Podcasts about taffy brodesser akner

[REBROADCAST FROM Jul 9, 2024] The novel Long Island Compromise from Taffy Brodesser-Akner is now out in paperback. It follows a very wealthy Long Island family coping with the aftermath of a kidnapping scheme. Brodesser-Akner discusses the book as part last summer's Get Lit with All Of It book club. 

"Die Fletschers von Long Island" von Taffy Brodesser Akner – eine Rezension von Marius Müller(Hördauer 08 Minuten)In dieser Familie ist wohl wirklich der Dibbuk drin. Taffy Brodesser Akner schildert nach Fleischmann steckt in Schwierigkeiten in ihrem zweiten auf Deutsch vorliegenden Roman Die Fletchers von Long Island das Unglück, das sämtliche Mitglieder der Familie Fletcher erfasst, nachdem das Familienoberhaupt entführt wurde. Ein jüdischer Familienroman in der Tradition des Great American Novel. ...Marius Müller mit seinem Literaturblog Buch-Haltung hat uns als Literatur Radio Hörbahn aus seinen Blog-Beiträgen diejenigen auszusuchen und zu vertonen, die uns zu unseren Hörern zu passen scheinen. Herzlichen Dank dafür!Wir werden jeden Beitrag zu seiner Seite verlinken, damit man ihn bei Bedarf Nachlesen kann.Den Volltext dieser Rezension findest Du hierWenn dir Rezensionen gefallen, hör doch mal hier hinein.Unsere Live-Sendungen in Schwabing

Katharina Geiser erzählt vom Leben ihrer Ururgrossmutter in einem Berner Armenhaus Mitte des 20. Jahrhunderts und öffnet damit ein dunkles Kapitel der Schweizer Geschichte. Sunil Mann thematisiert in zwölf Kurzgeschichten etwas, das wohl viele kennen: die Sprachlosigkeit in Beziehungen. Die Ururgrossmutter der Schweizer Autorin Katharina Geiser wurde im Jahr 1953 in ein Armenhaus bei Thun zwangseingewiesen. Nach fünf Tagen dort starb sie. In ihrem neuen Roman «Die Wünsche gehören uns» spürt Geiser diesen letzten Tagen ihrer Ururgrossmutter nach – und beleuchtet so ein dunkles Kapitel Schweizer Geschichte: die fürsorgerischen Zwangsmassnahmen. Auf berührende Weise zeige Geiser die Zustände, die in dem Armenhaus geherrscht haben, sagt SRF-Literaturredaktorin Katja Schönherr. Es wird über mehr geschwiegen als gesprochen. Zu diesem Eindruck gelangt man bei der Lektüre des ersten Erzählbandes des Schweizer Autors Sunil Mann mit dem Titel «Bleiben tun sie nie». In zwölf Geschichten lotet der Autor das verschwiegene Abgründige in Beziehungen aus. Das Buch entwickle viel Sog, findet Felix Münger: Die Geschichten bauten ab der ersten Seite Spannung auf und mündeten alle in – zumeist dunkle – Pointen. Die Texte böten zwölf Mal Einblicke in zwischenmenschliche Konstellationen und seien auch «im Schmerzhaften voller Poesie». «Die Fletchers von Long Island» ist der heutige Kurztipp, den Britta Spichiger vorstellt. Der umfangreiche Roman erzählt, wie die Entführung des reichen Industriellen Carl Fletcher auch nach Jahren noch das Leben seiner ganzen Familie prägt. Dabei gelingt es der Autorin, differenziert und doch leicht lesbar vor allem zwei Themen aufzugreifen: welche Auswirkungen nicht bewältigte Traumata haben können – und was passiert mit Kindern schwerreicher Eltern, die so übersättigt sind mit allem, dass es schwierig ist, ein eigenes Lebensziel zu definieren. Buchhinweise: Katharina Geiser. Die Wünsche gehören uns. 256 Seiten. Jung und Jung, 2025. Sunil Mann. Bleiben tun sie nie. 237 Seiten. Geparden, 2025. Taffy Brodesser-Akner. Die Fletchers von Long Island. Aus dem Amerikanischen von Sophie Zeitz. 576 Seiten. Eichborn, 2025.

“The force of his will is the thing I remember about him,” says Taffy Brodesser-Akner, who wrote a profile of Val Kilmer for The New York Times Magazine in May 2020. “He was sure he was going to come back to his exact former self. ”The two met for an interview just as a lockdown due to the coronavirus pandemic seemed all but certain to happen.Mr. Kilmer, who was diagnosed with throat cancer in 2014 and had undergone a tracheotomy, was still performing. Mr. Brodesser-Akner credits him with providing “the first whiff of overarching hope and positivity that I'd witnessed in I couldn't remember how many months.”“What does somebody do when the thing that they are known for, which is being a superhero, which is being an action hero, which is being handsome, which is being this sort of picture of good health and vigor, what do you do next?” she said. “And a lot of people, they fade away. But that's not how it went for Val. ”Mr. Kilmer, who played classic roles such as Batman and Iceman in “Top Gun,” died on Tuesday in Los Angeles. He was 65. Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Ja... ich weiß. Aber keine Angst, es wird nicht ganz so schlimm wie damals in den 80ern, oder den 60ern, von den 40ern gar nicht zu reden."Herr Falschgold hat gesagt, der Holocaust ist nicht mehr so schlimm!"Exakt.In meiner Jugend, in der DDR, liefen am Jahrestag der Befreiung des Konzentrationslagers Auschwitz noch Tausende von ehemaligen Häftlingen in ihren gestreiften Anzügen mit dem gelben Stern oder dem roten Dreieck die Strecke des Todesmarsches ab. Sowas brennt sich ein in ein Kinderhirn.Zwanzig Jahre später, in den Neunzigern, im Kibbuz in Israel als Freiwilliger, freundete ich mich mit einem Bewohner an. Er hieß Bedolf. Bedolf war ein alter Berliner mit Schnauze. Seine Heimat hatte er damals, im Jahr 1998, schon seit fünfundsechzig Jahren nicht mehr gesehen. Er hatte Anfang der Dreißiger, eher als viele andere, die Zeichen der Zeit erkannt und ging nach Palästina. Er hieß da noch Adolf, was ein ganz normaler Jungsname war, und hätte ich in '98 schon gewusst, was ich heute von der Geschichte des Zionismus, Palästinas und der Gründung des Staates Israel weiß, hätten wir ein wirkliches Gesprächsthema gehabt. So habe ich ihn natürlich befragt, ob er wirklich Bedolf heiße (unklar) und über den Holocaust. Bedolf hat mich nur angeschaut, leise und bestimmt gesagt, dass er lange vorher rausgekommen ist und damit war das Thema erledigt.Heute in den 2020ern gibt es nahezu keine Überlebenden der Judenvernichtung mehr. Die Erinnerungen an die Shoa sind von den Opfern auf deren Kinder, Enkel, Großenkel übergegangen, von der Tätergeneration auf die unseren.Die Shoa war ein Verbrechen gegen die Menschlichkeit. So ist sie definiert, haben wir alle gelernt. Das Verbrechen gegen die Menschlichkeit. Aber man kann das "Das" noch so kursiv setzen, man wird ihm nicht gerecht. Gleich gar nicht in Worte zu fassen ist die Innenansicht, die Gefühle der Überlebenden und ihrer Nachfahren (und nur um die wird es in diesem Text gehen). Das muss versucht werden, klar. Wenn man über etwas sprechen will, braucht es Worte. Aber "Shoa" ist zu abstrakt, "Holocaust" zu institutionalisiert. Ok, nennen wir es "Trauma"? Das ist vielleicht zu allgemein, aber hat den Vorteil, dass es die Gefühlswelt der Opfer in den Empfindungsbereich ihrer Mitmenschen bringt. Trauma kennt jeder vom Sport, aus der Liebe, aus dem Leben. Damit ist es vielleicht doch das beste Wort, wenn man über das sprechen möchte, worüber man nicht sprechen kann. Heute nicht mehr, weil fast alle Überlebenden tot sind, damals nicht, weil sie noch gelebt haben. Aber wir müssen über den Holocaust sprechen!Das sagte sich Taffy Brodesser-Akner, nachdem sie mit ihrem Debutroman 2019 "Fleishman is in trouble" einen wirklichen Erfolg gelandet hatte. Die rasante Story um eine New Yorker Middle-Class-Familie (also aus unserer Sicht "f*****g rich"), in der unten, oben, männlich, weiblich, richtig und falsch wild durcheinandergewirbelt wurden, voller Überraschungen und mit genau der richtigen Mischung aus jiddisch/jüdisch/amerikanischer Stereotype und deren Brechen, war der reine fun.In den erzählenden Künsten sind Stereotype meist ein großer Spaß (wenn man auf sowas steht) und haben auch im realen Leben eine Funktion. Sie halten Erinnerungen wach, sie verbinden Gruppen, deren Individuen oft gar nicht so viel gemein haben; da muss man manchmal ein bisschen nachhelfen, passend machen, verallgemeinern. Die Kehrseite des gruppenverbindenden Holzschnittes ist, dass ein Stereotyp abgrenzt, nach und von außen. Auch wenn der erste Gedanke in aufgeklärten Kreisen ein "Nonononono!" ist: "Abgrenzung böse! Pfui! Aus!" sollte man das anthropologisch neutral sehen. Nicht jede Abgrenzung ist eine Ausgrenzung, ein Akt der Gewalt; zumindest geht sie vom Grenzenziehen nicht zwangsläufig aus. Bei Juden ist die Abgrenzung nach ein paar tausend Jahren Verfolgung, mit der bekannten Kulmination vor achtzig Jahren, eher Selbstschutz. Man weiß, was man aneinander hat und damit kein anderer. Leider ist das neben seltsamen Haar- und Bartmoden, einer Sprache voller Rachenlaute und absurden Ideen, wie man einen Fisch FILLT, vor allem eines - ein Trauma.Nun können es nicht nur deutsche Schulkinder nicht mehr hören, wenn ihnen der Holocaust so erklärt wird, wie das noch vor fünfzig Jahren üblich war. Zu abstrakt, zu brutal oft, zu abstumpfend gleichzeitig, wird institutionalisiert erklärt, was nicht zu verstehen ist. Ein anderer Ansatz scheint nötig, das Verbrechen und seine Nachwirkungen auf ein menschlich erfühlbares Niveau zu bringen. Zum Beispiel, indem man die Geschichte der nachfolgenden Generationen erzählt, ohne Holzhammer und Zeigefinger, verpackt in eine absolut packende, moderne Story. Eine Familiengeschichte vielleicht, mit ein bisschen Kriminalität, Drama, Eifersucht. Wir denken "Billions", "Yellowstone" oder "Succession". Inklusive bekommt man bei einem solchen Herangehen aber den zwangsläufigen kollektiven Aufschrei der Aufpasser, vor der "Verharmlosung der unvergleichlichen Shoa" wird gewarnt werden. Das ist so reflexhaft wie unvermeidlich und somit kann nur eine Jüdin eine solche Story schreiben. Exakt das ist es, was Taffy Brodesser-Akner mit "Die Fletchers von Long Island" anging und was ihr, vorab, ziemlich hervorragend gelingt.Hervorragend deshalb (auf das "ziemlich" kommen wir zum Schluss), weil "Long Island Compromise" (so der Originaltitel) zunächst einmal eine ganz normale amerikanische Geschichte ist, in den Fußstapfen eines Franzen, eines Irving oder Updike. Wir schreiben die frühen 1980er und lernen die Fletchers kennen, eine prototypische weiße, reiche Industriellenfamilie aus Long Island, also im Norden aus New York City raus und dann rechts abbiegen. Welchem ethnischen Hintergrund sie entstammt, erfahren wir sofort, wird doch gerade eine Bar Mizwa vorbereitet. Der Familienvater, so um die 40 Jahre alt, Sohn eines aus Deutschland 1943 geflohenen Juden, tritt aus der Tür des stattlichen Anwesens und auf dem Weg zu seinem Auto wird er, Sack überm Kopf, entführt. Bummer.Aber Brodesser-Akner hält uns nur ein Kapitel lang in Atem, dann kehrt der Entführte, äußerlich fast unversehrt, zurück. Das Lösegeld, $250.000, ist weg - aber scheißegal, es sind Peanuts für die Zeit und die finanziellen Umstände, in denen sich die Familie befindet. Ist ja nix passiert. Ok, wirklich? Das fragen wir uns gerade noch, so schnell geht das alles, da macht das Buch einen Cut und wir sind in den Zwanzigern des aktuellen Jahrhunderts und finden uns wieder im ziemlich kranken Schädel des jüngsten Sohns des damals Entführten, Spitzname "Beamer", einem eher erfolglosen Screenwriter mit "Problemen". Vielen. Er hat Frau und Kinder und einen frühen und leider einmaligen Kinohit auf der Haben-Seite und gegenüber so ziemlich jede Droge, die man in L.A. finden kann. Das ist amüsant bis schmerzhaft zu lesen und, wir kommen zum oben genannten "ziemlich": Das ist alles ziemlich lang. Wir fangen an die Seiten mit den endlosen Exzessen und Ausflüchten und lahmen Entschuldigungen des Mittvierzigers zu überfliegen und wollen schon aufgeben, da kommt der Schnitt zu seinem Bruder Nathan, dem ältesten Sohn des Entführten, der das Familienunternehmen weitergeführt hat und nur äußerlich ein stabileres Leben als sein Bruder in Hollywood führt. Während Beamers Drogen "richtige" sind, beruhigt Nathan sein angsterfülltes Hirn mit dem Kauf von Versicherungen oder dem Verschenken von Handbüchern, mit denen er nicht nur seinen Kindern beibringen möchte, wie man sich durch die achso gefährliche Welt sicher bewegt. Er ist ein Kontrollfreak, ein Langweiler. Soweit so überspitzt, aber auch gut lesbar und wieder fast zu lang. Erst als wir auch hier sagen "Wir haben es verstanden, Taffy, er ist auch ein Wrack!" kommen wir zur scheinbar normalsten der drei Geschwister: Jenny von der Gnade der späten Geburt, war sie doch zum Zeitpunkt der Entführung des Vaters noch nicht geboren. Sie stellt sich also exakt die gleiche Frage wie viele Enkel von Überlebenden der Shoa: was sie denn mit der ganzen Scheiße zu tun habe? Nichts! Und warum es ihr trotzdem schlecht geht. Jenny war damals, 1983, noch gar nicht auf der Welt, so wie ihre Eltern 1943 noch nicht geboren waren und dennoch kommt sie, wie diese, in dieser nicht so zurecht, wie sie es sollte. "Survivors Guilt kann doch beim besten Willen nicht vererbt werden?", fragt sie sich.Eben doch! Zumindest laut wissenschaftlichen Forschungen, die schon vor dem Aussterben der direkten Holocaustüberlebenden begannen. Nicht dass mir das einleuchtet, mit dem Wissen um Mendels Chromosomen aus Biounterricht und überhaupt als jemand, der zu lange aus der Schule raus ist. Wie soll das gehen, frage ich mich, das (genetische) Vererben von Traumata? Aber, so gebe ich zu, an der Kreuzung von Nature und Nurture liegt ein großer ausladender Sumpf, namens "Gesellschaft" und in ebendiesem Sumpf gären Meinungen über und untereinander, blubbern, fallen aus und kristallisieren sich über Generationen. Man nennt das dann "Stereotype" und die vererben sich natürlich und zwar sowieso, siehe: Juden, siehe: Deutsche, siehe: "Amis", siehe: die “Anderen".Und so haben wir es nun wirklich begriffen, das Buch ist auch schon sehr lang, dass alle handelnden Personen von einem Ur-Trauma abgefuckt wurden: der Entführung des Vaters im ersten Kapitel, von der jeder weiß und trotzdem niemand spricht, damit das nur noch in sich selbst existierende "Familienoberhaupt" (in dicken Anführungen) nicht getriggert werde. Und, ich muss es nicht aussprechen, sprach Herr Falschgold es aus: Dem Holocaust, das Trauma der Spätgeborenen, das der heutigen dritten und vierten Überlebendengeneration, über das erst recht niemand spricht. Wie geht man damit um? Muss es so abgefuckt enden, wie für die Söhne und Töchter Fletcher? Taffy Brodesser-Akner macht nicht viel Hoffnung: ja es muss. Wie anders? Aber wir, die un- oder kaum Traumatisierten sollten davon erfahren, sollen wissen, dass es sie gibt, die Abgefuckten, die Stummen, auch drei, vier Generationen danach und sicher noch ein paar in der Zukunft und wir müssen mit diesen umgehen und wenn wir es nicht können, müssen wir das eben lernen.Das kann man in wissenschaftlichen Abhandlungen vermitteln, in Vorträgen oder Dokumentarfilmen, alles wichtig. Aber die Abstraktion, welche die Belletristik bietet, das ein, zwei emotionale Schritte entfernt sein von schwarzweißen Filmrollen mit Leichenbergen, hilft, die heutigen Generationen von Mitmenschen der Überlebenden der Shoa zu erreichen. Zu erreichen, dass wir nicht gleich abschalten, wenn wir an den Holocaust erinnert werden, denn es ist nicht nur deren Holocaust, es ist auch unserer.Und natürlich hilft dabei auch Humor, eine stimmige Story, ein Bild vom abgefuckten Amerika mit seinen absurden Unterschieden zwischen Arm und Reich, denen sich Taffy Brodesser-Akner auch stellt. Sie lässt uns da manchmal etwas zu lange warten. Wir stöhnen durchaus manchmal: "S**t, tough luck, rich kid!" wenn einer der handelnden Personen mal wieder fast scheitert und dann doch gerettet wird von den nahezu unendlichen finanziellen Polstern, die so eine Industriellenfamilie nunmal hat.Aber alles Geld der Welt kann das Trauma der Entführung wie das der Shoa, und sei es noch so lange her, nicht wirklich lindern und da kann man dann halt nicht sagen "Tough luck, idiot!", schon gar nicht als Deutscher, aber auch einfach als empathischer Mensch. Ja, reiche Leute haben auch Probleme, so klitzekleine, wie die vergasten Vorfahren, vor 80 Jahren, im Holocaust.Und über den müssen wir sprechen. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit lobundverriss.substack.com

Diesmal schauen wir auf Geschichten, die von Fußballmillionären bis Krieg in Aleppo reichen.

THE WINNER—Clang! Clink! Bang! Hear that? It's the sound of all the hardware that Jake Silverstein's New York Times Magazine has racked up in his almost eleven years at its helm: Pulitzers and ASMEs are heavy, people!When we were preparing to speak to Jake, we reached out to a handful of editors who have loyally worked with him for years to find out what makes him tick. They describe an incredible and notably drama-free editor who fosters an amazing vibe and a lover of both literary essay and enterprise reporting who holds both an MA and an MFA. As one New York Times Mag story editor put it, Jake's superpower is his “vigorous and institutionally-shrewd support of skilled reporters with strong voices pursuing projects that were just a little beyond the paper's ordinary comfort zone.” Here's a theory we set out to test in this interview—one that we've floated in our newsletter, The Spread, for years now: Is The New York Times Magazine the best women's magazine out there? Yes, we're talking about the stories they produce under Jake, like Susan Dominus's ASME-winning, game-changing story about menopause and hormone replacement therapy, and Linda Villarosa's feature shining a light on the Black maternal health crisis. But we're also talking about the woman-loaded top of the Times Mag masthead, on which Gail Bichler, Jessica Lustig, Sasha Weiss, Ilena Silverman, and Adrienne Greene reign supreme—and seriously outnumber their male counterparts. And we could spend all day name checking favorite writers, like Dominus and Villarosa, but also Emily Bazelon, Danyel Smith, Taffy Brodesser-Akner, Irina Aleksander, Jordan Kisner, Azmat Khan, Pam Colloff, Nikole Hannah-Jones, J Wortham, Wesley Morris. We could go on and on—you get the idea! So, did Jake agree with our women's mag theory? And what is it like to have the deep resources it takes to make these kinds of stories these days? You'll have to listen to find out.—This episode is made possible by our friends at Commercial Type and Freeport Press. Print Is Dead (Long Live Print!) is a production of Magazeum LLC ©2021–2025

This is a free preview of a paid episode. To hear more, visit femchaospod.substack.comKat and Phoebe discuss Taffy Brodesser-Akner's Long Island Compromise, fictional nose jobs, sexual reciprocity, and Trump's executive order to un-bend genders everywhere.LINKS:Phoebe reviews Long Island Compromise:The safety question: Jewish existential dilemmas in Taffy Brodesser-Akner's hilarious 'Long Island Compromise'Kat's internet-breaking newslet…

Earlier in the year, Taffy Brodesser-Akner wrote about her father's friend who was kidnapped at knife-point 50 years ago. It was a powerful piece--both for the thoughtful discussion of this original trauma and its impact on her and on her family friend. But the real story wasn't the kidnapping, nor the way the kidnapping re-ignited memories of her own lived traumas. The real story was that her article inspired countless emails from total strangers who reached out to share their own stories of trauma. Six months after her original article, Taffy published a second reflection titled, "I Published a Story about Trauma. I Heard About Everyone Else's." As humans, we are desperate to share our stories. And, when we tell our stories it doesn't just give us the opportunity to connect, those stories can have a healing affect on our emotional well-being and on the trajectory of our lives. There is a whole school of psychotherapy called narrative theory and practice whereby mental health practitioners help people to process trauma by telling and retelling their story until they find meaning. In this week's Talmud class, we're going to apply narrative theory and practice to the story of Joseph. Joseph's life is full of trauma: he loses his family, is tossed into a pit and sold into slavery, is wrongly accused and imprisoned, and lives the rest of his adult life as an outsider. His story could be a story of loss and trauma, but he reflects a story of hope and connection. He says God brought him to exactly where he needed to be. He gives thanks. How can do this? How can we use the power of stories to metabolize trauma into healing and transformational possibility?

Bestselling author, journalist, and showrunner Taffy Brodesser-Akner joins us to discuss her new novel, Long Island Compromise, about three wealthy children who are still coping with the fallout from their father's kidnapping decades ago. The novel was our Get Lit with All Of It book club selection from November. We air highlights from the sold-out live event.

Don't be a dickhead. Easy to say to others but, what about ourselves? Welcome to the dickhead list. Also, recommendations for your weekend including a book, a TV show and a podcast that we're all consuming at pace. And, Holly's new rule for reading, Mia's latest grandma angst and Jessie's massive FOMO - our best and worst of the week.  Support independent women's media What To Listen To Next:  Listen to our latest episode: Stevie Nicks And The Hard Truth About Rivalry Listen: Kate Middleton's Face & Martha Stewart's Fortune Listen: Jessie's Great Big Mother-In-Law Dilemma Listen: Liam Payne, Jackie O & The Addict's Friend Listen: My Summer Vagina & Emotional Regulation Listen: The Block Dramala Listen: What It Means To Have 'Hair Freedom' Listen: The Snow Globe Theory: Why Your Conversations Feel Off Listen to Holly's Mid interview: Kasey Chambers Keeps A D*ckhead List Connect your subscription to Apple Podcasts  Recommendations:  Mia wants you to watch The Franchise on Binge  Mia wants you to read The Whole Truth by Jackie O Holly wants you to read Swan Song by Elin Hilderbrand  Jessie wants you to listen to Taffy Brodesser-Akner is a Swiftocrat The End Bits:  Sign up to the Mamamia Out Loud Newsletter for all our recommendations and behind-the-scenes content in one place.  Join the Month of MOVE Get $30 off a Mamamia subscription and get unlimited access to our feel-good exercise app. Head here to get a yearly subscription for just $39.  What to Read:  Read: HOLLY WAINWRIGHT: Why we all need to write a D**khead List. GET IN TOUCH: Feedback? We're listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud CREDITS: Hosts: Holly Wainwright, Mia Freedman & Jessie Stephens  Executive Producer: Ruth Devine Senior Producer: Emeline Gazilas Audio Production: Leah Porges Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Author of Long Island Compromise and Fleishman Is in Trouble Taffy Brodesser-Akner joins Caroline for a special edition episode to discuss their favourite Taylor Swift songs.SENTIMENTAL GARBAGE LIVEThursday 6th February 2025 @Union Chapel, London UKTickets out now: www.fane.co.uk/sentimental-garbage Hosted on Acast. See acast.com/privacy for more information.

Unlocked Patreon episode. Support Ordinary Unhappiness on Patreon to get access to all the exclusive episodes. patreon.com/OrdinaryUnhappinessWe set out to discuss the Eras tour film but got drawn into the broader cultural phenomenon that is Taylor Swift. Along the way, we talk about the concepts of cathexis and the Big Other; our own embarrassing childhood attachments to music; how the Eras tour is like Nietzsche's eternal return; Swift's self-narration about her relationship to praise, food, and body image in Miss Americana; and Abby's unexpectedly strong negative investment in the Travis-Taylor relationship.Texts we discussed:Taffy Brodesser-Akner, “My Delirious Trip to the Heart of Swiftiedom,” https://www.nytimes.com/2023/10/12/magazine/taylor-swift-eras-tour.htmlSam Lansky, “2023 Person of the Year: Taylor Swift,” https://time.com/6342806/person-of-the-year-2023-taylor-swift/Richard Rodriguez, Hunger of MemoryChristopher Bollas, Being a Character: Psychoanalysis and Self ExperienceHave you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847  A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:  Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

On this episode of Library Talks, bestselling author Taffy Brodesser-Akner discusses her new novel, Long Island Compromise, with Jake Silverstein, editor in chief of The New York Times Magazine.

Caoilinn Hughes is an Irish poet and writer whose debut novel Orchid And The Wasp was published in 2018 to rave reviews. Her third and latest novel, The Alternatives, might be her best yet, and this week she sits down with Michael to discuss it. Reading list:Gathering Evidence, Caoilinn Hughes, 2014Orchid And The Wasp, Caoilinn Hughes, 2018The Wild Laughter, Caoilinn Hughes, 2020The Alternatives, Caoilinn Hughes, 2024Enter Ghost, Isabella Hammad, 2023Long Island Compromise, Taffy Brodesser-Akner, 2024You can find these books and all the others we mentioned at your favourite independent book store. Socials: Stay in touch with Read This on Instagram and TwitterGuest: Caoilinn HughesSee omnystudio.com/listener for privacy information.

Caoilinn Hughes is an Irish poet and writer whose debut novel Orchid And The Wasp was published in 2018 to rave reviews. Her third and latest novel, The Alternatives, might be her best yet, and this week she sits down with Michael to discuss it.  Reading list: Gathering Evidence, Caoilinn Hughes, 2014 Orchid And The Wasp, Caoilinn Hughes, 2018 The Wild Laughter, Caoilinn Hughes, 2020 The Alternatives, Caoilinn Hughes, 2024 Enter Ghost, Isabella Hammad, 2023 Long Island Compromise, Taffy Brodesser-Akner, 2024 You can find these books and all the others we mentioned at your favourite independent book store.  Socials: Stay in touch with Read This on Instagram and Twitter Guest: Caoilinn Hughes

Is anybody looking to start a hummus business?!? Do we have some domain names for you! In addition to our GoDaddy closet sale, we also have a grab bag to discuss, including mouth tape, face shaving, rat poop legal battles, WNBA mascots, and more!   Re: personal catchphrases: the title Long Island Compromise by Taffy Brodesser-Akner got us thinking.    If you want to hear the case for VIO2 mouth tape that converted Claire, check out our Guest Thingies episode with Glynnis MacNicol.    Claire loved getting dermaplaned at Carrie Lindsey Beauty in Brooklyn.    Erica's nightgown journey involves the Skims Fits Everybody and Soft Lounge dresses, while Claire's includes Taleen, Eileen West, Vermont Country Store, and Salter House—if you're chasing the Victorian ghost aesthetic.    For all your LA luxury cat hotel needs: Check out Chats de The, Purrvana, and Cateau Marmont.   WNBA star to stan: Breanna Stewart. US Open player with peak energy: Taylor Townsend.    Want to start ratemyvcs.com? Great, get in touch via 833-632-5463, podcast@athingortwohq.com, @athingortwohq, or our Geneva!   Follow @haagendazs_us on Instagram and let them know in the comments that Claire and Erica sent you!  Slip into your new fall shoes from Marc Fisher and use the code ATHINGORTWO to receive 20% off your purchase. YAY.  

In Episode 176, Catherine of Gilmore Guide to Books and I catch up on the 12 new releases from the Summer 2024 Book Preview. We share our reading stats, chat about what we liked, and what didn't work out. Listen in as we share our reviews on these books and get some recommendations for your next read!  This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Highlights Catherine says she had a “hummingbird” summer of flitting from book to book to book. Sarah's prediction of THE BOOK of summer definitely panned out! Despite some DNFs, Sarah and Catherine both ended up with a fairly successful summer. Catherine calls out one author as serving up wonderful “Jimmy Stewart fiction.” Sarah had a weird reading experience with one book. Plus, two of Sarah's picks were 5 stars! They name the best and worst books from their summer picks! Books We Read Before the Preview [4:27] Sarah's Picks The God of the Woods by Liz Moore  (July 2) | Amazon | Bookshop.org [4:47]  Margo's Got Money Troubles by Rufi Thorpe (June 11) | Amazon | Bookshop.org[5:14] Other Books Mentioned The Knockout Queen by Rufi Thorpe [6:09] Summer 2024 Circle Back [7:36] June Sarah's Picks Fire Exit by Morgan Talty (June 4) | Amazon | Bookshop.org [11:10] What You Leave Behind by Wanda M. Morris (June 18) | Amazon | Bookshop.org [20:39] Catherine's Picks Swift River by Essie Chambers (June 4) | Amazon | Bookshop.org [7:44] Same As It Ever Was by Claire Lombardo (June 18) | Amazon | Bookshop.org[14:59] All the Colors of the Dark by Chris Whitaker (June 25) | Amazon | Bookshop.org [23:10] How the Light Gets In by Joyce Maynard (June 25) | Amazon | Bookshop.org[29:04]  Other Books Mentioned Night of the Living Rez by Morgan Talty [11:35] The Most Fun We Ever Had by Claire Lombardo [15:09] All Her Little Secrets by Wanda M. Morris [20:55] Anywhere You Run by Wanda M. Morris [20:58] We Begin at the End by Chris Whitaker [27:01] July Sarah's Picks The World After Alice by Lauren Aliza Green (July 2) | Amazon | Bookshop.org  [30:39] Long Island Compromise by Taffy Brodesser-Akner  (July 9) | Amazon | Bookshop.org  [37:42] Catherine's Picks The Same Bright Stars by Ethan Joella (July 2) | Amazon | Bookshop.org[33:43] The Lion Women of Tehran by Marjan Kamali (July 2) | Amazon | Bookshop.org  [42:28]  Other Books Mentioned Seating Arrangements by Maggie Shipstead [33:01] The Most Fun We Ever Had by Claire Lombardo [33:04] Ask Again, Yes by Mary Beth Keane [33:09] A Quiet Life by Ethan Joella [36:53] Fleishman Is in Trouble by Taffy Brodesser-Akner [37:48] The Stationary Shop by Marjan Kamali [42:35]

In December 2018, we meet Rudy Coyle, a bar owner's son from Flushing, Queens, in the throes of a major quarter-life crisis. Cut out of the family business, he gets a Hail Mary job as a night doorman in a storied Park Avenue apartment building, where he comes under the wing of the family in 4E, the Cohens. Jacob "Jake" Cohen, the fast-talking patriarch, is one of a generation of financiers who made hundreds of millions of dollars in the cutthroat taxi medallion industry in the early 2000s, largely by preying on the hopes and dreams of impoverished immigrant drivers. As Jake tries to stop the bleed from the debt crisis now plaguing his company, clawing back his assets from an increasingly dangerous coterie of Russian American associates, Rudy gets promoted from doorman to errand boy to bodyguard to something like Jake's right-hand man. By turns a gripping portrait of corruption and a tender family dramedy, Atta Boy (U Iowa Press, 2024) combines the urban cool of Richard Price with the glossy, uptown charm of Taffy Brodesser-Akner. Here is a novel richly attuned to its time and place, but with something for everyone--high-wire prose and a story wedding ripped from the headlines, social realism with the warmth, angst, and humor of its indelible voices. Cally Fiedorek is the winner of a Pushcart Prize and an alumna of The Center for Fiction / Susan Kamil Emerging Writer Fellowship. Atta Boy is her debut novel. She lives in her native New York City with her family. Recommended Books: Kevin Berry, The Heart in Winter Paul Murray, Beesting Paul Murray, Skippy Dies  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

In December 2018, we meet Rudy Coyle, a bar owner's son from Flushing, Queens, in the throes of a major quarter-life crisis. Cut out of the family business, he gets a Hail Mary job as a night doorman in a storied Park Avenue apartment building, where he comes under the wing of the family in 4E, the Cohens. Jacob "Jake" Cohen, the fast-talking patriarch, is one of a generation of financiers who made hundreds of millions of dollars in the cutthroat taxi medallion industry in the early 2000s, largely by preying on the hopes and dreams of impoverished immigrant drivers. As Jake tries to stop the bleed from the debt crisis now plaguing his company, clawing back his assets from an increasingly dangerous coterie of Russian American associates, Rudy gets promoted from doorman to errand boy to bodyguard to something like Jake's right-hand man. By turns a gripping portrait of corruption and a tender family dramedy, Atta Boy (U Iowa Press, 2024) combines the urban cool of Richard Price with the glossy, uptown charm of Taffy Brodesser-Akner. Here is a novel richly attuned to its time and place, but with something for everyone--high-wire prose and a story wedding ripped from the headlines, social realism with the warmth, angst, and humor of its indelible voices. Cally Fiedorek is the winner of a Pushcart Prize and an alumna of The Center for Fiction / Susan Kamil Emerging Writer Fellowship. Atta Boy is her debut novel. She lives in her native New York City with her family. Recommended Books: Kevin Berry, The Heart in Winter Paul Murray, Beesting Paul Murray, Skippy Dies  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In December 2018, we meet Rudy Coyle, a bar owner's son from Flushing, Queens, in the throes of a major quarter-life crisis. Cut out of the family business, he gets a Hail Mary job as a night doorman in a storied Park Avenue apartment building, where he comes under the wing of the family in 4E, the Cohens. Jacob "Jake" Cohen, the fast-talking patriarch, is one of a generation of financiers who made hundreds of millions of dollars in the cutthroat taxi medallion industry in the early 2000s, largely by preying on the hopes and dreams of impoverished immigrant drivers. As Jake tries to stop the bleed from the debt crisis now plaguing his company, clawing back his assets from an increasingly dangerous coterie of Russian American associates, Rudy gets promoted from doorman to errand boy to bodyguard to something like Jake's right-hand man. By turns a gripping portrait of corruption and a tender family dramedy, Atta Boy (U Iowa Press, 2024) combines the urban cool of Richard Price with the glossy, uptown charm of Taffy Brodesser-Akner. Here is a novel richly attuned to its time and place, but with something for everyone--high-wire prose and a story wedding ripped from the headlines, social realism with the warmth, angst, and humor of its indelible voices. Cally Fiedorek is the winner of a Pushcart Prize and an alumna of The Center for Fiction / Susan Kamil Emerging Writer Fellowship. Atta Boy is her debut novel. She lives in her native New York City with her family. Recommended Books: Kevin Berry, The Heart in Winter Paul Murray, Beesting Paul Murray, Skippy Dies  Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Taffy Brodesser-Akner built her journalism career with her incisive celebrity profiles and then found additional success with two novels that examine wealth and class, including this year's Long Island Compromise. She and Rachel talk about what makes fame and fortune so compelling, whether some people are just innately restless, and longing for a conversation with a burning bush.To listen sponsor-free, access bonus episodes and support the show, sign up for Wild Card+ at plus.npr.org/wildcardLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

For this Money Talks, Taffy Brodesser-Akner, author of Fleishman Is in Trouble, chats with Felix Salmon and Emily Peck about her newest novel Long Island Compromise, a tale about a a family of one-percenters who see their lives and fortunes turned upside down. The hosts discuss Taffy's real-world inspirations for the story, the psychology of the rich, and whether it really is possible for the super wealthy to lose it all. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and an additional segment of our regular show every week. You'll also be supporting the work we do here on Slate Money. Sign up now at slate.com/moneyplus to help support our work. Podcast production by Jared Downing and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this Money Talks, Taffy Brodesser-Akner, author of Fleishman Is in Trouble, chats with Felix Salmon and Emily Peck about her newest novel Long Island Compromise, a tale about a a family of one-percenters who see their lives and fortunes turned upside down. The hosts discuss Taffy's real-world inspirations for the story, the psychology of the rich, and whether it really is possible for the super wealthy to lose it all. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and an additional segment of our regular show every week. You'll also be supporting the work we do here on Slate Money. Sign up now at slate.com/moneyplus to help support our work. Podcast production by Jared Downing and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this Money Talks, Taffy Brodesser-Akner, author of Fleishman Is in Trouble, chats with Felix Salmon and Emily Peck about her newest novel Long Island Compromise, a tale about a a family of one-percenters who see their lives and fortunes turned upside down. The hosts discuss Taffy's real-world inspirations for the story, the psychology of the rich, and whether it really is possible for the super wealthy to lose it all. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and an additional segment of our regular show every week. You'll also be supporting the work we do here on Slate Money. Sign up now at slate.com/moneyplus to help support our work. Podcast production by Jared Downing and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this Money Talks, Taffy Brodesser-Akner, author of Fleishman Is in Trouble, chats with Felix Salmon and Emily Peck about her newest novel Long Island Compromise, a tale about a a family of one-percenters who see their lives and fortunes turned upside down. The hosts discuss Taffy's real-world inspirations for the story, the psychology of the rich, and whether it really is possible for the super wealthy to lose it all. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and an additional segment of our regular show every week. You'll also be supporting the work we do here on Slate Money. Sign up now at slate.com/moneyplus to help support our work. Podcast production by Jared Downing and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

For this Money Talks, Taffy Brodesser-Akner, author of Fleishman Is in Trouble, chats with Felix Salmon and Emily Peck about her newest novel Long Island Compromise, a tale about a a family of one-percenters who see their lives and fortunes turned upside down. The hosts discuss Taffy's real-world inspirations for the story, the psychology of the rich, and whether it really is possible for the super wealthy to lose it all. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and an additional segment of our regular show every week. You'll also be supporting the work we do here on Slate Money. Sign up now at slate.com/moneyplus to help support our work. Podcast production by Jared Downing and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

If there's anything more daunting than interviewing a professional interviewer it's interviewing an award-winning professional interviewer. Today's guest Taffy Brodesser-Akner is a staff-writer on the New York Times and a legend amongst journalists who often find themselves on the monosyllabic side of a celebrity. (Her interview with Bradley Cooper refusing to be interviewed for is a masterclass.) Her debut novel Fleishman is in Trouble was a New York Times and Sunday Times bestseller and then, never having written a screenplay before, she adapted it into a hit miniseries, starring Claire Danes, for which she won an Emmy. I mean. Her new novel, Long Island Compromise, has just been bought by Apple TV and looks set to go the same way. It follows four decades in the life of a wealthy Jewish Long Island family whose patriarch is kidnapped in 1980. The fall out is the story. Wealth class privilege trauma BDSM and controlling mothers abound. I met Taffy in her publisher's office when she was visiting London to talk about her joy of turning 40 and realising the thing she'd been taught her whole life to be afraid of (middle age) was actually her ticket to freedom, the mystifying effect of money, the unlikely promise she made her mum and why her superpower is spotting a nose job. * You can buy all the books mentioned in this podcast at The Shift bookshop on Bookshop.org, including Long Island Compromise by Taffy Brodesser-Akner and the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at www.theshiftwithsambaker.substack.com • The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Juliette Nicholls @ Pineapple Audio Production. If you enjoyed this podcast, please rate/review/follow as it really does help other people find us. And let me know what you think on twitter @sambaker or instagram @theothersambaker. Learn more about your ad choices. Visit megaphone.fm/adchoices

If the idea of going on a date makes you anxious, and all you'd really rather do with your evening is stay home and play video games, well, have we got the app for you. Date Like Goblins, a new dating platform that debuted on Kickstarter this week and will launch later this year, invites you to go on dates that take place entirely inside your favorite video games. You play a few rounds of Fortnite or Final Fantasy with your date, while voice-chatting and getting to know each other. It's cute!Date Like Goblins is one of many niche, interest-specific dating platforms. There are apps for farmers, Christians, jamband fans, rope bunnies—whatever you're into. These smaller, more tailored communities can be seen as an antidote to fatigue that's caused by the over-monetized and alienating experience of the big dating apps like Tinder, Bumble, and Hinge. This week, we're joined by WIRED staff writer Amanda Hoover to talk about Date Like Goblins and the other apps that have learned the cheat code for online romance.Show Notes:Read Amanda's story about Date Like Goblins. Read Lauren Goode on “Date Me” docs. Read Jason Parham on Boomers on the apps. Read all of our dating coverage.Recommendations:Amanda recommends making butter coconut bars for your next summer potluck. Lauren recommends the recent episode of The Daily from The New York Times with Taffy Brodesser-Akner telling the story about her new book. Michael recommends Trickster: The Many Lives of Carlos Castaneda, a podcast about the wild, shadowy history of the famous author and counterculture figurehead.Amanda Hoover can be found on social media @byamandahoover. Lauren Goode is @LaurenGoode. Michael Calore is @snackfight. Bling the main hotline at @GadgetLab. The show is produced by Boone Ashworth (@booneashworth). Our theme music is by Solar Keys.

On Nov. 12, 1974, Taffy Brodesser-Akner's father's childhood friend Jack Teich was kidnapped out of his driveway in the nicest part of the nicest part of Long Island. He was arriving home from work when two men forced him into their car at gunpoint and took him to a house where they chained and interrogated him.On the second day of his kidnapping, Jack's wife, Janet, received a call from someone demanding a ransom of $750,000, and a few days later, Janet and Jack's brother Buddy dropped the money off at Penn Station under F.B.I. surveillance. The F.B.I. did not catch the kidnapper, but afterward, he decided to let Jack go.Jack was home safe. He had survived his kidnapping. But the actual kidnapping is not what this story is about, if you can believe it. It's about surviving what you survived, which is also known as the rest of your life.

Elisabeth Easther reviews Long Island Compromise by Taffy Brodesser-Akner published by Hachette

Taffy Brodesser-Akner's new novel, Long Island Compromise, centers on the kidnapping of a rich businessman, and the impact, decades later, on his grown children. Her previous book, Fleishman Is in Trouble, was adapted into an acclaimed FX/Hulu series.Jill Ciment met her husband in the 1970s when she was a teenager and he was almost 50. At the time of their first kiss, he was a married father of two; she was his art student. In her memoir Consent she reconsiders the origin story of their marriage.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Taffy Brodesser-Akner's new novel, Long Island Compromise, centers on the kidnapping of a rich businessman, and the impact, decades later, on his grown children. Her previous book, Fleishman Is in Trouble, was adapted into an acclaimed FX/Hulu series.Jill Ciment met her husband in the 1970s when she was a teenager and he was almost 50. At the time of their first kiss, he was a married father of two; she was his art student. In her memoir Consent she reconsiders the origin story of their marriage.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On this edition of The Weekly Reader, we review new work from two American authors that are possibly even better than their debuts: Long Island Compromise, by Taffy Brodesser-Akner, and Familiaris, by David Wrobliewski.  See omnystudio.com/listener for privacy information.

Long Island Compromise by Taffy Brodesser-Akner is a story about the benefits and consequences of wealth and the lengths we'll go to run from our real stories. Brodesser-Akner joins us to talk about family dynamics and trauma, privilege, the American dream and more with Miwa Messer, host of Poured Over. This episode of Poured Over was hosted by Miwa Messer and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.          Featured Books (Episode): Long Island Compromise by Taffy Brodesser-Akner Fleishman Is in Trouble by Taffy Brodesser-Akner Capital in the Twenty-First Century by Thomas Piketty American Pastoral by Philip Roth

The new novel from Taffy Brodesser-Akner follows a very wealthy Long Island family coping with the aftermath of a kidnapping scheme. She joins us to discuss the book, Long Island Compromise, which is out today! She will be speaking tonight with the New York Public Library at 7 pm. Alison has selected Long Island Compromise for our Summer Reading Challenge in the category "a book about or set in New York." Click here to join our Summer Reading Challenge! 

Brodesser-Akner's novel centers on the kidnapping of a rich businessman, and the impact, decades later, on his grown children. She channeled what she learned as a journalist writing celebrity profiles for the book: "I think that the goal of all writing is to humanize those that we can only see from far away." Her previous book, Fleishman Is in Trouble, was adapted into an acclaimed FX/Hulu series.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This week on From the Front Porch, it's another New Release Rundown! Annie, Erin, and Olivia are sharing the July releases they're excited about to help you build your TBR. When you purchase or preorder any of the books they talk about, enter the code NEWRELEASEPLEASE at checkout for 10% off your order! To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (type “Episode 484” into the search bar and tap enter to find the books mentioned in this episode), or shop on The Bookshelf's official app: Annie's books: Long Island Compromise by Taffy Brodesser-Akner (7/9) Tell It To Me Singing by Tita Ramirez (7/9) Slow Dance by Rainbow Rowell (7/30) Olivia's books: The God of the Woods by Liz Moore (7/2) All This & More by Peng Shepherd (7/9) Things Don't Break on Their Own by Sarah Easter Collins (7/16) Erin's books: Humor Me by Cat Shook (7/9) Lenny Marks Gets Away With Murder by Kerryn Mayne (7/9) We Burn Daylight by Bret Anthony Johnston (7/30) From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found here. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is reading Here One Moment by Liane Moriarty.  Olivia is reading All This & More by Peng Shepherd.  Erin is listening to Husbands & Lovers by Beatriz Williams. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Jennifer Bannerton, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Susan Hulings, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, and Amanda Whigham.

This week on From the Front Porch, Annie recaps the books she read and loved in May. You get 10% off your books when you order your May Reading Recap Bundle. Each month, we offer a Reading Recap bundle, which features Annie's favorite books she read that month. To purchase the books mentioned in this episode, stop by The Bookshelf in Thomasville, visit our website (type “Episode 479” into the search bar and tap enter to find the books mentioned in this episode), or download and shop on The Bookshelf's official app: The Husbands by Holly Gramazio The Idea of You by Robinne Lee The Age of Magical Overthinking by Amanda Montell Long Island Compromise by Taffy Brodesser-Akner (releases 7/9) Pearce Oysters by Joselyn Takacs (releases 6/25) Swift River by Essie Chambers (releases 6/4) This Summer Will Be Different by Carley Fortune Devil Is Fine by John Vercher (releases 6/18) Annie's May Reading Recap Bundle - $53 The Husbands by Holly Gramazio The Age of Magical Overthinking by Amanda Montell From the Front Porch is a weekly podcast production of The Bookshelf, an independent bookstore in South Georgia. You can follow The Bookshelf's daily happenings on Instagram, Tiktok, and Facebook, and all the books from today's episode can be purchased online through our store website, www.bookshelfthomasville.com.  A full transcript of today's episode can be found below. Special thanks to Dylan and his team at Studio D Podcast Production for sound and editing and for our theme music, which sets the perfect warm and friendly tone for our Thursday conversations.  This week, Annie is listening to This Summer Will Be Different by Carley Fortune. If you liked what you heard in today's episode, tell us by leaving a review on Apple Podcasts. You can also support us on Patreon, where you can access bonus content, monthly live Porch Visits with Annie, our monthly live Patreon Book Club with Bookshelf staffers, Conquer a Classic episodes with Hunter, and more. Just go to patreon.com/fromthefrontporch. We're so grateful for you, and we look forward to meeting back here next week. Our Executive Producers are...Jennifer Bannerton, Stephanie Dean, Linda Lee Drozt, Ashley Ferrell, Susan Hulings, Wendi Jenkins, Martha, Nicole Marsee, Gene Queens, Cammy Tidwell, and Amanda Whigham.

Announcement One of the many benefits to joining our Patreon Community is that you get access to several bonus podcast episode series, including Book Preview Extras! In these episodes, Catherine and I share at least 4 bonus books we are excited about that we did not share in the big show preview episode. Get more details about all the goodies available to all patrons (Stars and Superstars) and sign up here! CLICK HERE for the full episode Show Notes on the blog. Highlights Now that the 2024 Summer Reading Guide is set, Sarah welcomes heavier and more literary books. Catherine is leaning into several themes with books covering 4 decades. With a clean split of 3 new or debut authors and 3 repeat authors, Catherine is trying for more wins this season. Kick back with several summer picks that are 450+ pages. Sarah's choices feature a wide variety of topics with 2 debuts and 4 returning authors. Sarah has already read and rated two of her picks 5 stars! Plus, listen in to hear their #1 picks for the summer season. Summer 2024 Book Preview [2:49] June Sarah's Picks Fire Exit by Morgan Talty (June 4) | Amazon | Bookshop.org [3:28] Margo's Got Money Troubles by Rufi Thorpe (June 11) | Amazon | Bookshop.org[9:05] What You Leave Behind by Wanda M. Morris (June 18) | Amazon | Bookshop.org [17:59] Catherine's Picks Swift River by Essie Chambers (June 4) | Amazon | Bookshop.org [6:44] Same As It Ever Was by Claire Lombardo (June 18) | Amazon | Bookshop.org[14:34] All the Colors of the Dark by Chris Whitaker (June 25) | Amazon | Bookshop.org [21:17] How the Light Gets In by Joyce Maynard (June 25) | Amazon | Bookshop.org[29:31]  Other Books Mentioned The Berry Pickers by Amanda Peters [3:33] Night of the Living Rez by Morgan Talty [3:52] Real Americans by Rachel Khong [9:31] The Knockout Queen by Rufi Thorpe [9:41] Unlikely Animals by Annie Hartnett [12:10] Rabbit Cake by Annie Hartnett [12:11] The Hop by Diana Clarke [13:26] The Most Fun We Ever Had by Claire Lombardo [14:42] All Her Little Secrets by Wanda M. Morris [18:16] Anywhere You Run by Wanda M. Morris [18:21] We Begin at the End by Chris Whitaker [22:38] Nightwatching by Tracy Sierra [23:10] At Home in the World by Joyce Maynard (memoir published in 1998) [32:29] July Sarah's Picks The God of the Woods by Liz Moore (July 2) | Amazon | Bookshop.org [25:12]  The World After Alice by Lauren Aliza Green (July 2) | Amazon | Bookshop.org  [33:17] Long Island Compromise by Taffy Brodesser-Akner (July 9) | Amazon | Bookshop.org  [38:00] Catherine's Picks The Same Bright Stars by Ethan Joella (July 2) | Amazon | Bookshop.org[35:28] The Lion Women of Tehran by Marjan Kamali (July 2) | Amazon | Bookshop.org  [42:11]  Other Books Mentioned Long Bright River by Liz Moore [25:22] I Have Some Questions for You by Rebecca Makkai [28:56] Seating Arrangements by Maggie Shipstead [34:09] Ask Again, Yes by Mary Beth Keane [34:23] Malibu Rising by Taylor Jenkins Reid [34:46] A Quiet Life by Ethan Joella [35:37] Marrying the Ketchups by Jennifer Close [36:26] Saturday Night at the Lakeside Supper Club by J. Ryan Stradal [36:29] The Half Moon by Mary Beth Keane [36:45] Fleishman Is in Trouble by Taffy Brodesser-Akner [38:53] The Stationary Shop by Marjan Kamali [42:31]

To kick off a brand new season, host Taffy Brodesser-Akner sits down with Succession creator and showrunner Jesse Armstrong to discuss how he staffed and ran his writers' room, the importance of maintaining distance and perspective in your artistic endeavors, what's next for Jesse now that Succession is over, and much more. Jesse Armstrong is a screenwriter, showrunner, and producer known for his work on several critically acclaimed television series. He rose to prominence as co-creator and writer of British sitcoms Peep Show and Fresh Meat, as a writer on the first three seasons of The Thick of It and cowriter of its 2009 feature adaption, In the Loop, which earned him an Oscar nomination for Best Adapted Screenplay. Most recently, Jesse served as creator and showrunner of the HBO black comedy Succession, for which he received – among others – four consecutive Primetime Emmy Awards for Outstanding Writing for a Drama Series, three Golden Globes, and two Writers Guild Awards for Drama Series. Succession centers on the ultra-wealthy and ultra-dysfunctional Roy family, owners of global media and entertainment conglomerate Waystar RoyCo, and their fight for control of the company amidst uncertainty about the health of the family's patriarch. The series—which is nominated for the 2024 Writers Guild Award for Drama Series—concluded its fourth and final season concluded last year, and the entire series is available to stream on Max. This episode of OnWriting is hosted by screenwriter, journalist, and author Taffy Brodesser-Akner. Taffy is the creator and showrunner of the FX on Hulu miniseries Fleishman Is in Trouble which is based on her 2019 novel of the same name. She has previously worked as a freelance writer and as a contributor for GQ and The New York Times, where she is currently a staff writer. You can follow Taffy on Twitter at @taffyakner. --- Before it was a podcast, OnWriting was a print publication. Check out OnWriting: The Print Archives. Read shownotes, transcripts, and other member interviews: www.onwriting.org/ Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast  

Subscribe to get access to the full episode, the episode reading list, and all premium episodes! www.patreon.com/OrdinaryUnhappinessWe set out to discuss the Eras tour film but got drawn into the broader cultural phenomenon that is Taylor Swift. Along the way, we talk about the concepts of cathexis and the Big Other; our own embarrassing childhood attachments to music; how the Eras tour is like Nietzsche's eternal return; Swift's self-narration about her relationship to praise, food, and body image in Miss Americana; and Abby's unexpectedly strong negative investment in the Travis-Taylor relationship. Texts we discussed:Taffy Brodesser-Akner, “My Delirious Trip to the Heart of Swiftiedom,"https://www.nytimes.com/2023/10/12/magazine/taylor-swift-eras-tour.htmlSam Lansky, “2023 Person of the Year: Taylor Swift,”https://time.com/6342806/person-of-the-year-2023-taylor-swift/Richard Rodriguez, Hunger of MemoryChristopher Bollas, Being a Character: Psychoanalysis and Self ExperienceHave you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

Welcome to the Winter 2024 Book Preview with Catherine of Gilmore Guide to Books!   In this episode, Catherine and I share 16 of our most anticipated books releasing January through March.   This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Announcement One of the many benefits to joining our Patreon Community is that you get access to several bonus podcast episode series, including Book Preview Extras! In these episodes, Catherine and I share at least 4 bonus books we are excited about that we did not share in the big show preview episode. Get more details about all the goodies available to all patrons (Stars and Superstars) and sign up here! Highlights While Sarah and Catherine had some trouble with fall, winter is overflowing with potential winners. Sarah brings 2 sports fiction titles. Both Catherine and Sarah explore a mix of familiar authors and exciting debuts. It's time for another mythology retelling for Catherine! Sarah shares a 5-star book she's already read and loved. Sarah's wildcard pick might be a little out there — and hopefully, it pays off. Plus, don't miss their #1 picks for winter. Winter 2024 Book Preview [3:32] January Sarah's Picks Mercury by Amy Jo Burns (January 2) | Amazon | Bookshop.org [3:47] River East, River West by Aube Rey Lescure (January 9) | Amazon | Bookshop.org [10:24] Everyone on This Train Is a Suspect by Benjamin Stevenson (January 30) | Amazon | Bookshop.org [16:38] Catherine's Picks The Fury by Alex Michaelides (January 16) | Amazon | Bookshop.org [7:39] Family Family by Laurie Frankel (January 23) | Amazon | Bookshop.org [14:15] Other Books Mentioned Shiner by Amy Jo Burns [3:57] The Silent Patient by Alex Michaelides [7:59] The Maidens by Alex Michaelides [8:05] The Great Gatsby by F. Scott Fitzgerald [9:30] This Is How It Always Is by Laurie Frankel [14:21] Everyone in My Family Has Killed Someone by Benjamin Stevenson [16:53] And Then There Were None by Agatha Christie [17:21] Murder on the Orient Express by Agatha Christie [17:27] February Sarah's Picks Dixon Descending by Karen Outen (February 6) | Amazon | Bookshop.org[23:08]  Leaving by Roxana Robinson  (February 13) | Amazon | Bookshop.org  [28:35] The Fortune Seller by Rachel Kapelke-Dale (February 13) | Amazon | Bookshop.org  [33:56] Catherine's Picks The Things We Didn't Know by Elba Iris Pérez (February 6) | Amazon | Bookshop.org [20:40]  Medea by Eilish Quin (February 13) | Amazon | Bookshop.org [25:57] Whiskey Tender by Deborah Jackson Taffa (February 27) | Amazon | Bookshop.org  [31:04]  Wandering Stars by Tommy Orange (February 27) | Amazon | Bookshop.org  [39:37] After Annie by Anna Quindlen (February 27*) | Amazon | Bookshop.org  [46:45] Other Books Mentioned Into Thin Air by Jon Krakauer [24:05] Breathless by Amy McCulloch [24:13] Stone Blind by Natalie Haynes [26:30] The Paper Palace by Miranda Cowley Heller [30:21] Fleishman Is in Trouble by Taffy Brodesser-Akner [30:45] The Most Fun We Ever Had by Claire Lombardo [30:49] The Many Lives of Mama Love by Lara Love Hardin [31:25] The Ballerinas by Rachel Kapelke-Dale [34:17] The Ingenue by Rachel Kapelke-Dale [34:20] Girls and Their Horses by Eliza Jane Brazier [39:08] There There by Tommy Orange [39:44] Alternate Side by Anna Quindlen [48:37] March Sarah's Picks Say Hello to My Little Friend by Jennine Capó Crucet  (March 5) | Amazon | Bookshop.org  [42:21] Headshot by Rita Bullwinkel (March 12) | Amazon | Bookshop.org  [49:03] Catherine's Pick James by Percival Everett (March 19) | Amazon | Bookshop.org  [51:15] Other Books Mentioned Moby-Dick; or, The Whale by Herman Melville [44:37] My Time Among the Whites by Jennine Capó Crucet [45:03] Adventures of Huckleberry Finn by Mark Twain [51:35] The Trees by Percival Everett [52:40] Other Links Golden Age of Detective Fiction | Knox's 10 Commandments *The book's publication date has been changed.

“The thing about the systematic reduction of a woman down to her parts is that she doesn't always know it's happening while it's going on. Just one day she wakes up and realizes that all she was,was a face,a line of cleavage,two legs,a couple of hands,the swivel of her pelvis,the swell of her breast.We were just the disembodied parts in the display cases. One day we wake up to find out that the diamonds were never chocolate at all; they were brown the whole time. And our bodies, which are finally ours again, can move on all we want, though they forever remain a library of our lives — of the hurt and the shame, and of what we either allowed or didn't allow other people to get away with.”– Taffy Brodesser-Akner, The New York Times, April 23, 2019“The number of ‘likes' a photo receives is correlated with sexualization on Instagram. This partially confirmed Simone de Beauvoir's concept of self-objectification, where young women generally see themselves as objects for viewers to judge through ‘likes.'”– Amber L. Horan,“Picture This! Objectification Versus Empowerment in Women's Photos on Social Media”“In a society where media is the most persuasive force shaping cultural norms, the collective message we receive is that a woman's value and power lies in her youth, beauty, and sexuality, and not in her capacity, inner-self, or passions.”– Sonia SuarezLike most men, I've long been fascinated with women. But what, exactly, defines “woman”? Definitions are so conflicted that I believe anyone who attempts to define “woman” is certain to be criticized. But when has that ever been an impediment to a curious mind? Today's examination of the mystery and magic of women begins with a handful of quotes that show us “the perfect woman” that can exist only in the mind of a man. Psychologist Carl Jung calls her the anima. I call her, “The Imaginary Woman.”“What do we know about the goddesses, those elusive female figures, stronger than human males, more dangerous than male deities, who represent not real women but the dreams of real men?”– Alice Bach, Women in the Hebrew Bible, p. 17“I think the idealization of women is indigenous to men. There are various ways of idealizing women, especially sexually, based in almost every case on their inaccessibility. When a woman functions as an unobtainable love object, she takes on a mythical quality.”– James Dickey, Self Interviews, p. 153Miguel de Cervantes gave us a perfect example of the imaginary woman 418 years ago. Don Quixote sees a village girl in the distance – Aldonza Lorenzo by name – and says,“Her name is Dulcinea, her kingdom, Toboso, which is in La Mancha, her condition must be that of princess, at the very least, for she is my queen and lady, and her beauty is supernatural, for in it one finds the reality of all the impossible.”In the book, Don Quixote never meets Dulcinea. He sees her only from a distance. Like Helen of Troy – the face that launched 1,000 ships – Dulcinea is the anima, that perfect woman who can exist only in the imagination of a man. Everything Quixote accomplishes and endures is in her name and for her honor.“The girls in body-form slacks wander the High Street with locked hands while small transistor radios sit on their shoulders and whine love songs in their ears. The younger boys, bleeding with sap, sit on the stools of Tanger's Drugstore ingesting future pimples through straws. They watch the girls with level goat-eyes and make disparaging remarks to one another while their insides whimper with longing.”– John Steinbeck“Freda was a dazzle, a virtual watercolor of a woman...

Taylor Swift grabbed many headlines in 2023. Her widely popular Eras Tour, which proved too much for Ticketmaster to handle, has been both a business and a cultural juggernaut. And Time magazine named her as its person of the year.Taffy Brodesser-Akner, a staff writer for The New York Times, explains why, for her, 2023 was the year of Taylor Swift.Guest: Taffy Brodesser-Akner, a staff writer for The New York Times Magazine.Background reading: Ms. Swift's greatest gift is for telling her own story — better than any journalist could. But Ms. Brodesser-Akner gave it a shot anyway.Fan demand for Ms. Swift broke Ticketmaster, and that was just the prologue. These are the moments that turned her Eras Tour into a phenomenon.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.

In this episode, Natalia, Neil, and Niki discuss the history of musical megatours and the concert movies they inspired. Support Past Present on Patreon: https://www.patreon.com/pastpresentpodcast Here are some links and references mentioned during this week's show:   ·      Beyoncé and Taylor Swift made concert history this summer, and are now offering feature film versions of their concerts for the masses. Niki referenced this CNN article, and Natalia cited Taffy Brodesser-Akner's New York Times Magazine analysis of Swiftiedom.   In our regular closing feature, What's Making History: ·      Natalia shared about her upcoming events in the Center for Jewish History's “Archives to Earbuds” series. ·      Neil recommended the podcast series, Keys to the Kingdom. ·      Niki discussed the new film, One Life.

We're back to discuss the most vital celebrity news of the week: Taffy Brodesser-Akner's fabulous Taylor Swift profile, the Swifties who did a Midsommer-esque circle dance in an AMC, Jada Pinkett Smith's controversial press tour, Britney's upcoming memoir, David Beckham's docuseries, and Kendall Jenner's sinister AI alter ego “Billie”. We also get into Lauren's brush with fame, Max's horrifying new series Naked Attraction, two very spooky Australian films Talk to Me and The Royal Hotel, NBC's latest procedural drama Found, and Kim Kardashian's continued dominance of American Horror Story: Delicate. Also here is THAT photo of Will Smith and Margot Robbie.Today's episode is brought to you by Jenni Kayne. Find your forever pieces and get 15% off with promo code OUTFIT at jennikayne.com/OUTFIT! As well as, Modern Fertility.  Modern Fertility is offering our listeners $20 off the test when you go to Modern Fertility.com/outfit.   

It's a new season of Feminist Frequency Radio with a whole new batch of Fortnightly FREQout mini-episodes. On the heels of an interesting summer for live music and concert films, Kat shares her thoughts about pop, nostalgia, and the sense of community that live music brings.Links Mentioned:Sentimental Garbage podcast on Strictly Ballroom: https://play.acast.com/s/sentimentalgarbage/strictly-ballroom-with-kate-youngTove Lo's Dirt Femme album in ASL: https://www.youtube.com/watch?v=gtSQeGInmeY&list=PLAfkuCiou6j8knKObgPxftQxGrTEK1YbRKate Leth talking Taylor Swift on TikTok: https://www.tiktok.com/@katelethargy/video/7275317746269736234?lang=enKate Leth's graphic novel Mall Goth: https://www.simonandschuster.com/books/Mall-Goth/Kate-Leth/9781534476943“My Delirious Trip to the Heart of Swiftiedom,” by Taffy Brodesser-Akner for The New York Times Magazine: https://www.nytimes.com/2023/10/12/magazine/taylor-swift-eras-tour.html“The ‘Plop' and the Plight of Being a Queer Taylor Swift Fan,” by Abby Monteil for them: https://www.them.us/story/the-plop-and-the-plight-of-being-a-queer-taylor-swift-fanFind Kat:twitter.com/kat_ex_machinaFind Feminist Frequency:Join our PatreonOur WebsiteSubscribe to FFR on Apple PodcastsTwitterInstagramtwitch.tv/femfreq

Equal sports opportunities for women was mandated 50 years ago by title IX legislation. Champion runner Lauren Fleshman explains why getting access to a sports world built by men, for men and boys isn't working for girls and women. Her book, Good For a Girl, is a feminist critique of the sports world and a memoir about her own running career. Also, Taffy Brodesser-Akner, creator, writer and showrunner of FX's series Fleishman Is In Trouble on Hulu talks about divorce, middle age, and dating apps. Justin Chang reviews the critically acclaimed film No Bears by Iranian director Jafar Panahi. Not long after the film was completed, Panahi was sentenced to six years in prison.

Taffy Brodesser-Akner says the start of middle age hit her "like a truck." As her friends got divorced and began dating again, she was inspired to write a novel — which she's adapted for the screen. Fleishman is in Trouble is on FX/Hulu.Also, Raw Deal author Chloe Sorvino talks about the state of the meat industry.