Podcast appearances and mentions of francois truffaut

"He said you're a real Film Nerd." "What's a Film Nerd?" On this episode, BK & Jack catch the French New Wave via its most iconic film! Join them on a journey through the history of French Cinema from the Lumieres to Cahiers, the formation of the New Wave movement on both banks of the Senne, how an unexpected classic flew by the seat of its pants throughout the production, and so much more!The Film Nerds want all or nothing, and they've got it all in this episode!

Nous sommes le 21 avril 1915, au château de Suresnes, une luxueuse maison de santé de la région Île-de-France. C'est-là qu'Adèle Hugo meurt, à l'âge de 84 ans dont plus de quarante passés en internement. La presse s'étonne : « Adèle Hugo ? la fille du grand poète ? Quoi ? Elle vivait encore ? Eh oui, elle vivait, végétative, doublement murée en ses souvenirs par la vieillesse et par la folie », peut-on lire, deux jours plus tard, dans le « Paris-midi ». Dans le quotidien « La Liberté », le journaliste moque la « petite vieille dame à cheveux blancs, coiffée d'un bonnet de grand-mère à faveurs roses » qui « occupait le vide de son léger cerveau », en jouant du piano dans son asile. On souligne qu'elle était à la tête d'une immense fortune et « Les Annales » ajoute que « on ne saurait la plaindre, si riche et avec un si grand nom, d'avoir été condamnée à ce sommeil.» Certains, comme dans « La France » du 25 avril, témoignent quand même d'une sorte d'empathie et rappelle « sa destinée […] lamentable » et « son inutile, longue et triste vie ». Qui était Adèle Hugo que l'actrice Isabelle Adjani incarnera, à l'écran, incandescente et indomptable, sous la caméra de François Truffaut ? Dernière fille du monument de la littérature, l'auteur des « Misérables », qu'elle suivra dans son long exil. Un exil dont elle rapportera les moindres événements dans son journal. Un journal double où se mêle les voix de ses proches et la sienne personnelle. Une voix passionnée, admirative de la figure héroïque du père mais aussi désespérée par un amour impossible qu'elle va poursuivre jusqu'à la folie. C'est du moins ce que décrètera la société. Avec les Lumières de : Laura El Makki, professeure à Sciences Po, à Paris. « Adèle Hugo – Ses écrits, son histoire » ; éd. Seghers. Sujets traités : Adèle Hugo, Victor Hugo, Misérables, poète, Isabelle Adjani, François Truffaut Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

It's that time again, folks - It Happened One Year has (nearly) reached the end of another season, and so it's time to again honor those lost in the subject year. Listen as Sarah & Joe discuss a wide range of celebrities who said goodbye some forty-one years ago now, including Richard Burton, Peter Lawford, Ethel Merman, Indira Gandhi, Truman Capote, Francois Truffaut, Jackie Wilson, Count Basie, James Mason, and many more!

Welcome to Foreign film February! This month we will explore some of the foreign films of New World Pictures! FFF, as it's affectionately known, starts off with A LOT of heart (maybe even a little too much heart) with the tragic STORY OF ADELE H directed by Francois Truffaut. Set in 1863 - oh la la mon ami a period piece - we follow a young woman (Isabelle Adjani, POSSESSION) in her absolute QUEST in pursuit of her love interest Lieutenant Pinson (Bruce Robinson, director of WITHNAIL AND I). Using a fake identity, and the power of the pen, she tries to win Pinson's heart the old fashioned way, through love letters, stalking, hypnosis, and, of course, moving to Barbados! (If you couldn't tell already, Erica once studied French so naturally this film was juste dans son allée!) Listen in as we talk about how little Erica, the self proclaimed Francophile, actually knows about who Adele H really is. Let Marc's thoughts on hypnosis mesmerize you, and we know we aren't at final questions yet, but you know that we asked them. Foreign Film February may be the shortest month of the year, but trust us when we say, the films have never felt longer. For more about the New World Pictures Podcast, including previous episodes, t-shirts, mugs, sweatshirts, other merch and more, head here: https://newworldpicturespodcast.com/ For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/  

Topos in Fabula Jules e Jim di Francois Truffaut

In this conversation, Erik Poppe - the director of “Quisling - The Final Days”, which just premiered at TIFF following the Norwegian Film Festival, discusses his journey from photojournalism to filmmaking, emphasizing the role of art in raising questions and engaging audiences. He reflects on his influences, including Francois Truffaut's 1970 film ‘The Wild Child”, the importance of personal narratives, and the challenges of portraying controversial characters - how creating empathy for these characters can be challenging yet rewarding.Erik also shares his insights on his filmmaking process, the significance of preparation for film festivals, and how art's primary role is to provoke thought and discussion - through simplicity and truthfulness.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

In this episode, we review our 7th and 6th-ranked films for 1964, “Goldfinger,” the third James Bond film, and “The Soft Skin,” French New Wave director Francois Truffaut's “clinical autopsy of adultery.” Support this project on Patreon!

Some film shoots (like the one for Apocalypse Now) seem to last 12 years, but here's a movie with a production schedule that was DELIBERATELY that long. Although gimmick aside, Boyhood is Richard Linklater's lauded attempt to show the slow growth of a fractured family, with the focus on Ellar Coltrane going from 6 to 18. Linklater's daughter Lorelei plays Coltrane's older sister and their divorced parents are Ethan Hawke & Patricia Arquette. The adults are terrific---Arquette won an Oscar for her work as the put-upon mom who keeps finding romance with bad men---but the kids just aren't the actors that she and Hawke are. In any case, it's fascinating to see this arc in a family's life and the (mostly white) people they meet along the way. Our impressions of the exploits of the Evans clan down in Texas is the 609th chat on the Have You Ever Seen podcast channel, so snap some pictures and see what we thought of Boyhood. Well, Actually: Jean-Pierre Leaud repeatedly played "Antoine Doinel" in Francois Truffaut movies. Also, Mason Senior becomes an "insurance actuary", not an "insurance actuarial". Go bowling with your kids, take them camping and then take them out for Sparkplug Coffee. Or have it sent to your house. And also use our "HYES" promo code to save 20%. The website is "sparkplug.coffee/hyes". You can email us at "haveyoueverseenpodcast@gmail.com". Send us some of your movie thoughts on Twi-X (@moviefiend51 and @bevellisellis) or to Bev on Threads (also @bevellisellis). Check out our show on YouTube. The address in your browser is @hyesellis (or click "Have You Ever Seen" into the YouTube search bar) and don't forget to subscribe to us. Like the show, leave a comment. And also rate and review our 'cast in your app.

What do you get when you combine one precocious wizkid director who's actually not that young, one cocaine-addled producer, one befuddled Frenchman, one Bob Balaban taking notes, and lots and lots of McDonald's? You get what is quite possibly the greatest science fiction film ever made, Close Encounters of the Third Kind (1977).   Our friend Drewbie Doobie's Movies (@DrewbieDoobieMovies on TikTok) returns to the show to gush about one of Spielberg's very best movies… maybe his very best. It's the second time we've covered this movie on the show, but back in 2018, we only talked about it for about 10 minutes, and most of that time was spent with Laci complaining about Melinda Dillon not wearing a bra.   This is a beautiful, special movie, but it doesn't seem like it's as widely seen as your Jurassics Park and your Jawses. So please, folks, give it a chance.   Watch this episode in full on YouTube: https://youtu.be/bVPDZKa9dFc   Next week: The Fabelmans (2022) with special guest Paul of Twin Flicks!   Time stamps: 3:41 — Our personal histories with Close Encounters of the Third Kind and our big-picture thoughts on the movie 22:27 — History segment: UFOs; Spielberg in the early ‘70s; Producers Michael and Julia Phillips; Francois Truffaut; the controversy over the screenwriting credit for Close Encounters; the 1980 “special edition” of Close Encounters and its weird McDonald's tie-in 46:30 — In-depth movie discussion 2:01:03 — Final thoughts and star ratings   Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: “Summer of Spielberg” - https://youtu.be/yglAqqLEaoI   “Winston-Salem” - https://youtu.be/-acMutUf8IM    “Snake Drama” - https://youtu.be/xrzz8_2Mqkg   “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ      “Summer of Spielberg” theme song credits: Words and music written by Matt Stokes Performed by Wade Hymel (drums/guitar), Laci Roth (vocals), and Matt Stokes (vocals/guitar/bass) Produced by TJ Barends, Wade Hymel, and Matt Stokes Engineered and mixed by TJ Barends at Bare Sounds Studio in Ponchatoula, Louisiana   Sources: Steven Spielberg: A Biography by Joseph McBride - https://amzn.to/3xzYOx1 You'll Never Eat Lunch In This Town Again by Julia Phillips - https://amzn.to/3STJWBk  Close Encounters of the Third Kind: The Making of Steven Spielberg's Classic Film by Ray Morton - https://amzn.to/3M7JJqo

PATREON EXCLUSIVE: On Episode 191, Eric and Josh discuss more Spielberg! Time for a deep dive into "Close Encounters of the Third Kind" (1977) starring Richard Dreyfuss, Melinda Dillon, Terri Garr, and Francois Truffaut. WE HAVE A PATREON! Subscribe at https://www.patreon.com/RidingTheTorus to hear the second half of this episode. You can find Eric's research notes for every episode here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drive.google.com/folderview?id=1syBwRsJ3b3YnOlUCXXFEEUpgF0NODLL2⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Also! If you enjoy the Riding The Torus theme song, you can now download it for FREE from the Bueno Tornado bandcamp page. Here is the link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://buenotornado.bandcamp.com/track/riding-the-torus-theme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Hosts: eric beal - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/ericbealart/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Josh Campbell - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠twitter.com/josh_campbell⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Filmmaker George Sikharulidze joins Marcus from Tbilisi, Georgia to discuss his feature film debut 'Panopticon', which is World Premiering at the prestigious 58th Karlovy Vary International Film Festival on June 30th at The Grand Hall, and competing for the festival's top prize: the Crystal Globe. A variety of topics include the influence of Francois Truffaut's 'The 400 Blows', the importance of honesty in filmmaking, the concept of Panopticism, and the value of making the films you regret. Other topics include the experience of watching one's own film, the challenges of making a feature film compared to shorts, the value of film labs and festivals, and the difficulties of the Georgian Film Center. George emphasizes the importance of serving the story and removing oneself as a director. Short EndsThe concept of panopticism and its influence on filmmakingThe impact of Truffaut's '400 Blows' on the director's own workThe value of developing a project through film schoolThe importance of structure and honesty in filmmakingThe excitement and anxiety of premiering a film at a festival The experience of watching one's own film can vary, but the goal is to reach a point where the filmmaker can enjoy it without being overly concerned with others' opinions.Making a feature film presents different challenges compared to making shorts, such as carrying the entire story in one's head and shooting out of order.Film labs and festivals can provide valuable opportunities for filmmakers to showcase their work, meet industry professionals, and gain recognition.A director's job is to serve the story and remove themselves from the film, allowing the story to take center stage.The filmmaker has future projects in development and is motivated to continue making films.Honesty with oneself is crucial in the filmmaking process, avoiding distractions and staying true to the vision.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Welcome to It's A Wonderful Podcast!! The World Cinema series closes out in a special way on this week's main show! As the show feels like it has come of age, Morgan and Jeannine talk one of the formative "coming-of-age" movies; and a far more heartfelt, emotional, and personal example of the rebellious realism of the French New Wave; Francois Truffaut's THE 400 BLOWS (1959) starring Jean-Pierre Leaud! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

Today on the show we have legendary actor Lance Henriksen. I had the pleasure of work with Lance on my film Red Princess Blues: Genesis and if was a surreal experience.Lance has been in over 300 films through-out his remarkable career.He's mentored Tarzan, Evel Knievel and the Antichrist, and fought Terminators, Aliens, Predators, Pumpkinhead, Pinhead, Bigfoot, Superman, the Autobots, Mr. T, Jean-Claude Van Damme and Steven Seagal.He's worked with directors James Cameron, Steven Spielberg, Kathryn Bigelow, Sidney Lumet, Francois Truffaut, John Huston, Walter Hill, David Fincher, John Woo, Jim Jarmusch and Sam Raimi, but this is just skimming the surface.An intense, versatile actor as adept at playing clean-cut FBI agents as he is psychotic motorcycle-gang leaders, who can go from portraying soulless, murderous vampires to burned-out, world-weary homicide detectives, Lance Henriksen has starred in a variety of films that have allowed him to stretch his talents just about as far as an actor could possibly hope.He played Awful Knoffel in the TNT original movie EVIL KNIEVEL, directed by John Badham and executive produced by Mel Gibson. Henriksen portrayed Awful Knoffel in this project based on the life of the famed daredevil, played by George Eads. Henriksen starred for three seasons (1996-1999) on Millennium, Fox-TV's critically acclaimed series created by Chris Carter (The X-Files).His performance as Frank Black, a retired FBI agent who has the ability to get inside the minds of killers, landed him three consecutive Golden Globe nominations for "Best Performance by a Lead Actor in a Drama Series" and a People's Choice Award nomination for "Favorite New TV Male Star."Henriksen was born in New York City.His mother, Margueritte, was a waitress, dance instructor, and model. His father, James Marin Henriksen, who was from Tønsberg, Norway, was a boxer and merchant sailor.Henriksen studied at the Actors Studio and began his career off-Broadway in Eugene O'Neill's Three Plays of the Sea. One of his first film appearances was as an FBI agent in Sidney Lumet's DOG DAY AFTERNOON, followed by parts in Lumet's NETWORK and PRINCE OF THE CITY.He then appeared in Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND with Richard Dreyfuss and François Truffaut, DAMIEN: OMEN II and in Philip Kaufman's THE RIGHT STUFF, in which he played Mercury astronaut Capt. Wally Schirra.James Cameron cast Henriksen in his first directorial effort, PIRANHA II: THE SPAWNING, then used him again in THE TERMINATOR and as the android Bishop in the sci-fi classic ALIENS. Sam Raimi cast Henriksen as an outrageously garbed gunfighter in his quirky western THE QUICK AND THE DEAD. Henriksen has also appeared in what has developed into a cult classic: Kathryn Bigelow's NEAR DARK, in which he plays the head of a clan of murderous redneck vampires. He was nominated for a Golden Satellite Award for his portrayal of Abraham Lincoln in the TNT original film THE DAY LINCOLN WAS SHOT.In addition to his abilities as an actor, Henriksen is an accomplished painter and potter. His talent as a ceramist has enabled him to create some of the most unusual ceramic artworks available on the art market today.His new film is called Alpha Rift.Nolan Parthmore was just a regular guy, hanging with friends, working his game store, flirting with his co-worker, then one day, destiny came calling. A courier delivers a mysterious antique helmet with no note or description. When Nolan puts it on, his whole world changes. The helmet comes to life and calls out to an evil demon, Lord Dragsmere, who was imprisoned by Nolan's deceased father. Nolan soon discovers he is next in the bloodline, heir to The Nobleman, destined to become a hero whether he wants to be or not. Since the Dark Ages, the Noblemen have been guardians against the 13 Devil's Apostles: dark forces escaped from hell and let loose upon on earth. Generations later, it's the heirs of these original knights that possess the power to open the Alpha Rift:the only defense against these supernatural foes.Enjoy my conversation with Lance Henriksen.

Look to the skies as NostalgiaCast attempts to make contact with Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND. Paperback Flicks hosts R.J. Craddock and Rae Davidson join Jonny and Darin for an out-of-this-world discussion of the groundbreaking FX, overly overlapping dialogue, and sense of awe and wonder that permeates Spielberg's 1977 magnum opus, plus how it compares to the rat-a-tat sci-fi extravaganzas of today.

Yorgos Lanthimos' POOR THINGS is many things, among them a whimsical retelling of the story of Frankenstein's monster as codified in James Whale's iconic 1930s classics FRANKENSTEIN and BRIDE OF FRANKENSTEIN. But there's a lot of other stuff animating POOR THINGS' surface pleasures and just-below-the-surface ideas, which we parse before moving into Connections to compare these three films' depictions of playing God and twisted parent-child relationships; mad science and the mad scientists who practice it; and stylized, unnatural versions of reality as perceived by stylized, unnatural creatures. And in Your Next Picture Show we give a brief nod to two other POOR THINGS pairing possibilities, Francois Truffaut's THE WILD CHILD and Werner Herzog's THE ENIGMA OF KASPAR HAUSER.  Please share your comments, thoughts, and questions about FRANKENSTEIN, BRIDE OF, POOR THINGS or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Peu d'acteurs appartiennent à la catégorie des « légendes » du cinéma. Fanny Ardant fait indiscutablement partie de cette poignée d'individus rares. Révélée au grand écran dans La Femme d'à côté et Vivement dimanche de François Truffaut, l'actrice construit depuis plus de quarante ans une carrière atypique, basée essentiellement sur des affinités intimes. Le succès ne l'a jamais muselée ou confinée aux bons sentiments. « J'ai toujours détesté l'homme qui balance. » Une forme de licence rare, alors que la parole dissidente est sévèrement sanctionnée. Que ce soit pour Roman Polanski ou Gérard Depardieu, elle s'affiche inébranlable, solidaire. L'amitié, chez madame Ardant, est cardinale.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

First broadcast on January 27, 1960.

Vid mitten av 1950-talet lanserade den franske filmkritiker Francois Truffaut ett helt nytt begrepp – auteuren. Det var ett ideal som också var en kritik av läget i fransk film. Filmregissören skulle vara något mer än en hantverkare, demokratiskt inkilad i filmteamets kollektiv. Som auteur skulle regissören vara filmens konstnärliga visionär. Filmerna skulle vara omedelbart igenkännbara genom regissörens personliga stil; kameran liknades vid en författarpenna. Truffaut blev senare själv en de nya regissör som bar fram denna självbild. Begreppet blev djupt förknippat med den franska nya vågen och 60-talets stora filmregissörer som Ingmar Bergman, Federico Fellini, Michelangelo Antonioni och Agnès Varda. Hur stor roll spelade auteur-begreppet för filmens mytomspunna 60-tal? Och hur har begreppet åldrats? Kan vi alls tala om auteurer idag, i strömningstjänsternas massproducerande tidevarv? Gäst i studion är Maaret Koskinen, professor i filmvetenskap vid Stockholms universitet, specialiserad bland annat på Ingmar Bergmans filmvärld och rörlig bild i olika genrer. Koskinen har också varit mångårigt verksam som filmkritiker i Dagens Nyheter.

Rope (1948) may not be top-shelf Hitchcock, but that doesn't mean it isn't interesting and worth repeated viewings. After arguing back at those who find Jimmy Stewart miscast, Mike and Dan talk about how the film stands as another example of Hitchcock using violence to dramatize the sex lives of his characters. Mike lists the ways in which the director resembles the killer, specifically Brandon: a Nabokovian figure through which Hitchcock shows the audience what it's like to have an artistic temperament. Another Russian, Dostoevsky, comes into the conversation when Dan talks about Philip's complaint that his former teacher is “plating Crime and Punishment.” It's the kind of unscripted, enthusiastic conversation you have with your friends in the car on the way home from the movies—so put down the pâté and give it a listen! So many books have been written about Hitchcock, but the book-length interview by Francois Truffaut still stands as one of the best. It never gets old. Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Rope (1948) may not be top-shelf Hitchcock, but that doesn't mean it isn't interesting and worth repeated viewings. After arguing back at those who find Jimmy Stewart miscast, Mike and Dan talk about how the film stands as another example of Hitchcock using violence to dramatize the sex lives of his characters. Mike lists the ways in which the director resembles the killer, specifically Brandon: a Nabokovian figure through which Hitchcock shows the audience what it's like to have an artistic temperament. Another Russian, Dostoevsky, comes into the conversation when Dan talks about Philip's complaint that his former teacher is “plating Crime and Punishment.” It's the kind of unscripted, enthusiastic conversation you have with your friends in the car on the way home from the movies—so put down the pâté and give it a listen! So many books have been written about Hitchcock, but the book-length interview by Francois Truffaut still stands as one of the best. It never gets old. Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rope (1948) may not be top-shelf Hitchcock, but that doesn't mean it isn't interesting and worth repeated viewings. After arguing back at those who find Jimmy Stewart miscast, Mike and Dan talk about how the film stands as another example of Hitchcock using violence to dramatize the sex lives of his characters. Mike lists the ways in which the director resembles the killer, specifically Brandon: a Nabokovian figure through which Hitchcock shows the audience what it's like to have an artistic temperament. Another Russian, Dostoevsky, comes into the conversation when Dan talks about Philip's complaint that his former teacher is “plating Crime and Punishment.” It's the kind of unscripted, enthusiastic conversation you have with your friends in the car on the way home from the movies—so put down the pâté and give it a listen! So many books have been written about Hitchcock, but the book-length interview by Francois Truffaut still stands as one of the best. It never gets old. Follow us on Twitter or Letterboxd. Incredible bumper music by John Deley. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

"Real life screened more daringly than it's ever been before!" One of the few films whose reputation is based as much on what isn't onscreen as what is, writer Cat Bowen joins us to talk about Orson Welles' famously interfered-with follow-up to Citizen Kane, The Magnificent Ambersons. We talk what works, what's missing, and what made Francois Truffaut call the film a "mutilated masterpiece." Hosts:Michael NataleTwitterLetterboxd Tom LorenzoTwitterLetterboxd Producer:Kyle LamparTwitter Guest:Cat BowenTwitterInstagram Follow the Show:TwitterInstagramWebsite Music by Mike Natale

Every now and then, a film critic puts their money where their mouth is and makes a movie for themselves - and sometimes they even prove to be true masters of the craft: Paul Schrader and Francois Truffaut, for example. But MG argues that one of the most impressive debuts of all time is someone who is now a bit forgotten - film historian and Orson Welles biographer Peter Bogdanovich - whose incredible one-two punch of The Last Picture Show and Paper Moon made him the toast of the town in the early 70s!

Join us for a brand new, freshly recorded episode where we discuss the unabashedly transgressive cinematic world of The French New Wave (Nouvelle Vague) and famous director Francois Truffaut through his highly regarded film "The 400 Blows" (Les 400 Coups).

Jim reflects on a legendary 1977 Sci-Fi from Director Steven Spielberg - "Close Encounters Of The Third Kind," starring Richard Dreyfuss, Teri Garr, Melinda Dillion Bob Balaban, Francois Truffaut and Cary Guffy. The film mesmerized audiences upon its initial release and financially saved Columbia Pictures. Find out more about this incredible film on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies

Jim reflects on a legendary 1977 Sci-Fi from Director Steven Spielberg – “Close Encounters Of The Third Kind,” starring Richard Dreyfuss, Teri Garr, Melinda Dillion Bob Balaban, Francois Truffaut and Cary Guffy. The film mesmerized audiences upon its initial release and financially saved Columbia Pictures. Find out more about this incredible film on this episode … Close Encounters Of The Third Kind| Episode 368 Read More » The post Close Encounters Of The Third Kind| Episode 368 appeared first on The ESO Network.

You are invited back into the Talking Hitchcock screening room! Join creator and host, Hitchcock enthusiast Rebecca McCallum with special guest -New York Playwright and Scholar Elisabeth Karlin as they prepare to travel from Marrakesh all the way to London to analyse and dissect Hitchcock's only remake- The Man Who Knew Too Much (1956).  Listen to find out which critical study of Hitchcock Elisabeth persuaded her father to publish which she was also involved in proof reading and amongst other things we discuss-marriage, gender, what is in a name, that troubling sedation scene and redefining the Hitchcock Blonde. Find Talking Hitchcock on Twitter @hitch_pod and Instagram @talkinghitchpod where you can support the podcast and keep up to date with releases or email us on talkinghitchpod@gmail.com Elisabeth is a playwright in New York City who also writes about film. Her work on Hitchcock includes being a frequent contributor to the Alfred Hitchcock Geek Blog and her essay on the heroines of Hitchcock appears in the most recent Hitchcock Annual. She serves on the advisory board of "HitchCon" and has spoken at its yearly conferences. You can find her on Twitter @ElisabethKarlin and Instagram @elisbath.karlin Find Rebecca and her work on Twitter and Instagram @PendlePumpkin Read Rebecca's Hitchcock's Women series with Moving Pictures Film Club here: ⁠⁠Hitchcock'sWomen (movingpicturesfilmclub.com)⁠ References The Man Who Knew Too Much (1956)     Guillermo del Toro on The Man Who Knew Too Much-Criterion Collection Guillermo del Toro on The Man Who Knew Too Much - YouTube Hitchcock's Heroines (Caroline Young)   Hitchcock Revisited (Robin Wood) The Making of The Man Who Knew Too Much The Man Who Knew Too Much BFI Classic (Murray Pomerance) Interview: Alfred Hitchcock and Francois Truffaut (1962) Beyond the Blond the Dynamic Heroines of Hitchcock (Elisabeth Karlin) Breaking Silence Through Song-Jo McKenna in The Man Who Knew Too Much (Rebecca McCallum) The Man Who Knew Too Much-The Thriller Master's Only Remake (Cinephilia and Beyond) ‘The Man Who Knew Too Much': The Thriller Master's Only Remake • Cinephilia & Beyond (cinephiliabeyond.org)

On this episode of The Hatchards Podcast we were joined by writer/director Wes Anderson - Parisian, Texan, filmmaker and cinephile - who spoke to Ryan & Matt about his latest film, 'Asteroid City', and the accompanying book, 'Do Not Detonate Without Presidential Approval,' edited by Jake Perlin. A collection of essays, articles and stories that inspired the movie, Do Not Detonate features pieces from some of the twentieth century's most revered journalists and critics (Lilian Ross, Pauline Kael), contemporary writers on film and culture (Matt Zoller Seitz, K. Austin Collins), novelists (Georges Simenon), actors (Bob Balaban) and directors (Francois Truffaut) - and concludes with 'Wild to the Wild', a short story by Sam Shepard, whose life and work had a profound influence on the movie.Wes spoke to us about the art of film criticism, his favourite film literature, the joy of rewatching movies and the wide array of influences - including mid-century American theatre, noir and science fiction - that fed into the making of his latest masterpiece, 'Asteroid City.' The film was released in the U.K. on June 23 and the book is available from Hatchards' bookshops in Piccadilly, St. Pancras and Cheltenham, as well as Hatchards.co.uk. With thanks to Wes, Focus Features, and Adam at Pushkin for arranging this interview.

What was it like to work with famed director Francois Truffaut? That's one of the subjects the iconic Jacqueline Bisset discusses with Mase & Sue on THE CULTURE POP PODCAST. Plus, starring opposite Steve McQueen in BULLITT, working with Frank Sinatra in THE DETECTIVE, the ensemble cast of MURDER ON THE ORIENT EXPRESS and Andrew McCarthy in the classic coming-of-age movie, CLASS. She also talks about her fears of being an actor, and her lead role in her latest film, LOREN & ROSE.

L.A. filmmaker Weston Razooli's debut feature RIDDLE OF FIRE is like if The Goonies were directed by Francois Truffaut — a tale of three modern kids on an old-fashioned adventure in the woods, facing down a family of witches. Razooli tells host Rico Gagliano about his D&D-soaked childhood in Utah, how he cast the kids… and the afterparty following the film's Cannes premiere, which sounds as magical — and kinda dangerous — as his movie.Every May, the population of sleepy Cannes, France triples — as film pros and cinephiles from around the globe convene for the two-week movie-thon called the Cannes Film Festival.  For the fourth season of the MUBI Podcast, we sent host Rico Gagliano into the eye of this celluloid storm, accompanied by an intrepid camera crew, to grab interviews with a cross-section of filmmakers who made Cannes 2023 one of the most celebrated in years. Guests include legendary director Wim Wenders, perennial Cannes favorites Kleber Mendonca Filho and Monia Chokri, and a slew of new filmmakers destined to be world cinema's next wave — from Belgian hip-hopper-turned-auteur Baloji to New York's wry boundary-smasher Joanna Arnow. Episodes air twice weekly.  Follow and watch on Spotify or Youtube... or listen wherever you get your podcasts.

Marcus Gorman joins Brian for a discussion of Francois Truffaut's Day for Night, which won the Oscar for Best Foreign Language Film! They also talk about Truffaut's astonishing career and pick his three best movies. DAY FOR NIGHT is available on YouTube: https://www.youtube.com/watch?v=xG_w3ae4B2o

On the latest Find Your Film episode I interview Acidman director/co-writer Alex Lehmann and actor Thomas Haden Church.Lehmann talks about his appreciation for Francois Truffaut (The 400 Blows) in the interview. I asked Church about working with Walter Hill (one of my favorite filmmakers) on Broken Trail.  Acidman hits theaters and On Demand March 31, 2023 via Brainstorm Media. Timestamps:(0:00) - Intro(9:21) - Acidman trailer(11:10) - Thomas Haden Church interview(24:15) - Alex Lehmann interview1. Follow Find Your Film on Twitter,  Facebook, and Instagram.2. Subscribe to our YouTube Channels Deepest Dream and Find Your Film (clips)3. Check out our Find Your Film website: https://findyourfilms.com/4. Find Your Film and CinemAddicts merch is available: https://www.findyourfilmpodcast.com/5. Join our CinemAddicts Facebook Group for daily movie talk and recommendations. Say hi Eric Holmes, Bruce Purkey and I in the group: https://www.facebook.com/groups/cinemaddictspodcast/Email me at info@findyourfilms.com for questions, comments, and movie recommendations!Support the show

On this edition of Parallax Views, David Metcalfe, Santa Muerte researcher and Editor-in-Chief of Threshold: Journal of Interdisciplinary Consciousness Studies, joins us for a long, jam-packed discussion of the Morbid Anatomy online course he is teaching with Dr. Diana Pasulka entitled "Your Waking Nightmare: Exploring the UFO Through the Lens of Horror and Techno-Realism". The course will take a media studies approach that delves into understanding the phenomena of Unidentified Flying Object, or Unidentified Aerial Phenomena, by way of the themes explored in the horror genre. It will also feature guest speakers Amanda M. Radcliffe, the occult and ritual witchcraft advisor for the Nicolas Cage-starring H.P. Lovecraft movie The Color Out of Space, and Whitley Streiber, the world's most famous claimed alien abductee and a former horror author whose novels like The Hunger and Wolfen set him up to be a successor for Stephen King before he became famous in regards to the UFO/alien abduction subject. This isn't necessarily a conversation about believing  in the UFO phenomena or being skeptical of it, but rather what the horror genre can say about people who claim to have "paranormal" experiences and perhaps even what these experiencers can say about themes touched upon in horror that relate to philosophical and social issues. Among the topics discussed in the course of this conversation: - Whitley Streiber and his career as a horror author; his alien abduction memoir Communion (originally set to be titled, interestingly enough, Body Horror) and it's dealing with subject like the Self vs. the Other (and bridging the gap between the two); filmmaker Phillipe Mora's movie adaptation of Communion; Whitley Streiber and psychological/physical trauma; Whitley Streiber's relationship with William S. Burroughs - UFO researcher Jacques Vallee and Steven Spielberg's Close Encounters of the Third Kind; Valle served as the basis for the Francois Truffaut character in Close Encounters of the Third Kind; creatives who don't necessarily believe in the UFO phenomena taking an interest in the subject - The Texas Chainsaw Massacre (or The Texas Chain Saw Massacre as it was released) and it's invocation of astrology ("Saturn in Retrograde) that arguably adds a cosmic horror element to the story - The horror genre and catharsis; David's college horror binge that included a diet of Lucio Fulci, Dario Argento, and movies like Wes Craven's Last House on the Left (and why David pulled back on watching those movies before returning to them for the course) - Lucio Fulci's The Beyond, Don Coscarelli's Phantasm, and hell/other dimensions depicted in film; horror movies and ritual experience; Kenneth Anger's perspective on cinema - The art of the jump scare; the visceral nature of the horror genre; the intersection between horror and comedy - The Travis Walton alien abduction case and the movie depiction of it in the police-procedural-turned-full-on-horror-in-the-third-act Fire in the Sky; the depiction of alien abductions in cinema; intentional artificiality and theatricality in Phillipe Mora's Communion starring Christopher Walken as Whitley Streiber; Communion vs. Fire in the Sky and the ways in which Communion portrays the alien abduction experience in a stranger, harder-to-grasp way - Lovecraft, the encounter with the unknown in horror, and the inability to adequately express/fully comprehend alleged anomalous experiences - Clive Barker's 1987 cult classics Hellraiser, reframing the concept of the alien/extraterrestrial, and interdimensional beings; Alien amorality in Hellraiser; Cliver Barker's Cabal (later made into the movie Nightbreed) and sympathy for the Other; exploration of the anomalous rather than belief in the anomalous; the occult-tinged industrial music project Coil, led by Jhonn Balance and Peter Christopherson, and Hellraiser; Hellraiser, the BDSM underground, and the Barker's The Hellbound Heart as a dark fairytale/dark romance exploring what loves means and is - The dark portrayal of psychology in Nightbreed, Hellbound: Hellraiser II, and A Nightmare on Elm Street 3: The Dream Warriors  - The late psychiatrist Dr. John E. Mack, professor and the head of the department of psychiatry at Harvard Medical School, and his perspective on alien abductions; Mack's desire to understand the alien abduction through, among other things, Eastern spirituality; how John Mack's approach to alien abduction differs from other alien abduction believers such as Budd Hopkins or David Jacobs; how alien abductions and how they are understood in popular culture are forced in a a specific narrative to the preclusion of all else - Different cultural perspectives on UFOs: Christian evangelical and charismatic Christianity narratives about UFOs; Islam and exorcisms; Muslims who believe UFOs can be warded off by the Koran; the use of exorcism in the Santa Muerte tradition; occult rocket scientist Jack Parson, occultist Aleister Crowley, Parsons' love Marjorie Cameron's UFO experience (interestingly, Cameron appeared in a Kenneth Anger movie), and the Aeon of Horus - Albert K. Bender, the first notable case of someone who claims to have had Men in Black encounters, and his interest in the horror genre and pop occultism - Demonic possession narratives; The Exorcist; charismatic Christians and Pentecostals in relation to exorcisms; grocery store grimoires and ritual magick's connection to the tradition of exorcism; exorcism in various religions; Catholicism and exorcism; the mediation of these topics in popular culture - The concept of techno-realism; virtual worlds and virtual reality; David Cronenberg's eXistenz and the UFO experience; hallucination and reality in Nightmare on Elm Street 3; the real life inspiration for A Nightmare on Elm Street and parallels to the alien abduction experience - Revulsion to the extraordinary and anomalous as well as longing for the extraordinary and anomalous in A Nightmare on Elm Street 3 and Hellraiser - The media and anomalous experiences - The Natalie Portman-starring adaptation of Jeff Vander Meer's weird fiction tale Annihilation; The Color Out of Space and the desire for experiences beyond the normal comprehension of existence; transcendental experience in The Color Out of Space; horror and union in The Color Out of Space; the ultimate other as both beautiful and horrifying; the Necronomicon and ritual magick - Techno-realism and John Carpenter's They Live; parallels between They Live and Robert Anton Wilson's fnords in The Illuminatus Trilogy - Tobe Hooper's Invaders from Mars remake; paranoia and fear in the films of Tobe Hooper; Tobe Hooper's Stephen King adaptation Salem's Lot and it's parallels to Invasion of the Body Snatcher and it's marketing as a vampire story; the character of Mr. Barlow in Salem's Lot; Tobe Hooper's apocalyptic alien vampire movie Lifeforce - Druids, ritual witchcraft, synchronicity, and apocalypticism in Halloween III: Season of the Witch; the weirdness of John Carpenter's religious-apocalypse-meets-quantum-physics-meets-time-travelers-meets-aliens movie Prince of Darkness; Prince of Darkness's "broadcasts" which act as premonitions transmitted through the characters dreams - The British horror anthology The House That Dripped Blood and why it will be taught in the course; Jacques Tourneur's Curse of the Demon and expectations around anomalous experiences - Horror and philosophy; Eugene Thacker's In the Dust of This Planet; the late cultural theorist Mark Fisher and the eerie - And more!

In 1954, Frank Sinatra won an Oscar for his performance as a scrappy soldier named Angelo Maggio in the film “From Here to Eternity."  In our Winter Doldrums podcast, we play an audio clip from Francis Ford Coppola's first Godfather film that details how that role went to Sinatra over the intense objection of Columbia Pictures head of production Harry Cohn.  We also have an audio clip from Francois Truffaut's film “Fahrenheit 451,” adapted from Ray Bradbury's novel of the same name.

Peter Sobczynski returns for an update on the Blu-ray scene with Erik Childress. Between cylindrical objects in the sky and noxious chemicals causing evacuations you might think Kino was marketing its collection of new Francois Truffaut films. Criterion puts out what may be the definitive version of a Shakespeare classic and Shout Factory has your martial arts covered. There are also more recent standouts of Asian cinema, a Rolling Stones concert and a tribute to a favorite movie of Peter's father. The duo also discuss a pair of Redford classics from the ‘70s, why sci-fi and animation don't seem to mix and, finally, their differences on Spielberg's latest. 0:00 - Intro 1:10 - Criterion (Romeo and Juliet) 9:37 - Cohen Media Group (Love on the Ground) 11:19 - Kino (Adele H, The Bride Wore Black, Mississippi Mermaid, Francois Truffaut Collection) 18:51 - Mercury (The Rolling Stones: GRRR Live!) 21:29 - Shout! Factory (Iron Monkey, Zu Warriors From the Magic Mountain) 23:35 - RLJE (Dark Glasses) 27:08 - Decal (Broker) 28:53 - Mubi (Decision To Leave) 31:01 - Mill Creek (Thrillers from the Vault) 35:23 - Paramount (3 Days of the Condor) 41:34 - Sony (The Way We Were (4K)) 47:29 - Walt Disney (Strange World (4K)) 51:25 - Universal (The Fabelmans 4K) 55:53 – New Blu-ray Announcements 57:44 - Outro

We didn't choose this movie! We didn't choose these podcasters! They were invited! It's the Season 2 Finale, & the Film Nerds are determined to send it off properly with one of the most wondrous spectacles in the history of film. Cast a long look to the heavens on this deep dive as BK & Jack discuss the history of UFO Mania in the United States, how watching a meteor shower with his father impacted a young Steven Speilberg forever, the serendipitous ways which the film brought out the best in its cast & crew, & so much more! This podcast is important! This podcast means something!

"Here lies poor Antoine Doinel, unjustly punished by Sourpuss for a pinup fallen from the sky..."For the final episode of our “Teenage Riot” theme, The Movie Newbie is revisiting one of the defining texts in 20th century cinema… Francois Truffaut's timeless coming-of-age tale THE 400 BLOWS. Studied in every Intro to Film Class, this 1959 masterpiece of the French New Wave distils the excitement and loneliness of the disobedient child unlike any other. Based on Truffaut's own rebellious and tragic childhood, the story follows a young Parisian by the name of Antoine Doinel as he skips school, steals from his parents, and eventually runs away from his parents. It's a timeless classic — and one that we uniformly loved on the podcast — so we were thrilled to meet in the studio to pick apart the acting, music, cinematography and more. *** JABRIEL ALSUHAIMI is a multi-disciplinary creative, working on a multitude of various projects in the audiovisual sphere. Hailing from Saudi Arabia and Singapore, Jabriel brings his international perspective and varying influences into his work, which includes podcasts like Curious Humans, Founders For Good & The Movie Newbie, music under the alias Rei.do.Nada, video content for YouTube and some occasional writing on his website. Twitter: https://twitter.com/jabealsuhaimiInstagram: https://instagram.com/__jabriel__Website/Newsletter: www.jabrielalsuhaimi.com RAPHAEL LECAT is an actor; some would say thespian, some would say clown; others would say human golden retriever (and by some, he means himself...) Raphael was born in France to French parents but quickly became a third-culture kid after his family moved to Singapore. This is where he discovered his passion for theatre and decided to make it his mission in life to be a vessel for stories old and new through the craft of acting. Website: https://raphaellecat.me/IMDb: https://www.imdb.com/name/nm8941524/ OLIVER MANGHAM is a represented screenwriter, producer, fundraiser and content creator across a range of media. A cinema obsessive from a young age, he channelled his passion for storytelling by co-founding the film and television production company Through The Lens Entertainment. When he's not navigating the shark-infested waters of Hollywood, Oliver likes to pen scripts, record podcasts, host musical events and consume large quantities of pasta. Twitter: https://twitter.com/olivermangham1Instagram: https://instagram.com/hoothoot1992 ★ Support this podcast on Patreon ★

On this jam-packed, monster-sized edition of Parallax Views, acclaimed film historian Joseph McBride returns to the program to discuss the life and times of Hollywood filmmaking legend Steven Spielberg, his films, and his latest feature, the autobiographical coming-of-age drama The Fabelmans. McBride many books on cinema include Frank Capra: The Catastrophe of Success, Orson Welles: Actor and Director, Searching for John Ford, Billy Wilder: Dancing on the Edge, and The Whole Durn Human Comedy: Life According to the Coen Brothers, and, of special note to this conversation, the unauthorized Steve Spielberg: A Biography. Among the topics covered in this lengthy conversation: - Spielberg's early career, working in television with The Twilight Zone/Night Gallery creator/host Rod Serling, his made-for-TV thriller Duel and horror Something Evil - The success of E.T.: The Extraterrestrial and the point where Spielberg became a household name - The importance of Jaws to Spielberg's career - The resonance of Close Encounters of the Third Kind with move-going audiences; applying Carl Jung's book on flying saucers to Close Encounters of the Third Kind; the positive portrayal of aliens in Spielberg's films; Spielberg and immigrant liberalism; the role of the broken family in Close Encounters of the Third Kind and how in some ways the movie may be about his divorced mother and father - Spielberg wasn't a darling of film critics when McBride wrote his biography of Spielberg; the phenomenon of Spielberg haters; the lackluster box-office of West Side Story and The Fabelmans at the box office and mixed-reviews from critics - Steven Spielberg and Alfred Hitchcock; the idea that Spielberg is a master technical filmmaker but has little to say; Hitchock's 1976 film Family Plot starring Bruce Dern and Spielberg's attempt to meet Hitchcock - The approach Joseph took to the research and writing of Steven Spielberg: A Biography; interviewing "ordinary people" rather than just celebrities; Robert Caro's Lyndon Johnson biography; Joseph interviewed over 300 people for the book; interviewing people from all over the country because Spielberg lived in so many different cities and states, especially when he was growing up - Joseph's interview with Arnold Spielberg, Steven's father, and the said moment for him during that interview; the underrated role of Arnold Spielberg in Steven's life and amateur films; Steven's relationship with his father and the way it is portrayed in The Fabelmans; the schism between Steven and his father Arnold - The traumatic impact of Steven's parents' divorce on him in his adolescent years; family rupture, broken families, and the role of irresponsible father and mother figures in Steven's films - Picking apart the mythologized portrayal of how Steven got into Hollywood and the true facts of how he got into Hollywood - The ambitious 1964 science fiction film Firelight, which Spielberg made at the age 17 - Spielberg's dyslexia, his poor performance as a student in school - The story of a young Spielberg's experience seeing The Greatest Show on Earth and his recreating of that film's train crash - The common criticism that Spielberg's movies are too sentimental or schmaltzy; the darker elements of Spielberg's movies - Spielberg's first 35 mm short film Amblin and the role it played in  kickstarting Spielberg's career - MCA/Universal Studios head honcho Sidney Sheinberg and Steven Spielberg - Spielberg as an actor's director - Spielberg's mother Leah Adler - The obstacles Joseph faced writing an unauthorized biography of Steven Spielberg - The factual accuracy of The Fabelmans, The Fabelmans as a semi-autobiographical film, and Francois Truffaut's 400 Blows (Spielberg was a Truffaut fan and even cast him in Close Encounters of the Third Kind) - The Fabelmans' tornado scene and Steven Spielberg childhood tornado experience - A teenaged Steven Spielberg's film Senior Sneak Day, Steven's penchant for casting both his friends childhood bullies in his early films, his 1962 WWII film Escape to Nowhere - A young Spielberg's experiences with antisemitism and antisemitic bullying - How a young Spielberg had trouble with his Jewish identity; wanting to assimilate with gentile in his youth; a telling moment where a young Steven was embarrassed by his ultra-Orthodox grandfather - Spielberg's use of Christian iconography in his films including in Amistad and E.T. - Alienation, Other-ness, Otherization, and persecution in Spielberg's films; Spielberg's interest in communication with "The Other" as a theme - Alice Walker, Black Americans in Steven Spielberg's films, The Color Purple, and Spielberg as a "Minority Director"; the attacks on Spielberg over The Color Purple; - The Sugarland Express, Goldie Hawn, class, and the role of outsiders in Spielberg's films - The dark side of suburbia and smalltown America in Spielberg's films - E.T. and the truth of modern life; E.T. as resonating because it was unlike some of the Disney-style family entertainment of the time - The accusation that Spielberg manipulates his audiences; film editing as inherently manipulative - Spielberg, Stanley Kubrick, and Orson Welles - Schindler's List, Spielberg's USC Shoah Foundation, and Spielberg's meeting with black youths who had a much lambasted inappropriate reaction to the movie; Spielberg's initial apprehension about directing Schindler's List; Stanley Kubrick's Aryan Papers, Roman Polanski's experience in the Kraków ghetto, and the difficulty of making films about the Holocaust - Liberal politics and the films of Steven Spielberg - Joseph's analysis of The Post, which attempted to chronicle the Washington Post and the Pentagon Papers story, and the problems McBride has with it - Spielberg, 9/11, the Iraq War, the Patriot Act, and the Bush years; War of the Worlds and Minority Report - David Lynch's cameo in The Fabelmans as John Ford; Joseph's interview/experience with John Ford - The changing landscape of cinema, the dominance of superhero movies, and the history of the trend towards juvenile movies being cranked out by Hollywood rather than serious "adult" movies; are Spielberg and George Lucas responsible because of movies like Jaws and Star Wars?; cultural obsessions with superheroes and juvenilia and the effect of that on politics; The cultural shift from wanting realism in film to 'magic' and escapism - The success of Jaws, national TV advertising, and myths concerning Jaws' theatrical release - Billy Wilder's attempt to sophisticate and "European-ize" American cinema; the Coen Bros. as the "Sons of Billy Wilder"; Billy Wilder's Sunset Boulevard and the blending of tragedy and comedy; Hollywood was upset that Sunset Boulevard criticized the film industry; was Billy Wilder a cynical nihilist?; the Coen Bros. and European funding; the Coen Bros mixing of comedy and violence - Spielberg had trouble getting funding for Lincoln; John Ford's lesson about film funding - And much, much more!

Would you like to play a game… for the 3rd year in a row?! That's right, thank Jigsaw it's the Friday after Thanksgiving because we're headed back to the town so nice, they never name it once, for Saw 3D: The Final Chapter! And trapped with us for our longest episode yet is someone who is no stranger to games - the co-Commissioner of the Screen Drafts podcast, the one, the only Clay Keller!! And the walls are really closing in on us this year, as we discuss why this film's existence is making Francois Truffaut turn in his grave, explore the deadly appeal of Det. Ribroast, find ourselves some hot and cold-running slime, the astounding organizational rigor of Jigsaw, and finally, consult the Saw wiki much to our eternal regret! All this, plus a trap-tastic edition Choose Your Own Deathventure, and we marvel instructions delivered via 8-track cassette!! Snap into an all-new Sawsgiving for 2022 with us today!! This episode of the Kill By Kill podcast is brought to you by Smile! Watch Smile on Digital today! Sosie Bacon stars in the terrifying horror tale that critics are calling "Haunting" and "Scary as Hell". You can buy Smile on Digital right now and face your fears with over an hour of heart-pounding bonus content, including the original short film that started it all. Available at participating retailers. Rated R. From Paramount Pictures. Our TeePublic shop for killer merch is right here: https://www.teepublic.com/stores/kill-by-kill-podcast?utm_campaign=18042&utm_medium=affiliate&utm_source=Kill%2BBy%2BKill%2Bpodcast%2B Have something to say? Find us on Twitter @KillByKillPod Join the conversation about any episode on the Facebook Group! Follow us on IG @killbykillpodcast Check out the films we've covered & what might come soon on Letterboxd! Get even more episodes exclusively on Patreon!   Follow our station on vurbl: https://vurbl.com/station/2bdTISeI3X/ Artwork by Josh Hollis: joshhollis.com Kill By Kill theme by Revenge Body. For the full-length version and more great music, head to revengebodymemphis.bandcamp.com today!

Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!! A HUGE series for November on this show as, in honour of his latest movie "The Fabelmans" releasing this month, Jeannine and Morgan are discussing STEVEN SPEILBERG movies ranging from all throughout his illustrious career! They start this week with a very thoughtful and interesting discussion on perhaps the biggest Spielberg movie that Morgan needed to check off his list, CLOSE ENCOUNTERS OF THE THIRD KIND (1977) starring Richard Dreyfuss, Francois Truffaut & Melinda Dillon!! Our Youtube Channel for Monday Madness on video, Watchalongs, Live Discussions & more: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow Donate: https://www.buymeacoffee.com/ItsAWonderful1 Join our Patreon: https://www.patreon.com/ItsAWonderful1 IT'S A WONDERFUL PODCAST STORE: https://its-a-wonderful-podcast.creator-spring.com/ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Jeannine: https://twitter.com/JeannineDaBean Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

Paul and Erin review two films about pianists who keep getting guns pointed at them: our art pick is Francois Truffaut's 1960 sophomore feature SHOOT THE PIANO PLAYER; and our trash pick is Eugenio Mira's De Palma-esque 2013 thriller GRAND PIANO. Plus: our quick takes on DO REVENGE, BLONDE, CONFESS FLETCH, EMILY THE CRIMINAL and BODIES BODIES BODIES.

THE FEMALE OF THE SPECIES: Join me and film enthusiast and blogger James Wilson, Blogging by Cinema Light, as we talk Vertigo/Mississippi Mermaid, two films about woman who are one thing in the first half, but something else in the second half. “You shouldn't keep souvenirs of a killing.” You meet someone. You fall in love. But something seems…off. In fact, you begin to wonder, is this the person they claim to be or are they somebody totally different…Sounds like it's time for Episode 85 of Pop Art, where we find the pop culture in art and the art in pop culture. It's the podcast where my guest chooses a movie from popular culture, and I'll select a film from the more art/classic/indie side of cinema with a connection to it. For this episode, I am happy to welcome as my guest, film enthusiast and blogger James Wilson, who has chosen as his film Alfred Hitchcock's masterpiece, Vertigo, while I have chosen Francois Truffaut's tribute to Hitchcock, Mississippi Mermaid, both films about men who become involved with women who appear to be one thing in the beginning, but turn out to be something entirely different by the end. And in this episode, we answer the such questions as: Why were Vertigo and four other movies taken out of circulation and why wasn't Psycho? What is a Cornell Woolrich and would you want to be one? How and why did Hitchcock go from being a pop culture filmmaker to an artist? How do Truffaut and Hitchcock treat women differently? What is the Vertigo effect? What about the French? What is a before and after picture? Red, green, red, green, red, green…? What was the alternative ending to Vertigo? Be sure to check out James' blog Blogging by Cinema Light at https://bloggingbycinemalight.blogspot.com/2022/09/booksmart.html?fbclid=IwAR0A3PFc9_wxqTdiO5kjQMRdme4aoapvetsWBDXeZ-7CKvDVJGfXwDk_fyU Check out my blog at https://howardcasner.wordpress.com/ My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss --- Support this podcast: https://anchor.fm/howard-casner/support

A huge welcome back to THE DISCOURSE, a podcast about film, entertainment & culture.Your hosts, Tony Black & Carl Sweeney, discussing topics including the fascinating drama behind Olivia Wilde's upcoming DON'T WORRY DARLING, Quentin Tarantino's controversial opinion on Francois Truffaut, the death of French New Wave icon director Jean-Luc Godard, and touch on what they've both recently been watching, including the recent thriller FALL and romantic potboiler WHERE THE CRAWDADS SING...Join us every Monday & Tuesday for brand new episodes digging into The Discourse...Host / EditorTony BlackCo-HostCarl SweeneyFollow us on Twitter:@podthediscourseTony: @ajblackwriterCarl: @CKJSweeneyEmail us:contactthediscourse@gmail.comSupport the We Made This podcast network on Patreon:www.patreon.com/wemadethisWe Made This on Twitter: @we_madethiswemadethisnetwork.comTitle music: The Subtle Ones (c) John Ahlin via epidemicsound.com

A huge welcome back to THE DISCOURSE, a podcast about film, entertainment & culture. Your hosts, Tony Black & Carl Sweeney, discussing topics including the fascinating drama behind Olivia Wilde's upcoming DON'T WORRY DARLING, Quentin Tarantino's controversial opinion on Francois Truffaut, the death of French New Wave icon director Jean-Luc Godard, and touch on what they've both recently been watching, including the recent thriller FALL and romantic potboiler WHERE THE CRAWDADS SING... Join us every Monday & Tuesday for brand new episodes digging into The Discourse... Host / Editor Tony Black Co-Host Carl Sweeney Follow us on Twitter: @podthediscourse Tony: @ajblackwriter Carl: @CKJSweeney Email us: contactthediscourse@gmail.com Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis We Made This on Twitter: @we_madethis wemadethisnetwork.com Title music: The Subtle Ones (c) John Ahlin via epidemicsound.com

In the summer of 1976, Hollywood descended on Mobile, Alabama, to tell the story of a small child who aliens had abducted. The Mobile economy had been suffering since the close of Brookley Field seven years earlier. But Hollywood needed what no other location had, huge, empty airplane hangers. Director Steven Spielberg and actors Richard Dreyfuss, Melinda Dillon, Teri Garr, Francois Truffaut, and Bob Balaban and their crew descended on the town, making a small contribution to Mobile's economy. This short story is about the making of Close Encounters of the Third Kind in Mobile, Alabama.Support the show

At the Karlovy Vary Inernational Film Festival, I interviewed Japanese director Masaaki Kudo about his forthcoming film A Far Shore. Raw, visceral, and unapologetic about its bleak subject matter—the film explores what it is to be broken by a cruel world—which, in this case, is the seedy underbelly of Okinawa. Drawing on Francois Truffaut and Ken Loach, Masaaki delivers a third feature film that captivates, enchants, and disgusts. This interview was conducted with the help of a translator. To preserve authenticity, I include both the Japanese and the English.

Truffaut's 1973 ensemble comedy is a movie about making a movie. Jacqueline Bissett was one of the cast members and principal lead. The movie won an Oscar for Best Foreign Film in 1974 with French filmmaker Truffaut accepting the award. It is one of his best films and worth re-watching. --- Send in a voice message: https://anchor.fm/james-herlihy/message

The seventh episode of our season on the awesome movie year of 1980 features our foreign film pick, Francois Truffaut's The Last Metro. Directed and co-written by Francois Truffaut and starring Catherine Deneuve, Gerard Depardieu, Jean Poiret, Andréa Ferréol and Heinz Bennent, The Last Metro was nominated for both the Oscar and the Golden Globe for Best Foreign Language Film. The post The Last Metro (1980 Foreign Film) appeared first on Awesome Movie Year.

Zach & Zo are in for an otherworldly experience. Is there life out there? Will they ever visit planet Earth? Bare witness as we see people whose lives have been upended by close counters of the first kind and the second kind. Finally witness what happens to people whose had a Close Encounter of the Third Kind.www.backlookcinema.comEmail: fanmail@backlookcinema.comTwitter: @backlookcinemaFacebook: The Back Look Cinema Podcast Instagram: backlookcinemapodcastBack Look Cinema Merch at Teespring.comBack Look Cinema Merch at Teepublic.com

This week we're talkin' Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND, starring Richard Dreyfuss, Terri Garr, Francois Truffaut, and much more!Also discussed:1. Our new theme song, courtesy of the very talented Adam Blotner. Check him out at AdamBlotner.com 2. What kind of human music would aliens listen to?3. Our favorite Spielberg flicks4. Josef Hynek and the Close Encounter Classification System5. The Making of the Film6. Cheers and Jeers7. Factoids From Beyond The Scenes!Next week we're doing the 2016 sci-fi film ARRIVAL! And on the Patreon this week we're discussing Adam McKay's latest film DON'T LOOK UP. Sign up today to get great bonus content AND you'll even get a free Phillip and Michael Talk Movies COFFEE MUG! Support the show (https://www.patreon.com/pmtm)