Podcasts about Coppola

The Cold War Cinema team returns with special guest Aspen Ballas to discuss John Ford's 1956 western The Searchers. Aspen is a PhD student of English at the University of North Carolina at Chapel Hill. Her research primarily focuses on aesthetics of race and class, and the relation between genre, medium, and politics. Synopsis of the film: Texas, 1868. A lone figure approaches a windswept homestead, against a dusty blue sky and flaming red buttes and cathedral-like mesas. Returning from the fight for the Confederacy, Ethan Edwards arrives home to his brother Aaron, Aaron's wife Martha, and to their children Ben, Lucy, little Debbie, and their adopted son Martin Pawley. But this is rough country, and a Comanche raid leaves the Edwards family torn asunder–Aaron, Martha, and Ben dead, and Lucy and Debbie taken captive. For seven years, Ethan and Martin search the vast wilderness, motivated not only by family bonds, but in Ethan's case, bloodlust and wild, racist hatred–a search not only to find Lucy and Debbie, but to enforce racial and sexual purity and to define Americanness itself… On this episode we discuss: The American mythmaking in The Searchers and in westerns generally.  John Ford's attempt to critique anti-Indigenous racism, and the limitations of such a critique in the context of Hollywood filmmaking of this era.  Militant Liberty, a top-secret psychological warfare program created by the Pentagon to promote anti-communist themes in Hollywood movies during the Cold War. John Ford was an eager participant in the program. The broader US imperialist context of the film's release and the historical background of the setting.  _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Aspen: The Face on Film by Noa Steimatsky; Raoul Peck's docuseries Exterminate all the Brutes (2021) Paul: The Searchers: The Making of an American Legend by Glenn Frankel    Tony: Unsettled Borders: The Militarized Science of Surveillance on Sacred Indigenous Land by Felicity Amaya Schaeffer   Jason: Versions of  Hollywood Crime Cinema: Studies in Ford, Wilder, Coppola, Scorsese, and Others by Carl Freedman _____________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.   For more from your hosts and guest: Follow Aspen on Letterboxed at @aspenballas. Follow Jason on Bluesky at @JasonAChristian.bsky.social, on X at @JasonAChristian, or on Letterboxed at @exilemagic. Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas, or on Letterboxed at @tonyjballas. Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

Andy's let-down impressions, sorting out the new rules of fascist showbiz, Josh judges Coppola, Andy steps onstage, MNF on LSD, listener questions, and much more Spiraling.

Jamie Jirak and Ben Silverio are pop culture observers/content creators/excellent friends who are ready to make some references so dated that even the frame of reference turns 40 this year. Get ready to get your perspective on the 60s and the 80s colored all at once. This week, Jamie and Ben are reviewing Peggy Sue Got Married and talking about the legacy of the Coppola family, the surprise stars, and the very idea of being thrust back into your high school self. Find us online! Jamie Jirak @JamieJirak on Instagram and LetterboxdCheck out Love in the Time of Hydra and Phase HeroBen is @bsilverio20 on Instagram, and letterboxed among others.Ansel Burch is @TheIndecisionist on IG, Facebook, Yowsa, Blusky, Reddit, and Threads. Check out Ansel's new TTRPG, Deck! https://the-indecisionist.itch.io/DeckCome back next week for our shallow dive into topics from Peggy Sue Got Married! So, make sure you're subscribed because it's always #Time2Party

Nicole Coppola didn't grow up searching for Jesus. She actively rejected Christianity, mocked it, and wanted nothing to do with God.What happened next wasn't emotional, trendy, or explainable — it was personal, specific, and impossible for her to dismiss.Raised around spirituality but deeply opposed to Christianity, Nicole spent years pushing back against faith, questioning truth, and resisting the idea of a personal God. After losing her mother at a young age and her sister shortly after, she searched for meaning, certainty, and purpose — but found only frustration, unanswered questions, and resistance where faith was concerned.Then, unexpectedly, everything began to shift.In this conversation, Nicole shares how God broke through her opposition in ways she never anticipated — through moments she couldn't explain away, a sudden spiritual awakening, and a series of deeply personal encounters that forced her to confront the reality of a God who is not distant, symbolic, or passive, but present, personal, and willing to meet people even when they are standing in opposition.This is not a story about becoming religious. It's a story about awakening — about discovering that God is real, personal, and able to reach people who never intended to believe.If you've ever questioned Christianity, dismissed faith because of religious tradition, or felt resistance toward God — or if you know someone who has — this conversation may speak directly to where you are.---------------------------Follow Nicole's Instagram here ⇨ https://www.instagram.com/carrideswithchrist/--------------------------✟ Donate to A Stronger Faith here ⇨ https://www.astrongerfaith.org/give--------------------------✟ Recommend a guest for us here ⇨ https://www.astrongerfaith.org/contact--------------------------✟ CONNECT WITH US! ⇨ Website: https://www.astrongerfaith.org/ ⇨ YouTube: https://bit.ly/asfmyoutube ⇨ Instagram: https://www.instagram.com/astrongerfaith/ ⇨ TikTok: https://www.tiktok.com/@astrongerfaith ⇨ Facebook: https://www.facebook.com/astrongerfaith------------------------------------✟ If you need prayer or deliverance, or if you would like to join us as a prayer partner, please visit our prayer resources page at https://www.astrongerfaith.org/prayer.✟ If you are looking for a good faith-building book, visit our recommended books page at https://www.astrongerfaith.org/books.

THE VIRGIN SUICIDES / LAS VÍRGENES SUICIDAS (1999) "Opera Prima" según la RAE, primera obra de un autor. Esto nos marca la autenticidad, el riesgo, la experimentación con la que cualquier autor da sus primeros pasos en el cine. En esta cuarta inmersión en esta Sesión Opera Prima nos hemos decantado por la autoría melancólica de Sofía Coppola. Bienvenidos a "Las Vírgene Suicidas". Equipo Maniático: Albert San (Mr. Maniático), Naila Knight, Miguel y Montse Vela. Saludos Maniáticos!!!!!! VIRGIN SUICIDES SOUNDTRACK by AIR / V.A. INTRO ARREBATO by Iván Zulueta & DONNIE DARKO by Michael Andrews

Mike Thompson and Rob St. Mary join Mike to step into the rubble, rhetoric, and Roman cosplay of Megalopolis, Francis Ford Coppola's self-financed, forty-years-in-the-making cinematic fever dream. A film obsessed with power, legacy, architecture, and Great Men Thinking Great Thoughts, Megalopolis feels less like a movie than a manifesto—one that demands to be taken seriously while daring you to laugh at it. Cesar Catalina (Adam Driver), the troubled genius nobody appreciates (write what you know, Francis), strides through a New Rome built on vibes, speeches, and a miracle substance called Megalon. The episode also explores Megadoc, Mike Figgis's fly-on-the-wall documentary which attempts to chronicle the chaos, conviction, and sheer force of will behind Coppola's production. Seen together, the film and the documentary form a portrait of an artist betting everything—money, reputation, legacy—on a single idea. Love it, hate it, or remain profoundly confused by it, Megalopolis refuses to be ignored. And once it gets into your head, it doesn't leave.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Mike Thompson and Rob St. Mary join Mike to step into the rubble, rhetoric, and Roman cosplay of Megalopolis, Francis Ford Coppola's self-financed, forty-years-in-the-making cinematic fever dream. A film obsessed with power, legacy, architecture, and Great Men Thinking Great Thoughts, Megalopolis feels less like a movie than a manifesto—one that demands to be taken seriously while daring you to laugh at it. Cesar Catalina (Adam Driver), the troubled genius nobody appreciates (write what you know, Francis), strides through a New Rome built on vibes, speeches, and a miracle substance called Megalon. The episode also explores Megadoc, Mike Figgis's fly-on-the-wall documentary which attempts to chronicle the chaos, conviction, and sheer force of will behind Coppola's production. Seen together, the film and the documentary form a portrait of an artist betting everything—money, reputation, legacy—on a single idea. Love it, hate it, or remain profoundly confused by it, Megalopolis refuses to be ignored. And once it gets into your head, it doesn't leave.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

This month for ClapperCast's December 2025 Patreon Bonus Episode, Jak-Luke Sharp & Nicolò Grasso join Carson Timar to finish their Francis Ford Coppola retrospective with a review of Coppola's grand gamble, Megalopolis!Get Access to this Episode by Subscribing to Spotify Subscriptions or on Patreon: https://www.patreon.com/clappercastpod

C'est à l'un des compositeurs les plus singuliers et les plus mystérieux – qui nous a quitté il y a juste 100 ans – que Guillaume Coppola rend hommage dans son nouvel album sorti chez Alpha. Un album intitulé Satie amoureux dont la couverture est une reproduction d'un portrait signé Suzanne Valadon avec laquelle le compositeur vécut une brève et houleuse liaison. « Au-delà des pièces qui parlent d'amour sans être en lien avec la peintre, ou contemporaines à cette relation troublée, c'est un portait de Satie qui se dessine, masqué par un voile de pudeur ou de provocation, entre inspiration antique et orientale, phase mystique, humour et cabaret » nous dit le pianiste Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Out of the normal and into the paranormal in this 2011 supernatural murder mystery by Francis Ford Coppola. Twixt now rebranded as B'Twixt Now and Sunrise which was recut as the ‘Authentic Cut' in 2022. Will his changes make a difference in this box office flop? Big guns were brought on board for this film, Val Kilmer, Bruce Dern, Elle Fanning and Ben Chaplin in their respected rolls as author, Edgar Allan Poe, the animated sheriff and the vampire/ghoulish girl.Hall Baltimore writes books about witch hunting and is in a slump so he travels to a small US town for a book signing in the hopes are reinvigorating himself.Nobody knows who he is except the sheriff who hopes that his latest idea is suitable for Baltimore's latest book. He tells a twisted tale about the murder of kids, vampires across the lake, and a ghost that haunts the town to this day. Will Hall Baltimore and Sheriff Bobby LaGrange solve this mystery and get the book written? Baltimore gets a little help along the way from a mysterious 13 year old girl and the ghost of Edgar Allan Poe who appears in his dreams.This film bombed at the box office, but was also trashed by critiques and the average movie goer alike. Stewart, Rastislav and Ken take a deep dive into the film and uncover some of the symbolism but also criticize the plot which didn't make much sense. Even with the big name actors and the comical moments, it seems this is a ghastly tale indeed.Written and Directed by Francis Ford Coppola and shot mostly at his own estate. Based on some of real events of Coppola's life.Film Rating: R for Graphic Scenes and Blood This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit unsungcinematics.substack.com

Economic Indicators…  Time magazine person of the year…  Heisman ceremony / Mendoza wins / Deigo unhappy and parties / Mendoza does charity….  Email: Chewingthefat@theblaze.com   www.blazetv.com/jeffy   $20 off annual plan right now ( limited time )   Top weekend movies…  A look at lotto…  Coppola wants new tradition…  Oprah sells some property…  Fire was used earlier than thought?...  Who Died Today: Sydney terror attack at least 15 died 40 injured…  Brown University mass shooting 2 died 9 injured…Rob and Michele Reiner 78 and 68…  Jubilant Sykes 71 / Peter Greene 60…Joke of The Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

In this explosive episode of Gangland Wire, host Gary Jenkins sits down with actor, entrepreneur, and mob insider Gianni “Johnny” Russo, best known for his unforgettable role as Carlo Rizzi in The Godfather. Russo pulls back the curtain on a lifetime of stories that stretch from Frank Costello and Joe Colombo to Las Vegas skimming, the Vatican Bank, Marilyn Monroe, Jimmy Hoffa, and even Pablo Escobar. Russo discusses his new book, Mafia Secrets: Untold Tales from the Hollywood Godfather, co-written with Michael Benson—an unfiltered account of power, violence, politics, and survival inside the criminal underworld and Hollywood royalty. This is not recycled mythology—this is Gianni Russo's personal version of history from the inside. Whether you believe every word or not, the stories are raw, violent, and utterly fascinating. This episode discusses: The Godfather, The Kennedy assassinations, Vegas skimming, Marilyn Monroe, Jimmy Hoffa, the Chicago Outfit, Pablo Escobar

In this episode Mike, Steve and Amanda cover no less than 10 new releases! As usual, click the link to see a trailer for each film! We kick off with Luc Besson's version of DRACULA (Signature Entertainment), which bears more than a likeness to Coppola's version! Next up is QUARANTINE 19 (Trinity Content Partners), a Turkish film shot in English about the contestants of a Big Brother-style reality show finding themselves isolated during a pandemic. THE FINAL PARTY (Trinity Content Partners) is a nasty, nihilistic film about rich kids gatecrashing a party... HE KILLS AT NIGHT (4Digital Media) finds a woman fighting for survival when she is abducted by a serial killer on Christmas Eve! MANOR OF DARKNESS (Indie Rights) is an extended version of one of director Blake Ridder's many short films, about a group of pretend filmmakers stuck in a creepy manor house! PERFECT GAMBLE (High Fliers Films) finds David Arquette running an underground casino and trying to keep the Russian mafia from taking over! CAN YOU HEAR ME? (High Fliers Films) is a WW1 set love story with supernatural overtones! HOSTAGES (Signature Entertainment) finds a group of social media addicts caught up in a possible terrorist attack. LONG SHADOWS (4Digital Media) is a western in which a young man searches for those who murdered his mother and left him for dead as a child. COYOTES (Signature Entertainment) finds yuppies Justin Long and Kate Bosworth trapped with their teen daughter when a pack of ferocious coyotes lays siege to their home.  Our Short Shot is MISFIRE, directed by Jean-Paul Ly! Click the link to see the whole 15 min film! Our DTV Throwback is RIOT, in which cop Matthew Reese gets himself thrown into the same prison where the man who killed his wife is hiding. You can find this on Amazon Prime as well as other streaming Services! Follow the Short Shots  on X where you will find hundreds of links to awesome short films! Don't forget to also check out our main show, the DTV DIGEST on X and FACEBOOK! We are also now on Bluesky! Follow us here: @thedtvdigest.bsky.social and @dtvshortshots.bsky.social      

Sixteen years after the previous film (The Godfather Part II) in this saga won him Oscars for Best Director, Best Screenplay, and Best Picture...Oscar-winning legend Francis Ford Coppola (Apocolypse Now, Bram Stoker's Dracula, The Conversation) returned to both co-write and direct this final entry in the beloved sage of The Corleone Family.  And this time around even though the film was nominated for seven Oscars including Best Picture, it didn't win any.....and the consensus was that it was below the quality for the first two despite including acclaimed performances by its three main stars including Al Pacino (who returned to play Michael Corleone), the late, great Diane Keaton (who returned to play Kay Corleone), and Oscar-nominated Andy Garcia who played Michael's nephew Vincent.  Infact, it was considered by many to be by far the weakest film in the trilogy.  So thirty years later during an extended COVID lock-down, Coppola decided re-edit Part III and by the end of 2020, a newly reworked version was released to both theaters and streaming.  Celebrating The Godfather Part III's 35th Anniversary, we will review this latest version to find out how or IF it improves upon the original version released on Christmas of 1990.   Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Este é o último episódio do ano e desta vez voltamos a falar sobre Francis Ford Coppola. Fred Almeida recebe os amigos Fábio Rockenbach (curso "A Experiência do Cinema") e Rafael Amaral (blogue "Palavras de Cinema") para debater o brilhante "A Conversação" (The Conversation, 1974) produção mais pessoal do cineasta e do mesmo ano em que ele lançaria um de seus filmes de maior sucesso, a segunda parte da trilogia "O Poderoso Chefão". Com atuação magistral de Gene Hackman, num roteiro do próprio Coppola, o filme ganharia a Palma de Ouro em Cannes e serviria de influência para vários thrillers do período.Música utilizada: "Early Summer" de Tokyo Music Walker.-------------------------------LINKS PARA ADQUIRIR O LIVRO DO PFC ("Uma Jornada pelo Cinema - Anos 1950"):UICLAP - ⁠⁠https://loja.uiclap.com/titulo/ua98290/⁠⁠AMAZON (capa dura e e book) - ⁠⁠https://www.amazon.com.br/dp/6501481376⁠⁠-------------------------------Acesse nosso site: ⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠Instagram: @podcastfcProcure "Podcast Filmes Clássicos" no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

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En esta conversación finalmente decidimos darle a don Francis (Ford Coppola) la atención que merece con su megaobra que llevaba pensando desde los años 90s. Invirtiendo sus propios morlacos y haciendo todo lo que quiso, don Francis finalmente estrenó su película más ambiciosa. Seguramente toda esta libertad creativa, tiempo invertido y dedicación terminaron en una obra maestra, ¿cierto? ¡¿cierto?! Disponible desde el 26 de noviembre en Mubi, este capítulo especial es no solo sobre la película, sino sobre la figura de Coppola en general. ¡Ojalá les guste! No olviden que aquí pueden disfrutar de 30 días gratis de Mubi: www.mubi.com/flimcast No olviden tampoco que aquí pueden encontrar lo mejor del formato físico: www.filmico.tv Y no olviden por último que pueden suscribirse al Patreon y tener material exclusivo, pre-estrenos, etc: www.patreon.com/hermeselsabio

In a special episode of the Film Stories podcast, Simon is joined by Oscar-winning production designer Nathan Crowley. He won his Oscar for Wicked, and you can now see his work in Wicked For Good on the big screen. This chat takes in those films, as well as Christopher Nolan's garage, nine seconds with Ridley Scott, early work with Francis Ford Coppola, and a whole lot more... Learn more about your ad choices. Visit megaphone.fm/adchoices

A w listopadowej Miesiączce: Kasia o tym, czy AI może filozofować, Mochnaczewska o tym, dlaczego nie mamy czasu, tylko siedzimy w telefonach; Sulej o nowej erze Vogue; Fiolka o porach; Kisza o Banksym; Makselon o gadaniu w internecie; oprócz tego - filmy, seriale, książki, złoty kibel do kupienia, kosmetyki dla 3 latków; Coppola sprzedaje zegarki, bo zbankrutował, czarna lista aktorów w Hollywood, młodzieży gniją mózgi i są na to twarde dane; ludzkie safari w Sarajewie; chudość to nie trend i Hitler miał małe… Ten podcast powstaje dzięki Patronite: https://patronite.pl/karolinakp 0:00:00 Intro 0:01:31 Święto niepodległości 0:02:36 Wpływ social mediów na mózgi młodzieży 0:06:45 Felieton Macieja Makselona 0:11:44 Newsy i newsiki 0:29:10 Comiesięczna księgarnia 0:35:11 Felieton Anny Mochnaczewskiej 0:44:25 W kinie i na kanapie 0:56:55 Ludzkie safari w Sarajewie 1:04:15 Dział urody 1:13:02 Felieton Soni Kiszy 1:24:46 Felieton Karoliny Sulej 1:31:42 Felieton Fiolki Najdenowicz 1:38:33 Felieton Katarzyny Kasi 1:44:13 Outro

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This Week in Horror History dives into a loaded week: Creepshow hits wide release, Interview with the Vampire and Bram Stoker's Dracula redefine luxe gothic on the big screen, Half-Life 2's Ravenholm sneaks survival horror into AAA gaming, and Stephen King's Cycle of the Werewolf howls through November. We spotlight Supernatural's early heart-stopper “Home,” roll birthdays for genre icons, compare '90s velvet vampires to today's, and cap it with a cult-classic pick: Slumber Party Massacre. Perfect for spooky season's afterglow—queue these up and feast.Inside this episodeCreepshow (Nov 10, 1982): Romero + King bring EC-comics mayhem to multiplexes. Interview with the Vampire (Nov 11, 1994): Velvet-and-venom epic opens #1 and rewrites vampire melodrama.Bram Stoker's Dracula (Nov 13, 1992): Coppola's operatic, in-camera sorcery storms the box office. Half-Life 2 — Ravenholm (Nov 16, 2004): A masterclass in atmosphere; survival-horror vibes inside a shooter. Cycle of the Werewolf (Nov 1983): King + Wrightson's lean, illustrated lunar calendar of carnage.Duel (Nov 13, 1971): Spielberg's white-knuckle TV thriller turns the highway into a hunting ground.Deep-Cut Spotlight — Supernatural “Home” (Nov 15, 2005): Intimate, grief-haunted return to the Winchesters' house. Birthday roll: Roy Scheider, Radha Mitchell, Robert Louis Stevenson, Burgess Meredith.Then & Now — Velvet Vampires: '90s baroque romance vs. prestige-TV reinventions.Weekly Recommendation — Slumber Party Massacre: A sharp, subversive slasher to cleanse the palate.Get comfy, my spookies! 41% off at CozyEarth.com with code SPOOKY — supports the show!

O que faz uma adaptação ser boa? A fidelidade absoluta ao livro ou a coragem de reinventar uma história para o cinema? No Podcast Cinem(ação #624, Rafael Arinelli, Alan Alves, Domenica Mendes e Rodrigo Basso se reúnem para discutir o eterno dilema das adaptações literárias e o que realmente define o sucesso de uma transposição do papel para as telas.O episódio questiona a ideia de que uma boa adaptação depende de ser “idêntica” ao material original. Nossos hosts lembram que cada mídia tem sua linguagem, e que mudar não é trair, mas traduzir. Exemplos como Drácula de Bram Stoker (Coppola) e a nova série da Netflix baseada em Cem Anos de Solidão mostram como ajustes narrativos podem revelar novos sentidos e respeitar a essência do livro sem repeti-la.A conversa também aborda o impacto econômico das adaptações: cerca de 72% dos vencedores do Oscar de Melhor Filme vieram de livros. Afinal, adaptar uma obra consagrada é um investimento seguro - uma história já testada e com público fiel. Ainda assim, o desafio continua o mesmo: fazer cinema, e não apenas ilustrar literatura.O debate vai além da técnica e entra na liberdade artística: até que ponto uma adaptação pode subverter a obra original - mudando personagens, etnias ou pontos de vista - sem perder sua alma?Em tempos de Fast Entertainment, o episódio reflete sobre como o consumo acelerado e a dispersão das plataformas afetam a forma como nos conectamos com as histórias.Será que, às vezes, o filme pode ser melhor que o livro?Dá o play e descubra o que realmente importa quando as páginas viram imagem.• 03m19: Pauta Principal• 1h22m29: Plano Detalhe• 1h41m03: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Domenica): FIlme: V/H/S/ Halloween• (Domenica): FIlme: Família Adams• (Rodrigo): Série: O Dia do Chacal• (Alan): Série: Caçador de Marajás• (Alan): Livro: Gilberto Braga, o Balzac da Globo• (Alan): Newsletter: Simplificando Cinema• (Rafa): Filme: O Sobrevivente• (Rafa): Podcast: Collor vs Collor• (Rafa): Série: Monstro: A História de Ed GeinEdição: ISSOaí

durée : 01:28:30 - Les Nuits de France Culture - par : Philippe Garbit - Le vampire est l'ombre portée de toute société. Ce "Ciné Club" dédié à Dracula retrace la saga draculienne depuis ses débuts en 1922 jusqu'à ses dernières incarnations sous la férule de Coppola en 1992. Soixante-dix années se sont écoulées qui ont vu muter sur l'écran l'image du Comte transylvanien. - réalisation : Virginie Mourthé - invités : Gilles Menegaldo Professeur émérite de littérature anglo-saxonne et de cinéma à l'Université de Poitiers; Serge Brussolo

Programa #29 y armamos una revuelta. El planeta al horno, brasil bajo fuego, Coppola y Oasis a la venta para descafeinar la tarde. Repasamos el disco Visitante o Residente de Calle 13 a casi 20 años de su lanzamiento. Nacho nos cuenta la historia de un pueblo que lucho con fuerza por su intendente. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

En pleine guerre du Viêt Nam, le capitaine Benjamin Willard (Martin Sheen) se voit confier une mission par les services secrets militaires américains: il doit retrouver et exécuter le colonel Walter Kurtz (Marlon Brando), dont les méthodes militaires sont jugées malsaines par la chaîne de commandement. Le colonel Kurtz a pris la tête groupe dʹindigènes et mène des opérations depuis un camp établi au Cambodge. Ses opérations contre lʹennemi sont dʹune sauvagerie terrifiante. Willard va alors remonter le fleuve jusquʹau plus profond de la jungle vietnamienne pour pouvoir éliminer le colonel Kurtz. Mais au cours du voyage, en étudiant le dossier du bonhomme, il se rend compte quʹil est très différent de lʹidée quʹil sʹen faisait. Arrivés au campement de Kurtz, les choses vont méchamment déraper. Mais je ne vous dirai ni comment, ni pourquoi, car il faut voir et revoir Apocalypse Now, film de Francis Ford Coppola, sorti en 1979. Apocalypse Now est le 8e film de ce réalisateur. Cʹest un des films les plus mythiques du cinéma du 20e siècle. Lʹimage en est saisissante et lʹhistoire du tournage a viré à la légende. Pas pour rien certainement, et on va, au cours de ce travelling, essayer de démêler le vrai du faux. REFERENCES: Le tournage du film a fait lʹobjet d'un documentaire sorti en 1991 : Aux cœurs des ténèbres : L'Apocalypse d'un metteur en scène (Hearts of Darkness: A Filmmaker's Apocalypse), réalisé par Fax Bahr et George Hickenlooper sur la base des films amateurs tournés sur les plateaux par lʹépouse de Coppola, Eleanor Coppola. Jean-Baptiste Thoret, Le Cinéma américain des années 1970, éd. des Cahiers du cinéma, 2006 Jean-Baptiste Thoret, Apocalypse Now : Un cauchemar psychédélique, livre DVD/Blu-ray Pathé Eleanor Coppola, Apocalypse Now Journal, Sonatine Éditions, 2011 COWIE, Peter, Le petit livre dʹApocalypse Now, Cinéditions, 2001 Apocalypse Now, la scène mythique des hélicoptères http://www.dailymotion.com/video/x80giv_apocalypse-now-scene-mythique_shortfilms Le trailer https://www.youtube.com/watch?v=IkrhkUeDCdQ Sur la musique dʹApocalypse Now http://blogshumanites.u-paris10.fr/content/bande-originale-du-film-apocalypse-now

Welcome, my ghoulish loves!In this final episode of Dark Thirst, I'm diving into pop culture's undying obsession with vampires. From the sensual chaos of True Blood to the glittering restraint of Twilight, and from Coppola's lavish Dracula to Eggers' haunting Nosferatu, I explore how every vampire revival mirrors what's happening in society. From our fears, desires, and shifting ideals of beauty. What do these immortal beings say about us and the times we live in?After centuries of fascination, it's clear, we don't just crave the vampire. We crave what they promise. *Listener Discretion is Strongly Advised*************Sources & References:Auerbach, Nina. Our Vampires, Ourselves. University of Chicago Press, 1995.Gelder, Ken. Reading the Vampire. Routledge, 1994.Skal, David J. Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. Faber & Faber, 1990.Anatol, Giselle Liza. Bringing Light to Twilight: Perspectives on a Pop Culture Phenomenon. Palgrave Macmillan, 2011.Weinstock, Jeffrey Andrew. The Vampire Film: Undead Cinema. Wallflower Press, 2012.Additional references:Include contemporary film criticism from The Guardian, Le Monde, IndieWire, and Rotten Tomatoes (2024–2025).****************Leave Us a 5* Rating, it really helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************MUSIC & SOUND FX:"Beast by Beast" Edward Karl Hanson"Alleys of Darkness" Phoenix Tail"Rain Light 6" SFX Producer Epidemic SoundFind the perfect track on Epidemic Sound for your content and take it to the next level! See what the hype is all about!

A TUTTA C con Luca Calamai. Ospiti: Laerte Salvini, Alessandro Coppola, Camillo Demichelis

A TUTTA C con Luca Calamai. Ospite: Alessandro Coppola, difensore Arzignano Valchiampo

In this episode, Nick talks about Trump's Warm Japanese Welcome, Internal Border Fighting, Lance Twiggs Digs, Pike Statue Replaced, SNAP Recipients Snapping, A Flying Penguins Fan and Coppola's Watches! Watch Nick on the FREE RUMBLE LIVE LINEUP at 6pm ET https://rumble.com/TheNickDiPaoloShow TICKETS - Come see me LIVE! For tour dates and tickets - https://nickdip.com MERCH - Grab some snazzy t-shirts, hats, hoodies,mugs, stickers etc. from our store! https://shop.nickdip.com/ SOCIALS/COMEDY- Follow me on Socials or Stream some of my Comedy - https://nickdipaolo.komi.io/

A graduate of the USC School of Cinema and Television, Andrew Durham has worked under such directors as David Lynch, Christopher Guest, Wes Craven, and Oliver Stone. He began his collaborative relationship with Sofia Coppola when he produced her first short film, LICK THE STAR, and Coppola's television series, HI-OCTANE, for the Comedy Central Network. He went on to work for MTV Networks as Producer for Projects in Development, and later for Fox Television Studios where he served as Vice President of Production. He left television to pursue his passion for photography. He's shot for such publications as Vanity Fair, The New York Times, French Vogue, and Elle, and advertising campaigns for Louis Vuitton, Marc Jacobs and Dior. And he's in THE BACK ROOM to discuss his terrific feature film directorial debut, FAIRYLAND, which is currently in select theaters nationwide and on VOD in November. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

This week, we dive headfirst into the visual and stylistic feast that is Francis Ford Coppola's "Bram Stoker's Dracula" (1992).The ambition is undeniable—Coppola wanted to make a definitive, hyper-gothic, technically ingenious vision of the classic novel. And yet, for all its spectacular in-camera effects, Oscar-winning costumes by Eiko Ishioka, and Gary Oldman's powerhouse performance, the hosts find themselves a little lost in the crimson mist.Lemar and Mackenzie agree that this film, despite its good parts (and they are gorgeous parts), is simply trying to do too much. We discuss the overstuffed plot, which attempts to be a sweeping historical tragedy, a lurid gothic horror, an erotic thriller, and a faithful period piece all at once. We praise Oldman's captivating Count, the lush, jaw-dropping visual artistry, and the sheer audacity of the production. But we can't ignore the narrative confusions, the wildly uneven supporting performances (poor Keanu), and the overall feeling of maximalism that leaves the story feeling dispersed rather than cohesive.Tune in as we try to see the good in this operatic monster movie, ultimately concluding that sometimes, even a masterpiece can be too much of a good thing.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

On Episode 184 of Floating Through Film, we're starting our annual horror month! Week #1's picks were made by Dany and he picked two different ghosts stories: starting with Kenji Mizoguchi's 1953 classic Ugetsu, followed by Coppola's 2011 film Twixt (1:23:47) We hope you enjoy! Episode Next Week: Horror Month Week 2 (I Walked with a Zombie + Legend of the Mountain) Music:- Intro: Ugetsu- Break: Twixt (https://www.youtube.com/watch?v=n3lnTldf1ig&list=RDn3lnTldf1ig&start_radio=1)- Outro: Ugetsu (https://www.youtube.com/watch?v=4Aie1W8VqHc&list=RD4Aie1W8VqHc&start_radio=1)Hosts: Luke Seay (LB: ⁠https://letterboxd.com/seayluke/⁠,Twitter: ⁠https://x.com/luke67s⁠)Blake Tourville (LB:⁠https://letterboxd.com/blaketourville/⁠,Twitter: ⁠https://x.com/vladethepoker⁠)Dany Joshuva (LB: ⁠https://letterboxd.com/djoshuva/⁠,Twitter: ⁠https://x.com/grindingthefilm⁠) Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilm⁠ Letterboxd: ⁠https://letterboxd.com/floatingfilm/⁠Email: floatingthroughfilm@gmail.com

Filmmaker Ari Gold turns the camera on his own family in "Brother Verses Brother," an ambitious one-shot musical that follows him and his identical twin brother searching for meaning through the streets of San Francisco's North Beach, alongside their 99-year-old novelist father, Herb. Gold explains how this experimental work, executive produced by Francis Ford Coppola and generating serious buzz on the festival circuit, blurs the line between documentary and fiction, asking uncomfortable questions about art, family, and what we're willing to expose in pursuit of truth.

El podcast perennial de la (re)generación del trigger. Tertulia cultural y sociológica acerca de lo divino y de lo humano de la mano de Popy Blasco. Esta semana charlando animadamente acerca de octubre, la mani contra el genocidio, Villa Josie, Taylor Swift, Sofía Coppola, la Ouija, Chanel, Gaultier, Jane Goodall, Ed Gein, joyas faraónicas y maravillas mil. Emitiendo desde la potentísima señal de Subterfuge Radio. Hosted on Acast. See acast.com/privacy for more information.

Andrea Bini"Jaws. Lo squalo"La forma della pauraRubbettino Editorehttps://www.store.rubbettinoeditore.it/catalogo/jaws-lo-squalo/Nel 2025 Lo Squalo – ovvero Jaws nel titolo originale – compie esattamene 50 anni: uscito nell'estate del 1975 come adattamento dell'omonimo romanzo di Peter Benchley, fu un successo travolgente ed un grande fenomeno di costume che lanciò la carriera del suo giovane e sconosciuto regista allora al suo secondo film. Un certo Steven Spielberg, il quale dopo mezzo secolo è ancora uno dei registi più importanti di Hollywood. Ma l'enorme popolarità del film ha paradossalmente oscurato le sue vere qualità: per decenni i critici piùimportanti sono rimasti – letteralmente – alla superfice, incapaci di coglierne gli aspetti più complessi e profondi. Questo volume intende dimostrare che Lo squalo è molto di più di una “micidiale macchina per produrre paura” (come è stato definito con un certo disprezzo) ma un raffinatissimo film d'autore, degno di essere messo accanto alle grandi opere della cosiddetta “New Hollywood” degli anni Sessanta-Settanta (i vari Penn, Altman, Coppola, Scorsese), sia per lo stile innovativo che per il modo in cui denunciava impietosamente i mali della società americana contemporanea. Ma Lo squalo è allo stesso tempo un sofisticato esempio di “meta-cinema” di suspense che rimanda al maestro del genere Alfred Hitchcock, e soprattutto al suo capolavoro Gli uccelli di cui può essere considerato un vero e proprio remake.Andrea Bini dopo la laurea in Filosofia alla Sapienza di Roma, si è trasferito in America dove ha conseguito un Master in Film e Media Studies all'Università di Austin, Texas ed un Dottorato in Italianistica ad UCLA. Attualmente collabora con Temple University- Rome e l'American University of Rome, dove tiene corsi di cinema, mass media e cultura italiana. È autore di articoli e di un saggio sulla commedia all'italiana.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Être critique, écrire sur les actrices Elle a détesté Barbie de Greta Gerwig pour son « fétichisme de la marchandise gonflé aux dimensions d'un blockbuster estival », son « auteurisme définitivement dévoré par l'hégémonie des franchises, l'ironie permanente et la postmodernité comme impasses narratives » ou « et c'est sans doute le plus pénible », écrivit-elle dans Le Monde, « la défense d'un féminisme néolibéral infantilisant devenu la façade respectable d'un capitalisme décomplexé ».Pour Murielle Joudet, un·e critique doit être « une sorte d'enfant obèse et ingrat, comme les post-humains imaginés par le studio Pixar dans Wall-E. Il ou elle ne doit rien à personne, parce qu'il ou elle n'a rien à revendiquer, rien à vendre et que personne ne l'aime. J'ai vu des critiques arrondir les angles d'une interview, couper ce qui pouvait être (un peu) choquant et ça m'a servi de leçon. J'écris des livres pour parler en mon nom, pour y aller à fond. »Après 21 pages sur Coppola en 2016 (dans un bouquin où elle était la seule femme parmi neuf auteurs), et entre les dizaines d'articles du monumental Hitchcock la totale en 2019 (co-signé avec trois complices de la Cinémathèque française), Murielle Joudet se donne enfin le premier rôle via deux ouvrages consacrés à deux actrices majuscules. D'abord Isabelle Huppert, avec Vivre ne nous regarde pas en 2018, puis Gena Rowlands en 2021, avec On aurait dû dormir, récompensé par le Centre National de la Cinématographie.Ce deuxième épisode dissèque ce remarquable diptyque contre l'ennui, pensé pour honorer des performances qui « tournent autour de la folie en s'aventurant très loin dans l'idée de se rendre incompréhensibles ». En montrant par exemple comment Gena Rowlands, égérie du cinéma de son compagnon John Cassavetes, parvient à traduire physiquement le « flux de conscience » cher à Virginia Woolf. « Son corps s'infléchit à la moindre pensée : elle ne ravale aucun état d'âme, les laisse infuser, fait du montage d'humeurs à même son corps, traversée par une violence inouïe. On peut avoir des éclats dépressifs ou des élans d'euphorie, dissimulés en général sous un masque de neutralité. Son masque glisse tout le temps. » Bas les masques, tout pour la plume.L'autrice du mois : Murielle JoudetNée en 1991 à Paris, Murielle Joudet est critique de cinéma dans la presse (Le Monde), à la radio (sur France Inter pour Le masque et la plume), en ligne (dans le podcast Sortie de secours ou via l'émission Dans le film sur le site Hors-Série) ou pour la Cinémathèque française. Elle a publié quatre ouvrages qui documentent avec rigueur des façons de défier les conventions, en tant que femme, dans l'industrie du 7e art : Isabelle Huppert – vivre ne nous regarde pas (Capricci, 2018), Gena Rowlands – on aurait dû dormir (Capricci, 2021), La seconde femme – ce que les actrices font à la vieillesse (Premier Parallèle, 2022) et un recueil d'entretiens avec la cinéaste Catherine Breillat, Je ne crois qu'en moi (Capricci, 2023). Elle vit et travaille à Paris. Enregistrement juillet 2025 Entretien, découpage Richard Gaitet Prise de son Mathilde Guermonprez Montage Étienne Bottini Réalisation, mixage Charlie Marcelet Musiques originales Samuel Hirsch Harpe, flûte, clarinette, cor, basson, xylophone, timbales et gong Xavier Thiry Illustration Sylvain Cabot

Director Mike Figgis made the most of his opportunity to follow Francis Ford Coppola as the octogenarian filmmaker poured heart and soul, not to mention tens of millions of dollars, into making his 2024 narrative feature, Megalopolis. Figgis tells us what he observed behind the scenes as Coppola attempted to bring his cinematic vision to life, beset by creative issues that led to firings and resignations, and conflict with one of his principal actors, Shia LaBeouf.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we welcome editor Glen Scantlebury, ACE. Glen has worked on a variety of influential films such as Megalopolis, Dracula, The Cotton Club, The Godfather Part III, Armageddon, Con Air, The Rock, Lara Croft: Tomb Raider, The Texas Chainsaw Massacre (2003), Friday the 13th (2009), A Nightmare on Elm Street (2010), Tropic Thunder, and Palo Alto. In our chat, we hear about his pathway to editing features, his role in pioneering digital editing workflows, collaborating with Francis Ford Coppola, and much more. Glen also offers the next generation of creators various insights and recommendations on editing and storytelling. “The Making Of” is presented by AJA:Gear up: AJA just launched new techFlexibility is everything in production, which is one of many reasons to check out AJA's newest products. IP25-R bridges SMPTE ST 2110 networks and 4K SDI/HDMI infrastructure, UDC-4K scales between HD and 4K/UltraHD, and BRIDGE LIVE 12G-4 provides a multi-channel UltraHD IP video workflow bridge for remote production, streaming, video contribution, and more. Learn more.Next-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor. Explore hereThe Art of Editing “Andor” with Yan Miles, ACE: OWC Takes Home Two Future's Best of IBC2025 Show Awards:Both the OWC Thunderbolt 5 Dual 10GbE Network Dock and OWC Jellyfish S24 Earn Coveted Honor at IBCOther World Computing announced its OWC Thunderbolt 5 Dual 10GbE Network Dock and its OWC Jellyfish S24 have both been awarded a Future's Best of Show Award, presented at IBC2025 by TVBEurope. Read more here Introducing Ninja TX:Introducing Ninja TX, the all-new addition to the Ninja family. It's equipped with 12G-SDI and HDMI, so now you can monitor & record from any pro camera to ultra-fast CFexpress media or external USB-C storage. You also get built in Wi-Fi for C2C workflows and AirGluTM timecode for multicam projects, all in a lightweight, compact 5-inch form factor. Atomos Ninja TX is available for pre-order for only $999 at Videoguys.com. Learn more herePost|Production World NY 2025:We're proud to support Post|Production World NY 2025, October 22–23 at NAB Show New York. Join editors, filmmakers, and creators for two days of expert-led sessions in color grading, cinematography, workflows, and creative AI. Save 15% with code FMCP15. Get your pass herePodcast Rewind:Sept 2025 - Ep. 95…Sponsor “The Making Of” newsletter and reach 250,000 filmmakers, TV production pros, and content creators each week. For more info, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

This week we plunge along in the mysterious wilderness that is “Directors in Short Pants” with the directorial debut of Sofia “Please Don't Make Me Act Anymore, Dad!” Coppola. Her freshman effort was “The Virgin Suicides,” perhaps not as popular as some of her later films but one that certainly got talked about. Honestly, it's … Continue reading "Episode 352 – The Virgin Suicides (1999)"

This week on So Many Sequels, we're revisiting Sofia Coppola's Oscar-winning Lost in Translation (2003). Bill Murray and Scarlett Johansson star in this quiet, atmospheric story about loneliness, connection, and finding solace in unexpected places.We break down Coppola's direction, the film's unique vibe, the unforgettable Tokyo setting, and why the ending whisper still sparks debate today. Plus: box office history, awards buzz, and how this movie holds up 20 years later.00:00 – Intro & Female Directors Month kickoff02:00 – Lost in Translation box office & Oscar run06:00 – First impressions & expectations12:00 – Themes of loneliness, isolation & connection18:00 – Performances by Bill Murray & Scarlett Johansson24:00 – The whisper ending & cultural impact30:00 – Final reviews & Letterboxd game

Francis Ford Coppola's The Godfather (1972) is widely regarded as one of the greatest films of all time. Based on Mario Puzo's best-selling 1969 novel, The Godfather depicts the rise and legacy of the Corleone family, a fictional Italian-American organized crime family led by Vito Corleone and the transformation of his son Michael from a reluctant outsider to a ruthless mafia boss. The film, which features an ensemble cast of American film icons, including Marlon Brando, Al Pacino, James Caan, Robert Duval, Diane Keaton, Talia Shire, and John Cazale, explores themes of family, power, and the American Dream. It also provides a window into the relationship between law and culture while offering complex perspectives on the meaning of justice. Timestamps: 0:00     Introduction 3:08     “I believe in America” 12:27    Business and the personal 14:07    Competing views of law and justice in America 16:57    The legitimate and illegitimate, the sacred and the profane20:52   Narratives about the mafia 26:59   The consigliere 33:59   Tensions between tradition and modernity 39:37    Ritual44:41    Performance and power 49:11     Retribution 55:18     The mafia and The Godfather 56:48    Codes of loyalty 102:39   The immigrant experience Further reading: Barber, Nicholas, “The Godfather: Have we misunderstood America's greatest film?”, BBC (Mar. 13, 2022) Coppola, Francis Ford, The Godfather Notebook (2016) Denvir, John, “The Slotting Function: How Movies Influence Political Decision,” 28 Vermont L. Rev. 799 (2003-04) Gambrell, Brian C., “Leave the Representation, Take the Cannoli: The Crime Fraud Exception to the Attorney-Client Privilege and ‘The Godfather,'” 23 South Carolina Lawyer (2011-12) Papke, David, “Myth and Meaning: Francis Ford Coppola and Popular Response to The Godfather Trilogy,” in Legal Reelism: Movies as Legal Text (John Denvir ed., 1996) Puzo, Mario, The Godfather (1969) Seal, Mark, Leave the Gun, Take the Cannoli: The Epic Story of the Making of The Godfather (2021) Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

This week's episode of the Empire Podcast asks perhaps the biggest question ever tackled on this show: who would win in a fight between the Gleesons and the Skarsgårds? Join Chris Hewitt, Helen O'Hara, James Dyer, and Amon Warmann, as they tackle that scenario and more. Is the world truly ready for the Coppola clan kicking bottom? Elsewhere, our intrepid quartet discuss the week's movie news (Star Wars! Superman! Lara Croft!), including a discussion of the trailer for 28 Years Later: The Bone Temple that discusses spoilers for 28 Years Later. So, if you wish to skip, that runs from 53:44 - 58:00 approx. Oh, and they also review Spike Lee's reunion with Denzel Washington, Highest 2 Lowest, The Conjuring: The Devil Made Me Do It, Ethan Coen's Honey Don't, and Orlando Bloom's searing boxing drama, The Cut. In fact, Orlando is one of our guests this week, joining The Cut's director Sean Ellis to chat with Chris on Zoom about the extreme lengths, physical and otherwise, he went to for the film. [1:08:37 - 1:25:12 approx] And Chris also sits down in the podbooth with MJ Bassett, director of the brand new version of Red Sonja, for a candid conversation about MJ's long-held determination to make a Red Sonja movie, her recent decision to leave the United States to return to Britain, and much, much more. [22:22 - 40:22 approx] Enjoy.

Chris Paul and Burning Bright dive into Sofia Coppola's Lost in Translation, unpacking its themes of alienation, paradigm shifts, and fleeting human connection. They explore Bill Murray and Scarlett Johansson's unlikely bond in Tokyo, debating whether the film's ambiguity makes it profound or pretentious. The hosts tackle Coppola's directing choices, the infamous opening shot, and the controversy of Johansson's age during filming, weighing how Hollywood's “male gaze” and art-house ambitions collide. From existential dread to pseudo-intellectual musings, they contrast Murray's weathered perspective with Johansson's youthful searching, examining how both characters project fantasies of freedom while feeling trapped in different ways. Along the way, they connect the film's commentary on identity and artifice to the decline of the modern movie star, social media overexposure, and Hollywood's struggle to create new icons. The episode closes with reflections on ambiguous endings, fantasy vs. reality, and next week's pick, M. Night Shyamalan's Split. It's a thoughtful, critical, and often humorous exploration of a movie that lingers long after the credits roll.

The Tre Lamb era kicked off at home with a resounding 35-7 victory over the #16 FCS team in the country in Abilene Christian. Can TU keep the momentum going and go get a road win at New Mexico State?To help us preview the Aggies, we welcome in Nick Coppola from the Las Cruces Sun-News.In this one, we:* Recap the Abilene Christian win, especially the two fourth down stops and Angus Davies' 80 YARD PUNT* Award our players of the game* Review the new turf and the new Tulsa Golden Lager* Take a look Around the American for week one* Preview New Mexico State with Nick Coppola* Catch up on men's & women's soccer, volleyball, women's golf, and cross countryHuge shout out to Anthony, **OUR FIRST EDITOR**! This episode was his first edit for us. We're extremely excited and grateful to have him on board. Join our Patreon to support the show and unlock a bunch of bonus content: https://patreon.com/thegoldenhurricast

This week on the pod, we welcome Bobby Coppola, Chief Strategy Officer and Bryant Gauthier, Vice President of Legal Technology at PLUSnxt. Bobby shares how his path from big law to legal tech shaped his focus on client service and strategy, while Bryant returns to the show to talk about what drew him to PLUSnxt after his time at Celerity.We break down what sets PLUSnxt apart in the crowded eDiscovery space, from helping clients separate hype from reality to focusing on innovation that actually makes life easier for corporations and law firms. The conversation turns to artificial intelligence in document review, obviously, where Bobby and Bryant highlight where adoption is real, where skepticism remains, and how GenAI is shifting client expectations. They also weigh in on whether the future lies in best-of-breed solutions or all-in-one platforms, sharing why no one really wants to manage a “franken-stack.” To wrap up, Bobby and Bryant share their takeaways from ILTACON and what trends they see shaping the next phase of legal tech.Along the way, the group reminisces about the dot-com era, old chat rooms (ASL anyone?), answering machines, fax machines, the Movie Phone guy, and even the “Callin' Oates” hotline. Definitely check this one out!At the intersection of law, business, and technology, Bobby Coppola  is focused on delivering industry leading legal technology and services to achieve the best outcome for his clients. He leverages his unique skill set based on his big law background and decades long-experience in the eDiscovery space to solve business and legal problems for companies and law firms globally. As Chief Strategy Officer at PLUSnxt, he is focused on the development of the company's short- and long-term strategy from both an operational and growth perspective. The underpinning of his approach to client relationships is a fanatical focus on client service and a vision of always putting himself in his client's position when developing a strategic plan for success.Bryant Gauthier is Vice President of Legal Technology at PLUSnxt, where he advises law firms and corporate counsel on building efficient eDiscovery programs. With more than 20 years of experience, he helps clients leverage technology, processes, and analytics to reduce costs and manage risk across the EDRM. He has led the launch of eDiscovery departments using advanced tools such as CAL, TAR, AI, text-to-audio search, and image recognition to streamline document review and investigations. His background includes leadership roles at Huron Consulting, Skadden Arps, Buckley Sandler, Finnegan Henderson, and Xerox.  Bryant supports legal teams in litigation, investigations, and regulatory matters, including SEC, DOJ, and CFPB inquiries, across industries such as banking, energy, healthcare, intellectual property, and technology. His expertise covers data identification, analysis, governance, privacy, and cross-border matters. PLUSnxt is a legal technology and services provider that helps law firms and corporations manage complex eDiscovery challenges with a focus on practical innovation and client service. They emphasizes building solutions that cut through the noise of legal tech hype, offering tools and expertise that actually improve how legal teams review, analyze, and manage data. PLUSnxt brings a mix of deep technical knowledge and real-world legal experience to its clients. Their approach combines advanced technologies such as AI and analytics with a clear understanding of business and legal priorities, making them a trusted partner for organizations navigating litigation, investigations, and regulatory matters.

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Dean's Chat hosts, Drs. Jeffrey Jensen and Johanna Richey, welcome Dr. Joseph Coppola to the podcast! Dr. Coppola is a yound practitioner in Massachusetts, practicing in Community Health Centers in Lynn and Peabody. A fantastic discussion on underserved communities, the medical challenges, the creative ways care can be delivered, and the compassion and empathy he has for his patients.   Joseph has been in education since 2012, teaching within the Boston Public Health Commission/Boston University School of Medicine.  He taught Anatomy, Physiology, and Biology to high school students.  His life long passion for teaching is evident.  A graduate of the New York College of Podiatric Medicine in 2020, Dr.  Coppola did his 3 year residency training in Podiatric Medicine and Surgery at the Metrowest Medical Center in Framingham, MA.   We had a chance to talk about our Dean's Chat sponsor, Bako Diagnostics, as Dr. Coppola participated in the Bako Diagnostics Mini-Fellowship in April 2023. We discussed the intensive Dermatopathology rotation that focuses on the principles of Podiatric Dermatology. He learned different biopsy techniques, utilization of instruments with exposure to specialized testing such as ENFD, immunohistochemistry, mass spectrometry, and real time PCR interpretations of complex cases from the lower extremity.   Enjoy!

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