Podcasts about Butcher

We live in a digital world. Cultural influences impact children, families, and communities and our digital age spreads information instantly across the globe. In addition, ai – while helpful in many ways – can be deceptive, compounding problems. Little care is given to ensure age-appropriate content and young people (and many adults) are swept into cultural trends harmful to physical, mental, emotional, and spiritual well-being. The need for tools that promote discernment and wisdom is clear, but how do we protect while allowing for growth and educational opportunities? As parents, educators, or business leaders, we have a responsibility to  create digital environments that promote healthy growth mindsets and maturity. In this episode, Linda interviews Claton Butcher, founder of Cross Current Digital and creator of WatchSafe.app, all designed to provide resources to enhance educational growth, safety, and discernment. This episode is relevant to parents, business leaders, and anyone who cares deeply about the well-being of the next generation.  ©Copyright 2026, Prosperity 101, LLC __________________________________________________________ For information about our online course and other resources visit: https://prosperity101.com To order a copy of Prosperity 101 – Job Security Through Business Prosperity® by Linda J. Hansen, click here: https://prosperity101.com/products/ Become a Prosperity Partner: https://prosperity101.com/partner-contribution/ If you would like to be an episode sponsor, please contact us directly at https://prosperity101.com. You can also support this podcast by engaging with our Strategic Partners using the promo codes listed below. Be free to work and free to hire by joining RedBalloon, America's #1 non-woke job board and talent connector. Use Promo Code P101 or go to RedBalloon.work/p101 to join Red Balloon and support Prosperity 101®. Connect with other Kingdom minded business owners by joining the US Christian Chamber of Commerce. Support both organizations by mentioning Prosperity 101, LLC or using code P101 to join. https://uschristianchamber.com Mother Nature's Trading Company®, providing natural products for your health, all Powered by Cranology®. Use this link to explore Buy One Get One Free product options and special discounts: https://mntc.shop/prosperity101/ Unite for impact by joining Christian Employers Alliance at www.ChristianEmployersAlliance.org and use Promo Code P101. Support Pro-Life Payments and help save babies with every swipe. Visit www.prolifepayments.com/life/p101 for more information. Maximize your podcast by contacting Podcast Town. Contact them today: https://podcasttown.zohothrive.com/affiliateportal/podcasttown/login Check out VAUSA, America's choice for virtual assistants- https://hirevausa.com/connect" Thank you to all our guests, listeners, Prosperity Partners, and Strategic Partners. You are appreciated!   The opinions expressed by guests on this podcast do not necessarily represent those held or promoted by Linda J. Hansen or Prosperity 101, LLC.

In Episode 365 of the Mixing Music Podcast, Dee Kei and James sit down with mixing engineer Andrew Law to talk about immersive audio, Dolby Atmos, and how Andrew built a career around spatial mixing. He shares how his path took him from traditional recording work into TV, film, podcasting, Amazon Music, and eventually Grammy-nominated Atmos mixing.The conversation breaks down what actually makes a strong Atmos mix, how Andrew approaches beds, objects, binaural settings, and playback, and why hearing Atmos on a real speaker system can completely change how artists feel about the format. He also explains practical ways beginners can start learning Atmos without a full room build, along with thoughts on workflow, clients, and where immersive audio may be headed next.Along the way, Andrew also talks about career pivots, working both freelance and in-house, networking, and how his unusual background, from sports to studio life, shaped the way he navigates the music industry. This is a great episode for anyone curious about Atmos, spatial audio, and the evolving future of mixing. andrewlawmixing.comSUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Most podcasters think monetization means waiting for sponsors. Jennifer Butcher never bought that idea. She built She Talks Money while running a 25-year mortgage business with her husband, owning a gym, and raising two teenagers. The strategy is straightforward: use the podcast to generate mortgage referrals, stack affiliate deals with guests who already serve your audience, and build systems that keep the show running without wearing you down.In this episode of Podcasting Secrets with host Nathan Gwilliam, Jennifer explains the Instagram outreach approach she uses to find aligned guests, how she committed to 52 consecutive weekly episodes before ever reevaluating, why batching recordings is the single biggest time-saver in her workflow, and the hormone health episode that generated more personal responses than anything else she has published. She also shares the daily habits, mindset shift, and wellness routine that keep her showing up at a high level week after week.Want to stack affiliate income into your podcast and turn your existing skills into revenue? Focus on guest alignment and daily outreach, not just download counts. Share this episode with any podcaster still waiting for a sponsor deal before they start earning. Subscribe and follow Podcasting Secrets on Apple, Spotify, and YouTube for weekly conversations with creators who are turning their shows into real businesses. Podcasting Secrets:Website: https://podcastingsecrets.com/YouTube: https://www.youtube.com/@podcasting-secretsInstagram: https://www.instagram.com/podcastingsecrets/LinkedIn: https://www.linkedin.com/company/poduppodcasting/Apple: https://podcasts.apple.com/us/podcast/podcasting-secrets/id1726056241Spotify: https://open.spotify.com/show/0edA45tyPxFRfiUmDxYSUjNathan Gwilliam:LinkedIn: https://www.linkedin.com/in/nathangwilliam/Jennifer Butcher: LinkedIn: https://www.linkedin.com/in/jennifer-butcher-1717586/Website: https://open.spotify.com/show/5BlfcvgVRT8hcBWK2kx1pLInstagram: https://www.instagram.com/jenniferbutcherofficial/YouTube: https://www.youtube.com/@jenniferbutchermortgage

What happens when pleasure becomes the center of our lives instead of God? In this message, Pastor Morgan continues our series through the life of Solomon by looking at the subtle dangers that led one of the wisest men in history away from God. Solomon's story reminds us that sin rarely begins with rebellion. It usually begins with compromise, small decisions, and slow drift. God created pleasure as a gift, but when pleasure becomes the pursuit of our lives, it can slowly redirect our hearts away from Him. Through Solomon's life in 1 Kings 11, we see how compromise grows, how pleasure always demands more, and why only God can truly satisfy the thirst of our souls. If you've ever felt the pull of distraction, comfort, or chasing things that ultimately leave you empty, this message is a powerful reminder that Jesus offers living water that truly satisfies. Watch the full message and be encouraged to place God back on the throne of your heart.

We made pizzas our ways, The Butcher, Dooley, Melissa, & Jason. Then we get to the podcast and what does Dooley bring? PB&J Pickles.... sure why not.

Willkommen zurück in Tristram! Anlässlich des 30. Geburtstags der Diablo-Reihe und dem Start der 12. Season in Diablo IV haben wir uns am Lagerfeuer versammelt, um in Erinnerungen zu schwelgen. Lea, AK, Micha und Jessie sprechen über alles, was diese Action-RPG-Reihe so unsterblich macht: Das legendäre Sounddesign, den endlosen Grind nach dem perfekten Loot, unsere Lieblingsklassen und natürlich die Traumata, die uns der Butcher, fiese Dschungelgnome oder Kadala verpasst haben. Egal ob ihr die Cutscenes genießt oder wie Jessie alles gnadenlos wegklickt – hier kommt jeder Diablo-Fan auf seine Kosten. Außerdem werfen wir am Ende einen genauen Blick auf die blutigen Neuerungen von Season 12 (inklusive DOOM-Crossover und Paladin-Testphase) und das kommende Add-on "Lord of Hatred". Stay a while and listen! Alle Links zum GameStar Podcast und unseren Werbepartnern: https://linktr.ee/gamestarpodcast

Arnold Schwarzenegger just announced he's working on Commando 2, a new Predator film, and King Conan. The action legend is coming back to his most iconic franchises. Are we excited? Cautiously optimistic? Deeply skeptical? All of the above.Plus: The Bear will end after Season 5. What if the Oscars had a "Best Casting" category (and who would've won)? Trailers for The Boys final season, Beef Season 2, In the Grey, and the Lanterns DC series. And a WTF segment from JayTeeDee (Edit That Out podcast).This week's Checked Out reviews: Friendship (Apple TV+), War Machine (Netflix), and The Running Man (2025 version—perfect timing).Let's break it down.

Here's a full rewrite of your text, now built around 1990's King of New York and 2002's Gangs of New York, and infused with that “heavyweight fight we've been waiting for” vibe. I kept the Not A Bomb voice, the Movie Matchup structure, and the playful swagger.For the entire month of March, the guys at Not A Bomb are throwing it back to their old Movie Matchup format, pitting notorious box office bombs against each other in a battle for redemption. Two flops enter… only one survives. There can only be one!This week, Troy and Brad aren't just stepping into the ring, they're calling the fight of the century. It's a bruising, bare‑knuckle, cinematic heavyweight showdown between two crime‑soaked epics: King of New York and Gangs of New York. Decades apart, stylistically worlds away, but both swinging for the fences with operatic violence, towering performances, and enough swagger to level a city block.King of New YorkDirected by Abel Ferrara and starring Christopher Walken, Laurence Fishburne, Wesley Snipes, David Caruso, Victor Argo, and Giancarlo Esposito, this neon‑drenched gangster fever dream follows drug lord Frank White as he storms back into New York's underworld after a stint in prison. It's stylish, chaotic, and packed with performances so intense they practically melt through the screen.Gangs of New YorkDirected by Martin Scorsese and starring Leonardo DiCaprio, Daniel Day‑Lewis, Cameron Diaz, Brendan Gleeson, Jim Broadbent, and John C. Reilly, this sprawling historical epic throws you into the blood‑soaked streets of 1860s Manhattan. Rival factions. Political corruption. Revenge quests. And at the center of it all, Daniel Day‑Lewis delivering one of the most terrifying, magnetic performances of his career as Bill the Butcher. This isn't just a comparison; it's a clash of titans. Frank White vs. Bill the Butcher. Modern crime mythmaking vs. historical gangland opera. Ferrara's gritty, punk‑rock filmmaking vs. Scorsese's grand, blood‑stained spectacle. Troy and Brad break down which film lands the cleanest hits, which one stumbles, and which earns the coveted weekly crown. Expect fireworks, body blows, and enough cinematic carnage to fill Madison Square Garden.Got a cinematic flop you want us to tackle? Drop us a line at NotABombPod@gmail.com or reach out through our contact page. Reviews on Apple Podcasts or Spotify help us grow and keep the chaos coming.Cast: Brad, Troy

Under the shadow of the Gaza war, even before the current conflict with Iran, Israeli filmmaker Hilla Medalia found it “very surprising” that her short film “Children No More: Were and Are Gone” was nominated for an Academy Award – but she was thrilled. Despite the atmosphere in Hollywood even before the U.S.-Israel military attack in Iran, with petitions to boycott Israeli filmmakers circulated, two Israelis are nominated to take home golden statues at the March 16 ceremony: Medalia's film, in the category of Best Documentary Short, along with Meyer Levinson-Blount’s “Butcher’s Stain,” which is nominated for Best Live Action Short Film. The nominations are “an incredible achievement of course for both Meyer and I, but also for the entire Israeli film community,” she said, speaking on the Haaretz Podcast. Medalia’s film follows a group of Israeli activists who in March 2025, after the second cease-fire between Israel and Hamas collapsed, learned that 139 Palestinian children had been killed in a single day by IDF attacks in Gaza. The small group decided to print out photographs of the children, and stand holding the images silently as an accompaniment to the raucous demonstrations taking place in Tel Aviv calling for a cease-fire that would bring back the Israeli hostages. Over time their action, Medalia explained, “slowly grew into this bigger vigil that had more than 1,000 people. On each poster there is a picture of a child, their name, their age, where they're from, the day that they were killed. That's it. No political slogans. And they stood in silence.” She was inspired and impressed by the group’s commitment to remaining silent – even as passersby insulted and cursed them. Unlike the other films Medalia is competing against, “Children No More” did not make the rounds of the prestigious film festivals to increase its Oscar chances – its path from conception to filming to release was unusually rapid. “We felt that we could not wait to share with the local Israeli audience and the world.” Read more: Oscar-nominated Israeli Filmmaker on Gaza: 'Focusing on Dead Children Does Not Diminish Our Pain' Why Israel Fears the Faces of Dead Palestinian Children on Its Streets It Looks Like a Memorial Day Ceremony: The Israelis Protesting With Photos of Dead Gazan ChildrenStudent Oscar-winning Film 'Mirrors the Experiences of Palestinians in Israel'See omnystudio.com/listener for privacy information.

Aaron Gwyn is the author of four novels: The World Beneath, Wynn's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism) and Novel Dialogue's own John Plotz, we learn that Robert Lemmons is a real historical figure and so is Levi English.One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In our signature question, we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in the episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner Absalom Absalom Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow. John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Aaron Gwyn is the author of four novels: The World Beneath, Wynn's War, and, most recently, two wonderfully linked historical novels, All God's Children, which won the Oklahoma Book award, and The Cannibal Owl. In his conversation with Sean McCann of Wesleyan (A Pinnacle of Feeling: American Literature and Presidential Government and Gumshoe America: Hard-Boiled Crime Fiction and the Rise and Fall of New Deal Liberalism) and Novel Dialogue's own John Plotz, we learn that Robert Lemmons is a real historical figure and so is Levi English.One way to grasp Gwyn's achievement is to consider the contrast between his durably realist work and Cormac McCarthy's 1985 Blood Meridian. Much as Aaron and Sean admire that novel, McCarthy's characters strike them as monstrous and incredible. How about Charles Portis's True Grit, asks John? Aaron loves it for its ventriloquizing power, and its truth-loving willingness to weave in unsettling back stories like Rooster Cogburn's ties to Quantrill's Rangers, an eerily modern pro-Confederate terrorist paramilitary. In our signature question, we learn why Aaron's favorite teacher was Robert Hill, Pink-Floyd-loving drummer and perennial inspiration (audio here). Mentioned in the episode: Richard Slotkin's notion of “the man who knows Indians” comes from Gunfighter Nation Mark Twain, A Connecticut Yankee in King Arthur's Court (1889) Herman Melville, Moby Dick William Faulkner Absalom Absalom Toni Morrison, Beloved Thomas Pynchon, Gravity's Rainbow. John Williams, Stoner (but also Butcher's Crossing –-which John loves— and Augustus, which did indeed split the National Book Award (not the Pulitzer) in 1973 with John Barth's Chimera. Larry McMurtry's hard-to-get-into Lonesome Dove Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

8:00 HOUR: Is the collapse on for the Wings? Names you always butcher

3/11/26 - The Lions finally re-work Goff's contract, Is the collapse on for the Red Wings? Names you always butcher, Did the Ravens pull a fast one?

Andy "The Butcher" Williams is guitarist for Atomic Rule and former guitarist for metalcore heavyweights Every Time I Die. He also wrestles in All Elite Wrestling and on the independent scene. Atomic Rule headlines the first night of Chicago's Forever Deaf Fest on April 10, 2026. Get tickets here: https://www.avondalemusichall.com/events/forever-deaf-fest-1For more on Atomic Rule: https://atomicrule288.bandcamp.com/For More Info: CultHousePodcast[at]gmail.comInstagram: @riddelluminati, @culthousepod TikTok: @riddelluminatiIntro Song: “Hippies Become Lawyers” by Something Is Waiting, used with explicit permission from Eddie Gobbo and Something Is WaitingIllustration: Roger RiddellAudio/Video Editing: Roger RiddellGlitch Sound Effect: shpira (Public Domain via Creative Commons CC0 1.0 license)Glitch Footage: Video Farm

In Episode 364 of the Mixing Music Podcast, Dee Kei and Lu revisit one of the most common pieces of advice in mixing: “mix fast.” While trusting your instincts and avoiding overthinking can be powerful, the guys explore the nuance behind when slowing down actually leads to better results.They discuss the value of the “next day listen,” how fresh ears can reveal problems you missed the night before, and why building extra time into your schedule can improve both your mixes and your revision process. From there, the conversation dives into practical ways to slow down intentionally, including detailed automation, vocal rides, automating effects and parallel compression, and taking the time to properly dial in EQ and compressor settings.The episode also highlights the importance of referencing and making intentional decisions rather than letting plugins or presets determine the direction of a mix. The core message is simple: instinct and speed are valuable, but great mixes often come from knowing when to pause, listen carefully, and refine the details.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

"Sinners" set the record for most Oscar nominations with 16. "One Battle After Another" isn't far behind with 13. "One Battle" was considered the early favorite for many awards, but "Sinners" has been coming on strong during awards season. Which film will win the night? Will Paul Thomas Anderson finally win an Oscar? Can Timothée Chalamet top Leonardo DiCaprio and Michael B. Jordan? We'll know soon enough with the 98th Academy Awards airing Sunday night (ABC and Hulu, 7 p.m. EDT). On this week's episode of Streamed & Screened, co-hosts Bruce Miller and Terry Lipshetz discuss the two films and the favorites to win the major categories.  Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY

** This episode talks about suicide. If you are suicidal, please call/text chat 988 ** My friend Bruce Butcher (late 50s, married father of three, active LDS) joins us in a powerful episode to share the following: Loving and accepting people in his life who are no longer in the Church “We don't punish a man for his beliefs” Losing his wonderful son Taylor to suicide in June 2024 Taylor's prayer “bless the sick and sad, help us to be the best versions of ourselves” Painful doctrine the Church used to teach about suicide—led to no hope Love of a mother is the most powerful force on earth Love of our Heavenly Mother is the most powerful force in heaven—she isn't going to cut off any of Her children Excluding people is not Christ's doctrine David Archuleta—“I'm still a fan” Being a cafeteria Mormon My apology to my LGBTQ friends I deeply loved listening to and learning from Bruce. If you are looking for more hope in your life, be more like Jesus, and love/accept people walking different roads, please listen to and share Bruce's podcast. Thank you, Bruce, for being on the podcast. You are a good man—helping so many. I'm so sorry your good son Taylor is gone. Love Taylor's heart as reflected in the words of his prayer.

本期摘要 友友们周二好！这周末就是奥斯卡奖，我们一年一度的固定节目又来啦。本期节目里我们先依次聊了聊看过的九部最佳影片（《密探》还没有来得及看），之后做出了全网最权威（？）的奥斯卡预测，希望大家听得开心！下期再见

Welcome to the Circle of the World Podcast! Join George, and Harrison as we continue our coverage of Joe Abercrombie's First Law series! In this special episode we will be featuring our friend, HummingBirdButcher! https://www.reddit.com/r/HouseOfTheMemeMaker/comments/1rafka9/i_didnt_know_what_i_was_getting_into_before_this/Leave us a commentSupport the show

This week on Fright Flick FMK, we're talking about the 2022 Belgian horror film Megalomaniac, written and directed by Karim Ouelhaj. Inspired by the real-life “Butcher of Mons” case, this movie imagines what might have happened to the killer's children… and it is not a feel-good family drama. The story follows siblings Martha and Félix, who grow up isolated and deeply scarred by the legacy of their father, a notorious serial killer who targeted women. Martha works at a garment factory where she's constantly harassed and belittled, while Félix becomes increasingly obsessed with embracing their father's violent past. What starts as simmering trauma slowly mutates into something darker, as Félix begins killing again and pushes Martha toward accepting the same blood-soaked inheritance. And yes, we're going there. The film doesn't shy away from brutality. There are suffocating scenes of workplace abuse, graphic violence, and a grim, inevitable turn where Martha herself finally snaps, stepping fully into the horror she's tried to suppress. By the end, it's less about jump scares and more about whether violence is learned, inherited, or just waiting for the right moment to surface. It's bleak. It's heavy. It's arthouse horror dipped in cold industrial despair. So the real question is: is Megalomaniac something I'd F*ck, Marry, or Kill? Let's get into it.

This week on Fright Flick FMK, we're talking about the 2022 Belgian horror film Megalomaniac, written and directed by Karim Ouelhaj. Inspired by the real-life “Butcher of Mons” case, this movie imagines what might have happened to the killer's children… and it is not a feel-good family drama.The story follows siblings Martha and Félix, who grow up isolated and deeply scarred by the legacy of their father, a notorious serial killer who targeted women. Martha works at a garment factory where she's constantly harassed and belittled, while Félix becomes increasingly obsessed with embracing their father's violent past. What starts as simmering trauma slowly mutates into something darker, as Félix begins killing again and pushes Martha toward accepting the same blood-soaked inheritance.And yes, we're going there. The film doesn't shy away from brutality. There are suffocating scenes of workplace abuse, graphic violence, and a grim, inevitable turn where Martha herself finally snaps, stepping fully into the horror she's tried to suppress. By the end, it's less about jump scares and more about whether violence is learned, inherited, or just waiting for the right moment to surface.It's bleak. It's heavy. It's arthouse horror dipped in cold industrial despair.So the real question is: is Megalomaniac something I'd F*ck, Marry, or Kill?Let's get into it.

In Episode 363 of the Mixing Music Podcast, Dee Kei and Lu take a deep dive into how mixing and recording have evolved from the 1950s to today. Starting with mono recordings, ribbon mics, and engineers in lab coats, they trace the journey through multitrack tape, Neve and SSL consoles, gated reverb in the 80s, the rise of Pro Tools in the 90s, the loudness wars of the 2000s, and the bedroom production boom of the 2010s.They break down how technological shifts shaped the sound of each era, from Frank Sinatra's room-driven performances to Led Zeppelin's tape saturation, Michael Jackson's SSL precision, and the hyper-loud masters of Metallica and early 2000s pop and hip hop. The conversation also explores how Napster disrupted the industry, how streaming rebuilt it, and why today's music economy is more democratized than ever.The episode closes with a forward-looking discussion on AI, Atmos, spatial audio, and whether music is truly declining or simply evolving again. Along the way, Dee Kei challenges common analog myths, including the hidden digital processing inside many classic vinyl records.If you care about how technology shapes creativity, why records sound the way they do, and where mixing is headed next, this is a must-listen episode.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

No Blood Moon, the brazen tactics of the MN fraudsters, Nat'l Butcher's Week, more on what Kristin Robbins wrote, the feeble attempt to sue the Fed, articles of impeachment against Ellison and Walz, concerns of MN voters, and Dan from Wrenshall...See omnystudio.com/listener for privacy information.

HOUR 4- Addictions, The Name Butcher and MORE full 1254 Wed, 25 Feb 2026 16:39:00 +0000 OzDFUJKivatpKELo5LYgr9VrezFdC9JY society & culture Klein/Ally Show: The Podcast society & culture HOUR 4- Addictions, The Name Butcher and MORE Klein.Ally.Show on KROQ is more than just a "dynamic, irreverent morning radio show that mixes humor, pop culture, and unpredictable conversation with a heavy dose of realness." (but thanks for that quote anyway). Hosted by Klein, Ally, and a cast of weirdos (both on the team and from their audience), the show is known for its raw, offbeat style, offering a mix of sarcastic banter, candid interviews, and an unfiltered take on everything from culture to the chaos of everyday life. With a loyal, engaged fanbase and an addiction for pushing boundaries, the show delivers the perfect blend of humor and insight, all while keeping things fun, fresh, and sometimes a little bit illegal. 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-lin

"Butcher's Stain" is a live-action short film, directed, written by, and starring Meyer Levinson-Blount, co-starring Omar Sameer and Rona Toledano. The film follows Samir, an Arab Israeli working in a supermarket in Tel Aviv, who is accused of tearing down hostage posters in the break room. He sets out to prove his innocence to keep this job that he desperately needs. Since its release, it has been nominated for the Oscar for Best Live Action Short Film at the 98th Academy Awards. Meyer Levinson-Blount was kind enough to spend some time speaking with us about his experience and work on the film, which you can listen to below. Please be sure to check out the film, which is up for your consideration for this year's Academy Awards. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 362 of the Mixing Music Podcast, hosts Dee Kei and Lu start with a wild weekend recap that includes long work hours, live sound chaos, and a massive rally in downtown Los Angeles. Dee Kei shares how he went from one gig to another while traffic was locked up, and even ended up unintentionally marching with a protest on the way to the next event. He describes the scale of the rally setup, including flying dozens of line arrays to cover an enormous crowd, and then later connects that experience to one of the core themes of the episode: fundamentals matter more than fancy gear.The main conversation is sparked by a viral-style audio story: a blind listening test where people could not reliably tell the difference between audio passed through standard copper wire, a banana, or wet mud. Dee Kei and Lu use the article as a jumping-off point to talk about how easy it is for audio culture to become obsessed with mysticism, status, and expensive objects rather than results. They point out that even when engineers care deeply about details, most listeners respond to vibe, emotion, and impact, not the mythology around cables, converters, or obscure technical flexes.From there, the episode expands into a bigger discussion about anti-intellectualism in the Zen sense, not anti-intelligence. The idea is that practical experience, experimentation, and real listening should take priority over rigid theories, cheat sheets, and secondhand rules. They talk about how knowing everything about a compressor on paper is not the same as using it well in context, and how taste and emotional translation are often more important than technical trivia. They connect this to why AI may automate some low-stakes, background-music needs, but will not fully replace the human judgment behind great mixing and music made for music's sake.The guys also get into the social side of the industry, including how insecurity can show up as a need to prove people wrong, and how being “the smartest person in the room” does not matter if you make everyone miserable. They share stories about people who are technically knowledgeable but communicate with a defensive, correcting energy that makes others want to exit the conversation. Dee Kei frames it as a lack of contentment and an obsession with being right instead of being useful.Later, they bring the conversation back to growth and practice: why daily reps matter, how to get better by accelerating mistake-making, and why it helps to mix for real people with opinions rather than only practicing in a vacuum. They talk about practical ways to practice recording and mixing when you do not have a studio, like using rehearsal spaces, booking an affordable studio day, or working with local bands in exchange for experience. Dee Kei also emphasizes a simple principle he has said before: if you want to get good, start mixing faster and start making decisive choices with intention.To close, they reflect on humility, responsibility, and long-term improvement, including an example of how top performers stay grounded under pressure, plus a nuanced comparison of how gratitude can be framed differently in American versus Japanese culture. The episode ends with a reminder to focus on the craft over the distractions, keep it fun, and keep learning.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to What Matters Now, a weekly podcast exploring key issues currently shaping Israel and the Jewish World, with host Jessica Steinberg speaking with Oscar film nominee Meyer Levinson-Blount. “Butcher’s Stain" is nominated for Best Live Action Short Film at the 2026 Oscars, after winning second place in the narrative category of the Student Academy Awards in the fall. The film follows Samir, an Arab butcher in Tel Aviv, who sets out on a journey to prove his innocence after he’s accused of removing posters of the hostages kidnapped to Gaza. Levinson-Blount discusses his own background as the inspiration for the making of the film during his studies at Tel Aviv Film School, which he describes as a "paradise," particularly during the two years of war. He talks about the themes of the film -- which draws on Levinson-Blount's own experiences working in Israeli supermarkets -- and revolves around a general thread of suspicion regarding the Arab community in Israel. The debut director also discusses how the film's story builds suspicion, then breaks that expectation, showing that people tend not to know that much about one another. What Matters Now podcasts are available for download on Apple Podcasts, Spotify, YouTube or wherever you get your podcasts. This episode was produced by Ari Schlacht.See omnystudio.com/listener for privacy information.

Welcome to the message, "Strengthen Through Rest" in our "Strength Training" message series! In this message, Kent Butcher discusses the importance of rest in our spiritual walk.Click the link below to watch the message on YouTube!https://youtu.be/3P25YV0rK6M

Two privileged young men, driven by arrogance and a twisted sense of superiority, plotted the 'perfect crime.' But the brutal murder of Bobby Franks left behind a trail of evidence and ghost that refuses to rest.*No AI Voices Are Used In The Narration Of This Podcast*IN THIS EPISODE: Leopold and Loeb believed themselves to be more intelligent than everyone and planned to commit the perfect murder. But it would be their pride that brought them down in the end, and it would result in a ghost story! (Chicago's Thrill Killers) *** A woman visiting her mother in the hospital takes an unexpected trip when stepping into the elevator. (Elevator Opens Into The Twilight Zone) *** Even 24 doors couldn't give Charles Lapham a way out of his seemingly-cursed life. (No Exit – The Lapham Patterson House) *** A nightmare is frightening, we can all agree on that. But what if you have a nightmare within a nightmare? One woman tells her terrifying story. (My Real Life Nightmare) *** Robert Berdella. Behind his friendly demeanor lurked a deadly obsession with torture and murder. (The Butcher of Kansas City) *** It was a tale that most considered simply gossip, or the town's urban legend. The rich and powerful made sure it stayed a secret; but all secrets eventually come to light – especially those covered in racism, tragedy, and hundreds of deaths. It's the truth behind the Hawk's Nest Tunnel tragedy. (Town Of The Living Dead) *** A teenager shares his story of being abducted by aliens. You may dismiss it as a nightmare or sleep paralysis, but then how do you explain the injection marks on his body? (Tall Black Shiny Aliens) *** A Weirdo family member tells us why we should be cautious when we hear dogs howling. (When The Dogs Howl) *** Most stories about the men in black are of an aggressive nature, with victims being questioned by them, even threatened into remaining silent. But one man had a strange encounter where the MIB saved his life. (Helped By Four Men In Black) *** It's always a bit scary sleeping in a new house that very first night. But sometimes, as one Weird Darkness fan discovered, there is reason to be frightened. (Whispers In The Night) *** They found the first body stuffed inside the church library's closet. Then a second body turned up. I'll share the creepy case of Theo Durrant – San Francisco's “Jack the Ripper”. (Demon of the Belfry) *** Outside of Washington, D.C. lies an abandoned institution with a thoroughly disturbing past. (The Madness of Forest Haven Asylum) CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Foreboding00:01:03.145 = Show Intro00:04:10.713 = Chicago's Thrill Killers00:25:29.654 = No Exit: The Lapham Patterson House ***00:30:38.722 = Elevator Opens Into The Twilight Zone00:33:12.911 = Robert Berdella: The Butcher of Kansas City00:39:33.388 = My Nightmare (from a Weird Darkness listener) ***00:41:27.413 = Town of the Living Dead00:55:26.596 = Helped By Four Men In Black ***00:57:25.158 = When The Dogs Howl (from a Weird Darkness listener)00:59:31.756 = Demon of the Belfry01:04:53.306 = Tall, Black Shiny Aliens01:07:11.040 = Whispers In The Night01:09:55.718 = Forest Haven Asylum ***= Show Close *** = Begins immediately after inserted ad breakHELPFUL LINKS & RESOURCES…https://WeirdDarkness.com/STORE = Tees, Mugs, Socks, Hoodies, Totes, Hats, Kidswear & Morehttps://WeirdDarkness.com/HOPE = Hope For Depression or Thoughts of Self-Harmhttps://WeirdDarkness.com/NEWSLETTER = In-Depth Articles, Memes, Weird DarkNEWS, Videos & Morehttps://WeirdDarkness.com/AUDIOBOOKS = FREE Audiobooks Narrated By Darren Marlar SOURCES and RESOURCES:EPISODE PAGE (includes sources): https://weirddarkness.com/PerfectCrime“Chicago's Thrill Killers” by Troy Taylor: http://bit.ly/32z2mLe“Elevator Opens Into the Twilight Zone” by Lisa Gibson: http://bit.ly/2VURTHJ“The Butcher of Kansas City” by Orrin Grey: http://bit.ly/30sRCwJ“My Real Life Nightmare” by Alicia Zapata, submitted at http://www.WeirdDarkness.com“No Exit – The Lapham Patterson House” by Jessica Ferri: http://bit.ly/2pCMety“Town of the Living Dead” by Troy Taylor: http://bit.ly/2W12NvE“Demon of the Belfry” by Orrin Grey: http://bit.ly/2JJbsiO“Tall, Black, Shiny Aliens” by RR: http://bit.ly/2VURTHJ“The Madness of Forest Haven Asylum” by Gary Sweeney: http://bit.ly/32xCSOm“When The Dogs Howl” by KJ – submitted directly to http://www.WeirdDarkness.com“Whispers In The Night” by Zenovia Caldwell: http://bit.ly/2VUUQrN“Helped By Four Men In Black”: http://bit.ly/2VURTHJ=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.=====Originally aired: December 21, 2022 *** July 18, 2018EPISODE PAGE (includes sources): https://weirddarkness.com/PerfectCrimeABOUT WEIRD DARKNESS: #WeirdDarkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.

We're serving up thick cuts of old time radio mystery with four stories involving butchers and their wares. First, Boston Blackie faces off against a black market meat ring in an adventure starring Chester Morris (originally aired on NBC on July 21, 1944). Kirk Douglas embarks on a dangerous affair in the grocery store aisles in "The Butcher's Wife" from Suspense (originally aired on CBS on February 9, 1950). After a disappointing dinner, The Saint finds a dead body in his trunk in "The Horrible Hamburger" (originally aired on NBC on September 10, 1950). Finally, Dick Powell goes undercover to protect a butcher from a protection racket in Richard Diamond, Private Detective (originally aired on ABC on March 9, 1951).

Join hosts John Drew and Jim Beard, along with special guest Alan J. Porter, as they tackle one of Classic Who's most controversial stories - and discover they might be more divided on it than expected! Production Overview: This 1985 two-part adventure was written by Glen McCoy (his only Doctor Who story) and directed by Pennant Roberts in his final work on the series. The production faced several challenges, including John Nathan-Turner pulling Colin Baker and Nicola Bryant out of rehearsals twice - once for a US convention and once for pantomime rehearsals. Robert Ashby's Borad makeup took three hours to apply daily and prevented him from eating, though he was given creative freedom to rewrite his own dialogue. The story originally featured the First Doctor, Susan, Ian, and Barbara, but was changed to reference the Third Doctor and Jo Grant at JNT's insistence. The Paul Darrow Factor: Guest star Paul Darrow (Blake's 7's Avon) deliberately over-acted as revenge for Colin Baker's bombastic portrayal of Bayban the Butcher on Blake's 7. When JNT asked him to play Tekker like Avon, Darrow refused and instead played him like Richard III - even asking if he could wear a hump! Eric Saward described the character as "a Roman Emperor who's been sniffing glue all day." Fan Reception vs. Host Opinions: Despite ranking 199th out of 200 in Doctor Who Magazine's 2009 poll (just above "The Twin Dilemma"), the hosts find themselves surprisingly divided. Alan defends the story as one of his favorites, particularly praising the H.G. Wells subplot and the Doctor's use of temporal mechanics. Jim finds it uneven but leans more positive than negative, enjoying Part 2 more than Part 1. John remains the dissenting voice, giving it his lowest rating and arguing it should have been condensed to a single episode. What Works: The Borad's makeup design and Robert Ashby's restrained performance The Doctor actively using time manipulation as a tool (the "time slip" device) The Third Doctor/Jo Grant backstory and photo reveal H.G. Wells as Herbert, with the reveal of his identity The Bandril aliens as an attempt at something visually different Colin Baker's performance showing the Doctor's arrogance and self-assurance Peri's relatively conservative and flattering outfit The concept of time technology used as a weapon (aging doors, etc.) References to the Doctor being President of Gallifrey What Doesn't Work: Twenty-one minutes before the TARDIS actually arrives on Karfel Excessive padding, particularly the extended TARDIS arguing scenes The "Morlocks" name being too on-the-nose from H.G. Wells' "The Time Machine" Plot holes regarding mirrors, reflective surfaces, and androids The unnecessary subplot about the impending Bandril war The clone reveal feeling like a tired trope Peri's character arc diminishing from agency to damsel in distress Questions about how the Doctor knew there was a mirror behind the mural The Borad's similarity to Davros (wheelchair, arm weapon, disfigurement) Behind the Sofa Reception: Interestingly, all three Behind the Sofa pairings enjoyed the story, with Janet Fielding calling it the best of Season 22 and Peter Davison saying it was "bad enough to be good." Special Effects: The Blu-ray release is the only Colin Baker Season 22 story to receive updated special effects, particularly within the Timelash corridor itself. However, the hosts debate whether the original effects were actually any worse than typical for the era, with some defending them as perfectly acceptable for 1985. The Third Doctor Connection: The story's references to an unseen Third Doctor adventure generate discussion about whether this needs to be explored further. Some Big Finish audios and novels have addressed different aspects of this backstory, though no single story covers the complete adventure. The reveal of Jo Grant's photo in the locket creates a memorable moment, though questions remain about the logistics of the wall/mural/mirror setup. Colin Baker as the Sixth Doctor: All three hosts praise Colin Baker's performance, with discussion about how he represents a return to the "classic" Doctor archetype - combining arrogance, self-assurance, and alien behavior in ways that callback to earlier incarnations. Alan notes that the Sixth Doctor has become his favorite classic Doctor, particularly in Big Finish audios where the character develops further. Jim agrees that Baker brings back an edge and arrogance that had been missing from the Fifth Doctor's portrayal. H.G. Wells Subplot: The reveal of Herbert as H.G. Wells divides the hosts. Alan loves this aspect and wishes Wells could have become a companion, noting that expanded media has hinted at further travels with the Doctor. The hosts discuss the 1979 film "Time After Time" covering similar territory. The Loch Ness Monster connection provides a subtle Easter egg at the story's conclusion. Nicola Bryant's American Accent: The discussion reveals interesting perspectives - Alan, who lived in Britain during the original broadcast, thought she was genuinely American for years. Now living in the US for 30 years, he can hear her straining with the accent. The hosts share the behind-the-scenes story of how Bryant and her agent maintained the deception for nearly a year before revealing the truth to Colin Baker. The Violence Debate: The hosts attribute Season 22's increased violence to Eric Saward's script editing philosophy and his particular vision of science fiction, suggesting he didn't fully understand the Doctor's character. They note that the 18-month hiatus may have saved the show by allowing time to reassess and tone down the violence. Production Value Discussion: The hosts debate whether Timelash deserves its reputation for poor effects and production values, with most agreeing the special effects are no worse than surrounding stories. The Timelash corridor interior set receives mixed reviews - an "A for effort" but questioned execution that might have benefited from filters or different lighting approaches. Viewership: Part 1: 6.7 million viewers Part 2: 7.4 million viewers Coming Up Next: Patreon Exclusive (Monday): John and Jim cover all three parts of Steve Parkhouse's "Polly the Glot" comic strip, spin the Memory TARDIS, and discuss more theme music variations. The hosts express relief that only two more Parkhouse stories remain in their comic journey. Next Main Episode: The hosts continue through Colin Baker's Season 22 with "Revelation of the Daleks," featuring the return of Davros. John handles narration duties, and they're joined by special guest Felicity Kusinitz, who has recovered from her previous illness and will bring her "much better voice" to the discussion. Hashtags: #DoctorWho #Timelash #ClassicWho #SixthDoctor #ColinBaker #NicolaBryant #Peri #PaulDarrow #BlakesSeven #HGWells #ThirdDoctor #JoGrant #TheBorad #Season22 #1985 #DoctorWhoReview #DoctorWhoPodcast #Whovian #ClassicDoctorWho #TimeLords #TARDIS #TemporalMechanics #GlenMcCoy #PennantRoberts #Karfel #Bandrils #Morlocks

I recently spoke with Clint Butcher, the founder of EZ Gains, a company that has quickly grown into one of the most respected names in triathlon aerodynamics components in just a few short years. What makes Clint's story compelling isn't just the products,  it's how the business began. EZ Gains started in the front room of Clint's home. No factory. No investors. Just an idea, a willingness to experiment, and long evenings spent hand-making rear wheel disc covers alongside his daughter.What began as a simple, practical solution for athletes chasing marginal gains gradually evolved into something far more significant. Through persistence, curiosity, and a refusal to follow the easy or conventional path, EZ Gains grew into a company now supplying aerodynamic components and bottle carriers to some of the best triathletes in the world. That growth didn't come without risk. Like most genuine entrepreneurial journeys, it involved uncertainty, setbacks, and moments where walking away would have been the safer option. Instead, Clint chose to commit. He backed his belief in the product, trusted the process, and kept building, even when conditions were far from ideal. That willingness to act under uncertainty, to continue despite adversity, is the hallmark of true entrepreneurship. EZ Gains is a reminder that innovation in sport doesn't always come from big budgets or established brands. Sometimes it comes from a living room, a shared belief, and the courage to take a gamble on an idea worth pursuing. This is what building something meaningful looks like, not overnight success, but earned progress shaped by conviction, resilience, and a relentless commitment to doing things properly.

How polarized are Americans really? Are we really on the “brink of civil war” as some suggest?That's what I wanted to find out when I sat down with Jonathan Butcher, author of the recently released book “The Polarization Myth: America's Surprising Consensus on Race, Schools, and Sex.”“When we hear the term polarization, it makes us think that there's 50% on one side and 50% on the other side. But that's not what's going on,” says Butcher, who is acting director of The Heritage Foundation's Center for Education Policy.Butcher conducted a survey of more than 2,000 Americans and asked participants for their opinions on contentious cultural and political issues.What did he find? Contrary to what Americans are constantly told on social media and in legacy media, there is no deep divide on the issues that drive the so-called culture wars, he says. His survey found the following:-Biological sex: A majority of respondents maintain that sex is unchanging -Gender and schools: 61% oppose teaching young children that they can change their “gender”​ -Sexual content in schools: 69% do not support access in schools to books that depict sexual activity -College admissions: 52% oppose the use of racial preferences in college admissions, which are central to diversity, equity, and inclusion (DEI) programs​The culture war, Butcher concludes from his survey findings, is a narrative propagated by a small faction of radical activists and amplified by the media to instill fear.“It's really like a majority of Americans and … a small minority of activists on the other [side] that just have a very loud voice,” he says.The survey responses, he told me, also show a surprising degree of consensus among Americans on basic principles and core beliefs.For example, he found that a large majority of survey respondents want their children to be taught about virtue and character at school. More than half favor increased civics education.“The important thing to remind Americans is that on the issues, they're not alone. If [you] think that individuals should be judged, promoted, accepted to school based on their merit instead of their skin color, right, you're not alone. You're not alone if you think that we should be protecting women from men accessing their bathrooms or locker rooms,” he says.Views expressed in this video are opinions of the host and the guest, and do not necessarily reflect the views of The Epoch Times.

Episode 156: Step into the life of Becca Butcher. Join Kristen Eargle, a fellow coach's wife and long-time TV Sports Reporter, as she goes one-on-one with the wife of Campbell Defensive Coordinator Brandon Butcher.

In Episode 361 of the Mixing Music Podcast, hosts Dee Kei and Lu start with some Super Bowl talk and quickly pivot into a bigger conversation about obsession, creativity, and what actually drives high-level engineers to improve. Dee Kei shares a recent clip he saw from a well-known mixer talking about working extreme hours early on, and how an unhealthy level of obsession can sometimes be part of why people eventually earn enough skill, stability, and confidence to relax later.From there, the episode becomes a deep mindset discussion about craft. Dee Kei argues that great work tends to create money as a consequence, not as a starting motivation, and that when money becomes the primary goal, it can de-incentivize the kind of care and curiosity that lead to truly great records. He uses a story about giving his young son an allowance and watching how the introduction of money changed the child's relationship to making art. The broader point is that creative work is different than typical product-based entrepreneurship, because art has no built-in finish line and its value is often subjective.They also talk about the difference between loving music and loving the identity of being a producer or engineer. Dee Kei suggests that real obsession is not something you force. It is an alignment that shows up naturally in how you spend your time, what you want to learn, and how much you care even when conditions are not ideal. He shares a C.S. Lewis quote about how favorable conditions never arrive, and why the people who achieve the most are the ones who keep learning and working even when life is inconvenient.Lu adds a practical anchor to the conversation with a reminder that fundamentals beat trendy techniques. Whether you are mixing, recording, or working live sound, focusing on the basics of sound capture, decision-making, and working within limitations is what consistently produces results. They also touch on loudness briefly, including the idea of getting competitively loud while still feeling dynamic, plus how tools like clippers can be used creatively when the foundation of the mix is already solid.The episode wraps with a short story about a Japanese sword parable that illustrates diminishing returns and restraint, tying back to the idea that technical mastery alone is not the point. The bigger goal is making meaningful art with intention, curiosity, and integrity, without reducing the whole process to profit, ego, or external validation.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 208 of the We're All Set Podcast features Rich and Uncle Free sitting down with special guest Eisah Fe — the artist behind the We're All Set theme song — as he introduces his debut album “Life B Life'n.”Fe breaks down his creative process, growing up in a musical household, linking with Griselda (Westside Gunn, Benny the Butcher, Conway), staying independent, and why he prefers direct-to-consumer support over industry validation. He also talks about his juice business, organic hustle mindset, and taking his product city to city on a “juice tour.”The crew then dives deep into hip-hop culture and trending debates, breaking down J. Cole's controversial college campus rollout strategy, the Kendrick/Drake fallout conversation, and whether the promo felt authentic or gimmicky. They revisit the long-running Ja Rule vs G-Unit tension, debate potential Verzuz matchups like T.I. vs Lil Wayne, and react to Bad Bunny's halftime show performance and overall impact. The episode also touches on NFL storylines, fashion in the Drip Report, the Jay Morrison controversy in Elite Scumbaggery, and closes with the signature “We're All Set” segment.Live Show February 18 — tickets are on sale NOW. Don't wait until it sells out. Pull up, be in the room, and experience We're All Set live the way it's meant to be.Tap in.1:29 – Eisah Fe Interview + “Life B Life'n” Album BreakdownFe talks 10+ year journey, poetry roots, Griselda connection, YouTube beat selection process, and staying independent.12:05 – From Rap to Real Hustle: The Juice Tour & Independent GrindNo preservatives, no added sugar, city-to-city distribution, and building community outside the music industry.21:27 – J. Cole Rollout Debate: Authentic or Cosplay?College campus promo, CD strategy in 2026, backing out of rap beef, and whether it feels grassroots or gimmicky.32:44 – Ja Rule vs G-Unit Part 58 + T.I. Verzuz TalkWhy some beefs never die. Is Ja underrated? Could 50 vs T.I. really go 20 rounds?43:19 – Drip ReportFashion energy and cultural style check-in.48:00 – Elite ScumbaggeryJay Morrison controversy and accountability conversation.1:10:04 – What Are You All Set On? (Closing Segment)Final takes, culture clean-up, and wrap.https://www.youtube.com/channel/UCZdlA9w1H0UAR8fW5nINI9Q?sub_confirmation=1Donate To Help Us Make More Content and Buy Merch @ www.AllSetPod.storeFollow Us On Social Media @WereAllSetPodPodcast Audio linksApple -https://podcasts.apple.com/us/podcast/were-all-set/id1476457304Spotify - https://open.spotify.com/show/6frdwXOehWMk5OPj2YnAMa?si=nGrL2OFCQ3u_yf-hJs9lhQGoogle Pods -https://podcasts.google.com/feed/aHR0cDovL2ZlZWRzLnNvdW5kY2xvdWQuY29tL3VzZXJzL3NvdW5kY2xvdWQ6dXNlcnM6NTQ4NTIzNTAxL3NvdW5kcy5yc3MAmazon - https://www.amazon.com/Were-All-Set/dp/B08JJR8DSFPandora - https://www.pandora.com/podcast/were-all-set/PC:1000430306ListenNotes.com - https://www.listennotes.com/podcasts/were-all-set-all-set-media-K73x2ck58fg/Overcast - https://overcast.fm/itunes1476457304/were-all-setPocket Casts - https://pca.st/cwq90uydRadio Public - https://radiopublic.com/were-all-set-8jOkelhttps://www.youtube.com/channel/UCZdlA9w1H0UAR8fW5nINI9Q?sub_confirmation=1

For more of my latest content, subscribe to my YouTube channel, Dark Asia with Megan and join our awesome community. Your support means everything, and I can't wait to share more Asian cases with you! On Other Platforms: • TikTok: https://www.tiktok.com/@darkasiawithmegan • Instagram: https://www.instagram.com/darkasiawithmegan • Facebook: https://www.facebook.com/darkasiameganlee Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. After Borschel-Dan reads out a listener's cottage cheese-themed email, Hoffman brings us a news "Jangle" involving "Marty Supreme" actress Odessa A'zion. Next, we hear how to pickle lemons, and then we turn to an Israeli student film, "The Butcher's Stain," that is up for an Oscar this year for Best Short Film. Hoffman weighs in on its chances. Finally, we explore Spike Lee's 2018 "BlacKkKlansman," which has several surprisingly deeply Jewish moments. Check out the "meh plus!" and "not bad" films in this week's The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts.See omnystudio.com/listener for privacy information.

In this episode of Essential Ingredients, Justine Reichman speaks with Thomas Odermatt, founder of Roli Rotisserie, about his journey from Switzerland to the Bay Area as a third-generation butcher. They discuss the importance of local sourcing, quality ingredients, and the impact of health and nutrition on food choices. Thomas shares insights on sustainability in food production, the role of allergens, and the significance of mindful eating and community engagement. The conversation emphasizes making informed choices about food and building relationships with local farmers.   Takeaways Thomas Odermatt is a third-generation butcher from Switzerland. Roli Rotisserie focuses on local sourcing and quality ingredients. Grass-fed and organic practices are essential for health. Sustainability in food production is a priority for Thomas. Mindful eating fosters connection and community. Local food is often fresher and more nutritious than corporate organic. Building relationships with farmers enhances food quality. Eating less processed food can reduce allergens. Cooking at home allows for healthier choices. Community engagement is vital for a sustainable food system.   Sound bites "I have zero allergens." "Buy local ingredients." "Talk to your farmer."   Chapters 00:00 Introduction to Roli Rotisserie and Thomas Odermatt 02:58 The Journey of a Butcher: From Switzerland to the Bay Area 05:46 The Importance of Local Sourcing and Quality Ingredients 08:47 Health and Nutrition: The Role of Grass-Fed and Organic Practices 11:49 Sustainability in Food Production and Packaging 15:08 The Impact of Allergens and Food Processing on Health 17:44 Mindful Eating: The Importance of Connection and Community 21:02 Local vs. Organic: Making Informed Choices 24:01 Practical Tips for Healthier Eating 27:07 Building Relationships with Farmers and Food Sources 29:45 Conclusion: The Future of Food and Community Engagement  

On this week's Crewcast we try things a little different! In the first half of this episode, the usual crew discusses Don't Stop, Girlypop!, Perfect Tides: Station to Station, Tearscape, and more, but in the second half, Danny sits down to talk with Edmund McMillen and Tyler Glaiel about their upcoming tactics game Mewgenics. Chromatic Conundrum: https://store.steampowered.com/app/3081690/Chromatic_Conundrum/ Perfect Tides: Station to Station: https://store.steampowered.com/app/2088810/Perfect_Tides_Station_to_Station/ Earth Must Die: https://store.steampowered.com/app/3639780/Earth_Must_Die/ Don't Stop, Girlypop! https://store.steampowered.com/app/2610650/Dont_Stop_Girlypop/ Tearscape: https://store.steampowered.com/app/3216340/Tearscape/ Butcher's Creek: https://store.steampowered.com/app/2512560/Butchers_Creek/ Chapters: 0:00:00 - Intro 0:03:48 - Thanking our Patreon supporters! 0:05:20 - Chromatic Conundrum 0:14:25 - Perfect Tides: Station to Station 0:24:24 - Earth Must Die 0:28:13 - Don't Stop, Girlypop! 0:37:45 - Tearscape 0:44:21 - Butcher's Creek 0:54:31 - Yakuza 6 0:58:29 - Pre-Mail Bag Chat 1:01:34 - Q: What are some old games you'd suggest to a zoomer? 1:16:22 - Noclip Updates 1:19:53 - Sign Off 1:24:00 - Mewgenics Interview

More of my interview with 'Traitors' star Colton Underwood. We get into working with the iconic Alan Cumming on The Traitors, and how the stylish hosts sets a high bar for the cast. This episode was recorded at The Butcher's Daughter in West Hollywood, CA. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hey HBs! It's time to get to the spicy scenes in this rerelease of BUTCHER & BLACKBIRD by Brynn Weaver!! And whooweee did they deliver. In this second half, we've got a corpse puppet show (is that a tag now?), some excellent hurt/comfort into schmecksy times, and the most romantic proposal in the universe.... if you're a serial unaliver who loves an empty eye socket. Which she is! So that works out. Bonus Content: surprise piercings, appetizers vs. feasts, Zippy Zac, and so much more! Lady Loves: Sabrina: Ms. Moody Money! After some life and financial changes, Sabrina wanted to make sure she was on track to be responsible and productive with her money. HB Kate at Ms. Moody Money was exactly the expert help she needed!!! Hard recommend. Mel: Sometimes you do need things to get organized. Mel bit the bullet and bought a wall bike stand and some heavy duty shelves. As a result, she can park in her garage again! Want to support the show? Rate and review us on your favorite podcast app! It super helps the algorithm connect us to new listeners.  Want more of us? Check out our PATREON! Credits: Theme Music: Brittany Pfantz  Art: Author Kate Prior  Want to tell us a story, ask about advertising, or anything else? Email: heavingbosomspodcast at gmail  Follow our socials:  Instagram @heavingbosoms Tiktok @heaving_bosoms  Facebook group: the Heaving Bosoms Geriatric Friendship Cult The above contains affiliate links, which means that when purchasing through them, the podcast gets a small percentage without costing you a penny more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

'Traitors' star Colton Underwood joins the show. Over juice and breakfast burritos, Colton tells me his strategy coming into ‘Traitors' -- it's not being lowkey – and his reaction to some of his colorful castmates. Plus, he tells me his husband's reaction to his season of ‘The Bachelor' and how he looks back at a difficult period in his life. This episode was recorded at The Butcher's Daughter in West Hollywood, CA.  Want next week's episode now? Subscribe to Dinner's on Me PLUS. As a subscriber, not only do you get access to new episodes one week early, but you'll also be able to listen completely ad-free! Just click “Try Free” at the top of the Dinner's on Me show page on Apple Podcasts to start your free trial today. A Sony Music Entertainment & A Kid Named Beckett production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hey HBs! Mel and Sabrina are here to squeal about two serial killers finding their HEA in BUTCHER & BLACKBIRD by Brynn Weaver! This episode was originally released in September of 2024 and we meet a future character in this book! From the best captive meet-cute to dinner disasters, this book is a fizzy delight. Bonus Content: personal piercing TikTok, the Necessary Evils series by Onley James, coding for murderers, chainsaw noises, and so much more! Want to support the show? Rate and review us on your favorite podcast app! It super helps the algorithm connect us to new listeners.  Want more of us? Check out our PATREON! Credits: Theme Music: Brittany Pfantz  Art: Author Kate Prior  Want to tell us a story, ask about advertising, or anything else? Email: heavingbosomspodcast at gmail  Follow our socials:  Instagram @heavingbosoms Tiktok @heaving_bosoms  Facebook group: the Heaving Bosoms Geriatric Friendship Cult The above contains affiliate links, which means that when purchasing through them, the podcast gets a small percentage without costing you a penny more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.