Podcast appearances and mentions of Shirin Neshat

La prima puntata del 2025 inizia con un breve ricordo di Oliviero Toscani, David Lynch e Luca Beatrice. Poi, l’assessore alla cultura del comune di Milano, TOMMASO SACCHI, parla delle mostre in programma nei prossimi mesi; segue un’incursione a Torino alla Pinacoteca Agnelli, per la mostra SALVO. ARRIVARE IN TEMPO e a Venezia, per alcune novità dalla BIENNALE, che presenta il presidente PIETRANGELO BUTTAFUOCO. Ospite in studio DIEGO SILEO, curatore del PAC- Padiglione d’arte contemporanea di Milano, dove è in corso la mostra METAL PANIC di MARCELLO MALOBERTI e in arrivo la personale dedicata a SHIRIN NESHAT. Infine, Sileo rivela le tre mostre che mette sul podio, per questo meseSee omnystudio.com/listener for privacy information.

Themen u.a.: Zwischenbilanz vom Filmfestival in Cannes; Shirin Neshat im Lehmbruck Museum Duisburg; "Von guten Eltern" - neuer Roman des US-amerikanischen Schriftstellers Robert Russo; Streit um Vergabe des Internationalen Literaturpreises; Service Serie: "Bridgerton" Staffel drei; Moderation: Jörg Biesler Von Jörg Biesler.

Weibliche Körper, die gleichzeitig überwacht, gequält und ermächtigt werden, sind zu sehen in der Kunst von Shirin Neshat, Exiliranerin aus New York. Elke Buhr, Chefredakteurin von Monopol, hat die Ausstellung angesehen mit Fotografien und der Videoinstalltion „The fury“. Sie erzählt, was Künstlerin und Ausstellungsort, Ausstellungshaus Fotografiska in Berlin-Mitte, auszeichnet. Moderation: Yvi Strüwing Podcast: detektor.fm/feeds/was-wichtig-wird Apple Podcasts: itun.es/de/9cztbb.c Google Podcasts: goo.gl/cmJioL Spotify: open.spotify.com/show/0UnRK019ItaDoWBQdCaLOt

Reber, Simonewww.deutschlandfunkkultur.de, Fazit

Tuğçe Arslan Üçer ve Eylül Görmüş, bu bölümde insanı hem yiyip bitiren, hem sağaltan bir şeyi, "suçluluğu" didikliyor. Kimi zaman bir manipülasyon biçimi, kimi zamansa affa giden yolun ilk adımı olan suçlulukla nasıl ilişkilenmeli, ondan ne kadar, nasıl korunmalı? Hangi filmlerden, hangi kitaplardan suçluluğa dair neler öğrendik? Konuşuyor, akıl yürütüyoruz.Bölümde adı geçen tüm kitap ve filmlerin listesini @1kitap1film.us instagram hesabımızda bulabileceğinizi hatırlatalım.Bu bölüme sponsor olarak bizi destekleyen Doku Clinic'e katkılarından ötürü sonsuz teşekkür ederiz. Podcast kapağı için seçtiğimiz Shirin Neshat eserinin de kendilerinin koleksiyonundan olduğunu belirtelim.

In On Display, artist Shirin Neshat is in conversation with Jamie Fobert, the architect of London's newly reopened National Portrait Gallery, and its Director, Dr Nicholas Cullinan, moderated by Tim Marlow, Director of the Design Museum. Neshat reflects on her 2018 portrait of Nobel Peace Prize awardee Malala Yousafzai that was commissioned by the National Portrait Gallery. The conversation explores the history of this much-loved institution and how its contemporary meaning is shaped through its program, its work with artists like Neshat, and in the very fabric of its building. 'I think what we ended up capturing is the true Malala, which is exactly that kind of paradoxical quality that I see in every human being: the sense of confidence, defiance, strength, pride, yet absolute vulnerability, fragility, insecurity.' –  Shirin Neshat Shirin Neshat is an Iranian-born artist and filmmaker living in New York. Jamie Fobert is a London-based architect and designer whose projects include the recently completed National Portrait Gallery, London. Dr Nicholas Cullinan is Director of the National Portrait Gallery, London.  Find images of the artwork discussed here. This episode is presented in collaboration with the National Portrait Gallery. About Frieze Masters Podcast Series two of the Frieze Masters Podcast is now available, bringing you our annual programme of live talks – the Frieze Masters Talks programme – curated by the Director of the National Portrait Gallery, Dr Nicholas Cullinan. These eight conversations between leading artists, writers, museum directors and curators all reflect the ethos of the Frieze Masters fair: looking at the past with a contemporary gaze. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill, the foremost British luxury menswear house. This podcast is a Reduced Listening production. The producer was Silvia Malnati and sound engineer was Andy Fell. About Frieze Frieze is the world's leading platform for modern and contemporary art, dedicated to artists, galleries, collectors and art lovers alike. Frieze comprises three magazines –

A conversation with documentary filmmaker Sophie Chahinian whose Artist Profile Archive features one-on-one conversations and footage from the studios of some of the most iconic artists of our time, including the likes of David Salle, Yinka Shonibare, Charles Gaines and Shirin Neshat.https://www.theartistprofilearchive.com/Lita AlbuquerqueAlice AycockTroy BrauntuchChuck CloseEric FischlCharles GainesApril GornikDan GrahamAlexandra GrantDavid HepherSheree HovsepianVirginia JaramilloJon KesslerRobert LongoEd MosesShirin NeshatArcmanoro NilesAngel OteroCarol PeligianAlexis RockmanDavid SalleBastienne SchmidtJoel ShapiroPeter SheltonPeter ShireYinka ShonibareGary SimmonsNed SmythMarnie WeberJames WellingLetha WilsonManoucher Yektai

We hear from food writer Grace Dent about her new book, Comfort Eating, inspired by her podcast of the same name. She'll explain why she's so fascinated by the foods to make us feel better behind closed doors. The Iranian visual artist Shirin Neshat's latest work is called The Fury. It is a short film and series of photographs which explore the sexual exploitation of female political prisoners in Iran. Shirin left Iran as a teenager to study in the US and has lived in exile there since the 1990s. Her art is known for posing questions about how the female body is perceived within Islam and Iranian culture. She talks to Anita Rani about bringing The Fury to London and why she has chosen to deviate from her usual style and include the nude form. Gloria Daniel is the descendant of John Isaac Daniel, who was a slave. After finding out more about her family history and the lives of her ancestor, as well as other slaves, she has started the organisation TTEACH (Transatlantic Trafficked Enslaved African Corrective Historical) Plaques. She joins Anita to tell us about the exhibition they are currently holding which includes the testimonies and artwork of women. Mei Mac is an Olivier award nominee who has taken on the lead role of Kim in the ‘untitled f*ck m*ss s**gon play' at the Young Vic. The play tackles over a century's worth of stereotypes about Asian women in drama, parodying Madame Butterfly, Miss Saigon and South Pacific. Mei tells Anita about confronting prejudice in theatre, 'the bamboo ceiling' and why she has set up a mentorship scheme for British East Asian and South East Asian actors. Presenter: Anita Rani Producer: Kirsty Starkey

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Shortlisted for the Independent Podcast Awards 2023. In this episode I look back at how Iranians have made use of art in the 2022 uprising to undermine the hardline fundamentalist regime that has held power there since 1979. Women in particular have had their rights repressed and their bodies controlled. Within Iran artists have been creating work which is critical of the regime, sharing it widely to inspire others to join the fight or to keep going. Artists in the Iranian diaspora have also been important for raising awareness of the human rights abuses taking place, and for keeping the protests in the public eye in the West, including the high-profile American-Iranian artist Shirin Neshat.The Gallery Companion is hosted by writer and historian Dr Victoria Powell. It's a thought-provoking dive into the interesting questions and messy stuff about our lives that art explores and represents.To see the images and watch the videos discussed in the podcast visit www.thegallerycompanion.com. This is where you can subscribe to The Gallery Companion email list, which goes out every fortnight to accompany each new podcast episode, and is packed full of links to more info. That's where you can share your thoughts and join the conversation too.The Gallery Companion is hosted by writer and historian Dr Victoria Powell. It's a thought-provoking dive into the interesting questions and messy stuff about our lives that art explores and represents.To see the images and watch the videos discussed in the podcast visit www.thegallerycompanion.com. This is where you can subscribe to The Gallery Companion email list, which goes out every fortnight to accompany each new podcast episode, and is packed full of links to more info. That's where you can share your thoughts and join the conversation too. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.thegallerycompanion.com/subscribe

Wrapping up our guests from the Las Cruces International Film Festival, this week on the TowerCast podcast we talk to Directors Shirin Neshat and Shoja Azari who's film “Land of Dreams” stars Sheila Vand Matt Dillon, William Moseley, Isabella Rossellini and many more, was the opening film of the Las Cruces International Film Festival. They discuss with us their journey as storytellers, their process as directors, and the influence of various types of art to tell interconnected stories. You won't want to miss this fascinating conversation with these remarkable filmmakers. Help us share this episode by liking, commenting, SHARING, and SUBSCRIBING! #TowerCastPodcast #TowerCastNetwork #Film #IndieFilm #Cinema --- Send in a voice message: https://podcasters.spotify.com/pod/show/towercast/message Support this podcast: https://podcasters.spotify.com/pod/show/towercast/support

Sussan Deyhim: Ritual FuturismThe Iranian American composer, vocalist, performance artist, and activist in a conversation illustrated with a 1986formative performance at Roulette with longtime partner, multi-instrumentalist Richard Horowitz. Deyhim's journey froman early passion for Persian dance and music to a globally recognized concert performer and associations with artistsfrom Arto Lindsay and Shirin Neshat to Ornette Coleman and U2 is a remarkable story. The work--including recordings,film scores, installations, opera, performance art, and collaborations--is faithful to her fertile, evolving cross-culturalroots.https://roulette.org/

The Iranian-American composer, vocalist, performance artist, and activist in a conversation illustrated with a 1986 formative performance at Roulette with longtime partner, multi-instrumentalist Richard Horowitz. Deyhim's journey from an early passion for Persian dance and music to a globally recognized concert performer and associations with artists from Arto Lindsay and Shirin Neshat to Ornette Coleman and U2 is a remarkable story. The work--including recordings, film scores, installations, opera, performance art, and collaborations--is faithful to her fertile, evolving cross-cultural roots.

Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman led the museum in opening its new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's thirteen female founders, the opening collection exhibition will be 13 Women, organized by Zuckerman. This is the second building project she has completed. Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum.After reimagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012) and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow and Tobias Rehberger.Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 museum exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.She was recently appointed to be an Arts Commissioner for the City of Costa Mesa.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.

Entrevistamos a la fotógrafa Judith Prat en el episodio 8 de "El espejo de Vivian y Francesca". Con ella hablamos de fotoperiodismo, de cómo buscarse la vida como freelance, de la figura de la mujer delante y detrás de la cámara, de conflictos y de la importancia del compromiso, la honestidad y la sinceridad con las situaciones y las personas a las que se fotografía. Y tras la entrevista, os hablamos de los trabajos de dos fotógrafas a las que merece mucho la pena seguir la pista: la iraní Shirin Neshat y la yemení Thana Faroq. Presentado por Leire Etxazarra e Inma Barrio.

Shirin Neshat is seen as a powerful voice for Iranian women...but her art has never been shown in Iran. She speaks on life in exile and how her acclaimed and controversial art is shaped by politics. You can watch a version of this interview on YouTube here. TED Radio Hour+ subscribers now get access to bonus episodes, with more ideas from TED speakers and a behind the scenes look with our producers. A Plus subscription also lets you listen to regular episodes (like this one!) without ads. Sign-up at plus.npr.org/ted.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Shirin Neshat discuss her latest multimedia project, Land of Dreams which combines photographs, video installation, and a feature length film. Shirin and Sasha talk about what brought Shirin back to making art after an 11 year hiatus and how Shirin thinks about her identity as an Iranian artist. https://www.gladstonegallery.com/artist/shirin-neshat/ https://www.instagram.com/shirin__neshat https://www.radiusbooks.org/all-books/p/shirin-neshat-land-of-dreams Shirin Neshat is an Iranian-born artist and filmmaker living in New York. Neshat has held numerous solo exhibitions at museums internationally including the Pinakothek der Moderne, Munich; Modern Art Museum of Fort Worth; The Broad, Los Angeles; Museo Correr, Venice, Italy, Hirshhorn Museum, and the Detroit Institute of Arts. Neshat has directed three feature-length films, Women Without Men (2009), which received the Silver Lion Award for Best Director at the 66th Venice International Film Festival, Looking For Oum Kulthum (2017), and most recently Land of Dreams, which premiered at the Venice Film Festival (2021). Neshat was awarded the Golden Lion Award, the First International Prize at the 48th Biennale di Venezia (1999), and the Praemium Imperiale award for Painting in (2017). She is represented by Gladstone Gallery in New York and Goodman Gallery in London.

Today we are visiting with the one and only Shirin Neshat, who hardly needs introduction. If you've ever taken an art history class that covers video art, photography, international cinema, or for that matter contemporary opera, you've definitely seen Shirin's work. Since her debut exhibition in 1993 at Franklin Furnace, Shirn's work has offered a deeply personal yet universal perspective on womanhood, power, corruption, trauma, and the female body as the battleground of social and political manipulation. All of this in Shirin's work is of course informed very much by her experience as an Iranian immigrant, who moved to the US at age seventeen just prior to the revolution, and since then has lived ostensibly in exile. These themes in her work however are quite universal, which is something Shirin spoke to expensively in our chat when we discussed her latest work which just so happens to be on view as we speak. Her latest exhibition at Gladstone Gallery titled The Fury is on view until March 4th, you've got a whole month to check it out, and this show features new works including a photo series and a large video installation in Shirin's signature black and white with two channels of video on opposite walls, that harkens all the way back to her iconic 1998 video installation Turbulent. We discuss all this and more in our chat, as well as Shirin's perspective on the ongoing protests and movement in Iran sparked by the death of Masha Amini — which of course is deeply related to the themes that have been present in Shirin's work for decades.Today's episode, and the many more artist interviews coming your way this year was made possible thanks to generous support from wonderful folks at the Kramlich Art Foundation.Links from the conversation with Shirin> The Fury: https://www.gladstonegallery.com/exhibition/10596/the-fury/installation-views Get access to exlusive content - join us on Patreon!> https://patreon.com/artobsolescenceJoin the conversation:https://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

This week: as the exhibition Velvet Terrorism: Pussy Riot's Russia opens at the Kling & Bang gallery in Reykjavik, Ben Luke talks to Masha Alekhina, one of the founding members of Pussy Riot, and the artist Ragnar Kjartansson, one of the co-curators of the show. As protests continue across Iran, Aimee Dawson, The Art Newspaper's acting digital editor, speaks to Shirin Neshat, the artist whose work expressing solidarity with women in Iran was recently installed outside the Neue Nationalgalerie in Berlin. And this episode's Work of the Week is by the Puerto Rican artist Gabriella Torres-Ferrer. Their 2018 sculpture—called Untitled (Value Your American Lie)—is part of a major new show at the Whitney Museum in New York, exploring art in Puerto Rico in the five years since the devastation wreaked by Hurricane Maria in 2017.Velvet Terrorism: Pussy Riot's Russia, Kling & Bang, Reykjavik, until 15 January 2023. Pussy Riot: Riot Days, National Theatre of Iceland, Reykjavik, 25 November. Proceeds from the concert and the exhibition go to supporting Ukraine. You can hear an in-depth interview with Ragnar Kjartansson from 2020 on our sister podcast A brush with… on the usual podcast platforms.No existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria, Whitney Museum of American Art, New York, until 23 Apr 2023. Hosted on Acast. See acast.com/privacy for more information.

Shirin Neshat, Fahimeh Farsai und Parastou Forouhar sind Künstlerinnen mit Wurzeln im Iran. Das heißt: Drei Mal Solidarität mit dem Protesten im Land. Auf die Lage in ihrer Heimat blicken sie mit gemischten Gefühlen. Cornelia Wegerhoff hat sie getroffen. Von Cornelia Wegerhoff.

Zwei Jubiläumsgäste in der 450. Ausgabe von Eine Stunde Film: Mit Regisseur Hans-Christian Schmid sprechen wir über sein Reemtsma-Entführungs-Drama "Wir sind dann wohl die Angehörigen", mit der iranischen Filmemacherin Shirin Neshat über ihre politische Satire "Land of Dreams". **********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: Tiktok und Instagram.

Shirin Neshat is the world's foremost Iranian-born artist. Best known for her black and white portraits of veiled women, often with hands and faces overlain with intricate Farsi calligraphy, she works primarily as a photographer and filmmaker. A winner of one of the biggest international arts prizes, the Praemium Imperiale, she has shown art in galleries all round the world - except in Iran, as she has lived in exile in America since 1996. As human rights protests continued in Iran, a huge artwork by Shirin, called Women Life Freedom, was shown on billboards at London's Piccadilly Circus where a rally was staged in support of Iranian protesters. Shirin Neshat tells John Wilson about her upbringing in an artistic, liberal family who lived amidst the conservative and religious Iranian city of Qazvin. She recalls how she was studying art at the University of California, Berkeley, when the Islamic Revolution took place in 1979. With new restrictions imposed on women, including the mandatory veil, she decided to remain in America. Returning to Iran for the first time in 1990, she was shocked by the changes and began to make artworks in response, primarily exploring the theme of power and oppression in two series of works entitled Unveiling and Women Of Allah. Shirin also reveals the huge influence on her work of the Iranian poet and filmmaker Forugh Farrokhzad, who was killed in a car accident in 1967 aged just 32. Producer: Edwina Pitman Extracts from The Wind Will Carry Us by Forugh Farrokhzad, read by Shahrbanou Nilou

This week we speak with Shirin Neshat, one of the most famous contemporary artists from Iran, about the protests in her home country. Shirin's work focuses on the lives and struggles of Iranian women. The protests have been raging for a month, which, as Shirin says, makes them the longest-running demonstrations since the 1979 Islamic revolution. We talk about what they mean, why this time they're different, and her art, some of which has been recently projected on buildings in London and Los Angeles. Then, we hear about a new trend in drug research. Scientists can now grow entire human mini-organs in labs. Could that lead to a world without animal testing? The FT's Clive Cookson and Hannah Kuchler join us to discuss.-------Want to stay in touch? We love hearing from you. Email us at ftweekendpodcast@ft.com. We're on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap.-------Links and mentions from the episode:– Shirin Neshat is on Instagram at @shirin__neshat– Shirin's video installation Turbulent, 1998: https://www.youtube.com/watch?v=VCAssCuOGls– Some photos of Shirin's Women of Allah series: https://www.matronsandmistresses.com/articles/2021/4/29/shirin-neshat – Baraye, by Shervin Hajipour https://www.youtube.com/watch?v=TPyHuCZzsVA – An interview with Shirin in the FT from September 2021: https://on.ft.com/3zVaVk8– How science is getting closer to a world without animal testing, by Clive, Hannah and Joe Miller: https://on.ft.com/3SPlFuA– Hannah is on Twitter @hannahkuchler, and Clive is on Twitter @clivecookson-------Special offers for FT Weekend listeners, from 50% off a digital subscription to a $1/£1/€1 trial can be found here: http://ft.com/weekendpodcast-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco Hosted on Acast. See acast.com/privacy for more information.

This week we speak with Shirin Neshat, one of the most famous contemporary artists from Iran, about the protests in her home country. Shirin's work focuses on the lives and struggles of Iranian women. The protests have been raging for a month, which, as Shirin says, makes them the longest-running demonstrations since the 1979 Islamic revolution. We talk about what they mean, why this time they're different, and her art, some of which has been recently projected on buildings in London and Los Angeles. Then, we hear about a new trend in drug research. Scientists can now grow entire human mini-organs in labs. Could that lead to a world without animal testing? The FT's Clive Cookson and Hannah Kuchler join us to discuss.-------Want to stay in touch? We love hearing from you. Email us at ftweekendpodcast@ft.com. We're on Twitter @ftweekendpod, and Lilah is on Instagram and Twitter @lilahrap.-------Links and mentions from the episode:– Shirin Neshat is on Instagram at @shirin__neshat– Shirin's video installation Turbulent, 1998: https://www.youtube.com/watch?v=VCAssCuOGls– Some photos of Shirin's Women of Allah series: https://www.matronsandmistresses.com/articles/2021/4/29/shirin-neshat – Baraye, by Shervin Hajipour https://www.youtube.com/watch?v=TPyHuCZzsVA – An interview with Shirin in the FT from September 2021: https://on.ft.com/3zVaVk8– How science is getting closer to a world without animal testing, by Clive, Hannah and Joe Miller: https://on.ft.com/3SPlFuA– Hannah is on Twitter @hannahkuchler, and Clive is on Twitter @clivecookson-------Special offers for FT Weekend listeners, from 50% off a digital subscription to a $1/£1/€1 trial can be found here: http://ft.com/weekendpodcast-------Original music by Metaphor Music. Mixing and sound design by Breen Turner and Sam Giovinco Hosted on Acast. See acast.com/privacy for more information.

A discussion with the iconic artist Shirin Neshat. Neshat has spent more than three decades making films, videos and photography that challenge viewers to consider topics of humanity, oppression, gender roles and faith within the complex social and political framework of Iran. In the conversation, we discuss her origins in Iran, her life in exile, how her work has evolved and her perspectives on the recent uprising in her homeland following the death of Mahsa Amini while in the custody of the regime's morality police.https://www.instagram.com/shirin__neshat/?hl=enhttps://www.gladstonegallery.com/artist/shirin-neshat/https://www.thebroad.org/art/shirin-neshat

Çağdaş fotoğrafçılığın en önemli isimlerinden biri olan Shirin Neshat'la İstanbul'da Dirimart'ta açılan sergisi The Land of Dreams ve sergiye paralel olarak İstanbul Film Festivali'nde gösterilen aynı adlı filmi vesilesiyle bir araya gelen eleştirmen Ahmet Ergenç'in yaptığı konuşmayı yayınlıyoruz. Fotoğraflarıyla yakın tarihe tanıklık eden ve genelde ‘ötekileri' merkeze aldığı fotoğraflarını bir şiirsel adalet sağlama aracı olarak kullanan Shirin Neshat'la fotoğraflar, filmler, hikâyeler, kimlikler, sürgünler, yolculuklar, mücadeleler, ötekiler, edebiyat, İstanbul ve diğer şeyler üzerine bir söyleşi.Podcast dili İngilizcedir, buluşmanın Türkçe altyazılı video kaydını ise YouTube kanalımızda izleyebilirsiniz.

What are some of the lingering issues in modern Middle Eastern cultures? What is the continuing relationship between political and personal emancipation in the Middle Eastern context? What cultural characteristics do gross acts of violence illuminate? In this week's episode, Jimmy is joined by special guest Sarah Barrie, who has studied, worked in and travelled extensively throughout the Middle East, to discuss three impactful films that have come out of the region in recent decades. Get in touch: https://www.facebook.com/sacredcinema https://www.instagram.com/jimmy_bernasconi/?hl=en --- Send in a voice message: https://anchor.fm/2xxfm-sacredcinema/message

Fuchs, Jörn-Florianwww.deutschlandfunk.de, Kultur heuteDirekter Link zur Audiodatei

Die Kriegsthematik ist heute aktueller denn je. Tod und Zerstörung stehen im Fokus dieser "Aida"-Inszenierung. Shirin Neshat hat die Oper bereits vor fünf Jahren in Salzburg inszeniert. Jetzt hat sie ihr Regiekonzept nochmal nachgeschärft.

Julie Le Gallais vous propose de fermer les yeux pour visualiser l'oeuvre : Nous sommes dans le noir, et faisons face à deux écrans qui s'opposent, la dualité des genres est centrale dans cette installation. Le silence s'installe puis tire sa révérence pour laisser place au chant bas et vibrant d'un homme au pantalon noir et à la chemise blanche. Il s'approche d'un micro et tourne le dos à un auditoire exclusivement masculin pour faire face à la caméra. Le chant d'amour perse nous transporte. Ce chanteur à la voix puissante fixe l'écran d'en face, et ainsi nous amène à tourner les yeux vers ce dernier. Il y apparaît une femme voilée, toute de noir vêtue, tournant le dos à l'écran du chanteur et faisant face à une salle de théâtre vide. Ainsi, dès le début du film, l'opposition est conceptualisée dans les couleurs (le noir et le blanc), le plein face au vide (applaudissement et chaises vides), et le bruit face au silence.

Shirin Neshat'la söyleşimizin ikinci bölümü.

Heidi Zuckerman is CEO and Director of the Orange County Museum of Art (OCMA) and a globally recognized leader in contemporary art. She is host of the podcast Conversations About Art and author of the Conversation with Artists book series.Appointed in January 2021, Zuckerman is leading OCMA as the institution prepares to open a new home in October 2022 designed by Morphosis Architects under the direction of Pritzker Prize winner Thom Mayne. The state-of-the-art 53,000 square foot building is double the size of the museum's former location in Newport Beach. In a salute to OCMA's 13 female founders, the opening collection exhibition will be Thirteen Women, organized by Zuckerman.Zuckerman is the former 14-year CEO and Director of the Aspen Art Museum. After re-imagining the museum as a world-class institution, she founded its annual ArtCrush gala, raised more than $130 million, and built a new, highly acclaimed museum with Shigeru Ban, the 2014 Pritzker Prize winner for architecture. At the Aspen Art Museum, Heidi Zuckerman curated the exhibitions Wade Guyton Peter Fischli David Weiss (2017), Yves Klein David Hammons/David Hammons Yves Klein (2014), Lorna Simpson: Works on Paper (2013), Mark Grotjahn (2012), and Fred Tomaselli (2009).From 1999 to 2005 she was the Phyllis Wattis MATRIX Curator at the University of California, Berkeley Art Museum and Pacific Film Archive, where she curated more than forty solo exhibitions of international contemporary artists such as Peter Doig, Shirin Neshat, Teresita Fernández, Julie Mehretu, Doug Aitken, Cai Guo-Qiang, Tacita Dean, Wolfgang Laib, Ernesto Neto, Simryn Gill, Sanford Biggers, Ricky Swallow, and Tobias Rehberger. Formerly she was the Assistant Curator of 20th-century Art at The Jewish Museum, New York, appointed in 1993, and curated Light x Eight: The Hanukkah Project, Contemporary Artist Project: Kristin Oppenheim, and Louis I. Kahn Drawings: Synagogue Projects which traveled to The Israel Museum, Jerusalem.She has curated more than 200 exhibitions during her career and is the author of numerous books including a widely loved children's book The Rainbow Hour with artist Amy Adler.Zuckerman earned a BA in European History from the University of Pennsylvania, an MA in Art History from Hunter College at CUNY and holds a Harvard Business School Executive Education certification.

Shirin Neshat is here in Istanbul to promote her project 'Land of Dreams'. Elif Bereketli sat down with the Iranian-in-exile to find out more about her identity as an artist and feminist.

On this episode of Showcase, watch: Shirin Neshat and the 'Land of Dreams' 00:02 Interview With Shirin Neshat 02:42

Actor John Cho discusses his debut novel, Troublemaker, which follows the events of the 1992 Los Angeles riots through the eyes of a 12-year-old Korean American boy. Veteran Québécois film producer Roger Frappier reflects on his decade-long journey to bring The Power of the Dog to the screen. Folk musician Allison de Groot talks about her new song with fiddler Tatiana Hargreaves, The Banks of the Miramichi, and the New Brunswick river that inspired it. Artist and filmmaker Shirin Neshat discusses how her work reflects her life as an Iranian woman in exile, and why she's shifted her gaze from Iran to the United States.

Neil Koenig, ex BBC producer and current ideaXme board advisor and guest interviewer, interviews Mohammed Afkhami, philanthropist and art collector. If asked to name a country associated with modern art, few people today might think of Iran. The collector Mohammed Afkhami is working hard to change that perception. In this age that we are in now anything that promotes misunderstood or unknown cultures is a plus. In recent years he has amassed a large collection of Iranian art. Mr Afkhami says his love of art began at an early age: “we used to visit my grandfather's house multiple times a week, and he collected Islamic art and antiquities, Western artworks, Japanese lacquer…it was a fascinating and enchanting house of treasures”. He left Iran as a young child, after the revolution at the end of the 1970s. After embarking on a successful career in finance, he eventually returned in the early 2000s. “It felt like coming home” he explains. Mohammed Afkhami was surprised and delighted by the quality of contemporary art available, even though there were only a small number of galleries open at the time in Tehran. He bought works by Sirak Melkonian and Massoud Arabshahi for around $500 apiece. Since then, the collection has grown to include works by artists such as Shirin Neshat, Monir Farmanfarmaian, Parviz Tanavoli, Abbas Kiarostami and many more. What is the art scene like in Iran today? According to Mr Afkhami it is thriving, despite the impact of sanctions. There are now hundreds of galleries in Tehran, he says: “an artist is lucky to have a show that lasts longer than a month, because there's such a backlog of artists wanting to exhibit”. In an interview with me for ideaXme, Mohammed Afkhami talks about his passion for his country's art, how he built his collection and how he works with artists and galleries, and how art can serve to broaden understanding and break down cultural barriers. “Rebel, Jester, Mystic, Poet: Contemporary Persians—The Mohammed Afkhami Collection”, can be seen at the Asia Society in New York until May 2022. Drawing from the collection of financier and philanthropist Mohammed Afkhami, the exhibition comprises paintings, sculptures, photographs, and videos. Of the 23 participating artists, over a third live in Iran, over a third live outside of Iran, and five live in New York City. These established, mid-career, and emerging artists are working from unique vantage points, informed by a rich cultural heritage as well as more recent extensive social and political unrest in Iran. Referencing “contemporary Persians,” the exhibition's title evokes an ancient culture that is still very much alive today. The curator of the exhibition is Dr. Fereshteh Daftari. Neil: https://www.linkedin.com/in/neilkoenig/ https://twitter.com/neilkoenig?lang=en ideaXme is a global network - podcast on 12 platforms, 40 countries, mentor programme and creator series. More soon. Get involved: https://radioideaxme.com/get-involved/ Mission: Move the human story forward™

While our dear Gianna is returning from her Greece trip, we have a reissue of our Great Women Artists episode from March of 2021 in celebration of Women's History Month. In this week's episode, we are highlighting and celebrating five iconic women that we haven't talked about on the pod yet: Shirin Neshat, Hulleah J. Tsinhnahjinnie, Juliana Huxtable, Empress Theodora, and Rokudenashiko.Check out this episode of the Great Women Artists podcast where Katy Hessel interviews Shirin Neshat.https://www.thegreatwomenartists.com For 30% off your first three months at Zencastr, go to zencastr.com/pricing and enter promo code artpoptalk0.To receive 2 months of fee-free investing from Vinovest, go to zen.ai/artpoptalk.For all of Artpop Talk's resources, click HERE.

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Die Münchner Pinakothek der Moderne zeigt Arbeiten der iranischen Foto- und Filmkünstlerin Shirin Neshat. Und: Stofferl Wells "Open Harp Blues" / Lukas Rietzschel über eine politische Kultur der Bürger-Behelligung / Nora Fingscheidts neuer Spielfilm "The Unforgivable".

In today's episode, we bring you special events around two of our recent hit films – CHESS OF THE WIND and HIVE. First up, we were honored to have the renowned Iranian visual artist Shirin Neshat join us to introduce a screening of Mohammad Reza Aslani's sumptuous, long-lost 1976 melodrama CHESS OF THE WIND on Sunday, November 7. Here she's introduced by Bruce Goldstein, Film Forum's Director of Repertory Programming. In the second segment: the opening night Q&A for Blerta Basholli's HIVE from November 5. HIVE is an engrossing drama about a young widow overcoming tragic and oppressive circumstances in post-war Kosova, based on a true story. Popular Kosovan actress Yllka Gashi gives a fabulous, steely lead performance in the film, which was awarded the Grand Jury Prize, Audience Award and Directing Award in World Cinema Competition at the 2021 Sundance Film Festival. We were fortunate to have both Basholli and Gashi join us for the Q&A, which was moderated by Vox film critic Alissa Wilkinson. The event was co-presented by the Albanian Institute New York. Special thanks to Shirin Neshat, Janus Films, Blerta Basholli, Yllka Gashi, Alissa Wilkinson, Dino Korca and Jordin Rubio at the Albanian Institute New York, Sara Sampson, Josh Haroutunian, and Zeitgeist Films for making these events possible. Our runs of both CHESS OF THE WIND and HIVE have been held over. Check www.filmforum.org for showtimes and tickets. Shirin Neshat photo (left) by Michael Dalton. Blerta Basholli & Yllka Gashi photo by Tian Feng.

As we in the West become more conscious of inequalities that have been part of our societal fabric for a long time, we're becoming less sure of our identities. If art is a window on the soul of a nation, what does ours look like? Who do we think we are in the sense of identity? What's our mood? Of course, these are questions without answers or, at least, unique answers. Shirin Neshat, an acclaimed Iranian visual artist, and Jonathan Burnham at HarperCollins, discuss our evolving zeitgeist.

Today for the second episode of XTer Asia season, Dispatch is going to talk to Barcelona-based art patron Han Nefkens. Despite having a lot of mutual friends through our cross-continent network, this is the first time our host Arlette meets Han. The conversation will anchor to Han Nefkens' close engagement with Asia at large. We start from the new initiative of Han Nefken's foundation with major institutions across Asia, to Han's very first activities in the continent at the AIDS-awareness event in Bangkok, and the idea of collecting without artwork possession. Han Nefkens is a writer, art collector, and patron of the arts. His collection of contemporary art consists of photographs, videos, installations, and paintings by Jeff Wall, Roni Horn, Bill Viola, Shirin Neshat, Felix Gonzalez-Torres, and others...

Today for the second episode of XTer Asia season, Dispatch is going to talk to Barcelona-based art patron Han Nefkens. Despite having a lot of mutual friends through our cross-continent network, this is the first time our host Arlette meets Han. The conversation will anchor to Han Nefkens' close engagement with Asia at large. We start from the new initiative of Han Nefken's foundation with major institutions across Asia, to Han's very first activities in the continent at the AIDS-awareness event in Bangkok, and the idea of collecting without artwork possession. Han Nefkens is a writer, art collector, and patron of the arts. His collection of contemporary art consists of photographs, videos, installations, and paintings by Jeff Wall, Roni Horn, Bill Viola, Shirin Neshat, Felix Gonzalez-Torres, and others...

Iranian-born artist, photographer and filmmaker Shirin Neshat talk to us about her latest work - a feature film entitled Land of Dreams which premiered at The Venice Film Festival last week -and her exhibition at Photo London of still images connected to New Mexico. The last of our Women's Prize for Fiction-shortlisted authors, Yaa Gyasi, talks to Front Row ahead of the winner's announcement tomorrow. Her novel Transcendent Kingdom considers big questions of science, belief and addiction in the story of a family. Professor Mark Anthony Neal marks the death of actor Michael K. Williams, best known for playing Omar in the US TV series The Wire. A report today finds that as temperatures rise, dragonflies are thriving here. Insects have long fascinated poets and we hear Alfred, Lord Tennyson's poem capturing the beauty, and the life cycle, of the dragonfly - in just eight lines. Presenter: John Wilson Producer: Julian May

One of the foremost multimedia artists of our time talks about dreams and her first American feature. The post Shirin Neshat – Land of Dreams #Venezia78 appeared first on Fred Film Radio.

One of the foremost multimedia artists of our time talks about dreams and her first American feature. The post Shirin Neshat – Land of Dreams #Venezia78 appeared first on Fred Film Radio.

One of the foremost multimedia artists of our time talks about dreams and her first American feature. The post Shirin Neshat – Land of Dreams #Venezia78 appeared first on Fred Film Radio.

The working class London kid who became an Oscar winning director, the artistic maverick who became a knight of the realm. Tina Daheley speaks to Sir Steve McQueen about the influences that turned him into one of Britain's greatest living artists as a career spanning exhibition of his work opens at London's Tate Modern gallery. Plus the visionary Iranian film-maker and artist Shirin Neshat talks about her latest work, Land of Dreams. She reveals why she has turned her lens to Trump's America, to tell the stories of ordinary people, their hopes and dreams and how she hopes art can foster a greater understanding between the United States and Iran. Presented by Tina Daheley (Photo: Steve McQueen. Credit: Getty Images/Michael Kovac)

Often called a 'rock star' of the art world by her legions of fans on account of her distinct style and rebellious attitude, the Iranian-born, New York-dwelling visual artist sits down with Danielle Radojcin to talk art, film and feminism. She shares her thoughts on the #MeToo movement, details on her upcoming film project and Iran and feminism today.

A journey through the life of the most famous Egyptian singer ever The post Shirin Neshat – Looking for Oum Kulthum #Venezia74 appeared first on Fred Film Radio.