Podcasts about Siegfried Sassoon

Hi all, Jess here. This episode was Sarina's idea, and when you listen you will understand why. It can be hard to focus on the work, whether it's editing, world building, conjuring meet cutes, or translating research-based hope for the next generation. That said, it's important that we keep creating and putting our words out into the world. We hope you are able to keep working while navigating the a balance between consuming, processing, and reacting to the news cycle and shutting the world out in self preservation. Stuff we talked aboutWrite Through It: An Insider's Guide to Writing and the Creative Life by Kate McKeanKate Mckean's websiteWe Are All Guilty Here by Karin Slaughter (release date August 12, 2025)The OpEd ProjectAuthors Against Book BansPossession by A.S. Byatt and the film I adore based on the bookA Complete Unknown filmHamilton, Non-Stop (“why does he write like he's running out of time?”)On Writing by Stephen KingAll In by Billie Jean KingPermission by Elissa AltmanMeditation for Mortals by Oliver BurkemanHEY. Did you know Sarina's latest thriller is out NOW? Rowan Gallagher is a devoted single mother and a talented architect with a high-profile commission restoring an historic mansion for the most powerful family in Maine. But inside, she's a mess. She knows that stalking her ex's avatar all over Portland on her phone isn't the healthiest way to heal from their breakup. But she's out of ice cream and she's sick of romcoms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. Instead of catching her ex in a kiss, Rowan becomes the first witness to his murder—and the primary suspect.Digital books at: Amazon | Nook | Apple Books | Kobo | Google Play | Audible Physical books at: Bookshop.org | Amazon | Barnes & Noble | Indigo | More paperback links here!New! Transcript below!EPISODE 448 - TRANSCRIPTKJ Dell'AntoniaListeners who I know are also readers. Have I got a summer book for you, if you haven't yet ordered Dying to Meet You. Sarina Bowen's latest thriller with just enough romance you have to so let me lay this out for you. Rowan Gallagher is a devoted single mother and a talented architect with a high profile commission restoring a historic mansion for the most powerful family in Maine, but inside, she's a mess. She knows stalking her exes avatar all over Portland on her phone isn't the healthiest way to heal from their breakup, but she's out of ice cream and she's sick of rom coms. Watching his every move is both fascinating and infuriating. He's dining out while she's wallowing on the couch. The last straw comes when he parks in their favorite spot on the waterfront. In a weak moment, she leashes the dog and sets off to see who else is in his car. But instead of catching her ex and a kiss, Rowan becomes the first witness to his murder and the primary suspect. But Rowan isn't the only one keeping secrets as she digs for the truth, she discovers that the dead man was stalking her too, gathering intimate details about her job and her past, struggling to clear her name, Rowan finds herself spiraling into the shadowy plot that killed him. Will she be the next to die? You're going to love this. I've had a sneak preview, and I think we all know that The Five Year Lie was among the very best reads and listens of last summer, Dying to Meet You, is available in every format and anywhere that you buy books and you could grab your copy, and you absolutely should…right now.All TalkingIs it recording? Now it's recording, yay, go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm gonna wrestle some papers. Okay, now, 123,KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is hashtag AmWriting podcast the weekly podcast about writing all the things, short things, long things, pitches, proposals, fiction, non fiction, memoir. This is the podcast about finding a way to get your work done, and that is sure what we're gonna talk about this week.Jess LaheyI'm Jess Lahey. I am the author of The Gift of Failure and The Addiction Inoculation and you can find my journalism over at The New York Times, Washington Post and The Atlantic.Sarina BowenI'm Sarina Bowen. I am the author of many contemporary novels, including Dying to Meet You, which is brand new right now. KJ Dell'AntoniaYay!Sarina BowenYay. Thank you.Jennie NashI'm Jennie Nash, I am the founder and CEO of Author Accelerator, a company on a mission to lead the emerging book coaching industry, and also the author of the Blueprint books, which help people get their books out of their head and onto the page.KJ Dell'AntoniaAnd also in your past life, the author of a lot of other books.Jennie NashI know indeed. KJ Dell'AntoniaI think it's worthy. I do. I'm KJ Dell'Antonia, I am KJ Dell'Antonia. I am the author of three novels and two non fiction books, and the former editor and lead writer of the mother lode blog at the New York Times. We have all had a number of careers. And the reason I brought that up, Jenny is that I was just interviewing Kate McKean, who has a new book about the mechanics. Like, it's a great book. It's called Write Through It, and it's sort of like everything we've ever talked about the podcast on the podcast, all the how to stuff all rolled up into one book, which is really cool. But I was telling her that I kind of have a unspoken motto of only taking writing advice from people who have not published a book, very judiciously. Now my freelance editor is not someone who has, or, I think I don't know if she even wants to publish a book, and she's amazing. So with with some thought, but my point being that you have also published many, many, many books. So if anyone out there hesitates around that don't, don't. Yeah, all right, that was a really lot of introductions. We got something to talk about today, and I'm going to demand that Sarina announce our topic, because she came up with it. Okay.Sarina BowenWell, my topic is how to be present and devote yourself to your writing in a world that is so loud and confusing and it feels like whatever you're working on can't possibly matter as much as what's going on in the world, and all my writer friends are struggling with this right now. Jess LaheyIt's, it's hard, especially when the work that I do, the work around like writing about kids and parenting and stuff, requires a fair amount of optimism and requires a fair amount of like, it's gonna be great, and here's what you have to do in order to make it be great. And it's really, it's been very hard for me lately to to be in that head space.Sarina BowenWell, Jess, I would argue that, like, at least you're literally helping people. And some of us are fighting meet cutes and first kisses. Jess LaheyOkay, you are no but you are so helping people, because over and over and over again, what I hear from your readers and from readers of happy kiss, he a and kissing books that they are the the self care and the reprieve that they really need.Sarina BowenOkay, you you just are. You just gave, like, the point, the point at the top of the notes that I made for this discussion, because people keep saying that to me, and they're not wrong. But for some reason, it hasn't been enough lately, and I, um, I was struggling to figure out why. And then over the last 48 hours, in a feverish rush, I read this Karin Slaughter book that's called We Are All Guilty Here that doesn't come out until August, but please pre order it now and do yourself a favor, because it's so good. Jess LaheyI love her books. Sarina BowenYeah, so I had the opportunity to have that same experience from the reader side of the coin, which is that I totally lost myself in this fictional world. It It mattered to me as a person to work through those problems, um, in the way that a novel has a beginning and a middle and an end and and I think that part of my big problem right now is that I can't see an end to any of the stuff that's you know happening. So it was helpful to me to have the same experience that my readers described to me, to be like totally sucked into something, and to feel like it mattered to me in the moment.Jess LaheyWell…And to add on to that, I had a fantastic sorry KJ and Jenny, we're just we're off on our little happy tangent here. But I had a wonderful conversation with a fan recently in on one at one of my speaking engagements, and she was apologizing to me for feeling like she had a really close relationship with me, even though we hadn't met. And she said, and the reason for that is that you're in my head because I'm listening to your audiobook. And I said, You do not need to apologize to that for that to me, because I have the same experience. And she said, the thing that was nice, you know, because I'm such a big audiobook fan, I feel this weird, parasocial, fictional connection to this person, because it's not just their words, it's also their voice. But the thing that she said was really sweet was she listened in her car, and her car became a place of refuge and a place where she knew she was going to hear a voice that would make her feel like it was going to be okay. And so even though I hear that and I know that, and I've experienced it from the other side with the audiobooks that I listen to, it's still, it is still very hard to look down at the empty page and say, How do I help people feel like everything's going to be okay? And it's, it's a difficult moment for that.KJ Dell'AntoniaI have been thinking about this too, because I think we all are, and let me just say that this is not just a, you know, we're not, we're not making a grand political statement here, although we, we certainly could. This is, uh, it is a moment of some global turmoil. Whether you think this global turmoil is exactly what the universe needed or not it is still... um, there's a lot.Jess LaheyIt's just a lot, and it's all the time, and it's like, oh, did you hear this? Did you hear this? And I feel like I'm supposed to be paying attention, and then if I pay attention too much, I feel like my head is it so, yeah, it's just a lot. KJ Dell'AntoniaSo what I want to say is, I think we have to get used to it, and I think it can be done. And I take some encouragement from all the writers who wrote their way through World Wars, who wrote their way through, you know, enormous personal trauma, who have written their way through, you know, enormous political turmoil, in their own countries, both as you know people who are actually writing about what was going on, but also as people who were not, I happen to be a real stan of the World War II books about, not like the drama of the war, but then the home that keep the home fires as they as they would say, stuff like The Diary of a Provincial Lady in Wartime and Angela Thirkell. And it's just, this is what was going on. There's some stuff... I can't think of all of it, but anyway. I love that reminder that life went on, and I think we have had a pretty calm few decades, and that that's been very lucky, but it's actually not the norm. So we gotta get used to this kids.Jess LaheyYeah, I actually, I just flew home from a trip, and Tim was watching on the plane. Tim was watching a film with Siegfried Sassoon and Wilfred Owen. You may know Wilfred Owen as the person who wrote, you know, Dulce et Decorum Est, the whole thing, these are the world war two poets and a world war one poet, sorry, and yeah, they had a lot going on and they were writing poetry. Yeah.Jennie Nash Well, I knew from the moment that Sarina posed this question that I was going to be the voice of opposition here today, because I am seeing this and feeling this great surge of creative energy and people wanting to write, wanting to create, wanting to raise their voice, whether it is in opposition or as an act of rebellion or as an active escape, or just as a thing that they've always wanted to do so they're finally going to do it. It feels similar-ish to me as the pandemic did, in that way. And you know what I was thinking about Sarina, is that you are in the both enviable and also not enviable position of having done this a really long time and and you you know how it goes, and you not that it's wrote by any means, writing a book is never wrote. But the the creative process is not new to you, I guess, and I have encounters with a lot of writers through the book coaches I train who are just stepping up into this and just raising their voice and just embracing that. This is a thing that they could do. And this is a, you know, like I just, I've seen people, you know, a lot of dystopian fiction, obviously wanting to be written, climate justice, social justice, you know, books from people who previously marginalized, even like satire about the crazy stuff going on in education, you know, in all genres, all realms, I just feel the people doubling down. And so I wonder if it's, if it's, you know, the writer friends that you talk to are largely in that same boat as you very accomplished and in it. And I don't know it's my conjecture, because I just, I'm really feeling the opposite.Jess LaheyActually, can I? Can I? Can I verify that through something else? So KJ and I have both mentored with The OpEd Project. It's about raising all voices to publish op eds in newspapers, not just, you know, the people that we're used to hearing from. And they put out an email for their mentors, because they said, This moment is generating so much interest in writing op eds, so that's a good thing too.Jennie NashOh, that's interesting. Yeah, yeah, I don't know i i also have to say that I personally have made a choice that is inspired by Oliver Burkeman, which is I'm not paying attention, and I know it's a luxury to not pay attention to the news, and I know that that it's a privilege and maybe not always a good thing, but I just made a personal decision that can't right now, or you don't want to, for what it's worth, so I feel a little ashamed about that, to be honest... I feel a lot of times that I'm not doing enough when I catch a glimpse of what's happening or what's going on, or my husband is a voracious consumer of the news, so I it's not like I'm not getting news. I just get it filtered through him and through my children, for sure, and and I would also like to just give a shout out to this podcast, because sometimes through this podcast, I listen to Jess and Sarina, On a podcast you recorded a couple weeks ago about pirate the pirate site episode, and learned so much, and it was so great, you know, so I don't know. I have to say that too, that maybe my stance is coming from a place of not being fully... pulling a little over my own eyes, I guess.KJ Dell'AntoniaNo, I think it's great that you are finding something that you're seeing like a surge of of positive energy. I mean, part of me, as I'm listening to you guys, wants to go well, but you know, nothing I'm I'm doing is a voice of protester opposition, but that's okay. We don't have to be voices of protester opposition. And we have to remember that most of the people in our country do not oppose this. So it's a little bit of a weird I mean, it's it's a weird moment that one's that one's tough, but it's also true. It's not, it's just change. It's just, it's just turmoil. But I love your point that there's, um, there's excitement and energy in turmoil. Maybe this is also a question of sort of where you are in your life, like, where, whether, the turmoil is exciting or stressful, or, I don't even know where I was going with that... okay.Jennie NashWell, but I, I think there's, I've been thinking just a lot about AI and where it's going and what's going to happen. And some days I worry, and some days I fret, and some days, you know, I don't, I don't think about it or whatever, but, but I, the thing I keep coming back to is you can't keep a creator down. You know, the creators want to create. And it's the the process of that, the the creative process, whether somebody doesn't matter what they're writing and and Sarina, that speaks to where, where you are. You know, they could be writing a meet cute, or a first kiss, or what have you, but the fact that they want to be a creator in a world that's on fire is, to me, the hope... the sign, the sign of hope. You know, I actually I'm about to take a trip to Amsterdam, where I've never been, and of course, we're going to go to the Anne Frank House, and I may reengage myself with that story, and thought about it and looked at it, and it's like just the the urge to create, the urge to put it down, the urge to do the thing. And maybe that was an act of protest as well. But, you know, not, not a meet cute, but I just, I just, I believe in the power of the creator and and of that. And Sarina, you're so good at it, at that, at that process, and putting yourself in that process, and being in that process, and it makes me sad that you're questioning it in a way. Sarina BowenWell, you know, I don't know. I actually kind of disagree that, that we can look away right now, because there's a lot at stake for for the for the world that writers operate inside and AI is really important, because there's a lot of super important litigation going down right now about what what is legal in terms of using our work to create AI and to not pay us for it. But also, there are other writers who are being silenced and having their student visas, you know, rejected and and it's only work of other people that is pushing back on this. So it's in some ways, I I can't really say, Oh, it's okay for me to look away right now and go back to this scene, because there are moments that matter more than others, but but in order to not give up my entire job at this moment, because it's so distractingly difficult, what I find I've had to do is figure out which sources really matter and which parts of my day are productively informational, and which parts are just anxiety producing. So by by luck, I went on this long vacation, long for me is like nine days, but we'd been planning it forever because one of my kids is overseas, and we were going there at his exact moment of having a break. So I had a vacation in a way that I haven't in a really long time. And I found that being off cycle from the news really affected my the way that I took it in. And it improved my mental health, even though I was ultimately about as well informed as if I hadn't left but I didn't have any time in the day to, like, scroll through the hysteria on threads. I could only take in the news from a few, like, you know, real sources and and that was really informational to me, like I didn't.. I had not processed the fact that how I take in the necessary information affected whether or not it merely informed me or also made me feel like everything was lost. So that that was pretty important, but also just the fact that that I've also been trying to be out in the world more and be where people are, instead of, instead of looking at my computer screen. And it's not like a work smarter, not harder thing, but like, choose your moments. You know, I believe that we still need to be engaged at this moment and to ask ourselves, what is possible for us to do. But that doesn't mean we have to scroll through all the stress online all day long in order to get there. And to me, that's that's what's made the difference.Jess LaheyWe've had a rule in our house for a little while now that I'm not allowed to bring up any newsy things or talk about any newsy things after a certain point in the evening, because it messes with Tim's sleep. He would wake up, you know, churning about and thinking about whatever it was that I talked about from the news most recently. So any of those outrage moments are just not allowed in our house in the evening. And I think that's a really healthy barrier to put up and realize that there are points in my day when I can handle it and points in my day when I can't.KJ Dell'AntoniaIt's also possible that the thing that I could most usefully do to change things that I think should be changed is to give money to other people who are working to change them. Because, you know, we can't all... shouting on social media?, not, not useful, right? I'm not gonna run for office, personally. I do have a family member who does that sort of thing, and I love that, but I'm probably not going to, I guess, check in with me in 10 years. I'm, you know, there's only so much I when I think about, okay, what could I possibly do? Most of it is I can give money to people who are doing things that I want done, and the only way I have money to give to people who want things, who are doing things that I want to get done, is to do my job, which is, is to to write books. So there's that. Jess LaheyI would like to highlight, however, that Tim and I have both been periodically calling our representatives and having some really, you know, it's obviously not the representative themselves or our senator that we're talking to. We're talking to, you know, someone in their office, some college kid in their office, but the conversations have been fascinating. I've learned a lot just through those conversations. And they don't just sort of take your message and then hang up. They're willing to have a conversation. And it's been, it's been really fascinating. So calling your representatives is a really worthy thing to do.KJ Dell'AntoniaYeah, many decades ago, I was that person, and therefore I'm a little cynical about it.Jess LaheyWell, I do want to give a shout out right now, I've been watching one of my former students who ran for Mitt Romney's Senate seat in Utah as a Democrat, which is an impossible task, but she did really, really well, and she just got to open for Bernie and AOC at the at a thing in in in Utah. And so watching her, or watching people who are, you know, really getting engaged, and by a lot of them are younger people. That's and, you know, my thing is younger people. And so it circles back around to the more supporting I'm doing of people who are younger and people who are energized and excited about getting in there and writing the op eds and speaking and running for office, that has been another place of reprieve for me.Jennie NashSo I would love to to ask Sarina about... No no, because something she said, you know, when she said, I I disagree, it just it got me thinking, because I wanted to defend myself, and I don't know, and say, Well, no, I'm not I'm not that terrible. I'm not whatever. But I been listening to you talk, I was realizing that I I really have prioritized my own mental well being over anything else, and in terms of checking out of the things, and I've heard you talk about this before, on on a podcast, but my default response, like on the piece you talked about, about writers and being under attack and what's going on, that's just one tiny thing that's going on in the world of chaos. But that tiny thing I do tell myself I can't do anything. I'm just one person, you know, what? What can I really do? And therefore, then I don't do anything. So I do the bare minimum. I do the bare minimum, you know, like I give money to Authors Guild, right? You know, but it, I'm just going to put myself out there as the, the avatar of the person who says that and doesn't do anything and and then, to be perfectly honest, feels is a little smug when you're like, I'm dying and I'm wrecked and I'm whatever, because you're informed and you're actually doing things, and I'm like... oh, you should be like me and and not do, and then I feel bad about myself. So I just want to put that back as a conversation piece, because I know you have thoughts about that, that one person can't do anything. Sarina BowenYeah, so I often feel like there's a lot of problems I would like to solve and and if I tried to take on all of them, then I would be paralyzed, like there would be nothing I can do. And also, there are moments when we have to really pull back and and put our oxygen mask on before assisting others like that is a totally legitimate thing to do. And when I had this experience of going on vacation, and then it was such a big reset for me, I thought, Oh, you dummy, like, you know, that's like a thing I need to keep relearning is that, oh wait no, sometimes we really do have to drop out for for a little bit of time, because we will be more energized afterwards, but, but I bet that that one thing that you're supposed to do will announce itself to you fairly soon. You know what I mean? Like it just because you're having this moment of pulling back and needing to do that doesn't mean that that's a permanent position for you. Like, I don't, I don't believe that, like, because, because I know you care. So...Jennie NashYeah, yeah. But it's, it's just interesting the different, the different reactions and responses. And I often find myself saying something to my husband, which I'm not proud to share. But the thing that I say is, where is our leader?, who's stepping up?, whatever the topic is, or the area or the realm is like, who's who's going to save us? I I'm looking for somebody else to be the solution. Sarina BowenWell, but, but that that's important though, because part of that is just recognizing that, that without a power structure, who knows what to do? Like, I've been lucky in that, like, I've spent a lot of time on conference calls with The Authors Guild, and I've found that I respect those people so much that you know, when the CEO of The Authors Guild, Mary Rasenberger, has an idea, you know that it's always worth hearing out and not everything you know gets done or becomes a priority of of the but, but I know who to listen to, and that wasn't always true, you know. So I've also subscribed to the emails from Authors Against Book Bans. That's another organization that has a lot of energy right now, and they're doing a fantastic job of paying attention. So, you know, it's, it's okay to pick one little realm and, and that's lately been my solution. Because, yeah, we're not we, we need leaders and, and the reason we're all we're so frustrated is because the lack of true leadership, the lack of leaders who can say, I made a mistake. I don't know everything. I don't have all the answers. Like, that's, you know, that's the kind of people we need in the world, and they're pretty thin on the ground right now. So, yeah, I totally hear what you're saying.KJ Dell'AntoniaSo, I mean, why do we have to say that's useful? I mean, how are we... We're all still working. I mean, yeah, you know, you can listen to Jenny and I trying to write our book every week. And I happen to know that, you know, Sarina is chowing is, you know, nibbling away at new drafts, as is Jess. So we're doing it. We're just distracted.Sarina BowenWell, I always say that everything about writing, you have to learn more than once, like you learned it on a project, and you figure something out and you're like, Oh, right. And I think this is another one of those moments when how to reset yourself, how to. To you know how to find that moment of peace is, this is maybe the the lesson of the week, like, even if you don't, even if you don't write the best chapter of your life between now and the middle of of May, you know you can turn your attention to paying attention to your inner voice and how, how am I feeling right now? And how could I feel better? Like, do I need to go meet a friend in a coffee shop to work? Because that has been a real boon to me lately. Just being changed my scenery change the hours when I look at my inbox, that's another thing that I've done. Right now, I asked my assistant to please watch this one inbox, because I can't watch it myself right now. It's too much of people pulling on my arm. So just, you know, to turn some of the small levers that we have in our lives with regard to how writing fits into your life and see what's working. Like, it's okay to, like, break your strategy a little bit to see, you know, if you can shake up the problem.KJ Dell'AntoniaI've been trying really hard to answer the voice in my head that says... I just can't do this right now with, well, okay, maybe, maybe you could, like, what if we just sat here for another 10 minutes? Like, what if you just, okay... I hear you like, to sort of like, be the other side for myself, like... hey I hear you, that sounds really rough, but what if we just did this anyway? Just, just tried. And you know, it's, it moves, it moves.Jess LaheyAlong those same lines. What's been saving me is, as you all know, anyone who's listening to this for a while knows I love, love, love the research process, and I have a very big stack of books to get through, that is research, formative, sort of base level research, foundational research for this thing I want to write and and hearing other people's ideas, and hearing how other people put ideas together, and that just fuels me. And then on the fiction side, I've been and I hadn't even realized I've been doing this until we started talking about this topic. I have been watching a lot of movies I love about the act of creation. I re watched one of my favorites, “Possession” with Jennifer Ehle, and it's just one of my favorite films about… it's based on the the A.S. Byatt novel, Possession, and it's about poets. And then I was watching a movie about a novelist, and I was just re-listening to the new Bob Dylan movie a complete unknown, and hearing about other people's creative process fuels things in me. And I even just listening to the Bob Dylan movie while I was watering the garden, I was like, Oh, I could go, I can't write music, but, but I can still write these other things. Wait, hold on, I'm a writer. And then you start realizing, oh, that creative process is accessible to me too. And you know, whether it's the creative process that changes the world, or the creative process that gives you an outlet. Selfishly, either way, I think it's, it's important, and so I love digging back into and I've talked about, you know, re listening to Amwriting sometimes when, when I need that boost.KJ Dell'AntoniaIsn't it funny that if Stephen King says, well, I spent, you know, 2016 not doing something, but, but like writing this new book. We're all like, yay, you do that, we love you for that, and that for all of us, we're just like, oh no, you should be... I mean, we gotta, we should do what we do.Jess LaheyYeah, I guess I always think about, there was a moment when I first I saw him, I was so lucky to get to see Hamilton on Broadway, and I remember just that line about writing like you're why does he write like he's running out of time, that idea that like the stuff just is coming pouring out of you, and you've got to put it somewhere before it's over. You know, I love that feeling of desperation, and I get that from listening to other people's creations and other people's research and other people's creative acts. It's, it's good.Jennie NashThat's very cool. That is very cool. I I don't know, I guess I'm really good at, or lately have been really good at, at turning off, turning off the inputs, just because I have to too many input puts that will just do me in. And so for me, it's catching myself, catching myself floating over to social media, or catching myself clicking into something that I don't really want to read like you're saying, Sarina, at this this time of day, you know, I sit down to lunch and I don't, I don't want to read that thing. So setting setting aside time to engage with that is like the, the only way that I'm able to do it. And I'll try to choose to read something longer, a longer form thing, or or listen to a podcast. Rather than sound bites or snippets of things. So I'm trying to be self aware about not getting pulled down into the sound bite things. That's, That's what I mean by disengaging is, you know, not going on threads at all. I'm not going on... I sort of can't even look at Facebook or even Instagram. It's just all too, too much, and especially, especially Instagram, where, you know, you'll have all these calls to action, and then... bathing suits. I mean, maybe that's just me, right?KJ Dell'AntoniaNo, you're right. You're right. It's very...Jennie NashJarring. you know...KJ Dell'AntoniaYou can't control which bits of it like, at least, if you're looking at The Times, you're you know... or The Wall Street Journal, you're getting a section. Instagram is like, this terrible thing just happened here by this Jenny K quitter...Jennie NashIt's very jarring. So I don't wish to be there, and I do have to give a shout out to Substack. How great is it to be able to read things without all the noise and distraction from the people that you choose, who are smart and saying smart things. That's that's the thing that I choose, that I really like and kind of toward what you said Jess, happened to be reading the memoir from Billie Jean King called All In. Jess LaheyIt's so good!Jennie NashAnd and it's, I mean, talk about just a person who lived her values and made massive change, and understood how change is made, and is paying it forward in her life, and it is so inspiring. And it's, it's not quite, it's not quite the creative act, but it, I guess it's creation of change, but I find it hopeful and inspiring, and I think that's where I come up with the the question of, who's gonna who's gonna save us? Like, Where's, where's our person to lead? Like, like she was at the time when women's... not just athletics, but equality. She did so much for women's equality, and still is, you know, so it makes me hopeful that such people will be rising up and and I will be able to identify and support them. Jess LaheyI just finished listening to and reading on the page. I did it both ways. Permission by Elissa Altman about having the courage, it's a memoir, and the courage to create. And she it, she also articulated for me, just how wonderful it is to... I don't know, even if it's not out for mass publication, sometimes writing things down that are the stuff you've gone through and the way you're feeling that's just worth it in and of itself. But anyway, that was a lovely book I highly recommend, Permission by Elissa Altman.KJ Dell'Antonia But also I just want to say, and this is sort of suddenly hopped into my head. So I'm working on a book, surprise! Um, I'm trying to do something bigger and different that says a lot of things, and I have thoughts about it and and, um, I actually think I need to shut down input... for... I'm not gonna, I can't do this if, if there's a lot of stuff pouring into me, all the time, and I, I think that's, I think that's fair. I think sometimes, I mean, I was thinking about the person who wrote Permission, and I was thinking, You know what I'll bet she didn't read a lot of while she was writing that? People shouting at her that, that, you know, the better thing for her to do would be to churn butter in a nap dress. I think it probably It took some time to do that. And these poets that we're talking about, they're not writing a poem. Oh, you know, line by line. In between reading thread's posts, they're they're putting their time and energy into their work, and this is kind of what we've been saying all along, like, like, moderate it, choose your things, pick pick your moments. And maybe, you know, some time of quiet to hear what you think about what's going on, as opposed to what everyone else thinks about what's going on, and to let that, to give yourself permission for that to be whatever it is. Maybe it's not what we think, you know? Maybe, maybe its something different. That's okay. So I, I want to shout for, for that, for, okay, do, turn it off, work on a thing.Sarina BowenYeah, I feel like if, um, Jenny's point about taking your news from social media is totally different than taking your news from the front page of your favorite newspaper. And I guess to KJ's point that if we turn off the voices that are serving us the least well at this moment, what we might find is that there are more hours in the day to both get our work done and then have a minute to say, what else could I... what else could I do? Is that donating my time somewhere or just getting my own house in order? You know, I find I have more time to do things that matter when I am spending less time in the loud places that aren't serving me personally.Jess LaheyAgreed. Jennie NashSo well said.Jess LaheyI think we should end it there, mainly because we're we've run long, but, I'm really grateful for the four of you, I was going to my last point was going to be that my saving grace has been realizing recently that that it's the people in my life that I want to invest in. I had a realization someone told me some news of via someone else, and I didn't realize how disconnected I had become from the people that are real in my life, and how much more attention I was paying to people I don't know anything, people who I don't know that I have a parasocial relationship with. And so I'm my I have sort of a mid year goal, which is to make sure that the people who are actually in life real important to me, are most important to me. And so I've pulled back from those parasocial relationships and gone toward the real relationships, and I'm grateful so much for the three of you. I feel like you all rescue me in moments of doubt. So thank you.KJ Dell'AntoniaYay! People are a good use of time, as our friend, Laura Vanderkam says. So Jess shouted out the book Permission. I think if anybody else has a useful book for this moment, I want to offer up, as we have before, Meditations for Mortals by Oliver Burkeman. It is a series of four weeks, worth of basically three page long thoughts on how to deal with our own inevitably limited lives and personal resources. And I love it. Does anybody else have anything that would maybe serve people in this moment?Jess LaheySarina. Sarina, nothing to serve Jenny. Jenny has the Billie Jean King. I mean, the Billie Jean King...that stuff is fantastic. Yeah, she's amazing.Jennie NashShe's amazing.Jess LaheyAll right. Well, thank you so so much everyone for listening to the podcast. We're great. So grateful for you, because you're why we get to keep doing this. And this is fun, and we love lowering our… sorry flattening the curve for a learning curve for other writers. So until next week, everyone, keep your butt in the chair and your head in the game. The hashtag AmWriting podcast is produced by Andrew Perilla. Our intro music, aptly titled “Unemployed Monday,” was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Send us a textSimon and Lee talk about metaphors and the tragedy of how poetry is taught, before discussing three truisms from Anthony de Mello.Things covered: the bell is tolling, true words said in jest, many a slip between cup and lip, not understanding metaphors, being literal, not liking poetry while really liking poetry, the meaning of poetry, Kae Tempest, Lee having an ugly cry at the traffic lights, Simon sneezes, all the Latin Simon and Lee know, the sweetness of dying for your country, Wilfred Owen, nationalism and nation states, Lee recites Owen's "Dulce et Decorum Est", Siegfried Sassoon, the Reform party in the UK, Anthony de Mello's "Awareness", returning love for hate, including the excluded, admitting you are wrong, turning the other cheek (Jesus during Sermon on the Mount), Wikipedia and academic research, Lee definitely married up, the unfettered unfiltered version of Lee, the reason to continue podcasting. Get in touch with Lee and Simon at info@midlifing.net. ---The Midlifing logo is adapted from an original image by H.L.I.T: https://www.flickr.com/photos/29311691@N05/8571921679 (CC BY 2.0)

Lindsey Hilsum is the International Editor for Channel 4 News, where she has worked for over 25 years. Having started her career as an aid worker in Latin America, she transitioned to journalism, and she has now reported from six continents for over three decades. She has covered many major conflicts including Kosovo, Iraq, Syria, Ukraine and across the Middle East during the Arab Spring. Her third book I Brought the War with Me: Stories and Poems from the Front Line is out now. On the podcast Lindsey tells Katy Balls about starting out her career in Guatemala and in Kenya, what it was like being the only English-speaking journalist in Rwanda when the genocide broke out in 1994, and why she is drawn to studying human behaviour in extreme situations. She also talks about her surprising link to flat screen TV technology, how journalism has changed from cutting up clippings from a typewriter to modern open-source intelligence techniques and the place she would most like to travel to – the past. Having always carried a book of poetry with her on her travels, she also reads a favourite included in her new book: The Child at the Window by Siegfried Sassoon.  Produced by Patrick Gibbons. 

Lindsey Hilsum is the International Editor for Channel 4 News, where she has worked for over 25 years. Having started her career as an aid worker in Latin America, she transitioned to journalism, and she has now reported from six continents for over three decades. She has covered many major conflicts including Kosovo, Iraq, Syria, Ukraine and across the Middle East during the Arab Spring. Her third book I Brought the War with Me: Stories and Poems from the Front Line is out now. On the podcast Lindsey tells Katy Balls about starting out her career in Guatemala and in Kenya, what it was like being the only English-speaking journalist in Rwanda when the genocide broke out in 1994, and why she is drawn to studying human behaviour in extreme situations. She also talks about her surprising link to flat screen TV technology, how journalism has changed from cutting up clippings from a typewriter to modern open-source intelligence techniques and the place she would most like to travel to – the past. Having always carried a book of poetry with her on her travels, she also reads a favourite included in her new book: The Child at the Window by Siegfried Sassoon.  Produced by Patrick Gibbons. 

Siegfried Sassoon was born on 8 September 1886 in Kent. His father was part of a Jewish merchant family, originally from Iran and India, and his mother part of the artistic Thorneycroft family. Sassoon studied at Cambridge University but left without a degree. He then lived the life of a country gentleman, hunting and playing cricket while also publishing small volumes of poetry.In May 1915, Sassoon was commissioned into the Royal Welsh Fusiliers and went to France. He impressed many with his bravery in the front line and was given the nickname 'Mad Jack' for his near-suicidal exploits. He was decorated twice. His brother Hamo was killed in November 1915 at Gallipoli.In the summer of 1916, Sassoon was sent to England to recover from fever. He went back to the front, but was wounded in April 1917 and returned home. Meetings with several prominent pacifists, including Bertrand Russell, had reinforced his growing disillusionment with the war and in June 1917 he wrote a letter that was published in the Times in which he said that the war was being deliberately and unnecessarily prolonged by the government. As a decorated war hero and published poet, this caused public outrage. It was only his friend and fellow poet, Robert Graves, who prevented him from being court-martialled by convincing the authorities that Sassoon had shell-shock. He was sent to Craiglockhart War Hospital in Edinburgh for treatment. Here he met, and greatly influenced, Wilfred Owen. Both men returned to the front where Owen was killed in 1918. Sassoon was posted to Palestine and then returned to France, where he was again wounded, spending the remainder of the war in England. Many of his war poems were published in 'The Old Huntsman' (1917) and 'Counter-Attack' (1918).After the war Sassoon spent a brief period as literary editor of the Daily Herald before going to the United States, travelling the length and breadth of the country on a speaking tour. He then started writing the near-autobiographical novel 'Memoirs of a Fox-hunting Man' (1928). It was an immediate success, and was followed by others including 'Memoirs of an Infantry Officer' (1930) and 'Sherston's Progress' (1936). Sassoon had a number of homosexual affairs but in 1933 surprised many of his friends by marrying Hester Gatty. They had a son, George, but the marriage broke down after World War Two.He continued to write both prose and poetry. In 1957, he was received into the Catholic church. He died on 1 September 1967.-bio via BBC This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe

The complete audiobook is available for purchase at Audible.com: https://n9.cl/wtk33 The War Poems of Siegfried Sassoon Read by Denis Daly Unlike his more famous fellow war poets, Wilfred Owen and Rupert Brooke, Siegfried Sassoon survived the First World War. In this collection of 64 poems, first published in 1920, Sassoon portrays the dehumanizing horror of modern warfare with its staggering death toll, while also satirizing the jingoistic fervour of politicians and armchair strategists. Sassoon's own war service fell into two distinct periods. The first was marked by a number of heroic actions on the battlefield which earned him the Military Cross. However, after a period of convalescence in 1917, Sasson became a pacifist and refused to return to active duty. This change of attitude was diagnosed as a psychological disorder and he was posted to Ireland where he trained new recruits. By the end of the war he had been promoted to captain. For the rest of his long life he remained staunchly anti-war.

To commemorate Armistice Day Beau reads 'Suicide in the Trenches', by Siegfried Sassoon

Read by Christopher Kendrick Production and Sound Design by Kevin Seaman

In this episode we go on a stroll around Ypres. Along the way we walk to a member of the Last Post Association about the iconic ceremony at the Menin Gate. We discover the story of the "Wipers Times" and visit the beautiful Ramparts Cemetery. We also find out the story of the local Resistance who hid Allied airmen in a hotel during World War 2. And discuss opposing thoughts about the construction of the Menin Gate during the 1920's, including a controversial Siegfried Sassoon poem.

The complete audiobook is available for purchase at Audible.com: https://n9.cl/66vj2o Fairies and Fusiliers By Robert Graves Narrated by Denis Daly Poet, soldier, novelist, translator and critic Robert Graves (1895 - 1985) was deeply familiar with both war and death. Three times during his life Graves was considered to be on the point of death due to serious illness. One of these was after his participation in the Battle of the Somme, after which he had been actually pronounced dead due to severe wounding. Graves enlisted as soon as the First World War was declared, and was rapidly promoted to lieutenant and later to captain. Among his fellow soldiers was another poet, Siegfried Sassoon. Together with Wilfred Owen, who did not survive, Graves and Sassoon represented the new generation of war poets - perceptive critical surveyors of the horrific and wasteful futility of modern warfare, drawing their judgements from bitter personal experience. Fairies and Fusiliers is a collection of 47 short poems and was dedicated to Graves' former regiment, the Royal Fusiliers.

Today's poem–published in 1920–is one of the early intersections between poetry and cinema. Happy reading.Siegfried Sassoon (1886-1967) is best remembered for his angry and compassionate poems about World War I, which brought him public and critical acclaim. Avoiding the sentimentality and jingoism of many war poets, Sassoon wrote of the horror and brutality of trench warfare and contemptuously satirized generals, politicians, and churchmen for their incompetence and blind support of the war. He was also well known as a novelist and political commentator. In 1957 he was awarded the Queen's Medal for Poetry.-bio via Poetry Foundation Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

Wilfred Owen wrote ‘Strange Meeting' in the early months of 1918, shortly after being treated for shell shock at Craiglockhart hospital in Edinburgh, where he had met the stridently anti-war Siegfried Sassoon. Sassoon's poetry of caustic realism quickly found its way into Owen's work, where it merged with the high romantic sublime of his other great influences, Keats and Shelley. Mark and Seamus discuss the unstable mixture of these forces and the innovative use of rhyme in a poem where the politics is less about ideology or argument than an intuitive response to the horror of war.Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.Sign up to the Close Readings subscription to listen ad free and to all our series in full:Directly in Apple Podcasts: https://lrb.me/ppapplesignupIn other podcast apps: https://lrb.me/ppsignupFurther reading in the LRB:Seamus Heaney on Auden (and Wilfred Owen): https://lrb.me/pp6heaney Hosted on Acast. See acast.com/privacy for more information.

With the sad news of the passing of Martin Middlebrooke, this podcast heads to the Somme battlefield where we walk across the battlefield at the village of Fricourt.Our journey takes in some of the cemeteries and memorials that cover this part of the Somme battlefield, and we look at some of the literary figures whose output provides so many insights into Fricourt and its surroundings during the Great War, including John Masefield, Siegfried Sassoon and Bernard Adams amongst others. Support the podcast:https://www.patreon.com/footstepsofthefallenhttps://www.buymeacoffee.com/footstepsblog

In the previous episode "Dandies: Gentleman of Style from the 19th Century to Today", Carl was joined by cultural historian and maker of fine custom clothing, Nathaniel Lee Adams for a look at this most interesting breed of society's tastemaking men.  In this new episode, Carl and Natty take the discussion further and focus on the early 20th century, when a new brand of dandy was emerging  - one with style perhaps, but also often tinged by scandal. Being a "dandy" is generally thought to be more than just being a stylish dresser.  There is attitude, perspective and perhaps even a sense of the revolutionary that ties many of history's so-called dandies together.  In this episode, Carl and Natty start with the world of the dandy immediately following the death of Oscar Wilde and begin with a discussion of the British author and caricaturist Max Beerbohm and the  American self-proclaimed inventor of the tuxedo, Evander Berry Wall.  They then discuss the fascinating, complex black American boxer Jack Johnson, who in order to fight not only his opponents but the pervasive prejudice of his time,  created a boundary-breaking persona of style laced with scandal.  Returning to Europe the discussion continues Oscar Wilde's own nephew and writer (and also boxer),  Arthur Cravan, the War Poets including Rupert Brooke and Siegfried Sassoon, the minimalist Austrian architect Adolf Loos and finally one of the most polarizing personalities of them all, the flamboyant Italian poet and would be revolutionary, Gabriele D'Anunzio.  

Charles Glass (@charlesmglass) is one of the more recognized and important journalists of the past couple generations and we had a great discussion with him. First, we discussed the case of Julian Assange, whom he visited in Belmarsh recently, and where it stands and what's coming up. Then we talked about the crisis in Palestine, which Glass is uniquely established to discuss given him past as a journalist in the area, including being ABC's correspondent from 1983 to 1993. Finally he told us about his most recent book, *Soldiers Don't Go Mad,* which is about shell shock and the lives of soldiers in World War I, and features the lives of poets Siegfried Sassoon and Wilfred Owen. ---------------------------------- Outro- "Green and Red Blues" by Moody Links// +Truthout: The US Condemned Stalin's Prosecution of Journalists. Now It Uses His Playbook. (https://bit.ly/48Ncv9l) +Nation: A Visit to Belmarsh Prison, Where Julian Assange Awaits His Final Appeal Against Extradition (https://bit.ly/4b8crTi) + NY Journal of Books: Soldiers Don't Go Mad: A Story of Brotherhood, Poetry, and Mental Illness During the First World War (https://bit.ly/42p8c1P) Follow Green and Red// +G&R Linktree: ⁠⁠https://linktr.ee/greenandredpodcast⁠⁠ +Our rad website: ⁠⁠https://greenandredpodcast.org/⁠⁠ +We're part of the Labor Podcast Network: ⁠⁠https://www.laborradionetwork.org/⁠ Support the Green and Red Podcast// +Become a Patron at https://www.patreon.com/greenredpodcast +Or make a one time donation here: ⁠⁠https://bit.ly/DonateGandR⁠⁠ This is a Green and Red Podcast (@PodcastGreenRed) production. Produced by Bob (@bobbuzzanco) and Scott (@sparki1969). “Green and Red Blues" by Moody. Editing by Isaac.

This episode focuses on Siegfried Sassoon, a 20th-century poet and a convert to Catholicism, born into wealth and known for his anti-war sentiments during World War I. Sassoon, part of the Sassoon family, critiqued the war's conduct, leading to his public declaration against it and subsequent confinement. Learn about his friendship with fellow war poet Wilfred Owen, his post-war writings, and his eventual conversion to Catholicism in 1957. Joseph Pearce discusses Sassoon's impact, his later focus on religious poetry, and introduces a dramatic presentation, Death Comes to the War Poets, celebrating Sassoon's life and work.LEARN MORE - USE COUPON CODE AUTHORITY25 FOR 25% OFF: Poems Every Catholic Should Know: https://bit.ly/3rlPDwG Poems Every Child Should Know: https://bit.ly/3NDPVqp The Genius of G.K. Chesterton: https://bit.ly/3PJKBV2 The Literary Imagination of C.S. Lewis: https://bit.ly/3PMURvU Further Up & Further In (C.S. Lewis & Narnia): https://bit.ly/3POEnmO Old Thunder (Hilaire Belloc): https://bit.ly/43gCGSm The Hidden Meaning of The Lord of the Rings: https://bit.ly/43uycaZ Shakespeare's Catholicism: https://bit.ly/46G1dTC The Authority with Joseph Pearce is a podcast from TAN that introduces you to the men and women behind history's greatest works of literature. Come along every week as we explore these renowned authors, the times and genres in which they wrote, why scholars praise their writing, and how we, as Catholics, should read and understand their works. For updates on new episodes and to support The Authority and other great free content from TAN, visit http://TheAuthorityPodcast.com/ to subscribe. Use Coupon Code AUTHORITY25 to get 25% off your next order, including books, audiobooks and video courses by Joseph Pearce on literary giants such as Tolkien, Chesterton, Lewis, Shakespeare, and Belloc, as well as TAN's extensive catalog of content from the saints and great spiritual masters to strengthen your faith and interior life. To follow Joseph and support his work, check out his blog and sign up for email updates and exclusive content at https://JPearce.co/. Thanks for listening!

Ellen E Jones and Mark Kermode celebrate the life and career of the much-loved Liverpudlian screenwriter and director Terence Davies, who died earlier in 2023 at the age of 77.From an astonishing trilogy of early short films, to his final feature, 2021's Benediction, Terence Davies seamlessly blended personal recollections with wider essential truths. His subjects ranged from autobiographically inspired portraits of postwar working-class life in Liverpool in films like Distant Voices Still Lives and The Long Day Closes, to intimate portraits of real-life authors, most remarkably the American poet Emily Dickinson in A Quiet Passion. Mark speaks to Scottish actor Jack Lowden, who played poet Siegfried Sassoon in Benediction, about his relationship with Davies. He also talks to critic and historian Lillian Crawford about why the director's work resonates so deeply for so many.And Ellen discusses Davies' relationship to his hometown with two fellow Scousers - author and screenwriter Frank Cottrell-Boyce, and actor Tina Malone, who starred in The Long Day Closes.Producer: Jane Long A Prospect Street production for BBC Radio 4

Access this entire 83 minute episode and additional monthly bonus episodes by becoming a Junk Filter patron! Over 30% of episodes are exclusively available to patrons of the show. https://www.patreon.com/posts/149-terence-with-91945894 To mark the passing of the great British filmmaker Terence Davies, I'm joined for this episode by two returning guests from the UK who are both big Davies heads, the film writers Ben Nash and James Slaymaker. Davies was from the working class and only became a filmmaker in his thirties but made up for lost time with a series of semi-autobiographical, poetic works that drew on his troubled upbringing and instantly put him on the map of international cinema. After some underperforming literary adaptations in the nineties Davies had difficulties getting film financing for several years, but in 2008 he returned to acclaim with his expressionistic and personal documentary about the history of Liverpool, Of Time and the City which kicked off his second wind as a filmmaker through the 2010s including The Deep Blue Sea, Sunset Song and his final work, 2022's biography of the queer anti-war poet and decorated WWI soldier Siegfried Sassoon, Benediction. We discuss Davies' singular vision as an film artist, his innovations in using stock footage and music to express his personal vision, his hilarious distaste for the Catholic Church, the Monarchy and the Beatles, and the sad state of film financing in the UK. Currently Canadian and American listeners can stream Distant Voices, Still Lives and Of Time and the City on Kanopy. Follow Ben Nash and James Slaymaker on Twitter. Trailer for Distant Voices, Still Lives (Davies, 1988) Trailer for The Long Day Closes (Davies, 1992) Trailer for Of Time and the City (Davies, 2008) Trailer for Benediction (Davies, 2022) Trailer for The Long Gray Line (John Ford, 1955)

Kathryn Tickell and The Darkening's new album, Cloud Horizons, fuses synthesizers with a bone flute, a sistrum – very old Egyptian instrument - and lyrics based on an inscription in Latin carved on a stone in Northumberland nearly 2 millennia ago. Kathryn talks to Samira about this ancient Northumbrian futurism and plays her smallpipes, live. We remember the film director Terrence Davis, perhaps best known for the film Distant Voices, who has died aged 77. Samira spoke to him for Front Row last year, about his Netflix drama Benediction, which followed the life of the war poet Siegfried Sassoon. Samira talks to Jhumpa Lahiri, the Pulitzer Prize winning novelist, essayist and editor. Her latest offering Roman Stories marks a return to shorter fiction, presenting snapshots of a city and its unnamed residents in flux. Today the Heritage Fund announces nine ‘Heritage Places' across the UK- the first of twenty to receive a share of £200 million in National Lottery funding over the next 10 years to support local heritage. We hear from Eilish McGuinness, Heritage Fund Chief Executive about how the money will be spent and from Eirwen Hopkins, founder of the heritage group Rich History in Neath Port Talbot, one of the nine places to receive the cash injection. Presenter: Samira Ahmed Producer: Olivia Skinner

The impact of war on art - specifically on literature - is a subject that I find pretty fascinating. The First World War is maybe one of the first conflicts to incubate some brilliant writers. Some of the most prominent literary figures of the First World War were two British war poets called Siegfried Sassoon and Wilfred Owen. I didn't know much about their story until I read an excellent book called “Soldiers Don't Go Mad” by Charles Glass which was published this year.  In this book, the journalist Charles Glass who was the Middle East correspondent for ABC for ten years and the author of numerous books on war, describes the story of these two poets specifically in terms of their mental health, and the treatment they received for what was then called “shell shock”, which today we might call Post-Traumatic Stress Disorder (PTSD). These two great poets were treated together at a mental hospital called Craiglockhart at Edinburgh. Both those poets came to Craiglockhart using different paths but connected in that institution and the book does an incredible job of describing the interplay of mental health, war and the creation of art. Siegfried Sassoon was an established poet and a war hero, whereas Wilfred Owen was just getting started but their stay together at this mental hospital would affect them both, personally and artistically.  Siegfried Sassoon lived well into his eighties but Wilfred Owen was tragically killed on November 4th 1918, only a week before the war ended on November 11th.  In this interview, Charles Glass & I discuss his book and specifically the themes of war, mental health and how they impact the creation of art. Books mentioned in this episode: Early in the interview, he mentions Pat Barker's Regeneration trilogy which is a series of three novels about the First World War published in the early 1990s. His favourite book that I've never heard of: “Parade's End” by the British writer Ford Maddox Ford, a tetralogy of novels (that's 4 novels) set before, during and after WWI, published in the mid-1920s. The best book that he's read in the last 12 months: “Women of Troy”, by Pat Barker (2021), which is a retelling of the Iliad from the point of view of Trojan women.  The book that changed his mind: “American Power and the New Mandarins” by Noam Chomsky which changed his views about American imperial adventures. Find Charles Glass: Website: https://www.charlesglass.net/ Books: https://www.charlesglass.net/books/ Follow me ⁠⁠⁠@litwithcharles⁠⁠⁠ for more book reviews and recommendations!

How do you create a biopic of one of the most famous First World War poets?   This month we're joined by Dr Jane Potter (Oxford Brookes) to discuss the 2021 film Benediction about the life of Siegfried Sassoon.   Along the way we explore the long shadow of Regeneration, soldiers in drag, and the brilliance of Edith Sitwell. We also get very excited by a surprise cameo from the star of a previous episode!   References: Alice Winn, In Memoriam (2023) Benediction' is a shattering biopic of the English war poet Siegfried Sassoon, LA Times  Benediction review – Terence Davies' piercingly sad Siegfried Sassoon drama, The Guardian Brian Bond, The Unquiet Western Front (2008) Edith Sitwell, Wheels (1919) Jane Potter, Selected Letters of Wilfred Owen (2023) Regeneration, dir by Gillies MacKinnon (1997) Siegfried Sasson, The Complete Memoirs of George They Shall Not Grow Old, dir by Peter Jackson (2018)

What do you get when you cross Journey's End with Brideshead Revisited? This month Angus, Chris and Jessica review Alice Winn's best-selling new novel, In Memoriam. The book follows  Henry Gaunt and Sidney Ellwood from public school and through the war. Half-German, Gaunt's mother asks him to enlist in the British army to protect the family from anti-German attacks. He signs up immediately, relieved to escape his overwhelming feelings. But Ellwood and their classmates soon follow him into the horrors of trenches. Though Ellwood and Gaunt find fleeting moments of solace in one another, their friends are dying in front of them, and at any moment they could be next. Along the way we discuss class, conscription and the difficulties of describing the boredom and violence of war in popular fiction. References1917 (2019) A.J. Evans, The Escaping ClubAlfred, Lord Tennyson, In Memoriam A. H. H (1850) Alice Winn, In Memoriam (2023) All Quiet on the Western Front (2022) Charles Carrington, A Subaltern's WarErnst Younger, Storm of Steel (1929) Evelyn Waugh, Brideshead Revisited Ian Isherwood, Remembering the Great War (2017) In Memoriam by Alice Winn review, The Guardian (12 March 2023) Justin Fantauzzo and Robert L. Nelson (2016), 'A Most Unmanly War: British Military Masculinity in Macedonia, Mesopotamia and Palestine, 1914-18', Gender & History 28(3): 587-603, DOI: 10.1111/1468-0424.12240 Second Lieutenant Kenneth Macardle Heartstopper (2022) Max Plowman, A Subaltern on the SommePat Barker, Regeneration Trilogy (1991-1995) Peaky Blinders RC Sherriff, Journey's End (1928) Rupert Brookes, Goodbye to All That (1929) Siegfried Sassoon, Memoirs of a Fox-Hunting Man (1929) Star Trek Stephen Fry, The LiarThe Gallows Pole (2023) The Great Escape (1963) The History Boys (2006) This is Spinal Tap (1984) This Is the Week That Was Pat Barker, Regeneration Trilogy (1991-1995)

Fires in the Dark: Healing the Unquiet Mind by Kay Redfield Jamison https://amzn.to/43Hcwcu The acclaimed author of An Unquiet Mind considers the age-old quest for relief from psychological pain and the role of the exceptional healer in the journey back to health. “To treat, even to cure, is not always to heal.” In this expansive cultural history of the treatment and healing of mental suffering, Kay Jamison writes about psychotherapy, what makes a great healer, and the role of imagination and memory in regenerating the mind. From the trauma of the battlefields of the twentieth century, to those who are grieving, depressed, or with otherwise unquiet minds, to her own experience with bipolar illness, Jamison demonstrates how remarkable psychotherapy and other treatments can be when done well. She argues that not only patients but doctors must be healed. She draws on the example of W.H.R. Rivers, the renowned psychiatrist who treated poet Siegfried Sassoon and other World War I soldiers, and discusses the long history of physical treatments for mental illness, as well as the ancient and modern importance of religion, ritual, and myth in healing the mind. She looks at the vital role of artists and writers, as well as exemplary figures, such as Paul Robeson, who have helped to heal us as a people. Fires in the Dark is a beautiful meditation on the quest and adventure of healing the mind, on the power of accompaniment, and the necessity for knowledge. About the Author Kay Redfield Jamison (born June 22, 1946) is an American clinical psychologist and writer. Her work has centered on bipolar disorder, which she has had since her early adulthood. She holds a post of Professor of Psychiatry at the Johns Hopkins University School of Medicine and is an Honorary Professor of English at the University of St Andrews.

We're kicking off Pride 2023 with a look at gay romances from 100 years ago in Terence Davies's 2022 biopic Benediction, about the many loves of World War I poet Siegfried Sassoon. Join in as we discuss Sassoon's biography, the Bright Young Things, handsome British boys, and casting characters at different ages. Plus: How autobiographical is this movie for Davies? Is Sassoon right to hate musicals? What does the title mean for the movie? And, most importantly, what TV has Marc been watching lately? Make sure to rate, review, and subscribe! Next week: The Handmaiden (2016) --- Send in a voice message: https://podcasters.spotify.com/pod/show/we-love-the-love/message

Recorded on the battlefields, in this episode we walk the ground where poets Robert Graves and Siegfried Sassoon served with the Royal Welsh Fusiliers at Bois Français near Fricourt and end at the Devonshire Cemetery near Mametz. Support the show

2022 was definitely the everything bagel of movie years. No less an authority than Stephen Spielberg anointed Tom Cruise as the savior of movies this summer, which made sense given the success of "Top Gun: Maverick". Then came the fall, and excellent movies were released…and no one showed up. And even when they did, as with the $2.2 billion dollar gross accumulated by James Cameron's "Dances with Smurfs Part Deux", the movies barely seemed to make a dent in the cultural landscape. It didn't help that so many of our beloved directors released crappy movies: Aronofsky with the odious "The Whale", Russell with his how-could-it possibly-go-wrong-with-that-cast disaster "Amsterdam", Alex Garland with the puzzling (and not in an interesting way) "Men", Iñarritú inadvertently reminding us how brilliant both "Roma" and "8 ½" are with "Bardo", and the literal crapfest (elephant, in this case) that was "Babylon". Sometimes, it felt like 2022 was a living, breathing argument against the auteur theory. Yet there were some very good spots too, including not one but two really interesting portrait-of-the-filmmaker-as-a-young-man movies with "Fabelmans" and "Armageddon Time". The scene of the year? Cate Blanchett as Lydia Tar (née Linda Tarr of Staten Island!) arguing with one of her students about the pointlessness of cancelling Bach in Todd Fields' most welcome return. "Everything Everywhere" became the only film in history to win three acting Oscars and Best Picture. Underappreciated gems like "The Menu" and (sorry, John and Michael) "Don't Worry Darling", and even appreciated ones like "Aftersun" wormed their way into our brains and didn't let go, though I will never look at s'mores the same way again. And we even had a solid Oscars ceremony, with powerhouse performances by Rihanna and Lady Gaga and nearly an epic battle between Malala and Cocaine Bear. Plus, we got perhaps the most sublime moment in American film this century: David Lynch playing John Ford in a Spielberg film. That glorious scene almost took away the sour taste of the “Look, I'm doing Bergman!” montage of film history that ended "Babylon" not nearly soon enough. And while we liked "EO" better when it was "Au Hasard Balthasar", and "Living" better when it was "Ikiru", and we thought that the Siegfried Sassoon biopic "Benediction" was a better World War I film than "All Quiet", there were definitely some tasty tidbits to be found on that everything bagel. An up and down year, but to paraphrase the wondrous Lashana Lynch as Miss Honey in Matilda, it wasn't much, but it was enough for us.

The War Poems of Siegfried Sassoon

On this episode, we were joined by Alice Winn, author of the Hatchards Fiction Book of the Month, 'In Memoriam,' her highly-acclaimed debut.Beginning at the onset of WWI, Winn's novel follows lifelong friends Gaunt and Ellwood from the confines of their cloistered English boarding school to the horrors of trench warfare, as a forbidden romance of fits-and-stars slowly blossoms between them.Alice spoke to us about the parallels in attitude felt by young people during that time period and the present; taking ideas from the life of Siegfried Sassoon; and the dangers of complacency within a peacetime society. We also learn how inspiration for the novel came from reading archival newspapers published by her alma mater, Marlborough, regularly listing the wounded and dead amongst former students throughout the war.Finally, her cat makes a most welcome appearance on mic; a first for The Hatchards Podcast.If you're a fan of the show, please remember to subscribe and rate us 5-stars on Apple and Spotify.

Reaching as far afield as Australasia, The New Zealand Herald reported on May the 23rd 1931, ‘The London Ghost Club: Dining with the dead. Secrets of 50 years! If one were in a certain Street in the West End of London on a certain evening every month, he would see between 30 and 40 prominent men – doctors, barristers, businessmen – going to a fashionable restaurant to have dinner, and to gloat over eerie and fantastic stories of ghosts. No-one who associates with these men in ordinary life ever knows what goes on in the private dining room in this restaurant on the first Wednesday of every month. The diners leave their everyday personalities outside, and for several hours abandon themselves to a psychic orgy. They call themselves The Ghost Club. For 50 years they have been in existence, and no-one has yet revealed anything of the strange and carefully guarded proceedings. They are under an oath of secrecy not to divulge what transpires at these dinners. In the quiet of this private dining room many a tale too gruesome for publication is told, and these are all taken down by the Secretary with the solemnity of a coroner presiding over his court. The rules forbid publication of the stories. They are all stored away – many volumes of them – in a house in Kensington. The rules of The Ghost Club are as such; 1. That the club be called The Ghost Club. 2. That it meet, as a rule, on the first Wednesday of such months as may from time to time be decided in accordance with general convenience, provided that the November meeting shall take place on All Soul's Day, on whatever day of the week that may fall. 3. That it be the purpose of the Club to unite minds that are directed to the study of psychical subjects, it's proceedings being regarded as strictly Private and confidential among its Members.' The Ghost Club is still in existence today, though its members do not quite reach the heady heights of former members such as Charles Dickens and Sir Arthur Conan Doyle. The Ghost Club is the oldest para-psychological organisation in the world. It was established in 1862   but, according to the Club themselves, ‘has its roots in Cambridge University where, in 1855, fellows at Trinity College began to discuss ghosts and psychic phenomena.' It launched officially in London in 1862, although another given date is that it was formed in 1882 by Alaric Alfred Watts and his friend William Stainton Moses. At the height of the burgeoning Spiritualist movement in the Victorian 1800's, seances and other experiments to attempt to contact the dead had become hugely popular and it was at this time that the world's oldest and most esteemed yet little heard of club, The Ghost Club was formed. The club had some of the most famous literary and cultural figures of the time, and several Sirs and Lords. It was an all-male club, and perhaps even termed a ‘Secret Society.'  Members call each other ‘Brother Ghost' and on every All Soul's Day, the names of all members, both dead and alive are read out. The Ghost Club is still going strong to this day and members never leave; technically, they can't. After death, members are still considered to be members. By joining the Club, they would remain ghosts in the afterlife, they believed. Old members included famous World War II poets Siegfried Sassoon and W. B. Yeats, and several Nobel prize winners. Chemist Sir William Crookes was a member and he used his laboratory to test the levels of ‘psychic force' of mediums. Ernest Wallis Budge, the curator of the Egyptian artefact rooms at the British Museum, was also a member. The archives of the hand-written notes of every meeting of The Ghost Club were first kept at the British Library, then moved to be stored at Cambridge University library.  Roger Luckhurst for Oxford University Press says, ‘The most intriguing member for me remains Thomas Douglas Murray, the society gentleman who was known to have been cursed by a mummy he purchased a coffin lid of a malignant Priestess ...

It's not the right time for me to publically speak on some topics of the world stage but this doesn't mean I'm not feeling, researching, understanding and sharing... Go to my Patreon for as little as the price of a coffee once a month for full accesshttps://www.patreon.com/user?u=48642261Thoughts on American Midterm elections on my Patreonhttps://www.patreon.com/posts/your-first-video-74645692https://www.patreon.com/posts/extended-podcast-74645766Thoughts on Depp/Heard trialhttps://www.patreon.com/posts/extended-podcast-67290610War poems:War Poem by Percy Bysshe Shelleyhttps://www.poemhunter.com/poem/war-221/They by Siegfried Sassoon  https://allpoetry.com/%27They%27https://allpoetry.com/Siegfried-Sassoon

Links from Today’s Show: Aftermath , by Siegfried Sassoon: https://www.lewrockwell.com/lrc-blog/aftermath-by-siegfried-sassoon-3/ Lesbian With a Big Fact, But The Damage is Done : https://www.youtube.com/watch?v=5Gay1YA9MZY Man wins Miss America : https://www.breitbart.com/entertainment/2022/11/09/video-biological-male-wins-miss-america-in-new-hampshire-teen-beauty-pageant/ THEY DID IT AGAIN : https://www.youtube.com/watch?v=Xo2idRoPeyM&t=17s Dominion […]

Terence Davies dramatizes the remarkable life of the World War One poet Siegfried Sassoon, weaving back and forth in time to show how much he and others like him lost because of war. For many modern historians, the First World War, from 1914-18, has a special significance, as the point at which an older version of civilization fell apart. In British thought and memory it sometimes has the character of an unhealed wound. Almost 900 thousand young British soldiers died, about 6% of the adult male population. It was as if the flower of English youth had been cut off. In the writings of the poets who fought in that war we still read passionate urgency. Siegfried Sassoon was one of those poets. His father was of Iraqi Jewish descent, his mother a Christian. He was not of German ancestry; his mother chose the name Siegfried because of her love of the music of Richard Wagner. English director Terence Davies has largely focused in his films on exploring and recovering personal and cultural legacies. In his latest film, Benediction, he tells the story of Siegfried Sassoon, not in a straightforward or linear fashion, but as a weaving back and forth in time, a recapturing of Sassoon's experience that takes into account his loves and strengths, but also his mistakes and failures. Incredibly courageous, loved and trusted by the men who served with him, Sassoon, played beautifully as a young man by Jack Lowden, was decorated for bravery and recommended for the Victoria Cross. But when we meet him in the film, he's caused a sensation by publishing an open letter, what he called “a soldier's declaration,” denouncing the conduct of the war and saying he would no longer fight. Instead of being court-martialed he was sent to a psychiatric hospital. In an early scene, he argues with a close friend, the prominent critic Robbie Ross, played by Simon Russell Beale, because Ross had pulled some strings to prevent Sassoon possibly being shot. Sassoon wanted to put his life on the line to oppose the war, but Ross simply wanted his friend to survive. In the hospital, Sassoon meets Wilfred Owen, another poet, and the impact Owen has on his life, both as a poet and as a gay man, is decisive. Wilfred Owen went back to his unit after being pronounced cured by psychiatrists, and he died only a week before the Armistice. The film covers Sassoon's tumultuous life after the war, as a member of the London artistic scene in the 1920s, intercut with scenes of him as an older man, now played by Peter Capaldi, still bitter about the war and about his personal failures, and ultimately turning to the Catholic Church in search of some kind of meaning. In the 1920s, gay life in the London art scene was barely closeted—it was quite evident to anyone who could see, yet no one talked about it publicly. Davies presents us with the sometimes very funny, but also painful, episodes of backbiting and cutting wit on the part of Sassoon and his lovers, including the musician and actor Ivor Novello, with a malicious personality, and the decadent aristocrat Stephen Tennant, self-centered to the point of abuse. Terence Davies is openly gay himself, and here he succeeds in presenting an historical portrait of gay relationships in a specific English time and place, without holding back. Sassoon got married eventually and had a son, but in the scenes with him as an old man, we can sense that there's still an emptiness inside that may never be filled. Why is that? At film's end, in a sequence of almost unbearable poignance, we find out. I cried at the end of Benediction, a film in which personal and historical tragedy embrace.

The Scary Movie Project reads a tale for Halloween. https://youtu.be/eHlNcZdXtw4 (Episode captioned on YouTube) SHOW OVERVIEW: Website: https://www.thescarymovieproject.com/ (thescarymovieproject.com) Get your horror movie fix with filmmakers Tara and Matt, as they review and share behind-the-scenes trivia and insight on the horror movies they love… and the ones they don't. Now with spoilerier spoilers! SHIP IT STUDIOS: Website: https://www.shipitstudios.com/ (https://www.shipitstudios.com) Description: We are Jedis. We are Wizards. We are Avengers. We are Time Lords. We are Tributes. We are the Knights Watch. We are Ship It Studios. Ship It Studios is a content company dedicated to providing the world's biggest fans with the content they deserve. We revisit your favorite fandoms through reviews, interviews, debates, power rankings, and fantasy drafts.

How much has our view of the First World War – one of mud, trenches and futility – been shaped by the work of a handful of poets? How did the British public respond to poems criticising the war effort? And why have some war poets been remembered, while others have been forgotten? In our latest ‘Everything you wanted to know' episode, the University of Exeter's Professor Catriona Pennell answers listener questions on First World War poetry – and argues that we should broaden our horizons beyond Wilfred Owen and Siegfried Sassoon. See acast.com/privacy for privacy and opt-out information.

Distinguished English writer-director Terence Davies talks about his new film Benediction, the life of poet and war hero Siegfried Sassoon. Stars Jack Lowden and Peter Capaldi as Sassoon.

War and suffering: between the gloom of World War I in the poetry of Siegfried Sassoon and the laser glare of MOBILE SUIT GUNDAM.... Cuteness Unit and Chi Chi bash their helmets against impossible to talk about soap opera until some kind of meaning pierces through. Long silences. Women floating through space. Newtypes and empathy and the battle between futurism and humanism."Brutal." Tragedies so real and punishing they bleed into the post apocalyptic twilight of I'M SO POPULAR. Chi Chi sheds real tears; You Will See the Tears of Time. Follow the Cuteness Unit girls on Patreon: patreon.com/cutenessunit And the I'M SO POPULAR Twitter: twitter.com/imsopopularpod And if you're not listening to SIRENS, you're only getting half the story... listen now on the I'M SO POPULAR Patreon: patreon.com/imsopopularpod (S3.E05 苦悩の世紀から涙)

Mum reviews Marky Mark in Father Stu, a drama about a "down-and-out shit dickhead" who finds God. She has also seen Siegfried Sassoon biopic Benediction ("Brilliant, I loved it").

New Movies: The Bob's Burgers Movie - The Belchers try to save the restaurant from closing as a sinkhole forms in front of it, while the kids try to solve a mystery that could save their family's restaurant.   18 1/2 -  In 1974, a White House transcriber is thrust into the Watergate scandal when she obtains the only copy of the infamous 18½ minute gap in Nixon's tapes.   Benediction - Legendary 20th Century war poet Siegfried Sassoon's life-long quest for personal salvation through his experiences with family, war, his writing, and destructive relationships goes unresolved, never realizing it can only come from within.Phantom of the Open - Maurice Flitcroft, a dreamer and unrelenting optimist, managed to gain entry to The British Open Golf Championship Qualifying in 1976 and subsequently shot the worst round in Open history, becoming a folk hero in the process.Neptune Frost - An intersex African hacker, a coltan miner and the virtual marvel born as a result of their union.Top Gun: Maverick - After more than thirty years of service as one of the Navy's top aviators, Pete Mitchell is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. Undisputed Classic Top Gun - As students at the United States Navy's elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.Shivers - The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact. 1992 - Sister Act, The Adjuster, Cousin Betty, Cold Heaven, After Burn Next Week - Jurassic World: Dominion, WYRM, HustleClassic - Welcome to the DollhouseClassic - The Tales of HoffmanClassic - Rabid1992 - Class Act, Patriot Games, House Sitter Patreon: https://www.patreon.com/criticspod Teepublic: https://www.teepublic.com/user/criticspod?utm_source=designer&utm_medium=social&utm_campaign=reAEYmh6vUY YouTube: https://www.youtube.com/channel/UCnFNiCSoEAfk7Y3C8sfoTRw/videos   

Erik Childress and Steve Prokopy saw a lot of different movies this week. But that means you get 11 reviews from them even if its not a great lineup. Erik finds one big positive at the center of Sean Patrick Flanery's directorial debut (Frank & Penelope) and Steve has a few non-negative things to say about the latest with Bruce Willis (White Elephant). There are fantastical narratives about the missing minutes of the Nixon tapes (18 ½) and the creation of a famous tower (Eiffel). Erik gets completely annoyed with the latest Blumhouse horror (Unhuman) and surprisingly unannoyed with the central character of the new horror film from Rob “Host” Savage (Dashcam). Gay relationships take center stage in comedy (Fire Island) and the true story of war poet Siegfried Sassoon in the latest from director Terence Davies (Benediction). Straight-to-video called and want the new Elsa Pataky action film from Netflix back (Interceptor) and “It Follows”' Maika Monroe contends with another dangerous stalker (Watcher). Finally, David Cronenberg returns to the big screen after eight years and the guys see something new in it along with something old (Crimes of the Future). 1:00 – Frank & Penelope 8:04 – White Elephant 14:26 – Unhuman 22:33 – Eiffel 28:23 - Dashcam 35:22 – Fire Island 43:43 – 18 ½ 50:13 – Interceptor 1:00:52 - Watcher 1:10:18 - Benediction 1:18:37 - Crimes of the Future 1:34:44 - Outro

Writer and director Terence Davies' latest film "Benediction" premiered at the 2021 Toronto International Film Festival, where it received strong critical praise for its screenplay depicting the life of WWI poet Siegfried Sassoon and for the leading performance by Jack Lowden, with many citing it as the best of his career. Both Terence and Jack were kind enough to spend a few minutes discussing with us what drew them toward this biopic, what they learned about Siegfried in the making of this movie, their favorite poems by him, and more. Be sure to please check out the film, which is playing in limited release now from Roadside Attractions. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

48 years after the British jury gave them nul points at the Eurovision song contest, ABBA the avatars begin a long term arena residency in London. Samira talks to the director Baillie Walsh and the choreographer Wayne McGregor about creating the show. Terence Davies, director of some of the finest films ever made in the UK, such as Distant Voices, Still Lives and The Long Day Closes, talks to Samira Ahmed about his new film Benediction. It's based on the life of Siegfried Sassoon, one of the great poets of the Great War. As well as writing about its horrors and having fought with great courage, he declared his refusal to take any further part in it because he saw that the people in power, who could bring the suffering to an end, were prolonging the slaughter. The film chronicles his troubled life as a gay man after the war. It is two years tomorrow since George Floyd was murdered in Minneapolis. To mark this sad anniversary, we asked the poet Zaffar Kunial, whose first collection Us was shortlisted for the T.S. Eliot prize, to reflect on this and see if he could write a poem. He did, and reads Watershed, for the first time.

Siegfried Sassoon is one of the most famous poets of the 20th century. But he is also famous as a soldier, decorated for his bravery on the battlefield of World War One, who then became a vocal critic of the war upon his return. After acclaimed premiere screenings at TIFF, San Sebastian and the BFI London Film Festival, two BIFA nominations and a long-list for BAFTA for Outstanding British Film, Benediction is out now in the UK and Ireland.James spoke to writer and director Terence Davies about his inspiration for making the film, and actor Jack Lowden about his preparations for, and experience of, starring as a young Sassoon.For more Warfare content, subscribe to our Warfare newsletter here. If you'd like to learn even more, we have hundreds of history documentaries, ad-free podcasts, and audiobooks at History Hit - subscribe today! To download, go to Android or Apple store.Email us at warfare@historyhit.co.uk See acast.com/privacy for privacy and opt-out information.

Film reviews: The Innocents, about supernaturally gifted children; Benediction, a biopic of Siegfried Sassoon; Everything Everywhere All At Once, a mind-bending sci-fi - David Harrower's controversial and award-winning play Blackbird - Dances Like a Bomb, celebrating the strength and beauty of mature bodies and challenging the cult of youth.

What did it take to be a good junior officer in the First World War? This month, Chris, Angus and Jessica speak to Charles Fair about the development of junior officer training in the war. Along the way we discuss the significance of the Territorial Force, which schools had officer training corps and the definition of a 'temporary gentleman'. References Blackadder Goes Forth (1983)   Charles Fair, Marjorie's War: Four Families in the Great War 1914-1918 (2012)   Charles Fair, 'From OTC to OCB: The Professionalisation of the Selection and Training of Junior Temporary Officers During the Great War' in Spencer Jones (ed) 1917: The Darkest Year: The British Army on the Western Front 1917, pp.78-109    Dan Todman, The Great War: Myth and Memory (2007)   Dorothy L. Sayers, Murder Must Advertise (1933)   Gary Sheffield, Leadership in the Trenches: Officer-Man Relations, Morale and Discipline in the British Army in the Era of the First World War (Basingstoke: Macmillan, 2000)   Henry Ogle and Michael Glover (ed), The Fateful Battle Line: The Great War Journals and Sketches of Captain Henry Ogle MC (1993)   H. F. Maltby, A Temporary Gentleman (1920)   Ian Isherwood, Remembering the Great War: Writing and Publishing the Experiences of World War I (2017)   John Bourne, ‘British Generals in the First World War' in Gary Sheffield (ed), Leadership and Command: The Anglo-American Military Experience since 1861, (London: Brassey's, 1997) pp. 93-116 John Bourne, ‘The BEF's Generals on 29 September 1918: An Empirical Portrait with Some British and Australian Comparisons' in Peter Dennis and Jeffrey Gray (eds), Defining Victory 1918, (Canberra: Army History Unit, Dept of Defence, 1999), pp.96-113.   Martin Petter, (1994). ‘Temporary Gentlemen' in the aftermath of the Great War: Rank, status and the ex-officer problem. The Historical Journal, 37(1), 127-152. doi:10.1017/S0018246X00014734   Michael Roper, The Secret Battle: Emotional Survival in the Great War (2009)   Paul Harris, The Men Who Planned the War: A Study of the Staff of the British Army on the Western Front, 1914-1918(2015)   Peter Simkins,‘ ‘Building Blocks': Aspects of Command and Control at Brigade level in the BEF's Offensive Operations, 1916-–1918' in Gary Sheffield and Dan Todman (eds), Command and Control on the Western Front: The British Army's Experience 1914-18, (Staplehurst: Spellmount, 2004)   R.C. Sherrif, Journey's End (1928)   Reginald Hill, The Wood Beyond (1995)   Robert Graves, Goodbye to All That (1929)   Royal Military College Sandhurst, ‘Syllabus of the Course of Instruction (For Three-Term Course)', 1912   Siegfried Sassoon, The Memoirs of George Sherston (1928-1936)   Tim Halstead, ' "A Ragged Business": Officer Training Corps, Public Schools and the Recruitment of the Junior Officer Corps of 1916' in Spencer Jones (ed) At All Costs: The British Army on the Western Front 1916, pp. 414-429. Also see his forthcoming More Than Victims of Horace: Public Schools 1914-1918 (Helion, 2022)

In this episode, we follow Great War poets Robert Graves and Siegfried Sassoon into the trenches near Fricourt at the 'Bois Français' during the months before the 1916 battle and learn about how the death of a much-beloved comrade affected them both.Support the show (https://www.patreon.com/oldfrontline)

With the Great War battlefields still seeming far away, this week we travel to a picturesque church in Somerset to look at memorials to men bound together by family, sacrifice and duty, and in the churchyard discover the grave of one of the major Great War poets: Siegfried Sassoon. Support the show (https://www.patreon.com/oldfrontline)

The war poet Siegfried Sassoon referred to the Missing of the First World War as 'nameless names'. Who were the Missing, what was their fate, how were they commemorated, and is it a story lost in the past, or still part of the Great War battlefields today? Support the show (https://www.patreon.com/oldfrontline)