Podcast appearances and mentions of felix vallotton

Book Besties Season 7 Episode 6: Butcher & BlackbirdSpooky season continues this week as we take a stab at Butcher & Blackbird by Brynne Weaver. Join the Besties as they talk boobs, what makes a book gross, and what is an acceptable amount of body fluid in a conversation.Things talked about in this episode:Novel Grounds & Emma Berry Event: https://novelgrounds.com/collections/shop-events/products/emma-berry-signing-event-ticket-october-12th-3-5pmRowan Kane Fine Print novel: https://lauren-asher-universe.fandom.com/wiki/Rowan_KaneThe Most Dangerous game: https://americanliterature.com/author/richard-connell/short-story/the-most-dangerous-game/DIY lobotomy: https://nihrecord.nih.gov/2019/11/01/when-faces-made-case-lobotomyArmie Hammer: https://www.complex.com/pop-culture/a/karla-rodriguez/armie-hammer-cannibalism-abuse-controversyArt from Cannibal's house: Night shadows: https://www.metmuseum.org/art/collection/search/366206Fulton Oculus #2: https://andrewprokos.com/photo/fulton-transit-center-interior-bw-3499/John Singer Sargent painting: https://www.theguardian.com/artanddesign/2015/jan/30/how-john-singer-sargent-made-a-sceneThe Waltz by Felix Vallotton: https://artsandculture.google.com/asset/the-waltz-f%C3%A9lix-vallotton/0AEWlc7Sh0QDhQ?hl=enMeet Molly and April, they bonded over books and became Book Besties. So, what do you do when you find your book bestie? Start a podcast of course. Hang out with April and Molly as they talk about everything they love and hate about books.

We meet artist Nathanaëlle Herbelin to discuss her major solo show in Paris. A constant visitor to the Musée d'Orsay's collections since childhood, the Franco-Israeli artist Nathanaëlle Herb Elin has been invited to put her canvases and sources of inspiration into perspective. An heiress to the Nabis, the artist brings their favorite subjects – daily life, domestic interiors and intimacy – up to date in resolutely contemporary compositions.The presentation of her work at the Musée d'Orsay is very much in line with one of the focuses of the museum's cultural project, which consists of extending “Orsay's polyphony” to less classical artistic figures, in this case by presenting an emerging artist who has already won considerable critical praise. Her meteoric career since she graduated from the Paris School of Fine Arts less than ten years ago has drawn a great deal of attention and will also provide an opportunity to highlight the Musée d'Orsay's interest in artists attending the school that is its neighbor, especially the alumni fascinated by its collections. The Spring 2024 temporary exhibition will show how the artist delicately follows the path of the Nabis. Although the artist's subtle brushstrokes, chromatic palette, and preferred motifs may bring to mind Pierre Bonnard, Édouard Vuillard, or Félix Vallotton, other figurative details bring us back to a more contemporary reality: the elements of modern life (cellphones and electronic power cables) that can be seen in her updated genre scenes, and the way she brings present-day issues into these compositions. Hence, the intimacy of the maternal body at her toilette may present the model in the act of depilating, or the whole genre is called into question by the transposition of a male sitter naked in the bathtub; another canvas even presents an intimate scene centered on female pleasure, or a couple depicted in the bedroom are illuminated by the midnight blue light of a portable computer set on the knees of a figure sitting up in bed.Born in Israel in 1989 to a French father and an Israeli mother, Nathanaëlle Herbelin has always been drawn to make work that reflects her position within and between the two cultures. Her works contain subtle hints—both in subject matter and form—as windows into a world imbued with a quiet melancholy. Herbelin encourages the viewer to slow down, as a way of embracing the intimacy involved in viewing art. She has developed a formal style unique within the contemporary tendency towards figurative painting. Certain patterns and colours appear more defined than others in the softened memories that she so delicately captures. Earth tones give the works a quality evocative of a reverie and her loose brushwork recalls post-impressionist techniques. Herbelin has cited Les Nabis—a group of young painters active in Paris during the late 19th century—as a central influence in her practice. Most notably, she takes inspiration from the stylistic poetry that art historical figures such as Pierre Bonnard applied to domestic scenes. This modern twist should indisputably be able to resonate with the paintings of Pierre Bonnard, Edouard Vuillard and Felix Vallotton, hung permanently in these galleries, with no conflict or impression of imitation since the world of Nathanaëlle Herbelin remains so sensitive and unique.Follow @NathanaelleHerbelin and @MuseeOrsayThanks to @XavierHufkens and @GalerieJousseEnterprise Hosted on Acast. See acast.com/privacy for more information.

Czy wiesz, skąd wzięła się tradycja wręczania świątecznych prezentów? Domyślam się, że nie. Pozwól zatem, że Ci to wyjaśnię. Przy okazji porozmawiamy o obrazie "Le Bon Marche" Felixa Vallottona i ponownie przeniesiemy się do Paryża - tym razem nie do muzeum, lecz na zakupy w najstarszym paryskim domu towarowym. Transkrypcja odcinka jak zwykle dostępna jest na moim blogu: https://przedobrazem.pl/felix-vallotton-le-bon-marche-1898/Znajdziesz mnie też na Facebooku i Instagramie: https://www.facebook.com/Przed-obrazem-107322314372425https://www.instagram.com/przed_obrazem/

Spacer po Musée d'Orsay zaczęliśmy od wątku polskiego i skończymy go na wątku polskim, choć uprzedzam, że w tej opowieści będzie to raczej wątek poboczny. Patrzymy w końcu na obraz szwajcarskiego, nie polskiego artysty. Namalował go Felix Vallotton. To mało znane w Polsce nazwisko, ale imię modelki brzmi już bardzo swojsko. Obraz nosi tytuł „Misia przy toaletce” – Misia – Francuzi wymawiają to imię jak „Mizja” albo „Miza”, ale my nie mamy wątpliwości jak powinno ono brzmieć – Misia. O jak Misię zatem chodzi?Kobieta na obrazie to nie kto inny, jak słynna Maria „Misia” Godebska, córka polskiego rzeźbiarza Cypriana Godebskiego i belgijki Zofii Servais. Warto bliżej się przyjrzeć jej sylwetce, bo na portrety Misi natkniesz się w Musée d'Orsay więcej niż raz. Kochał się w niej cały Paryż, w tym artyści tacy jak Édouard Vuillard, Henri de Toulouse-Latrec, czy właśnie Felix Vallaton.Zapraszam też na stronę podcastu – https://przedobrazem.pl/podcasty/muzeum-orsay/ – oprócz transkryptu obrazu znajduje się tam wiele ciekawych reprodukcji dzieł sztuki.Możesz też mnie obserwować w social mediachFB: https://www.facebook.com/Przed-obrazem-107322314372425IG: https://www.instagram.com/przed_obrazem/

Florian Henckel von Donnersmarck's first film The Lives Of Others won the best Foreign Language Oscar, his follow-up The Tourist was a critical disaster. How will his latest - Never Look Away - fare critically and at the box office? Jack Thorne's latest play The End Of History has just opened at London's Royal Court Theatre. It's the story - over three decades - of a left-leaning family who love each other and love to bicker. 8 Days To The Moon on BBC TV follows the progress of the three astronauts who went to the Moon half a century ago in Apollo 11. It uses previously unreleased audio recordings from within the lunar pod mixed with recreations of the journey. Fleischman Is In Trouble is the debut novel by Taffy Brodesser-Akner, previously a features writer at The New York Times and GQ. It has had glowing reviews; what will our panle make of it? An exhibition of work by Swiss-born artist Felix Vallotton at London's Royal Academy includes paintings and woodcuts in the many styles he adopted during his career. The show's subtitle is "Painter of Disquiet" Tom Sutcliffe's guests are Rebecca Stott, Robert Hanks and Susan Jeffreys. The producer is Oliver Jones Podcast extra recommendations: Rebecca - Shame On me by Tessa McWatt Robert - Ngaio Marsh (and you can see Susan as a model on a Ngaio Marsh cover here https://tinyurl.com/y2jmths4 ) Susan - Jodrell Bank Blue Dot Festival and The Night Sky 2019 Tom - Jack Reacher books and BBC World Service's 13 Minutes To The Moon

Il Risveglio di Natascha Lusenti; Due cuori e una capanna: Milano; Incontri ravvicinati del terzo tipo di Federico Bernocchi; Grand Tour in un minuto; I Bambini Lo Sanno: Noemi e Giancarlo; Sfida al botteghino; Ospite: Sylvain Bellanger: curatore della mostra "Carta Bianca"; Colazione al museo: Felix Vallotton.

Eine lesende junge Frau sitzt in einem kargen, bürgerlichen Interieur und erlaubt uns einen Blick in ihre Privatsphäre. Das Motiv der Lesenden wurde vom Schweizer Künstler Felix Vallotton in verschiedenen Variationen und mit unterschiedlichen Modellen durchgespielt. Aus der Podcast-Serie zu Highlights aus der Sammlung des Kunstmuseums Bern.

Allowing us a view of her private sphere, a young woman sits in a sparsely furnished room of a middle-class household while reading intently. The Swiss artist Felix Vallotton explored the subject of a reading woman in a variety of ways with diverse models sitting for him. From the podcast series featuring highlights of the Kunstmuseum Bern’s collection.