Podcast appearances and mentions of Roger Corman

Inspirado nos contos clássicos de Edgar Allan Poe, o mestre Roger Corman produziu e dirigiu 8 pérolas macabras – algumas um pouco canalhas, mas sempre excelentes – que se tornaram marcos no cinema de horror dos anos 1960. Contando com Vincent Price em quase todos os filmes, o ciclo Corman-Poe é referência em ambientação gótica, horror melodramático e muita criatividade para driblar o baixo orçamento. Essa semana temos a honra de homenagear grandes nomes do horror com esse episódio: Roger Corman, Vincent Price, Peter Lorre, Barbara Steele, Ray Milland, dentre outros. Todos eles enfrentam as maiores paranoias da humanidade, o medo de ser enterrado vivo, o medo de ser traído e a obsessão por batalhas com poderes mágicos e poltronas flutuantes. Junte-se a nós nessa viagem no tempo e confronte os maiores horrores que existem.O RdMCast é produzido e apresentado por: Gabriel Braga, Gabi Larocca e Thiago Natário.Apoie o RdM e receba recompensas exclusivas: https://apoia.se/rdmCITADOS NO PROGRAMA:O Solar Maldito (1960)O Poço e o Pêndulo (1961)Obsessão Macabra (1962)Muralhas do Pavor (1962)O Corvo (1963)O Castelo Assombrado (1963)Orgia da Morte (1964)O Túmulo Sinistro (1964)Citações off topic:Eu sou a Lenda (1964)Mortos que Matam (1964)Viagem ao Mundo da Alucinação (1967)A Queda da Casa de Usher (1928)A Queda da Casa Morta (livro, 2023)O Chicote e o Corpo (1963)O Intruso (1962)Muralhas do Pavor (1962)Disque M para Matar (1954)O Homem dos Olhos de Raio-X (1963)A Maldição de Frankenstein (1957)M, o Vampiro de Dusseldorf (1931)O Caso de Charles Dexter Ward (livro, 1941)Suspíria (1977)EPISÓDIOS CITADOS:RdMCast #456 – Especial Roger Corman: o mestre dos filmes BRdMCast #510 – Especial Lovecraft: A Cor Que Caiu do Espaço e o horror cósmicoRdMCast #424 – A Casa de Usher: Mike Flanagan e o PoeversoRdMCast #465 – Isso deu um remake: Museu de CeraRdMCast #525 – Especial Scream Queens: Barbara SteeleRdMCast – #185 M – Um assassino entre nósRdMCast #310 – Suspiria e a Trilogia das Três MãesINSIDER STORE COM ATÉ 30% OFFCupom: RDMCASTLink especial: https://creators.insiderstore.com.br/RDMCASTSiga o RdMYoutube: https://www.youtube.com/c/Rep%C3%BAblicadoMedoInstagram: @republicadomedoTwitter: @RdmcastEntre em contato através do: contato@republicadomedo.com.brLoja do RdMConheça nossos produtos: https://lojaflutuante.com.br/?produto=RdmPODCAST EDITADO PORFelipe LourençoESTÚDIO GRIM – Design para conteúdo digitalPortfólio: https://estudiogrim.com.br/Instagram: @estudiogrimContato: contato@estudiogrim.com.br

Have you seen The Bride yet? No, not Maggie Gyllenhaal's new film - we mean the 1985 film by Frank Roddam, director of Quadrophenia. Like Gyllenhaal's film, it's an attempt at a female-centred sequel to Mary Shelley's novel. Unlike Gyllenhaal's film, it has an actively deranged cast list including Quentin Crisp, Alexei Sayle, Ken Campbell, David Rapaport... and, as Dr. Frankenstein, Sting.Join Graham and Mark as they divide Roddam's film cleanly into the bits that work and the bits that don't, which is made surprisingly easy by its two-stranded plot. We also discuss how the film compares to Poor Things, talk about Rapaport's remarkable career, reflect on the end of Sting's movie-star dreams and play a challenging game of FMK. Plus, an appreciation of Roddam's TV work, including one of the most groundbreaking documentaries ever made and Masterchef.If you don't want to see us reduced to joining a travelling circus, you can donate to our Patreon where we're about to follow up this episode with an exclusive bonus discussion of Roger Corman's Frankenstein Unbound - and we're also about to launch two new podcasts, including Rob's They'll Love Me When I'm Dead and Graham's The Arts Hole. None of this is available anywhere else, and the same goes for our weekly written features on classic TV SF. Follow us on Bluesky, Facebook and Instagram to find out more.

George Arthur Bloom joined me to talk about watching Beanie and Cecil; wanting to be a pro baseball player; joining the Coast Guard; getting a job in the mail room at MCA; working his way up to Lew Wasserman's assistant; going to Universal with Wasserman; asking to learn how to be a producer; working on late 60's TV shows; optioned what would become Blade Runner after he lost the option; American International; experience like the show The Studio; producing the Abominable Dr. Phibes; Roger Corman; Little Shop of Horrors; writing Knife for the Ladies starring Jack Elam; write after school specials; writing the first 4 episodes of 1984 Transformers cartoon; setting up good guys and bad guys; writing original My Little Pony with a darker tone; writing songs and the movie; creating the after network executives; Potato Head Kids; helping to fix and then write Magic School Bus; creating the character of Digit (voiced by Gilbert Gottfried) for Cyber chase; not liking writers' room, prefers to work one on one with writers; writing on The Nancy Walker Show for Norman Lear; seeing his episode done on another series; playing tennis with Robert Duvall; writing a screenplay, Any Day Now about a homosexual who wants to adopt a kid with Down Syndrome in 1982; having it pass through many leads including Tommy Lee Jones, Dom DeLuise, and Sylvester Stallone; his son is friends with director Travis Fine, who is looking for a script; finally made 30 years later with Alan Cumming in the lead; became a stage play in Japan

We are saying goodbye to Foreign Film February (or #FFF for the insiders) with a bang (or is it a clang?) with 1972's SEVEN BLOWS OF THE DRAGON and 1972's THE WATER MARGIN.  Is this episode the podcast equivalent of a double feature?  Not really.  You see, some of us watched SEVEN BLOWS OF THE DRAGON and one of us watched THE WATER MARGIN. And while SEVEN BLOWS OF THE DRAGON and THE WATER MARGIN are essentially the same thing except one of them is 35 minutes shorter... and makes even less sense.  Joining us is returning guest Dirk Marshall from the VH US podcast (https://www.vh-us.com/), who we normally bring in for his expertise in Canadian films, and figured he would do the same for a movie made in China.  We do our best to piece together a considerably complex plot for a movie that should be more fighting and less talking, which is exactly what Roger Corman wanted.  In addition to unraveling the plot, Erica delivers blows to the team for incorrect statements and general bossiness.  Dirk correctly points out that the nicknames applied to characters in SEVEN BLOWS OF THE DRAGON do little to trigger memory retention for the 100 characters in this movie. He also identifies good nicknames during the episode. Ryan tries his best to get the tracking right for his audio clips.  Erica talks about a totally unrelated movie.  Guess this episode is a double feature after all. For more about the New World Pictures Podcast, including previous episodes, t-shirts, mugs, sweatshirts, other merch and more, head here: https://newworldpicturespodcast.com/For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/ 

Hoje vamos falar sobre aquele filme de horror da década de 1990, que é um slasher com piadas metalinguísticas sobre as regras do gênero e começa com a letra P. Sim, é ele mesmo, Popcorn – O Pesadelo Está de Volta! Antes mesmo do famoso Pânico, esse slasher meio esquecido do início da década apostou no humor autoconsciente e na homenagem ao horror dos anos 1950. A produção investiu quase todo o dinheiro que tinha em um visual alucinado para o vilão e muitos adereços que referenciam as malandragens históricas de nosso amado Roger Corman. Embarque nesse festival de referências cinematográficas e conheça – ou relembre – essa pérola imperdível, mas cuidado, a qualquer momento podemos colocar um filme amaldiçoado para rodar.O RdMCast é produzido e apresentado por: Gabi Larocca, Gabriel Braga e Thiago Natário.Apoie o RdM e receba recompensas exclusivas: https://apoia.se/rdmCITADOS NO PROGRAMA:Popcorn – O Pesadelo Está De Volta (1991)Citações off topic:Pânico (1996)O Novo Pesadelo: O Retorno de Freddy Krueger (1994)Porky's – A Casa do Amor e do Riso (1981)Noite do Terror (1974)Sonho de Morte (1974)O Padrasto (1987)O Fantasma da Ópera (1989)Um Estranho à Minha Porta (1993)A Casa dos Maus Espíritos (1959)Força Diabólica (1959)Treze Fantasmas (1960)O Mundo Perdido (1925)Fúria de uma Região Perdida (1957)O Ataque da Mulher de 15 Metros (1958)O Incrível Homem que Derreteu (1977)Quanto Mais Quente Melhor (1959)Jogador Nº 1 (2018)Terremoto: A Falha de San Andreas (2015)A Invenção de Hugo Cabret (2011)As Aventuras de Sharkboy e Lavagirl em 3-D (2005)Cujo (1981)Pequenos Espiões (2001)EPISÓDIOS CITADOS:RdMCast #281 – Franquia PânicoRdMCast #370 – Especial A Hora do PesadeloRdMCast #323 – A História das Garotas FinaisRdMCast #260 – Especial Fantasma da ÓperaRdMCast #536 – Vivo ou Morto e outros mistérios Knives OutRdMCast #288 – The Rocky Horror Picture ShowRdMCast #284 – Animais no HorrorSiga o RdMYoutube: https://www.youtube.com/c/Rep%C3%BAblicadoMedoInstagram: @republicadomedoTwitter: @RdmcastEntre em contato através do: contato@republicadomedo.com.brLoja do RdMConheça nossos produtos: https://lojaflutuante.com.br/?produto=RdmPODCAST EDITADO PORFelipe LourençoESTÚDIO GRIM – Design para conteúdo digitalPortfólio: https://estudiogrim.com.br/Instagram: @estudiogrimContato: contato@estudiogrim.com.br

[School of Movies 2026] Finally, after twenty years of half-assed attempts (thirty if you count the Roger Corman production never intended to see the light of day) to bring Marvel's First Family to the big screen, they actually nailed it... mostly. First Steps delivers not just the Silver Age superheroes, but the era itself, in a gorgeous, memorable, hopeful vision of the Kennedy-Era 1960s (one where racism has been dealt with, and women don't struggle to be taken seriously). This alternate Earth of 828 is put in jeopardy when a version of Galactus (who isn't just a big angry CG cloud) comes calling. Setting aside a dedicated section to air our misgivings over two crucial factors, (wherein Sharon comes up with one subtle but significant story change that blows me away) this episode brings us closer to Doomsday, where these fantastic folks will play prominent roles.

We continue  Foreign Film February, or “FFF” with the King of T&A himself, Federico Fellini! Based on his childhood in Remini, Italy, AMARCORD is a weird blend of memories, characters, and farts! Is it a classy teen film? A condemnation of fascism? A variety of shots of boobs and butts? It's all three and so much more!Joining us is comedian and writer Ali Davis, who has really had to suffer through some of the, should we say, quirkier selections from New World's past, but we thought we would have her join us for some arthouse cinema. Does it pay off? You'll have to listen to find out!We discuss this wild film filled (and filled and filled) with characters and discuss Italian food, growing up in a small town, and the worst way a seaside village could torture it's local blind man. Enjoy as we discuss this slice of classic film, an Academy Award winner that Roger Corman was always proud to have distributed!    For all the shows in Someone's Favorite Productions Podcast Network, head here: https://www.someonesfavoriteproductions.com/.

House of Usher (1960), The Pit and the Pendulum (1961), and The Masque of the Red Death (1964) In the beginning of his career as a producer / director Roger Corman was known for cranking out cheap and fast black and white pictures that always made money. He worked in all genres, but it was mainly the horror and sci-fi pictures in the mid to late '60s he was known for. All that changed in 1960, when he convinced AIP to let him adapt a story from Edgar Allan Poe, but in color, with a bigger budget, and longer shooting schedule. That started a new phase of Corman's career, which also made an even bigger star of Vincent Price. In this episode, we take a deep dive into three of these Poe adaptations, and not necessarily looking in the faithfulness of them, but in their production, the incredible casts, the look, the style, as well as the feel of them. They really do get better each and every time you watch them. Hopefully after listening to this episode, you'll decide to either venture down this dark path for the first time, or take a revisit to admire the doom and gloom they all have. Films mentioned in this episode: The Big Bird Cage (1972), Black Sunday (1960), Chinatown (1974), City of the Dead (1960), Countess Dracula (1971), Corman's World: Exploits of a Hollywood Rebel (2011), Death Race 2000 (1975), Don't Look Now (1973), Duel (1971), Five Guns West (1955), The Fly (1958), Gunslinger (1956), The Haunted Palace (1963), Horror Hospital (1973), House on Haunted Hill (1959), House of Usher (1960), House of Wax (1953), Humanoids from the Deep (1980), Intruder (1962), It Conquered the World (1956), The Legend of Hell House (1973), Little Shop of Horrors (1960), Masque of the Red Death (1964), Monster from the Ocean Floor (1954), Naked Paradise (1957), Not of this Earth (1957), Pit Stop (1969), Piranha (1978), The Pit and the Pendulum (1961), Premature Burial (1962), Psycho (1960), The Raven (1963), Return of the Fly (1959), Rock 'n' Roll High School (1979), The Seventh Seal (1957), Swamp Women (1956), Tales of Terror (1962), The Terror (1963), The Tingler (1959), Trilogy of Terror (1975), The Wasp Women (1959)

The Masque of the Red Death (1964)  AIP Production # 6405  Jeff and Cheryl dress in the forbidden shades of crimson and scarlet after receiving an invitation to The Masque of the Red Death. Screenplay by Charles Beaumont and R. Wright Campbell from a story by Edar Allan Poe  Produced by Roger Corman  Directed by Roger Corman   Starring:  Vincent Price as Prince Prospero Hazel Court as Juliana, his mistress Jane Asher as Francesca, a peasant girl David Weston as Gino, Francesca's lover Nigel Green as Ludovico, Francesca's father Patrick Magee as Alfredo Paul Whitsun-Jones as Scarlatti Robert Brown as Guard David Davies as Lead villager Sarah Brackett as Grandmother Skip Martin as Hop-Toad, a dwarf jester Verina Greenlaw as Esmeralda, the Tiny Dancer  John Westbrook as The Red Death (unmasked/voice; uncredited)  An Alta Vista Production  An American International Picture  View The Masque of the Red Death trailer here. Stream The Masque of the Red Death on Tubi, Pluto, Prime Video, or MGM+, or rent it on Fandango at Home or Apple TV+. Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast   Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

Send a textI know what you're thinking, 1963, a man with X-ray eyes? This has to be completely ridiculous. And sure, there are a few cute scenes. But at its heart is a thought-provoking screenplay, a solid performance from Ray Milland, and a surprisingly effective dramatic turn for Don Rickles as a shady carnival barker. Do not envy X: The Man with the X-Ray Eyes (1963)!

Dimitri and Khalid tap back into their Video Weltanschauung for a look at the first wave of 1960s "hippie exploitation films", their depictions of the rising counterculture, and how they indirectly helped birth the New Hollywood era, with a particular focus on three films from 1968: The Monkees' anti-cinematic bomb "Head" (featuring a McLuhanesque ad campaign by future Epstein fixer John Brockman), and the Roger Corman/AIP productions "Psych-Out" and "Wild in the Streets"... For access to full-length premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, subscribe at https://patreon.com/subliminaljihad.

We conclude our first Corman Graduates series with our final episode about Jack Hill and his final directorial effort, 1982's SORCERESS! A strange end to his directorial career, Jack's disappointment with the end product left him to take his name off the film and leave the film business altogether. Hill would also never work with Roger Corman again. But is the movie that bad? a success for New World Pictures, this CONAN THE BARBARIAN riff is a podcast favorite around here, so we dig into the film's history and troubled production, not to mention why Pando was included in the hero group, how hats can completely hide your gender, and why it's important to have a clean rug!So find SORCERESS, and press play on the movie and this episode simultaneously to sync this up, as we dive in right away in this episode! Enjoy the history as we enjoy the final film of Jack Hill!For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/

The final film in director Roger Corman's Edgar Allan Poe cycle, The Tomb of Ligeia marked the second collaboration for Corman and screenwriter Robert Towne.  Towne would go on to be one of the hardest working and respected writers and script doctors in Hollywood (The Last Detail, Shampoo, Mission: Impossible, The Firm, Personal Best and Tequila Sunrise) and collect an Academy Award for writing Chinatown.  Towne is quoted, however, as saying that his adaptation for The Tomb of Ligeia was the hardest he'd ever worked on.   Dan and Vicky discuss the horror film along with plenty of recently seen like films Marty Supreme, Rosemead, Dead Man's Wife, The Lost Bus, Griffin in Summer, Twinless, Is This Thing On?, and TV series Heated Rivalry and Kaos. Our socials:  hotdatepod.com FB:  Hot Date Podcast X: @HotDate726 Insta:  hotdatepod

Hey! Ho! Let's Go! Welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! The incredible Craig Finn on the amazing Ramones' cult film Rock 'N' Roll High School...what more can I say, Principal Togar...this episode rules...enjoy!(Episode 51 originally aired on August 24th, 2024).Original Show Notes:This week, we talk to CRAIG FINN of THE HOLD STEADY & 'That's How I Remember It' podcast about the legendary cult classic ROCK 'N' ROLL HIGH SCHOOL! We discuss how discovering THE RAMONES is a young person's game, reading THRASHER magazine in the school library, not knowing what bands sounded like, KTEL record complitaions and ROCK 80 LP, the Summer of 1980 AM Rock Radio, Craig seeing STYX's KILROY WAS HERE tour, vomiting at a DEVO show, $1.92 new wave shows, fantasing about where bands are getting coffee in your hometown when they come through on tour, the VHS release of the film, ROAD TO RUIN LP, Craig getting guitar lessons from punk legend Chris Osgood of The Suicide Commandoes, the singleminded yet 4 headed songwriting beast that was THE RAMONES & the cultish nature of the band, Joe Dante's script, how producer ROGER CORMAN wanted to cut out the middle of The Ramones songs, DISCO HIGH, teaching the Ramones to walk in the film, staying overnight to get concert tickets, getting punished by your parents by them forcing you to go see a LAURIE ANDERSON concert, our big Ramones regrets, the trouble with filmming the Ramones' live footage and how it almost started a riot, learning about Chicken Vindaloo through the band's song lyrics, getting the courage to go to a punk rock show, Violent Femmes, our first punk/new wave show we went too, clove cigarettes, The Replacements, ticket prices vs. record prices, under attended hardcore matinee shows, Clint Howard, PJ Soles & Vince Van Patton, does the movie hold up as a cult film, High School permanent records, how the soundtrack turned us on to the MC5 and ENO and the search for those records, Mudhoney & Tad, how the film smartly adds more and more Ramones to the film as it goes on, the Americana side of the Ramones, what Ramones lyric would Craig wished he had written and what lyric of his is the most Ramones, what would a Roger Corman produced Hold Steady movie consist of and what role Clint Howard would play in it and so much more!!!So, let's tear up our permanent records on this episode of Revolutions Per Movie!!!CRAIG FINN:https://craigfinn.net/https://theholdsteady.net/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Vi troede, vi skulle lave en sjov live-episode om katastrofefilm. I stedet lavede vi en katastrofe for åben scene. Med publikum. I Grand. Perfekt. Allerede fra start var noget off: lydproblemer, dårlige varsler og en fornemmelse af, at noget havde inviteret sig selv indenfor. En episode, der skulle handle om film, hvor alt går galt, valgte konsekvent selv at gå galt. Læn dig tilbage og hør katastrofen udspille sig foran et live publikum, der tappert bliver siddende, mens humøret, håbet og viljen til at leve langsomt siver ud af salen. Og vi må lige understrege, at vi fandt på episodens titel INDEN vi optog den... Ask vælter første dominobrik med 'When the Wind Blows' (1986). En animeret feelgood-film om atomkrig til folk, der hader glæde. Et ældre britisk ægtepar følger statens gode råd, mens verden stille og roligt går under omkring dem. Stemningen dør, men publikum overlever med nød og næppe. Dette ser Niels og tænker: "Det kan jeg gøre bedre... jeg mener, værre!" og prompte hiver han 'Threads' (1984) frem. BBC's nådesløse undersøgelse af, hvad der sker hvis alle dør og ingen lærer noget, sætter virkelig gang i festen. Trøstesløs realisme, forkullede fremtidsudsigter og kollektiv dødsangst. For at redde aftenen (og sig selv) smider Mr. Sunshine (!) derefter 'The Fantastic Four' (1994) på bordet: Roger Corman, en million dollars, og en Marvel-film så katastrofal, at den aldrig udkom. Sonny prøver tappert at være den voksne på scenen med 'Rollercoaster' (1977). Rutsjebaner, terrorisme og tv-stemning. Der er sådan set ikke meget galt med filmen - passer godt til Moviebox - men ér det overhovedet en katastrofefilm? Bedøm selv. Til alle jer i salen (og jer der lytter med derhjemme) tak fordi I blev siddende. Tak fordi I ikke rejste jer og forlod Grand i tavs protest, hvilket ellers tydeligvis var den mest fornuftige ting at gøre. Vi lover (måske), at vi aldrig laver en katastrofefilmaften igen. Vi lover (helt sikkert), at vi ikke lærer noget af det. Men lige meget hvad, så HUSK: Spol altid episoden tilbage, når du har lyttet færdigt. Med venlig hilsen,Ask, Sonny, Niels & Casper

HUMANOIDS FROM THE DEEP / HUMANOIDES DEL ABISMO (1980) Abrimos el videoclub y nos zambullimos de lleno en una de esas películas que olían a sangre y controversia. Humanoids from the Deep (1980) puro terror, incómodo, brutal y provocador, una de esas cintas que te marcaban a fuego en las estanterías más prohibidas del VHS. Producida por New World Pictures de Roger Corman, la película fue dirigida por Barbara Peeters, acabó convirtiéndose en un título tan conflictivo como recordado. Criaturas salidas del mar, un pueblo amenazado por lo más profundo del mar. Todo rematado por los efectos especiales de un jovencísimo Rob Bottin & Co. En esta Sesión Videoclub viajamos hasta el pequeño pueblo costero de Noyo, donde dos miembros de nuestro programa se enfrentarán por primera vez con los humanoides del abismo. Y antes de continuar, ya sabes: anímate y déjanos un comentario contándonos qué te parece la peli y este episodio. Y si te ha gustado, no te olvides darle a ese corazón del ángel. Sesión Videoclub nos permite viajar en el tiempo y disfrutar de aquellos días en los que nos reuníamos con amigos para ver películas de videoclub. Equipo Maniático: Albert San (Mr. Maniático), Naila Knight, Miguel y Montse Vela. ¡Saludos Maniáticos!!!!!! Intro Musical SINOIA CAVES — “1983 Main Titles” Álbum Beyond the Black Rainbow (2014) Intro Musical SESIÓN VIDEOCLUB PUBLIC IMAGE LTD — “Order of Death” Álbum This Is What You Want… This Is What You Get (1985) HUMANOIDS FROM THE DEEP (1980) soundtrack by James Horner "Joe Bob Is Back in" Town Song by John Brennan (2000) OUTRO Humanoids From the Deep Song by The Witch Trials ‧ 1981

"Ho cominciato a rifugiarmi nell'avventura con i libri, quando da bambino ho avuto la polio che mi ha costretto per un anno a casa. Poi ho cercato l'avventura al cinema che significava la fuga dalla realtà. Non che nella realtà fossi infelice, ma con i film ero più felice"Non è certo facile essere un ribelle, specialmente se lavori a Hollywood. E ne sa qualcosa il buon vecchio Joe Dante, uno degli allievi prediletti di Roger Corman che riuscì a imporsi sulla scena del cinema degli anni '80 per poi lottare costantemente per un cinema più genuino e coraggioso.Piccola puntata extra per chiudere codesta rassegna e per non dimenticarci della carriera televisiva di Dante con il suo delizioso e perfido film tragicomico "La seconda guerra civile americana", delirante ma anche sinistra satira sull'America e i suoi valori ormai completamente inesistenti.https://www.awin1.com/cread.php?awinmid=9777&awinaffid=2619870&campaign=&ued=https%3A%2F%2Fwww.ibs.it%2Fofferte-libri%2Fcoperta-in-regalo-con-due-tascabili-feltrinelli

SAN ONOFRE-Chris Alexander interviú Corman/Poe: Roger al cine con Edgar https://www.ivoox.com/podcast-san-onofre_sq_f1146007_1.html Domingo 1 febrero 2026 Enlace a las 33 1ªs angloentrevistas  Siguientes 33 Angloentrevistas Traducidas, Vol.2 https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre-vol-2 Henry SAN ONOFRE escucha las angloentrevistas traducidas antes, durante o después de la lectura de las mismas; Arnold de Campesino diu que el sentido de la vida no se halla en Monty Python, sino en escuchar a John Cage a la par que lees a Marshall McLuhan. ¡Bah, zarandajas! Los bellos del SAN ONOFRE recomendamos dieta más nutritiva: Lean los escritos de Edgar Allan Poe, hagan varios atentos visionados de las adaptaciones de los mismos de Roger Corman, lean Corman/Poe de nuestro invitado Chris Alexander y escuchen la entrevista que le perpetramos hoy con inusitada fruición onofrita. Ansí, se ganarán el infierno, ¡qué bien!

Episode 235: The fifth and final week of our Christmas with Corman month brings to us 1964's The Masque of the Red Death.  A Poe classic starring Vincent Price. With honorary fourth member, Nichole of Light & Shadow: A Horror Podcast.Make sure to join us next week, when we stomp into the new year with our Kaijuary theme for big monsters in the month of January with 2023's Godzilla Minus One.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

We revisit the dream of the freakadelic 60's this week with a couple of films which both celebrate and mourn the spirit of the age. Mark Evans of Sonic Coins + Icons joins us to discuss Easy Rider (1969), directed by Dennis Hopper and The Trip (1967), directed by Roger Corman. Bikes, weed, LSD, hippies and rednecks abound. Tune in, turn on, and drop out. We don't think you can really spoil The Trip, which is literally too tripped out to bother with a storyline, but we will call out Spoiler Territory for Easy Rider. If you want to skip ahead from that point, you can rejoin the conversation at the 1:21:16 mark to avoid spoilers. Want to get in touch? You can reach us on caliber9fromouterspace@gmail.com Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp Our closing music this week comes courtesy of Sonic Coins + Icons and their track "Beneath the Veil" (M. Evans) © 2025. Their new album Sohar is available at all the usual places: iTunes, Spotify, etc Mark's great music can also be explored via the following links: https://scicons.co.uk/ https://soniccoinsicons.bandcamp.com Threads Instagram Facebook Soundcloud

RSS/iTunes/Spotify We’re going GUESTLESS and UNTETHERED on this episode of YOU DON’T KNOW DICK, and what a long, strange trip it is! We’re checking out the Roger Corman-directed 1967 film THE TRIP starring Peter Fonda, Bruce Dern and Dennis Hopper – and written by Jack Nicholson – and it’s full of surreal visuals, mind-expanding dialogue and hippy nonsense! Roger Corman went on an LSD trip as prep for the film, and he imbues it with plenty of independent energy (helped by Fonda and Hopper filming guerilla style on the streets of LA), but is it consciousness expanding weirdness or boring nonsense? Let’s find out!The post Episode 309 – You Don't Know Dick – The Trip (1967) first appeared on Cinema Smorgasbord.

Episode 234: Week four of our Christmas with Corman theme (and entire month of Roger Corman films)  is here and through sheer vision we have picked X: The Man with the X-Ray Eyes from 1963. Can we see what's at this film's center? Find out. Tune in next week for our final week of Roger Corman films with 1964's Masque of the Red Death. Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

For our first episode of the new year we dig down deep (ya like that alliteration?) into Roger Corman's "The Premature Burial", and have a Hell of a good time!“Dirt Nap” cocktail 1.5 oz rum 1.5 oz Kahlua 3 oz chocolate milk1-2 maraschino cherriesCrushed/powdered Graham Crackers or Oreos.IceRim Old Fashioned glass with crushed graham crackers or Oreos. Fill glass with ice and add, in order: Rum and Kahlua, then fill glass with chocolate milk. Garnish with cherries.Visit our website:http://www.monstermoviehappyhour.com/Chat with us on Facebook:https://www.facebook.com/monstersndri...Our Bluesky:https://bsky.app/profile/monstersndrinks.bsky.socialOur Instagram:https://www.instagram.com/monstersndrinksOur Twitter:https://twitter.com/monstersndrinksMusic created by Kevin MacLeod.You can hear more of his work at:https://incompetech.com/wordpress/author/kevin/

For this one it's not the quality of the fast but the quantity, and all the furious is wrapped up in one frustrated and problematic truck driver. We take a break from the break we were taking from the main podcast to get into this 1954 Roger Corman-produced tawdry crime flick, because there's nothing better than diverting from the scenic route to take another, slower scenic route.Support us at our podcasting network, Podcastio Podcastius at https://www.patreon.com/podcastiopodcastius.  You'll get early episodes of this and out other podcasts, along with a live chat here and there.Speaking of our other podcasts - seriously, you could only listen to various other configurations of us:Luke Loves Pokemon: https://lukelovespkmn.transistor.fm/Time Enough Podcast (Twilight Zone): https://timeenoughpodcast.transistor.fm/Game Game Show (a game show gaming games): https://gamegameshow.transistor.fm/Occult Disney: https://occultdisney.transistor.fm/Podcast: 1999 (where Mark and Matt rap about 70's tv sci-fi): https://podcast1999.transistor.fm/And Matt makes music here:https://rovingsagemedia.bandcamp.com/Coming Soon: Fast & Furious 6Furious 7The Fate of the Furious

Hell Hath No Fury Our Guest today in the nerdatorium is an accomplished actor, operatically trained singer, and a model. Recently, she secured a role in the remake of the Roger Corman classic “Deathstalker” and performed the closing credits song, “Walking Alone,” with Jonah Nimoy. You have seen Nina in films such as Hell Hath No Fury, Doom: Annihilation, and Cold Meat, among others. And now, she is a "TedTalk" speaker! Be sure to check out her music as well! She has a fantastic singing voice … that alone should get your attention. For more information on Nina Bergman, please visit the following - Website - https://www.ninabergman.com Instagram - @ninabergman Theme song "Racing in Darkness" by Nautilus '54 - https://nautilus54.bandcamp.com/album/the-fell-star-2 For more on our show partners - Level Up Sabers - https://bit.ly/LevelUpFSF Once Upon a Tee - https://www.onceuponatee.net/?ref=fsf Use Code - FSF5 at checkout Sign Up for Free Loot here - www.fsfpopcast.com/contact For more on our Show - Join our Patreon: https://patreon.com/fsfpopcast Join our Discord! https://discord.gg/cpry4fCDTq Visit our website: https://www.fsfpopcast.com FSF PopCast on BlueSky, Instagram, and Threads - @fsfpopcast This podcast is powered by Pinecast.

Hell Hath No Fury Our Guest today in the nerdatorium is an accomplished actor, operatically trained singer, and a model. Recently, she secured a role in the remake of the Roger Corman classic “Deathstalker” and performed the closing credits song, “Walking Alone,” with Jonah Nimoy. You have seen Nina in films such as Hell Hath No Fury, Doom: Annihilation, and Cold Meat, among others. And now, she is a "TedTalk" speaker! Be sure to check out her music as well! She has a fantastic singing voice … that alone should get your attention. For more information on Nina Bergman, please visit the following - Website - https://www.ninabergman.com Instagram - @ninabergman Theme song "Racing in Darkness" by Nautilus '54 - https://nautilus54.bandcamp.com/album/the-fell-star-2 For more on our show partners - Level Up Sabers - https://bit.ly/LevelUpFSF Once Upon a Tee - https://www.onceuponatee.net/?ref=fsf Use Code - FSF5 at checkout Sign Up for Free Loot here - www.fsfpopcast.com/contact For more on our Show - Join our Patreon: https://patreon.com/fsfpopcast Join our Discord! https://discord.gg/cpry4fCDTq Visit our website: https://www.fsfpopcast.com FSF PopCast on BlueSky, Instagram, and Threads - @fsfpopcast This podcast is powered by Pinecast.

What does it mean to truly feel a trailer—and how do you translate that feeling into something that moves an audience? In this Best Of Trailer Geeks & Teaser Gods episode, Corey Nathan revisits his wide-ranging, deeply personal conversation with Robert Walker, one of the most influential and respected trailer editors working today. From his early experiments with cassette-tape collages and experimental music to shaping iconic campaigns at Intralink and Buddha Jones, Robert shares how a lifelong obsession with sound, rhythm, and emotion led him to a career defined not by formulas—but by feeling. This conversation spans decades of trailer history, touching on legendary campaigns for Batman Begins, Cinderella Man, A.I. Artificial Intelligence, The Social Network, The Book of Eli, Out of the Furnace, The Harder They Fall, and more. Along the way, Robert reflects on mentorship, artistic risk, industry shifts, and why unresolved emotion is the most powerful tool a trailer editor has. Whether you're a trailer editor, filmmaker, marketer, or creative of any kind, this episode is a masterclass in why craft matters—and why the best work starts with intuition, not templates. Key Takeaways Emotion Is the Job Robert explains that the ultimate goal of a trailer isn't explanation—it's feeling. A successful piece creates emotional tension that compels audiences to lean in and want more. Childhood Roots Shape Creative Voice From discovering Walkabout and Stockhausen records at the library to cutting cassette-tape collages, Robert traces how early experimentation laid the foundation for his editorial instincts. Short Form, Maximum Freedom Why trailers—rather than features—offered Robert the creative latitude he craved: non-linear storytelling, music-driven structure, and constant reinvention. Learning Through Repetition Cutting dozens of trailers at Roger Corman-adjacent companies gave Robert invaluable reps, sharpening both craft and judgment at speed. Mentorship & Creative Friction Stories from Intralink—including spirited debates with Anthony Goldschmidt—reveal how conflict, trust, and passion often lead to the strongest work. Teasers Aren't Ads—They're Invitations Robert reframes teasers as emotional groundwork, not sales pitches—particularly in franchise resets like Batman Begins. Adapting Without Betraying the Film From melancholy character studies (Out of the Furnace) to stylized genre pieces (The Harder They Fall), Robert discusses how to elevate a film while staying emotionally honest. Timing Can't Be Taught Comedy, horror, action—it all comes down to rhythm, anticipation, and release. And sometimes, knowing when to stop tweaking. Don't Cut the Same Way Twice Robert's advice to emerging editors: vary your approach. Start with music, dialogue, story, or even the ending—just don't get stuck in one process. Notable Quotes "The single most important thing we do is create a feeling—and leave it unresolved."  "If you're thinking too much about how the audience will feel, you stop being emotionally open yourself."  "You can't really teach timing. You know it when you feel it."  "Teasers aren't always about selling the movie. Sometimes they're about demolishing expectations." "If you always approach a piece the same way, you're going to miss something."  About Our Guest Robert Walker Trailer Editor — Buddha Jones Formerly Intralink Film Known for work on Batman Begins, Cinderella Man, A.I. Artificial Intelligence, The Book of Eli, The Social Network (TV), The Harder They Fall, and more. Robert is widely regarded as one of the most emotionally intuitive editors in the industry, blending experimental instincts with mainstream storytelling at the highest level. About the Host Corey Nathan Host & Executive Producer — Trailer Geeks & Teaser Gods @coreysnathan on all platforms About This Episode This episode is part of our Best Of Trailer Geeks & Teaser Gods series—encore conversations from across the show's history that remain timeless, insightful, and essential listening for anyone passionate about entertainment marketing and creative craft. Our Sponsors Meza Wealth Management mezawealth.com The Golden Trailer Awards goldentrailer.com Join the Community Like what you hear? Leave a rating and review wherever you listen Follow Corey on all the socials @coreysnathan Subscribe for new episodes and conversations with the people shaping entertainment marketing

Episode 233: Week three of Christmas with Corman is here boils and ghouls. An entire month of Roger Corman films. Our gift this week is the naughty film Humanoids of the Deep from 1980, with special guest angler Charlie of the Give Me Back My Action And Horror Movies podcast.   Rally around the tree next week, as we welcome week 4 of Christmas with Corman by covering X: The Man with the X-Ray Eyes from 1963. Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

Alex Hyde-White Talks Fantastic Four: From Roger Corman's Reed Richards to Marvel's New Era!  The Comic Crusaders Podcast welcomes Alex Hyde-White, a true Hollywood veteran and the first actor to ever stretch into Mister Fantastic in Roger Corman's infamous 1994  Fantastic Four. With roles in Pretty Woman, Raiders of the Lost Ark, Catch Me If You Can, and countless others, Alex brings decades of experience and stories to the table. In this episode, we talk about his career milestones, the enduring cult following of the original Fantastic Four, his award-winning role in The Walker, and his exciting new appearance in Marvel's latest Fantastic Four movie. Hardcore comic book fans won't want to miss this conversation that bridges past and present in superhero cinema. https://rumble.com/v6z4bvw-comic-crusaders.html?mref=yjhq8&mc=1xorn Get your copy of Alex's new book, In The Volume, at: https://www.amazon.com/My-Life-Film-TV/dp/1665729732 Visit Alex's website at: https://www.alexhyde-white.com Check out his IMD​​​​B: https://www.imdb.com/name/nm0405033/ Thank You for Watching / Listening! We appreciate your support! Episode 613 in an unlimited series! Host: Al Mega Follow on Twitter | Instagram | Facebook: @TheRealAlMega / @ComicCrusaders Make sure to Like/Share/Subscribe if you haven't yet: / comiccrusadersworld Twitch: / comiccrusaders Visit the official Comic Crusaders Comic Book Shop: comiccrusaders.shop Visit the OFFICIAL Comic Crusaders Swag Shop at: comiccrusaders.us Main Site: https://www.comiccrusaders.com/

Episode 232: Week two of our Christmas with Corman month (an entire month of Roger Corman films) has swung into action, as we review 1961's The Pit and the Pendulum starring Vincent Price. With special guest, Rob of the The Cinemigos podcast.Join us next week for another fishy episdoe, as we cover 1980's Humanoids from the Deep.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

Episode 231: The holiday season is upon us and as we chase sales and buy gifts, lets not forget what's truly important. HORROR! So we are kicking off December with our Christmas with Corman theme. An entire month of Roger Corman films, starting with A Bucket of Blood from 1959.  Join us next week for festive vibes as we review The Pit and the Pendulum from 1961.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

Join hosts Peter and Eddie on this exciting episode of The Marvelists as they sit down with veteran actor Alex Hyde-White for an in-depth conversation about his long and varied career in film, television, voice acting, and audiobook narration. Alex opens up about his diverse body of work, from memorable roles in major films like Pretty Woman, Catch Me If You Can, and Indiana Jones and the Last Crusade, to his early days as one of the last contract players at Universal Studios. He also discusses his successful transition into audiobook narration—winning Audible's New Narrator of the Year Award in 2011, founding Punch Audio, and narrating over 100 titles with his versatile British-American accents. The conversation dives deep into his iconic Marvel connections: portraying Reed Richards/Mr. Fantastic in Roger Corman's legendary unreleased 1994 Fantastic Four film, sharing behind-the-scenes stories from that cult phenomenon. Alex then reflects on returning to the Marvel universe with a cameo appearance alongside his 1994 co-stars in the 2025 Marvel Cinematic Universe blockbuster, The Fantastic Four: First Steps. Whether you're a fan of classic Hollywood, superhero history, or the art of audiobook storytelling, this candid and entertaining interview with Alex Hyde-White is one Marvelists episode you won't want to miss!

We continue #DEATHcember with more love for DEATHSTALKER, writer, director, and special effects artist Steven Kostanski's newest film and reimagining of the sword and sorcery franchise produced by Roger Corman, the original of which was released by New World Pictures. Last week, we discussed the Daniel Bernhardt-starring film and this week we are talking to Kostanski himself about the making of the film, the state of indie filmmaking today, working with Slash as a producer and the co-writer of DEATHSTALKER's incredible theme song, the line of dialogue Patton Oswalt did NOT want to say, and Kostanski's body of work that includes PSYCHO GOREMAN, FRANKIE FREAKO, and MANBORG.  We also talk about his days with Astron-6, the filmmaking collective that kickstarted the career of Kostanski and his compatriots  Adam Brooks, Jeremy Gillespie, Matthew Kennedy, and Conor Sweeney, all of whom worked together on 2011's FATHER'S DAY and who often star or show up in Kostanski's films, including DEATHSTALKER. And if you wanted to know Kostanski's thoughts on the ROBOCOP animated series from New World Television, we got you covered on that, too. There are few filmmakers working today who are more successful in managing practical effects and genre storytelling than Kostanski and it was a thrill for us to discuss his work with him. Thanks to Steven for his time and all his movies and if you haven't yet watched DEATHSTALKER, it is available to rent from Shout! Studios and Raven Banner Entertainment! Go watch it! To keep up with Kostanski's work, follw his Instagram here. For all the shows in Someone's Favorite Productions Podcast Network, head here: https://www.someonesfavoriteproductions.com/.

Episode 230: The final week of Nos-Vember is plagued with pestilence, as Steven and Leo of the Spoils of Horror podcast join us to discuss Robert Eggers' Nosferatu from 2024.Join us in December, as we get festive with our Christmas with Corman month. An entire month of Roger Corman films. We kick it off with A Bucket of Blood from 1959.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

In this extended interview, James Cameron, writer-director of "Avatar: Fire and Ash", talks with Jonathan Vigliotti about the long process of creating the second and third films of the series using performance capture of actors. He also talks about being self-taught in cinema techniques; starting out in Roger Corman's production company; his passion for deep sea exploration; and about movies as a "waking dream state." To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

REUPLOAD! (There was an issue with the episode art, apologies.)It's October again, and you know what that means: spooky movies! Or at least, movies we think are going to be spooky until we actually watch them. This month, we checked out Roger Corman's "Frankenstein Unbound" from 1990, starring friends of the show William Hurt and Raul Julia. A bizarre mashup of Frankenstein, Back to the Future, Knight Rider, and Army of Darkness, and starring some of our favorite actors, we were shocked that we hadn't heard of this movie before. Until we saw it. Then it kinda made sense.Float along with the manatees as they discuss paradoxes, an embarrassingly outdated understanding of neurology, and what is and isn't an acceptable way to treat a car, and whether or not this should have been an episode of Star Trek. Don't worry, it's not actually all that scary (although definitely watch the movie in question first if you plan on showing it to any kids).

Teenage Cave Man (1958) AIP Production #307 Directed by Roger Corman Written by R. Wright Campbell Produced by Roger Corman Cast:  Robert Vaughn as Symbol Maker's Teenage Son  Darah Marshall as Blonde Maiden  Leslie Bradley as Symbol Maker  Frank De Kova as Black-Bearded One  Charles Thompson as The Seer  June Jocelyn as Symbol Maker's Wife  Jonathan Haze as Curly-Haired Boy  Beach Dickerson as Fair-Haired Boy / Man from Burning Plains / Tom Tom Player / Bear  Ed Nelson as Blonde Tribe Member  Robert Shayne as The Fire Maker  Marshall Bradford as Tribe Member  Joseph H. Hamilton as Tribe Member  Barboura Morris as Young Tribe Member (uncredited)  A Malibu Production  An American International Picture View the Teenage Cave Man trailer here  You can stream Teenage Cave Man on Tubi, Pluto TV, Plex, or the Roku Channel, or you can rent it on Prime Video.  Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store. Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955) 

"The film industry will always exist, but it will no longer be the film industry." - Roger Corman

We close out #NewOIRvember 2 with a movie that New World Pictures didn't release, but they nearly could've if they hadn't chased off Roger Corman to start Concorde Pictures, where he released THE DRIFTER in 1988. starring Kim Delaney (New World's Tour of Duty) as hard-working designer who has a hard time driving from Los Angeles to San Francisco and back again, who meets a tall dark stranger in Miles O'Keeffe (ATOR, THE FIGHTING EAGLE, THE CARTEL) who - does he smell? He smells, right? He's a drifter, so...smelly is a big possibility, right? How dangerous is it to lose your sense of smell? We discuss!  Written and directed by Larry Brand, who also acts in the movie, Brand's directorial debut, and also the debut of him writing, acting, and directing a movie as well, this also brings up the problems with conducting your business at the Oki Dog and giving family heirlooms to a stranger. Also, how important is project management? Why are people not going to movie theaters anymore? And, do cats like the ocean? THE DRIFTER brings up some serious and delicate topics, and we do our best to rip the door off of them all.  So sit back and relax on that motel floor in the room you've just rented from some motel that is somewhere between the Bay Area and Los Angeles but also somehow near mountains, and enjoy this smoldering, sex-filled thriller that tears the lid off of doing your due diligence when hiring people. Background checks, folks! Don't be afraid of them!  For all the shows in Someone's Favorite Productions Podcast Network, head here: https://www.someonesfavoriteproductions.com/.

"This was a story about a group of society's unskilled, even illiterate, high school dropouts in a technologically advanced society. Some were psychologically maladjusted. They don't answer want ads for Draftsman, Tool and Die Maker, or Aircraft Fabricator. What is the life of a man with an 80 IQ? Janitor? Street sweeper? Gas station attendant? So why work in a demeaning job? They say: 'Fuck it, I'll get a girl who'll work and she'll collect unemployment and we'll scam together and we'll end up living together almost as well as if I were working. But at least I'm free. It beats holding down some crummy job all my life.' I saw the Hell's Angel riding free as a modern-day cowboy. The chopper was his horse. The locales would be the wide-open spaces- the beach, the desert, the mountains. I also remembered Sonny Barger's remark that 'we're not losers.' The most famous Angel of them all, and the president of the powerful Oakland chapter, was proud. A "winner" in society's terms meant being Mr. Assistant Sales Manager Barger, not Sonny Barger on a gleaming, growling chopper. The Angels were an intriguiging social phenomenon, and I wanted to tell it like it is." - Roger Corman with Jim Jerome, "How I Made A Hundred Movies In Hollywood (and Never Lost A Dime)" Featuring a brief surprise appearance by Jim Laczkowski!

"@douglaswallace7680 1 month ago (edited) Roger  Corman at his best !   Starring looks - like - stars :  Humphrey  Bogart  and the  Mickey  Rooney brothers .   I am guessing they were busy the weekend that this film was made !   Kept it on 2.5 playback until  1:02:45 to see a t.Urd with 2 eyes ." "Everything dies baby, that's a fact but maybe everything that dies some day comes back" - Bruce Springsteen

On today's episode, we welcome Brad Wilke, a filmmaker, screenwriter, and marketing strategist whose career bridges the worlds of storytelling and audience building. A graduate of West Point turned filmmaker, Brad's path to Hollywood wasn't typical—he went from military service to film programming, then into writing creature features for Roger Corman and building his own marketing agency, Smart House Creative. His story isn't just about making films; it's about mastering the art of connecting with audiences, something every filmmaker must learn to survive in today's crowded digital landscape.In this insightful conversation, Brad shares how his early work with genre films like Camel Spiders and Piranhaconda taught him to write effectively within tight budgets—what he calls “creative boot camp.” But beyond writing, Brad's passion lies in empowering filmmakers to take control of their marketing and distribution. Through Smart House Creative, he helps filmmakers bridge the gap between creation and audience engagement, teaching them that film promotion isn't an afterthought—it's part of the storytelling process. From mastering hashtags to building authentic social media presence, Brad emphasizes that success in the indie film world comes from persistence, preparation, and genuine connection, not shortcuts or vanity metrics.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

It's finally here! The worst Roger Corman movie has produced the very worst episode of this podcast! Whole five minute stretches of me saying nothing! Don't listen to this!

We are continuing #New-woirvember 2 with the noir-adjacent, FOXTROT, from 1976.  It's not often you find this much star power in a New World Pictures joint. FOXTROT stars Peter O'Toole (LAWRENCE OF ARABIA), Charlotte Rampling (DUNE) and Max von Sydow (THE EXORCIST).  They're just a bunch of fun, outgoing people giving it a go on a desert island as World War 2 looms on the horizon.  That isn't true at all, Liviu (O'Toole) and Julia (Rampling) are in a miserable marriage and Larsen (Sydow) is a disgruntled employee wishing his boss would just die already.   As it turns out, living on a desert island is just what the doctor ordered.  Literally.  They spend the day eating marmalade and drinking Brandy and wine.  They race sand crabs, see how long they can hold their breath underwater and watch movies in their tent theater.  They even have guests stop by and by "stop by" we mean take a weeks-long journey by boat for a weekend of partying and shooting all the seals on the island.  Fun! We attempt to unpack the many loose ends this movie proposes but never resolves.  For example, how do people so unprepared for island living make it so long on a desert island? Marc talks about pooping.... again.  We struggle to pronounce Jorge Luke's character name (Eusebio) so we just call him "Sussudio".  Ryan's research uncovers how Roger Corman packaged and re-packaged this movie to be something it is not. FOXTROT is part British drama, a bit of noir and a dash of John Carpenter's THE THING.  All roads return to THE THING.  All.  Roads.  

In 1960, Alfred Hitchcock's Psycho introduced the world to the future of my horror. But before the genre would embrace it, it would first confront it's very origins with a boom of Gothic Horror films that would make icons out of people like Vincent Price, Barbara Steele, and Christopher Lee. Perhaps no one would have a greater impact on this era of the macabre than Roger Corman, the b-movie king whose adaptations of Edgar Allan Poe's classic works changed horror forever. Perhaps nonemoreso than his 1961 classic The Pit and the Pendulum. This week on Years of Fear, we explore the legacy of Corman, Poe, Vincent Price, and the gothic horror films of the early 1960s.        If you want to get in touch with the show, you can reach us at yearsoffearpodcast@gmail.com  

"Come back, come back, come back, Bridey Murphy back to the place you once knew in a land where you were so happy and to those who loved you so true" - "The Ballad of Bridey Murphy", Eddy McKean The Undead is the past life of Roger Corman's Edgar Allan Poe movies. What did he keep, what (and who) did he ditch, and did women really have such drastic support garments in 1347 or whenever this is supposed to take place?

Charles B. Griffith stumbles upon a new scenario to endlessly repeat for Roger Corman. Turns out, it's the same as the old scenario. In the meantime Beverly Garland cooks, Dick Miller finds his voice and we all listen to a lot of steel guitar.

Send us a textJoin director and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with the former president of Universal Pictures, Thom Mount!Thom discusses working with legendary filmmaker Roger Corman, early in his career, his book Rafferty Returns, overseeing films such as Smokey and the Bandit, Animal House, Blues Brothers, E.T. and Back to the Future, & much more!Support the show

It's that time again! It's October. The sun goes down in the afternoon now. Night has a chill. And at CVS and Walgreens, they are already putting up the Christmas decorations. That's right, it's Halloween. But none of that for us! We are firmly planted in autumn. As Ray Bradbury once wrote, “Something, something, something, autumn something.” By Ray Bradbury. We have enough show here to stuff your pillowcase, so grab a bag of candy and settle back. Howard Berger and Marshall Julius are here to discuss their new book, Making Monsters, inside stories from the creators of Hollywood's most iconic creatures. This is a terrific book, basically it's a high school yearbook for professional monster kids. Rick Baker, Tom Savini, Michael Giacchino, Larry Karaszewski, Ve Neill, Richard Edlund, Derek Mears, Bill Corso, David Dastmalchian, Mick Garris, Mike Mendez. The list goes on and on and on. Monster kids who grew up but never put it away, and followed their passions right into show business. Packed with photos and interviews, it's really a terrific piece. Making Monsters, by Howard Berger. The Academy Award winning make up artist, he is the B in KNB FX and Marshall Julius, author and film critic and - get this – he's British. He's from the United States of Britain. Daren Docterman is also here. Daren is an illustrator and set designer, he's worked on The Abyss, Monster House, Master and Commander, he was the VFX supervisor on the director's cut of Star Trek - The Motion Picture. He, along with Mark Altman and Ashley Miller, make up The Inglourious Trexperts. Check out that podcast. And, like Howard Berger and Marshall Julius. He's a pal. We've had meals. Quite a few. Daren Dochterman. True Tales From Weirdsville takes a deep dive into American International Pictures and it's genre output in the '50s and '60s. It gave us Roger Corman, It Conquered The World, Invasion Of The Saucer Men, The Amazing Colossal Man, I Was a Teenage Werewolf. And then it segued into the '60s with the Vincent Price / Edgar Allen Poe films like The House Of Usher, The Pit and The Pendulum, and so and and so forth. And then, as a Halloween bonus, we're going to go back into the archives and present you the True Tales we did on Orson Welles' War Of The Worlds broadcast. It's all here. It's all for you. And now, I can hear the kids at the door, and so it is on to our filthy business.

GGACP celebrates Halloween month with this ENCORE of an informative and entertaining two-part conversation about Gilbert and Frank's beloved Universal horror classics with historian, screenwriter and author of "Top 100 Horror Movies," Gary Gerani. This week: Directed by Roger Corman! The music of Billy Goldenberg! The trials of Colin Clive! Boris Karloff goes bowling! And King Tut inspires “The Mummy”! Learn more about your ad choices. Visit megaphone.fm/adchoices