Podcast appearances and mentions of John Green

A new week means new questions! Hope you have fun with these!New Zealanders had the nickname of Enzedder, which was supplanted by what nickname that shares its name with a flightless bird?According to John Green's book, what disease links cowboy hats, the assassins of WWI, and New Mexico becoming a state?Which nymph offered Odysseus immortality if he stayed with her on the island of Ogygia?What is the name given to the fast-drying painting medium involving egg yolks?The Volga flows into the north end of what sea?In the 1981 Donkey Kong arcade game, what does Donkey Kong throw at Mario, who was known as Jumpman at the time?Which renaissance artist painted "The Birth of Venus"?Sam "Mayday" Malone, the bartender in Cheers, played what position for the Boston Red Sox?Which other insect species does the Viceroy species imitate?Premier Cru is a French term that can be used for skincare products but, is normally associated with what?Which country's flag has the most unique colors in it?The name of which Indian currency is from the sanskrit for "coined silver" or "wrought silver"?The entire cast of a film with what specific designation includes Annie Hartley, Adolphe Le Prince, Joseph Whitley, and Sarah Whitley?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

Why is the healing process always so itchy? Why are the acknowledgements usually cut out of audio books? How do I find time for writing as a busy and exhausted parent? When you look out an airplane window, why don't the clouds look like they're going by fast? How do I keep loving the media I love when it is being criticized online?…Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today we talk about Rip Hunter, who is a secretive time travelling guy who makes sure no time shenanigans mess things up and that nobody finds out that Booster Gold is his dad (not because it's embarrassing, so that they can't make him not exist by killing his dad before he was born). What we were up to this week: Briar caught up on the Locked Tomb and started reading Everything is Tuberculosis by John Green while getting ready to go to Phoenix Fan Fusion Olivia read Wiccan & Hulkling: Raid of Ultron (2026) #1 and caught up on Daredevil Born Again DC Blackout campaign Thanks to Victoria Watkins for our icon! Support Capes and Japes by: Checking out our Patreon or donating to the Tip jar Find out more on the Capes and Japes website.

Hank interviews John in the first episode of his new podcast, Humans! They talk about why John's worried about Hank, why being in favor of humans is now counter-cultural, how John's seminary training might have helped the brothers' internet success, and what Mark Twain has to do with any of it. You've heard them interact before — but not like this.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Have you ever lost the joy in your creative work — that sense of fun you had when you were starting out, before the admin and the algorithms drained it away? How do mid-career creatives get it back, and what can a four-year-old teach us about play? Austin Kleon talks about productive procrastination, silly rituals, the case for paper reference books in an AI world, and how his newsletter went from a marketing cost to the day job that keeps the lights on. In the intro, Does social media still sell books? [Self-Publishing with ALLi]; Trial by algorithm [The Bookseller]; Publishing's AI Hypocrisy Problem [The New Publishing Standard]; ALLi AI survey for authors; Brave New Bookshelf Podcast, and Pics from signing at BookVault. Today's show is sponsored by ProWritingAid, writing and editing software that goes way beyond just grammar and typo checking. With its detailed reports on how to improve your writing and integration with writing software, ProWritingAid will help you improve your book before you send it to an editor, agent or publisher. Check it out for free or get 15% off the premium edition at www.ProWritingAid.com/joanna This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Austin Kleon is the New York Times and international bestselling author of nonfiction books, including Steal Like an Artist, Show Your Work!, and Keep Going, as well as an artist, professional speaker, and poet. His latest book is Don't Call It Art: 10 Ways to Create Like a Kid Again. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why Austin wrote Don't Call It Art now, and what his kids taught him about creative joy Productive procrastination, silly rituals, and treating writing like Lego Comedy as a philosophical position, and giving yourself permission to be bad in private Sharing process in the algorithm era, and why your whole life is the process Bibliomancy, paper reference books, and what AI can't give you that a dictionary can Style, the Taco Bell distinctiveness rule, and how Austin's newsletter became his day job You can find Austin at AustinKleon.com. Transcript of the interview with Austin Kleon Jo: Austin Kleon is the New York Times and international bestselling author of nonfiction books, including Steal Like an Artist, Show Your Work!, and Keep Going, as well as an artist, professional speaker, and poet. His latest book is Don't Call It Art: 10 Ways to Create Like a Kid Again. So welcome back to the show, Austin. Austin: Thank you for having me back. It's nice to talk to you again. Jo: You were on the show in March 2020, and at the time, your book was Keep Going, which was prescient considering the pandemic and politics. So I wondered, why this book, Don't Call It Art, now? Was this something you see in the creative community or your own life that made you want to write this book? Austin: Keep Going is a book about what happens when the world goes crazy around you and you're still trying to do your creative work. This is a book about what happens when inside has bottomed out. Keep Going is a book about the world bottoming out, and you're worried that your own creative work is going to bottom out too. How do you keep pushing through and keep making stuff? This book, to me, is about what happens when you bottom out inside—when you've lost that love and feeling for the thing that you wanted to do, and you're just not connecting with it in the way that you used to or the way that you want to. How do you get back? How do you return to that sense of joy and wonder and fun that we have when we're starting out? And for me, it was being around my little kids that taught me how to tap into that. My kids were natural—they didn't have any creative hangups. I would spend all day talking to people who had creative hangups, and then I'd get back in the house, and I'd just be around these beings who didn't have any of them. It was really instructive. I felt like, if I could bottle the energy of my kids when they were about four years old and try to put it in a book, I think it could really help a lot of the people that I run into, and the people with the kinds of problems I hear from. Jo: You mentioned bottoming out. How do people know when they've hit that point? Austin: You just don't want to do it anymore. You're kind of like, “This just isn't giving me back what it used to.” When we start with our creative work, that's the thing that juices us. We come away from it feeling full up. I think you hit a certain point where you start to feel drained after it. Or maybe you don't feel drained by the thing itself that you're doing—maybe it's all the stuff around it, which is more often the case. For example, if you're a mid-career writer like me, who's been publishing books for 16 years now, I still really like writing. I still really like drawing. I still really like cutting and pasting and putting things together. It's the admin around the work—the emails, the meetings, the running-a-business part of it—that's super draining for me, and that stuff can start to bleed over into the creative work. So it's really important for me to make sure that I'm having some playtime, some R&D, some research and development time, to make sure it's not just all business. When you take the thing that you love and you turn it into the thing that you make a living from, you can really run into a lot of problems. Jo: I'm at 20 years, so I know exactly what you're saying, and a lot of listeners are the same. We love writing books, but it's all the stuff that goes around it. So for those of us who do this for money as well as passion, what are some practical ways to have more fun with our creativity? Austin: Something I learned from my kids is that you really are your most creative when you're supposed to be doing something else. So one of the things I use a lot in the studio is productive procrastination. Whatever I'm supposed to be working on, I start another little project, and that's my little naughty fun time. When I first come into the studio, I try to do something that I'm not supposed to be doing—something that I won't have much to show for. That could be making one of my blackout poems. That could be making a collage in my notebook. It could also be sitting here. I have a bass in the studio now, so I can practise my bass guitar. Sometimes I'll do that for the first 15 minutes just to get in that headspace of, “Hey, what's it like to do something just for yourself? Just because you want to do it?” The juice that you get from that little naughty “I'm going to do what I'm not supposed to be doing right now” thing, that carries into the rest of the day. It's like a nice start to things. Jo: Do you think that play could be something different to what we make our money with? For me, writing novels and stories is great fun in one way, but it's also what I then publish and make money on. So writing stories is more serious, I guess, than playing with Lego or something. Austin: Right. So the trick is, how can you make writing your stories like playing with Lego? That's kind of been my whole career. I hate staring at Microsoft Word and that blinking cursor, taunting you like, “Come on, what have you got?” A lot of my creative life has been about trying to make it more playful, trying to make it feel more like a game. That's how I came up with my blackout poems. I take an article from The New York Times and I black it out until it only has a few words left behind. It sort of looks like if the CIA did haiku, for some people listening. That was one little exercise. Then weirdly, that side thing that I thought was just play, just fun—that turned into my first book. So then it's, okay, what else can I mess around with and play with? I do a lot of collage work in the studio, and I rarely actually use that for any of the books. Sometimes I use it for my newsletter to illustrate the newsletter. But it's always about trying to figure out, how can I make writing a game? How can I make it more playful? There are different things that I do to make it feel more playful. One of them's really stupid. I really believe in silly rituals because I think silliness is really powerful. People talk about their daily rituals—Mason Currey has that great book, Daily Rituals: How Artists Work. When I was reading that book, I realised it was really the silly stuff that I really liked. There was, I think it was Balzac counting out coffee beans or something before he got to write. Or Steinbeck sharpening 12 pencils or something goofy like that. So one of the things I like to do before I write is that I have these cigarette pencils. They're pencils that look like cigarettes in the studio. I put one in my mouth before I start writing, and I pretend to be some old '40s writer on a typewriter. I like doing goofy stuff in the studio because I think when you do goofy stuff—stuff that you'd be embarrassed if anyone else saw it—it gets you in that playful state. Jo: It's interesting. In your book, you have a section that says, “Don't take things too seriously.” For many of us, we write memoir for example, and that is very close to us. It's like the deepest expression of what we want to say in the world. It feels very serious. So how can we hold things more lightly and not take things so seriously? Austin: For me, comedy is actually a philosophical position. What I mean by that is, I think a lot of people set out with a tragic model of creative work. They think, “Oh, I have this special gift,” or, “I have this thing that I really need to do, and I need to put it out into the world, and I need to make the world look more like I want it to look.” They have this idea that, “Through blood and sweat and tears, I'm going to see this thing through, and I'm going to push it into the world, and I'm going to have my way.” I think there's another way of working where it's more like, “I'm just a normal person trying to play with my environment, and take my experiences and put them into something interesting. So I'm going to play and use my wits, and we're going to see what we come up with.” Those really are two modes of life. The pandemic taught me that it was really when we were keeping our sense of humour, when we were having a laugh and keeping our egos in check around the house and just acknowledging how goofy we all were and how ridiculous the situation was, that seemed to be when we were really thriving. Versus, “Well, we're in this tough situation. We've got to make it into what we want it to be.” That felt really bad. But when we cruised along and we were just improvisational, when we went at things with a kind of lightness, that worked. There's a great Italo Calvino essay about lightness in Six Memos for the Next Millennium. Lightness is really underrated. Even when we're going about heavy work, having a sense of lightness and play with it just makes the work better. That's a philosophical position of mine. I aspire to comedy. I aspire to a comic outlook on life. I'm just a creature with a body who's going to die, and I'm fundamentally ridiculous. Life is pretty absurd. You just make the best of it. Jo: There's certainly some truth there. Staying on a similar theme, you have a chapter in the book on permission to be bad. Many of the listeners also have your book Show Your Work, and it shaped many of us into sharing our work in progress. It feels quite dangerous now, in a world where judgment is much louder than it maybe was when you wrote Show Your Work. So tell us a bit about permission to be bad versus should we keep some of this private? Austin: Permission to be bad is about the making part of things. It's the private part. It's permission to be bad when you're in private, when you're actually doing the work. Show Your Work is a book about what you do after you've done the work, or while you're doing the work. It was never about putting up a webcam and running a 24/7 feed. It was more like, hey, what are the ways that I can connect with the kind of audience I can build while I'm making the work itself? So the way I see permission to be bad is, you really have to give yourself permission when you're not sharing, when you're off screen, to really be as bad as you want to be. It doesn't necessarily mean quality-wise. I think it also means letting yourself write stuff that you would never say on social media. Letting yourself read stuff that you wouldn't admit you were reading on social media. Letting yourself listen to stuff. Letting yourself really be that unfiltered, unhinged, private person that you want to be. Then when it comes to sharing, you put some time in between that input time, that making time, and the sharing time, and then you share what you think is going to be useful or helpful or interesting to other people. Jo: I think you wrote that book before TikTok, and how fast people are moving. Do you think people need to slow down a bit in what they share, maybe? Austin: I don't know. I obviously had a lot more faith in social media back then. I use all the principles from Show Your Work in my newsletter. Newsletters are very much the new kind of great thing. They're doing a lot of the work that social media used to do, in that you're still able to have this direct connection with the people that you're trying to reach. The big problem with social media now is that it's all algorithmically tuned, where the people that are following you don't see the stuff that you're doing most of the time. What you have to do now, if you want the people who are following you to see your stuff on social media, is you have to make stuff that the algorithm likes. That's a whole different thing. As far as the Show Your Work principle—which is share your process as much as your product—that carries over to any platform. In my newsletter every Friday, I share a list of 10 things that were going on behind the scenes here. It might have been what I was watching on TV, what I listened to, a new pen I was trying out, or something like that. The Friday newsletter is almost always process stuff. When I talk about process, my definition is actually very broad. For a lot of people, it's drafting, editing, whatever. For me, the process is the whole life. The process is almost everything except the finished thing. A writer's life is 24/7. My friends who have real jobs really are like, “What do you do all day?” And I'm like, “Well, what do you mean?” They're like, “Well, I see you out on your bike ride.” I'm like, “Yes, when you see me out on a bike ride, I'm thinking through something half the time.” If I'm watching TV, I'm thinking, “Hey, would this be good in the newsletter?” I'm never off. My whole life—everything is copy, as Nora Ephron said. That's part of the job. It's very hard to turn off. So I see the whole life as process, and the question becomes, what little bits and pieces of that life and that process can you share with people while you're making the things that you hope to sell them later? Right now, I'm in a cycle where I'm selling this book, but all these people have showed up because I've shared my process every week for the past seven years since I put out a book. Jo: It's funny you say that. I was at the dentist yesterday, and— My dentist literally asked me, “So where do you get all your ideas?” This is a common question for all of us, right? And it just becomes so hard to explain that to people who don't walk around in the world just constantly getting ideas. Austin: I can't believe I'm going to tell this story. I was getting my vasectomy after my second kid, and I was talking to this doctor just before the operation. He said, “So what do you do for a living?” I said, “I'm a writer.” He said, “Oh, that must be cool. You get to use your brain.” And I said, “That's everything that you want your doctor to say.” I was going to say, “Please use your brain,” before he's about to cut into you. He said, “Oh, no, no. What I mean is, I know what I'm going to do every day for the next 10 years.” He knew exactly what his day was going to look like. He said, “You have to use your brain. You've got to figure out new stuff.” I was like, “Oh, that's really interesting.” That's the trade-off, right? He's got the job security. He knows what he's going to do. Every writer has a moment where they have to talk to a normal person about what you do. Jo: I was going to say, I'm married to one. Austin: Now, my wife, on the other hand, grew up the daughter of a writer, so she knows exactly what it's like. Nothing ever phases her. She's totally used to it. She's used to me staring off into space, completely checking out of a conversation. She's used to me using lines on her that I'm going to put in a piece later. She's used to the whole rigmarole. It's very handy. I've been very lucky in that sense. Jo: Coming back to the book, you talk about your use of bibliomancy for inspiration. Since we're talking about that, tell us about it. I think all the book people listening will be happy. Austin: I'm a person who still keeps a dictionary nearby—a paper dictionary. I keep a big old American Heritage. It's just a big, thick book. When I really don't have any ideas, I will turn at random to the dictionary, close my eyes, stick my finger down the page, open my eyes, and just see what I come up with. Sometimes just that act will give me an idea. I also do that with books. I'll go around the studio, pick up a book, flip to a random page, and just see what it says there, or read an old piece of marginalia that I've left in a book. I believe deeply in the power of bibliomancy, and I think it's a case for paper books. I'm one of those people that still really believes in reference books. I've started collecting more and more of them. I have an old, big dictionary that's always open on my desk, and I look up words. I learned from John McPhee, the writer, that you should look up words that you think you know. That was the first time I'd ever heard anyone say that. So I look up words that I think I know. Instead of reaching for a thesaurus when I need a different word, I actually just look up the definition of the word that I already have. That's another McPhee tip. The other thing that happened that I thought was really interesting is, I got a Roget's for the first time—a thesaurus. I don't think most people know what an actual thesaurus is. Most people think of a thesaurus as a synonym finder, and that's not actually what a thesaurus is at all. A thesaurus is more like an encyclopaedia, weirdly. You look up things based on big concepts, and then it gives you a bunch of words to look up later. It's a very strange thing. It's not what most people think it is. I have a couple of editions of Roget's in here. I like the really old Roget's from the 1900s because they actually have opposing ideas facing each other on the page. Do you have an old-school Roget's? Have you ever looked through one? Jo: I don't have one now, but I certainly grew up with them. I was literally just thinking, I wonder if there are ones for Americans and ones for British people, because so often we say different things and mean different things. I always hear Americans say, “Oh, that's a doozy,” or something, and it means the complete opposite thing here. Austin: Like if you say “fanny pack” over there. That means something very different than it means here, right? Chips or fries, that kind of stuff. So I wonder if there are different ones for different cultural references. Jo: I don't know. Austin: As people, with ChatGPT and all these LLMs and stuff, people are like, “Why would you ever pick up a paper reference book?” And I'm like, “I actually like the friction.” I like having to move in space and go over to my dictionary. I like flipping the pages. I like having to scan a page for the word I'm looking for, because— This marvellous thing happens when you're looking for the word, where you bump into all these other words. If you're a word nerd, you get to start thinking about the root of the word—oh, why is this word next to this word? Well, it's because they share the same root. Then you're going down all these fun rabbit holes. The thing that I'm trying to do as a writer and a creative person is, I'm trying to get to the thing that I didn't know I was looking for. The thing that people misunderstand about AI, I think personally, is that it's a great tool if you know what you're looking for. If you're like, “Find me this thing. I want exactly this. I want to see a picture of a dog wearing a king's costume,” or some crap like that, then it can spit that picture out for you. Or, “I want to know what happened on this day,” and whatever. It can do that. But that's not actually what I'm doing most of the time when I'm writing or making something. I start with an idea, but what really happens—the magic of writing and the magic of making stuff in general—is when you discover something that you didn't even know you were headed for. That's the real magic for me. Sometimes I have an idea and I want to articulate it for people, but more often than not, there's something that bothers me or something that I want to talk about, and I sit down and write, and I figure out what it is that I actually have to say and what I actually think. Every writer really knows this, and that's why the dictionary, stuff like that, those are ways of training you to get in that discovery mode. “Well, let me—oh, I bumped into this. I went looking for this one thing and then I ran into this other thing.” That's why I love the library. I don't know what system you use over there, but you look for one book in the Dewey Decimal System over here, and then, okay, here's all these other weird books next to it. Then you end up with three other books other than the one that you were looking for. That's the magic. To me, that's the magic of creative work, discovering what you didn't know you were looking for. That was particularly important for me when I was writing this book because we discovered that my wife has a condition called aphantasia. It's very rare in the population, about 2 to 3% of people. There's probably some people listening to this right now who are like, “What is this? Tell me.” Jo: Aphantasia actually more common in the creative industries. Austin: Yes. What it is, is that you don't see—when I say close your eyes and picture an apple, you don't actually see the apple in your head. You can think about an apple and the qualities of an apple, but you don't actually see it. Some people, and it's a matter of degree—some people like me, I can close my eyes, I can tell you what the apple looks like, I can tell you what colour it is, I can tell you where the shading is. Someone like my wife doesn't see the apple. She can tell you what an apple is. It's really interesting because she has a degree in architecture, which is known as a very visual field. But the thing you discover about aphantasia is, it doesn't keep people from becoming artists. In fact, it's the opposite. Someone like Ed Catmull, who co-founded Pixar, writes about it in his book, and so many of the great animators at Pixar are actually aphantasics. The reason is that they learned that they had to draw in order to see things. When you don't have a picture in your head of what you want something to look like, things appear in the drawing, and you find things that you couldn't even picture. A lot of writers actually are aphantasics. John Green discovered recently that he has aphantasia. It turns out that it's a superpower for writers, because if you don't have a picture in your head, then you don't have to translate that picture into words. A lot of writers talk about thinking in radio, like they have a constant narrator. My wife—she's probably going to kill me for talking about her this much—when she describes it to me, she's like, “Oh, it's like a radio in my head. I'm constantly hearing a voice, and it's a narrator.” I was like, “Holy shit, that would be really helpful to me.” I don't have anything like that in my head. I read Mrs Dalloway for the first time, and I gave it to her and I said, “You've got to read this book. I think this must be what it's like in your head.” And she said, “Oh my God, it is.” Part of the thing that I took away from that experience—this is a long-winded way of getting here—is that I take a lot of inspiration from people with this condition. Most of the people I know in the arts or the creative fields, they set out with this grand vision, and then they start working on the thing and it's nothing like what they had in their head, and they get really depressed: “This isn't what I had in mind.” Whereas if you set out without a picture in your head, and you just start manipulating things and you see what appears, that's more of the comic mode I was talking about earlier. What would happen if we just sat down with our materials and we started playing and we saw what appeared on the page? What if we started typing and saw what appeared, and then we played with that? That's the kind of joy. That's more like how kids operate. Kids are better at that. They're better at reacting to what's actually in front of them, instead of having these grandiose visions about what they're trying to achieve. Jo: Just coming back on the longevity of a creative career. Your books are very distinctive. You have a very distinctive visual style, your handwriting and the way the books are done. I wondered if another part of the ennui, perhaps, or the draining of the later career is that we get trapped into doing something that feels like it looks the same. Or we have a voice, and we're happy in that voice, but sometimes we want to do something completely different. For authors, we have different names. I write under two different names, and that helps. But equally— How do you define author voice, and do you ever feel like doing something completely different to your normal style? Austin: Style, in a lot of ways, is self-plagiarism. Style is the repeated things that we notice in people's work. Hitchcock talked about this in films. Wes Anderson is someone like that—Wes Anderson has a style. I'm sure that he gets really sick of it too sometimes, but you also can't help it in some ways. I thought a lot about this because people worry about style so much. A lot of the time, what we call style is what Adrian Tomine one time said: “Style is just the distance between what's in my head and what comes out of my hand.” I really like that definition. With this book, I was trying to think, “Okay, if I do another book in this series, how can I push things a little bit?” And then I was reading this article about Taco Bell. You guys have Taco Bell over there, don't you? Do you have Taco Bell? Jo: No. Austin: So Taco Bell, for people who don't know, is this American Mexican chain, and they have tacos and burritos and stuff like that. They're well known for making these really insane… it's so American, this company. They make a taco with a Doritos as a shell. Doritos are crisps, I guess. Jo: Yes, we have Doritos. Austin: Okay. I spent time in England, I just don't remember if I ate Doritos when I was in England. Anyway, I was reading this article about Taco Bell. It was really funny. They have an innovation kitchen at Taco Bell, and they have a rule about new products. The rule is called the distinctiveness rule, and the rule is: you can change the flavour or you can change the taste, or you can change the form, but you can't change both at the same time. I got really obsessed with this concept because I thought, “Well, this could be kind of interesting.” If you're someone who's had success and you're known for something, this presents an interesting thing. You could do a complete break and do something completely new, or you could try the distinctiveness rule. Okay, well, what if I play with this idea of taste versus form? What if I change the taste and keep the form? So the idea for Don't Call It Art was, what if I do another one of these books, but the taste is more like if my kids made it? It had the texture of kids' art, it had lots of scribbles in it, it was loose and messy. That was kind of the idea. The actual book ended up being more like the other books. It ended up looking like an Austin Kleon book, because I just can't help that. The thing you said about having multiple names that you write under, that's kind of what I do with the newsletter. I think of the newsletter as very different from the books. The newsletter is this twice-weekly thing where I can be a little bit more of myself. In the books, I'm this very helpful, happy version of myself. It's me, but it's me on my best day. I'm really helpful and interesting for you. The newsletter is still a highlight reel in a sense, but it's a little bit more of my weird everything-I'm-into. It's more of the unclipped version of me. The newsletter becomes a place where I can do a lot of the weird stuff that's much different from the books. I have these little projects going all the time. Sometimes I'll make a bunch of prints and put them online. Sometimes I'll make a bunch of zines on a topic I haven't covered in the book. Sometimes I'll do a mixtape. As someone who's interested in a lot of different forms and genres and just different modes of output, having something like a newsletter has been really creatively fruitful for me. It's kept me from getting too bottomed out with the books because the books do a certain thing for the reader, and as much as I'd love to do a book that was radically different, I also think I've been given a real gift with the form of my books, in that I kind of own the way that they feel and look. There aren't a lot of books that look like those books and feel like those books, and so I like playing with that form. It would be hard to get rid of it now. The pseudonym for me is kind of like the newsletter in a sense. The newsletter is a little bit more of where I get to be wild and wacky. Then the books are a little bit more of a chiselled thing. Jo: The books are perfect examples of the form, as you say, but it's interesting about the newsletter. You mentioned at the beginning that we can be drained by the admin around the work. For many people listening, a newsletter becomes admin. So how does the newsletter fit into your business? The books are traditionally published, they're very professional. How do you have your independent side, and how does all of that work together in your business? Austin: Thank you for asking that question. I run the whole show at the newsletter. The newsletter is just me, and then my wife edits it, and no one else is involved. I don't have an assistant. I don't have a team. It is just me, and that's why I love it. I control everything. I pick who gets in there. I pick everything. I love that. I grew up watching David Letterman over here, and Letterman had a nightly show, and I always thought that was killer. I thought, “Man, what a fun job. You have a show every night where you have a new guest, and you have all these wacky things going on.” It was like a variety show. I always thought that would be really fun, so the newsletter is my version of that. I started the newsletter in 2013, and it was just a Friday newsletter. It quickly became a list of 10 things I thought were worth sharing. I had a friend, Hugh MacLeod, who was like, “Hey, I have a newsletter. It's bigger than any conference you've ever gone to.” He was talking about South by Southwest here in Austin. He's like, “I have a newsletter now, and it's bigger than South by Southwest.” Jo: Oh, I remember him. Austin: He would say, “Every time I have a new print, I put it out, and there's a button, and then they buy it.” He was like, “You've got to get it. This newsletter thing is killer.” This was in 2011 or something. Jo: Yes, I still have his books. Blogging in Your Underwear or something. Austin: Totally. So Hugh's a whole different story, but I was just like, “Oh, I should really get a newsletter.” Letterman always had a top 10 list on his show. I just always thought a 10 list was really fun. And of course the books are lists of 10 too. So it just worked to have a weekly list of 10. It felt good, and it felt like an infinitely repeatable format. What I'm looking for as a creative person is an infinitely repeatable format that can go on and on and on and be new every time. So the list of 10 is something that people know the form of. It goes back to the Taco Bell thing. They know the form, but they're not sure what's going to go inside. They know it's going to be a burrito, but they don't know what's going to be in the burrito, and that's the exciting part. The newsletter, business-wise, was always a marketing cost for about the first eight years of its existence. I paid MailChimp to send it out. Then in about 2021, when I hadn't done a book for a while, my agent said, “You know, you should really think about doing a paid tier of your newsletter.” And this is to his credit, because he doesn't make anything off the newsletter. He said, “There's this thing called Substack now that makes that really easy.” So we moved to Substack in 2021 in October, and I started doing a Tuesday edition of the newsletter that was just for paid people. That grew enough that it's gone from a marketing cost to something that's almost—it's not quite as much as I make on my books, but it's close. And to be candid, my books sell pretty well. So suddenly the newsletter has become this really healthy income stream. The newsletter to me is actually the day job now. The newsletter is what really keeps the lights on. It's also the perfect mix. It's the day job, it's the thing that keeps income coming in on a regular basis, but it's also the thing I like to do the most. I'm not like a traditional writer who likes to just get lost in their book and take years and years and go away. I'm someone who loves to be doing a lot of different things. The newsletter is a perfect format for me. I'm talking myself into not quitting, actually. It's funny. It's gone from this thing that was a marketing cost to now it's a significant part of our income. That journey—such a bad word, journey—that trip has been very interesting. It's been really cool. But I'm also just lucky. I've been really lucky, and I think part of my thing is, I'm always just trying not to squander my luck. Jo: Well, the book is fantastic, and I know people are going to love it. And the newsletter, of course. So tell us— Where can people find you and your books and newsletter online? Austin: The easiest thing to do is to just go to AustinKleon.com, and that has links to everything—the books, the newsletter. I do actually keep an old-school blog still. I'm one of the few people that still maintains their blog and keeps it up to date. I'm hedging my bets because I think in the end everything will come back to a self-hosted website. I think in the end everyone's going to just go back to their little websites, or at least I hope so. Jo: Well, that was great, Austin. Thanks so much. Austin: Oh, thank you. The post Don't Call It Art: Rediscovering Creative Joy With Austin Kleon first appeared on The Creative Penn.

Why can you see the outline of the full moon during a crescent moon? What do I do with a surplus of basil plants? How do I make amends with my mom? How do light particles not bump into each other and mess up their trajectories? Are Hank and John aware of how American they are? What do I do with my tongue at the dentist? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do I adjust to a new school? Are ducks up to something? Why are puzzles so satisfying? Do ocean mammals drink salt water? How did Hank come up with 2D glasses? If the sun disappeared, would earth eventually find another star to orbit? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Why is it so hard to do things? What's next for Nerdfighteria? Do our brains know when our limbs fall asleep? Is it possible for a mirror to have never been used? Do John and Hank purchase each other's books in stores? …Hank and John Green have answers! If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A terminal diagnosis doesn't mean life is over, it means it's just beginning. This book summary reveals the surprising truth about living fully.

In this week’s episode we be talking with Mike Harris and John Green from Gun Owner Action League (GOAL). For listeners of this podcast I want to give you an advance heads up on a new product from MantisX called the Tor-X available the first week of August 2024. The TOR-X is the sublime marriage of the military-grade Steiner laser and the power of the MantisX. The MantisX hardware is now integrated inside a Steiner laser. Pair it via Bluetooth to your smartphone or tablet, and you’re training package just got more complete. Combat-worthy lights and lasers, Mil-grade aluminum, built Steiner strong. Designed to expose, blind and target with maximum impact. Up to any challenge. Just like you. The TOR-X features a Type III hard-anodized machined-aluminum housing and rail mount. It is dustproof, splash-proof to IP54 standards, and available with a green (520 nm) laser. The direct diode type laser operates in extreme cold weather. Other features include left and right fire buttons for ambidextrous use, constant power drive that ensures the laser output remains constant throughout the life of the battery, low battery indication, as well as windage and elevation bore sight adjustment screws. The universal rail mount on the TOR-X will fit all pistols that have a Picatinny or Weaver style rail forward of the trigger guard. This design allows optimum positioning of the laser so that the fire buttons are easily accessible for a wide range of users. I’ve been using the Tor-X for several weeks on my Glock17 and my Glock48 now and when paired with the MantisX app it’s taken my training to a new level. Check out all of our episodes at: https://podcasts.concealedcarry.com/the-firearm-trainers-podcast/ Email comments, topic suggestions, or questions to us at FTP@ConcealedCarry.comFollow us on Facebook: https://www.facebook.com/firearmtrainerspodcast/ Remember we bring you this podcast to support the industry, the second amendment, and most importantly every firearm instructor in America that dedicates time and energy into making gun owners more knowledgeable. #FirearmTrainerPodcast #FirearmTrainerAssociation #FTAProtect #RangeTech #GOAL #NRAVoices The post Gun Owner Action League first appeared on The Firearm Trainer Podcast.

Do humans have instincts? Why are there so many “French” foods? How do I introduce Formula 1 fans to the Indy 500? Why does beautiful music give me goose bumps? What's the difference between Hank Green and Tom Hanks? …Hank and John Green have answers! If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Charity organizations are all about doing good. What could possibly go wrong? Sharon Bala's new novel, Good Guys, is all about how philanthropy operates in a world that runs on money. The book stars a fictional charity called Children of the World. It's an international aid organization founded by a former rock star with some questionable motives. Moving between its headquarters in Toronto and its compound in Central America, the story follows the rise and fall of the charity and the characters' complicated attempts at redemption. This week, Sharon tells Mattea about the dark side of NGOs, the connection between charity and faith and the complex desire to be a good person. Liked this conversation? Keep listening:A fictional ad agency — and its very real ghosts Yes, tuberculosis is still a thing — John Green tells us why Check us out on Instagram @cbcbooks and TikTok @cbcbooks

Do Americans not like trains? What do I do with all my files? How can I make camp memorable? What happened to my town's clouds? When did the concept of a weekend start? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

FTP Book Club: Everything is Tuberculosis by John Green

What is a word like “vegetarian” to describe a person who does not willingly want to consume AI-generated content? How do you avoid doomspiraling when trying to reconnect with your creativity? What's the tastiest drink? Why do banks always tell you what the temperature is outside? Do I need to get a checkbook? What book should I read? Why are parking lot sunsets so beautiful and particularly, why are Meijer parking lots? How can I convince my friends who are visiting that it is a better place to see the sunset than over Lake Michigan?…Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do I overcome my fear of performance art? How do I visit an art museum properly? How do I speak about my own work without feeling like a total fartface? Do I pursue my dreams or pursue something practical? How do I come to terms with the fact that I depend on receiving attention and praise for my work? How does a person get real art for their home? Can you help me get out of a creative rut? How did you both balance creativity and parenting when you were new parents? …Sarah and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today we're sharing an excerpt from a new soccer podcast, The Away End with John Green and Daniel Alarcón. In a recent episode they covered the 1994 Caribbean Cup, which felt very Very Special Episodes-y. If you like soccer or enjoy listening to smart friends chat, check out their show! Dana, Zaron + Jason will be back with a new episode next Wednesday. About The Away End Two novelists, Daniel Alarcón and John Green, friends since they were teenagers, tackle questions big and small around the World Cup and international football more generally. The only soccer podcast that regularly name checks Toni Morrison, The Away End is about much more than sport: it's about politics, literature and culture, with an eye toward those moments and spaces where our collective love of soccer reveals something unexpected about who we are.See omnystudio.com/listener for privacy information.

If you had to choose one person to represent our planet in an interplanetary meeting, who would it be? How do you make an elopement still feel special? Why do I have to take math classes? What would you include in a museum to educate people alive in 2070 about what it was like to be alive in the 2020s? Why do you see weird shapes when you rub your eyes? Is an alligator a fish? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today we're sharing an excerpt from a new soccer podcast, The Away End with John Green and Daniel Alarcón. In a recent episode they covered the 1994 Caribbean Cup, which felt very Very Special Episodes-y. If you like soccer or enjoy listening to smart friends chat, check out their show! Dana, Zaron + Jason will be back with a new episode next Wednesday. About The Away End Two novelists, Daniel Alarcón and John Green, friends since they were teenagers, tackle questions big and small around the World Cup and international football more generally. The only soccer podcast that regularly name checks Toni Morrison, The Away End is about much more than sport: it's about politics, literature and culture, with an eye toward those moments and spaces where our collective love of soccer reveals something unexpected about who we are.See omnystudio.com/listener for privacy information.

Today we're sharing an excerpt from a new soccer podcast, The Away End with John Green and Daniel Alarcón. In a recent episode they covered the 1994 Caribbean Cup, which felt very Very Special Episodes-y. If you like soccer or enjoy listening to smart friends chat, check out their show! Dana, Zaron + Jason will be back with a new episode next Wednesday. About The Away End Two novelists, Daniel Alarcón and John Green, friends since they were teenagers, tackle questions big and small around the World Cup and international football more generally. The only soccer podcast that regularly name checks Toni Morrison, The Away End is about much more than sport: it's about politics, literature and culture, with an eye toward those moments and spaces where our collective love of soccer reveals something unexpected about who we are.See omnystudio.com/listener for privacy information.

Today we're sharing an excerpt from a new soccer podcast, The Away End with John Green and Daniel Alarcón. In a recent episode they covered the 1994 Caribbean Cup, which felt very Very Special Episodes-y. If you like soccer or enjoy listening to smart friends chat, check out their show! Dana, Zaron + Jason will be back with a new episode next Wednesday. About The Away End Two novelists, Daniel Alarcón and John Green, friends since they were teenagers, tackle questions big and small around the World Cup and international football more generally. The only soccer podcast that regularly name checks Toni Morrison, The Away End is about much more than sport: it's about politics, literature and culture, with an eye toward those moments and spaces where our collective love of soccer reveals something unexpected about who we are.See omnystudio.com/listener for privacy information.

Send us Fan MailJoin Rachel Hill and Liz Wilson on Two Babes and a Book as we have some book banter about the book Everything is Tuberculosis by John Green. We got to record this episode in person after the Emma M. Lion soiree in Phoenix, Arizona!Follow us on instagram @twobabesandabook. Make a comment there and tell us if you read this book. Make sure to leave us a review!  Thanks to those friends who have already shared the podcast!! It means the WORLD to us! As Holbrook Jackson said, "Never put off till tomorrow the book you can read today."Now go stick your nose in a book!Support the show

What do you do with a check once it's deposited? How does Vitamin D work? When someone compliments my necklace, is there a concise way of saying it's cremation jewelry and contains the ashes of my grandpas (plural)? What should I do in my free time? How do glow in the dark stickers work? What's up with teeth? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Come see BNC live! https://linktr.ee/bnclive  Pre-order Phoebe Berman's Gonna Lose It: https://sites.prh.com/phoebe-bermans-gonna-lose-it SUBSCRIBE TO THE BNC CHANNEL: https://bit.ly/45Pspyl  Ad Free & Bonus Episodes: https://bit.ly/3OZxwpr This week, Brooke and Connor are learning so much about the English language, getting scared on main, and absolutely loving TV right now. Plus, Brooke tries to help Connor find his next boy book read and Connor explains his black eye.  Join our Facebook page: https://www.facebook.com/groups/5356639204457124/  Bath & Body Works candles not only smell amazing, but are crafted with premium, lead-free wicks for a clean, safe burn. Shop the White Barn Neutrals collection now at https://bathandbodyworks.com! Head to https://www.squarespace.com/BANDC to save 10% off your first purchase of a website or domain using code BANDC. Thanks to Article for sponsoring this podcast! Article is offering our listeners $50 off your first purchase of $100 or more. To claim, visit https://www.article.com/discount/bnc and the discount will be automatically applied at checkout. Let Rocket Money help you reach your financial goals faster. Join at https://RocketMoney.com/BANDC B+C IG: https://www.instagram.com/bncmap/ B+C Twitter: https://twitter.com/bncmap TMG Studios YouTube: https://www.youtube.com/tinymeatgang TMG Studios IG: https://www.instagram.com/realtmgstudios/ TMG Studios Twitter: https://twitter.com/realtmgstudios BROOKE https://www.instagram.com/brookeaverick https://twitter.com/ladyefron https://www.tiktok.com/@ladyefron  CONNOR https://www.instagram.com/fibula/ https://twitter.com/fibulaa https://www.tiktok.com/@fibulaa Hosted by Brooke Averick & Connor Wood, Created by TMG Studios, Brooke Averick & Connor Wood, and Produced by TMG Studios, Brooke Averick & Connor Wood. Chapters: 00:00 Homophones & Diphthongs 03:04 New IG Follower 08:29 Twitter Scaries 14:33 Psycho Neighbor 17:20 Bath & Body Works 18:36 SquareSpace 19:52 Connor's Move 20:40 Screw April Fools 23:41 Something Bad Is Going to Happen 26:56 Boy Books 31:33 Adult Book Fair 34:20 School Stories 36:58 Article 38:38 Rocket Money 39:52 Brooke's Book Store 45:02 Turkey Legs 47:13 John Green's New Book 49:32 Love Story Season 2 54:49 Everything is a Joke 59:55 Matthew Morrison  1:03:47 Business Plan 1:06:03 See You In Bonus!!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Where does bubblegum flavor come from? Why do our voices change as we get older? Why does moving suck? Can a stump go on living once the top of its tree has been cut off? What are some ways to find a third space and be part of a community? What can I do to not be so nervous speaking in class? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Plus, how the bestselling author writes his way out of despair.   John Green is the award-winning, #1 bestselling author of books including Looking for Alaska, The Fault in Our Stars, Turtles All the Way Down, and The Anthropocene Reviewed. With his brother, Hank, John has co-created many online video projects, including Vlogbrothers and the educational channel Crash Course. His most recent book is Everything Is Tuberculosis.   In this episode we talk about: John's toolkit for managing thought spirals and dispair Why he wrote a whole book about the thing that terrifies him  How he maintains hope in a chaotic and unfair world Finding the "self"  Shame reduction through naming What John learned from his time as a chaplain in a pediatric hospital  His current view of God And the question of how much––or how little––we should be sharing about ourselves with other people   Get the 10% with Dan Harris app here Sign up for Dan's free newsletter here Follow Dan on social: Instagram, TikTok Subscribe to our YouTube Channel Join Dan and Emmy Award-winning journalist Allison Gilbert at 92NY on May 17th for a live conversation about how mindfulness can deepen connection and combat loneliness, available in person and via streaming. Register here.   Join Dan, Sebene Selassie and Jeff Warren for Meditation Party, a 3-day immersive retreat at the Omega Institute in Rhinebeck, NY, October 16–18, 2026. Register here. This episode is sponsored by: Paleo Valley — 100% grass-fed beef sticks made without preservatives or additives. Get 15% off at https://www.paleovalley.com/happier or use code HAPPIER at checkout Square — Business tools with AI, smart reporting, and payments all in one place. Get up to $200 off Square hardware at https://www.square.com/go/happier Gainbridge — Guaranteed-rate financial products with no hidden fees. Learn more at https://www.gainbridge.com LinkedIn Ads — Reach the right professionals with precision targeting. Spend $250 and get a $250 credit at http://www.linkedin.com/happier   To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/10HappierwithDanHarris  

Can I get an MRI or go through TSA without setting off alarms after getting a knee replacement? Would chugging a hardcore energy drink kill a medieval peasant? What was the go-to mini-break activity before doom-scrolling? What happened to Soggy Pitch? Where should I bring my parents in Amsterdam? Did you have to face excruciating conversations with your parents when you were teens? How do things survive in the deepest parts of the ocean? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Have you ever had a fear that felt completely real, even when you knew it most likely wasn't? John Green has. In this video, John shares how OCD fears can blur the line between thoughts and reality, and why no amount of reassurance ever feels like enough. He opens up about the constant checking and excessive googling that once consumed hours of his day, and why trying to “logic away” his fear never worked.John also talks about what changed after he started exposure and response prevention (ERP) therapy, and how gradually facing his fears, in a safe environment with a specialty-trained professional, gave him a greater ability to exist in the world.At NOCD, we specialize in exposure and response prevention therapy (ERP), the most effective treatment for OCD—a treatment that can help you live a fulfilling life. If you're ready to take your first step, book a free 15-minute call with us at https://learn.nocd.com/YT Hosted on Acast. See acast.com/privacy for more information.

Why are humans not transparent? If you lived on a moon, would you know it? What did cavemen dream about? How does Good Store work with other companies? How do you deal with the grief of having limited time left with your parents? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Will I as a queer person be able to live openly, boldly, and out of the shadows?Today we meet Jake Stepansky and we're talking about the queer book that saved his life: Will Grayson, Will Grayson by David Levithan and John Green. And David joins us for the conversation!Jake Stepansky is a culture and care worker based in Brooklyn, NY. He is the co-founder and board president of the QT Library – a 501(c)(3) nonprofit working to bring a brick-and-mortar LGBTQIA+ library and substance-free community space to Boston. Jake is the Producer of Festival Presentations for the Under the Radar Festival, and works with private clients as a professional organizer and decluttering coach. Jake honed his skills as an arts worker and educator at Forklift Danceworks, Marty Pottenger's Art At Work, Pomegranate Arts, the Office for the Arts at Harvard, and more.David Levithan is an award-winning and New York Times-bestselling author of many books for teens, including Boy Meets Boy, Wide Awake, Love Is the Higher Law, and (with Rachel Cohn) Nick and Norah's Infinite Playlist. He also works as an editor and, in his free time, takes way too many pictures.Will Grayson, Will Grayson is about two teens with the same name, running in two very different circles, suddenly find their lives going in new and unexpected directions, and culminating in epic turns-of-heart and the most fabulous musical ever to grace the high school stage.Connect with Jake and DavidInstagram: @jakebookplantskyQT Library: qtlibrary.orgDavid's Facebook: facebook.com/davidlevithanOur BookshopVisit our Bookshop for new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts: bookshop.org/shop/thisqueerbookBuy your copy of Will Grayson, Will Grayson here: https://bookshop.org/a/82376/9780142418475Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: John ParkerExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Bob Bush, Natalie Cruz, Troy Ford, Jonathan Fried, Joe Perazzo, Bill Shay, Sean Smith, and Karsten VagnerPatreon Subscribers: Stephen D., Terry D., Stephen Flamm, Ida Göteburg, Thomas Michna, Sofia Nerman, and Gary Nygaard.Creative and Accounting support provided by: Gordy EricksonQuatrefoil LibraryQuatrefoil has created a curated lending library made up of the books featured on our podcast! If you can't buy these books, then borrow them! Link: https://libbyapp.com/library/quatrefoil/curated-1404336/page-1Support the show

Author and YouTuber John Green sits down with Dr. Patrick McGrath, NOCD's Chief Clinical Officer, to answer the internet's most-asked questions about OCD, including:• How do you ask for help when your intrusive thoughts feel too shameful to talk about?• Why do intrusive thoughts feel so real?• What's the most important thing someone with OCD should know?...and more.John also shares how OCD treatment helped him, even when he doubted it would, and his advice for getting through hard days.At NOCD, we specialize in exposure and response prevention therapy (ERP), the most effective treatment for OCD—a treatment that can help you live a fulfilling life. If you're ready to take your first step, book a free 15-minute call with us at https://learn.nocd.com/YT Hosted on Acast. See acast.com/privacy for more information.

In October of 1955, a highway worker and experienced outdoorsman named William Roe climbed Mica Mountain in British Columbia on his own time, with no particular expectation of finding anything unusual. What he encountered near the summit that afternoon would stay with him for the rest of his life — and nearly two years later, he'd walk into a notary's office in Edmonton, Alberta, and swear a legal affidavit about it, making his account one of the first formally documented close-range Sasquatch encounters in North American history.This episode tells Roe's story as close to his own experience as the historical record allows. Drawing entirely from his sworn affidavit and the subsequent research of John Green, Ivan T. Sanderson, and others who documented the case carefully in the years that followed, we walk through the encounter from the first glimpse through the brush to the moment she disappeared back into the timber — including the moment Roe raised his rifle, looked through the sight, and made a decision he'd spend the rest of his life thinking about.Roe wasn't a man who sought attention.He was a trapper, a hunter, a working man who'd spent more time in serious wilderness than most people spend indoors, and who knew the difference between what belonged in a forest and what didn't. What he saw on Mica Mountain that October afternoon was a large, upright, bipedal creature — female, covered in dark silver-tipped brown hair, standing roughly six feet tall, with a face that he could only describe as more human-like than he'd expected or was prepared for. She was eating wild cherry leaves near an old abandoned cabin when he found her. She walked away on two feet when she was ready to go. And at the edge of the forest, she looked back.We also dig into why this account has held up under decades of scrutiny, what the sworn affidavit represents as a piece of evidence, and how the anatomical and behavioral details Roe recorded in 1955 would later align, in striking ways, with what hundreds of independent witnesses would describe in the years that followed.If you've had your own encounter and want to share it, reach out at brian@paranormalworldproductions.com. We read everything.Have you experienced a Bigfoot sighting, Sasquatch encounter, Dogman experience, UFO sighting, or any unexplained cryptid or paranormal event deep in the woods? We want to hear your story.Email your encounter to brian@paranormalworldproductions.com for a chance to be featured on a future episode of Backwoods Bigfoot Stories.Backwoods Bigfoot Stories is a paranormal storytelling podcast featuring real Bigfoot encounters, Sasquatch sightings, Dogman reports, cryptid experiences, and true scary stories from the backwoods.Follow the show and turn on automatic downloads so you never miss a chilling encounter from the forest. Listen with the lights off… if you dare.

Why do I have the desire to rebel against my parents? Why does pen on paper fade over time? Do we make new water? What is the scent of soaps and why do I want to eat it? How should I reveal that I can do the splits? Has there been any updates regarding Stars on Mars? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join us as we share all our thoughts and feelings about Everything Is Tuberculosis by John Green! We answer all your listener questions and talk about how we were angered, depressed, given hope, and more! Stay till the end to find out what our pick for March is! Send in your thoughts, questions and recommendations to wearedoingfine@gmail.com.Instagram: @wearedoingfine

Do you ever wonder if a listener question comes from a celebrity? Why are most metals gray? Why does holding a baby silence the worry? How do you decide what to do after school? Can moles convert CO2 to Oxygen? How do you deal with grief? How do potatoes know which way is up? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

They say when man makes a plan, God laughs. His particular laughter this week was getting the site we normally record our podcast on banned on my work computer. So we scrambled and we have before you the result of minutes of furious googling, but these are the things we do for you, our dear listeners, nay, our dear friends. If there is praise, we will gladly take it. If there is criticism, well that is the fault of the school system. Best BooksCyclops #1Action Comics #1095Absolute Batman #17Generation X-23 #1Book Blurbs (Hold on to your butts, we have a lot)Absolute Wonder Woman Annual #1, Moon Knight #1, The Rocketfellers #12, Children of the Round Table #6, DC KO #4, Spider-Man Noir #5, Ultimate Spider-Man #24, Batman/Superman Worlds Finest #48, Arcadia #3, Superman Unlimited #10, Fantastic 4 #8, The Darkness #3, Uncanny X-Men #24, Supergirl #10, Captain America #7, Doctor Strange #3, The Muppets Noir #1Uncle's One More ThingWarhammer MiniaturesMarvel Cosmic InvasionEverything is Tuberculosis by John GreenThe Anthropocene Reviewed by John Green

This week: We discuss the new season of Unprecedented Times, teach you what a Voxel is, and give a shout out to the internets newest favourite underdog, Punch! We also ask the age-old question, “Who Asked for This?”, set new weekly goals for Accountabilibuddies, AITA, and much more!Join us for book club; this month we're reading Everything Is Tuberculosis by John Green. Find it on our book shop at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bookshop.org/shop/wearedoingfine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send in your thoughts, questions and recommendations to wearedoingfine@gmail.com.Instagram: @wearedoingfine

Author John Green couldn't write. NOCD Co-founder and CEO Stephen Smith could barely leave his house. Both were suffering from OCD without proper treatment. In fact, 95% of Americans with OCD aren't receiving the most effective treatment.In this interview with Dr. Patrick McGrath, John and Stephen explain how real OCD goes far beyond the stereotypes about neatness or organization, and the consequences of it being overlooked and misunderstood: hours lost to thought spirals, avoidance of loved ones, and fear that kept them from pursuing their passions.They also share what changed when they finally found specialized treatment for OCD. Now, they can measure how much richer life has become by the experiences they've regained.At NOCD, we specialize in exposure and response prevention therapy (ERP), the most effective treatment for OCD—a treatment that can help you live a fulfilling life. If you're ready to take your first step, book a free 15-minute call with us at https://learn.nocd.com/YT Hosted on Acast. See acast.com/privacy for more information.

How has your relationship with your audience changed? What's a good lie to tell my coworkers about my butt surgery? Has anyone ever tasted the moon? What's the highest altitude we have ever recorded a cloud? How long do I have to sit in the bath to touch every molecule of water? What is the value of a single shoe? How do I handle the information that we might live in a black hole? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnProduced for Hank and John Green by ComplexlySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week: Robbie and Lisa are tired co-hosts! We discuss Pam Bondi in her infamous shit show of a deposition before we rank the WDW rides Robbie misses so much! We also ask the age-old question, “Who Asked for This?”, set new weekly goals for Accountabilibuddies, AITA, and much more!Join us for book club; this month we're reading Everything Is Tuberculosis by John Green. Find it on our book shop at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bookshop.org/shop/wearedoingfine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send in your thoughts, questions and recommendations to wearedoingfine@gmail.com.Instagram: @wearedoingfine

Can you paint in space? What does “48 business hours” mean? Why is everyone asking me about aliens? How do you deal with the ever-present weight of nostalgia? What happens if you throw a ball while skydiving? Why do humans like stickers? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What is a patron saint? Do we all get eaten? How do flames decide where to go? How do trees stay standing? What happened to Hank's hair? How do doctors decide where the needles go? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.comJoin us for monthly livestreams at patreon.com/dearhankandjohnSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What happened to John in 2014? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.com.Join us for monthly livestreams at patreon.com/dearhankandjohn.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

My guest today is John Green. John is the award-winning, #1 bestselling author of books including 'Looking for Alaska,' 'The Fault in Our Stars,' 'Turtles All the Way Down,' 'The Anthropocene Reviewed,' and 'Everything is Tuberculosis.' John and his brother Hank Green have co-created a lot of projects together, including their massive YouTube channel, Vlogbrothers, and their podcast, 'Dear Hank and John.' He also serves on the Board of Trustees for global health nonprofit Partners in Health. And when I asked John if there was a piece of music that changed his life, he knew the answer right away: "You'll Never Walk Alone" by Gerry and the Pacemakers.For more info, visit songexploder.net/john-green.

For years, Mark Coster was presumed gone—declared dead without a body ever being found. But when his remains surface inside his own home, investigators must unravel how a killer hid in plain sight and how one confession finally exposed the truth behind a death that went unnoticed for years.View source material and photos for this episode at: anatomyofmurder.com/the-man-beneath-the-floorboardsCan't get enough AoM? Find us on social media!Instagram: @aom_podcast | @audiochuckTwitter: @AOM_podcast | @audiochuckFacebook: /listenAOMpod | /audiochuckllc Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What would you want your clickbait title to be? What is a face? Why is an MRI so loud? Could Rome actually be built in a day? What is going on with the design of traffic lights? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.com.Join us for monthly livestreams at patreon.com/dearhankandjohn.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Can one physically de-escalate? Are my hands actually colder than other parts of my body? Why can I see my veins so well? What would the internet look like if it was a 3D space? How do I know if I'm doing enough for my students? What would it feel like to be hit by a gravitational wave? How do we know the distance between the Earth and the Sun? Do squirrels get bored? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.com.Join us for monthly livestreams at patreon.com/dearhankandjohn.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Do we sweat the same way vegetables do? What should I do if a billionaire sits down at my dinner table? How do I feel sane in today's world? Can you please tell my twelve year old son to go to sleep? How did we decide the geological time scales? When were chairs invented? How does John manage his fear of TB contamination? What is Salinger-ing? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.com.Join us for monthly livestreams at patreon.com/dearhankandjohn.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Why don't John and Hank live in the same state? Where does the chapstick go after I apply it? When my phone runs out of battery, why can't I plug it in and immediately use it? If aliens landed on Earth long after the sun has died, would there still be signs of former human life? …Hank and John Green have answers!If you're in need of dubious advice, email us at hankandjohn@gmail.com.Join us for monthly livestreams at patreon.com/dearhankandjohn.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The writer and YouTube star on trying to get back to the experiences that make us feel alive.Thoughts? Email us at theinterview@nytimes.comWatch our show on YouTube: youtube.com/@TheInterviewPodcastFor transcripts and more, visit: nytimes.com/theinterview Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.