Podcasts about Coppola

We pledge allegiance to our human family, and to all the species that we protect, and to Francis Ford Coppola's Megalopolis! Joining us is Mark Hofmeyer (Movies, Films & Flix). First, we must begin by apologizing how hard this is to find and watch -- we explain why. We work our way through the twisted history of Megalopolis and Coppola's history of bankrupting himself for his artistic visions -- and what was different this time around. Mark asks: is this a weekend philosopher film? We don't really talk about the plot, and instead ask: which Fast and Furious character would have a bow? Which character would we try to stop time for? Joe talks about how this was a a "no mom" production. We gush about Nathalie Emmanuel as the standout -- and not just because she plays Ramsey. Mark shares a thought on the line "concrete and steel are safe." Email us: ⁠⁠⁠⁠family@cageclub.me⁠⁠⁠⁠⁠⁠⁠⁠Visit our Patreon page at patreon.com/2fast2forever⁠⁠⁠⁠. ⁠⁠⁠⁠Show your support at the 2 Fast 2 Forever shop⁠⁠⁠⁠!Extra special shout-out to Alex Elonen, Nick Burris, Brian Rodriguez (High School Slumber Party), Michael McGahon, Lane Middleton, Jason Rainey, Wes Hampton, Mike Gallier, Josh Buckley (Whole Lotta Wolves), Michael Moser, Christian Larson, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol's Most Wanted” level or above!Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.

Today we're headed south to the tiny but intriguing country of Belize. Nestled into Central America surrounded by Mexico, Guatemala, and Honduras - Belize will capture your imagination. Experience dense rainforest, the second largest barrier reef in the world, phenomenal wildlife, and ancient Mayan culture and history.  Joining me today is Martin Krediet, the General Manager of Turtle Inn. This property is owned by the Coppola family, which explains how every nook is infused with magic and interesting details.  Martin and I talk about everything from whale sharks to Francis Coppola, to puppies, and Mayan Ruins. He tells some amazing stories and really gives us a sense of what it's like to visit this slice of paradise.  Please enjoy this fun episode of Luxury Travel Insider. Looking to book a luxury hotel? Get special perks and support the podcast by booking here: https://www.virtuoso.com/advisor/sarahgroen/travel/luxury-hotels If you want our expert guidance and help planning a luxury trip with experiences you can't find online, tell us more here and we'll reach out: https://bellandblytravel.com/book-a-trip/  Learn more at www.luxtravelinsider.com   Connect with me on Social: Instagram LinkedIn  

Benvenuti in un lungo, estenuante e sorprendente cinema realizzato da un artista sognatore e spesso segnato dalla sfortuna ma che non si è mai arreso. Stavolta è il turno di Francis Ford Coppola. Coppola ha sempre accettato le sfide e talvolta si è cimentato con opere...curiose. "Jack" lo è di certo alla base ma sarà anche un film degno di nota al di là della sua presenza all'interno della ricca filmografia di Coppola?

Fanáticos del Cine y las series... Llegó tu momento.Un nuevo capítulo de cinecritica con la conduccion de @milkopalmalocutorTemas:- Cumpleaños Sofía Coppola- Cumpleaños Robert Zemeckis - Whiplash- Psicosis- Ed WoodSolo por www.radiohoy.cl y canal 198 de Zapping TV

No episódio desta semana no podcast Dizer converso com o Paolo Marinou-Blanco, um cineasta, produtor, argumentista e realizador português, realizador, argumentista e produtor do filme "Sonhar com Leões", já nos cinemas.Falámos sobre estudar em Nova Iorque realização, o seu estágio com o Spike Lee, o financiamento da indústria de cinema, sobre som, actores e a escrita de argumentos para o grande ecrã. No final, o Paolo leu-nos um poema do Rilke.Equaciona apoiar o podcast e torna-te patrono por 2€/mês em⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ patreon.com/poetadacidade ⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠❤️_________(00:00:00) - introdução(00:01:50) - primeiro realizador de cinema no Dizer(00:03:00) - carreira académica vs cinema(00:05:50) - Cinema ou Teatro?(00:08:40) - estágio com o Spike Lee na NYU(00:11:20) - arbitrariedade nas storyboards(00:13:50) - mestrado em literatura ajudou à escrita de guiões?(00:17:54) - "Sinners", Ryan Coogler e Jordan Peele(00:21:48) - escrever e motivações do filme "Sonhar com Leões"(00:31:25) - porquê uma comédia satírica?(00:33:40) - casting de personagens para "Sonhar com Leões"(00:36:55) - lidar com problemas em set (00:43:00) - qual a maior diferença entre o cinema português e o de Hollywood? (00:49:06) - divisão do orçamento para um filme (00:53:00) - financiamento de cinema (00:58:22) - curiosidade sobre o filme (sem spoiler afinal) (01:01:10) - plataformas de streaming aos olhos de um realizador (01:09:00) - planos para séries e séries e filmes favoritos (01:11:39) - "O Padrinho", o Coppola e pendurar as botas (01:16:25) - escrever um romance? (01:20:20) - conselho para quem quer escrever argumentos (01:23:03) - Poema "requiem für wolf graf von kalckreuth" do Rilke_________LINKS DO EPISÓDIO:Paolo Marinou-Blanco: ⁠⁠⁠⁠instagramLivro do Rilke onde se encontra o poema : ⁠⁠Wook_________Para apoiarem este podcast, colocarem questões aos convidados, ter acesso a conteúdo exclusivo e fazer parte de uma comunidade de pessoas em que a cultura, a arte e a literatura ocupam um lugar primordial, tornem-se patronos em⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ patreon.com/poetadacidade ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠✨_________REDES:Agenda Completa em ⁠⁠⁠⁠⁠⁠⁠⁠poetadacidade.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Livro e Audiobook disponível em ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠poetadacidade.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pedro IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/opoetadacidade⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pedro Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/opoetadacidade⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pedro TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠tiktok.com/@poetadacidade⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dizer IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/podcastdizer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Dizer Clips TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ tiktok.com/@podcastdizer⁠⁠⁠⁠⁠⁠⁠⁠_________CONTACTOS PROFISSIONAISpodcastdizer@poetadacidade.com

The BIG Picture (Uwe Boll RAW U.S.A.) RETURNS on the Uwe Boll Podcast Network - with Dr. Uwe Boll & Gary Otto - we talk Trump Hollywood Tariffs, Coppola's Megalopolis, First Shift Sequel & More ….

Connor and Dylan are joined by Bella Coppola (Smash, Six the Musical). We know we've kept you waiting, we know we've made you mad, but this time that we've spent recording the pod is the best time we've ever had. Ding! At long last, we're featuring one of the stars of Smash on BROADWAY. This is a moment we've dreamed of since we first watched the television series over a decade ago. Bella stars as Chloe, the associate director/choreographer, and she's here to tell us all about it. Listen up for a spoiler-free discussion about the stage show, all of our favorite moments/songs/lines, her journey to becoming part of the musical, and Bella's magical opening night experience. Oh… and may we say “Stro”? Bella is a DRAMA. listener, y'all! It's a true kiki as we discuss Bravo shows, biking on the crazy city streets, Real Women Have Curves and John Proctor is the Villain, and MORE. Bella also starred in Six, so keep listening for the Jane Seymour tea. We rave about Brooks Ashmanskas, Shaiman/Whitman scores, and lots and lots of drama. Let us be your stars, y'all.Follow Bella on Instagram & TiktokFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Director Francis Ford Coppola is widely regarded as one of the greatest directors of the twentieth century, the visionary force behind The Godfather, Apocalypse Now, and dozens of other films. For decades, Coppola had sought to make a film drawing parallels between the fall of the Roman Republic and the future of the United States by retelling the Catilinarian conspiracy in modern New York, but was unable to secure studio funding. After three decades of fits and starts, Coppola ultimately spent $120 million of his own money to make the film, drawn largely from the fortune he made in the winemaking business. Released in fall of 2024, the ensemble cast features Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, and Laurence Fishburne. After a troubled production and a rocky reception at Cannes, where the film premiered, Coppola was forced to spend additional money to market the film, but the trailer was removed for using fabricated pull quotes. Ultimately, the film grossed only $14.3 million at the box office - barely 10% of what it cost to make. But is this film - the ultimate vanity project - worth the wait or does it collapse under the weight of its own ambitions? All roads lead to Megalopolis! For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com   You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com Music: Title Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/  

We gingen maandag, op 5 mei 2025, op bezoek bij de nuntius monseigneur Coppola en stelde hem vragen over Paus Franciscus en het conclaaf.

Watch the best scene reading: https://www.youtube.com/watch?v=31g8svgvUGc Kathy, a failed writer, barely gets by selling “haunted” dolls online to gullible marks, writing elaborate backstories to up the selling price. Her quiet life is upended when she encounters the real deal: Clara Jane, a vintage doll possessed by a foul-mouthed spirit. Clara Jane makes Kathy question everything she thought she knew, and forces her to make a bold choice to change the course of her life. Get to know the writer: What is your screenplay about? Kathy, a failed writer, barely gets by selling “haunted” dolls online to gullible marks, writing elaborate backstories to up the selling price. Her quiet life is upended when she encounters the real deal: Clara Jane, a vintage doll possessed by a foul-mouthed spirit. Clara Jane makes Kathy question everything she thought she knew, and forces her to make a bold choice to change the course of her life. How would you describe this script in two words? Creepy, salty. Why should this screenplay be made into a movie? I think the premise is unique, though there's definitely a niche fanbase for haunted dolls—both those who truly believe and those who just enjoy that weird little world. And who couldn't use a little encouragement to follow their creative dreams… from beyond the grave? From a production standpoint, this could be made on a very low budget and shot over 2–3 days. There are only three human characters and two locations. The doll is the most important character and would ideally be robotic—but as a backup, I know some talented puppet makers from a previous short I produced. What movie have you seen the most times in your life? Ngl: The Princess Bride. I forced my friends to watch it nearly every day ine summer in middle school. In the horror genre: Coppola's Bram Stoker's Dracula. A perfect film. No notes. Much better than the book. How long have you been working on this screenplay? I finished the first draft in early 2020, and planned to produce and direct it as my second short film with the Bay Area Indies film group. Then—well, you know—the pandemic. Also—I had a baby. I recently returned to it and did a few revisions over the past year. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

Finalmente tornano le interviste di Messa a Fuoco! In questa puntata speciale, ospitiamo il duo creativo composto da Tia Silvestrini e Alexander Coppola, due giovani registi italiani classe '95 che negli ultimi anni si sono fatti spazio nel mondo della moda lavorando con brand come Armani, Prada e Dolce & Gabbana, senza mai rinunciare al loro stile personale.

di e con Fabrizio Coppola - Giocare col Fuoco Live - A Night With Richard Ashcroft F. Coppola, chitarra, pianoforte, voce Registrato da Guido Andreani il 30/4 presso Germi, Milano

A movie podcast so expansive, so intense, it took several weeks to edit!  Actor.musician.cinephile Andras Jones (Nightmare on Elm Street 4, Sorority Babes in the Slimeball Bowl-o-rama, https://previouslyyours.com) and Secret Movie Club founder Craig Hammill have part 2 of their conversation about what exactly defines cinema? Andras challenges Craig on Craig's definitions of simulation, artifice, consent since many great movies, documentaries ignore those things.  Craig puts forward that trust and shared vision among cast & crew are critical to getting the best out of a movie, especially when the subject matter is unsettling. Everything from Coppola's Apocalypse Now to Fassbinder's In a Year of 13 Moons to Gallo's The Brown Bunnny gets discussed. And we try to get closer to that obscure object of definition "What is cinema"?

Dos personas en crisis conectadas en Tokyo comparten su confusión. Mas que esto no hay nada, dice la canción de Roxy Music que Bill Murray canturrea en el Karaoke mirando a Scarlett Johansson, no hay nada más que esa conexión de dos almas perdidas. Una joven en ropa interior contempla la gran urbe a través de la ventana, un actor de viaje en el país del sol naciente se pimpla los whiskies que él mismo anuncia en el bar del hotel: “Un momento de relax es un momento Suntory”. Profundidad de campo, iluminación intimista y el actor, mirando una lámpara, se enciende un habano y bebe en silencio. Bill Murray aporta sus gestos congelados, su cara de póker tan divertida, esas caras que le pone a la joven, natural y bella Scarlett Johansson. Salen de la habitación, entran, se encuentran en la piscina, y comparten su hastío, bucean en compartimentos afines mientras las señoras mayores practican aerobic. El vestuario, los lugares, la iluminación, los tonos neutros escogidos por Sofía Coppola subrayan el abandono y la estupefacción de la insólita pareja. Los tópicos y los lugares el Japón desde la mirada de un occidental. Con esta película hay que conectar, ocurre algo similar a la más reciente “Aftersun” -Charlotte Wells-, momentos de cierta alegría y otros de tristeza, de soledad ociosa en un hotel. Seguramente la joven licenciada en filosofía y harta de un marido fotógrafo y adicto al trabajo nunca más llame al actor en horas bajas, aún así nos quedamos pensando que le susurró al oído mientras sube la distorsión del “Just like Honey” de los Jesus and Mary Chain. Esta noche nos vamos de marcha por Tokyo con pistolas de juguete… Chari Medina. Salvador Limón, Raúl Gallego y Zacarías Cotán

PRESS REVIEW – Thursday, May 1: The Spanish papers continue to wonder what – or who – was responsible for the Great Blackout that plunged Spain and Portugal into darkness this week. Is renewable energy to blame? Also: US Health Secretary Robert F. Kennedy Jr alarms medical experts over his plans to impose placebo testing of vaccines. Plus: Steven Spielberg reveals what he thinks is the greatest film of all time. There is lots of scrutiny around renewable energies after the shock nationwide power outage that hit Spain and Portugal earlier this week. Spanish daily La Vanguardia asks that very question on the front page of its website: Who is to Blame for the Great Blackout? Was it a photovoltaic plant that shut down, a French disconnection, a poorly designed IT system or overconfidence in the system's infallibility? We still don't know what caused the blackout, but many have been quick to blame renewable energy for the system's failure. But in the same edition, La Vanguardia interviews the head of an energy research group, Jose Luis Dominguez, who says that Spain needs to continue investing in renewable energy. He concedes, though, that the blackout highlights the need for adjustments in regulation and oversight of companies. And that the low inertia of solar and wind energy requires more investment and innovation in reacting to unforeseen circumstances. That's the message echoed in an article from Reuters entitled "Don't blame renewables for Spain's power outage". Instead, the news agency says, Monday's blackout should be a warning to governments that investment in power storage and grid upgrades are just as important as expanding renewable energy projects.The US department of health is planning to change the way vaccines are tested and critics say the move could undermine public trust in immunisation. The Washington Post reports that Robert F. Kennedy Jnr wants to impose placebo testing in all new vaccines, in which people receive either the vaccine or an inert substance like a saline shot. Placebo testing is commonplace for new pathogens but not for well-researched diseases like measles and polio. Medical experts say this could be unethical because the placebo group would not receive a known effective intervention to a potentially deadly disease. The Post says the health department wants to increase transparency. Since Kennedy Jnr's appointment as head of health, the US top vaccine regulator Peter Marks has resigned under pressure, while Kennedy Jnr has continued to express his scepticism around vaccines amid an ongoing deadly measles outbreak in the US.The investigative journalism nonprofit collective Forbidden Stories has released a new report detailing the shocking treatment of Ukrainians in a Russian prison. Forbidden Stories is a collective which aims to continue the investigative reporting of journalists who have been silenced. Their Victoriia Project is named for Ukrainian journalist Victoriia Roshchyna's efforts to document the war in Ukraine. On her fourth trip in 2023, however, she never came back. Earlier this year, what has been identified as her body was delivered to Ukraine. Forbidden Stories details the treatment of Ukrainian prisoners of wars and in some cases, civilians at the notorious Taganrog prison. This is where Victoriia ended up. The articles describes the prison as "synonymous with the most violent types of treatment imaginable, reminiscent of the worst Soviet gulags". According to former inmates, beatings, unimaginable torture and food deprivation were routine occurrences at the prison. They also faced punishment for speaking Ukrainian and some inmates ended up committing suicide as a result of the torture.  In cinema news, Steven Spielberg has revealed what he thinks is the greatest film of all time. Screen Rant reports that the legendary director sys Francis Ford Coppola's 1972 film "The Godfather" was the greatest movie of all time. In fact, it was so good that it shook his confidence as a director and almost made him not want to become one, according to Spielberg. A few years later though, "Jaws" came out and Spielberg's career took off. He, like Coppola, is part of the New Hollywood group of directors who brought filmmaking into the modern era.Finally, a pair of tennis fans have got engaged in the stands before Alex de Minaur and Lorenzo Musetti's Round of 16 match in the Madrid Open. It brings a whole new meaning to "love game"!You can catch our press review every morning on France 24 at 7:20am and 9:20am (Paris time), from Monday to Friday.

Tom Hardy wants more Oscars for Stunts and Megalopolis is coming in a graphic novel. We'll talk about everything in the #MikeJonesMinuteCon!

Barbara Martin Coppola, former CEO of Decathlon, joins us for a powerful conversation on what it means to lead with purpose in today's fast-changing world. From her early career in tech at Google and Samsung to leading IKEA's digital transformation and then guiding Decathlon through cultural and strategic reinvention, Barbara shares the lessons she's learned across continents, industries, and leadership roles. In this episode, we explore: How to navigate and inspire across cultures What it takes to transform a legacy brand into a global innovation powerhouse The mindset needed to embed sustainability and impact into business strategy Her personal leadership principles shaped by experiences in 8 countries 

Lawrence Valin est à la fois acteur, scénariste et réalisateur du film Little Jaffna. Et pour un coup d'essai, c'est un coup de maitre. Lawrence Valin, qui a pour modèles cinématographiques Scorsese ou Coppola, signe un polar très réussi. Little Jaffna, la petite Jaffna du nom du quartier tamoul de Paris dans le 18è arrondissement de la capitale. On plonge dans la communauté sri-lankaise, son histoire, celle de l'exil forcé pour des dizaines de milliers de personnes du temps de la guerre civile. Mais il nous donne à voir aussi les gangs, le blanchiment, les petits trafics. À travers un jeune policier chargé d'infiltrer les siens. 1h30 de suspense.Lawrence Valin, réalisateur et acteur principal, Aswina Vinotharuban et Miduchan Chandraziri, acteurs sont les invités de Sur le pont des arts. Little Jaffna sort au cinéma en France le 30 avril 2025. Au programme de l'émission :► Chronique Hit de la semaineHugo Casalinho nous emmène au Japon pour nous faire découvrir les Mynio Crusaders. ►Reportage Marjorie Bertin nous entraîne au Louvre, le Louvre Lens pour y découvrir les oeuvres du peintre béninois Roméo Mivekannin. ►Reportage Depuis Abou Dhabi, Catherine Fruchon-Toussaint nous parle de la foire du livre international, un rendez vous important pour les pays du monde arabe. ► Playlist du jour-Maxence Dussere avec Dinesh Mouttouvelou - We Are Killiz-Shan Vincent de Paul - One Hundred Thousand Flowers

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Lawrence Valin est à la fois acteur, scénariste et réalisateur du film Little Jaffna. Et pour un coup d'essai, c'est un coup de maitre. Lawrence Valin, qui a pour modèles cinématographiques Scorsese ou Coppola, signe un polar très réussi. Little Jaffna, la petite Jaffna du nom du quartier tamoul de Paris dans le 18è arrondissement de la capitale. On plonge dans la communauté sri-lankaise, son histoire, celle de l'exil forcé pour des dizaines de milliers de personnes du temps de la guerre civile. Mais il nous donne à voir aussi les gangs, le blanchiment, les petits trafics. À travers un jeune policier chargé d'infiltrer les siens. 1h30 de suspense.Lawrence Valin, réalisateur et acteur principal, Aswina Vinotharuban et Miduchan Chandraziri, acteurs sont les invités de Sur le pont des arts. Little Jaffna sort au cinéma en France le 30 avril 2025. Au programme de l'émission :► Chronique Hit de la semaineHugo Casalinho nous emmène au Japon pour nous faire découvrir les Mynio Crusaders. ►Reportage Marjorie Bertin nous entraîne au Louvre, le Louvre Lens pour y découvrir les oeuvres du peintre béninois Roméo Mivekannin. ►Reportage Depuis Abou Dhabi, Catherine Fruchon-Toussaint nous parle de la foire du livre international, un rendez vous important pour les pays du monde arabe. ► Playlist du jour-Maxence Dussere avec Dinesh Mouttouvelou - We Are Killiz-Shan Vincent de Paul - One Hundred Thousand Flowers

The Haunted Hosts share their thoughts on how Dracula—both book and film—have shaped modern vampire lore and culture. From Stoker's haunting prose to Coppola's romanticized and visually stunning interpretation, they'll discuss how each medium brings this legendary vampire to life. They'll compair Bram Stoker's iconic 1897 novel, a literary masterpiece that defined Gothic horror, and […] The post The blood is the life  | Earth Station Boo appeared first on The ESO Network.

Jamison Coppola, Government Relations Director for American Association of Christian Schools, and host Dr. Matt Davis unite in this informative episode of OnMission to probe a topic of obvious mutual concern—religious liberty, especially as it relates to Christian education and traditionally-held Christian principles. They explain the implausibility of legislators and staff predicting all ramifications of proposed bills, especially with unknown modifications in the amendment process, and why this necessitates vigilant advocates. Using the proposed school choice bill, they illustrate how advocates can assure explicit language in a bill to protect interests. They discuss public policy, fluctuations in administrations, the vanishing of “common ground,” and the unfettered rapid rise of animosity across the “ideological spectrum” that collides with age-old Christian values and labels them “radical.” They conclude with an encouraging look at the “massive shift” toward homeschooling and growing options for private education.

Send us a textFriends of EddieThe second 1x1 feature rounding out Season 14 and, chosen by Jack, the film is THE FRIENDS OF EDDIE COYLE (1973). Directed by Peter Yates, whose career TGTPTU is unlikely to cover in a future 4x4 despite having Krull and Bullitt in his credits, TFOEC is an adaptation of George V. Higgins' inaugural novel and notable as a unromanticized depiction of crime in artistic response to The Godfather, the Puzo book and Coppola film each preceding, respectively, the book and movie versions of TFOEC by one year.  Higgins would take issue with the book as his debut novel. The former deputy assistant attorney general claimed to have written and burned 14 novels over 17 years prior to TFOEC and would go on to author over 30 books, both fiction and nonfiction before his fatal heart attack in 1999, but none with the impact of his first. As seasonal guest host Jack points out, nearly all the dialogue in the film is as it is on the page, and the pages are dripping with dialogue that creates the setting and action for this ironic story of “friends” who double-cross and live less than glamorous lives as Irish mobsters and criminals in Boston.  Yates populates the film with faces, faces that we don't see much anymore, distinct faces and every one telling a story, from the titular Coyle plated by Robert Mitchum who earlier in this life reluctantly left the assembly line to be an actor to actor Alex Rocco who starred as Moe Greene in The Godfather and helped Mitchum meet some of his old criminal friends whom Rocco had to leave behind after he (the actor Alex Rocco) was held for questioning in relation to the murder that kicked off the Boston Irish Gang War of the 1960s to James Tolkan before he'd lost his hair a decade prior to portraying Principal Strickland in the Back to the Future movies and Detective Hugh Lubic in the Cannon Films classic Masters of the Universe.  For this episode, everyone did research: Jack and Thomas pair off for book report; Ryan covers the career of Mitchum; and Ken covers Yates and laments how now Hollywood lacks hacks as well as provides a new shaggy dog with The Pals of Charlie Brown. Make sure to wipe your prints clean on this one before listening with a friend. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Somehow, despite having read the book, AND knowing who the director is, AND knowing who most of the cast are, Lolo has never actually gotten around to watching the film "The Outsiders". We fix that on this week's episode of First Timers Movie Club!Just listening? You COULD be WATCHING: Video versions of the podcast are available exclusively to our Patrons, for just $1 a month! Become a Patron today to join us in our living room with our cats as we record! www.patreon.com/ixfilmproductions  Want a quick laugh, and see what we do when we're not podcasting? Check out our comedy sketches! www.youtube.com/ixfp  Show your love for movie deep dives with First Timers Movie Club merch! It's a great conversation starter to help you work obscure movie trivia into your day to day life.  https://ixfilmproductions.printful.me/ Upcoming Events:Bird Watching FIlm Festival: April Fools https://www.facebook.com/birdwatchingfilmfestIFC 1/3/5 Filmmaking Competition Screening: https://www.facebook.com/ifckcWE HAVE DEDICATED SOCIALS FOR FIRST TIMERS MOVIE CLUB! Follow us on Facebook and Instagram for regular updates, trivia, recipes, and to be the first to know what our upcoming episodes are - and on TikTok and YouTube for video clips from the pod!Facebook: https://www.facebook.com/profile.php?id=61558990926951 Insta: https://www.instagram.com/firsttimersmovieclub/TikTok: https://www.tiktok.com/@firsttimersmovieclubHave a favorite (or least favorite) famous movie that you think we should've seen? Reach out to us on socials and we'll add it to our list!   Follow IX Film Productions for original web shorts, behind the scenes sneak peeks and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfp  Subscribe to our newsletter for monthly updates on our website:www.ixfilmproductions.com  "First Timers Movie Club" is brought to you by IX Film Productions. "Making the World a Funnier Place one Film at a Time"  Music The Curtain Rises by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5007-the-curtain-rises License: http://creativecommons.org/licenses/by/4.0/

The Ringer's Amanda Dobbins joins Lauren on the pod to discuss one of their shared interests: Sofia Coppola. Together, the duo interrogate Coppola's relationship with fashion, on- and off-screen: her incredible influence on modern aesthetics, her impact on the industry, and why she's personally important to them. (As true professionals, they also tried their best not to be too sycophantic. They may or may not have failed.) Meghan Markle Jam Charvet shirt Sofia-recommended Noah Pants Noah x Barbour jacket Sofia Coppola x Augustinus Bader tinted lip balm Sofia Coppola x Barrie puffer jacket Ulla Johnson Lavender Dress To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week, Roy Scheider pops up for a brief part in Francis Ford Coppola's legal thriller THE RAINMAKER! Based on a John Grisham novel and starring Matt Damon (in his first leading role), alongside Danny DeVito, Jon Voight, Claire Danes, Danny Glover, and more, this was Coppola's final studio film!

PTF and Nick Tammaro recap a huge weekend of Racing, including the Kentucky Derby Preps Wood Memorial, Santa Anita Derby, UAE Derbies, and Graded Stakes around the racing world from this past weekend. PTF then grabs Michael Kares of Sport of Kings Racing Partnerships with trainer Dale Romans to discuss Coppola in the Shakertown at Keeneland on Tuesday. They also discuss SOK partnerships, go to SOKracing.com for more information.

PTF and Nick Tammaro recap a huge weekend of Racing, including the Kentucky Derby Preps Wood Memorial, Santa Anita Derby, UAE Derbies, and Graded Stakes around the racing world from this past weekend. PTF then grabs Michael Kares of Sport of Kings Racing Partnerships with trainer Dale Romans to discuss Coppola in the Shakertown at Keeneland on Tuesday. They also discuss SOK partnerships, go to SOKracing.com for more information.

The last showgirl by Gia Coppola marks Pamela Anderson's flashy and moving comeback to the big screen The post “The last showgirl”, interview with director Gia Coppola and actress Pamela Anderson appeared first on Fred Film Radio.

To mark the passing of the great Gene Hackman, the writer and critic Sean T. Collins and the cartoonist and graphic novelist Julia Gfrörer are my special guests for a deep dive into one of our favourite films, Francis Ford Coppola's The Conversation (1974).The Conversation was groundbreaking in terms of film editing; when Coppola was pulled away to direct The Godfather Part II, editor Walter Murch had to streamline a narrative out of an incomplete film shoot and synthesized new approaches to picture editing and sound design which he credited to studying Hackman's precise performance as the surveillance expert Harry Caul, a lonely middle-aged man whose Catholic guilt and past sins begins to weigh on his conscience as he obsesses over his latest spycraft job, plagued with worry over the fate of the young couple he's recorded and what the tape will be used for by his sinister corporate client. We discuss the autobiographical details Coppola lent to the characterization and Jungian psychoanalysis that can be applied to the content, some of our favourite moments, and how the themes of The Conversation continue to resonate with audiences over half a century later. Follow Sean T. Collins and Julia Gfrörer on Bluesky. And support Sean and Julia's work on Patreon!Julia Gfrörer's newest collection of fiction World Within the World: Collected Minicomix & Short Works 2010-2022 (Fantagraphics) is now available. ‘I'm Not Afraid of Death': How Gene Hackman's Dream in The Conversation Mirrors Our Dark Moment, by Sean T. Collins, for Decider, February 27, 2025“The Making of The Conversation: An Interview with Francis Ford Coppola” by Brian De Palma, from Filmmakers Newsletter, 1974, reproduced by Cinephilia & Beyond Trailer for The Conversation (Coppola, 1974)

On this episode of The Snub Club, the family talks about 1990's The Godfather Part III. Directed by Francis Ford Coppola and starring Al Pacino, The Godfather Part III was nominated for seven Academy Awards but lost everything. In this episode, Sarah, Danny, and Caleb discuss Coppola's legacy, COVID-era cinema-going, and various cuts of the film.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Grey Flannel by Vans in Japan

This week, we're tearing up the baseboards and getting funky on the saxophone as Gene HackMarch rolls on with a Coppola classic surveillance thriller that he snuck in between Godfathers. It's 1974's The Conversation, written, directed and produced by Francis Ford Coppola and starring Gene Hackman, John Cazale, Harrison Ford, Allen Garfield, Cindy Williams, Frederic Forrest, Teri Garr and Robert Duvall. Needless to say, Hackman is terrific at the heart of an essential 70s paranoid thriller -- though is it really paranoia if you know your fears are true? His Harry Caul is a meticulous professional, a cunning and inventive man who is very good at his work having to reckon with the evil that work may bring in to the world. And can even the best spies really tell good from bad when they only have a piece of the picture? It's a great movie, and a first time watch for both hosts. Plus: J Mo's been to the theatre so we've got a full discussion of Mickey 17, and Hayley's finally captured her great white whale VHS tape. If you'd like to watch the movie before listening to our discussion, The Conversation is currently streaming on Criterion Channel at the time of publication (and can also be found in full for free on YouTube). Other works discussed on this episode include E.T.: The Extra Terrestrial, When Harry Met Sally..., MouseHunt, Sneakers, Runaway Jury, Enemy of the State, Kraven the Hunter, Madame Web, Morbius, Bram Stoker's Dracula, The Outsiders, Megalopolis, Dog Day Afternoon, Practical Magic, The Lives of Others, and a last minute Corrections Corner on Crimson Tide. We'll be back next week to close out Gene HackMarch with our monthly canon consideration, as this month we induct The Royal Tenenbaums into the hallowed halls of the pod-canon. It is currently streaming on Disney+, Crave, and Starz. Until then, we'll see you at the movies!!

Filmada unos cuantos meses después del estreno de El padrino, La conversación había estado flotando por años en la cabeza de Francis Coppola; el destino quiso que fuera postproducida y estrenada mientras el caso Watergate estallaba fuera de toda proporción, rozando directamente el punto central del argumento: en una sociedad dominada por la paranoia, todo puede ser escuchado, visto, consumido y convertido en arma; nadie queda indemne, ni siquiera los vigilantes que ejecutan estas acciones. Inspirado por las lecciones impartidas por Blow Up (1966) y Klute (1971), Coppola comenzó dirigiendo una película acerca de la omnipresencia de la mirada, pero en el camino hizo evidente algo fundamental: por mucha información que el fisgón sea capaz de recoger, el sentido último del espionaje no es obtener más claridad sino agregar opacidad, incertidumbre, a la información recogida. Fundamental en este proceso es la figura del editor de imagen y sonido Walter Murch, quien a partir de ahí se convertiría en colaborador esencial del cineasta en aventuras como El padrino II, Apocalipsis ahora y otras obras maestras. La otra figura señera en esta empresa es Gene Hackman, quien vuelve a Harry Caul un personaje indeleble, suspendido en el vacío, condenado a escuchar al resto cuando sólo quiere alejarse de ellos. De eso y más se habla en este podcast.

War rages in Vietnam and in the souls of its soldiers in these two epic journeys into the heart of darkness. Coppola and Cimino push their protagonists through the horrors of war and its dehumanizing effect.The Deep Question: You make a movie where you get to Tarantino history - what event do you change?This Week's Features:Apocalypse Now (1979)The Deer Hunter (1978)Message Jason and Ryan

durée : 00:06:44 - "The last showgirl" de Gia Coppola

Join us today as Chris Coppola shares with us a word about sacrifice. We dive into the biblical meaning of sacrifice and how we can live it out today. Tune in today to be blessed!

This week on High Expectations, we sink our teeth into two gothic horror heavyweights! We review and compare the brand-new Nosferatu with the lavish, blood-soaked Bram Stoker's Dracula . How does Robert Eggers' vision stack up against Coppola's operatic take? Does the silent terror of the original Nosferatu (1922) still haunt our nightmares? And what about the novel that started it all? We explore the eerie history behind these undead legends—copyright drama, artistic influences, and why Dracula just won't stay buried.Give us a follow on Instagram: @high.expectations.podReach out with comments or suggestions at podcast.highexpectations@gmail.comMusic courtesy of Vince Sasso of the Vince Sasso Trio(check them out on Instagram! @vincesassotrio)

durée : 00:03:35 - Le Regard culturel - par : Lucile Commeaux - Le film de Gia Coppola, qui raconte la fin du parcours d'une danseuse de revue à Las Vegas, déçoit par sa fadeur, si ce n'est la performance étrange de Pamela Anderson.

Tetragrammaton with Rick Rubin ✓ Claim : Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Francis Ford Coppola is a critically acclaimed filmmaker, screenwriter, and producer, best known for directing The Godfather trilogy. A key figure in the New Hollywood movement of the later 20th century, he redefined American cinema with bold storytelling and technical innovation. The Godfather, Coppola's breakthrough film, and The Godfather Part II won Best Picture Oscars, with the latter earning him his first Best Director award. His films, including The Conversation and Apocalypse Now, both recipients of the Palme d'Or at the Cannes Film Festival, are celebrated for their masterful direction and psychological depth. Building a legacy of visionary filmmaking, Coppola continues to push boundaries, most recently with his long-awaited epic Megalopolis, released in September 2024. ------ Thank you to the sponsors that fuel our podcast and our team: Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

Francis Ford Coppola is a critically acclaimed filmmaker, screenwriter, and producer, best known for directing The Godfather trilogy. A key figure in the New Hollywood movement of the later 20th century, he redefined American cinema with bold storytelling and technical innovation. The Godfather, Coppola's breakthrough film, and The Godfather Part II won Best Picture Oscars, with the latter earning him his first Best Director award. His films, including The Conversation and Apocalypse Now, both recipients of the Palme d'Or at the Cannes Film Festival, are celebrated for their masterful direction and psychological depth. Building a legacy of visionary filmmaking, Coppola continues to push boundaries, most recently with his long-awaited epic Megalopolis, released in September 2024. ------ Thank you to the sponsors that fuel our podcast and our team: Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

Cinephile, film publicist extraordinaire, and technicolor advisor guru to directors like Coppola and Scorsese, Bob Hoffman sits down with Janet to talk about the magic of color, how it came to be, and what it's like to work in the dream factory of Hollywood, from ALL angles.  To learn more about this episode and others, visit the Official Cinema Sounds & Secrets website. And check out our Instagram, @cinemasoundspod!  

Gia Coppola is the director of “The Last Showgirl,” the poignant and beautifully crafted new film starring Pamela Anderson. Set in Las Vegas, the film explores the bittersweet end of a showgirl's career and has been nominated for multiple awards, with Pamela's moving portrayal of Shelly earning her Best Actress nods from both the Screen Actors Guild and the Golden Globes.Gia joins host Kerry Diamond to talk about the film, the influence of her late grandmother, Eleanor Coppola, working as a bar back at a Thomas Keller restaurant, being a cat lady, and her wine project, Gia Coppola Wines, which is part of the Francis Ford Coppola Winery. “I wanted to make a wine for my generation,” says Gia. Kerry and Gia discuss her collaboration with Coppola winemaker Ali Davignon, the creative process behind her wines, and the connection between her label and the iconic punk band, the Ramones.Thank you to Alex Mill for supporting Radio Cherry Bombe.For Jubilee 2025 tickets, click here. To get our new Love Issue, click here. Visit cherrybombe.com for subscriptions and show transcripts. More on Gia: Instagram, Gia Coppola Wine, “The Last Showgirl”More on Kerry: Instagram

'The Last Showgirl' director Gia Coppola joins the show. Over pesto sorrel bowls and ricotta toast, Gia tells me about the wisdom she's gleaned from her grandfather Francis Ford Coppola, the impact of ‘Jaws' on her, and her love of Las Vegas. This episode was recorded at Sqirl in East Hollywood, CA. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. I have recently launched a newsletter. You can subscribe to it at thememorypalacepodcast.substack.com. On this special bonus episode, I'm introducing you the wonder that is Karina Longworth's You Must Remember This. With an introductory episode to her new season, "The Old Man is Still Alive,"  which covers the late careers of Alfred Hitchcock, John Ford, Howard Hawks, Vincente Minnelli and ten other directors who began their careers in the silent or early sound eras, and were still making movies in the 1960s, ‘70s and ‘80s, in spite of the challenges posed by massive cultural changes and their advanced age. In this mini-episode we'll discuss the parallels between this history and today, from the tech industry takeover of Hollywood to the late work of Coppola and Scorsese; the interview with George Cukor that inspired the title of this season; the Orson Welles-Peter Bogdanovich-Quentin Tarantino connection that informs the way we think about “old man” movies, and much more. Learn about your ad choices: dovetail.prx.org/ad-choices

Given their shared source material, Robert Eggers' NOSFERATU and Francis Ford Coppola's BRAM STOKER'S DRACULA understandably have a lot overlap in terms of plot and character, but the two films are miles apart in their interpretation of that source material, particularly as applied to its titular vampire. We're of split opinions on Eggers' bleak, monster-forward characterization of Orlock, especially how it plays against NOSFERATU's ideas about female desire and sexuality, but agree it provides a fascinating counterpoint to Coppola's florid spin on the Count as a tragic romantic antihero. We examine that contrast further in Connections alongside other character parallels — the Renfields, the Van Helsings, the maidens fair — as well as how the two films' diverging styles each reinforce their filmmaker's take on the title character. And in place of Your Next Picture Show, we offer some impromptu reflections on the life and work of David Lynch, who died the day this episode was recorded.  Please share your thoughts about BRAM STOKER'S DRACULA, NOSFERATU, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Steven Soderbergh's PRESENCE and Alejandro Amenábar's THE OTHERS Learn more about your ad choices. Visit megaphone.fm/adchoices

The heightened gothic sensibility of Robert Eggers' new NOSFERATU recalls — in its intensity if not its precise contours — BRAM STOKER'S DRACULA, Francis Ford Coppola's feverish 1992 horror-romance that follows the same story from a markedly different perspective. This led us to reconsider Coppola's flawed but fascinating DRACULA as a film that, even if it arguably never achieves greatness, inarguably leaves an impression. Yes, Keanu Reeves' accent is part of that impression, but so is the film's grandiose art design, its recasting of Dracula as a tragic romantic antihero, and its overall commitment to cinematic maximalism, for better or worse. Please share your comments, thoughts, and questions about BRAM STOKER'S DRACULA, NOSFERATU, and anything else in the world of film by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices