Podcasts about Connections

Medically assisted suicide is now legally available in New York state. New York's Medical Aid in Dying Act — which allows terminally ill patients with fewer than six months to live to end their lives — took effect Aug. 5. An upcoming forum explores the nuances, complexities, and "deeply human experiences" involved in the choice. We discuss those subjects with our guests: Alida Merrill, BSN, MPH, MSMFT, hospice nurse and adjunct professor at the School of Nursing at St. John Fisher University Jennifer Sanfilippo, MBA, end-of-life doula Mandi Zucker, executive director of End of Life Choices New York ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

Ron Jones

This hour, we remember Dolly Parton. The music superstar, actress, businesswoman, and philanthropist died Tuesday. Parton was beloved by many — perhaps almost universally so. How was she able to transcend the division and polarization of today's society? We discuss her life and legacy, and the lessons we can learn. Our guests: Hannah Davis, Dolly Parton fan and founding director of Flower City Folk Hannah Maier, music director of The Route and lead singer and guitarist of the country band, Candy Matt Present, M.D., founder emeritus of the Rochester chapter of Dolly Parton's Imagination Library and assistant professor of pediatrics at UR Medicine ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

“We are now competing in conversation with someone's feed.”Connecting with others requires more than knowing what to say. The signals we send through our body language, the questions we ask, and even where we position ourselves can shape how others experience a conversation. In this Quick Thinks episode of Think Fast, Talk Smart, behavioral researcher and author of Cues and Captivate, Vanessa Van Edwards joins Matt Abrahams to explore the subtle cues that make communication more engaging. She shares strategies for navigating networking events, sparking more meaningful conversations, and signaling the warmth and competence that shape charisma and connection.Takeaways:Connection starts before you speak. Visible palms, eye contact, positioning, and other nonverbal cues can signal warmth and openness, shaping how others experience an interaction from the start.Better conversations spark curiosity. Moving beyond routine small talk with engaging questions, surprising stories, and genuine enthusiasm can make interactions more memorable and meaningful.Activity:Create a conversational feed. Start a note on your phone and collect three things from your week—a surprising moment, an interesting observation, or a small win. Bring one into your next networking event or meeting as “conversational confetti” instead of defaulting to routine small talk.Printable Expanded Takeaways & ActivitiesEpisode Reference Links:Vanessa Van EdwardsVanessa's Books: Cues / CaptivateEp.301 Trust at First Sight: Create More Meaningful Connections Connect:Premium Signup >>>> Think Fast Talk Smart PremiumEmail Questions & Feedback >>> hello@fastersmarter.ioEpisode Transcripts >>> Think Fast Talk Smart WebsiteNewsletter Signup + English Language Learning >>> FasterSmarter.ioThink Fast Talk Smart >>> LinkedIn, Instagram, YouTubeMatt Abrahams >>> LinkedIn Chapters:(00:00) - Introduction (00:37) - Why Your Hands Matter (02:20) - Networking With Confidence (05:34) - Make Small Talk More Engaging (09:03) - The Science of Charisma (13:11) - Conclusion ********Thank you to our sponsors.  These partnerships support the ongoing production of the podcast, allowing us to bring it to you at no cost.Strawberry.me. Get 50% off your first coaching session today at Strawberry.me/smartJoin our Think Fast Talk Smart Learning Community and become the communicator you want to be. 

Last year, nearly 45 million Americans were diagnosed with a substance abuse disorder. That's according to the Substance Abuse and Mental Health Services Administration. When it comes to treating addiction, what's working? And what isn't? We talk to the team at ROCovery about local peer support, and we hear from a former Biden administration official about the recovery landscape in New York. In studio: Kara Izzo, peer support program manager for ROCovery Jonathan Westfall, executive director of ROCovery Rob Kent, president of Kent Strategic Advisors ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

How can the Fast Drafting method help you finally finish your novel? And how do you make progress when you only have 30 minutes a day to write? Jessica Brody shares her tips for finishing first drafts after 20 years as an author. In the intro, Clive Barker's Kickstarter, The Amazon Tax [Seth Godin]; Trad publisher announces “human-originated, AI-facilitated” book, The Everything Code [PanMacmillan; AI policy; CHAPTR]; Holy relics, churches, and memento mori in Bruges and Brussels. This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Jessica Brody is the best-selling author of over 20 novels across different genres and age groups, as well as writing for Disney Publishing. She's also the author of Save the Cat! Writes a Novel and other books and courses for writers at the Writing Mastery Academy. Her latest book is Page One to Done: Finish Your Novel in 30 Days with the Fast Drafting Method. You can pre-order with bonus extras at JessicaBrody.com/preorder You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why a small advance can set you up for long-term success Why 97% of first drafts are never finished How to finish a novel writing 30 minutes a day Why drafting and revising are two different jobs How a pre-writing ritual primes your brain for flow Writing a meta murder mystery after 20 years of teaching plot You can find Jessica at JessicaBrody.com and WritingMastery.com. Transcript of the interview with Jessica Brody Jo: Jessica Brody is the best-selling author of over 20 novels across different genres and age groups, as well as writing for Disney Publishing. She's also the author of Save the Cat! Writes a Novel and other books and courses for writers at the Writing Mastery Academy. Her latest book is Page One to Done: Finish Your Novel in 30 Days with the Fast Drafting Method. So welcome to the show, Jessica. Jessica: Hi, thank you so much for having me. I'm so honoured to be here. My writing community speaks so highly of this podcast, so I'm excited. Jo: Oh, well, thank you, and you were requested, so this is going to be a good one. First up— Tell us a bit more about you and how you got into writing and publishing. Jessica: Well, I started writing when I was seven. I like to put in air quotes, I wrote my first, quote, “novel” when I was seven. It was about three pages long. I got the bug very early. I didn't realise it was an actual career choice that you could take seriously until way later in life, after I'd already graduated college with a degree in economics and I was working as a financial analyst, and I was just writing on the side for fun. Then, as luck would have it, I got laid off from my job, and I ended up trying to take writing a little bit more seriously in that time. That's when I found the Save the Cat method, which absolutely changed everything for me. Before that, I had loads of rejection letters, and I eventually sold my first novel to St. Martin's Press, and I've been writing and publishing ever since. That was 20 years ago now. Jo: 20 years, wow. It's so interesting. So you were in economics, you were a financial analyst, and you got into writing. Did you have any pushback from either your own brain that was like, “I cannot make money this way,” or your family? Or how did you make that leap? Because we just hear that it's not a career, financially, really. Jessica: I know, and I think I went into it very blindly, using television as my resource of this is how much money I can make writing. Like Sex and the City, she was selling books for lots of money. So I was like, oh, I just have to sell one book, and then I'll be set. That was not the case. My first advance was so much lower than I expected, and what happened, though, was kind of interesting. I sold my first book, way lower advance than I was hoping for. I wasn't making any money anywhere else, so I was taking on all these odd jobs that I could do in my own time. I was doing transcription work, and I was working at a school half the time. I mean, I just had so many really weird jobs. I think what happened was, because I didn't have another financial net to help me, it just pushed me really hard. So once I sold one book, I was like, well, I need to sell another one and another one, and I ended up in this 20-year cycle, which I've slowed down thankfully, since, but of writing so obsessively, I should say. I just kept selling books and selling books. My advances got higher and higher, and eventually I was able to support myself with my writing, but it was not instant at all. Jo: Actually, that's a really good note there, because we often hear so much of these debuts that get paid a ton of money, and then they disappear, and they almost spiral down. Whereas what you've done is spiral up. Which is almost a better way to do it perhaps, with your reputation with traditional publishing. Jessica: It's funny, I tell this story a lot to writers who are looking to get published, that the big advance is not necessarily the end-all be-all. Because I have heard that story before, someone gets a very big advance, and then it doesn't earn out, and they can't sell another book because the publisher's lost money. I had the opposite experience. My advance was so low, and my publisher got worldwide rights. They bought worldwide rights. So they started selling foreign rights of my first book really early on, and I earned out before the book even came out, with just a few foreign sales. That ended up setting me up for success, because I was making money for the publisher from day one, and I was able to sell more books, and so I sort of worked my way up. I really do credit a lot of that to how long I've been able to stay in this game. Jo: No, it's a good way of thinking about it, because people forget the publisher isn't a charity. The publisher has to make money from your book. So it's nice that you make money, but they have to make money, or they're not going to bother, right? Jessica: Yes, exactly. Jo: So let's come back to Save the Cat, because you mentioned that the original method really changed how you write, and then of course you did Save the Cat! Writes a Novel. So I've got that. I imagine a lot of people listening have got that. Tell us a bit about why that methodology made such a difference to you, and why you think it's so useful. Jessica: Well, you'll sense a theme here. I went into this business, like I said, without knowing a lot, and I went into it the way I think a lot of writers do, which is, I had an idea, I sat down, and I tried to write it. I had no guidance, no map, no structure, and I just wrote. I actually finished something, which is surprising, but then I started to get all these rejection letters that basically said similar things, which was, “You're a good writer, you have a good voice, but there's no story here.” I just didn't understand that feedback, because I had finished something. I could print it out and stack it on my desk. Wasn't that a story? Apparently it was not. Then a screenwriter friend of mine that I was talking to about how I was getting all of these rejection letters with the same note said, “You should read this book that recently came out. It's called Save the Cat, and it's for screenwriters, but I think it could work for novels because it just seems to be all about structure and storytelling.” So I read the book cover to cover so quickly, because if anyone's read the original, it's just so readable, and everything started clicking in my mind. I realised, wow, I really don't know how to tell a story. I could plot out everything I had done wrong, and I went back to my book and I started rewriting it from page one with this new structure in mind. When I finished that, I ended up getting an agent for that book, and the agent sold that book. I've been using the method ever since. It just made so much sense to my brain. What I tell writers is, “Use the method that makes sense to your brain.” All storytelling structure methods are basically telling the same story, just with different words, sliced and diced a little bit differently, but structure is structure, and a story is a story. It has to have a beginning, middle, and end. It has to have conflict, it has to have a middle twist, and things like that. So this one worked for my brain, and I started to teach it to other novelists, because at the time there was still just the screenwriting guide. So I started to teach how I was using it to other novelists, and that turned into the book, Save the Cat! Writes a Novel. Then I wrote a young adult version of it as well. And I still use it to this day. It's just something that's always made sense to me. Jo: So were you hired by the estate? Blake Snyder died, right? So were you hired to write that, or is that something you arranged? Jessica: It was kind of something that was arranged. I think Blake Snyder Enterprises is the name of the company. Blake Snyder died in 2009, sadly. When I started using the method, I was blogging about it on my blog, and I would share some of my beat sheets of the novels I was writing. The people who had taken over his estate reached out to me and said, “Hey, can you blog for us? Because we don't have a lot of novel content on our blog. We just do screenplay stuff.” And I said, “Of course.” I had a fangirl moment. Oh my gosh, they've reached out to me and this is so exciting. So I started blogging for them, and then that turned into the workshops that I started doing with them. Then we partnered up on the book. I think it was one of those things that felt inevitable, like we were just working toward it. I was living in LA at the time. They're based in LA. And I remember having breakfast with them, and we all just looked at each other and said, “So we need to write a book, right? There has to be a book.” So we ended up sharing the copyright, and, as you see from the title, it says based on the books by Blake Snyder. It's very much his method. Then I brought some of my novel flair and some of my own little tips and tricks that I had picked up over the years and applied it to his method. Jo: I love that. We are going to come to your other book for writers in a minute, but just on that intellectual property sharing, writing in other markets, you also write for Disney Publishing. This is so fascinating to me. Now, there are lots of people who do write for other properties. So how did that come about writing for other properties, and how does that fit into your portfolio of the things that you do? Jessica: Yes, writing for other properties is really fun. It's probably not for everyone. You have to know what you're getting into before you pursue it, because it's very much not your IP. You're writing under someone else's brand, you're in their canon, and there are certain rules you have to follow. So you have guidelines. I found it to be really fun and kind of a break from some of my own stuff, because I didn't have to come up with everything. I didn't have to invent all the new worlds and all the new characters. A lot of them were just given to me, and I could play within the boundaries of that sandbox, and I really found that inspiring. So what happened actually is I was on a writing retreat with a bunch of other writers, and there was a writer at the retreat who already wrote for Disney Press and was supposed to write this new series for them, based on their Descendants series. She said to me, “I really can't do it, but I'd love to recommend someone else to them.” I think we had been talking about how big of a fan I was of Disney or something, and she said, “Do you want me to recommend you?” And I said, “Yes, absolutely.” Another big fangirl moment. So the editor of that series reached out to my agent. They talked to me. They got writing samples from me through my agent, and then before I knew it, I was hired to write, I think the first contract was maybe for two or three of the books, and then we renewed for a few more. It was just really fun. Then I formed a relationship with that editor. We ended up working on another series for younger kids, based on the Disney Princess LEGO series, which was much younger and new for me. It had illustrations. That was a whole new challenge, but I found it really fun. As I said, it was a nice break from writing my own things, because I could write them fairly quickly. They did have very fast turnarounds at the publisher too, but I could use my skills for structure and storytelling and apply it to a world that already existed, and it was a nice pairing. Jo: I love this. So much of what you've done seems to have come from relationships or just putting yourself out there in the world. Jessica: Yes, good observation. I hadn't thought of that. Jo: Whereas I think a lot of people think that it's all about cold pitching. It's not so much, from what you're saying. Jessica: Yes, and I did another IP project with Simon & Schuster called Boys of Summer, which was a young adult novel. That one specifically came from my agent. So a lot of times publishers will reach out to agents and say, “Here's what we're doing. Do you have authors who would fit?” And my agent will often reach out to me and say, “Here's the pitch I got from a publisher. Are you interested in submitting yourself for this?” That's what happened with Boys of Summer. They actually sent out an outline to a bunch of writers who were interested, and I had to write sample chapters to the outline, or I think it was the first couple of chapters or something. I was very gratefully selected to write it. That came about from having an agent, and a lot of times having an agent is a way into IP work. And then those connections can help too. Jo: Fascinating. Right. Well, let's get into your book Page One to Done, which as I said, one of my listeners actually requested to have you on the show to talk about this book, because she said it was absolutely fantastic and helped her finish her book. So why finishing? What is the problem? Why write a book on actually finishing? What are some of the common issues that people have? Jessica: Well, thank you to that listener. I really appreciate it, and here I am because of you. Connections once again. So Page One to Done came out of my own struggle with finishing, and not just finishing, but finishing efficiently and maintaining joy throughout the process of writing a novel. As I said, I was writing very fast and furiously, and my deadlines were piling up, and I started to feel like writing a novel stopped being fun. It started to become a very frustrating process, and I realised that was a lot about how I was approaching the first draft, which, as most writers know, the first draft is very hard. When I started to look further into it, I found this statistic online that's widely accepted in the writing community, which is that 97% of first drafts are not finished. Which is, wow, mind-blowing, but also not that hard to believe once you think about the challenges of writing a first draft. Taking an idea from a seed, developing it into a full plot with character development and arcs and subplots and side characters and themes and all the things that you think a story should have, getting that all onto the page and actually reaching the end. It's very, very difficult, and I never lie about how difficult it is. So I was struggling to finish things quickly, to enjoy the process, and I noticed that other writers were too. I felt like, well, I have this plotting guide that I love, this structure guide, Save the Cat! Shouldn't this be easier once I have an outline? And it wasn't. And that, I think, is because we forget that there's another part of the process. It's not just about developing a compelling character. It's not just about having a well-paced plot. You have to be able to get ideas out of your head and onto the page in a way that doesn't make you want to quit. I think one of the problems with the first draft is most of us write something down, it does not match what's in our head, and we start to get more and more frustrated. The process becomes overwhelming. We're holding too much of the story in our head. We're going back to page one to revise with every new idea we have, so it starts to slow down. The farther we get into the book, the longer that back to page one process takes, and things start to spiral out of control. I think that's essentially what happens to this 97% of first drafts. The writer quits because it's not good enough. It doesn't match what's in their mind, and there's too much to hold, and it starts to become overwhelming. So this is what was happening to me. Even though I was finishing things, the process was still very overwhelming, and I started to experiment with different things. Different mindset shifts that I could make, different ways I could change my writing routine to really enhance the process, to get into flow faster, to stay in flow for longer, things like that. It took me about five years, and I developed this collection of mindset shifts and strategies and routines that I could not only apply to myself, but I turned it into a system that was repeatable, and I started teaching it in my Writing Mastery Academy. I called it the Fast Drafting method, and it's all about letting go of this idea that our first draft has to be perfect or even that good, and just focusing on getting ideas down as quickly as possible, even if that creates a big mess. It's this freeing process of doing that in a way that we don't get in our own way. So I started teaching it to other writers. People were finishing things who had never finished things before. Writers who had taken two years to write a first draft were writing first drafts in weeks. The biggest comment I was getting was, “This is so freeing. This is so liberating. This is so fun.” And it gave people the motivation that they needed to actually sit down and revise the book. Before, either they never finished, so they never got to the revision process, or they were so overwhelmed and bogged down by the two years it took for them to write one draft, they didn't have the energy to revise and get it to the next level. So anyway, all of this is to say it was working for me, it was working for other writers. I turned it into a book called Page One to Done, and it's my three-phase process, mindset, preparation, and drafting, which I equate to running a marathon. You wouldn't run a marathon without proper training and proper nutrition and the right mindset, just like you wouldn't write a novel without the right mindset, the right preparation, and the right skills you need to get to the end. Jo: That's fantastic. You mentioned training there and some of the routine changes. So I hear new writers say, “Oh, I can't write unless I maybe have two hours or three hours to write down stuff, and I never have three hours at a time, so I never have time to write.” I hear that a lot. So what would you say to those people? What is a routine and a mindset shift that might help those people? Jessica: That's great, and I hear that all the time too. I interviewed a handful of authors for this book who had gone through the fast drafting method with me, and I would say the majority of them wrote for 30 minutes to one hour a day and were able to finish their books in a matter of weeks to maybe two months. That's because what I teach in the book is not about the amount of time you have. It's about how you use that time. When you really structure your day and your writing time with intentionality, you do whatever you can to block out distractions, get into flow, stay in flow. I'll give you one amazing tip that basically solves all of these things in a second. But when you really bring intentionality to those 30 minutes, you can write more in 30 minutes than you can in three hours without bringing these kinds of intentional choices. So that's one of the things I teach. You don't need more time. You actually just need to approach the time you have with the right mindsets and the right intentions. So one of the biggest shifts I tell people is just don't write and revise at the same time. For one, it pulls your brain in two different directions and creates the requirement of context switching, because essentially drafting and revising are two different jobs. Drafting is getting ideas out of your head and onto the page. Revising is polishing those ideas. They require very different headspaces and very different skills. So when we try to do both of them at once, we're pulled in two different directions. We're essentially trying to polish something we haven't even figured out yet, so we're polishing in the dark, if you will. It causes our brain to snap back and forth so many times. The term context switching is very big in the zeitgeist today, and that's because it's eating up our brain capacity. So if you spend 30 minutes just getting ideas down without judging them as they're coming out, without trying to revise them as they're coming out, you will get a lot of words down. A lot of that has to do with just what do you expect out of those 30 minutes? If you expect to write a chapter of absolutely brilliant polished prose, you're probably not going to do it, and you're going to feel like you wasted three hours. Then the next time you have three hours, you're like, “Well, no, I'm not going to do that. It's too frustrating, and I don't have three hours to begin with.” But if you sit down with the idea of, “I'm going to get all my ideas down. I'm going to just enjoy this process and live in my story for these 30 minutes,” you will be amazed at how much will come out onto the page. And you can absolutely finish a book that way. So intentionality is how you set up your workspace. Making sure that your phone is on do not disturb, making sure there are no pop-ups on your screen, making sure there are not even windows open behind your document. Every time your mind thinks about something else, you have to bring it back, and that eats brain power. So it's things like that. I have a whole chapter on how to set up a writing routine. One of the biggest tips I give people is to do what I call a pre-writing ritual. This is based in neuroscience, and there are all of these studies that back this up, that our brain does something where it associates an activity with another activity. So let's say right before we sit down to write, every time we do that, we do 10 jumping jacks, just as an example. But we only do 10 jumping jacks before we write. We don't do 10 jumping jacks before we sit down to do our taxes or answer emails. It's just before we write. Your brain starts to create this associative link with jumping jacks and writing. These are ways that we can prime our brain to get into the writing mode, and after doing that a handful of times, you do your jumping jacks, and your brain is literally already in your story before you sit down. It starts to soften that resistance that happens when we think, “Oh, I have to go write now,” or, “I've got to go write a certain amount of words,” or, “I have to work with my story.” It softens that, where it just becomes, “Oh, this is what I'm doing now.” Setting up these pre-writing rituals, which could include jumping jacks, could include something else, a lot of examples we can explore if you want, creates that associative link and allows us to get into the writing zone even faster. So by the time we sit down, we're already primed to go. We're not wasting a lot of that time going, “Oh, should I do it now? Should I do it later? I've got to open my document. Oh, my coffee's a little low.” All the things that we do to delay writing. They start to fall away. Jo: Yes, I mean, I always tell people, you and I turned up on time. We arranged this. We respect each other. We turn up, and we're doing this within a time slot. So I always say to people, “Look, make a calendar entry for your writing,” and do you respect your writing enough to turn up on time and do the work? We had a few minutes of saying hi or whatever, and then we got on with our work, which was this interview. So if you've arranged to start writing for that half an hour, then it is work still, right? You need to turn up and honour that. Jessica: Yes, and actually I have the same tip in the book. I say put it on your calendar, block it off. For the reasons you said, it creates in your brain the idea that this is a serious thing. It's not just a, “Oh, I'll get to it when I get to it,” like folding the laundry. It's like, no, this is what I've decided to do, I'm serious about it, I respect it. Just like any other appointment that you would respect, like lunch with a friend or an important business meeting, you show up for it. You don't go, “I think I'll show up to that business meeting in a few hours when I feel like it.” Also it keeps the routine consistent, because one of the tips I give is to always write at the same time every day if you can, because again, that associative link created in your brain, that habitual routine. So if you put it in your calendar for the days that you're going to write, you won't schedule over it by accident, which is just another logistical thing. I say something similar to what you just said, Joanna, in the book, which is basically, if you booked a massage for an hour, you would stay for the hour, right? Because you paid for this massage. Jo: Hell yes. Jessica: It's important to you. You're not going to get up in the middle and start texting your friends. You want your massage. If you treat your writing like any other thing that's important to you and show up for it consistently, it will show up for you, too. Jo: Yes, and I think the other misconception is that, okay, so that person has made it, and they're at the desk. I listen to rain and thunderstorms in my headphones. That's kind of, I guess, my routine. But that doesn't mean that I can just stream something wonderful. You talked about separating the writing and the editing, but sometimes it really is pretty basic, right? Morgan walked into the room. That will often be my thing, and then I'll be like, “Okay, well, why?” And what was the room like? Or was it even a room? So sometimes you just have to start writing something rather than wait for a perfect sentence. Jessica: Oh, yes, absolutely. Waiting for the perfect sentence, you'll be waiting for a long time. I say waiting for inspiration, you'll be waiting for a long time. My joke is, if I waited to write only when I felt inspired, I'd finish a book about every 20 years, if that. I think that's very important, and I teach a lot of tips and tricks in the book on how to get past that resistance, because of course, we don't want to just sit down and write something that we don't like. We don't want to just write down, “Oh, she stared at her computer for 10 minutes.” But sometimes we have to write that down to get to the next sentence or the next plot point or whatever barrier is in our mind. So one tip I'll tell people is put things you don't like in brackets, the square brackets. It's a really simple tip, and it's one of the tips I share in the book. Just put it in brackets and move on. What the brackets do, at least for people who use it, is it's like scaffolding. It's a reminder to your brain, this isn't permanent. This isn't going to stay. I'm going to come back to this later and fix it once I figure out what the story is and what she's actually doing in the room at this moment. For now, it's there. It's on the page. I can move past it. For me at least, the brackets are just this really nice reminder of the scaffolding. Nope, nope, nope, not perfect, not permanent, moving on. Then you can come back later and flesh it all out. I share a lot of anecdotes from my 20 years of writing novels, and one that I particularly like is I was working on a novel, and I had this scene that was just so awful, where all of my characters were sitting in a room. I had no idea what room it was or what it looked like, and they were talking about their feelings. It was just so awful and boring, but I had to get through this scene because I had to establish certain things that came later. I was complaining and complaining about this scene. I was on a writing retreat at the time, and my writer friends were like, “Let's just do a writing sprint, and we'll all write really fast, and we'll all get through our bad scenes, and we'll move on.” So I did that. I moved past the boring scene. It was still boring all the way to the end, but here's the thing, I couldn't figure out what happened in that scene until I'd figured out the whole story. So I wrote the bad version, and then in the next draft I came back and I was like, “Oh, this scene should take place on this bridge that I wrote in the finale that I didn't even know I needed, and it's this very symbolic bridge, and they can be standing on the bridge, and then they should be talking about this because that's going to pay off in the third act,” and I hadn't even thought of that yet. So all the things were coming together, but I could never have come up with that at the time. If I had just sat there and tried and tried, I probably would have gotten stuck at that scene and quit. So I had to just write the bad version, move past it, and come back later. Jo: Yes, and I think maybe because you're famous for structure, people think that maybe you wouldn't have to do that, because you already came up with that in the plotting. It sounds like you're also putting in those elements and foreshadowing and deepening things in the edit. So that's quite comforting for me as a discovery writer, because I end up doing so much more of that kind of thing in the edits. Jessica: Well, something I like to say is that we're all discovery writers, just different degrees. Because the writing process, no matter how much you plot in advance, is always going to be a discovery process. There are always going to be things you didn't think of. There's always going to be a way to tie things together that you never could have thought of before you started writing. So much of the story evolves and gets processed on the page and in your mind as it's coming out onto the page, and it's delusional to think you can think of all that before you start engaging with the characters. You can come close. I've known writers who have come very close, but almost all writers will discover something that they didn't know in the outline. I would argue that that's actually the fun part of writing. It's not the days when writing goes exactly to plan. They're nice, but they're not necessarily the fun parts. The fun parts are when you sit down to write the scene you thought was going to be the scene, and suddenly this new detail appears, and you go, “Oh my gosh, this totally unlocks everything, and I never even thought of it.” It could be in a text message. It could be on a billboard. It could be something the character just blurts out that you weren't expecting, and suddenly your whole story comes together in that moment, or maybe just the scene comes together. It's those moments, I think, that we write for. So even just expecting the book to come out exactly as you plotted is one of those mindset shifts. If you shift it and think, “This is really fun. I get to discover new things about my story that I wasn't expecting,” that, again, just makes the process a little more fun. So instead of, “Oh, this isn't what I thought it was going to be,” or, “This isn't what I outlined,” which is focusing on what's wrong with the book, it becomes, “Oh, wow, this is teaching me something I never expected about my story, and that's pretty cool.” Jo: Yes, I think that moment, Carl Jung called it, I guess, synchronicity, the moment when these things come together and it feels just incredible, that's the moment we all look for. It does seem to happen on every book. Everything clicks into place, and I look forward to that moment with every book. I did want to ask you about a novel that you have coming out soon as we record this, called How to Write a Murder. Now, this is a new genre for you, and it's quite meta because it's about writers as well. So talk about writing a brand new genre now at this point in your career. What are the challenges of trying to reach a new audience? Why do this book now? Jessica: Wow, great question. I love challenging myself to do something new. I wrote contemporary for many years and then thought, “I'm going to try a sci-fi.” Or, “I'm going to try middle grade now.” I think I go where the story wants, where I'm inspired to go when it comes to story ideas. However, with mystery, it's been one of those things that's always been on the back of my mind, like a wish list, a bucket list. I want to write a murder mystery. I just never had the right idea. Or I never had the time, or I never had the space. Then I finished my last novel contract, and I took a break, because I had been writing on deadlines for years. I took a very, very much needed break from deadlines. For the first time in I think 15 years, I did not have a book deadline. I just asked myself, “Jessica, what do you want to write?” As opposed to, what's the next book that's due? And the answer was very clear. I want to write that murder mystery. I toyed with a few ideas, and then I started to think about, okay, so I wrote this book on plot that a lot of people know and use. What if someone used that book to plot a literal murder? What would that look like? This meta explosion came to mind, which is that I wanted to write a murder mystery that's structured like a plotting guide for murder mysteries. The characters in the book are all writers who are familiar with this plotting guide, and the events of the story are unfolding like the plot of a murder mystery according to this book. You have no idea which one of them is actually using the book to plot the murder, because they all know the book. So one of the taglines is, “One dead body, seven mystery writers, and they all know how to get away with murder.” It was sort of my culmination of everything I'd done in my career. All the plotting workshops I'd taught, all the revision courses I'd taught, and of course this plotting structure method I'd been teaching for years, and I put it into this book. It's a fictional version of Save the Cat! It's called The Bestseller Formula. The premise of this book is that someone is using a murder mystery plotting guide to plot a literal murder. So the reader is learning how to write a murder as they're reading about the murder on the page. Jo: I love it. I know lots of people are going to want that. It does bring the business side of things into more difficulty, because of course you have readers, like you mentioned middle grade, you've got YA books, and obviously, I guess, the writers that you teach will be interested. How is this going to work for your book marketing and your business? Because it also sounds like this might be a standalone. Jessica: It is a standalone as of now. I have some sequel ideas, but we're not pursuing them yet. It is a different market for me, for sure, and that's become a challenge as I'm marketing, because I'm not in the thriller mystery space yet. I haven't written a novel for adults since the very, very beginning of my career. I've been mostly writing for teens and middle grade. The good news is most of my teen readers are now adults, because it's been so long since I wrote for teens. So there's that. I think the book will appeal to mystery readers just because it's a fun mystery, and there's a fun meta element to it. I think it's going to appeal to writers as well. So I'm very much leaning on that, at least for the launch. I hope my writer community will get behind this book, because it's very much an ode to storytelling. It's an ode to writers. I dedicated it to writers. As a writer, you will understand this book on a level that a reader never will. You will get so many of the little inside jokes that a reader might just skim past. So I did very much write it for writers, with the hope that readers will also enjoy it. I had the most fun writing it I've had, I think, of writing any book. Partly I think that was because I wasn't writing it under deadline. I was just writing it for me, but also just because it felt like the book I'd been destined to write for so long. Jo: Fantastic. So we're out of time. So where can people find you and your books and everything you do online? Jessica: How is that possible? I feel like we just started. JessicaBrody.com is the best place to find everything. If you're interested in my writing courses, you can check out WritingMastery.com as well. Jo: Well, thanks so much for your time, Jessica. That was brilliant. Jessica: Thank you, Joanna. I had so much fun.The post From Page One To Done: Fast Drafting Your Novel With Jessica Brody first appeared on The Creative Penn.

Many people feel like they can never complete their to-do lists, and yet they spend hours each week scrolling social media. We are struggling with how to balance all the work we need to do without burning out. In general, we are not pacing ourselves well. A new book takes a look at the scientific evidence behind the way we structure our days, while offering ideas for how to find better balance. We talk to critically acclaimed science writer Elizabeth Svoboda about "The Art of Pacing." Our guest:Elizabeth Svoboda, award-winning science writer and author of "The Art of Pacing: A Guide to Balancing Short-Term Demands with Long-Term Thriving"---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

The tensest feature in global podcasting turns 100 today. That's right, Elis James attempts his 100th Cymru Connection. This. Feels. Significant.His heart feels hot but his bum feels cold. Luckily his nads feel just right. He keeps repeating ‘Ruthin' over and over again and his core temperature resembles that of an ill person. Can he reach the magic 50%? For the 100th time, let's see.In other news there's a new producer in town, as the brilliant Ruth Husko takes her place in the hotseat in a bid to tame the unproducables. We learn how Ruth played a vital role in hunkifying John's book, and she chairs a Made Up Game that leads to one contestant experiencing a near death experience (it's a word-based game, so we'll let you decided who it might be…).All this, plus Mick Hucknall enters the scene in a brand new chapter of ‘Contact'.You can enter the Elis and John scene right now by emailing hello@elisandjohn.com.For lots of exclusive EJJR #content, join our Patreon at patreon.com/elisandjohn.For weekly visual highlights, head to youtube.com/@elisandjohn.For everything else, head to elisandjohn.com.The Elis James and John Robins Show is a Significant Production. Hosted on Acast. See acast.com/privacy for more information.

If you're an introvert, Projector in Human Design, or subscribe to the "if they wanted to, they would" line of thinking, this episode is for you.Agata Serocka comes on the show today as a spokesperson for Projectors, who think reaching out, pitching, and asking for what they want isn't part of their strategy. We get into how to build a signal, BECOME the invitation, and not miss out on life's biggest opportunities by sitting in the passenger seat. We talk about:Reframing "waiting for the invitation" and how to move beyond the LITERAL interpretation to actively create conditions (podcasting, writing, showing up) that invite opportunities.Making outreach and pitching feel warm and not annoying AF. Building genuine rapport, finding connections, and doing research before reaching out vs. cold-pitching someone "hey girl haven't talked since we were 16 but would love for you to join my course! Link in bio!"Reframing labels (Projector, HSP, ADHD, rejection-sensitive) as data points to design a personalized, sustainable approach to visibility and business.Discernment over volume. How to say no to opportunities that don't fit, and trusting what's meant to work out, will! Making pitching fun and creative again. Gamify audacity by using playful approaches  like quests, small asks, and outlandish ideas to build confidence and make outreach sustainable vs. another "ugh, I have to do that?" choreConnect with Agata:The Culture of Unrushing Podcast on Spotify and AppleSubstackWaitlist to Agata's mastermindExperience Audit FreebieConnect with Chelsea:Join the SHOOT YOUR SHOT CHALLENGE Aug 25-27th!Enroll in Audacity for $900 off til Aug 27th!Get on the Ultimate Pitch Kit waitlist

New York State recently announced a multimillion-dollar investment in the expansion of clubhouses, which are community hubs for mental health support. As reported by WXXI's Noelle Evans, clubhouses serve people with mental illnesses like major depression, schizophrenia, PTSD, bipolar and mood disorders. Some of its concepts challenge typical ideas about mental illness. We discuss how it works toward the goal of saving and improving lives. Our guests: Liz Breier, chief advocacy officer for the New York State Office of Mental Health Jamie Comenale, chief program officer at East House Alex Baldassare, senior director of strategic growth at Fountain House Phillip Fleming, Hon. D.Div., board member at Fountain House and member of the Fountain House Clubhouse ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

We continue our series of conversations with local state representatives about New York's 2026-2027 budget. This hour, we're joined by Assemblymember Demond Meeks. He shares his takeaways on legislation related to public safety -- including bills concerning 3D-printed ghost guns and domestic violence reduction -- housings, childcare, education, and more. He also answers your questions about state business. In studio:Assemblymember Demond Meeks, District 137 ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

The most petty and ill informed podcast in the world! Can you connect Lionel Messi and Scottish great Jimmy Bone in 5 moves and who'd be in your dream Tennent 6's team? All this plus limericks, the Bone XI featuring Shin-suke Nakamura, Diego Marrow-donna and Gerry Cranium. Thistle legend Kris Doolan and journalist Ben Ramage join Stuart Cosgrove and Tam Cowan to chat about The Week in Football; The Letter You Won't Forget; Football Pop Connections and the Terracing Teaser.

In the very one-hundred-and-eleventh episode of Bite-Sized, Ben & Sarah discuss The Twilight Saga: New Moon - Scene 41 (1:29:48-1:32:41)! They talk about phone calls, being vulnerable, and movie theatre etiquette!We want to hear from you! Follow the show on social media (@bitesizedpod_ on YouTube, Instagram, and TikTok), email myfavoritetwilightpodcast@gmail.com or go to patreon.com/TwilightPodcast!

Unearthed from the Patreon, here's Joe & Kristen (but mostly Joe) talking about the many connections that exist among the class of inductees this year. This show is part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello and welcome back to the Oasis Podcast, the ultimate audio guide to Oasis.Today's guest is Dan Harrison, check out Foos Files website here - https://foosfilespod.com/Check out my trailer breakdown of the Oasis documentary trailer here - https://www.youtube.com/watch?v=qT5cEcAFaJw&lc=Ugzfi2_sW-9kNdRDiql4AaABAgSupport patreon.com/oasispod

Special education teachers provide instruction tailored to the needs of students with disabilities to help them realize their full potential, keeping many of these children from falling through the cracks in our education system. But what happens when there are not enough teachers to go around? There is a nationwide shortage of special education staff, and some local school districts are feeling it. Guest host Julie Philipp examines how schools are addressing the problem, and how St. John Fisher University is working to help fill the gap. In studio: Kathy Broikou, Ph.D., associate professor and chair of the Inclusive Childhood Education and Literacy Programs at St. John Fisher University Debra Luna, recruitment and retention specialist at Wayne-Finger Lakes BOCES Emma Spelman, graduate student in the Inclusive Childhood Education Program at St. John Fisher University and apprentice at Wayne-Finger Lakes BOCES Eric Vaillancourt, director of teaching, learning and accountability for the Bloomfield Central School District ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

Jann, Caitlin, and Sarah recap Jann's special day with Thordis! She recounts how the whimsical wedding theme came to Thordis in a dream via vintage circus. They discuss the emotional significance of this event for Jann, the creative elements that made it unique, and the heartfelt moments shared with family and friends. The conversation also touches on the knot ceremony's symbolism and the connections formed during the celebration, highlighting the joy and love present throughout the day. They share stories about celebrity encounters, emotional moments, and the evolution of their podcasting journey. #ASKJANN - want some life advice from Jann? Send in a story with a DM or on our website. Leave us a voicenote! ⁠www.jannardenpod.com/voicemail/⁠⁠ Get access to bonus content and more on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/JannArdenPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Connect with us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.jannardenpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/jannardenpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.facebook.com/jannardenpod Chapters: (00:00) A Whimsical Wedding Theme (02:56) Emotional Reflections on Family (06:04) The Wedding Day Experience (08:56) Creative Elements and Performances (12:03) The Knot Ceremony and Symbolism (14:59) Memorable Moments and Connections (24:57) Celebrating Strong Female Voices in Politics (25:36) Behind the Scenes with Chelsea Handler (28:06) Friendship and Support in the Entertainment Industry (29:37) The Importance of Community and Connection (30:43) Reflections on Life Changes and Milestones (33:43) The Evolution of Podcasting and Technology (36:17) Emotional Moments and Personal Connections (39:15) The Power of Family and Tradition (42:44) Creating Safe Spaces for Celebration (46:54) Looking Ahead Learn more about your ad choices. Visit megaphone.fm/adchoices

Many hardworking professionals are doing “all the right things” financially, earning a solid income, contributing to their 401(k), and saving consistently yet still feel like true financial freedom is out of reach. Today's guest, John Casmon of Casmon Capital, shows busy corporate professionals how to change that trajectory by investing in multifamily apartments in a way that builds wealth and cash flow without turning them into stressed-out, hands-on landlords. In this episode of Marketer of the Day, John pulls back the curtain on how apartment investing really works and why treating real estate like a business, not a lottery ticket, is the key to long-term wealth. Drawing from his experience watching his parents struggle with job insecurity, seeing General Motors go bankrupt from the inside, and navigating his own painful flip gone wrong, John explains why relying on a “good job” or a 401(k) is no longer enough, and what to do instead. We dig into passive investing and syndications, where everyday professionals can own shares of large apartment communities without dealing with tenants, toilets, contractors, or 2 a.m. emergencies. John explains the role of the general partners, how syndications are structured, and why passive investors can truly “write the check and step back” while still receiving updates, distributions, and the benefits of real estate ownership. John also shares his powerful 3C Framework for raising capital and building trust; Confidence, Credibility, and Connections, and how these principles apply whether you're investing, leading, or building a brand. You'll hear how he leverages his background in advertising and marketing, his experience managing $100M campaigns, and his ability to build relationships to attract investors and operate properties like real businesses. We don't just talk about the upside, either. John walks through the exact risks every investor should understand, including cash flow challenges, fraud, and uncontrollable events like rising costs or natural disasters. He explains why you must ask, “How can I lose money in this deal?” and breaks down critical safeguards such as reserves, underwriting discipline, and the difference between replacement cost vs. replacement value insurance, details that can make or break your returns. Throughout the conversation, John reinforces a key mindset shift: investing is a long-term game, not a single “win or lose” deal. He shares how viewing investing like a game, where bad turns happen, but you stay focused on the end goal (retirement, freedom, college funds, a beach house) can keep you from quitting after one bad experience and instead help you build durable wealth over time. https://youtu.be/fC8Xvedg7Z0?si=K1isNPrQ6zQVWESy If you're a high-earning professional who wants passive income, diversification, and a path to financial freedom, but you don't want a second job swinging hammers or chasing tenants, this episode is a must-listen. John's frameworks, stories, and practical questions will help you evaluate apartment deals, vet operators, and take your next step with clarity and confidence. Quotes: “If you're going to raise capital for deals, you've got to follow the 3 Cs: confidence, credibility, and connections.”  “With real estate, you're buying a business that happens to provide housing, but you have to run it like a business.”  “Real estate is a great tool. That doesn't mean one strategy is right for you… You have to find the strategy that works for you.”  Contact Details: Ready to Build Wealth Through Multifamily Real Estate? Discover Casmon Capital Invest Smarter. Avoid Costly Mistakes. Get the 7 Questions Guide → Get the Free Guide Follow J. Casmon on Instagram for Multifamily Investing Tips & Wealth-Building Strategies Connect with John Casmon on LinkedIn for Multifamily Investing Insights & Strategies Join John Casmon's Investor Community & Grow Your Real Estate Knowledge

At some point or another, we all grieve over the loss of a loved one. Guest host Julie Philipp talks with two authors about how books can help us work through and live with grief, and how they can help us navigate conversations about grief with our children. This is in advance of A Conversation About Grief, scheduled for September 3 at Hipocampo Children's Books on South Avenue. In studio: Maeve Cullinane, educator and author of “Almost Twelve: Uncovering My Journey through Grief” Linda Shanti, PsyD, author of “After Your Person Dies: Affirmations for Grief, Making Meaning, and Going on" ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

Until the COVID -19 pandemic, public health was nearly invisible. Most of us did not think about the people who keep an eye on restaurants, public water supplies, air quality, vaccination rates, outbreaks of diseases like measles, and many other measures that contribute to a healthy community. That has changed. Public health is often in the headlines. It has become more political and less trusted. Guest host Julie Philipp discusses the current state of public health and how it affects you. In studio: Anja Bottler, M.D., service line division head for infectious disease at Rochester Regional Health Paul S. Graman, M.D., professor of medicine and senior associate hospital epidemiologist in the Infectious Diseases Division at the University of Rochester Medical Center  Michael Mendoza, M.D., MPH, senior medical director for Town Square Health Laura Sugarwala, MBA, RD, director of community health partnerships at the Center for Community Health & Prevention, part of University of Rochester Medicine ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

Aubrey Masango is joined by Dr Tim Grage, an author, scholar, leadership strategist to unpack the connection between quantum physics, human existence, the universe and spirituality. Tags: 702, Aubrey Masango Show, Aubrey Masango, Bra Aubrey, Weird and Wonderful, Dr Tim Grage, Quantum physics, Philosophy, Universe, Higher power, Spirituality, Science The Aubrey Masango Show is presented by late night radio broadcaster Aubrey Masango. Aubrey hosts in-depth interviews on controversial political issues and chats to experts offering life advice and guidance in areas of psychology, personal finance and more. All Aubrey’s interviews are podcasted for you to catch-up and listen. Thank you for listening to this podcast from The Aubrey Masango Show. Listen live on weekdays between 20:00 and 24:00 (SA Time) to The Aubrey Masango Show broadcast on 702 https://buff.ly/gk3y0Kj and on CapeTalk between 20:00 and 21:00 (SA Time) https://buff.ly/NnFM3Nk Find out more about the show here https://buff.ly/lzyKCv0 and get all the catch-up podcasts https://buff.ly/rT6znsn Subscribe to the 702 and CapeTalk Daily and Weekly Newsletters https://buff.ly/v5mfet Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

"Elders coming back that would have been part of passing forward that inter-generational knowledge, so thats the disruption is important to wider communities"

0:42 Hopoutso700 explains why he calls Compton "Yompton" 8:31 Hopoutso700 on the defining moment of his childhood 18:44 Hopoutso700 explains spending 25 days in jail before earning pretrial release 34:38 Hopoutso700 on Compton having successful families and beautiful neighborhoods 44:35 Hopoutso700 opens up about regularly checking on Jaaybo in jail ----- Shout out to all our members who make this content possible, sign up for only $5 a month https://www.youtube.com/channel/UCNNTZgxNQuBrhbO0VrG8woA/join Promote Your Music with No Jumper - https://nojumper.com/pages/promo CHECK OUT OUR ONLINE STORE!!! https://nojumper.com NO JUMPER PATREON http://www.patreon.com/nojumper CHECK OUT OUR NEW SPOTIFY PLAYLIST https://open.spotify.com/playlist/5tesvmDS8h50LkjnSAWMOs?si=j6sJD6DkR4mk5NZZWnlK7g Follow us on SNAPCHAT https://www.snapchat.com/discover/No_Jumper/4874336901 Follow us on SPOTIFY: https://open.spotify.com/show/4z4yCTjwXa4an6sBGIe7m5 iTunes: https://itunes.apple.com/us/podcast/no-jumper/id1001659715?mt=2 Follow us on Social Media: https://www.snapchat.com/discover/No_Jumper/4874336901 http://www.twitter.com/nojumper http://www.instagram.com/nojumper https://www.facebook.com/nojumper http://www.reddit.com/r/nojumper JOIN THE DISCORD: https://discord.gg/Q3XPfBm Follow Adam22: http://www.instagram.com/adam22 adam22bro on Snapchat Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Johnson’s new biopic Tony sidesteps the infamous Walk Hard trap by narrowing its scope to a single summer that would end up shaping the rest of Anthony Bourdain’s life, but not necessarily defining it. Whether that approach is ultimately satisfying to fans of the late celebrity chef and author is up for debate this week, as we’re once again joined by Vulture critic Roxana Hadadi to discuss how Tony plays into and against our expectations of a Bourdain narrative. Then we bring Ratatouille back in for Connections, to compare how these two films introduce us to kitchen culture through the eyes of a newbie. Then for Your Next Picture Show, we recommend two more recent films to fill out a Matt Johnson triple feature. Please share your thoughts about Ratatouille, Tony, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: David Robert Mitchell’s The End of Oak Street and Steven Spielberg’s The War of the Worlds This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Matt Johnson’s new biopic Tony sidesteps the infamous Walk Hard trap by narrowing its scope to a single summer that would end up shaping the rest of Anthony Bourdain’s life, but not necessarily defining it. Whether that approach is ultimately satisfying to fans of the late celebrity chef and author is up for debate this week, as we’re once again joined by Vulture critic Roxana Hadadi to discuss how Tony plays into and against our expectations of a Bourdain narrative. Then we bring Ratatouille back in for Connections, to compare how these two films introduce us to kitchen culture through the eyes of a newbie. Then for Your Next Picture Show, we recommend two more recent films to fill out a Matt Johnson triple feature. Please share your thoughts about Ratatouille, Tony, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: David Robert Mitchell’s The End of Oak Street and Steven Spielberg’s The War of the Worlds This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

You know exactly who I mean. The person you've thought about reaching out to on LinkedIn more than once — and then closed the tab because you didn't know what to say. This week, Karen makes the case for why she's not a stranger, and why your dormant LinkedIn connections might be the single most overlooked opportunity in your business. Karen breaks down why the people already in your LinkedIn network — old coworkers, old clients, people you met at a conference once — are worth more than a brand-new cold connection. Backed by a Rutgers study on reconnecting with dormant ties, she gives you the exact, no-pressure way to build a list of 10 and reach out without it feeling awkward, pitchy, or forced. In this episode, you'll learn: Why a dormant LinkedIn connection is more valuable than a brand-new one The Rutgers study showing reconnected ties often outperform current ones How to build your list of 10 dormant contacts in under a week The exact reconnection message formula — no apologies, no asks, no pitch Why the metric that matters is calls on your calendar, not likes on your post If you've been sitting on a LinkedIn network you think is "dead," this episode will change your mind — and give you a simple weekly habit to start turning it into real opportunities. Loved this episode? Subscribe to Good Girls Get Rich so you never miss one, and share it with a friend who's been avoiding that one LinkedIn message. Ready to go deeper? Grab the free Borrow the Stage masterclass at SheLinkedUp.com/masterclass.   Resources Mentioned In The Episode: Borrow the Stage Masterclass: Free on-demand training on building your speaker kit and using LinkedIn to book stages Visibility Salon: Karen's membership community, home of the Borrow of the Stage initiative LinkedIn for Women Community: Karen's free Facebook group where listeners post their weekly 20-minute windows for accountability. Work with Karen: Book a call to talk through your own visibility strategy.   Magical Quotes From The Episode: "She is not a stranger. She is not a cold lead. She already knows you're good at what you do — and that's the most expensive thing to build." "Your network is not cold. It's sleeping." "The silence is something loud in your head — not hers."   Help Us Spread The Word! It would be awesome if you shared the Good Girls Get Rich Podcast with your fellow entrepreneurs on Twitter. Click here to tweet some love! If this episode has taught you just one thing, I would love if you could head on over to Apple Podcasts and SUBSCRIBE TO THE SHOW! And if you're moved to, kindly leave us a rating and review. Maybe you'll get a shout out on the show!   Ways to Subscribe to Good Girls Get Rich: Click here to subscribe via Apple Podcasts Click here to subscribe via PlayerFM Good Girls Get Rich is also on Spotify Take a listen on Podcast Addict

If you have been downtown lately, you've seen all the changes underway along Rochester's riverfront. New and improved parks, public gathering spots, trails, and infrastructure. It's all part of a multi-year, half-billion dollar investment to expand the use of the Genesee River, which has long been treated as our city's backyard instead of its front. There's a lot of excitement around this…but what about the main attraction itself? How healthy is the Genesee River? How is it being affected by climate change? Are pollution problems of the past still an issue? And why does it matter? Guest host Julie Philipp talks with our panelists from Genesee River Watch. Our guests: Caroline Kilmer, assistant director of Genesee River Watch Steve Orr, board president of Genesee River Watch Mike Haugh, board member for Genesee River Watch Don Zelazny, board member for Genesee River Watch ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

Brewers from around the state are gathering at the Rochester Public Market on Friday night for the Flour City Brewers Fest, an annual celebration of craft beers. But the festivities are taking place against a backdrop of increasingly tough times for the industry. Hundreds of craft breweries across the country closed over the past year, and many others are struggling. How are surviving brewers adjusting to the new reality of rising costs and shrinking demand? Guest host Julie Philipp talks about that with our panelists and finds out what they think the future holds. In studio: Paul Leone, executive director of the New York State Brewers Association Jeff Ching, managing partner at Strangebird Brewing  Andy Cook, owner and head brewer at Swiftwater Brewing  ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

Episode: 1617 Reflections on the dicey question of cause and effect in history.  Today, the connections problem.

Today, host John Norlin shares a strategy called Staff Chips, a simple physical system that helps building administrators be more intentional about connecting with every member of their staff, not just the ones they naturally gravitate toward. He also explains why systems matter more than goals when it comes to relational work. Having the intention to connect more with staff is not enough. A concrete, repeatable process is what actually makes it happen consistently over time. In this conversation, John offers important reminders for educators and leaders: Every leader has staff they naturally connect with and staff they do not. Staff Chips makes the intentional ones just as likely to happen as the natural ones. Systems outlast goals. A physical reminder that you carry through the day is more reliable than a general intention to connect more with your people. You do not have to connect with everyone every day. Working through the jar over time is enough to ensure every staff member receives intentional attention from their leader. This strategy works beyond administration. Teachers, family members, and friends can apply the same thinking to the relationships that matter most to them. Learn More About CharacterStrong:  Sign up for the CharacterStrong Weekly Access FREE MTSS Curriculum Samples Request a Quote Today! Visit the CharacterStrong Website

Realtor Dylan Knecht will tell you that, "Most people don't have a lead problem… they have a follow-up problem." In this episode, he shares how consistent, value-driven follow-up turns conversations into clients—and relationships into revenue. To learn more or connect with him, find him on Instagram (@dylanknecht.realtor) or via email (dylan@soldapex.com). For more insight on professional relationships, business networking, and generating referrals, contact Frank Agin at frankagin@amspirit.com. Through AmSpirit Business Connections, entrepreneurs and professionals grow their business through word of mouth and strong relationships—building reputation, strengthening marketing, and increasing sales.

In this episode, we take on something pretty basic to being human—our need to connect with other people. Friends, family, people at work. We need each other. Yet loneliness, isolation, and anxiety seem to be everywhere. Maybe part of the antidote is right in front of us: getting better at building and keeping strong relationships. The problem is, good relationships don't just happen. They take work. Life gets busy. We get comfortable. We stop having the conversations that matter. And before we know it, people we care about—or work beside every day—aren't as connected to us as we think they are. Why does this matter? Because relationships are the glue that holds families, communities, teams, and organizations together. And at work, all the strategies, processes, and clever ideas in the world don't mean much if people don't trust one another. We offer an exercise to take a look at your own connections and a practical way to strengthen them. For us, it comes down to three things: Humility — I need you to become a better me. Intentionality — We have to make the time and space for conversations that matter. Trust — I value you. I can count on you. And you can count on me. So here's the question we leave you with: Who in your life could you be better connected to? Maybe it's time to stop thinking about it and start a conversation.

Visit TheRenegadeFiles.com to get Cool Merch, Patreon Bonus Episodes, and all things Renegade Files in one place. ~~~ Dive deep into The Catcher in the Rye Controversy, Conspiracy Theories, and it's alleged Connections to Lone Gunmen, Assassins, MKUltra, and Stalkers. ~~~ Topics Covered: Catcher in the Rye, Catcher in the Rye Mystery, John Lennon, Ronald Reagan, Robert John Bardo, Lee Harvey Oswald, Bobby Kennedy, Madonna, Martin Luther King, Mark David Chapman, Jack Ruby, Rebecca Schaeffer, Jodie Foster, JFK, John Hinckley Junior, James Earl Ray, Sirhan Sirhan, Catcher in the Rye Controversy, JD Salinger, Operation Paperclip, WWII, Army Intelligence, Counterintelligence. ~~~ If you like the show, please leave us a 5 star review on Apple Podcasts or Spotify if you think we deserve it. (It helps new listeners find the show.) Thank you. ~~~ Music and Audio Licensing: Theme Song: “Steve's Djembe” by Vani, FMA, licensed: Creative Commons CC BY-SA 4.0 License. “Rocket Appliance Reversal” by Flow Lab Cult, DV8NOW Records, licensed: Creative Commons CC BY-NC-ND 4.0 License. The audio recording and text transcript of this podcast episode is © 2026 DV8NOW Publishing LLC . The Renegade Files name and the Renegade Files UFO-Pyramid Logo are wholly owned Registered Trademarks of DV8NOW Publishing LLC . About Fair Use: Under Section 107 of the Copyright Act 1976, a "Fair Use" allowance is made for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair Use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Website http://therenegadefiles.com (Everything RF in 1 place. Visit and Share!) Bonus Episodes / Support on Patreon https://www.patreon.com/renegadefiles Get cool RF Merch https://therenegadefiles.com/shop/ Subscribe on YouTube https://www.youtube.com/@renegadefiles Follow RF on Instagram https://www.instagram.com/renegadefiles/ Read Renegade Signals FREE on Substack Follow RF on X.com

How To Get Your First Clients & Sales - This video provides valuable insights into "how to get clients," drawing from personal experience with "lead generation" and effective "digital marketing" strategies. We explore the intricacies of "sales" and "business development," emphasizing practical approaches for "finding clients" and building a robust client base. It's about more than just transactions; it's about sustained effort and understanding the dynamics of creating your own path.► SUBSCRIBE FOR MORE VIDEOS - https://goo.gl/oeZvZr ◄►► NEED HELP ON YOUTUBE? BOOK A FREE DISCOVERY CALL - https://alanspicer.com/discovery-call ◄◄Get vidIQ to grow your channel faster!

What if one of the most valuable things you could build in your career wasn't a résumé, a company, or even a personal brand, but relationships? In this episode of *That's Just Good*, Nick sits down with Carson Gibbons, founder of Dallas Meetup, to talk about a career built around connecting people and creating community. For Carson, relationships aren't about collecting contacts or seeing what someone can do for you. They're about showing up, bringing people together, creating value for others, and understanding that some of the biggest opportunities in life often start with a simple conversation. Carson shares the story behind Dallas Meetup, what he's learned from building communities and connecting people across Dallas, and why genuine relationships have played such an important role throughout his career. They also dive into networking versus relationship building, why so many people approach connection the wrong way, how to build a network before you need one, and what happens when you become the person who brings others together. Whether you're building a business, growing your career, looking for your next opportunity, or simply trying to become more connected to your community, this conversation is a reminder that who you invest in matters. Because sometimes the best opportunities don't come from what you know. They come from the relationships you've built along the way.

Welcome back to another week of a show we'd like to call “Six Future Divorces And A Marriage,” starring Cam and Michelle as the one couple we would be shocked to see announcing the end of their marriage during the next drop of episodes. Nikki has been continuing to foster her tiny spark with Shawn, while he keeps trying to douse it by suggesting that she should “show up as a wife” by giving him a handy. Marissa has finally realized that she accidentally moved to vacation by marrying Adam, and unless she acts fast, she will be getting dragged to the pickleball courts on a jetski every day until she's 90. Devin is putting in the game of a lifetime as “best husband ever” to Caitlin, only to reveal his raging resentment whenever he's speaking to the audience. Courteney is now kissing Nick, but continues to despise him. Bellé and Mecca are already getting into some basketball-themed roleplay to keep things fun. Everyone is making their partner guess what a strawberry tastes like. And Cam and Michelle? They're just vibing.

Donate (no account necessary) | Subscribe (account required) Join Bryan Dean Wright, former CIA Operations Officer, as he dives into today's top stories shaping America and the world. In this episode of The Wright Report, Bryan breaks down the White House's new childhood vaccine schedule aligning the US with Europe, alongside newly uncovered Fauci text messages showing he privately worried the COVID shot could cause miscarriages while publicly insisting it was safe. Bryan covers a wave of admissions from academia, with UC professors now pushing to reinstate the SAT after watching students arrive unable to handle basic coursework, plus alarming new data showing most New York elementary schoolers can't read at grade level despite record spending. He also breaks down his heated pushback against GOP Senator Lisa Murkowski's defense of the Smithsonian against Trump's bias claims. Plus, Bryan covers fresh intelligence warning of another mass Muslim migrant crossing into Spain's Ceuta enclave planned for August 15th, allegedly orchestrated by Morocco's king, and growing evidence connecting that effort to Spain's Marxist government. "And you shall know the truth, and the truth shall make you free." - John 8:32   Keywords: Wright Report, Bryan Dean Wright, vaccine schedule, RFK Jr, Tony Fauci texts, COVID vaccine, miscarriage, SAT reinstatement, UC system, New York schools, Smithsonian, Lisa Murkowski, Morocco, Ceuta, Spain, Pedro Sanchez

Send us Fan MailTuesday Talks: How Single Guys Can Make Real Connections| Episode 121This week on Tuesday Talks, Dan and Lacy are answering their very first video question! A good-looking single guy videos in with a question a lot of single men in the lifestyle probably have: How do you actually break into a friend group at events—and what's the best way to approach couples without coming across as creepy?Dan and Lacy share practical advice for navigating lifestyle events as a single guy, from making genuine friendships and reading the room to approaching couples respectfully and understanding when to make a move… and when to back off.Because being attractive might get someone's attention, but social awareness, confidence, respect, and good energy are what actually get you invited back.Whether you're a single guy trying to find your place in the lifestyle or a couple wondering what makes certain singles stand out for all the right reasons, this episode has plenty of tips to take with you to your next event.Tune in for an honest conversation about making connections, avoiding the “creepy single guy” stereotype, and becoming someone people genuinely want in their circle.Get Tickets to Electric Pleasures- The Swing Nation - Main Website Quick Navigation Website: -- (Find all our social media links & more!)- Swinger Society - Our Website to meet, connect & events Swinger Society Discord Our Facebook Group- Swinger Websites -Kasadie 90 day free trialUsername: TheSwingNation SDC 14 day free trial Username: TheSwingNation** Use code 36313 for 14 days free! ** SLSUsername: NorthernGuynSouthernGirl- Merch & More -Order Your Merch Here!- Lacy's Fun Links -VIP OnlyFansPREMIUM OnlyFans-- THANK YOU TO OUR SPONSORS --Wisp : Making sexual healthcare inclusive, cost-effective, and accessible—for everyoneUse Code SWING at checkout for 15% off your oder!Shameless Care: ED Medication and at home STD testingUse Code TSN at checkout for $30 off your order!Promescent® Make Love Longer, It's Time for Great SexUse Code SwingNation for 5% off!Support the show- Thank you for the support! -

Welcome to the ultimate Maastermind Compilation! We've gathered every Maastermind segment from our entire ACOTAR: Revisited series into one place, tracing the foreshadowing, Easter eggs, lingering plot threads, hidden connections, and theories Sarah J. Maas has planted throughout all 3 series! ⚠️ MAJOR SPOILER WARNING: This episode contains spoilers for all three Sarah J. Maas series: A Court of Thorns and Roses, Throne of Glass, and Crescent City ✨ Love the show? Make sure you're subscribed so you never miss an episode! Leaving us a rating and review is one of the best ways to support the podcast and help more fantasy romance readers find our book club! ✨Join the Flights of Fantasy community:PatreonWebsiteInstagramTikTokSJM Series Episode Playlists: ACOTAR Throne of Glass Crescent City Maasverse Theory Episodes  Follow along for episode updates, book recommendations, theories, reactions, and all things romantasy! 

We welcome a live audience as we bring the show to Ibero-American Action League's Community Resource Center, located in the El Camino neighborhood of Rochester. Residents say they have concerns about poverty, drug use, and homelessness, and some neighborhood children don't like to play outside anymore. We talk to a neighbor and local leaders about what it will take to change that, and about how neighborhoods thrive or suffer based on resources and funding. We welcome comments from the live audience as well. Our guests: Angelica Perez-Delgado, president and CEO of Ibero-American Action League Ramona Colon, resident of the El Camino neighborhood Maria Garcia, marketplace bilingual facilitated enroller for Excellus BlueCross BlueShield ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

Text the Show⭐️ Affiliate item of the week: Mission Darkness Dry Shield Faraday Tote 7L Capacity // Waterproof Dry Bag for Electronic Device Security & Transport Signal Blocking Anti-Tracking EMP Shield Data Privacy Fits Phones Tablets Radios: https://amzn.to/4xtIvv5Tonight Jesse Jaymz and Outcast welcome Jess Weatherby for a deep dive into Calvary Chapel, the Jesus People movement, church planting, Darby/Rothschild theology, military connections, cultural influence, the 15-minute city agenda, Chip & Joanna Gaines, and the McLennan County/Ukraine connection. We'll examine Jess's research, separate documented facts from theories, and ask the bigger question: who is really pulling the strings?Jess on Instagram:https://www.instagram.com/jess_weatherby_lifts?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==What if the world ended... and nobody noticed? What if history changed, but only some people remembered the way it used to be? SUPPORTBuy Me A Coffee http://buymeacoffee.com/DangerousinfopodcastSubscribeStar http://bit.ly/42Y0qM8Super Chat Tip https://bit.ly/42W7iZHBuzzsprout https://bit.ly/3m50hFTPaypal http://bit.ly/3Gv3ZjpPatreon http://bit.ly/3G3 SMART is the acronym that was created by technocrats that have setup the "internet of things" that will eventually enslave humanity to their needs. Support the showLeave Voicemail: https://www.speakpipe.com/DangerousInfoWebsite https://www.dangerousinfopodcast.com/Discord chatroom: https://discord.gg/8feGHQQmwgEmail the show dangerousinfopodcast@protonmail.comJoin mailing list http://bit.ly/3Kku5YtWatch LiveYouTube https://www.youtube.com/@DANGEROUSINFOPODCASTRumble https://bit.ly/4q1Mg7Z Twitch https://www.twitch.tv/dangerousinfopodcastPilled.net https://pilled.net/profile/144176  Facebook: https://www.facebook.com/DangerousInfoPodcast/SocialsInstagram https://www.instagram.com/dangerousinfo/TwitterX https://twitter.com/jaymz_jesseYouTube https://bit.ly/436VExnFacebook https://bit.ly/4gZbjVa

Send us Fan MailWhat if I told you that you could increase your income by thirty thousand... fifty thousand... maybe even eighty thousand dollars a year... without seeing a single additional patient?Would you believe me if I told you the answer isn't working harder, squeezing in one more patient, staying later at the office, or sacrificing another evening with your family?What if I told you the answer is simply documenting the work you're already doing and allowing yourself to be paid appropriately for it?If that sounds too good to be true, stay with me, because today we're talking about one of the biggest financial leaks we see in physician practices across the country. It's not declining reimbursement. It's not staffing shortages. It's not rising overhead. Those are certainly challenges, but there's another issue that quietly costs physicians tens of thousands of dollars every year.It's undercoding.Specifically, physicians who are providing Level 4 care but continue to bill Level 3 visits out of habit, fear, or simply because no one ever taught them differently.If you've ever finished a full day of clinic, felt mentally exhausted, looked at your schedule, and wondered, "How am I working this hard and still feeling like my practice isn't where it should be financially?" then this episode is for you.Please Follow or Subscribe to get new episodes delivered to you as soon as they drop! Visit Jill's company, Health e Practices' website: https://healtheps.com/ Subscribe to our newsletter, Health e Connections: https://share.hsforms.com/1FMup6xLPSpeA8hB77caYQwd32sx?hsCtaAttrib=171926995377 Want more formal learning? Check out Jill's newly released course: Physician's Edge: Mastering Business & Finance in Your Medical Practice. 32.5 hours of online, on-demand CME-accredited training tailored just for busy physicians. Promo pricing available now: https://education.healtheps.com/offers/Ry3zfLYp/checkout?coupon_code=PHYSEDGE3000 Purchase your copy of Jill's book here: Physician Heal Thy Financial Self Join our Medical Money Matters Facebook Group here: https://www.facebook.com/groups/3834886643404507/ Original Musical Score by: Craig Addy at https://www.underthepiano.ca/ Visit Craig's website to book your Once in a Lifetime music experience Podcast coaching and development by: Jennifer Furlong, CEO, Communication Twenty-Four Seven https://www.communicationtwentyfourseven.com/    

Most people assume Great Britain's grid connection queue works on a first come, first served basis. It doesn't - and that misconception is costing developers time and money. Connections reform was meant to bring clarity to the queue, but projects that were declared protected and pushed to the front are still missing their connection dates, and new contract disputes are now stalling projects that should already be moving. It all comes down to what actually gets built — and whether Britain can get anywhere close to Clean Power 2030.Catherine Cleary, Specialist Connections Engineer at Roadnight Taylor and a returning Transmission guest, joins Ed Porter to unpack what's really determining who connects to the grid, and when.They cover:- Why the grid connection queue isn't ordered by application date and how a 20MW battery project can end up waiting behind a nuclear power station for the same network reinforcements.- Why gate two offers under TMO4+ are going out with technical errors, and why fixing something as small as a typo can take months once you're one of hundreds of affected projects.- Why NESO's oversubscription numbers might be the wrong problem to solve, and what bay sharing could do instead.- Why data centres and other demand customers are pushing for independent transmission owner (ITO) status, and what Ofgem's latest signal means for future connections.- Catherine's contrarian take after 15 years in the industry: why Britain might be about to build too much grid, not too little.Want to go deeper on grid connections and battery build-out? Sign up for free to Ko, Modo Energy's AI analyst https://modoenergy.com/product/ko?utm_source=podcast&utm_medium=podcast_apps&utm_campaign=catherine_cleary&utm_content=ko_signupChapters:0:00 Introduction1:13 Two myths about the grid connection queue2:05 Queue order vs. connection order: nuclear vs. battery example3:34 The 4.9MW de minimis threshold loophole4:12 TMO4+ and connections reform: from design exercise to rollout6:41 Gate two offer errors and technical query delays9:05 Clean Power 2030 deliverability under connections reform13:37 Engineering capacity for 30GW of battery storage16:01 Bay sharing and hybrid project connections17:49 CMP470: the oversubscribed technology commitment fee22:04 Co-location, AC/DC coupling and TMO4+ shortcomings for hybrids25:15 Fixing TMO4+ for hybrids: the parent/child concept28:05 Data centre and demand connections vs. generation33:39 Politics, policy and the connections queue36:35 Contract delays: the new longest pole in the tent39:16 The case for independent transmission owners (ITOs)41:50 Contrarian view: are we building too much grid?

Most people assume Great Britain's grid connection queue works on a first come, first served basis. It doesn't - and that misconception is costing developers time and money. Connections reform was meant to bring clarity to the queue, but projects that were declared protected and pushed to the front are still missing their connection dates, and new contract disputes are now stalling projects that should already be moving. It all comes down to what actually gets built — and whether Britain can get anywhere close to Clean Power 2030.Catherine Cleary, Specialist Connections Engineer at Roadnight Taylor and a returning Transmission guest, joins Ed Porter to unpack what's really determining who connects to the grid, and when.They cover:- Why the grid connection queue isn't ordered by application date and how a 20MW battery project can end up waiting behind a nuclear power station for the same network reinforcements.- Why gate two offers under TMO4+ are going out with technical errors, and why fixing something as small as a typo can take months once you're one of hundreds of affected projects.- Why NESO's oversubscription numbers might be the wrong problem to solve, and what bay sharing could do instead.- Why data centres and other demand customers are pushing for independent transmission owner (ITO) status, and what Ofgem's latest signal means for future connections.- Catherine's contrarian take after 15 years in the industry: why Britain might be about to build too much grid, not too little.Want to go deeper on grid connections and battery build-out? Sign up for free to Ko, Modo Energy's AI analyst https://modoenergy.com/product/ko?utm_source=podcast&utm_medium=podcast_apps&utm_campaign=catherine_cleary&utm_content=ko_signupChapters:0:00 Introduction1:13 Two myths about the grid connection queue2:05 Queue order vs. connection order: nuclear vs. battery example3:34 The 4.9MW de minimis threshold loophole4:12 TMO4+ and connections reform: from design exercise to rollout6:41 Gate two offer errors and technical query delays9:05 Clean Power 2030 deliverability under connections reform13:37 Engineering capacity for 30GW of battery storage16:01 Bay sharing and hybrid project connections17:49 CMP470: the oversubscribed technology commitment fee22:04 Co-location, AC/DC coupling and TMO4+ shortcomings for hybrids25:15 Fixing TMO4+ for hybrids: the parent/child concept28:05 Data centre and demand connections vs. generation33:39 Politics, policy and the connections queue36:35 Contract delays: the new longest pole in the tent39:16 The case for independent transmission owners (ITOs)41:50 Contrarian view: are we building too much grid?

This hour, we welcome a human guest and his canine co-panelist. You may know TikTok star Jonathan Graziano for his "Bones or No Bones" videos with his late dog, Noodle. The Rochester native is a best-selling author, and his newest book is about his adopted senior pug, Milton. "Milton Makes a Move" follows Milton's story as he finds his forever home. Graziano and Milton are in town for a series of events. We sit down with both of them to hear their story and to discuss animal rescue. In studio: Jonathan Graziano, No. 1 New York Times best-selling author Milton the pug ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

Dan doesn't usually sit in the interviewee's chair — but when journalist and author Allison Gilbert invited him to speak at the 92nd Street Y as part of their Connected Lives series, he said yes. What followed was one of the more wide-ranging conversations Dan has had about his own practice, his own anxieties, and why he's become convinced that inner work divorced from relationships is just selfishness dressed up as self-care. The evening also included a guided loving-kindness meditation — metta practice — that Dan led live with the audience. They talked about: Why Dan thinks the meditation world's PR problem has shifted — it's no longer "this is weird hippie stuff," it's "I get it, but I personally can't do it" The upward spiral: how taking care of your mind improves your relationships, which improves your inner weather, which improves your relationships further — and the "toilet vortex" that runs in the opposite direction Free-range mindfulness: why brushing your teeth or standing in a grocery line can rewire your brain just like formal seated practice The self-compassion toolkit — Kristin Neff's three-step practice, distanced self-talk, and why putting your hand on your heart is "cheesy as f*ck" but actually works Joseph Goldstein's single best question for breaking an anxiety loop: "Is this useful?" Why micro-interactions — with your doorman, your barista, a stranger on the elevator — are one of the most underrated sources of happiness Allison Gilbert is a journalist, author, and the creator of The Joy of Connections, a book and companion app designed to help people build more meaningful relationships. She writes and speaks about human connection, grief, and resilience. Learn more at allisongilbert.com. Get the 10% with Dan Harris app here Sign up for Dan's free newsletter here Follow Dan on social: Instagram, TikTok Subscribe to our YouTube Channel Additional Resources:  Check out Allison's new app at beingmoreconnected.com This episode is sponsored by: Notion: Learn more about how Notion can support your business, at notion.com/happier. To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/10HappierwithDanHarris

Thousands of people in the Rochester region are losing SNAP benefits due to new federal guidelines. According to reporting by WXXI's Noelle Evans, the Monroe County Department of Human Services closed 3,900 cases at the end of May due to non-compliance or not verifying an exemption to new work requirements for some people without dependents. This hour, we're joined by Rochester City Councilmember Mitch Gruber. He discusses the changes and answers listener questions. He also addresses a summer meal program. In studio:Mitch Gruber, Ph.D., member of Rochester City Council---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

0:42 Hopoutso700 explains why he calls Compton "Yompton" 8:31 Hopoutso700 on the defining moment of his childhood 18:44 Hopoutso700 explains spending 25 days in jail before earning pretrial release 34:38 Hopoutso700 on Compton having successful families and beautiful neighborhoods 44:35 Hopoutso700 opens up about regularly checking on Jaaybo in jail ----- Shout out to all our members who make this content possible, sign up for only $5 a month https://www.youtube.com/channel/UCNNTZgxNQuBrhbO0VrG8woA/join Promote Your Music with No Jumper - https://nojumper.com/pages/promo CHECK OUT OUR ONLINE STORE!!! https://nojumper.com NO JUMPER PATREON http://www.patreon.com/nojumper CHECK OUT OUR NEW SPOTIFY PLAYLIST https://open.spotify.com/playlist/5tesvmDS8h50LkjnSAWMOs?si=j6sJD6DkR4mk5NZZWnlK7g Follow us on SNAPCHAT https://www.snapchat.com/discover/No_Jumper/4874336901 Follow us on SPOTIFY: https://open.spotify.com/show/4z4yCTjwXa4an6sBGIe7m5 iTunes: https://itunes.apple.com/us/podcast/no-jumper/id1001659715?mt=2 Follow us on Social Media: https://www.snapchat.com/discover/No_Jumper/4874336901 http://www.twitter.com/nojumper http://www.instagram.com/nojumper https://www.facebook.com/nojumper http://www.reddit.com/r/nojumper JOIN THE DISCORD: https://discord.gg/Q3XPfBm Follow Adam22: http://www.instagram.com/adam22 adam22bro on Snapchat Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the biggest mistakes we see coaches and consultants make on LinkedIn is believing they need to post more often to generate more clients.The truth is, posting more is not always the answer.If your positioning isn't clear, creating more content amplifies confusion.Before you worry about the algorithm, your posting schedule, or how often you should show up, take a close look at your LinkedIn headline.Your headline appears everywhere. It's seen in search results, connection requests, comments, your content, and at the top of your profile. It is often the first impression someone has of you.The problem is that most people use their headline as a job title."Business Coach.""Marketing Consultant.""Executive Coach."Those titles tell people what you are. They don't tell people why they should work with you.Instead, your headline should communicate who you help, the result you create, and the problem you help them avoid.A simple framework is:I help [specific audience] achieve [specific result] without [specific frustration].That small change immediately makes your profile more compelling and helps the right people recognize you as the expert they've been looking for.As important as your headline is, it's only the beginning.Your headline gets attention. Your content builds trust.When those two pieces work together, everything else becomes easier.The path to attracting more clients is simple:Clear positioning leads to consistent content.Consistent content creates visibility.Visibility builds trust. Trust starts conversations. Conversations become clients.If your LinkedIn isn't producing the opportunities you want, don't assume you need to post more.Start by making sure your positioning is clear enough that the right people immediately know who you help and why they should pay attention.If you're serious about attracting more visibility, credibility, and opportunities on LinkedIn, the first step is understanding where your profile stands today. That's exactly why we created my free LinkedIn Thought-Leadership Scorecard.In just a few minutes, you'll discover how well your headline, About section, Experience section, and overall profile positioning are working together.More importantly, you'll identify the specific areas that may be preventing LinkedIn from fully understanding your expertise and showing your content to the right audience.Take the free scorecard here and see how your profile measures up:

Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.