify the individuals portrayed and comment on their “fate.” His complex project is chronicled in this book in more than 300 images that powerfully implicate the viewer as we follow the gaze of both occupier and occupied within a complex web of power relations around issues of life and death. Supported with thought-provoking text by Ariella Azoulay, she looks at various models of historical and civil construction of the gaze and explores the ways in which the shadow of death is an actual threat that hovers over Kratsman’s photographed persons and frames both individuals and the borrowed time within which they exist. Miki Kratsman was born in Argentina and emigrated to Israel in 1971. He worked as a photojournalist for Hadashot and Ha’aretz until 2012. A photo educator for a number of years, Mr. Kratsman has taught at the Camera Obscura College of Photography and the School for Geographic Photography of Tel Aviv as well as in the Department of Art in Haifa University, he was also the head of the photography department at Bezalel Academy of Arts and Design until 2014, when he retired. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ori Hofmekler visits Perfectly Healthy And Toned Radio to discuss,"The Anti-Estrogenic Diet." Ori Hofmekler is a modern renaissance man whose formative military experience prompted a life interest in survival science. A graduate of the Bezalel Academy of Art and the Hebrew University in Jerusalem, where he received a degree in Human Science, he is a world-renowned artist whose political satire artwork has been featured in books and magazines worldwide. As editor-in-chief of Mind and Muscle Power magazine, Hofmekler introduced his diet approach to the public to immediate acclaim from readers and professionals. His best seller Warrior Diet book was first published in 2002 followed by a new revised edition published by North Atlantic Books in 2007. In 2005, Hofmekler authored the highly acclaimed Maximum Muscle Minimum Fat/ The Secret Science Behind Physical Transformation followed by 2nd edition in 2007. Hofmekler's 2006 book, The Anti-Estrogenic Diet, offers natural dietary strategies against hormonal-disrupting chemicals in our food and environment.  Visit http://defensenutrition.com to learn more.

Tamara talks about her new film that premiered at TIFF this year called This is My Land. In it she examines the ideological structures within the Israeli and Palestinian school systems. She talks about structures, violence, fear and why we all need to ask better questions.BiographyTamara is a French-Israeli filmmaker living and working in Paris. She was born in Tel-Aviv in 1982. She graduated from Bezalel Academy, Jerusalem, and later attended the Le Fresnoy Film School, France. Tamara creates in various mediums, including documentary and fiction films, performances and video installations. Her work has been shown in many film festivals – Clermont Ferrand, Angelica Spring festival NY, Jerusalem int. Film festival, as well as in Gallery spaces and theatrical venues around the world. In addition, Tamara frequently participates in residency programs and international artists projects in New York, Denmark, England, Spain, and South Korea.Her work often deals with political and social issues focusing on the Israeli-Palestinian conflict. She mixes personal and imaginary reflections, with a documentary approach accompanied by relevant research on her selected themes.She is currently developing a long feature film entitled “One day my father died” produced by Les Films du Poisson, France (selected at les Ateliers d’Angers 2012, Equinoxe script development program and La Maison des scénaristes of Cannes).Tamara is currently editing a documentary film produced by the French production company Artline about the Massacre of Deir Yassin for the Israeli channel TV8.You can find out more about her here. See acast.com/privacy for privacy and opt-out information.

This week host Marcela Sulak features a graphic novel for the first time ever on this podcast - Rutu Modan’s The Property, translated by Jessica Cohen. It's about an Israeli grandmother and her granddaughter getting to know Warsaw as they try to reclaim a property lost during WWII. Marcela, with the help of her crew, reads the book's opening scene, set at Ben-Gurion airport, and a later scene in which Mica, the granddaughter, gets to show off her martial arts skills. Rutu Modan was born in Tel Aviv in 1966, and graduated from the Bezalel Academy of Art and Design in Jerusalem. Critics have called The Property “a triumph of storytelling and fine lines," saying it "cements Modan's status as one of the foremost cartoonists working today." Text:The Property, translated by Jessica Cohen. Drawn and Quarterly, 2013. Further Reading:Exit Wounds, Drawn and Quarterly, 2007Mixed Emotions, 2007, a visual blog at the New York TimesThe Murder of the Terminal Patient, a graphic serial in the New York Times Magazine, 2008Jamilti and Other Stories, Drawn and Quarterly, 2008Where Is?, written by Tamar Bergman, Houghton Mifflin/Walter Lorraine Books 2002 (children’s book)Dad Runs Away With The Circus, written by Etgar Keret, Cambridge, MA, Candlewick Press, 2004 (children’s book)Maya Makes a Mess, written and drawn by Rutu Modan, Toon Books, 2012 Music:Nigel Kennedy & Kroke - KazimierzWalter Wanderley - Beach SambaKapela Harnasie - Lipka Zielona

Eva Illouz is professor of sociology at Hebrew University in Jerusalem and president of the Bezalel Academy of Arts and Sciences. Her book Hard-Core Romance: Fifty Shades of Grey, Best Sellers, and Society (University of Chicago Press, 2014), provides a feminist-sociological analysis of the soft pornographic novel Fifty Shades of Grey. The book, and its two sequels written by E.L. James, began as fan fiction and subsequently reached record-breaking sales as an e-book. With two central characters, a sexual ingenue and a powerful enigmatic anti-hero, the novel is poorly written and formulaic, yet managed to capture the imagination of millions of women. Illouz tells us how the novel was the perfect combination of fantasy and self-help delivered to an audience increasingly confuse and uncertain in negotiating their heterosexual relationships. With its sadomasochistic sex and images of female submission and male dominance, Fifty Shades of Grey, is a gothic romance adapted to modern sexual dilemmas and emotional confusion. Combining the romantic fantasy and self-help genres, it acts a catalyst for renegotiating heterosexual relationships. By placing the novel within the history of the commodification of the book, the dynamics of the sexual marketplace, and the sociology of sexuality, Illouz locates Fifty Shades of Grey in the contemporary context. The reader of Hard-Core Romance will find an intriguing argument for why after feminism and the sexual revolution dominance and submission, resistance and surrender, remain as enigmas of modern relationships. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eva Illouz is professor of sociology at Hebrew University in Jerusalem and president of the Bezalel Academy of Arts and Sciences. Her book Hard-Core Romance: Fifty Shades of Grey, Best Sellers, and Society (University of Chicago Press, 2014), provides a feminist-sociological analysis of the soft pornographic novel Fifty Shades of Grey. The book, and its two sequels written by E.L. James, began as fan fiction and subsequently reached record-breaking sales as an e-book. With two central characters, a sexual ingenue and a powerful enigmatic anti-hero, the novel is poorly written and formulaic, yet managed to capture the imagination of millions of women. Illouz tells us how the novel was the perfect combination of fantasy and self-help delivered to an audience increasingly confuse and uncertain in negotiating their heterosexual relationships. With its sadomasochistic sex and images of female submission and male dominance, Fifty Shades of Grey, is a gothic romance adapted to modern sexual dilemmas and emotional confusion. Combining the romantic fantasy and self-help genres, it acts a catalyst for renegotiating heterosexual relationships. By placing the novel within the history of the commodification of the book, the dynamics of the sexual marketplace, and the sociology of sexuality, Illouz locates Fifty Shades of Grey in the contemporary context. The reader of Hard-Core Romance will find an intriguing argument for why after feminism and the sexual revolution dominance and submission, resistance and surrender, remain as enigmas of modern relationships. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eva Illouz is professor of sociology at Hebrew University in Jerusalem and president of the Bezalel Academy of Arts and Sciences. Her book Hard-Core Romance: Fifty Shades of Grey, Best Sellers, and Society (University of Chicago Press, 2014), provides a feminist-sociological analysis of the soft pornographic novel Fifty Shades of Grey. The book, and its two sequels written by E.L. James, began as fan fiction and subsequently reached record-breaking sales as an e-book. With two central characters, a sexual ingenue and a powerful enigmatic anti-hero, the novel is poorly written and formulaic, yet managed to capture the imagination of millions of women. Illouz tells us how the novel was the perfect combination of fantasy and self-help delivered to an audience increasingly confuse and uncertain in negotiating their heterosexual relationships. With its sadomasochistic sex and images of female submission and male dominance, Fifty Shades of Grey, is a gothic romance adapted to modern sexual dilemmas and emotional confusion. Combining the romantic fantasy and self-help genres, it acts a catalyst for renegotiating heterosexual relationships. By placing the novel within the history of the commodification of the book, the dynamics of the sexual marketplace, and the sociology of sexuality, Illouz locates Fifty Shades of Grey in the contemporary context. The reader of Hard-Core Romance will find an intriguing argument for why after feminism and the sexual revolution dominance and submission, resistance and surrender, remain as enigmas of modern relationships. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eva Illouz is professor of sociology at Hebrew University in Jerusalem and president of the Bezalel Academy of Arts and Sciences. Her book Hard-Core Romance: Fifty Shades of Grey, Best Sellers, and Society (University of Chicago Press, 2014), provides a feminist-sociological analysis of the soft pornographic novel Fifty Shades of Grey. The book, and its two sequels written by E.L. James, began as fan fiction and subsequently reached record-breaking sales as an e-book. With two central characters, a sexual ingenue and a powerful enigmatic anti-hero, the novel is poorly written and formulaic, yet managed to capture the imagination of millions of women. Illouz tells us how the novel was the perfect combination of fantasy and self-help delivered to an audience increasingly confuse and uncertain in negotiating their heterosexual relationships. With its sadomasochistic sex and images of female submission and male dominance, Fifty Shades of Grey, is a gothic romance adapted to modern sexual dilemmas and emotional confusion. Combining the romantic fantasy and self-help genres, it acts a catalyst for renegotiating heterosexual relationships. By placing the novel within the history of the commodification of the book, the dynamics of the sexual marketplace, and the sociology of sexuality, Illouz locates Fifty Shades of Grey in the contemporary context. The reader of Hard-Core Romance will find an intriguing argument for why after feminism and the sexual revolution dominance and submission, resistance and surrender, remain as enigmas of modern relationships. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eva Illouz is professor of sociology at Hebrew University in Jerusalem and president of the Bezalel Academy of Arts and Sciences. Her book Hard-Core Romance: Fifty Shades of Grey, Best Sellers, and Society (University of Chicago Press, 2014), provides a feminist-sociological analysis of the soft pornographic novel Fifty Shades of Grey. The book, and its two sequels written by E.L. James, began as fan fiction and subsequently reached record-breaking sales as an e-book. With two central characters, a sexual ingenue and a powerful enigmatic anti-hero, the novel is poorly written and formulaic, yet managed to capture the imagination of millions of women. Illouz tells us how the novel was the perfect combination of fantasy and self-help delivered to an audience increasingly confuse and uncertain in negotiating their heterosexual relationships. With its sadomasochistic sex and images of female submission and male dominance, Fifty Shades of Grey, is a gothic romance adapted to modern sexual dilemmas and emotional confusion. Combining the romantic fantasy and self-help genres, it acts a catalyst for renegotiating heterosexual relationships. By placing the novel within the history of the commodification of the book, the dynamics of the sexual marketplace, and the sociology of sexuality, Illouz locates Fifty Shades of Grey in the contemporary context. The reader of Hard-Core Romance will find an intriguing argument for why after feminism and the sexual revolution dominance and submission, resistance and surrender, remain as enigmas of modern relationships.

Minter Dialogue Episode #132 — This interview is with Michal Eitan, professor and head of the Master program of Design Management (M-Des) at the Bezalel Academy of Arts and Design in Jerusalem. Michal is also part of the UNESCO Netexplo Advisory Board. In this interview, we talk about the role and importance of designers in today’s business world. How the design process has changed and how to improve design thinking and process. Considering the amount of new tech coming out of Israel, Michal is at one true epicentres of tech innovation of the world. Meanwhile, you can comment and find the show notes on myndset.com where you can also sign up for my weekly newsletter. Or you can follow me on Twitter on @mdial. And, if you liked the podcast, please take a moment of your precious time to go over to iTunes to rate the podcast.Support the show (https://www.patreon.com/minterdial)

LifeArt – Can life itself be art? The stylization of life is currently a common trend—from stem cell research to cosmetic surgery, and from life-coaches to the politics of everyday life. In this lecture, Mr. Brand addresses the construction of life situations and experiences as a new medium for art. He approaches this subject through artists such as Tino Sehgal, Marina Abramović and others who abandon the usual and traditional art objects and attempt to shape life through direct encounters in which the encounter and life itself constitutes the art. Dr. Roy Brand is a Lecturer of Philosophy at the Graduate School of Bezalel Academy of Art and Design, and the Director and Chief Curator of Yaffo 23 – a center for contemporary art and culture in Jerusalem. He is the editor and translator of Philosophy in a Time of Terror: Dialogues with Habermas and Derrida, and editor and consultant curator of Bare Life: Contemporary Art Reflecting on the State of Emergency. His book LoveKnowledge: The Life of Philosophy from Socrates to Derrida, was published in 2012 by Columbia University Press; and he currently works on LifeArt: on the Stylization of Life in Culture and Art. Recorded April 18, 2013 in Magasin 3, Stockholm Language: English

LifeArt – Can life itself be art? The stylization of life is currently a common trend—from stem cell research to cosmetic surgery, and from life-coaches to the politics of everyday life. In this lecture, Mr. Brand addresses the construction of life situations and experiences as a new medium for art. He approaches this subject through artists such as Tino Sehgal, Marina Abramović and others who abandon the usual and traditional art objects and attempt to shape life through direct encounters in which the encounter and life itself constitutes the art. Dr. Roy Brand is a Lecturer of Philosophy at the Graduate School of Bezalel Academy of Art and Design, and the Director and Chief Curator of Yaffo 23 – a center for contemporary art and culture in Jerusalem. He is the editor and translator of Philosophy in a Time of Terror: Dialogues with Habermas and Derrida, and editor and consultant curator of Bare Life: Contemporary Art Reflecting on the State of Emergency. His book LoveKnowledge: The Life of Philosophy from Socrates to Derrida, was published in 2012 by Columbia University Press; and he currently works on LifeArt: on the Stylization of Life in Culture and Art. Recorded April 18, 2013 in Magasin 3, Stockholm Language: English

November 3, 2012 With Debera Johnson, Sanjit Sethi, and Ezri Tarazi; moderated by Rosanne Somerson. Within art and design institutions a variety of models for inter–disciplinary, industry–sponsored, and community–based research have emerged that hold great potential for building infrastructure and “best practices” to support collaborative and partnered research. At the same time, these approaches raise a range of practical and ethical questions regarding, for instance, the educational benefits and ethical challenges of collaborating with industry, and broader concerns regarding the ways in which creative research is used, credited, and (occasionally) monetized within these “partnered” relations. Rosanne Somerson received her BFA from RISD in 1976 and joined RISD’s faculty in 1985. After serving as interim provost for the 2011–12 academic year, she has been appointed provost effective July 1, 2012. In addition, she served as interim associate provost for Academic Affairs from 2005–07. After a sabbatical in 2007–08, Somerson resumed her position as professor and head of Furniture Design. From 1985–95 she ran the MFA Graduate Program in Furniture Design in Industrial Design, and from 1995–05 was head of the newly formed Department of Furniture Design at RISD. In addition to her academic roles at RISD, Somerson has maintained her own studio since 1978, where she designs and makes furniture for exhibitions and by commission. She is also a partner in DEZCO llc, a production furniture company whose projects include design and manufacture of the furnishings for the 500 bed living quarters in 15 West at RISD. Debera Johnson leads Pratt’s commitment to integrate sustainability into academics in her role as Executive Director of the Center for Sustainable Design Studies (CSDS). Founded in 2008, the CSDS interdisciplinary thesis lab supports industry based research projects in design, architecture and urban planning. The CSDS is the campus resource for sustainable design and has published open source evaluation tools and programming, workshops for faculty development, and documented case studies by students, faculty and alumni. Sanjit Sethi’s work focuses on issues of trauma, culture and community collaboration and the ways that art, design, and architecture can be utilized to address this complex topic. Of particular interest to him is the ways institutions of higher education can redefine themselves through the process of greater community engagement at the local, national, and global level. Sanjit received a BFA in 1994 from the New York State College of Ceramics at Alfred University, an MFA in 1998 from the University of Georgia, and an MS in advanced visual studies in 2002 from the Massachusetts Institute of Technology. He is currently Director of the Center for Art and Public Life, Chair of the Community Arts Program and Barclay Simpson Professor of Community Arts at the California College of the Arts. Ezri Tarazi is an industrial designer and the head of the Industrial Design department at Bezalel Academy of Art and Design in Jerusalem. During the past 15 years, Ezri has been active as a designer, realising a large body of experimental and practical work for a number of clients; as a writer; and as a curator, a participant, and the subject of a range of exhibitions. Host Organizations

Yaron pushes the boundaries of the visual world – both technically and aesthetically. Born in Jerusalem and now living in New York City, Yaron's work investigates how the media and military power depict and often distort reality. A BFA graduate in photography from Israel's Bezalel Academy of Arts and Design, Yaron has participated in several international group exhibitions including the Tokyo Wonder Site, the 9th Istanbul Biennial, and at the Lisson Gallery in London. His work is also part of the permanent collection at New York's Museum of Modern Art. Additionally, through his Leshem Loft Yaron creates museum quality family portraits.

Growing up and living in Israel was very influential to Oded Ezer as a person and as a typographic artist. He explores the rich fusion of historic research, Israeli culture, calligraphy, classic typography, experimentation, storytelling, and science which come into play within his unique body of work. We ask Oded about his first typographic memory and his early inspirations when he was studying at the Bezalel Academy for Arts and Design. Before his studies Oded served in the Israeli Army. We wonder how serving in the Army helped him to begin his career as a designer. We also talk about his ‘Biotypography’ series, like the ‘Typosperm’ project and the first film he did, called ‘Typembrya’. And more recent projects such as ‘Skypetype’ and his future plans. Recorded at the ATypI 2010 conference in Dublin, Ireland. Oded Ezer website :: Oded Ezer on Flickr :: Oded Ezer blog :: Typembria video :: Oded Ezer Gestalten video interview :: Typosperma at Moma :: File Download (26:55 min / 37 MB)

This week: Bad at Sports humbly presents Yael Bartana. We speak about her film work, identity struggles, the history of war and power, and just how an Israeli comes to represent Poland in the 2011 Venice Biennial. Bio from Experimental Television Center Yael Bartana was born in 1970 in Kfar-Yehozkel, Israel. She has a BFA from the Bezalel Academy of Art and Design in Jerusalem, an MFA from the New York School of Visual Arts and participated in the Rijksakademie artist-in-residence program from 2000-2001. She has had solo exhibitions in many countries including Germany, Israel, Australia and Japan and has won various prizes such as the Anselm Kiefer Prize (2003) and the Dorothea von Stetten-Kunstpreis (2005). Her work focuses mainly on the relationship between ritual and identity in Israeli society, looking at the practices that constitute identity, especially in its relation with traditional and contemporary notions of gender, place and ethnicity. In most of the pieces Bartana uses documentary footage shot in public or semi-public spaces at collective events that contribute to identity formation, such as shooting drills for trainee female soldiers or the carnivalesque festivities of the Jewish holiday Purim. Bartana currently lives and works in Amsterdam and Tel Aviv.   www.my-i.com http://www.experimentaltvcenter.org/history/people/bio.php3?id=40