Podcast appearances and mentions of dan ireland

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This chat with Dan Ireland, a mindfulness and meditation teacher went places I didn't expect it to go. Dan is the exact opposite of the stereotype you have in your head for these type of experts and it really resonated with me - and hopefully you as a result. As part of his Awareful coaching business, Dan works with athletes and businesses to help them reach their full potential. This is really worth the listen as Dan breaks down mindfulness and meditation in a very simple way. Please let us know what you think in the reviews section of Apple Podcast. If you'd like to be featured on an episode of Small Business Dads, please email daniel@dpmtransformation.com and tell me a little bit about your family, your story and of course, your business. You can find out more about this and other episodes featured by visiting our new website - Small Business Dads. It also has a small feature on each of our featured guests. Finally, if you like what you hear, please subscribe/follow, rate, review and share to help these stories get in front of more dads like yourself.

Con Cinefilia ninja les queremos proponer un ejercicio: escuchar a dos personas hablando de cine, y tener a mano los links necesarios para seguir investigando si les pica el bichito del interés. El invitado del décimo episodio es Diego Trerotola y con él hablamos de todo esto: De una proyección asfixiante de ET (http://bit.ly/2SB5hl2) el 20 de marzo de 1982 en un cine del centro de Gerli, de Arnold y el superagente 86 (https://imdb.to/2SM3klE), de la experiencia casi religiosa de ir a cines enormes, de un doble programa de Stallone con Rocky III (http://bit.ly/2SEUDJR) y Halcones de la noche (http://bit.ly/2SF82Sf), de El gato negro (http://bit.ly/2SGzaQS) de Edgar G. Ulmer, de Velvet Goldmine (http://bit.ly/2SK2Exa) de Todd Haynes, de Palacios plebeyos (http://bit.ly/2SJF2c4) de Edgardo Cozarinsky, de las marquesinas pintadas promocionando películas, de Sangriento Papá Noel (http://bit.ly/2SGzOxM), de las fotos en las puertas de los cines, del sorteo de una bicicleta en el estreno de Los Bicivoladores (http://bit.ly/2SM44Hs), del estreno de Highlander II (http://bit.ly/2SEVfiD), del mani con chocolate de caja amarilla (http://bit.ly/2SFQJQV), de lo cinético de los afiches de antes, de La noche americana (http://bit.ly/2MXLjLY) de Francois Truffaut, de tomar notas de los suplementos y críticas de los diarios, de armarse un mapa de la historia del cine, de las fotocopias compradas en Librofilm , de los comienzos del CERC, hoy ENERC (http://bit.ly/2N0qNum), de la Sala Lugones (http://bit.ly/2MZP7fy), de la sala de Hebraica, del Cine del Centro en Sarmiento entre Talcahuano y Libertad, de Baldazo de sangre (http://bit.ly/2MWrbK6) de Roger Corman, del Cine Club Nucleo (http://bit.ly/2MXgKGc), de la Cinemateca Vida, de La cruz (http://bit.ly/2MWcUNJ) de Alejandro Agresti, de ver entre 25 y 30 películas por semana en cine, del primer festival de Mar del Plata de los años noventa, de Palmer's Pickup (https://imdb.to/2MXBz4s) de un sobrino lejano de Coppola, de una joven Renee Zellweger ganando un premio por The Whole Wide World (https://imdb.to/2MXsSXO) de Dan Ireland, de Viviendo en el olvido (http://bit.ly/2MX5HNr) de Tom Dicillo, de La casa de los 1000 cuerpos (http://bit.ly/2N0sece) de Rob Zombie, de acercarse a la crítica para profundizar la cinefilia, de Homero Alsina Thevenet (

The Velocity of Gary was only director Dan Ireland's second directing assignment.  He was primarily a film producer before that, co-founding the Seattle International Film Festival and producing movies for John Huston, Ken Russell and Bernard Rose, many through his role as head of acquisitions at 80's indie house Vestron Pictures.  The film marked his second collaboration with star and producer Vincent D'Onofrio after 1996's biopic The Whole Wide World.  D'Onofrio enlisted famous friends Ethan Hawke and Salma Hayek to co-star and hired realtime newcomer Thomas Jane to play the title role. Dan and Vicky have very strong opinions about The Velocity of Gary and it's attempt to be a provocative rendering of gay New York life in the 80's?  90's?  No one's really sure, least of all the film.  But they have kinder things to say about some recently seen including SyFy horror series Channel Zero and the original Twin Peaks, stand up from Chris Rock and Fred Armisen, and films Lights Out, Tangerine, Tightrope, Killing of a Sacred Deer and The Boys in the Band.   You'll also get a glimpse into what it's like when Vicky's cable box  goes on the fritz and NOBODY can fix it!   Listen to your Hot Date hosts slap a speeding ticket on The Velocity of Gary and then leave us some feedback or a star rating!  

The fifth Louisiana International Film Festival happened on April 20-23, 2017. It was the first full year after the death of Dan Ireland, the festival’s Artistic Director. It also came after the floods in 2016 that devastated much of southeast Louisiana. Both were directly acknowledged in the festival’s programming selections, which gave LIFF 2017 a certain […] The post Louisiana International Film Festival 2017 Recap appeared first on The nsavides Podcast | filmmaking | music | cinematography | writing.

It's Special Ops with Mark Rahner & Rev! They discuss the passing of SIFF founder Dan Ireland; Eric Reynolds from Fantagraphics talks Eisner awards; and Steven Holetz from Bonebat talks about the Comedy of Horrors Film Festival! See omnystudio.com/policies/listener for privacy information. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Prepare to be capital-s Sad! This time, the guys take a look at Dan Ireland’s adaptation of the Dolly Parton-inspired, E.L. Doctorow-penned Jolene. Also, they also almost certainly mess up Chazz Palminteri’s name (sorry, Chazz). Not a whole lot of tangents in this one, just a lot of discussion about the intersection of tone, style, and appropriateness.This episode’s recommendations:Take ShelterThe Tree of Life(Note: This movie has a fair about of sexual abuse and violence in it, so be forewarned that those will be a recurring topic over the course of the pod’s running time.)

Prepare to be capital-s Sad! This time, the guys take a look at Dan Ireland’s adaptation of the Dolly Parton-inspired, E.L. Doctorow-penned Jolene. Also, they also almost certainly mess up Chazz Palminteri’s name (sorry, Chazz). Not a whole lot of tangents in this one, just a lot of discussion about the intersection of tone, style, […]

Dan Ireland began his career as the co-founder / co-director of The Seattle International Film Festival. Among his many accomplishments, he launched the American Premieres and releases of such notable films as SOLDIER OF ORANGE, THE ROAD WARRIOR, ALIEN, THE STUNT MAN, CHOOSE ME, KISS OF THE SPIDER WOMAN, MONA LISA, DANCE WITH A STRANGER, ANOTHER COUNTRY, CHOOSE ME, and BLOOD SIMPLE, among many others. In the 1980's, Ireland (along with Darryl Macdonald) was the co-owner / co-operator of The Egyptian Theatre, the most successful independent theatre in the state of Washington. Ireland remained at the theatre and festival until 1986, where he was Executive Vice President of Acquisitions for Vestron Pictures. It was at Vestron that Ireland developed his filmmaking skills. During his time there, he was Executive Producer of fifteen films including John Huston's final film THE DEAD (two Oscar nominations), Bernard Rose's (CANDYMAN, IMMORTAL BELOVED, ivansxtc.) feature debut PAPERHOUSE and Ken Russell's THE RAINBOW. In 1993, Ireland joined Cineville, one of the leading independent film production companies which produced such films as DELUSION, GAS FOOD LODGING and MI VIDA LOCA. In 1996 Ireland made his debut as a feature director for Cineville with the highly acclaimed film, THE WHOLE WIDE WORLD, starring Vincent D'Onofrio and Renee Zellweger also produced by Ireland and D'Onofrio. His subsequent directorial credits include: THE VELOCITY OF GARY, PASSIONADA and most recently, MRS. PALFREY AT THE CLAREMONT.