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We kick off this episode talking about the recent reemergence of Kevin Spacey, after which we shift gears and discuss the World Cup, and President Trump's meddling on America's behalf specifically. We talk about the recent lawsuit against Meta for allegedly making Facebook so addicting, which causes us to wonder where personal responsibility factors in. We wrap things up by touching on author Michael Pollan's provocative questions about the parameters of consciousness.
This week Tom and Julie suffer through watching clips of Kevin Spacey's appearance on Club Random with Bill Maher, and Jeff Bridges confessing his love of AI music to bonehead podcaster Theo Von. Plus we talk about 30 Odd Foot of Grunts, the state of horror movies in 2026, and Tom and Julie start casting for a new teacher movie.CLIPS FROM THIS WEEK'S EPISODE:-Kevin Spacey on Club Randomhttps://x.com/ClubRandom_/status/2071591345278353889https://youtu.be/Ot0C5RA6tDk?si=aRgF6AwclPQCwUyQ&t=612-Kevin Spacey's new ringhttps://www.instagram.com/p/DaQZa4ZCIHq/-Jeff Bridges shows Theo Von how he uses Suno to make musichttps://x.com/chrisfirst/status/2070589218947264635Patreon is the best way to support Double Threat! Your support keeps the show going and we appreciate it more than we can say. Plus you get weekly bonus episodes, access to monthly livestreams, merch store discounts, and more!https://patreon.com/doublethreatpodOur brand new Double Threat merch is AVAILABLE NOW at https://doublethreatpod.merchtable.comWATCH VIDEO CLIPS OF DOUBLE THREAThttps://www.youtube.com/@doublethreatpodJOIN THE DOUBLE THREAT FAN GROUPS*Discord https://discord.com/invite/PrcwsbuaJx*Reddit https://www.reddit.com/r/doublethreatfriends/*Facebook https://www.facebook.com/groups/doublethreatfriendsSEND SUBMISSIONS TODoubleThreatPod@gmail.comFOLLOW DOUBLE THREAThttps://twitter.com/doublethreatpodhttps://www.instagram.com/doublethreatpodPAY PIGS ONLYhttps://www.amazon.com/hz/wishlist/ls/1Y826FGBNP19R?ref_=wl_shareDOUBLE THREAT IS A FOREVER DOG PODCASThttps://foreverdogpodcasts.com/podcasts/double-threatTheme song by Mike KrolArtwork by Joe Frontel00:00 Intro03:54 30 Odd Foot of Grunts09:56 Horror movies ain't what they used to be20:43 We're casting for a teacher movie 20:0027:10 Big NBA trades38:49 Kevin Spacey on Club Random with Bill Maher01:04:38 Jeff Bridges shows Theo Von how he uses Suno to make music01:23:13 OutroSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Robbie Goodwin and JJ Liberman join Zac Amico and discuss kangaroo fights, Kevin Spacey's comeback, the best mixes of ethnicities, getting used by someone you're dating, the caveman brain and their favorite body types and so much more! Air Date: 07/01/26Support our sponsors!BodyBrainCoffee.com - Use promo code: ZOO15 to get 15% off!Zac Amico's Morning Zoo plug music can be found here: https://www.youtube.com/watch?v=oMgQJEcVToY&list=PLzjkiYUjXuevVG0fTOX4GCTzbU0ooHQ-O&ab_channel=BulbyTo advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!Submit your artwork via postal mail to:GaS Digital Networkc/o Zac's Morning Zoo151 1st Ave, #311New York, NY 10003You can sign up at GaSDigital.com with promo code: ZOO for a discount of $1.50 on your subscription and access to every Zac Amico's Morning Zoo show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Robbie GoodwinTwitter: https://twitter.com/robbiegoodwinInstagram: https://instagram.com/robbiegoodwinJJ LibermanTwitter: https://twitter.com/JJLibermanLiveInstagram: https://instagram.com/JJLibermanLiveZac AmicoTwitter: https://twitter.com/ZASpookShowInstagram: https://instagram.com/zacisnotfunnyDates: https://punchup.live/ZacAmicoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Kevin Spacey was a guest on Club Random with Bill Maher this week. This was an important interview that Bill showed up completely unprepared for. He did no homework and got very high before the interview. It's also not surprising that Bill considers himself an ally but actually comes off as a little homophobic. Wait until you find out what Kevin Spacey has been doing for a living for the past few years. Darren Paltrowitz and Lucy Tightbox both join us to learn that the only thing Kevin is guilty of is loving too much. Ethan Ralph thought he ended his show and we got to see him use his hands to eat bagged tuna, mayo, and Doritos like a primate. Chad Zumock struck Patrick Melton's channel even though Patrick didn't do anything that Chad hasn't done a hundred times. The way he justifies it is insane! Jerry Banfield is getting the worst business advice possible from AI and he's convinced it's the solution to all of his problems. Opie is obviously watching all of the shows and is afraid of the Dabbleverse. He should really just embrace it. It's crazy that he thinks the only way to make money podcasting is to beg his small audience for donations. Maybe his AI assistant told him that? We play another round of “Is It Gay?” and the Opie or Burr game with Megan and Annie. We finish up with your voicemails. Darren Paltrowitz channel –https://www.youtube.com/@paltrowitz Lucy Tightbox channel - https://www.youtube.com/@OnceOverwithCayley Support us, get bonus episodes, and watch live every Saturday and Wednesday: http://bit.ly/watp-patreon https://watp.supercast.tech/ Learn more about your ad choices. Visit megaphone.fm/adchoices
Team myWalkers won the company walking challenge! And we go on a tangent on foods that gross us out or delight us: Rhubarb, celery, and peanut butter and pickle sandwiches. And speaking of peanut butter and pickle sandwiches, apparently you guys eat this?! Jason forget to set an alarm for the first time in a decade because he was so tired. And Collin Gosselin's upcoming tell-all book about his mother, Kate Gosselin has us highly intrigued. Brittany from The BK Show calls in so we can ask her about why our studio is so hot. Kevin Spacey is back with a new movie and new interview. OK. HOLLY KNOWS SOMETHING about a familiar food favorite. Plus, what is your old person habit? SCREEN QUEENS: "Life, Larry and the Pursuit of Unhappiness," a David Letterman rewatch, and "Cape Fear." PlayStation is taking away some downloaded movies and we make the case for owning physical media, and bidets -- are they safe to use?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Two-time Oscar winner Kevin Spacey drops by Club Random for a conversation that goes exactly where you'd expect—and plenty of places you wouldn't. Bill doesn't let him dodge the tough questions, pressing Spacey on the allegations that derailed his career, the court cases that cleared him, and what it's like trying to rebuild a life from what he calls "show business jail." The two cover Hollywood's double standards, Jack Lemmon's mentorship, therapy, the Playboy Mansion, and Netflix shelving one of Spacey's completed films. Spacey also unveils what feels like an entire repertory company of impressions—Johnny Carson, Jack Lemmon, and more—as the conversation veers into Roman history, classic cinema, Dick Van Dyke's workout routine at 100, and why he thinks his best work may still be ahead of him. Subscribe to the Club Random YouTube channel: https://www.youtube.com/c/clubrandompodcast?sub_confirmation=1 Watch episodes ad-free – subscribe to Bill Maher's Substack: https://billmaher.substack.com Subscribe to the podcast for free wherever you listen: https://bit.ly/ClubRandom Buy Club Random Merch: https://clubrandom.com Learn more about your ad choices. Visit https://podcastchoices.com/adchoices ABOUT CLUB RANDOM Bill Maher rewrites the rules of podcasting the way he did in television in this series of one on one, hour long conversations with a wide variety of unexpected guests in the undisclosed location called Club Random. There's a whole big world out there that isn't about politics and Bill and his guests—from Bill Burr and Jerry Seinfeld to Jordan Peterson, Quentin Tarantino and Neil DeGrasse Tyson—talk about all of it. For advertising opportunities please email: PodcastPartnerships@Studio71us.com ABOUT BILL MAHER Bill Maher was the host of “Politically Incorrect” (Comedy Central, ABC) from 1993-2002, and for the last fourteen years on HBO's “Real Time,” Maher's combination of unflinching honesty and big laughs have garnered him 40 Emmy nominations. Maher won his first Emmy in 2014 as executive producer for the HBO series, “VICE.” In October of 2008, this same combination was on display in Maher's uproarious and unprecedented swipe at organized religion, “Religulous.” Maher has written five bestsellers: “True Story,” “Does Anybody Have a Problem with That? Politically Incorrect's Greatest Hits,” “When You Ride Alone, You Ride with Bin Laden,” “New Rules: Polite Musings from a Timid Observer,” and most recently, “The New New Rules: A Funny Look at How Everybody But Me Has Their Head Up Their Ass.” FOLLOW CLUB RANDOM https://www.clubrandom.com https://www.facebook.com/Club-Random-101776489118185 https://twitter.com/clubrandom_ https://www.instagram.com/clubrandompodcast https://www.tiktok.com/@clubrandompodcast FOLLOW BILL MAHER https://www.billmaher.com https://twitter.com/billmaher https://www.instagram.com/billmaher Learn more about your ad choices. Visit podcastchoices.com/adchoices
The writer Tom Junod has spent a career crafting profiles for men's magazines like GQ and Esquire, often of famously complicated men like Norman Mailer, Kevin Spacey and Tony Curtis. But another man loomed behind Junod's interest in these figures, informing his own sense of masculinity and manhood: his father, Lou. Lou Junod was handsome, charismatic — a man who seemed like a celebrity, even though he wasn't famous. He was also mysterious, a keeper of secrets that have continued to reverberate through his son's life. On today's episode, Michael Barbaro talks with Junod about his new book, “In the Days of My Youth I Was Told What It Means to Be a Man,” which is part memoir and part detective story, as well as a powerful meditation on fatherhood. On Today's Episode: Tom Junod is the author of “In the Days of My Youth I Was Told What It Means to Be a Man.” Background Reading: Tom Junod Would Like to Tell You About His Father Art: Lou Junod with baby Tom in 1958. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Sam, Dylan, and Dark Smith are back to break down: Dylan's ongoing crusade against Sam's ravioli addiction, the show hitting #2 most-hyped podcast on all of YouTube, the war with Iran being "over" with a $300 billion rebuild bill for Iran versus the $34 billion we've sent Israel since October 7th, the CIA leaking that Iran won't actually agree to the terms and Sam defaulting to scumbag until pleasantly surprised, the Anchor Project leak claiming NASA quietly spent $80 million on anti-gravity research ahead of August 12th 2026, when two colliding black holes will send a wave through space that shuts off Earth's gravity for seven seconds and kills 40 million people in the third world deemed "acceptable," the secret 2020 construction projects tethering government sites to the ground, the deep history of anti-gravity suppression running through Thomas Townsend Brown's 1920s propulsion breakthrough, the Chapel Hill conference that buried it and replaced it with string theory, Dr. Ning Li vanishing for 12 years before dying in a fatal car crash, Bob Lazar and element 115, Huntsville Alabama as the real NASA and Nazi von Braun's hometown, the Great Attractor pulling thousands of galaxies toward a point hidden in the Zone of Avoidance, Sam's full denial of gravity and dinosaurs (they're dragons, and George Washington died not knowing dinosaurs existed) leading to the Bone Wars where rival paleontologists just made fossils up, Erika Kirk's parents allegedly running in Satanist Michael Aquino's circle and the MK-Ultra theory, Thomas Massie's glow-up after his wife's death, James Franco's bizarre cryptic TikTok and the Kevin Spacey accusers turning up dead, Clavicle's facial reconstruction at Dr. Miami and crashing out over a $2 donation, and whether Michael Jackson was a pedophile, framed by Israel, or both. Subscribe and give us that sweet brown hype. Grab Tickets To Sam Tripoli's Live Shows At: https://samtripoli.com/events/ Austin, TX: 6/18 Miami, Fl: 7/31-8/1 Lawerence, KS: 9/17-9/19 Tulsa, OK: 10/9-10/10 Dallas, TX: 11/07 New Orleans, LA: 11/13 - 15 Austin, TX: DEC 11th-13th: Buy Our Merch or Sam Will Fight You: https://conspiracy-social-club-aka-deep-waters.myshopify.com/ Subscribe to the Patreon: https://www.patreon.com/AkaDeepWaters Check out Dylan's instagram - @dylanpetewrenn Check out Deep Waters Instagram: @akadeepwaters Check out Bad Tv podcast: https://bit.ly/3RYuTG0 THANK YOU TO OUR SPONSORS: BLUECHEW GOLD Go to BlueChew.com and use promo code "DEEP" to get your 3rd month free
E se o final mais perturbador dos anos 90 existir porque um produtor enviou o documento errado por engano? Pois é exatamente isso o que aconteceu com Seven, e David Fincher não deixou ninguém mudar nem uma vírgula. Brad Pitt e Morgan Freeman também bateram o pé. O estúdio tentou mandar a versão "comercial". Os três ignoraram. Trinta anos depois, é difícil imaginar que poderia ter sido de outro jeito.Mas o que torna Seven tão visceralmente insuportável de esquecer? A fotografia de Darius Khondji com retenção de prata que cria pretos tão densos que você quase sente o cheiro da cena? O design de som que não te deixa em paz nem um segundo? Ou John Doe, um assassino que não é niilista porque, para ele, tudo importa demais?Rafael Arinelli, Pedro Amaro e Bel Petit revisitam o thriller de Fincher com olhos de 2026, discutem a lesão real de Brad Pitt que entrou no roteiro, o Kevin Spacey escondido no meio do filme sem crédito, e a questão que divide o grupo até hoje: afinal, John Doe venceu ou perdeu?A caixa está esperando. Você abre?• 05m12: Pauta Principal• 1h32m33: Plano Detalhe• 1h40m00: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos:• André Marinho Moreira• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Guilherme S. Arinelli• Thiago Custodio Coquelet• Wilmar Arinelli Jr• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Pedro): Curta: Polaroid• (Bel): Álbum: David Bowie - Outsite• (Rafa): Vídeo: Falha de CoberturaEdição: ISSOaí
This show starts off strong, as I get a B King to mail a Whopper to my PO box to replace a scratched bun. This leads to wastedmemory having a scratched bag and a creased reciept, and I deal with a pen marked bag. We dabble with some burger sports before discovering the effectivness of reporting non-emergencies. A lot of employees are covering the phone reciever, and that’s not an emergency. There’s all kinds of stuff going on with Benadryl, and that’s not an emergency either. By the end of the show, some shit happens, but we get permission to lie to the hotel, so everything is totally fine. This show is made possible by donations from listeners like you. If you enjoy what you hear, please consider donating via patreon or paypal! join the prank call discord server !! powered by rogueserver.com
Jeffrey Epstein's relationship with Woody Allen was not some passing handshake or random name in an address book. Public reporting and released records have described Allen and Soon-Yi Previn as longtime friends and neighbors of Epstein in New York, with the three dining together often and maintaining contact even after Epstein's 2008 conviction. Newly released emails added more texture to that relationship, including records showing Epstein helped arrange a 2015 White House tour for Allen and Previn. That detail matters because it shows Epstein was not merely tolerated from a distance; he was still useful, still connected, and still treated as someone who could open doors for famous people. Allen has not been accused of criminal wrongdoing in connection with Epstein, but the relationship is still deeply uncomfortable because it fits the broader pattern of Epstein's post-conviction life: even after becoming a registered sex offender, he remained welcome in elite social circles where fame, money, and access insulated people from ordinary reputational consequences.Epstein's Hollywood world was part of a much larger celebrity-access machine. His name and records have been connected over the years to actors, comedians, models, producers, media figures, and entertainment-adjacent power brokers, not necessarily as criminal participants, but as people moving through the same rooms, dinners, parties, foundations, flights, introductions, and favor networks. Figures such as Kevin Spacey, Chris Tucker, Naomi Campbell, Chelsea Handler, and others have appeared in public Epstein-related reporting or records in different contexts, while modeling-world connections also show how Epstein used glamour industries as another access point to young women and status. The key point is not that every famous person who encountered Epstein committed a crime; the key point is that Hollywood, like Wall Street, academia, politics, philanthropy, and royalty, was one more prestige ecosystem where Epstein could launder himself socially. He understood that being seen around celebrities created legitimacy, and the entertainment world gave him exactly what he craved: proximity to fame, cultural polish, beautiful people, and the illusion that his criminal past could be buried under enough dinner invitations and famous names.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
Jeffrey Epstein's relationship with Woody Allen was not some passing handshake or random name in an address book. Public reporting and released records have described Allen and Soon-Yi Previn as longtime friends and neighbors of Epstein in New York, with the three dining together often and maintaining contact even after Epstein's 2008 conviction. Newly released emails added more texture to that relationship, including records showing Epstein helped arrange a 2015 White House tour for Allen and Previn. That detail matters because it shows Epstein was not merely tolerated from a distance; he was still useful, still connected, and still treated as someone who could open doors for famous people. Allen has not been accused of criminal wrongdoing in connection with Epstein, but the relationship is still deeply uncomfortable because it fits the broader pattern of Epstein's post-conviction life: even after becoming a registered sex offender, he remained welcome in elite social circles where fame, money, and access insulated people from ordinary reputational consequences.Epstein's Hollywood world was part of a much larger celebrity-access machine. His name and records have been connected over the years to actors, comedians, models, producers, media figures, and entertainment-adjacent power brokers, not necessarily as criminal participants, but as people moving through the same rooms, dinners, parties, foundations, flights, introductions, and favor networks. Figures such as Kevin Spacey, Chris Tucker, Naomi Campbell, Chelsea Handler, and others have appeared in public Epstein-related reporting or records in different contexts, while modeling-world connections also show how Epstein used glamour industries as another access point to young women and status. The key point is not that every famous person who encountered Epstein committed a crime; the key point is that Hollywood, like Wall Street, academia, politics, philanthropy, and royalty, was one more prestige ecosystem where Epstein could launder himself socially. He understood that being seen around celebrities created legitimacy, and the entertainment world gave him exactly what he craved: proximity to fame, cultural polish, beautiful people, and the illusion that his criminal past could be buried under enough dinner invitations and famous names.to contact me:bobbycapucci@protonmail.com
This week, Shat The Movies heads to Chicago for The Negotiator, the 1998 hostage thriller that asks a simple question: What happens when the best hostage negotiator in the city takes hostages of his own? Starring Samuel L. Jackson and Kevin Spacey in a battle of wits, the film turns a police corruption investigation into a tense, talk-heavy showdown filled with double-crosses, suspicious cops, and enough flashbangs to outfit a small army. Gene and Big D revisit a late-'90s thriller that feels like a mashup of Die Hard, The Fugitive, and a Chicago tourism commercial gone horribly wrong. The guys debate whether Danny Roman's plan is brilliant or completely insane, marvel at the film's stacked supporting cast, and discuss why every Chicago movie seems to feature cops making catastrophically bad decisions. Along the way, they break down David Morse's hard-nosed performance, the film's escalating paranoia, and the rare action movie that wins battles with conversation instead of gunfire. Is The Negotiator an underrated thriller from the golden age of adult action movies, or a wildly implausible conspiracy held together by charisma, shouting, and Samuel L. Jackson's ability to dominate every room he's in? Full movie info below When a respected Chicago police hostage negotiator is framed for corruption and murder, he seizes a government office and takes hostages in a desperate attempt to uncover the real conspiracy. With the city closing in, he turns to another elite negotiator to help expose the truth before time runs out. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite
Jeffrey Epstein's relationship with Woody Allen was not some passing handshake or random name in an address book. Public reporting and released records have described Allen and Soon-Yi Previn as longtime friends and neighbors of Epstein in New York, with the three dining together often and maintaining contact even after Epstein's 2008 conviction. Newly released emails added more texture to that relationship, including records showing Epstein helped arrange a 2015 White House tour for Allen and Previn. That detail matters because it shows Epstein was not merely tolerated from a distance; he was still useful, still connected, and still treated as someone who could open doors for famous people. Allen has not been accused of criminal wrongdoing in connection with Epstein, but the relationship is still deeply uncomfortable because it fits the broader pattern of Epstein's post-conviction life: even after becoming a registered sex offender, he remained welcome in elite social circles where fame, money, and access insulated people from ordinary reputational consequences.Epstein's Hollywood world was part of a much larger celebrity-access machine. His name and records have been connected over the years to actors, comedians, models, producers, media figures, and entertainment-adjacent power brokers, not necessarily as criminal participants, but as people moving through the same rooms, dinners, parties, foundations, flights, introductions, and favor networks. Figures such as Kevin Spacey, Chris Tucker, Naomi Campbell, Chelsea Handler, and others have appeared in public Epstein-related reporting or records in different contexts, while modeling-world connections also show how Epstein used glamour industries as another access point to young women and status. The key point is not that every famous person who encountered Epstein committed a crime; the key point is that Hollywood, like Wall Street, academia, politics, philanthropy, and royalty, was one more prestige ecosystem where Epstein could launder himself socially. He understood that being seen around celebrities created legitimacy, and the entertainment world gave him exactly what he craved: proximity to fame, cultural polish, beautiful people, and the illusion that his criminal past could be buried under enough dinner invitations and famous names.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
This week, the Bad Dads rewind to 1989 to review the iconic Richard Pryor and Gene Wilder comedy, See No Evil, Hear No Evil.What We CoveredMustache Watch: Cris debuts a new retro mustache. Is it Ned Flanders? Luigi? You decide.The Main Feature: Reviewing the chaotic brilliance of Wilder and Pryor navigating a murder plot as a deaf man and a blind man.Classic Tropes: We talk about Kevin Spacey, 80s car chases with a blind driver, and using other senses (and Shalimar perfume) to outwit the cops.Lost in Translation: Reegs runs down the funniest international titles for the film (Spain went with "Don't Yell At Me, I Can't See You").You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
Hoy La Órbita de Endor os presenta un especial sobre L.A. CONFIDENTIAL, la particular película de Curtis Hanson basada en la novela de James Ellroy, que sirvió de espaldarazo a unos jovencísimos Russell Crowe y Guy Pearce, acompañados de figuras más preeminentes como las de Kevin Spacey, Kim Basinger y Danny DeVito. Puro cine noir en color en una época donde ya eso no se estilaba. Generó un nueva moda que no duró tanto como merecía y tampoco brilló especialmente, si bien este título permaneció inalterablemente genuino y auténtico. Y hoy día no ha perdido ni un ápice de su potencia. Junto a Coronel Kurtz, Jaime Angulo y Antonio Runa, ponte el sombrero, la gabardina y prepárate para un monográfico con olor a tabaco, sexo y pólvora. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Filmmaker Edgar Wright is known for Shaun of the Dead and Scott Pilgrim vs the World. But his most commercially successful film is never mentioned when his name comes up.This week, we jump behind the wheel and review the film Baby Driver from 2017. The best car chase film ever? Send us Fan MailTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://www.youtube.com/@DockingBay77podcast
Abbas goes off about seeing Ali Siddiq at the Atlanta airport, forgetting about 420, kids with screens, and Kevin Spacey movies. TOUR DATES San Diego, CA - April 22 Los Angeles, CA - April 23 San Francisco, CA - April 24 Columbus, OH - April 25 Victoria, BC - April 30 Surrey, BC - May 1 Vancouver, BC - May 2 Seattle, WA - May 3 Boston, MA - May 22 Detroit, MI - May 28 Windsor, ON - May 30 Raleigh, NC - June 4 Austin, TX - June 5 Washington, D.C. - Sept 11/12
Blonde Tom Cruise squares up against a slightly more in-shape than usual Kevin Spacey. KLASHERSWHOEVER WINS, WE LOSE
This week on Forgotten Cinema, the Mikes travel to Savannah with "Midnight in the Garden of Good and Evil", Clint Eastwood's atmospheric crime drama steeped in Southern culture and myth.Both Mike Butler and Mike Field enjoy the film, though they agree it is not without its shortcomings. The story could have benefited from spending more time with Jude Law's character, as well as further developing the relationship between John Cusack and Kevin Spacey's characters. Without that added depth, parts of the film risk feeling distant and a bit underdeveloped.What keeps the film engaging is Eastwood's steady direction and eye for tone. He leans into the unique personality of Savannah, allowing its culture, folklore, and eccentric characters to bring life to what might otherwise feel like an overly long and dry crime drama. A standout element is the inclusion of Lady Chablis as herself, delivering a memorable and charismatic performance that adds both authenticity and energy.While it may not fully realize all of its character potential, "Midnight in the Garden of Good and Evil" remains a compelling and worthwhile watch thanks to its atmosphere, performances, and sense of place.
Jimmy deconstructs Donald Trump's absurd press conference Monday where the President tried to spin the loss of a U.S. fighter jet (shot down over Iran) as a victory, with Trump at one point bizarrely acting as if his team had just discovered the expression "like finding a needle in a haystack." Jimmy also highlights the clownish spectacle of CIA Director John Ratcliffe and Defense Secretary Pete Hegseth engaging in an "ass-kissing fest," praising Trump's "political courage" to send others to war while he received deferments. He notes that Trump simultaneously threatens to "take Iran back to the Stone Ages" while claiming negotiations are ongoing—a contradiction that exposes the administration's complete lack of coherent strategy. Jimmy concludes that the entire press conference was an attempt to pretend a failed mission (likely an attempt to seize Iranian nuclear material, not a pilot rescue) was a triumph, with Trump's officials admitting nothing while demanding more strikes. Plus segments on all the lies surrounding the recent Iran "rescue mission," Trump blowing up his own reasoning behind the Iran war and reports of Israelis using "deed theft" to steal poor Americans' homes. Also featuring Mike MacRae, Kurt Metzger and Stef Zamorano! And a phone call from Kevin Spacey!
The 2003 Vanity Fair profile of Jeffrey Epstein painted him as a glamorous, high-flying financier—luxurious Manhattan mansion, exclusive billionaire clientele, and glamorous flights with celebrities like Bill Clinton and Kevin Spacey. It framed Epstein as a mythic creature within elite circles, glossing over any deeper scrutiny and leaving the reader with the impression of a mysterious, alluring money man rather than a predator at work. Under the guise of curiosity, it offered pageantry—not accountability.What's truly infuriating is the piece's deliberate omission of credible allegations—like Annie and Maria Farmer's claims of attempted seduction and abuse. These weren't mere rumors; they were on-record accounts shared with reporter Vicky Ward during her reporting. But Vanity Fair's editor, Graydon Carter, excised them from the article—reportedly after Epstein exerted pressure, including threats to the magazine's office and Carter himself. That decision wasn't journalistic caution; it was cowardice, allowing a predator to hide behind a glossy veneer while silencing victims.To contact me:bobbycapucci@protonmail.comsource:https://www.newyorker.com/news/annals-of-communications/why-didnt-vanity-fair-break-the-jeffrey-epstein-story
Welcome to the Video Store Podcast.The 1990s were a golden age for legal dramas and comedies.we're stepping into the courtroom with four unforgettable films that deliver everything from shocking twists to laugh-out-loud moments. Whether you're here for high-stakes drama or sharp-witted comedy, consider this your jury duty… and trust me, you won't want to skip out on this one. Primal Fear (1996)Primal Fear is the kind of legal thriller that pulls you in immediately and refuses to let go. Richard Gere stars as Martin Vail, a slick Chicago defense attorney who thrives on high‑profile cases and the media attention. When an altar boy is accused of murdering a beloved archbishop, Vail jumps in only to find himself tangled in a case far more complex than he ever expected. The real revelation is Edward Norton in his breakout role as Aaron, the timid young defendant at the center of the storm. Norton brings a layered, unsettling vulnerability to the character. Gere, leans into the arrogance and charm that make Vail both magnetic and infuriating. Primal Fear endure is one of the decade's most satisfying legal thrillers, and a reminder of how thrilling a courtroom can be when the truth is anything but clear.A Time to Kill (1996)John Grisham adaptations were everywhere in the 90s, but A Time to Kill stands out as it questions justice, morality, and race in the South. Set in Mississippi, the story follows small‑town lawyer Jake Brigance as he defends Carl Lee Hailey, a man whose actions, while undeniably violent, raise difficult questions about justice and retribution. The case ignites racial tensions, draws the attention of the Ku Klux Klan, and pushes Jake into a fight that threatens his career, his safety, and his family.The cast is stacked: Matthew McConaughey in his first major leading role, Samuel L. Jackson delivering one of his best performances, and supporting roles from Sandra Bullock, Donald and Kiefer Sutherland, Kevin Spacey, and more. A Time to Kill doesn't shy away from uncomfortable truths, instead forcing both the characters and the audience to wrestle with them. The courtroom scenes are gripping, culminating in one of the most memorable closing arguments of the decade.My Cousin Vinny (1992)When two New York college students are mistakenly arrested for murder in rural Alabama, they call in the only lawyer they know: Vinny Gambini, a loud‑mouthed, inexperienced personal‑injury attorney from Brooklyn. Joe Pesci is perfect as Vinny, blending New York swagger, frustration, and surprising competence as he fumbles his way through Southern etiquette and courtroom procedure. But it's Marisa Tomei who steals the show as Vinny's Fiancée Mona Lisa. My Cousin Vinny is a perfect blend of comedy and courtroom drama. Behind the laughs is a a smart, well‑constructed legal story. It's a comedy that still holds up today because the writing is strong, the characters are unforgettable, and the laughs come naturally. It's a true 90s classic.A Few Good Men (1992)“You can't handle the truth!” A Few Good Men is a military courtroom drama focusing on the trial of two Marines accused in a death that may be tied to orders from higher up the chain of command. What starts as a seemingly straightforward defense case evolves into a gripping examination of authority, duty, and moral responsibility. The cast is packed with top Hollywood stars: Tom Cruise, Demi Moore, Kevin Bacon, Kiefer Sutherland, Kevin Pollak, and of course Jack Nicholson as the formidable Colonel Jessup. It's a masterclass in building tension, culminating in some of the most iconic courtroom moments ever put on screen. Decades later, it remains one of the genre's defining films, and a must‑watch for anyone who loves a good legal showdown.Closing ArgumentsFrom twist‑filled thrillers to laugh‑out‑loud courtroom chaos, these four films show just how powerful courtroom movies can be. The 90s didn't just deliver great legal dramas, they gave us some of the most rewatchable, quote-worthy, and thought-provoking films of the era. The jury may still be out on which one is the best, but all four are absolutely guilty of being endlessly rewatchable.Until next time — be kind, rewind.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com
The 2003 Vanity Fair profile of Jeffrey Epstein painted him as a glamorous, high-flying financier—luxurious Manhattan mansion, exclusive billionaire clientele, and glamorous flights with celebrities like Bill Clinton and Kevin Spacey. It framed Epstein as a mythic creature within elite circles, glossing over any deeper scrutiny and leaving the reader with the impression of a mysterious, alluring money man rather than a predator at work. Under the guise of curiosity, it offered pageantry—not accountability.What's truly infuriating is the piece's deliberate omission of credible allegations—like Annie and Maria Farmer's claims of attempted seduction and abuse. These weren't mere rumors; they were on-record accounts shared with reporter Vicky Ward during her reporting. But Vanity Fair's editor, Graydon Carter, excised them from the article—reportedly after Epstein exerted pressure, including threats to the magazine's office and Carter himself. That decision wasn't journalistic caution; it was cowardice, allowing a predator to hide behind a glossy veneer while silencing victims.To contact me:bobbycapucci@protonmail.comsource:https://www.newyorker.com/news/annals-of-communications/why-didnt-vanity-fair-break-the-jeffrey-epstein-storyBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Dueling Kevins! Fun in the sun! Questionable wife swapping? This week on the Erotic Thriller Club we find out how much negging Kevin Kline can take from Kevin Spacey before he commits a crime disguised as a goof.
This week, Paul and Jess discuss the last-minute cancellation of Season 22 of ABC's Bachelorette which was shelved 3 days before the season premiere date due to negative PR which resulted from TMZ's release of video of Taylor Frankie Paul's assault. Next, they discuss MRC's loss following a five-week trial with its insurance company over whether Kevin Spacey's removal from House of Cards was as a result of an "illness". Finally, they discuss the Home Team Act, a proposed bill which would require one-year notice and a ROFR process prior to any major professional team relocating across state lines or out of its metro region. Learn more about your ad choices. Visit megaphone.fm/adchoices
As we close out CR Month, the guys gather together for one more pod that is all very off the record, on the QT, and very hush-hush. They take a trip to the Formosa Cafe and revisit Curtis Hanson's ‘L.A. Confidential' starring Russell Crowe, Guy Pearce, Kevin Spacey, and Kim Basinger. Producers: Craig Horlbeck, Chia Hao Tat, Eduardo Ocampo, and Matt Pevic Join us in San Francisco for a live taping of ‘The Rewatchables' on April 8th! Tickets go live on April 1st HERE Find what you're looking for. https://www.amazon.com/firetv/ Learn more about your ad choices. Visit podcastchoices.com/adchoices
Send us Fan MailSeason 17's Hack 4x4 continues as predictable as the weather in the City of Angels (no relationship to the previously covered film, and host Ken's favorite motion picture remake, see S4,E4 for more on the Nicholas Cage movie with this sobriquet for a title) with this week's third entry in the Mick Jackon canon: L.A. STORY (1991). Written by and starring Steve Martin at the arguable pinnacle of his comedic film stardom (Father of the Bride would be released the same year), L.A. Story is the flick that immigrated Jackson to the States after Martin had seen Jackson's acclaimed British dramatic television series subsequent to the success of Threads (S17,E1). Jackson, who had no background in nor ever directed a comedy, initially declined the offer, believing the script too good and having too little knowledge of Los Angeles (and likely the SoCal, California, U.S., & North America regions). Yet Martin and his producer believed Jackson's latter objection an asset; he'd have an outsider's perspective on what's been described as a satirical love-letter to the eccentricities of L.A. The comedy follows Martin in the role of a wacky bachelor weatherman in a zany Los Angeles full of neon and plastic surgery, and this was the extent of the movie that Thomas (who picked the director and his four for the 4x4) knew prior to this, his first watch. Between its mixture of Zucker Brothers' and Mel Brooks's absurdist and sight gag humor with the occasional Groucho Marx-level clever wordplay is a love story between Martin's weatherman (((“meteorologist”))) and Victoria Tennant's first-time visiting L.A. British reporter (((“journalist”))) as Martin shows Tennant's character around L.A., guided by a sentient variable message highway traffic sign (((“WHAT I REALLY WANT TO DO IS DIRECT”))). As this romantic comedy proceeds with Shakespeare references, including an appearance of the sexiest man to ever grace the screen Rick Moranis as a Hamlet-esque gravedigger, but also a rapping waiter, Martin roller-skating through art museums, and a very bouncy Sarah Jessica Parker as SanDeE* (((“Big s, small a, small n, big d, small e, big e, and there's a little star at the end.”))), Martin's and Tennant's characters learn no easy lessons or manifest grand revelations. Rather than have their characters evolve and develop and expiate, the movie has instead adults fairly realistically portrayed with Richard E. Grant as Tennant's ex-husband wanting to rekindle the flame and a casual take on monogamy. This episode, no Jack, but guest Andi drops in to mix up her Micks, Thomas his Sarahs, and Ryan his quotes from next episode's The Bodyguard. Meanwhile Ken quietly reflects on the last Thanksgiving he spent with his cohosts and Kevin Spacey reenters the chat. Before the end of the ep, Ryan and Andi harmonize on a 90s rap classic on their way to a Mick Jackson theme song. Fans of the pod will learn Andi likes a break in them, Thomas isn't big on this comedy, Ken surprised its comedy's not cringe, and Ryan's people once migrated in the summers to L.A. to rollerblade. That sounds good. We'll also have a twist of lemon. THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias
Tonight we're examining late-90s American cinema through a single corrosive lens—power as pathology—using Swimming with Sharks (1994), Suicide Kings (1997), and American Psycho (2000). George Huang's indie Hollywood satire, born from his own assistant experience, pairs Kevin Spacey and Frank Whaley in a low-budget Sundance breakout that exposed abuse as industry currency. Peter O'Fallon's Suicide Kings, riding the post-Pulp Fiction wave, assembles Christopher Walken, Denis Leary, and a crop of rising young actors in a contained, dialogue-driven crime piece that underperformed theatrically but grew on video. Mary Harron's American Psycho, adapted from Bret Easton Ellis, retooled after multiple development shifts, cast Christian Bale in a career-defining role, and turned modest box office into lasting cultural capital. Together, these films document a moment when masculinity, ambition, and capitalism collapsed into performance, leaving a legacy that still shapes how film portrays power, status, and identity.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
Cancel culture shows up fast — and disappears just as quickly. Some people lose everything. Others barely flinch.In this episode, Qetsiyah Jacobson, founder of Unserious, joins me to get into what actually determines who gets “cancelled” and who doesn't. We break down the role of fanbases, parasocial loyalty, and the infrastructure behind someone's brand — and why the same behavior can have completely different outcomes depending on who you are.From Chris Brown to Sydney Sweeney, we look at what survival actually requires, and where the line between accountability and self-preservation starts to blur.Highlights(00:00) Meet Qetsiyah Jacobson(02:15) Does society forgive misogyny?(04:04) Why Armie Hammer and Kevin Spacey have stayed canceled(06:51) Sydney Sweeney and the power of fanbases vs. fame(15:23) The fall of Nicki Minaj(18:16) Kanye West and why some apologies just don't work(20:30) Performative apologies vs. genuine accountability(25:58) What the fear of being canceled means for internet culture(29:30) Tactics for improving public imageResources:Hear more from Brianna in the Stop the Scroll Newsletter: https://briannadoe.substack.com/Brianna's LinkedIn: https://www.linkedin.com/in/brianna-doe/ Qetsiyah's LinkedIn: https://www.linkedin.com/in/qetsiyahjacobson/Unserious Agency: https://www.unserious.agency/
In this discourse, we delve into the intricate narrative of "The Usual Suspects," a film that stands as a paragon of storytelling within the thriller genre. The central premise revolves around the enigmatic figure of Kaiser Soze, whose identity remains shrouded in mystery, as recounted by the sole survivor of a violent confrontation involving five criminals. We explore the nuanced performances delivered by an exceptional ensemble cast, including Kevin Spacey and Gabriel Byrne, which amplify the film's tension and intrigue. Our analysis extends to the film's masterful construction, characterized by its clever misdirection and meticulously woven plot threads that invite repeated viewings. Ultimately, we reflect on the film's enduring impact on cinematic narrative and its significance in shaping contemporary storytelling conventions.Visit Our Sponsor: https://dubby.gg10% Off Code: OURVERDICTSupport us:https://www.patreon.com/whatsourverdictEmail us:hosts@whatsourverdict.comFollow us:Facebook: https://www.facebook.com/whatsourverdictTwitter: @whatsourverdictInstagram: @whatsourverdictYouTube: https://youtube.com/channel/UC-K_E-ofs3b85BnoU4R6liAVisit us:www.whatsourverdict.com
Joe Escalante's wholesome swan dive into the business end of showbiz... This week: The latest from the Box Office: Project Hail Mary is giving people a reason to go back to the theaters during a usually weak point in the year. Joe LOVES it. Hoppers (aka RoboBeaver) is #2, Bollywood The Revenge is #3... Joe goes deep into the South Park suit, and discusses if the creators of the show deserve more for than Paramount is planning for their streaming episodes. And, in the latest Celebs Behaving Badly, Bravo (the network???) is going to arbitration over workplace conditions. And Professor Emeritus of Badly Behaving Celebs Kevin Spacey is looking to come out of retirement to show us all how badly we can behave at the workplace. See omnystudio.com/listener for privacy information.
Welcome to a very special Money On Film miniseries!Over three episodes, Slate Money's Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, we're headed to Wall Street to watch a Felix Salmon favorite: Margin Call, the 2011 thriller-drama starring a long list of famous people, including Jeremy Irons, Paul Bettany, Stanley Tucci, Demi Moore, and yes, Kevin Spacey.Directed by J. C. Chandor, the film takes place at an investment bank on the brink of the Great Financial Crisis, as financiers struggle to maintain their balance sheets against the greatest villain of the aughts: mortgage-backed securities.Coming up on Money On Film: the 2025 rom-com Materialists, followed by the animated masterpiece Spirited Away from 2001. See you next time! Hosted on Acast. See acast.com/privacy for more information.
Is thing on?... Wendys Job offer… Hidden Valley Ranch job offer… Meta looking for Creators... Happiest Countries in the world… Email: ChewingTheFat@theblaze.com www.blazetv,com/pat Save $45 on an annual subscription ( limited time) Kevin Spacey walks away clean, again... A look at the Oscars… Who Died Today: Chuck Norris 86 / Country Joe McDonald 84 / Alexander Butterfield 99…. Netflix kicks Meghan to the curb... Sleeping Beauty Syndrome?... Joke of The Day Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to a very special Money On Film miniseries!Over three episodes, Slate Money's Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, we're headed to Wall Street to watch a Felix Salmon favorite: Margin Call, the 2011 thriller-drama starring a long list of famous people, including Jeremy Irons, Paul Bettany, Stanley Tucci, Demi Moore, and yes, Kevin Spacey.Directed by J. C. Chandor, the film takes place at an investment bank on the brink of the Great Financial Crisis, as financiers struggle to maintain their balance sheets against the greatest villain of the aughts: mortgage-backed securities.Coming up on Money On Film: the 2025 rom-com Materialists, followed by the animated masterpiece Spirited Away from 2001. See you next time! Hosted on Acast. See acast.com/privacy for more information.
Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 602.585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Welcome to a very special Money On Film miniseries!Over three episodes, Slate Money's Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, we're headed to Wall Street to watch a Felix Salmon favorite: Margin Call, the 2011 thriller-drama starring a long list of famous people, including Jeremy Irons, Paul Bettany, Stanley Tucci, Demi Moore, and yes, Kevin Spacey.Directed by J. C. Chandor, the film takes place at an investment bank on the brink of the Great Financial Crisis, as financiers struggle to maintain their balance sheets against the greatest villain of the aughts: mortgage-backed securities.Coming up on Money On Film: the 2025 rom-com Materialists, followed by the animated masterpiece Spirited Away from 2001. See you next time! Hosted on Acast. See acast.com/privacy for more information.
Welcome to a very special Money On Film miniseries!Over three episodes, Slate Money's Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, we're headed to Wall Street to watch a Felix Salmon favorite: Margin Call, the 2011 thriller-drama starring a long list of famous people, including Jeremy Irons, Paul Bettany, Stanley Tucci, Demi Moore, and yes, Kevin Spacey.Directed by J. C. Chandor, the film takes place at an investment bank on the brink of the Great Financial Crisis, as financiers struggle to maintain their balance sheets against the greatest villain of the aughts: mortgage-backed securities.Coming up on Money On Film: the 2025 rom-com Materialists, followed by the animated masterpiece Spirited Away from 2001. See you next time! Hosted on Acast. See acast.com/privacy for more information.
Welcome to a very special Money On Film miniseries!Over three episodes, Slate Money's Felix Salmon and Slate culture writer Nadira Goffe revisit three films at the intersection of culture and finance. On this episode, we're headed to Wall Street to watch a Felix Salmon favorite: Margin Call, the 2011 thriller-drama starring a long list of famous people, including Jeremy Irons, Paul Bettany, Stanley Tucci, Demi Moore, and yes, Kevin Spacey.Directed by J. C. Chandor, the film takes place at an investment bank on the brink of the Great Financial Crisis, as financiers struggle to maintain their balance sheets against the greatest villain of the aughts: mortgage-backed securities.Coming up on Money On Film: the 2025 rom-com Materialists, followed by the animated masterpiece Spirited Away from 2001. See you next time! Hosted on Acast. See acast.com/privacy for more information.
Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 602.585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Morse code transcription: vvv vvv Anal cancer Woman left in pain six years after radiotherapy treatment Trump threatens to blow up entirety of major Iran gas field if it attacks Qatar again Police investigating bailout email from Mandelson to Epstein Cyprus president calls for frank discussion on UKs colonial bases Kevin Spacey and accusers settle before civil trial Child seen in sex abuse videos identified after researcher spots school badge Worlds longest coastal path opens in England to the public US intelligence chief Tulsi Gabbard says Irans regime intact but degraded How the Iran war has left Europe facing yet another energy crisis Designer dog crossbreeds show more undesirable behaviours, vets say
From 9/11 and Ali to sharing a bed with Nicole Kidman and outing Kevin Spacey, he was already one of the greatest — and most confrontational — magazine writers of all time. Then Tom Junod decided to investigate his own father's "Mad Men"-Lib of a secret life. What could possibly go wrong? What would Mr. Rogers think? And what the hell was in that briefcase?• Read "In the Days of My Youth I Was Told What It Means to Be a Man: A Memoir" by Tom Junod Hosted on Acast. See acast.com/privacy for more information.
The 1996 Academy Awards Amy, M.J and Sean watched the 1996 Academy Awards a cursed broadcast that features awards for Kevin Spacey and Mel Gibson as well as Mira Sorvino winning an Oscar in a Woody Allen movie, Mighty Aphrodite, and a pre-show Harvey Weinstein jump scare.
AP correspondent Charles de Ledesma reports actor Kevin Stacey will not need to answer to sexual assault allegations in a London court, as the case has been settled.
Sam Mendes nos trajo con AMERICAN BEAUTY una historia atípica de una familia americana modélica, normal y decente, para luego enseñarnos la auténtica realidad: que todo el mundo es imperfecto, desagradable y falso por naturaleza. Desde un padre, interpretado por Kevin Spacey, que se cuela por una compañera del cole de su hija y, tras una crisis de los cuarenta años de manual, manda todo el orden de su vida gris y aburrida al carajo, empezando de cero como un adolescente, hasta una esposa perfecta que descubre en una infidelidad una nueva llama interior y una hija inadaptada que encuentra su media naranja en un vecino bicho raro. Todo ello contado con honestidad, sin tapujos, con humor e ironía, pero también con una cruda fisicidad y con una poesía de lo cotidiano que normalmente no suele verse. Hoy, junto a Antonio Monfort, Coronel Kurtz y Antonio Runa, analizamos una película con una producción apasionante y varios exámenes de sus tramas que darán para un audio bastante profundo. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Should you watch movies made by cancelled people? Do the siblings still watch Will Smith, Johnny Depp, Kevin Spacey, or Woody Allen–to name a few–movies? Find out in today's dose of whatever. @orwhatevermovies 818-835-0473 orwhatevermovies@gmail.com www.orwhatevermovies.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Writer & editor Sarah McCarthy befriended a beautiful South African former model, Juliet Bryant, only to learn years later, after Epstein became worldwide news, that her friend had been trafficked by Jeffrey Epstein as a teenager. Fascinated by Juliet's horrific account of her experiences, Sarah determined to research and verify Juliet's dreadful account, speaking with other victims and witnesses. Juliet was initially recruited in South Africa by Epstein after meeting him at a local restaurant, along with Kevin Spacey, Chris Tucker, and former President Clinton. Sarah now shares highlights of the information contained in her book, including the shocking efforts Epstein undertook to ensure his DNA was perpetuated. At the time of this episode's air date, London-based Sarah and her boyfriend have experienced so much harassment that she opted to delay publication of her book.Heroes Behind HeadlinesExecutive Producer Ralph PezzulloProduced & Engineered by Mike DawsonMusic provided by ExtremeMusic.com
Tom Junod is a journalist who has written for Esquire and GQ and is currently a senior writer at ESPN. He's known for his stellar profiles of Mr. Rogers, Kevin Spacey, and many more. His memoir, In the Days of Youth I Was Told What It Means to Be a Man, is out now. We talk about our travels to Paris for Fashion Week, perpetual publication, the Morgan Freeman of dogs, selling women's handbags in Texas, the terror of your junk mail, the ease of podcasting and the difficulty of writing, the magazine section of supermarkets, the software he uses to write, his shed, and which cocktails his dad drank for each season of the year. instagram.com/tom_junod twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices
"The more he talks, the more people like Miami." Dan is furious the Dolphins made us do anything other than discuss the Miami Hurricanes with Mike Ryan, and where being excluded from the College Football Playoff would rank in the "all-time bulls***" Miami has faced due to the College Football Industrial Complex's bias against them. Jeremy does his best to buck up against them, but somehow that leads to a -- wait, let me check my notes -- no, yeah, a Kevin Spacey comparison. Learn more about your ad choices. Visit podcastchoices.com/adchoices