Podcasts about varda

In this episode, we explore how Varda Space Industries is pioneering pharmaceutical manufacturing in microgravity with Chief Strategy Officer Michael Riley and Chief Science Officer Adrian Radocea. The team discusses how removing gravity from the crystallization process enables better drug formulations—creating more stable, bioavailable medicines that don't require refrigeration. From their reusable spacecraft that can manufacture drugs in orbit and return them to Earth, to their vision of making space-based manufacturing routine and "boring," Varda is bridging aerospace engineering and biopharma to solve formulation challenges that have stumped the industry for decades. With $187 million in recent funding and spacecraft currently in orbit, they're transforming science fiction into a manufacturing platform that could expand access to medicines globally.Chapters:(00:00:00) Teaser and Introduction(00:05:00) Meet the Team: From Semiconductors and Global Health to Space Pharma(00:08:00) Microgravity as a Manufacturing Tool: Physics Over Chemistry(00:13:00) Which Drugs Benefit Most? Small Molecules to Antibodies(00:15:00) Bridging Aerospace and Biopharma Cultures(00:17:00) Current Mission: A Lab (and Soon Factory) in Space(00:21:00) Surprising Gravity Effects Even at 800 RPM(00:25:00) Making Space Manufacturing Cost-Effective(00:29:00) The 10-Year Vision: Routine, Industrial, and "Boring"(00:31:00) Hiring Across Aerospace and Pharma + Quick Fire QuestionsEpisode Links:VARDAElliot Hershberg on VARDA Elliot Hershberg and Patrick McCormick on VARDAElizabeth ReynoldsChris Mason Episode ⁠⁠Kate Rubins Episode⁠ ⁠Erika DeBenedictis EpisodeKyle Landry EpisodeGrow Everything brings the bioeconomy to life. Hosts Karl Schmieder and Erum Azeez Khan share stories and interview the leaders and influencers changing the world by growing everything. Biology is the oldest technology. And it can be engineered. What are we growing?Learn more at www.messaginglab.com/groweverythingTopics Covered: space biotech, drug development, space research, low earth orbit, microgravity, crystallization  Have a question or comment? Message us here:Text or Call (804) 505-5553Instagram  / Twitter / LinkedIn / Youtube / Grow Everything

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

DON'T MISS the dental event of the year, November 7-8. Nowak Dental Supplies (https://www.nowakdental.com/) is hosing NOLA Lab Fest (https://www.nolalabfest.com/) in New Orleans, Louisiana. Head over to nolalabfest.com to see the line up and to register. A HUGE thanks to Aidite North America (https://www.aidite.com/) for hosting the podcast at their booth. Come find us and be on the podcast! MICRONMAPPER from SIN360: https://sin360.us/micronmapper/ This week we chat with the hilarious and inspiring Will Varda, a second-generation dental technician, lab owner, and president of the Dental Technicians Association of BC. Will takes us on an incredible journey from his father's early days crafting crowns for Iranian royalty — complete with goat-horn hammers and plaster impressions — to the modern world of digital design, milling, and 3D printing. Along the way, he shares stories of growing up in a lab, learning every step the hard way, and how a Facebook study group and a few friends completely changed the course of his career. He also talks about the importance of community in the lab world, the balance between art and obsession, and how the right attitude (and maybe a little wine in a furry purse) can make even the toughest lab days a little brighter. Now leading the charge in his province, Will is bringing technicians together — literally — with the first-ever Dental Boat Cruise, where hhe taught about digital fundamentals through his “recipe for design” approach. From scones to splines, Will explains how mastering the basics can give you true digital freedom no matter what software you use. Looking for a way to unlock the full potential of your digital dentistry workflow. Take it from Elise Heathcote, associate manager of digital services with Ivoclar. This is all about the Cam Academy. They have a new in-person training experience designed specifically for dental technicians. This hands-on course explores the full potential of programmable Cam software, helping you take your digital workflow to the next level. Learn directly from Ivoclar experts, refine your skills and bring new precision and efficiency to your lab. Cam Academy is more than a course. It's your next step in digital excellence. To reserve your spot, visit the Ivoclar Academy website (https://www.ivoclar.com/en_us/academy/learning-opportunities?page=1&offset=12&filters=%5B%7B%22id%22%3A%22dateRange%22%2C%22selectedLowerBound%22%3A%222021-12-09T07%3A30%3A45.534Z%22%2C%22selectedUpperBound%22%3A%222022-06-09T06%3A30%3A45.534Z%22%7D%2C%7B%22id%22%3A%22type%22%2C%22advancedFilter%22%3Afalse%2C%22values%22%3A%5B%22In-house+trainings%22%5D%7D%5D) or contact your local Ivoclar sales representative today. Special Guest: Will Varda.

Hotel Mars with Ben Roberts for Sept. 24, 2025Summary by Zoom. Edited.This Hotel Mars program featured a discussion microgravity investor Ben Roberts about the applications and investments in microgravity technology, including its impact on medical treatments, drug formulations, and material sciences. We explored the progress and challenges of commercial space companies in microgravity research and production, with NASA's support programs playing a crucial role in their development. The conversation covered various applications of low microgravity, the competitive landscape of the industry, and the timeline for product development and market entry.John Batchelor welcomed Ben Roberts, an investor in microgravity, to discuss the applications and investments in microgravity technology. Ben explained that microgravity refers to the limited effect of gravity in orbit, which enables innovative applications in medical treatments, drug formulations, and material sciences. He highlighted examples such as creating artificial limbs, developing new drugs, and producing high-quality materials that are not possible on Earth due to gravity's interference. Ben clarified that microgravity applies to any orbit with low enough gravity to affect living systems and material defects, but not enough to eliminate sedimentation or convection.Ben discussed the progress and challenges of commercial space companies, particularly those involved in microgravity research and production. While basic research on space shuttles and the ISS has been ongoing for decades, commercial companies like Varda and Redwire are just beginning to reach commercialization, producing medical seed crystals and elements. He noted that NASA's support through programs like SBIR has been crucial in helping these companies transition from pre-commercial to operational phases. The discussion also touched on the financial challenges these companies face, suggesting that private sector or government investment might be needed to bridge the gap until traditional VCs become involved once commercial viability is proven.Ben continued to discuss various applications of low microgravity, including advanced nanoparticles for drug delivery, accelerated aging studies, and 3D printed cardiac tissue. He explained how these technologies could be more effective when produced in space, despite higher costs. The panelists agreed that while some products could reach the market in 2-5 years, those requiring FDA approval might take longer, with significant progress expected by the 2030s.Special thanks to our sponsors:Northrup Grumman, American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223For real time program participation, email Dr. Space at: drspace@thespaceshow.comThe Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs: Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

In this episode of the Global Fresh Series, we begin with the curious and captivating story of French artist Agnès Varda, who transformed humble potatoes into symbols of beauty and individuality through her groundbreaking exhibit Patatutopia. From there, we shift from art to agriculture with a conversation just as colorful and insightful.Joining us is CarrieAnn Arias, President and CEO of USA Pears, a visionary leader with over 25 years of experience in global brand building. CarrieAnn shares her perspective on the state of the pear industry after a challenging season, consumer trends driving growth, and how health and wellness movements are reshaping demand.First Class Sponsor: Peak of the Market: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://peakofthemarket.com/⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Premium Sponsor: Zag Technological Services, Inc.: https://www.zagtech.com/ Premium Sponsor: Avocados from Colombia: https://avocadoscolombia.com/ Premium Sponsor: The Fruit & Vegetable Dispute Resolution Corporation: https://fvdrc.com/ Global Women Fresh: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://globalwomenfresh.com/⁠⁠⁠⁠⁠⁠⁠

Rebhandl, Bert www.deutschlandfunkkultur.de, Vollbild

CUJO is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience — including access to our CUJOPLEX Discord and our eternal parasocial friendship — we recommend signing up for a paid subscription.Paid subscribers also get access to The Weather Report, a new monthly episode series where we take stock of where the cultural winds are blowing and tell you what's rained into our brains. In the latest installment, cyberethnographer Ruby Justice Thelot joins us to wax philosophical about the Labubu craze, matcha and “performative male” discourse, and why politicians are lifting weights in public. To whet your appetite, we're lifting the paywall on the episode for the next 48 hours. It's easy to get the impression these days that the traditional media industry is abandoning cultural criticism. Over the past few months, outlets like The New York Times, The Washington Post, and The Chicago Tribune have been reassigning or letting go of veteran film, music, and theater critics, leaving some to debate what impact, if any, written criticism still has on the culture at large. Bucking this trend (and pretty much all mainstream media logic) is The Metrograph, a new biannual print magazine about cinema from the eponymous repertory theater in New York City's Chinatown. It's long, proudly niche, intentionally disconnected from the news cycle, and available only in print—with the goal of offering deep film fans an experience they won't be able to find online, while inviting a new generation of people into the culture. The recently released second issue includes a 42-page dive into Paul Morrissey's archives, author Gary Indiana's favorite films (RIP), a history of the Japanese pink film, a “cinemap” of Belgrade, and a comic about Jerry Lewis's infamous lost film The Day the Clown Cried. The cover, which we've cropped for this episode's artwork, features a painting by artist Louise Giovanelli inspired by Christina Ricci's character in Buffalo '66.Senior editor Annabel Brady-Brown (formerly of Australia's Fireflies Press) and editor-at-large Nick Pinkerton (film critic, screenwriter of The Sweet East, creator of the Substack Employee Picks, and a former coworker of Emilie's at Kim's Video) join us to discuss the past, present, and future of independent film criticism—and what it means to make a magazine for cinephiles in 2025. We also discuss why younger people in NYC seem to be gravitating back to the movies these days, and how the hyper-IRL, videostore-centric independent film culture of 20 years ago is a good template for what that might look like in the 2020s. Finally, we shout out some of the directors, movies, and micro publications that are making right now such an exciting time for cinema in NYC — and the repertory theaters and video stores we love around the world that are keeping the old Kim's Video spirit alive.Issue 2 of The Metrograph is out now. Buy it here, or at an independent book or magazine store near you.Read more by our guests:”Less rock, more talk: On Paul Morrissey, Pier Paolo Pasolini, Ezra Pound, ‘political' art, and 1988's ‘Spike of Bensonhurst'” by Nick Pinkerton (Employee Picks) “Sunshine, lollipops and rainbows: On the subversive pleasures of Agnès Varda‘s Le Bonheur” by Annabel Brady-Brown (The Metrograph) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

In een nieuwe aflevering van onze podcast Film met Cineville bespreken het leven en de blik van de eigenzinnige Agnès Varda, van haar rol binnen de nouvelle vague tot haar liefde voor hartvormige aardappels. Met 38 films op haar naam, van korte en lange speelfilms tot documentaires, is en blijft Varda een groot voorbeeld voor vele filmmakers wereldwijd.De shownotes vind je hier.Wil je precies weten wat er allemaal te zien is in de Cinevilletheaters deze maand? Check dan onze filmagenda, onze verwachtpagina en ons festivaloverzicht. Hosted on Acast. See acast.com/privacy for more information.

Coinciding with our Viva Varda retrospective now playing at LAB111 in Amsterdam, Elliot and Kiriko celebrate the life and cinema of French filmmaker and feminist icon Agnès Varda. They discuss why Varda is Kiriko's ultimate cinematic hero and how her films mirror the warmth, curiosity, and humour of the woman herself. Varda's approach to filmmaking is more than craft, it's a way of seeing the world, a playful blueprint for us all to live by. Together, they unpack some of her classics and imagine how they might spend a single unforgettable day with Agnès Varda.Get tickets to Viva Varda: The Films of Agnès Varda @ LAB111

Imagina India Inernational Film Festival cumple 24 años con interesantes propuestas que nos cuenta su director y fundador, Abdur Rahim Qazi. Con Elisa McCausland recorremos la obra de la cineasta Agnès Varda.Escuchar audio

Annemieke Bosman in gesprek met filmregisseur Nouchka van Brakel. Nouchka van Brakel is te gast om het oeuvre van Agnès Varda te bespreken. Gedurende haar 60-jarige carrière navigeerde de grensverleggende Franse filmmaker en kunstenaar Agnès Varda (1928 – 2019), naadloos tussen fictie en documentaire, waarbij ze een breed scala aan onderwerpen aanboorde. Door haar eindeloze nieuwsgierigheid, intieme relatie tot haar onderwerpen en veerkracht inspireerde ze zowel vele generaties publiek als filmmakers. Vier van haar films zijn vanaf volgende week opnieuw te zien in de bioscopen: Cléo de 5 à 7, Mur Murs, Les Glaneurs et La Glaneuse en Sans Toit Ni Loi.  Nouchka van Brakel is een van velen die geïnspireerd werd door Varda. Van Brakel werd vooral bekend door de film Van de koele meren des doods, begin jaren tachtig. Zij was de eerste vrouwelijke filmmaker die een groot publiek wist te bereiken met films waarin vrouwen centraal staan, zoals in Het debuut, Een vrouw als Eva en Een maand later.

Dave is joined by Si, Ally and Carl for a four man discussion on the latest VAR disaster, Man Utd getting out of jail, Arsenal's no-show at Anfield and a transfer window roundup.Support this show http://supporter.acast.com/manonthepost. Hosted on Acast. See acast.com/privacy for more information.

INTERVIEW: Varda release 'Farthest Shore' EP by Maddy Barnes on Radio One 91FM Dunedin

Listeners: Watch the video if you can as our guest uses excellent visuals that are more than helpful.Meeting assets for Space Show with Mari Anne Snow of Eascra, a Nanomedicine company are ready!The following assets for the meeting - Space Show with Mari Anne Snow of Eascra, a Nanomedicine company are now available.Our program began with guest Mari Anne Snow, CEO of EASCRA Biotech, focusing ion on the Eascra Biotech's innovative work in nanomedicine, including their space missions and development of Janus-based nanoparticles for medical applications. The discussion concluded with detailed exploration of the company's space-based manufacturing processes, potential profitability, and future plans for clinical trials and product development. Joining us in the Zoom meeting were Dr. A.J. Kothari, John Jossy, and Dr. Phil Swan. All of us spoke feely during the program.David and Mari discussed the potential of regenerative medicine and its impact on orthopedic surgeries, particularly knee and hip replacements. Mari emphasized that their target customers are not orthopedic surgeons but rather payers and patients, as insurance often covers traditional replacements more readily than alternative treatments. They explored the market opportunities in conditions like osteoarthritis and neuromuscular injuries, as well as kidney diseases, with the goal of offering cost-effective and innovative treatments. David expressed interest in these topics and mentioned his experience with space medicine, noting the lack of awareness among doctors about emerging space medical technologies.Mari, the Co-founder and CEO of Esker Biotech, discussed her company's innovative work in nanomedicine, focusing on precision therapy delivery solutions for various medical applications. She highlighted their progress, including completing five space missions in 24 months, as evidence of advancements in the commercial space economy. Mari explained that while Eascra is still in early stages and preclinical, they are gathering data to approach the FDA for regulatory approval of space-made products, with the goal of ensuring their space-produced items are equivalent to those made on Earth. The discussion also touched on the company's background, Mari's experience, and the technical aspects of their work, including the challenges and opportunities in the space and medical fields.Mari discussed her company's journey from an academic spin-off of the University of Connecticut to becoming a space medicine company. She explained how the company initially focused on producing nanoparticles on Earth but transitioned to space-based manufacturing after receiving funding and opportunities from NASA's In Space Manufacturing Program. Mari detailed their successful space missions, including working with astronauts like Sunita Williams and Johnny Kim, and described their plans to automate future experiments for increased efficiency.Mari explained her company's development of Janus-based nanoparticles for medical applications, including mRNA delivery for osteoarthritis treatment and a cell-free scaffold for cartilage regeneration. She described the nanoparticles' unique structure and delivery mechanism, which allows for better cell penetration and bioactivity compared to existing options. Mari also highlighted the advantages of producing these products in space, where microgravity leads to a more uniform and structurally sound scaffold, resulting in improved tissue regeneration and faster healing rates. Note that I did briefly stop her to explain “Janus-based nanoparticles,” a definition and explanation that was definitely helpful.Mari explained their work on developing medical products, both on Earth and in space, and discussed their progress in gaining FDA approval for their space-created medical product. She mentioned that they have early-stage agreement with the FDA for establishing equivalency between Earth and space samples. David asked about the mechanism for FDA approval of space-created medical products, to which Mari responded that they need to develop this pathway. Mari also addressed David's questions about funding and potential budget cuts, stating that they have stable funding from NASA and an Innovation Grant for a cancer application. She mentioned that they are building relationships with the Department of Defense and SpaceWorks to explore additional funding opportunities and potential applications of their product for troops and long-distance space travel.Our discussion continued focusing on the company's work with Janus-based nanoparticles and their development in microgravity, which has resulted in structural improvements of over 40% due to the lack of sedimentation and convection. Mari explained that her partner, a biomedical engineer at the University of Connecticut, has developed these technologies with funding from various sources including NIH, NSF, and NASA. The company is exploring partnerships with private space companies and has relationships with Axiom, Vast, and others to determine if parabolic flights or autonomous platforms could be sufficient for their needs. They are also considering lunar applications, though questions remain about the effectiveness of 1.6G on the moon compared to microgravity. Note that our Zoom participants were asking our guest many technical and engineering questions during this discussion though their questions were not specifically mentioned in this AI summary.Our Space Show team discussed the potential profitability of producing medical materials in space, with Mari explaining that financial models show the venture could be profitable even at small volumes due to premium pricing similar to existing drugs like CAR T cells (for those of you not familiar with this therapy, check it out here: Home - Explore CAR T). Phil offered to share data on launch costs to various orbits, while the group explored questions about future production environments and subsidies. John inquired about clinical indications for human trials, to which Mari explained they would act as a delivery component for licensing partners, with initial in-house products likely focusing on musculoskeletal conditions like osteoarthritis, where there are currently no effective treatments. AJ also offered to share some of his data with Mari.We discussed manufacturing processes and requirements for space-based medicine production. Mari explained they are currently in proof of concept phase with small batch production, aiming to develop an autonomous production process before scaling up. They confirmed having conversations with Varda and the Explorer company. The production process requires 48 hours in microgravity, making suborbital flights impractical, and the product maintains bioactivity for 6 months at ambient temperature, with plans to test longer-term stability.As we were moving toward the end of our program, Mari focused on three main questions about her company's space products (listen for them in the program). Mari explained that while they have a 10-year timeline to profitability if costs continue to decrease the timeline might shorten. She said they are already generating revenue from Earth-made products. She highlighted their advantage in delivering various types of nucleic acids and drugs due to their tubular structure, noting plans to test cancer applications with RNA and an FDA-approved drug in early 2026. The conversation also revealed that there are millions in potential healthcare solutions blocked by current delivery mechanisms, with Mari's company potentially addressing this issue through their technology, which has already attracted interest from gene editing companies.Mari discussed the development and potential of nanotube delivery systems for pharmaceuticals, highlighting their advantages over existing methods like lipid nanoparticles and viral vectors. This would be especially important for gene therapy and editing. She emphasized the simplicity, customizability, and stability of their technology, as well as its potential for tissue penetration and reduced production complexity. The conversation also touched on the commercialization challenges and opportunities in space pharmaceuticals, with Mari noting that space-based testing could accelerate drug development and reduce costs. The group discussed the potential for insurance coverage of advanced medical treatments and the need for validated commercial examples to demonstrate the efficacy of space-based medicine.Please post your comments/questions for this program on our blog at www.thespaceshow.com. You can also leave comments on our Substack page. I will do my est to follow your comments and make sure our guest is aware of them. Keep in mind it is always up the guest regarding replying to listener blog comments.Special thanks to our sponsors:Northrup Grumman, American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223For real time program participation, email Dr. Space at: drspace@thespaceshow.comThe Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs:Broadcast 4422: TBD | Monday 25 Aug 2025 1200PM PTGuests: Dr. David LivingstonGuest TBDLive Streaming is at https://www.thespaceshow.com/content/listen-live with the following live streaming sites:Stream Guys https://player.streamguys.com/thespaceshow/sgplayer3/player.php#FastServ https://ic2646c302.fastserv.com/stream Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

Today's guest is Kiira Benz, a filmmaker, theatre director, and pioneer in immersive storytelling. She has been working in the XR space for the last decade, pushing boundaries at the intersection of film, theatre, and virtual reality. Kiira is the founder of Double Eye Studios, the award-winning creative XR studio behind Finding Pandora X, which became the first VR theatre production to win a Lion at the Venice International Film Festival. She has directed acclaimed immersive projects including Territory, Runnin', Loveseat, and Cardboard City, and she was the first VR director to film on the Intel Studios volumetric capture stage. Her work has been recognized with major honors at Venice, SXSW, and with a JustFilms Fellowship from the Ford Foundation. She is also the host of the Portal to the Next Stage podcast, where she talks with trailblazers working at the crossroads of art, technology, and human connection. In our conversation we dig into her creative process, where immersive media is headed, and we break down two of her favorite movie scenes: from AMELIE (2001) and the poetic mirror-filled moments from Agnès Varda's THE BEACHES OF AGNES (2008).   Hosted by Zef Cota

Tout l’été, Félix Turcotte débarque chez vos Fantastiques pour découvrir comment ils profitent de l'été... à leur façon ! ☀️

durée : 00:42:47 - Les Midis de Culture - par : Élise Lépine - Cinéaste de renom, Agnès Varda a d'abord aiguisé son regard en tant que photographe. Deux expositions mettent en valeur son œuvre photographique, au Musée Carnavalet - Histoire de Paris, et au Musée Soulages à Rodez. - réalisation : Olivier Bétard, Alban Peltier - invités : Hortense Belhôte Comédienne et enseignante en histoire de l'art; Rosalie Varda-Demy Actrice, costumière, Directrice de Ciné-Tamaris; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma; Ava Cahen Journaliste et critique de cinéma

Aline Bei é uma escritora, mas é também uma febre. Com um estilo de prosa poética bem marcado, seu texto é recorrentemente usado em citações na internet e seus leitores são do tipo que não conseguem largar os livros, devorados em pouco tempo. No centro de seu novo livro, “Uma Delicada Coleção de Ausências”, que acaba de ser lançado pela Companhia das Letras, está a relação de uma neta com a avó que a criou. É sobre esse tema, os avós, e o livro que falamos com Aline Bei nesta edição do Podcast da Semana.“Comecei a escrever o livro a partir da inquietação inicial de uma relação de uma avó e uma neta, uma relação que tivesse sempre essa questão de um tempo que não se une, uma distância que nunca vai se curar”, conta Bei na entrevista a Gama. “Alguma coisa de duas mulheres em pontas tão diferentes da vida, que desejam um tanto estar mais perto, mas que tem essa questão geracional que, em alguma medida, as separa.”Nascida em São Paulo, em 1987, Bei é formada em letras pela PUC de São Paulo e em artes cênicas pelo Célia Helena Centro de Artes e Educação. Fez ainda pós-graduação em escritas performáticas pela PUC do Rio. É autora de três romances, que involuntariamente formaram uma trilogia: “O Peso do Pássaro Morto”, vencedor do prêmio São Paulo de Literatura (2017); “Pequena Coreografia do Adeus”, finalista do prêmio Jabuti (2022); e “Uma Delicada Coleção de Ausências”, lançado neste ano. Os três fazem parte do catálogo da Companhia das Letras.“Eu sou uma grande curiosa das humanidades. Então, eu adoro construir personagens com camadas que são complexas, que vão trazer pontos de vista que, às vezes, inclusive, se contradiz”, afirma na entrevista.Nesta edição do podcast da semana, Bei conta sobre como criou a personagem da avó do seu livro mais recente, quais as referências que usou para conceber essa avó literária — de Doris Lessing a Agnès Varda —, e sobre como prefere imaginar a usar a sua própria vida para criar suas histórias. "O modo como eu escrevo sempre descolada da minha biografia, isso não quer dizer que eu não use emoções, porque não são muito as coisas que me aconteceram, mas o modo como eu absorvi as coisas que me aconteceram me aproximam às vezes das minhas personagens."A escritora também fala sobre a proximidade com os leitores, sobre como recebe as críticas e o que espera de sua hipotética versão avó.

PREVIEW: LEO: Colleague Bob Zimmerman explains why the successful startup Varda had to shift operations from the US to Australia. More to come. NOVEMBER 1954

Varda Space, an in-space manufacturing startup, has just raised $187 million in a Series C round led by Natural Capital and Shrug Capital. Since its inception four years ago, Varda has completed three successful missions, with a fourth in orbit and fifth expected by the end of 2025. Co-founder & CEO Will Bruey joins Morgan Brennan to discuss drug manufacturing in microgravity, hypersonic testing and more.

Varda Space, an in-space manufacturing startup, has just raised $187 million in a Series C round led by Natural Capital and Shrug Capital. Since its inception four years ago, Varda has completed three successful missions, with a fourth in orbit and fifth expected by the end of 2025. Co-founder & CEO Will Bruey joins Morgan Brennan to discuss drug manufacturing in microgravity, hypersonic testing and more.

Pinfra; Franke; Vista Energy; AI en Latinoamérica; telepeaje; contenedores de China; fibra óptica; Varda; Converse; subastas; Also Inc.; retailers en EUA

Welcome back to The Film Library, a Kanopy podcast where we celebrate cinematic detours, cult favorites, and emotional deep cuts - no film degree required.  This week, hosts Kristy Puchko (Entertainment Editor at Mashable) and Jeff Rauseo (film lover, mixtape curator, and your pop culture pit stop concierge) are hitting the road, literally and cinematically, with an episode all about road trip movies.  From cross-country chaos to soulful slow drives, Kristy and Jeff unpack their favorite films that turn the journey into the story. Think animated mayhem with Beavis and Butt-Head Do America, New Zealand wilderness hijinks in Hunt for the Wilderpeople, and the deeply personal power of art and aging in Faces Places.  Whether you're craving absurd buddy comedy, family heartbreak, or a dose of French artistry, this episode has something for every kind of passenger.  If you're ready to cue the mixtape, buckle up, and explore some unforgettable pit stops, this episode will point your headlights in the right direction.    Follow Kristy on Instagram @thekristypuchko and Letterboxd @kristypuchko.       Follow Jeff on Instagram, TikTok, and Letterboxd @jeffrauseo.       Follow Kanopy on Letterboxd to see the full episode list.   Stream the films we mention for free at kanopy.com with a library card or university ID from a participating institution.     

YouTubeとSpotifyでビデオポッドキャスト公開中(0:00) OP(1:30) Vardaとは？(3:20) 宇宙で医薬品を製造するメリット(13:12) 製薬とリエントリーの２軸(19:14) スペーステックのビジネスモデル構築(20:50)　最高収益責任者（CRO）エリック・ラスカーさんの経歴(28:25) Vardaの目指しているもの(30:25) LAのエルセグンド(31:50) あなたの”眠れないくらい”考えること(33:03) 守るべきルール、壊すべきルール(33:55) オフィスツアーhttps://www.varda.com/＜About Off Topic＞Podcast:Apple - https://apple.co/2UZCQwzSpotify - https://spoti.fi/2JakzKmOff Topic Clubhttps://note.com/offtopic/membershipX - https://twitter.com/OffTopicJP草野ミキ:https://twitter.com/mikikusanohttps://www.instagram.com/mikikusano宮武テツロー: https://twitter.com/tmiyatake1

We close out our Varda series with her penultimate film Faces Places (2017), co-directed by visual artist JR, with whom Varda travels across France, meeting people, taking photographs, and discussing art, image, and the passage of time. We also decide that Godard is a jerk. Next week, we're moving into Pride month viewing with some queer classics and even a brand-new film! First up is The Adventures of Priscilla, Queen of the Desert (1994)!

Ein Kino, in dem jede Generation sich wieder neu verlieren kann. In dem man immer noch etwas bergen kann. Christian und Lucas sprechen mit Judith Niehaus im neuen Special über die Filme von Agnès Varda. Das ist aber nur der Teaser. Unterstützt und auf https://steadyhq.com/cuts für die ganze dreistündige Folge.

How close are we to making space not just the final frontier, but the next big investment opportunity? In this episode of The Angel Next Door Podcast, host Marcia sits down with Tim Maul of Balerion Space Ventures to break down the exciting—and very real—landscape of space investing, moving the conversation far beyond science fiction.Tim brings a wealth of experience from institutional investing and now plays a key role in connecting investors to groundbreaking space and defense technologies. His clear and engaging approach makes the complexities of space investing accessible for all, highlighting how this rapidly evolving sector is full of possibilities for savvy investors.From the realities of lunar mining and pharmaceutical manufacturing in zero gravity to the crucial growth of private capital in satellite infrastructure and defense, this episode covers it all. If you want a front-row seat to where innovation, entrepreneurship, and outer space intersect—and why now is the time to pay attention—this is an episode you can't afford to miss. To get the latest from Tim Maul, you can follow him below!https://www.linkedin.com/in/tim-maul-62907a7/ https://balerionspace.com/  Sign up for Marcia's newsletter to receive tips and the latest on Angel Investing!Website: www.marciadawood.comLearn more about the documentary Show Her the Money: www.showherthemoneymovie.comAnd don't forget to follow us wherever you are!Apple Podcasts: https://pod.link/1586445642.appleSpotify: https://pod.link/1586445642.spotifyLinkedIn: https://www.linkedin.com/company/angel-next-door-podcast/Instagram: https://www.instagram.com/theangelnextdoorpodcast/TikTok: https://www.tiktok.com/@marciadawood

This week, the Dames continue our Varda series with the surreal and unique Jane B par Agnès V. Is it a documentary? Is it an essay film? What is this movie? In another inventive film from Agnès Varda, she sets out to help her friend Jane Birkin experience the film roles she never got to play and her fears about turning 40.

Varda Space is sending "huggable" capsules into low-Earth orbit for autonomous research and just recently, it returned its third successful mission. Plus, often nicknamed Earth's twin, Venus didn't evolve like Earth at all.

In "Nino", in many ways reminiscent of Agnès Varda's "Cleo from 5 to 7", director Pauline Loquès focuses on trivial, daily things, which she says are her primary material, to explore "what happens when nothing happens" The post “Nino”, an interview with director Pauline Loquès appeared first on Fred Film Radio.

Season 25 begins! We meet Juergen Teller, one of the world's most sought-after contemporary photographers, successfully straddling the interface of both art and commercial photography.We discuss childhood, touring with Nirvana, Agnès Varda, Tracey Emin, William Eggleston, Kate Moss, Pope Francis, Kristen McMenemy, Zoe Bedeaux, collaborating with @DovileDrizyte and breakthroughs with Marc Jacobs. Juergen Teller's new exhibition of his photographs taken at Auschwitz Birkenau is now open Kunsthaus Göttingen, Germany until 1 June 2025 @KunsthausGoettingen. An accompanying photobook is published by @SteidlVerlag. 7 ½, Teller's concurrent exhibition runs at Galleria Degli Antichi, Sabbioneta, Italy until 23 November 2025 @VisitSabbioneta.Teller (b.1964) grew up in Bubenreuth near Erlangen, Germany. Teller graduated in 1986 and moved to London, finding work in the music industry shooting record covers for musicians such as Simply Red, Sinéad O'Connor and Morrissey with the help of the photographer, Nick Knight. By the early 1990s, he was working for avant-garde fashion magazines such as i-D, The Face, Details and Arena. Teller has collaborated with many fashion designers over the years, including Helmut Lang, Marc Jacobs, Yves Saint Laurent, Vivienne Westwood, Celine and Louis Vuitton.Teller was the recipient of the Citibank Photography Prize in association with the Photographer's Gallery, London in 2003. In 2007, he represented the Ukraine as one of five artists in the 52nd Venice Biennale. Teller has exhibited internationally, including solo shows at the Photographer's Gallery, London (1998), Kunsthalle Wien, Vienna (2004), Foundation Cartier, Paris (2006), Kunsthalle Nürnberg, Germany (2009), Daelim Contemporary Art Museum, Seoul (2011), Dallas Contemporary, USA (2011), Institute of Contemporary Art, London (2013), Deste Foundation, Athens (2014), Contemporary Fine Arts, Berlin (2015) and Bundeskunstalle, Bonn (2016).Teller's work is featured in numerous collections around the world, including the Centre Pompidou, Paris; International Center for Photography, New York; Pinchuk Art Centre, Kiev; and the Victoria & Albert Museum, London. He has published forty-one artist books and exhibition catalogues since 1996. He currently holds a Professorship of Photography at the Akademie der Bildenden Künste Nürnberg, and lives and works in London. Follow @JuergenTellerStudio and https://www.juergenteller.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

Our Agnès Varda month continues with a discussion of Le Bonheur (Happiness), following the lives of a happy little nuclear family whose happiness gets challenged (or does it?) when the father begins an affair. Deeply feminist and gorgeously filmed, Le Bonheur fools you into thinking its one thing and then becomes another. We do recommend watching the film before listening to the podcast! Next week, we'll be chatting some of Varda's documentaries, starting with Jane B. par Agnès V.

Jackie and Greg wait for important test results for Agnès Varda's CLEO FROM 5 TO 7. Topics of discussion include Varda's style, how she compares to her Nouvelle Vague contemporaries, the film's mix of realism and fantasy, and its reverberating influence on cinema.#14 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: instagram.com/sceneandheardpodCheck us out at our official website: sceneandheardpod.comGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the showSupport the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

This month we are (finally!) exploring some of the works of the great Agnès Varda, one of the pioneers of the French New Wave. First up, we're starting with one of her most widely seen: Cléo from 5 to 7. Corinne Marchand stars as the titular Cléo, a young singer waiting for important medical results. Over the course of 90 minutes, Cléo tries to distract herself from the agonizing wait, first among friends, and then on a winding route through Paris. The film screened at the 1962 Cannes Film Festival, currently ranks at 14 on Sight and Sound's list of greatest films of all time (only two spots behind The Godfather, just sayin'), and is part of the Criterion Collection.

This week planet Earth is seeing two re-entries of man-made objects: first the uncontrolled, possibly life-threatening, Soviet-era Kosmos 482; and second, the W-3 - an example of the very controlled, defense and in some cases possibly life-extending, business case that is Varda Space Industries. Laura Winter speaks with Delian Asparouhov, Varda Space Industries' co-Founder and President, and Partner at Peter Thiel's Founders Fund; and Muk Pandian, Varda's Director of Strategic Partnerships and Advanced Concepts.

durée : 00:27:07 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, deux expositions : "Robert Doisneau, instants donnés" au musée Maillol et "Le Paris d'Agnès Varda, de-ci de-là" au musée Carnavalet. - réalisation : Laurence Malonda - invités : Philippe Azoury Journaliste, critique et auteur; Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro

durée : 00:11:28 - Les Midis de Culture - par : Marie Labory - Si Agnès Varda a arpenté le monde et a même vécu aux États-Unis, c'est le 14e arrondissement et la rue Daguerre qui ont conquis son cœur et ont constitué son refuge. Avec "Le Paris d'Agnès Varda, de-ci, de-là", le musée Carnavalet offre une plongée dans la vie et l'œuvre de l'artiste. - réalisation : Laurence Malonda - invités : Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro; Philippe Azoury Journaliste, critique et auteur

In this podcast we are tying into our April conversations about the cinema of Kelly Reichardt with a conversation about a seminal work of another great female director Agnès Varda titled Vagabond. Over the course of our chat you will hear us try to break down this complex tapestry of episodic fiction and isolate its many meanings. We talk about visual symbolism in support of feminist expression, the French landscape depicted as hostile to women, the role of on-screen nudity in Varda's movie and the readings behind female-female interactions the filmmaker pays close attention to. We also talk about the dangers of travelling alone in winter, the etiquette of meddling with other people's car radio, taking phone calls in the bath and much more!Tune in and enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our patreon at patreon.com/uncutgemspod (3$/month)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and support us by gaining access to this show in full in addition to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Hillary White⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Head over to our website to find out more! (uncutgemspodcast.com)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

durée : 00:55:39 - Certains l'aiment Fip - Rencontre avec l'actrice, réalisatrice et scénariste, à l'affiche du film "Le Mélange des genres", qui a joué avec Agnès Varda, Zabou Breitman, Agnès Jaoui, Mathieu Kassovitz, ou encore Quentin Dupieux.

This week on ClapperCast, Nicolò Grasso joins Carson Timar to return to Agnès Varda's filmography with a review of her underseen masterpiece, Jacquot de Nantes!Subscribe on Patreon for Bonus Episodes & Early Access: https://www.patreon.com/clappercastpodEmail us at ClapperCast@gmail.com- Social Media Links -Twitter: https://twitter.com/ClapperPodcastLetterboxd: https://letterboxd.com/clappercast/Carson Timar: https://bsky.app/profile/carsontimar.bsky.socialNicolò Grasso: https://bsky.app/profile/nickygra97.bsky.socialCreate Your Podcast on Zencastr Today: https://zencastr.com/?via=clappercastThanks for Watching!

VARDA MORE SUCCESS. BOB ZIMMERMAN BEHINDTHEBLACK.COM 1958

Intuitive Machines' lunar lander Athena is heading to the Moon. Varda's W2 spacecraft lands back in the Australian outback after completing its second mission. Astroscale Japan has been awarded a 7.27 billion yen contract by Japan's Ministry of Defense to develop a responsive space system demonstration satellite prototype, and more. Remember to leave us a 5-star rating and review in your favorite podcast app. Be sure to follow T-Minus on LinkedIn and Instagram. T-Minus Guest Our guest today is Colleen McLeod Garner, Commercial Strategist and Brand Developer. You can connect with Colleen on LinkedIn.  Selected Reading IM-2 | Intuitive Machines Astroscale Japan Secures Contract with Japanese Ministry of Defense to Develop a Responsive Space System Demonstration Satellite Prototype Nikon Selected to Implement the Space Strategy Fund at JAXA "Innovative Technology for Lightweight, High Performance, and Lower Cost Space Transportation Systems"  Lumen Orbit changes name to Starcloud and raises another $10M for space data centers Weather Stream Awarded ONR Contract to Advance SPECTRUM for Environmental Remote Sensing Satellogic EarthView Dataset Now Openly Accessible via Registry of Open Data on AWS Virgin Galactic Announces Fourth Quarter and Full Year 2024 Financial Results and Provides Business Update Etihad-SAT  Blue Origin Announces Crew For New Shepard's 31st Mission T-Minus Crew Survey We want to hear from you! Please complete our 4 question survey. It'll help us get better and deliver you the most mission-critical space intel every day. Want to hear your company in the show? You too can reach the most influential leaders and operators in the industry. Here's our media kit. Contact us at space@n2k.com to request more info. Want to join us for an interview? Please send your pitch to space-editor@n2k.com and include your name, affiliation, and topic proposal. T-Minus is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Man of the West moves on from the names of the Valar and begins an in-depth look at the names of some of the Maiar, including the handmaid of Varda and the herald of Manwë. Learn more about your ad choices. Visit megaphone.fm/adchoices

With its 13 Oscar nominations, Adam and Josh could no longer ignore EMILIA PÉREZ. True to the film's divisive reputation, they split on it. Plus, a very special musical edition of Massacre Theatre and a revelatory Pantheon Project review of Agnès Varda's CLÉO FRMO 5 TO 7.    This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:01:42) Review: “Emilia Pérez” (00:01:43-00:28:36) Filmspotting Family (00:28:37-00:32:03) Next Week / Notes (00:32:04-00:39:02) Musical Massacre Theatre (00:39:03-00:50:14) Pantheon Project: “Cléo From 5 to 7” (00:50:15-01:20:52) Credits / New Releases (01:20:53-01:25:13) Notes/Links: Filmspotting Fest https://www.filmspottingfest.com Filmspotting Pantheon https://letterboxd.com/filmspotting/list/filmspotting-pantheon/detail/ Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

Lizrok means ‘to throw' in Hebrew, but how is it used in relationship lingo? Oh, and who is the most famous ‘Varda' in Israel? Hear the All-Hebrew Episode on Patreon   New Words and Expressions: “Ve-chamesh shanim itach zarakti la-pach” – And five years with you, I threw in the garbage – וחמש שנים איתך זרקתי לפח “Ulai tafsik lizrok aleyha kesef?” – Maybe you'll stop throwing money on her? – אולי תפסיק לזרוק עליה כסף Lizrok la-zevel – To throw something in the garbage – לזרוק לזבל Lizrok mishehu la-klavim – To throw someone to the dogs – לזרוק מישהו לכלבים Tizreki oto – Dump him – תזרקי אותו Ulai tizrok et ha-nayad – Why won't you throw away the cellphone? – אולי תזרוק את הנייד Tizrok, zrok – Throw (imp.) – תזרוק, זרוק “Rak zrok mila” – Just throw a word – רק זרוק מילה Zrok lo eize mila – Throw in a word when you talk to him – זרוק לו איזה מילה Zaruk – Thrown, dumped – זרוק Dafuk ve-zaruk be-paris u-ve-london – Down and out in Paris and London – דפוק וזרוק בפריס ובלונדון Nizrak – It was thrown, he was dumped – נזרק Kacha nizrakti ba'olam – This is how I got thrown out in the world – ככה נזרקתי בעולם Lehizarek al sapa – To lie on the sofa – להיזרק על הספה  Zrika – Throwing, injection – זריקה Zrikat adrenaline – Adrenaline shot – זריקת אדרנלין Mizraka – Fountain – מזרקה Zark'or – Projector – זרקור   Playlist and Clips: Oren Adam – Mami Ze Nigmar (lyrics) Avihu Shabbat & Michal Amdursky – Yalla (lyrics) Ivri Lider – Kartisei Ashrai (lyrics) Climax – Zrok Mila (lyrics) Ep. 172 about dafuk