Podcasts about fatemeh keshavarz

Persian Poetry, Radical Love, and the Soul of Iran“The path to God goes through that most difficult of beings, the human being.” – Omid SafiRecorded live at a SAND Community Gathering (April 2026). Watch the full conversation on the SAND Website. We are watching, once again, what empire does: not only to bodies, but to the long memory of a people; to the libraries and sacred sites; to art, language, and the ruins that hold the oldest threads of human spiritual inquiry. We are thinking of the civilization that gave us Rumi, Hafez, Omar Khayyam, Forough Farrokhzad — mystics and rebels and lovers of paradox who understood something about the human soul that we are still, centuries later, trying to catch up to. This gathering invited us to come together: to read poetry aloud, to hear from Iranian voices, to sit with grief and beauty together rather than alone. We work with political and moral vocabulary shaped by Iranian thinkers such as Ali Shariati, who wrote against domination, spiritual emptiness, and the violence of imposed power. We make space for what doesn't fit into headlines or talking points—the complexity of empire, the difference between a government and its people, the authoritarian forces at work not only abroad but here at home. We also gather with the political inheritance of those who taught generations to resist domination and spiritual emptiness, including Ali Shariati. Guests Omid Safi is a scholar of the Islamic mystical tradition and professor of Islamic Studies at Duke University. He is the author of Memories of Muhammad and Radical Love: Teachings from the Islamic Mystical Tradition, and teaches online courses on Muslim mysticism. He leads contemplative journeys to Turkey, Morocco, and Mecca/Medina through Illuminated Courses. Fatemeh Keshavarz is the Roshan Institute Chair in Persian Language and Literature and Director of the Roshan Institute Center for Persian Studies at the University of Maryland. A poet in Persian and English, she is the author of Reading Mystical Lyric, Recite in the Name of the Red Rose, Jasmine and Stars: Reading More Than Lolita in Tehran, and Lyrics of Life: Sa'di on Love, Cosmopolitanism and Care of the Self. She has spoken at the UN General Assembly and received the Peabody Award for her NPR program on Rumi. Mays Imad, PhD (facilitator) is a neuroscientist, educator, and associate professor at Connecticut College whose work bridges neuroscience, philosophy, and education. An Iraqi immigrant who lived through wars and displacement, she brings both personal and scholarly depth to the themes of trauma, remembrance, and repair through the embodied nervous system. Timestamps 00:00 — Welcome & framing 00:02 — Mays Imad opens: grief, urgency, and love 00:06 — Introducing Omid Safi & Fatemeh Keshavarz 00:07 — Saadi, Rumi, and the Persian tradition 00:12 — The war on Iran: what is being destroyed 00:21 — Don't bypass grief — the Persian mystics knew this 00:27 — Saadi on truth, power, and interconnection 00:32 — Fatemeh: togetherness, invisibilization, and Iranian resilience 00:38 — Poetry as the Silk Road of imagination 00:52 — War's corruption of language — and poetry as antidote 01:04 — Remembrance as ethical act 01:10 — Intergenerational love & closing Resources & Links Omid Safi Illuminated Courses — books, podcast, courses, tours Duke University faculty page Radical Love: Teachings from the Islamic Mystical Tradition — Yale University Press Memories of Muhammad: Why the Prophet Matters — HarperOne Podcast: Sufi Heart — Be Here Now Network The Heart of Rumi's Poetry — online course Upcoming events: Evening workshop in London, May 5th — "Islamic Spirituality in an Age of Conflict" Contemplative journey to Turkey, June 1–12 Rumi Retreat in Marrakech, November 22–28 Fatemeh Keshavarz Website Jasmine and Stars: Reading More Than Lolita in Tehran Lyrics of Life: Sa'di on Love, Cosmopolitanism and Care of the Self Cowboys and Iranians — poem by Fatemeh Keshavarz (video) Birds Without a Name — poem by Fatemeh Keshavarz, read at ARHU event on Hope & Home (video) Mays Imad Personal website Connecticut College faculty page Music featured Watan (وَطَن — "Homeland") performed by Shaghayegh Amiri, playing the Daf — the ancient Persian frame drum central to Sufi musical tradition Ali Ghamsari — solo on the Kamancheh (Persian bowed string instrument), taught by Hamidreza Afarideh, music teacher in Tehran Poets and texts referenced in depth Rumi (Jalal al-Din Rumi, 1207–1273) — Persian Sufi mystic and poet; his Masnavi opens with pain and grief; central throughout Sa'di Shirazi (1210–1291) — Iranian Sufi poet; his Golestan (Garden of Roses) is where Iranians learn to read and write; complete English translation by Thackston available; Fatemeh's Lyrics of Life goes deeper on Sa'di Hafez (14th century) — Persian lyric poet; Fatemeh discusses his use of the word hush as an example of how poetic language restores meaning Farid ud-Din Attar (born 1150) — author of Mantiq ut-Tayr (The Conference of the Birds / The Parliament of the Fowls) — referenced by Mays in her opening Abu Sa'id (Abu Sa'id Abi'l-Khayr, 967–1049) — Persian Sufi mystic referenced by Omid: "Don't just write down stories — become someone others want to write down what you say" Shams of Tabriz — Rumi's spiritual companion; Fatemeh discusses how Shams urged Rumi to live his knowledge Jamiluddin Aali — Urdu poet whose work was recited in the live chat Historical & contextual references Sharif University of Technology, Tehran — described as "the MIT of the Middle East," bombed during the war Leston Palace, Tehran — UNESCO World Heritage Site, bombed and referenced as a war crime The Iran-Iraq War (1980–1988) — Fatemeh's personal reference point for civilian life under bombardment George Orwell's Animal Farm and 1984 — referenced by Omid in discussion of the corruption of language Next SAND Community Gathering Voices of the Land: Resistance & Solidarity with Lebanon — April 28th Contact SAND podcast@scienceandnonduality.com Support the mission of SAND and the production of this podcast by becoming a SAND Member

Send us a textPlaywright, pianist, and composer along with her collaborator Raymond O. Caldwell who is a director, producer, and artistic director of The Fountain Theatre in Los Angeles, CA, stopped by the studio to discuss their latest project - Poetry for the People: The June Jordan Experience. While our conversation did have a few technical setbacks, we were able to get back on track about their budding relationship, Adrienne's personal and collaborative relationship with June, building the team that would encapsulate the life and poetry of June as well as her importance to society and her concept of the "rings of connection." We unpack the process of combining conflicting visions in collaboration, the importance of trust and sharing a vision, and centering on the work. We also discuss introducing new elements durning the last few weeks of rehearsal, the evolution of different iterations, surprise revelations, unconventional storytelling, creating a through line from unconnected sources, and the secret to smooth transitions. It's wonderful back-and-forth that becomes a little silly at the end, but the whole conversation is insightful and entertaining. Enjoy!For tickets to Poetry for the People at the Fountain Theatre in Los Angeles from January 27th through March 29th, visit - https://www.fountaintheatre.com/events/poetry-for-the-peopleAdrienne Torf, is a playwright, pianist, and composer. In 2022, Adrienne co-devised the theater piece Poetry for the People: The June Jordan Experience with Raymond O. Caldwell at Theater Alliance in Washington DC. The show was awarded the 2023 Helen Hayes Theater Washington Award for Outstanding New Play or Musical Adaptation and enjoyed a second run in 2024. It is slated to run at the Fountain Theatre in Los Angeles in early 2026.Also set for production in 2026 is For Women Serving Time, an extended poem/opera for which she composed the score, with text by Fatemeh Keshavarz, produced by IN Series Opera in Washington, DC. Her community-collaboration performance piece The Awesome Difficult Work of Love, which was produced in Madison WI (2008), San Francisco (2012) and Sedona, AZ (2022), and will be produced in Flint, MI in Spring, 2026.Raymond O. Caldwell has written and adapted new works for Theater Alliance and the Kennedy Center, including Look Both Ways: A Tale Told in Ten Blocks from the book by 2024 MacArthur recipient Jason Reynolds. Prior to joining the Fountain Theatre he was the artistic director at Theater Alliance for six seasons where he directed, developed, and produced. He expanded the company's digital footprint during the pandemic, developing, directing, and producing new works from emerging local artists.Links to sites and resources mentioned in this episode -www.fountaintheatre.comSocials for Adrienne Torf and Raymond O. Caldwell -www.adriennetorf.comIG - @adriennetorf FB - https://www.facebook.com/adriennetorfwww.raymondocaldwell.comIG - @raymondocaldwellFB -  https://www.facebook.com/raymondocaldwellWebsites and socials for James Elden, Punk Monkey Production,s and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la Playwright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightSupport the show

Ramadan #HistoricMuslimah #16: "Rabiah al Basra" | Today, Khateebah & Mu'adthinah Jessika Kenney enlightens us about the true nature of Rabiah al Basra, the famous Muslimah that is most known for re-introducing the concept of Love back into early Sufi Islamic teachings. Jessika shows us how the gendered way that Rabiah is usually mistranslated is very harsh; however, when one goes back to the original text, we see a much warmer depiction of Rabiah, one that is rooted in love and ecstatic joy. Jessika treats us with a beautiful recitation of the original Persian poetry of Farid Din Attar as he describes Rabiah in 'The Conference of the Birds.' D O N A T E The Women's Mosque of America needs your help! Today we are at $3,310 of our $24,000 Ramadan goal to secure our women-led jumma'a services for the coming year. Make a contribution tonight: womensmosque.com/donate M O R E F R O M J E S S I K A K E N N E Y "Singing A Shining Steed: The Mystical Origins of the Buraq" by Jessika Kenney https://youtu.be/6j8fo4CPsB0 "Exploring Wudu, Water, and the Concept of 'Purity' in Islam" Khutbah by Jessika Kenney https://youtu.be/flrQ9md8nsU Adthans by Mu'adthinah Jessika Kenney: https://soundcloud.com/search?q=women... B I O Jessika Kenney is a vocalist, composer/improviser, and teacher. Jessika's singing can be heard on Ideologic Organ, Black Truffle, Weyrd Son, SIGE, Present Sounds, and other labels. She performs regularly with writers/scholars Red Pine (Bill Porter), Fatemeh Keshavarz, and Anne Carson. At international festivals, Jessika has performed her own compositions as well as music of Annea Lockwood, Hossein Omoumi, Morton Feldman, Giacinto Scelsi, and others. In 2015, her LP ""ATRIA"" (based on writings attributed to Sunan Kalijaga, who brought Islam to Java in the 15th century CE) was released alongside a sound, calligraphic score, sculpture, and video installation filling five rooms at the Frye Art Museum in Seattle. Jessika taught from 2007-2015 at her alma mater, Cornish College of the Arts in Seattle. She has studied sindhenan with many great musicians of Javanese gamelan in and outside Indonesia, particularly the late, great pesindhen Nyi Supadmi (d. 2015). She has studied Persian radifs with Ostad Hossein Omoumi (UC Irvine) since 2004. Kenney received the 2014 James Ray Distinguished Artist Award, and for collaborations with her husband Eyvind Kang, the 2015 Stranger Genius Award. She is VoiceArts faculty at California Institute of the Arts and lives in Pasadena, CA. In 1997, Jessika had her first masjid experience in the Kauman neighborhood of Surakarta, Central Java, and she has been involved in Islamic and Sufi culture ever since. S T A Y C O N N E C T E D Do you want to find out about The Women's Mosque of America's upcoming women-led & co-ed events? Sign up for our newsletter here: https://us9.campaign-archive.com/home... A B O U T The Women's Mosque of America is the nation's first women-led Muslim house of worship and a registered 501(c)3 non-profit. The Women's Mosque of America strives to uplift the entire Muslim community by empowering Muslim women and girls through more direct access to Islamic scholarship and leadership. The Women's Mosque of America provides a safe space for women to feel welcome, respected, and actively engaged within the Muslim Ummah. It complements existing mosques, offering opportunities for women to grow, learn, and gain inspiration to spread throughout their respective communities. The Women's Mosque of America provides women-led Friday jumma'a services for women and children (including boys 12 and under) once a month in Southern California. In addition, The Women's Mosque of America provides programming, events, and classes open to both men and women that aim to increase community access to female Muslim scholars and female perspectives on Islamic knowledge and spirituality. F O L L O W U S Instagram: @womensmosque Facebook: https://www.facebook.com/WomensMosque Twitter: @womensmosque

Negar Mortazavi speaks to Fatemeh Keshavarz, Director of School of Languages and Cultures at University of Maryland, about the importance of people-to-people exchanges with Iran, the role of arts and culture in making bridges, how the poetry of Rumi and Hafez and other prominent Persian poets has lived on for centuries, and about her life growing up in the city of Shiraz. Music by 127Band --- Send in a voice message: https://anchor.fm/theiranpodcast/message Support this podcast: https://anchor.fm/theiranpodcast/support

In this unique speech, Khateebah & Mu'adthinah Jessika Kenney delves into the many different understandings of the buraq, or shining steed, that the Prophet Muhammad (peace be upon him) rode on his Night Journey. She explores the more mystical and folklorish renditions of the buraq as a winged animal with a woman's head, to the more metaphysical and scientific theories of the buraq as electricity or light. At the end of her speech, Jessika treats us with an interactive singing performance in which she invites the audience to participate in chanting beautiful poetry in the background as she sings the main verses. // On the evening of May 10, 2019, The Women's Mosque of America held its fifth annual co-ed iftar & qiyam during the holy month of Ramadan, featuring all women speakers and a chance for the greater public to benefit from the spiritual insights of its Muslim women leaders. Bio: Jessika Kenney is a vocalist, composer/improviser, and teacher. Jessika's singing can be heard on Ideologic Organ, Black Truffle, Weyrd Son, SIGE, Present Sounds, and other labels. She performs regularly with writers/scholars Red Pine (Bill Porter), Fatemeh Keshavarz, and Anne Carson. At international festivals, Jessika has performed her own compositions as well as music of Annea Lockwood, Hossein Omoumi, Morton Feldman, Giacinto Scelsi, and others. In 2015, her LP “ATRIA” (based on writings attributed to Sunan Kalijaga, who brought Islam to Java in the 15th century CE) was released alongside a sound, calligraphic score, sculpture, and video installation filling five rooms at the Frye Art Museum in Seattle. Jessika taught from 2007-2015 at her alma mater, Cornish College of the Arts in Seattle. She has studied sindhenan with many great musicians of Javanese gamelan in and outside Indonesia, particularly the late, great pesindhen Nyi Supadmi (d. 2015). She has studied Persian radifs with Ostad Hossein Omoumi (UC Irvine) since 2004. Kenney received the 2014 James Ray Distinguished Artist Award, and for collaborations with her husband Eyvind Kang, the 2015 Stranger Genius Award. She is VoiceArts faculty at California Institute of the Arts and lives in Pasadena, CA. In 1997, Jessika had her first masjid experience in the Kauman neighborhood of Surakarta, Central Java, and she has been involved in Islamic and Sufi culture ever since.

A live recording of our Director's Salon for THE TALE OF SERSE with Fatemeh Keshavarz and Parinaz Pahdori in conversation with Timothy Nelson about Handel, Rumi, and the connections of the universe.

Khateebah Jessika Kenney delivers the 43rd khutbah for The Women's Mosque of America on July 27, 2018. In this beautiful khutbah, Jessika looks at the symbolism of water in Islam and the deeper meanings of "ritual purity", performing Javanese and Persian poetry related to the topic. Bio: Jessika Kenney is a vocalist, composer/improviser, and teacher. Jessika's singing can be heard on Ideologic Organ, Black Truffle, Weyrd Son, SIGE, Present Sounds, and other labels. She performs regularly with writers/scholars Red Pine (Bill Porter), Fatemeh Keshavarz, and Anne Carson. At international festivals, Jessika has performed her own compositions as well as music of Annea Lockwood, Hossein Omoumi, Morton Feldman, Giacinto Scelsi, and others. In 2015, her LP "ATRIA" (based on writings attributed to Sunan Kalijaga, who brought Islam to Java in the 15th century CE) was released alongside a sound, calligraphic score, sculpture, and video installation filling five rooms at the Frye Art Museum in Seattle. Jessika taught from 2007-2015 at her alma mater, Cornish College of the Arts in Seattle. She has studied sindhenan with many great musicians of Javanese gamelan in and outside Indonesia, particularly the late, great pesindhen Nyi Supadmi (d. 2015). She has studied Persian radifs with Ostad Hossein Omoumi (UC Irvine) since 2004. Kenney received the 2014 James Ray Distinguished Artist Award, and for collaborations with her husband Eyvind Kang, the 2015 Stranger Genius Award. She is VoiceArts faculty at California Institute of the Arts and lives in Pasadena, CA. In 1997, Jessika had her first masjid experience in the Kauman neighborhood of Surakarta, Central Java, and she has been involved in Islamic and Sufi culture ever since.

The program starts with the significance of Rumi's poetry in Iranian culture and Fatemeh Keshavarz's encounter with this poetry from early childhood. Rumi's poetry and personality are described through anecdotes from his life and examples from his poetry.Radio Rumi is hosted by Dr. Fatemeh Keshavarz at the University of Maryland. In this bi monthly series, Dr. Keshavarz explores Rumi's words and invites the listener to enter his vibrant universe and see with fresh eyes.

Radio Rumi is hosted by Dr. Fatemeh Keshavarz at the University of Maryland. In this bi monthly series, Dr. Keshavarz explores Rumi's words and invites the listener to enter his vibrant universe and see with fresh eyes. These podcasts are gifts to those who wish to taste Rumi's words.The purpose is not to analyze, theorize, or prove anything.These are conversations meant to bring Rumi's poetry to life.Invitations to enter his vibrant universe and see with fresh eyes.Welcome to this ExplorationKeywords: Rumi, Introduction

From East to West, Rumi is one of the most universally respected poets of all time. A 13th Century Islamic scholar, his encounter with a wandering dervish transformed him into a globally celebrated mystic and poet of love who has crossed borders of time, faith, language and geography. Rajan Datar discusses his life, work and legacy with scholars Fatemeh Keshavarz and Omid Safi, and biographer Brad Gooch. (Photo: Pray Mount Nemrut, Commagene. Credit: Getty Images/tugbahasbal)

AAR's 2016 American Lectureship in the History of Religions was held by Iranian academic and poet Fatemeh Keshavarz, who at this session at the 2016 AAR Annual Meeting, delivers her capstone lecture. Born and raised in the city of Shiraz, completed her studies in Shiraz University, and University of London. She taught at Washington University in St. Louis for over twenty years where she chaired the Department of Asian and Near Eastern Languages and Literatures from 2004 to 2011. In 2012, Keshavarz joined the University of Maryland as Roshan Institute Chair in Persian Studies, and director of Roshan Institute for Persian Studies. Keshavarz is the author of award-winning books including "Reading Mystical Lyric: the Case of Jalal al-Din Rumi" (USC Press, 1998), "Recite in the Name of the Red Rose" (USC Press, 2006), and "Jasmine and Stars: Reading more than 'Lolita' in Tehran"(UNC Press, 2007). She has also published other books and numerous journal articles. Keshavarz is a published poet in Persian and English and an activist for peace and justice. She was invited to speak at the UN General Assembly on the significance of cultural education. Her NPR show “The Ecstatic Faith of Rumi” brought her the Peabody Award in 2008. In the same year, she received the Herschel Walker Peace and Justice Award. Keshavarz is introduced by Louis A. Ruprecht (Georgia State University) followed by Ebrahim E. I. Moosa (University of Notre Dame). This session was recorded during the 2016 Annual Meeting of the American Academy of Religion on November 20 in San Antonio, Texas. Learn more about the American Lectures in the History of Religions at https://www.aarweb.org/programs-services/history-of-religions-lectures.

Feb. 22, 2016. Fatemeh Keshavarz discussed her new book on the mediaeval Persian lyrical poet Sa'di: "Lyrics of Life: Sa'di on Love, Cosmopolitanism and Care of the Self." This program was the opening lecture of a Persian book lecture series, held during the Nowruz season which celebrates the arrival of spring. Speaker Biography: Fatemeh Keshavarz, a poet and writer in both English and Persian, is the director of the Roshan Institute for Persian Studies at the University of Maryland. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7299

May 2, 2014. This conference examines this period that includes not only aspects of cohesion and fracture but also renewal and reconstitution of the Persian-speaking world. The period from early modern to contemporary times features some of the defining moments in the lifespan and legacy of the Persian world. This was a period that witnessed immense interchange and connection at the height of the Ottoman, Safavid, and Mughal Empires. This was also a period marked by connections and contestations between the different peoples and places for whom engagement with Persian remained a crucial enterprise. Long-standing trans-regional currents and emergent local trends produced both broad similarities and stark contrasts regarding the role of Persian literary and cultural norms for different peoples and places. The participants -- Fatemeh Keshavarz, Kevin Schwartz, Amin Tarzi, Muriel Atkin, Wazhmah Osman, Pardis Minuchehr, Willem Floor and Corey Miller -- were asked to consider how connections and contestations around language, literature and culture helped define the shifting contours of the wide world of Persian at different moments and places. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6506

May 7, 2014. Fatemeh Keshavarz from the University of Maryland and Jessika Kenney from the Cornish College of the Arts discussed Persian mystical literature as part of a lecture series accompanying the "A Thousand Years of the Persian Book" exhibition. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6355

The 13th-century Muslim mystic and poet Rumi has long shaped Muslims around the world and has now become popular in the West. Rumi created a new language of love within the Islamic mystical tradition of Sufism. We hear his poetry as we delve into his world and listen for its echoes in our own. Krista Tippett interviewed Fatemeh Keshavarz on January 17, 2007. This interview is included in the show “The Ecstatic Faith of Rumi.” See more at onbeing.org/program/ecstatic-faith-rumi/189

The 13th-century Muslim mystic and poet Rumi has long shaped Muslims around the world and has now become popular in the West. Rumi created a new language of love within the Islamic mystical tradition of Sufism. We hear his poetry as we delve into his world and listen for its echoes in our own.