19th and 20th-century American painter
POPULARITY
Metropolitan Museum of Art curator Stephanie Herdrich joins Carl for an in-depth look at how the career and personal life of Gilded Age artist John Singer Sargent evolved over his ten-year period in Paris from the 1870's to the mid 1880's. Sargent is the subject of a major new exhibition at the Metropolitan Museum of Art that focuses on this period beginning in his late adolescent years and leading up to the creation of his masterpiece - the grand, imposing and scandalous portrait of Virginie Gautreau, known as "Madame X". Stephanie discusses some of Sargent's greatest works during this period, as well as some of his most important professional and personal relationships, all of which contributed to a boundary breaking artistic vision. This show was edted by Kieran Gannon.
With the Metropolitan Museum of Art's annual Gala on the first Monday of May and the new exhibition on John Singer Sargent and Paris, there is most definitely fashion in the air. In this ENCORE episode with listener favorite Dr. Elizabeth L. Block we delve into the stories of some of the most important designers and couture houses of Belle Epoque Paris. This episode was based on Liz's first book, "Dressing Up: How American Women Influenced French Fashion". Don't miss LIz's news book "Beyond Vanity: The Power and History of Hairdressing" and our accompanying episode.
Following the death of Pope Francis on Easter Monday, The Art Newspaper's managing editor, Louis Jebb, who has written an extensive obituary of the late pontiff, joins Ben Luke to talk about the late pope's engagement with art and with the Vatican art collections. Wednesday 23 April was the 250th anniversary of the birth of JMW Turner, one of the greatest British artists. A host of exhibitions and events are marking this moment, and we speak to Amy Concannon, the senior curator of historic British art at Tate Britain, about Turner's enduring appeal. And this episode's Work of the Week is arguably John Singer Sargent's most famous—and in its time, his most infamous—painting, Madame X (1883-84). A portrait of Virginie Amélie Avegno Gautreau, it features in a major show of Sargent's work that opens this week at the Metropolitan Museum of Art in New York, before travelling later in the year to the Musée d'Orsay in Paris. Our associate digital editor, Alexander Morrison, discusses the picture with Stephanie L. Herdrich, a co-curator of the exhibition.You can explore the Turner Bequest at tate.org.uk—the full collection will be online later this year. Cataloguing Turner's Bequest: Sketchbooks, Drawings, Watercolours, Tate Britain, London, ongoing. Full list of the Turner 250 events: tate.org.uk/art/turner-250Sargent and Paris, The Metropolitan Museum of Art, New York: 21 April-3 August; Sargent: The Paris Years, Musée d'Orsay, Paris, 22 September 22-11 – January 2026.Last chance! Subscription offer: enjoy a three-month digital subscription to The Art Newspaper for just £3/$3/€3. Get unrestricted access to the website and app including all digital monthly editions dating back to 2012. Offer ends on 30 April. Subscribe here. https://www.theartnewspaper.com/subscriptions-3FOR3?utm_source=podcast&promocode=3FOR3 Hosted on Acast. See acast.com/privacy for more information.
Get to know the hands, head, and heart behind award-winning fine artist and oil painter Anna Rose Bain, whose breathtaking figurative works and luminous portraiture capture peaceful moments of human connection. A Signature Member of the Oil Painters of America, Anna's work has been featured in Fine Art Connoisseur and American Art Collector and exhibited in some of the most esteemed galleries and competitions in the country. In this episode, she shares how global experiences, perseverance, and teaching workshops have shaped her artistic journey—from studying under the North Light in Florence, Italy, to painting elephants in the African wilderness. She reveals how leading workshops has not only refined her skills but also deepened her understanding of art. Motherhood, too, has played a profound role in her growth. The challenges of balancing art and family life sharpened her business, strengthened her faith, and ultimately made her a better artist—especially through painting her son. Blending classical techniques with the immediacy of alla prima, she draws inspiration from masters like Richard Schmid and John Singer Sargent while forging her own artistic voice. In this in this Curated Craftsman ™ Conversation we chat about: ✘ 00:12 - Capturing the Soul: The Art of Anna Rose ✘ 05:08 - Immersed in Florentine Art ✘ 11:23 - The Value of Teaching Art ✘ 16:06 - Painting Plein Air in South Africa ✘ 18:52 - The Power of Capturing a Memory Through Art ✘ 22:48 - The Influence of Sargent and Schmid ✘ 25:29 - The Challenges and Joys of Oil Painting ✘ 32:49 - Overcoming Self-Doubt and Emotional Attachment to Art ✘ 42:41 - Online Art Sales to Local Workshops ✘ 50:52 - Childlike Creativity through Motherhood Journey ✘ 53:09 - The Balance Between, Art, Business, and Parenting ✘ 55:31 - Reconciling Faith and Art: A Christian Artist's Journey ✘ 59:53 - Finding Renewal in Nature and Solitude ✘ 1:03:08 - Painting My Son as King of the Wild Things ✘ 1:05:35 - Painting Success and Artistic Affirmation Ready to be inspired? Tune in for an intimate look at the intersection of art, business, and motherhood. Anna's Links: Website YouTube Learn With Anna Instagram Facebook Get your creative business in front of passionate makers and potential collectors for a one time contribution of $20—grab a Maker's Mention Sponsorship HERE & support the show today! Will you get the next round? Buy the next Curated Craftsmen™ a cup of coffee over on Patreon. Support the podcast for $5.00 a month. For additional free resources and tips about creative entrepreneurship head over to The Artisan Edge Blog. ALL CREATIVE ENTREPRENEURS WELCOME. | SHOW SPONSORS | Alpha 6 Corporation (Affiliate Link) Artisan Paint & Tools et 10% off your order when you apply my exclusive code COOK10 at checkout! ArtHelper.ai. Streamline your creative business with ArtHelper.ai—sign up with my affiliate link for free to spend less time writing and more time creating. Dupe the Room: Luxury Fragrances for Your Car Get 10% off you order when you apply my exclusive code KATECOOK at checkout! Curated Craftsmen Instagram Kate's Link's: Official Asphalt Canvas Art Website Instagram Facebook
For our debut of Season 8 of Dressed, we bring you the first of our new ongoing series: Fashion Scandals. Today we whisk you into the scandal swirling around surrounding one of the most famous paintings in all of art history, John Singer Sargent's Madame X. We will meet the subject, the American-born Parisian It-Girl Virginie Amélie Avegno Gautreau, and learn just how her appearance in Sargent's portrait shocked even the most jaded of Parisians when it was displayed at one of the world's most prestigious art exhibitions, the Salon de Paris, in 1884. Want more Dressed: The History of Fashion? • Our website and classes • Our Instagram • Our bookshelf with over 150 of our favorite fashion history titles Learn more about your ad choices. Visit megaphone.fm/adchoices
We discuss Visconti's final film, currently available to see through the BFI streaming service, in conjunction with the Visconti season recently held at the Southbank, and in a lush and lovely print. Richard had to convince me to podcast on this and I'm glad we did. We both think it a great film, without being anywhere near Visconti's greatest, a measure of the director's extraordinary achievements. Here we discuss it in relation to D'Annunzzio's original novel (The Intruder is the literal translation of the novel's Italian title); the lushness of décor and costuming, which sometimes seem a John Singer Sargent painting come to life; how the mise-en-scène vividly and complexly conveys character feeling, often without dialogue, and with such skill it can make a viewer swoony with admiration; we talk of how Alain Delon and Romy Schneider were originally cast and admire the performances of Giancarlo Giannini, Jennifer O'Neill, Laura Antonelli and Rina Morelli. It was also lovely to (barely) recognise Massimo Girotti, so beautiful in OSSESSIONE, as one of Giannini's rivals for Jennifer O'Neill's favours. We discuss the auction scene,and the fencing scene between husband lover in some detail; how the film reminds us of the 19th century novel in its narrative sweep, melodramatic accents and its dramatization of complex ideas (faith vs science, moral actions in a world without God, marriage vs free love, equality between the sexes, etc.). A world of feeling and desire, fuelled by melodrama; a beautiful film slightly marred by its ending. We discuss all of this and more here:
Edith Minturn was a Gilded Age society beauty. Isaac Newton Phelps Stokes was a New York architect passionate about preserving the city's past. When John Singer Sargent accepted the commission to paint their portrait as a wedding present, he perhaps didn't realize how difficult it would prove to be. Capturing Edith Minturn Stokes' strong personality as one of the era's "new woman" resulted in a portrait that in some ways was as scandalous as his famous "Madame X". Author and Historian Jean Zimmerman joins The Gilded Gentleman to reveal the real story behind this famous portrait, along with just who Newton Phelps Stokes and Edith Minturn really were. The third part of this story is of course Sargent himself who broke new ground and broke a few conventions in portraying "Mr. and Mrs. I.N. Phelps Stokes" as they really were. This episode was edited by Kieran GannonGet your tickets for the Bowery Boys Gilded Age Weekend, featuring Carl Raymond, the Gilded Gentleman -- May 29-June 1
At the height of his career, Sargent painted twelve portraits of the Wertheimer family, commissioned by Asher Wertheimer, a German-Jewish London art dealer who became his greatest private patron and close friend. Their portraits, later gifted to the National Gallery, stirred both admiration and controversy, challenging societal norms. In Family Romance: John Singer Sargent and the Wertheimers (FSG, 2024), Jean Strouse's historical narrative explores the decline of the British aristocracy and the evolving art market across London, Vienna, and Italy. Christina Obolenskaya researches twentieth-century women's political history based out of Columbia University and LSE. In the past, her work has been featured in the Times Literary Supplement, Harvard Review and more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
At the height of his career, Sargent painted twelve portraits of the Wertheimer family, commissioned by Asher Wertheimer, a German-Jewish London art dealer who became his greatest private patron and close friend. Their portraits, later gifted to the National Gallery, stirred both admiration and controversy, challenging societal norms. In Family Romance: John Singer Sargent and the Wertheimers (FSG, 2024), Jean Strouse's historical narrative explores the decline of the British aristocracy and the evolving art market across London, Vienna, and Italy. Christina Obolenskaya researches twentieth-century women's political history based out of Columbia University and LSE. In the past, her work has been featured in the Times Literary Supplement, Harvard Review and more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
At the height of his career, Sargent painted twelve portraits of the Wertheimer family, commissioned by Asher Wertheimer, a German-Jewish London art dealer who became his greatest private patron and close friend. Their portraits, later gifted to the National Gallery, stirred both admiration and controversy, challenging societal norms. In Family Romance: John Singer Sargent and the Wertheimers (FSG, 2024), Jean Strouse's historical narrative explores the decline of the British aristocracy and the evolving art market across London, Vienna, and Italy. Christina Obolenskaya researches twentieth-century women's political history based out of Columbia University and LSE. In the past, her work has been featured in the Times Literary Supplement, Harvard Review and more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
At the height of his career, Sargent painted twelve portraits of the Wertheimer family, commissioned by Asher Wertheimer, a German-Jewish London art dealer who became his greatest private patron and close friend. Their portraits, later gifted to the National Gallery, stirred both admiration and controversy, challenging societal norms. In Family Romance: John Singer Sargent and the Wertheimers (FSG, 2024), Jean Strouse's historical narrative explores the decline of the British aristocracy and the evolving art market across London, Vienna, and Italy. Christina Obolenskaya researches twentieth-century women's political history based out of Columbia University and LSE. In the past, her work has been featured in the Times Literary Supplement, Harvard Review and more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
At the height of his career, Sargent painted twelve portraits of the Wertheimer family, commissioned by Asher Wertheimer, a German-Jewish London art dealer who became his greatest private patron and close friend. Their portraits, later gifted to the National Gallery, stirred both admiration and controversy, challenging societal norms. In Family Romance: John Singer Sargent and the Wertheimers (FSG, 2024), Jean Strouse's historical narrative explores the decline of the British aristocracy and the evolving art market across London, Vienna, and Italy. Christina Obolenskaya researches twentieth-century women's political history based out of Columbia University and LSE. In the past, her work has been featured in the Times Literary Supplement, Harvard Review and more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Fra i grandi protagonisti dell'arte statunitense spiccano John Singer Sargent, Andy Warhol, Roy Lichtenstein e Jackson PollockTutto ebbe inizio con le arti praticate dalle culture indigene; fu soltanto dopo l'arrivo degli europei che si sviluppò l'arte tipicamente occidentale che conosciamo oggi, prendendo inizialmente forma nei generi del ritratto e del paesaggio.
Jeopardy! recaps from the week of October 14th, 2024. Kyle has the Rockies, and Emily has to settle for mountain range at home. We discuss beige flags and the numbering of the Chronicles of Narnia, and Kyle educates us about the life and work of John Singer Sargent. Find us on Facebook (Potent Podables) and Twitter (@potentpodables1). Check out our Patreon (patreon.com/potentpodables). Email us at potentpodablescast@gmail.com. Continue to support social justice movements in your community and our world. www.abortionfunds.org https://wck.org/ https://womenswilderness.org/support/#ways-to-give https://www.pcrf.net/ https://www.givedirectly.org/
Radcliffe takes inspiration from masters of the form, like John Singer Sargent and Diego Velázquez, but his work expands the canon of who gets to be a subject of fine art.
Book Besties Season 7 Episode 6: Butcher & BlackbirdSpooky season continues this week as we take a stab at Butcher & Blackbird by Brynne Weaver. Join the Besties as they talk boobs, what makes a book gross, and what is an acceptable amount of body fluid in a conversation.Things talked about in this episode:Novel Grounds & Emma Berry Event: https://novelgrounds.com/collections/shop-events/products/emma-berry-signing-event-ticket-october-12th-3-5pmRowan Kane Fine Print novel: https://lauren-asher-universe.fandom.com/wiki/Rowan_KaneThe Most Dangerous game: https://americanliterature.com/author/richard-connell/short-story/the-most-dangerous-game/DIY lobotomy: https://nihrecord.nih.gov/2019/11/01/when-faces-made-case-lobotomyArmie Hammer: https://www.complex.com/pop-culture/a/karla-rodriguez/armie-hammer-cannibalism-abuse-controversyArt from Cannibal's house: Night shadows: https://www.metmuseum.org/art/collection/search/366206Fulton Oculus #2: https://andrewprokos.com/photo/fulton-transit-center-interior-bw-3499/John Singer Sargent painting: https://www.theguardian.com/artanddesign/2015/jan/30/how-john-singer-sargent-made-a-sceneThe Waltz by Felix Vallotton: https://artsandculture.google.com/asset/the-waltz-f%C3%A9lix-vallotton/0AEWlc7Sh0QDhQ?hl=enMeet Molly and April, they bonded over books and became Book Besties. So, what do you do when you find your book bestie? Start a podcast of course. Hang out with April and Molly as they talk about everything they love and hate about books.
The story behind John Singer Sargent's iconic painting, Portrait of Madame X, rarely focuses on on the life of its subject, Virginie Amélie Avegno Gautreau. A prominent Parisian socialite known for her striking beauty, Amélie's story before and after Sargent's portrait speaks volumes about attitudes towards women in the elite circles of Belle Époque Paris. Today's artwork: John Singer Sargent, Portrait of Madame X (1884). Oil on Canvas. Metropolitan Museum of Art. ____________ This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/ARTHISTORY and take a step toward a more fulfilled, more curious you. ____________ New episodes every month. Let's keep in touch! Subscribe to my newsletter, The Fascinator. Email: artofhistorypod@gmail.com Instagram: @artofhistorypodcast Learn more about your ad choices. Visit megaphone.fm/adchoices
Robin Venter is a queer, non-binary, oil painter residing in Long Beach, California. Venter earned a BFA in drawing and painting from the Laguna College of Art and Design (LCAD), which provided atelier-based training the artist utilizes in their current work. The artist's current body of work explores the relationship between queerness and the representational figurative tradition. Examples of past queer lives and experiences are brought into Venter's work through nods to art history and mythologies, connecting the past and present to affirm that there have always been examples of those who defy the societal structures of gender and sexuality.In this episode, we explore Robin's thesis work at Laguna, which challenges heteronormative art traditions typified by the reclining nude. We delve into how art school sharpened their technical background and boosted their confidence, providing inspiration for exploring gender and art history. Learn how masterpieces like the Venus of Urbino and the Birth of Venus influenced Venter's work while defying gender expectations with body hair and gender ambiguity. We also touch on the influence of ancient Greek erotic pottery and the incorporation of queer aesthetics inspired by artists such as John Singer Sargent. Venter's journey from elementary school art classes to current successes and future aspirations offers invaluable insights and advice for aspiring painters, underscoring the importance of honesty and self-kindness in the creative process. Connect with us:Madison Beale, HostCroocial, ProductionBe a guest on The Artalogue Podcast
Award winning artist, Marjorie Hicks's canvases capture the play of light and the drama of shadow and color that fall on any and all of her subjects. As much as she enjoys painting. She is also a popular teacher to artists. John Singer Sargent, Joaquin Sorolla, Henry Potthast among others continue to inspire her works. Marjorie is grateful for the talented and supportive community of artists in Nashville, where she resides. She is equally at home painting commissioned portraits in studio or outdoor scenes in a style inspired by the Impressionists.Find more about Marjorie here
Curator Ekow Eshun reframes the Black figure in historic and contemporary art, surveying its presences, absences, and representations in Western/European art history, the African diaspora, and beyond, via The Time is Always Now (2024). In 1956, the American author James Baldwin wrote: ‘There is never time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now.' Heeding Baldwin's urgent call, Ekow Eshun's new exhibition brings together 22 leading contemporary African diasporic artists from the UK and the US, whose practices emphasise the Black figure through mediums such as painting, drawing, and sculpture. These figurative artists and artworks address difficult histories like slavery, colonialism, and racism and, at the same time, speak to contemporary experiences of Blackness from their own personal perspectives. Ekow explains how artists like Kerry James Marshall, Amy Sherald, and Thomas J. Price acknowledge the paradox of race, and the increased cultural visibility and representation of lived experiences. Beyond celebration, though, The Time Is Always Now follow the consequences of these artists' practices, and what is at stake in depicting the Black figure today. We discuss the plurality of perspectives on view, and how fragmented, collage-like works by Nathaniel Mary Quinn, Lorna Simpson, and Titus Kaphar reconsider W.E.B. Du Bois' understanding of ‘double consciousness' (1897) as a burden, to a 21st century vantage point. Ekow shares the real people depicted in Michael Armitage's surrealistic, religious scenes, whilst connecting works with shared motifs from Godfried Donkor's boxers, to Denzil Forrester and Chris Ofili's dancing forms. We talk about how how history is not just in the past, and how we might think more ‘historically from the present'. Plus, we consider the real life relationships in works by Njideka Akunyili Crosby and Jordan Casteel, - and those shared between artists like Henry Taylor and Noah Davis - shifting the gaze from one of looking at, to looking with, Black figures. Starting at the National Portrait Gallery in London, The Time is Always Now: Artists Reframe the Black Figure travels to The Box in Plymouth from 28 June to 29 September 2024. It will then tour to the Philadelphia Museum of Art and North Carolina Museum of Art in the US into 2025. And as promised, some news - this episode announces my appointment as Contemporary Art Curator at The Box in Plymouth. Join me there in conversation with Ekow on Saturday 29 June, and with Hettie Judah, curator and writer of Acts of Creation with exhibiting artists Barbara Walker, Claudette Johnson, and Wangechi Mutu, on Saturday 20 July. You can also join a Bitesize Tour on selected Wednesdays during the exhibition. And you can hear this episode, and more from the artists, on the Bloomberg Connects app by searching ‘The Box Plymouth'. EMPIRE LINES will continue on a fortnightly basis. For more about Claudette Johnson, hear curator (and exhibition text-contributor!) Dorothy Price on And I Have My Own Business in This Skin (1982) at the Courtauld Gallery in London. Listen to Lubaina Himid on Lost Threads (2021, 2023) at the Holburne Museum in Bath. Hear curator Isabella Maidment on Hurvin Anderson's Barbershop series (2006-2023) at the Hepworth Wakefield. Read about that show, and their work in Soulscapes at Dulwich Picture Gallery in London, in recessed.space. Hear Kimathi Donkor on John Singer Sargent's Madame X (1883-1884) and Study of Mme Gautreau (1884) at Tate Britain in London. PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines
Explore the fascinating and eerie history of John Singer Sargent's "Madame X", a painting that has captivated art lovers for centuries. Created in 1884, this stunning portrait of Virginie Gautreau has been shrouded in controversy and rumors of a curse. From its scandalous debut at the Paris Salon to its modern-day reputation as a haunted masterpiece, "Madame X" continues to inspire and unsettle all who see it. Join us as we delve into the painting's complex history, the artist's intentions, and the strange occurrences surrounding this iconic work of art. Discover why "Madame X" remains one of the most fascinating and feared paintings in the world. ----------------- Head to the Strange Places home website, asylum817.com to keep up with all things Strange Places, as well as the host. Billie Dean Shoemate III is an author with over 40 novels published, a master-trained painter, host of the No Disclosure Podcast, and multi-instrumentalist musician with multiple albums released. To check out Billie's books, albums, paintings and other artistic ventures, head to asylum817.com. ----------------- This podcast can also be heard on Spotify, Apple Podcasts, iHeart Radio, Pandora, and wherever you get your Podcast listening experience. ----------------- to support the show, check us out on Patreon- http://www.patreon.com/asylum817 ----------------- DISTROKID AFFILIATE LINK: https://www.distrokid.com/vip/seven/3128872 ----------------- Want to promote your brand, YouTube channel, Etsy page, charity, event or podcast on the show? I am selling the show's ad space! Mid roll ads, beginning ads, bottom of the show ads, all of it. Click the link below to get yourself some of that sweet, sweet ad space on the fastest growing paranormal podcast on the planet. If you want to advertise here, click the LINK BELOW! https://www.fiverr.com/share/mgzw1R ----------------- This episode is brought to you by the Sarcasm & Orgasms Podcast! LINKS BELOW: Instagram - www.instagram.com/sarcasm__orgasms Spotify - https://open.spotify.com/show/4SsO5p8RNt1zVAzsuL24NY Apple Podcasts - https://podcasts.apple.com/us/podcast/sarcasm-orgasms/id1608839702 ------------------ This episode is brought to you by www.candyshopuniversity.com!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/strangeplacespod/message Support this podcast: https://podcasters.spotify.com/pod/show/strangeplacespod/support
PLEASE CONSIDER SUPPORTING THE CREATIVE GENIUS PODCASTFOR AS LITTLE AS $5 A MONTH (THE EQUIVALENT OF BUYING ME A THANK-YOU-FOR-MAKING-ME-THIS-GREAT-PODCAST-COFFEE) YOU CAN HAVE A PROFOUND IMPACT ON MY ABILITY TO KEEP MAKING THIS SHOW FOR YOU.BECOME A PATRON!Show Notes - The Importance of Radical Rest within the Creative Process with Pamela Bates (Subscribe & Listenhere) “If you don't believe in yourself, prove yourself wrong” - Pamela BatesAfter 23 years of her creativity getting lost in client expectations working in PR and doing too much to take care of others and not enough to take care of herself in her personal life, Pamela found herself utterly burned out. That is when her sister took her on a restorative weekend trip to Boston where the two of them visited the Gardiner Museum. Pamela shares the story of how life dramatically grabbed her attention with an electrifying, life changing experience that she says was the beginning of her now flourishing career as a painter. Pamela shares the importance of tuning into and remaining open to the quiet voice deep inside as it has all the information we need to find our own callings. And how crucial rest and quiet are for supporting our ability to tune in. We are trained to be go go go. We need to retrain ourselves to be quiet. She shares her theories about Radical Rest. Humans hold themselves back on this quest for perfection, which is utterly pointless and unattainable. The magic resides in letting go. When we hold something too dear, it tends to get in the way. Listen to her terrifying advice on what we should practice in our art to help us really learn about the magic of letting go. Don't let anything be too precious or it will jam you up. Many artists are bent on “finding their voice” Pamela urges us to stop trying so hard to find it, and instead become curious about what is already there waiting for you to stop being in charge. What you'll find, she says, is that you already have the special magic thing you are looking for, it is you. The only way to access that deep well of creativity is to paint, paint, paint. A daily practice is more important than anything else you can do: the act of painting will connect you to the thing you are looking for. There is no other way to find that than to just do it. Trust yourself. Focus on the need to create. Stop looking outside for validation. The desire to create is itself, the map. You have to be working for the magic to happen, so get busy.The painting that jolted the painter in Pamela to wake up El Jaleo - by John Singer Sargent 1882 Kate Shepherd: website | instagram | facebookPamela Bates: website| instagram| facebook
In this webinar, Dr. Anthony Esolen examined three seminal works art: Raphael's "The School of Athens" and two paintings from John Singer Sargent's "The Triumph of Religion" with "The Israelites Oppressed" and "The Messianic Era." The beauty we see, hear, or touch has the power to enter our minds and memories more powerfully than do philosophical or political abstractions expressed in words.As teachers, we must remember this, especially when we want to introduce our students to ways of life embodied in another culture. A painting--even the decorated hilt of a sword--can work wonders. Dr. Anthony Esolen received his A.B. in English Literature from Princeton University and his M.A. and Ph.D. in Renaissance English Literature from the University of North Carolina at Chapel Hill. Dr. Esolen has been a professor of literature and humanities for 35 years and is the author or translator of more than 30 books, which include a range of English translations, analyses of culture, literary and Biblical criticisms, meditations on modern education, meditations on the Christian life, and original poetry.Dr. Esolen is a senior editor and regular writer at Touchstone magazine and has published well over 1000 articles in a wide variety of journals. With his wife, Debra, he writes a daily a web magazine, Word & Song, dedicated to language, music, poetry, and classic film.
In this episode, we are chatting with Pamela Bates who is a self described “Soul-Fueled Abstract Painter” from New Hampshire. We discuss how Pamela started off on the artist's path and she tells us a story about a visit to the Isabella Stewart Gardner Museum in Boston and how that experience changed her life. Standing in front of an artwork by John Singer Sargent she knew instantly that she needed to pick up a paintbrush and make art! This episode covers interesting conversations around listening to your intuition and giving yourself permission to play. As well as working in her own practice Pamela is also a teacher and has a range of interesting online classes that is aimed at igniting creativity and tapping into intuition. Pamela also has a YouTube channel - see the links in the show notes below. As a self-taught artist, she talks about letting intuition lead the way in her art career by letting it unfold and follow the next step in her art career. We discuss Pamela's collectors club and how she cultivates a sense of community and repeat collectors on Instagram. She does this by making an online event to showcase her art for sale for a limited time. Pamela has an in person exhibit coming up from July to August at Blue Door Gallery in Mayne. She also has work on display at Windows on Water Art Gallery in Exeter. We really enjoyed this incredibly inspiring and motivating talk with Pamela. We hope that you enjoy this episode! Please send us a DM on Instagram to tell us how you found this episode and let us know if you have any ideas for future topics for the show. PODCAST LINKS: INSTAGRAM: https://www.instagram.com/pamelajbates/ Website: https://www.pamelabates.com/ Pamela's Online Classes: https://pamelabates.heightsplatform.com/ YouTube: https://www.youtube.com/@pamelabatesstudio FIND US AND FOLLOW US ONLINE! Follow Laura on Instagram: https://www.instagram.com/laurajaneday/ Follow Ros on Instagram: https://www.instagram.com/rosgervayart And to book a creative kick-start coaching session with Laura or to find out more about her workshops please visit: https://laurajaneday.com/ Join the WAITLIST for Laura's new 8 week online group coaching program - Go to: https://laurajaneday.com/waitlist To explore Ros' business coaching offers visit https://www.permissiontopaint.co Please help us grow our Podcast by leaving us 5 stars on Spotify or a review on Apple Podcasts. Here is how!
Welcome to Season 03 Episode 16 - the "May Day" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Ray Bonilla on John Singer Sargent; Dr. Robert Strauss on Live at the Met's Madama Butterfly; Sparky and Rhonda Rucker. Notes from the Aisle Seat is available from most of your favorite podcast sites, including Apple Podcast, Google Podcast, Stitcher, Spotify, and Amazon Prime Music, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Ray Bonilla/John Singer Sargent 01:43 Dr. Robert Strauss/Madama Butterfly 19:30 Arts Calendar 36:10 Sparky and Rhonda Rucker 40:34 Media "Faery Song", written and performed by Lisa Thiel, from the album Invocation of the Graces, 2010 "Un bel di", from the opera Madama Butterfly; music by Giacomo Puccini, libretto by Luigi Illica and Giuseppe Giacosa; performed by Asmik Grigorian, soprano, from the May 2024 Metropolitan Opera production, Xian Zhang, conductor La finta giardiniera, K. 196: Ouverture. Allegro molto; W.A.Mozart, composer, Orchestra da Camera Fiorentina, Giuseppe Lanzetta, conductor "Stranger Blues", from the album Treasures and Tears, performed by Sparky and Rhonda Rucker, Rounder Records 1990 "Beltane", from the album The Claws of Dawn, performed by An Danzza, 2018 Artist Links Mr. Ray Bonilla Dr. Robert Strauss Sparky and Rhonda Rucker BECOME AN OPERA HOUSE MEMBER!
Support the Show.
Order your exclusive da Vinci BoldBrush paintbrush set!https://brushoffer.com/collections/boldbrushLearn the magic of marketing with us here at BoldBrush!https://www.boldbrushshow.com/Get over 50% off your first year on your artist website with FASO:https://www.FASO.com/podcast/---On this episode, we sat down with Aaron Westerberg, an oil painter based in California who became interested in art after discovering traditional drawing classes and wanting to pursue the techniques of masters like John Singer Sargent and Richard Schmid. We discuss his journey of becoming an artist through self-study and teaching, his creative process, and how social media has helped him sell paintings directly to collectors. He emphasizes the importance of painting what you love in order to be authentic, and also the importance of keeping costs low as an artist. Finally, he gives us some excellent tips for anyone looking to become a full time artist and he tells us all about his upcoming solo show in June at Arcadia Gallery.Aaron's FASO Site:https://www.aaronwesterberg.com/Aaron's Instagram:https://www.instagram.com/westerberg/
Visita all'hotel dove Mussolini si rifugiò nel 1943 e che si appresta a diventare albergo di lusso, e la mostra che racconta la moda tramite le opere di John Singer Sargent. Nella versione Weekend di Start parliamo anche del mercato, in veloce crescita, dei profumi artistici. Con due appuntamenti da non perdere per la prossima settimana
Pietsch, Hanswww.deutschlandfunk.de, Kultur heute
Historical Fine Art - On this episode we have Erica Hirshler, exhibition curator and Croll Senior Curator of American Paintings from the Museum of Fine Arts, Boston! Erica talks with us about Fashion by Sargent, a current exhibition held at MFA Boston running through January 15, 2024. The exhibit features 50 paintings by legendary American artist John Singer Sargent paired with period piece garments that he brings to life in his portraits. We talk about the innovation of the show and how it captures the essence of Sargent's work and explores how he influenced his sitters and society of that time. For more information and tickets, please visit: https://www.mfa.org/exhibition/fashioned-by-sargent
The great painter John Singer Sargent, an American expat, is the subject of a new show at Boston's Museum of Fine Arts. It reveals much about his methods and why his work remains relevant more than a hundred years later. Special correspondent Jared Bowen of GBH Boston reports for our arts and culture series, CANVAS. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders
Poor Balfour. He achieved a surprising amount considering how little time he had as head of government. What made it worse was that most of the measures he pushed through attracted at least as much criticism as praise. Often they caused deepening rifts amongst his own Unionists and even, on at least one occasion, strengthened the Liberals by helping to unite them again after their own deep splits on the Boer War. At least he did manage to get an Entente Cordiale with the French, ratcheting way, way down the traditional tensions between Britain and its neighbour across the Channel. On top of that, he had to deal with an old friend, George Curzon, who as viceroy of India found himself, like other colonial governors, unable to resist the temptation to launch a military adventure. The expedition into Tibet cost lives, though mostly among the poorly armed Tibetans, cut down by the superior British weapons, and in the end achieved virtually nothing. Which was entirely emblematic of Balfour's time in the top job. Illustration: Detail of John Singer Sargent's portrait of Balfour in 1908. National Portrait Gallery 6620 Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License.
From Iraq and Afghanistan and news headlines today back to earlier battles in the Spanish Civil War and World War Two, the relationship between war, photography and the press has affected attitudes towards conflicts. In the annual Remembrance discussion organised in partnership with the Imperial War Museum, Free Thinking presenter Anne McElvoy's panel are: Toby Haggith Senior Curator, Department of Second World War and Mid 20th Century Conflict; Irish Iraqi artist Jananne Al-Ani, whose work explores surveillance, aerial reconnaissance and exodus after warfare; Charlie Calder-Potts, who was an official war artist with the British Army in Afghanistan 2013/14; and Caroline Brothers, author of War and Photography: A Cultural History. The Blavatnik Art, Film and Photography Galleries at IWM London include around 500 works from the museum collections including John Singer Sargent's painting Gassed, Steve McQueen's response to the 2003 war in Iraq, Queen and Country, and works by artists including Paul Nash, Laura Knight, Peter Jackson, Olive Edis and Omer Fast. Charlie Calder-Potts works with aluminium, wasli, wood panel and vellum (calf skin); combining photography, painting and drawing and has worked in Afghanistan, Iraq, Pakistan, Iran and Russia. Jananne Al-Ani is an Irish Iraqi artist who teaches at the University of the Arts London. Her video piece Timelines which was on display at the Towner Art Gallery Eastbourne last year and has recently been seen at the Ab-Anbar Gallery, London, explores Armistice Day 1918 in the town of al-Hindayyah in what is now modern-day Iraq. Caroline Brothers is the author of War and Photography A Cultural History. Producer: Torquil MacLeod You can find a collection of episodes exploring war and conflict on the Free Thinking programme website which include past discussions organised in partnership with the IWM.
WEBSITE: https://www.susanlyon.com INSTAGRAM: https://www.instagram.com/lyonfineart/ Susan Lyon grew up in Oak Park, Illinois. Her initial interest in art was sparked by a PBS television show on Georgia O'Keefe, that inspired her to take weekend art classes. Lyon studied art at the American Academy of Art in Chicago and was an active participant in Chicago's Palette and Chisel Club. It is there she first began exhibiting and selling her work. She entered the Oil Painters of America. Susan draws inspiration from painters of the Guilded age such as Anders Zorn, Joaquin Sorolla and John Singer Sargent. She also is passionate about artists like Philip Malavin from Russia and contemporary masters Richard Schmid and Nancy Guzik. Lyon's technique is to paint wet on wet to start and then wet on dry for her finishing touches. "My style is realistic with as much impressionistic color as possible. I like to combine wide brushes for sweeping strokes in the background with small, soft brushes for subtle details in my center of interest. One of my greatest passions is drawing, I hope to show collectors that works on paper is a wonderful addition to a serious collection." Susan lives in a rural area of North Carolina with her husband, artist Scott Burdick, whom she met at the Palette and Chisel Art Club in Chicago. She and her husband travel widely "The excitement of traveling, seeing so many new sights and people, plus incredible works in museums; combined with the challenge of painting on the spot make me a travel addict! Even before I go on a trip I'm planning the one after." Susan works equally in Oil and Pastel/charcoal and Mixed Media. _________________________________________________________________________ THANKS TO OUR SPONSORS: ROSEMARY BRUSHES https://www.rosemaryandco.com HEIN ATELIER https://heinatelier.com/ _________________________________________________________________________ THANK YOU TO ALL OF MY GENEROUS PATRONS! PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW. https://patron.podbean.com/theundrapedartist _________________________________________________________________________ FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE: https://www.instagram.com/THEUNDRAPEDARTIST/ https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/ https://www.youtube.com/@theundrapedartist __________________________________________________________________________ FOLLOW THE HOST, JEFF HEIN: Jeffhein.com https://www.facebook.com/jeffrey.hein.16/ https://www.instagram.com/jeff_hein_art/ https://www.instagram.com/jeff_hein_studio/
WEBSITE: https://www.susanlyon.com INSTAGRAM: https://www.instagram.com/lyonfineart/ Susan Lyon grew up in Oak Park, Illinois. Her initial interest in art was sparked by a PBS television show on Georgia O'Keefe, that inspired her to take weekend art classes. Lyon studied art at the American Academy of Art in Chicago and was an active participant in Chicago's Palette and Chisel Club. It is there she first began exhibiting and selling her work. She entered the Oil Painters of America. Susan draws inspiration from painters of the Guilded age such as Anders Zorn, Joaquin Sorolla and John Singer Sargent. She also is passionate about artists like Philip Malavin from Russia and contemporary masters Richard Schmid and Nancy Guzik. Lyon's technique is to paint wet on wet to start and then wet on dry for her finishing touches. "My style is realistic with as much impressionistic color as possible. I like to combine wide brushes for sweeping strokes in the background with small, soft brushes for subtle details in my center of interest. One of my greatest passions is drawing, I hope to show collectors that works on paper is a wonderful addition to a serious collection." Susan lives in a rural area of North Carolina with her husband, artist Scott Burdick, whom she met at the Palette and Chisel Art Club in Chicago. She and her husband travel widely "The excitement of traveling, seeing so many new sights and people, plus incredible works in museums; combined with the challenge of painting on the spot make me a travel addict! Even before I go on a trip I'm planning the one after." Susan works equally in Oil and Pastel/charcoal and Mixed Media. _________________________________________________________________________ THANKS TO OUR SPONSORS: ROSEMARY BRUSHES https://www.rosemaryandco.com HEIN ATELIER https://heinatelier.com/ _________________________________________________________________________ THANK YOU TO ALL OF MY GENEROUS PATRONS! PLEASE CONSIDER HELPING TO KEEP THIS PODCAST GOING BY BECOMING A MONTHLY PATRON. JUST CLICK THE LINK BELOW. https://patron.podbean.com/theundrapedartist _________________________________________________________________________ FOLLOW THE PODCAST ON INSTAGRAM, FACEBOOK AND YOUTUBE: https://www.instagram.com/THEUNDRAPEDARTIST/ https://www.facebook.com/people/The-Undraped-Artist-Podcast/100083157287362/ https://www.youtube.com/@theundrapedartist __________________________________________________________________________ FOLLOW THE HOST, JEFF HEIN: Jeffhein.com https://www.facebook.com/jeffrey.hein.16/ https://www.instagram.com/jeff_hein_art/ https://www.instagram.com/jeff_hein_studio/
Laird Mackintosh is a longtime Broadway actor who had the opportunity and privilege to play the Phantom himself in the final performances of the Phantom of the Opera. The Phantom closed in April after 35 years on Broadway and was Broadway's longest running show. Laird discusses playing the Phantom, his long association with the show, and the unpredictable life of being a Broadway actor. In addition, he and I discuss his interest in vintage Ralph Lauren clothing and the business that sprang from it. Plus, Laird is an art lover and an artist so we discuss our mutual admiration for the great John Singer Sargent. Cultural Debris on YouTube Cultural Debris Excursions - Travel With Us! Cultural Debris Patreon - Support the podcast! Cultural Debris Twitter | Instagram Laird Mackintosh Instagram The Need For Tweed, by Eric Twardzik (article on Laird Mackintosh's vintage Polo RL business) Sonnez Les Matines, by Jane Clark Scharl
Venice by the end of the 19th century had lost much of the glory it once had known. Crumbling palazzi, a bad economy and an overall sense of decay permeated the city. New writings published on the long-forgotten Venetian Renaissance painters and artists brought a new stream of visitors to the city including Henry James, John Singer Sargent and James McNeill Whistler among others. American expatriate art connoisseurs such as Daniel and Ariana Curtis and the great Isabella Stewart Gardner all made Venice home for a time. Much of the activity centered around the majestic Palazzo Barbaro on the Grand Canal which the Curtises bought, becoming the scene of much entertaining and socializing among artists. This episode takes a look at what the city meant to James on his many visits since his first in 1869 to his last in 1907. In addition, the show considers what it meant to other artists and how they interpreted it amidst a fascinating, eccentric, educated community of people flowing into the city. We will also take a look at the two great works in which James captured the city and this community, The Aspern Papers (1888) and The Wings of the Dove (1902). Visit the Gilded Gentleman website for more episodes
Holly and Tracy talk about how the 1904 marathoners were abused by race organizers, and discuss lighter stories related to one of the runners. Tracy discusses John Singer Sargent's childhood drawings.See omnystudio.com/listener for privacy information.
Historically Thinking: Conversations about historical knowledge and how we achieve it
John Singer Sargent, Henry Cabot Lodge At the 1920 Republican Convention the journalist and H.L. Mencken observed with great amusement and interest the behavior of Senator Henry Cabot Lodge, the chair of the convention. “Lodge's keynote speech, of course, was bosh,” wrote Mencken, “but it was bosh delivered with an air…Lodge got away with it because he was Lodge—because there was behind it his unescapable confidence in himself, his disarming disdain of discontent below, his unapologetic superiority. This superiority was and is quite real. Lodge is above the common level of his party, his country and his race, and he knows it very well, and is not disposed toward the puerile hypocrisy of denying it.” It is extraordinary, given how Mencken saw Lodge, that we are much more likely to know who H.L. Mencken was then to recognize the name of Henry Cabot Lodge. Of a prominent seafaring family, he received one of the very first PhDs granted by Harvard, was involved in Massachusetts politics from 1880, and in 1892 was elected to the United States Senate—where he served until his death in 1924. He was one of the great political personalities of his age, alongside Theodore Roosevelt, his friend of 35 years, Theodore Roosevelt. Together, as Laurence Jurdem describes in his new book, The Rough Rider and the Professor: Theodore Roosevelt, Henry Cabot Lodge, and the Friendship that Changed American History, they formed an unbeatable team, with Roosevelt thrusting ahead, while Lodge offered canny tactics and strategy, serving as Roosevelt's one man think tank and advisory group. Though their friendship was threatened by Roosevelt's third-party run for the White House, their final years were warmed by their mutual detest for Woodrow Wilson. Laurence Jurdem is currently an adjunct professor of history at Fairfield University and Fordham College's Lincoln Center campus. The author of Paving the Way for Reagan: The Influence of Conservative Media on U.S. Foreign Policy, he is a frequent commentator on American politics. For Further Investigation Think of this conversation as begin the third of a Summer 2023 trilogy on late 19th century American politicians and political culture. It began with President Garfield, then moved backward to describe the context and foundation of "Civil War politics" in the "Age of Lincoln", and now moves out of the Age of Lincoln with two men who were very much born in the Age of Lincoln, but then shaped the foundations of progressivism. Henry Cabot Lodge, Alexander Hamilton–some have said that Roosevelt was one of the few people to respect Hamilton between his death and the late twentieth century. If so, he learned to do it from Lodge, for whom Hamilton was symbolic of what he desired to be as a politician and a policymaker. Henry Cabot Lodge and Theodore Roosevelt, Hero Tales from American History–a co-written book, composed of biographical essays they wrote for The Century Magazine. Lodge's heroes are George Washington, Gouverneur Morris, John Quincy Adams, Francis Parkman, Grant at Vicksburg, Robert Gould Shaw, James Russell Lowell, Sheridan at Cedar Creek, and Abraham Lincoln. With the exception of Grant and Sheridan, it's a collection of Federalists and Bostonians, which is about right. I quoted several times in the podcast from H.L. Mencken's "Lodge", an essay that he included in his A Mencken Chrestomathy. Very much worth seeking out. H.W. Brands, T.R: The Last Romantic Two by Patricia O'Toole, The Five of Hearts: An Intimate Portrait of Henry Adams and his Friends, 1880-1918, and When Trumpets Fade: Theodore Roosevelt After The White House John Garraty, Henry Cabot Lodge: A Biography William H. Harbaugh, Power and Responsibility: The Life and Times of Theodore Roosevelt
Air Date 5/2/2023 Today, we take a look at the intertwining of oil wealth, philanthropy, and culture washing from John Rockefeller to the sheiks of the Middle East. Be part of the show! Leave us a message or text at 202-999-3991 or email Jay@BestOfTheLeft.com Transcript BestOfTheLeft.com/Support (Get AD FREE Shows and Bonus Content) Join our Discord community! OUR AFFILIATE LINKS: ExpressVPN.com/BestOfTheLeft GET INTERNET PRIVACY WITH EXPRESS VPN! SHOW NOTES Ch. 1: Who Were the Robber Barons? - Brain Blaze - Air Date 10-29-19 The Robber Barons were some dudes who got rich and were pretty sketchy about it all, but then founded a bunch of universities and stuff like that, so I guess we're cool? Ch. 2: Jane Mayer / The Koch Brothers and the Weaponizing of Philanthropy - EthicsinSociety - Air Date 4-6-16 Why is America living in an age of profound economic inequality? Why, despite the desperate need to address climate change, have even modest environmental efforts been defeated again and again? Ch. 3: “Sportswashing & Greenwashing”: Ex-Soccer Player Jules Boykoff on Qatar Hosting World Cup - Democracy Now! - Air Date 11-29-22 We speak with author Jules Boykoff about the climate and political implications of the 2022 World Cup. Ch. 4: How One Industry Controls Football - Athletic Interest - Air Date 11-5-21 Who controls football? Ch. 5: Why Billionaire Philanthropy Won't Solve Anything - Second Thought - Air Date 2-25-22 You ever notice how oligarchs like Warren Buffet and Bill Gates are cast as these uber-wealthy saviors who are singlehandedly raising the world out of poverty? That doesn't happen by accident. Ch. 6: What Is Sportswashing (and Does It Work)? - Freakonomics - Air Date 6-8-22 In ancient Rome, it was bread and circuses. Today, it's a World Cup, an Olympics, and a new Saudi-backed golf league that's challenging the P.G.A. Tour. Ch. 7: Why Billionaires Won't Save Us - Our Changing Climate - Air Date 5-21-21 I look at how the elite philanthropy of Bill Gates, Jeff Bezos, and Elon Musk function as more of a billionaire preservation of wealth and self than as an act of altruism. Ch. 8: Anand Giridharadas: Why We Should Be Skeptical of Billionaires - Amanpour and Company - Air Date 9-19-18 Anand Giridharadas believes we should be a bit more skeptical about embracing billionaires as the change-makers of our era. MEMBERS-ONLY BONUS CLIP(S) Ch. 9: The 2022 FIFA World Cup And The Rise Of 'Sportswashing' (In The Loop) - Scripps News - Air Date 11-21-22 Christian Bryant explores why sporting events are and can be held in countries with authoritarian regimes in this segment of "Scoreboard." Ch. 10: Fixing the Economy - Garys Economics - Air Date 11-27-22 After having opened up the publics eyes to the problem of Wealth Inequality, Gary reveals to the Channel his own idea for a possible Wealth Tax. VOICEMAILS Ch. 11: Reaching a conclusion on understanding the J.K Rowling episode - Boris from Belgium Ch. 12: The is/ought malfunction in our pattern recognition - Dave from Olympia, WA FINAL COMMENTS Ch. 13: Final comments on the is/ought problem of politics MUSIC (Blue Dot Sessions) SHOW IMAGE Description: A diptych of photos of Mohammad bin Salman and a painting of John. D. Rockefeller. A drop of black oil falls into a splash over the center of the image. Credits: Composite design by A. Hoffman. Photo of “Defense Secretary Jim Mattis stands with Deputy Crown Price of Saudi Arabia Mohammad bin Salman Al Saud” by U.S. Secretary of Defense, Flickr | License: CC by 2.0) | Changes: Cropped / Photo of painting of J.D. Rockefeller by John Singer Sargent, Flickr | License: Public Domain | Changes: Cropped / Oil drop and splash from Pixabay. Produced by Jay! Tomlinson Visit us at BestOfTheLeft.com
In this episode, we get excited about two books: The Lioness of Boston by Emily Franklin and The Partisan by Patrick Worrall. Then guest Jeremy Anderberg shares a fun website to find great new-to-you titles. LINKS The Lioness of Boston by Emily Franklin The Partisan by Patrick Worrall Video: The history of the Isabella Stewart Gardner Museum. Video: A tour of the Isabella Stewart Gardner Museum. An Explosive Netflix Documentary About the $500 Million Isabella Stewart Gardner Heist. Netflix: This is a Robbery: The World's Biggest Art Heist. Portrait of Isabella Stewart Gardner by John Singer Sargent. Isabella Stewart Gardner ‘Come to Tea' mug. Jeremy Anderberg's Read More Books, The Big Read, and Instagram. Shepherd.com Transcript of this episode The Library of Lost Time is a Strong Sense of Place Production! https://strongsenseofplace.com Do you enjoy our show? Want access to fun bonus content? Please support our work on Patreon. Every little bit helps us keep the show going and makes us feel warm and fuzzy inside - https://www.patreon.com/strongsenseofplace As always, you can find us at: Our site Instagram Facebook Twitter Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices
Air Date 5/2/2023 Today, we take a look at the intertwining of oil wealth, philanthropy, and culture washing from John Rockefeller to the sheiks of the Middle East. Be part of the show! Leave us a message or text at 202-999-3991 or email Jay@BestOfTheLeft.com Transcript BestOfTheLeft.com/Support (Get AD FREE Shows and Bonus Content) Join our Discord community! OUR AFFILIATE LINKS: ExpressVPN.com/BestOfTheLeft GET INTERNET PRIVACY WITH EXPRESS VPN! SHOW NOTES Ch. 1: Who Were the Robber Barons? - Brain Blaze - Air Date 10-29-19 The Robber Barons were some dudes who got rich and were pretty sketchy about it all, but then founded a bunch of universities and stuff like that, so I guess we're cool? Ch. 2: Jane Mayer / The Koch Brothers and the Weaponizing of Philanthropy - EthicsinSociety - Air Date 4-6-16 Why is America living in an age of profound economic inequality? Why, despite the desperate need to address climate change, have even modest environmental efforts been defeated again and again? Ch. 3: “Sportswashing & Greenwashing”: Ex-Soccer Player Jules Boykoff on Qatar Hosting World Cup - Democracy Now! - Air Date 11-29-22 We speak with author Jules Boykoff about the climate and political implications of the 2022 World Cup. Ch. 4: How One Industry Controls Football - Athletic Interest - Air Date 11-5-21 Who controls football? Ch. 5: Why Billionaire Philanthropy Won't Solve Anything - Second Thought - Air Date 2-25-22 You ever notice how oligarchs like Warren Buffet and Bill Gates are cast as these uber-wealthy saviors who are singlehandedly raising the world out of poverty? That doesn't happen by accident. Ch. 6: What Is Sportswashing (and Does It Work)? - Freakonomics - Air Date 6-8-22 In ancient Rome, it was bread and circuses. Today, it's a World Cup, an Olympics, and a new Saudi-backed golf league that's challenging the P.G.A. Tour. Ch. 7: Why Billionaires Won't Save Us - Our Changing Climate - Air Date 5-21-21 I look at how the elite philanthropy of Bill Gates, Jeff Bezos, and Elon Musk function as more of a billionaire preservation of wealth and self than as an act of altruism. Ch. 8: Anand Giridharadas: Why We Should Be Skeptical of Billionaires - Amanpour and Company - Air Date 9-19-18 Anand Giridharadas believes we should be a bit more skeptical about embracing billionaires as the change-makers of our era. MEMBERS-ONLY BONUS CLIP(S) Ch. 9: The 2022 FIFA World Cup And The Rise Of 'Sportswashing' (In The Loop) - Scripps News - Air Date 11-21-22 Christian Bryant explores why sporting events are and can be held in countries with authoritarian regimes in this segment of "Scoreboard." Ch. 10: Fixing the Economy - Garys Economics - Air Date 11-27-22 After having opened up the publics eyes to the problem of Wealth Inequality, Gary reveals to the Channel his own idea for a possible Wealth Tax. VOICEMAILS Ch. 11: Reaching a conclusion on understanding the J.K Rowling episode - Boris from Belgium Ch. 12: The is/ought malfunction in our pattern recognition - Dave from Olympia, WA FINAL COMMENTS Ch. 13: Final comments on the is/ought problem of politics MUSIC (Blue Dot Sessions) SHOW IMAGE Description: A diptych of photos of Mohammad bin Salman and a painting of John. D. Rockefeller. A drop of black oil falls into a splash over the center of the image. Credits: Composite design by A. Hoffman. Photo of “Defense Secretary Jim Mattis stands with Deputy Crown Price of Saudi Arabia Mohammad bin Salman Al Saud” by U.S. Secretary of Defense, Flickr | License: CC by 2.0) | Changes: Cropped / Photo of painting of J.D. Rockefeller by John Singer Sargent, Flickr | License: Public Domain | Changes: Cropped / Oil drop and splash from Pixabay. Produced by Jay! Tomlinson Visit us at BestOfTheLeft.com
Historiquement Vôtre réunit 3 personnages classés X (mais qui n'ont rien de pornographiques) : Malcolm Little qui a choisi le surnom de Malcolm X pour effacer le passé d'esclave de ses ancêtres et le nom resté associé, devenu, sous ce pseudonyme célèbre, l'une des figures de la lutte pour les droits des Afro-Américains. Puis, elle aussi, c'est aux Etats-Unis qu'elle est née, mais c'est en France qu'elle a vécu : la mondaine parisienne Virginie Gautreau, alias « Madame X » sur un tableau du peintre John Singer Sargent qui l'a représentée, sans se douter qu'il allait provoquer un véritable tollé… l'obligeant à gommer l'identité de son modèle ! Et un rappeur américain qui, à tout juste 24 ans, révolutionne l'univers du rap en assumant et revendiquant son homosexualité : Lil Nas X.
Stéphane Bern, entouré de ses chroniqueurs historiquement drôles et parfaitement informés, s'amuse avec l'Histoire – la grande, la petite, la moyenne… - et retrace les destins extraordinaires de personnalités qui n'auraient jamais pu se croiser, pour deux heures où le savoir et l'humour avancent main dans la main. Aujourd'hui, : la mondaine parisienne Virginie Gautreau, alias « Madame X » sur un tableau du peintre John Singer Sargent qui l'a représentée, sans se douter qu'il allait provoquer un véritable tollé… l'obligeant à gommer l'identité de son modèle !
This week on Unorthodox, are the Muppets Jewish? Our Jew of the Week is Ruth Markel, whose son, Dan Markel, was murdered in 2014 (the case is featured on the first season of the podcast Over My Dead Body). She joined us to discuss the book she's written about dealing with the trauma of losing a son to murder, as well as becoming an activist against grandparent alienation. Our Gentile of the Week is comedian Zarna Garg, who tells us how her experience as an Indian immigrant influences her comedy, as well as the role of funny Jewish moms in her comedy journey. Her question for the hosts is a spicy one: how do Jewish parents feel about their kids dating outside the religion? We love to hear from you! Send us emails and voice memos at unorthodox@tabletmag.com, or leave a voicemail at our listener line: (914) 570-4869. Remember to tell us who you are and where you're calling from. Merch alert! Check out our new Unorthodox tees, mugs, and hoodies at tabletstudios.com. We're back on the road! Find out about our upcoming events at tabletmag.com/unorthodoxlive. To book us for a live show or event, email Tanya Singer at tsinger@tabletmag.com. Subscribe to our weekly newsletter to get new episodes, photos, and more. Join our Facebook group, and follow Unorthodox on Twitter and Instagram. Get a behind-the-scenes look at our recording sessions on our YouTube channel. Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. SPONSOR: The Sassoons, now on view at the Jewish Museum, reveals the fascinating story of a remarkable Jewish family. Explore a rich selection of artwork collected by family members over time, including portraits by John Singer Sargent, illuminated manuscripts, and rare Judaica. Learn more at thejewishmuseum.org.
This week on Unorthodox, we're going down the rabbit hole. Our Jew of the Week is Hen Mazzig, who joined us to talk about fighting antisemitism online, as well as his new book, The Wrong Kind of Jew: a Mizrahi Manifesto. Our Gentile of the Week is Gabriel Said Reynolds, who teaches theology at Notre Dame and runs a popular YouTube channel called Exploring the Quran and the Bible. We love to hear from you! Send us emails and voice memos at unorthodox@tabletmag.com, or leave a voicemail at our listener line: (914) 570-4869. Remember to tell us who you are and where you're calling from. Merch alert! Check out our new Unorthodox tees, mugs, and hoodies at tabletstudios.com. We're back on the road! Find out about our upcoming events at tabletmag.com/unorthodoxlive. To book us for a live show or event, email Tanya Singer at tsinger@tabletmag.com. Subscribe to our weekly newsletter to get new episodes, photos, and more. Join our Facebook group, and follow Unorthodox on Twitter and Instagram. Get a behind-the-scenes look at our recording sessions on our YouTube channel. Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. SPONSOR: The Sassoons, now on view at the Jewish Museum, reveals the fascinating story of a remarkable Jewish family. Explore a rich selection of artwork collected by family members over time, including portraits by John Singer Sargent, illuminated manuscripts, and rare Judaica. Learn more at thejewishmuseum.org. storymark is a podcast about leaders and the moments that make them. Each guest is leaving a unique mark on their industry and the world - and all are anchored by a connection to Israel. Learn more at storymarkpodcast.org.
This week on Unorthodox, we're streaming History of the World, Part II. Our Jew of the Week is professor and Jewish comedy expert Jeremy Dauber, who joins us to talk about his new book, Mel Brooks: Disobedient Jew. Our Gentile of the Week is actress Elisa Donovan, who tells us about acting in Clueless, Sabrina the Teenage Witch, and Beverly Hills, 90210, and about the experiences she writes about in her new book, Wake Me When You Leave: Love and Encouragement via Dreams from the Other Side. Her question for the hosts is what to give as a bar mitzvah gift. We love to hear from you! Send us emails and voice memos at unorthodox@tabletmag.com, or leave a voicemail at our listener line: (914) 570-4869. Remember to tell us who you are and where you're calling from. Merch alert! Check out our new Unorthodox tees, mugs, and hoodies at tabletstudios.com. We're back on the road! Find out about our upcoming events at tabletmag.com/unorthodoxlive. To book us for a live show or event, email Tanya Singer at tsinger@tabletmag.com. Subscribe to our weekly newsletter to get new episodes, photos, and more. Join our Facebook group, and follow Unorthodox on Twitter and Instagram. Get a behind-the-scenes look at our recording sessions on our YouTube channel. Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. Sponsors: The Sassoons, now on view at the Jewish Museum, reveals the fascinating story of a remarkable Jewish family. Explore a rich selection of artwork collected by family members over time, including portraits by John Singer Sargent, illuminated manuscripts, and rare Judaica. Learn more at thejewishmuseum.org.
The Folger: Hey ChatGPT! Could you write a six line Shakespearean monologue in iambic pentameter about an interview with Jennifer Black, Laura Turchi, and John Ladd about the challenges and opportunities that ChatGPT presents in the English classroom? Thank you! ChatGPT: Of course, I'd be happy to write a Shakespearean monologue on that topic! Here it is: Oh, how ChatGPT may bring the bard to light, And in the English classroom, set things right. With Jennifer, Laura, John to lead the way, They'll show the world what ChatGPT can convey. For in its code, a wealth of knowledge lies, And students learn, to their great teachers' surprise. Based on that monologue, Open AI's ChatGPT tool obviously believes that it can be a positive addition to the classroom. Should you share its optimistic outlook? Our host Barbara Bogaev talks with Jennifer Black of Boise State University, Laura Turchi of Arizona State University, and John Ladd of Washington and Jefferson College about the challenges and opportunities that artificial intelligence tools offer English teachers. Check out this episode on our website to see a gallery of Shakespeare portraits "created" by Open AI's DALL-E tool, responding to prompts including "Shakespeare piloting a Shakespeare in the style of Cowboy Bebop," "Robot William Shakespeare in the style of John Singer Sargent," "Photorealistic image Shakespeare in cyberspace," and "Shakespeare sitting on a cliffside in a jungle working on a laptop." Dr. Jennifer Black is a Lecturer in English Literature at Boise State University, where she teaches a broad range of undergraduate courses in literature and humanities. Her most recent publications focus on teaching Shakespeare online, leadership and ethics in Shakespeare's plays, and flipping the college classroom. Dr. John R. Ladd is an assistant professor in Computing and Information Studies at Washington & Jefferson College. His teaching and research focuses on the use of data across a wide variety of domains, especially in cultural and humanities contexts, as well as on the histories of information and technology. He has published essays and web projects on cultural analytics and humanities data science, the history of data, and network analysis. Dr. Laura Turchi is a teacher educator specializing in English Language Arts. She co-authored Teaching Shakespeare with Purpose: A Student-Centered Approach (Bloomsbury/Arden) with Ayanna Thompson and recently completed Teaching Shakespeare with Interactive Editions (forthcoming from Cambridge University Press ). Turchi is Clinical Professor in English at Arizona State University, where she directs curriculum development for “RaceB4Race: Sustaining, Building, Innovating” at the Arizona Center for Medieval and Renaissance Studies. From the Shakespeare Unlimited podcast. Published February 28, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Shane McKeon, Kristin Vermilya, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
Welcome to a bonus episode of ArtCurious featuring my interview with Paul Fisher about his latest book, The Grand Affair: John Singer Sargent in His World. An iconic American artist, John Singer Sargent was also a complicated and mysterious man. While presenting himself as a reserved, buttoned-up businessman, he scandalized viewers on both sides of the Atlantic with the frankness and sensuality of his work. He charmed the possessors of new money and old, while reserving his greatest sympathies for Bedouins, Spanish dancers, and the gondoliers of Venice. At the height of his renown in Britain and America, he quit his lucrative portrait-painting career to concentrate on allegorical murals with religious themes—and on nude drawings of male models that he kept to himself and that were left undiscovered until after Sargent's death. In his groundbreaking new biography, the scholar Paul Fisher offers a vivid life of the buttoned-up artist and his unbuttoned work. Sargent's nervy, edgy portraits exposed illicit or dark feelings in himself and his sitters—feelings that London, Paris, and New York high society was fascinated by yet kept at bay. Masterfully researched and stunningly written, The Grand Affair brings back to life one of our most beloved artists and solidifies Fisher as a master of the genre. Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Instagram / Facebook / YouTube Buy The Grand Affair here! SPONSORS: BetterHelp: Get 10% off your first month of counseling The Barnes Foundation: For a limited time, get 10% off your first Barnes Class when you visit our link Canvasprints.com: Get 25% off of your entire order of canvas prints, canvas wall displays, metal prints, photo tiles, photo blankets and pillows, and much more when you use code ARTCURIOUS25 Learn more about your ad choices. Visit megaphone.fm/adchoices