Podcasts about varda

In Un inno alla vita Gisèle Pelicot, protagonista di un caso giudiziario che ha sconvolto il mondo, racconta come si è ricostruita dopo le violenze subite. La scrittrice britannica Samantha Harvey nel suo ultimo libro Le infinite notti descrive la sua battaglia con l'insonnia. L'attività di fotografa della regista franco belga Agnès Varda è in mostra a Roma all'Accademia di Francia. Un'esposizione a Palazzo Barberini, sempre a Roma, ripercorre il rapporto personale, intellettuale e politico dello scultore e architetto Gian Lorenzo Bernini con il papa Urbano VIII. CONClaudia Torrisi, giornalista che collabora con InternazionaleVincenzo Latronico, scrittoreGiovanna Dascenzi, photo editor di InternazionaleClara Pérez Almodóvar, storica dell'arte e divulgatriceUn inno alla vita: https://www.youtube.com/watch?v=RKc6OvAakIcLe infinite notti: https://www.youtube.com/watch?v=Rxj4Gyi6T30Agnés Varda a Villa Medici: https://villamedici.it/it/programme/agnes-varda/Bernini e i Barberini: https://barberinicorsini.org/en/evento/bernini-e-i-barberini/Ci piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Play Pause Cut, le podcast qui vous emmène en salle de montage revient pour l'interview d'un monteur iconique d'Hollywood: Paul Hirsch !Vous avez forcément croisé son travail dans une galaxie pas si lointaine car il est le monteur oscarisé des deux premiers Star Wars (aux côtés de Marcia Lucas et Richard Chew) ! Il a été le complice de Brian De Palma de Carrie à Mission: Impossible, en passant par le cultissime Blow out. 50 ans de carrière et une flopée de collaborations emblématiques comme sur les films Footlose, La folle journée de Ferris Bueller ou encore Un ticket pour deux qu'il détaille dans son livre “Il y a bien longtemps dans une salle de montage lointaine, très lointaine”.On a parlé du caractère parfois taquin de certains réalisateurs, de l'expression Ipsy pipsy mais aussi d'Agnès Varda, de la reine d'Angleterre ou encore de l'importance du timing. L'interview a été organisée par Grégoire Sivan et Pascal Sardaby du podcast “Aujourd'hui ça tourne pas” et a été enregistrée en visio le 22 décembre 2025, entre Montreuil et Los Angeles.Elle est disponible en français (avec doublage), ou en mixte français anglais (en franglais, for sure!)Bonne écoute !_______________________________insta: @playpausecut_podcast Co-Réalisation : Play Pause Cut de Yasmina Jaafri et Aujourd'hui, ça tourne pas, le podcast qui interroge les métiers du cinéma de Grégoire Sivan et Pascal SardabyOrganisation interview : Grégoire SivanMontage : Yasmina Jaafri @sminaeditMixage : Matthieu LangletDoublage Paul Hirsch : Pascal SardabyGraphisme et Musique : Malika Jaafri @mlka_court_______________________________Liens et références citées dans l'épisode:Livres :« Il y a bien longtemps dans une salle de montage lointaine, très lointaine », de Paul Hirsch (2022, Carlotta Editions)« Une histoire de Cinémas » de Mélanie Toubeau (2025)« Flash Gordon » (comics américain créé en 1934 par Alex Raymond)Films : « Star wars » de Georges Lucas (1977, Lucasfilm Ltd.)« L'empire Contre-Attaque » de Irvin Kershner (1980, Lucasfilm Ltd.)« Mission Impossible » de Brian De Palma (1996, Paramount Pictures)« Carrie » de Brian De Palma (1976, United Artists)« Blow out » de Brian De Palma (1981, Filmway Pictures)« L'esprit de Caïn » (1992, Universal Pictures)« La folle journée de Ferris Bueller » de John Hugues (1986, Paramount Pictures)« Footloose » de Herbert Ross (1984, Paramount Pictures)« Un ticket pour deux » de John Hugues (1987, Paramount Pictures)« Source Code » de Duncan Jones (2011, Summit Entertainment)« Mission : Impossible Protocole Fantôme » de Brad Bird (2011, Paramount Pictures/Bad Robot)“Potins de Femmes » de Herbert Ross (1989, Tri Star)“F1 » de Joseph Kosinski (2025, Apple TV)“Lions Love “ de Agnès Varda (1970) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Play Pause Cut, le podcast qui vous emmène en salle de montage revient pour l'interview d'un monteur iconique d'Hollywood: Paul Hirsch !Vous avez forcément croisé son travail dans une galaxie pas si lointaine car il est le monteur oscarisé des deux premiers Star Wars (aux côtés de Marcia Lucas et Richard Chew) ! Il a été le complice de Brian De Palma de Carrie à Mission: Impossible, en passant par le cultissime Blow out. 50 ans de carrière et une flopée de collaborations emblématiques comme sur les films Footlose, La folle journée de Ferris Bueller ou encore Un ticket pour deux qu'il détaille dans son livre “Il y a bien longtemps dans une salle de montage lointaine, très lointaine”.On a parlé du caractère parfois taquin de certains réalisateurs, de l'expression Ipsy pipsy mais aussi d'Agnès Varda, de la reine d'Angleterre ou encore de l'importance du timing. L'interview a été organisée par Grégoire Sivan et Pascal Sardaby du podcast “Aujourd'hui ça tourne pas” et a été enregistrée en visio le 22 décembre 2025, entre Montreuil et Los Angeles.Elle est disponible en français (avec doublage), ou en mixte français anglais (en franglais, for sure!)Bonne écoute !_______________________________insta: @playpausecut_podcast Co-Réalisation : Play Pause Cut de Yasmina Jaafri et Aujourd'hui, ça tourne pas, le podcast qui interroge les métiers du cinéma de Grégoire Sivan et Pascal SardabyOrganisation interview : Grégoire SivanMontage : Yasmina Jaafri @sminaeditMixage : Matthieu LangletDoublage Paul Hirsch : Pascal SardabyGraphisme et Musique : Malika Jaafri_______________________________Liens et références citées dans l'épisode:Livres :« Il y a bien longtemps dans une salle de montage lointaine, très lointaine », de Paul Hirsch (2022, Carlotta Editions)« Une histoire de Cinémas » de Mélanie Toubeau (2025)« Flash Gordon » (comics américain créé en 1934 par Alex Raymond)Films : « Star wars » de Georges Lucas (1977, Lucasfilm Ltd.)« L'empire Contre-Attaque » de Irvin Kershner (1980, Lucasfilm Ltd.)« Mission Impossible » de Brian De Palma (1996, Paramount Pictures)« Carrie » de Brian De Palma (1976, United Artists)« Blow out » de Brian De Palma (1981, Filmway Pictures)« L'esprit de Caïn » (1992, Universal Pictures)« La folle journée de Ferris Bueller » de John Hugues (1986, Paramount Pictures)« Footloose » de Herbert Ross (1984, Paramount Pictures)« Un ticket pour deux » de John Hugues (1987, Paramount Pictures)« Source Code » de Duncan Jones (2011, Summit Entertainment)« Mission : Impossible Protocole Fantôme » de Brad Bird (2011, Paramount Pictures/Bad Robot)“Potins de Femmes » de Herbert Ross (1989, Tri Star)“F1 » de Joseph Kosinski (2025, Apple TV)“Lions Love “ de Agnès Varda (1970) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Avui dimarts avancem que la meitat de les inversions de l'Ajuntament per aquest 2026 són millores a la via pública. La setmana passada es va aprovar el pressupost de l'Ajuntament de Lloret. És el més elevat de la història del municipi. Puja a més de 101 milions d'euros. Les inversions són 8,6 milions, el 12% més que l'any passat. Del total d'inversions, quasi la meitat (uns 4,2 milions) es destinaran a la via pública i urbanisme. Els projectes més destacats són la remodelació de l'avinguda Vidreres, Puig de Castellet, el Pla de Barris i una important inversió en millores dels carrers de Lloret de Mar. En parlem amb el regidor Joan Escalona a qui preguntem per les obres del carril bici. Altres temes d'interès: Salut:  L'Hospital de Blanes realitza la primera operació de retina i amplia la cartera de serveis d'Oftalmologia. Teatre: L'institut Coll i Rodès estrena aquesta setmana l'obra UN EMBOLIC AL COLL, que es representa en diferents espais del centre i explica qui va ser, entre d'altres, Ramon Coll i Rodès. En parlem amb Davd Barba, d'Amargura Cultura, que ha escrit l'obra. Cinema: Destaquem la presència de la crítica de cinema Imma Merino, aquest dijous, a la projecció del cineclub Adler SIN TECHO NI LEY d'Agnès Varda. Agenda: Diumenge, la companyia el Mirall de Blanes representa a Lloret ‘Hellas. Gregues, Grecs i Gemecs'. L'obra parla de Medea, Antígona i Lisístrata, tres mirades gregues i antigues sobre la dona, que tenen una gran vigència.

El cineclub Adler projecta aquest dijous a Lloret de Mar la pel·lícula francesa ‘Sin techo ni ley', d'Agnès Varda. Un film de 1985, premiat amb el Lleó d'Or a la Mostra de Venècia, que mostra un retrat aleshores inèdit de les dones sense sostre. La pel·lícula, que protagonitza Sandrine Bonnaire, és la reconstrucció de la vida de la protagonista i de tots els que s'hi van creuar, abans que la trobin morta de fred en una cuneta. La projecció compta amb la presentació d‘Imma Merino, periodista i membre del Col·lectiu de Crítics de Cinema de Girona. Explica que “sembla tot realista, però està ficcionat, els personatges que donen la visió de la protagonista es retraten a ells mateixos, sorgeixen les seves pors i desitjos”. ‘Sin techo ni ley' és un film on Varda fa gala d'una gran capacitat d'observació de la realitat que l'envolta. “És una pel·lícula molt rica en recursos i formes narratives, els espectadors no es quedaran indiferents”, afegeix Merino, que presentarà el seu llibre ‘Agnès Varda: espigoladora de realitats i somnis', a més de participar en un col·loqui posterior. El passi arriba aquest dijous, 19 de febrer (20:30h), al Teatre de Lloret i forma part del cicle ‘Cinema i dona', que el cineclub Adler coorganitza amb l’associació de dones l'Aurora.

La directora Isabel Coixet nos recibe en su estudio de Barcelona. Unos bajos con un pequeño jardín en el barrio de Gràcia de Barcelona. Un espacio presidido por la directora Agnès Varda, en una figura tamaño natural de cartón troquelado y fotos que la misma Coixet le hizo. Confiesa que mantiene conversaciones con ella, hablamos de la belleza de la vida y de esas pequeñas cosas que nos salva. Eso es parte del tema de su última película "los tres adioses" que se acaba de estrenar en cines.

Aquarius Solar Eclipse Galactic Astrology. The New Moon Solar Eclipse on February 17, 2026 is at 28 degrees opposite Hydra-Alphard. The ruler of the Solar Eclipse is Uranus. Download the Galactic Alignments Reference Guide: https://ulrikasullivan.com/galactic-alignments-1For Business Owners - https://ulrikasullivan.com/businessBook a galactic astrology reading with Ulrika: https://ulrikasullivan.com/readings#2026astrology astrology #futurehuman #multidimensional #quantumhealing #galacticastrology #quantumsoul #souljourney #solareclipse The three galactic energetic themes of the Aquarius Solar Eclipse Galactic Astrology video are:COLLECTIVE REBIRTH - Solar Eclipse, Hydra-Alphard, Tsquare to Uranus, Perseus-AlgolSOUL JOURNEY EXPANSION - Eridanus-Archenar, Juno, dwarf planet OrcusTHE ZERO POINT - Neptune - Saturn conjunction, Varda, cosmic messages.The Members-only video the ZERO POINT we explore the historic Neptune - Saturn conjunction in more detail.CLIENT TESTIMONIAL: "My Galactic Soul Guidance with Ulrika was very informative. It provided me with a lot of clarity about other pieces of information I have received in the past, answered questions I wondered about myself. I feel the charts she provided will benefit me as I continue with Julia Balaz's Galactic Astrology course(s). Thanks so much Ulrika. " - Tracy S.Follow me on social media:http://facebook.com/ulrikasullivancoachhttp://instagram.com/ulrikasullivanhttp://pinterest.com/ulrikasullivanhttps://www.linkedin.com/in/usullivan/https://twitter.com/SullivanUlrika-------------------------------------------------------------------Please note: New Light Living podcast is for entertainment purposes only.

Aquarius Solar Eclipse Galactic Astrology. The New Moon Solar Eclipse on February 17, 2026 is at 28 degrees opposite Hydra-Alphard. The ruler of the Solar Eclipse is Uranus. Download the Galactic Alignments Reference Guide: https://ulrikasullivan.com/galactic-alignments-1For Business Owners - https://ulrikasullivan.com/businessBook a galactic astrology reading with Ulrika: https://ulrikasullivan.com/readings#2026astrology astrology #futurehuman #multidimensional #quantumhealing #galacticastrology #quantumsoul #souljourney #solareclipse The three galactic energetic themes of the Aquarius Solar Eclipse Galactic Astrology video are:COLLECTIVE REBIRTH - Solar Eclipse, Hydra-Alphard, Tsquare to Uranus, Perseus-AlgolSOUL JOURNEY EXPANSION - Eridanus-Archenar, Juno, dwarf planet OrcusTHE ZERO POINT - Neptune - Saturn conjunction, Varda, cosmic messages.The Members-only video the ZERO POINT we explore the historic Neptune - Saturn conjunction in more detail.CLIENT TESTIMONIAL: "My Galactic Soul Guidance with Ulrika was very informative. It provided me with a lot of clarity about other pieces of information I have received in the past, answered questions I wondered about myself. I feel the charts she provided will benefit me as I continue with Julia Balaz's Galactic Astrology course(s). Thanks so much Ulrika. " - Tracy S.Follow me on social media:http://facebook.com/ulrikasullivancoachhttp://instagram.com/ulrikasullivanhttp://pinterest.com/ulrikasullivanhttps://www.linkedin.com/in/usullivan/https://twitter.com/SullivanUlrika-------------------------------------------------------------------Please note: New Light Living podcast is for entertainment purposes only.

Varda va nous expliquer la raison pour laquelle elle est partie au Mexique sur un coup de tête José Gaudet va nous présenter: en toute mauvaise foi avec José and friends Matthieu Pepper revient sur l’entrevue des joueurs du CH à TLMEP et fait un lien avec les phobies Bonne écoute !

Felicia is joined by Seth Vargas to discuss Arthur C. Miller's brooding camera as it follows Jimmy Ringo in The Gunfighter (1950). We chat about how the photography complements the stories ticking clock, and why the black and white imagery elevates this cerebral western. This is the final episode in the Arthur C. Miller series and I'm so glad I finally highlighted another cinematographer on the show. I hope you're inspired to watch more of his work and learn more about his craft. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Find Seth here: Movie Friends Podcast (website) Twitter: @moviefriendspod IG: @moviefriendspodcast YouTube: @moviefriendspodcast Listen to our previous episodes here: Le Bonheur (Agnès Varda 1965) Woman in the Dunes (Hiroshi Teshigahara 1964) Late Spring (Yasujirō Ozu 1949) True Stories (David Byrne 1986) Sources: Balshofer, Balshofer, F. J., & Miller, A. C. (n.d.). One reel a Week. University of California Press. https://www.criterion.com/current/posts/7149-the-gunfighter-you-can-t-go-home-again https://www.criterion.com/current/posts/7151-10-things-i-learned-the-gunfighter https://jeffarnoldswest.com/2023/10/the-gunfighter-fox-1950-2/ https://alexonfilm.com/2023/04/29/the-gunfighter-1950/ https://theasc.com/articles/natural-lighting-for-interior-sets Outro Song: The Gunfighter by Alfred Newman

American film critic Carrie Rickey has written the first biography of celebrated French cinema pioneer, Agnes Varda. Varda was born in Belgium but found her creative community in the southern French port town of Sete, which cemented her love for the beach and for many other things that would reappear in her films, especially the ordinary lives of working people. She once said that if you opened her up, you would find beaches inside her. After studying art she became a photographer, tutored by Georges Brassaï. When she turned her attention to film, she became the only female member of the so called Nouvelle Vague or New Wave in French cinema, alongside Francois Truffaut, Jean Luc Godard, Alain Resnais and Eric Rohmer. Defying categorisation she made both feature films and documentaries, zig zagging between the two, following her curiosity wherever it led for more than sixty years. Her marriage to fellow film-maker Jacques Demy was unconventional in that both were bi-sexual, but their love was enduring. Varda received an honorary Oscar and an honorary Palme D’Or at the Cannes Film Festival. She died in 2019 at the age of 90, of cancer. She remains a revered figure in world cinema, admired by directors and audiences alike, more popular than in her lifetime. Biographer Carrie Rickey is an American film critic met Varda on several occasions informally at film festivals but never discussed the possibility of writing her biography. Her book A Complicated Passion: The Life and Work of Agnes Varda was written without the co-operation of Varda’s family but with the help of many of her collaborators and friends.See omnystudio.com/listener for privacy information.

In today's Special Features episode Felicia is joined once again by the amazing Seth Vargas to discuss the way David Byrne celebrates uniqueness in his film True Stories (1986). We chat about the blend of documentary and fiction styles of storytelling, and how great each song is in this musical. Send us your thoughts on the film and let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episodes with Seth here: Le Bonheur (Agnès Varda 1965) Woman in the Dunes (Hiroshi Teshigahara 1964) Late Spring (Yasujirō Ozu 1949) Follow Seth here: Movie Friends Podcast (website) Twitter: @moviefriendspod IG: @moviefriendspodcast YouTube: @moviefriendspodcast Outro Song: Road Song by David Byrne Sources: https://www.filmcomment.com/blog/interview-david-byrne/ https://medium.com/counterarts/david-byrnes-true-stories-as-a-search-for-autistic-connection-43629c62cd07 https://www.rollingstone.com/tv-movies/tv-movie-features/david-byrne-true-stories-interview-754919/ https://www.davidbyrne.com/explore/american-utopia/press/david-byrne-shares-true-stories-from-1986s-true-stories https://www.criterion.com/current/posts/6068-true-stories-everybody-has-tones

Le 28 décembre 1895 se tenait la première projection publique du Cinématographe Lumière, au Grand Café à Paris. C'était il y a 130 ans. À cette occasion, l'autrice et vidéaste Mélanie Toubeau publie Une histoire de cinémas, ouvrage illustré par Simon Delart. Du cinémascope au Festival de Cannes, en passant par des figures comme Georges Méliès, Agnès Varda ou Jordan Peele, ce livre nous plonge dans les récits incontournables du grand écran. Mélanie Toubeau est au micro de Lisa Giroldini. À lire aussiOusmane Sembène, grand pionnier des lettres et du cinéma africains

Le 28 décembre 1895 se tenait la première projection publique du Cinématographe Lumière, au Grand Café à Paris. C'était il y a 130 ans. À cette occasion, l'autrice et vidéaste Mélanie Toubeau publie Une histoire de cinémas, ouvrage illustré par Simon Delart. Du cinémascope au Festival de Cannes, en passant par des figures comme Georges Méliès, Agnès Varda ou Jordan Peele, ce livre nous plonge dans les récits incontournables du grand écran. Mélanie Toubeau est au micro de Lisa Giroldini. À lire aussiOusmane Sembène, grand pionnier des lettres et du cinéma africains

Karches, Nora www.deutschlandfunk.de, Büchermarkt

Karches, Nora www.deutschlandfunk.de, Büchermarkt

Sagittarius New Moon Galactic Astrology. The New Moon at 28 degrees on December 19, 2025 is conjunct the Galactic Center. The ruler of the New Moon is Jupiter. #2025astrology #futurehuman #multidimensional #quantumhealing #galacticastrology #quantumsoul #souljourney #3iatlas #galacticcenter Download the Galactic Alignments Reference Guide: https://ulrikasullivan.com/galactic-alignments-1Join now! Know the Major Energies for Next Year! - 2026 Galactic Astrology Program: https://ulrikasullivan.thrivecart.com/2026-galactic-astrology-program/Business Owners - Check this download out! More coming in 2026: https://ulrikasullivan.com/business-energy-alignment-1Sign up! Quantum Soul Guidance Summit Jan 12-15, 2026 hosted by Julia Balaz: https://www.juliabalaz.com/qsgs26Book a galactic astrology reading with Ulrika: https://ulrikasullivan.com/offeringsThe three galactic energetic themes of the Sagittarius New Moon Galactic Astrology video are:THE LEMURIAN WAYS ARE CALLING - New Moon, Asteroids Juno and Hecate, dwarf planet Varda, and asteroid Hawaii.INTERSTELLAR MESSAGES - 3I/Atlas discovery chart, Orion-Betelgeuse, New Earth energy.WATER UPGRADE - Asteroids Oceana, Poseidon and DNA, Pluto and Aquila-Altair, Uranus and Perseus-Algol, and link to water. The Members-only video 3I/Atlas & New Earth is an interpretation of the discovery chart of 3I/Atlas through the lens of the Kuiper Belt Objects.ALL LINKS ARE ON MY LINKTREE: https://linktr.ee/ulrikasullivanCLIENT TESTIMONIAL: "My Galactic Soul Guidance with Ulrika was very informative. It provided me with a lot of clarity about other pieces of information I have received in the past, answered questions I wondered about myself. I feel the charts she provided will benefit me as I continue with Julia Balaz's Galactic Astrology course(s). Thanks so much Ulrika. " - Tracy S.Follow me on social media:http://facebook.com/ulrikasullivancoachhttp://instagram.com/ulrikasullivanhttp://pinterest.com/ulrikasullivanhttps://www.linkedin.com/in/usullivan/https://twitter.com/SullivanUlrika-------------------------------------------------------------------Please note: New Light Living podcast is for entertainment purposes only.

Sagittarius New Moon Galactic Astrology. The New Moon at 28 degrees on December 19, 2025 is conjunct the Galactic Center. The ruler of the New Moon is Jupiter. #2025astrology #futurehuman #multidimensional #quantumhealing #galacticastrology #quantumsoul #souljourney #3iatlas #galacticcenter Download the Galactic Alignments Reference Guide: https://ulrikasullivan.com/galactic-alignments-1Join now! Know the Major Energies for Next Year! - 2026 Galactic Astrology Program: https://ulrikasullivan.thrivecart.com/2026-galactic-astrology-program/Business Owners - Check this download out! More coming in 2026: https://ulrikasullivan.com/business-energy-alignment-1Sign up! Quantum Soul Guidance Summit Jan 12-15, 2026 hosted by Julia Balaz: https://www.juliabalaz.com/qsgs26Book a galactic astrology reading with Ulrika: https://ulrikasullivan.com/offeringsThe three galactic energetic themes of the Sagittarius New Moon Galactic Astrology video are:THE LEMURIAN WAYS ARE CALLING - New Moon, Asteroids Juno and Hecate, dwarf planet Varda, and asteroid Hawaii.INTERSTELLAR MESSAGES - 3I/Atlas discovery chart, Orion-Betelgeuse, New Earth energy.WATER UPGRADE - Asteroids Oceana, Poseidon and DNA, Pluto and Aquila-Altair, Uranus and Perseus-Algol, and link to water. The Members-only video 3I/Atlas & New Earth is an interpretation of the discovery chart of 3I/Atlas through the lens of the Kuiper Belt Objects.ALL LINKS ARE ON MY LINKTREE: https://linktr.ee/ulrikasullivanCLIENT TESTIMONIAL: "My Galactic Soul Guidance with Ulrika was very informative. It provided me with a lot of clarity about other pieces of information I have received in the past, answered questions I wondered about myself. I feel the charts she provided will benefit me as I continue with Julia Balaz's Galactic Astrology course(s). Thanks so much Ulrika. " - Tracy S.Follow me on social media:http://facebook.com/ulrikasullivancoachhttp://instagram.com/ulrikasullivanhttp://pinterest.com/ulrikasullivanhttps://www.linkedin.com/in/usullivan/https://twitter.com/SullivanUlrika-------------------------------------------------------------------Please note: New Light Living podcast is for entertainment purposes only.

durée : 00:58:48 - Toute une vie - par : Elodie Maillot - Agnès Varda a eu plusieurs vies : photographe, artiste visuelle et cinéaste, couronnée par un Oscar d'honneur à Hollywood en 2017. Avant cette hype américaine, la "grand-mère de la Nouvelle Vague" avait connu deux exils très différents à Los Angeles (en 1967 et en 1980). - réalisation : Félix Levacher

Megan Brouillard parle d’une nouvelle série télé. Marie-Soleil Michon parle des meilleures villes/villages où s’installer pour la retraite. Mona de Grenoble pète sa coche sur les lumières de char LED. Bonne écoute !

Ce lundi 1er décembre, François Sorel a reçu Tristan Nitot, directeur associé Communs Numériques et Anthropocène chez OCTO Technology, Augustin Sayer, cofondateur d'Ovni, et Hugo Borensztein, cofondateur et président d'Omi. Ils se sont penchés sur les trois ans du chatbot, la production possible des puces Apple M par Intel, ainsi que la validation de l'usine en orbite par la startup Varda, dans l'émission Tech & Co, la quotidienne, sur BFM Business. Retrouvez l'émission du lundi au jeudi et réécoutez la en podcast.

In this episode, we explore how Varda Space Industries is pioneering pharmaceutical manufacturing in microgravity with Chief Strategy Officer Michael Riley and Chief Science Officer Adrian Radocea. The team discusses how removing gravity from the crystallization process enables better drug formulations—creating more stable, bioavailable medicines that don't require refrigeration. From their reusable spacecraft that can manufacture drugs in orbit and return them to Earth, to their vision of making space-based manufacturing routine and "boring," Varda is bridging aerospace engineering and biopharma to solve formulation challenges that have stumped the industry for decades. With $187 million in recent funding and spacecraft currently in orbit, they're transforming science fiction into a manufacturing platform that could expand access to medicines globally.Chapters:(00:00:00) Teaser and Introduction(00:05:00) Meet the Team: From Semiconductors and Global Health to Space Pharma(00:08:00) Microgravity as a Manufacturing Tool: Physics Over Chemistry(00:13:00) Which Drugs Benefit Most? Small Molecules to Antibodies(00:15:00) Bridging Aerospace and Biopharma Cultures(00:17:00) Current Mission: A Lab (and Soon Factory) in Space(00:21:00) Surprising Gravity Effects Even at 800 RPM(00:25:00) Making Space Manufacturing Cost-Effective(00:29:00) The 10-Year Vision: Routine, Industrial, and "Boring"(00:31:00) Hiring Across Aerospace and Pharma + Quick Fire QuestionsEpisode Links:VARDAElliot Hershberg on VARDA Elliot Hershberg and Patrick McCormick on VARDAElizabeth ReynoldsChris Mason Episode ⁠⁠Kate Rubins Episode⁠ ⁠Erika DeBenedictis EpisodeKyle Landry EpisodeGrow Everything brings the bioeconomy to life. Hosts Karl Schmieder and Erum Azeez Khan share stories and interview the leaders and influencers changing the world by growing everything. Biology is the oldest technology. And it can be engineered. What are we growing?Learn more at www.messaginglab.com/groweverythingTopics Covered: space biotech, drug development, space research, low earth orbit, microgravity, crystallization  Have a question or comment? Message us here:Text or Call (804) 505-5553Instagram  / Twitter / LinkedIn / Youtube / Grow Everything

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

DON'T MISS the dental event of the year, November 7-8. Nowak Dental Supplies (https://www.nowakdental.com/) is hosing NOLA Lab Fest (https://www.nolalabfest.com/) in New Orleans, Louisiana. Head over to nolalabfest.com to see the line up and to register. A HUGE thanks to Aidite North America (https://www.aidite.com/) for hosting the podcast at their booth. Come find us and be on the podcast! MICRONMAPPER from SIN360: https://sin360.us/micronmapper/ This week we chat with the hilarious and inspiring Will Varda, a second-generation dental technician, lab owner, and president of the Dental Technicians Association of BC. Will takes us on an incredible journey from his father's early days crafting crowns for Iranian royalty — complete with goat-horn hammers and plaster impressions — to the modern world of digital design, milling, and 3D printing. Along the way, he shares stories of growing up in a lab, learning every step the hard way, and how a Facebook study group and a few friends completely changed the course of his career. He also talks about the importance of community in the lab world, the balance between art and obsession, and how the right attitude (and maybe a little wine in a furry purse) can make even the toughest lab days a little brighter. Now leading the charge in his province, Will is bringing technicians together — literally — with the first-ever Dental Boat Cruise, where hhe taught about digital fundamentals through his “recipe for design” approach. From scones to splines, Will explains how mastering the basics can give you true digital freedom no matter what software you use. Looking for a way to unlock the full potential of your digital dentistry workflow. Take it from Elise Heathcote, associate manager of digital services with Ivoclar. This is all about the Cam Academy. They have a new in-person training experience designed specifically for dental technicians. This hands-on course explores the full potential of programmable Cam software, helping you take your digital workflow to the next level. Learn directly from Ivoclar experts, refine your skills and bring new precision and efficiency to your lab. Cam Academy is more than a course. It's your next step in digital excellence. To reserve your spot, visit the Ivoclar Academy website (https://www.ivoclar.com/en_us/academy/learning-opportunities?page=1&offset=12&filters=%5B%7B%22id%22%3A%22dateRange%22%2C%22selectedLowerBound%22%3A%222021-12-09T07%3A30%3A45.534Z%22%2C%22selectedUpperBound%22%3A%222022-06-09T06%3A30%3A45.534Z%22%7D%2C%7B%22id%22%3A%22type%22%2C%22advancedFilter%22%3Afalse%2C%22values%22%3A%5B%22In-house+trainings%22%5D%7D%5D) or contact your local Ivoclar sales representative today. Special Guest: Will Varda.

Hotel Mars with Ben Roberts for Sept. 24, 2025Summary by Zoom. Edited.This Hotel Mars program featured a discussion microgravity investor Ben Roberts about the applications and investments in microgravity technology, including its impact on medical treatments, drug formulations, and material sciences. We explored the progress and challenges of commercial space companies in microgravity research and production, with NASA's support programs playing a crucial role in their development. The conversation covered various applications of low microgravity, the competitive landscape of the industry, and the timeline for product development and market entry.John Batchelor welcomed Ben Roberts, an investor in microgravity, to discuss the applications and investments in microgravity technology. Ben explained that microgravity refers to the limited effect of gravity in orbit, which enables innovative applications in medical treatments, drug formulations, and material sciences. He highlighted examples such as creating artificial limbs, developing new drugs, and producing high-quality materials that are not possible on Earth due to gravity's interference. Ben clarified that microgravity applies to any orbit with low enough gravity to affect living systems and material defects, but not enough to eliminate sedimentation or convection.Ben discussed the progress and challenges of commercial space companies, particularly those involved in microgravity research and production. While basic research on space shuttles and the ISS has been ongoing for decades, commercial companies like Varda and Redwire are just beginning to reach commercialization, producing medical seed crystals and elements. He noted that NASA's support through programs like SBIR has been crucial in helping these companies transition from pre-commercial to operational phases. The discussion also touched on the financial challenges these companies face, suggesting that private sector or government investment might be needed to bridge the gap until traditional VCs become involved once commercial viability is proven.Ben continued to discuss various applications of low microgravity, including advanced nanoparticles for drug delivery, accelerated aging studies, and 3D printed cardiac tissue. He explained how these technologies could be more effective when produced in space, despite higher costs. The panelists agreed that while some products could reach the market in 2-5 years, those requiring FDA approval might take longer, with significant progress expected by the 2030s.Special thanks to our sponsors:Northrup Grumman, American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223For real time program participation, email Dr. Space at: drspace@thespaceshow.comThe Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs: Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

In this episode of the Global Fresh Series, we begin with the curious and captivating story of French artist Agnès Varda, who transformed humble potatoes into symbols of beauty and individuality through her groundbreaking exhibit Patatutopia. From there, we shift from art to agriculture with a conversation just as colorful and insightful.Joining us is CarrieAnn Arias, President and CEO of USA Pears, a visionary leader with over 25 years of experience in global brand building. CarrieAnn shares her perspective on the state of the pear industry after a challenging season, consumer trends driving growth, and how health and wellness movements are reshaping demand.First Class Sponsor: Peak of the Market: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://peakofthemarket.com/⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Premium Sponsor: Zag Technological Services, Inc.: https://www.zagtech.com/ Premium Sponsor: Avocados from Colombia: https://avocadoscolombia.com/ Premium Sponsor: The Fruit & Vegetable Dispute Resolution Corporation: https://fvdrc.com/ Global Women Fresh: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://globalwomenfresh.com/⁠⁠⁠⁠⁠⁠⁠

CUJO is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience — including access to our CUJOPLEX Discord and our eternal parasocial friendship — we recommend signing up for a paid subscription.Paid subscribers also get access to The Weather Report, a new monthly episode series where we take stock of where the cultural winds are blowing and tell you what's rained into our brains. In the latest installment, cyberethnographer Ruby Justice Thelot joins us to wax philosophical about the Labubu craze, matcha and “performative male” discourse, and why politicians are lifting weights in public. To whet your appetite, we're lifting the paywall on the episode for the next 48 hours. It's easy to get the impression these days that the traditional media industry is abandoning cultural criticism. Over the past few months, outlets like The New York Times, The Washington Post, and The Chicago Tribune have been reassigning or letting go of veteran film, music, and theater critics, leaving some to debate what impact, if any, written criticism still has on the culture at large. Bucking this trend (and pretty much all mainstream media logic) is The Metrograph, a new biannual print magazine about cinema from the eponymous repertory theater in New York City's Chinatown. It's long, proudly niche, intentionally disconnected from the news cycle, and available only in print—with the goal of offering deep film fans an experience they won't be able to find online, while inviting a new generation of people into the culture. The recently released second issue includes a 42-page dive into Paul Morrissey's archives, author Gary Indiana's favorite films (RIP), a history of the Japanese pink film, a “cinemap” of Belgrade, and a comic about Jerry Lewis's infamous lost film The Day the Clown Cried. The cover, which we've cropped for this episode's artwork, features a painting by artist Louise Giovanelli inspired by Christina Ricci's character in Buffalo '66.Senior editor Annabel Brady-Brown (formerly of Australia's Fireflies Press) and editor-at-large Nick Pinkerton (film critic, screenwriter of The Sweet East, creator of the Substack Employee Picks, and a former coworker of Emilie's at Kim's Video) join us to discuss the past, present, and future of independent film criticism—and what it means to make a magazine for cinephiles in 2025. We also discuss why younger people in NYC seem to be gravitating back to the movies these days, and how the hyper-IRL, videostore-centric independent film culture of 20 years ago is a good template for what that might look like in the 2020s. Finally, we shout out some of the directors, movies, and micro publications that are making right now such an exciting time for cinema in NYC — and the repertory theaters and video stores we love around the world that are keeping the old Kim's Video spirit alive.Issue 2 of The Metrograph is out now. Buy it here, or at an independent book or magazine store near you.Read more by our guests:”Less rock, more talk: On Paul Morrissey, Pier Paolo Pasolini, Ezra Pound, ‘political' art, and 1988's ‘Spike of Bensonhurst'” by Nick Pinkerton (Employee Picks) “Sunshine, lollipops and rainbows: On the subversive pleasures of Agnès Varda‘s Le Bonheur” by Annabel Brady-Brown (The Metrograph) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

Coinciding with our Viva Varda retrospective now playing at LAB111 in Amsterdam, Elliot and Kiriko celebrate the life and cinema of French filmmaker and feminist icon Agnès Varda. They discuss why Varda is Kiriko's ultimate cinematic hero and how her films mirror the warmth, curiosity, and humour of the woman herself. Varda's approach to filmmaking is more than craft, it's a way of seeing the world, a playful blueprint for us all to live by. Together, they unpack some of her classics and imagine how they might spend a single unforgettable day with Agnès Varda.Get tickets to Viva Varda: The Films of Agnès Varda @ LAB111

Imagina India Inernational Film Festival cumple 24 años con interesantes propuestas que nos cuenta su director y fundador, Abdur Rahim Qazi. Con Elisa McCausland recorremos la obra de la cineasta Agnès Varda.Escuchar audio

INTERVIEW: Varda release 'Farthest Shore' EP by Maddy Barnes on Radio One 91FM Dunedin

Listeners: Watch the video if you can as our guest uses excellent visuals that are more than helpful.Meeting assets for Space Show with Mari Anne Snow of Eascra, a Nanomedicine company are ready!The following assets for the meeting - Space Show with Mari Anne Snow of Eascra, a Nanomedicine company are now available.Our program began with guest Mari Anne Snow, CEO of EASCRA Biotech, focusing ion on the Eascra Biotech's innovative work in nanomedicine, including their space missions and development of Janus-based nanoparticles for medical applications. The discussion concluded with detailed exploration of the company's space-based manufacturing processes, potential profitability, and future plans for clinical trials and product development. Joining us in the Zoom meeting were Dr. A.J. Kothari, John Jossy, and Dr. Phil Swan. All of us spoke feely during the program.David and Mari discussed the potential of regenerative medicine and its impact on orthopedic surgeries, particularly knee and hip replacements. Mari emphasized that their target customers are not orthopedic surgeons but rather payers and patients, as insurance often covers traditional replacements more readily than alternative treatments. They explored the market opportunities in conditions like osteoarthritis and neuromuscular injuries, as well as kidney diseases, with the goal of offering cost-effective and innovative treatments. David expressed interest in these topics and mentioned his experience with space medicine, noting the lack of awareness among doctors about emerging space medical technologies.Mari, the Co-founder and CEO of Esker Biotech, discussed her company's innovative work in nanomedicine, focusing on precision therapy delivery solutions for various medical applications. She highlighted their progress, including completing five space missions in 24 months, as evidence of advancements in the commercial space economy. Mari explained that while Eascra is still in early stages and preclinical, they are gathering data to approach the FDA for regulatory approval of space-made products, with the goal of ensuring their space-produced items are equivalent to those made on Earth. The discussion also touched on the company's background, Mari's experience, and the technical aspects of their work, including the challenges and opportunities in the space and medical fields.Mari discussed her company's journey from an academic spin-off of the University of Connecticut to becoming a space medicine company. She explained how the company initially focused on producing nanoparticles on Earth but transitioned to space-based manufacturing after receiving funding and opportunities from NASA's In Space Manufacturing Program. Mari detailed their successful space missions, including working with astronauts like Sunita Williams and Johnny Kim, and described their plans to automate future experiments for increased efficiency.Mari explained her company's development of Janus-based nanoparticles for medical applications, including mRNA delivery for osteoarthritis treatment and a cell-free scaffold for cartilage regeneration. She described the nanoparticles' unique structure and delivery mechanism, which allows for better cell penetration and bioactivity compared to existing options. Mari also highlighted the advantages of producing these products in space, where microgravity leads to a more uniform and structurally sound scaffold, resulting in improved tissue regeneration and faster healing rates. Note that I did briefly stop her to explain “Janus-based nanoparticles,” a definition and explanation that was definitely helpful.Mari explained their work on developing medical products, both on Earth and in space, and discussed their progress in gaining FDA approval for their space-created medical product. She mentioned that they have early-stage agreement with the FDA for establishing equivalency between Earth and space samples. David asked about the mechanism for FDA approval of space-created medical products, to which Mari responded that they need to develop this pathway. Mari also addressed David's questions about funding and potential budget cuts, stating that they have stable funding from NASA and an Innovation Grant for a cancer application. She mentioned that they are building relationships with the Department of Defense and SpaceWorks to explore additional funding opportunities and potential applications of their product for troops and long-distance space travel.Our discussion continued focusing on the company's work with Janus-based nanoparticles and their development in microgravity, which has resulted in structural improvements of over 40% due to the lack of sedimentation and convection. Mari explained that her partner, a biomedical engineer at the University of Connecticut, has developed these technologies with funding from various sources including NIH, NSF, and NASA. The company is exploring partnerships with private space companies and has relationships with Axiom, Vast, and others to determine if parabolic flights or autonomous platforms could be sufficient for their needs. They are also considering lunar applications, though questions remain about the effectiveness of 1.6G on the moon compared to microgravity. Note that our Zoom participants were asking our guest many technical and engineering questions during this discussion though their questions were not specifically mentioned in this AI summary.Our Space Show team discussed the potential profitability of producing medical materials in space, with Mari explaining that financial models show the venture could be profitable even at small volumes due to premium pricing similar to existing drugs like CAR T cells (for those of you not familiar with this therapy, check it out here: Home - Explore CAR T). Phil offered to share data on launch costs to various orbits, while the group explored questions about future production environments and subsidies. John inquired about clinical indications for human trials, to which Mari explained they would act as a delivery component for licensing partners, with initial in-house products likely focusing on musculoskeletal conditions like osteoarthritis, where there are currently no effective treatments. AJ also offered to share some of his data with Mari.We discussed manufacturing processes and requirements for space-based medicine production. Mari explained they are currently in proof of concept phase with small batch production, aiming to develop an autonomous production process before scaling up. They confirmed having conversations with Varda and the Explorer company. The production process requires 48 hours in microgravity, making suborbital flights impractical, and the product maintains bioactivity for 6 months at ambient temperature, with plans to test longer-term stability.As we were moving toward the end of our program, Mari focused on three main questions about her company's space products (listen for them in the program). Mari explained that while they have a 10-year timeline to profitability if costs continue to decrease the timeline might shorten. She said they are already generating revenue from Earth-made products. She highlighted their advantage in delivering various types of nucleic acids and drugs due to their tubular structure, noting plans to test cancer applications with RNA and an FDA-approved drug in early 2026. The conversation also revealed that there are millions in potential healthcare solutions blocked by current delivery mechanisms, with Mari's company potentially addressing this issue through their technology, which has already attracted interest from gene editing companies.Mari discussed the development and potential of nanotube delivery systems for pharmaceuticals, highlighting their advantages over existing methods like lipid nanoparticles and viral vectors. This would be especially important for gene therapy and editing. She emphasized the simplicity, customizability, and stability of their technology, as well as its potential for tissue penetration and reduced production complexity. The conversation also touched on the commercialization challenges and opportunities in space pharmaceuticals, with Mari noting that space-based testing could accelerate drug development and reduce costs. The group discussed the potential for insurance coverage of advanced medical treatments and the need for validated commercial examples to demonstrate the efficacy of space-based medicine.Please post your comments/questions for this program on our blog at www.thespaceshow.com. You can also leave comments on our Substack page. I will do my est to follow your comments and make sure our guest is aware of them. Keep in mind it is always up the guest regarding replying to listener blog comments.Special thanks to our sponsors:Northrup Grumman, American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223For real time program participation, email Dr. Space at: drspace@thespaceshow.comThe Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs:Broadcast 4422: TBD | Monday 25 Aug 2025 1200PM PTGuests: Dr. David LivingstonGuest TBDLive Streaming is at https://www.thespaceshow.com/content/listen-live with the following live streaming sites:Stream Guys https://player.streamguys.com/thespaceshow/sgplayer3/player.php#FastServ https://ic2646c302.fastserv.com/stream Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

Today's guest is Kiira Benz, a filmmaker, theatre director, and pioneer in immersive storytelling. She has been working in the XR space for the last decade, pushing boundaries at the intersection of film, theatre, and virtual reality. Kiira is the founder of Double Eye Studios, the award-winning creative XR studio behind Finding Pandora X, which became the first VR theatre production to win a Lion at the Venice International Film Festival. She has directed acclaimed immersive projects including Territory, Runnin', Loveseat, and Cardboard City, and she was the first VR director to film on the Intel Studios volumetric capture stage. Her work has been recognized with major honors at Venice, SXSW, and with a JustFilms Fellowship from the Ford Foundation. She is also the host of the Portal to the Next Stage podcast, where she talks with trailblazers working at the crossroads of art, technology, and human connection. In our conversation we dig into her creative process, where immersive media is headed, and we break down two of her favorite movie scenes: from AMELIE (2001) and the poetic mirror-filled moments from Agnès Varda's THE BEACHES OF AGNES (2008).   Hosted by Zef Cota

durée : 00:42:47 - Les Midis de Culture - par : Élise Lépine - Cinéaste de renom, Agnès Varda a d'abord aiguisé son regard en tant que photographe. Deux expositions mettent en valeur son œuvre photographique, au Musée Carnavalet - Histoire de Paris, et au Musée Soulages à Rodez. - réalisation : Olivier Bétard, Alban Peltier - invités : Hortense Belhôte Comédienne et enseignante en histoire de l'art; Rosalie Varda-Demy Actrice, costumière, Directrice de Ciné-Tamaris; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma; Ava Cahen Journaliste et critique de cinéma

PREVIEW: LEO: Colleague Bob Zimmerman explains why the successful startup Varda had to shift operations from the US to Australia. More to come. NOVEMBER 1954

Varda Space, an in-space manufacturing startup, has just raised $187 million in a Series C round led by Natural Capital and Shrug Capital. Since its inception four years ago, Varda has completed three successful missions, with a fourth in orbit and fifth expected by the end of 2025. Co-founder & CEO Will Bruey joins Morgan Brennan to discuss drug manufacturing in microgravity, hypersonic testing and more.

Varda Space, an in-space manufacturing startup, has just raised $187 million in a Series C round led by Natural Capital and Shrug Capital. Since its inception four years ago, Varda has completed three successful missions, with a fourth in orbit and fifth expected by the end of 2025. Co-founder & CEO Will Bruey joins Morgan Brennan to discuss drug manufacturing in microgravity, hypersonic testing and more.

Pinfra; Franke; Vista Energy; AI en Latinoamérica; telepeaje; contenedores de China; fibra óptica; Varda; Converse; subastas; Also Inc.; retailers en EUA

YouTubeとSpotifyでビデオポッドキャスト公開中(0:00) OP(1:30) Vardaとは？(3:20) 宇宙で医薬品を製造するメリット(13:12) 製薬とリエントリーの２軸(19:14) スペーステックのビジネスモデル構築(20:50)　最高収益責任者（CRO）エリック・ラスカーさんの経歴(28:25) Vardaの目指しているもの(30:25) LAのエルセグンド(31:50) あなたの”眠れないくらい”考えること(33:03) 守るべきルール、壊すべきルール(33:55) オフィスツアーhttps://www.varda.com/＜About Off Topic＞Podcast:Apple - https://apple.co/2UZCQwzSpotify - https://spoti.fi/2JakzKmOff Topic Clubhttps://note.com/offtopic/membershipX - https://twitter.com/OffTopicJP草野ミキ:https://twitter.com/mikikusanohttps://www.instagram.com/mikikusano宮武テツロー: https://twitter.com/tmiyatake1

We close out our Varda series with her penultimate film Faces Places (2017), co-directed by visual artist JR, with whom Varda travels across France, meeting people, taking photographs, and discussing art, image, and the passage of time. We also decide that Godard is a jerk. Next week, we're moving into Pride month viewing with some queer classics and even a brand-new film! First up is The Adventures of Priscilla, Queen of the Desert (1994)!

Varda Space is sending "huggable" capsules into low-Earth orbit for autonomous research and just recently, it returned its third successful mission. Plus, often nicknamed Earth's twin, Venus didn't evolve like Earth at all.

Season 25 begins! We meet Juergen Teller, one of the world's most sought-after contemporary photographers, successfully straddling the interface of both art and commercial photography.We discuss childhood, touring with Nirvana, Agnès Varda, Tracey Emin, William Eggleston, Kate Moss, Pope Francis, Kristen McMenemy, Zoe Bedeaux, collaborating with @DovileDrizyte and breakthroughs with Marc Jacobs. Juergen Teller's new exhibition of his photographs taken at Auschwitz Birkenau is now open Kunsthaus Göttingen, Germany until 1 June 2025 @KunsthausGoettingen. An accompanying photobook is published by @SteidlVerlag. 7 ½, Teller's concurrent exhibition runs at Galleria Degli Antichi, Sabbioneta, Italy until 23 November 2025 @VisitSabbioneta.Teller (b.1964) grew up in Bubenreuth near Erlangen, Germany. Teller graduated in 1986 and moved to London, finding work in the music industry shooting record covers for musicians such as Simply Red, Sinéad O'Connor and Morrissey with the help of the photographer, Nick Knight. By the early 1990s, he was working for avant-garde fashion magazines such as i-D, The Face, Details and Arena. Teller has collaborated with many fashion designers over the years, including Helmut Lang, Marc Jacobs, Yves Saint Laurent, Vivienne Westwood, Celine and Louis Vuitton.Teller was the recipient of the Citibank Photography Prize in association with the Photographer's Gallery, London in 2003. In 2007, he represented the Ukraine as one of five artists in the 52nd Venice Biennale. Teller has exhibited internationally, including solo shows at the Photographer's Gallery, London (1998), Kunsthalle Wien, Vienna (2004), Foundation Cartier, Paris (2006), Kunsthalle Nürnberg, Germany (2009), Daelim Contemporary Art Museum, Seoul (2011), Dallas Contemporary, USA (2011), Institute of Contemporary Art, London (2013), Deste Foundation, Athens (2014), Contemporary Fine Arts, Berlin (2015) and Bundeskunstalle, Bonn (2016).Teller's work is featured in numerous collections around the world, including the Centre Pompidou, Paris; International Center for Photography, New York; Pinchuk Art Centre, Kiev; and the Victoria & Albert Museum, London. He has published forty-one artist books and exhibition catalogues since 1996. He currently holds a Professorship of Photography at the Akademie der Bildenden Künste Nürnberg, and lives and works in London. Follow @JuergenTellerStudio and https://www.juergenteller.co.uk/ Hosted on Acast. See acast.com/privacy for more information.

VARDA MORE SUCCESS. BOB ZIMMERMAN BEHINDTHEBLACK.COM 1958

With its 13 Oscar nominations, Adam and Josh could no longer ignore EMILIA PÉREZ. True to the film's divisive reputation, they split on it. Plus, a very special musical edition of Massacre Theatre and a revelatory Pantheon Project review of Agnès Varda's CLÉO FRMO 5 TO 7.    This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:01:42) Review: “Emilia Pérez” (00:01:43-00:28:36) Filmspotting Family (00:28:37-00:32:03) Next Week / Notes (00:32:04-00:39:02) Musical Massacre Theatre (00:39:03-00:50:14) Pantheon Project: “Cléo From 5 to 7” (00:50:15-01:20:52) Credits / New Releases (01:20:53-01:25:13) Notes/Links: Filmspotting Fest https://www.filmspottingfest.com Filmspotting Pantheon https://letterboxd.com/filmspotting/list/filmspotting-pantheon/detail/ Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices