Podcast appearances and mentions of jon franklin

(FROM THE ARCHIVE) #BettingPeople: JON FRANKLIN Jon Franklin has used his experiences firstly working in betting shops then progressing to managing them as inspiration to write his first novel ‘Shouting The Odds' which is based in the pre-Internet betting, pre-mobile phone, halcyon days of betting shops of the 1990's. Meeting Jon Franklin with SIMON NOTT.

Intro banter:  Chris has some noisy kids.  He's a family man!  Roger went Columbus to see a Soccer game and drink! WOOOO!  Pieces of a Woman is Fantastic but heavy.  Be advised.  Grayson Watched Craig's bond Legacy and was a pleasure.   0:08:00 - Box Office and Upcoming Releases 0:14:50 - *** WHAT'S STREAMING *** HULU OUTBREAK, Dir. Wolfgang Petersen – Dustin Hoffman, Rene Russo, Morgan Freeman, Kevin Spacey, Cuba Gooding JR, Donald Sutherland, Patrick Dempsey. 1995 THE VILLAGE, Dir. M. Night Shyalmalan – Sigourney Weaver, William Hurt, Joaquin Phoenix, Bryce Dallas Howard, Adrian Brody, Celia Weston, Judy Greer, Michael Pitt, Jesse Eisenberg. 2004 CHILDREN OF THE CORN, Dir. Fritz Kiersch – Peter Horton, Linda Hamilton, Jon Franklin, Courtney Gains. 1884 0:17:15 - Trailers - PERCY VS GOLIATH / THE BATMAN / SCREAM 5 / ONES AND ZEROS   0:31:00 - THE ADDAMS FAMILY 2, Dir. Greg Tiernan, Conrad Vernon, Laura Brousseau and Kevin Pavlovic (4/10)   0:53:50 - NO TIME TO DIE, Dir. Cary Joji Fukunaga (7/10)    Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Music by Chad Wall.  Guess appearance by Christopher Boughan. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Roger wears aviators!  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com Thank you for Listening!  Happy October!  What scary movies are you watching?  Happy Halloween!

Jon cut his World Pro Skiing teeth as a 12 year old carrying Jean Claude Killy’s jacket down Boyne Mt. Fifteen years later, he served as Killy’s USA agent. While at IMG, he helped bring Chrysler and Coors in as US Pro Ski Tour sponsors, with clients Phil and Steve Mahre racing under the Coors banner. Ultimately Jon sold and managed Cafe de Colombia’s Ski World Cup title sponsorship in a multi year multi million dollar mega deal. Later, Jon worked with Barilla Pasta and World Champion Bode Miller and brought three headgear sponsors to Olympic Gold Medalist Julia Mancuso. Following stints as Olympic Boxing Chief and CEO of a global combat league, Jon is back home in ski racing to manage the resurgence of the World Pro Ski Tour https://www.linkedin.com/in/jonjfranklin/ https://worldproskitour.com/ --- Support this podcast: https://anchor.fm/executiveathletes/support

Hey y’all! On this week’s episode, Nick and Trent are joined by hu-man and chef Jon Franklin. While the conversation was a bit of a slow burn, we finally got cookin’ when barbecue gets brought up. Jon is an interesting dude who’s led an interesting life. We also of course get into the gristle of the basketball, hiphop, and wrestling worlds. And get particularly excited about the possibility of the NCAA Football gaming franchise making a return. Enjoy the episode folks. Or don’t. But please do. Ok.

CLIFFHANGERS Cliffhangers are endings in stories that leave an audience in suspense.  The term cliffhanger originated in the 1930s from early film serials in which episodes ended with characters in desperate situations such as hanging off the edge of a cliff. This episode explores why and how you can use cliffhangers in all your communication. The reason to use them is simple and obvious. You do it to arouse and hold curiosity. Your aim should be to open curiosity loops and keep them open until late in your story, or at the end of it. The word story refers to any intentional communication you have with people on or offline. You will discover a powerful example of great cliffhangers in today’s episode. They are in the first two paragraphs of a short story called “Mrs. Kelly’s Monster,” by Jon Franklin. Franklin is a Pulitzer Prize winning journalist who shows you how to use fiction writing techniques to engage people in true stories. You will also learn about the use of of this magnetic force in: News broadcasts Email Webinars Live sales presentations Your ability to master the effective use of cliffhangers in all your communication will help you win people’s attention, trust, and business. Get excited about the cliffhanger, a simple powerful tool to enrich your life and business. BOOK IN THIS PODCAST (https://www.amazon.com/Writing-Story-Dramatic-Nonfiction-Reference/dp/0452272955/ref=sr_1_2?ie=UTF8&qid=1548805293&sr=8-2&keywords=writing+for+story+craft+secrets+of+dramatic+nonfiction) by Jon Franklin  

VIVID STORYTELLING… …is not optional. If it ain’t vivid, it ain’t a story; it’s just an idea. Warning! This episode may give you awesome communication power. Can you handle it? Before we talk about vivid, let’s clarify what storytelling is for those of you who want to sell more products and services and/or influence people to act on your words. Think of storytelling as a journey for your audience that takes them from an undesired or painful before state, through an obstacle course, to strongly desired after state. You, the storyteller, are guiding and directing that journey. Your responsibility is to make it an authentic adventure of a lifetime. That’s where vivid comes in. You make your story vivid by using sensory language. Remember this easy rule. Use your senses, all five of them. Make your audience see, hear, smell, taste, and touch (feel) your story. When you do that, you speak to the heart; when you don’t do it, you appeal only to logic, to the head. Not good. When your communication does not appeal to and arouse emotion, it has little to no impact. It’s barely heard and quickly forgotten. Here is another import tip to remind you how to communicate vividly and strongly. Never ask your audience to figure out what you’re talking about on their own. There are two major problems with that. One, your message is open to too many different interpretations when it doesn’t vividly jump out at people. Two, imagining things requires energy that most people are not willing to give. Let’s compare head language with heart language: (http://changeyourstorypodcast.com/wp-content/uploads/2018/12/Head.001-1.jpeg)   (http://changeyourstorypodcast.com/wp-content/uploads/2018/12/Heart.001-2.jpeg) In this episode, you will also hear two powerful examples of vivid storytelling from two professionally written short stories, one of them based on a real life event. You can easily transform your communication into a magnetic force that compels people to listen to you and act on what you tell them. This can earn you a lot  of money, and it will enrich the lives of the people you meet. Listen to this podcast more once, take notes, then, practice, practic, practice. You will experience mastery. BOOKS IN THIS PODCAST Writing For Story (https://www.amazon.com/Writing-Story-Dramatic-Nonfiction-Reference/dp/0452272955/ref=sr_1_1?ie=UTF8&qid=1545154445&sr=8-1&keywords=Jon+Franklin) by Jon Franklin The Fly by Katherine Mansfield (in Stories Vintage Classics) (https://www.amazon.com/Stories-Vintage-Classics-Katherine-Mansfield-ebook/dp/B001QA4S9C/ref=sr_1_1?ie=UTF8&qid=1545154328&sr=8-1&keywords=Katherine+Mansfield)  

HOW TO BEGIN A STORY This is one of the most important episodes in the series on How To Tell A Story. It’s important for two reasons. One, your opening is your hook; it must create immediate engagement with your audience. Two, it sets the tone and the expectation for everything that follows in your story. The word, story, defines all of your intentional communication. It can be a presentation to a large audience, a one-on-one conversation, either personal or business, a YouTube video, an email. A story is absolutely anything that uses words to impact and influence another human being. You will learn about two provocative hooks, real examples from two compelling presentations that I experienced. Plus, you’ll discover these powerful techniques for how to begin a story: Make a bold statement Open with a shocking statistic Begin with a prop Start with anything that arouses strong curiosity Finally, you will hear the opening of a short story called “Mrs. Kelly’s MOnster,” by Jon Franklin, a Nobel Prize winning journalist. You will be able to improve and transform your everyday communication immediately after listening to this podcast. A HIGHLY RECOMMENDED BOOK (https://www.amazon.com/Writing-Story-Dramatic-Nonfiction-Reference/dp/0452272955/ref=sr_1_1?ie=UTF8&qid=1544558811&sr=8-1&keywords=writing+for+story) by Jon Franklin  

The TWiP-tologists solve the case of the South American Child With Belly Pain, and reveal how B1 cell IgE blocks parasite clearance by inhibiting mast cell activation by B2 cell IgE. Hosts: Vincent Racaniello, Dickson Despommier, and Daniel Griffin Become a patron of TWiP. Links for this episode: Do not eat raw earthworms! (Pediatrics) Would you let worms in your veins? (Science) Guinea Pig Doctors by Jon Franklin and John Sutherland Parasite Hero: David Bruce Letters read on TWiP 148 Case Study for TWiP 148 Will have a guest on next show to unveil! Female teenager living in NYC, previously in good health, rash for 2 week, abnormal feeling in legs. Initially had URT infection, no cough or fever. Rash is itchy, worse at night. But feeling of pins and needles, sharp stabbing in feet and legs. In ER told is zoster, started on gabapentin. Few days later fevers, pain getting worse. Seen by neurologist and ID doc, admitted. No past med/surg. Type 1 diabetes in aunt, father migraines, no autoimmune diseases. Had received chickenpox vaccine! Social: lives with parents and younger brother, much travel, Holland, Hawaii, most recent, pet lizard. In Hawaii, salad that she ate but no one else. Physical: febrile, heart rate >110, bp ok. Does not want to move because of pain. Neurological: extremity movement is slow. Rash irregular on chest, neck, back, abdomen. Labs: white normal, not much shift. Sed: 24, slightly increased. Lumbar puncture: increased white cells 280, 32% eosinophils. Send your case diagnosis, questions and comments to twip@microbe.tv Music by Ronald Jenkees

Glory CEO Jon Franklin and New York Ric are in studio to preview Glory 37 and the future of Glory Kickboxing.

Who better to learn storytelling from than a two-time Pulitzer Prize Winner for dramatic nonfiction? This week Darren uses Jon Franklin's Writing for Story as guidance for “stalking the story” and writing MBA essays that grip and reveal. Franklin pioneered the narrative nonfiction genre, and his book is full of gems for applicants struggling with their essays. After listening to this episode, you'll know whether you are a) telling your best stories and b) writing your essays in the most compelling way possible. According to Franklin, great stories share 4 core elements: Complication: any problem or event that complicates our lives and creates tension Development: the actions the character takes to resolve the complication Resolution: a change in the character or situation that resolves tension Character: a character who cares deeply about and puts significant effort towards resolving the complication The result? In Franklin's words: “In the best stories, the odyssey from complication to resolution changes the character profoundly.” That's what adcoms are after: getting to know what's important to you and what has changed you. They are begging to hear your best stories. And that's why their essays prompt you for complication, resolution, and action that demonstrate your character. For example, two of Insead's “motivation” essays this year are: Essay 2. Describe the achievement of which you are most proud and explain why. In addition, describe a situation where you failed. How did these experiences impact your relationships with others? Comment on what you learned. (400 words max.) Essay 3. Tell us about an experience where you were significantly impacted by cultural diversity, in a positive or negative way. (300 words max.) Insead is prompting the elements of a great story: complication (i.e. describe a situation where you failed…) and resolution (i.e. tell us about an experience where you were significantly impacted…). So give it to them! For “personal” or “motivation” type essays, be sure your story has a complication and a matching resolution. The action you take in between these elements shows your character and how much solving the problem means to you. So here's a checklist for finding your best stories: What are the biggest problems / obstacles you've faced? (complication) What you have wanted more than anything? (complication) When have you taken massive action to accomplish something? (action) When did your actions make an impact? (action) What are your proudest accomplishments? (resolution) What did you have to overcome to get there? (complication, action) What are the most important lessons you've learned? When have you changed the most? (resolution) And here's a checklist for evaluating your essay: Do you involve the reader in your story with a complication and create tension? Does this complication mean a lot to you? Do you take action to solve the problem? Do you resolve the complication you bring up? Did you change or grow from the experience? Knowing the core elements of great stories will help you find your best material and write stories adcoms will enjoy reading.

Who better to learn storytelling from than a two-time Pulitzer Prize Winner for dramatic nonfiction? This week Darren uses Jon Franklin's Writing for Story as guidance for “stalking the story” and writing MBA essays that grip and reveal. Franklin pioneered the narrative nonfiction genre, and his book is full of gems for applicants struggling with their essays. After listening to this episode, you'll know whether you are a) telling your best stories and b) writing your essays in the most compelling way possible. According to Franklin, great stories share 4 core elements: Complication: any problem or event that complicates our lives and creates tension Development: the actions the character takes to resolve the complication Resolution: a change in the character or situation that resolves tension Character: a character who cares deeply about and puts significant effort towards resolving the complication The result? In Franklin's words: “In the best stories, the odyssey from complication to resolution changes the character profoundly.” That's what adcoms are after: getting to know what's important to you and what has changed you. They are begging to hear your best stories. And that's why their essays prompt you for complication, resolution, and action that demonstrate your character. For example, two of Insead's “motivation” essays this year are: Essay 2. Describe the achievement of which you are most proud and explain why. In addition, describe a situation where you failed. How did these experiences impact your relationships with others? Comment on what you learned. (400 words max.) Essay 3. Tell us about an experience where you were significantly impacted by cultural diversity, in a positive or negative way. (300 words max.) Insead is prompting the elements of a great story: complication (i.e. describe a situation where you failed…) and resolution (i.e. tell us about an experience where you were significantly impacted…). So give it to them! For “personal” or “motivation” type essays, be sure your story has a complication and a matching resolution. The action you take in between these elements shows your character and how much solving the problem means to you. So here's a checklist for finding your best stories: What are the biggest problems / obstacles you've faced? (complication) What you have wanted more than anything? (complication) When have you taken massive action to accomplish something? (action) When did your actions make an impact? (action) What are your proudest accomplishments? (resolution) What did you have to overcome to get there? (complication, action) What are the most important lessons you've learned? When have you changed the most? (resolution) And here's a checklist for evaluating your essay: Do you involve the reader in your story with a complication and create tension? Does this complication mean a lot to you? Do you take action to solve the problem? Do you resolve the complication you bring up? Did you change or grow from the experience? Knowing the core elements of great stories will help you find your best material and write stories adcoms will enjoy reading.