Podcasts about Coppola

Send us a textFriends of EddieThe second 1x1 feature rounding out Season 14 and, chosen by Jack, the film is THE FRIENDS OF EDDIE COYLE (1973). Directed by Peter Yates, whose career TGTPTU is unlikely to cover in a future 4x4 despite having Krull and Bullitt in his credits, TFOEC is an adaptation of George V. Higgins' inaugural novel and notable as a unromanticized depiction of crime in artistic response to The Godfather, the Puzo book and Coppola film each preceding, respectively, the book and movie versions of TFOEC by one year.  Higgins would take issue with the book as his debut novel. The former deputy assistant attorney general claimed to have written and burned 14 novels over 17 years prior to TFOEC and would go on to author over 30 books, both fiction and nonfiction before his fatal heart attack in 1999, but none with the impact of his first. As seasonal guest host Jack points out, nearly all the dialogue in the film is as it is on the page, and the pages are dripping with dialogue that creates the setting and action for this ironic story of “friends” who double-cross and live less than glamorous lives as Irish mobsters and criminals in Boston.  Yates populates the film with faces, faces that we don't see much anymore, distinct faces and every one telling a story, from the titular Coyle plated by Robert Mitchum who earlier in this life reluctantly left the assembly line to be an actor to actor Alex Rocco who starred as Moe Greene in The Godfather and helped Mitchum meet some of his old criminal friends whom Rocco had to leave behind after he (the actor Alex Rocco) was held for questioning in relation to the murder that kicked off the Boston Irish Gang War of the 1960s to James Tolkan before he'd lost his hair a decade prior to portraying Principal Strickland in the Back to the Future movies and Detective Hugh Lubic in the Cannon Films classic Masters of the Universe.  For this episode, everyone did research: Jack and Thomas pair off for book report; Ryan covers the career of Mitchum; and Ken covers Yates and laments how now Hollywood lacks hacks as well as provides a new shaggy dog with The Pals of Charlie Brown. Make sure to wipe your prints clean on this one before listening with a friend. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Somehow, despite having read the book, AND knowing who the director is, AND knowing who most of the cast are, Lolo has never actually gotten around to watching the film "The Outsiders". We fix that on this week's episode of First Timers Movie Club!Just listening? You COULD be WATCHING: Video versions of the podcast are available exclusively to our Patrons, for just $1 a month! Become a Patron today to join us in our living room with our cats as we record! www.patreon.com/ixfilmproductions  Want a quick laugh, and see what we do when we're not podcasting? Check out our comedy sketches! www.youtube.com/ixfp  Show your love for movie deep dives with First Timers Movie Club merch! It's a great conversation starter to help you work obscure movie trivia into your day to day life.  https://ixfilmproductions.printful.me/ Upcoming Events:Bird Watching FIlm Festival: April Fools https://www.facebook.com/birdwatchingfilmfestIFC 1/3/5 Filmmaking Competition Screening: https://www.facebook.com/ifckcWE HAVE DEDICATED SOCIALS FOR FIRST TIMERS MOVIE CLUB! Follow us on Facebook and Instagram for regular updates, trivia, recipes, and to be the first to know what our upcoming episodes are - and on TikTok and YouTube for video clips from the pod!Facebook: https://www.facebook.com/profile.php?id=61558990926951 Insta: https://www.instagram.com/firsttimersmovieclub/TikTok: https://www.tiktok.com/@firsttimersmovieclubHave a favorite (or least favorite) famous movie that you think we should've seen? Reach out to us on socials and we'll add it to our list!   Follow IX Film Productions for original web shorts, behind the scenes sneak peeks and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfp  Subscribe to our newsletter for monthly updates on our website:www.ixfilmproductions.com  "First Timers Movie Club" is brought to you by IX Film Productions. "Making the World a Funnier Place one Film at a Time"  Music The Curtain Rises by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5007-the-curtain-rises License: http://creativecommons.org/licenses/by/4.0/

The Ringer's Amanda Dobbins joins Lauren on the pod to discuss one of their shared interests: Sofia Coppola. Together, the duo interrogate Coppola's relationship with fashion, on- and off-screen: her incredible influence on modern aesthetics, her impact on the industry, and why she's personally important to them. (As true professionals, they also tried their best not to be too sycophantic. They may or may not have failed.) Meghan Markle Jam Charvet shirt Sofia-recommended Noah Pants Noah x Barbour jacket Sofia Coppola x Augustinus Bader tinted lip balm Sofia Coppola x Barrie puffer jacket Ulla Johnson Lavender Dress To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week, Roy Scheider pops up for a brief part in Francis Ford Coppola's legal thriller THE RAINMAKER! Based on a John Grisham novel and starring Matt Damon (in his first leading role), alongside Danny DeVito, Jon Voight, Claire Danes, Danny Glover, and more, this was Coppola's final studio film!

PTF and Nick Tammaro recap a huge weekend of Racing, including the Kentucky Derby Preps Wood Memorial, Santa Anita Derby, UAE Derbies, and Graded Stakes around the racing world from this past weekend. PTF then grabs Michael Kares of Sport of Kings Racing Partnerships with trainer Dale Romans to discuss Coppola in the Shakertown at Keeneland on Tuesday. They also discuss SOK partnerships, go to SOKracing.com for more information.

PTF and Nick Tammaro recap a huge weekend of Racing, including the Kentucky Derby Preps Wood Memorial, Santa Anita Derby, UAE Derbies, and Graded Stakes around the racing world from this past weekend. PTF then grabs Michael Kares of Sport of Kings Racing Partnerships with trainer Dale Romans to discuss Coppola in the Shakertown at Keeneland on Tuesday. They also discuss SOK partnerships, go to SOKracing.com for more information.

The last showgirl by Gia Coppola marks Pamela Anderson's flashy and moving comeback to the big screen The post “The last showgirl”, interview with director Gia Coppola and actress Pamela Anderson appeared first on Fred Film Radio.

The last showgirl by Gia Coppola marks Pamela Anderson's flashy and moving comeback to the big screen The post “The last showgirl”, interview with director Gia Coppola and actress Pamela Anderson appeared first on Fred Film Radio.

The last showgirl by Gia Coppola marks Pamela Anderson's flashy and moving comeback to the big screen The post “The last showgirl”, interview with director Gia Coppola and actress Pamela Anderson appeared first on Fred Film Radio.

The last showgirl by Gia Coppola marks Pamela Anderson's flashy and moving comeback to the big screen The post “The last showgirl”, interview with director Gia Coppola and actress Pamela Anderson appeared first on Fred Film Radio.

The last showgirl by Gia Coppola marks Pamela Anderson's flashy and moving comeback to the big screen The post “The last showgirl”, interview with director Gia Coppola and actress Pamela Anderson appeared first on Fred Film Radio.

The last showgirl by Gia Coppola marks Pamela Anderson's flashy and moving comeback to the big screen The post “The last showgirl”, interview with director Gia Coppola and actress Pamela Anderson appeared first on Fred Film Radio.

To mark the passing of the great Gene Hackman, the writer and critic Sean T. Collins and the cartoonist and graphic novelist Julia Gfrörer are my special guests for a deep dive into one of our favourite films, Francis Ford Coppola's The Conversation (1974).The Conversation was groundbreaking in terms of film editing; when Coppola was pulled away to direct The Godfather Part II, editor Walter Murch had to streamline a narrative out of an incomplete film shoot and synthesized new approaches to picture editing and sound design which he credited to studying Hackman's precise performance as the surveillance expert Harry Caul, a lonely middle-aged man whose Catholic guilt and past sins begins to weigh on his conscience as he obsesses over his latest spycraft job, plagued with worry over the fate of the young couple he's recorded and what the tape will be used for by his sinister corporate client. We discuss the autobiographical details Coppola lent to the characterization and Jungian psychoanalysis that can be applied to the content, some of our favourite moments, and how the themes of The Conversation continue to resonate with audiences over half a century later. Follow Sean T. Collins and Julia Gfrörer on Bluesky. And support Sean and Julia's work on Patreon!Julia Gfrörer's newest collection of fiction World Within the World: Collected Minicomix & Short Works 2010-2022 (Fantagraphics) is now available. ‘I'm Not Afraid of Death': How Gene Hackman's Dream in The Conversation Mirrors Our Dark Moment, by Sean T. Collins, for Decider, February 27, 2025“The Making of The Conversation: An Interview with Francis Ford Coppola” by Brian De Palma, from Filmmakers Newsletter, 1974, reproduced by Cinephilia & Beyond Trailer for The Conversation (Coppola, 1974)

On this episode of The Snub Club, the family talks about 1990's The Godfather Part III. Directed by Francis Ford Coppola and starring Al Pacino, The Godfather Part III was nominated for seven Academy Awards but lost everything. In this episode, Sarah, Danny, and Caleb discuss Coppola's legacy, COVID-era cinema-going, and various cuts of the film.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Grey Flannel by Vans in Japan

Benvenuti in un lungo, estenuante e sorprendente cinema realizzato da un artista sognatore e spesso segnato dalla sfortuna ma che non si è mai arreso. Stavolta è il turno di Francis Ford Coppola. Il diabolico produttore Robert Evans colpisce ancora e Coppola finisce a dirigere un film potenzialmente accattivante ovvero "Cotton Club". Spaccato storico ricostruito nei minimi particolari e girato con la solita professionalità del regista, "Cotton Club" è un film degno delle sue ambizioni? A voi scoprirlo.

Benvenuti in un lungo, estenuante e sorprendente cinema realizzato da un artista sognatore e spesso segnato dalla sfortuna ma che non si è mai arreso. Stavolta è il turno di Francis Ford Coppola. "I ragazzi della 56esima strada" fu una boccata d'aria per Coppola ma il nostro non ha mai rinunciato alla sfide e quindi adatta un'altra storia dell'autrice S.E. Hinton ma opta per uno stile decisamente più...particolare. Il risultato è il fin troppo bistrattato "Rusty il selvaggio".

This week, we're tearing up the baseboards and getting funky on the saxophone as Gene HackMarch rolls on with a Coppola classic surveillance thriller that he snuck in between Godfathers. It's 1974's The Conversation, written, directed and produced by Francis Ford Coppola and starring Gene Hackman, John Cazale, Harrison Ford, Allen Garfield, Cindy Williams, Frederic Forrest, Teri Garr and Robert Duvall. Needless to say, Hackman is terrific at the heart of an essential 70s paranoid thriller -- though is it really paranoia if you know your fears are true? His Harry Caul is a meticulous professional, a cunning and inventive man who is very good at his work having to reckon with the evil that work may bring in to the world. And can even the best spies really tell good from bad when they only have a piece of the picture? It's a great movie, and a first time watch for both hosts. Plus: J Mo's been to the theatre so we've got a full discussion of Mickey 17, and Hayley's finally captured her great white whale VHS tape. If you'd like to watch the movie before listening to our discussion, The Conversation is currently streaming on Criterion Channel at the time of publication (and can also be found in full for free on YouTube). Other works discussed on this episode include E.T.: The Extra Terrestrial, When Harry Met Sally..., MouseHunt, Sneakers, Runaway Jury, Enemy of the State, Kraven the Hunter, Madame Web, Morbius, Bram Stoker's Dracula, The Outsiders, Megalopolis, Dog Day Afternoon, Practical Magic, The Lives of Others, and a last minute Corrections Corner on Crimson Tide. We'll be back next week to close out Gene HackMarch with our monthly canon consideration, as this month we induct The Royal Tenenbaums into the hallowed halls of the pod-canon. It is currently streaming on Disney+, Crave, and Starz. Until then, we'll see you at the movies!!

Filmada unos cuantos meses después del estreno de El padrino, La conversación había estado flotando por años en la cabeza de Francis Coppola; el destino quiso que fuera postproducida y estrenada mientras el caso Watergate estallaba fuera de toda proporción, rozando directamente el punto central del argumento: en una sociedad dominada por la paranoia, todo puede ser escuchado, visto, consumido y convertido en arma; nadie queda indemne, ni siquiera los vigilantes que ejecutan estas acciones. Inspirado por las lecciones impartidas por Blow Up (1966) y Klute (1971), Coppola comenzó dirigiendo una película acerca de la omnipresencia de la mirada, pero en el camino hizo evidente algo fundamental: por mucha información que el fisgón sea capaz de recoger, el sentido último del espionaje no es obtener más claridad sino agregar opacidad, incertidumbre, a la información recogida. Fundamental en este proceso es la figura del editor de imagen y sonido Walter Murch, quien a partir de ahí se convertiría en colaborador esencial del cineasta en aventuras como El padrino II, Apocalipsis ahora y otras obras maestras. La otra figura señera en esta empresa es Gene Hackman, quien vuelve a Harry Caul un personaje indeleble, suspendido en el vacío, condenado a escuchar al resto cuando sólo quiere alejarse de ellos. De eso y más se habla en este podcast.

War rages in Vietnam and in the souls of its soldiers in these two epic journeys into the heart of darkness. Coppola and Cimino push their protagonists through the horrors of war and its dehumanizing effect.The Deep Question: You make a movie where you get to Tarantino history - what event do you change?This Week's Features:Apocalypse Now (1979)The Deer Hunter (1978)Message Jason and Ryan

durée : 00:06:44 - "The last showgirl" de Gia Coppola

Join us today as Chris Coppola shares with us a word about sacrifice. We dive into the biblical meaning of sacrifice and how we can live it out today. Tune in today to be blessed!

This week on High Expectations, we sink our teeth into two gothic horror heavyweights! We review and compare the brand-new Nosferatu with the lavish, blood-soaked Bram Stoker's Dracula . How does Robert Eggers' vision stack up against Coppola's operatic take? Does the silent terror of the original Nosferatu (1922) still haunt our nightmares? And what about the novel that started it all? We explore the eerie history behind these undead legends—copyright drama, artistic influences, and why Dracula just won't stay buried.Give us a follow on Instagram: @high.expectations.podReach out with comments or suggestions at podcast.highexpectations@gmail.comMusic courtesy of Vince Sasso of the Vince Sasso Trio(check them out on Instagram! @vincesassotrio)

Hoy, desde la XI edición de SACO, la semana del Audiovisual Contemporáneo de Oviedo. Con Mario Cobo, autor de la música de uno de los cine conciertos programados en el Teatro Campoamor, a partir de Rumble Fish de Coppola. Sabrina Clemente, directora de la Alianza Francesa de Oviedo, que colabora con propuestas de cine inmersivo y LASEMA, programa de cortometrajes para centros educativos. Y con Carlos Losilla, coordinador del ciclo Historia(s) del cine eruopeo en los siglos XX-XXI, que vertebra la SemanaEscuchar audio

durée : 00:03:35 - Le Regard culturel - par : Lucile Commeaux - Le film de Gia Coppola, qui raconte la fin du parcours d'une danseuse de revue à Las Vegas, déçoit par sa fadeur, si ce n'est la performance étrange de Pamela Anderson.

Tetragrammaton with Rick Rubin ✓ Claim : Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Francis Ford Coppola is a critically acclaimed filmmaker, screenwriter, and producer, best known for directing The Godfather trilogy. A key figure in the New Hollywood movement of the later 20th century, he redefined American cinema with bold storytelling and technical innovation. The Godfather, Coppola's breakthrough film, and The Godfather Part II won Best Picture Oscars, with the latter earning him his first Best Director award. His films, including The Conversation and Apocalypse Now, both recipients of the Palme d'Or at the Cannes Film Festival, are celebrated for their masterful direction and psychological depth. Building a legacy of visionary filmmaking, Coppola continues to push boundaries, most recently with his long-awaited epic Megalopolis, released in September 2024. ------ Thank you to the sponsors that fuel our podcast and our team: Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

HOLD ON TO YOUR HATS, IT'S DOUBLE COPPOLA WEEK!In part one of our Film Swap series, Stu throws Andy into the chaotic wonderland of Francis Ford Coppola's Megalopolis—the mega flop that dreams big, stumbles hard, but still gives us plenty to talk (and laugh) about.But that's not all! In the second half, we pivot to The Outsiders, an earlier Coppola gem packed with greasers, gang rivalries, and a young, star-studded cast. Does it still hold up? Spoiler: It totally does.Socials: @CageFightingPodUse my special link (cagefighting) to save 30% off your first month of any Zencastr paid plan.

Francis Ford Coppola is a critically acclaimed filmmaker, screenwriter, and producer, best known for directing The Godfather trilogy. A key figure in the New Hollywood movement of the later 20th century, he redefined American cinema with bold storytelling and technical innovation. The Godfather, Coppola's breakthrough film, and The Godfather Part II won Best Picture Oscars, with the latter earning him his first Best Director award. His films, including The Conversation and Apocalypse Now, both recipients of the Palme d'Or at the Cannes Film Festival, are celebrated for their masterful direction and psychological depth. Building a legacy of visionary filmmaking, Coppola continues to push boundaries, most recently with his long-awaited epic Megalopolis, released in September 2024. ------ Thank you to the sponsors that fuel our podcast and our team: Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

Cinephile, film publicist extraordinaire, and technicolor advisor guru to directors like Coppola and Scorsese, Bob Hoffman sits down with Janet to talk about the magic of color, how it came to be, and what it's like to work in the dream factory of Hollywood, from ALL angles.  To learn more about this episode and others, visit the Official Cinema Sounds & Secrets website. And check out our Instagram, @cinemasoundspod!  

Gia Coppola is the director of “The Last Showgirl,” the poignant and beautifully crafted new film starring Pamela Anderson. Set in Las Vegas, the film explores the bittersweet end of a showgirl's career and has been nominated for multiple awards, with Pamela's moving portrayal of Shelly earning her Best Actress nods from both the Screen Actors Guild and the Golden Globes.Gia joins host Kerry Diamond to talk about the film, the influence of her late grandmother, Eleanor Coppola, working as a bar back at a Thomas Keller restaurant, being a cat lady, and her wine project, Gia Coppola Wines, which is part of the Francis Ford Coppola Winery. “I wanted to make a wine for my generation,” says Gia. Kerry and Gia discuss her collaboration with Coppola winemaker Ali Davignon, the creative process behind her wines, and the connection between her label and the iconic punk band, the Ramones.Thank you to Alex Mill for supporting Radio Cherry Bombe.For Jubilee 2025 tickets, click here. To get our new Love Issue, click here. Visit cherrybombe.com for subscriptions and show transcripts. More on Gia: Instagram, Gia Coppola Wine, “The Last Showgirl”More on Kerry: Instagram

Los Coppola son como Los Lemmings, se reproducen a una velocidad vertiginosa. En esta sección Rober, entre otras familias, nos repasa una de las familias que más han dado la turra en el cine, los Coppola. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

'The Last Showgirl' director Gia Coppola joins the show. Over pesto sorrel bowls and ricotta toast, Gia tells me about the wisdom she's gleaned from her grandfather Francis Ford Coppola, the impact of ‘Jaws' on her, and her love of Las Vegas. This episode was recorded at Sqirl in East Hollywood, CA. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's episode, Ted and Patrick breakdown every match in the Knockout phase of the Champions League. They start with the biggest match of the round, Real Madrid vs. Manchester City. Both teams have clear weaknesses, but who will be able to take advantage of them the most? Then they get into Ousmane Dembele, is he the best player in the world right now? Stay tuned to see the hosts live reaction to Feyenoord sacking Brian Priske, underrated matches to watch this round, and some stories from Ted. The episode ends with predictions for EVERY matchup and some behind the scenes footage. Enjoy!Subscribe to our FREE newsletter: https://www.thetransferflow.com/subscribeJoin Variance Betting: https://www.thetransferflow.com/upgradeFollow us on our Socials:YouTube: https://www.youtube.com/channel/UCe1WTKOt7byrELQcGRSzu1QX: https://x.com/TheTransferFlowBluesky: https://bsky.app/profile/thetransferflow.bsky.socialInstagram: https://www.instagram.com/thetransferflow/TikTok: https://www.tiktok.com/@transferflowpodcastTimestamps:00:00 - Nicolas Cage is a Coppola?00:54 - Champions League Playoffs01:31 - Real Madrid v Man City02:25 - City are a coin flip and Pep vs Ancelotti 04:57 - How both teams will approach this game05:53 - Ederson is the best long-ball goalkeeper in the world07:38 - Madrid can't press, but their ability to play out from pressure is elite08:28 - Madrid Derby reactions09:45 - Dani Ceballos is Madrid's best player at the moment11:25 - Patrick vs Rodri, who wins right now?12:04 - Real Madrid have the worst defensive record in the UCL, why did they make no moves?15:36 - But surely Real Madrid could have done SOMETHING?17:10 - Football nepotism = Genepotism18:24 - Brest vs PSG + Dembele is the form player in the world right now19:26 - Dembele's positional change20:40 - How his ability to use both feet impacts defenders21:22 - The drastic xG difference24:55 - Juventus vs PSV26:16 - Sporting v Dortmund27:21 - One to watch for potential summer transfers28:56 - Brugge v Atalanta29:46 - Atalanta play a very unique style30:34 - How is Gasperini doing this?31:36 - The oddities of Italian coaches + a story from Ted32:52 - Celtic v Bayern Munich35:21 - Do Celtic have it in them?36:11 - Feyenoord v AC Milan37:42 - Milan's season is becoming more and more unhinged38:50 - Zlatan not being a bit, he's just weird40:01 - Should be a fun contest between managers?41:27 - Breaking news - Priske sacked mid recording + Reactions43:32 - Monaco v Benfica is sneaky fun44:41 - Can Benfica replicate their form?46:41 - A ton of young, exciting players in this game49:22 - Predictions for EVERY matchup51:53 - Behind the scenes - Andre 3000, Australians, and a cliffhanger from Ted Hosted on Acast. See acast.com/privacy for more information.

In this episode, Masie & Stuart take a (imaginary) trip to Japan to examine the 2003 Oscar-darling film, Sofia Coppola's Lost in Translation. The first part of a duology covering the divorce films of Sofia Coppola and Spike Jonze, our hosts find themselves treading in familiar Coppola-territory. How does this story of two priveleged people experiencing isolation and existential crises in Tokyo hold up today? Does Coppola portray the city and Japanese culture with care and sensitivity? The answers likely won't shock you based on her track record, but our hosts still find plenty to discuss and enjoy in the film's moody atmosphere and aesthetics.   Linktree: https://linktr.ee/cinema_bones Follow Us on Social Media @ Cinema_Bones on Instagram and Letterboxd for podcast updates.   Additional Reading/Sources: Lost in Translation 20th Anniversary Interview Sofia Coppola's Defense Against Criticism Over the Film's Depiction of Japan

El cine, como la novela, me ha permitido estar en territorios a los que nunca iré. Puedo quedarme rodeado de miseria y pobreza en lugares en los que nunca he vivido o estar en lujosos salones que para mí son tan raros como excepcionales. Creo que me sucede como a José Luis Garci, que leo las novelas como películas y puede que vea las películas como novelas. Por eso me decepciono cuando una novela que he leído se lleva al cine, porque la heroína que yo me había imaginado resulta que es una actriz de la vida real. Decía Rafael Alberti: “respetadme, he nacido con el cine”. Y por eso dedicó poemas a Chaplin, Keaton, Lloyd y a Laurel y Hardy. Respetadnos también a los que nacimos con Clint Eastwood, Jack Lemmon, Berlanga, Shirley MacLaine, Paco Raval, Brando, Coppola, Garci, Newman, López Vázquez o la Loren. El cine era una liturgia semanal y, por tanto, extraordinaria. Los lunes, en la escuela, comentábamos la película que habíamos visto el sábado o el domingo y, el martes, ...

Yuri Moraes convida seus amigos Roberto Sadovski & Adriano Vilasboas, para conversar de cinema. No capitulo de hoje a lista dos melhores filmes de máfia.

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. I have recently launched a newsletter. You can subscribe to it at thememorypalacepodcast.substack.com. On this special bonus episode, I'm introducing you the wonder that is Karina Longworth's You Must Remember This. With an introductory episode to her new season, "The Old Man is Still Alive,"  which covers the late careers of Alfred Hitchcock, John Ford, Howard Hawks, Vincente Minnelli and ten other directors who began their careers in the silent or early sound eras, and were still making movies in the 1960s, ‘70s and ‘80s, in spite of the challenges posed by massive cultural changes and their advanced age. In this mini-episode we'll discuss the parallels between this history and today, from the tech industry takeover of Hollywood to the late work of Coppola and Scorsese; the interview with George Cukor that inspired the title of this season; the Orson Welles-Peter Bogdanovich-Quentin Tarantino connection that informs the way we think about “old man” movies, and much more. Learn about your ad choices: dovetail.prx.org/ad-choices

Given their shared source material, Robert Eggers' NOSFERATU and Francis Ford Coppola's BRAM STOKER'S DRACULA understandably have a lot overlap in terms of plot and character, but the two films are miles apart in their interpretation of that source material, particularly as applied to its titular vampire. We're of split opinions on Eggers' bleak, monster-forward characterization of Orlock, especially how it plays against NOSFERATU's ideas about female desire and sexuality, but agree it provides a fascinating counterpoint to Coppola's florid spin on the Count as a tragic romantic antihero. We examine that contrast further in Connections alongside other character parallels — the Renfields, the Van Helsings, the maidens fair — as well as how the two films' diverging styles each reinforce their filmmaker's take on the title character. And in place of Your Next Picture Show, we offer some impromptu reflections on the life and work of David Lynch, who died the day this episode was recorded.  Please share your thoughts about BRAM STOKER'S DRACULA, NOSFERATU, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Steven Soderbergh's PRESENCE and Alejandro Amenábar's THE OTHERS Learn more about your ad choices. Visit megaphone.fm/adchoices

According to Larry David, it is much too late to still wish you a happy new year. Since January has felt a million years long and many of us are yearning to press that RESET button, I'm breaking all the rules and wishing you a good start to 2025! It was a delight to chat with Kate Gersten, screenwriter of "The Last Showgirl." Kate originally conceptualized the story for the stage while studying playwriting at Juilliard. As a play, THE LAST SHOWGIRL was optioned for Broadway and the West End, but never went further as the team could never find the perfect, “Shelly.” After spending years in a drawer, Kate brought the script to Gia Coppola, who got the script to Pamela Anderson directly. In their first table read, Pam said every line exactly how Kate had heard them in her head all those years earlier. Tune in as we discuss her playwright beginnings, the kismet of marrying into a legendary film family, and the importance of leading roles for women over the age of 50. xx Carolina

All of the nearly three hundred episodes we've done so far have been enthusiastic celebrations of artists whose work we admire so greatly that we had to invent a podcast to talk about it. But in this very strange episode, we talk about a film so awful in so many ways that we are baffled by how it came from the same man who directed four unquestionable masterpieces in a row. The Rainmaker (1997) is–and we mean this without irony–a fascinating film that does everything that films like The Conversation and The Godfather Part II avoid. It works on paper: there's Coppola, of course, but also a bestseller as its source material, Matt Damon, Claire Danes, Mickey Roarke, Danny DeVito, Jon Voight, Danny Glover, and (inexplicably) Roy Scheider. But even Sheriff Brody can't kill this beast. Rather than offer a litany of complaints, we talk about the concept of a “shadow movie”: the movie that could have been, the one lurking beneath the film we actually see. This is the only episode in which we don't follow our usual three-part structure, because we didn't know if we'd be releasing this one. But we think that we can learn more about films from even one as terrible as this. If you're interested in the source for Coppola's film, you can find the novel here. Incredible bumper music by John Deley. Please leave us a rating or review, follow us on X and Letterboxd, email us at fifteenminutefilm@gmail.com, and let us know what you'd like us to watch and discuss. Also check out Dan's Substack site, Pages and Frames, for essays about books and films. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

All of the nearly three hundred episodes we've done so far have been enthusiastic celebrations of artists whose work we admire so greatly that we had to invent a podcast to talk about it. But in this very strange episode, we talk about a film so awful in so many ways that we are baffled by how it came from the same man who directed four unquestionable masterpieces in a row. The Rainmaker (1997) is–and we mean this without irony–a fascinating film that does everything that films like The Conversation and The Godfather Part II avoid. It works on paper: there's Coppola, of course, but also a bestseller as its source material, Matt Damon, Claire Danes, Mickey Roarke, Danny DeVito, Jon Voight, Danny Glover, and (inexplicably) Roy Scheider. But even Sheriff Brody can't kill this beast. Rather than offer a litany of complaints, we talk about the concept of a “shadow movie”: the movie that could have been, the one lurking beneath the film we actually see. This is the only episode in which we don't follow our usual three-part structure, because we didn't know if we'd be releasing this one. But we think that we can learn more about films from even one as terrible as this. If you're interested in the source for Coppola's film, you can find the novel here. Incredible bumper music by John Deley. Please leave us a rating or review, follow us on X and Letterboxd, email us at fifteenminutefilm@gmail.com, and let us know what you'd like us to watch and discuss. Also check out Dan's Substack site, Pages and Frames, for essays about books and films. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The heightened gothic sensibility of Robert Eggers' new NOSFERATU recalls — in its intensity if not its precise contours — BRAM STOKER'S DRACULA, Francis Ford Coppola's feverish 1992 horror-romance that follows the same story from a markedly different perspective. This led us to reconsider Coppola's flawed but fascinating DRACULA as a film that, even if it arguably never achieves greatness, inarguably leaves an impression. Yes, Keanu Reeves' accent is part of that impression, but so is the film's grandiose art design, its recasting of Dracula as a tragic romantic antihero, and its overall commitment to cinematic maximalism, for better or worse. Please share your comments, thoughts, and questions about BRAM STOKER'S DRACULA, NOSFERATU, and anything else in the world of film by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Coppola Month continues with PART ONE of the six GM / 24 title FFC SUPER DRAFT! Ryan is joined at the Draft Table by Blake Howard (One Heat Minute Productions) and Roxana Hadadi (NY Mag, Vulture) to competitively / collaboratively rank 24-13 on the list of Coppola-directed films. Filling in for Ryan at the commissioner's table is Bryan Cogman, who will be returning as a GM on PART TWO of the draft in a couple of weeks! Become a Screen Drafts Booster by going to www.patreon.com/screendrafts

EPISODE 71 - “STEVE & NAN's FAVORITE CLASSIC FILMS OF THE 1970s” - 1/20/2024 The 1970s was a decade that saw the rise of the auteur. Filmmakers like Scorsese, Coppola, Cassavetes, Altman, Lumet, and DePalma hit their stride and brought to the screen their specific vision and stylized films. It was a very experimental era where boundaries were pushed and once-taboo topics were explored. It became a creative high point and gave us some iconic movies. This week, Steve And Nan take look at some of their favorite films of the 1970s.  SHOW NOTES:  Sources: Terrance Malick and the Examined Life (2024), by Martin Woessner;  Films of the 1970s (2017), by Jurgen Muller; Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America (2012), by Jonathan Kirshner; How the Sex, Drugs, and Rock-n-Roll Generation Saved Hollywood (1998), by Peter Biskind; Picture Shows: The Life and Films of Peter Bogdonavich (1992), by Andrew Yule; “Jane Fonda on Klute,” July 18, 2019, The Criterion Collection;  TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Smile (1975), starring Bruce Dern, Barbara Feldon, Michael Kidd, Nicholas Pryor, Annette O'Toole, Joan Prather, Melanie Griffith, Geoffrey Lewis, Maria O'Brien, Colleen Camp, Eric Shea, Denise Nickerson, and Titos Vandsis; Klute (1971), starring Jane Fonda, Donald Sutherland, Roy Scheider, Dorothy Tristan, Charles Cioffi, Jean Stapleton, Rita Gam, and Vivian Nathan; Badlands (1973), starring Martin Sheen, Sissy Spacek, Warren Oates, Garry Littlejohn, Alan Vint, and John Womack; The Sting (1973), starring Paul Newman, Robert Redford, Robert Saw, Robert Earl Jones, Charles Durning, Ray Walston, Charles Dierkop, Harold Gould, Sally Kellerman, and Eileen Brennan; The Last Picture Show (1971), starring Timothy Bottoms, Cybill Shepherd, Jeff Bridges, Ellen Burstyn, Ben Johnson, Cloris Leachman, Eileen Brennan, Clu Gulager, Sam Bottoms, Sharon Taggart, Randy Quad, and Bill Thurman; A Little Romance (1979), staring Laurence Olivier, Diane Lane, Thelonious Bernard, Arthur Hill, Sally Kellerman, Broderick Crawford, David Dukes, Andrew Duncan, and Claudette Sutherland; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey Next Picture Show listeners, sorry there's no new episode in your feed today. Real life got in the way of podcast life and prevented us from recording our next pairing in time to release it this week. But we will be back next Tuesday with part one of our double feature comparing Robert Eggers' new Nosferatu with Frances Ford Coppola's own take on Bram Stoker's Dracula from 1992. If you're playing along at home, the former is in theaters now, while Coppola's Dracula is digitally rentable from the usual outlets, and available in an array of physical-media releases to purchase — or perhaps check out from your local library. We hope you'll enjoy both movies, and join us next week as we sink our teeth into this pairing.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, JF and Phil examine the myth of the vampire through the lens of Robert Eggers' latest film, Nosferatu, a reimagining of F. W. Murnau's German Expressionist masterpiece. Topics covered include the nature of vampires, the symbolism of evil, the implicit theology of Eggers' film (compared with that of Coppola's Bram Stoker's Dracula), the need for shadow work, as well as the power of real introspection and self-sacrifice. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Robert Eggers (dir.), Nosferatu (https://www.imdb.com/title/tt5040012/) F. W. Murnau (dir.), Nosferatu (https://www.imdb.com/title/tt0013442/) Mel Brooks (dir.), Dracula: Dead and Loving It (https://www.imdb.com/title/tt0112896/) Francis Ford Coppola (dir.), Bram Stoker's Dracula (https://www.imdb.com/title/tt0103874/) Bram Stoker, Dracula (https://bookshop.org/a/18799/9780141439846) Richard Wagner, [Tristan und Isolde](https://en.wikipedia.org/wiki/TristanundIsolde) David James Smith, “The Archaeologist Couple who Unearthed a Field Full of Vampires” (https://www.thetimes.com/world/europe/article/vampires-poland-field-archaeology-secrets-svm5mt26v) Robert Eggers, The Witch (https://www.imdb.com/title/tt4263482/) Richard Strauss, Salome (https://en.wikipedia.org/wiki/Salome_(opera)) Weird Studies, Episode 156 on “The Secret History” (https://www.weirdstudies.com/156) Rudolf Steiner, “Lucifer and Ahriman” (https://rsarchive.org/Lectures/LucAhr_index.html) Richard Wagner, Ring Cycle (https://en.wikipedia.org/wiki/Der_Ring_des_Nibelungen)

"The Last Showgirl" had its world premiere at the 2024 Toronto International Film Festival, where it received positive reviews for Pamela Anderson's lead performance, which has earned her Screen Actors Guild, Golden Globe, and Gotham Award nominations. Anderson and Director Gia Coppola were both kind enough to spend some time talking with us about their work on the film, which you can listen to or watch below. Please be sure to check out the film, which is set to open in theaters on January 10th from Roadside Attractions and is up for your consideration in all eligible categories at the 97th Academy Awards, including Best Actress. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Pamela Anderson is having a career revival thanks to much lauded performance in THE LAST SHOWGIRL. Here she joins the film's director, Gia Coppola, to chat about this major moment in her career and how she's met the moment. Recorded at the 92nd Street Y. SUPPORT OUR SPONSORS! Quince -- Go to Quince.com/happysadco for 365 day returns and free shipping! UPCOMING LIVE EVENTS 1/20 -- Adam Scott at 92Y in NY -- Tickets here Check out the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Happy Sad Confused patreon here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! We've got discount codes to live events, merch, early access, exclusive episodes, video versions of the podcast, and more! To watch episodes of Happy Sad Confused, subscribe to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Josh's youtube channel here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Learn more about your ad choices. Visit podcastchoices.com/adchoices

A preview of the new season of You Must Remember This, which covers the late careers of Alfred Hitchcock, John Ford, Howard Hawks, Vincente Minnelli and ten other directors who began their careers in the silent or early sound eras, and were still making movies in the 1960s, ‘70s and ‘80s, in spite of the challenges posed by massive cultural changes and their advanced age. In this mini-episode we'll discuss the parallels between this history and today, from the tech industry takeover of Hollywood to the late work of Coppola and Scorsese; the interview with George Cukor that inspired the title of this season; the Orson Welles-Peter Bogdanovich-Quentin Tarantino connection that informs the way we think about “old man” movies, and much more. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices