Podcasts about Coppola

"I just don't know what I'm supposed to be." For Episode 392, Thomas and Brandon conclude CineNation's main series on Brief Encounters with Sofia Coppola's LOST IN TRANSLATION. Listen as they discuss Coppola's run-and-gun style approach to filming in Tokyo, what inspired her to make the movie, how Bill Murray got involved in the project, the difficulties of making an independent film, how the movie came a surprise hit, and more! Use the code cinenation15 on thecinevault.com to get 15% off your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Recent Passings - (00:00:10) Recap of the Brief Encounter Genre (00:12:51) Intro to Lost in Translation (00:17:21) How Lost in Translation Got to Production (00:27:44) Favorite Scenes (00:45:06) On Set Life - (01:23:34) Aftermath: Release and Legacy (01:28:13) What Worked and What Didn't (01:32:23) Film Facts (01:41:32) Awards (01:44:59) Final Questions on the Movie (01:49:20) Final Questions on the Genre (01:54:00) Wrapping Up the Episode (01:56:37) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

To get live links to the music we play and resources we offer, visit www.WOSPodcast.comThis show includes the following songs:Abby Lee - Set Me Free Isabella Stefania - Rough Patch FOLLOW ON SPOTIFYCassandra Day - The Perfect Night FOLLOW ON SPOTIFYLinda Kasko - House of Secrets FOLLOW ON SPOTIFYWalk On Mars - BE A MAN! FOLLOW ON SPOTIFYJen Mize - Neon & Nothin' Else FOLLOW ON SPOTIFYSuzanne's Band - The Kenney Store FOLLOW ON SPOTIFYAlicia Robé - Free FOLLOW ON YOUTUBEHoly Basil - Lovechild of the Greatest FOLLOW ON SPOTIFYShiloh Lovelle - It's You Love FOLLOW ON SPOTIFYPaula Szczyt - FollowLove Avengers & Maya Love Coppola - Find Our Way Back FOLLOW ON SPOTIFYUnstable Rosie - Cold FOLLOW ON SPOTIFYJoanna Adams - Swoonworthy FOLLOW ON SPOTIFYOn the Lash - Dog In The Distance FOLLOW ON SPOTIFYFor Music Biz Resources Visit www.FEMusician.com and www.ProfitableMusician.comVisit our Sponsor Sophia AvaVisit our SponsorVisit our SponsorVisit our SponsorVisit www.wosradio.com for more details and to submit music to our review board for consideration.Visit our resources for Indie Artists: https://www.wosradio.com/resourcesBecome more Profitable in just 3 minutes per day. http://profitablemusician.com/join

Film: Let the Right One In (Låt den rätte komma in), 2008, dir. Tomas Alfredson — the original Swedish version, not the American remake Oscar as the kid who fell through every crack in the social safety net — absent parents, unchecked bullying, zero adult intervention The film's place in the Nordic noir tradition alongside The Girl with the Dragon Tattoo — horror as a lens on the failures of Scandinavian social democracy Eli as an ageless predator disguised as a child — the anti-romantic vampire, feeding scenes played as animal attacks rather than seduction The castration subplot: the book, the brief film moment, and how it connects to the history of the castrati and the "monstrous trans" trope in horror (Silence of the Lambs, Sleepaway Camp) That pool scene — one of the top 10 horror scenes ever committed to film, don't @ us The grooming debate: Is the ending a love story or a tragedy on repeat? (Spoiler: it's the second one) Top 3 vampire films: Let the Right One In, Coppola's Dracula, The Lost Boys (According to Johnathon) What We've Been Watching: 28 Years Later, Abraham's Boys, The Thing, The Abominable Snowman, The Shining, Together Coming Soon: Scream 7, Undertone (A24) Next Month: True Detective Season 1 with the Baldwin Boys!

In this episode, we welcome Matt Finlin, director of “Matter of Time,” a documentary dedicated to an important cause. Matt has collaborated extensively with Pearl Jam frontman Eddie Vedder and EB Research Partnership, using film to amplify awareness around Epidermolysis Bullosa (EB) and accelerate efforts to find a cure. In our chat, he shares about creating this doc, his production workflows, and working with Eddie Vedder. Matt also offers many insights for students and filmmakers on the path today.“The Making Of” is presented by AJA:From cinema to proAV: gaining a competitive edge with streaming knowledgeThe worlds of cinema production and proAV are converging. Cinema-grade equipment is making its way into more stadiums, houses of worship, and concert venues. Because of this, professionals that understand the tools and disciplines powering both will stand out. Get ahead of the curve with the latest streaming insights and gear from AJA.Francis Ford Coppola Remembers Robert Duvall: ‘Such a Great Actor and Such an Essential Part of American Zoetrope'Francis Ford Coppola took to Instagram on Monday afternoon to honor his longtime collaborator and friend Robert Duvall, who died on Sunday at the age of 95.“What a blow to learn of the loss of Robert Duvall,” Coppola wrote. “Such a great actor and such an essential part of American Zoetrope from its beginning: ‘The Rain People,' ‘The Conversation,' ‘The Godfather,' ‘The Godfather Part II,' ‘Apocalypse Now,' ‘THX 1138,' ‘Assassination Tango.'”Read more hereNow with Massive 8TB Capacity—Thunderbolt 5 SpeedThe OWC Envoy Pro Ultra now comes in a new 8TB capacity, pairing enormous space with next‑generation Thunderbolt 5 performance. With real‑world speeds over 6000 MB/s and a rugged, bus‑powered design, it's perfect for 4K/8K workflows, on‑location shoots, and fast media offloads. High‑speed, high‑capacity, and ready for serious creative work.Browse hereZEISS Aatma – Contemporary Full Frame Primes with a Soulful Legacy LookZEISS introduces the new Aatma, set of nine high-end full frame T1.5 cinema primes (18mm, 25mm, 35mm, 40mm, 50mm, 65mm, 85mm, 100mm, and 135mm) designed to marry the benefits of modern optical design with the nostalgic image characteristics that are popular today. Drawing inspiration from some of the most beloved ZEISS lenses of the 20th century, Aatma combines an emotion-driven look with the mechanical reliability, data integration, and workflow compatibility that's expected for current production. Read more hereA New Solution from Atomos:The Atomos Shogun AV-19 Rack-Mounted 4K HDR Monitor/Recorder/Switcher is your all-in-one solution for professional live production, combining a stunning 19” 4K HDR DCI-P3 display with quad-channel switching, real-time ISO recording of up to four camera feeds plus program out, and support for 10-bit Apple ProRes, ProRes RAW, and Avid DNx recording to CFexpress or USB-C media. Perfect for studios, video village, and broadcast environments, it delivers the monitoring accuracy and workflow efficiency your production demands. The Atomos Shogun AV-19 is available for pre-order now for $2,099.00. Learn more at Videoguys.com or call our production experts at 800-323-2325 today!OWC Exclusive Listener Offer:Enjoy 10% off your next order as a thank-you for tuning in to The Making Of! Whether you're upgrading your workflow or adding pro-level gear, OWC has you covered. Use your exclusive listener link below and save on the tools that help bring your creative vision to life. Explore herePodcast Rewind:Feb. 2026 - Ep. 119.Feature your products or solutions in this newsletter and reach 252K film and TV industry pros. To explore a sponsorship, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Jose (Cupcake) and Mike (TheWildaBeast) go full spoiler on Luc Besson's Dracula (2025) — also known overseas as Dracula: A Love Tale — and buckle up, because this movie is a LOT. In this breakdown episode (156b), they tear into everything: the shameless Bram Stoker's Dracula (1992) Coppola rip-offs, the cologne-fueled nun-feeding frenzy, kung fu gargoyles doing Black Widow throws, a Zoom-background ballroom dance sequence, the "cocaine bride," and an ending that may or may not set up a sequel nobody asked for. Is it a trainwreck? Absolutely. Is it entertaining? Somehow, yes. This is the ultimate "so bad it's good" group watch — think Hammer Horror meets Tim Burton meets Beauty and the Beast on a bad CGI budget. Don't miss the spoiler-free Episode 156a if you haven't seen the film yet. Like, subscribe, and drop your hot takes in the comments!Link to the previous Episode 156: Luc Besson's Dracula spoiler Free: https://youtu.be/CyIhL4xQYGE - - - - - - - - - -WE ARE WATCH SKIP PLUS!FOLLOW/LIKE/SUBSCRIBE/REVIEW/LOVEEmail us: WatchSkipPlus@gmail.com#Dracula2025 #LucBesson #DraculaReview #MovieReview #SpoilerReview #HorrorMovies #VampireMovie #MovieBreakdown #SoBadItsGood #MoviePodcast #FilmReview2025 #NewMovies2025 #HorrorReview #ChristophWaltz #GothicHorror #CultClassic #WatchSkipPlus #MovieTalk #FilmCommunity #PodcastClips #WeirdMovies #CampyHorror #DraculaALoveTale #BramStoker

"Luc Besson's DRACULA (2025) Review — Baroque Mess or Vampire Masterpiece? Jose (Cupcake) and Mike (The WillDaBeast) dive into Luc Besson's Dracula: A Love Tale (2025) — the wildly divisive gothic romance that premiered at Cannes Film Festival and is finally making its way to audiences. Is this campy, kung-fu-gargoyle-filled fever dream a bold reimagining of Bram Stoker's classic or just an expensive baroque mess? The guys break down Caleb Landry Jones's hypnotic, chameleonic turn as the Count, Christoph Waltz completely going off-script, the film's obvious debt to Coppola's Bram Stoker's Dracula, and why — despite everything — neither host could look away. In a Watch Skip Plus first, Episode 156 ends in a historic draw. Tune in spoiler-free, then catch Episode 156B for the full spoiler discussion two days. New episodes dropping regularly — subscribe so you never miss a review! - - - - - - - - - -WE ARE WATCH SKIP PLUS!FOLLOW/LIKE/SUBSCRIBE/REVIEW/LOVEEmail us: WatchSkipPlus@gmail.com#Dracula2025 #LucBesson #CalebLandryJones #ChristophWaltz #SpoilerFreeReview #DraculaALoveTale #LucBesson #DraculaReview #MovieReview2025 #HorrorMovieReview #GothicRomance #VampireMovie #DannyElfman #BramStoker #CannesFilmFestival #WatchSkipPlus #MoviePodcast #FilmPodcast #HorrorPodcast #NewMovies2025 #SpoilerFreeReview #CinemaReview #FilmReview #SoBadItsGood #CampyMovies #ClassicMonsters #Dracula #VampireFilms #LucBessonMovies #GuiltyPleasureMovies

#410 - Mostrare il Dietro le Quinte: ParadataQuando racconti non tanto il risultato finale, l'idea, la realizzazione, la prospettiva o il nuovo metodo che hai progettato, ma - la storia di come ci sei arrivato, cosa ti ha spinto, che passi hai fatto, che errori ti hanno fermato e via dicendo, crei così tanto valore se non più dell'idea stessa. C'è un piccolo docu-film “Hearts of Darkness” che la moglie di Francis Ford Coppola ha girato prima, durante e dopo la realizzazione di Apocalypse Now (1979), uno dei più grandi film degli ultimi 50 anni. Cosa ha di speciale? Mi fa apprezzare in maniera esponenziale, il film - che già adoro - dandomi la possibilità di scoprire fatti, elementi, situazioni, che aumentano la definizione con cui riesco a vedere e ad apprezzare il film. Per esempio la storia dell'infarto di Martin Sheen e delle conseguenze sulla produzione del film, l'accordo con l'esercito Filippino per aver in prestito i loro elicotteri, la storia di Marlon Brando, che minacciava di dare forfait e che arrivato sul set non aveva la più pallida idea di cosa avrebbe dovuto fare, etc.Ogni volta che mostri il processo e le scelte che ci sono dietro qualcosa, ne aumenti immensamente il valore e ne guadagni in credibilità, autorevolezza e fiducia.In questa puntata, illustro il concetto di Paradata e presento otto maniere diverse per dare spessore ai propri contenuti, mostrando ciò che altrimenti resta invisibile._______________Info Utili• Sostieni questo podcast:Entra in contatto con me, ottieni feedback, ricevi consigli sul tuo progetto onlinehttps://Patreon.com/Robin_Good•  Musica di questa puntata:"Ocean" by Joakim Karud•  Nella foto di copertina:Dietro le quinte shooting fotografico per cover nuovo CD Enjoynt - 26 Feb. 2013. Roma.• Ascolta e condividi questo podcast:https://www.spreaker.com/show/dabrandafriend• Archivio del podcast organizzato per temi:https://start.me/p/kxENzk/da-brand-a-friend-archivio-podcast• Seguimi su Telegram:https://t.me/RobinGoodItalia• Newsletter in Inglese:https://robingood.substack.comFuoco su costruire fiducia per chi fa l'imprenditore online. 

We revisit the world of Megalopolis via the documentary, very creatively titled, Mega-Doc, with our guest Cole, a comrade in arms with Tim over at the violentpeople.co homestead. Before that we kick around a few current happenings in the wide world of news.Recorded on Saturday, January 17th, 2026 around 11.30 AM Korea Standard Time. Commiserate on Discord: discord.gg/aDf4Yv9PrYNever Forget: standwithdanielhale.orgGenral RecommendationsTim's Recommendation: Grifthorse Cole's Recommendation: 1) Sirāt 2) keatstaJosh's Recommendation: Leaving Las Vegas Pre-recommendation: VideoheavenMore From Timothy Robert BuechnerPodcast: Q&T ARE / violentpeople.co Tweets: @ROHDUTCHLocationless Locationsheatdeathpod.comEvery show-related link is corralled and available here.Twitter: @heatdeathpodPlease send all Letters of Derision, Indifference, Inquiry, Mild Elation, et cetera to: heatdeathoftheuniversepodcast@gmail.comSend us a textSupport the showSupport: patreon / buzzsprout

Luc Besson finally made a Dracula movie in 2026… and somehow turned it into a boring, horny, perfume‑addled fever dream instead of a gothic horror classic. In this episode of The Cinema Psychos Show, Brian tears into Dracula (2026) and explains why this shiny new take on the Count feels more like a knockoff of better Dracula films than a bold reinvention. We break down everything that went wrong: Vlad accidentally killing his own wife, God apparently "rewarding" him with vampirism, the unhinged sex‑perfume subplot, cartoonish suicide jumps, rubbery CGI gargoyles, and a tone that ping‑pongs between tragic romance, goofy comedy, and Axe body spray commercial. Brian also digs into Caleb Landry Jones' off‑kilter Dracula, Christoph Waltz on autopilot, and a Danny Elfman score that deserves a much better movie. Along the way, we compare Besson's vision to Coppola's Bram Stoker's Dracula, modern Nosferatu takes, and other adaptations that actually respect the character, and ask the big question: what the hell happened to Luc Besson as a filmmaker? Plus, we dip into some wild online reviews from people who genuinely think this is the best Dracula in years. If you're a horror nerd, Dracula obsessive, or cult cinema sicko who loves hearing a beautiful mess get taken apart scene by scene, you're in the right madhouse. Follow The Cinema Psychos Show on your favorite podcast app so you never miss an episode, and hit us up on socials or by email to let us know: does Dracula (2026) suck as hard as Brian says… or are you one of the weirdos who actually loves it? CHAPTERS: Does Dracula (2026) Suck? [00:00] Welcome and Solo Episode Today! [00:26] Synopsis of Dracula: A Love Tale [01:17] Criticism of the Film's Production and Direction [04:12] Detailed Breakdown of the Film's Story [08:34] Character Analysis [31:00] Positive Aspects of the Film [35:47] The Argument of Reinterpretation [38:21] Review of Audience Reviews [42:58] Conclusion [50:00] Listen to The Cinema Psychos Show on: Spotify: https://rebrand.ly/0v6eeno Apple: https://rebrand.ly/j5nrkp7  Amazon: https://rebrand.ly/5x5hzng Goodpods: https://rebrand.ly/picstv6 OR LISTEN ON YOUR FAVORITE PODCAST APP! https://cinemapsychosshow.com/follow   Follow The Cinema Psychos Show on Socials ❤️‍

Si un clásico es el libro que se puede releer constantemente, sin perder el encanto de la primera vez, según Italo Calvino, es para él también algo más: es la obra que puede "esconderse en los repliegues de la memoria y mimetizarse con el inconsciente colectivo e individual". Es algo que se revela y rebela siempre como algo novedoso, hasta el punto de que "no puede serte indiferente". No hay duda de que este es el caso de la novela corta que ahora cumple cien años: "El gran Gatsby" (1925). Para muchos, la obra de Scott Fitzgerald es "la gran novela americana", la expresión que desde Henry James en una carta a un hispanista, novelista y crítico en 1880 llamado William Dean Howells, utiliza para describir la búsqueda de un relato que retrate el alma de Estados Unidos. La perspectiva es la de los ojos del cartel que muestra la mirada divina para el personaje de Wilson en "El Grant Gatsby", que todo lo ve y ante el cual, ninguno es verdaderamente una "buena persona". Escuchamos fragmentos del libro leído por Eugenio Barona y la versión doblada al castellano de la película del británico Jack Clayton, protagonizada por Robert Redford en 1974, que sigue más fielmente el texto en el guion de Coppola. La música instrumental que acompaña los comentarios de José de Segovia es de la banda sonora de Craig Armstrong para la libre adaptación que hizo el australiano Baz Luhrman con Leonardo DiCaprio en 2013, cuyo parecido con el relato original es mera coincidencia. Las canciones son un tema de jazz que compuso en 1929 Andy Razaf con Fats Weller (Ain´t Misbehavin´), popularizado por Louis Armstrong en la versión que escuchamos de 1944, junto a la composición de la londinense Florence Welch con su Machine para la película de Luhrmann en 2013 (Over The Love). El diseño sonoro y la realización técnica es de Daniel Panduro.

How well would Trent Alexander-Arnold do at Inter Milan? Will Antonio Conte ditch Napoli? If Diego Coppola joins Paris FC what does that tell us about the state of Serie A? This is an extended clip from this week's Q & A episode of The Italian Football Podcast only available to members on YouTube or Patreon. If you want to support The Italian Football Podcast and get every episode, simply become a member on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TIFP⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ OR ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ OR ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube Memberships⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Your support makes The Italian Football Podcast possible.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cotton Club de Francis Ford Coppola sorti en 1984 est un film à grand spectacle qui fait revivre les années folles, lʹessor du jazz, la Prohibition, la ségrégation, les débuts du cinéma parlant et les guerres de gangs. Coppola plonge dans lʹhistoire de New York et propose un film dʹaction musical musclé. Le Cotton club, fondé par un gangster en 1923, est un club de jazz en vogue à la fin des années 20. Tous les artistes sont noirs, tous les clients sont blancs. Dans ce cabaret, la pègre, les politiciens, les vedettes du moment boivent un alcool interdit et clandestin et sʹencanaillent avec des filles pas farouches. Dans les années 20, le Cotton club de New York permet au jazz né à Chicago et à New Orleans de se populariser. Les personnages à lʹécran sont inspirés de ce microcosme multiculturel dʹHarlem. Italiens, Juifs, Russes, Irlandais, Afro-Américains, ils sont bandits, acteurs, danseurs, chanteurs. Ceux qui connaissent pourront sʹamuser à retrouver des doubles étonnants de Duke Ellington et de Cab Calloway. On y croise Charlie Chaplin et des barons de la pègre. Coppola ajoute dʹautres personnages inventés pour faire avancer son histoire. Derrière cette superproduction, on trouve Robert Evans. Il y aura de gros dépassements de budget, des tensions. Le tournage est chaotique, souvent improvisé, Richard Gere boude pendant plus dʹune semaine, Coppola menace de tout abandonner, dʹautres financiers sont contactés, on finit par retirer la production à Robert Evans. Toutes ces embrouilles participeront à la légende du film, plutôt bien accueilli à sa sortie, légende que nous allons vous raconter. REFERENCES Francis Ford Coppola & William Kennedy Discuss The Cotton Club, 2019 New York State Writers Institute https://www.youtube.com/watch?v=KnlURHhRo24 DOUIN, Jean-Luc, Cotton club, Panache, Glamour et frénésies, in Télérama No 1825 du 2 janvier 1985

'Tiburón', 'Todos los hombres del presidente', 'El Padrino II', 'La conversación', 'Network', 'Tarde de perros'... El año 1975 no fue un año cualquiera para la taquilla estadounidense. La concentración inusual de películas más o menos rompedoras y revolucionarias iba a ser buen reflejo del convulso momento del país de Hollywood, pero también de una coyuntura muy creativa y atrevida para la industria, con la irrupción definitiva de cineastas como Spielberg, Scorsese o Coppola. ¿Por qué se puso de moda el cine de catástrofes? ¿Cómo influyeron el caso Watergate o la guerra de Vietnam en el pesimismo y la oscuridad de la taquilla? ¿Y qué condiciones comerciales y artísticas confluyeron para la coincidencia, solapada, de algunas de las películas que aún consideramos entre las mejores de toda la historia? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, Rosa ya ha visto 'Hamnet', la adaptación de la novela superventas de Maggie O'Farrell.

'Tiburón', 'Todos los hombres del presidente', 'El Padrino II', 'La conversación', 'Network', 'Tarde de perros'... El año 1975 no fue un año cualquiera para la taquilla estadounidense. La concentración inusual de películas más o menos rompedoras y revolucionarias iba a ser buen reflejo del convulso momento del país de Hollywood, pero también de una coyuntura muy creativa y atrevida para la industria, con la irrupción definitiva de cineastas como Spielberg, Scorsese o Coppola. ¿Por qué se puso de moda el cine de catástrofes? ¿Cómo influyeron el caso Watergate o la guerra de Vietnam en el pesimismo y la oscuridad de la taquilla? ¿Y qué condiciones comerciales y artísticas confluyeron para la coincidencia, solapada, de algunas de las películas que aún consideramos entre las mejores de toda la historia? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, Rosa ya ha visto 'Hamnet', la adaptación de la novela superventas de Maggie O'Farrell.

'Tiburón', 'Todos los hombres del presidente', 'El Padrino II', 'La conversación', 'Network', 'Tarde de perros'... El año 1975 no fue un año cualquiera para la taquilla estadounidense. La concentración inusual de películas más o menos rompedoras y revolucionarias iba a ser buen reflejo del convulso momento del país de Hollywood, pero también de una coyuntura muy creativa y atrevida para la industria, con la irrupción definitiva de cineastas como Spielberg, Scorsese o Coppola. ¿Por qué se puso de moda el cine de catástrofes? ¿Cómo influyeron el caso Watergate o la guerra de Vietnam en el pesimismo y la oscuridad de la taquilla? ¿Y qué condiciones comerciales y artísticas confluyeron para la coincidencia, solapada, de algunas de las películas que aún consideramos entre las mejores de toda la historia? Lo debatimos con Carlos Alsina, Rubén Amón, Rosa Belmonte, Guillermo Altares, Sergio del Molino y Nacho Vigalondo. Además, Rosa ya ha visto 'Hamnet', la adaptación de la novela superventas de Maggie O'Farrell.Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/mas-noticias--4412383/support.

Potrebbero sfumare due degli obiettivi di calciomercatodel Milan, i motivi: gli ultimi aggiornamenti su AndrejKostic e Diego CoppolaDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/radio-rossonera--2355694/support.

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In memory of Kenosha's own Michael Schumacher, who passed away on December 29, 2026 at the age of 75, we are going to be devoting the next few Saturday episodes of the podcast to archival interviews featuring Schumacher. This interview is the first interview that I did with Schumacher. The year was 1999 and the book in question was "Francis Ford Coppola: A Filmmaker's Life." One of the greatest film directors in cinematic history, Coppola directed The Godfather, The Godfather Part Two, Apocalypse Now, The Outsiders, Peggy Sue Got Married, and The Rainmaker .... co-wrote the screenplay for Patton .... and produced American Graffiti, The Secret Garden, and The Black Stallion. I hope you enjoy this. GB

The Cold War Cinema team returns with special guest Aspen Ballas to discuss John Ford's 1956 western The Searchers. Aspen is a PhD student of English at the University of North Carolina at Chapel Hill. Her research primarily focuses on aesthetics of race and class, and the relation between genre, medium, and politics. Synopsis of the film: Texas, 1868. A lone figure approaches a windswept homestead, against a dusty blue sky and flaming red buttes and cathedral-like mesas. Returning from the fight for the Confederacy, Ethan Edwards arrives home to his brother Aaron, Aaron's wife Martha, and to their children Ben, Lucy, little Debbie, and their adopted son Martin Pawley. But this is rough country, and a Comanche raid leaves the Edwards family torn asunder–Aaron, Martha, and Ben dead, and Lucy and Debbie taken captive. For seven years, Ethan and Martin search the vast wilderness, motivated not only by family bonds, but in Ethan's case, bloodlust and wild, racist hatred–a search not only to find Lucy and Debbie, but to enforce racial and sexual purity and to define Americanness itself… On this episode we discuss: The American mythmaking in The Searchers and in westerns generally.  John Ford's attempt to critique anti-Indigenous racism, and the limitations of such a critique in the context of Hollywood filmmaking of this era.  Militant Liberty, a top-secret psychological warfare program created by the Pentagon to promote anti-communist themes in Hollywood movies during the Cold War. John Ford was an eager participant in the program. The broader US imperialist context of the film's release and the historical background of the setting.  _____________________ We love to give book or film recommendations on the podcast, so here are ours for this episode:  Aspen: The Face on Film by Noa Steimatsky; Raoul Peck's docuseries Exterminate all the Brutes (2021) Paul: The Searchers: The Making of an American Legend by Glenn Frankel    Tony: Unsettled Borders: The Militarized Science of Surveillance on Sacred Indigenous Land by Felicity Amaya Schaeffer   Jason: Versions of  Hollywood Crime Cinema: Studies in Ford, Wilder, Coppola, Scorsese, and Others by Carl Freedman _____________________ Like and subscribe to Cold War Cinema, and don't forget to leave us a review! Want to continue the conversation? Drop us a line at any time at coldwarcinemapod@gmail.com. To stay up to date on Cold War Cinema, follow along at coldwarcinema.com, or find us online on Bluesky @coldwarcinema.com or on X at @Cold_War_Cinema.   For more from your hosts and guest: Follow Aspen on Letterboxed at @aspenballas. Follow Jason on Bluesky at @JasonAChristian.bsky.social, on X at @JasonAChristian, or on Letterboxed at @exilemagic. Follow Anthony on Bluesky at @tonyjballas.bsky.social, on X at @tonyjballas, or on Letterboxed at @tonyjballas. Follow Paul on Bluesky at @ptklein.com, or on Letterboxed at @ptklein. Paul also writes about movies at www.howotreadmovies.com  _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Happy listening!

Andy's let-down impressions, sorting out the new rules of fascist showbiz, Josh judges Coppola, Andy steps onstage, MNF on LSD, listener questions, and much more Spiraling.

Jamie Jirak and Ben Silverio are pop culture observers/content creators/excellent friends who are ready to make some references so dated that even the frame of reference turns 40 this year. Get ready to get your perspective on the 60s and the 80s colored all at once. This week, Jamie and Ben are reviewing Peggy Sue Got Married and talking about the legacy of the Coppola family, the surprise stars, and the very idea of being thrust back into your high school self. Find us online! Jamie Jirak @JamieJirak on Instagram and LetterboxdCheck out Love in the Time of Hydra and Phase HeroBen is @bsilverio20 on Instagram, and letterboxed among others.Ansel Burch is @TheIndecisionist on IG, Facebook, Yowsa, Blusky, Reddit, and Threads. Check out Ansel's new TTRPG, Deck! https://the-indecisionist.itch.io/DeckCome back next week for our shallow dive into topics from Peggy Sue Got Married! So, make sure you're subscribed because it's always #Time2Party

Nicole Coppola didn't grow up searching for Jesus. She actively rejected Christianity, mocked it, and wanted nothing to do with God.What happened next wasn't emotional, trendy, or explainable — it was personal, specific, and impossible for her to dismiss.Raised around spirituality but deeply opposed to Christianity, Nicole spent years pushing back against faith, questioning truth, and resisting the idea of a personal God. After losing her mother at a young age and her sister shortly after, she searched for meaning, certainty, and purpose — but found only frustration, unanswered questions, and resistance where faith was concerned.Then, unexpectedly, everything began to shift.In this conversation, Nicole shares how God broke through her opposition in ways she never anticipated — through moments she couldn't explain away, a sudden spiritual awakening, and a series of deeply personal encounters that forced her to confront the reality of a God who is not distant, symbolic, or passive, but present, personal, and willing to meet people even when they are standing in opposition.This is not a story about becoming religious. It's a story about awakening — about discovering that God is real, personal, and able to reach people who never intended to believe.If you've ever questioned Christianity, dismissed faith because of religious tradition, or felt resistance toward God — or if you know someone who has — this conversation may speak directly to where you are.---------------------------Follow Nicole's Instagram here ⇨ https://www.instagram.com/carrideswithchrist/--------------------------✟ Donate to A Stronger Faith here ⇨ https://www.astrongerfaith.org/give--------------------------✟ Recommend a guest for us here ⇨ https://www.astrongerfaith.org/contact--------------------------✟ CONNECT WITH US! ⇨ Website: https://www.astrongerfaith.org/ ⇨ YouTube: https://bit.ly/asfmyoutube ⇨ Instagram: https://www.instagram.com/astrongerfaith/ ⇨ TikTok: https://www.tiktok.com/@astrongerfaith ⇨ Facebook: https://www.facebook.com/astrongerfaith------------------------------------✟ If you need prayer or deliverance, or if you would like to join us as a prayer partner, please visit our prayer resources page at https://www.astrongerfaith.org/prayer.✟ If you are looking for a good faith-building book, visit our recommended books page at https://www.astrongerfaith.org/books.

Following our Muppet version of the film, and in the spirit of not doing too much work over Crimbo, we're looking at “Bram Stoker's Dracula”. A film in which Ted goes on a less than excellent adventure; Withnail keeps Tom Waits on a remarkably protein-rich diet; and Hannibal Lecter clearly cannot be arsed having just won an Oscar. Unleashed with much fanfare in 1992, director Francis Ford Coppola wanted to bring to the screen a definitive version of Stoker's novel (except for all the extra bits he bunged in for good measure). This ambition weirdly highlights some of the pitfalls of a faithful adaptation, with a number of characters usually dispensed with or amalgamated in other versions left to clutter up the narrative. It features what is a genuinely stellar cast both for now and then, but with some actors not necessarily suited to their roles. However, it's still Coppola, so it still remains a well-made, beautifully shot gothic romance; which certainly equals the novel for pace and drama, and even adds some iconic imagery to the old myth which is still appearing over 30 years after the film's release.

Ryan Gingeras discusses with Ivan six things which should be better known. Ryan Gingeras is a professor in the Institute of Regional and International Studies at the Naval Postgraduate School and is an expert in modern Eastern European and Middle East history. He is the author of seven books, including The Last Days of the Ottoman Empire and Sorrowful Shores: Violence, Ethnicity, and the End of the Ottoman Empire 1912–1923, which was shortlisted for numerous book prizes. He has published on a wide variety of topics related to history and politics in publications such as Foreign Affairs, New York Times, Washington Post, Times Literary Supplement and Foreign Policy . He currently lives with his wife and children in the Santa Cruz Mountains. His new book is Mafia: A Global History, which is available at https://www.simonandschuster.com/books/Mafia-A-Global-History/Ryan-Gingeras/9781398531673. Mafias should be seen as significant historical figures in the making of modern history. Mafias are not as old as you think. The laws that "made" mafias a global phenomenon are also not as old as you think. Al Capone set the mold for the modern gangsters worldwide. Coppola's The Godfather marked the critical moment in the making of modern mafias. Mafias are more integrated into the workings of the modern world than ever before. This podcast is powered by ZenCast.fm

Mike Thompson and Rob St. Mary join Mike to step into the rubble, rhetoric, and Roman cosplay of Megalopolis, Francis Ford Coppola's self-financed, forty-years-in-the-making cinematic fever dream. A film obsessed with power, legacy, architecture, and Great Men Thinking Great Thoughts, Megalopolis feels less like a movie than a manifesto—one that demands to be taken seriously while daring you to laugh at it. Cesar Catalina (Adam Driver), the troubled genius nobody appreciates (write what you know, Francis), strides through a New Rome built on vibes, speeches, and a miracle substance called Megalon. The episode also explores Megadoc, Mike Figgis's fly-on-the-wall documentary which attempts to chronicle the chaos, conviction, and sheer force of will behind Coppola's production. Seen together, the film and the documentary form a portrait of an artist betting everything—money, reputation, legacy—on a single idea. Love it, hate it, or remain profoundly confused by it, Megalopolis refuses to be ignored. And once it gets into your head, it doesn't leave.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Mike Thompson and Rob St. Mary join Mike to step into the rubble, rhetoric, and Roman cosplay of Megalopolis, Francis Ford Coppola's self-financed, forty-years-in-the-making cinematic fever dream. A film obsessed with power, legacy, architecture, and Great Men Thinking Great Thoughts, Megalopolis feels less like a movie than a manifesto—one that demands to be taken seriously while daring you to laugh at it. Cesar Catalina (Adam Driver), the troubled genius nobody appreciates (write what you know, Francis), strides through a New Rome built on vibes, speeches, and a miracle substance called Megalon. The episode also explores Megadoc, Mike Figgis's fly-on-the-wall documentary which attempts to chronicle the chaos, conviction, and sheer force of will behind Coppola's production. Seen together, the film and the documentary form a portrait of an artist betting everything—money, reputation, legacy—on a single idea. Love it, hate it, or remain profoundly confused by it, Megalopolis refuses to be ignored. And once it gets into your head, it doesn't leave.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

This month for ClapperCast's December 2025 Patreon Bonus Episode, Jak-Luke Sharp & Nicolò Grasso join Carson Timar to finish their Francis Ford Coppola retrospective with a review of Coppola's grand gamble, Megalopolis!Get Access to this Episode by Subscribing to Spotify Subscriptions or on Patreon: https://www.patreon.com/clappercastpod

Out of the normal and into the paranormal in this 2011 supernatural murder mystery by Francis Ford Coppola. Twixt now rebranded as B'Twixt Now and Sunrise which was recut as the ‘Authentic Cut' in 2022. Will his changes make a difference in this box office flop? Big guns were brought on board for this film, Val Kilmer, Bruce Dern, Elle Fanning and Ben Chaplin in their respected rolls as author, Edgar Allan Poe, the animated sheriff and the vampire/ghoulish girl.Hall Baltimore writes books about witch hunting and is in a slump so he travels to a small US town for a book signing in the hopes are reinvigorating himself.Nobody knows who he is except the sheriff who hopes that his latest idea is suitable for Baltimore's latest book. He tells a twisted tale about the murder of kids, vampires across the lake, and a ghost that haunts the town to this day. Will Hall Baltimore and Sheriff Bobby LaGrange solve this mystery and get the book written? Baltimore gets a little help along the way from a mysterious 13 year old girl and the ghost of Edgar Allan Poe who appears in his dreams.This film bombed at the box office, but was also trashed by critiques and the average movie goer alike. Stewart, Rastislav and Ken take a deep dive into the film and uncover some of the symbolism but also criticize the plot which didn't make much sense. Even with the big name actors and the comical moments, it seems this is a ghastly tale indeed.Written and Directed by Francis Ford Coppola and shot mostly at his own estate. Based on some of real events of Coppola's life.Film Rating: R for Graphic Scenes and Blood This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit unsungcinematics.substack.com

Economic Indicators…  Time magazine person of the year…  Heisman ceremony / Mendoza wins / Deigo unhappy and parties / Mendoza does charity….  Email: Chewingthefat@theblaze.com   www.blazetv.com/jeffy   $20 off annual plan right now ( limited time )   Top weekend movies…  A look at lotto…  Coppola wants new tradition…  Oprah sells some property…  Fire was used earlier than thought?...  Who Died Today: Sydney terror attack at least 15 died 40 injured…  Brown University mass shooting 2 died 9 injured…Rob and Michele Reiner 78 and 68…  Jubilant Sykes 71 / Peter Greene 60…Joke of The Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

In this explosive episode of Gangland Wire, host Gary Jenkins sits down with actor, entrepreneur, and mob insider Gianni “Johnny” Russo, best known for his unforgettable role as Carlo Rizzi in The Godfather. Russo pulls back the curtain on a lifetime of stories that stretch from Frank Costello and Joe Colombo to Las Vegas skimming, the Vatican Bank, Marilyn Monroe, Jimmy Hoffa, and even Pablo Escobar. Russo discusses his new book, Mafia Secrets: Untold Tales from the Hollywood Godfather, co-written with Michael Benson—an unfiltered account of power, violence, politics, and survival inside the criminal underworld and Hollywood royalty. This is not recycled mythology—this is Gianni Russo's personal version of history from the inside. Whether you believe every word or not, the stories are raw, violent, and utterly fascinating. This episode discusses: The Godfather, The Kennedy assassinations, Vegas skimming, Marilyn Monroe, Jimmy Hoffa, the Chicago Outfit, Pablo Escobar

In this episode Mike, Steve and Amanda cover no less than 10 new releases! As usual, click the link to see a trailer for each film! We kick off with Luc Besson's version of DRACULA (Signature Entertainment), which bears more than a likeness to Coppola's version! Next up is QUARANTINE 19 (Trinity Content Partners), a Turkish film shot in English about the contestants of a Big Brother-style reality show finding themselves isolated during a pandemic. THE FINAL PARTY (Trinity Content Partners) is a nasty, nihilistic film about rich kids gatecrashing a party... HE KILLS AT NIGHT (4Digital Media) finds a woman fighting for survival when she is abducted by a serial killer on Christmas Eve! MANOR OF DARKNESS (Indie Rights) is an extended version of one of director Blake Ridder's many short films, about a group of pretend filmmakers stuck in a creepy manor house! PERFECT GAMBLE (High Fliers Films) finds David Arquette running an underground casino and trying to keep the Russian mafia from taking over! CAN YOU HEAR ME? (High Fliers Films) is a WW1 set love story with supernatural overtones! HOSTAGES (Signature Entertainment) finds a group of social media addicts caught up in a possible terrorist attack. LONG SHADOWS (4Digital Media) is a western in which a young man searches for those who murdered his mother and left him for dead as a child. COYOTES (Signature Entertainment) finds yuppies Justin Long and Kate Bosworth trapped with their teen daughter when a pack of ferocious coyotes lays siege to their home.  Our Short Shot is MISFIRE, directed by Jean-Paul Ly! Click the link to see the whole 15 min film! Our DTV Throwback is RIOT, in which cop Matthew Reese gets himself thrown into the same prison where the man who killed his wife is hiding. You can find this on Amazon Prime as well as other streaming Services! Follow the Short Shots  on X where you will find hundreds of links to awesome short films! Don't forget to also check out our main show, the DTV DIGEST on X and FACEBOOK! We are also now on Bluesky! Follow us here: @thedtvdigest.bsky.social and @dtvshortshots.bsky.social      

Sixteen years after the previous film (The Godfather Part II) in this saga won him Oscars for Best Director, Best Screenplay, and Best Picture...Oscar-winning legend Francis Ford Coppola (Apocolypse Now, Bram Stoker's Dracula, The Conversation) returned to both co-write and direct this final entry in the beloved sage of The Corleone Family.  And this time around even though the film was nominated for seven Oscars including Best Picture, it didn't win any.....and the consensus was that it was below the quality for the first two despite including acclaimed performances by its three main stars including Al Pacino (who returned to play Michael Corleone), the late, great Diane Keaton (who returned to play Kay Corleone), and Oscar-nominated Andy Garcia who played Michael's nephew Vincent.  Infact, it was considered by many to be by far the weakest film in the trilogy.  So thirty years later during an extended COVID lock-down, Coppola decided re-edit Part III and by the end of 2020, a newly reworked version was released to both theaters and streaming.  Celebrating The Godfather Part III's 35th Anniversary, we will review this latest version to find out how or IF it improves upon the original version released on Christmas of 1990.   Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Este é o último episódio do ano e desta vez voltamos a falar sobre Francis Ford Coppola. Fred Almeida recebe os amigos Fábio Rockenbach (curso "A Experiência do Cinema") e Rafael Amaral (blogue "Palavras de Cinema") para debater o brilhante "A Conversação" (The Conversation, 1974) produção mais pessoal do cineasta e do mesmo ano em que ele lançaria um de seus filmes de maior sucesso, a segunda parte da trilogia "O Poderoso Chefão". Com atuação magistral de Gene Hackman, num roteiro do próprio Coppola, o filme ganharia a Palma de Ouro em Cannes e serviria de influência para vários thrillers do período.Música utilizada: "Early Summer" de Tokyo Music Walker.-------------------------------LINKS PARA ADQUIRIR O LIVRO DO PFC ("Uma Jornada pelo Cinema - Anos 1950"):UICLAP - ⁠⁠https://loja.uiclap.com/titulo/ua98290/⁠⁠AMAZON (capa dura e e book) - ⁠⁠https://www.amazon.com.br/dp/6501481376⁠⁠-------------------------------Acesse nosso site: ⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠Instagram: @podcastfcProcure "Podcast Filmes Clássicos" no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

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En esta conversación finalmente decidimos darle a don Francis (Ford Coppola) la atención que merece con su megaobra que llevaba pensando desde los años 90s. Invirtiendo sus propios morlacos y haciendo todo lo que quiso, don Francis finalmente estrenó su película más ambiciosa. Seguramente toda esta libertad creativa, tiempo invertido y dedicación terminaron en una obra maestra, ¿cierto? ¡¿cierto?! Disponible desde el 26 de noviembre en Mubi, este capítulo especial es no solo sobre la película, sino sobre la figura de Coppola en general. ¡Ojalá les guste! No olviden que aquí pueden disfrutar de 30 días gratis de Mubi: www.mubi.com/flimcast No olviden tampoco que aquí pueden encontrar lo mejor del formato físico: www.filmico.tv Y no olviden por último que pueden suscribirse al Patreon y tener material exclusivo, pre-estrenos, etc: www.patreon.com/hermeselsabio

In a special episode of the Film Stories podcast, Simon is joined by Oscar-winning production designer Nathan Crowley. He won his Oscar for Wicked, and you can now see his work in Wicked For Good on the big screen. This chat takes in those films, as well as Christopher Nolan's garage, nine seconds with Ridley Scott, early work with Francis Ford Coppola, and a whole lot more... Learn more about your ad choices. Visit megaphone.fm/adchoices

A w listopadowej Miesiączce: Kasia o tym, czy AI może filozofować, Mochnaczewska o tym, dlaczego nie mamy czasu, tylko siedzimy w telefonach; Sulej o nowej erze Vogue; Fiolka o porach; Kisza o Banksym; Makselon o gadaniu w internecie; oprócz tego - filmy, seriale, książki, złoty kibel do kupienia, kosmetyki dla 3 latków; Coppola sprzedaje zegarki, bo zbankrutował, czarna lista aktorów w Hollywood, młodzieży gniją mózgi i są na to twarde dane; ludzkie safari w Sarajewie; chudość to nie trend i Hitler miał małe… Ten podcast powstaje dzięki Patronite: https://patronite.pl/karolinakp 0:00:00 Intro 0:01:31 Święto niepodległości 0:02:36 Wpływ social mediów na mózgi młodzieży 0:06:45 Felieton Macieja Makselona 0:11:44 Newsy i newsiki 0:29:10 Comiesięczna księgarnia 0:35:11 Felieton Anny Mochnaczewskiej 0:44:25 W kinie i na kanapie 0:56:55 Ludzkie safari w Sarajewie 1:04:15 Dział urody 1:13:02 Felieton Soni Kiszy 1:24:46 Felieton Karoliny Sulej 1:31:42 Felieton Fiolki Najdenowicz 1:38:33 Felieton Katarzyny Kasi 1:44:13 Outro

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This Week in Horror History dives into a loaded week: Creepshow hits wide release, Interview with the Vampire and Bram Stoker's Dracula redefine luxe gothic on the big screen, Half-Life 2's Ravenholm sneaks survival horror into AAA gaming, and Stephen King's Cycle of the Werewolf howls through November. We spotlight Supernatural's early heart-stopper “Home,” roll birthdays for genre icons, compare '90s velvet vampires to today's, and cap it with a cult-classic pick: Slumber Party Massacre. Perfect for spooky season's afterglow—queue these up and feast.Inside this episodeCreepshow (Nov 10, 1982): Romero + King bring EC-comics mayhem to multiplexes. Interview with the Vampire (Nov 11, 1994): Velvet-and-venom epic opens #1 and rewrites vampire melodrama.Bram Stoker's Dracula (Nov 13, 1992): Coppola's operatic, in-camera sorcery storms the box office. Half-Life 2 — Ravenholm (Nov 16, 2004): A masterclass in atmosphere; survival-horror vibes inside a shooter. Cycle of the Werewolf (Nov 1983): King + Wrightson's lean, illustrated lunar calendar of carnage.Duel (Nov 13, 1971): Spielberg's white-knuckle TV thriller turns the highway into a hunting ground.Deep-Cut Spotlight — Supernatural “Home” (Nov 15, 2005): Intimate, grief-haunted return to the Winchesters' house. Birthday roll: Roy Scheider, Radha Mitchell, Robert Louis Stevenson, Burgess Meredith.Then & Now — Velvet Vampires: '90s baroque romance vs. prestige-TV reinventions.Weekly Recommendation — Slumber Party Massacre: A sharp, subversive slasher to cleanse the palate.Get comfy, my spookies! 41% off at CozyEarth.com with code SPOOKY — supports the show!

O que faz uma adaptação ser boa? A fidelidade absoluta ao livro ou a coragem de reinventar uma história para o cinema? No Podcast Cinem(ação #624, Rafael Arinelli, Alan Alves, Domenica Mendes e Rodrigo Basso se reúnem para discutir o eterno dilema das adaptações literárias e o que realmente define o sucesso de uma transposição do papel para as telas.O episódio questiona a ideia de que uma boa adaptação depende de ser “idêntica” ao material original. Nossos hosts lembram que cada mídia tem sua linguagem, e que mudar não é trair, mas traduzir. Exemplos como Drácula de Bram Stoker (Coppola) e a nova série da Netflix baseada em Cem Anos de Solidão mostram como ajustes narrativos podem revelar novos sentidos e respeitar a essência do livro sem repeti-la.A conversa também aborda o impacto econômico das adaptações: cerca de 72% dos vencedores do Oscar de Melhor Filme vieram de livros. Afinal, adaptar uma obra consagrada é um investimento seguro - uma história já testada e com público fiel. Ainda assim, o desafio continua o mesmo: fazer cinema, e não apenas ilustrar literatura.O debate vai além da técnica e entra na liberdade artística: até que ponto uma adaptação pode subverter a obra original - mudando personagens, etnias ou pontos de vista - sem perder sua alma?Em tempos de Fast Entertainment, o episódio reflete sobre como o consumo acelerado e a dispersão das plataformas afetam a forma como nos conectamos com as histórias.Será que, às vezes, o filme pode ser melhor que o livro?Dá o play e descubra o que realmente importa quando as páginas viram imagem.• 03m19: Pauta Principal• 1h22m29: Plano Detalhe• 1h41m03: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Flavia Sanches• Gabriela Pastori Marino• Guilherme S. Arinelli• Thiago Custodio Coquelet• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Domenica): FIlme: V/H/S/ Halloween• (Domenica): FIlme: Família Adams• (Rodrigo): Série: O Dia do Chacal• (Alan): Série: Caçador de Marajás• (Alan): Livro: Gilberto Braga, o Balzac da Globo• (Alan): Newsletter: Simplificando Cinema• (Rafa): Filme: O Sobrevivente• (Rafa): Podcast: Collor vs Collor• (Rafa): Série: Monstro: A História de Ed GeinEdição: ISSOaí

durée : 01:28:30 - Les Nuits de France Culture - par : Philippe Garbit - Le vampire est l'ombre portée de toute société. Ce "Ciné Club" dédié à Dracula retrace la saga draculienne depuis ses débuts en 1922 jusqu'à ses dernières incarnations sous la férule de Coppola en 1992. Soixante-dix années se sont écoulées qui ont vu muter sur l'écran l'image du Comte transylvanien. - réalisation : Virginie Mourthé - invités : Gilles Menegaldo Professeur émérite de littérature anglo-saxonne et de cinéma à l'Université de Poitiers; Serge Brussolo

Programa #29 y armamos una revuelta. El planeta al horno, brasil bajo fuego, Coppola y Oasis a la venta para descafeinar la tarde. Repasamos el disco Visitante o Residente de Calle 13 a casi 20 años de su lanzamiento. Nacho nos cuenta la historia de un pueblo que lucho con fuerza por su intendente. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

En pleine guerre du Viêt Nam, le capitaine Benjamin Willard (Martin Sheen) se voit confier une mission par les services secrets militaires américains: il doit retrouver et exécuter le colonel Walter Kurtz (Marlon Brando), dont les méthodes militaires sont jugées malsaines par la chaîne de commandement. Le colonel Kurtz a pris la tête groupe dʹindigènes et mène des opérations depuis un camp établi au Cambodge. Ses opérations contre lʹennemi sont dʹune sauvagerie terrifiante. Willard va alors remonter le fleuve jusquʹau plus profond de la jungle vietnamienne pour pouvoir éliminer le colonel Kurtz. Mais au cours du voyage, en étudiant le dossier du bonhomme, il se rend compte quʹil est très différent de lʹidée quʹil sʹen faisait. Arrivés au campement de Kurtz, les choses vont méchamment déraper. Mais je ne vous dirai ni comment, ni pourquoi, car il faut voir et revoir Apocalypse Now, film de Francis Ford Coppola, sorti en 1979. Apocalypse Now est le 8e film de ce réalisateur. Cʹest un des films les plus mythiques du cinéma du 20e siècle. Lʹimage en est saisissante et lʹhistoire du tournage a viré à la légende. Pas pour rien certainement, et on va, au cours de ce travelling, essayer de démêler le vrai du faux. REFERENCES: Le tournage du film a fait lʹobjet d'un documentaire sorti en 1991 : Aux cœurs des ténèbres : L'Apocalypse d'un metteur en scène (Hearts of Darkness: A Filmmaker's Apocalypse), réalisé par Fax Bahr et George Hickenlooper sur la base des films amateurs tournés sur les plateaux par lʹépouse de Coppola, Eleanor Coppola. Jean-Baptiste Thoret, Le Cinéma américain des années 1970, éd. des Cahiers du cinéma, 2006 Jean-Baptiste Thoret, Apocalypse Now : Un cauchemar psychédélique, livre DVD/Blu-ray Pathé Eleanor Coppola, Apocalypse Now Journal, Sonatine Éditions, 2011 COWIE, Peter, Le petit livre dʹApocalypse Now, Cinéditions, 2001 Apocalypse Now, la scène mythique des hélicoptères http://www.dailymotion.com/video/x80giv_apocalypse-now-scene-mythique_shortfilms Le trailer https://www.youtube.com/watch?v=IkrhkUeDCdQ Sur la musique dʹApocalypse Now http://blogshumanites.u-paris10.fr/content/bande-originale-du-film-apocalypse-now

Welcome, my ghoulish loves!In this final episode of Dark Thirst, I'm diving into pop culture's undying obsession with vampires. From the sensual chaos of True Blood to the glittering restraint of Twilight, and from Coppola's lavish Dracula to Eggers' haunting Nosferatu, I explore how every vampire revival mirrors what's happening in society. From our fears, desires, and shifting ideals of beauty. What do these immortal beings say about us and the times we live in?After centuries of fascination, it's clear, we don't just crave the vampire. We crave what they promise. *Listener Discretion is Strongly Advised*************Sources & References:Auerbach, Nina. Our Vampires, Ourselves. University of Chicago Press, 1995.Gelder, Ken. Reading the Vampire. Routledge, 1994.Skal, David J. Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. Faber & Faber, 1990.Anatol, Giselle Liza. Bringing Light to Twilight: Perspectives on a Pop Culture Phenomenon. Palgrave Macmillan, 2011.Weinstock, Jeffrey Andrew. The Vampire Film: Undead Cinema. Wallflower Press, 2012.Additional references:Include contemporary film criticism from The Guardian, Le Monde, IndieWire, and Rotten Tomatoes (2024–2025).****************Leave Us a 5* Rating, it really helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************MUSIC & SOUND FX:"Beast by Beast" Edward Karl Hanson"Alleys of Darkness" Phoenix Tail"Rain Light 6" SFX Producer Epidemic SoundFind the perfect track on Epidemic Sound for your content and take it to the next level! See what the hype is all about!

In this episode, Nick talks about Trump's Warm Japanese Welcome, Internal Border Fighting, Lance Twiggs Digs, Pike Statue Replaced, SNAP Recipients Snapping, A Flying Penguins Fan and Coppola's Watches! Watch Nick on the FREE RUMBLE LIVE LINEUP at 6pm ET https://rumble.com/TheNickDiPaoloShow TICKETS - Come see me LIVE! For tour dates and tickets - https://nickdip.com MERCH - Grab some snazzy t-shirts, hats, hoodies,mugs, stickers etc. from our store! https://shop.nickdip.com/ SOCIALS/COMEDY- Follow me on Socials or Stream some of my Comedy - https://nickdipaolo.komi.io/

This week, we dive headfirst into the visual and stylistic feast that is Francis Ford Coppola's "Bram Stoker's Dracula" (1992).The ambition is undeniable—Coppola wanted to make a definitive, hyper-gothic, technically ingenious vision of the classic novel. And yet, for all its spectacular in-camera effects, Oscar-winning costumes by Eiko Ishioka, and Gary Oldman's powerhouse performance, the hosts find themselves a little lost in the crimson mist.Lemar and Mackenzie agree that this film, despite its good parts (and they are gorgeous parts), is simply trying to do too much. We discuss the overstuffed plot, which attempts to be a sweeping historical tragedy, a lurid gothic horror, an erotic thriller, and a faithful period piece all at once. We praise Oldman's captivating Count, the lush, jaw-dropping visual artistry, and the sheer audacity of the production. But we can't ignore the narrative confusions, the wildly uneven supporting performances (poor Keanu), and the overall feeling of maximalism that leaves the story feeling dispersed rather than cohesive.Tune in as we try to see the good in this operatic monster movie, ultimately concluding that sometimes, even a masterpiece can be too much of a good thing.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

Filmmaker Ari Gold turns the camera on his own family in "Brother Verses Brother," an ambitious one-shot musical that follows him and his identical twin brother searching for meaning through the streets of San Francisco's North Beach, alongside their 99-year-old novelist father, Herb. Gold explains how this experimental work, executive produced by Francis Ford Coppola and generating serious buzz on the festival circuit, blurs the line between documentary and fiction, asking uncomfortable questions about art, family, and what we're willing to expose in pursuit of truth.

This week's episode of the Empire Podcast asks perhaps the biggest question ever tackled on this show: who would win in a fight between the Gleesons and the Skarsgårds? Join Chris Hewitt, Helen O'Hara, James Dyer, and Amon Warmann, as they tackle that scenario and more. Is the world truly ready for the Coppola clan kicking bottom? Elsewhere, our intrepid quartet discuss the week's movie news (Star Wars! Superman! Lara Croft!), including a discussion of the trailer for 28 Years Later: The Bone Temple that discusses spoilers for 28 Years Later. So, if you wish to skip, that runs from 53:44 - 58:00 approx. Oh, and they also review Spike Lee's reunion with Denzel Washington, Highest 2 Lowest, The Conjuring: The Devil Made Me Do It, Ethan Coen's Honey Don't, and Orlando Bloom's searing boxing drama, The Cut. In fact, Orlando is one of our guests this week, joining The Cut's director Sean Ellis to chat with Chris on Zoom about the extreme lengths, physical and otherwise, he went to for the film. [1:08:37 - 1:25:12 approx] And Chris also sits down in the podbooth with MJ Bassett, director of the brand new version of Red Sonja, for a candid conversation about MJ's long-held determination to make a Red Sonja movie, her recent decision to leave the United States to return to Britain, and much, much more. [22:22 - 40:22 approx] Enjoy.

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