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rWotD Episode 2461: De figuris Veneris Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Monday, 29 January 2024 is De figuris Veneris.De figuris Veneris (On the figures of Venus) is an anthology of ancient Greek and ancient Roman writings on erotic topics, discussed objectively and classified and grouped by subject matter. It was first published by the German classicist Friedrich Karl Forberg in 1824 in Latin and Greek as a commentary to Antonio Beccadelli's (1394–1471) Hermaphroditus (commonly referred to as Antonii Panormitae Hermaphroditus), an erotic poem sequence of 1425 in Renaissance Latin, though it was later also published as a separate work. Forberg's work was later also translated into English in 1899 and published by Charles Carrington as De figuris Veneris, Manual of classical erotology, and again in 1907 by Charles Hirsch, and into French, German and Spanish. The French edition by Alcide Bonneau was titled Manuel d’érotologie classique. One French edition of 1906 was illustrated by Édouard-Henri Avril, which concludes with a list of 95 sexual positions. Most of the editions were restricted to high society or censored; one of the copies edited in France was immediately deposited on the secret shelves of the Bibliothèque nationale de France. The Spanish translation was titled Manual de erótica clásica.This recording reflects the Wikipedia text as of 00:31 UTC on Monday, 29 January 2024.For the full current version of the article, see De figuris Veneris on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Joanna Standard.
Muiris FitzGerald is Emeritus Professor of Medicine and Therapeutics at UCD and was Professor of Medicine and Consultant Physician at SVUH (St Vincent's University Hospital) from 1977 to 2006. Muiris is a former two-term Chairman of the HRB (Health Research Board) and served on the Foundation Board of HIQA (Health Information and Quality Authority), the ISCP (Irish Society of Chartered Physiotherapists), the NMBI (Nursing and Midwifery Board of Ireland – formerly An Bord Altranais) and Comhairle na nOispideal for four terms. Muiris was the recipient of the inaugural ITS (Irish Thoracic Society) Award for Outstanding Contribution to Respiratory Medicine in 2009, which proved an excellent opportunity to celebrate and recognise the Professor's distinguished career and his unique and invaluable contribution to the field of respiratory medicine. After his Internship, Muiris trained at the Seton Hall Medical School Jersey City, New Jersey, US, the University of Birmingham and as an International Fogarty – NIH Fellow at Boston University Medical School Thoracic Services under the aegis of Ed Gaensler, Gordon Snider and Charles Carrington. On returning home in 1977, to take up his appointment as Consultant Physician at SVUH, Muiris established the hospital's first Pulmonary Function Laboratory and initiated the first Adult and Adolescent CF (Cystic Fibrosis) Service in Ireland, in addition to a suite of specialist outpatient clinics for patients with sarcoidosis, lung fibrosis/rare lung diseases and asthma. Muiris FitzGerald was born in Dublin in 1941 and graduated from UCD School of Medicine. He did postgraduate training in UCD, Seton Hall University New Jersey, US, University of Birmingham, UK and Boston University School of Medicine, US. --- Send in a voice message: https://podcasters.spotify.com/pod/show/portraitsofclongowes/message
What do you get when you cross Journey's End with Brideshead Revisited? This month Angus, Chris and Jessica review Alice Winn's best-selling new novel, In Memoriam. The book follows Henry Gaunt and Sidney Ellwood from public school and through the war. Half-German, Gaunt's mother asks him to enlist in the British army to protect the family from anti-German attacks. He signs up immediately, relieved to escape his overwhelming feelings. But Ellwood and their classmates soon follow him into the horrors of trenches. Though Ellwood and Gaunt find fleeting moments of solace in one another, their friends are dying in front of them, and at any moment they could be next. Along the way we discuss class, conscription and the difficulties of describing the boredom and violence of war in popular fiction. References1917 (2019) A.J. Evans, The Escaping ClubAlfred, Lord Tennyson, In Memoriam A. H. H (1850) Alice Winn, In Memoriam (2023) All Quiet on the Western Front (2022) Charles Carrington, A Subaltern's WarErnst Younger, Storm of Steel (1929) Evelyn Waugh, Brideshead Revisited Ian Isherwood, Remembering the Great War (2017) In Memoriam by Alice Winn review, The Guardian (12 March 2023) Justin Fantauzzo and Robert L. Nelson (2016), 'A Most Unmanly War: British Military Masculinity in Macedonia, Mesopotamia and Palestine, 1914-18', Gender & History 28(3): 587-603, DOI: 10.1111/1468-0424.12240 Second Lieutenant Kenneth Macardle Heartstopper (2022) Max Plowman, A Subaltern on the SommePat Barker, Regeneration Trilogy (1991-1995) Peaky Blinders RC Sherriff, Journey's End (1928) Rupert Brookes, Goodbye to All That (1929) Siegfried Sassoon, Memoirs of a Fox-Hunting Man (1929) Star Trek Stephen Fry, The LiarThe Gallows Pole (2023) The Great Escape (1963) The History Boys (2006) This is Spinal Tap (1984) This Is the Week That Was Pat Barker, Regeneration Trilogy (1991-1995)
With an increasing focus on climate change and other ecological crises, consumer companies face an influx of stakeholder demands to disclose ESG data. While consumers, employees, and investors want to engage with more sustainable companies, regulators are proposing that companies disclose material sustainability data or even their public pledges to achieve reduction of emissions. However, how hard is it to collect accurate, valid, and trustworthy ESG data? Which elements of ESG data are essential for stakeholder engagement? Tune in to this episode as we discuss these questions with Mandi McReynolds, global head of ESG at Workiva Inc., and Charles Carrington, partner with Deloitte's Risk & Financial Advisory practice.
So your guest bedroom slash office feels like an empty void. Zoom calls are flatter than day-old Diet Coke. What's an accounting leader to do? Charles Carrington, partner at Deloitte, joins Drew and Steve to talk emotional intelligence, mental health, and intentional leadership in the time of Coronavirus. Tune in!
THRIVE WITH CHARLIE INSTAGRAM - https://bit.ly/2t1EqA8 TWITTER- https://bit.ly/2MPR3qU LINKEDIN- https://bit.ly/2WIDHBJ WEBSITE- https://bit.ly/2BgSGJS Vision: We image a world where peers inspire peers to thrive. Ones voice is never absorbed in precisely the same way by any two or more individuals who may have been exposed to it. Building upon this supernatural quality, Thrive Inc focuses on aggregating the most mind-blowing, all-inclusive, inspirational platform. Here, with a peer to peer boosting strategy, we spread positive messages in the form of short, inspirational videos, quotes, and podcasts. Our Why: To Inspire Someone.
Episode 110 - Listener Series Vol 7 with Charles Carrington! Join Steve, Kevin and Fred as we welcome Charles Carrington Sr to the show. Continuing our Listener series with Volume 8, let's get to know Charles!! Thank You so much from the FFRC Podcast crew! Free our skies and we'll see ya next time... To get in touch with us: Email us at freefallrc@gmail.com Web - https://www.freefallrcpodcast.com Youtube Subscribe - https://www.youtube.com/channel/UCTWlb2zbjCDg17i36enM9VQFacebook page - https://www.facebook.com/freefallrcpodcast/ Instagram - http://www.instagram.com/freefallrcpodcast Forums - http://forum.flitetest.com/forumdisplay.php?187-FreeFall-RC-Podcast http://www.rchelihangout.com/forum/forumdisplay.php?fid=109 Thank you for listening and subscribing! Free our Skies and See you next time...
From the end of the nineteenth century through the middle of the twentieth, Paris was a center for the publication of numerous English-language books, including many of a sexually explicit, pornographic nature. Colette Colligan‘s new book, A Publisher’s Paradise: Expatriate Literary Culture in Paris, 1890-1960 (University of Massachusetts Press, 2014) explores the rich and fascinating history of these “Paris editions” across seven decades of literary publishing in France, in English. Troubling too-simplistic notions of British prudishness versus French sexual liberalism and “high” versus “low” literatures, Colligan’s book makes a significant contribution to our understanding of Paris’s expatriate past, a past that remains part of the city’s mythology to this day. The book includes discussion of the cultural, legal, and commercial sides of this story, as well as closer textual analyses of some key examples of “degraded” and high modernist literature. In its chapters, readers will be introduced to characters and works that may not be so well known, including the British expatriate publisher Charles Carrington (whose publishing credits include Oscar Wilde’s The Picture of Dorian Gray in 1908). In addition to illuminating the lives of lesser known figures and texts, A Publisher’s Paradise also situates the history of “dirty books” published in the French capital to literary legends Sylvia Beach (the owner of the Parisian landmark English-language bookstore Shakespeare and Co. and publisher of James Joyce’s Ulysses in 1922) and Vladimir Nabokov (whose novel Lolita was first published by Maurice Girodias’ Olympia Press in Paris in 1955). The book will be a rewarding read to anyone interested in the histories of publishing, pornography, and/or Parisian cultural life. Learn more about your ad choices. Visit megaphone.fm/adchoices
From the end of the nineteenth century through the middle of the twentieth, Paris was a center for the publication of numerous English-language books, including many of a sexually explicit, pornographic nature. Colette Colligan‘s new book, A Publisher’s Paradise: Expatriate Literary Culture in Paris, 1890-1960 (University of Massachusetts Press, 2014) explores the rich and fascinating history of these “Paris editions” across seven decades of literary publishing in France, in English. Troubling too-simplistic notions of British prudishness versus French sexual liberalism and “high” versus “low” literatures, Colligan’s book makes a significant contribution to our understanding of Paris’s expatriate past, a past that remains part of the city’s mythology to this day. The book includes discussion of the cultural, legal, and commercial sides of this story, as well as closer textual analyses of some key examples of “degraded” and high modernist literature. In its chapters, readers will be introduced to characters and works that may not be so well known, including the British expatriate publisher Charles Carrington (whose publishing credits include Oscar Wilde’s The Picture of Dorian Gray in 1908). In addition to illuminating the lives of lesser known figures and texts, A Publisher’s Paradise also situates the history of “dirty books” published in the French capital to literary legends Sylvia Beach (the owner of the Parisian landmark English-language bookstore Shakespeare and Co. and publisher of James Joyce’s Ulysses in 1922) and Vladimir Nabokov (whose novel Lolita was first published by Maurice Girodias’ Olympia Press in Paris in 1955). The book will be a rewarding read to anyone interested in the histories of publishing, pornography, and/or Parisian cultural life. Learn more about your ad choices. Visit megaphone.fm/adchoices
From the end of the nineteenth century through the middle of the twentieth, Paris was a center for the publication of numerous English-language books, including many of a sexually explicit, pornographic nature. Colette Colligan‘s new book, A Publisher’s Paradise: Expatriate Literary Culture in Paris, 1890-1960 (University of Massachusetts Press, 2014) explores the rich and fascinating history of these “Paris editions” across seven decades of literary publishing in France, in English. Troubling too-simplistic notions of British prudishness versus French sexual liberalism and “high” versus “low” literatures, Colligan’s book makes a significant contribution to our understanding of Paris’s expatriate past, a past that remains part of the city’s mythology to this day. The book includes discussion of the cultural, legal, and commercial sides of this story, as well as closer textual analyses of some key examples of “degraded” and high modernist literature. In its chapters, readers will be introduced to characters and works that may not be so well known, including the British expatriate publisher Charles Carrington (whose publishing credits include Oscar Wilde’s The Picture of Dorian Gray in 1908). In addition to illuminating the lives of lesser known figures and texts, A Publisher’s Paradise also situates the history of “dirty books” published in the French capital to literary legends Sylvia Beach (the owner of the Parisian landmark English-language bookstore Shakespeare and Co. and publisher of James Joyce’s Ulysses in 1922) and Vladimir Nabokov (whose novel Lolita was first published by Maurice Girodias’ Olympia Press in Paris in 1955). The book will be a rewarding read to anyone interested in the histories of publishing, pornography, and/or Parisian cultural life. Learn more about your ad choices. Visit megaphone.fm/adchoices
From the end of the nineteenth century through the middle of the twentieth, Paris was a center for the publication of numerous English-language books, including many of a sexually explicit, pornographic nature. Colette Colligan‘s new book, A Publisher’s Paradise: Expatriate Literary Culture in Paris, 1890-1960 (University of Massachusetts Press, 2014) explores the rich and fascinating history of these “Paris editions” across seven decades of literary publishing in France, in English. Troubling too-simplistic notions of British prudishness versus French sexual liberalism and “high” versus “low” literatures, Colligan’s book makes a significant contribution to our understanding of Paris’s expatriate past, a past that remains part of the city’s mythology to this day. The book includes discussion of the cultural, legal, and commercial sides of this story, as well as closer textual analyses of some key examples of “degraded” and high modernist literature. In its chapters, readers will be introduced to characters and works that may not be so well known, including the British expatriate publisher Charles Carrington (whose publishing credits include Oscar Wilde’s The Picture of Dorian Gray in 1908). In addition to illuminating the lives of lesser known figures and texts, A Publisher’s Paradise also situates the history of “dirty books” published in the French capital to literary legends Sylvia Beach (the owner of the Parisian landmark English-language bookstore Shakespeare and Co. and publisher of James Joyce’s Ulysses in 1922) and Vladimir Nabokov (whose novel Lolita was first published by Maurice Girodias’ Olympia Press in Paris in 1955). The book will be a rewarding read to anyone interested in the histories of publishing, pornography, and/or Parisian cultural life. Learn more about your ad choices. Visit megaphone.fm/adchoices
From the end of the nineteenth century through the middle of the twentieth, Paris was a center for the publication of numerous English-language books, including many of a sexually explicit, pornographic nature. Colette Colligan‘s new book, A Publisher’s Paradise: Expatriate Literary Culture in Paris, 1890-1960 (University of Massachusetts Press, 2014) explores the rich and fascinating history of these “Paris editions” across seven decades of literary publishing in France, in English. Troubling too-simplistic notions of British prudishness versus French sexual liberalism and “high” versus “low” literatures, Colligan’s book makes a significant contribution to our understanding of Paris’s expatriate past, a past that remains part of the city’s mythology to this day. The book includes discussion of the cultural, legal, and commercial sides of this story, as well as closer textual analyses of some key examples of “degraded” and high modernist literature. In its chapters, readers will be introduced to characters and works that may not be so well known, including the British expatriate publisher Charles Carrington (whose publishing credits include Oscar Wilde’s The Picture of Dorian Gray in 1908). In addition to illuminating the lives of lesser known figures and texts, A Publisher’s Paradise also situates the history of “dirty books” published in the French capital to literary legends Sylvia Beach (the owner of the Parisian landmark English-language bookstore Shakespeare and Co. and publisher of James Joyce’s Ulysses in 1922) and Vladimir Nabokov (whose novel Lolita was first published by Maurice Girodias’ Olympia Press in Paris in 1955). The book will be a rewarding read to anyone interested in the histories of publishing, pornography, and/or Parisian cultural life. Learn more about your ad choices. Visit megaphone.fm/adchoices
From the end of the nineteenth century through the middle of the twentieth, Paris was a center for the publication of numerous English-language books, including many of a sexually explicit, pornographic nature. Colette Colligan‘s new book, A Publisher’s Paradise: Expatriate Literary Culture in Paris, 1890-1960 (University of Massachusetts Press, 2014) explores the rich and fascinating history of these “Paris editions” across seven decades of literary publishing in France, in English. Troubling too-simplistic notions of British prudishness versus French sexual liberalism and “high” versus “low” literatures, Colligan’s book makes a significant contribution to our understanding of Paris’s expatriate past, a past that remains part of the city’s mythology to this day. The book includes discussion of the cultural, legal, and commercial sides of this story, as well as closer textual analyses of some key examples of “degraded” and high modernist literature. In its chapters, readers will be introduced to characters and works that may not be so well known, including the British expatriate publisher Charles Carrington (whose publishing credits include Oscar Wilde’s The Picture of Dorian Gray in 1908). In addition to illuminating the lives of lesser known figures and texts, A Publisher’s Paradise also situates the history of “dirty books” published in the French capital to literary legends Sylvia Beach (the owner of the Parisian landmark English-language bookstore Shakespeare and Co. and publisher of James Joyce’s Ulysses in 1922) and Vladimir Nabokov (whose novel Lolita was first published by Maurice Girodias’ Olympia Press in Paris in 1955). The book will be a rewarding read to anyone interested in the histories of publishing, pornography, and/or Parisian cultural life. Learn more about your ad choices. Visit megaphone.fm/adchoices
From the end of the nineteenth century through the middle of the twentieth, Paris was a center for the publication of numerous English-language books, including many of a sexually explicit, pornographic nature. Colette Colligan‘s new book, A Publisher's Paradise: Expatriate Literary Culture in Paris, 1890-1960 (University of Massachusetts Press, 2014) explores the rich and fascinating history of these “Paris editions” across seven decades of literary publishing in France, in English. Troubling too-simplistic notions of British prudishness versus French sexual liberalism and “high” versus “low” literatures, Colligan's book makes a significant contribution to our understanding of Paris's expatriate past, a past that remains part of the city's mythology to this day. The book includes discussion of the cultural, legal, and commercial sides of this story, as well as closer textual analyses of some key examples of “degraded” and high modernist literature. In its chapters, readers will be introduced to characters and works that may not be so well known, including the British expatriate publisher Charles Carrington (whose publishing credits include Oscar Wilde's The Picture of Dorian Gray in 1908). In addition to illuminating the lives of lesser known figures and texts, A Publisher's Paradise also situates the history of “dirty books” published in the French capital to literary legends Sylvia Beach (the owner of the Parisian landmark English-language bookstore Shakespeare and Co. and publisher of James Joyce's Ulysses in 1922) and Vladimir Nabokov (whose novel Lolita was first published by Maurice Girodias' Olympia Press in Paris in 1955). The book will be a rewarding read to anyone interested in the histories of publishing, pornography, and/or Parisian cultural life. Learn more about your ad choices. Visit megaphone.fm/adchoices
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