Podcasts about Coppola

Welcome, my ghoulish loves!In this final episode of Dark Thirst, I'm diving into pop culture's undying obsession with vampires. From the sensual chaos of True Blood to the glittering restraint of Twilight, and from Coppola's lavish Dracula to Eggers' haunting Nosferatu, I explore how every vampire revival mirrors what's happening in society. From our fears, desires, and shifting ideals of beauty. What do these immortal beings say about us and the times we live in?After centuries of fascination, it's clear, we don't just crave the vampire. We crave what they promise. *Listener Discretion is Strongly Advised*************Sources & References:Auerbach, Nina. Our Vampires, Ourselves. University of Chicago Press, 1995.Gelder, Ken. Reading the Vampire. Routledge, 1994.Skal, David J. Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. Faber & Faber, 1990.Anatol, Giselle Liza. Bringing Light to Twilight: Perspectives on a Pop Culture Phenomenon. Palgrave Macmillan, 2011.Weinstock, Jeffrey Andrew. The Vampire Film: Undead Cinema. Wallflower Press, 2012.Additional references:Include contemporary film criticism from The Guardian, Le Monde, IndieWire, and Rotten Tomatoes (2024–2025).****************Leave Us a 5* Rating, it really helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************MUSIC & SOUND FX:"Beast by Beast" Edward Karl Hanson"Alleys of Darkness" Phoenix Tail"Rain Light 6" SFX Producer Epidemic SoundFind the perfect track on Epidemic Sound for your content and take it to the next level! See what the hype is all about!

A TUTTA C con Luca Calamai. Ospiti: Laerte Salvini, Alessandro Coppola, Camillo Demichelis

A TUTTA C con Luca Calamai. Ospite: Alessandro Coppola, difensore Arzignano Valchiampo

In this episode, Nick talks about Trump's Warm Japanese Welcome, Internal Border Fighting, Lance Twiggs Digs, Pike Statue Replaced, SNAP Recipients Snapping, A Flying Penguins Fan and Coppola's Watches! Watch Nick on the FREE RUMBLE LIVE LINEUP at 6pm ET https://rumble.com/TheNickDiPaoloShow TICKETS - Come see me LIVE! For tour dates and tickets - https://nickdip.com MERCH - Grab some snazzy t-shirts, hats, hoodies,mugs, stickers etc. from our store! https://shop.nickdip.com/ SOCIALS/COMEDY- Follow me on Socials or Stream some of my Comedy - https://nickdipaolo.komi.io/

A graduate of the USC School of Cinema and Television, Andrew Durham has worked under such directors as David Lynch, Christopher Guest, Wes Craven, and Oliver Stone. He began his collaborative relationship with Sofia Coppola when he produced her first short film, LICK THE STAR, and Coppola's television series, HI-OCTANE, for the Comedy Central Network. He went on to work for MTV Networks as Producer for Projects in Development, and later for Fox Television Studios where he served as Vice President of Production. He left television to pursue his passion for photography. He's shot for such publications as Vanity Fair, The New York Times, French Vogue, and Elle, and advertising campaigns for Louis Vuitton, Marc Jacobs and Dior. And he's in THE BACK ROOM to discuss his terrific feature film directorial debut, FAIRYLAND, which is currently in select theaters nationwide and on VOD in November. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Esta semana en el podcast sobre series de TV "Seriemaniac" analizamos sin spoilers la serie The Offer (2022) que se puede ver en SkyShowtime, sobre la intrahistoria del rodaje de El Padrino: problemas de rodaje, guion, intervención de la mafia. Una fantástica serie para los amantes del cine con un retrato de todos los personajes de la época: Coppola, Marlon Brando, Mario Puzo, Al Pacino. Del creador de otra serie imprescindible como Fuga en Dannemora (SkyShowtime). Además, otras noticias de interés sobre el mundo de las series como los nuevos estrenos de la semana y las series que debes tener en el radar. Como siempre, las preguntas de los oyentes. Podcast oficial del Blog sobre series de televisión Seriemaniac.com cuyo programa de radio se puede escuchar en directo, todos los martes a las 12:00 en RadioBetis.com o en el 96.8 FM.

This week, we dive headfirst into the visual and stylistic feast that is Francis Ford Coppola's "Bram Stoker's Dracula" (1992).The ambition is undeniable—Coppola wanted to make a definitive, hyper-gothic, technically ingenious vision of the classic novel. And yet, for all its spectacular in-camera effects, Oscar-winning costumes by Eiko Ishioka, and Gary Oldman's powerhouse performance, the hosts find themselves a little lost in the crimson mist.Lemar and Mackenzie agree that this film, despite its good parts (and they are gorgeous parts), is simply trying to do too much. We discuss the overstuffed plot, which attempts to be a sweeping historical tragedy, a lurid gothic horror, an erotic thriller, and a faithful period piece all at once. We praise Oldman's captivating Count, the lush, jaw-dropping visual artistry, and the sheer audacity of the production. But we can't ignore the narrative confusions, the wildly uneven supporting performances (poor Keanu), and the overall feeling of maximalism that leaves the story feeling dispersed rather than cohesive.Tune in as we try to see the good in this operatic monster movie, ultimately concluding that sometimes, even a masterpiece can be too much of a good thing.This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

On Episode 184 of Floating Through Film, we're starting our annual horror month! Week #1's picks were made by Dany and he picked two different ghosts stories: starting with Kenji Mizoguchi's 1953 classic Ugetsu, followed by Coppola's 2011 film Twixt (1:23:47) We hope you enjoy! Episode Next Week: Horror Month Week 2 (I Walked with a Zombie + Legend of the Mountain) Music:- Intro: Ugetsu- Break: Twixt (https://www.youtube.com/watch?v=n3lnTldf1ig&list=RDn3lnTldf1ig&start_radio=1)- Outro: Ugetsu (https://www.youtube.com/watch?v=4Aie1W8VqHc&list=RD4Aie1W8VqHc&start_radio=1)Hosts: Luke Seay (LB: ⁠https://letterboxd.com/seayluke/⁠,Twitter: ⁠https://x.com/luke67s⁠)Blake Tourville (LB:⁠https://letterboxd.com/blaketourville/⁠,Twitter: ⁠https://x.com/vladethepoker⁠)Dany Joshuva (LB: ⁠https://letterboxd.com/djoshuva/⁠,Twitter: ⁠https://x.com/grindingthefilm⁠) Podcast Links:Spotify and Apple: https://linktr.ee/floatingthroughfilm⁠ Letterboxd: ⁠https://letterboxd.com/floatingfilm/⁠Email: floatingthroughfilm@gmail.com

Filmmaker Ari Gold turns the camera on his own family in "Brother Verses Brother," an ambitious one-shot musical that follows him and his identical twin brother searching for meaning through the streets of San Francisco's North Beach, alongside their 99-year-old novelist father, Herb. Gold explains how this experimental work, executive produced by Francis Ford Coppola and generating serious buzz on the festival circuit, blurs the line between documentary and fiction, asking uncomfortable questions about art, family, and what we're willing to expose in pursuit of truth.

El festival porta ingressats més de 900.000€, en el que significa un nou rècord, en el qual hi té molt a veure l'augment en prop d'un 8% en la venda d'entrades. Ahir Mònica Garcia i Àngel Sala ho certificaren, i el director va apuntar el leit motiv de la 59a edició: les encarnacions del mal, celebrant el 50è aniversari de tres clàssics: 'La profecia', 'Carrie' i 'Quién puede matar a un niño'. Però això serà l'any que ve. Mentrestant, Carles Calvo compra el 'Drácula' de Luc Besson, tot i que és una pel·lícula molt irregular que, volgudament, prioritza la història d'un amor. L'entrada Dia 8. ‘Drácula’, menys Coppola del que s’esperava, i l’any que ve… ‘La profecia’, ‘Carrie’ i ‘Quién puede matar a un niño’ ha aparegut primer a Radio Maricel.

El podcast perennial de la (re)generación del trigger. Tertulia cultural y sociológica acerca de lo divino y de lo humano de la mano de Popy Blasco. Esta semana charlando animadamente acerca de octubre, la mani contra el genocidio, Villa Josie, Taylor Swift, Sofía Coppola, la Ouija, Chanel, Gaultier, Jane Goodall, Ed Gein, joyas faraónicas y maravillas mil. Emitiendo desde la potentísima señal de Subterfuge Radio. Hosted on Acast. See acast.com/privacy for more information.

En la edición de Los Tenores de este miércoles 8 de octubre, nuestros panelistas analizaron la estrepitosa eliminación de La Roja en el Mundial Sub 20 tras caer ante México por 4-1. Cristian Arcos, Danilo Díaz, Pancho Mouat, Víctor Cruces y Carlos Costas, comentaron las reacciones de Nicolás Córdova una vez terminado el encuentro, la opinión de los jugadores acerca de su continuidad y amistoso de la selección adulta ante Perú de este viernes. Además, anticiparon el partido de Colo Colo y Deportes Puerto Montt de esta tarde y conversaron sobre diversos temas con Guillermo Coppola, reconocido exrepresentante de Diego Maradona. Revive la edición de Los Tenores de este miércoles 8 de octubre y no te pierdas ningún detalle del “clásico de las dos”, donde también vivieron una versión del once de Manolo, donde se armo un equipo relacionado a los veedores del fútbol.See omnystudio.com/listener for privacy information.

Andrea Bini"Jaws. Lo squalo"La forma della pauraRubbettino Editorehttps://www.store.rubbettinoeditore.it/catalogo/jaws-lo-squalo/Nel 2025 Lo Squalo – ovvero Jaws nel titolo originale – compie esattamene 50 anni: uscito nell'estate del 1975 come adattamento dell'omonimo romanzo di Peter Benchley, fu un successo travolgente ed un grande fenomeno di costume che lanciò la carriera del suo giovane e sconosciuto regista allora al suo secondo film. Un certo Steven Spielberg, il quale dopo mezzo secolo è ancora uno dei registi più importanti di Hollywood. Ma l'enorme popolarità del film ha paradossalmente oscurato le sue vere qualità: per decenni i critici piùimportanti sono rimasti – letteralmente – alla superfice, incapaci di coglierne gli aspetti più complessi e profondi. Questo volume intende dimostrare che Lo squalo è molto di più di una “micidiale macchina per produrre paura” (come è stato definito con un certo disprezzo) ma un raffinatissimo film d'autore, degno di essere messo accanto alle grandi opere della cosiddetta “New Hollywood” degli anni Sessanta-Settanta (i vari Penn, Altman, Coppola, Scorsese), sia per lo stile innovativo che per il modo in cui denunciava impietosamente i mali della società americana contemporanea. Ma Lo squalo è allo stesso tempo un sofisticato esempio di “meta-cinema” di suspense che rimanda al maestro del genere Alfred Hitchcock, e soprattutto al suo capolavoro Gli uccelli di cui può essere considerato un vero e proprio remake.Andrea Bini dopo la laurea in Filosofia alla Sapienza di Roma, si è trasferito in America dove ha conseguito un Master in Film e Media Studies all'Università di Austin, Texas ed un Dottorato in Italianistica ad UCLA. Attualmente collabora con Temple University- Rome e l'American University of Rome, dove tiene corsi di cinema, mass media e cultura italiana. È autore di articoli e di un saggio sulla commedia all'italiana.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Être critique, écrire sur les actrices Elle a détesté Barbie de Greta Gerwig pour son « fétichisme de la marchandise gonflé aux dimensions d'un blockbuster estival », son « auteurisme définitivement dévoré par l'hégémonie des franchises, l'ironie permanente et la postmodernité comme impasses narratives » ou « et c'est sans doute le plus pénible », écrivit-elle dans Le Monde, « la défense d'un féminisme néolibéral infantilisant devenu la façade respectable d'un capitalisme décomplexé ».Pour Murielle Joudet, un·e critique doit être « une sorte d'enfant obèse et ingrat, comme les post-humains imaginés par le studio Pixar dans Wall-E. Il ou elle ne doit rien à personne, parce qu'il ou elle n'a rien à revendiquer, rien à vendre et que personne ne l'aime. J'ai vu des critiques arrondir les angles d'une interview, couper ce qui pouvait être (un peu) choquant et ça m'a servi de leçon. J'écris des livres pour parler en mon nom, pour y aller à fond. »Après 21 pages sur Coppola en 2016 (dans un bouquin où elle était la seule femme parmi neuf auteurs), et entre les dizaines d'articles du monumental Hitchcock la totale en 2019 (co-signé avec trois complices de la Cinémathèque française), Murielle Joudet se donne enfin le premier rôle via deux ouvrages consacrés à deux actrices majuscules. D'abord Isabelle Huppert, avec Vivre ne nous regarde pas en 2018, puis Gena Rowlands en 2021, avec On aurait dû dormir, récompensé par le Centre National de la Cinématographie.Ce deuxième épisode dissèque ce remarquable diptyque contre l'ennui, pensé pour honorer des performances qui « tournent autour de la folie en s'aventurant très loin dans l'idée de se rendre incompréhensibles ». En montrant par exemple comment Gena Rowlands, égérie du cinéma de son compagnon John Cassavetes, parvient à traduire physiquement le « flux de conscience » cher à Virginia Woolf. « Son corps s'infléchit à la moindre pensée : elle ne ravale aucun état d'âme, les laisse infuser, fait du montage d'humeurs à même son corps, traversée par une violence inouïe. On peut avoir des éclats dépressifs ou des élans d'euphorie, dissimulés en général sous un masque de neutralité. Son masque glisse tout le temps. » Bas les masques, tout pour la plume.L'autrice du mois : Murielle JoudetNée en 1991 à Paris, Murielle Joudet est critique de cinéma dans la presse (Le Monde), à la radio (sur France Inter pour Le masque et la plume), en ligne (dans le podcast Sortie de secours ou via l'émission Dans le film sur le site Hors-Série) ou pour la Cinémathèque française. Elle a publié quatre ouvrages qui documentent avec rigueur des façons de défier les conventions, en tant que femme, dans l'industrie du 7e art : Isabelle Huppert – vivre ne nous regarde pas (Capricci, 2018), Gena Rowlands – on aurait dû dormir (Capricci, 2021), La seconde femme – ce que les actrices font à la vieillesse (Premier Parallèle, 2022) et un recueil d'entretiens avec la cinéaste Catherine Breillat, Je ne crois qu'en moi (Capricci, 2023). Elle vit et travaille à Paris. Enregistrement juillet 2025 Entretien, découpage Richard Gaitet Prise de son Mathilde Guermonprez Montage Étienne Bottini Réalisation, mixage Charlie Marcelet Musiques originales Samuel Hirsch Harpe, flûte, clarinette, cor, basson, xylophone, timbales et gong Xavier Thiry Illustration Sylvain Cabot

Director Mike Figgis made the most of his opportunity to follow Francis Ford Coppola as the octogenarian filmmaker poured heart and soul, not to mention tens of millions of dollars, into making his 2024 narrative feature, Megalopolis. Figgis tells us what he observed behind the scenes as Coppola attempted to bring his cinematic vision to life, beset by creative issues that led to firings and resignations, and conflict with one of his principal actors, Shia LaBeouf.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we welcome editor Glen Scantlebury, ACE. Glen has worked on a variety of influential films such as Megalopolis, Dracula, The Cotton Club, The Godfather Part III, Armageddon, Con Air, The Rock, Lara Croft: Tomb Raider, The Texas Chainsaw Massacre (2003), Friday the 13th (2009), A Nightmare on Elm Street (2010), Tropic Thunder, and Palo Alto. In our chat, we hear about his pathway to editing features, his role in pioneering digital editing workflows, collaborating with Francis Ford Coppola, and much more. Glen also offers the next generation of creators various insights and recommendations on editing and storytelling. “The Making Of” is presented by AJA:Gear up: AJA just launched new techFlexibility is everything in production, which is one of many reasons to check out AJA's newest products. IP25-R bridges SMPTE ST 2110 networks and 4K SDI/HDMI infrastructure, UDC-4K scales between HD and 4K/UltraHD, and BRIDGE LIVE 12G-4 provides a multi-channel UltraHD IP video workflow bridge for remote production, streaming, video contribution, and more. Learn more.Next-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor. Explore hereThe Art of Editing “Andor” with Yan Miles, ACE: OWC Takes Home Two Future's Best of IBC2025 Show Awards:Both the OWC Thunderbolt 5 Dual 10GbE Network Dock and OWC Jellyfish S24 Earn Coveted Honor at IBCOther World Computing announced its OWC Thunderbolt 5 Dual 10GbE Network Dock and its OWC Jellyfish S24 have both been awarded a Future's Best of Show Award, presented at IBC2025 by TVBEurope. Read more here Introducing Ninja TX:Introducing Ninja TX, the all-new addition to the Ninja family. It's equipped with 12G-SDI and HDMI, so now you can monitor & record from any pro camera to ultra-fast CFexpress media or external USB-C storage. You also get built in Wi-Fi for C2C workflows and AirGluTM timecode for multicam projects, all in a lightweight, compact 5-inch form factor. Atomos Ninja TX is available for pre-order for only $999 at Videoguys.com. Learn more herePost|Production World NY 2025:We're proud to support Post|Production World NY 2025, October 22–23 at NAB Show New York. Join editors, filmmakers, and creators for two days of expert-led sessions in color grading, cinematography, workflows, and creative AI. Save 15% with code FMCP15. Get your pass herePodcast Rewind:Sept 2025 - Ep. 95…Sponsor “The Making Of” newsletter and reach 250,000 filmmakers, TV production pros, and content creators each week. For more info, email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

This week we plunge along in the mysterious wilderness that is “Directors in Short Pants” with the directorial debut of Sofia “Please Don't Make Me Act Anymore, Dad!” Coppola. Her freshman effort was “The Virgin Suicides,” perhaps not as popular as some of her later films but one that certainly got talked about. Honestly, it's … Continue reading "Episode 352 – The Virgin Suicides (1999)"

This week on So Many Sequels, we're revisiting Sofia Coppola's Oscar-winning Lost in Translation (2003). Bill Murray and Scarlett Johansson star in this quiet, atmospheric story about loneliness, connection, and finding solace in unexpected places.We break down Coppola's direction, the film's unique vibe, the unforgettable Tokyo setting, and why the ending whisper still sparks debate today. Plus: box office history, awards buzz, and how this movie holds up 20 years later.00:00 – Intro & Female Directors Month kickoff02:00 – Lost in Translation box office & Oscar run06:00 – First impressions & expectations12:00 – Themes of loneliness, isolation & connection18:00 – Performances by Bill Murray & Scarlett Johansson24:00 – The whisper ending & cultural impact30:00 – Final reviews & Letterboxd game

Francis Ford Coppola's The Godfather (1972) is widely regarded as one of the greatest films of all time. Based on Mario Puzo's best-selling 1969 novel, The Godfather depicts the rise and legacy of the Corleone family, a fictional Italian-American organized crime family led by Vito Corleone and the transformation of his son Michael from a reluctant outsider to a ruthless mafia boss. The film, which features an ensemble cast of American film icons, including Marlon Brando, Al Pacino, James Caan, Robert Duval, Diane Keaton, Talia Shire, and John Cazale, explores themes of family, power, and the American Dream. It also provides a window into the relationship between law and culture while offering complex perspectives on the meaning of justice. Timestamps: 0:00     Introduction 3:08     “I believe in America” 12:27    Business and the personal 14:07    Competing views of law and justice in America 16:57    The legitimate and illegitimate, the sacred and the profane20:52   Narratives about the mafia 26:59   The consigliere 33:59   Tensions between tradition and modernity 39:37    Ritual44:41    Performance and power 49:11     Retribution 55:18     The mafia and The Godfather 56:48    Codes of loyalty 102:39   The immigrant experience Further reading: Barber, Nicholas, “The Godfather: Have we misunderstood America's greatest film?”, BBC (Mar. 13, 2022) Coppola, Francis Ford, The Godfather Notebook (2016) Denvir, John, “The Slotting Function: How Movies Influence Political Decision,” 28 Vermont L. Rev. 799 (2003-04) Gambrell, Brian C., “Leave the Representation, Take the Cannoli: The Crime Fraud Exception to the Attorney-Client Privilege and ‘The Godfather,'” 23 South Carolina Lawyer (2011-12) Papke, David, “Myth and Meaning: Francis Ford Coppola and Popular Response to The Godfather Trilogy,” in Legal Reelism: Movies as Legal Text (John Denvir ed., 1996) Puzo, Mario, The Godfather (1969) Seal, Mark, Leave the Gun, Take the Cannoli: The Epic Story of the Making of The Godfather (2021) Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

En este nuevo episodio de Estamos de Cine cambiamos de pantalla: dejamos la grande para sumergirnos en la pequeña. Repasamos las series que han marcado el verano de 2025 con un "Súper Filtro Rachel" cargado de títulos imprescindibles: la esperada temporada de Miércoles, la dureza de Mobland, la comedia deportiva de Stick: Cracks del golf y la desconcertante producción española Furia. Un episodio pensado para seriéfilos que no quieren perder detalle de lo que se cuece en la televisión y las plataformas Min 4: MIÉRCOLES: LOS ADAMS RETUERCEN SU ESENCIA La segunda entrega de Miércoles confirma el fenómeno global que Netflix alumbró en 2022. La joven heredera de la familia Addams, encarnada de nuevo por Jenna Ortega, regresa a la Academia Nunca Más para enfrentarse a un verano seriéfilo marcado por misterios más oscuros, giros sobrenaturales y un retrato aún más ácido de la adolescencia. Tim Burton mantiene la atmósfera gótica y la ironía corrosiva, pero la serie busca ahora mayor madurez narrativa, combinando thriller juvenil y comentario social con una estética que vuelve a hipnotizar. NOTA EDC SERIES: 3,75 Min 13: "MOBLAND: TIERRA DE MAFIOSOS" ¿LA SERIE DEL AÑO? El desenlace de Mobland cumple con lo prometido: una inmersión sin concesiones en los códigos de la mafia contemporánea, donde la lealtad y la traición conviven en cada plano. La serie, que arrancó como un retrato coral de familias enfrentadas por el control del negocio, alcanza en su último capítulo un clímax de violencia contenida y pactos imposibles. Con ecos del cine clásico de Scorsese y Coppola, pero adaptada al ritmo de las plataformas actuales, Mobland despide su temporada consolidándose como una de las propuestas más intensas y adictivas del año. NOTA EDC SERIES: 4 estrellas Min 18: FURIA: LA SENSACIÓN ESPAÑOLA DEL VERANO La ficción española Furia se ha convertido en uno de los títulos más desconcertantes y comentados del verano. Con un tono que oscila entre el thriller psicológico y el drama social, la serie explora el lado más oscuro de las emociones humanas y la violencia soterrada que late en nuestro entorno cotidiano. Su narrativa fragmentada, cargada de simbolismo y de atmósferas opresivas, desafía al espectador con un juego constante entre lo real y lo imaginado. No es una propuesta fácil ni busca serlo: Furia apuesta por incomodar, por sacudir conciencias y por abrir debate sobre el miedo, la rabia y la fragilidad de las certezas. NOTA EDC SERIS: 3,5 estrellas Min 27: "STICKS: CRACKS DEL GOLF": BUENROLLISMO A LO TED LASSO La comedia deportiva de Apple TV+ cierra su primera etapa confirmando que el golf también puede ser terreno fértil para el humor ácido y el retrato generacional. Stick: Cracks del Golf despide temporada con un episodio que mezcla lo disparatado y lo entrañable, jugando tanto con la sátira del mundo elitista del deporte como con la evolución personal de sus protagonistas. El desenlace mantiene la frescura y el ritmo irreverente que han convertido a la serie en una sorpresa de la temporada, a la vez que siembra dudas y expectativas sobre el futuro de sus personajes dentro y fuera del green. Un cierre divertido y con más de un guiño a la cultura pop que consolida la serie como comedia ligera pero con pegada. NOTA EDC SERIES: 3,5 estrellas Min 33: "DOS TUMBAS". Thriller de catálogo made in Netflix Dos tumbas, creada por Agustín Martínez y escrita bajo el seudónimo Carmen Mola, es un thriller de intriga ambientado en la costa malagueña que impacta por su intensidad dramática en apenas tres episodios. En él, la abuela Isabel (una imponente Kiti Mánver) se convierte en investigadora fronteriza cuando sus nieta y su amiga desaparecen sin respuestas oficiales. Lo que comienza como una indagación desesperada se transforma en una implacable cruzada de venganza, donde la justicia paralela amenaza con devorar a quien la busca. NOTA EDC SERIES: 2,5 estrellas MIN 39: NOVEDADES Y ESTRENOS:THE RUNAROUND (Prime Video) Prime Video desembarca este septiembre con The Runarounds, una serie juvenil musical creada por Jonas Pate (co-creador de Outer Banks). Con sus ocho episodios disponibles desde el primer día—estrenados el 1 de septiembre de 2025—la ficción plantea un verano crucial en Wilmington, Carolina del Norte. NOTA EDC: 3,5 estrellas MIN 43: MONTECRISTO (MOVISTAR +) ¿QUIÉN HA HECHO ESTO? Montecristo propone una versión contemporánea del clásico de Alexandre Dumas al trasladar la venganza del mítico Conde a las altas esferas del capitalismo global. William Levy encarna a Alejandro Montecristo, un carismático empresario cubano fundador de una startup tecnológica que irrumpe en la élite madrileña con una fortuna envuelta en misterio. En realidad, es Edmundo Dantés, traicionado y dado por muerto, de regreso para ajustar cuentas tras dos décadas. NOTAS EDC SERIES: 1 estrella MIN 46: "FALSO AMOR Y VENGANZA" (NETFLIX) also amor y venganza se distancia del formato pasivo de su antecesor (El Estafador de Tinder) para adoptar una narrativa activa y empoderadora. La docuserie despliega seis episodios de aproximadamente 40 minutos que siguen a Cecilie Fjellhøy —víctima emblemática del timador Simon Leviev— y a la investigadora privada Brianne Joseph en su cruzada por ayudar a otras víctimas de estafas románticas a recuperar sus vidas, su dignidad y, sobre todo, cerrar heridas profundas. Min 48: LA MEJOR BSO DE SERIE DEL VERANO PARA ÁNGEL LUQUE Nuestro experto en series, Anagle Luque, pone la aguja en el tocadiscos del verano para repasar las ficciones más sonadas y elegir la banda sonora que mejor lo ha definido. ¿Habrá que apostar por el pulso criminal de Mobland: Tierra de Mafiosos? ¿Se impondrá la oscuridad magnética de Miércoles? ¿O nos sorprenderá con una joya escondida en el catálogo infinito de las plataformas? Sea cual sea la respuesta, lo que está claro es que las series vuelven a escena. Subimos el telón y damos comienzo al 3x01 de Estamos de Cine – Edición Series en Radio Castilla-La Mancha.

John was feeling it for this episode, bringing a up for it selection of unadulterated soulful and funky grooves. Enjoy. Tracklist: 1. Yam who? Ft. Noel McKoy - Summertime (Opolopo remix2. Gina Jeanz, Mumbi Kasumba - Tropic city (Simbad Feels Right Dub)3. Nu Guinea - Je vulesse4. Daniel Rateuke ft. Ursala Rucker - Or stay alive (Richard Earnshaw ‘Inner Spirit' extended mix)5. Coppola ft. 2strange - Kings & Queens 6. The Rainmakers ft. Lady Alma - Let it fall (Harlem mix)7. Soulmagic - Soulmagic (Saison remix)8. Veev - Recall9. Allen Craig ft. Tobirus Mozelle - Never alone (Nathan G remix)10. Fuminori Kagajo ft. Jaidene Veda - The Blue (Eric Kupper remix)11. Paskal & Urban Absolutes ft. Charlie Sputnik - Ooh (Phil Weeks remix)12. Loud & Classiizz - I don't know me (Original)13. Marcel Vogel ft. Tim Jules - Like a fish in the water14. Heller & Farley Project - Ultra Flava (David Penn extended remix)15. Incognito ft. Jocelyn Brown - Always there (GDE always Keith edit)16. Elements of Life & Jasper Street company - Stand on the word (Dj Spen & Gary Hudgins Holy Horn dub)17. Tasha LaRae and Dj Spen - Wish I didn't miss you (John Morales M+M vocal mix)18. Trentmoller - Le Champagne19. YolaDisko - You can't play around (Club mix)20. Michael Gray ft. Kimberly Brown - Brother, Brother21. Aki Bergen ft. Carmen Sherry - Into my soul (Full intention remix)

This week's episode of the Empire Podcast asks perhaps the biggest question ever tackled on this show: who would win in a fight between the Gleesons and the Skarsgårds? Join Chris Hewitt, Helen O'Hara, James Dyer, and Amon Warmann, as they tackle that scenario and more. Is the world truly ready for the Coppola clan kicking bottom? Elsewhere, our intrepid quartet discuss the week's movie news (Star Wars! Superman! Lara Croft!), including a discussion of the trailer for 28 Years Later: The Bone Temple that discusses spoilers for 28 Years Later. So, if you wish to skip, that runs from 53:44 - 58:00 approx. Oh, and they also review Spike Lee's reunion with Denzel Washington, Highest 2 Lowest, The Conjuring: The Devil Made Me Do It, Ethan Coen's Honey Don't, and Orlando Bloom's searing boxing drama, The Cut. In fact, Orlando is one of our guests this week, joining The Cut's director Sean Ellis to chat with Chris on Zoom about the extreme lengths, physical and otherwise, he went to for the film. [1:08:37 - 1:25:12 approx] And Chris also sits down in the podbooth with MJ Bassett, director of the brand new version of Red Sonja, for a candid conversation about MJ's long-held determination to make a Red Sonja movie, her recent decision to leave the United States to return to Britain, and much, much more. [22:22 - 40:22 approx] Enjoy.

durée : 00:02:27 - Les 80'' - par : Nicolas Demorand - Ce matin j'aimerais vous parler des éléphants. Des éléphants au cinéma et dans la littérature. Alors que s'achève demain la Mostra de Venise, le grand réalisateur Werner Herzog s'est vu remettre des mains de Coppola un lion d'or pour l'ensemble de sa carrière. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Chris Paul and Burning Bright dive into Sofia Coppola's Lost in Translation, unpacking its themes of alienation, paradigm shifts, and fleeting human connection. They explore Bill Murray and Scarlett Johansson's unlikely bond in Tokyo, debating whether the film's ambiguity makes it profound or pretentious. The hosts tackle Coppola's directing choices, the infamous opening shot, and the controversy of Johansson's age during filming, weighing how Hollywood's “male gaze” and art-house ambitions collide. From existential dread to pseudo-intellectual musings, they contrast Murray's weathered perspective with Johansson's youthful searching, examining how both characters project fantasies of freedom while feeling trapped in different ways. Along the way, they connect the film's commentary on identity and artifice to the decline of the modern movie star, social media overexposure, and Hollywood's struggle to create new icons. The episode closes with reflections on ambiguous endings, fantasy vs. reality, and next week's pick, M. Night Shyamalan's Split. It's a thoughtful, critical, and often humorous exploration of a movie that lingers long after the credits roll.

The Tre Lamb era kicked off at home with a resounding 35-7 victory over the #16 FCS team in the country in Abilene Christian. Can TU keep the momentum going and go get a road win at New Mexico State?To help us preview the Aggies, we welcome in Nick Coppola from the Las Cruces Sun-News.In this one, we:* Recap the Abilene Christian win, especially the two fourth down stops and Angus Davies' 80 YARD PUNT* Award our players of the game* Review the new turf and the new Tulsa Golden Lager* Take a look Around the American for week one* Preview New Mexico State with Nick Coppola* Catch up on men's & women's soccer, volleyball, women's golf, and cross countryHuge shout out to Anthony, **OUR FIRST EDITOR**! This episode was his first edit for us. We're extremely excited and grateful to have him on board. Join our Patreon to support the show and unlock a bunch of bonus content: https://patreon.com/thegoldenhurricast

This week on the pod, we welcome Bobby Coppola, Chief Strategy Officer and Bryant Gauthier, Vice President of Legal Technology at PLUSnxt. Bobby shares how his path from big law to legal tech shaped his focus on client service and strategy, while Bryant returns to the show to talk about what drew him to PLUSnxt after his time at Celerity.We break down what sets PLUSnxt apart in the crowded eDiscovery space, from helping clients separate hype from reality to focusing on innovation that actually makes life easier for corporations and law firms. The conversation turns to artificial intelligence in document review, obviously, where Bobby and Bryant highlight where adoption is real, where skepticism remains, and how GenAI is shifting client expectations. They also weigh in on whether the future lies in best-of-breed solutions or all-in-one platforms, sharing why no one really wants to manage a “franken-stack.” To wrap up, Bobby and Bryant share their takeaways from ILTACON and what trends they see shaping the next phase of legal tech.Along the way, the group reminisces about the dot-com era, old chat rooms (ASL anyone?), answering machines, fax machines, the Movie Phone guy, and even the “Callin' Oates” hotline. Definitely check this one out!At the intersection of law, business, and technology, Bobby Coppola  is focused on delivering industry leading legal technology and services to achieve the best outcome for his clients. He leverages his unique skill set based on his big law background and decades long-experience in the eDiscovery space to solve business and legal problems for companies and law firms globally. As Chief Strategy Officer at PLUSnxt, he is focused on the development of the company's short- and long-term strategy from both an operational and growth perspective. The underpinning of his approach to client relationships is a fanatical focus on client service and a vision of always putting himself in his client's position when developing a strategic plan for success.Bryant Gauthier is Vice President of Legal Technology at PLUSnxt, where he advises law firms and corporate counsel on building efficient eDiscovery programs. With more than 20 years of experience, he helps clients leverage technology, processes, and analytics to reduce costs and manage risk across the EDRM. He has led the launch of eDiscovery departments using advanced tools such as CAL, TAR, AI, text-to-audio search, and image recognition to streamline document review and investigations. His background includes leadership roles at Huron Consulting, Skadden Arps, Buckley Sandler, Finnegan Henderson, and Xerox.  Bryant supports legal teams in litigation, investigations, and regulatory matters, including SEC, DOJ, and CFPB inquiries, across industries such as banking, energy, healthcare, intellectual property, and technology. His expertise covers data identification, analysis, governance, privacy, and cross-border matters. PLUSnxt is a legal technology and services provider that helps law firms and corporations manage complex eDiscovery challenges with a focus on practical innovation and client service. They emphasizes building solutions that cut through the noise of legal tech hype, offering tools and expertise that actually improve how legal teams review, analyze, and manage data. PLUSnxt brings a mix of deep technical knowledge and real-world legal experience to its clients. Their approach combines advanced technologies such as AI and analytics with a clear understanding of business and legal priorities, making them a trusted partner for organizations navigating litigation, investigations, and regulatory matters.


Mit «2 Franken 95, bitte» hat für Beki Probst alles angefangen – im Kassehüsli vor dem Kino in Bern. Heute gilt sie als Grande Dame des europäischen Films. In «Focus» spricht sie über die Zauberformel des Erfolgs, über die grosse Liebe oder BH-Pannen in Hollywood. Beki Probst wuchs in einer jüdischen Familie in Istanbul auf. Als junge Frau führt sie die Liebe nach Bern - und direkt ins Kassenhäuschen eines Kinos. Heute ist die schlagfertige Frau eine Legende im Filmgeschäft: alle kennen Beki und Beki kennt alle. Sie verhandelte mit Coppola bis Streep, kuratierte Festivals und formte mit der Berlinale den globalen Filmmarkt. Stets blieb sie «d Beki us Bern». In «Focus» mit Kathrin Hönegger verrät die Frau «ohne Alter», wie sie selbst das beste Drehbuch für ihr Leben schrieb. ____________________ Habt ihr Feedback, Fragen oder Wünsche? Wir freuen uns auf eure Nachrichten an focus@srf.ch – und wenn ihr euren Freund:innen und Kolleg:innen von uns erzählt. ____________________ Host - Kathrin Hönegger ____________________ Das ist «Focus»: Ein Gast – eine Stunde. «Focus» ist der SRF-Talk, der Tiefe mit Leichtigkeit verbindet. Nirgends lernt man Persönlichkeiten besser kennen.

Cet épisode est présenté par Squarespace.Vous voulez lancer votre marque, votre projet ou votre portfolio ?Squarespace est l'outil que j'aurais rêvé d'avoir à mes débuts : templates élégants, boutique en ligne intégrée, paiement sécurisé, gestion des stocks, emailing, optimisation SEO… tout en un, sans développeur et sans prise de tête.Essayez 14 jours. -10 % avec le code BOLD → squarespace.com/BOLD

8-20-25 Las Cruces Sun News' Nick Coppola joins TEAM Talk with more on the Greg Heiar settlement & updates as Fern Lovo visits Las Cruces

Dean's Chat hosts, Drs. Jeffrey Jensen and Johanna Richey, welcome Dr. Joseph Coppola to the podcast! Dr. Coppola is a yound practitioner in Massachusetts, practicing in Community Health Centers in Lynn and Peabody. A fantastic discussion on underserved communities, the medical challenges, the creative ways care can be delivered, and the compassion and empathy he has for his patients.   Joseph has been in education since 2012, teaching within the Boston Public Health Commission/Boston University School of Medicine.  He taught Anatomy, Physiology, and Biology to high school students.  His life long passion for teaching is evident.  A graduate of the New York College of Podiatric Medicine in 2020, Dr.  Coppola did his 3 year residency training in Podiatric Medicine and Surgery at the Metrowest Medical Center in Framingham, MA.   We had a chance to talk about our Dean's Chat sponsor, Bako Diagnostics, as Dr. Coppola participated in the Bako Diagnostics Mini-Fellowship in April 2023. We discussed the intensive Dermatopathology rotation that focuses on the principles of Podiatric Dermatology. He learned different biopsy techniques, utilization of instruments with exposure to specialized testing such as ENFD, immunohistochemistry, mass spectrometry, and real time PCR interpretations of complex cases from the lower extremity.   Enjoy!

¿Cómo lograron dos inmigrantes pobres, llegados desde Italia, formar una familia y un imperio criminal en Nueva York? Luchando, trabajando juntos, confiando en el otro. Todo lo que serían los Corleone, alguna vez en un lejano futuro, está en una magnífica escena de su humilde pasado.

REDIFF - Coppola c'est l'anti-Hollywood ! L'homme qui a marqué des générations avec "Le Parrain", et qui, par sa mégalomanie, a imposé non seulement sa vision du cinéma mais aussi sa façon unique de procéder. Une méthode parfois destructrice, comme pour ce tournage cauchemardesque du film "Apocalypse Now", que Confidentiel vous raconte.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Lyvie Scott returns as we revisit Sofia Coppola's 2017 southern gothic drama when she remade The Beguiled! Together we chat about the differences from the original Don Segal film, how great of an ensemble Coppola put together, sound design and how sympathy to the McBurney character

Welcome back to The Film Library, a Kanopy podcast where we dig into cinematic oddities, unforgettable characters, and genre gems that deserve a second look—no film degree required.  This week, hosts Kristy Puchko (Entertainment Editor at Mashable) and Jeff Rauseo (film lover, movie marathoner, and lifelong believer that the truth is out there) face off in a genre showdown between monsters that crawl from the shadows and visitors from beyond the stars. Join them as they explore everything from creature features that wreak havoc on cities to alien tales that challenge our understanding of humanity, it's a battle of the bizarre.  Kristy unleashes a trio of monster tales that span from gothic romance and grotesque transformations to a giant river-dwelling creature that terrorizes a city. Meanwhile, Jeff takes us on a journey through alien encounters, from low-budget splatterfests and existential comedies to a linguistically rich first-contact drama that asks what it really means to communicate.  Whether you're into monster mayhem or visitors from beyond the stars, this episode is packed with thrills, chills, and a few laughs along the way.  So grab your popcorn, dim the lights, and let the genre games begin.    Follow Kristy on Instagram @thekristypuchko and Letterboxd @kristypuchko.       Follow Jeff on Instagram, TikTok, and Letterboxd @jeffrauseo.       Follow Kanopy on Letterboxd to see the full episode list.   Stream the films we mention for free at kanopy.com with a library card or university ID from a participating institution.      Episode Highlights  00:30 — Godzilla vs. Xenomorphs?  Kristy and Jeff open with a hypothetical showdown between two cinematic icons—and use it to kick off their picks for the ultimate monster and alien movies.  02:00 — The Host (2006)  Kristy praises Bong Joon-ho's terrifying river beast and the political subtext behind this modern Korean monster classic.  05:30 — Arrival (2016)  Jeff shares why Denis Villeneuve's emotional, linguistics-driven alien drama might be the quietest, most powerful invasion film ever made.  09:00 — Bram Stoker's Dracula (1992)  Kristy revisits Coppola's lush, sensual take on the vampire myth—and makes a case for why this Dracula might be the scariest and sexiest of them all.  13:00 — I'm Totally Fine (2022)  Jeff spotlights this underseen indie about grief, healing, and alien imposters—with a heartfelt performance from Jillian Bell.  17:10 — Trollhunter (2010)  Kristy celebrates the Norwegian found-footage thriller that mixes mythology, mockumentary, and monster-hunting mayhem.  24:15 — Bad Taste (1987)  Jeff goes full cult-classic with Peter Jackson's splatter-filled alien debut—a DIY gorefest where extraterrestrials harvest humans for fast food. 

From 1999- more from Michael Schumacher, talking about his book "Francis Ford Coppola: a Filmmaker's Life." Earlier this year, Coppola became the 50th person to receive the Life Achievement Award from the American Film Institute.

Earlier this year, Francis Ford Coppola became the 50th person to be granted the American Film Institute's Life Achievement Award- and the star-studded ceremony where he was presented the award was recently telecast on Turner Classic Movies. In honor of that, we are resharing our 1999 interview with Kenosha author Michael Schumacher in which we talk about his book "Francis Ford Coppola: A Filmmaker's Life." Coppola is renowned for directing and/or producing such films as "The Godfather," "The Godfather II," "Apocalypse Now," "The Outsiders," "Peggy Sue Got Married," "American Graffiti," and "The Cotton Club."

In 1996, Francis Ford Coppola needed the money. He was coming off a run of films that included The Godfather Part III, Bram Stoker's Dracula, and Jack.  His critical and box office results were at a career nadir. So he agreed to direct an adaptation of the John Grisham bestseller 'The Rainmaker' for Paramount.  He wouldn't direct another film for 10 years.  And he'd make only four more, including the epic disaster 'Megalopolis'. Curious then that 'The Rainmaker' is a superlative example of a courtroom thriller, a  big-business-versus-the-little-guy movie that features fantastic performances from a large cast of total pros; a film that deserves to be considered among Coppola's best, and maybe a film whose constraints brought out the best in a filmmaker not know for personal or professional restraint.

Alfredo Coppola, Co-CEO of the US Market Access Center, shares his invaluable insights about the intricate landscape of Silicon Valley for international startup founders. Alfredo unravels the common misconceptions about the allure of easy venture capital and underscores the necessity for global entrepreneurs to immerse themselves in the Valley's dynamic environment. We dissect the rapidly evolving investment climate, spotlighted by innovations such as OpenAI, and explore the significant role immigrant founders play in the technology sector's success. Our conversation also touches on the urgent call for European countries, particularly Italy, to amp up their digital innovation through more robust government investments. Alfredo Coppola is Co-CEO at US Market Access Center (USMAC), the longest-standing startup accelerator in Silicon Valley, which helps international startups with global market expansion. Alfredo is also the co-founder of Prospera Women, a global platform that equips women entrepreneurs with the skills and resources needed to grow beyond local markets and succeed on a global scale. Alfredo is also an executive member of Marin-Sonoma Impact Ventures, an angel investor organization based in the San Francisco Bay Area that invests in both American and global startups. In this episode, you'll hear about: Alfredo Coppola's insights on the Silicon Valley landscape for international founders Misconceptions about easy access to venture capital in Silicon Valley Importance of securing customers early over seeking capital, especially for B2B vs. B2C Think Big, Start Smart, Scale Fast program fostering global entrepreneurial mindset Significant role of mentorship and accelerators in startup success Impact of immigrant founders and the multicultural dynamics of Silicon Valley Follow and Review: We'd love for you to follow us if you haven't yet. Click that purple '+' in the top right corner of your Apple Podcasts app. We'd love it even more if you could drop a review or 5-star rating over on Apple Podcasts. Simply select “Ratings and Reviews” and “Write a Review” then a quick line with your favorite part of the episode. It only takes a second and it helps spread the word about the podcast. Supporting Resources: Linkedin - https://www.linkedin.com/in/acoppola/ https://www.linkedin.com/company/prospera-women https://www.linkedin.com/company/us-market-access-center Website - https://www.prosperawomen.com/ https://usmarketaccess.com/ Alcorn Immigration Law: Subscribe to the monthly Alcorn newsletter Sophie Alcorn Podcast: Episode 16: E-2 Visa for Founders and Employees Episode 19: Australian Visas Including E-3 Episode 20: TN Visas and Status for Canadian and Mexican Citizens Immigration Options for Talent, Investors, and Founders Immigration Law for Tech Startups eBook  

Dracula may never stay dead, but his film incarnations sure evolve—or devolve—across decades. In this episode, Kyle Olson guides Pete Wright, Kynan Dias, and Tommy Metz III through three flavors of Dracula: Bram Stoker's Dracula (1992), Dracula 2000, and Dracula Untold.They dig into Coppola's sweaty gothic melodrama, where Oldman chews the scenery and Keanu Reeves gets chewed out. Then it's on to Dracula 2000, where Gerard Butler's vampire has some serious history, and finally Dracula Untold, where Luke Evans broods his way through a Marvel-ified antihero origin story.The team debates: Is Dracula sexy? Is he even supposed to be? Is he best as a metaphor for carnal desire, theological vengeance, or medieval honor? And what happens when you declaw the monster in hopes of building a cinematic universe?Kyle signs off with a legacy worthy of the Count himself, and Tommy reveals next month's theme: rug-pulling horror films with Barbarian, Strange Darling, and the legendary British TV special Ghostwatch.Film SundriesThe List on LetterboxdWatch the movies discussed:Bram Stoker's Dracula: Apple • Amazon • LetterboxdDracula 2000: Apple • Amazon • LetterboxdDracula Untold: Apple • Amazon • LetterboxdThe Drac Pack (00:00) - Welcome to Sitting in the Dark (08:41) - Bram Stoker's Dracula (34:41) - Dracula 2000 (50:36) - Dracula Untold (01:09:11) - The Drac Pack (01:15:44) - But Kyle promised immortality! (01:17:42) - Coming Attractions Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Amazon new listening app... Uber with new plan using women… Candace Owens sued by Macrons…  www.keksi.com Promo code Jeffy18 ( limited time ) Chevron and Hess merge… Union Pacific and Norfolk Southern may merge?... Southwest Airlines changes... ChewingTheFat@theblaze.com Thanks to listeners around the world.. Coppola not done with Megalopolis… JLO done with Ben and lookin bidness... www.blazetv.com/jeffy Promo code Jeffy… Who Died Today: Rene Kirby 71 / Eliotte Heinz 22… Bryon Kohberger sentenced to life in prison… Sixteen-year-old arrested / Spirit Airlines / “I've got a bomb in my pocket” Joke of The Day / Real or Joke? You Decide… Learn more about your ad choices. Visit megaphone.fm/adchoices

In this conversation, filmmaker James DeMonaco discusses his journey from writing the comedy “Jack” and working with Francis Ford Coppola and Luc Besson, to creating the successful “Purge” franchise. Up next is his latest, a psychological horror film, “The Home” starring Pete Davidson, which is releasing theatrically July 25th via Roadside Attractions. DeMonaco shares insights on genre forms in screenwriting - and a 30 year career as a Hollywood screenwriter, the challenges of production, and the importance of audience engagement. He reflects on his experiences with notable actors and directors, and the creative process behind his films, emphasizing the need for authenticity and emotional connection in storytelling. Many past inspirations are discussed including the 1977 supernatural horror “The Sentinel” directed by Michael Winner, as well as James' ongoing passion for Fellini films. What Movies Are You Watching?Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

"Hearts of Darkness: A Filmmakers Apocalypse" (1991), the award-winning documentary chronicling the tumultuous making of Francis Ford Coppola's "Apocalypse Now" recently had a theatrical run at New York's Film Forum in a new 4K restoration. In the late 1970s, director Francis Ford Coppola, accompanied by his family and cast and crew, travelled to the Philippines to begin work on what would become "Apocalypse Now". But it soon became one of the most notorious shoots in cinema history, spiraling into a hellish, life-threatening nightmare. Chronicling the drama was Coppola's wife, the late Eleanor Coppola, who shot extensive behind-the-scenes footage of the shoot in 16mm, and recorded audio interviews with her husband and others involved in the movie's making. In the early '90s, Eleanor turned her 16mm footage and audio interviews over to filmmakers George Hickenlooper and podcast guest Fax Bahr, who then interwove it with new interviews with the movie's cast members (including Martin Sheen and Dennis Hopper) and observers (like George Lucas). After a year of editing, the new documentary debuted at the Cannes Film Festival. Says Filmwax Radio guest James Mockoski, Film Archivist and Restoration Supervisor at American Zoetrope, "For the past 30 years, Eleanor's 16mm behind-the-scenes footage has been three to four generations removed from the original elements. For this new release and restoration of the documentary, Francis decided to scan the original sources in 4K. The extensive excerpts from the feature are now presented in their original 2.39:1 aspect ratio, rather than being letterboxed into a 4x3 frame." "Hearts of Darkness: A Filmmakers Apocalypse" has been restored by American Zoetrope from the original negative, with a re-mixed 5.1 soundtrack. Co-director Fax Bahr approved the grading, with the final seal of approval given by Francis Ford Coppola. Grading carried out at Roundabout Entertainment, Burbank, California.

Raise the subject of documentaries about filmmaking and you'll probably first go to Hearts of Darkness: A Filmmaker's Apocalypse. Or the film you're thinking about instead was directed by somebody was thinking about Hearts of Darkness. Or, assuming the film came out earlier, it was perhaps directed by someone who later saw Hearts of Darkness and wishes they made a film as good. Which is no disrespect to any other film that fits into its genre––just to say that no other such documentary seems to mirror and match the subject. Though long available, the film has––very much contra Apocalypse Now––only just been restored by American Zoetrope and is now rolling out in theaters. The effort was overseen by James Mockoski, who has served as a guiding hand for the recent spate of Coppola restorations and recuts. I was accordingly pleased to speak with him and Hearts' co-director, Fax Bahr, about the film's legacy, its restoration, and what Francis Ford Coppola has planned after Megalopolis.

Episode Notes In this episode of Workplace Hugs, Shannon and Rami explore how the revolutionary filmmakers of the 1970s - like Scorsese, Spielberg, and Coppola - transformed Hollywood by taking creative risks and challenging studio authority. They discuss what modern creatives can learn about balancing artistic vision with commercial success, and why collaboration beats ego every time.

Nicolas Coppola/Cage is an artistic force in the entertainment industry.  The Actor's Room will highlight the Academy Award winning actor by giving insight into his childhood, early career and other acting accolades.

The Cinematography Podcast Episode 317: Mihai Mălaimare Jr. For cinematographer Mihai Mălaimare Jr., ASC, his work with director Francis Ford Coppola from Youth Without Youth to Megalopolis has been a journey of constant education and evolution. Coppola, known for embracing new technology and a dynamic, on-set creative process, frequently pivots to explore fresh ideas in the moment. Megalopolis is Mihai's fifth collaboration with Coppola. Their partnership began when Coppola came to Romania to shoot Youth Without Youth and scout some locations for Megalopolis. Mihai recalls first encountering Coppola's “crazy ideas.” “I was like, yeah, that's crazy, but I'm 29, fresh out of film school and I'm working with Francis, so I better do it. And then you realize how much better the scene gets.” This relationship fostered a unique trust. “Little by little, we got in this interesting dynamic where I'm craving those moments. And I know it can be a really stressful situation when you prep, all of a sudden you change it 180 degrees. But I know that somehow we'll be able to find a solution and it will be better than anything we planned. And it's interesting- every single time, the scene got better.” Coppola had been developing his ideas for Megalopolis for decades, and shot test footage in 2001 with director/cinematographer Ron Fricke. He sought an ethereal, "poetic reality" with no specific timeframe, a concept Mihai initially found challenging to prepare for. However, the early footage provided crucial visual cues, and some of it was later integrated into the film. Coppola also collaborated with visual concept designer Dean Sherriff, who created a set of art keyframes for specific scenes, which guided Mihai's framing, shots, colors, and lighting. A gold and sepia color scheme added to the film's ethereal look. “It's such an amazing process of discovery with Francis,” says Mihai. “We did some storyboards, but very few. We never really shot listed. We were talking about things in general, but the idea is that when you go on set, and you have the actors, and you have sets and costumes and everything, you want to let yourself be inspired by the actors and the blocking more than just your plans and ideas.” While major scenes in Megalopolis were filmed on an LED volume stage, the movie creatively blends VFX, practical effects, and in-camera techniques. For a beautiful dreamlike driving sequence, Mihai used poor man's process for the car interiors, combining it with moving set pieces, miniature cars, and live actors dressed as statues. Coppola's long-standing admiration for the minimalist style of filmmaker Yasujirō Ozu influenced a preference for static camera work, with minimal dolly shots, tilts, or pans. "It's all about the frozen frame," Mihai explains. "It's a certain aesthetic that I like, because it's closer to still photography. There are things that are happening that you don't think of. First, you have to make sure that the composition is really spot on. And also, it's again the idea of contrast. When you do move the camera, that better be for a good reason.” Find Mihai Mălaimare Jr. Instagram:@malaimarejr_cinematography @malaimarejr_photography Hear our previous interviews with Mihai Mălaimare Jr.: https://www.camnoir.com/ep53/ https://www.camnoir.com/ep148/ Megalopolis will be on tour in select theaters starting July 20 with Francis Ford Coppola doing a Q&A after.  Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI: https://www.arri.com/en The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

How a “The Last Show Girl” Writer and Producer find purpose & creativity, and rely on family in the face of uncertainty. Show Notes: In this intimate episode of The Determined Society, Shawn sits down with Hollywood multi-hyphenates Robert Schwartzman (musician, filmmaker, and actor) and Kate Gersten (TV writer/producer) for a powerful conversation on love, legacy, and the stories that shape our lives. From iconic family roots (hello, Coppola lineage) to redefining success through marriage, parenthood, and loss, Robert and Kate reflect on what it means to live authentically while chasing the creative life. They open up about: -The emotional toll and beauty of parenting a child with medical needs -How their professional lives in music, television, and film have evolved -Why family history can inspire — but not define — who we become -The courage it takes to pause and be fully present -Navigating grief and honoring those we've lost This one's as soulful as it gets — filled with wit, wisdom, and unforgettable vulnerability. Resources: https://www.hulu.com/movie/the-last-showgirl-b9060a3b-9728-47e0-8614-fb3767ea9e17 Learn more about your ad choices. Visit podcastchoices.com/adchoices

While Sofia Coppola's second film, Lost In Translation, remains her finest, the '70s-set The Virgin Suicides was a good start to her writing and directing career. Her debut is far from perfect, although it's lyrical, haunting and it looks fantastic. Now, we had issues with Coppola's loyalty to Jeffrey Eugenides' book, especially the narration and the inconsistent use of 5 boys across the street. Still, the movie is a good one. James Woods and Kathleen Turner as the parents and Kirsten Dunst as the most-rebellious of 5 daughters are the key members of a family of cloistered Catholics who live in the Michigan suburbs. The title of the movie gives away what happens...but why did they do it? We speak at length about the unknowable. So as June ends, take in Have You Ever Seen's 674th podcast as we throw it back and forth about The Virgin Suicides. Well, Actually: Bev is correct that Lux is 14 and is the second-youngest Lisbon...and because Ryan spent this episode thinking she was older than that, we didn't get as much into how she's a minor having sex with grown men as we probably should have. Also, this movie was playing at festivals before Freaks And Geeks hit TV screens in the fall of '99, so the movie used "Come Sail Away" in their homecoming dance before the TV show did. Sparkplug Coffee! They sponsor us and they offer our loyal listeners a onetime 20% discount. Just use our "HYES" promo code. The website in question is "sparkplug.coffee/hyes". Subscribe to Have You Ever Seen in your podcast app, but also find us on YouTube (@hyesllis in the searchie dealie). Rate, write a review, comment, follow, all that. We use social media. Ryan is @moviefiend51 on Twi-X and ryan-ellis on Bluesky. Bev is @bevellisellis on the first and bevellisellis on the second. And we read all your emails, even if we're slow to respond (haveyoueverseenpodcast@gmail.com).