Podcasts about Coppola

When the daughter of a Vietnam veteran asks you to review "Apocalypse Now," you answer the call. Both Gene and Dick agree this movie is epic, but the topic of Marlon Brando's weight sparks an all-out war. This 1979 adaptation of "Heart of Darkness" is both miracle and masterpiece, expertly depicting drug use (Big D verified) and the convoluted crossroads of the Vietnam War (Gene is a bit of an expert.) The attention to detail, recklessness and introspection hit American audiences with a film unlike any they'd seen before, and the shockwaves still resonate on this 2023 podcast. Where Dick Ebert sees a disjointed plot, Gene Lyons sees the direct DNA of Joseph Conrad's groundbreaking novella. And where Gene sees a disappointing ending, Big D tells the story of the John Milius ending that never was.     SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Apocalipsis ahora cierra un importante periodo creativo de su director, Francis Ford Coppola. Concebida primero como una película casi experimental, cuando Coppola finalmente se decidió a dirigirla él mismo eliminando de la fórmula a George Lucas, una especie de círculo cósmico se cerró sobre todo lo relacionado con ella. Todo se concentraba además en un rodaje lleno de drogas, sexo, sinsentidos, exageraciones, peligros y dramas maniaco depresivos. ¿En qué resultó todo? En una de las mejores películas jamás filmadas, obra autoral de un cineasta al que se le sigue negando la gloria absoluta. Y ahora nos preguntamos: ¿Coppola merece esa gloria? Para responder todo basándonos en lo que es y representa Apocalipsis ahora invitamos a este podcast al crítico de cine Rafael Paz Editor en Jefe de Butaca Ancha, conductor de la revista radiofónica Resistencia Modulada que puede escucharse en Radio UNAM, y fan del cine de Coppola. La locura encarnada en Apocalipsis ahora. De eso trata este episodio. Yo soy Erick Estrada. Esto es Cinegarage. Aquí cabe todo el cine.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Sofia Coppola, daughter of Francis Ford Coppola, started her directing film career with "The Virgin Suicides". She created a good film about teen sisters growing up in a very strict and religious household. Their parents are weird and it's their fault the girls died. Now, I don't discuss that but the main focus of the film centers on a family gets through death of their own. I love how Coppola did her best of showing five sisters going though grief but centers on about two to three of 'em. I do like the visuals of this film because if you're adapting from book, you gotta make it justice. Coppola knows how make a story impactful through visual instead of just dialog. Narration does help and it's mandatory for a film like this especially if it's adapted. She had a great cast who all did their parts with little they had to do, it's just as impactful. I talk about how she displays teen adolescence from both boys and girls, she gives us a certain perspective of reality through raw love and the screenplay is the key to that.Three and a half tokes out of four.

The A24 rocks crew transports you to another era of the silver screen once again, this time they share their top ten 1970s films and invite Brian De Palma expert Ray Neeman on to share his top 10 as well. It was the time of Watergate, Vietnam, and psychedelic counter-culture for America in the 1970s: but how did that translate to film and pop culture? Many say the 70s was the "Golden Era of Film," a time when studios took more risks and directors such as Speilberg, Scorcese, Kubrick, and Coppola turned themselves into household names. It was also the decade where horror films became more horrific (in a good way), and the original Star Wars premiered and changed the world. Sit back, have a pinacolada, and listen in the rain. --- Support this podcast: https://podcasters.spotify.com/pod/show/a24otr/support

The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain (Oxford UP, 2016) explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take.  By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance. Al Coppola is Associate Professor of English at John Jay College of Criminal Justice at the City University of New York Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Thank you to our Sponsors: RocketMoney - Cancel your unwanted subscriptions and manage your money the easy way by going to https://rocketmoney.com/trashtuesday Simply Spiked - Go to https://drinksimplyspiked.com/trashtuesday to find out how to get your hands on Simply Spiked Lemonade and new Simply Spiked Peach. More Robert SchwartzmanInstagram: https://www.instagram.com/robertschwartzman/Twitter: https://twitter.com/rcschwartzman Subscribe! https://bit.ly/HitOurButtonsOfficial Clips Channel: https://bit.ly/2QDAi8XTrash Tuesday Podcast iTunes Audio Feed: https://bit.ly/TrashTuesdayPodTrash Tuesday Podcast Spotify Audio Feed: https://bit.ly/TTPodAudioTrash Tuesday Instagram: https://www.instagram.com/itstrashtuesday 0:00 Annie is Engaged!14:46 Robert Schwartzman Gives the Guys Perspective on Engagements / Robert Schwartzman's Roller Coaster Engagement 45:26 Esther's Engagement & Dry Wedding Plans50:33 Robert Schwartzman's Wedding Reception Fiasco 56:02 Annie's Wedding Plans58:34 Over the Top Wedding Vows1:06:13 Robert Schwartzman Somehow Predicted His Twin Boys1:14:50 An Update on Octomom & Redhead Seeds Send us your Trash Tuesday fan mail!c/o 7EQUIS LLCP.O. Box 5154Glendale, CA 91221 Listen to our other Podcasts: TigerBelly - https://podcasts.apple.com/us/podcast/tigerbelly/id1041201977 Rick and Esther Have a Time - https://podcasts.apple.com/us/podcast/rick-and-esther-have-a-time/id1694264079 AnnieWood - https://podcasts.apple.com/us/podcast/anniewood/id1653515392 Follow Us: Khalyla Kuhn - https://www.instagram.com/khalamityk Annie Lederman - https://www.instagram.com/annielederman Esther Povitsky - https://www.instagram.com/esthermonster Produced by: 7EQUIS Podcast Producer: Pete Forthun

The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain (Oxford UP, 2016) explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take.  By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance. Al Coppola is Associate Professor of English at John Jay College of Criminal Justice at the City University of New York Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain (Oxford UP, 2016) explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take.  By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance. Al Coppola is Associate Professor of English at John Jay College of Criminal Justice at the City University of New York Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain (Oxford UP, 2016) explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take.  By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance. Al Coppola is Associate Professor of English at John Jay College of Criminal Justice at the City University of New York Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain (Oxford UP, 2016) explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take.  By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance. Al Coppola is Associate Professor of English at John Jay College of Criminal Justice at the City University of New York Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

We sit down with Joe Drelich, Jimmy Ryan and Brian Coppola, the new team leading the National Sports Collectors Convention, to discuss their hobby and event experience, their vision for the show's future and changes we can expect to see, how the National is structured among the dealers, the Board of Directors and the management team, the restrictions and criteria that impact which cities will host future shows, the future of trade nights, segmentation of genres on the show floor, the corporate/dealer split, how Fanatics Events impacts the National, where will 2026 be held, and more so join us live and bring your questions and comments as they will be in play. Leighton Sheldon of Just Collect and Vintage Breaks joins for the "Vintage Spotlight" segment as well. Saturday August 12 @ 7:00pm PST / 8:00pm MST / 9:00pm CST / 10:00pm EST Veriswap is an app and middleman service that lets you securely trade cards through the mail. Every transaction up to $1m in value is fully-insured by their guarantee. In order to use Veriswap, simply upload your inventory, make trade, partial trade, or full cash offers, and negotiate with the thousands of traders already on the the platform. Check them out on iOS and Android! As part of a special offer, your first trade on Veriswap is only $1! Please use the referral link below when you register. https://veriswapapp.page.link/w13Z #sportscards #thehobby #thenational At the time of this livestream, Sports Cards Live and/or Jeremy Lee is partnered with: - TAG Grading - Sport Card Expo - Center Stage App - Just Collect - Veriswap - PWCC Marketplace - MC Sports Cards - LGC Auctions - Slab Sharks - 90's Auction - Iconic Auctions - REA Auctions --- Support this podcast: https://podcasters.spotify.com/pod/show/sportscardslive/support

Priscilla Beaulieu Presley met Elvis when she was 14, divorced him when she was 27, and was only a minor figure in last year's blockbuster film about Elvis's life. In Sofia Coppola's new film Priscilla will take center stage, and in her memoir, which Coppola adapted, Priscilla tells her side of the story. The episode also includes discussion of And Just Like That, Red White & Royal Blue, and the new season of Only Murders in the Building. Follow us on Twitter and Instagram @vfawardsinsider Email us at littlegoldmen@vf.com Follow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97 , @hillibusterr Our editor and producer is Brett Fuchs. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode of the podcast Ross and Phil talk Ross catch up on some films and TV shows that they have watched including Oppenheimer and Marvel's troubled (and a bit dull) Secret Invasion!  Oh and we also quickly take a wonder into movie masterpieces where Coppola, Tarantino and Nolan all get a mention!  Hosted by Award winning filmmaker Ross Boyask and blogger/writer/former filmmaker Phil Hobden. For more on Ross Boyask search @RossBoyask on Twitter, Instagram or Facebook. Also check out @EvoFilmsUK online. Discussed: Oppenheimer, Death Sentence, No Country For Old Men, Once Upon A Time In Hollywood, Talk To Me, Blue Beetle, Secret Invasion (TV), Arnold (TV), FUBAR (TV), Teenage Mutant Ninja Turtles: Mutant Mayhem, Hidden Strike, 12 Angry Men (1997), Kick Ass 2, Nightmare On Elm Street 2: Freddy's Revenge For more on Phil Hobden check out www.philsquickreview.co.uk to follow me on Letterboxd or check out PhilQuickReview on Twitter.  Podcast available on Spotify, Apple Podcasts, Amazon Music, Stitcher, TuneIn, GooglePlay, Anchor and here at www.rossandphiltalkmovies.co.uk #RossAndPhil #RossAndPhilTalkMovies #MoviePodcasts #Podcasts #wittertainment #Barbenheimer #Oppenheimer #TMNT #SecretInvasion #Talktome 

Vous écoutez gratuitement "Le Nouvel Hollywood", un épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo La nouvelle vague européenne a beaucoup influencé les réalisateurs du Nouvel Hollywood qui avaient compris qu'ils pouvaient casser les codes et imposer un nouveau mouvement dans le secteur du cinéma. Aux Etats-Unis, on copie la nouvelle vague européenne pour rompre avec les bases classiques et le rythme des films de l'époque. On s'essaie à de nouveaux processus d'écriture où l'on glorifie les anti-héros, ce qui permet aux spectateurs de s'identifier plus facilement à eux. A la fin des années 60, prise de conscience : il faut créer un cinéma qui ressemble à la nouvelle jeunesse de ce pays qui évolue dans un contexte politique et social difficile… C'est cette histoire, avec les films emblématiques que nous allons vous raconter dans cette émission.

Vous écoutez gratuitement "Le Nouvel Hollywood", un épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo La nouvelle vague européenne a beaucoup influencé les réalisateurs du Nouvel Hollywood qui avaient compris qu'ils pouvaient casser les codes et imposer un nouveau mouvement dans le secteur du cinéma. Aux Etats-Unis, on copie la nouvelle vague européenne pour rompre avec les bases classiques et le rythme des films de l'époque. On s'essaie à de nouveaux processus d'écriture où l'on glorifie les anti-héros, ce qui permet aux spectateurs de s'identifier plus facilement à eux. A la fin des années 60, prise de conscience : il faut créer un cinéma qui ressemble à la nouvelle jeunesse de ce pays qui évolue dans un contexte politique et social difficile… C'est cette histoire, avec les films emblématiques que nous allons vous raconter dans cette émission.

Vous écoutez gratuitement "Le Nouvel Hollywood", un épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo La nouvelle vague européenne a beaucoup influencé les réalisateurs du Nouvel Hollywood qui avaient compris qu'ils pouvaient casser les codes et imposer un nouveau mouvement dans le secteur du cinéma. Aux Etats-Unis, on copie la nouvelle vague européenne pour rompre avec les bases classiques et le rythme des films de l'époque. On s'essaie à de nouveaux processus d'écriture où l'on glorifie les anti-héros, ce qui permet aux spectateurs de s'identifier plus facilement à eux. A la fin des années 60, prise de conscience : il faut créer un cinéma qui ressemble à la nouvelle jeunesse de ce pays qui évolue dans un contexte politique et social difficile… C'est cette histoire, avec les films emblématiques que nous allons vous raconter dans cette émission.

Vous écoutez gratuitement "Le Nouvel Hollywood", un épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo La nouvelle vague européenne a beaucoup influencé les réalisateurs du Nouvel Hollywood qui avaient compris qu'ils pouvaient casser les codes et imposer un nouveau mouvement dans le secteur du cinéma. Aux Etats-Unis, on copie la nouvelle vague européenne pour rompre avec les bases classiques et le rythme des films de l'époque. On s'essaie à de nouveaux processus d'écriture où l'on glorifie les anti-héros, ce qui permet aux spectateurs de s'identifier plus facilement à eux. A la fin des années 60, prise de conscience : il faut créer un cinéma qui ressemble à la nouvelle jeunesse de ce pays qui évolue dans un contexte politique et social difficile… C'est cette histoire, avec les films emblématiques que nous allons vous raconter dans cette émission.

Vous écoutez gratuitement "Le Nouvel Hollywood", un épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo La nouvelle vague européenne a beaucoup influencé les réalisateurs du Nouvel Hollywood qui avaient compris qu'ils pouvaient casser les codes et imposer un nouveau mouvement dans le secteur du cinéma. Aux Etats-Unis, on copie la nouvelle vague européenne pour rompre avec les bases classiques et le rythme des films de l'époque. On s'essaie à de nouveaux processus d'écriture où l'on glorifie les anti-héros, ce qui permet aux spectateurs de s'identifier plus facilement à eux. A la fin des années 60, prise de conscience : il faut créer un cinéma qui ressemble à la nouvelle jeunesse de ce pays qui évolue dans un contexte politique et social difficile… C'est cette histoire, avec les films emblématiques que nous allons vous raconter dans cette émission.

This week we're excited to present a conversation with director Sofia Coppola, whose new film, Priscilla, will make its North American premiere as the Centerpiece selection of the 61st New York Film Festival on October 6th. In this archival conversation with Coppola, the director discusses her 2013 film, The Bling Ring. Co-starring Emma Watson and Leslie Mann, The Bling Ring tells the story of a group of teenagers obsessed with fashion and celebrity that burglarize celebrities' homes in Los Angeles. Tracking their targets' whereabouts online, they break-in and steal their designer clothes and possessions. Reflecting on the naiveté of youth and the mistakes we all make when young, amplified by today's culture of celebrity and luxury brand obsession, we see through the members of the Bling Ring temptations that almost any teenager would feel. What starts out as teenage fun spins out of control and leaves us with a sobering view of our culture today. This conversation was moderated by former Director of the New York Film Festival, Kent Jones. This conversation was sponsored by HBO.

Vous écoutez gratuitement "Le Nouvel Hollywood", un épisode du podcast "5.000 ans d'Histoire", proposé gratuitement en 6 parties du vendredi au mercredi ! Si cela vous a plu, retrouvez cet épisode en entier sans publicité ainsi que + de 300 podcasts d'une heure environ pour seulement 2€ par mois, avec une nouvelle émission chaque Jeudi : https://m.audiomeans.fr/s/S-tavkjvmo La nouvelle vague européenne a beaucoup influencé les réalisateurs du Nouvel Hollywood qui avaient compris qu'ils pouvaient casser les codes et imposer un nouveau mouvement dans le secteur du cinéma. Aux Etats-Unis, on copie la nouvelle vague européenne pour rompre avec les bases classiques et le rythme des films de l'époque. On s'essaie à de nouveaux processus d'écriture où l'on glorifie les anti-héros, ce qui permet aux spectateurs de s'identifier plus facilement à eux. A la fin des années 60, prise de conscience : il faut créer un cinéma qui ressemble à la nouvelle jeunesse de ce pays qui évolue dans un contexte politique et social difficile… C'est cette histoire, avec les films emblématiques que nous allons vous raconter dans cette émission.

Tie that feed bag of popcorn to your face and saddle up, because this week we induct The Black Stallion onto the 5 Bucket List!!!  #blackstallion #kellyreno #terigarr #mickeyrooney #walterfarley #1979 #francisfordcoppola #carrollballard #calebdeschanel

We're in gangland New York to talk Coppola, corruption and the Corleone's. If history has taught us anything, it's that you should keep your friends close, but All The Right Movies closer…   Episode sponsors: BetterHelp: For a 10% discount with BetterHelp, click here Connect with ATRM: To support what we do, access our archive and listen to exclusive episodes, become an ATRM patron. Twitter: @ATRightMovies YouTube: Subscribe to our channel Instagram and Threads: @allthe_rightmovies  Facebook: Join our movie group TikTok: @alltherightmovies Website: alltherightmovies.com

t's a double feature week with both Princess Diaries and Princess Diaries 2: Royal Engagement. One of these is amazing, one is… not. BUT Chris Pine is there. Along with movie legends, dorky hot girls, a Coppola and a smattering of early aughts Disney channel stars. Join us to hear our thoughts as well as some (light) Taylor Swift criticism and a classic Kelly Clarkson/Mandy Moore discussion. For bonus episodes join our Patreon and donate to the Entertainment Community Fund to help striking WGA and SAG-AFTRA mem

FFL Squadron's Giancarlo Coppola made sure he soaked up as much knowledge from his upline as possible to ensure his success in this industry. His efforts surely worked because he is now trending with us! Listen as he discusses his transition to telesales, how to work your leads, and shares his declaration for the week!

Book Vs. Movie: Rumble FishThe 1975 Novel Vs. the 1983 MovieRusty James is a 14-year-old kid in Tulsa, Oklahoma, who lives a troubled life in 1975's Rumble Fish, written by former teen sensation S.E. Hinton who published her first work (the YA classic The Outsiders while a freshman in college in 1967. James spends his days getting into fights, hanging out with best friend Steve, trying to find time for his girlfriend Patty, and, most of all, idolizing his older brother, The Motorcycle Boy. The events leading up to his time in the reformatory make up for the main action, and the audience sympathizes with a kid who can't seem to catch a break. The 1983 film was co-written and directed by Francis Ford Coppola. Simultaneously, he created The Outsiders adaptation, which would become a cult classic. With some of the same cast members (including Matt Dillon and Diane Lane) and the addition of Mickey Rourke, Nicolas Cage, and Dennis Hopper--Coppola aims for a French New Wave look and feel. Filmed on video and in black and white, the movie has been a mainstay at film festivals and retrospectives for decades.With her flair for getting into the minds of her teen subjects and realistic portrayals of angst and loneliness--Hinton is a legend in the world of YA Fiction, and her films remain popular with her fans. So what are the main differences between the book and the film? Which version did the Margos like better? Have a listen!In this ep the Margos discuss:The background of S.E. Hinton and her unusual careerThe changes Coppola made with the original story.The cast of the 1983 film: Matt Dillon (Rusty James,) Mickey Rourke (The Motorcycle Boy,) Diane Lane (Patty,) Dennis Hopper (Father,) Diana Scarwid (Cassandra,) Vincent Spano (Steve,) Nicolas Cage (Smokey,) Chris Penn (BJ Jackson,) Lawrence Fishburne (“Midget,”) William Smith (Officer Patterson,) Glenn Withrow (Biff,) Tom Waits (Benny, the Bartender,) Sofia Coppola (Donna,) and S.E. Hinton in a cameo performance.Clips used:The Motor Cycle Boy talks about his mother in CaliforniaRusty Jones commercial (1982)Rumble Fish 1983 trailerPlanning a rumbleDillon and Lane talk about an artistic choice of Coppla's (Criterion Channel)Rusty and Steve talkRusty, The Motorcycle Boy and FatherThe Motorcycle Boy and Rusty at the pet shopMusic: Stewart Copeland & Stan Ridgeway's “Don't Box Me In”Book Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5406542/advertisement

Las mejores cosas llegan en su momento, pero hay que saber reconocerlo, y sobre todo, tener la voluntad de aprovecharlo.

Make a one-time or recurring donation on our Donor Box profile here. Join us in the mission of introducing Reformed Theology across the world! Interested in further study of the Bible? Join us at ⁠⁠Logos Bible Software⁠⁠. Are you interested in a rigorous and Reformed seminary education? Call Westminster Seminary California at 888-480-8474 or visit ⁠www.wscal.edu⁠! Please help support the show on our ⁠⁠Patreon Page⁠⁠!   SEASON 6 EPISODE 7 Join Nick and Peter of the Guilt Grace Gratitude Podcast as they continue Season 6, Introduction to Reformed Theology. This week they discuss The Covenant of Works with Rev. Antonio Coppola. Antonio Coppola was born and bred in Durban and has lived most of his life here in Waterfall. He has been in full-time ministry since 2005. He worked at St. Agnes Anglican Church, Kloof, for nine years and served as a pastoral intern at New Life Presbyterian Church (PCA), in Escondido, California, USA, for three years. He completed a Master of Divinity at Westminster Seminary California in 2017. Returning back home, he started a church plant which has become known as Covenant Waterfall. He is now ordained as a Teaching Elder in the Presbyterian and Reformed Church of South Africa. He is also the manager of the Mukhanyo Durban Advanced Learning Centre. This season is dedicated to Westminster Seminary California. Interested in applying? Go here.   Have Feedback or Questions? Email us at: guiltgracepod@gmail.com Find us on Instagram: ⁠@guiltgracepod⁠ Follow us on Twitter: ⁠@guiltgracepod⁠ Find us on YouTube: ⁠Guilt Grace Gratitude Podcast⁠ Please rate and subscribe to the podcast on whatever platform you use! Looking for a Reformed Church? ⁠North American Presbyterian & Reformed Churches --- Support this podcast: https://podcasters.spotify.com/pod/show/gggpodcast/support

Invité : Maximilien Pierrette Au programme de cette année 1983 : Risky Business et la révélation Tom Cruise Hollywood, Coppola, lui-même... qui a inventé Tom Cruise ? Coluche fait son Tchao Pantin Coluche a-t-il libéré les comiques français ? Le choc Scarface, de Brian de Palma Comment Scarface a-t-il réinventé le film de gangsters ? Recommandations : Le Retour du Jedi (Richard  Marquand), Papy fait de la résistance (Jean-Marie Poiré), Tendres Passions (James L. Brooks)

Las mejores cosas llegan en su momento, pero hay que saber reconocerlo, y sobre todo, tener la voluntad de aprovecharlo.

Todos pasamos por momentos extraños en los que no sabemos hacia dónde vamos, pero es importante seguir moviéndonos, y provocar el cambio

Existen personas que siempre ven el lado brillante de las cosas ¿Cómo es posible hacer esto? La clave es la determinación

Good gracious, hell has frozen over, Joe and Raanan are back!!! It's the first episode of Joe and Raanan Talk Movies since 1978. They boys are back and they're talking DeNiro vs Pacino as well as Titanic, GoodFellas, Coppola vs. Scorsese and more!! Let us know who was right and who was wrong in the comments. Who is better. DeNiro or Pacino! Comment for that algo. Share it, like it, subscribe it. Have fun!  Follow us @joelistcomedy and @raanancomedy  

Algo que podemos aprender en el camino al éxito, es que el manejo del tiempo, el esfuerzo y el lidiar con exigencias son los retos que debemos afrontar al cumplir nuestros sueños.

En el mundo de la actuación, mantener relaciones personales y de pareja puede complicarse ¿Cuales son los retos de una actriz para tener pareja?

The Dr. thOTs duo welcome the "great connector", Dr. Sue Coppola to the episode this week and partake in a beauty-filled, aesthetically pleasing, conversation with her as the three discuss humanities, art, and occupational therapy practice and education. If you ever wanted to know exactly what a painting on a wall has to do with occupational therapy - this is the episode for you. Dr. Coppola reveals the power of aesthetic analysis of occupation and understanding what is beautiful to a person as part of occupational therapy practice and education. Art is everywhere in our everyday lives and can be a powerful tool in both occupational therapy practice and education. Dr. Coppola describes how she uses a painting called "Mending Socks" to engage occupational therapy practitioners in deep noticing of the beauty in their own and their clients' everyday lives. Highlights include: Ryan and Sue fangirling over John Dewey, Khalilah bringing art into the classroom, and all three dispelling the Hippie Dippie myth of humanities!

BREADCRUMBS COLLECTIVE on TWITTERBREADCRUMBS COLLECTIVE on INSTAGRAMSUPPORT CAGED IN on PATREONCAGED IN TV on YOUTUBEBuy a T-shirt on Etsy (Uk Only)Buy A T-shirt on TeePublicCAGED IN on TWITTERCAGED IN on INSTAGRAMCAGED IN on LETTERBOXDCAGED IN on FACEBOOKEMAIL CAGED IN NOWCaged In is apart of the Breadcrumbs Collective, head over to the WEBSITE to get all episodes of this show as well as other great shows. Get bonus content on PatreonSupport this show http://supporter.acast.com/cagedinpod. Hosted on Acast. See acast.com/privacy for more information.

We are returning to our special "Wisdom from a Grad" summer series! In this episode, we are talking about Trinity's core value of truth with two very special guests: father-daughter duo, Jamison and Jianna Coppola. The Coppolas are a Trinity family, and they talk to us about standing firm in truth, leading in truth, and raising children to love and seek truth. 

This week we march behind George C. Scott as he plays the titular 'Patton' (1970) in one of Francis Ford Coppola's rare screenwriting only gigs. To help me plan out an attack and hopefully not put his foot in his mouth along the way is Steve Smith.STEVE on TWITTERSTEVE on INSTAGRAMSTEVE on YOUTUBETHE CHEEKY BASTERDS on TWITTERTHE CHEEKY BASTERDS on INSTAGRAMDROPPING A BRUCE on TWITTERDROPPING A BRUCE on INSTAGRAMBREADCRUMBS COLLECTIVE on TWITTERBREADCRUMBS COLLECTIVE on INSTAGRAMSUPPORT CAGED IN on PATREONCAGED IN TV on YOUTUBEBuy a T-shirt on Etsy (Uk Only)Buy A T-shirt on TeePublicCAGED IN on TWITTERCAGED IN on INSTAGRAMCAGED IN on LETTERBOXDCAGED IN on FACEBOOKEMAIL CAGED IN NOWCaged In is apart of the Breadcrumbs Collective, head over to the WEBSITE to get all episodes of this show as well as other great shows. Get bonus content on PatreonSupport this show http://supporter.acast.com/cagedinpod. Hosted on Acast. See acast.com/privacy for more information.

Don Fanucci enjoys the festival.

Trained in chemistry and born blind, Hoby Wedler, an entrepreneur and sensory expert, has trained his palate to pick up aromas and nuances in wine more acutely than most.  Hoby describes how he does "Tasting in the Dark," which helps wineries connect with buyers and his thoughts on accessibility in the wine industry. Detailed Show Notes: Hoby's backgroundBorn blind, studied history and chemistry (Ph.D.)Francis Ford Coppola asked him to design a blindfolded wine experience, which became "Tasting in the Dark"Went into food & beverage, consulting on product development, comparative set tastings, and aligning wines with wine critics' palatesTasting in the Dark structureTry to make people feel comfortable under blindfoldUse eye masks to change attention away from sightPrime the aromatic vocabulary w/ samples of aromas found in winesCreate memories through a truly blind tastingMost impactful for trade teams, distributors, buyers, and for higher-end wines w/ 3-tier distributionE.g., Coppola did tasting for Safeway Group (grocery w/ wine stewards) and saw a significant increase in sales at Safeways for 5+ years afterwardReasons people buy wineLike the labelRead about the wineLike the story, particularly for premium wines ($20+)Most consumers don't know what they're looking forBlind tasting helps imprint a story with the wine in people2018 - Thomas Keller used Tasting in the Dark to train front-of-house staff to enable them to describe food and drinks betterAligning w/critics' palatesMostly aligned on aromatics and mouthfeel, abv levelsWineries can adjust when to send certain wines to criticsSometimes helps wineries w/ blendingWine & accessibilityChapoutier is classic example w/ braille labelsAccessible websites importantQR Codes put in the same place can help bring people to accessible websitesThis can lead to unexpected benefits; e.g., wheelchair ramps were found to be useful to many more than those in wheelchairs Get access to library episodes Hosted on Acast. See acast.com/privacy for more information.

Imagine completing The Godfather Part II and then just... dropping another movie a few months later. Well, Coppola did it! But did it pay off? We watch THE CONVERSATION, a movie about our privacy. Is it more relevant than ever? Or is the conversation a boring one?

durée : 00:21:58 - Les Nuits de France Culture - En mai 2001, Philippe Langlois consacre un "Carnet de notes" à la bande-son du film "Apocalypse Now" de Francis Ford Coppola à l'occasion d'une nouvelle version, présentée la même année au Festival de Cannes. En 1976, "Apocalypse Now" avait obtenu la Palme d'Or. - invités : Pierre Rissient Cinéaste.

“I like to smile, smiling's my favorite” Robert is back after a brief hiatus to explore the first major Christmas classic of the new millennium, Elf. Even though he's gone back and forth on it, Robert does consider Elf a great Christmas movie which works thanks to Will Ferrell's talent. Learn about how writer David Berenbaum was a movie obsessed Jewish child who also happened to love Christmas movies, how his brother Michael would work with Coppola and the Coen Brothers, how David's loneliness in LA inspired him to write Elf and how the script nearly became both Jim Carey and Chris Farley vehicles. Music credited to Purple Planet, Musicloops Facebook Instagram Patreon *Podcast is for educational purpose only. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.*

This week I'm joined by writer and legendary film journalist, Kim Newman to discuss all things Dracula, Nicolas Cage and the Coppola families fascination with this vampiric staple of literature and cinema. BREADCRUMBS COLLECTIVE on TWITTERBREADCRUMBS COLLECTIVE on INSTAGRAMSUPPORT CAGED IN on PATREONCAGED IN TV on YOUTUBEBuy a T-shirt on Etsy (Uk Only)Buy A T-shirt on TeePublicCAGED IN on TWITTERCAGED IN on INSTAGRAMCAGED IN on LETTERBOXDCAGED IN on FACEBOOKEMAIL CAGED IN NOWCaged In is apart of the Breadcrumbs Collective, head over to the WEBSITE to get all episodes of this show as well as other great shows. Get bonus content on PatreonSupport this show http://supporter.acast.com/cagedinpod. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Intermittent Fasting Stories, Gin talks to Liz Coppola from Keene, NH. Are you ready to take your intermittent fasting lifestyle to the next level? There's nothing better than community to help with that. In the Delay, Don't Deny community we all embrace the clean fast, and there's just the right support for you as you live your intermittent fasting lifestyle. You can connect directly with Gin in the Ask Gin group, and she will answer all of your questions personally. If you're new to intermittent fasting or recommitting to the IF lifestyle, join the 28-Day FAST Start group. After your fast start, join us for support in The 1st Year group. Need tips for long term maintenance? We have a place for that! There are many more useful spaces beyond these, and you can interact in as many as you like. Visit ginstephens.com/community to join us. An annual membership costs just over a dollar a week when you do the math. If you aren't ready to fully commit for a year, join for a month and you can cancel at any time. If you know you'll want to stay forever, we also have a lifetime membership option available. IF is free. You don't need to join our community to fast. But if you're looking for support from a community of like-minded IFers, we are here for you at ginstephens.com/community. Liz is an employee benefits consultant. She never struggled with her weight, but felt the only way to maintain it was by tracking calories and macros, and following a strict Paleo diet. While looking for a podcast on longevity in May of 2021, Liz found the Intermittent Fasting Stories podcast. She read Fast Feast Repeat and began her IF journey. Liz noticed immediately that she had less inflammation and bloating, and her plantar fasciitis disappeared. She is no longer obsessed with food and enjoys living the IF lifestyle. Liz's advice: “Be curious, be open-minded, and remind yourself that you can do it!” Get Gin's books at: http://www.ginstephens.com/get-the-books.html, including Cleanish and New York Times Bestseller, Fast. Feast. Repeat., available wherever you buy books! Delay, Don't Deny is available on Amazon. Join Gin's community! Go to: ginstephens.com/community Share your intermittent fasting stories with Gin: gin@intermittentfastingstories.com Follow Gin on Twitter @gin_stephens Follow Gin on Instagram @GinStephens Visit Gin's website at: ginstephens.com Check out Gin's Favorite Things at http://www.ginstephens.com/gins-favorite-things.htmlSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's time to put the final stake in this Renfield cask with a look at the epic and romanticized, Bram Stoker's Dracula. Journey with us as we discuss this robust cast and the grandiose scale Coppola makes this film on. Is this the definitive version of the character or could things be done a lot better? Our Flight this week is naming our top 3 Gary Oldman performances and the Nightcap is picking a project that Coppola would be perfect for. So pour some red wine cask whiskey, grab your vampire hunting gear, and get ready to meet the Count. Cheers! Click Here for Rye Smile Films Merchandise. Please rate, review, and subscribe on all your favorite podcast apps.

In episode 1447, Jack and guest co-host Matt Lieb are joined by author and illustrator of the book Finance for the People and the host of Weird Finance, Paco de Leon, to discuss… The Guy Behind The Don't Say Gay Bill Pleaded Guilty To Covid Relief Fraud, Sofia Coppola's Daughter Went Viral For Her “Chaotic” TikTok, Dick Van Dyke Crashed His Car – But He's NOT DEAD, Cameron Diaz's Comeback Movie is a Dumpster Fire Behind The Scenes and more! The Guy Behind The Don't Say Gay Bill Pleaded Guilty To Covid Relief Fraud ‘Don't Say Gay' lawmaker pleads guilty to COVID relief fraud Florida lawmaker charged with defrauding pandemic loan program Republican behind Florida's ‘Don't Say Gay' bill resigns after federal indictment Sofia Coppola's Daughter Went Viral For Her “Chaotic” TikTok Dick Van Dyke Crashed His Car – But He's NOT DEAD Dick Van Dyke crashes his car into a gate in Malibu Cameron Diaz's Comeback Movie is a Dumpster Fire Behind The Scenes Jamie Foxx Fires Four People in “Meltdown” on Cameron Diaz's Comeback Film Cameron Diaz comeback movie halted as co-star Jamie Foxx hit with $40K scam: reports $55K scam targeting Jamie Foxx puts Cameron Diaz's Hollywood comeback on hold Cameron Diaz's Comeback Movie is a Dumpster Fire Behind The Scenes READ: Money Is the Megaphone of Identity by Lawrence Yeo LISTEN: Suddenly I Know Who You Are by Jadu HeartSee omnystudio.com/listener for privacy information.